1 00:00:00,200 --> 00:00:00,560 Speaker 1: Worrying. 2 00:00:00,600 --> 00:00:06,000 Speaker 2: Today's episode will contain spoilers. After a short spoiler free 3 00:00:07,200 --> 00:00:12,760 Speaker 2: review of Superman, there will be spoilers for Superman twenty 4 00:00:12,840 --> 00:00:31,640 Speaker 2: twenty five, written and directed by James Gutt. Hello, my 5 00:00:31,720 --> 00:00:35,479 Speaker 2: name is Jason Sepsion, and on Wednesday night, and welcome 6 00:00:35,479 --> 00:00:37,280 Speaker 2: back to Answering Visit of the Pogos, where we done 7 00:00:37,320 --> 00:00:40,479 Speaker 2: dee bits, your favorite shows, movies, comics, a cop culture 8 00:00:40,479 --> 00:00:44,199 Speaker 2: coming you from iHeart Podcast will We're bringing you episode 9 00:00:44,280 --> 00:00:49,040 Speaker 2: every Tuesday and Thursday, plus highlighting the summer's biggest movies 10 00:00:49,080 --> 00:00:49,919 Speaker 2: every Friday. 11 00:00:50,840 --> 00:00:54,400 Speaker 3: Of course it's Saturday and today is a Friday, so 12 00:00:54,480 --> 00:00:57,680 Speaker 3: that means it is another episode of our popcorn pop out. 13 00:00:58,040 --> 00:01:00,959 Speaker 3: And guess what, guys, it's here bots number of Superman 14 00:01:02,080 --> 00:01:08,080 Speaker 3: bom and weir. You gotta have like the crazy electric 15 00:01:08,080 --> 00:01:11,760 Speaker 3: guitar that they and I'm loving it. So we are 16 00:01:11,800 --> 00:01:16,440 Speaker 3: gonna give our spoiler free Superman reactions. Then we are 17 00:01:16,440 --> 00:01:19,200 Speaker 3: gonna be digging into the movie, talking about what we 18 00:01:19,280 --> 00:01:22,800 Speaker 3: think about it, how it delivered what we can't wait 19 00:01:22,880 --> 00:01:26,399 Speaker 3: for in the DCU. And then did you enjoy Joelle's 20 00:01:26,400 --> 00:01:29,000 Speaker 3: incredible interview with James Gunn, Well, guess what she's back 21 00:01:29,240 --> 00:01:34,240 Speaker 3: interviewing Lois and Clark themselves. Oh, David corn sweat and 22 00:01:34,400 --> 00:01:38,720 Speaker 3: Rachel Corners sweating the corner swing, the moment that we 23 00:01:38,760 --> 00:01:41,280 Speaker 3: knew he had Corn in his name, we knew he 24 00:01:41,440 --> 00:01:42,920 Speaker 3: was the right Superman for us. 25 00:01:43,080 --> 00:01:43,640 Speaker 1: That's right. 26 00:01:44,000 --> 00:01:48,720 Speaker 3: And remember, guys, we're gonna be having more Superman discussions 27 00:01:48,760 --> 00:01:51,560 Speaker 3: next week. Plus we'll be at SDCC where you can 28 00:01:51,560 --> 00:01:55,240 Speaker 3: ask us about any superhero from DC or Marvel the 29 00:01:55,280 --> 00:01:56,360 Speaker 3: first previously. 30 00:01:58,840 --> 00:02:04,200 Speaker 2: Okay, here are our spoiler free reactions to Superman twenty 31 00:02:04,240 --> 00:02:06,520 Speaker 2: twenty five and Rosie. 32 00:02:06,960 --> 00:02:09,680 Speaker 1: This movie is so good. It's good. It's really good, 33 00:02:09,760 --> 00:02:13,960 Speaker 1: like it's good, it's good good movies. It was feeling 34 00:02:14,080 --> 00:02:16,560 Speaker 1: like we didn't know where someone was gonna go. Is 35 00:02:16,600 --> 00:02:18,880 Speaker 1: this gonna be good? Is Fantastic four gonna be good? 36 00:02:18,880 --> 00:02:20,440 Speaker 1: There's a lot weighing on these. 37 00:02:20,440 --> 00:02:24,639 Speaker 2: High high bar, I will say for Fantastic fool it's 38 00:02:24,919 --> 00:02:28,880 Speaker 2: a competition, even though it is, but it's not and 39 00:02:30,280 --> 00:02:33,000 Speaker 2: high bar. I don't know what the box office will be. 40 00:02:33,240 --> 00:02:36,200 Speaker 2: I haven't been really keeping up with the minute to 41 00:02:36,280 --> 00:02:41,120 Speaker 2: minute reactions. I just think this movie's really good, like 42 00:02:41,240 --> 00:02:44,800 Speaker 2: it gave me, like Marvel's The Avengers feelings a. 43 00:02:44,919 --> 00:02:49,760 Speaker 1: Good movie like that. It is feeling exciting. 44 00:02:50,400 --> 00:02:53,800 Speaker 3: They're saying, let's see the first movie in James goun 45 00:02:53,880 --> 00:02:57,280 Speaker 3: in Pizza. Saf Franz revamped DC Universes is deadline to 46 00:02:57,360 --> 00:03:01,360 Speaker 3: fly around the world to at least two hundred million opening. Well, 47 00:03:01,400 --> 00:03:04,120 Speaker 3: if it did a two hundred million global opening, that. 48 00:03:04,080 --> 00:03:08,080 Speaker 1: Would be pretty sud It's great stop. Honestly, I think. 49 00:03:07,919 --> 00:03:13,119 Speaker 3: It could do more because it currently around eighty five 50 00:03:13,160 --> 00:03:18,040 Speaker 3: percent fresh with over one hundred reviews, and generally I 51 00:03:18,080 --> 00:03:20,760 Speaker 3: just feel like people are excited for it. There was 52 00:03:20,800 --> 00:03:24,720 Speaker 3: also early prime screenings yesterday for it, so they've already 53 00:03:24,720 --> 00:03:26,040 Speaker 3: got the fans out there. 54 00:03:26,840 --> 00:03:27,200 Speaker 1: Aboo. 55 00:03:27,280 --> 00:03:30,400 Speaker 2: Super producer Boo Esques, does it feel like Iron Man 56 00:03:30,440 --> 00:03:32,679 Speaker 2: did in two thousand and eight the start of an Era? No, 57 00:03:33,680 --> 00:03:37,920 Speaker 2: it feels I'm more excited by this iron Man I 58 00:03:38,120 --> 00:03:42,800 Speaker 2: really really enjoyed. At the same time, it was not 59 00:03:43,120 --> 00:03:47,320 Speaker 2: clear to me that at that particular time that Marvel, 60 00:03:47,360 --> 00:03:50,480 Speaker 2: which kind of was not a it was baby Studios, 61 00:03:50,560 --> 00:03:53,920 Speaker 2: was it was Baby Marvel Studios and early iteration of 62 00:03:53,960 --> 00:03:57,520 Speaker 2: the of the corporate entities that became Marvel Studios, it 63 00:03:57,600 --> 00:04:00,480 Speaker 2: was not clear that they'd ever actually be able to 64 00:04:00,560 --> 00:04:05,320 Speaker 2: follow through with any plan to do the Avengers, and 65 00:04:05,480 --> 00:04:09,080 Speaker 2: so I enjoyed it as what I thought was like 66 00:04:09,120 --> 00:04:11,520 Speaker 2: a good one off film that maybe we get a sequel, 67 00:04:11,560 --> 00:04:13,800 Speaker 2: but certainly would not get extend Universe. 68 00:04:14,320 --> 00:04:15,200 Speaker 1: This movie. 69 00:04:16,640 --> 00:04:20,120 Speaker 2: Has me just really excited for what's to come, and 70 00:04:20,200 --> 00:04:22,520 Speaker 2: I just thought it was so expertly done. It's just 71 00:04:22,560 --> 00:04:24,200 Speaker 2: like James Gunn knows how to do this. 72 00:04:25,120 --> 00:04:28,000 Speaker 3: He does, and I think that you make a good point, 73 00:04:28,080 --> 00:04:32,160 Speaker 3: which is something that ironically feels really fresh even though 74 00:04:32,160 --> 00:04:34,360 Speaker 3: this is what things were like before two thousand and eight. 75 00:04:34,839 --> 00:04:38,000 Speaker 3: This movie just throws you right into a crazy kind 76 00:04:38,040 --> 00:04:41,159 Speaker 3: of experience of being a superhero living in a superhero world, 77 00:04:41,440 --> 00:04:45,080 Speaker 3: and that feels fresh after you know, almost twenty years 78 00:04:45,160 --> 00:04:48,760 Speaker 3: of people trying to replicate the MCU. Now, obviously, James 79 00:04:48,760 --> 00:04:53,039 Speaker 3: Gunn has also worked within the MCU extensively with Guardians 80 00:04:53,040 --> 00:04:55,640 Speaker 3: of the Galaxy, and there are moments in this film 81 00:04:55,760 --> 00:04:57,680 Speaker 3: where I think you get a little bit of that. 82 00:04:57,839 --> 00:04:59,520 Speaker 1: And the Isaiah we. 83 00:04:59,480 --> 00:05:01,920 Speaker 3: Went to see it and he was like, oh, yeah, 84 00:05:02,080 --> 00:05:04,840 Speaker 3: likes there's a scene, a really good fight scene, and 85 00:05:05,040 --> 00:05:07,640 Speaker 3: and it has like one of the few needle drops 86 00:05:07,640 --> 00:05:09,240 Speaker 3: in the movie, and he was like, oh, it's giving 87 00:05:09,279 --> 00:05:11,839 Speaker 3: Guardians of the Galaxy, and I was like, yes, And 88 00:05:11,960 --> 00:05:16,240 Speaker 3: luckily that was just almost like a nod to the 89 00:05:16,279 --> 00:05:18,960 Speaker 3: way that he made those movies. It's, rather than making 90 00:05:19,000 --> 00:05:23,120 Speaker 3: it about him, replicating that this feels very different, feels 91 00:05:23,360 --> 00:05:28,400 Speaker 3: very hopeful, feels very fun, is incredibly colorful, and yeah, 92 00:05:28,560 --> 00:05:31,800 Speaker 3: just a really fun movie. I'm excited because I do 93 00:05:31,839 --> 00:05:35,880 Speaker 3: feel like, for the most part, this is a very 94 00:05:36,440 --> 00:05:40,080 Speaker 3: accessible for kids movie, because kids just watch stuff that's. 95 00:05:39,920 --> 00:05:41,760 Speaker 1: Just full of crazy action. 96 00:05:41,960 --> 00:05:44,400 Speaker 3: They catch up, they know the law, they probably already 97 00:05:44,400 --> 00:05:47,640 Speaker 3: know all these characters because they watch NonStop video essays 98 00:05:47,640 --> 00:05:50,960 Speaker 3: on YouTube. And yeah, I'm I'm interested to see how 99 00:05:51,000 --> 00:05:53,440 Speaker 3: it lands. I think it could be a massive smash 100 00:05:53,560 --> 00:05:57,320 Speaker 3: or I think it could be a long legs slow 101 00:05:57,360 --> 00:05:59,719 Speaker 3: burn word of mouth hit. 102 00:05:59,760 --> 00:06:01,920 Speaker 1: But it feels like it's going to play through Summa 103 00:06:02,160 --> 00:06:02,400 Speaker 1: to me. 104 00:06:02,600 --> 00:06:05,160 Speaker 2: I agree, and I think it will. I think it's 105 00:06:05,160 --> 00:06:08,880 Speaker 2: gonna say a lot about where we are in the 106 00:06:08,920 --> 00:06:12,279 Speaker 2: superhero burnout index. 107 00:06:12,720 --> 00:06:15,039 Speaker 1: Yes, I like that. 108 00:06:16,440 --> 00:06:20,000 Speaker 2: Is the general audience truly out or is this something 109 00:06:20,120 --> 00:06:23,360 Speaker 2: new enough to appeal to them. I think Gun has 110 00:06:25,960 --> 00:06:28,480 Speaker 2: launched this story in a way to your point that 111 00:06:28,600 --> 00:06:31,440 Speaker 2: you don't need like a tremendous there are guys around 112 00:06:31,640 --> 00:06:34,839 Speaker 2: like superheroes are there. They're running around all around the 113 00:06:34,880 --> 00:06:37,400 Speaker 2: city having battles in the backgrounds of. 114 00:06:37,360 --> 00:06:39,080 Speaker 1: Scenes that are ongoing. 115 00:06:39,320 --> 00:06:42,599 Speaker 2: Very fun, but it's not like you need to know 116 00:06:42,839 --> 00:06:50,560 Speaker 2: a tremendous amount about them. And you learn Gun is 117 00:06:50,560 --> 00:06:54,000 Speaker 2: so good at giving you character things in dialogue that 118 00:06:56,560 --> 00:07:00,480 Speaker 2: if you're not a comics nerd gives you a lot 119 00:07:00,520 --> 00:07:02,560 Speaker 2: of background about them. But if you are a comic 120 00:07:02,600 --> 00:07:05,240 Speaker 2: s neert, you're like, oh, that's a cool No, that's 121 00:07:05,240 --> 00:07:08,480 Speaker 2: a cool character. Like like mister terrific has I was 122 00:07:08,560 --> 00:07:09,600 Speaker 2: gonna say, let's. 123 00:07:10,000 --> 00:07:12,040 Speaker 1: Let's talk when we get in the spoilers. 