WEBVTT - Asking my best friend to make a VERY tough decision

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<v Speaker 1>What's up, guys. Welcome to The Granger Smith Podcast, Episode

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<v Speaker 1>thirty six. Thank you guys so much for watching, Thanks

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<v Speaker 1>for listening. I'm grateful for this platform. I'm grateful for

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<v Speaker 1>the first amendments that I could exercise my freedom of speech.

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<v Speaker 1>Get on here, speak to you guys, tell you what's

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<v Speaker 1>on my mind, tell you about what's going on in

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<v Speaker 1>my life, tell you about the stay of the world,

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<v Speaker 1>at least the way I see it, and to invite

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<v Speaker 1>some of my friends on here to chat. So, if

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<v Speaker 1>you're new to this podcast, thank you, Thank you for watching.

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<v Speaker 1>If you're on YouTube, and I would encourage you to

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<v Speaker 1>go backwards. This whole thing started in the back of

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<v Speaker 1>my bus on tour, and I wanted to give people

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<v Speaker 1>an idea of who I am and where I came from,

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<v Speaker 1>especially when it comes to music business. How we ended

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<v Speaker 1>up here, How did ye ye come around? How did

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<v Speaker 1>I start even playing guitar? Who are my influences? That's

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<v Speaker 1>that was the inspiration behind this podcast originally. Then it

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<v Speaker 1>is now shifted to every Monday. We're gonna put these

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<v Speaker 1>out early every Monday, so hopefully you're commuting to work

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<v Speaker 1>and it gives you something to do. To listen to,

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<v Speaker 1>to watch wire commuting to work, and it gives me

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<v Speaker 1>a platform sometimes to answer questions, sometimes just to get

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<v Speaker 1>in front of a camera and keep you guys updated.

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<v Speaker 1>So regardless, thank you for all that. The world, as

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<v Speaker 1>far as my world and touring is still very slow.

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<v Speaker 1>We're looking to get back soon. I know we have

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<v Speaker 1>a couple of dates in June. Those are in Texas.

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<v Speaker 1>There are some dates in July, and I would expect,

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<v Speaker 1>and I've been saying this that this will continue to

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<v Speaker 1>double and double and double every month until late fall

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<v Speaker 1>we're back. I mean, our December is full, so hoping

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<v Speaker 1>that that stays the same like it's always been. It's

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<v Speaker 1>going to be really fun. And as I believe, and

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<v Speaker 1>I kind of preach this to people, I feel like

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<v Speaker 1>we're living in a pent up economy right now. There's

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<v Speaker 1>a lot of people that just want to go out

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<v Speaker 1>and want to grab a beer and listen to a band.

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<v Speaker 1>I know I do, and so I feel like so

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<v Speaker 1>many people, especially those the majority that have not lost

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<v Speaker 1>their jobs unlike me, are saving money that they would

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<v Speaker 1>have spent at the movie theater, are going out to

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<v Speaker 1>the bar or even going to the beach or things

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<v Speaker 1>like that. So I am excited that when this tour

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<v Speaker 1>does the floodgates open, it's going to be crazy. It's

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<v Speaker 1>gonna be fun. We'll be able to pack out some

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<v Speaker 1>rooms again and fill that passion. I'm also going to

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<v Speaker 1>put an album out in the fall. I don't know

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<v Speaker 1>exactly when, but I do. I am looking at a

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<v Speaker 1>whiteboard right here that I've written all of the songs

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<v Speaker 1>that I know are going to go on there, and

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<v Speaker 1>the process that those songs are in as far as

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<v Speaker 1>what they need instrumentation wise, what they need vocally. Some

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<v Speaker 1>lyrics need to be tweaked tweaked, But I'm looking at

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<v Speaker 1>that board right here, so that that's gonna be fun.

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<v Speaker 1>Because when this when the flood gets open and we

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<v Speaker 1>do start toring like crazy, I'm gonna have a bunch

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<v Speaker 1>of new songs to play. So today is a fun

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<v Speaker 1>podcast with one of my best friends and my tour manager.

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<v Speaker 1>He is notorious on the internet, so many people know

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<v Speaker 1>him for his big personality and big biss. I want

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<v Speaker 1>to introduce you if you don't know him already, and

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<v Speaker 1>uh and hear the backstory of how we got together,

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<v Speaker 1>how we became friends, and then how we eventually became

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<v Speaker 1>friends that work together very closely. This is an interview

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<v Speaker 1>with Chris Lee did kids in dcl my tires and school.

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<v Speaker 1>Long line of five, four of husband dined back rang

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<v Speaker 1>once evage. Yeah, that gation. So the year was two thousand.

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<v Speaker 1>I just moved to Nashville. I moved to Nashville July first,

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<v Speaker 1>two thousand. I didn't know anybody there. I didn't have

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<v Speaker 1>any friends at all. I had a couple connections through

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<v Speaker 1>people that knew somebody that moved to Nashville, and then

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<v Speaker 1>I knew that you were there. I had heard that

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<v Speaker 1>Chris Lely, the drummer from the Garland Opry, moved to

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<v Speaker 1>Nashville a few years before me. It was big news too.

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<v Speaker 1>I mean at the time, I just you know, there

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<v Speaker 1>was a small group of Texans that lived there around

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<v Speaker 1>my age. So I went into a bar called Silverado's,

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<v Speaker 1>a dance hall, country honky tonk, and I was there

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<v Speaker 1>just having a few beers. And I had known I

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<v Speaker 1>don't know even know if you know this, but in

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<v Speaker 1>my desperation to have a friend, God, I went through

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<v Speaker 1>the Yellow Pages, which used to be a thing, Yeah,

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<v Speaker 1>not a thing anymore. I went through the I was sorry,

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<v Speaker 1>White the white Pages I already forgot. So this is

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<v Speaker 1>the white Pages book, the Nashville Metropolitan White Pages, And

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<v Speaker 1>I went through and found the Lees, and there was

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<v Speaker 1>like four Chris Lee's. This is a sign of the times.

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<v Speaker 1>I would call starting with the first one, just called

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<v Speaker 1>the number. Hello, Chris, yep, Chris Lee from Garland, Texas.

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<v Speaker 1>They'd say huh, I'd say sorry, roll number. So I

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<v Speaker 1>did that four times and none of them were you.

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<v Speaker 1>So fast forward a few months. I'm in I'm in

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<v Speaker 1>this honky tonk and this guy comes up to me.

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<v Speaker 1>I barely recognized him. Cowboy hat. No no, no no, no, no, no,

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<v Speaker 1>you weren't cowboy hat. You were very uh slip dressed.

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<v Speaker 1>At the time, I believe. Okay, there's a phase I

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<v Speaker 1>was in. I guess yeah. And and this this guy

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<v Speaker 1>super Tank in a colder month and you said you

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<v Speaker 1>Granger Smith And I'm like, you know, at the time,

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<v Speaker 1>no one said that to me. I was like yeah,

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<v Speaker 1>and he was Chris Lee growing up and I was like,

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<v Speaker 1>my god, Chris, I found you, man. It was it

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<v Speaker 1>was a really big deal to me that I found

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<v Speaker 1>a guy from Texas and the guy I had been looking,

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<v Speaker 1>and we weren't really I wouldn't consider as good friends. Yeah,

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<v Speaker 1>we knew each other. We knew each other, we were

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<v Speaker 1>acquaintance acquaintances, and no one at the time had everybody's

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<v Speaker 1>social media account or phone numbers that just didn't exist.

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<v Speaker 1>Cell phones are actually pretty new, Like if you had

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<v Speaker 1>a cell phone number, you you didn't have a long

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<v Speaker 1>contact list. So, needless to say, we hit it off

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<v Speaker 1>that day at Silverado's, had a few beers exchanged to

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<v Speaker 1>phone numbers, and then our our although we had known

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<v Speaker 1>each other probably five years before that, our real friendship

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<v Speaker 1>began then starting with a co write I believe was

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<v Speaker 1>the first thing we did. Yeah, so Allison, who I'm

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<v Speaker 1>still married to. We were a boyfriend and girlfriend at

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<v Speaker 1>the time. We invited you over to her apartment. Okay,

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<v Speaker 1>and okay, I remember I hadn't heard you play or

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<v Speaker 1>sing since our Garland Oprey days, which was you know,

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<v Speaker 1>probably three years before. Yeah, but uh yeah, we had

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<v Speaker 1>you come over and like, I don't even think we

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<v Speaker 1>were gonna write. We were just gonna play and just

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<v Speaker 1>hang out and drink a few beers and everything. And

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<v Speaker 1>I like played for you a little bit, and You're

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<v Speaker 1>like Oh, that's great. And then you started playing and

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<v Speaker 1>I'm like, oh my god, I don't remember this guy

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<v Speaker 1>being this good back at our opery days. But something

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<v Speaker 1>happened in those couple of years. I think maybe you

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<v Speaker 1>had gotten out and started playing in your own band

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<v Speaker 1>and everything, but I think that might be a little

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<v Speaker 1>bit of exaggeration or you just don't remember. It was

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<v Speaker 1>a major lead. I mean you were, you were a good,

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<v Speaker 1>you know, a little singer in your your grown opry days,

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<v Speaker 1>but there was a drastic change. And at that point

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<v Speaker 1>I was like this, this freaking guy's gonna he's gonna

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<v Speaker 1>be huge. He's gonna make it. Well, so I'm still

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<v Speaker 1>waiting for you to make it, by the way, Yeah,

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<v Speaker 1>right Somewhere around that time, I was also needing a roommate.

