WEBVTT - Yellowjackets Season Three

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<v Speaker 1>Warning.

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<v Speaker 2>This episode contains spoilers for season three, episode one of

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<v Speaker 2>Yellow Jackets.

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<v Speaker 3>You warned.

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<v Speaker 2>Hello, my name is Jason Keccepsio and I'm risday Night

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<v Speaker 2>and welcome back to x ray Vision, the podcast where

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<v Speaker 2>we dive deep to your favorite shows, movies, comics, and

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<v Speaker 2>pop culture comedy from our podcast where we'll bring you

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<v Speaker 2>three episodes a week every Tuesday, Wednesday and Thursday. Don't

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<v Speaker 2>forget listeners, Our dear listeners, what's your feedback? Give me

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<v Speaker 2>a link in our episode description. You will find a

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<v Speaker 2>link there to take our quick listener survey so that

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<v Speaker 2>we can find out from you what things you like,

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<v Speaker 2>what things you don't like, what things you'd like to

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<v Speaker 2>hear more of, etcetera, etcetera.

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<v Speaker 3>In today's episode, we are talking about Yellowjackets.

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<v Speaker 1>We talked about season one and we loved it. We

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<v Speaker 1>covered season two every single week and we were a

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<v Speaker 1>little bit disappointed. What is season three offering.

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<v Speaker 3>We have checked in on the first premiere episode and

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<v Speaker 3>we will be talking about it along with our general feelings.

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<v Speaker 1>About puzzle box mystery box shows. How'd you do them right?

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<v Speaker 1>How'd you do them wrong? How many are there? There's

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<v Speaker 1>a lot of them? Guys. So yeah, let's talk about it.

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<v Speaker 2>But first shipping out of their lock for the season

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<v Speaker 2>three premiere of Yellowjackets. Okay, Rosie. Yellowjackets is back for

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<v Speaker 2>season three after as you mentioned up top, a stellar

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<v Speaker 2>and quite intriguing for a season, followed by a second

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<v Speaker 2>season where we started to get into crazy Riverdale territory.

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<v Speaker 1>Yes, lots of wild stuff going on.

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<v Speaker 3>If you haven't watched Yellow Jackets, you can go back

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<v Speaker 3>and listen to our We did an episode about Yellow

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<v Speaker 3>Jackets season one. You can go back and listen to that.

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<v Speaker 3>We also did coverage of the whole of season two.

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<v Speaker 3>You can go back and listen to that. Season one

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<v Speaker 3>basically dual timeline show in the nineties timeline a group

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<v Speaker 3>of girls who play soccer crash in the woods and

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<v Speaker 3>have to survive, and in the future, the adult survivors

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<v Speaker 3>of that group deal with someone blackmailing them about the truth.

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<v Speaker 1>That was very intriguing.

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<v Speaker 3>It was also weirdly intimate and basically just a character piece,

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<v Speaker 3>and that really pushed it through. There was lots of

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<v Speaker 3>hints of what could come. Is there something supernatural? Is

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<v Speaker 3>they're gonna be cannibalism? Will the girls survive it? Ended

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<v Speaker 3>with the death of one of the girls, Jackie. That

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<v Speaker 3>was a big deal Ella Pernell's character. We also discovered

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<v Speaker 3>who the blackmailer was. It was one of the main

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<v Speaker 3>girl's husband, Jeff. We have Shanna and Jeff. That was

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<v Speaker 3>very messed up of them. And then we leave the

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<v Speaker 3>show and go to season two where everybody is just oh,

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<v Speaker 3>and by the way, the girls killed someone.

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<v Speaker 1>Will that come back to want them? We don't know.

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<v Speaker 1>They killed someone In the modern day.

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<v Speaker 3>They killed a sexy guy who called Adam and they

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<v Speaker 3>chopped him up. It was pre messed up. Season two,

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<v Speaker 3>they finally succumbed to cannibalism. That was basically the moment

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<v Speaker 3>everybody waited for. We saw them eat Jackie's body. Did

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<v Speaker 3>they choose to do it? Did the Woods want them

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<v Speaker 3>to do it? Then we got in the modern day

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<v Speaker 3>into the truth about one of the girls from the forest, Lottie.

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<v Speaker 1>Was she running a cult?

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<v Speaker 3>Was it just the wellness center? Had she been in charge?

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<v Speaker 3>Was she mentally stable in the woods and in modern day?

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<v Speaker 3>All those answers were left open to us as we

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<v Speaker 3>continued towards season three. But the biggest thing you need

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<v Speaker 3>to know about the end of season two was that

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<v Speaker 3>one of our favorite characters, Natalie in the modern day,

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<v Speaker 3>she was killed Juliette Lewis accidentally killed by her bestie

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<v Speaker 3>want to be bestie Misty played by Christina Ricci, and

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<v Speaker 3>an injection of bentanol. So, as you can tell, lots

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<v Speaker 3>going on in this show. Jason, what did you think

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<v Speaker 3>of episode one of season three?

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<v Speaker 1>Did it hook you back in? Did it leave you

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<v Speaker 1>with more questions? What did you feel?

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<v Speaker 2>I'll say this and stay tuned for a broader conversation

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<v Speaker 2>about mystery box shows in general, which this show most

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<v Speaker 2>definitely is.

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<v Speaker 1>Absolutely.

