WEBVTT - Eurovision, Chapter Two: Pop Music as Problematic Diplomacy

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<v Speaker 1>Ridiculous History is a production of iHeartRadio. Welcome back to

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<v Speaker 1>the show, fellow Ridiculous Historians. Thank you, as always so

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<v Speaker 1>much for tuning in. Let's hear it for the man,

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<v Speaker 1>the myth, the uh, the guy beloved by professional juries

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<v Speaker 1>and the public alike, mister Max Williams, I'm.

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<v Speaker 2>Loved by non professional juries too.

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<v Speaker 1>Yes, yeah, that's no brown wooing in the background. Thank you,

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<v Speaker 1>and I'm able to be I like to be wooed,

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<v Speaker 1>you know, yes, to woo and to woo uh. My

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<v Speaker 1>name is Ben Bullen. For tax purposes, on this show,

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<v Speaker 1>we are returning to our exploration of a little thing

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<v Speaker 1>called Eurovision. Now. Previously on Ridiculous History, the three of

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<v Speaker 1>us delved deep into the origin story of a thing

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<v Speaker 1>that has become an international phenomenon. But Noel, you know

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<v Speaker 1>you and I were teasing this the entirety of our

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<v Speaker 1>first chapter. People do vote on Eurovision. Even though it's

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<v Speaker 1>a unifying thing, it is at heart a competition, so

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<v Speaker 1>there has to be a winner and there can only

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<v Speaker 1>be one.

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<v Speaker 3>Oh highlander rules Ben, which is also intensely European.

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<v Speaker 1>Yes, cartoonishly so yeah, that's good. Eurovision has a unique

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<v Speaker 1>system of voting that combines professional juries like the country

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<v Speaker 1>representatives or the big to dos of the music industry

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<v Speaker 1>with viewers at home at this point. So if we

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<v Speaker 1>are all watching Eurovision twenty twenty six, and the three

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<v Speaker 1>of us have a big group text and we're going Estonia,

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<v Speaker 1>no Hungary, you know what I mean, we can cast

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<v Speaker 1>our votes, we can make a voting block. It's so

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<v Speaker 1>weird because each country that participates in Eurovision has their

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<v Speaker 1>own in house jury of musical industry pros, and these

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<v Speaker 1>folks will award points to their favorite songs, but given

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<v Speaker 1>the conspiracy of nineteen fifty six, they are legally not

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<v Speaker 1>allowed to vote for their own country. So like, if

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<v Speaker 1>you're Simon Cowell or whatever, isn't he the.

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<v Speaker 3>Guy Timon Cowell is the mean British one? Yes?

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<v Speaker 1>Yeah.

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<v Speaker 3>And then we've got Randy Jackson, who is not related

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<v Speaker 3>to Michael Jackson. He is a slap of de base

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<v Speaker 3>guy who is sort of a mean American who tells

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<v Speaker 3>people that he isn't feeling a dog.

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<v Speaker 1>That's a note for me, for me. Yeah, So those guys,

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<v Speaker 1>hypothetically even being at the top of the music industry game,

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<v Speaker 1>if they were part of a jury and Eurovision, they

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<v Speaker 1>could not vote for their own country. So essentially what

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<v Speaker 1>happens is this jury of boffins will make a top

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<v Speaker 1>ten list, a short list, and they will award points.

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<v Speaker 1>The maximum amount of allowable points is twelve points. If

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<v Speaker 1>you really really love every way that I can or

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<v Speaker 1>if you really really love think about things, et cetera.

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<v Speaker 1>So at the same time this is happening, the civilians

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<v Speaker 1>are participating. The public is a big part of this,

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<v Speaker 1>fans from around Europe. And at this point, by the way, guys,

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<v Speaker 1>pretty much anyone who has the app, you can vote

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<v Speaker 1>for your favorite performance by phone, text or in of course,

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<v Speaker 1>the official Eurovision app, which I do want to point out,

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<v Speaker 1>is going to scrape a lot of data from your phone.

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<v Speaker 1>It's true.

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<v Speaker 3>Any of those type of apps are going to have

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<v Speaker 3>significant cookies. I do believe there are rules now where

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<v Speaker 3>you are required to be a little more transparent about

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<v Speaker 3>which cookies you accept or do not. They EU SU

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<v Speaker 3>and the E's always been ahead of the curve in

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<v Speaker 3>terms of protection of privacy. So yeah, not something that

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<v Speaker 3>we have as much luck with over here. But I

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<v Speaker 3>do believe, at least I've noticed that cookie acceptance is

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<v Speaker 3>a little bit more transparent, even here in the States.

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<v Speaker 1>Do you, guys, get that thing? It may depend on

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<v Speaker 1>the browser you use, but do you get that pop

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<v Speaker 1>up where it says, except all cookies reject all cookies

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<v Speaker 1>customize you.

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<v Speaker 3>Sometimes there's there's a third secret, third thing or not secret.

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<v Speaker 3>But I like to say that for whatever reason, where

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<v Speaker 3>it's only relevant ones or only key functional functional ones.

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<v Speaker 1>Yeah, exactly.

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<v Speaker 2>I mean I think we all mass reject all as

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<v Speaker 2>soon as possible, how as I do?

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<v Speaker 1>Yeah, of course I have cookies at home. Why do

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<v Speaker 1>I want more on the internet? What's your favorite kind

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<v Speaker 1>of cookie? Bin? Uh? My favorite kind of cookie? No,

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<v Speaker 1>that's a great question. I don't need a lot of sweets.

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<v Speaker 1>I'm sweet enough. I think that.

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<v Speaker 3>Uh.

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<v Speaker 1>Thanks, guys, I would say, you know what I like

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<v Speaker 1>a good soft chocolate chip. What about you?

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<v Speaker 3>A good soft baked chocolate chip. Ben, I also enjoy

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<v Speaker 3>a chocolate chip. Let's include some nuts of some kind

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<v Speaker 3>perhaps in that chocolate chip, and a little bit of

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<v Speaker 3>sea salt.

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<v Speaker 1>Oh, there we go, all right? Maybe some brown butter max. Yeah,

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<v Speaker 1>what's what to do?

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<v Speaker 4>Condition condition?

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<v Speaker 3>Come on, man, preconditioned? Favorite cookie?

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<v Speaker 4>Yeah, a hot soft chocolate chip cookie?

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<v Speaker 1>Is hot. Yeah, as you can tell, we are working

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<v Speaker 1>on our pitch for the next year of ficion so

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<v Speaker 1>in contests when we can participate, because perhaps podcasts are

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<v Speaker 1>a country of their own. Look, we know that the

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<v Speaker 1>voting thing is a messy bull of spaghetti. It's a

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<v Speaker 1>big batch of weird cookie dough. If you are a

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<v Speaker 1>winning overstuffed cow zone, it's an overstuffed cow zone. Just so,

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<v Speaker 1>if you are a winning entry, then you have to

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<v Speaker 1>be able to appeal to the professional juries and then

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<v Speaker 1>you have to get the public on your side. But

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<v Speaker 1>just like the electoral college or the electoral vote versus

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<v Speaker 1>the popular vote in US politics, you don't have to

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<v Speaker 1>win both of them to be the main act to

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<v Speaker 1>be the winner. And I gotta I gotta ask you, guys,

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<v Speaker 1>do you remember NOL. You and I have talked about

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<v Speaker 1>this in the past. Do you remember when we discovered

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<v Speaker 1>that there's maybe six people in Scandinavia who write most

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<v Speaker 1>pop music hits.

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<v Speaker 3>Oh of course, Yeah, I mean we're talking about the

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<v Speaker 3>hit factory sort of system over there. The most popular

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<v Speaker 3>person associated with that is Max Martin, and he's got

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<v Speaker 3>a whole team of crack Scandinavian songwriters song Smith's producers

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<v Speaker 3>that are basically dividing pop songs down into their component

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<v Speaker 3>parts in order to weaponize psychology against you.

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<v Speaker 1>Yes, you the listener. Yes could have said it better.

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<v Speaker 1>You nailed it. Folks, please check out stuff they don't

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<v Speaker 1>want you to know. If Nolan and I don't have

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<v Speaker 1>an episode about that yet, we will have one soon.

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<v Speaker 1>It'd be great. It'd be weird if we hadn't gotten

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<v Speaker 1>to that one yet. Okay, so look, we're we're the crew.

