1 00:00:00,480 --> 00:00:03,159 Speaker 1: My next guest is Tory is the best selling author, 2 00:00:03,240 --> 00:00:06,280 Speaker 1: writer and podcaster Towards well known for his work on 3 00:00:06,400 --> 00:00:09,720 Speaker 1: Cycle on NMSNBC, Hip Hop Shop on FUSE, the Black 4 00:00:09,760 --> 00:00:12,959 Speaker 1: Carpet on BT I Try Anything Once, So Treasury a 5 00:00:13,039 --> 00:00:16,400 Speaker 1: d and Spoken Herd on MTV and it's the first 6 00:00:16,440 --> 00:00:20,439 Speaker 1: pop up culture correspondent on c n N. Tory hosts 7 00:00:20,440 --> 00:00:23,479 Speaker 1: a new series. I'm very excited to announce Masters of 8 00:00:23,520 --> 00:00:26,160 Speaker 1: the Game, a monthly one hour program on De Grill 9 00:00:26,560 --> 00:00:28,840 Speaker 1: as host on this one on one interview with living 10 00:00:28,920 --> 00:00:32,600 Speaker 1: legends and intimate settings touring, His special guests will discuss 11 00:00:32,680 --> 00:00:35,320 Speaker 1: their crafts, brilliance and rhodes, something I tried to do 12 00:00:35,360 --> 00:00:37,200 Speaker 1: on here, but he's doing it at a much higher 13 00:00:37,280 --> 00:00:40,000 Speaker 1: level and I respect that. Please welcome to the host 14 00:00:40,080 --> 00:00:43,120 Speaker 1: of Masters of the Game, the one and only Tory. 15 00:00:43,360 --> 00:00:47,199 Speaker 1: How you know, thanks man? How are you pretty good? Uh? 16 00:00:47,640 --> 00:00:50,760 Speaker 1: Your face is so familiar. And that's as a compliment 17 00:00:51,120 --> 00:00:54,280 Speaker 1: because but if I say that in complimentary way, because 18 00:00:54,280 --> 00:00:58,080 Speaker 1: it's been on so many different platforms. You know, when 19 00:00:58,080 --> 00:00:59,840 Speaker 1: it came into my life, it was on the tennis 20 00:01:00,160 --> 00:01:02,920 Speaker 1: far My daughter was striving to be the next Venus 21 00:01:02,920 --> 00:01:05,600 Speaker 1: Williams and she tore need at n eighteen and now 22 00:01:05,640 --> 00:01:10,000 Speaker 1: she's a college graduate and honors graduate and graphic designs. 23 00:01:10,000 --> 00:01:12,720 Speaker 1: I'm happy. But she was a prodigy of sixteen, and 24 00:01:12,760 --> 00:01:15,200 Speaker 1: so you know, in that world. I like to go 25 00:01:15,240 --> 00:01:17,280 Speaker 1: into that before we get it to the Masters, because 26 00:01:17,280 --> 00:01:19,560 Speaker 1: I think that's what the whole thing is about people's 27 00:01:19,640 --> 00:01:22,400 Speaker 1: lives and perspectives. And you have such a unique perspective 28 00:01:22,560 --> 00:01:25,559 Speaker 1: because you've done so many things, Tori, so many things 29 00:01:25,600 --> 00:01:29,600 Speaker 1: well in the name of tennis. What are the upsides 30 00:01:29,640 --> 00:01:31,640 Speaker 1: of a young person going to to that sport and 31 00:01:31,640 --> 00:01:35,399 Speaker 1: what are the downsides? That's a great question. I mean, 32 00:01:35,480 --> 00:01:38,399 Speaker 1: you know, I've spent a lot of my life playing. Um, 33 00:01:38,440 --> 00:01:40,000 Speaker 1: I just got off the court playing this morning. I 34 00:01:40,040 --> 00:01:43,559 Speaker 1: play every day. Uh, played junior tournaments throughout my youth. 35 00:01:43,600 --> 00:01:48,120 Speaker 1: I mean, definitely one of the upsides is learning how 36 00:01:48,200 --> 00:01:51,360 Speaker 1: to deal with pressure. When you get to a certain 37 00:01:51,440 --> 00:01:55,360 Speaker 1: level and you've had adults pushing you and investing their 38 00:01:55,400 --> 00:01:58,040 Speaker 1: time and money and you and they maybe fly you 39 00:01:58,120 --> 00:02:01,120 Speaker 1: to some tournament and they want to see results. They 40 00:02:01,120 --> 00:02:02,800 Speaker 1: want to see you trun card, they want to see 41 00:02:02,800 --> 00:02:06,120 Speaker 1: you do well. Um, you feel a lot of pressure 42 00:02:06,120 --> 00:02:08,839 Speaker 1: because the guy on the other side or the girl 43 00:02:08,880 --> 00:02:11,120 Speaker 1: on the other side is dealing with the same stuff. 44 00:02:11,240 --> 00:02:14,880 Speaker 1: None of these kids paid to fly themselves there. Um, 45 00:02:14,960 --> 00:02:17,800 Speaker 1: so there can be a lot of pressure. Learning how 46 00:02:17,880 --> 00:02:22,000 Speaker 1: to deal with pressure is very valuable. And when I 47 00:02:22,080 --> 00:02:27,480 Speaker 1: got I started getting into my live television career, I 48 00:02:27,600 --> 00:02:32,640 Speaker 1: was not paralyzed by the pressure of being on live 49 00:02:32,760 --> 00:02:36,560 Speaker 1: CNN or whatever it was, MSNBC, whatever, because I was like, 50 00:02:36,680 --> 00:02:41,040 Speaker 1: I've been nervous before and still performed because it's you know, 51 00:02:41,160 --> 00:02:44,639 Speaker 1: add out and my dad is watching, like we beat 52 00:02:44,680 --> 00:02:48,239 Speaker 1: this kid now. I mean, I can't think of a 53 00:02:48,320 --> 00:02:51,320 Speaker 1: lot of cons but I mean that's sort of mental 54 00:02:51,480 --> 00:02:55,919 Speaker 1: strain on someone who's twelve or fourteen or sixteen can 55 00:02:56,000 --> 00:02:59,359 Speaker 1: be a lot and can it be It can be damaging. 56 00:03:00,040 --> 00:03:04,120 Speaker 1: It wasn't to me, um, although you know, the most 57 00:03:04,639 --> 00:03:08,840 Speaker 1: most of the most stressful moments of my childhood were 58 00:03:08,960 --> 00:03:10,600 Speaker 1: on a tennis court in terms of the amount of 59 00:03:10,639 --> 00:03:14,040 Speaker 1: pressure that the adults around me we're putting on me 60 00:03:14,080 --> 00:03:20,160 Speaker 1: to succeed. Um. But um, you know, I see others 61 00:03:20,240 --> 00:03:23,840 Speaker 1: who are dealing with more trauma from the childhoods in 62 00:03:23,880 --> 00:03:25,959 Speaker 1: tennis than me. I still enjoy the game and still 63 00:03:25,960 --> 00:03:28,080 Speaker 1: play all the time and will play tournaments to all 64 00:03:28,120 --> 00:03:36,200 Speaker 1: the time. Um, you know, you learn self reliance, self resilience. 