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<v Speaker 2>I will say that one thing that I appreciated from

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<v Speaker 2>this episode was that it displayed a self awareness about

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<v Speaker 2>where the show was after season two and what the

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<v Speaker 2>audience is looking for, and I think it tries in

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<v Speaker 2>various ways to deliver those things and to subvert the

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<v Speaker 2>expectation of those things in interesting ways. There's a I

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<v Speaker 2>kind of I thought that intro was cute in which

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<v Speaker 2>you think, oh, here we are, We're like going into

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<v Speaker 2>cannibal territory with the girls like running around in the

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<v Speaker 2>woods and biting each other. But then it just turns

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<v Speaker 2>out there playing like a kind of tag game with

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<v Speaker 2>a totem, but there's still a lot of kind of

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<v Speaker 2>like a diffuse direction and a lack of a drive

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<v Speaker 2>towards moving the plot along at times that makes me

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<v Speaker 2>feel as if the show is still kind of spinning

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<v Speaker 2>its wheels for it here, and even when the plot

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<v Speaker 2>is kind of moving and you feel like we're driving

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<v Speaker 2>towards these answers. For instance, Vans, there's a scene in which,

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<v Speaker 2>after the the reveal of the game is made, then

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<v Speaker 2>you get Van like addressing the girls in this kind

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<v Speaker 2>of pithy monologue that.

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<v Speaker 3>It's kind of like she's the storyteller, but she's that

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<v Speaker 3>morphs into this kind of like into this speech of

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<v Speaker 3>sorts in.

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<v Speaker 2>Which it's clear that the girls look to her in

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<v Speaker 2>a way that is different than they have looked to

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<v Speaker 2>her in the past, kind of as a leader. But yes,

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<v Speaker 2>to your point, also was a storyteller, someone who like

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<v Speaker 2>gives structure to their experiences there on the island, And

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<v Speaker 2>I like that in theory. My issue was it just

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<v Speaker 2>didn't feel like it landed to me. Yeah, and so

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<v Speaker 2>I appreciate that they did that, but it didn't feel

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<v Speaker 2>like it was really working. And and then there were

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<v Speaker 2>other things that just just like why is this happening?

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<v Speaker 2>When you know when adult tyson, adult van go on

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<v Speaker 2>there kind of relive the old days, kind of teen

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<v Speaker 2>style trouble making tour of town. It was a little

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<v Speaker 2>bit like why, like what's so?

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<v Speaker 1>Why?

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<v Speaker 3>Also is your I's not still in a coma? Like

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<v Speaker 3>what is going on there? Like this is a Taisa

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<v Speaker 3>come on?

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<v Speaker 2>They at least addressed her political career in a very

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<v Speaker 2>quick line exposition DVID, which she's like, yes, uh the

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<v Speaker 2>quickest like state senator ever to be impeached.

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<v Speaker 1>Yeah, actually, like I'm out, I'm out. They just cut

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<v Speaker 1>that head of the way. I definitely agree with you,

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<v Speaker 1>I don't.

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<v Speaker 3>I don't think it was like the shining kind of

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<v Speaker 3>like burning immediate capture that a lot of us wanted

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<v Speaker 3>to feel like, oh, we're hooked back into this show.

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<v Speaker 1>But I do think the show.

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<v Speaker 3>Is still relying on the one thing it knows it has,

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<v Speaker 3>which is an unbelievable cast and very interesting characters. I

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<v Speaker 3>am still dedicated to finding out what happens to these

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<v Speaker 3>girls because I do care, but.

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<v Speaker 1>It is interesting and once again, as if you ever.

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<v Speaker 3>Listen to our speed recaps of season two, so much

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<v Speaker 3>happens in these episodes like this episode, we're back in

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<v Speaker 3>the forest.

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<v Speaker 1>The girls are trying to survive.

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<v Speaker 3>They've got these new witchy huts because at the end

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<v Speaker 3>of season to Coach Ben tried to burn them alive

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<v Speaker 3>in the house they were staying in in the forest,

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<v Speaker 3>which was because they were cannibals, So you know what,

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<v Speaker 3>I'm not even going to judge him that much.

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<v Speaker 1>But they are now living. Spring has come.

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<v Speaker 3>They're doing okay. Seanna is not doing okay. She lost

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<v Speaker 3>the baby in season two. She's very bitter. She's very

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<v Speaker 3>sociopathic towards the other girls in the group.

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<v Speaker 1>She's not feeling happy. It's going bad.

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<v Speaker 3>In modern day, we see Natalie's memorial rap to her.

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<v Speaker 3>Then we see Misty getting drunk and she kind of

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<v Speaker 3>assaults some guys at a bar, but is saved by Walter.

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<v Speaker 3>We still don't know if he's a cannibal or a

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<v Speaker 3>serial killer or something.

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<v Speaker 1>He's just her fellow citizen detective. We then also see this.

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<v Speaker 3>Is the big moment that I think has inspired the

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<v Speaker 3>larger part of our conversation that we're going to go

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<v Speaker 3>on to have, which is Coach Ben, who is trying

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<v Speaker 3>to survive without the girls and their weird kind of

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<v Speaker 3>supernatural tinge structure that they created in the forest, but

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<v Speaker 3>is digging around and he finds a military hatch, and

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<v Speaker 3>he finds a bunch of military supplies, food, dried goods

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<v Speaker 3>that he can survive on, and they say k uh

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<v Speaker 3>on the top and it's very lost.

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<v Speaker 1>It's very much leaning into that.

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<v Speaker 3>Idea that a lot of us had theorized about in

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<v Speaker 3>the first and second season, on whether or not the

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<v Speaker 3>island was not in fact supernatural and was instead a

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<v Speaker 3>place that they had done some kind of experiments hallucinogenic.

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<v Speaker 2>Experimental, chemic chemical weapons.

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<v Speaker 1>Would kind of and that definitely feels that way.