124 00:07:12,120 --> 00:07:14,400 Speaker 3: Let's dig into this terrific because I do think that 125 00:07:14,480 --> 00:07:16,880 Speaker 3: is one of the standout things that truly really make 126 00:07:16,960 --> 00:07:20,600 Speaker 3: this movie uh kind of blow up and make people 127 00:07:20,640 --> 00:07:23,160 Speaker 3: really excited to talk about it. So, yes, that's I 128 00:07:23,160 --> 00:07:26,600 Speaker 3: guess that's all spoiler free. Go see it the combo, 129 00:07:26,680 --> 00:07:28,640 Speaker 3: go see it, and then once you to. 130 00:07:28,600 --> 00:07:29,720 Speaker 2: This, go see it. 131 00:07:29,880 --> 00:07:31,480 Speaker 3: Yeah, and then once you've seen it, come back and 132 00:07:31,520 --> 00:07:33,960 Speaker 3: listen to us talk about spoilers. 133 00:07:33,240 --> 00:07:34,080 Speaker 4: Next ye. 134 00:07:48,960 --> 00:07:53,280 Speaker 2: And we're back. Okay, let's now really dig in to 135 00:07:53,440 --> 00:07:57,160 Speaker 2: the film and talk spoilers and talk all this stuff. 136 00:07:59,720 --> 00:08:03,480 Speaker 1: Let's mister Terrific first of all, because he's. 137 00:08:07,000 --> 00:08:09,240 Speaker 2: We have to we talked about in the spoiler free 138 00:08:09,720 --> 00:08:11,680 Speaker 2: you know, it kind of alluded to the fact that 139 00:08:11,760 --> 00:08:14,440 Speaker 2: Gun is so good at it putting in these kind 140 00:08:14,480 --> 00:08:18,840 Speaker 2: of character colors in dialogue that they're both moving the 141 00:08:18,880 --> 00:08:21,680 Speaker 2: story along and telling you, like who this character is. 142 00:08:21,720 --> 00:08:24,880 Speaker 2: And I thought mister Terrific had some great examples of this. 143 00:08:25,040 --> 00:08:27,080 Speaker 1: Oh yeah, and Guy Gardner as well. 144 00:08:27,240 --> 00:08:30,040 Speaker 2: Where there where you know, there's the scene where Terrific 145 00:08:30,280 --> 00:08:34,360 Speaker 2: is transporting everyone to the military base to find out, 146 00:08:34,400 --> 00:08:38,000 Speaker 2: like what's the Superman's last position was tracked to there, 147 00:08:38,640 --> 00:08:42,680 Speaker 2: and there's a short exchange about like kind of about 148 00:08:42,720 --> 00:08:51,600 Speaker 2: religion sort of, and he's basically conveys his stand affishness 149 00:08:52,240 --> 00:08:55,400 Speaker 2: towards the concept of organized religion in a way that 150 00:08:55,520 --> 00:08:57,880 Speaker 2: like gives you this kind of background on who this 151 00:08:58,040 --> 00:09:01,960 Speaker 2: character is, but also in the flow of the popcorn movie. 152 00:09:02,000 --> 00:09:04,079 Speaker 2: And this movie is full of moments like that. 153 00:09:04,440 --> 00:09:07,400 Speaker 3: Yeah, there's so much good stuff here, And I think 154 00:09:07,400 --> 00:09:10,439 Speaker 3: that it really starts with the opening of the movie, 155 00:09:10,480 --> 00:09:14,960 Speaker 3: which essentially establishes the fact that in this universe three 156 00:09:15,040 --> 00:09:18,800 Speaker 3: hundred years ago, meta humans aka superheroes as we know, 157 00:09:18,840 --> 00:09:23,240 Speaker 3: the empowered people were kind of discovered on Earth, so 158 00:09:23,320 --> 00:09:27,400 Speaker 3: you've been living already for three centuries with that. Then 159 00:09:27,720 --> 00:09:34,559 Speaker 3: three decades ago, Clark in his little baby Kryptonian spaceship 160 00:09:34,960 --> 00:09:38,199 Speaker 3: crashed on the Earth. And then three years ago he 161 00:09:38,280 --> 00:09:41,160 Speaker 3: came out publicly and said I'm Superman, I'm an alien, 162 00:09:41,520 --> 00:09:44,319 Speaker 3: and then we learned, you know, three hours ago America 163 00:09:44,440 --> 00:09:50,320 Speaker 3: was attacked by this metallic, kind of heavily armored new 164 00:09:50,480 --> 00:09:55,240 Speaker 3: character James created called the Hammer of Barovia. And then 165 00:09:55,640 --> 00:09:59,959 Speaker 3: three minutes ago Superman just lost his own fights. I screen, 166 00:10:00,040 --> 00:10:04,160 Speaker 3: it's so good, it's so funny. We have him slam 167 00:10:04,360 --> 00:10:09,160 Speaker 3: into the the kind of wild of the Antarctica, and 168 00:10:09,200 --> 00:10:11,040 Speaker 3: then we get that great moment that we'd all seen 169 00:10:11,080 --> 00:10:14,280 Speaker 3: with Crypto, and I just think it establishes a world 170 00:10:14,280 --> 00:10:15,479 Speaker 3: of Hey, I trust. 171 00:10:15,240 --> 00:10:17,920 Speaker 1: You as an audience, you've done this before. 172 00:10:18,480 --> 00:10:22,679 Speaker 3: When you've watched other Superman movies or other Star Wars movies. 173 00:10:22,800 --> 00:10:26,400 Speaker 3: You've dealt with a crawl. You understand the world. And 174 00:10:26,480 --> 00:10:27,400 Speaker 3: now there's no. 175 00:10:28,880 --> 00:10:31,280 Speaker 1: How did this happen? Why is it like this? 176 00:10:31,520 --> 00:10:33,720 Speaker 3: James Gunn just throws you into this kind of gods 177 00:10:33,760 --> 00:10:36,680 Speaker 3: and monster's space and says, hey, this is where we 178 00:10:36,720 --> 00:10:41,920 Speaker 3: are now, and meet David corn Sweat as Superman, who 179 00:10:42,000 --> 00:10:44,920 Speaker 3: is I think a top tier Superman casting. It has 180 00:10:44,960 --> 00:10:46,040 Speaker 3: now become very clear. 181 00:10:46,200 --> 00:10:46,840 Speaker 2: He nails it. 182 00:10:47,320 --> 00:10:49,640 Speaker 1: We're so good. He's so good. 183 00:10:50,360 --> 00:10:52,880 Speaker 2: At a certain point, we're going to say that mister 184 00:10:52,960 --> 00:10:56,400 Speaker 2: Terrific stole the movie. We are and it's true, not true, 185 00:10:56,640 --> 00:11:01,160 Speaker 2: it's I believe that we're only saying that because it's like, yeah, yeah, yeah, Superman, 186 00:11:01,240 --> 00:11:01,720 Speaker 2: he nailed it. 187 00:11:01,760 --> 00:11:02,400 Speaker 1: Okay, move on. 188 00:11:03,440 --> 00:11:06,840 Speaker 2: That's fucking hard to nail that because. 189 00:11:09,760 --> 00:11:10,400 Speaker 1: He's got to do. 190 00:11:11,120 --> 00:11:13,760 Speaker 2: He's got to be good. He's got to be almost 191 00:11:13,760 --> 00:11:18,040 Speaker 2: a boy scout, but not a dummy, like, not naive 192 00:11:18,440 --> 00:11:22,080 Speaker 2: an idiot. He's got to be very trusting, but not 193 00:11:22,200 --> 00:11:25,240 Speaker 2: a dupe where you're like, no, hey give me your wallet, man, 194 00:11:25,840 --> 00:11:27,880 Speaker 2: I gotta check something you walk like. He can't be 195 00:11:28,000 --> 00:11:31,400 Speaker 2: that guy. He's got to be smart but open hearted. 196 00:11:31,960 --> 00:11:35,280 Speaker 2: And while we're going to say that mister Terrific stole 197 00:11:35,320 --> 00:11:37,360 Speaker 2: the movie because he has some great hammer lines and. 198 00:11:38,920 --> 00:11:41,240 Speaker 1: Actually great, that's true. 199 00:11:41,800 --> 00:11:45,320 Speaker 2: I think I have the Corn Squad performance is really 200 00:11:45,400 --> 00:11:48,360 Speaker 2: really hard to nail, and he nails it perfectly. 201 00:11:48,760 --> 00:11:49,160 Speaker 1: He does. 202 00:11:49,200 --> 00:11:53,199 Speaker 3: He's so brilliant, he's so kind. If you have had 203 00:11:53,320 --> 00:11:58,800 Speaker 3: enough of scary doc Superman, this is a great situation 204 00:11:59,120 --> 00:12:02,520 Speaker 3: where you get to see a Superman who is dealing 205 00:12:02,960 --> 00:12:07,080 Speaker 3: with the ramifications of being so powerful but choosing to 206 00:12:07,320 --> 00:12:12,480 Speaker 3: not use that power to overwhelm or oppress or rule. 207 00:12:13,040 --> 00:12:15,040 Speaker 3: And I think that is always what's one of the 208 00:12:15,080 --> 00:12:19,240 Speaker 3: most interesting things about Superman, and this film deals with 209 00:12:19,320 --> 00:12:22,319 Speaker 3: it in a really interesting way. But it's funny because 210 00:12:22,320 --> 00:12:24,199 Speaker 3: it sounds like, you know, we're talking about that, we're 211 00:12:24,240 --> 00:12:27,040 Speaker 3: talking about the kind of emotional heart, which this film 212 00:12:27,080 --> 00:12:28,840 Speaker 3: does have a lot of. But this is also a 213 00:12:28,880 --> 00:12:32,400 Speaker 3: film with like there's Kaiju the there's a rift in 214 00:12:32,440 --> 00:12:37,560 Speaker 3: the space, there's multiple flying ships, there's like five hundred characters, 215 00:12:37,960 --> 00:12:43,000 Speaker 3: so it's also keeps you going, Jason. Character Wise, this 216 00:12:43,040 --> 00:12:48,760 Speaker 3: is a ridiculously big cast with so many funny like 217 00:12:49,240 --> 00:12:53,760 Speaker 3: not just like Sarah Sampio as a eve Kashmaker, which 218 00:12:53,800 --> 00:12:55,800 Speaker 3: I loved her performance. I thought she was that was 219 00:12:55,840 --> 00:12:58,839 Speaker 3: such a funny twist on that role that seems like 220 00:12:58,880 --> 00:13:01,080 Speaker 3: a deep cut character. But then you also have like 221 00:13:01,480 --> 00:13:05,280 Speaker 3: Sydney Happerson, who's been in like he's Lex Luthor's assistant, 222 00:13:05,320 --> 00:13:06,240 Speaker 3: like James. 223 00:13:05,920 --> 00:13:07,360 Speaker 1: Really went for the deep cut. 224 00:13:07,760 --> 00:13:12,160 Speaker 3: Even outside of the Justice Gang, the super the Superman 225 00:13:12,280 --> 00:13:15,280 Speaker 3: characters that we kind of know, who was a standout 226 00:13:15,400 --> 00:13:15,760 Speaker 3: for you? 227 00:13:15,880 --> 00:13:19,280 Speaker 2: Oh my god? I mean Eddie is Eggie is mister trific, 228 00:13:19,480 --> 00:13:24,360 Speaker 2: is absolutely razor sharp in every single scene. 229 00:13:24,840 --> 00:13:27,679 Speaker 3: Looks so cool too, Like I think, so cool. It's 230 00:13:27,760 --> 00:13:30,000 Speaker 3: like the best mister Terrific. We've never had him in 231 00:13:30,040 --> 00:13:33,240 Speaker 3: live action apart from on the cw Ara verse, but 232 00:13:33,320 --> 00:13:36,839 Speaker 3: this is like a definitive performance. Has Eddie should be 233 00:13:36,920 --> 00:13:39,440 Speaker 3: playing this ten years if. 234 00:13:39,280 --> 00:13:44,800 Speaker 2: He has a tremendous presence despite being very still for 235 00:13:44,920 --> 00:13:47,160 Speaker 2: most of the movie, like he does it all with 236 00:13:47,280 --> 00:13:52,840 Speaker 2: just like his eyes and his voice. Yeah, But you 237 00:13:52,880 --> 00:13:56,600 Speaker 2: know what, I kind of came away thinking, I hope 238 00:13:56,600 --> 00:14:01,160 Speaker 2: that one day Nicholas Holt gets to do role where 239 00:14:01,200 --> 00:14:04,520 Speaker 2: we're like, fuck, Nicholas Holt is good, isn't he? Like? 240 00:14:05,120 --> 00:14:08,560 Speaker 2: And I don't think that will come in a in 241 00:14:08,640 --> 00:14:12,200 Speaker 2: a genre IP movie such as this, such as he's 242 00:14:12,600 --> 00:14:18,120 Speaker 2: been in a lot of. But he is fucking great 243 00:14:18,240 --> 00:14:22,400 Speaker 2: as Lex and is just generally good in everything I've 244 00:14:22,440 --> 00:14:23,320 Speaker 2: ever seen him be. 245 00:14:23,520 --> 00:14:24,920 Speaker 1: It's true, It's true. 246 00:14:25,080 --> 00:14:27,040 Speaker 3: I feel like he channels a lot of the great 247 00:14:27,120 --> 00:14:28,480 Speaker 3: in this where he's kind of this like. 248 00:14:29,960 --> 00:14:31,040 Speaker 1: Like he's obsessive. 