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Speaker 1: Look Marier, Oh, I see you. My own look over

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Speaker 1: there is that the culture yess Wow, Lost Cultu Dingdong

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Speaker 1: Last Culturistas calling And it's a little bit of extra

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Speaker 1: extra read all about it extray epsty.

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Speaker 2: Yes you are listening to the VIP section of the podcast.

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Speaker 1: Yes, come on in, everybody. It's a VIP section that

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Speaker 1: everyone's invited to. But if you want to pay you

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Speaker 1: a little bit more, you can get these episodes a

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Speaker 1: little bit earlier. And if you're listening and that's the case, welcome.

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Speaker 1: And I'm hearing that the BMP Diamond subscription conversion is

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Speaker 1: one million percent. I heard that everyone's got it and

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Speaker 1: if you don't have it, you're a fucking loser, and

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Speaker 1: that everyone who has the prescription to Diamond is going

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Speaker 1: to live longer.

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Speaker 2: Oh my god, that's what it says on the analytics.

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Speaker 2: You're an analytics girl.

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Speaker 1: I'm always on the analytics. The truth is I really am?

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Speaker 2: You really are guys readers Katie's publicist Finalists. Matt loves

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Speaker 2: to look at the readouts.

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Speaker 1: I love to look at the readouts and I love

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Speaker 1: to sort of go to the Lost Culture group text

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Speaker 1: and be like, so this episode was a hit. This

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Speaker 1: episode was our best first week in three weeks. This

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Speaker 1: episode is comparable to the episode of Jujo.

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Speaker 2: Oh you always know which episode it is comparable too,

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Speaker 2: And you're always like you get really billboard with it,

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Speaker 2: like granularly, like, well, what about most downloads in the

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Speaker 2: first week? What about in the first twenty four hours?

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Speaker 1: What about?

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Speaker 2: And I commend you.

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Speaker 1: I know when we're up, I know when we're down,

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Speaker 1: I know when we're rts, rts remaining the same. Oh

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Speaker 1: my god, I don't even know this stuff. Let's just

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Speaker 1: say I know our box office numbers. Oh, and speaking

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Speaker 1: of the box office, we're here to talk today about

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Speaker 1: a box office queen and critical favorite. Hard to be both,

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Speaker 1: hard to be both almost impossible to be both nowadays

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Speaker 1: that's not true, Zendaya.

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Speaker 2: But who else I guess. Also, we're just you know, houling.

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Speaker 2: What's going through something right now? Let's just say it.

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Speaker 1: I mean, listen, Hollywood's going through it. And all we

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Speaker 1: can do is wait. All we can do is wait.

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Speaker 1: We're talking about miss Julia Robert from Alpharetta Georgia. Oh,

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Speaker 1: this woman really did dominate and we were so grateful,

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Speaker 1: weren't we.

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Speaker 2: I mean, for me she still dominates to this day. Well,

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Speaker 2: I mean, I was just going to bring up something that, like,

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Speaker 2: isn't it. I am a little bit bummed out that

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Speaker 2: like take it to paradise.

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Speaker 1: You know.

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Speaker 2: You look at the post, you go, well, it's Clooney

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Speaker 2: and Julia, and you go, there's no way this doesn't open.

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Speaker 2: And you go, well, if even they can't like get

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Speaker 2: a rom com to like do big numbers at the

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Speaker 2: box office, then who can? But I don't want to

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Speaker 2: write them off. Is like they don't have that same

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Speaker 2: poll anymore at the box office. I don't even think it.

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Speaker 1: Did that badly. I think internationally it's a big numbers.

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Speaker 1: I think it's considered a success. Damn.

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Speaker 2: I guess I'm just so you don't think about international enough.

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Speaker 2: I don't think about international enough. Very national list here,

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Speaker 2: Well you be a yellow nationalist? You actually not white?

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Speaker 2: Well that's actually controversial. Bowen Yang is white.

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Speaker 1: I'm a white And that's actually something I would like

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Speaker 1: to start bringing back into the public consciousness, is that

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Speaker 1: Bowen Yang is white and he's been lying. I know

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Speaker 1: you're wearing head to toe American paraphernalia.

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Speaker 2: It's true. And then if you if you really lick

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Speaker 2: your thumb and smudge my face. The concealer comes right off.

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Speaker 2: He's actually wearing a joy Luck club. It's a Joyluck

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Speaker 2: clerb joy Luck Vintage bubble tea merch.

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Speaker 1: There you go. So you're actually very international right now.

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Speaker 1: But I do ignore international, but I never ignore Julia. No.

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Speaker 1: Julia is an American treasurer who has international powers, and

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Speaker 1: she's been in thousands of film thousands, but we narrowed

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Speaker 1: it down to the top ten. Julia Roberts Films, Lost

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Speaker 1: Culch Lost Coach number ten. Ben is back. I haven't

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Speaker 1: seen that.

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Speaker 2: I haven't either, but that doesn't mean it's.

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Speaker 1: Not number ten. It has a number ten quality to it. Yes,

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Speaker 1: you know, it's like, don't be don't forget about this one.

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Speaker 1: Don't forget about when Julia played a concerned mother of

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Speaker 1: a drug addict played by Lucas Hedges.

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Speaker 2: And we have forgotten, and we're saying with this list,

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Speaker 2: don't forget.