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<v Speaker 3>Shawna's daughter, Callie, who we were big haters of, she's

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<v Speaker 3>a very good, haterable character. She throws some entrails on

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<v Speaker 3>people at school who were chatting shit about her mom.

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<v Speaker 3>She bonds with her mum, Shana over it. The beloved

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<v Speaker 3>and delightful Melanielinski, around who the whole show basically revolves,

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<v Speaker 3>and of course they bond over it because Shawna's a

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<v Speaker 3>terrible person.

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<v Speaker 1>And then the episode ends, I think with a really

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<v Speaker 1>interesting hook.

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<v Speaker 3>That was the thing I was thinking about the most,

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<v Speaker 3>which is coach Ben digs a hole and catches one

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<v Speaker 3>of the girls, Mari, who Shuna has been kind of

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<v Speaker 3>fighting with, which makes me think we probably won't notice

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<v Speaker 3>Mari's gone for too long. But it's very interesting to

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<v Speaker 3>me because while we've seen these girls, you know, cannibalize

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<v Speaker 3>another person, kind of fight amongst themselves, decide that they're

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<v Speaker 3>gonna hunt one of their own. We saw them do

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<v Speaker 3>that with Natalie, but they ended up, you know, with

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<v Speaker 3>Harvey dying, so.

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<v Speaker 1>They decided to eat him instead.

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<v Speaker 3>And it's very interesting to me that the moment you

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<v Speaker 3>see an adult man standing over a girl in a ditch,

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<v Speaker 3>you're like, oh, this is the bad guy though, like

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<v Speaker 3>he's gonna do something bad, he's gonna capture And I'm

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<v Speaker 3>interested to see how they play that because it could

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<v Speaker 3>bring the girls together. It could be an interesting kind

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<v Speaker 3>of commentary on what we view as evil or what

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<v Speaker 3>we view as dangerous. I thought that was an interesting end,

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<v Speaker 3>but yeah, I'll be happy. I'm going to be intrigued

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<v Speaker 3>mostly to see how our listeners like this episode and

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<v Speaker 3>how other people in our space are the critics like it,

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<v Speaker 3>because I do think Yellow Jackets is probably this show

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<v Speaker 3>in the last few years.

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<v Speaker 1>That had that unbelievable.

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<v Speaker 3>Stirling first season and has kind of struggled to catch

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<v Speaker 3>up thanks to the nature of mystery box storytelling, which

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<v Speaker 3>we are going to come back and talk about in

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<v Speaker 3>a minute after a message from rock Cocky.

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<v Speaker 1>And we're back, Okay.

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<v Speaker 2>The mystery Box Rosie, which I think this show definitely is,

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<v Speaker 2>which I would define as shows that are built around

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<v Speaker 2>some kind of riddle, some kind of puzzle, and that

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<v Speaker 2>missing piece or missing pieces of information create an air

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<v Speaker 2>of strangeness around the show that, if it works correctly,

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<v Speaker 2>really hooks the viewer. Shows in this genre include, currently

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<v Speaker 2>in season two, Severance.

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<v Speaker 1>Oh, that's the biggest one.

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<v Speaker 2>I think is a huge mystery box show right now.

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<v Speaker 2>The originator of the form is probably Twin Peaks Lak,

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<v Speaker 2>I think, and.

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<v Speaker 1>Then obviously early ones I would say some arcs of The.

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<v Speaker 2>X Files, some arcs of the X Files. I think

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<v Speaker 2>The X Files is a is a Monster of the

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<v Speaker 2>Week show with through the snow Smoking Man and the

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<v Speaker 2>kind of like loose conspiratorial threads that kind of like

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<v Speaker 2>go through seasons with those particularly things. Has mystery box elements,

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<v Speaker 2>but is mostly a Monster of the Week show. Then

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<v Speaker 2>there is of course Lost, which was I would say

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<v Speaker 2>the probably the most successful, and.

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<v Speaker 3>Also I would say the reason that any of us

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<v Speaker 3>even know what this is. I feel like without Lost

0:13:18.400 --> 0:13:24.360
<v Speaker 3>this concept and conversation, and also the expected kind of

0:13:24.440 --> 0:13:26.760
<v Speaker 3>reaction to a mystery box show, which even on the

0:13:26.800 --> 0:13:29.160
<v Speaker 3>Wikipedia for mystery box I think this is really funny.

0:13:29.360 --> 0:13:31.960
<v Speaker 1>It's like viewers are drawn by the lure of the

0:13:32.000 --> 0:13:34.600
<v Speaker 1>mythos of the program, but can lose interest if the

0:13:34.640 --> 0:13:37.640
<v Speaker 1>program sets up too many mysteries but fails to resolve

0:13:37.640 --> 0:13:40.000
<v Speaker 1>them in a.

0:13:39.880 --> 0:13:44.480
<v Speaker 2>It's literally Wikipedia, Wikipedia, thank you.

0:13:44.559 --> 0:13:47.079
<v Speaker 1>Like the funniest thing about it is the mystery.