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<v Speaker 1>We're watching Eurovision the Big Night, the Grand Final, and

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<v Speaker 1>the points are being actively displayed. The scoreboard can flip

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<v Speaker 1>at the drop of a hat, so you're gonna see

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<v Speaker 1>Max name a name an obscure European country.

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<v Speaker 3>Sorry I'm late to the party, or at the drop

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<v Speaker 3>of a beat.

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<v Speaker 1>Oh oh, that's foreshadowing. So okay, you might see Armenia

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<v Speaker 1>uh performing the in in the Big to Do, and

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<v Speaker 1>they may all of a sudden look like they're shoeing.

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<v Speaker 1>They're the winner. But then the next uh, the next

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<v Speaker 1>act comes on, Nol, what's another country that is not

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<v Speaker 1>Armenia but still in Europe? Oh boy, I don't know.

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<v Speaker 3>Oh man, that's like saying name one woman that was

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<v Speaker 3>a billy on the street thing. He walks up to people, Billy,

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<v Speaker 3>what's that guy?

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<v Speaker 1>You know? That really intense dude.

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<v Speaker 3>He walks out of people and says, name one woman,

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<v Speaker 3>and they can't do it. They can't do it. I

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<v Speaker 3>am so bad at geography, Ben, you're putting me on

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<v Speaker 3>the spot. But let's go with.

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<v Speaker 1>There we go. Okay, all right, that's still the thing.

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<v Speaker 4>It is still a thing.

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<v Speaker 1>Thank goodness to ask uh and I also, I also

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<v Speaker 1>loved that joke because Max, I can't remember if you

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<v Speaker 1>were there for this recording, but Nolan and I had

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<v Speaker 1>quite a time, uh talking about how how weird passport

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<v Speaker 1>control and customs can be because of all yeah, yeah, like,

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<v Speaker 1>oh is your birthday insert date here? And they're not

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<v Speaker 1>looking for what you say, they're looking for your responses.

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<v Speaker 1>So both of your faithful co hosts here definitely got

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<v Speaker 1>some deer in the headlights moments, right you remember that?

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<v Speaker 3>Oh yeah, man, I mean it's how you It's not

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<v Speaker 3>what you say, it's how you say it. And it's

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<v Speaker 3>so it's much like we discussed on a recent episode

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<v Speaker 3>about IQ tests that test taking anxiety. It's a similar

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<v Speaker 3>emotional response, but all of a sudden, you're like under

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<v Speaker 3>the gun. Everything you think you know about anything, even yourself,

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<v Speaker 3>can just fly right out of your head.

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<v Speaker 1>Once upon a time, and this is a true story,

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<v Speaker 1>and I trust all of us not to make fun

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<v Speaker 1>of me about it too hard. But once upon a time,

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<v Speaker 1>when I was entering the United Kingdom, I freaked out

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<v Speaker 1>when they were asking me very basic questions. But in

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<v Speaker 1>as you said, Nol that quite direct way, I accidentally

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<v Speaker 1>called the passport control guy your highness. I didn't know

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<v Speaker 1>what to do. I didn't know what to do. It

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<v Speaker 1>was like, it was like, oh, so, what's your business here?

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<v Speaker 1>What's going on? I was like, ah, your highness, and

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<v Speaker 1>I ah.

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<v Speaker 3>Sorry, I might have dropped your lordship situation.

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<v Speaker 1>It's a weird one, right, And speaking of more weird stuff, uh,

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<v Speaker 1>we have to understand that Eurovision is not about the

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<v Speaker 1>best song, right, It is not about that. It is

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<v Speaker 1>about stage presence, it's about seeming original. It's a little

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<v Speaker 1>bit of rivalry and that brings us to again the

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<v Speaker 1>most broken of the main commandments of Eurovision being a

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<v Speaker 1>political case. We danced around it a little bit, but

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<v Speaker 1>we did a euroside steps, We did a shimmi or two.

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<v Speaker 1>We did. We did. We did an electric slide on

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<v Speaker 1>a couple of these because uh, this is of course

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<v Speaker 1>chapter two. Noel, you and I and Max were talking

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<v Speaker 1>off air. Eurovision is way more than this simple reality

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<v Speaker 1>TV show. It is a platform of diplomacy.

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<v Speaker 3>The Eurovision Song Contest as it's known, can act as

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<v Speaker 3>an incredibly powerful platform for public discourse, cultural diplomacy, and

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<v Speaker 3>utilizing that soft power in order to put forth some

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<v Speaker 3>very important nation branding. We talked recently about Thai food,

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<v Speaker 3>for example, then the exporting of Thai food to the

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<v Speaker 3>United States and other parts of the world. That's soft diplomacy.

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<v Speaker 3>We talked about food being soft diplomacy and cuisine being

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<v Speaker 3>soft diplomacy. This is no different. This can also be

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<v Speaker 3>an important component in political alignment with other nations, as

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<v Speaker 3>well as fostering cultural dialogues among other nations in Europe

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<v Speaker 3>and neighboring countries. And since nineteen fifty six, this whole

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<v Speaker 3>deal has allowed nations to influence international perception of their

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<v Speaker 3>culture through music rather than through political talking points or policy.

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<v Speaker 3>My friend, I think we both agree that is a

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<v Speaker 3>powerful thing. Oh absolutely, my friend, Because it's really hard

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<v Speaker 3>to wrap your head around the politics of other countries

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<v Speaker 3>if you're not like one of the wonks, you know,

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<v Speaker 3>or the boffins, as you'd like to say. But music

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<v Speaker 3>we can all kind of get behind.

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<v Speaker 1>Yeah, most people are going to feel the same way

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<v Speaker 1>about a F sharp or a flat you know what

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<v Speaker 1>I mean. It communicates fast words. And also to your

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<v Speaker 1>excellent point, there, Noel, why would someone read thousands of

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<v Speaker 1>pages about Latvia's post Soviet agricultural policies. Why wouldn't you

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<v Speaker 1>just tune in for a less than three minute song

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<v Speaker 1>called Latvia Makes Bread.

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<v Speaker 3>I'll tell you all. All I needed to know about

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<v Speaker 3>Latvia is that I could tap my toe to the

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<v Speaker 3>bread song.

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<v Speaker 1>There we go. Yeah, and we see when this works

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<v Speaker 1>in theory, we do see a great geopolitical glue. We

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<v Speaker 1>do see a great unifier. It also, however, acts as

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<v Speaker 1>a platform or venue for geopolitical tensions. So there are

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<v Speaker 1>going to be cases where two countries are beefing for

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<v Speaker 1>one reason or another and they just don't like each other,

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<v Speaker 1>and they're going to say, screw these guys, nobody vote

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<v Speaker 1>for them, right, and they'll get the same in return.

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<v Speaker 1>Eurovision during the Cold War is very interesting because it

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<v Speaker 1>was unifying Western Europe, but Eastern Europe, under the control

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<v Speaker 1>of the USSR, was excluded from the competition. So the

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<v Speaker 1>Soviet Bloc, that's what they call it, dude, they made

0:14:56.360 --> 0:14:59.920
<v Speaker 1>their own thing. They looked at Coca Cola and said,

0:15:00.040 --> 0:15:03.280
<v Speaker 1>will make pepsi at home. They created something called the

0:15:03.560 --> 0:15:09.440
<v Speaker 1>Intervision Song Contest. Not as Cool feels like a little

0:15:09.520 --> 0:15:10.160
<v Speaker 1>also ran.

0:15:11.520 --> 0:15:15.000
<v Speaker 3>No, it's it does for sure. You can't mess with

0:15:15.040 --> 0:15:23.040
<v Speaker 3>the classic formulas as evidenced by Coke two, coke, Oh psi.

0:15:23.760 --> 0:15:25.320
<v Speaker 1>We should do an episode on those.

0:15:25.560 --> 0:15:26.280
<v Speaker 4>Oh, how have we not?

0:15:26.480 --> 0:15:29.160
<v Speaker 3>Yeah, we can combine those crystal pepsi and new coke.

0:15:29.600 --> 0:15:35.240
<v Speaker 1>Yeah, all right, we'll write it down. Also, the Intervision

0:15:35.480 --> 0:15:40.360
<v Speaker 1>Song Contest from the Soviet block ran from a you

0:15:40.480 --> 0:15:43.400
<v Speaker 1>had a much shorter career. It ran from about nineteen

0:15:43.520 --> 0:15:47.160
<v Speaker 1>sixty five to nineteen eighty, and it was billed as

0:15:47.320 --> 0:15:55.040
<v Speaker 1>a socialist alternative to the corrupt capitalist practices of Eurovision.