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Speaker 1: You know what we're saying with this list, See it? Yeah,

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Speaker 1: support it. Julia Momulia, Julia Mom, Julia Roberts, Julia Mom

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Speaker 1: especially were a coach. Number eight Julia Mom.

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Speaker 2: Julia Roberts playing a mother like a mother who is upset.

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Speaker 2: You dress stress. You love to see that. This is

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Speaker 2: something we love watching this woman do, and yet neither

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Speaker 2: of us have. But we liked it enough on paper,

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Speaker 2: a sort of on premise alone, on poster alone, to

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Speaker 2: put it on the list on premise and poster alone.

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Speaker 2: Oscar Oscar, I don't.

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Speaker 1: Know who else was in this film, Julia Lucas could

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Speaker 1: be anyone from Adam. I think it was like Peter

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Speaker 1: O'Toole played the grandpa. You think he came back from

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Speaker 1: the dead to play the grandpa. I think at the

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Speaker 1: time he might have still been alive. This is all

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Speaker 1: why benis Back is number ten on top ten. Julia

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Speaker 1: Roberts Films.

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Speaker 2: Lost Coult number nine.

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Speaker 1: August County A film we did see and.

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Speaker 2: Fell asleep to.

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Speaker 1: No way. I love this film.

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Speaker 2: I think this film is a little too much. Meryll's

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Speaker 2: doing too much. I'm sorry, I'm sorry. Merrill is really

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Speaker 2: going for it.

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Speaker 1: You think Merrell's doing too much? In Augusta, Stage County, do.

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Speaker 2: You think she wasn't?

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Speaker 1: I think she was doing exactly what Violet Weston would

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Speaker 1: be doing when she has her a little overdose moment

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Speaker 1: and she's like remember I love it. She literally gave

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Speaker 1: you like on luxibro and and then Julia Roberts said,

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Speaker 1: eat the fish, bitch, this movie is cuckoo bananas. You

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Speaker 1: know who I think could have been better as the

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Speaker 1: daughter than Yeah, it's one of those roles I see

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Speaker 1: and I'm like, that should have been me. I should

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Speaker 1: have played the county daughter. Oh my god, you would

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Speaker 1: have been who gets like finger by the uncle?

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Speaker 2: Oh my god.

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Speaker 1: But in like a fun playway, what's a movie? Well,

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Speaker 1: it's a movie. Do you think it suffered that classic thing?

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Speaker 1: I mean, I I choose to view this as an

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Speaker 1: unsuccessful adaptation. I don't choose to view it that way

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Speaker 1: because I've got Oscar nominations up the wazoo. This is

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Speaker 1: one of Julia's Oscar noms.

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Speaker 2: I know it is, I'm aware, but I feel like

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Speaker 2: it's one of those things where it's like you needed,

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Speaker 2: like Mike Nichols, may he rest to like adapt it

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Speaker 2: just right in a way to make it film mt

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Speaker 2: You know, for someone who stands Mike Nichols, you certainly

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Speaker 2: have a lot of notes, and so did he. No,

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Speaker 2: don't don't ever put me and him in the same sense.

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Speaker 2: I revere him. I revere that man.

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Speaker 1: Well, why do you talk so much shit about him

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Speaker 1: now that he's dead. I don't know if there's another

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Speaker 1: Mike Nichols film. Is this Mike Nichols?

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Speaker 2: The next one is Mike Nichols. August Osh County is

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Speaker 2: not mc nichols. It's not, it's not, it's not. Oh,

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Speaker 2: I forget who, Well, this.

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Speaker 1: Is August Wilson. No, it's not August Wilson at all.

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Speaker 2: It's August August Osage County, which is Tracy Latt. Yeah, okay,

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Speaker 2: but who directed it? Okay, let's see. Let's say, let's

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Speaker 2: see who John Wells, John Wells, John Wells, who is

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Speaker 2: of course known for the company Men Well and it

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Speaker 2: probably could.

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Speaker 1: Have gotten a better director for this. I guess That's

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Speaker 1: what I'm saying. Like I literally was just like I'm

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Speaker 1: watching a play.

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Speaker 2: Even as a fucking twenty three year old who didn't

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Speaker 2: know anything about anything, I said, I feel like.

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Speaker 1: I'm watching a play. But Julia was amazing. Julia was amazing,

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Speaker 1: and that's why it's number nine on top ten. Julia

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Speaker 1: Roberts films Last Coach and speaking of plays, speaking of

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Speaker 1: magnificel like place well, let's we can discuss this. Oh

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Speaker 1: my god, you of course stand this. It's number eight closer.

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Speaker 2: I don't stand this. You stand this movie. I don't

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Speaker 2: stand this movie.

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Speaker 1: I know why you do well. Hit at the right time.

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Speaker 2: It was Damien Rice Culture the Bluers, and so it is.

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Speaker 1: I love this song. I played it out.

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Speaker 2: I mean, I'm not familiar with the play version.

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Speaker 1: I read the play.

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Speaker 2: Look, the writing is rough, and that's not my Nickels's fault.

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Speaker 1: I don't even know if the writing is rough. The

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Speaker 1: writing is just such a play.

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Speaker 2: It's such a play. It's very melodramatic, in the same

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Speaker 2: vein as august Osage County. I'm sure.