0:13:46.679 --> 0:13:50.760
<v Speaker 3>Box show is known in part because of the lack

0:13:50.800 --> 0:13:53.959
<v Speaker 3>of success of mystery box shows, including Lost. Even though

0:13:54.000 --> 0:13:57.160
<v Speaker 3>Lost definitely hooked people for the longest amount of time,

0:13:58.280 --> 0:14:02.480
<v Speaker 3>solving the ultimate can of what Lost was and where

0:14:02.559 --> 0:14:05.000
<v Speaker 3>Lost was going, and where Lost was set and whether

0:14:05.080 --> 0:14:08.560
<v Speaker 3>Lost was the afterlife or whether it was purgatory. Those

0:14:08.679 --> 0:14:12.920
<v Speaker 3>questions hooked viewers, but whether or not the show landed

0:14:12.960 --> 0:14:15.920
<v Speaker 3>them is another question. And then you have Yeah, it's

0:14:16.040 --> 0:14:18.760
<v Speaker 3>very interesting because also you have other shows with fantastic

0:14:18.840 --> 0:14:22.160
<v Speaker 3>concepts like Under the Dome from twenty thirteen, A.

0:14:22.160 --> 0:14:26.760
<v Speaker 4>Dome dot, and we mentioned Under the Dome as we

0:14:26.760 --> 0:14:29.920
<v Speaker 4>were as we were compiling our list of misery Box shows,

0:14:30.480 --> 0:14:36.600
<v Speaker 4>I screamed because first of all, I completely forgot about

0:14:36.640 --> 0:14:40.200
<v Speaker 4>cost dome, and second of all, Under the Dome like

0:14:40.400 --> 0:14:43.200
<v Speaker 4>came out hot, like first two three episodes of.

0:14:43.240 --> 0:14:46.840
<v Speaker 2>Under the Dome, yep, went crazy. I was like, what

0:14:47.000 --> 0:14:48.120
<v Speaker 2>is up with this dome?

0:14:48.400 --> 0:14:48.680
<v Speaker 1>Dude?

0:14:48.720 --> 0:14:51.720
<v Speaker 3>Truly, I was like that Under the Dome is one

0:14:51.760 --> 0:14:54.720
<v Speaker 3>of the programs that I And this is a conversation

0:14:54.760 --> 0:14:56.600
<v Speaker 3>for a different day, but I do think it's very interesting.

0:14:57.280 --> 0:14:58.320
<v Speaker 1>On reels and.

0:14:58.320 --> 0:15:01.760
<v Speaker 3>TikTok, there is an entire cottage industry of people just

0:15:01.880 --> 0:15:05.200
<v Speaker 3>sharing moments from movies and being like, what would you do?

0:15:05.480 --> 0:15:07.600
<v Speaker 1>Or he saved this guy's life?

0:15:07.960 --> 0:15:11.520
<v Speaker 3>And Under the Dome is one of the most TikTok

0:15:11.560 --> 0:15:14.440
<v Speaker 3>and real shows because it has so many great moments

0:15:14.440 --> 0:15:17.680
<v Speaker 3>in the pilot of the truck almost crashing into the

0:15:17.720 --> 0:15:20.440
<v Speaker 3>dome and people trying to communicate through the dome. It's

0:15:20.440 --> 0:15:24.040
<v Speaker 3>a great concept based on Stephen King's best selling novel.

0:15:24.320 --> 0:15:26.480
<v Speaker 1>But again, could I tell you what happened at the

0:15:26.560 --> 0:15:27.280
<v Speaker 1>end of that show?

0:15:27.360 --> 0:15:31.760
<v Speaker 3>No, because it was canceled, first of all, and also

0:15:32.240 --> 0:15:35.000
<v Speaker 3>because a lot of times mystery box shows do not

0:15:36.120 --> 0:15:39.800
<v Speaker 3>keep us going, keep us connected and having those water

0:15:39.840 --> 0:15:43.600
<v Speaker 3>cooler conversations throughout their multiple seasons.

0:15:44.400 --> 0:15:47.160
<v Speaker 2>Let me ask you this, This is a conversation I've

0:15:47.200 --> 0:15:51.880
<v Speaker 2>had a lot about. I think Lost is a good

0:15:51.920 --> 0:15:57.560
<v Speaker 2>way to kind of unpack the kind of two philosophies

0:15:57.600 --> 0:16:00.800
<v Speaker 2>of the Mystery Box Show. I'm my co host malr

0:16:00.920 --> 0:16:05.440
<v Speaker 2>Rubn really enjoyed the Lost finale because for her it's

0:16:05.440 --> 0:16:12.400
<v Speaker 2>about the characters and the emotions, and I was disappointed

0:16:12.440 --> 0:16:16.040
<v Speaker 2>in it because for me, I feel like there's a

0:16:16.320 --> 0:16:20.040
<v Speaker 2>social contract with the Mystery Bock Show in which you

0:16:20.200 --> 0:16:23.360
<v Speaker 2>use the mystery to keep me engaged. Therefore, when we

0:16:23.520 --> 0:16:26.040
<v Speaker 2>get to the end, you gotta throw me a bone

0:16:26.160 --> 0:16:28.280
<v Speaker 2>on the answer for the mystery, or else I'm going

0:16:28.360 --> 0:16:32.840
<v Speaker 2>to feel like strung along. Where do you fall on

0:16:33.720 --> 0:16:35.400
<v Speaker 2>character versus answers?