65 00:03:36,480 --> 00:03:39,160 Speaker 1: You are out there by yourself. You cannot pass the 66 00:03:39,200 --> 00:03:42,280 Speaker 1: ball or take a break. You can't even turn to 67 00:03:42,280 --> 00:03:44,200 Speaker 1: the coach and say, hey, like what should I do here? 68 00:03:44,280 --> 00:03:47,200 Speaker 1: You've got to figure out your problems by yourself. You 69 00:03:47,280 --> 00:03:51,000 Speaker 1: have to do all the things by yourself as opposed 70 00:03:51,000 --> 00:03:55,200 Speaker 1: to a team sport. Um. You know it's you who 71 00:03:55,280 --> 00:03:57,680 Speaker 1: makes it or doesn't. So I mean, like you know 72 00:03:57,760 --> 00:04:01,840 Speaker 1: that that learning that is a great life lesson as 73 00:04:01,840 --> 00:04:05,600 Speaker 1: a great life lessons. But like you said, pressure, pressure 74 00:04:05,640 --> 00:04:08,840 Speaker 1: at every age is not always good. But then you 75 00:04:08,880 --> 00:04:11,600 Speaker 1: had an opinion. You have no opinion now, Tori, when 76 00:04:11,600 --> 00:04:16,440 Speaker 1: you play tennis, did you have an opinion? Absolutely? I 77 00:04:16,480 --> 00:04:19,960 Speaker 1: mean you know, you know I started playing tournaments when 78 00:04:19,960 --> 00:04:22,960 Speaker 1: I was ten, Um, so you know how much of 79 00:04:22,960 --> 00:04:25,080 Speaker 1: a political opinion did I have been? But you know, 80 00:04:25,160 --> 00:04:30,080 Speaker 1: my parents were always talking about political ideas. Um. That 81 00:04:30,120 --> 00:04:32,680 Speaker 1: was a big part of our constant conversation. What was 82 00:04:32,720 --> 00:04:35,520 Speaker 1: going on in the world, with Jimmy Carter with a 83 00:04:35,520 --> 00:04:38,600 Speaker 1: fair writive action, with Ronald Reagan what have you. So 84 00:04:39,480 --> 00:04:43,240 Speaker 1: I was aware of the world and I had strong 85 00:04:43,279 --> 00:04:47,440 Speaker 1: opinions about the world. And I think that by the 86 00:04:47,480 --> 00:04:49,640 Speaker 1: time I definitely got to be sixteen seventeen eighteen, I 87 00:04:49,760 --> 00:04:54,680 Speaker 1: had strong opinions about the world and you know, black 88 00:04:54,680 --> 00:04:57,200 Speaker 1: people and where we were going. So you know, I 89 00:04:57,240 --> 00:05:00,360 Speaker 1: mean that was always part of my life. Right now, 90 00:05:00,720 --> 00:05:03,320 Speaker 1: it's is everything is a brand now. Your name has 91 00:05:03,400 --> 00:05:06,120 Speaker 1: become a brand. There's there's no last name when you 92 00:05:06,160 --> 00:05:10,240 Speaker 1: are introduced. Where was that was that? Was that a 93 00:05:10,240 --> 00:05:13,720 Speaker 1: decision made by management, decision made by you? How the 94 00:05:13,839 --> 00:05:16,200 Speaker 1: decision that came by so you know some this this 95 00:05:16,240 --> 00:05:18,800 Speaker 1: first name is the one, This is my brand. This 96 00:05:18,800 --> 00:05:20,919 Speaker 1: is what I'm gonna ride it out with. That's a 97 00:05:20,960 --> 00:05:23,919 Speaker 1: great question. It wasn't. It didn't have anything to do 98 00:05:23,960 --> 00:05:28,320 Speaker 1: with branding in the way that people talk about branded now. 99 00:05:29,279 --> 00:05:33,440 Speaker 1: But when I was going after I finished high school, 100 00:05:33,680 --> 00:05:37,920 Speaker 1: I started to have just some larger thoughts about me 101 00:05:38,040 --> 00:05:40,400 Speaker 1: and my place in the world. And I was thinking 102 00:05:40,400 --> 00:05:43,360 Speaker 1: about how my first name was something that my parents 103 00:05:43,400 --> 00:05:48,359 Speaker 1: had very actively searched out and chosen for me, and 104 00:05:49,040 --> 00:05:51,719 Speaker 1: the government name was something that we really didn't know 105 00:05:51,800 --> 00:05:57,080 Speaker 1: anything about. You know, my father's father had died before 106 00:05:57,080 --> 00:05:59,760 Speaker 1: he was born. We had no photographs, we had no records, 107 00:06:00,160 --> 00:06:03,760 Speaker 1: really didn't have any stories. I had a friend who 108 00:06:04,000 --> 00:06:06,159 Speaker 1: uh still to a friend of the day who was 109 00:06:06,200 --> 00:06:09,360 Speaker 1: Irish and now on the wall in their family room 110 00:06:09,440 --> 00:06:12,880 Speaker 1: they had like you know, going back sixteen generations into Ireland. 111 00:06:13,200 --> 00:06:15,440 Speaker 1: You know this one, this one, this one, this one. Um, 112 00:06:15,600 --> 00:06:18,240 Speaker 1: we had nothing of that in my family. And I 113 00:06:18,320 --> 00:06:22,400 Speaker 1: felt that rupture in the family that I think a 114 00:06:22,400 --> 00:06:26,760 Speaker 1: lot of African Americans experience. And my way of reflecting 115 00:06:26,839 --> 00:06:31,320 Speaker 1: that was Gay is the name that was chosen for 116 00:06:31,400 --> 00:06:35,640 Speaker 1: me that links back to African history, and the last 117 00:06:35,720 --> 00:06:41,839 Speaker 1: name was something that didn't have that same residence for 118 00:06:41,920 --> 00:06:44,080 Speaker 1: us because there was no story, there was no people, 119 00:06:44,160 --> 00:06:47,520 Speaker 1: there was no history connected to it for us. So 120 00:06:48,200 --> 00:06:51,599 Speaker 1: I said, you know, going into college, I'm going away 121 00:06:51,720 --> 00:06:54,479 Speaker 1: from my family. You know, my my parents and my 122 00:06:54,520 --> 00:06:58,760 Speaker 1: sister were a constant presence on my high school campus. 