0:15:55.160 --> 0:15:58.240
<v Speaker 1>And they said, look, we are going to do our

0:15:58.280 --> 0:16:00.880
<v Speaker 1>own show, right, We'll make a pepe to the coke

0:16:01.400 --> 0:16:06.160
<v Speaker 1>and we will not worry about you guys from Western Europe.

0:16:06.200 --> 0:16:09.920
<v Speaker 1>So then we saw for a few decades, we saw

0:16:10.120 --> 0:16:16.840
<v Speaker 1>Eurovision and Intervision competing sort of in the same room,

0:16:16.960 --> 0:16:19.120
<v Speaker 1>but not directly with one another.

0:16:19.560 --> 0:16:22.320
<v Speaker 3>Yeah, but as we can see here from the outline,

0:16:22.920 --> 0:16:26.200
<v Speaker 3>Intervision only lasted from nineteen sixty five to nineteen eighty,

0:16:26.280 --> 0:16:29.160
<v Speaker 3>so it would appear that the OG won out and

0:16:29.200 --> 0:16:33.440
<v Speaker 3>that there indeed was could only be one at least,

0:16:33.480 --> 0:16:34.840
<v Speaker 3>you know, ultimately.

0:16:34.720 --> 0:16:38.440
<v Speaker 1>Like you said, Highlander rules, right, So this is different.

0:16:40.720 --> 0:16:44.840
<v Speaker 1>This is a contrasting case to the Olympic Games, because

0:16:44.960 --> 0:16:50.560
<v Speaker 1>Intervision and Eurovision did not pick their number one winner

0:16:50.720 --> 0:16:53.520
<v Speaker 1>and then send those two folks to sing it out.

0:16:54.320 --> 0:16:59.480
<v Speaker 1>There were only a few instances, pretty rare, where artists

0:16:59.520 --> 0:17:04.960
<v Speaker 1>from the Soviet block appeared on Eurovision. That all changes

0:17:05.840 --> 0:17:10.000
<v Speaker 1>in nineteen eighty nine, the Berlin Wall falls and shout

0:17:10.040 --> 0:17:13.080
<v Speaker 1>out to everybody else who has a little relic of that.

0:17:13.520 --> 0:17:19.760
<v Speaker 1>The USSR collapsed. And this means that many formerly Soviet

0:17:19.840 --> 0:17:23.919
<v Speaker 1>states in Eastern Europe, what do they do? No, they

0:17:23.960 --> 0:17:29.560
<v Speaker 1>don't hang with Intervision. They immediately joined the Eurovision Song

0:17:29.760 --> 0:17:35.240
<v Speaker 1>Contest in the nineteen nineties, and doing so is way

0:17:35.400 --> 0:17:41.439
<v Speaker 1>easier than joining something like NATO. Yeah man, Nato, Huh,

0:17:41.480 --> 0:17:44.720
<v Speaker 1>how's that thing going? Yeah? Oh yeah? Tap the mic

0:17:44.840 --> 0:17:49.479
<v Speaker 1>like a nineteen eighty stand up NATO, guys. It just

0:17:49.560 --> 0:17:50.600
<v Speaker 1>I don't know, it just.

0:17:52.000 --> 0:17:56.199
<v Speaker 3>The soft diplomacy stuff is such an interesting microcosm of

0:17:56.320 --> 0:18:03.080
<v Speaker 3>like larger political systems and how propaganda can ultimately be

0:18:03.359 --> 0:18:07.240
<v Speaker 3>more effective than things like NATO and like the UN

0:18:07.320 --> 0:18:09.439
<v Speaker 3>and governing bodies, and like what we're seeing right now

0:18:09.480 --> 0:18:11.960
<v Speaker 3>in the United States. Not to be like too political

0:18:12.000 --> 0:18:16.280
<v Speaker 3>about it, but we're really just seeing so much actual

0:18:16.359 --> 0:18:19.480
<v Speaker 3>international law is a matter of just folks deciding to

0:18:19.720 --> 0:18:24.040
<v Speaker 3>play nice and follow the rules, you know, And how

0:18:24.200 --> 0:18:29.600
<v Speaker 3>much more influential some of this soft diplomacy stuff can be,

0:18:30.119 --> 0:18:34.359
<v Speaker 3>and how you know, this branding kind of these branding

0:18:34.440 --> 0:18:37.840
<v Speaker 3>plays can really make more of a lasting impact than

0:18:37.880 --> 0:18:40.960
<v Speaker 3>even you know, how you vote in the UN or

0:18:41.080 --> 0:18:43.240
<v Speaker 3>like resolutions or even sanctions.

0:18:43.800 --> 0:18:46.760
<v Speaker 1>Yeah, one hundred percent. You know. I think what we're

0:18:46.800 --> 0:18:49.280
<v Speaker 1>all saying here is that makes sense. Yeah, it does.

0:18:49.480 --> 0:18:52.520
<v Speaker 1>It's well put. What we're all saying here is, while

0:18:52.600 --> 0:18:56.880
<v Speaker 1>Eurovision is a lot of fun, it's hacking minds. It's

0:18:56.960 --> 0:19:01.159
<v Speaker 1>building relationships in a way that in institutions like the

0:19:01.280 --> 0:19:05.520
<v Speaker 1>United Nations or NATO simply cannot. This is much more

0:19:05.640 --> 0:19:11.280
<v Speaker 1>than a singing contest. It is not just international diplomacy

0:19:11.440 --> 0:19:17.800
<v Speaker 1>at its finest, it is also international diplomacy at its weirdest,

0:19:17.920 --> 0:19:23.439
<v Speaker 1>at its most ridiculous, and that means naturally, Eurovision is

0:19:23.800 --> 0:19:28.119
<v Speaker 1>no stranger to controversy. And Noel, you, Max and I

0:19:28.320 --> 0:19:32.520
<v Speaker 1>were talking about this a little bit off air. This

0:19:32.600 --> 0:19:35.520
<v Speaker 1>is part of why we made this a two part series.

0:19:36.240 --> 0:19:41.760
<v Speaker 1>Eurovision has, despite its noble intent and its grand ambition,

0:19:42.359 --> 0:19:46.280
<v Speaker 1>been embroiled in so much controversy. We could sum it

0:19:46.359 --> 0:19:49.560
<v Speaker 1>up in three rough categories. Maybe we step through those

0:19:50.040 --> 0:19:55.040
<v Speaker 1>political tensions between competing countries that hell or high water

0:19:55.480 --> 0:19:59.280
<v Speaker 1>will not vote for each other ever at all, not

0:19:59.400 --> 0:20:02.520
<v Speaker 1>even if the song is clearly the best song. And

0:20:02.680 --> 0:20:07.880
<v Speaker 1>the second controversy is going to be entries or songs

0:20:07.960 --> 0:20:16.119
<v Speaker 1>being disqualified due to political references in song lyrics. Just

0:20:16.160 --> 0:20:17.000
<v Speaker 1>for an example.

0:20:17.240 --> 0:20:20.200
<v Speaker 3>Well, you know, Ben, I don't mean interup. We're gonna

0:20:20.200 --> 0:20:22.359
<v Speaker 3>get the examples real quick, but we're no stranger to that.

0:20:23.280 --> 0:20:26.120
<v Speaker 3>Over here in the United States, we've certainly seen artists

0:20:26.160 --> 0:20:30.280
<v Speaker 3>banned from say Saturday Night Live for Life for rage

0:20:30.320 --> 0:20:33.320
<v Speaker 3>shout out to rage, for having an upside down American flag.

0:20:33.359 --> 0:20:36.080
<v Speaker 3>I believe that they were told not to do, and

0:20:36.080 --> 0:20:39.080
<v Speaker 3>I also believe they switched songs the last minute. Shout

0:20:39.080 --> 0:20:42.760
<v Speaker 3>out to Elvis Costello who did the song radio Radio,

0:20:43.040 --> 0:20:48.840
<v Speaker 3>which is a total indictment of the broadcast system and

0:20:48.960 --> 0:20:52.040
<v Speaker 3>the idea of like artists and performers being kind of

0:20:52.119 --> 0:20:55.960
<v Speaker 3>slaves to these corporate interests. And of course shout out

0:20:56.040 --> 0:20:59.760
<v Speaker 3>to Sinad O'Connor for tearing up a photograph of the

0:20:59.760 --> 0:21:01.919
<v Speaker 3>post on live television.