0:16:35.680 --> 0:16:39.880
<v Speaker 3>So I would say generally I am an answers person,

0:16:40.520 --> 0:16:46.200
<v Speaker 3>though Yellow Jackets for the first time has gotten me

0:16:46.360 --> 0:16:48.960
<v Speaker 3>to the point where I care about these characters enough

0:16:49.000 --> 0:16:51.480
<v Speaker 3>that I will keep watching it, and if they got

0:16:51.520 --> 0:16:57.120
<v Speaker 3>satisfying conclusions, I would maybe feel okay. But that is

0:16:57.160 --> 0:16:59.680
<v Speaker 3>the first show where I've really felt that way. Often

0:16:59.800 --> 0:17:02.800
<v Speaker 3>I want an answer. I want, or at least I

0:17:02.840 --> 0:17:07.560
<v Speaker 3>want some cool like existential journey. You know, people talk

0:17:07.600 --> 0:17:10.320
<v Speaker 3>about The Leftovers as a puzzle book show. I don't

0:17:10.320 --> 0:17:12.520
<v Speaker 3>really know if I it is kind of agreed it

0:17:12.680 --> 0:17:15.720
<v Speaker 3>kind of is. But really, to me, that's the most

0:17:15.760 --> 0:17:18.679
<v Speaker 3>effective where you have the characters. You also kind of

0:17:18.720 --> 0:17:22.680
<v Speaker 3>have the answers because it's the rapture, but the conversation

0:17:23.040 --> 0:17:25.240
<v Speaker 3>around what it means to be left behind.

0:17:25.280 --> 0:17:28.240
<v Speaker 1>You almost answer the question at the beginning and then

0:17:28.520 --> 0:17:31.119
<v Speaker 1>look at the fallout. I think that works really well.

0:17:31.520 --> 0:17:34.719
<v Speaker 3>Again, like we've we've talked a lot about like Severance.

0:17:35.359 --> 0:17:37.600
<v Speaker 3>It's great, but I need to know season two, I

0:17:37.600 --> 0:17:38.560
<v Speaker 3>need to start knowing.

0:17:39.240 --> 0:17:41.320
<v Speaker 2>I am definitely at that point with Severance, And I

0:17:41.359 --> 0:17:46.960
<v Speaker 2>will say that like to me shows that Silo is

0:17:46.960 --> 0:17:50.359
<v Speaker 2>a good example of a show that has mystery box

0:17:50.480 --> 0:17:55.399
<v Speaker 2>elements but also basically resolved the the kind of the

0:17:55.440 --> 0:18:00.439
<v Speaker 2>big show initial strange puzzle rather quickly so that you

0:18:00.480 --> 0:18:02.840
<v Speaker 2>could move into the story. And I think that's an

0:18:02.840 --> 0:18:05.600
<v Speaker 2>effective way to do it. Westworld, to me, is a

0:18:05.640 --> 0:18:08.919
<v Speaker 2>show in which they could have done that right. You

0:18:09.000 --> 0:18:13.119
<v Speaker 2>could have resolved the mystery box element rather quickly and

0:18:13.160 --> 0:18:18.240
<v Speaker 2>then got into the reality of what this simulated western

0:18:18.320 --> 0:18:23.240
<v Speaker 2>town world really is. But instead they put like the

0:18:23.280 --> 0:18:26.960
<v Speaker 2>mystery box show inside of another mystery box show inside

0:18:27.000 --> 0:18:30.240
<v Speaker 2>of it, and that, to me is where I get

0:18:30.280 --> 0:18:32.520
<v Speaker 2>frustrated and begin to lose interest. I agree with you

0:18:32.560 --> 0:18:35.400
<v Speaker 2>with severance, where I'm starting to feel like, okay, now,

0:18:36.080 --> 0:18:38.560
<v Speaker 2>just kind of lay it out and let the characters

0:18:39.200 --> 0:18:41.000
<v Speaker 2>and let the characters drive the stories.

0:18:41.680 --> 0:18:44.360
<v Speaker 1>I want to know a little bit. I don't want

0:18:44.359 --> 0:18:45.240
<v Speaker 1>to just be watching.

0:18:45.320 --> 0:18:48.080
<v Speaker 3>I think that's the issue is do you get to

0:18:48.119 --> 0:18:50.800
<v Speaker 3>the point where you're just watching only to find out

0:18:50.840 --> 0:18:55.359
<v Speaker 3>the answer? That can become an it's a good viewing experience.

0:18:55.640 --> 0:18:58.760
<v Speaker 3>I would also say something I think is most interesting

0:18:58.960 --> 0:19:02.440
<v Speaker 3>about mystery box shows is the way that they've influenced

0:19:02.600 --> 0:19:03.879
<v Speaker 3>other shows that are.

0:19:03.760 --> 0:19:05.960
<v Speaker 1>Not technically mystery box shows.

0:19:06.000 --> 0:19:09.840
<v Speaker 3>Like True Detective first season, let's talk about that. That's

0:19:09.920 --> 0:19:15.399
<v Speaker 3>really just a murder mystery, right. But HBO, Prestige TV,

0:19:15.560 --> 0:19:18.360
<v Speaker 3>you have these this incredible cast. They're like, Okay, we're

0:19:18.359 --> 0:19:21.119
<v Speaker 3>gonna make it weirder, we're gonna make it more supernatural,

0:19:21.160 --> 0:19:25.560
<v Speaker 3>we're gonna make it potentially elements a mystery box great

0:19:25.840 --> 0:19:28.040
<v Speaker 3>that hooked me, but then at the end they were like, well,

0:19:28.080 --> 0:19:29.400
<v Speaker 3>we only have like this many.

0:19:29.320 --> 0:19:31.639
<v Speaker 1>Forget about guess what forget about?

0:19:32.920 --> 0:19:37.200
<v Speaker 3>Actually it was just this one like Gunna Hansen inspired,

0:19:37.359 --> 0:19:41.000
<v Speaker 3>like kind of leather Face esque killer and you wait a.

0:19:41.040 --> 0:19:44.640
<v Speaker 1>Minute, what, like why make me watch the rest of it? Why?