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<v Speaker 1>I had an extra room, and so I asked you, Hey,

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<v Speaker 1>you going to be my roommate? Yeah, And you were like, well, man,

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<v Speaker 1>I was kind of I'm just kind of crashing at

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<v Speaker 1>my girlfriend's apartment and I was kind of actually have

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<v Speaker 1>a whole lot going on. And I remember the one

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<v Speaker 1>time we met to write and I don't know if

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<v Speaker 1>you remember this or not, but I said, whatever, parking

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<v Speaker 1>lot em I publishing or something. I said, meet me there.

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<v Speaker 1>I'm driving a big white truck, and you said, cool,

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<v Speaker 1>I'm driving a big red truck. And you pulled in

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<v Speaker 1>with the legit big Ford pick up diesel and I

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<v Speaker 1>was driving a just a normal fifteen hundred seventy one Chevy.

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<v Speaker 1>But the funny thing wasn't what what occurred to me

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<v Speaker 1>was that at the time I was driving a big

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<v Speaker 1>truck because no one was driving a truck in Nashville. Really, Yeah,

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<v Speaker 1>And another Texan comes in and actually had a legit

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<v Speaker 1>big truck and we hit it off. Soon after, I

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<v Speaker 1>mean you moved in. It wasn't long after the Silverado's

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<v Speaker 1>run in. Yeah, yeah, we were. We became good buddies

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<v Speaker 1>and fellow honky tnkers. Yeah we would, so starting then

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<v Speaker 1>we would. We would go out together, hit the honky tonks,

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<v Speaker 1>hit downtown Nashville, which if y'all haven't been in downtown Nashville,

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<v Speaker 1>it's always a good time, and did a lot of

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<v Speaker 1>a lot of things that were pretty reckless, you know,

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<v Speaker 1>Carolins at the time. Our kids will eventually listen to this,

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<v Speaker 1>so we can't get into too much of that. But

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<v Speaker 1>we we spent our early twenties, living it to the fullest.

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<v Speaker 1>Put it that way. We wrote songs together. We both

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<v Speaker 1>sang together at times, and then sometimes I would sing

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<v Speaker 1>and you'd play drums, and then sometimes I would play

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<v Speaker 1>steel guitar and you would sing or play drums with Trent,

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<v Speaker 1>and our relationship grew basically building the backstory of us

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<v Speaker 1>because I don't think anybody really knows you other than

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<v Speaker 1>tour manager. Ye, so there's not much else to that. Well, No,

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<v Speaker 1>you're you're actually a really good artist, really good songwriter.

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<v Speaker 1>You've always been a great singer, great guitar player. Not

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<v Speaker 1>just a guitar player, but just you're the kind of

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<v Speaker 1>guy that could pick up any instrument because you have

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<v Speaker 1>a really good ear. You could pick up piano, guitar, drums.

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<v Speaker 1>It's important to know that I'm not great at any

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<v Speaker 1>of those things, right, I get a little bit good.

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<v Speaker 1>It depends on who you're comparing yourself to. Compared to

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<v Speaker 1>the rest of the world, you're a pro at all

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<v Speaker 1>those things. And I guess we also stayed really good

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<v Speaker 1>friends because our schedules were really different. We stayed out

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<v Speaker 1>of each other's way, and you had a day job

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<v Speaker 1>that was very demanding, and you were gone a lot,

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<v Speaker 1>and then we would come together on the weekends and

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<v Speaker 1>do our Shenanigans. So about two thousand and four, I

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<v Speaker 1>moved back from Nashville back to Texas to start a band,

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<v Speaker 1>asked you to come with me. You said, no, good reasons.

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<v Speaker 1>You know, you had roots in Nashville, you had a

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<v Speaker 1>serious girlfriend at the time who is now your wife,

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<v Speaker 1>and you had a good job, so it would have

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<v Speaker 1>been silly to leave with me. I was because part

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<v Speaker 1>of my going back was going to finish college live

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<v Speaker 1>on my uncle Johnny's couch and nothing going on. I

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<v Speaker 1>was going to start to open Mike Night, so there's

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<v Speaker 1>nothing to go back for. So things developed you your

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<v Speaker 1>career started really taking off. You became a regional manager

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<v Speaker 1>at a company called Syitechs. Is that right? Regional manager,

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<v Speaker 1>district manager, district manager. That was a hard and I

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<v Speaker 1>mean the way that you lay this out there, you

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<v Speaker 1>make it made it sound like you didn't have a

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<v Speaker 1>whole lot going on in college station, and that is true.

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<v Speaker 1>You know, you were trying to develop some roots and everything.

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<v Speaker 1>But it still was a difficult decision for me not

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<v Speaker 1>to make that move because I really just as I

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<v Speaker 1>do today. I firmly believed in what you were doing

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<v Speaker 1>and in what you were as an artist. And I

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<v Speaker 1>didn't know what role I was going to have in

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<v Speaker 1>that someday, but I knew I had to be a

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<v Speaker 1>part of it, so that that was a difficult decision

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<v Speaker 1>for me not to make that move to College Station.

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<v Speaker 1>And this is coming from a diehard Texas Longhorn fan too,

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<v Speaker 1>moving to College Station. And that being said, College Station

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<v Speaker 1>has kind of always been known as a Texas music hub,

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<v Speaker 1>along with Austin and Lubbock, and there's probably a handful

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<v Speaker 1>of others. So if you're playing Texas country music, you're

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<v Speaker 1>gonna want to live in one of the San Marcus

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<v Speaker 1>New Bronfuls, College Station, Austin, Lubbock, Dallas, Fort Worth. Uh.

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<v Speaker 1>And so that's what I guess. That's why you in

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<v Speaker 1>Houston's probably somewhere on that list. Yeah. Yeah. So years

0:14:24.680 --> 0:14:28.920
<v Speaker 1>go by, you get married, I go, I go to

0:14:29.000 --> 0:14:35.480
<v Speaker 1>your wedding, you have a baby. I'm starting to tour

0:14:35.520 --> 0:14:39.240
<v Speaker 1>a little bit more. We're barely touring at all outside

0:14:39.240 --> 0:14:40.880
<v Speaker 1>of the state of Texas, but we are going to

0:14:40.960 --> 0:14:44.760
<v Speaker 1>Nashville and doing some bar gigs, and every time we

0:14:44.800 --> 0:14:47.800
<v Speaker 1>would go to Nashville. I would crash at your house,

0:14:48.320 --> 0:14:52.640
<v Speaker 1>you know, and we would we would catch up. But

0:14:52.720 --> 0:14:55.400
<v Speaker 1>still never really thought during that time that there was

0:14:55.480 --> 0:14:59.600
<v Speaker 1>a huge future with us past that it didn't seem

0:14:59.600 --> 0:15:02.360
<v Speaker 1>like it beca As your roots were getting deeper, my

0:15:02.440 --> 0:15:06.960
<v Speaker 1>connection with Texas was getting stronger, So it was a gosh.

0:15:07.080 --> 0:15:09.640
<v Speaker 1>I don't know when it was. It was actually before Meadow,

0:15:09.640 --> 0:15:14.720
<v Speaker 1>your first child, that I asked you again. In fact,

0:15:14.760 --> 0:15:17.440
<v Speaker 1>I invited you down and you came. It's a college

0:15:17.440 --> 0:15:20.240
<v Speaker 1>station because I remember drinking beer at the Dixie Chicken, yep,

0:15:20.880 --> 0:15:24.400
<v Speaker 1>And I said, I want to I want to invite

0:15:24.440 --> 0:15:27.400
<v Speaker 1>you down to join me. And I don't think I

0:15:27.440 --> 0:15:29.880
<v Speaker 1>said tour manager. I think it was like, just be

0:15:29.920 --> 0:15:32.120
<v Speaker 1>in the band or be part of it, because you're

0:15:32.120 --> 0:15:34.120
<v Speaker 1>also a really good lead guitar player, so you could

0:15:34.160 --> 0:15:37.400
<v Speaker 1>have done anything at that point. Yeah, I don't remember

0:15:37.440 --> 0:15:39.360
<v Speaker 1>what the title was. I think it was just to

0:15:39.400 --> 0:15:40.840
<v Speaker 1>be down there and just be a part of it,

0:15:41.120 --> 0:15:43.320
<v Speaker 1>which I oh, you know, I would have been grateful to.