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Speaker 1: I just love the end scene with Natalie and Dune,

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Speaker 1: when she goes hit mean fuck her. That is then

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Speaker 1: in slow motion he winds up and does hit her,

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Speaker 1: and it's such like a stage slap. He does not

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Speaker 1: make contact, and she goes a and her hair goes

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Speaker 1: to the side and then she looks back like wind swept.

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Speaker 1: And then my other favorite scene, obviously we like Natalie. No,

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Speaker 1: that is iconic that I'm saying, that's Bill Jane. That

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Speaker 1: makes it like I see it on stage. But I'm like,

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Speaker 1: it is so much more powerful as a movie. In

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Speaker 1: the scene when Natalie goes to Julia's photo studio, yeah,

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Speaker 1: and Natalie is like faced away and then she goes,

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Speaker 1: just take my picture and she's crying. One singles here

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Speaker 1: iconic and Julia's like, she is beautiful and captures the

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Speaker 1: most stunning picture of her that goes up in the

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Speaker 1: gallery during that iconic scene sequence.

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Speaker 2: Really, I think it's where the revisit it's. Look, it's

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Speaker 2: not the best, but it was for these huge A

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Speaker 2: lists and as a teen you eat that.

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Speaker 1: Shut up one hundred percent, I said, without having seen

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Speaker 1: it as a teen, and I don't think I saw

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Speaker 1: it for years after it came out. I said, this

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Speaker 1: is the greatest film of the year. There you go.

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Speaker 1: I was like, my little Oscar bait ass like on

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Speaker 1: the sites was like closer as the film of the years,

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Speaker 1: a quiet film. And so you're saying you didn't see

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Speaker 1: it until much later or yeah, And I think the

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Speaker 1: first time I saw it, I was like in denial

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Speaker 1: about whether or not it was like quote unquote good

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Speaker 1: or not, And so I was just like, this is stunning.

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Speaker 2: Make no mistake. I don't think it's a good movie

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Speaker 2: that is.

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Speaker 1: In the eye of the beholder.

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Speaker 2: But it is fascinating to read about the way Mike

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Speaker 2: Nichols worked with these four and he was very like,

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Speaker 2: you know, he like took them out to dinners, like

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Speaker 2: they hung out, the five of them.

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Speaker 1: Well, that's amazing that the director would take factors. I'm

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Speaker 1: not just saying he would get maybe they would talk

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Speaker 1: about the script. I'm not getting detailed enough, but like

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Speaker 1: they interviewed Juliet and Natalie in the biography, they did

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Speaker 1: shut up and they and they like and they both

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Speaker 1: were like they were like, Mike really got to know us.

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Speaker 1: He took us out to dinner, We talked about the characters,

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Speaker 1: and before we got to set, we even rehearsed, like

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Speaker 1: showed them all these movies.

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Speaker 2: You be so blessed to your movie, so blessed to

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Speaker 2: have a director like that.

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Speaker 1: Did he show them like Who's Afraid of Virginia Wolf?

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Speaker 1: Not his own movies like other movies? Maybe Closer is amazing.

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Speaker 1: I also love the scene when Clive I went was

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Speaker 1: like what just come tastes like goes it's like yours

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Speaker 1: but sweeter, that's camping. And then he goes now fuck

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Speaker 1: off and die. Yeah, I said, get me on stage

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Speaker 1: doing this. Oh so you want to be Abigail and Clive?

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Speaker 1: That is range mother. I want to do all the roles.

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Speaker 1: I think I would be good to share with that story.

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Speaker 1: You would do all the roles in Closer that you

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Speaker 1: would be so good as all four? I think I

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Speaker 1: think I would be so good as all four.

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Speaker 2: Or how about it's closer but it's just you and

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Speaker 2: I and we each get the turn as each of them.

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Speaker 1: Oh my god, that's really good. We're like Cynthia Nixon

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Speaker 1: and Christine Vransky. No, I forget who else someone in

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Speaker 1: the play where they switched. I think that's a switch

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Speaker 1: that could be fun.

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Speaker 2: But I would I would be uncomfortable playing Natalie in

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Speaker 2: front of you. Why because I get like you're so Natalie.

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Speaker 1: Well, I guess we would have to fucking you'd have

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Speaker 1: to take your panties down and bend over and show

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Speaker 1: hold to the whole audience.

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Speaker 2: I can I call DIBs on Naantalie in that scene though,

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Speaker 2: of still Jane, you can play that role because and

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Speaker 2: I'll be Clive. I'll sit there with my f such

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Speaker 2: a good Clive in that scene. Okay, but I get

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Speaker 2: to be Julia.

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Speaker 1: Yeah, of course. So here's the way that we're gonna

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Speaker 1: do Closer. You are Jude, and that's gonna be hard

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Speaker 1: because you have a lot of scenes together.

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Speaker 2: No, no, no, But I'm saying we get to first

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Speaker 2: it's Jude Natalie, right, like jud and Natalie meeting. I'm one,

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Speaker 2: I'm Judior Natalie. Then it's like Clive and Julia, right,

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Speaker 2: and then like you're Julia, I'm Clive.

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Speaker 1: Well, we'll figure it out. We'll figure out with our director.