0:19:44.920 --> 0:19:51.119
<v Speaker 3>And that's I think the unanswered unsolved teasers can be

0:19:51.240 --> 0:19:53.840
<v Speaker 3>very frustrating. And that's not to say we want to

0:19:53.880 --> 0:20:00.119
<v Speaker 3>show that has no you know, no conversation about what

0:20:00.200 --> 0:20:04.040
<v Speaker 3>it's really about, or an ambiguous nature to an ending.

0:20:04.080 --> 0:20:05.600
<v Speaker 1>We love that kind of stuff. That's some of the

0:20:05.680 --> 0:20:06.840
<v Speaker 1>most exciting stuff.

0:20:07.280 --> 0:20:10.080
<v Speaker 3>But mystery box shows can get trapped in a space

0:20:10.440 --> 0:20:13.800
<v Speaker 3>where they're constantly just trying to keep you guessing, and

0:20:13.840 --> 0:20:18.040
<v Speaker 3>that can become its own cycle, which I think is

0:20:18.080 --> 0:20:19.160
<v Speaker 3>what happened with Westworld.

0:20:19.880 --> 0:20:25.800
<v Speaker 2>To me, the most effective recent mystery box show is

0:20:25.840 --> 0:20:28.280
<v Speaker 2>The Good Place. Mike Sure is a good Place because

0:20:29.920 --> 0:20:34.880
<v Speaker 2>because the mysteries basically resolved at the end of season one,

0:20:35.040 --> 0:20:38.720
<v Speaker 2>in which you realize, wait a second, this is they're

0:20:38.760 --> 0:20:45.160
<v Speaker 2>actually I don't want to Well, everybody, if you don't

0:20:45.560 --> 0:20:47.280
<v Speaker 2>have to watch the first season of.

0:20:47.200 --> 0:20:48.560
<v Speaker 1>This show from five years ago.

0:20:49.160 --> 0:20:52.280
<v Speaker 2>Big spoiler here it comes, in which it is revealed

0:20:52.280 --> 0:20:56.879
<v Speaker 2>there actually in the bad Wow, spoiler over, spoiler over,

0:20:57.000 --> 0:21:04.400
<v Speaker 2>spoiler over. Okay, now with that reveal basically done, now

0:21:05.440 --> 0:21:08.040
<v Speaker 2>with the audience and the show kind of on the

0:21:08.080 --> 0:21:14.080
<v Speaker 2>same page. You've basically spent all of that season training

0:21:14.119 --> 0:21:17.399
<v Speaker 2>the audience about what the reality is, and now the

0:21:17.480 --> 0:21:21.399
<v Speaker 2>story can progress in really interesting and unexpected ways. And

0:21:21.440 --> 0:21:24.080
<v Speaker 2>to me, that's kind of the platonic ideal of how

0:21:24.119 --> 0:21:26.760
<v Speaker 2>you do a mystery box show. You have this incredible

0:21:26.800 --> 0:21:30.360
<v Speaker 2>mystery that you lay out in a relatively brief time

0:21:30.400 --> 0:21:33.280
<v Speaker 2>a season or a season and a half. It's then revealed,

0:21:33.359 --> 0:21:37.080
<v Speaker 2>and now the characters take it from there and really

0:21:37.119 --> 0:21:39.919
<v Speaker 2>propel the story forward. I'm not saying that's easy to do.

0:21:40.080 --> 0:21:43.800
<v Speaker 2>I do think that's something that Yellowjackets could have done.

0:21:43.960 --> 0:21:46.359
<v Speaker 2>You could have basically said, Okay, it's a military thing,

0:21:47.000 --> 0:21:49.199
<v Speaker 2>and this is why they're doing that, and this is

0:21:49.440 --> 0:21:51.800
<v Speaker 2>and here are the things that have happened, and here's

0:21:51.800 --> 0:21:54.760
<v Speaker 2>how it's affecting them now that trauma now in the

0:21:55.280 --> 0:21:57.399
<v Speaker 2>present day. I think that could have happened, and that

0:21:57.400 --> 0:21:58.480
<v Speaker 2>would feel pretty good.

0:21:58.680 --> 0:22:01.080
<v Speaker 3>And that's what hooked a law people because of the

0:22:01.119 --> 0:22:03.840
<v Speaker 3>incredible casting of these old teen actors and kind of

0:22:04.280 --> 0:22:07.239
<v Speaker 3>in this metaspace of them being adults and dealing with

0:22:07.280 --> 0:22:08.440
<v Speaker 3>the trauma of being kids.

0:22:08.440 --> 0:22:11.880
<v Speaker 2>But that's not I do think that. I do think

0:22:11.960 --> 0:22:18.159
<v Speaker 2>that when to me, when a show is giving you

0:22:18.280 --> 0:22:22.680
<v Speaker 2>mystery after mystery after mystery, the feeling that I get,

0:22:22.720 --> 0:22:25.520
<v Speaker 2>and you tell me what the feeling it gives you,

0:22:25.680 --> 0:22:28.760
<v Speaker 2>is the feeling I get is like they don't know.

0:22:29.280 --> 0:22:30.720
<v Speaker 1>They don't know where we're going.

0:22:32.040 --> 0:22:33.639
<v Speaker 2>That is that concerns me.

0:22:33.840 --> 0:22:37.000
<v Speaker 3>That's my biggest fear with any show that I love.

0:22:37.160 --> 0:22:40.800
<v Speaker 3>I mean, we are obviously you mentioned you know, you

0:22:40.920 --> 0:22:43.880
<v Speaker 3>and Mallory were right there in the trenches.

0:22:43.680 --> 0:22:46.520
<v Speaker 1>During Game of Thrones, like you guys saw how that was.