0:21:03.040 --> 0:21:04.040
<v Speaker 1>Fight the real enemy.

0:21:04.160 --> 0:21:06.040
<v Speaker 3>So you know, it's it's and this is not an

0:21:06.119 --> 0:21:09.600
<v Speaker 3>exclusively European phenomenon. This is something that you know, when

0:21:09.600 --> 0:21:14.440
<v Speaker 3>you're dealing with these live performances, politics can definitely make

0:21:14.480 --> 0:21:16.800
<v Speaker 3>things a little bit messy and make things a little

0:21:16.800 --> 0:21:20.639
<v Speaker 3>bit difficult for say the network in this case, for

0:21:20.680 --> 0:21:21.359
<v Speaker 3>the competition.

0:21:21.720 --> 0:21:27.080
<v Speaker 1>Yeah, at our third category of controversy, here would be demonstrations,

0:21:27.200 --> 0:21:33.840
<v Speaker 1>boycott's protests against certain countries. People are saying, don't let

0:21:33.920 --> 0:21:38.520
<v Speaker 1>this country compete because of their politics and their policies.

0:21:38.760 --> 0:21:42.560
<v Speaker 3>When s talk about the right, probably the most extreme

0:21:42.680 --> 0:21:44.680
<v Speaker 3>version of that that's happening right now.

0:21:45.200 --> 0:21:48.120
<v Speaker 1>Yeah. Yeah, as we build up to that, let's mention

0:21:48.680 --> 0:21:55.840
<v Speaker 1>the ongoing conflict between Armenia and Azerbaijan. This these folks

0:21:55.840 --> 0:21:59.840
<v Speaker 1>get beefed up, so often in Eurovision. They both in

0:22:01.040 --> 0:22:04.800
<v Speaker 1>the late two thousands, but in two thousand and nine,

0:22:05.040 --> 0:22:11.200
<v Speaker 1>Get this, there were people in Azerbaijan, civilians, right, not military,

0:22:11.480 --> 0:22:16.359
<v Speaker 1>not professional judges or whatever, just regular people watching the

0:22:16.440 --> 0:22:21.320
<v Speaker 1>show and they vibed with Armenia's song and they voted

0:22:21.359 --> 0:22:26.280
<v Speaker 1>for it, and then later they were visited by law enforcement.

0:22:26.480 --> 0:22:31.960
<v Speaker 1>They got a heard you voted wrong. Imagine the police

0:22:32.320 --> 0:22:36.720
<v Speaker 1>knocking on your door because you voted wrong. In America's got.

0:22:36.480 --> 0:22:40.320
<v Speaker 3>Talent well, and that is not to put too fine

0:22:40.320 --> 0:22:42.239
<v Speaker 3>a point on it. The kind of stuff that it's

0:22:42.280 --> 0:22:45.240
<v Speaker 3>easy to take for granted, and that we've talked about

0:22:45.240 --> 0:22:47.199
<v Speaker 3>the slippery slope of some of the things going on

0:22:47.280 --> 0:22:50.920
<v Speaker 3>here again in this country, that one day some Facebook

0:22:50.920 --> 0:22:55.520
<v Speaker 3>post you liked, or some you know thing you've voted for,

0:22:55.960 --> 0:22:58.800
<v Speaker 3>you know poll you took could come back to haunt

0:22:58.880 --> 0:23:02.639
<v Speaker 3>you if they were to change, and may in certain

0:23:03.000 --> 0:23:06.600
<v Speaker 3>positions are made retroactively quote unquote illegal.

0:23:07.119 --> 0:23:10.920
<v Speaker 1>Right, Yeah, the retroactive illegality is a big concern of mine,

0:23:11.040 --> 0:23:14.080
<v Speaker 1>hopefully for everybody as well. I mean, we also know

0:23:15.080 --> 0:23:16.280
<v Speaker 1>there are some illegal.

0:23:16.000 --> 0:23:19.360
<v Speaker 3>Is also such a broad term, it might not even

0:23:19.400 --> 0:23:22.160
<v Speaker 3>be considered illegal. It's just at this point, the law

0:23:22.160 --> 0:23:27.120
<v Speaker 3>doesn't matter if you have a leader or a desk,

0:23:27.119 --> 0:23:29.560
<v Speaker 3>but that has so much power and has so much

0:23:29.600 --> 0:23:33.960
<v Speaker 3>influence over law enforcement, the law doesn't even matter. It's

0:23:34.000 --> 0:23:37.040
<v Speaker 3>just this person doesn't like you and doesn't like your opinion,

0:23:37.160 --> 0:23:39.760
<v Speaker 3>and they're going to come find you and make sure

0:23:39.880 --> 0:23:40.840
<v Speaker 3>that you're on a list.

0:23:40.960 --> 0:23:43.879
<v Speaker 1>And then we know where that can go exactly. And

0:23:44.000 --> 0:23:47.120
<v Speaker 1>we also know there are several elephants in the room

0:23:47.359 --> 0:23:53.400
<v Speaker 1>of Eurovision controversy. One of the biggest is obviously going

0:23:53.440 --> 0:23:59.560
<v Speaker 1>to be Russia and Ukraine. Now, originally pre twenty fourteen,

0:24:00.840 --> 0:24:09.000
<v Speaker 1>these nations peacefully participated in co competition, right of Eurovision,

0:24:09.040 --> 0:24:13.119
<v Speaker 1>We're all having fun. But then Russia invaded an annexed

0:24:13.160 --> 0:24:18.080
<v Speaker 1>Crimea in twenty fourteen, the war and don Bass popped off,

0:24:18.520 --> 0:24:24.879
<v Speaker 1>and in twenty sixteen Ukraine one Eurovision with a song

0:24:24.960 --> 0:24:30.560
<v Speaker 1>called nineteen forty four. The lyrics were talking about the

0:24:30.680 --> 0:24:36.000
<v Speaker 1>deportation of Tartars people in Crimea, and because of the

0:24:36.000 --> 0:24:41.520
<v Speaker 1>events in Crimea occurring right at the time, pretty much

0:24:41.600 --> 0:24:46.200
<v Speaker 1>everybody said, hey, this is not a political You guys

0:24:46.240 --> 0:24:49.320
<v Speaker 1>know what you're talking about. Everybody knows what you're talking about.

0:24:49.760 --> 0:24:54.440
<v Speaker 1>This is a statement against the nation of Russia. However,

0:24:55.119 --> 0:24:59.680
<v Speaker 1>the boffins, the judges, most importantly the producers and showrunners

0:24:59.680 --> 0:25:03.600
<v Speaker 1>got to together and they said, look, you can compete

0:25:04.320 --> 0:25:09.760
<v Speaker 1>because this song is about history. And the Russian delegation said, no,

0:25:09.880 --> 0:25:10.720
<v Speaker 1>screw you guys.

0:25:10.960 --> 0:25:15.400
<v Speaker 3>Also whose history and which history and which version of history?

0:25:15.560 --> 0:25:20.600
<v Speaker 1>Right? Yeah, just so, I mean we know that the

0:25:20.640 --> 0:25:24.000
<v Speaker 1>country of Georgia, not the state. The country of Georgia

0:25:25.000 --> 0:25:29.240
<v Speaker 1>had gotten in trouble with Russia as well, because after

0:25:29.280 --> 0:25:34.639
<v Speaker 1>the Russo Georgian War, Georgia came out with a song

0:25:34.800 --> 0:25:38.960
<v Speaker 1>called we Don't want to put In, We don't want

0:25:39.000 --> 0:25:44.199
<v Speaker 1>to put In, Putin on the ritz. Yeah, And the

0:25:44.240 --> 0:25:48.680
<v Speaker 1>European Broadcasting Union objected to this and they said, look,

0:25:48.800 --> 0:25:54.720
<v Speaker 1>you guys are clearly doing, you know, a sneaky little

0:25:54.760 --> 0:26:00.919
<v Speaker 1>pun and you are criticizing Vladimir Putin. Were not dumb,

0:26:01.080 --> 0:26:03.639
<v Speaker 1>you guys, We're still very plugged in and cool. We

0:26:03.800 --> 0:26:05.600
<v Speaker 1>get it, and you shouldn't do it. Yeah.