0:15:43.600 --> 0:15:48.280
<v Speaker 1>My sales pitch to you was move, move everybody. Actually

0:15:48.280 --> 0:15:52.800
<v Speaker 1>it's just Allison, move Alison. But Alison had a good

0:15:52.880 --> 0:15:57.920
<v Speaker 1>job and in your job was My sales pitch was

0:15:58.480 --> 0:15:59.800
<v Speaker 1>I know you got a good job. I know you're

0:15:59.800 --> 0:16:02.640
<v Speaker 1>making consistent money, but you're not doing music. Man. You

0:16:02.680 --> 0:16:06.560
<v Speaker 1>love that, you want to be in music, and you

0:16:06.600 --> 0:16:10.520
<v Speaker 1>said no again. Both of the times you said no

0:16:11.120 --> 0:16:13.720
<v Speaker 1>were really good decisions on your part. It wasn't it

0:16:13.760 --> 0:16:17.080
<v Speaker 1>was too early, but it But it's funny looking back

0:16:17.080 --> 0:16:20.600
<v Speaker 1>because then it was that was probably I don't know

0:16:20.680 --> 0:16:24.000
<v Speaker 1>what year it was, but it was twenty thirteen when

0:16:24.120 --> 0:16:29.320
<v Speaker 1>things Earl Dibbles was out and which you helped write

0:16:29.320 --> 0:16:31.360
<v Speaker 1>the country Boy song, So you're kind of at the

0:16:31.360 --> 0:16:35.000
<v Speaker 1>ground floor of Earl Dibbles. You saw that what that

0:16:35.040 --> 0:16:39.040
<v Speaker 1>did for us as a band. And then two years

0:16:39.080 --> 0:16:42.320
<v Speaker 1>after Earl Dibbles, I asked you again, this time with

0:16:42.400 --> 0:16:46.200
<v Speaker 1>a mission to be my tour manager, because I'm sitting

0:16:46.200 --> 0:16:50.400
<v Speaker 1>here thinking, I don't want to hire a glorified merch guy,

0:16:50.600 --> 0:16:53.320
<v Speaker 1>no offense to merch guys. I don't want to hire that.

0:16:53.480 --> 0:16:56.520
<v Speaker 1>Tyler was done, you know, Tyler was done with trying

0:16:56.520 --> 0:16:58.760
<v Speaker 1>to be tour manager. He was already had his eyes

0:16:58.800 --> 0:17:02.640
<v Speaker 1>set on management. And I just wanted a friend, someone

0:17:02.680 --> 0:17:05.480
<v Speaker 1>that knew me. And so I remember that phone conversation.

0:17:05.600 --> 0:17:09.000
<v Speaker 1>I said, my goal is to bring in somebody that

0:17:09.119 --> 0:17:12.280
<v Speaker 1>could they could shoot me straight all the time that

0:17:12.400 --> 0:17:15.199
<v Speaker 1>supports us as a band, wants to push us, but

0:17:15.240 --> 0:17:18.280
<v Speaker 1>at the same time knows when to say, dude, shut

0:17:18.280 --> 0:17:23.359
<v Speaker 1>the hell up. You're wrong, You're wrong on this situation. Boy,

0:17:23.400 --> 0:17:27.000
<v Speaker 1>did you take that run with what? Some things never change.

0:17:27.240 --> 0:17:29.840
<v Speaker 1>But I remember you said, let me think about it

0:17:29.880 --> 0:17:36.200
<v Speaker 1>with al and you had two babies at home? We

0:17:36.280 --> 0:17:40.399
<v Speaker 1>had uh God, you lose count over the years. Do

0:17:40.400 --> 0:17:41.960
<v Speaker 1>you have as many as I do? We had three,

0:17:42.240 --> 0:17:46.680
<v Speaker 1>did you? Yeah? We had cannon. You had cannon. Okay, okay, yeah,

0:17:46.720 --> 0:17:50.159
<v Speaker 1>it was twenty thirteen in March two thirty. So I

0:17:50.200 --> 0:17:53.280
<v Speaker 1>remember you said, let me think it over. You called

0:17:53.320 --> 0:17:56.800
<v Speaker 1>me and we talked. I was in Nacadoches. You laugh,

0:17:57.000 --> 0:17:59.600
<v Speaker 1>you because you had extended this off for a couple

0:17:59.600 --> 0:18:02.000
<v Speaker 1>of times, and I think it had kind of become

0:18:02.040 --> 0:18:04.600
<v Speaker 1>a joke to you a little bit, because I remember

0:18:04.640 --> 0:18:06.359
<v Speaker 1>you kind of laughed it off when you threw it

0:18:06.400 --> 0:18:09.720
<v Speaker 1>out there. And I remember hanging up after that conversation

0:18:10.600 --> 0:18:14.280
<v Speaker 1>and I was like, why is he laughing this off?

0:18:14.880 --> 0:18:16.920
<v Speaker 1>I am going to move down there and I am

0:18:17.000 --> 0:18:19.080
<v Speaker 1>gonna take this job. One of these days. I don't

0:18:19.080 --> 0:18:20.399
<v Speaker 1>know if this is the day, but I am going

0:18:20.480 --> 0:18:23.000
<v Speaker 1>to do it. So I felt a little bit upset,

0:18:23.160 --> 0:18:26.840
<v Speaker 1>and I remember calling you back saying, Hey, I'm taking

0:18:26.840 --> 0:18:30.639
<v Speaker 1>this serious, just to let you know. So then that

0:18:30.680 --> 0:18:35.400
<v Speaker 1>started the conversation with Alison. And I cannot praise her

0:18:35.640 --> 0:18:40.720
<v Speaker 1>enough for that move, because she loved Nashville, she loved

0:18:40.720 --> 0:18:43.400
<v Speaker 1>being there, she did roots, she had friends and everything.

0:18:44.000 --> 0:18:46.280
<v Speaker 1>But when I hung up with that phone conversation, she

0:18:46.480 --> 0:18:49.720
<v Speaker 1>saw something in my eyes. She saw a spark that

0:18:49.760 --> 0:18:52.879
<v Speaker 1>she hadn't seen in years, and it was the music

0:18:52.960 --> 0:18:55.800
<v Speaker 1>business came back calling. You know, I had settled into

0:18:55.840 --> 0:18:58.639
<v Speaker 1>my normal life. I used to wear a khakis and

0:18:58.960 --> 0:19:02.320
<v Speaker 1>button up shirt and I had to tell tell them

0:19:02.359 --> 0:19:04.200
<v Speaker 1>what you did. And I had a great thing going.

0:19:04.320 --> 0:19:09.399
<v Speaker 1>I was a district manager for Syde Text, which was

0:19:09.440 --> 0:19:13.440
<v Speaker 1>a basically a glorified laundry company right right there. They're

0:19:13.480 --> 0:19:15.480
<v Speaker 1>great and what they did and everything, but h that's

0:19:15.520 --> 0:19:17.159
<v Speaker 1>what I did. I ran that branch. It was like

0:19:17.200 --> 0:19:19.600
<v Speaker 1>a it was kind of like a Michael Scott in

0:19:19.640 --> 0:19:22.720
<v Speaker 1>the laundry world. You started that company as a as

0:19:22.760 --> 0:19:27.200
<v Speaker 1>a temp employee, yep, delivering the linens, running the route,

0:19:27.240 --> 0:19:30.480
<v Speaker 1>which is grueling in my mind. Yeah, you'd get up

0:19:30.520 --> 0:19:34.440
<v Speaker 1>at what time I'd get up, like at too. Oftentimes

0:19:34.640 --> 0:19:37.320
<v Speaker 1>you and I would play down town Nashville at Tootsies,

0:19:37.640 --> 0:19:40.159
<v Speaker 1>and I would go straight from playing downtown and I

0:19:40.160 --> 0:19:41.800
<v Speaker 1>would sleep in my big old truck out in the

0:19:41.800 --> 0:19:43.679
<v Speaker 1>parking lot for an hour, and then I'd go to

0:19:43.720 --> 0:19:47.600
<v Speaker 1>work and do the same thing the next night. But yeah,

0:19:47.640 --> 0:19:51.560
<v Speaker 1>so progress through that company, and I got as far

0:19:51.600 --> 0:19:53.240
<v Speaker 1>as I knew I was going to get. And it

0:19:53.280 --> 0:19:56.440
<v Speaker 1>didn't matter what I accomplished in that company. It didn't

0:19:56.480 --> 0:19:59.480
<v Speaker 1>matter what kind of awards or you know, how high

0:19:59.560 --> 0:20:03.240
<v Speaker 1>up I was to make it. There was always something missing.

0:20:04.280 --> 0:20:06.840
<v Speaker 1>And I just had that just like you. Maybe not

0:20:06.880 --> 0:20:10.240
<v Speaker 1>to the extent you have, but I had that musical gene.

0:20:10.280 --> 0:20:12.639
<v Speaker 1>It is to the extent you're Otherwise you wouldn't be

0:20:12.680 --> 0:20:15.399
<v Speaker 1>sitting here. Yeah, but I just couldn't shake it. I

0:20:15.480 --> 0:20:18.320
<v Speaker 1>knew I was never going to find true happiness in

0:20:18.359 --> 0:20:22.359
<v Speaker 1>my work life unless I was doing something in music.

0:20:23.359 --> 0:20:28.359
<v Speaker 1>And so that call was. I had prayed, literally prayed,

0:20:28.359 --> 0:20:30.920
<v Speaker 1>and I pray all the time, but I remember that

0:20:31.000 --> 0:20:34.399
<v Speaker 1>prayer very very distinctively a couple weeks before, and I

0:20:34.480 --> 0:20:37.560
<v Speaker 1>asked God, I said, God, if you want me to

0:20:37.600 --> 0:20:39.399
<v Speaker 1>just stay here and keep doing this and be a

0:20:39.400 --> 0:20:41.959
<v Speaker 1>district manager and stay with this company, I'll do it.