249 00:14:31,520 --> 00:14:35,800 Speaker 2: So path I said that last night, he's like Peter 250 00:14:36,080 --> 00:14:38,120 Speaker 2: in the Great but like I just kind of amped 251 00:14:38,200 --> 00:14:38,960 Speaker 2: up to fifteen. 252 00:14:39,120 --> 00:14:40,240 Speaker 1: Yeah, he's wonderful. 253 00:14:40,360 --> 00:14:44,480 Speaker 3: There's moments in this movie where he kind of really 254 00:14:44,600 --> 00:14:47,880 Speaker 3: lets loose, especially near the end, when he's kind of 255 00:14:49,040 --> 00:14:51,160 Speaker 3: one of the cool things about this vision of Lex, 256 00:14:51,160 --> 00:14:54,040 Speaker 3: which also I'm sure there's many things in this movie 257 00:14:54,040 --> 00:14:57,440 Speaker 3: that James Gunn is feeling exceptionally prophetic about, but one 258 00:14:57,480 --> 00:15:00,400 Speaker 3: of them is the fact that Lex Lutha as like 259 00:15:00,480 --> 00:15:03,920 Speaker 3: a group of like teenage boy gamers that he uses 260 00:15:04,040 --> 00:15:08,280 Speaker 3: to basically beat up Superman because he's learned all these 261 00:15:08,280 --> 00:15:11,760 Speaker 3: different potential moves and he can use them to train 262 00:15:12,440 --> 00:15:17,560 Speaker 3: these kind of experimented on or mutated heroes that he's making, 263 00:15:17,640 --> 00:15:21,080 Speaker 3: like the Engineer or as we will find out, like the. 264 00:15:21,080 --> 00:15:23,320 Speaker 1: Character that we think is Ultraman. 265 00:15:23,360 --> 00:15:27,200 Speaker 3: And it's really there's a scene near the end when 266 00:15:27,480 --> 00:15:30,480 Speaker 3: Superman is fighting with Ultraman, who is revealed to be 267 00:15:30,600 --> 00:15:33,960 Speaker 3: a clone of Superman very comic Bookie very much, setting 268 00:15:34,000 --> 00:15:37,000 Speaker 3: up a kind of bizarro situation for the future, and 269 00:15:37,040 --> 00:15:39,640 Speaker 3: he is just like he's like saying, like a one 270 00:15:39,800 --> 00:15:42,520 Speaker 3: A one a one, and it's just him pretending to 271 00:15:42,640 --> 00:15:45,320 Speaker 3: punch as we see the clone Superman punch him, and 272 00:15:45,360 --> 00:15:49,080 Speaker 3: he just like he's so good and so smart and 273 00:15:49,160 --> 00:15:52,480 Speaker 3: so kind of sassy and so sad, and even his 274 00:15:52,560 --> 00:15:55,280 Speaker 3: performance is so good that at the end when he 275 00:15:55,360 --> 00:15:58,800 Speaker 3: gets his rightful come up and yeah, he's kind of 276 00:15:59,200 --> 00:16:04,640 Speaker 3: righting for this crazy because he is awful. He has 277 00:16:04,680 --> 00:16:06,360 Speaker 3: done nothing for. 278 00:16:06,320 --> 00:16:09,240 Speaker 1: Any good reason, like he does not have it. He 279 00:16:09,360 --> 00:16:10,440 Speaker 1: is just jealous. 280 00:16:10,480 --> 00:16:13,240 Speaker 3: And he says that he's like, I am envious and 281 00:16:13,280 --> 00:16:15,920 Speaker 3: that is why I'm doing this, Like I love the 282 00:16:15,960 --> 00:16:20,200 Speaker 3: line where there is kind of essentially you learn very 283 00:16:20,200 --> 00:16:23,200 Speaker 3: early on in the movie International Conflict that Superman has 284 00:16:23,200 --> 00:16:26,640 Speaker 3: inserted himself into by stopping a war, and he's like, well, 285 00:16:26,680 --> 00:16:29,600 Speaker 3: I was just representing myself. But everyone is like, well, 286 00:16:29,800 --> 00:16:32,720 Speaker 3: don't you represent America? Isn't that the whole thing? And 287 00:16:33,560 --> 00:16:37,200 Speaker 3: he is facing down this clone at the end and 288 00:16:37,640 --> 00:16:40,320 Speaker 3: Lex says to him, no, don't you understand. He's like, 289 00:16:40,520 --> 00:16:47,680 Speaker 3: I didn't like get involved with the Bravian Jaraporian War 290 00:16:47,800 --> 00:16:51,760 Speaker 3: because I, you know, because I wanted the land. He's like, 291 00:16:51,800 --> 00:16:54,640 Speaker 3: I created that situation so I could kill you and 292 00:16:54,720 --> 00:16:56,479 Speaker 3: I was like, Okay, Lex, you're insane. 293 00:16:56,640 --> 00:16:57,120 Speaker 1: I love it. 294 00:16:57,200 --> 00:17:01,640 Speaker 2: I mean, I'm glad you mentioned that that speech about jealousy, 295 00:17:02,480 --> 00:17:06,439 Speaker 2: because to me, that's what elevated this depiction of Lex 296 00:17:06,520 --> 00:17:10,879 Speaker 2: from like, you know, regular kind of mustache twirling villain 297 00:17:11,680 --> 00:17:15,120 Speaker 2: to something with a lot more pathless. Like he's aware 298 00:17:15,160 --> 00:17:18,480 Speaker 2: of it. He's like, I know, I understand. He's like, yeah, 299 00:17:18,480 --> 00:17:21,919 Speaker 2: it is a weakness, like I am jealous of you 300 00:17:22,400 --> 00:17:25,800 Speaker 2: and that sucks about me and I can admit that 301 00:17:25,800 --> 00:17:29,160 Speaker 2: that's a thing, but I can't. I need to kill 302 00:17:29,240 --> 00:17:31,840 Speaker 2: you because I do to stop doing that, you know, like, 303 00:17:32,680 --> 00:17:35,600 Speaker 2: and the fact that it's so on the surface really 304 00:17:36,760 --> 00:17:40,439 Speaker 2: it really humanizes him as terrible and as fucking like 305 00:17:41,600 --> 00:17:45,480 Speaker 2: a cartoonish as he is at times. And yeah, Nicholas Holt, 306 00:17:45,480 --> 00:17:46,159 Speaker 2: I just love it. 307 00:17:46,280 --> 00:17:46,760 Speaker 1: What about you? 308 00:17:46,800 --> 00:17:48,919 Speaker 2: What is a performance that you came away with that 309 00:17:49,000 --> 00:17:49,679 Speaker 2: you were like, well. 310 00:17:49,520 --> 00:17:50,760 Speaker 1: I think I think you're right. 311 00:17:50,800 --> 00:17:53,280 Speaker 3: I think for me, I'm basically every Me and Joelle 312 00:17:53,320 --> 00:17:55,120 Speaker 3: both said this and not interviews with Eddie. 313 00:17:55,160 --> 00:17:56,960 Speaker 1: We were like, you are the breakout role. 314 00:17:57,080 --> 00:17:59,880 Speaker 3: You are the breakout characters, miss the terrific I love 315 00:17:59,880 --> 00:18:00,800 Speaker 3: that character. 316 00:18:00,520 --> 00:18:03,159 Speaker 1: Anyway, but it's really great to see him at the 317 00:18:03,200 --> 00:18:03,720 Speaker 1: center here. 318 00:18:03,800 --> 00:18:06,320 Speaker 3: I mean, this definitely could have been like Superman and 319 00:18:06,400 --> 00:18:09,520 Speaker 3: Mister Terrific if we did like more honest it almost 320 00:18:09,720 --> 00:18:15,919 Speaker 3: you know, and he essentially also is he gets to 321 00:18:16,080 --> 00:18:20,639 Speaker 3: be equal to Superman and annoyed with Superman and kind 322 00:18:20,640 --> 00:18:23,439 Speaker 3: of almost like a mentor figure, but not in a 323 00:18:23,480 --> 00:18:25,560 Speaker 3: way that takes away from who he is or what 324 00:18:25,720 --> 00:18:26,320 Speaker 3: he's doing. 325 00:18:26,680 --> 00:18:28,119 Speaker 1: So I thought he was really great. 326 00:18:28,800 --> 00:18:33,359 Speaker 3: I'm I'm excited to see more of Isabella Massaid as 327 00:18:34,040 --> 00:18:36,159 Speaker 3: Hawk Girl. I love the choice to just have her 328 00:18:36,240 --> 00:18:38,760 Speaker 3: screaming constantly, super unsettling. 329 00:18:39,119 --> 00:18:41,000 Speaker 1: It's really weird. I loved it. 330 00:18:41,359 --> 00:18:44,520 Speaker 3: I really enjoyed how the character, her costume and Guy's 331 00:18:44,600 --> 00:18:48,040 Speaker 3: costume were basically kind of versions of the Mister Terrific 332 00:18:48,080 --> 00:18:52,040 Speaker 3: costume like in the comics the Terrifics. I was also 333 00:18:52,080 --> 00:18:54,600 Speaker 3: wondering if at some point that was the team name 334 00:18:54,640 --> 00:18:56,359 Speaker 3: they were going to go for and that change, because 335 00:18:56,359 --> 00:18:59,160 Speaker 3: it seems very Terrifics coded, which is kind of Mister 336 00:18:59,240 --> 00:19:03,040 Speaker 3: Terrifics team. But I thought that Justice Gang stuff was funny. 337 00:19:03,400 --> 00:19:07,240 Speaker 3: I love Guy Gardiner, I thought, I thought, yeah, I'm 338 00:19:07,240 --> 00:19:09,679 Speaker 3: a Guy Gardener lover. In the comics to what I 339 00:19:09,720 --> 00:19:12,120 Speaker 3: thought was really great about this, and if you've listened 340 00:19:12,119 --> 00:19:14,000 Speaker 3: to the podcast, you have heard me complain about this 341 00:19:14,080 --> 00:19:16,600 Speaker 3: so many times. This movie does not have a Green 342 00:19:16,680 --> 00:19:21,320 Speaker 3: Lantern issue. Instead, this movie is one of the most 343 00:19:21,320 --> 00:19:24,720 Speaker 3: inventive and funny uses of green lantern powers that we've 344 00:19:24,760 --> 00:19:29,640 Speaker 3: ever seen. He's creating muzzles for Kaiji, he's using he's 345 00:19:29,720 --> 00:19:35,000 Speaker 3: making mittens to stop it from chloring, and then to 346 00:19:35,160 --> 00:19:38,560 Speaker 3: everybody's joy. In both screenings I went to at the 347 00:19:38,720 --> 00:19:41,920 Speaker 3: end when they finally decide that they're gonna help Superman 348 00:19:42,000 --> 00:19:46,760 Speaker 3: and stop this war, he is like constantly like knocking 349 00:19:46,800 --> 00:19:50,199 Speaker 3: over tanks using giant green middle fingers, like this is 350 00:19:50,240 --> 00:19:52,879 Speaker 3: not a green lantern who struggles with imagination, which I 351 00:19:52,920 --> 00:19:55,080 Speaker 3: feel like is every other Green Lantern. 352 00:19:55,359 --> 00:19:56,960 Speaker 1: And I thought that the banter that. 353 00:19:56,880 --> 00:20:00,520 Speaker 3: They built up between the Justice Gang was real, really 354 00:20:00,520 --> 00:20:02,960 Speaker 3: good and felt like, yes, they've been working together. I 355 00:20:02,960 --> 00:20:06,320 Speaker 3: also thought it was really interesting how much world building 356 00:20:06,359 --> 00:20:09,280 Speaker 3: there is to stuff that will clearly come into play later. 357 00:20:09,359 --> 00:20:12,160 Speaker 3: But the fact that, for example, we see Maxwell Lord 358 00:20:12,240 --> 00:20:15,359 Speaker 3: one time on a TV played by James's brother Shawn Gunn, 359 00:20:15,640 --> 00:20:19,280 Speaker 3: but every single computer is made by Lord Tech, every 360 00:20:19,320 --> 00:20:22,720 Speaker 3: single recorder is made by Lord Tech. The Justice Gang 361 00:20:22,800 --> 00:20:25,400 Speaker 3: is paid for by Lord Tech, so I think there's 362 00:20:25,440 --> 00:20:28,160 Speaker 3: some really interesting stuff to dig into. I also think 363 00:20:28,200 --> 00:20:31,080 Speaker 3: the three hundred years timeline is really interesting. 