123 00:06:58,800 --> 00:07:00,520 Speaker 1: But in college I would be more or at a 124 00:07:00,640 --> 00:07:05,560 Speaker 1: chance to sort of redo some things, you could say. 125 00:07:05,760 --> 00:07:07,760 Speaker 1: And so I said, okay, like this is one way 126 00:07:07,800 --> 00:07:10,040 Speaker 1: I want to do that. So when I first begin 127 00:07:10,240 --> 00:07:14,600 Speaker 1: writing for the local for the college paper, um, it's 128 00:07:14,640 --> 00:07:18,080 Speaker 1: always with one name. Um. I wrote a story when 129 00:07:18,080 --> 00:07:19,760 Speaker 1: I was in essay when I was in college for 130 00:07:19,800 --> 00:07:23,800 Speaker 1: the Philadelphia Tribune. That was with one name. So even 131 00:07:23,840 --> 00:07:28,920 Speaker 1: the first things that I'm writing publicly, we're just one name. 132 00:07:29,280 --> 00:07:32,440 Speaker 1: We'll be right back with more money Making Conversations Master 133 00:07:32,560 --> 00:07:37,760 Speaker 1: Class with Rushan McDonald. Now, let's return to Money Making 134 00:07:37,800 --> 00:07:42,320 Speaker 1: Conversations Master Class with Rushan McDonald. You know, it's always 135 00:07:42,360 --> 00:07:44,680 Speaker 1: just because my name is Rushan, and I know that 136 00:07:44,760 --> 00:07:47,280 Speaker 1: if my name was Ricky, I'll be a different person. 137 00:07:47,640 --> 00:07:49,960 Speaker 1: But because the uniqueness of my name and then the 138 00:07:50,000 --> 00:07:52,680 Speaker 1: annunciation of my name, because at one time people say 139 00:07:52,880 --> 00:07:55,680 Speaker 1: Russian Rushan, and then a friend of mine said, he said, 140 00:07:56,360 --> 00:07:59,680 Speaker 1: Piccolin Rushan, are you Russian? And you Rushan rik alone, 141 00:08:00,240 --> 00:08:02,400 Speaker 1: so came ra Shan and I and I fought for 142 00:08:02,480 --> 00:08:04,720 Speaker 1: it to be Rashawn. So I know it does make 143 00:08:04,760 --> 00:08:06,880 Speaker 1: a difference when you, like I said, when I made 144 00:08:06,880 --> 00:08:09,200 Speaker 1: that decision, it wasn't about branding. I just made a decision. 145 00:08:09,240 --> 00:08:11,320 Speaker 1: This is how I wanted to be recognized, and to 146 00:08:11,360 --> 00:08:15,240 Speaker 1: be recognized does lay the pathway because their uniqueness. Whenever 147 00:08:15,240 --> 00:08:18,760 Speaker 1: I heard your name, it it resonated with me because 148 00:08:18,800 --> 00:08:22,120 Speaker 1: it's stood for something, It's stood for you. And with 149 00:08:22,320 --> 00:08:25,440 Speaker 1: that being said, it has allowed you to me to 150 00:08:25,560 --> 00:08:27,680 Speaker 1: be able to say, I'm just not a tennis guy 151 00:08:27,720 --> 00:08:30,440 Speaker 1: who could just talk on tennis. I'm just how are 152 00:08:30,440 --> 00:08:34,160 Speaker 1: we able to start cultivating the brand because we have 153 00:08:34,200 --> 00:08:36,560 Speaker 1: to talk about because you are a brand, and and 154 00:08:36,600 --> 00:08:39,120 Speaker 1: I recognized brand. That's why you're hosting the show Masters 155 00:08:39,160 --> 00:08:42,240 Speaker 1: of the Game. Because people are recognized you as an extellectual, 156 00:08:42,320 --> 00:08:45,600 Speaker 1: They recognize you as a as an authentic that recognized 157 00:08:45,600 --> 00:08:48,880 Speaker 1: you the person who can who can cultivate conversations, whether 158 00:08:48,920 --> 00:08:52,200 Speaker 1: it's entertainment, whether it's hip hop or athletics. That's a 159 00:08:52,200 --> 00:08:54,520 Speaker 1: beautiful thing for people to respect you from. And I 160 00:08:54,559 --> 00:08:58,000 Speaker 1: as as a writer as well. So the brand of 161 00:08:58,120 --> 00:09:02,319 Speaker 1: developing you leave you mean tennis, you talked about Philadelphia 162 00:09:02,320 --> 00:09:05,440 Speaker 1: inquire when you started realizing, you know something, I can 163 00:09:05,480 --> 00:09:07,640 Speaker 1: do this, I can expand this, and I can build 164 00:09:07,640 --> 00:09:11,360 Speaker 1: a career out of this. Um, you know, I think 165 00:09:11,400 --> 00:09:15,280 Speaker 1: I was always confident that I could be a professional writer. 166 00:09:15,360 --> 00:09:19,400 Speaker 1: I wasn't necessarily certain when I moved to New York 167 00:09:19,600 --> 00:09:23,560 Speaker 1: exactly how you do that, but I knew do it 168 00:09:23,600 --> 00:09:27,080 Speaker 1: if I could get in the door. Um, you know, 169 00:09:27,080 --> 00:09:28,840 Speaker 1: I mean Master of the Game is great because it 170 00:09:28,880 --> 00:09:31,480 Speaker 1: does give me a chance to sort of stretch out 171 00:09:31,600 --> 00:09:35,200 Speaker 1: on a wide array of topics. So we talked to 172 00:09:35,800 --> 00:09:40,160 Speaker 1: Francis Tifa, the great tennis player. We talked to Tyler Perry. 173 00:09:40,400 --> 00:09:44,520 Speaker 1: You know everybody knows he is, Keenan Thompson, the great comedian, 174 00:09:45,080 --> 00:09:51,160 Speaker 1: and Don Peebles, the great real estate uh tycoon. So 175 00:09:51,520 --> 00:09:55,520 Speaker 1: it's sort of really stretches my muscles. I've had a 176 00:09:55,679 --> 00:10:01,080 Speaker 1: few things that I am super passionate about the politics 177 00:10:01,120 --> 00:10:05,360 Speaker 1: and black people, UM culture and how that speaks to 178 00:10:05,640 --> 00:10:09,199 Speaker 1: black people, especially hip hop, but all sorts of black culture, 179 00:10:09,880 --> 00:10:14,840 Speaker 1: UM and and and and tennis, and within black culture, 180 00:10:14,960 --> 00:10:18,440 Speaker 1: I would include, you know, the sort of sports conversation 181 00:10:18,480 --> 00:10:22,000 Speaker 1: that I've had. I'm not a sports sports guy, like 182 00:10:22,000 --> 00:10:24,080 Speaker 1: like a Michael Smith or something like that, but like 183 00:10:24,120 --> 00:10:27,839 Speaker 1: in terms of the black cultural nature of sports, I 184 00:10:27,880 --> 00:10:32,280 Speaker 1: have been part of that conversation. I'm super interested in 185 00:10:32,360 --> 00:10:36,040 Speaker 1: a small number of subjects, and I have sought out 186 00:10:36,400 --> 00:10:38,760 Speaker 1: opportunities to talk about those things that I've gotten the 187 00:10:38,800 --> 00:10:41,000 Speaker 1: opportunity to talk about those things. I was always interested 188 00:10:41,040 --> 00:10:45,160 Speaker 1: in politics, but in my twenties, nobody was going to 189 00:10:45,280 --> 00:10:47,320 Speaker 1: hire me to talk about politics. But I was able 190 00:10:47,320 --> 00:10:49,959 Speaker 1: to get on at Rolling Stone and write about culture. 