0:20:42.320 --> 0:20:44.080
<v Speaker 1>I'll be the best damn one when I didn't say

0:20:44.160 --> 0:20:47.040
<v Speaker 1>damn to God, but I'll be the best one you

0:20:47.080 --> 0:20:52.119
<v Speaker 1>want me to be. But if you want me to

0:20:52.160 --> 0:20:54.320
<v Speaker 1>go do something else, and you want me to really

0:20:54.400 --> 0:20:57.040
<v Speaker 1>venture out and do this music stuff, give me some

0:20:57.160 --> 0:21:00.640
<v Speaker 1>kind of a sign. And that sign came a couple

0:21:00.680 --> 0:21:03.240
<v Speaker 1>of weeks later in your phone call. And I love

0:21:03.320 --> 0:21:06.320
<v Speaker 1>telling that story because it's a it's the truth for

0:21:06.440 --> 0:21:08.679
<v Speaker 1>one thing, and it's a it's a great example of

0:21:08.760 --> 0:21:11.600
<v Speaker 1>how you put your life and you put something into

0:21:11.600 --> 0:21:15.720
<v Speaker 1>God's hands, He's gonna direct you. Yeah, you know that

0:21:15.880 --> 0:21:20.240
<v Speaker 1>is awesome. You you came in and you said yes.

0:21:20.440 --> 0:21:24.600
<v Speaker 1>Shocked me. I was very happy. And you came in

0:21:24.880 --> 0:21:31.639
<v Speaker 1>and you came into a situation that was kind of volatile.

0:21:31.720 --> 0:21:33.639
<v Speaker 1>You know. We were playing, we were we were in

0:21:33.720 --> 0:21:39.200
<v Speaker 1>an old bus, old blue bus called Atlantic Express, and

0:21:40.560 --> 0:21:45.080
<v Speaker 1>the band was kind of unorderly, you know, and one

0:21:45.119 --> 0:21:48.199
<v Speaker 1>of the tasks I said was, you're you're gonna have

0:21:48.280 --> 0:21:50.960
<v Speaker 1>to get this band in line. We can't get them

0:21:50.960 --> 0:21:54.320
<v Speaker 1>to do anything. All they do is drink and we

0:21:54.359 --> 0:21:57.280
<v Speaker 1>need them to like that's fine, but we need them

0:21:57.280 --> 0:21:59.720
<v Speaker 1>to play the show first, and then we also need

0:21:59.760 --> 0:22:01.800
<v Speaker 1>him to load their stuff back in the trailer when

0:22:01.800 --> 0:22:05.960
<v Speaker 1>they're done, because they had a tendency of finishing the

0:22:06.000 --> 0:22:09.840
<v Speaker 1>show and then getting drunk and disappearing. And then it

0:22:09.880 --> 0:22:12.160
<v Speaker 1>would be I've never heard of a band like that. Yeah,

0:22:12.840 --> 0:22:14.639
<v Speaker 1>it would be. It would just be a couple of

0:22:14.680 --> 0:22:17.520
<v Speaker 1>people left over to get all of their stuff and

0:22:17.560 --> 0:22:19.119
<v Speaker 1>put it back in the trailer. So I remember when

0:22:19.119 --> 0:22:20.280
<v Speaker 1>you first came in, it was like, all right, one

0:22:20.320 --> 0:22:24.439
<v Speaker 1>of your jobs, man, is a doing that? And b

0:22:24.920 --> 0:22:29.040
<v Speaker 1>you had to deal with these club owners. Yep. I

0:22:29.040 --> 0:22:31.520
<v Speaker 1>don't know how to describe them besides saying it's an

0:22:31.600 --> 0:22:36.320
<v Speaker 1>interesting bunch club owners. Nightclub owners is a is an

0:22:36.359 --> 0:22:40.480
<v Speaker 1>interesting breed, and as in most things in life, most

0:22:40.480 --> 0:22:42.760
<v Speaker 1>of them are good, really good guys, but you get it.

0:22:42.800 --> 0:22:44.960
<v Speaker 1>You get a few of them one out of ten.

0:22:45.080 --> 0:22:50.240
<v Speaker 1>Maybe that it's a scary situation you're trying to get

0:22:50.320 --> 0:22:53.200
<v Speaker 1>cash from a guy, especially with a band like us

0:22:53.400 --> 0:22:55.200
<v Speaker 1>when we were just starting to pop, we would play

0:22:55.240 --> 0:22:59.840
<v Speaker 1>a eight hundred capacity room and they would think that

0:23:00.080 --> 0:23:01.679
<v Speaker 1>no one was going to come in they would predict

0:23:01.680 --> 0:23:04.000
<v Speaker 1>a thousand or excuse me, two hundred people would come

0:23:04.000 --> 0:23:08.680
<v Speaker 1>in and we would put seven hundred and fifty and

0:23:08.880 --> 0:23:11.440
<v Speaker 1>it would shock them. And they're paying cash at the door,

0:23:11.480 --> 0:23:13.399
<v Speaker 1>So say people are paying five bucks at the door.

0:23:14.200 --> 0:23:16.879
<v Speaker 1>Then at the end of the night, they would estimate

0:23:17.760 --> 0:23:20.639
<v Speaker 1>to us, when I was still involved in that, they

0:23:20.640 --> 0:23:23.800
<v Speaker 1>would estimate how many people were there, about three fifty.

0:23:24.240 --> 0:23:25.960
<v Speaker 1>I'll pay I'm gonna open up this safe and then

0:23:26.000 --> 0:23:29.280
<v Speaker 1>give you a water cash. It's just beer soaked cash,

0:23:29.640 --> 0:23:33.120
<v Speaker 1>you know, just a handful of it and just put

0:23:33.119 --> 0:23:35.600
<v Speaker 1>it on the desk and say, well, rebook you later.

0:23:36.280 --> 0:23:38.480
<v Speaker 1>And so part of your job at the beginning was

0:23:38.520 --> 0:23:41.879
<v Speaker 1>to go, nope, I need discounted. I need to know

0:23:41.920 --> 0:23:43.760
<v Speaker 1>why you think it's three fifty because I think it

0:23:43.840 --> 0:23:48.920
<v Speaker 1>was seven fifty. And that was That was your job

0:23:49.000 --> 0:23:51.800
<v Speaker 1>and it has changed a lot, but the original tour

0:23:51.840 --> 0:23:55.879
<v Speaker 1>manager for us, that was your job. Yeah, for sure.

0:23:57.080 --> 0:23:59.280
<v Speaker 1>I remember the getting the ban in order being a

0:23:59.359 --> 0:24:02.359
<v Speaker 1>huge deal. Yeah, early on. And these are great guys

0:24:02.359 --> 0:24:04.359
<v Speaker 1>that are most of them are all still with us,

0:24:05.920 --> 0:24:08.480
<v Speaker 1>but that was it was just kind of what band

0:24:08.520 --> 0:24:10.959
<v Speaker 1>guys did after the show. This was back before we

0:24:11.040 --> 0:24:14.240
<v Speaker 1>had production guys all in hands and loaders and everything

0:24:14.320 --> 0:24:16.679
<v Speaker 1>loading up all the gear. So band was having to

0:24:16.680 --> 0:24:20.879
<v Speaker 1>do load all their stuff in play load all their

0:24:20.920 --> 0:24:23.399
<v Speaker 1>stuff out into the trailer. So they had a pretty

0:24:23.480 --> 0:24:26.560
<v Speaker 1>lengthy day. It was a tough day. But yeah, we'd

0:24:26.560 --> 0:24:29.560
<v Speaker 1>get a couple guys that would wander off, and the

0:24:29.640 --> 0:24:31.800
<v Speaker 1>trick for me wasn't get it. If I could just

0:24:31.920 --> 0:24:34.840
<v Speaker 1>get my hands and get in front of these guys,

0:24:34.960 --> 0:24:36.840
<v Speaker 1>it was no big deal there. You know a lot

0:24:36.840 --> 0:24:38.800
<v Speaker 1>of times they just need to be reminded, Yeah, hey,

0:24:38.920 --> 0:24:41.240
<v Speaker 1>you need to go load your stuff up. But the

0:24:41.240 --> 0:24:44.359
<v Speaker 1>trick for me was right after a show, you and

0:24:44.400 --> 0:24:46.680
<v Speaker 1>I would go to the merch table. Yes, that's right,

0:24:46.720 --> 0:24:49.560
<v Speaker 1>and so I would be pulled away from that so

0:24:50.040 --> 0:24:52.600
<v Speaker 1>because I would sign autographs and take pictures with everyone

0:24:52.640 --> 0:24:55.480
<v Speaker 1>there every night, yep, So we would sit there for that.

0:24:55.680 --> 0:24:58.679
<v Speaker 1>We do that merch table for two hours sometimes just

0:24:58.720 --> 0:25:00.800
<v Speaker 1>you taking pictures and do an audio ask for everybody.