364 00:20:31,240 --> 00:20:33,960 Speaker 1: Oh yeah, because then if you want. 365 00:20:33,840 --> 00:20:35,520 Speaker 3: To do swamp thing and you want it to be 366 00:20:35,720 --> 00:20:37,879 Speaker 3: in the twenties, or you want to do clay Face, 367 00:20:37,920 --> 00:20:39,439 Speaker 3: then it's going to be a horror. You don't have 368 00:20:39,520 --> 00:20:41,639 Speaker 3: to set it after this, you can set it before this. 369 00:20:41,800 --> 00:20:45,199 Speaker 3: You can establish almost these different chapters in how the 370 00:20:45,240 --> 00:20:50,160 Speaker 3: world deals with superheroes. I also think something I thought 371 00:20:50,200 --> 00:20:53,080 Speaker 3: was really funny about this movie that was really well 372 00:20:53,119 --> 00:20:56,240 Speaker 3: done and I think was a great kind of just 373 00:20:56,280 --> 00:20:58,320 Speaker 3: a little it's a little hack, right if. 374 00:20:58,240 --> 00:21:00,720 Speaker 1: You say that the world is really used to superheroes. 375 00:21:01,040 --> 00:21:03,120 Speaker 1: Something in the MCU that will always. 376 00:21:02,760 --> 00:21:04,560 Speaker 3: Be cracking up about it is like, doesn't matter how 377 00:21:04,560 --> 00:21:08,120 Speaker 3: many times something falls from the sky, everyone in the MCU. 378 00:21:07,880 --> 00:21:09,920 Speaker 1: Is like, ah, oh no, it's happening again. 379 00:21:10,280 --> 00:21:13,560 Speaker 3: Everyone in superhero Superman's well is just like a rift 380 00:21:13,600 --> 00:21:16,439 Speaker 3: in this ocean. Yeah, okay, that is We've dealt with 381 00:21:16,520 --> 00:21:18,800 Speaker 3: this for like three hundred years, like we're just doing 382 00:21:18,800 --> 00:21:19,240 Speaker 3: our best. 383 00:21:19,760 --> 00:21:22,680 Speaker 2: There's that scene that was from the teaser and then 384 00:21:22,720 --> 00:21:26,840 Speaker 2: from the first kind of official images right where you're 385 00:21:26,880 --> 00:21:32,320 Speaker 2: seeing this battle against some interdimensional something as the imp 386 00:21:32,920 --> 00:21:37,160 Speaker 2: an and the Justice Gang is fighting it while a 387 00:21:37,200 --> 00:21:41,199 Speaker 2: depressed Superman, you know, saddened after the reveal that his 388 00:21:42,119 --> 00:21:47,600 Speaker 2: parents were actually meg maniacal like concerors, conquerors, you know, 389 00:21:47,720 --> 00:21:51,960 Speaker 2: eager to enslave other planets, and how hopefully hoping that 390 00:21:52,040 --> 00:21:54,879 Speaker 2: their son would do this do that to Earth, is 391 00:21:55,440 --> 00:21:59,000 Speaker 2: you know, talking with Lois about just his feelings and 392 00:21:59,040 --> 00:22:02,720 Speaker 2: what's going on. Meanwhile, like there's this imp battle going 393 00:22:02,760 --> 00:22:05,280 Speaker 2: on in the back and everybody's eight. She's like, are 394 00:22:05,320 --> 00:22:05,960 Speaker 2: you gonna help. 395 00:22:05,840 --> 00:22:08,159 Speaker 1: Them with them? And he's where they got? Yeah, I know. 396 00:22:09,200 --> 00:22:11,320 Speaker 3: I love the way this leads me to one of 397 00:22:11,400 --> 00:22:13,960 Speaker 3: my other favorite things, which I'm sure you as the 398 00:22:14,119 --> 00:22:17,040 Speaker 3: as the Father of Donna were also loving. But like, 399 00:22:17,480 --> 00:22:20,560 Speaker 3: I love how much he loves Crypto because Crypto is 400 00:22:20,600 --> 00:22:21,160 Speaker 3: not a good dog. 401 00:22:21,200 --> 00:22:23,240 Speaker 1: Crypto is a bad dog. Crypto. 402 00:22:23,520 --> 00:22:26,080 Speaker 3: Not to insult Crypto, I love your Crypto or Jolene 403 00:22:26,119 --> 00:22:29,640 Speaker 3: who bought Crypto to life on set, but I love 404 00:22:29,720 --> 00:22:32,200 Speaker 3: the way that in that moment he says to Lois, 405 00:22:32,240 --> 00:22:34,360 Speaker 3: He's like, She's like, oh, were you out there helping them? 406 00:22:34,400 --> 00:22:38,280 Speaker 1: The Justice Gang fight this, you know, giant eyeball. 407 00:22:37,760 --> 00:22:39,920 Speaker 3: In the sky and he's like, nah, I was looking 408 00:22:39,920 --> 00:22:43,600 Speaker 3: for the dog, And I'm like, yes, that driving force 409 00:22:43,720 --> 00:22:48,000 Speaker 3: of the kind of humanity of wanting to protect a 410 00:22:48,000 --> 00:22:50,880 Speaker 3: creature who is scared and who is alone and who 411 00:22:50,880 --> 00:22:53,480 Speaker 3: doesn't have anyone else. I find that to be very 412 00:22:53,480 --> 00:22:56,200 Speaker 3: true to whose Superman is. I also loved how much 413 00:22:56,880 --> 00:23:00,439 Speaker 3: he saves so many animals and kids, And ever since 414 00:23:00,520 --> 00:23:03,600 Speaker 3: the trailer launched, David Contwett has been saying this great 415 00:23:03,760 --> 00:23:06,800 Speaker 3: kind of thing about the reason he thinks Superman wears 416 00:23:06,840 --> 00:23:09,399 Speaker 3: the colors and he wears the trunks is because he 417 00:23:09,440 --> 00:23:13,520 Speaker 3: has so much power that if he didn't appear silly, 418 00:23:14,119 --> 00:23:16,440 Speaker 3: kids would be scared of him, and he doesn't want 419 00:23:16,520 --> 00:23:19,359 Speaker 3: kids to be scared of him. And I love the 420 00:23:19,480 --> 00:23:22,600 Speaker 3: moments where after he would save the town or save 421 00:23:22,680 --> 00:23:25,440 Speaker 3: the city or whatever, they would always kids would always 422 00:23:25,440 --> 00:23:26,960 Speaker 3: just want to come up and hug him. And I 423 00:23:27,000 --> 00:23:29,159 Speaker 3: love that because I think that's very true to who 424 00:23:29,240 --> 00:23:32,520 Speaker 3: Superman is and always has been. And I just thought 425 00:23:32,520 --> 00:23:37,680 Speaker 3: that stuff was so well handled. And it is a huge, 426 00:23:37,760 --> 00:23:39,360 Speaker 3: kind of sprawling. 427 00:23:38,880 --> 00:23:40,560 Speaker 1: Movie with this massive cast. 428 00:23:41,040 --> 00:23:43,080 Speaker 3: But when I was watching it last night again, I 429 00:23:43,160 --> 00:23:45,919 Speaker 3: was like, Oh, this is gonna be a movie that 430 00:23:45,960 --> 00:23:47,719 Speaker 3: I'm just going to be able to turn on and 431 00:23:47,760 --> 00:23:50,159 Speaker 3: watch when Yeah, which is the dream, it's going to 432 00:23:50,200 --> 00:23:52,439 Speaker 3: be any kind of superhero movie, it's. 433 00:23:52,280 --> 00:23:56,520 Speaker 2: Gonna be one be rewatchable. To your point about the 434 00:23:56,560 --> 00:23:59,960 Speaker 2: goodness of Superman, which again I think is handled so well. 435 00:24:00,320 --> 00:24:02,080 Speaker 4: And is so. 436 00:24:04,760 --> 00:24:08,200 Speaker 2: Is so perfect tonally and balance wise, with the performance 437 00:24:08,240 --> 00:24:10,600 Speaker 2: of the writing, everything with the depiction, with the way 438 00:24:10,600 --> 00:24:15,439 Speaker 2: he's shot that I think he I really do believe 439 00:24:15,440 --> 00:24:18,439 Speaker 2: that corn, sweat, and gun make it look easy, like 440 00:24:18,560 --> 00:24:25,199 Speaker 2: how because I think that's again that's it look so 441 00:24:25,320 --> 00:24:29,960 Speaker 2: But it also just struck me watching it that every 442 00:24:30,000 --> 00:24:34,960 Speaker 2: time Superman's on the screen, it's like a full force 443 00:24:35,119 --> 00:24:42,400 Speaker 2: repudiation of the Snyder Verse, and it's depicted of Superman, 444 00:24:42,840 --> 00:24:47,000 Speaker 2: like the way that he is saving literally saving squirrels 445 00:24:47,040 --> 00:24:51,320 Speaker 2: from being crushed during the midst of a Kaiju battle 446 00:24:51,560 --> 00:24:54,080 Speaker 2: and then when the kaiju is killed, and this is 447 00:24:54,400 --> 00:24:54,720 Speaker 2: very so. 448 00:24:55,000 --> 00:24:57,320 Speaker 1: This is so when he's. 449 00:24:57,119 --> 00:24:59,480 Speaker 2: Like when they're fighting the Kaiju and he's like, we 450 00:24:59,560 --> 00:25:01,720 Speaker 2: gotta get it out of here, maybe up to space 451 00:25:01,760 --> 00:25:05,520 Speaker 2: where we can study it. 452 00:25:03,119 --> 00:25:10,440 Speaker 1: And that's Zoo and that just from the inside. 453 00:25:10,080 --> 00:25:15,439 Speaker 2: And he's so upset when it's killed. It just felt 454 00:25:15,440 --> 00:25:19,840 Speaker 2: like a complete repudiation of like specifically like the end 455 00:25:20,359 --> 00:25:23,159 Speaker 2: fight of Man of Steel, which I actually like is 456 00:25:23,200 --> 00:25:27,520 Speaker 2: an action scene, but it always just felt like, there's 457 00:25:27,560 --> 00:25:30,720 Speaker 2: no way Superman is going to let the city get 458 00:25:30,880 --> 00:25:35,560 Speaker 2: wrecked like this without saving people or trying to evacuate 459 00:25:35,600 --> 00:25:39,159 Speaker 2: them to somewhere and there is that is not a 460 00:25:39,240 --> 00:25:40,120 Speaker 2: problem in this way. 461 00:25:40,160 --> 00:25:42,080 Speaker 3: I was gonna say this that this is definitely a 462 00:25:42,080 --> 00:25:46,920 Speaker 3: movie that answers the collateral damage question because then Superman. 463 00:25:47,160 --> 00:25:50,200 Speaker 3: Superman is trying to stop any kind of collateral damage. 464 00:25:50,320 --> 00:25:53,919 Speaker 3: We see him, you know, lifting up a building to 465 00:25:54,040 --> 00:25:54,880 Speaker 3: let one. 466 00:25:54,880 --> 00:25:57,080 Speaker 1: Car one yet. 467 00:25:56,960 --> 00:25:59,120 Speaker 3: And I love the kind of implication, Hey, you don't 468 00:25:59,200 --> 00:26:01,679 Speaker 3: need to show him going into every building and saving 469 00:26:01,680 --> 00:26:05,840 Speaker 3: every person, because the implication is there that if this 470 00:26:05,960 --> 00:26:11,120 Speaker 3: man is willing to save a squirrel to always go 471 00:26:11,160 --> 00:26:14,520 Speaker 3: and save every single child, then you know that he 472 00:26:14,640 --> 00:26:18,280 Speaker 3: is doing his best. And it is really quite uplifting 473 00:26:18,359 --> 00:26:21,520 Speaker 3: and hopeful to see a Superman like that and to 474 00:26:21,560 --> 00:26:24,560 Speaker 3: get to kind of explore it in the scope of 475 00:26:24,600 --> 00:26:27,439 Speaker 3: a world where there are clearly other heroes who have 476 00:26:27,480 --> 00:26:31,040 Speaker 3: been established before Superman and they are kind of tired 477 00:26:31,160 --> 00:26:33,520 Speaker 3: of his They're like, well, you don't get to just 478 00:26:33,560 --> 00:26:36,000 Speaker 3: come in and be the new kid suddenly like country 479 00:26:36,040 --> 00:26:39,160 Speaker 3: bump kick pickinning your way about, like oh, don't kill 480 00:26:39,160 --> 00:26:41,359 Speaker 3: the kaiju, like we're here to do a job. 481 00:26:41,760 --> 00:26:44,159 Speaker 1: But he manages to do it in a way that 482 00:26:44,440 --> 00:26:47,800 Speaker 1: is like, you know, not too kind of Pollyanna. Oh 483 00:26:47,880 --> 00:26:48,520 Speaker 1: golly gosh. 484 00:26:48,640 --> 00:26:52,840 Speaker 3: Don though even Cornswet is so good at those moments. 485 00:26:52,880 --> 00:26:56,600 Speaker 1: He says it a lot. I also I love opening. 486 00:26:56,440 --> 00:27:00,880 Speaker 3: After he gets when he gets saved and protected by 487 00:27:00,920 --> 00:27:03,520 Speaker 3: the supermam robots and they kind of light him up 488 00:27:03,560 --> 00:27:05,560 Speaker 3: with the yellow sun and they're like, oh no, but 489 00:27:05,600 --> 00:27:08,520 Speaker 3: you're only eighty percent healed. And he's like gotta get 490 00:27:08,560 --> 00:27:10,720 Speaker 3: back to the fray. And I'm like, oh my god, 491 00:27:10,720 --> 00:27:14,439 Speaker 3: you're such a dog and I love you. Let's go 492 00:27:14,520 --> 00:27:16,960 Speaker 3: to a break and then when we're back, let's talk 493 00:27:16,960 --> 00:27:17,840 Speaker 3: about Crypto. 