0:26:05.640 --> 0:26:07.600
<v Speaker 3>We're seeing some controversies like that, or we did see

0:26:07.600 --> 0:26:10.280
<v Speaker 3>some controversies like that, at least in terms of these

0:26:10.359 --> 0:26:13.760
<v Speaker 3>more low key kind of protests in the recent Winter Olympics,

0:26:14.440 --> 0:26:17.560
<v Speaker 3>specifically surrounding Palestine and Israel. And like I think there

0:26:17.640 --> 0:26:21.040
<v Speaker 3>was like a bobsletter that wore. Yeah, Max has got

0:26:21.040 --> 0:26:25.600
<v Speaker 3>the facts on this one were on his helmet some

0:26:25.640 --> 0:26:28.480
<v Speaker 3>sort of card with names of folks who were killed.

0:26:28.840 --> 0:26:31.560
<v Speaker 2>It was a Ukrainian bob sletter I believe, who had

0:26:31.600 --> 0:26:33.960
<v Speaker 2>like photos of people who had been killed, but in

0:26:33.760 --> 0:26:35.119
<v Speaker 2>the in like the Russian in Vagins.

0:26:35.160 --> 0:26:37.760
<v Speaker 3>So sorry, it wasn't wasn't a Palestine thing it was.

0:26:37.920 --> 0:26:40.560
<v Speaker 3>It was a Ukraine thing, so even more uh.

0:26:40.520 --> 0:26:42.680
<v Speaker 2>And he was he was not allowed to compete with

0:26:42.760 --> 0:26:45.399
<v Speaker 2>it on there and but he did it anyway.

0:26:45.920 --> 0:26:47.639
<v Speaker 4>Well, no, he wasn't allowed to compete.

0:26:47.680 --> 0:26:50.160
<v Speaker 1>He wore he did, oh got it and he wore

0:26:50.200 --> 0:26:50.480
<v Speaker 1>and like.

0:26:50.440 --> 0:26:52.080
<v Speaker 2>Practice and told him you have to tick that you

0:26:52.080 --> 0:26:55.399
<v Speaker 2>can't wear that you were something confirms the whole a

0:26:55.520 --> 0:26:58.040
<v Speaker 2>political stance. And I remember hearing the president of it

0:26:58.240 --> 0:27:02.280
<v Speaker 2>of the IOCA her statement, and to get a little

0:27:02.280 --> 0:27:05.320
<v Speaker 2>on my own soapbox here, I said, somehow y'all are

0:27:05.400 --> 0:27:09.000
<v Speaker 2>still better than FIFA, but only FIFA, only FIFA.

0:27:09.240 --> 0:27:13.280
<v Speaker 1>We're still holding it out for that FIFA Peace Prize,

0:27:13.600 --> 0:27:17.040
<v Speaker 1>which will be the first awarded to a podcast, and

0:27:17.200 --> 0:27:21.640
<v Speaker 1>let's make it happen that was Max with the facts.

0:27:22.280 --> 0:27:28.159
<v Speaker 2>That seeking in the phones and peacefullen knowledge.

0:27:28.320 --> 0:27:32.200
<v Speaker 4>It's just for you right now here with the facts.

0:27:41.480 --> 0:27:45.040
<v Speaker 1>Now we have to get to one of the biggest

0:27:45.240 --> 0:27:50.760
<v Speaker 1>controversies in all of Eurovision, and this is something that

0:27:50.880 --> 0:27:53.320
<v Speaker 1>is very sensitive to a lot of people. We're going

0:27:53.400 --> 0:27:57.400
<v Speaker 1>to be responsible about it. If you look at Eurovision

0:27:58.040 --> 0:28:01.680
<v Speaker 1>and you just hear the name, you would be reasonable

0:28:02.040 --> 0:28:08.679
<v Speaker 1>in assuming that Eurovision is a contest for European countries.

0:28:08.960 --> 0:28:12.200
<v Speaker 1>That is not always the case. There is a very

0:28:12.320 --> 0:28:18.919
<v Speaker 1>well known non European country regularly participating in Eurovision, and

0:28:19.000 --> 0:28:21.800
<v Speaker 1>that country is the Middle Eastern nation Israel.

0:28:23.080 --> 0:28:26.400
<v Speaker 3>Israel first competed in the contest in nineteen seventy three,

0:28:26.920 --> 0:28:31.600
<v Speaker 3>becoming the first country from outside of Europe or the

0:28:31.640 --> 0:28:35.920
<v Speaker 3>EU as it's known today, to enter. As participation in

0:28:35.960 --> 0:28:40.840
<v Speaker 3>the contest over the years has at times raised significant controversy,

0:28:41.080 --> 0:28:44.360
<v Speaker 3>as have you know, other actions at Israel have taken there.

0:28:44.400 --> 0:28:48.000
<v Speaker 3>They've always been a very dicey kind of political hot

0:28:48.040 --> 0:28:51.240
<v Speaker 3>button issue, especially well not especially, but certainly here in

0:28:51.280 --> 0:28:54.680
<v Speaker 3>the United States, in no small part because of our

0:28:54.960 --> 0:28:58.080
<v Speaker 3>super cozy relationship with them and some of the nasty

0:28:58.400 --> 0:29:01.000
<v Speaker 3>goings on that they you know, get into from time

0:29:01.040 --> 0:29:01.560
<v Speaker 3>to time.

0:29:02.880 --> 0:29:07.120
<v Speaker 1>Yeah, a lot of this controversy will hinge on other

0:29:07.280 --> 0:29:13.960
<v Speaker 1>countries participating in Eurovision, and they'll raise concerns. They'll say,

0:29:14.960 --> 0:29:18.600
<v Speaker 1>what about the conflict in that region of the world,

0:29:18.640 --> 0:29:23.760
<v Speaker 1>the Israeli Palestinian conflicts, what about the wider Israeli Arab

0:29:23.920 --> 0:29:28.640
<v Speaker 1>conflict in that region? And so at various times in

0:29:28.680 --> 0:29:34.239
<v Speaker 1>the past, other countries have threatened to boycott Eurovision or

0:29:34.320 --> 0:29:38.160
<v Speaker 1>they've called for the Nation of Israel to be removed

0:29:38.280 --> 0:29:43.440
<v Speaker 1>from participating. Despite all that, this country, which again is

0:29:43.480 --> 0:29:46.560
<v Speaker 1>in the Middle East, not in Europe, has remained a

0:29:46.840 --> 0:29:52.040
<v Speaker 1>regular competitor since nineteen seventy three. The Nation of Israel

0:29:52.240 --> 0:29:57.440
<v Speaker 1>has not only one Eurovision four times, but has also

0:29:57.680 --> 0:30:00.120
<v Speaker 1>hosted it thrice for sure.

0:30:00.160 --> 0:30:03.760
<v Speaker 3>And if you can imagine, a lot of people have

0:30:03.800 --> 0:30:07.800
<v Speaker 3>a lot of thoughts and feelings and opinions about what's

0:30:07.840 --> 0:30:11.280
<v Speaker 3>going on with Israel right now in terms of their

0:30:11.320 --> 0:30:14.760
<v Speaker 3>treatment of folks in Palestine and in terms of their

0:30:14.800 --> 0:30:17.920
<v Speaker 3>actions against Iran that we here in the United States

0:30:17.920 --> 0:30:20.640
<v Speaker 3>seem to have gotten, you know, more or less fully

0:30:21.040 --> 0:30:26.160
<v Speaker 3>on board with, and that has trickled and filtered into

0:30:26.440 --> 0:30:30.040
<v Speaker 3>how they are being looked at and treated in the

0:30:30.040 --> 0:30:34.239
<v Speaker 3>Eurovision competition again to that soft diplomacy or that kind

0:30:34.280 --> 0:30:37.520
<v Speaker 3>of political microcosm of it all. It really is an

0:30:37.520 --> 0:30:43.480
<v Speaker 3>interesting signifier, you know, of how the greater European world

0:30:43.760 --> 0:30:46.120
<v Speaker 3>is looking at these conflicts.

0:30:46.520 --> 0:30:51.239
<v Speaker 1>Oh yeah, one hundred percent. In twenty twenty five, just

0:30:51.360 --> 0:30:55.280
<v Speaker 1>last year, as we record, the Nation of Israel took

0:30:55.320 --> 0:30:59.520
<v Speaker 1>the top spot in the public vote, but they got

0:30:59.520 --> 0:31:04.120
<v Speaker 1>a score from the jury, so their popular vote was great.