0:22:46.600 --> 0:22:49.280
<v Speaker 3>Those creators have talked about how they didn't know where

0:22:49.280 --> 0:22:51.240
<v Speaker 3>the show was going to go. You know, we have

0:22:51.440 --> 0:22:54.680
<v Speaker 3>dealt with that multiple times with people pitching for shows

0:22:54.680 --> 0:22:57.720
<v Speaker 3>where they don't know the ending, massive shows that aren't

0:22:57.760 --> 0:23:00.840
<v Speaker 3>supposed to last this long and streaming like Stranger Things,

0:23:00.880 --> 0:23:03.680
<v Speaker 3>and you end up with five seasons and suddenly it's like.

0:23:03.640 --> 0:23:05.240
<v Speaker 1>Wait a minute, how do we finish this?

0:23:06.040 --> 0:23:09.000
<v Speaker 3>That is my feeling I get with Yellowjackets. I get

0:23:09.080 --> 0:23:12.960
<v Speaker 3>slightly reassured because I know that it was planned to

0:23:13.000 --> 0:23:15.960
<v Speaker 3>be five seasons and I feel like if you had

0:23:16.000 --> 0:23:18.320
<v Speaker 3>a plan, then maybe you at least.

0:23:18.119 --> 0:23:19.240
<v Speaker 1>Know a little bit.

0:23:19.480 --> 0:23:22.000
<v Speaker 3>But even Lost they didn't know where that was going

0:23:22.080 --> 0:23:24.160
<v Speaker 3>to go at the end, And I think that that

0:23:24.480 --> 0:23:29.199
<v Speaker 3>is a troublesome situation to be in because, as you

0:23:29.240 --> 0:23:31.679
<v Speaker 3>pointed out, Jason, when we were just talking about this,

0:23:31.880 --> 0:23:37.240
<v Speaker 3>like off Mike, Lost had like twenty episodes a season,

0:23:37.400 --> 0:23:41.679
<v Speaker 3>twenty three twenty four episode seasons, Like, you're basically in

0:23:41.720 --> 0:23:44.199
<v Speaker 3>a situation where you're spending so much time in this

0:23:44.240 --> 0:23:47.920
<v Speaker 3>world that the mystery can become secondary. But if you're waiting,

0:23:48.520 --> 0:23:52.719
<v Speaker 3>you know, two years between and then you're getting seven

0:23:52.760 --> 0:23:56.119
<v Speaker 3>to nine episodes, it's a very different situation and you

0:23:56.240 --> 0:23:59.640
<v Speaker 3>have to fit in a lot more and a lot

0:23:59.720 --> 0:24:04.480
<v Speaker 3>more hooks, a lot more emotional investment in a much

0:24:04.520 --> 0:24:07.439
<v Speaker 3>shorter time, let alone solving your overarching mystery.

0:24:07.560 --> 0:24:10.960
<v Speaker 2>I completely agree, and this is my I want to

0:24:11.080 --> 0:24:14.000
<v Speaker 2>be clear that I'm enjoying seven season two, and I

0:24:14.000 --> 0:24:19.880
<v Speaker 2>thought season one was amazing, and I love the finale,

0:24:21.040 --> 0:24:24.240
<v Speaker 2>But I think you've hit You've hit onto something, which

0:24:24.280 --> 0:24:30.200
<v Speaker 2>is that I think you need to factor in the

0:24:30.240 --> 0:24:33.240
<v Speaker 2>real world, Cadence. It's been two years since we saw

0:24:33.280 --> 0:24:37.280
<v Speaker 2>Seven's one, right, seven season one, and that while it

0:24:37.320 --> 0:24:44.520
<v Speaker 2>would make sense in the interior fictional chronological chronology, in

0:24:44.600 --> 0:24:49.560
<v Speaker 2>the interior fictional chronology to like Cadence out the reveals

0:24:49.600 --> 0:24:52.840
<v Speaker 2>at the pace that they're coming out. I also think

0:24:52.920 --> 0:24:55.440
<v Speaker 2>that part of what's frustrating is when you're waiting two

0:24:55.520 --> 0:24:59.280
<v Speaker 2>years for a show that you really are are hot for,

0:25:00.920 --> 0:25:04.359
<v Speaker 2>it can feel like I really need something quicker, I

0:25:04.400 --> 0:25:07.080
<v Speaker 2>need these answers faster. I think Yellowjacks is another version

0:25:07.119 --> 0:25:12.159
<v Speaker 2>of that, in which there's less episodes. You feel like

0:25:12.240 --> 0:25:17.199
<v Speaker 2>there is, you know, this various obstacles between you know

0:25:17.240 --> 0:25:21.439
<v Speaker 2>that happened between seasons, and so give me, you know,

0:25:21.480 --> 0:25:24.720
<v Speaker 2>give me more of the answers because we have less

0:25:25.119 --> 0:25:28.960
<v Speaker 2>actual runway, whereas to your point and Lost, you can

0:25:29.040 --> 0:25:30.960
<v Speaker 2>just kind of like be like, Okay, we're not gonna

0:25:31.000 --> 0:25:33.159
<v Speaker 2>find that out, but like what are the what are

0:25:33.200 --> 0:25:33.960
<v Speaker 2>the characters up to you?