494 00:27:17,920 --> 00:27:36,520 Speaker 1: Yeah, am I back? Dogs dog. Let me tell you. 495 00:27:36,640 --> 00:27:39,480 Speaker 2: I thought that this was the perfect amount of crypto 496 00:27:39,720 --> 00:27:44,600 Speaker 2: and then the perfect amount of danger for Crypto. We 497 00:27:44,680 --> 00:27:47,200 Speaker 2: had a Joel and I were talking after the movie 498 00:27:47,280 --> 00:27:50,600 Speaker 2: about like, yeah, I never for a moment was like 499 00:27:51,359 --> 00:27:55,120 Speaker 2: Gun's gonna kill Crypto. It never, but he put him 500 00:27:55,119 --> 00:27:59,800 Speaker 2: in just enough danger that you're like, man, fuck Lex Luthor. 501 00:28:00,119 --> 00:28:01,639 Speaker 1: Yeah. Literally. 502 00:28:01,680 --> 00:28:05,320 Speaker 3: I had a friend who I made hilariously through listening 503 00:28:05,400 --> 00:28:08,760 Speaker 3: to this pod called Jordan, who was like texted me 504 00:28:08,840 --> 00:28:10,560 Speaker 3: and was like, Hey, when you see the movie, I 505 00:28:10,680 --> 00:28:12,400 Speaker 3: just need to know if the dog dies. 506 00:28:12,640 --> 00:28:14,840 Speaker 1: And I was like, I don't think it's gonna happen. 507 00:28:15,160 --> 00:28:18,760 Speaker 3: In ironic because with the way that the movie leaves 508 00:28:18,760 --> 00:28:23,199 Speaker 3: off and kind of the big reveal about that, we 509 00:28:23,280 --> 00:28:25,600 Speaker 3: do get to meet Supergirl in this movie, which is 510 00:28:25,680 --> 00:28:27,840 Speaker 3: very fun, and Crypto is her dog, just like in 511 00:28:27,880 --> 00:28:31,199 Speaker 3: the comics. There was in the comic that they are 512 00:28:31,240 --> 00:28:34,600 Speaker 3: adapting as Supergirl, there is a fake out Crypto dies 513 00:28:34,680 --> 00:28:38,880 Speaker 3: moment which is very unpopular, and ironically she brings him 514 00:28:38,920 --> 00:28:42,640 Speaker 3: to heal and I do wonder if this is maybe 515 00:28:42,680 --> 00:28:46,640 Speaker 3: halfway through the Supergirl movie because of that, and she 516 00:28:46,760 --> 00:28:49,240 Speaker 3: comes back, but it's unclear. I'm excited to see where 517 00:28:49,280 --> 00:28:51,040 Speaker 3: that goes. But yes, I was very glad to see 518 00:28:51,080 --> 00:28:53,720 Speaker 3: super Crypto does not get killed. 519 00:28:53,760 --> 00:28:55,280 Speaker 1: He is a good boy bad. 520 00:28:55,360 --> 00:29:01,520 Speaker 2: Just from a just from a movie industry and ganomics perspective, 521 00:29:02,240 --> 00:29:05,840 Speaker 2: you don't kill the dog. That's how your movie bombs. 522 00:29:06,640 --> 00:29:11,040 Speaker 2: That's just forget storytelling. Forget like, you know, the Red 523 00:29:11,080 --> 00:29:14,360 Speaker 2: Badge of Courage and Old Yeller and all those cartbreaking 524 00:29:14,960 --> 00:29:19,240 Speaker 2: stories of a dog death, John Wick, etc. You don't 525 00:29:19,320 --> 00:29:21,560 Speaker 2: kill the dog in this kind of movie unless it's 526 00:29:21,600 --> 00:29:22,640 Speaker 2: the third movie. 527 00:29:22,880 --> 00:29:25,800 Speaker 1: Yeah, exactly, then, you know. But also that's why there's 528 00:29:25,840 --> 00:29:29,360 Speaker 1: literally a website called does the Dog Die? Because that 529 00:29:29,520 --> 00:29:31,840 Speaker 1: is how much people you don't do it. You don't 530 00:29:31,920 --> 00:29:35,640 Speaker 1: do it and fantastic. Also crazy that. 531 00:29:35,600 --> 00:29:38,560 Speaker 3: Crypto is essentially almost all CGI. 532 00:29:38,400 --> 00:29:40,200 Speaker 1: Looks, really good, looks fantastic. 533 00:29:40,280 --> 00:29:41,840 Speaker 3: You can tell a little bit, you can tell a 534 00:29:41,880 --> 00:29:46,440 Speaker 3: little bit, but it's not too uncanny. Valley Anna, he's 535 00:29:46,520 --> 00:29:49,200 Speaker 3: just so cute, you're always happy to see him. I 536 00:29:49,280 --> 00:29:52,640 Speaker 3: love how badly behaved he is for Clark, and I 537 00:29:52,720 --> 00:29:55,280 Speaker 3: love that in that moment where we get to meet 538 00:29:55,320 --> 00:29:57,080 Speaker 3: Kara for those kind of two minutes and. 539 00:29:57,000 --> 00:29:59,680 Speaker 1: She calls Clock a bitch and she's just. 540 00:29:59,600 --> 00:30:02,640 Speaker 3: Like, let me give me a we get to learn 541 00:30:02,800 --> 00:30:06,160 Speaker 3: why Crypto is so crazy. It's because she's just constantly 542 00:30:06,280 --> 00:30:08,680 Speaker 3: rough housing with Crypto, because that's just what the two 543 00:30:08,720 --> 00:30:11,400 Speaker 3: of them do, you know, And yeah, I thought that 544 00:30:11,520 --> 00:30:14,920 Speaker 3: was really fun. Crypto is definitely very toy etic. The 545 00:30:14,920 --> 00:30:18,800 Speaker 3: whole movie is pretty toy etic like they've done. They 546 00:30:18,840 --> 00:30:21,720 Speaker 3: sent me like a crypto drone that you control with 547 00:30:21,800 --> 00:30:23,960 Speaker 3: your hand and it flies above your hand, which is 548 00:30:24,000 --> 00:30:27,360 Speaker 3: really cute. They have like a Kaiju toy where Superman 549 00:30:27,440 --> 00:30:28,720 Speaker 3: can like punch his Tommy. 550 00:30:29,280 --> 00:30:31,960 Speaker 1: So I'm I think Ian, and it's like and. 551 00:30:32,280 --> 00:30:35,800 Speaker 3: The Kaiju toy like spills out, slide out of its 552 00:30:35,840 --> 00:30:38,200 Speaker 3: guts or something. So I think, Ian, you make a 553 00:30:38,200 --> 00:30:40,160 Speaker 3: great point in the chat where you're like, gotta sell 554 00:30:40,200 --> 00:30:43,160 Speaker 3: some toys, and this is definitely a movie where you 555 00:30:43,200 --> 00:30:46,880 Speaker 3: can do that. Mostly interestingly because I think of the 556 00:30:46,960 --> 00:30:51,960 Speaker 3: color palette and the designful. When I smoke to James 557 00:30:52,040 --> 00:30:56,400 Speaker 3: Gunn at the junket for DC, you'll be able to 558 00:30:56,440 --> 00:30:57,600 Speaker 3: see that interview soon. 559 00:30:59,160 --> 00:31:02,680 Speaker 1: He was, I brought up Frank quietly because I just feel. 560 00:31:02,400 --> 00:31:05,600 Speaker 3: Like there's so much metamorpho looks, so Frank quietlyish, there's 561 00:31:05,600 --> 00:31:09,520 Speaker 3: all this kind of heavy, intricate design work when Superman's 562 00:31:09,520 --> 00:31:12,040 Speaker 3: face gets fucked up from the Kryptonite. And I brought 563 00:31:12,120 --> 00:31:15,000 Speaker 3: up Frank quietly, and he was like, yeah, well he 564 00:31:15,160 --> 00:31:21,320 Speaker 3: is probably the biggest artistic influence after Segull and Shuster. 565 00:31:21,680 --> 00:31:25,520 Speaker 3: And he was like, and Jamie Grant's colors on All 566 00:31:25,520 --> 00:31:28,400 Speaker 3: Star Superman. Who was the colors? That is really the 567 00:31:28,400 --> 00:31:30,240 Speaker 3: colors that we pulled for the movie, and. 568 00:31:30,240 --> 00:31:33,560 Speaker 1: That is true. I think that's why it's really colorful. 569 00:31:33,240 --> 00:31:37,040 Speaker 3: And shiny and kind of has this almost hyper real, 570 00:31:37,200 --> 00:31:40,240 Speaker 3: like kids playing with toys kind of energy to it, 571 00:31:40,280 --> 00:31:41,880 Speaker 3: and I think that works really well. 572 00:31:42,760 --> 00:31:49,720 Speaker 2: Okay, let's talk about what we think this movie portends 573 00:31:49,760 --> 00:31:55,320 Speaker 2: for the DCU going forward. You mentioned, for instance, that 574 00:31:55,440 --> 00:31:59,720 Speaker 2: we only see Maxwell Lord, the CEO of the Lord 575 00:31:59,840 --> 00:32:04,040 Speaker 2: co Operation who funds the Justice Gang asterisk if it 576 00:32:04,120 --> 00:32:06,080 Speaker 2: seems like that's their real name now after. 577 00:32:10,200 --> 00:32:13,960 Speaker 3: Justice Gang for a while, you know, Justice And even 578 00:32:14,000 --> 00:32:16,480 Speaker 3: that is a funny nod because it's like they don't 579 00:32:16,520 --> 00:32:18,600 Speaker 3: want to be the Justice League. The whole of Justice 580 00:32:18,640 --> 00:32:21,640 Speaker 3: is that like, at some point this must have happened, 581 00:32:21,720 --> 00:32:23,600 Speaker 3: but this is that new, you know, It's. 582 00:32:23,760 --> 00:32:28,000 Speaker 2: So here is my, here's my. Here's one thing I'm 583 00:32:28,040 --> 00:32:33,160 Speaker 2: wondering as a setup coming off of this movie, is 584 00:32:33,240 --> 00:32:36,640 Speaker 2: Maxwell Lord a meta human yet? 585 00:32:38,160 --> 00:32:39,960 Speaker 1: And are the. 586 00:32:40,120 --> 00:32:44,400 Speaker 2: Justice Gang like under his mind control at all? Like 587 00:32:45,680 --> 00:32:48,520 Speaker 2: it didn't seem that way, but I wonder, like what 588 00:32:48,560 --> 00:32:50,080 Speaker 2: you make is. 589 00:32:50,280 --> 00:32:54,000 Speaker 3: I think you make a really important point because the 590 00:32:54,080 --> 00:32:57,040 Speaker 3: truth is in all different versions of him. 591 00:32:57,480 --> 00:33:01,880 Speaker 1: He has been kind of, you. 592 00:33:01,840 --> 00:33:04,680 Speaker 3: Know, a super villain who can also sometimes be an ally. 593 00:33:04,840 --> 00:33:07,440 Speaker 3: I would also say I think what we're really seeing 594 00:33:07,480 --> 00:33:10,520 Speaker 3: here is like him putting together the Justice League International, 595 00:33:11,520 --> 00:33:15,440 Speaker 3: which is kind of the big moment from the comics 596 00:33:15,440 --> 00:33:17,120 Speaker 3: where he helps establish them. 597 00:33:17,600 --> 00:33:21,320 Speaker 1: So I'm very interested to see I do think. 598 00:33:21,120 --> 00:33:27,520 Speaker 3: That we are gonna see his more maniacal side come out. 599 00:33:27,560 --> 00:33:30,560 Speaker 3: I also will say that with Lex Luthor mentioning that, 600 00:33:30,800 --> 00:33:34,040 Speaker 3: you know, calling Clark like a Martian and Clark being like, well, 601 00:33:34,040 --> 00:33:36,880 Speaker 3: actually I'm a Kryptonian, we can assume that Marsha Manhunna 602 00:33:37,040 --> 00:33:40,320 Speaker 3: is here in this world. Yes, And I am very 603 00:33:40,320 --> 00:33:42,840 Speaker 3: excited to see where we go from here because there 604 00:33:42,840 --> 00:33:45,200 Speaker 3: are moments in here. Like me and one of my 605 00:33:45,320 --> 00:33:48,960 Speaker 3: brilliant editors at IGN Ameilia, Me and her and Joel 606 00:33:49,000 --> 00:33:52,640 Speaker 3: were really vibing on this movie, and she was cracking 607 00:33:52,680 --> 00:33:55,120 Speaker 3: me up, kind of talking about we were trying to 608 00:33:55,160 --> 00:33:58,000 Speaker 3: remember the name of the fictional band that Clark loves. 