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Speaker 1: He'll take us out to dinner and we'll figure it

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Speaker 1: all out. Readers on BMP Diamond cast it, cast it, Okay, okay,

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Speaker 1: and that's the Closer is number seven on top ten.

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Speaker 1: Jeleia Rapperts Films Last Coult number seven, Smurfs The Lost Village.

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Speaker 2: That's said, moving on, that is why.

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Speaker 1: Smurf's The Lost Village is number seven on top ten.

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Speaker 1: Julia Roberts Films Lost Coach, number six, Nodding Hill.

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Speaker 2: This really is one of the iconic movies.

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Speaker 1: I'm just a girl standing in front of a boy

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Speaker 1: asking him to love her. That is movie star dot com.

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Speaker 1: Is ironic that she's playing a movie star in that. Yeah,

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Speaker 1: it would not be the last time she did.

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Speaker 2: American Sweethearts, which did not make the list, did not

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Speaker 2: make the list. Yeah, I mean notting Hill. It's an

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Speaker 2: okay rom com. If you watch it back, you.

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Speaker 1: Know it's actually only okay, but like sort of the

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Speaker 1: public consciousness would make you think it was one of

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Speaker 1: the great classics. There's some people that are like, my

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Speaker 1: favorite Julia is nodding Hill, and I have to look

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Speaker 1: at them cock eyed.

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Speaker 2: You're like, there's better Julia, as is evidenced by this list. Look,

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Speaker 2: it made the top ten.

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Speaker 1: I mean I haven't even clearly haven't seen the top six.

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Speaker 1: If they think of this one as number one, because

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Speaker 1: it's number six.

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Speaker 2: It's number six, so not even in the fiftieth percentile,

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Speaker 2: No of top ten. I should say.

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Speaker 1: Do we love Hugh Grant? I think so.

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Speaker 2: He's at his most hu Grant in this and it

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Speaker 2: is most like charming, harmless Hugrant and that it's when

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Speaker 2: Hugh Grant is in the fucking what's that movie? It's

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Speaker 2: such show with Nicole.

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Speaker 1: Oh the I'm doing I'm doing that, I'm doing where

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Speaker 1: you're like, you.

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Speaker 2: Can't be Hu Grant in this because you're the character

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Speaker 2: has done something awful.

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Speaker 1: And weirdly enough. That was my favorite Hugh Grant. But

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Speaker 1: I also haven't seen Paddington Too, which I heard it

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Speaker 1: should have been Hugh Grant's Oscars. A lot of the

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Speaker 1: craziest people in the world say that.

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Speaker 2: Same people who say America Ferrera deserves an Oscar for Barbie.

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Speaker 1: I saw Barbarie again, and you know what I say,

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Speaker 1: America for Oscar. Wow?

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Speaker 2: What I will say the monologue she delivers should have

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Speaker 2: been like the last monologue.

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Speaker 1: Mmmm.

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Speaker 2: That is the whole thesis of the movie.

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Speaker 1: I did think that America was a very winning in

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Speaker 1: the film. Winning does not mean nominate for Oscar. But

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Speaker 1: also it might be a weird year, a weird year.

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Speaker 1: All these reasons are why notting Hill is number six

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Speaker 1: on the top ten Lea Roberts Films.

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Speaker 2: Last Culture number five not a movie, but the dream

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Speaker 2: Girl music video for Dave Matthews band. She is famously

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Speaker 2: in White Girl. Dreads in this and guess what you

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Speaker 2: don't care?

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Speaker 1: Well, we didn't care until now you brought it up.

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Speaker 1: Oh I didn't bring it up to get us to care.

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Speaker 2: I'm saying, well, now I can't say, you know it

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Speaker 2: works because it's Dave Matthews watching her. He's sitting alone

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Speaker 2: in a theater, in a movie theater, watching this projection

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Speaker 2: on screen of Julia Roberts.

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Speaker 1: For some reason.

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Speaker 2: She's in White Girl Dreads and she is going through

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Speaker 2: different dream states. She's at the laundromat, she's at a party.

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Speaker 2: She's very like where am I? But it's the thing

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Speaker 2: where you go. This is why people get movie stars

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Speaker 2: for music videos, because it is, like, I mean, it's undeniable,

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Speaker 2: the star quality on this woman.

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Speaker 1: You're just with it.

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Speaker 2: I was like, this video whatever, and Dave Matthews, I

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Speaker 2: feel ambivalent to fond of Yea and the song is

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Speaker 2: pretty average Dave Matthews band, I would say sorry to

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Speaker 2: anyone who might disagree, but the video really makes it

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Speaker 2: pop and she's amazing.

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Speaker 1: Sorry, I'm just distracted because you said she did White

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Speaker 1: Girl Dreads and now I'm not saw her. I'm not.

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Speaker 1: I can't about it. I can't stop thinking about it.

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Speaker 1: I have a response why people don't like the cancel culture. Okay,

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Speaker 1: people would be loving the cancel culture if it wasn't

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Speaker 1: for people like me. It's true. Oh, this is why

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Speaker 1: not a movie. But the Dreamgirl music video for Dave

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Speaker 1: Matthews Band is number five on top ten. Julia Roberts

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Speaker 1: films Lost Culture, number four, Magnolias her first Oscar nomination.