191 00:10:50,280 --> 00:10:52,400 Speaker 1: In my thirties, I was given more of a chance 192 00:10:52,480 --> 00:10:57,640 Speaker 1: to talk about politics, so I added that, um, all along, 193 00:10:57,720 --> 00:11:03,640 Speaker 1: I always talked about tennis. Um. When I got the opportunity, uh, 194 00:11:03,760 --> 00:11:06,200 Speaker 1: and I had some really interesting opportunities to write about tennis. 195 00:11:06,240 --> 00:11:08,800 Speaker 1: And you know, it wasn't really about I really wasn't 196 00:11:08,800 --> 00:11:11,240 Speaker 1: thinking about branding. I was thinking about, these are the 197 00:11:11,280 --> 00:11:14,160 Speaker 1: things that I love that's interested in, So let me 198 00:11:14,480 --> 00:11:17,679 Speaker 1: talk about these different things. UM. I mean, you know, 199 00:11:17,720 --> 00:11:20,480 Speaker 1: I think about my father put a lot of time 200 00:11:20,720 --> 00:11:23,839 Speaker 1: and energy into my tennis when I was growing up. 201 00:11:24,280 --> 00:11:27,040 Speaker 1: And when I got into my forties and he got 202 00:11:27,080 --> 00:11:30,560 Speaker 1: sick and I hadn't been playing for several years, I 203 00:11:30,559 --> 00:11:33,960 Speaker 1: started think about, like all that he had poured into 204 00:11:34,000 --> 00:11:38,400 Speaker 1: me through that and honoring him by well dishonoring him 205 00:11:38,400 --> 00:11:43,280 Speaker 1: potentially by not utilizing that information and then saying like, well, 206 00:11:43,360 --> 00:11:44,839 Speaker 1: let me see if I get back on the court 207 00:11:45,040 --> 00:11:50,040 Speaker 1: and used that that he taught me. And it's been 208 00:11:50,280 --> 00:11:57,479 Speaker 1: partly a way of honoring him through getting back to it. Um. 209 00:11:57,520 --> 00:11:59,560 Speaker 1: But yeah, I mean, these are just the things that 210 00:11:59,679 --> 00:12:03,160 Speaker 1: I love of and feel happy talking about. You know, 211 00:12:03,360 --> 00:12:08,079 Speaker 1: it's really interesting, um, your personality because you know, success 212 00:12:08,160 --> 00:12:11,200 Speaker 1: and your success is always tied to the fact that 213 00:12:11,240 --> 00:12:14,400 Speaker 1: you you seem to be a normal conversationalist, you know, 214 00:12:14,440 --> 00:12:17,280 Speaker 1: because you just mentioned uh, you know TiO four, you know. 215 00:12:17,400 --> 00:12:21,520 Speaker 1: Then then you mentioned Tyler Perry billionaire. Then you mentioned, uh, 216 00:12:21,679 --> 00:12:25,480 Speaker 1: don people a near real estate billionaire. You mentioned I know, 217 00:12:25,559 --> 00:12:28,120 Speaker 1: don't people you mentioned Donald Trump around him, he like 218 00:12:28,240 --> 00:12:31,720 Speaker 1: he just goes really stopped. He was giving his he 219 00:12:31,800 --> 00:12:34,080 Speaker 1: was giving his real estate. I earned my reshod, I 220 00:12:34,080 --> 00:12:37,480 Speaker 1: earned my And then you missed Keenan Thompson, you know, 221 00:12:37,960 --> 00:12:41,520 Speaker 1: uh from Saturdaynight Live, and each one of these till 222 00:12:41,600 --> 00:12:44,679 Speaker 1: four or dear for it, you know. And and sometimes 223 00:12:44,840 --> 00:12:47,240 Speaker 1: I would like, would I be talented people like you 224 00:12:47,440 --> 00:12:50,960 Speaker 1: who have just mastered your craft? I would like to 225 00:12:50,960 --> 00:12:53,440 Speaker 1: slow down. Go you know something? You talk about a 226 00:12:53,600 --> 00:12:58,480 Speaker 1: rising athletic superstar in tennis. Yeah, Tyler Perry, who has 227 00:12:58,640 --> 00:13:04,640 Speaker 1: changed the production game, owns the studio, owns all his properties. Yeah. God, 228 00:13:04,720 --> 00:13:08,959 Speaker 1: people who in New York City, Miami area, Florida area 229 00:13:09,280 --> 00:13:14,160 Speaker 1: real estate, real estate tackle black except made by the way. Well, 230 00:13:14,280 --> 00:13:17,080 Speaker 1: let me see one thing, because you're talking about naturalism. 231 00:13:17,520 --> 00:13:19,800 Speaker 1: And yes, when I do an interview with these sort 232 00:13:19,840 --> 00:13:24,640 Speaker 1: of people, I am striving to have a conversation. Absolutely 233 00:13:25,240 --> 00:13:27,719 Speaker 1: look at it like I wrote down ten questions and 234 00:13:27,760 --> 00:13:31,760 Speaker 1: I'm going to ask them and answer, or I'm listening 235 00:13:31,880 --> 00:13:34,760 Speaker 1: to you. I am trying to discern what it is 236 00:13:34,840 --> 00:13:38,120 Speaker 1: that you really want to talk about. I am dialoguing you. 237 00:13:38,200 --> 00:13:42,480 Speaker 1: I want to move you in a comfortable way through 238 00:13:42,720 --> 00:13:45,719 Speaker 1: your memory bank and not have you sort of like 239 00:13:46,160 --> 00:13:49,400 Speaker 1: jerking around through it, so you're you know, and I 240 00:13:49,440 --> 00:13:54,880 Speaker 1: want you to feel like you are never more heard 241 00:13:55,559 --> 00:13:59,280 Speaker 1: than when you're talking to me. So I'm paying attention 242 00:13:59,320 --> 00:14:02,240 Speaker 1: to you. I may be mirroring to certain extent your 243 00:14:02,320 --> 00:14:05,920 