0:31:04.440 --> 0:31:07.280
<v Speaker 1>Their electoral college vote, if we could call it that,

0:31:07.720 --> 0:31:12.200
<v Speaker 1>not so much. As a result, the European Broadcasting Union

0:31:12.680 --> 0:31:19.680
<v Speaker 1>introduced rules for stricter auditing lower public vote counts, and

0:31:19.760 --> 0:31:23.640
<v Speaker 1>then they put tighter restrictions on what they portrayed as

0:31:24.160 --> 0:31:29.120
<v Speaker 1>state sponsored promotion. So what the EBU was essentially saying

0:31:29.320 --> 0:31:34.200
<v Speaker 1>last year is that they were polite, they were diplomatic

0:31:34.240 --> 0:31:39.720
<v Speaker 1>in circumspect about it, but they clearly thought that on

0:31:39.920 --> 0:31:44.280
<v Speaker 1>some state sponsored level, the Nation of Israel was rigging

0:31:44.320 --> 0:31:47.120
<v Speaker 1>the vote for sure, which is like with a lot

0:31:47.200 --> 0:31:51.640
<v Speaker 1>of propaganda, not like forcing people to vote, but encouraging

0:31:51.680 --> 0:31:55.160
<v Speaker 1>them to only vote for their country propaganda.

0:31:55.280 --> 0:31:59.280
<v Speaker 3>And you gotta wonder too, where we talking like hackery

0:32:00.440 --> 0:32:02.800
<v Speaker 3>are we talking about? I mean, I do seem to recall.

0:32:02.880 --> 0:32:04.760
<v Speaker 3>I was going to mention some dear friends of mine

0:32:05.120 --> 0:32:07.000
<v Speaker 3>in Berlin who are kind of the ones that really

0:32:07.080 --> 0:32:10.000
<v Speaker 3>hipped me to how massive the whole Eurovision thing is

0:32:10.080 --> 0:32:11.960
<v Speaker 3>over there. Like they have parties and it's just like

0:32:12.000 --> 0:32:14.920
<v Speaker 3>it's like a seasonal you know, like literally like a

0:32:15.000 --> 0:32:19.040
<v Speaker 3>social event of the season. They seem to think, and

0:32:19.080 --> 0:32:21.520
<v Speaker 3>these are folks who are in tech that there may

0:32:21.600 --> 0:32:26.680
<v Speaker 3>well have been some you know, shenanigans that play in

0:32:26.800 --> 0:32:30.320
<v Speaker 3>terms of rigging the vote, for ringing the vote for Israel,

0:32:31.120 --> 0:32:34.440
<v Speaker 3>because of course these things all involve using apps, you know,

0:32:35.440 --> 0:32:38.960
<v Speaker 3>using perhaps phone numbers that you can call, and there

0:32:38.960 --> 0:32:41.000
<v Speaker 3>are ways to spoof these kinds of things.

0:32:41.800 --> 0:32:46.000
<v Speaker 1>Yeah, this is a standing concern for a lot of

0:32:46.040 --> 0:32:50.080
<v Speaker 1>Eurovision fans in Western Europe to be honest and across

0:32:50.120 --> 0:32:55.880
<v Speaker 1>the world, because look, Eurovision may be for primarily European

0:32:55.960 --> 0:33:00.360
<v Speaker 1>countries to participate, but the world is watching. People love

0:33:00.960 --> 0:33:05.360
<v Speaker 1>watching Eurovision, and everybody wants the competition to at least

0:33:05.640 --> 0:33:10.440
<v Speaker 1>feel fair. We know that controversies will surely crop up

0:33:10.680 --> 0:33:15.200
<v Speaker 1>in the future because Eurovision will continue. It is so

0:33:15.960 --> 0:33:19.320
<v Speaker 1>amazing to watch. It has got to be a wild

0:33:19.520 --> 0:33:23.240
<v Speaker 1>ride to participate in it, and it's also a key

0:33:23.320 --> 0:33:26.040
<v Speaker 1>piece of diplomacy. At this point, I think it's fair

0:33:26.080 --> 0:33:31.040
<v Speaker 1>to say that on balance Eurovision is ridiculous, but it

0:33:31.160 --> 0:33:36.120
<v Speaker 1>is also a tremendously positive thing for the world overall.

0:33:36.440 --> 0:33:37.440
<v Speaker 1>Is that safe to say?

0:33:37.640 --> 0:33:40.000
<v Speaker 3>I think it is too, Ben, and I just want

0:33:40.000 --> 0:33:42.720
<v Speaker 3>to walk back what I said just briefly. I don't

0:33:42.760 --> 0:33:45.640
<v Speaker 3>know that we have evidence of hacking in terms of

0:33:45.640 --> 0:33:48.120
<v Speaker 3>it is more, like you said, Ben, a concerted effort

0:33:48.160 --> 0:33:51.840
<v Speaker 3>to do sort of like vote manipulations or you know,

0:33:51.960 --> 0:33:56.600
<v Speaker 3>kind of coercive voting. But there was an instance back

0:33:56.680 --> 0:34:00.280
<v Speaker 3>in twenty nineteen where it is Raeli webcast of the

0:34:00.320 --> 0:34:07.400
<v Speaker 3>first Eurovision semifinal was hacked to show faked explosions in

0:34:07.520 --> 0:34:12.920
<v Speaker 3>Tel Aviv. The Israeli national broadcaster COHN blamed Hamas for

0:34:12.960 --> 0:34:18.200
<v Speaker 3>the interruption, though the Palestinian group didn't comment. The TV

0:34:18.320 --> 0:34:21.600
<v Speaker 3>broadcast at large was not affected, but viewers tuning into

0:34:21.640 --> 0:34:24.520
<v Speaker 3>the con webcast all the warning risk of missile attack,

0:34:24.640 --> 0:34:27.960
<v Speaker 3>please take shelter under a fake logo of the Israeli

0:34:28.040 --> 0:34:31.200
<v Speaker 3>army and the sound of rocket warning sirens.

0:34:31.239 --> 0:34:34.439
<v Speaker 1>Turty stuff. Why can't we just have a one nice thing?

0:34:35.080 --> 0:34:38.360
<v Speaker 1>Why can't we just see why can't we just see

0:34:38.640 --> 0:34:43.359
<v Speaker 1>silly songs being sung by people? Man this so it

0:34:43.400 --> 0:34:47.239
<v Speaker 1>goes deep, learn more about the concept of soft diplomacy.

0:34:48.080 --> 0:34:52.240
<v Speaker 1>We talked off Mike and Max, Noel and I couldn't

0:34:52.320 --> 0:34:58.760
<v Speaker 1>leave you without a one last you know, digit Steve,

0:34:59.640 --> 0:35:03.000
<v Speaker 1>We we have to share some of our favorite weirdest

0:35:03.239 --> 0:35:08.080
<v Speaker 1>Eurovision songs ever, because again this thing started in nineteen

0:35:08.320 --> 0:35:12.360
<v Speaker 1>fifty six, aside from COVID, it kept going all the

0:35:12.360 --> 0:35:15.560
<v Speaker 1>way up to the modern day. I got to tell you, Noel,

0:35:16.040 --> 0:35:20.319
<v Speaker 1>two of my favorite Eurovision songs ever are every Way

0:35:20.360 --> 0:35:24.160
<v Speaker 1>that I Can by Sir toab Erener and Think About

0:35:24.200 --> 0:35:28.040
<v Speaker 1>Things by Daddie Freire. That is my guy, Doddy Fryar.

0:35:28.200 --> 0:35:30.800
<v Speaker 3>Got to see him perform here in Atlanta at the

0:35:30.880 --> 0:35:34.320
<v Speaker 3>Variety Playhouse. He had a giant inflatable of his head

0:35:34.440 --> 0:35:36.719
<v Speaker 3>on stage, because of course he did, of course he did.

0:35:36.760 --> 0:35:38.840
<v Speaker 3>And he's you know, his videos are just as delightful

0:35:38.840 --> 0:35:39.799
<v Speaker 3>that one you're talking about.

0:35:39.800 --> 0:35:39.960
<v Speaker 4>Ben.