609 00:33:58,000 --> 00:34:00,640 Speaker 3: They're called the Mighty crab Joys. They're kind of a 610 00:34:00,640 --> 00:34:04,760 Speaker 3: Newfound Glory esque band they play during the credits, and 611 00:34:04,840 --> 00:34:06,560 Speaker 3: I was like, okay, well I thought they were the 612 00:34:06,640 --> 00:34:09,640 Speaker 3: Fabulous crab Joys, but that doesn't exist. But when it 613 00:34:09,719 --> 00:34:13,560 Speaker 3: was the Mighty crab Joys, they were actually already mentioned 614 00:34:13,840 --> 00:34:18,400 Speaker 3: in Creature Commandos because Frankenstein he wears like a T 615 00:34:18,520 --> 00:34:21,000 Speaker 3: shirt of them, and everyone's always ragging on him how 616 00:34:21,000 --> 00:34:21,880 Speaker 3: they're a bad band. 617 00:34:22,239 --> 00:34:25,439 Speaker 1: So I kind of love that these seeds are already there. 618 00:34:25,719 --> 00:34:29,120 Speaker 3: Yeah, I'm actually really just excited to see, like I 619 00:34:29,120 --> 00:34:33,440 Speaker 3: would watch a completely tonally different film or story in this, 620 00:34:33,920 --> 00:34:36,560 Speaker 3: and I think that's what he's done really well. For example, 621 00:34:37,840 --> 00:34:42,719 Speaker 3: we know that in the Green Lantern Show, which will 622 00:34:42,760 --> 00:34:47,319 Speaker 3: star you know, a far more serious version, we have 623 00:34:47,480 --> 00:34:51,240 Speaker 3: Aaron Pierre as John Stewart. We have Friday Night Lights 624 00:34:51,719 --> 00:34:54,080 Speaker 3: as Hal Jordan, and it's going to be kind of 625 00:34:54,120 --> 00:34:57,920 Speaker 3: a murder mystery, true Detective inspired show. But Guy Gardiner 626 00:34:58,000 --> 00:34:59,799 Speaker 3: is going to be in that show. So I want 627 00:34:59,840 --> 00:35:01,680 Speaker 3: to s I see the ways that these things kind 628 00:35:01,680 --> 00:35:04,440 Speaker 3: of lean into each other. And I will say another 629 00:35:04,560 --> 00:35:06,600 Speaker 3: question I've been getting a lot is, oh, what about 630 00:35:06,640 --> 00:35:08,880 Speaker 3: hawk Man. You know we get hawk Girl here. I 631 00:35:08,880 --> 00:35:11,640 Speaker 3: want to say, I love Alvis Hodges hawk Man. I 632 00:35:11,640 --> 00:35:13,719 Speaker 3: would love for that to be something they bring back. 633 00:35:13,800 --> 00:35:15,440 Speaker 3: I don't think it's going to be the case here 634 00:35:15,719 --> 00:35:19,520 Speaker 3: obviously Black Adam famous flop, not just that. I think 635 00:35:19,560 --> 00:35:21,600 Speaker 3: what they are setting up here. Something me and Joelle 636 00:35:21,600 --> 00:35:26,800 Speaker 3: have talked about is a John Stewart Hawk girl romance 637 00:35:27,560 --> 00:35:31,400 Speaker 3: and Pierre Isabella Masad. I think there's so many different 638 00:35:31,440 --> 00:35:33,839 Speaker 3: ways that this is going to interact with what we've 639 00:35:33,840 --> 00:35:36,440 Speaker 3: seen in the comics, what we've seen in Justice League Unlimited, 640 00:35:36,440 --> 00:35:41,080 Speaker 3: which is definitely a massive influence on this film, the animation, 641 00:35:41,560 --> 00:35:44,280 Speaker 3: so I'm just really excited to see where this goes. 642 00:35:44,440 --> 00:35:49,600 Speaker 3: I think the tonal shift between creature Commandos, this Peacemaker, 643 00:35:49,880 --> 00:35:52,920 Speaker 3: but the way that Gun has so far been managed 644 00:35:52,960 --> 00:35:56,240 Speaker 3: to kind of like meld them all together is really 645 00:35:56,280 --> 00:35:57,319 Speaker 3: impressive to me. 646 00:35:57,640 --> 00:35:59,759 Speaker 2: I want to talk about that tone because something that 647 00:36:00,400 --> 00:36:03,040 Speaker 2: a take that I was sharpening while I was watching 648 00:36:03,600 --> 00:36:05,879 Speaker 2: Superman last night and kind of getting blown away by 649 00:36:05,920 --> 00:36:12,719 Speaker 2: it is and TBD maybe Fantastic four is amazing. We 650 00:36:12,760 --> 00:36:17,880 Speaker 2: talked a lot, you know, during the Height of the 651 00:36:18,040 --> 00:36:22,560 Speaker 2: MCU and the Tale of the MCU about how its 652 00:36:22,640 --> 00:36:26,160 Speaker 2: specific tone was like right for that time. I now 653 00:36:26,280 --> 00:36:30,239 Speaker 2: wonder if the more heightened version of Superheroes, where the 654 00:36:30,280 --> 00:36:33,960 Speaker 2: metaphor is, you know, he's an immigrant, but it's not 655 00:36:34,239 --> 00:36:39,480 Speaker 2: like it's not you know, we just saw the the 656 00:36:39,600 --> 00:36:44,000 Speaker 2: latest Captain America movie get riddled with cuts in an 657 00:36:44,080 --> 00:36:49,319 Speaker 2: attempt to make it less like the real world and 658 00:36:49,360 --> 00:36:54,640 Speaker 2: to make the the That's not a problem in this 659 00:36:54,719 --> 00:36:58,920 Speaker 2: movie because the metaphor is so comic booked and heightened, 660 00:36:58,960 --> 00:37:02,600 Speaker 2: but almost more powerful because of that. Like, Yeah, I'm 661 00:37:02,640 --> 00:37:05,120 Speaker 2: sitting there being like, this is the salve, this is 662 00:37:05,200 --> 00:37:06,719 Speaker 2: the bomb that we need right now. 663 00:37:06,719 --> 00:37:07,640 Speaker 1: That's what I think. 664 00:37:07,640 --> 00:37:10,719 Speaker 2: That's how I always belief in like bullshit, like this 665 00:37:10,800 --> 00:37:13,680 Speaker 2: is the exact thing that I needed right now. I 666 00:37:13,719 --> 00:37:18,400 Speaker 2: don't want a reflection of the world necessarily, and I 667 00:37:18,640 --> 00:37:24,960 Speaker 2: and it left me wondering if DC's tone inherent universal 668 00:37:25,040 --> 00:37:29,280 Speaker 2: tone is kind of perfect for is kind of what's 669 00:37:29,320 --> 00:37:33,160 Speaker 2: necessary for a hit superhero movie right now and TBD 670 00:37:33,280 --> 00:37:35,400 Speaker 2: on the box office and all of that. But I 671 00:37:35,480 --> 00:37:37,359 Speaker 2: was really affected by it, and it's it and it's 672 00:37:37,360 --> 00:37:41,200 Speaker 2: a definite and it's definitely like a different tonal approach 673 00:37:41,280 --> 00:37:44,200 Speaker 2: than what you we're used to with the MCU, which 674 00:37:44,320 --> 00:37:47,400 Speaker 2: was great when it was happening, and so I wonder 675 00:37:48,239 --> 00:37:51,200 Speaker 2: if it's I think they might be bias, but I 676 00:37:51,239 --> 00:37:51,640 Speaker 2: don't know. 677 00:37:52,160 --> 00:37:52,960 Speaker 1: I think it could be. 678 00:37:53,120 --> 00:37:57,040 Speaker 3: I also think that the fact that they eschewed any 679 00:37:57,120 --> 00:38:00,560 Speaker 3: kind of Avengerce Phase one style, like we have to 680 00:38:00,560 --> 00:38:02,960 Speaker 3: build this up and try to replicate it, and instead 681 00:38:03,000 --> 00:38:06,320 Speaker 3: went for this kind of old school establishing a world, 682 00:38:06,400 --> 00:38:08,600 Speaker 3: throwing people into it, and trusting. 683 00:38:08,160 --> 00:38:11,800 Speaker 1: The audience shows that we are in a different era. 684 00:38:11,920 --> 00:38:14,759 Speaker 3: And I do think that a struggle that is going 685 00:38:14,800 --> 00:38:17,120 Speaker 3: to come out of Fantastic Four, though obviously we haven't 686 00:38:17,120 --> 00:38:20,160 Speaker 3: seen it, is they are already trying to connect it 687 00:38:20,200 --> 00:38:22,320 Speaker 3: to everything that came before. We know there was the 688 00:38:22,360 --> 00:38:25,879 Speaker 3: connection between the Thunderbolts and this. There is a lot 689 00:38:25,880 --> 00:38:29,719 Speaker 3: of baggage and homework there, I would say, and you 690 00:38:29,760 --> 00:38:33,160 Speaker 3: can do homework on Superman because you loved the movie 691 00:38:33,200 --> 00:38:35,160 Speaker 3: and you want to know all these characters, and it's 692 00:38:35,160 --> 00:38:36,799 Speaker 3: not really going to be homework. It's going to be 693 00:38:37,000 --> 00:38:40,200 Speaker 3: a blessing of incredible comic books from some of the 694 00:38:40,239 --> 00:38:43,080 Speaker 3: greatest creators of all time. But you could also just 695 00:38:43,120 --> 00:38:44,800 Speaker 3: watch the movie and enjoy it and you'll probably have 696 00:38:44,840 --> 00:38:48,680 Speaker 3: a great time. And I think that accessibility is going 697 00:38:48,760 --> 00:38:52,440 Speaker 3: to be really appealing. Okay, so something we actually haven't 698 00:38:52,480 --> 00:38:56,520 Speaker 3: even covered, hilariously is this is also a movie that 699 00:38:57,320 --> 00:39:02,280 Speaker 3: deals with super hero romance in a way we haven't 700 00:39:02,360 --> 00:39:05,520 Speaker 3: really seen. You know. Obviously, the MCU has the Captain 701 00:39:05,560 --> 00:39:10,719 Speaker 3: America and his girlfriend and all that origin. The original 702 00:39:10,800 --> 00:39:13,840 Speaker 3: Spider Man's the Samuraimi Spider Mans. So we get a 703 00:39:13,920 --> 00:39:18,680 Speaker 3: kind of modernized situation ship space. 704 00:39:18,520 --> 00:39:20,040 Speaker 1: For Clark and Lois here. 705 00:39:20,360 --> 00:39:25,280 Speaker 3: Rachel Brosnahan as lois bringing that kind of savvy, fierce 706 00:39:25,480 --> 00:39:28,800 Speaker 3: journalistic ethics which I think are established really well in 707 00:39:28,880 --> 00:39:31,960 Speaker 3: kind of the opening apartment scene between her and Clark. 708 00:39:32,160 --> 00:39:36,000 Speaker 1: How did the relationship work for you Bia Cracker scene? 709 00:39:36,280 --> 00:39:39,719 Speaker 2: I mean, the chemistry is so it needs to kill, 710 00:39:39,719 --> 00:39:44,120 Speaker 2: and it kills, Like you believe that they are they're 711 00:39:44,160 --> 00:39:47,480 Speaker 2: in love, but they're deep. They're trying to process that 712 00:39:47,680 --> 00:39:50,960 Speaker 2: truth and to try to reckon with what that means 713 00:39:51,480 --> 00:39:53,719 Speaker 2: considering that he's in super powered alien and she's a 714 00:39:53,760 --> 00:39:56,120 Speaker 2: regular woman, you know, and. 715 00:39:56,080 --> 00:39:57,520 Speaker 1: How do how do we work this? 716 00:39:57,800 --> 00:40:00,000 Speaker 2: It's there's also the aspect of like we're trying to 717 00:40:00,120 --> 00:40:03,759 Speaker 2: hide this from the people we work with. Yeah, no, 718 00:40:03,840 --> 00:40:05,840 Speaker 2: by the you know, like it's very clear. 719 00:40:07,239 --> 00:40:12,560 Speaker 3: How a good question because like you know, the end 720 00:40:12,600 --> 00:40:16,680 Speaker 3: of it does kind of imply that Jimmy is aware 721 00:40:16,719 --> 00:40:18,719 Speaker 3: that she's fucking Jimmy certain, yeah. 722 00:40:18,760 --> 00:40:21,320 Speaker 1: Yeah, And but then does that mean that Jimmy knows 723 00:40:21,320 --> 00:40:22,239 Speaker 1: who Clark is? 724 00:40:22,560 --> 00:40:23,319 Speaker 3: I don't. I don't. 725 00:40:23,480 --> 00:40:25,960 Speaker 1: I think Lois is the only one who knows Clark 726 00:40:26,120 --> 00:40:28,120 Speaker 1: I is Superman, right. 727 00:40:28,000 --> 00:40:31,000 Speaker 2: Yeah, I think that's probably And I think that we 728 00:40:31,000 --> 00:40:33,040 Speaker 2: we didn't even talk about the Hypno Glasses, which is 729 00:40:33,080 --> 00:40:37,439 Speaker 2: a wonderful cannon pull, like an older cannon Paul, because. 