Speaker 1: body language, sort of paying attention to the crevices and 244 00:14:06,000 --> 00:14:08,840 Speaker 1: nuances of what you're saying, maybe laughing at your jokes 245 00:14:08,920 --> 00:14:13,120 Speaker 1: and agreeing with your ideas. And some of this begins 246 00:14:13,200 --> 00:14:16,280 Speaker 1: before the interview even officially begins, and like when we're 247 00:14:16,280 --> 00:14:19,360 Speaker 1: just sitting there waiting for the crew to be ready, 248 00:14:19,400 --> 00:14:22,400 Speaker 1: I'm talking to you and giving you this treatment. I 249 00:14:22,440 --> 00:14:27,200 Speaker 1: want you to feel heard and paid attention to, so 250 00:14:27,320 --> 00:14:31,200 Speaker 1: that then you feel comfortable talking to me and letting 251 00:14:31,240 --> 00:14:34,360 Speaker 1: that out. So we're having a natural conversation. But I'm 252 00:14:34,400 --> 00:14:38,920 Speaker 1: also making you feel comfortable and wanted and paid attention 253 00:14:38,960 --> 00:14:41,400 Speaker 1: to um, And I think that goes a long way 254 00:14:41,440 --> 00:14:46,760 Speaker 1: towards getting people to feel comfortable to open up. We talked. 255 00:14:46,840 --> 00:14:50,560 Speaker 1: We were talking to Tori. We're best selling author, writer podcasts, 256 00:14:50,960 --> 00:14:53,120 Speaker 1: the host of the Masters of the Game, which would 257 00:14:53,120 --> 00:14:55,960 Speaker 1: be a monthly one hour program on degree Um. When 258 00:14:56,000 --> 00:14:58,280 Speaker 1: I was saying that was not an insult, just a 259 00:14:58,360 --> 00:15:00,640 Speaker 1: just a testament to your talent. But you know you're 260 00:15:00,680 --> 00:15:03,800 Speaker 1: doing something. Yeah, but they're doing something that people always said, 261 00:15:03,800 --> 00:15:05,840 Speaker 1: don't do you know when you're about to interview somebody, 262 00:15:05,880 --> 00:15:08,720 Speaker 1: you know, you you leave valuable nuggets on the ground 263 00:15:08,720 --> 00:15:10,480 Speaker 1: if you talk to them too much prior to it, 264 00:15:10,760 --> 00:15:13,080 Speaker 1: and then you save very shot. I talked to him 265 00:15:13,080 --> 00:15:16,640 Speaker 1: prior to that. I I established a zone of a 266 00:15:16,680 --> 00:15:20,840 Speaker 1: conversation and that's how I get into it. That's your style, 267 00:15:20,960 --> 00:15:23,480 Speaker 1: and it works for you. Now we know there are 268 00:15:23,480 --> 00:15:26,880 Speaker 1: a lot of legendary interviewers out there, the Barbara Walters, 269 00:15:27,000 --> 00:15:31,360 Speaker 1: the the oprah Winfreeze. What is the Tory style? Was 270 00:15:31,400 --> 00:15:33,800 Speaker 1: that the Tory style of interviewing that you just gave 271 00:15:33,880 --> 00:15:36,120 Speaker 1: us an example of pretty much. I mean, you know, 272 00:15:36,240 --> 00:15:41,000 Speaker 1: for one thing, I like to make statements right and 273 00:15:41,120 --> 00:15:45,200 Speaker 1: have you respond to the statement, because I think sometimes 274 00:15:45,720 --> 00:15:48,840 Speaker 1: if I make a statement if I say, let's say 275 00:15:48,840 --> 00:15:51,320 Speaker 1: I was interviewing you and I said you're a great interviewer, 276 00:15:52,280 --> 00:15:56,360 Speaker 1: you would take that where you think you should take that. 277 00:15:56,920 --> 00:16:00,440 Speaker 1: They go to your training as an in your viewer, 278 00:16:01,000 --> 00:16:05,080 Speaker 1: or your style of preparation or whatever. You know, you 279 00:16:05,120 --> 00:16:08,640 Speaker 1: are so great in that movie, such a tough rule, 280 00:16:09,800 --> 00:16:13,200 Speaker 1: and now you're gonna go where you think that should go. 281 00:16:14,360 --> 00:16:17,840 Speaker 1: If I if I tagged that with a question, now 282 00:16:17,880 --> 00:16:22,720 Speaker 1: I may have narrowed where you can go with your answer, 283 00:16:23,360 --> 00:16:27,000 Speaker 1: and you may think, well, this is the more interesting answer. 284 00:16:27,040 --> 00:16:29,040 Speaker 1: But he asked me this over here, so now I'm 285 00:16:29,040 --> 00:16:31,560 Speaker 1: gonna go over here. And I didn't give you the 286 00:16:31,640 --> 00:16:34,840 Speaker 1: chance to choose what would be the most interesting answer 287 00:16:35,360 --> 00:16:37,640 Speaker 1: to the subject of let's talk about your movie, or 288 00:16:37,720 --> 00:16:40,680 Speaker 1: let's talk about your book, let's talk about your interviewing skills, 289 00:16:40,800 --> 00:16:42,520 Speaker 1: or you know what it was like when you play 290 00:16:42,600 --> 00:16:46,560 Speaker 1: with the Lakers or whatever it is. I love the 291 00:16:46,680 --> 00:16:50,680 Speaker 1: statement as a question. Every once in a while you 292 00:16:50,720 --> 00:16:54,880 Speaker 1: get people who were like, that wasn't a question. What 293 00:16:54,960 --> 00:16:59,800 Speaker 1: am I supposed to And sometimes you know, sometimes people 294 00:17:00,000 --> 00:17:02,760 Speaker 1: a uh. It took me a minute to get used 295 00:17:02,800 --> 00:17:04,639 Speaker 1: to that, because I was like, he's not asking questions 296 00:17:04,680 --> 00:17:06,680 Speaker 1: and they're like, oh, this is the way he does it. 297 00:17:06,960 --> 00:17:11,160 Speaker 1: There is also a value in asking questions. All right, 298 00:17:11,200 --> 00:17:15,400 Speaker 1: sometimes I do want to target you towards a specific thing, um. 299 00:17:16,200 --> 00:17:22,880 Speaker 1: But you know, I love the conversationalist statement approach. I 300 00:17:22,920 --> 00:17:25,880 Speaker 1: wanted to feel natural. I wanted to feel like you're 301 00:17:26,320 --> 00:17:31,320 Speaker 1: talking to a friend. Um. You know, everything is about 302 00:17:31,560 --> 00:17:35,720 Speaker 1: follow ups. It's really never in the first question. The 303 00:17:35,760 --> 00:17:38,919 Speaker 1: first question is just like a jab, it's just probing, 304 00:17:39,040 --> 00:17:42,360 Speaker 1: just hey, I want to talk about this general area 305 00:17:42,640 --> 00:17:46,239 Speaker 1: of your life. And then after that, and they go 306 00:17:46,280 --> 00:17:49,119 Speaker 1: into one or two or if it's really important, three 307 00:17:49,720 --> 00:17:52,639 Speaker 1: follow ups, and there I don't I don't need and 308 00:17:52,680 --> 00:17:55,520 Speaker 1: I can't really write down what the follow ups are 309 00:17:55,520 --> 00:17:59,600 Speaker 1: gonna be because I need to listen to you and 310 00:17:59,680 --> 00:18:02,520 Speaker 1: here or what did you say that was interesting? What 311 00:18:02,560 --> 00:18:04,240 Speaker 1: do I want to go deeper on? What part of 312 00:18:04,280 --> 00:18:07,800 Speaker 1: the answer did you not give me? So as you're talking, 313 00:18:07,840 --> 00:18:11,280 Speaker 1: I'm sort of calculating, like how much more space is 314 00:18:11,320 --> 00:18:15,680 Speaker 1: there in this topic that you haven't yet touched on? 315 00:18:16,119 --> 00:18:18,359 Speaker 1: And is it interesting? Do I need to try to 316 00:18:18,359 --> 00:18:20,480 Speaker 1: get you to touch on that or should I move 317 00:18:20,520 --> 00:18:23,720 Speaker 1: on to something else entirely? But you know, I have 318 00:18:23,880 --> 00:18:28,480 Speaker 1: to be very actively listening and thinking about what is 319 00:18:28,520 --> 00:18:31,720 Speaker 1: the overall conversation that I want to have with this person, um, 320 00:18:31,760 --> 00:18:34,760 Speaker 1: not just waiting for them to finish talking so I 321 00:18:34,760 --> 00:18:37,159 Speaker 1: can go on to the next question. Wow, We'll be 322 00:18:37,240 --> 00:18:44,000 Speaker 1: right back with more Money Making Conversations Masterclass with Rushan McDonald. Now, 323 00:18:44,080 --> 00:18:49,080 Speaker 1: let's return to Money Making Conversations Masterclass with Rushan McDonald. 324 00:18:49,320 --> 00:18:51,080 Speaker 1: I'm gonna ask you, Tori. You have a lot of 325 00:18:51,119 --> 00:18:55,480 Speaker 1: titles and a lot of loves. TV host Arthur, music journalist, 326 00:18:55,560 --> 00:18:59,520 Speaker 1: cultural critic, podcaster. We talked about Roshan. I just got 327 00:18:59,560 --> 00:19:02,440 Speaker 1: off play tennis today. It's a passion. I go back. 328 00:19:02,480 --> 00:19:05,840 Speaker 1: I love like I like. For instance, now I have 329 00:19:05,920 --> 00:19:08,639 Speaker 1: a love for baking. It relaxes me, It takes me 330 00:19:08,680 --> 00:19:11,520 Speaker 1: out of my space. Stress is gone, so going now 331 00:19:11,560 --> 00:19:15,240 Speaker 1: I can see results when I bake. TV host, author, 332 00:19:15,400 --> 00:19:19,960 Speaker 1: music journalist, cultural critic, podcasting. Which one jumps out outside 333 00:19:20,000 --> 00:19:22,200 Speaker 1: of tennis? Which one jumps out to say, you know, 334 00:19:22,240 --> 00:19:25,399 Speaker 1: I'm gonna follow this outside of tennis. That was the 335 00:19:25,400 --> 00:19:27,160 Speaker 1: way I was gonna You know, you could, you could 336 00:19:28,280 --> 00:19:33,639 Speaker 1: which one is the de stressors the stresser? You know, 337 00:19:33,720 --> 00:19:36,399 Speaker 1: I I find enjarment in it because you know, a 338 00:19:36,440 --> 00:19:38,560 Speaker 1: lot of things we do, we do it because we're 339 00:19:38,600 --> 00:19:40,880 Speaker 1: gifted at it. You know what I'm saying. I mean, 340 00:19:41,040 --> 00:19:46,879 Speaker 1: I I enjoy the vast majority of the work that 341 00:19:47,040 --> 00:19:51,639 Speaker 1: I do, hardly ever doing something that I'm like, I 342 00:19:51,640 --> 00:19:55,680 Speaker 1: don't want to do this. You know. I love writing, 343 00:19:56,480 --> 00:20:00,879 Speaker 1: whether it's writing books or writing short essays. I love podcasting. 344 00:20:01,359 --> 00:20:06,320 Speaker 1: I love hosting television shows. That's really exciting. Um, you know, 345 00:20:06,400 --> 00:20:10,520 Speaker 1: I mean, all of it is interesting to me. And 346 00:20:10,560 --> 00:20:14,520 Speaker 1: I try to set myself up that I am doing 347 00:20:14,680 --> 00:20:18,960 Speaker 1: things that I am excited about because then the outcome 348 00:20:19,000 --> 00:20:21,000 Speaker 1: will be better. And one of the great things about 349 00:20:21,640 --> 00:20:26,840 Speaker 1: being at the Grio it was they were kind of like, okay, 350 00:20:26,880 --> 00:20:30,480 Speaker 1: we need content and I said, okay, great, I want 351 00:20:30,480 --> 00:20:32,879 Speaker 1: to do this, this, this, this and this, And they 352 00:20:32,880 --> 00:20:36,159 Speaker 1: were like, it's fantastic. Let's do a, B and C. 353 00:20:36,320 --> 00:20:38,240 Speaker 1: Because you don't have time to do six things, but 354 00:20:38,320 --> 00:20:41,480 Speaker 1: you can do do these three. So they're saying to me, 355 00:20:42,240 --> 00:20:44,760 Speaker 1: this is what we want you to do. Um. You know, 356 00:20:45,600 --> 00:20:49,320 Speaker 1: they're giving me the latitude to choose what it is 357 00:20:49,359 --> 00:20:51,639 Speaker 1: that I'm doing. I've worked on a podcast that's going 358 00:20:51,680 --> 00:20:54,040 Speaker 1: to come out next year. It's a bit of a 359 00:20:54,040 --> 00:20:58,440 Speaker 1: audio documentary. It's called Being Black in the Eighties, where 360 00:20:58,440 --> 00:21:03,760 Speaker 1: we talk about black socio political issues from the eighties, 361 00:21:03,960 --> 00:21:09,679 Speaker 1: but we use the lens of popular eighties songs, um 362 00:21:09,760 --> 00:21:12,520 Speaker 1: and and sort of tease out the political meanings out 363 00:21:12,520 --> 00:21:15,960 Speaker 1: of them. So, for example, the first episode is