0:35:40.000 --> 0:35:43.120
<v Speaker 3>I think they're all wearing like weird sweaters in the video,

0:35:43.520 --> 0:35:45.399
<v Speaker 3>and then he's got some that they're just like weird

0:35:45.400 --> 0:35:49.800
<v Speaker 3>little after effects clones of himself and just really delightful stuff.

0:35:49.880 --> 0:35:53.880
<v Speaker 3>Real tall lanky dude, very into electronic music, kind of techno,

0:35:53.960 --> 0:35:56.560
<v Speaker 3>but it's sort of comedy music, but it's also just good.

0:35:56.719 --> 0:35:58.200
<v Speaker 3>Like I would have a lot of heart to him,

0:35:58.400 --> 0:36:00.120
<v Speaker 3>really a lot of heart, and he just seems like

0:36:00.160 --> 0:36:02.240
<v Speaker 3>a lovely guy. And he actually just moves to Berlin,

0:36:02.360 --> 0:36:05.640
<v Speaker 3>which is my favorite city in the EU, and makes

0:36:05.640 --> 0:36:07.080
<v Speaker 3>a whole lot of sense because that is sort of

0:36:07.160 --> 0:36:10.720
<v Speaker 3>the heart, the beating, the four on the floor beating

0:36:10.719 --> 0:36:12.359
<v Speaker 3>heart of the electronic music world.

0:36:12.800 --> 0:36:17.200
<v Speaker 1>Berlin is your favorite city out of that whole pseudo continent.

0:36:18.400 --> 0:36:20.040
<v Speaker 3>Yeah, I just have really good friends there, and I

0:36:20.120 --> 0:36:23.200
<v Speaker 3>just love the history of the music scene, and you know,

0:36:23.280 --> 0:36:24.759
<v Speaker 3>a lot of the stuff that I'm into, and I

0:36:24.880 --> 0:36:25.759
<v Speaker 3>just dig the vibe there.

0:36:25.760 --> 0:36:30.240
<v Speaker 1>It's cool. Nice. We also want to shout out the

0:36:30.280 --> 0:36:38.239
<v Speaker 1>weirdest Eurovision performances, things like Finland's monster rock band Lordie.

0:36:38.520 --> 0:36:43.439
<v Speaker 1>So if you are a fellow theatric rock nerd, you

0:36:43.560 --> 0:36:49.120
<v Speaker 1>might recall bands like Guar, Lordie, l O R d I.

0:36:49.160 --> 0:36:53.200
<v Speaker 1>They have a song called hard Rock Hallelujah. Check it out.

0:36:53.360 --> 0:36:56.440
<v Speaker 1>It's exactly what you're thinking about, it sure is.

0:36:56.800 --> 0:36:59.960
<v Speaker 3>And I also want to pull a couple of fun

0:37:00.280 --> 0:37:03.840
<v Speaker 3>from an article the Guardian put out called Vampires, Naked

0:37:03.880 --> 0:37:07.680
<v Speaker 3>Apes and free Booze the twenty wildest Eurovision performances ever,

0:37:07.800 --> 0:37:14.200
<v Speaker 3>because you know, this absurd aspect of Eurovision is almost

0:37:14.239 --> 0:37:17.759
<v Speaker 3>as important as like say, the you know, having the

0:37:17.800 --> 0:37:21.480
<v Speaker 3>best pop song or being the most polished act. Vampires

0:37:21.520 --> 0:37:25.680
<v Speaker 3>are alive Switzerland two thousand and seven. Vampires are alive

0:37:25.680 --> 0:37:30.000
<v Speaker 3>in hell Sinky, they say, beginning this surreal Swiss pop entry,

0:37:30.000 --> 0:37:33.520
<v Speaker 3>which occasionally veered into Pirates of Penzance territory. It was

0:37:33.640 --> 0:37:37.120
<v Speaker 3>especially odd because, despite the subject matter, neither DJ Bobo

0:37:37.520 --> 0:37:41.640
<v Speaker 3>nor his crew resembled vampires. As Eurovision rules stipulate that

0:37:41.680 --> 0:37:43.640
<v Speaker 3>you can't have more than six performers on stage, whoa

0:37:43.680 --> 0:37:46.319
<v Speaker 3>that still holds a row of mannequins were added at

0:37:46.320 --> 0:37:48.720
<v Speaker 3>the back to make the stage look busier. The result

0:37:49.000 --> 0:37:52.040
<v Speaker 3>a band of not vampires lost in the pants department

0:37:52.120 --> 0:37:54.480
<v Speaker 3>of a Marks and Spencer. That must be a British

0:37:54.560 --> 0:37:56.400
<v Speaker 3>reference that I do not get, and I am reading

0:37:56.440 --> 0:38:00.040
<v Speaker 3>from this article directly. One more that I thought it

0:38:00.160 --> 0:38:04.360
<v Speaker 3>was fun was Helium to the Rescue. If you're unsure

0:38:04.520 --> 0:38:06.480
<v Speaker 3>whether you're going to hit the high note at Eurovision,

0:38:06.520 --> 0:38:09.439
<v Speaker 3>you can always take a leaf out of Sebastian Telier's book.

0:38:09.480 --> 0:38:13.120
<v Speaker 3>By the way, adore Sebastian Tellier. This guy's a serious

0:38:13.200 --> 0:38:16.840
<v Speaker 3>electronic artist from France who does really gorgeous kind of

0:38:16.880 --> 0:38:20.800
<v Speaker 3>lounge type music. But he arrived on stage driven in

0:38:20.880 --> 0:38:24.400
<v Speaker 3>a golf buggy and inhaled a helium balloon mid performance,

0:38:24.440 --> 0:38:27.600
<v Speaker 3>thereby raising his voice a couple octaves. Tellier ended up

0:38:27.640 --> 0:38:30.160
<v Speaker 3>coming in nineteenth in that year's final.

0:38:30.680 --> 0:38:36.080
<v Speaker 1>And let us not forget Dustin the Turkey representing Ireland

0:38:36.400 --> 0:38:39.880
<v Speaker 1>two thousand and eight. We're gonna play one real quick

0:38:39.920 --> 0:38:46.120
<v Speaker 1>clip and it counts as fair you so again, Turkey's

0:38:46.320 --> 0:38:55.080
<v Speaker 1>Ireland Dustin puppets. Now do you see it? Do you

0:38:55.120 --> 0:39:01.840
<v Speaker 1>see the puppet? I sure do, swear it?

0:39:02.000 --> 0:39:09.360
<v Speaker 3>Amazing, amazing, All right, we'll stop it.

0:39:09.640 --> 0:39:10.640
<v Speaker 1>I'm a little triggered.

0:39:11.120 --> 0:39:16.280
<v Speaker 3>Is a little bit dark, Crystal Skexies coded a little bit.

0:39:16.160 --> 0:39:17.440
<v Speaker 1>But I'm here for it.

0:39:17.480 --> 0:39:20.200
<v Speaker 2>Ben, thanks for sharing to jump in here, because this

0:39:20.280 --> 0:39:23.040
<v Speaker 2>seems very relevant. I pulled this up before we even started.

0:39:23.080 --> 0:39:28.319
<v Speaker 2>But most Eurovision wins in the history of the competition,

0:39:28.719 --> 0:39:29.080
<v Speaker 2>it is.

0:39:29.000 --> 0:39:33.279
<v Speaker 4>A tie between Sweden and Ireland.

0:39:34.080 --> 0:39:36.440
<v Speaker 1>The two countries that famously have.

0:39:36.520 --> 0:39:38.520
<v Speaker 4>Fun seven times each.

0:39:38.800 --> 0:39:41.560
<v Speaker 2>I Sweden I could have guessed that that would have

0:39:41.560 --> 0:39:42.360
<v Speaker 2>been one of my guesses.

0:39:42.520 --> 0:39:45.720
<v Speaker 4>Ireland, Ireland.

0:39:45.960 --> 0:39:49.960
<v Speaker 1>It's something in the eyes, you know. So we also

0:39:50.200 --> 0:39:54.919
<v Speaker 1>know that we also knew that there were entries into

0:39:55.000 --> 0:40:00.719
<v Speaker 1>Eurovision that we're bragging about agricultural goods. If you go

0:40:00.800 --> 0:40:07.080
<v Speaker 1>to twenty twelve, you'll see Russia's submission, which is Borronolskie

0:40:07.680 --> 0:40:11.319
<v Speaker 1>Babushki Party for everybody.