0:25:01.680 --> 0:25:04.840
<v Speaker 1>And eventually I'd have one of our production guys come

0:25:04.920 --> 0:25:07.840
<v Speaker 1>up and say, Chris, can you go get so and

0:25:07.880 --> 0:25:09.960
<v Speaker 1>so from the bar. He's not loading up any of

0:25:10.000 --> 0:25:12.280
<v Speaker 1>his stuff. And then it became kind of a tug

0:25:12.280 --> 0:25:14.479
<v Speaker 1>Award i'd leave the bar. So I look at our

0:25:14.520 --> 0:25:17.280
<v Speaker 1>lives now and it's like, you know, eventually when we

0:25:17.320 --> 0:25:20.119
<v Speaker 1>start playing again, it's so much, so much easier. I

0:25:20.160 --> 0:25:21.800
<v Speaker 1>don't have to go find band guys at the end

0:25:21.840 --> 0:25:24.440
<v Speaker 1>of the night. And yeah, we got bigger problems. Yeah,

0:25:25.040 --> 0:25:28.440
<v Speaker 1>Tyler says, Bro, you got to get bigger problems. Yeah,

0:25:28.960 --> 0:25:35.679
<v Speaker 1>it's it's interesting because those guys would, uh, you have

0:25:35.760 --> 0:25:39.320
<v Speaker 1>to understand that them doing that. It's a lot easier,

0:25:39.320 --> 0:25:41.560
<v Speaker 1>I should say, to play a show loads of stuff

0:25:41.560 --> 0:25:43.520
<v Speaker 1>put in the trailer when there's not that many people

0:25:43.560 --> 0:25:46.600
<v Speaker 1>there and no one really cares, or if you're tired

0:25:46.640 --> 0:25:48.720
<v Speaker 1>and you're you're ready to get home. But the thing

0:25:48.920 --> 0:25:52.200
<v Speaker 1>was this was new to everyone. An exciting crowd that

0:25:52.320 --> 0:25:54.520
<v Speaker 1>loved us, that was packing in the doors of these

0:25:54.560 --> 0:25:58.840
<v Speaker 1>small clubs. Was very fun for the band too. So

0:25:58.880 --> 0:26:01.119
<v Speaker 1>you got a lot of pretty girls, a lot of

0:26:01.160 --> 0:26:03.520
<v Speaker 1>cool guys that are wanting to buy you a shot,

0:26:03.840 --> 0:26:05.960
<v Speaker 1>wanting to tell you how great your guitar playing or

0:26:05.960 --> 0:26:09.640
<v Speaker 1>your drumming is or your bass playing whatever. And so

0:26:09.880 --> 0:26:13.840
<v Speaker 1>it's a huge distraction because you got a lot of it.

0:26:13.840 --> 0:26:17.280
<v Speaker 1>You got seven hundred new friends every night. Man, I'll

0:26:17.320 --> 0:26:21.000
<v Speaker 1>come everybody. You play guitar so good, picking on Todd,

0:26:21.520 --> 0:26:24.000
<v Speaker 1>Let me buy you a shot, and then that turns

0:26:24.000 --> 0:26:26.439
<v Speaker 1>into two shots, and then some pretty girls come up

0:26:26.440 --> 0:26:28.320
<v Speaker 1>and they want to they want to tell you how

0:26:28.320 --> 0:26:32.120
<v Speaker 1>good you are, and some of the guys would want

0:26:32.119 --> 0:26:36.280
<v Speaker 1>to exchange numbers, and it was just it was overwhelming

0:26:36.320 --> 0:26:38.720
<v Speaker 1>to the ego. So it's hard to blame them for

0:26:38.960 --> 0:26:41.480
<v Speaker 1>what they were doing. They weren't just lawless, they weren't

0:26:41.480 --> 0:26:44.520
<v Speaker 1>just revolting against us. Yeah, but at the end of

0:26:44.520 --> 0:26:46.760
<v Speaker 1>the night we had to look after the crew guys,

0:26:48.040 --> 0:26:51.399
<v Speaker 1>and my did. So you fast forward seven years and

0:26:51.480 --> 0:26:54.760
<v Speaker 1>your job what did you say, how many years with these?

0:26:54.760 --> 0:26:57.200
<v Speaker 1>It was yesterday? You texted yes, seven years yesterday, seven

0:26:57.240 --> 0:27:00.480
<v Speaker 1>years yesterday. So your job has changed so much in

0:27:00.560 --> 0:27:04.159
<v Speaker 1>seven years from those days being that your responsibility to

0:27:04.240 --> 0:27:11.240
<v Speaker 1>now many times are managing an arena tour, right, which

0:27:11.280 --> 0:27:13.640
<v Speaker 1>is much more an arena tour for you say, it's

0:27:13.640 --> 0:27:16.760
<v Speaker 1>a Cane Brown tour, Luke bran Tor. It's much more

0:27:16.800 --> 0:27:19.919
<v Speaker 1>hands off of the band and much more hands on

0:27:20.000 --> 0:27:23.800
<v Speaker 1>with the venue and the promoter for sure, and our

0:27:23.840 --> 0:27:30.680
<v Speaker 1>meet and greets and radio facilitating, and yeah, it's been

0:27:31.600 --> 0:27:35.159
<v Speaker 1>it's a whirlwind. It's definitely perceived as bigger things, but

0:27:35.600 --> 0:27:38.040
<v Speaker 1>you know, at the end of the day, it's from

0:27:38.080 --> 0:27:43.120
<v Speaker 1>twenty thirteen to twenty twenty. Your goal is to get

0:27:43.119 --> 0:27:46.480
<v Speaker 1>whatever vehicles you're traveling in, get them parked, get everything

0:27:46.520 --> 0:27:50.600
<v Speaker 1>loaded in, soundcheck, do a show, do a meet and greet,

0:27:50.840 --> 0:27:52.520
<v Speaker 1>or do a meet and greet, and then do a show,

0:27:52.800 --> 0:27:54.760
<v Speaker 1>collect money at the end of the night. I mean,

0:27:54.800 --> 0:27:59.280
<v Speaker 1>those basic principles never change. It just becomes a more

0:27:59.400 --> 0:28:03.760
<v Speaker 1>vast view. You a greater amount of people to deal with. Yeah,

0:28:03.800 --> 0:28:08.040
<v Speaker 1>but the principles are the same. Yeah. It might be

0:28:08.040 --> 0:28:11.120
<v Speaker 1>important to say too, because somebody might listen and go, man,

0:28:11.160 --> 0:28:12.760
<v Speaker 1>he met everybody at the end of the night and

0:28:12.800 --> 0:28:17.560
<v Speaker 1>took pictures and autographs. Why doesn't he still do that. Well,

0:28:17.880 --> 0:28:20.800
<v Speaker 1>there's a lot of reasons, one of them being just

0:28:20.840 --> 0:28:24.560
<v Speaker 1>the longevity of our touring life. The lifestyle of touring.

0:28:24.960 --> 0:28:29.120
<v Speaker 1>It was crushing, not just me, and it was it

0:28:29.200 --> 0:28:32.040
<v Speaker 1>was the venues had to deal with the lines of

0:28:32.080 --> 0:28:34.640
<v Speaker 1>the people. You had to be pulled away from your

0:28:34.800 --> 0:28:36.960
<v Speaker 1>job as actually getting paid and getting the band in gear,

0:28:37.640 --> 0:28:43.120
<v Speaker 1>and it became a security issue every night, which was

0:28:43.240 --> 0:28:48.640
<v Speaker 1>overstaffing venues or that were always understaffed and so and

0:28:48.680 --> 0:28:51.400
<v Speaker 1>maybe even bigger than all those was we needed to

0:28:51.440 --> 0:28:55.880
<v Speaker 1>go to sleep. Yeah, sure, we needed to stop and unwind. Also,

0:28:55.960 --> 0:28:59.360
<v Speaker 1>the toll that that puts on your voice, Yeah, I

0:28:59.400 --> 0:29:01.160
<v Speaker 1>mean I would be horsed at the end of the

0:29:01.240 --> 0:29:04.600
<v Speaker 1>night just from Also, because you're a lot of these nightclubs,

0:29:05.240 --> 0:29:08.000
<v Speaker 1>the DJ keeps on playing, and the DJ even gets

0:29:08.120 --> 0:29:10.680
<v Speaker 1>louder after the live music is stopped. So here you

0:29:10.720 --> 0:29:14.280
<v Speaker 1>are at the merch table and every single person that

0:29:14.320 --> 0:29:15.760
<v Speaker 1>comes along, and you're not one of those that just

0:29:15.800 --> 0:29:17.920
<v Speaker 1>doesn't talk to people. You talk to every person that

0:29:18.040 --> 0:29:20.760
<v Speaker 1>comes through, and so you're shouting and you're screaming over

0:29:20.800 --> 0:29:23.120
<v Speaker 1>the DJ. And by the end of the night, it's

0:29:23.160 --> 0:29:26.160
<v Speaker 1>like you've done three shows. Yeah, because you've done your

0:29:26.280 --> 0:29:29.680
<v Speaker 1>ninety minutes and you've done two hours worth of screaming

0:29:29.720 --> 0:29:33.040
<v Speaker 1>at people at the merch table. So we transitioned into

0:29:33.400 --> 0:29:35.600
<v Speaker 1>meet and greets before the show, which was unheard of

0:29:35.640 --> 0:29:39.320
<v Speaker 1>at the time for us, for that level, for that level.