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Speaker 1: She Drank the Juice Shelby. Wow, isn't that interesting? She

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Speaker 1: started with drink the Juice Shelby, and then later on

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Speaker 1: it would be eat the Fish.

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Speaker 2: Fish and start out with mystic pizzat of lots of fun, Julia, Julia,

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Speaker 2: what is that about?

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Speaker 1: Have you seen steel Magnolia's recently in like a fiveish years.

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Speaker 1: It's a fun one.

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Speaker 2: It is so so sad, it's so sad. It's not

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Speaker 2: like this fun, steal good movie.

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Speaker 1: No, it is not at all. It ends with sort

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Speaker 1: of anguish but sisterhood. Julia Roberts is again in playing

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Speaker 1: movie star charm though, because you really have to fall

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Speaker 1: in love with the character, and you do, and it's

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Speaker 1: a little bit of a tough character too. Yeah, but

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Speaker 1: you fall in love, You fall in love and then

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Speaker 1: Sally just Sally knocks it out at the damp part.

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Speaker 1: God damn, it's really Sally's performance.

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Speaker 2: It is Sally's performance.

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Speaker 3: And Dolly Dolly too, and Olympia Daryl Hannah, darryl Oh

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Speaker 3: my god, Daryl, Hannah, Shirley McLain rely, hmmm, I just.

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Speaker 1: Want to hit somebody, hit her, hit ha hit hit weeza,

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Speaker 1: hit weeza.

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Speaker 2: And I forget what Olympia says, but it's some like Southern.

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Speaker 1: Now, go ahead, go ahead. She gives a lot of Olympia,

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Speaker 1: a lot of Olympia. But we love it, we love it,

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Speaker 1: and all these reasons are why number four on top

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Speaker 1: ten Julia Roberts Films Lost Coult Number three, pretty woman.

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Speaker 2: This one holds up. I haven't seen it in a

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Speaker 2: long time.

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Speaker 1: She plays. Uh, you know, there's the only one way

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Speaker 1: to say it.

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Speaker 2: A sex worker.

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Speaker 1: Okay, anyways, hooker hooker, I say, bring back hooker, hooker.

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Speaker 1: I don't think hooker has a Well that's not for

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Speaker 1: me to say. I guess it's not for you to

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Speaker 1: say it all, certainly not for me to say it.

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Speaker 1: And yet here bring back hooker. Like, look at that hooker.

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Speaker 1: You look like a hooker. So what do you do.

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Speaker 1: I'm a hooker. I'm a hooker. Oh no, me coming

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Speaker 1: home after a long time home. No, my daughter is

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Speaker 1: a hooker. We see that makes it sound like, oh no, well,

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Speaker 1: how do you know she's not saying, oh no, my

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Speaker 1: daughter is a hooker, Like I'm so jealous of my daughter.

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Speaker 1: You're so right, I know my daughter's a hooker. I

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Speaker 1: should I wish I was the hooker. I wish I

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Speaker 1: was a hooker like my daughter. Well, anyone would want

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Speaker 1: to be a hooker. If I saw Julia robertson this film.

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Speaker 1: Glamazon dot Com got a safe girl. She had all

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Speaker 1: those condoms. She said, I'm a safety girl, safety girl.

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Speaker 1: Anyone would want to be a hooker walking out up

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Speaker 1: Rodeo Drive. Honestly, this was another Oscar nomination for Julia.

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Speaker 1: She did not win this time, but I believe that

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Speaker 1: this was when it was truly solidified, like MoMA is

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Speaker 1: a the A List queen.

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Speaker 2: Yeah, pretty woman was the moment.

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Speaker 1: And she was so good with Richard Gear, who was

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Speaker 1: so hot in this movie. You know.

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Speaker 2: Random thought that I meant to tell you was we

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Speaker 2: were watching Oppenheimer famously and we walked out. But Josh

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Speaker 2: Hartnett aging like Richard Gear. He looked unbelievable, But he

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Speaker 2: and Richard Gear are on the same track. Yeah, they

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Speaker 2: both looked and obviously, you know, very attractive men throughout

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Speaker 2: their whole lives.

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Speaker 1: Yeah, Josh Hartnet being an openheimer was one of the

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Speaker 1: jump scares of the movie for me, where I was

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Speaker 1: just like, oh my god, I can't believe this cast thing.

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Speaker 1: But I was happy the whole time because he looked amazing.

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Speaker 2: It's amazing. He seemed he did okay with that role.

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Speaker 2: I guess.

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Speaker 1: I mean, there wasn't much to it. And it's a

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Speaker 1: Christopher Nolan movie. Oh god, it's not about the acting.

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Speaker 1: It's about the damn score. Trust your actors for ones

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Speaker 1: in your life, Christopher Nolan. I'd love to see a scene.

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Speaker 2: Let Harry styles like do something more than like sweat

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Speaker 2: and scream and Dunkirk Dunkirk done nothing done. Oh and

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Speaker 2: all those reasons are White Woman is number three on

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Speaker 2: top ten.

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Speaker 1: Julia Roberts Films Lost Culture, number two My best friend's wedding.

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Speaker 1: I actually so get this, like peek behind the curtain.

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Speaker 1: We're doing this a sort of for fun. But these

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Speaker 1: are my top two. Oh, like the top two is

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Speaker 1: my top two.