730 00:40:37,400 --> 00:40:40,799 Speaker 3: There was an interview recently with James Gunn where he 731 00:40:41,360 --> 00:40:44,160 Speaker 3: the in Rolling Stone where the guy mentioned the very 732 00:40:44,200 --> 00:40:47,080 Speaker 3: controversial Hypno Glasses and was like, hey, this was like 733 00:40:47,239 --> 00:40:50,319 Speaker 3: very hated. Are you gonna do this? And James is like, yeah, 734 00:40:50,320 --> 00:40:52,200 Speaker 3: I only know about that because of Tom King. And 735 00:40:52,200 --> 00:40:53,880 Speaker 3: then I watched the movie and I was like, okay, 736 00:40:53,880 --> 00:40:55,880 Speaker 3: so Tom King told you to do this, which is 737 00:40:56,000 --> 00:40:59,040 Speaker 3: legit like one of the most hated cannon choices of 738 00:40:59,080 --> 00:41:01,960 Speaker 3: all time, which I just think is so funny and 739 00:41:02,040 --> 00:41:05,080 Speaker 3: I love it, and I kind of love I love 740 00:41:05,160 --> 00:41:09,399 Speaker 3: that they because originally the Hypno Glasses was like presented 741 00:41:09,480 --> 00:41:12,400 Speaker 3: by a letter writer who was like, hey, guys, I 742 00:41:12,400 --> 00:41:15,160 Speaker 3: got this really good idea end up getting pulled from cannon. 743 00:41:15,440 --> 00:41:17,839 Speaker 3: But I kind of love the way that they were 744 00:41:17,880 --> 00:41:19,880 Speaker 3: just like, yeah, that's how it works. That's kind of 745 00:41:19,920 --> 00:41:23,040 Speaker 3: everything about this movie. And I think that for me 746 00:41:23,800 --> 00:41:27,799 Speaker 3: it works the kind of notion of like, hey, this 747 00:41:27,920 --> 00:41:29,839 Speaker 3: is just how it is. Can you believe in the world? 748 00:41:29,960 --> 00:41:32,359 Speaker 3: Do you buy it? And if you buy it, then 749 00:41:32,400 --> 00:41:34,399 Speaker 3: you can enjoy it? And I think that's not one 750 00:41:34,440 --> 00:41:35,960 Speaker 3: really fun thing part of. 751 00:41:35,960 --> 00:41:36,560 Speaker 1: Why it worked. 752 00:41:36,560 --> 00:41:38,600 Speaker 2: I completely agree with you, because for me, part of 753 00:41:38,640 --> 00:41:41,160 Speaker 2: why it worked was that I almost didn't need it 754 00:41:41,239 --> 00:41:45,879 Speaker 2: like it was I was. The disbelief was so suspended already, yeah, 755 00:41:45,920 --> 00:41:47,520 Speaker 2: because I was having such a good time that I 756 00:41:47,560 --> 00:41:47,759 Speaker 2: was like. 757 00:41:47,719 --> 00:41:50,839 Speaker 1: Yeah, fine, Also, I have no I don't give a shit. 758 00:41:51,080 --> 00:41:53,680 Speaker 3: He looks kind of different when he has that funny 759 00:41:53,680 --> 00:41:56,000 Speaker 3: ass hack cut and buy. 760 00:41:55,800 --> 00:41:59,759 Speaker 2: It like everybody's so winning. But when they interu so 761 00:41:59,760 --> 00:42:01,560 Speaker 2: when they introduce it, and they do it in such 762 00:42:01,560 --> 00:42:06,520 Speaker 2: a again a comics canon authentic way where it's just like, yeah, 763 00:42:06,640 --> 00:42:09,839 Speaker 2: the super people know who Zuerman is because they're part 764 00:42:09,840 --> 00:42:14,480 Speaker 2: of the superhero community and they just like the cloth, 765 00:42:14,520 --> 00:42:17,160 Speaker 2: as Guy would say, And when he reveals the hypnoglasses, 766 00:42:17,480 --> 00:42:19,920 Speaker 2: it's just like, Okay. 767 00:42:19,400 --> 00:42:21,760 Speaker 3: I also love the way I buy it, he says 768 00:42:21,800 --> 00:42:24,840 Speaker 3: to He's She's like, you better stop interviewing yourself, or 769 00:42:24,880 --> 00:42:26,160 Speaker 3: like somebody's gonna catch on. 770 00:42:26,560 --> 00:42:28,960 Speaker 1: And he's like, but what about the glasses? 771 00:42:28,960 --> 00:42:30,960 Speaker 3: And she's like, it's not gonna work for that long, 772 00:42:31,000 --> 00:42:33,400 Speaker 3: my guy, and I love like everyone in the audience 773 00:42:33,480 --> 00:42:36,120 Speaker 3: got to have that laugh. I think for me, that's 774 00:42:36,160 --> 00:42:38,880 Speaker 3: what James Gun can do really well, is he can 775 00:42:39,280 --> 00:42:44,920 Speaker 3: succinctly encapsulate a conversation that the audience will have or 776 00:42:45,040 --> 00:42:48,919 Speaker 3: have been having, and make it something where people want 777 00:42:48,920 --> 00:42:49,680 Speaker 3: to talk. 778 00:42:50,480 --> 00:42:53,920 Speaker 2: To your point. He he wrong foots the audience in 779 00:42:53,960 --> 00:42:57,759 Speaker 2: a really smart way, which is he seems to have 780 00:42:57,840 --> 00:43:03,600 Speaker 2: a instinct for when the audience might be about to say, yeah, 781 00:43:03,600 --> 00:43:07,600 Speaker 2: but why don't they recognize him, And before they're able 782 00:43:07,719 --> 00:43:10,960 Speaker 2: to do that, he gives you the answer. So you 783 00:43:11,000 --> 00:43:13,440 Speaker 2: haven't answered, you haven't asked the question yet. And he 784 00:43:13,440 --> 00:43:17,520 Speaker 2: does that in myriad ways throughout the film and just 785 00:43:18,040 --> 00:43:19,960 Speaker 2: freaking they nailed it. 786 00:43:20,080 --> 00:43:22,640 Speaker 1: This was really I really loved it. It's so much fun. 787 00:43:22,719 --> 00:43:26,719 Speaker 3: Before we go into Joelle's fantastic interview, what are you 788 00:43:26,840 --> 00:43:30,200 Speaker 3: most excited for now coming out of this movie? 789 00:43:30,640 --> 00:43:33,040 Speaker 2: I'm just the rest of the dc the DCU. I 790 00:43:33,080 --> 00:43:38,719 Speaker 2: think Supergirl the setup now is fantastic, is going to 791 00:43:38,800 --> 00:43:41,400 Speaker 2: be a very different character than Superman. 792 00:43:42,080 --> 00:43:43,400 Speaker 1: And again. 793 00:43:44,600 --> 00:43:51,840 Speaker 2: Gun's ability to distill the authentic comic book character into 794 00:43:51,880 --> 00:43:56,280 Speaker 2: something that is palatable on a movie like Modern Modern 795 00:43:57,080 --> 00:44:00,600 Speaker 2: It's got the kernel, so funny, what the is and 796 00:44:00,680 --> 00:44:04,279 Speaker 2: so like, I'm really excited for that next movie and 797 00:44:05,480 --> 00:44:10,319 Speaker 2: it has me, you know, absolutely thrilled to see how 798 00:44:10,360 --> 00:44:12,879 Speaker 2: the Justice League will come together, Like, I think that's 799 00:44:12,920 --> 00:44:14,720 Speaker 2: gonna be really cool. 800 00:44:15,160 --> 00:44:18,839 Speaker 3: I'm really excited, ironically because this was I'm not a lot. 801 00:44:18,920 --> 00:44:21,080 Speaker 3: I wasn't as much of a peace Maker season one 802 00:44:21,080 --> 00:44:23,319 Speaker 3: fan as everyone else, though it's a great show. I 803 00:44:23,480 --> 00:44:27,560 Speaker 3: just wanted to explore different, shocking, shocking, peace Maker shocking me, 804 00:44:27,600 --> 00:44:30,279 Speaker 3: peace make it to I know peace Maker cameo very fun, 805 00:44:30,480 --> 00:44:32,160 Speaker 3: but I I did. 806 00:44:32,280 --> 00:44:35,120 Speaker 1: I loved James Gunn's The Suicide Squad. 807 00:44:35,200 --> 00:44:38,360 Speaker 3: I still think this and Superman and that are probably 808 00:44:38,440 --> 00:44:41,040 Speaker 3: equal for me on my fave James gun movies now. 809 00:44:41,320 --> 00:44:44,080 Speaker 1: But I am interested. 810 00:44:43,600 --> 00:44:46,040 Speaker 3: To see peace Maker season two because I want to 811 00:44:46,080 --> 00:44:48,399 Speaker 3: stay in this world and I think that we are 812 00:44:48,440 --> 00:44:50,879 Speaker 3: going to get more of this world, more of these 813 00:44:50,880 --> 00:44:54,200 Speaker 3: connections in that second season, and I think that is 814 00:44:54,239 --> 00:44:57,080 Speaker 3: going to broaden what peace Maker can do. And I 815 00:44:57,120 --> 00:45:01,200 Speaker 3: also just think that the amount of trust that DC 816 00:45:01,600 --> 00:45:06,480 Speaker 3: has with James Gunn and Peter Saffran and this team 817 00:45:06,960 --> 00:45:11,600 Speaker 3: is so immense, Like people organically freaked out when they 818 00:45:11,640 --> 00:45:14,480 Speaker 3: saw Peacemaker in this movie in a way I have 819 00:45:14,480 --> 00:45:17,960 Speaker 3: any for a long time, same with super Girl, like 820 00:45:18,000 --> 00:45:21,080 Speaker 3: when they were like your cousins here. And I haven't 821 00:45:21,239 --> 00:45:24,960 Speaker 3: been in a movie screen probably since like Multiverse of 822 00:45:25,040 --> 00:45:27,440 Speaker 3: Madness where it really felt like people were kind of 823 00:45:27,440 --> 00:45:29,360 Speaker 3: getting these like, oh wow moments. 824 00:45:29,680 --> 00:45:31,440 Speaker 1: So I'm excited to see that expand. 825 00:45:31,880 --> 00:45:33,920 Speaker 3: And I'm excited to do a round table with our 826 00:45:33,960 --> 00:45:37,200 Speaker 3: producers because I'm sure everyone's got some hilarious takes. 827 00:45:37,640 --> 00:45:40,279 Speaker 2: Before we go to Joel's interview with James Gunn, I 828 00:45:40,320 --> 00:45:42,799 Speaker 2: want to leave us with this thought that I had 829 00:45:43,200 --> 00:45:46,960 Speaker 2: Cleaves Thornway played by Michael Ian Black the kind of 830 00:45:47,080 --> 00:45:51,280 Speaker 2: I guess Fox Newsish host of the Sphere talk show 831 00:45:51,360 --> 00:45:54,480 Speaker 2: cable news program The Interviews Lex, The Interviews Peacemaker and 832 00:45:54,520 --> 00:45:59,160 Speaker 2: various other people. Okay, are you able to discern like 833 00:45:59,239 --> 00:46:02,880 Speaker 2: what his what his broadcast schedule is, because it appears 834 00:46:02,960 --> 00:46:05,960 Speaker 2: like his show is just on at all hours of 835 00:46:06,000 --> 00:46:09,000 Speaker 2: the day and night, like he might do twelve hours 836 00:46:09,560 --> 00:46:10,759 Speaker 2: twelve hour broadcasts. 837 00:46:10,880 --> 00:46:13,320 Speaker 1: Dude, it's every time they cut to the TV. 838 00:46:14,080 --> 00:46:17,560 Speaker 2: Every time he's on like talking to somebody. It's like 839 00:46:17,680 --> 00:46:20,080 Speaker 2: one daytime nighttime. 840 00:46:19,760 --> 00:46:22,920 Speaker 3: Kind of like how it was when Tucker Carlson was 841 00:46:22,960 --> 00:46:25,840 Speaker 3: always online, where it's just like it doesn't matter whether 842 00:46:25,880 --> 00:46:27,520 Speaker 3: it's new or whether it's live. 843 00:46:27,800 --> 00:46:28,960 Speaker 1: He was just always there. 844 00:46:29,239 --> 00:46:31,719 Speaker 3: He's matters really how they feel with this, It's like 845 00:46:31,960 --> 00:46:32,760 Speaker 3: it doesn't matter. 846 00:46:32,800 --> 00:46:33,920 Speaker 1: He's got a take on it. 847 00:46:34,120 --> 00:46:38,200 Speaker 3: And his line reads were so good, like the way 848 00:46:38,239 --> 00:46:41,080 Speaker 3: that everyone just died when he was Like we had 849 00:46:41,239 --> 00:46:44,399 Speaker 3: Lex Luthor on this show many times, but little did 850 00:46:44,440 --> 00:46:47,719 Speaker 3: we know he was a traitor, and everyone in the cinema. 851 00:46:47,560 --> 00:46:49,959 Speaker 1: Was just like fucking screaming with laugh. That's so fun. 852 00:46:51,000 --> 00:46:53,839 Speaker 2: Okay, we're gonna go to a quick break and when 853 00:46:53,880 --> 00:46:59,120 Speaker 2: we come back, our interview with Superman and Lewis themselves. 854 00:46:59,280 --> 00:47:01,400 Speaker 2: Davie Laurence and Rachel Project. 