0:29:39.320 --> 0:29:41.640
<v Speaker 1>So we did meeting greets before and then we realized

0:29:42.120 --> 0:29:45.360
<v Speaker 1>we should probably charge money for those meet and greets.

0:29:45.440 --> 0:29:48.960
<v Speaker 1>Otherwise we're dealing with five hundred who wouldn't want to

0:29:49.040 --> 0:29:51.040
<v Speaker 1>go buy a ticket and go see the artist first,

0:29:51.120 --> 0:29:53.440
<v Speaker 1>and then I would if it was George Straight, So

0:29:53.640 --> 0:29:55.840
<v Speaker 1>then we put a money on it, and then we

0:29:56.000 --> 0:29:59.880
<v Speaker 1>put a limit on that. Right. But it's been a

0:29:59.880 --> 0:30:01.960
<v Speaker 1>f on evolution and I don't want to I don't

0:30:01.960 --> 0:30:06.720
<v Speaker 1>want to spend this whole conversation talking about that. I

0:30:06.800 --> 0:30:09.520
<v Speaker 1>kind of want to get into your new life as

0:30:09.600 --> 0:30:18.640
<v Speaker 1>a comedian. I want to take a quick break, quick

0:30:18.640 --> 0:30:20.640
<v Speaker 1>break from the interview with Chris. I hoping you're liking

0:30:20.640 --> 0:30:22.920
<v Speaker 1>this podcast so far. My name is Granger Smith. This

0:30:23.000 --> 0:30:26.280
<v Speaker 1>is the Granger Smith Podcast, Episode thirty six. I want

0:30:26.280 --> 0:30:27.960
<v Speaker 1>to tell you just a couple things before we get

0:30:27.960 --> 0:30:31.040
<v Speaker 1>back to Chris. Ways to find me grangersmith dot com.

0:30:31.080 --> 0:30:33.080
<v Speaker 1>If you go right to that homepage, boom, you're going

0:30:33.160 --> 0:30:35.960
<v Speaker 1>to find out when these tours are going to start

0:30:36.000 --> 0:30:38.200
<v Speaker 1>back up and when you can get tickets. I'm hopefully

0:30:38.200 --> 0:30:40.560
<v Speaker 1>going to announce this on social media as they start

0:30:40.560 --> 0:30:43.680
<v Speaker 1>trickling in, because they will, because we will be completely

0:30:43.680 --> 0:30:46.480
<v Speaker 1>back to normal. It's not a matter of if it is.

0:30:46.560 --> 0:30:50.400
<v Speaker 1>When reject the idea of the new normal, the way,

0:30:50.600 --> 0:30:53.800
<v Speaker 1>the new way of life, all that is false. Reject

0:30:53.920 --> 0:30:57.280
<v Speaker 1>that because collectively as people we're going to come together

0:30:57.640 --> 0:31:01.320
<v Speaker 1>and realize that we could defeat any kind of enemy.

0:31:02.280 --> 0:31:04.040
<v Speaker 1>I want you to go to Grander Smith because you

0:31:04.080 --> 0:31:07.479
<v Speaker 1>could you could find that I'm doing virtual meet and greets.

0:31:08.560 --> 0:31:12.400
<v Speaker 1>We typically do these on Wednesday nights, and they do

0:31:12.440 --> 0:31:16.320
<v Speaker 1>sell out quickly, but usually around Thursday or Friday. We

0:31:16.360 --> 0:31:18.120
<v Speaker 1>announced the next week when we put them on the

0:31:18.120 --> 0:31:20.640
<v Speaker 1>website right there on the homepage, so you can get

0:31:20.640 --> 0:31:22.800
<v Speaker 1>a meet and greet with me, and it's basically holding

0:31:22.800 --> 0:31:28.400
<v Speaker 1>the phone and I'm basically skyping facetiming you and we

0:31:28.480 --> 0:31:30.800
<v Speaker 1>get to have a five or six seven minute conversation.

0:31:31.840 --> 0:31:34.120
<v Speaker 1>Those have been really cool. You could also find me

0:31:34.160 --> 0:31:38.000
<v Speaker 1>on Cameo. It's an app or website cameo dot com.

0:31:38.040 --> 0:31:39.680
<v Speaker 1>You can find me on there and you could book

0:31:39.760 --> 0:31:42.960
<v Speaker 1>me to give you a video, and I'll literally send

0:31:43.000 --> 0:31:45.160
<v Speaker 1>you a video saying what you want me to say,

0:31:45.160 --> 0:31:51.960
<v Speaker 1>whether it's happy birthday, happy anniversary, happy graduation, get well soon,

0:31:52.640 --> 0:31:55.920
<v Speaker 1>you name it. I do these daily. It's so fun.

0:31:56.800 --> 0:32:00.400
<v Speaker 1>Cameo it also allows you to direct message, so we

0:32:00.400 --> 0:32:03.640
<v Speaker 1>could literally direct message text back and forth. And these

0:32:03.680 --> 0:32:08.320
<v Speaker 1>are these are ways for me to make up on income.

0:32:08.800 --> 0:32:12.160
<v Speaker 1>So that and and I'm okay, here with you apparel.

0:32:12.200 --> 0:32:14.760
<v Speaker 1>But this is to try to build our touring company

0:32:14.760 --> 0:32:16.320
<v Speaker 1>back up to take care of the guys. We still

0:32:16.320 --> 0:32:21.240
<v Speaker 1>have to pay health insurance, bus insurance, liability insurance, UH

0:32:22.360 --> 0:32:25.640
<v Speaker 1>bust payments, so there's there's a certain amount of business

0:32:25.640 --> 0:32:28.960
<v Speaker 1>expenses that we still have to maintain to stay alive.

0:32:29.040 --> 0:32:33.520
<v Speaker 1>So I'm doing everything i can UH and it also

0:32:33.640 --> 0:32:36.400
<v Speaker 1>just allows me to to keep in touch, to keep

0:32:36.400 --> 0:32:40.400
<v Speaker 1>in touch with you guys, and and feel your heartbeat

0:32:40.440 --> 0:32:43.120
<v Speaker 1>of what you're needing, what you're liking, what you're wunning,

0:32:43.160 --> 0:32:46.440
<v Speaker 1>and that's important. Last thing we're doing in these live streams,

0:32:46.440 --> 0:32:47.640
<v Speaker 1>and some of you might have seen them, but we're

0:32:47.640 --> 0:32:50.480
<v Speaker 1>gonna try to put out these live streams twice a

0:32:50.520 --> 0:32:53.400
<v Speaker 1>week and we're gonna do these on YouTube and Facebook.

0:32:53.440 --> 0:32:55.240
<v Speaker 1>You could come, you could watch it. We're gonna do

0:32:55.280 --> 0:32:57.520
<v Speaker 1>some throwback songs. Comment below if you have a song

0:32:57.600 --> 0:32:59.640
<v Speaker 1>request and we'll put it on the next the next

0:33:00.360 --> 0:33:02.480
<v Speaker 1>live show we do, or we're getting the guys together.

0:33:02.520 --> 0:33:05.160
<v Speaker 1>We're calling it live at the EE Farm. It has

0:33:05.200 --> 0:33:07.360
<v Speaker 1>been a blast. You could see the old ones on

0:33:07.360 --> 0:33:10.720
<v Speaker 1>my YouTube page and they're all free, and just like

0:33:10.760 --> 0:33:15.120
<v Speaker 1>this podcast, it's all free. We do offer a virtual

0:33:15.160 --> 0:33:19.720
<v Speaker 1>tip jar at Venmo forward Slash, granger Smith PayPal is

0:33:19.920 --> 0:33:24.840
<v Speaker 1>info at grangersmith dot com and the cash app is

0:33:25.800 --> 0:33:28.520
<v Speaker 1>dollar sign Earl Dibbles Junior. So I do want to

0:33:28.520 --> 0:33:30.160
<v Speaker 1>set that up and I do want to talk about

0:33:30.160 --> 0:33:34.560
<v Speaker 1>it because in this whole crazy mess, I'm trying to

0:33:35.320 --> 0:33:38.240
<v Speaker 1>I'm trying to just maintain a livelihood that we could

0:33:38.560 --> 0:33:42.040
<v Speaker 1>go right into touring and boom, no problem. So I'm

0:33:42.080 --> 0:33:46.240
<v Speaker 1>definitely not asking for much. Zero dollars is totally acceptable.

0:33:46.560 --> 0:33:51.160
<v Speaker 1>One dollar is perfect. That's all we're saying. Love you guys.

0:33:51.920 --> 0:34:00.880
<v Speaker 1>Back to Chris Lee. When did Chris Game Means start.