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Speaker 2: First agree Oh that's why I put them there, And

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Speaker 2: I knew you would agree with me.

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Speaker 1: You put it right where it needed to go. Yeah. Period.

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Speaker 2: Tops and bottoms can say that or verse or side this.

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Speaker 1: Well, my Best Friend's Wedding is a movie for tops bottoms.

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Speaker 1: You put it where it needed to go one hundred percent.

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Speaker 1: And then I heard that and moved on to the

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Speaker 1: film since that's really what we came here to discuss.

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Speaker 1: But I think this is a movie for tops bottoms

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Speaker 1: versus sides and the like. I think anyone would love

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Speaker 1: My best Friend's Wedding. They can see themselves in so

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Speaker 1: many characters. This was, of course the I mean, not

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00:20:00,640 --> 00:20:05,840
Speaker 1: the breakout for Cameron Diaz, but like the breakout. Sorry,

434
00:20:06,160 --> 00:20:08,560
Speaker 1: and then this came along and she said, I'm giving range,

435
00:20:08,640 --> 00:20:12,280
Speaker 1: but Julia said, I am gonna play this unlikable character

436
00:20:12,359 --> 00:20:15,360
Speaker 1: who does monstrous things and you are still gonna fall

437
00:20:15,359 --> 00:20:19,320
Speaker 1: in love with me. That iconic bush of red hair, Jules,

438
00:20:19,640 --> 00:20:20,360
Speaker 1: you had to think.

439
00:20:20,480 --> 00:20:23,399
Speaker 2: She went, I'm gonna go all in because this woman's

440
00:20:23,480 --> 00:20:24,600
Speaker 2: name is basically mine.

441
00:20:24,880 --> 00:20:28,320
Speaker 1: Yeah, it really really really does do something. I think

442
00:20:28,400 --> 00:20:30,800
Speaker 1: it's actually and this is gonna be controversial. I think

443
00:20:30,840 --> 00:20:33,159
Speaker 1: at the time she was playing close to her. I

444
00:20:33,240 --> 00:20:36,040
Speaker 1: think she was always getting what she wanted. I think

445
00:20:36,119 --> 00:20:39,760
Speaker 1: she was really toying here with the idea of like

446
00:20:40,680 --> 00:20:42,679
Speaker 1: the thing that you think is gonna happen in your

447
00:20:42,720 --> 00:20:45,240
Speaker 1: life doesn't happen. Like life can be unfair and cruel,

448
00:20:45,760 --> 00:20:49,679
Speaker 1: and I think that the idea that she was going

449
00:20:49,760 --> 00:20:53,359
Speaker 1: to end up with him is like so, And when

450
00:20:53,400 --> 00:20:55,280
Speaker 1: you start watching the movie, you're like, yeah, of course

451
00:20:55,320 --> 00:20:57,040
Speaker 1: you want her to win. And then at the end

452
00:20:57,080 --> 00:20:59,520
Speaker 1: when she loses the guy and she ends up like

453
00:20:59,600 --> 00:21:01,720
Speaker 1: needing to build her life, you know that's better for

454
00:21:01,840 --> 00:21:04,600
Speaker 1: her and better for them and better for us the audience.

455
00:21:04,840 --> 00:21:07,600
Speaker 2: It taught a lesson, A taught a lesson. The gazebo

456
00:21:07,760 --> 00:21:10,480
Speaker 2: scene walked so pick Me, Choose Me, Love Me, and

457
00:21:10,520 --> 00:21:13,760
Speaker 2: Gray's Anatomy could run the final image of that being

458
00:21:13,800 --> 00:21:16,320
Speaker 2: her and Rupert Everett Dan saying, I go, this is

459
00:21:16,359 --> 00:21:16,840
Speaker 2: what it was about.

460
00:21:16,960 --> 00:21:22,000
Speaker 1: The moment I wake up, that great scene. Yeah, it's

461
00:21:22,040 --> 00:21:27,440
Speaker 1: so good kissing and when we should do that like

462
00:21:27,720 --> 00:21:30,680
Speaker 1: that that cold open being like so just like a video.

463
00:21:31,080 --> 00:21:34,520
Speaker 1: I love I love it. I also love fucking Rachel

464
00:21:34,560 --> 00:21:41,080
Speaker 1: Griffiths and Carrie Preston as the two sisters. They went

465
00:21:41,119 --> 00:21:43,560
Speaker 1: on to big careers, big career. My favorite scene in

466
00:21:43,600 --> 00:21:47,879
Speaker 1: this movie is when they're on the ferry and they

467
00:21:48,000 --> 00:21:51,280
Speaker 1: passed under a bridge and he goes. He goes, if

468
00:21:51,320 --> 00:21:54,800
Speaker 1: you love someone, you say it right then out loud,

469
00:21:55,200 --> 00:21:58,840
Speaker 1: Otherwise the moment just and she goes passes you by,

470
00:21:58,840 --> 00:22:01,320
Speaker 1: It just passes you by. And then the moment literally

471
00:22:01,400 --> 00:22:03,960
Speaker 1: passes them by, and she turns around with her hair

472
00:22:04,000 --> 00:22:06,280
Speaker 1: and he beautifully breaks silence. He goes, we don't even

473
00:22:06,359 --> 00:22:10,040
Speaker 1: have a song kimme and I, and then like if

474
00:22:10,040 --> 00:22:12,359
Speaker 1: they just move on, and then he starts singing some

475
00:22:13,000 --> 00:22:17,560
Speaker 1: day when Lelo and she starts to cry. The writing

476
00:22:17,800 --> 00:22:23,120
Speaker 1: is good, It's so good. This movie is so good.