0:25:34.040 --> 0:25:36.760
<v Speaker 3>Yeah? And also as well, that's like the funniest thing

0:25:36.840 --> 0:25:40.320
<v Speaker 3>about the you know, we talked about Riverdale. Riverdale's probably

0:25:40.359 --> 0:25:43.760
<v Speaker 3>one of the last big genre shows we're gonna get

0:25:44.200 --> 0:25:47.479
<v Speaker 3>that had like twenty two episodes a season, so you

0:25:47.520 --> 0:25:51.919
<v Speaker 3>could set up these insane subplots about like evil D

0:25:52.040 --> 0:25:56.520
<v Speaker 3>and D cults or characters becoming witches, real things that

0:25:56.560 --> 0:26:01.760
<v Speaker 3>happen in Riverdale, while also kind of kind of pushing

0:26:01.840 --> 0:26:05.600
<v Speaker 3>character forward, pushing plot forward, Like when you have that

0:26:05.760 --> 0:26:09.880
<v Speaker 3>much time and your seasons are not so far apart

0:26:10.040 --> 0:26:13.080
<v Speaker 3>because you're basically constantly in production, as was the case

0:26:13.119 --> 0:26:17.000
<v Speaker 3>with most of those CUB shows, it's very it's a

0:26:17.080 --> 0:26:20.080
<v Speaker 3>very different experience than I am covering Yellow Jackets at

0:26:20.119 --> 0:26:24.359
<v Speaker 3>IGN and I covered it all last season with you

0:26:24.600 --> 0:26:27.439
<v Speaker 3>on here and the IGN, and I was putting together

0:26:27.520 --> 0:26:30.040
<v Speaker 3>a kind of updated.

0:26:29.800 --> 0:26:30.840
<v Speaker 1>What do you need to know?

0:26:31.000 --> 0:26:33.680
<v Speaker 3>Before season three, and I still had to go back

0:26:33.680 --> 0:26:35.919
<v Speaker 3>and just rewatch the whole of season two, Like I

0:26:36.000 --> 0:26:37.520
<v Speaker 3>was just like, you know what, I was like, I

0:26:37.600 --> 0:26:39.000
<v Speaker 3>just have to rewatch it all because I'm going to

0:26:39.080 --> 0:26:42.480
<v Speaker 3>miss something otherwise. And that was because even though this

0:26:42.560 --> 0:26:44.840
<v Speaker 3>was a show I was heavily invested in, it has

0:26:44.880 --> 0:26:47.640
<v Speaker 3>been two years since the show was lost on air,

0:26:47.920 --> 0:26:50.199
<v Speaker 3>and in that two years we have all lived, you know,

0:26:50.720 --> 0:26:55.240
<v Speaker 3>fifty years, so it's extremely hard to keep up with.

0:26:55.640 --> 0:26:58.919
<v Speaker 3>But you know, this is just more of an interesting

0:26:59.000 --> 0:27:03.120
<v Speaker 3>conversation than any kind of critique, because mystery box shows

0:27:03.119 --> 0:27:04.920
<v Speaker 3>are also fun, you know, it's like.

0:27:04.920 --> 0:27:08.600
<v Speaker 2>They're also fun, but when they hit, they really fun.

0:27:08.800 --> 0:27:11.639
<v Speaker 2>When they hit their Yeah, when they hit it's that

0:27:12.000 --> 0:27:14.479
<v Speaker 2>it's the kind of thing that you watch television four

0:27:14.520 --> 0:27:16.160
<v Speaker 2>where you're like, oh my god, did you see that?

0:27:16.240 --> 0:27:17.760
<v Speaker 2>Like what the hell is going on?

0:27:17.960 --> 0:27:20.879
<v Speaker 1>Lightning in a Bottle? Which was the first season of Yellowjackets.

0:27:20.880 --> 0:27:25.639
<v Speaker 3>So I'm hoping that this season ends up in a

0:27:25.720 --> 0:27:28.520
<v Speaker 3>place where we are hooked again and we're checking back

0:27:28.520 --> 0:27:31.119
<v Speaker 3>in and our discord's going crazy for it because I

0:27:31.200 --> 0:27:34.119
<v Speaker 3>believe that the juice is there.

0:27:34.200 --> 0:27:35.520
<v Speaker 1>I believe we've seen.

0:27:35.320 --> 0:27:37.480
<v Speaker 3>That they have the juice, but the question is can

0:27:37.520 --> 0:27:39.760
<v Speaker 3>they squeeze the juice out of season three?

0:27:40.000 --> 0:27:40.360
<v Speaker 1>I hope.

0:27:40.400 --> 0:27:42.879
<v Speaker 2>So in the next few episodes of X ray Vision,

0:27:42.880 --> 0:27:43.720
<v Speaker 2>we're diving into.

0:27:43.640 --> 0:27:45.280
<v Speaker 1>Stuff, so many stuff.

0:27:45.320 --> 0:27:53.000
<v Speaker 2>That's it for this episode. Thanks for listening. X ray

0:27:53.080 --> 0:27:55.640
<v Speaker 2>Vision is hosted by Jason Concepts Young and Rosie Night

0:27:55.680 --> 0:27:57.520
<v Speaker 2>and is a production of iHeart Podcast.

0:27:57.880 --> 0:28:01.480
<v Speaker 3>Our executive producers are Joelmanek and Aaron Cortman.

0:28:01.680 --> 0:28:03.760
<v Speaker 2>Our supervising producer is Abu Safar.

0:28:04.119 --> 0:28:08.119
<v Speaker 3>Our producers are Common Laurent Dean Jonathan, and Bay Wag.

0:28:08.160 --> 0:28:10.920
<v Speaker 2>A theme song is by Brian Vasquez, with alternate theme

0:28:11.040 --> 0:28:12.280
<v Speaker 2>songs by Aaron Kaufman.

0:28:12.480 --> 0:28:15.840
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and

0:28:15.920 --> 0:28:17.680
<v Speaker 3>Heidi our discord moderator,