0:34:02.960 --> 0:34:09.839
<v Speaker 1>Chris Gaines has always been here. Yeah, no, you know

0:34:10.120 --> 0:34:15.120
<v Speaker 1>the whole gains mantra thing. It started with weightlifting, and

0:34:15.880 --> 0:34:19.919
<v Speaker 1>about six or seven, about seven years ago, right before

0:34:19.960 --> 0:34:24.040
<v Speaker 1>I moved down here, I got into fitness. I started

0:34:24.040 --> 0:34:25.919
<v Speaker 1>looking in the mirror and I had had a couple

0:34:26.000 --> 0:34:28.200
<v Speaker 1>kids at the time. Started looking in the mirror and

0:34:28.200 --> 0:34:31.640
<v Speaker 1>I'm like, God, I just I'm not going to make

0:34:31.680 --> 0:34:34.040
<v Speaker 1>it to sixty years old. I'm not going to see

0:34:34.080 --> 0:34:37.160
<v Speaker 1>these kids graduate and everything. So I knew I had

0:34:37.160 --> 0:34:40.359
<v Speaker 1>to make some changes. So long story short, I got

0:34:40.400 --> 0:34:44.120
<v Speaker 1>really serious about my health. When I moved down here

0:34:44.320 --> 0:34:46.720
<v Speaker 1>and I started to go lift with you and Tyler,

0:34:47.440 --> 0:34:50.600
<v Speaker 1>it became an extra motivation and extra challenge for me

0:34:51.400 --> 0:34:53.719
<v Speaker 1>to not just be fit, but to see if I

0:34:53.719 --> 0:34:56.279
<v Speaker 1>can outlift you guys, which I'm still trying to do.

0:34:58.160 --> 0:35:00.520
<v Speaker 1>So that's when that whole thing came along. And I've

0:35:00.520 --> 0:35:04.279
<v Speaker 1>always loved the Garth Brooks character Chris Gaines, I always have.

0:35:04.400 --> 0:35:06.560
<v Speaker 1>I thought the album was cool, I thought the idea

0:35:06.640 --> 0:35:12.279
<v Speaker 1>was brilliant and everything. So I liked pairing that kind

0:35:12.280 --> 0:35:14.480
<v Speaker 1>of using that little spin off with my name and

0:35:14.600 --> 0:35:16.520
<v Speaker 1>Chris Gaines and you know, only it spelled G A

0:35:16.719 --> 0:35:19.880
<v Speaker 1>I n Z. So that's kind of where that started.

0:35:21.840 --> 0:35:25.040
<v Speaker 1>And you know, all my social media and everything was

0:35:25.080 --> 0:35:28.239
<v Speaker 1>based around, hey, look I'm lifting weights, because it's it's

0:35:28.239 --> 0:35:30.920
<v Speaker 1>an old late weightlifting adage, right if you're if you

0:35:30.920 --> 0:35:33.399
<v Speaker 1>don't take an Instagram photo of you lifting weights, then

0:35:33.960 --> 0:35:37.319
<v Speaker 1>did it really happen? So that was kind of the

0:35:38.480 --> 0:35:43.480
<v Speaker 1>what started that mess. So a few episodes ago, I

0:35:43.520 --> 0:35:46.600
<v Speaker 1>had Dusty on here and I was telling Dusty that

0:35:47.800 --> 0:35:52.279
<v Speaker 1>he's like a sneaky, funny yeah, and I came up

0:35:52.280 --> 0:35:55.400
<v Speaker 1>because when Earl came out and people were the radio

0:35:55.440 --> 0:35:59.080
<v Speaker 1>would always say, you're so funny, You're so funny, Earl

0:35:59.160 --> 0:36:01.680
<v Speaker 1>is so funny? Were you always so funny? Were you

0:36:01.719 --> 0:36:05.279
<v Speaker 1>always the class clown you were? And I would always answer, man,

0:36:05.320 --> 0:36:08.040
<v Speaker 1>I'm not. I'm not even the third or fourth funniest

0:36:08.040 --> 0:36:11.560
<v Speaker 1>guy on my bus. And I throw Dusty into that

0:36:11.600 --> 0:36:17.840
<v Speaker 1>category above me because Dusty is a quiet comedian. He's

0:36:17.880 --> 0:36:21.040
<v Speaker 1>he doesn't burst open the door. And here's the joke.

0:36:21.200 --> 0:36:24.000
<v Speaker 1>There's Dusty, we all laugh, he's we're all having a

0:36:24.040 --> 0:36:26.440
<v Speaker 1>conversation and he's in the background and he says something

0:36:26.480 --> 0:36:30.319
<v Speaker 1>that just gets us really laughing. But you are the

0:36:30.400 --> 0:36:33.120
<v Speaker 1>bust in the door with the joke guy, and that

0:36:33.600 --> 0:36:36.600
<v Speaker 1>that's not recent. You've just always been that guy for sure.

0:36:37.520 --> 0:36:41.160
<v Speaker 1>Since the Garland Opry playing drums. You were the guy

0:36:41.440 --> 0:36:44.800
<v Speaker 1>that had the funny quip that was had people rolling

0:36:45.560 --> 0:36:49.279
<v Speaker 1>and uh. And that that's why I recruited you for

0:36:49.320 --> 0:36:52.000
<v Speaker 1>a country boy song at the very beginning, because I

0:36:52.000 --> 0:36:54.040
<v Speaker 1>need this guy and I think you were. What were

0:36:54.040 --> 0:36:57.640
<v Speaker 1>some of your lines in that song? It was like, yeah,

0:36:57.680 --> 0:37:02.160
<v Speaker 1>the math head was the most notable. I keep a

0:37:02.200 --> 0:37:05.640
<v Speaker 1>twelve gauge by my waterbed because the next trailer over

0:37:05.719 --> 0:37:09.200
<v Speaker 1>there's a meth head. Yeah. Now I remember thinking that

0:37:09.800 --> 0:37:12.319
<v Speaker 1>and like writing it down at the time, thinking there's

0:37:12.320 --> 0:37:14.600
<v Speaker 1>no way he's going to go for this lyric. It's

0:37:14.600 --> 0:37:18.080
<v Speaker 1>it's too far out there, but it's funny to me. Yeah.

0:37:18.120 --> 0:37:23.200
<v Speaker 1>So yeah, through our days in Nashville, many many years ago,

0:37:23.680 --> 0:37:27.520
<v Speaker 1>you were writing funny songs. Yeah, you were taking either

0:37:27.520 --> 0:37:30.400
<v Speaker 1>a popular song and making a funny parody, but not

0:37:30.400 --> 0:37:35.160
<v Speaker 1>not like a silly parody, like a ridiculous version, right,

0:37:35.360 --> 0:37:39.080
<v Speaker 1>And then you were writing original funny songs. And it's

0:37:39.080 --> 0:37:43.560
<v Speaker 1>funny because I remember you thinking, your your grandpa, you

0:37:44.040 --> 0:37:47.640
<v Speaker 1>your biggest advocate, your biggest fan, who is also the

0:37:47.719 --> 0:37:50.200
<v Speaker 1>man that raised you, taught you to be a man,

0:37:50.320 --> 0:37:55.680
<v Speaker 1>taught you everything you know from birth, and you felt

0:37:55.719 --> 0:37:57.960
<v Speaker 1>a little bit of regret because he was a musician

0:37:58.200 --> 0:37:59.960
<v Speaker 1>and loved country music. You felt a little bit of

0:38:00.000 --> 0:38:03.399
<v Speaker 1>regret to write funny songs where you could be using

0:38:03.400 --> 0:38:06.280
<v Speaker 1>that talent to write serious songs to change people's lives.

0:38:07.080 --> 0:38:09.000
<v Speaker 1>It's funny. What I learned with Earl is that you

0:38:09.040 --> 0:38:12.520
<v Speaker 1>can change people's lives being funny. Also, Yeah, absolutely, a

0:38:12.680 --> 0:38:16.840
<v Speaker 1>smile is a cure to many many ailments. So you

0:38:16.960 --> 0:38:20.520
<v Speaker 1>were you were always funny, but then you started a

0:38:20.560 --> 0:38:25.560
<v Speaker 1>YouTube channel You're keep meanwhile, you're keeping us laughing constantly

0:38:25.719 --> 0:38:27.960
<v Speaker 1>on the road and the bus. But you started a

0:38:27.960 --> 0:38:34.000
<v Speaker 1>YouTube channel about really fitness and weightlifting, and the funny

0:38:34.040 --> 0:38:37.960
<v Speaker 1>pieces of that started to evolve into a comedy channel.

0:38:38.320 --> 0:38:41.960
<v Speaker 1>And then you told me a few years ago that

0:38:42.040 --> 0:38:44.080
<v Speaker 1>I never knew about you that you actually had a

0:38:44.160 --> 0:38:49.120
<v Speaker 1>dream of yourself being a stand up comedian. Yeah, for sure,

0:38:49.719 --> 0:38:53.680
<v Speaker 1>and that so tell me how that what that is now,

0:38:53.719 --> 0:38:57.520
<v Speaker 1>and how your YouTube page looks now and the direction

0:38:57.640 --> 0:39:01.080
<v Speaker 1>that you want to take that. Yeah. Obviously I like

0:39:01.280 --> 0:39:05.160
<v Speaker 1>the weightlifting aspect of the channel and everything, but I

0:39:05.239 --> 0:39:10.760
<v Speaker 1>found myself only enjoying doing the funny parts of it.

0:39:10.800 --> 0:39:15.000
<v Speaker 1>And I kept asking myself, am I contributing in a

0:39:15.080 --> 0:39:18.040
<v Speaker 1>positive manner really with this weightlifting because there are a

0:39:18.080 --> 0:39:23.000
<v Speaker 1>gazillion weightlifting channels out there, And I noticed that I

0:39:23.040 --> 0:39:25.080
<v Speaker 1>didn't have the passion for the weightlifting part of it.