477
00:22:23,200 --> 00:22:24,720
Speaker 2: That movie is Chicago.

478
00:22:26,000 --> 00:22:29,320
Speaker 1: It's more than Home Alone could ever And for these

479
00:22:29,440 --> 00:22:32,120
Speaker 1: reasons and all the other ones, that's why My best

480
00:22:32,160 --> 00:22:35,280
Speaker 1: Friend's Wedding is number two on top ten. Julia Roberts films,

481
00:22:35,480 --> 00:22:38,520
Speaker 1: Lost Colt and now for number one, number one that

482
00:22:38,600 --> 00:22:45,000
Speaker 1: I'm disputed, Aaron Brockovich. The Oscar Win, the perfect embodiment

483
00:22:45,160 --> 00:22:47,680
Speaker 1: of why Julia Roberts is a movie star, the perfect.

484
00:22:47,359 --> 00:22:49,800
Speaker 2: Embodiment of why Steven Soderberg is like who he is.

485
00:22:50,000 --> 00:22:53,439
Speaker 1: Certainly the best film she's ever been in, Holds Up.

486
00:22:53,760 --> 00:22:56,440
Speaker 2: Holds Up has always held Up. I've watched it once

487
00:22:56,560 --> 00:22:59,040
Speaker 2: every two years since it came out since two thousand,

488
00:22:59,600 --> 00:23:01,840
Speaker 2: and I'm like, this is a great fucking movie.

489
00:23:01,920 --> 00:23:06,160
Speaker 1: It also says real things about like really pression topics,

490
00:23:06,240 --> 00:23:09,040
Speaker 1: like throughout time since and this was made in like

491
00:23:09,080 --> 00:23:12,120
Speaker 1: two thousands. It's like old but feels like it could

492
00:23:12,119 --> 00:23:15,960
Speaker 1: be made now. It's sort of timeless. She's so good inness,

493
00:23:16,000 --> 00:23:20,560
Speaker 1: she's so funny, and it codable lines, real dialogue, real scenes,

494
00:23:20,760 --> 00:23:25,440
Speaker 1: real character work, real dynamics, and incredible supporting cast.

495
00:23:26,040 --> 00:23:28,840
Speaker 2: Just her on the phone in the car crying m

496
00:23:29,359 --> 00:23:31,879
Speaker 2: at the baby's first word, Oh yeah, yeah yeah, just like,

497
00:23:32,080 --> 00:23:36,440
Speaker 2: oh my god, what's his face.

498
00:23:36,680 --> 00:23:39,600
Speaker 1: Aaron would go on to a big career in that

499
00:23:39,720 --> 00:23:42,080
Speaker 1: movie Hattie. In that movie, I didn't sort of like

500
00:23:42,200 --> 00:23:45,000
Speaker 1: him because of all the hair and the mustache. Years later,

501
00:23:45,040 --> 00:23:47,040
Speaker 1: I would see another Aaron Acart movie and I'd be like,

502
00:23:47,080 --> 00:23:49,880
Speaker 1: oh my god, that's that's the guy from Aaron Brockovich,

503
00:23:49,960 --> 00:23:51,560
Speaker 1: and it shook me to my core. I believe the

504
00:23:51,600 --> 00:23:58,439
Speaker 1: expression is uh huh, never forget Contrata Farrell, excuse me, yea,

505
00:23:58,920 --> 00:24:03,919
Speaker 1: I'm not talking to you, bitch. Oh wait, how does

506
00:24:04,040 --> 00:24:08,119
Speaker 1: get into that? Did you move my fucking files or

507
00:24:08,200 --> 00:24:08,639
Speaker 1: something like that?

508
00:24:09,240 --> 00:24:09,840
Speaker 2: Where are my files?

509
00:24:09,840 --> 00:24:13,760
Speaker 1: Where my files. The fuck it's so good this movie

510
00:24:13,840 --> 00:24:16,280
Speaker 1: really just like it rock seeps into my brain at

511
00:24:16,400 --> 00:24:18,840
Speaker 1: regular intervals, like that's all you got, lady, two rung

512
00:24:18,920 --> 00:24:20,359
Speaker 1: feet and fucking ugly shoes.

513
00:24:21,040 --> 00:24:22,080
Speaker 2: She's had to lunch with the girls.

514
00:24:22,600 --> 00:24:26,240
Speaker 1: You're a girl. I'm sorry, you're a girl. Why aren't

515
00:24:26,240 --> 00:24:28,800
Speaker 1: you at lunch? I guess I'm not the right kind?

516
00:24:29,480 --> 00:24:29,920
Speaker 1: So good.

517
00:24:31,240 --> 00:24:33,520
Speaker 2: Don't make me bag, don't make me ba it doesn't

518
00:24:33,520 --> 00:24:35,360
Speaker 2: work out, fire me, don't.