Tracy 364 00:21:16,040 --> 00:21:19,679 Speaker 1: Chapman's Fast Car. We talk about Beautiful, So Beautiful, the 365 00:21:19,800 --> 00:21:23,640 Speaker 1: rise of poverty in the eighties, and the black community, um, 366 00:21:23,840 --> 00:21:27,119 Speaker 1: the importance of affirmative action, the importance of and the 367 00:21:27,200 --> 00:21:34,000 Speaker 1: value of afrocentric and dastoric thinking. Um, you know, is 368 00:21:34,080 --> 00:21:38,080 Speaker 1: the importance of self esteem at that time. So there 369 00:21:38,160 --> 00:21:40,639 Speaker 1: so used. So we use the song as a leaping 370 00:21:40,720 --> 00:21:44,360 Speaker 1: off point to tell the story of the eighties. So 371 00:21:44,440 --> 00:21:47,120 Speaker 1: it's it's really interesting that series is done. We're starting 372 00:21:47,119 --> 00:21:50,520 Speaker 1: to work on the second series, the second season um, 373 00:21:50,560 --> 00:21:52,639 Speaker 1: but that will come out next year. But this is 374 00:21:52,680 --> 00:21:55,159 Speaker 1: something they were like, we want a podcast, like what 375 00:21:55,200 --> 00:21:57,520 Speaker 1: do you got in mind? Like, well, this is what 376 00:21:57,640 --> 00:22:00,720 Speaker 1: I would like to do, And they supported me on 377 00:22:00,760 --> 00:22:03,480 Speaker 1: the concept that I had, and um, you know, it's 378 00:22:03,480 --> 00:22:06,880 Speaker 1: really exciting to have people say, what do you want 379 00:22:06,920 --> 00:22:09,440 Speaker 1: to do? We want to support you in the ideas 380 00:22:09,480 --> 00:22:14,000 Speaker 1: that you have. I love listening to you. I love 381 00:22:14,240 --> 00:22:17,320 Speaker 1: the you know, your type of guy that I can 382 00:22:17,359 --> 00:22:20,320 Speaker 1: just sit around and just and have a good conversation. 383 00:22:20,359 --> 00:22:22,040 Speaker 1: I don't drink coffee, I don't drink liquor, so I 384 00:22:22,040 --> 00:22:25,040 Speaker 1: wouldn't be drinking wine, so I would probably be drinking 385 00:22:25,040 --> 00:22:27,800 Speaker 1: a strawberry milkshake or something because I love sweets. Did 386 00:22:27,840 --> 00:22:30,440 Speaker 1: you Did you ever drink alcohol? No? I didn't know. 387 00:22:30,520 --> 00:22:32,439 Speaker 1: It's just it was just nothing. It was just I 388 00:22:32,480 --> 00:22:34,560 Speaker 1: just didn't like the taste and it was just and 389 00:22:34,600 --> 00:22:37,080 Speaker 1: so the same thing with coffee and tea. But when 390 00:22:37,119 --> 00:22:39,919 Speaker 1: I would but you're the You're the person that I 391 00:22:39,920 --> 00:22:42,920 Speaker 1: think I have to have something that resembles liquor in 392 00:22:43,000 --> 00:22:47,800 Speaker 1: my hand talking to you, because your your personality lose 393 00:22:47,840 --> 00:22:50,639 Speaker 1: itself in that direction of going, Man, this guy is 394 00:22:50,680 --> 00:22:54,119 Speaker 1: so cool, this guy is so intellectual, This guy is 395 00:22:54,160 --> 00:22:58,000 Speaker 1: so comfortable with himself. I think that when I when 396 00:22:58,040 --> 00:23:00,800 Speaker 1: I enjoyment of watching the series an episode I did 397 00:23:00,800 --> 00:23:04,520 Speaker 1: watch watching Master's of the Game, it wasn't about you. 398 00:23:05,080 --> 00:23:07,679 Speaker 1: It was about the first US interviewing and what you 399 00:23:07,720 --> 00:23:10,560 Speaker 1: can get out of them. And you actually, and I'm 400 00:23:10,560 --> 00:23:13,560 Speaker 1: not saying this in a negative other than your visual 401 00:23:13,840 --> 00:23:17,600 Speaker 1: you became invisible and I would focus on that guest 402 00:23:18,000 --> 00:23:23,320 Speaker 1: that is incredibly gifted, my friend, and that's that's a 403 00:23:23,400 --> 00:23:26,520 Speaker 1: compliment on that I appreciate. That's that's the job that 404 00:23:26,600 --> 00:23:29,680 Speaker 1: you that we are here to listen to him or her, 405 00:23:30,320 --> 00:23:32,040 Speaker 1: and I want to put the focus on them and 406 00:23:32,040 --> 00:23:36,120 Speaker 1: the spotlight on them. Um. You know, it's it's it's 407 00:23:36,200 --> 00:23:40,440 Speaker 1: their world. I'm ushering you through it, um, but you know, 408 00:23:40,480 --> 00:23:43,720 Speaker 1: we try to usher you through it in an elegant way. 409 00:23:44,320 --> 00:23:48,680 Speaker 1: So you know, sure, if you watch a basketball game 410 00:23:48,760 --> 00:23:51,200 Speaker 1: or a football game and you don't think about the referees, 411 00:23:51,440 --> 00:23:55,240 Speaker 1: that that the referees did a great job. I mean, 412 00:23:55,359 --> 00:23:57,760 Speaker 1: in a way, I would say it's something similar for 413 00:23:57,800 --> 00:24:01,560 Speaker 1: an interviewer, although I guess I never watched interviews that 414 00:24:01,640 --> 00:24:08,040 Speaker 1: way because I'm always being critical of the interviewer and saying, oh, 415 00:24:08,080 --> 00:24:10,720 Speaker 1: you know, he's he went on too long with that question. 416 00:24:10,760 --> 00:24:15,040 Speaker 1: You don't need long questions. You can have short, targeted 417 00:24:15,280 --> 00:24:18,920 Speaker 1: questions because people like the sound of their own voice 418 00:24:18,920 --> 00:24:21,400 Speaker 1: and they like talking, so let them talk a lot, 419 00:24:21,920 --> 00:24:25,439 Speaker 1: right If they are talking of the time, that's a 420 00:24:25,480 --> 00:24:28,120 Speaker 1: good interview because you asked a bunch of short questions 421 00:24:28,440 --> 00:24:33,199 Speaker 1: that lead to you know, great expansive answers. Um. You know, 422 00:24:33,240 --> 00:24:35,880 Speaker 1: so a lot of interviewers ask long questions. They don't 423 00:24:36,040 --> 00:24:39,000 Speaker 1: think about the question that they want to ask before 424 00:24:39,080 --> 00:24:41,800 Speaker 1: they start asking it, so they're kind of thinking it 425 00:24:41,960 --> 00:24:45,600 Speaker 1: through as they're talking and meandering, and then they find 426 00:24:45,600 --> 00:24:48,919 Speaker 1: a question and I'm like, you were not prepared to 427 00:24:48,960 --> 00:24:54,200 Speaker 1: ask a question in that moment. Now, Um, the person 428 00:24:55,160 --> 00:25:01,000 Speaker 1: who I really can say I never criticized is the 429 00:25:01,119 --> 00:25:08,560 Speaker 1: best interviewer in America without question is Oprah. She's extraordinary. 