0:39:25.120 --> 0:39:28.560
<v Speaker 1>I really had the passion for making people laugh. And

0:39:28.640 --> 0:39:32.360
<v Speaker 1>I've always had that. I mean, going from getting in

0:39:32.440 --> 0:39:36.799
<v Speaker 1>trouble in Sunday School for cracking jokes and making people

0:39:36.880 --> 0:39:40.239
<v Speaker 1>laugh and everything. That's always just been a part of me.

0:39:41.120 --> 0:39:44.960
<v Speaker 1>And so I thought, you know, I can contribute to

0:39:45.000 --> 0:39:47.040
<v Speaker 1>this world, and it doesn't have to be in a

0:39:47.080 --> 0:39:50.799
<v Speaker 1>serious manner, because who doesn't need a smile this day

0:39:50.800 --> 0:39:53.239
<v Speaker 1>and age, right, And if I could put a little

0:39:53.320 --> 0:39:56.239
<v Speaker 1>something out there, bring a smile to somebody's face, make

0:39:56.280 --> 0:39:59.680
<v Speaker 1>them chuck a little bit, I've made a contribution. That's everything.

0:40:00.680 --> 0:40:06.480
<v Speaker 1>That's everything. So what's your YouTube channel? YouTube channel is

0:40:06.600 --> 0:40:11.040
<v Speaker 1>Chris Gaines g A I n Z comedy. Yeah, how

0:40:11.840 --> 0:40:15.080
<v Speaker 1>often are you putting out videos? And when did the songs?

0:40:15.080 --> 0:40:16.839
<v Speaker 1>Because you know, I'm all about the songs. I love

0:40:17.200 --> 0:40:19.600
<v Speaker 1>like you should do nothing but songs like it takes time.

0:40:20.080 --> 0:40:22.359
<v Speaker 1>I love when you do the song. So what's your

0:40:22.400 --> 0:40:25.200
<v Speaker 1>plan with this channel? And it's definitely taken on a

0:40:25.239 --> 0:40:30.160
<v Speaker 1>new life with this whole shutdown. Yeah, for sure. The

0:40:30.200 --> 0:40:33.200
<v Speaker 1>plan is so I do a weekly video. Every Tuesday,

0:40:33.200 --> 0:40:35.279
<v Speaker 1>I put a new video out. My goal is to

0:40:35.280 --> 0:40:38.080
<v Speaker 1>put a new song out every month. I just put

0:40:38.120 --> 0:40:44.239
<v Speaker 1>the Frozen parody out last week. So my goal with

0:40:44.320 --> 0:40:46.319
<v Speaker 1>that is just to do a song every month, to

0:40:46.360 --> 0:40:50.040
<v Speaker 1>do a new video every week, and I'm going to

0:40:50.120 --> 0:40:52.960
<v Speaker 1>keep making these funny videos as long as people keep

0:40:53.000 --> 0:40:57.560
<v Speaker 1>watching them. I legitimately enjoy doing this stuff. I mean,

0:40:57.600 --> 0:41:00.560
<v Speaker 1>it just fuels my creative juices. I have a good

0:41:00.600 --> 0:41:03.040
<v Speaker 1>time with it. And like I said, if I can

0:41:03.040 --> 0:41:05.080
<v Speaker 1>bring a smile to somebody's face, make somebody laugh and

0:41:05.160 --> 0:41:08.040
<v Speaker 1>I feel like I've done something, it's awesome. It's really

0:41:08.040 --> 0:41:10.000
<v Speaker 1>good too. So if you guys haven't seen it, go

0:41:10.080 --> 0:41:12.480
<v Speaker 1>check out his YouTube page and then comment on his

0:41:12.600 --> 0:41:17.520
<v Speaker 1>latest video Granger Smith Podcast, so that we know it worked. Yeah,

0:41:18.000 --> 0:41:23.760
<v Speaker 1>we know the engagement worked. Man. I'm just even thinking

0:41:23.800 --> 0:41:25.960
<v Speaker 1>about the twenty five years that we've known each other

0:41:26.040 --> 0:41:30.080
<v Speaker 1>and the evolution in our friendship. I'm excited to see

0:41:30.760 --> 0:41:35.520
<v Speaker 1>what the next twenty five will bring. And we've gone

0:41:35.640 --> 0:41:42.080
<v Speaker 1>from work partners to friends back to work partners slash friends. Also,

0:41:44.120 --> 0:41:45.759
<v Speaker 1>we don't have a whole lot of work now as

0:41:45.760 --> 0:41:49.480
<v Speaker 1>far as tour management side. You do a few things

0:41:49.600 --> 0:41:52.719
<v Speaker 1>schedule wise. I've seen them, and I'm not going to

0:41:52.880 --> 0:41:55.319
<v Speaker 1>mention specifics, but I've seen a couple of shows come

0:41:55.360 --> 0:41:58.560
<v Speaker 1>through on email this week and I'm just a static. Yeah,

0:41:58.719 --> 0:42:01.239
<v Speaker 1>it's like, my favorite part of this week this week

0:42:01.280 --> 0:42:03.239
<v Speaker 1>is getting those emails and being able to enter them

0:42:03.280 --> 0:42:05.760
<v Speaker 1>into our schedule. And I love that you love touring

0:42:05.960 --> 0:42:10.640
<v Speaker 1>you have a massive passion for touring, for being on

0:42:10.680 --> 0:42:16.600
<v Speaker 1>the road, for basically managing the entire touring operation. And

0:42:16.640 --> 0:42:19.840
<v Speaker 1>if you ever wonder what personal manager does versus a

0:42:19.840 --> 0:42:23.200
<v Speaker 1>tour manager, it's exactly in the title personal manager, which

0:42:23.239 --> 0:42:28.160
<v Speaker 1>is Tyler manages my music life and Chris is in

0:42:28.280 --> 0:42:32.000
<v Speaker 1>charge of the tour. And it's it's really refreshing to

0:42:32.040 --> 0:42:33.560
<v Speaker 1>see some one that loves their job like you do

0:42:33.640 --> 0:42:37.200
<v Speaker 1>and so passionate about it, and that is diligent in

0:42:37.239 --> 0:42:40.719
<v Speaker 1>staying and just growing that because I've even speaking of

0:42:40.800 --> 0:42:43.319
<v Speaker 1>job offers. I've even talked to you before about Hey,

0:42:43.840 --> 0:42:45.600
<v Speaker 1>do you want me to we could open something up

0:42:45.600 --> 0:42:49.200
<v Speaker 1>in EEE Apparel. As ee Apparel continues to grow, eventually

0:42:49.239 --> 0:42:51.520
<v Speaker 1>we're going to need a warehouse manager of that sort,

0:42:52.320 --> 0:42:54.640
<v Speaker 1>and that would provide you an opportunity to get off

0:42:54.640 --> 0:42:56.840
<v Speaker 1>the road, maybe make the same money, but still be

0:42:56.960 --> 0:43:01.320
<v Speaker 1>involved in the team, but not travel. You're like, nope,

0:43:01.960 --> 0:43:05.359
<v Speaker 1>I like I love the show man I do. I

0:43:05.400 --> 0:43:08.920
<v Speaker 1>love going to new towns, I love meeting fans. I

0:43:09.080 --> 0:43:12.359
<v Speaker 1>love to see your growth as an artist. I'm gonna

0:43:12.360 --> 0:43:14.799
<v Speaker 1>see this thing through. You know, as long as you

0:43:14.880 --> 0:43:16.880
<v Speaker 1>keep doing this, I'm going to be right there, unless

0:43:16.880 --> 0:43:19.439
<v Speaker 1>you get rid of me, which would be silly. I've

0:43:19.480 --> 0:43:24.080
<v Speaker 1>tried to a couples. Eventually, everyone does it. Something We

0:43:24.120 --> 0:43:28.319
<v Speaker 1>have fought like brothers and h but more often we

0:43:28.360 --> 0:43:34.080
<v Speaker 1>have fought on the same side verse bad patrons and

0:43:34.280 --> 0:43:39.160
<v Speaker 1>bad club owners. We have we have carried people out,

0:43:39.480 --> 0:43:42.480
<v Speaker 1>or I've at least watched you carried people out. It

0:43:42.480 --> 0:43:47.720
<v Speaker 1>hasn't happened lately, no, thank god. But Hayes, Kansas, twenty fourteen,

0:43:49.600 --> 0:43:51.800
<v Speaker 1>many many stories. If you guys want to hear some

0:43:52.000 --> 0:43:54.879
<v Speaker 1>more of these stories, comment below. We'll get Chris back on.

0:43:55.160 --> 0:43:57.680
<v Speaker 1>Maybe we'll do an episode of just road Stories, Just

0:43:57.760 --> 0:44:02.120
<v Speaker 1>tour Stories, the good and the bad. So anyway, I

0:44:02.120 --> 0:44:04.680
<v Speaker 1>hope you come back man again. Thanks for having me,

0:44:04.719 --> 0:44:06.879
<v Speaker 1>and we'll do it next time, maybe on the bus

0:44:06.920 --> 0:44:09.399
<v Speaker 1>when we're deep into toury. Yeah, I like the sound

0:44:09.400 --> 0:44:10.520
<v Speaker 1>of that. See you guys,