519
00:24:35,160 --> 00:24:40,680
Speaker 1: Make me bag. And then also gonna say who lives

520
00:24:40,760 --> 00:24:43,520
Speaker 1: like this? And then the iconic monolog which I was

521
00:24:43,600 --> 00:24:46,440
Speaker 1: taught later in college. I remember I was in screen

522
00:24:46,480 --> 00:24:50,119
Speaker 1: running one O one and my teacher brought in a

523
00:24:50,160 --> 00:24:53,160
Speaker 1: scene and it was the miss Wichita monologue. Oh my god,

524
00:24:54,000 --> 00:24:56,879
Speaker 1: this is how you explore a character at this certain

525
00:24:56,920 --> 00:25:00,280
Speaker 1: part of the movie. And then I remember like someone

526
00:25:00,320 --> 00:25:02,320
Speaker 1: would bring in their work and she'd say, like, this

527
00:25:02,480 --> 00:25:04,439
Speaker 1: is your miss Wichita, like this is where you need

528
00:25:04,480 --> 00:25:04,960
Speaker 1: miss Witches.

529
00:25:05,040 --> 00:25:08,040
Speaker 2: That is they should put that in everything Wichita.

530
00:25:08,359 --> 00:25:11,120
Speaker 1: And I thought that meant that I was gonna be somebody.

531
00:25:11,720 --> 00:25:14,520
Speaker 2: It's amazing, and that's right like that, like right when

532
00:25:14,600 --> 00:25:16,399
Speaker 2: she like fox Aaron for the first it's like the

533
00:25:16,440 --> 00:25:18,760
Speaker 2: love story, you know when like aptbreak or whatever.

534
00:25:18,960 --> 00:25:21,160
Speaker 1: And before that, she has another one of the best

535
00:25:21,240 --> 00:25:23,040
Speaker 1: lines in the movie, which is when he gets on

536
00:25:23,080 --> 00:25:25,880
Speaker 1: the floor and he says to her like like, I'm

537
00:25:25,960 --> 00:25:28,919
Speaker 1: somebody I care about you, and she goes to him,

538
00:25:29,320 --> 00:25:31,880
Speaker 1: are you gonna be something else that I have to survive? Oh,

539
00:25:32,280 --> 00:25:34,600
Speaker 1: because I'll tell you what, I'm not up to it.

540
00:25:35,600 --> 00:25:37,919
Speaker 1: And then they kiss and she gives in, and then

541
00:25:38,040 --> 00:25:41,080
Speaker 1: later on didn't work out, and I remember he goes

542
00:25:41,119 --> 00:25:43,240
Speaker 1: to her, what about me? And she goes, what about you?

543
00:25:43,640 --> 00:25:43,800
Speaker 2: Right?

544
00:25:45,520 --> 00:25:49,320
Speaker 1: This is my work, my time away from my kids.

545
00:25:49,520 --> 00:25:53,760
Speaker 1: If that's not personal, I don't know. You gotta watch

546
00:25:53,800 --> 00:25:57,080
Speaker 1: the movie, guys, it's made of it. This is zinam

547
00:25:59,720 --> 00:26:03,280
Speaker 1: and that. All those reasons and more are why Aaron

548
00:26:03,359 --> 00:26:07,240
Speaker 1: Brockovich is number one on the top ten. Julia robertson

549
00:26:07,280 --> 00:26:10,960
Speaker 1: Movies Lost Cult as well as we in every episode

550
00:26:10,960 --> 00:26:15,639
Speaker 1: with the song every day it is a Winding. If

551
00:26:15,680 --> 00:26:18,240
Speaker 1: you want to see hear this song, watch Aaron Rokovich

552
00:26:18,440 --> 00:26:19,119
Speaker 1: plays at the end.

553
00:26:19,320 --> 00:26:22,440
Speaker 2: BMP Diamond subscribers will continue to get early access to

554
00:26:22,520 --> 00:26:25,080
Speaker 2: our top ten lists for various topics in culture, a

555
00:26:25,240 --> 00:26:28,160
Speaker 2: full month before they hit the free feed. If you're

556
00:26:28,200 --> 00:26:31,080
Speaker 2: hearing this and you are not a Diamond subscriber, you're

557
00:26:31,160 --> 00:26:33,840
Speaker 2: missing out on hearing these episodes a whole month early.

558
00:26:34,480 --> 00:26:37,560
Speaker 2: Don't you want to be early to the trend? Subscribe now.

559
00:26:38,080 --> 00:26:39,920
Speaker 2: Once a month we'll be sharing a new top ten

560
00:26:40,000 --> 00:26:42,280
Speaker 2: list for various topics in culture.

561
00:26:42,040 --> 00:26:45,359
Speaker 1: And as a BMP Diamond subscriber, you'll continue to get

562
00:26:45,400 --> 00:26:47,400
Speaker 1: them a full month where they hit the free feed,

563
00:26:47,560 --> 00:26:49,600
Speaker 1: plus all our new episodes ad free.

564
00:26:49,960 --> 00:26:51,880
Speaker 2: We'll see you next time for Top ten. Oh yeah,

565
00:26:52,040 --> 00:26:53,160
Speaker 2: Batman Villain.

566
00:26:55,040 --> 00:26:55,320
Speaker 1: Bye,