430 00:25:08,680 --> 00:25:11,880 Speaker 1: And I watch her do interviews and I'm like, this 431 00:25:11,960 --> 00:25:14,159 Speaker 1: is whatever she does is the way you do it, 432 00:25:14,320 --> 00:25:17,800 Speaker 1: So just copy her, be more like her. And I 433 00:25:17,840 --> 00:25:21,480 Speaker 1: noticed a lot of times, you know, the naturalism that 434 00:25:21,560 --> 00:25:25,800 Speaker 1: you talked about, I'm trying to um evoke some of 435 00:25:25,800 --> 00:25:28,719 Speaker 1: her style. She's good at making statements, She's good at 436 00:25:28,840 --> 00:25:33,320 Speaker 1: asking very short or natural questions. I also noticed a 437 00:25:33,320 --> 00:25:36,440 Speaker 1: lot of times she doesn't seem to have notes, which 438 00:25:36,520 --> 00:25:40,359 Speaker 1: makes me think that she is moving. She has. She 439 00:25:40,440 --> 00:25:46,560 Speaker 1: has deeply imbibed the research. However, she's not necessarily one 440 00:25:46,600 --> 00:25:48,480 Speaker 1: to come out with a bunch of cystics and stuff. 441 00:25:48,760 --> 00:25:53,440 Speaker 1: She is working with her deep and genuine curiosity of 442 00:25:53,640 --> 00:25:58,399 Speaker 1: the crevices of your life, so she doesn't need, you know, 443 00:25:58,880 --> 00:26:02,119 Speaker 1: a bunch of notes to know. I'm gonna ask Megan 444 00:26:02,200 --> 00:26:06,160 Speaker 1: marcle was it the queen who said some racist stuff? 445 00:26:06,400 --> 00:26:08,679 Speaker 1: Or was it you know, Prince Charles who said some 446 00:26:08,760 --> 00:26:11,600 Speaker 1: racist stuff? Were you silenced or were you silent? And 447 00:26:11,680 --> 00:26:14,640 Speaker 1: like these sort of you know, she's she's following her 448 00:26:14,760 --> 00:26:19,600 Speaker 1: deep sense of curiosity and her ability to intellectually understand 449 00:26:20,080 --> 00:26:23,000 Speaker 1: the situation or at least the terrain that we're moving 450 00:26:23,000 --> 00:26:29,000 Speaker 1: in the conversation. Um, she's a brilliant conversationalist and I 451 00:26:29,720 --> 00:26:33,000 Speaker 1: every interview I watch of hers, I'm like Jesus Christ, 452 00:26:33,080 --> 00:26:35,600 Speaker 1: this woman is brilliant. Well, I'm gonna put the word 453 00:26:35,640 --> 00:26:38,040 Speaker 1: brillian on you, and I would take this. As we 454 00:26:38,119 --> 00:26:40,880 Speaker 1: close out, I'm talking to Tori to host of Masters 455 00:26:40,920 --> 00:26:43,640 Speaker 1: of the Game, a monthly one our interview program, sit 456 00:26:43,680 --> 00:26:48,600 Speaker 1: Down Chat Chat on the Grill and Oprah's Famous Opu's 457 00:26:48,600 --> 00:26:51,439 Speaker 1: well known Oprah. A lot of people get nervous when 458 00:26:51,480 --> 00:26:55,480 Speaker 1: they walk in the room to talk to Oprah. That's 459 00:26:55,560 --> 00:26:57,600 Speaker 1: but it's her job to chill you out. Making But 460 00:26:57,760 --> 00:26:59,840 Speaker 1: listen to me, sir, This is a compliment to you. 461 00:27:00,040 --> 00:27:04,920 Speaker 1: M you you're brilliance. And that's why I had to 462 00:27:05,000 --> 00:27:07,919 Speaker 1: let you remind you of that diverse people that you 463 00:27:08,040 --> 00:27:10,560 Speaker 1: just said for people. Then you got DC Rivers coming up, 464 00:27:10,560 --> 00:27:13,720 Speaker 1: You've got Davie Allen coming up here. Okay, I don't 465 00:27:13,720 --> 00:27:16,800 Speaker 1: believe you're making people nervous when they come in the room, 466 00:27:17,600 --> 00:27:19,920 Speaker 1: but he's on the potential star power that open brings 467 00:27:19,960 --> 00:27:22,000 Speaker 1: to the table. But what you do make them tell 468 00:27:22,040 --> 00:27:25,119 Speaker 1: their story, that's a gift you have, Tory. That's the 469 00:27:25,160 --> 00:27:27,960 Speaker 1: gift that I admire. I wanted to just bring you 470 00:27:28,040 --> 00:27:30,479 Speaker 1: on my show, not only just to promote your brand, 471 00:27:30,840 --> 00:27:33,560 Speaker 1: but also introduce you to my audience because a skill 472 00:27:33,600 --> 00:27:36,920 Speaker 1: set like yours can sometimes go under appreciate it, but 473 00:27:37,400 --> 00:27:39,960 Speaker 1: I appreciate it. I also appreciate the fact that you 474 00:27:40,040 --> 00:27:43,200 Speaker 1: have shown us that you can be follow your dreams 475 00:27:43,200 --> 00:27:45,399 Speaker 1: in a lot of different lanes, and people accept that 476 00:27:45,600 --> 00:27:47,800 Speaker 1: and also give you a creative lane to build more, 477 00:27:48,440 --> 00:27:50,359 Speaker 1: especially with my brother, and I want to thank you. 478 00:27:50,400 --> 00:27:52,560 Speaker 1: I'll be watching Masters of the Game. I'll be promoting 479 00:27:52,560 --> 00:27:54,520 Speaker 1: the Masters of the Game. I love what Byron Allan 480 00:27:54,640 --> 00:27:57,040 Speaker 1: is doing. He is changing the game and you're part 481 00:27:57,040 --> 00:27:59,560 Speaker 1: of that big change. And degree Oh keep winning My brother, 482 00:27:59,600 --> 00:28:01,040 Speaker 1: and thank you for coming to my Make Comics with 483 00:28:01,119 --> 00:28:04,240 Speaker 1: DO master class. Thank you so much. I appreciate talks 484 00:28:04,520 --> 00:28:04,960 Speaker 1: correctly