0:40:11.560 --> 0:40:14.759
<v Speaker 3>Bushki means everybody. I thought of Babushka. It was like

0:40:14.920 --> 0:40:16.560
<v Speaker 3>a like a little old lady.

0:40:16.920 --> 0:40:22.400
<v Speaker 1>Well it was, and they did have Russian Granny's baking

0:40:22.520 --> 0:40:25.440
<v Speaker 1>bread on stay thank that was part of their musical act.

0:40:25.360 --> 0:40:28.320
<v Speaker 3>Love It also shout out to Kate Bush, my favorite

0:40:28.440 --> 0:40:31.640
<v Speaker 3>artist of all time, second only maybe to David Bowie

0:40:31.640 --> 0:40:32.880
<v Speaker 3>for her song Babushka.

0:40:33.040 --> 0:40:38.839
<v Speaker 1>It's shout out to those mad lads from Moldova who

0:40:38.920 --> 0:40:43.280
<v Speaker 1>got on unicycles. Of course, shout out to Estonia's chaotic

0:40:43.360 --> 0:40:48.799
<v Speaker 1>punk act Winnie Push. That's true, that's the real day.

0:40:49.000 --> 0:40:49.480
<v Speaker 4>I believe it.

0:40:49.520 --> 0:40:53.680
<v Speaker 1>I believe it been so guys. This is all building

0:40:53.800 --> 0:40:56.480
<v Speaker 1>toward one of the biggest questions that we and our

0:40:56.520 --> 0:41:00.920
<v Speaker 1>fellow ridiculous historians have had over the past to episodes

0:41:01.080 --> 0:41:05.080
<v Speaker 1>of this series. When are we going to Eurovision? Will

0:41:05.160 --> 0:41:06.480
<v Speaker 1>accounting pay for it?

0:41:06.840 --> 0:41:09.600
<v Speaker 2>Let's go this weekend?

0:41:09.840 --> 0:41:13.800
<v Speaker 1>We actually, we actually cannot go this weekend.

0:41:14.040 --> 0:41:16.480
<v Speaker 3>Stuff going on. We're gonna be on the road, y'all

0:41:16.480 --> 0:41:20.680
<v Speaker 3>doing ridiculous history from the Bahamas. Gosh, must be nice,

0:41:21.120 --> 0:41:22.440
<v Speaker 3>is what y'all are probably saying.

0:41:22.560 --> 0:41:23.160
<v Speaker 1>It is work.

0:41:23.600 --> 0:41:26.200
<v Speaker 3>We are stoked, and we're very grateful to Baja mar

0:41:26.480 --> 0:41:28.520
<v Speaker 3>the Resort for putting us up for a couple of

0:41:28.560 --> 0:41:32.120
<v Speaker 3>days and letting us record from their podcast studio, which

0:41:32.120 --> 0:41:32.840
<v Speaker 3>they apparently have.

0:41:34.120 --> 0:41:38.600
<v Speaker 1>Yes, yeah, we will update when we are recording in

0:41:39.000 --> 0:41:43.279
<v Speaker 1>Baja Mark. Wish us the best, folks. We can't wait

0:41:43.320 --> 0:41:47.400
<v Speaker 1>to hear from you your favorite Eurovision songs. Give it

0:41:47.440 --> 0:41:50.799
<v Speaker 1>to us, your least favorite, give it to us the

0:41:50.840 --> 0:41:55.440
<v Speaker 1>ones that still thoroughly confuse you. Because Max Noll and

0:41:55.480 --> 0:41:59.319
<v Speaker 1>I each have our own collected set of just real

0:41:59.400 --> 0:42:02.760
<v Speaker 1>weird stuff from Eurovision. Big big thanks to our super

0:42:02.800 --> 0:42:07.520
<v Speaker 1>producer mister Max Williams, Big thanks to his biological brother

0:42:07.960 --> 0:42:10.920
<v Speaker 1>Alex Williams, who composed this track. And you know what,

0:42:11.000 --> 0:42:14.040
<v Speaker 1>Nol I think Alex would be great at Eurovision.

0:42:14.239 --> 0:42:18.200
<v Speaker 3>The man's got stage presence, the man's got riz let's

0:42:18.200 --> 0:42:21.000
<v Speaker 3>put him forth as as the US, the first ever

0:42:21.160 --> 0:42:24.000
<v Speaker 3>US entry into Eurovision, though I'm pretty sure they wouldn't

0:42:24.040 --> 0:42:25.240
<v Speaker 3>have us at this point.

0:42:25.560 --> 0:42:28.240
<v Speaker 1>I don't know. I think it's all in the swagger. Okay,

0:42:28.280 --> 0:42:35.080
<v Speaker 1>So it's if it's Alex Max, you myself. We'd have

0:42:35.120 --> 0:42:38.040
<v Speaker 1>to add Jonathan Strickland aka the Quister. Can we put

0:42:38.080 --> 0:42:41.200
<v Speaker 1>him in the back maybe with like a what's the

0:42:41.320 --> 0:42:49.000
<v Speaker 1>least intrusive musical instrument? The kazoo? No, that's too far.

0:42:51.320 --> 0:42:53.520
<v Speaker 1>We'll give him a thereman. Can he drive a Theramy

0:42:53.600 --> 0:42:57.680
<v Speaker 1>Herman's pretty intrusive? Max goes high? Can we give him

0:42:57.719 --> 0:42:58.759
<v Speaker 1>like a triangle?

0:42:59.520 --> 0:43:02.319
<v Speaker 4>You can get truth of what the triangle ben? All right,

0:43:03.200 --> 0:43:04.520
<v Speaker 4>it's not all right to stay on the air, but

0:43:04.560 --> 0:43:05.359
<v Speaker 4>I can tell you later.

0:43:05.840 --> 0:43:10.759
<v Speaker 1>Okay, Well tuned in for the after show, folks, which

0:43:10.840 --> 0:43:13.920
<v Speaker 1>I guess means Texas or hit us up on ridiculous

0:43:13.960 --> 0:43:17.960
<v Speaker 1>historians over on Facebook. Big thanks to Christopher hasiotis here

0:43:18.000 --> 0:43:23.280
<v Speaker 1>in spirit. Big thanks to use Jeffcoat, who recently returned

0:43:23.320 --> 0:43:26.440
<v Speaker 1>to South Africa. By the way, I think she's okay

0:43:26.480 --> 0:43:29.160
<v Speaker 1>with us saying that. No, I don't think either of

0:43:29.239 --> 0:43:31.440
<v Speaker 1>us were able to make it to her yoga session

0:43:31.600 --> 0:43:33.040
<v Speaker 1>when she was back in town.

0:43:33.239 --> 0:43:36.040
<v Speaker 3>No, sadly, but that's because everybody Dylan who does live

0:43:36.120 --> 0:43:38.200
<v Speaker 3>music for it and also produces our show stuff, they

0:43:38.200 --> 0:43:40.520
<v Speaker 3>don't want you to know. He told me it's sold out,

0:43:41.200 --> 0:43:43.160
<v Speaker 3>so I'm looking forward to trying out the next one.

0:43:43.400 --> 0:43:47.400
<v Speaker 1>Big thanks as well to aj Bahama's Jacob's The Puzzler,

0:43:47.560 --> 0:43:52.200
<v Speaker 1>and big thanks to Rachel Big, Spinach, Lance and man Ben.

0:43:52.239 --> 0:43:55.080
<v Speaker 1>I got to thank you twice over for this.

0:43:55.000 --> 0:43:58.480
<v Speaker 3>One because you were the research associate on this episode,

0:43:58.560 --> 0:44:01.239
<v Speaker 3>this pair of episodes as well as my You know,

0:44:01.280 --> 0:44:04.000
<v Speaker 3>we could maybe be a Eurovision duo. We just have

0:44:04.080 --> 0:44:05.400
<v Speaker 3>to renounce our citizenship.

0:44:06.040 --> 0:44:08.959
<v Speaker 1>Okay, yeah, the price dropped for that, that's what I heard.

0:44:09.080 --> 0:44:11.400
<v Speaker 1>I think we can afford it. We'll go in Apsi's

0:44:11.480 --> 0:44:12.520
<v Speaker 1>We'll see you next time, Poets.

0:44:19.440 --> 0:44:23.239
<v Speaker 3>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:44:23.320 --> 0:44:25.480
<v Speaker 3>or wherever you listen to your favorite shows.