855 00:47:18,640 --> 00:47:19,799 Speaker 1: Thank you guys so much for being here. 856 00:47:19,800 --> 00:47:22,320 Speaker 5: I'm so excited to talk to you guys. I loved 857 00:47:22,440 --> 00:47:25,520 Speaker 5: this movie, like in a way I was not prepared 858 00:47:25,560 --> 00:47:28,279 Speaker 5: for at all, and I think both of your performances 859 00:47:28,280 --> 00:47:30,680 Speaker 5: had so much to do with that. You know, I 860 00:47:30,719 --> 00:47:33,759 Speaker 5: know this is your first like at this level of 861 00:47:33,800 --> 00:47:36,560 Speaker 5: genormous franchise that you guys have done, How are you 862 00:47:36,560 --> 00:47:39,399 Speaker 5: guys able to help each other as co stars get 863 00:47:39,440 --> 00:47:40,600 Speaker 5: through this process. 864 00:47:40,960 --> 00:47:42,719 Speaker 6: That I'm so glad you brought that up, because when 865 00:47:42,719 --> 00:47:45,000 Speaker 6: I think about the beginning of the process, especially sort 866 00:47:45,040 --> 00:47:48,520 Speaker 6: of before we had gotten into pre production costume fittings 867 00:47:48,520 --> 00:47:53,759 Speaker 6: and all that, my first grounding presence was Rachel and 868 00:47:53,800 --> 00:47:56,080 Speaker 6: we had a we not only in the screen test, 869 00:47:56,120 --> 00:47:58,120 Speaker 6: which wasn't so grounding because it was so quick and 870 00:47:58,160 --> 00:48:00,759 Speaker 6: we didn't know where we were, but once we once 871 00:48:00,800 --> 00:48:03,960 Speaker 6: we had the roles and and we we got breakfast 872 00:48:03,960 --> 00:48:05,480 Speaker 6: in New York, and it was supposed to be sort 873 00:48:05,480 --> 00:48:08,440 Speaker 6: of a you know, a uh, you know, get to 874 00:48:08,480 --> 00:48:10,799 Speaker 6: know each other, and we had set aside, you know, 875 00:48:10,880 --> 00:48:12,759 Speaker 6: breakfast is about an hour, but we ended up talking 876 00:48:12,760 --> 00:48:15,920 Speaker 6: for about three hours, wow, and just losing track of 877 00:48:15,960 --> 00:48:20,000 Speaker 6: time and how many breakfasts I had ordered so many? 878 00:48:20,560 --> 00:48:23,080 Speaker 6: And and we talked a little bit. We talked a 879 00:48:23,080 --> 00:48:25,759 Speaker 6: lot about the film and what we were getting ready for, 880 00:48:25,800 --> 00:48:29,560 Speaker 6: but we also just talked about Rachel's had some experience 881 00:48:29,600 --> 00:48:31,520 Speaker 6: with a with a project that has a lot of 882 00:48:31,560 --> 00:48:34,640 Speaker 6: attention and has great fans, and so I was asking 883 00:48:34,640 --> 00:48:37,080 Speaker 6: her some questions about maybe you know, her experience there 884 00:48:37,120 --> 00:48:40,160 Speaker 6: and what we might have to expect, and that has 885 00:48:40,200 --> 00:48:44,320 Speaker 6: carried through to this moment where she's my rock and these. 886 00:48:44,080 --> 00:48:45,800 Speaker 4: Interviews emotional support animal. 887 00:48:45,920 --> 00:48:49,240 Speaker 6: Well, I said Nick was my emotional support actor Kimmel, 888 00:48:49,320 --> 00:48:50,920 Speaker 6: so we got to count with something else. 889 00:48:50,960 --> 00:48:53,160 Speaker 4: Sorry, I didn't see your interview that you did with Nick. 890 00:48:53,520 --> 00:48:56,320 Speaker 4: I don't care about him at all. 891 00:48:56,480 --> 00:48:57,760 Speaker 5: It was very interview. 892 00:48:59,080 --> 00:49:00,840 Speaker 1: Yeah, no, we we it's been. 893 00:49:02,760 --> 00:49:05,960 Speaker 4: This is beyond anything that either of us has experienced, 894 00:49:05,960 --> 00:49:08,560 Speaker 4: and it's just been I know. I keep turning to 895 00:49:08,560 --> 00:49:10,120 Speaker 4: you at so many of these premieres and being like, 896 00:49:10,200 --> 00:49:13,400 Speaker 4: are you seeing this, because it's just it's been the 897 00:49:13,440 --> 00:49:17,920 Speaker 4: warmest welcome and we feel so lucky. I feel so 898 00:49:18,120 --> 00:49:20,760 Speaker 4: lucky to be a part of this cast, but also 899 00:49:21,000 --> 00:49:23,319 Speaker 4: to have you as a we'll come up with another name, 900 00:49:24,600 --> 00:49:26,399 Speaker 4: as sort of a grounding force and all this. David 901 00:49:26,440 --> 00:49:31,320 Speaker 4: has this remarkable ability to stand with both feet planted 902 00:49:31,360 --> 00:49:33,680 Speaker 4: firmly on the ground and shut out all the noise, 903 00:49:33,760 --> 00:49:36,239 Speaker 4: and it's I think that's the only way to do 904 00:49:36,280 --> 00:49:39,399 Speaker 4: something like this, and then to be able to be 905 00:49:39,840 --> 00:49:43,200 Speaker 4: in situations like this one on one and hear and 906 00:49:43,239 --> 00:49:46,160 Speaker 4: really experience people who have enjoyed this film. 907 00:49:46,320 --> 00:49:48,840 Speaker 5: I love that your friendship really resonates throughout the film. 908 00:49:49,120 --> 00:49:52,239 Speaker 6: Oh we're not friends, We're just coworkers. 909 00:49:52,440 --> 00:49:54,040 Speaker 4: We're just here for each other, but we need to 910 00:49:54,080 --> 00:49:54,760 Speaker 4: be a breaks. 911 00:49:54,840 --> 00:49:55,319 Speaker 3: I love it. 912 00:49:56,200 --> 00:49:58,440 Speaker 5: And I've heard Nick talk about how the cape was 913 00:49:58,480 --> 00:50:01,680 Speaker 5: such a big part of like transforming into Superman and 914 00:50:01,719 --> 00:50:05,319 Speaker 5: the way oh and everything, uh dvid And so I 915 00:50:05,360 --> 00:50:07,680 Speaker 5: wanted to ask you, is there a part of the 916 00:50:07,760 --> 00:50:10,120 Speaker 5: Lowis Lane costume that helped you feel like you were 917 00:50:10,120 --> 00:50:12,600 Speaker 5: really stepping into her? 918 00:50:14,200 --> 00:50:15,360 Speaker 4: It was the necklace. 919 00:50:15,560 --> 00:50:15,840 Speaker 1: For me. 920 00:50:16,400 --> 00:50:20,200 Speaker 4: Nobody's nobody's really asked that before. So thank you. 921 00:50:20,200 --> 00:50:21,120 Speaker 6: You're wearing a necklace. 922 00:50:21,200 --> 00:50:24,600 Speaker 4: It was not my necklace. Never took it off. There's 923 00:50:24,640 --> 00:50:28,040 Speaker 4: a necklace that Lois wears and the costume designer, Judiana, 924 00:50:28,080 --> 00:50:30,560 Speaker 4: and I spent quite a bit of time picking out 925 00:50:30,600 --> 00:50:35,080 Speaker 4: what was on it, and I'm keeping that to myself. 926 00:50:35,120 --> 00:50:37,800 Speaker 4: But for me, the necklace kind of pulled it all together. 927 00:50:37,960 --> 00:50:40,239 Speaker 5: I have to really pay more attention the next time 928 00:50:40,280 --> 00:50:42,799 Speaker 5: I watched this a really fun detail. I think this 929 00:50:42,840 --> 00:50:44,680 Speaker 5: movie has the potential to become like one of the 930 00:50:44,840 --> 00:50:49,239 Speaker 5: iconic Superman movies of the history of Superman. And I 931 00:50:49,280 --> 00:50:50,480 Speaker 5: was wondering if you guys could tell me what you 932 00:50:50,480 --> 00:50:53,600 Speaker 5: think about each other's performances, will most stand out? Like, 933 00:50:53,640 --> 00:50:55,040 Speaker 5: what's most iconic about. 934 00:50:54,800 --> 00:50:55,160 Speaker 3: What you thought? 935 00:50:55,400 --> 00:50:57,280 Speaker 6: Well, we have a great out for this question because 936 00:50:57,280 --> 00:51:01,360 Speaker 6: we haven't seen the film, have seen the premiere, because 937 00:51:01,440 --> 00:51:05,520 Speaker 6: we want that full experience with the crowd at the 938 00:51:05,520 --> 00:51:06,440 Speaker 6: premiere in La. 939 00:51:07,360 --> 00:51:09,680 Speaker 4: Me and Nick and David are going to hold hands 940 00:51:09,719 --> 00:51:12,960 Speaker 4: and squeeze each other's little FINGI and exciting things happen 941 00:51:13,000 --> 00:51:13,520 Speaker 4: on screen. 942 00:51:15,040 --> 00:51:17,680 Speaker 6: I think what stands out about Rachel in what I 943 00:51:17,719 --> 00:51:20,200 Speaker 6: have seen of her performance, which is most of it 944 00:51:20,239 --> 00:51:26,440 Speaker 6: in person, is her the way she balances a severe 945 00:51:26,600 --> 00:51:30,920 Speaker 6: and intimidating intensity for the work, both as an actress 946 00:51:30,960 --> 00:51:34,760 Speaker 6: and as Lois Lane for her work, and the warmth 947 00:51:34,960 --> 00:51:38,320 Speaker 6: that radiates underneath that I think keeps Superman in the 948 00:51:38,400 --> 00:51:40,400 Speaker 6: room maybe a little longer than he should stay in 949 00:51:40,400 --> 00:51:45,040 Speaker 6: the room, and keeps David the actor feeling supported and 950 00:51:45,080 --> 00:51:47,359 Speaker 6: taken care of and excited to keep coming to work 951 00:51:47,400 --> 00:51:47,799 Speaker 6: every day. 952 00:51:49,480 --> 00:51:53,879 Speaker 4: I think it's the this is obviously you know, he's 953 00:51:53,880 --> 00:51:57,000 Speaker 4: an alien. Superman is an alien who is curious. 954 00:51:56,560 --> 00:51:58,440 Speaker 6: About Superman's an alien. 955 00:51:58,600 --> 00:52:01,000 Speaker 4: Superman is an alien who's and David is a little 956 00:52:01,040 --> 00:52:05,200 Speaker 4: bit of an alien, but he's curious about and has 957 00:52:05,239 --> 00:52:11,479 Speaker 4: this great love for humanity. And watching David be able 958 00:52:11,560 --> 00:52:15,000 Speaker 4: to stay so honest and at the same time show 959 00:52:15,239 --> 00:52:18,120 Speaker 4: all these different colors of him, which which many of 960 00:52:18,120 --> 00:52:20,399 Speaker 4: which I don't think have been shown before. To find 961 00:52:20,400 --> 00:52:24,120 Speaker 4: the humor but from the most grounded place, it all 962 00:52:24,160 --> 00:52:27,520 Speaker 4: felt rooted in this core belief system, this kind of 963 00:52:27,640 --> 00:52:32,680 Speaker 4: third character that David so beautifully crafted, This Clark who 964 00:52:32,800 --> 00:52:36,040 Speaker 4: was raised on the farm by man Pa Kent, for 965 00:52:36,120 --> 00:52:39,400 Speaker 4: whom both Superman and Clark Kent at the Daily Planet 966 00:52:39,800 --> 00:52:45,040 Speaker 4: are characters in a way. Watching that third character come 967 00:52:45,120 --> 00:52:47,719 Speaker 4: to life was really spectacular. 968 00:52:47,760 --> 00:52:50,360 Speaker 5: And I can't answer my questions which is Superman or Clark? 969 00:52:50,400 --> 00:52:52,240 Speaker 5: And I love third character. That's perfect. 970 00:52:52,280 --> 00:52:57,200 Speaker 6: Thank you questions, really appreciate them. 971 00:52:57,440 --> 00:52:59,560 Speaker 2: On the next episode of X ray Vision, we're diving 972 00:52:59,600 --> 00:53:02,640 Speaker 2: into new that's a new episode. Thanks for listening. 973 00:53:03,040 --> 00:53:06,279 Speaker 1: Bye. 974 00:53:09,160 --> 00:53:11,360 Speaker 2: X ray Vision is hosted by Jason steps Young and 975 00:53:11,520 --> 00:53:14,240 Speaker 2: Rosie Knight and is a production of iHeart Podcasts. 976 00:53:14,280 --> 00:53:17,320 Speaker 3: Our executive producers are Joel Monique. 977 00:53:16,920 --> 00:53:17,880 Speaker 1: And Aaron Kaufman. 978 00:53:18,080 --> 00:53:20,120 Speaker 2: Our supervising producer is Abu Zafar. 979 00:53:20,520 --> 00:53:24,479 Speaker 3: Our producers are Common, Laurent Dean Jonathan, and Bay Wax. 980 00:53:24,600 --> 00:53:27,359 Speaker 2: Our theme song is by Brian Vasquez, with alternate theme 981 00:53:27,440 --> 00:53:28,680 Speaker 2: songs by Aaron Kaufman. 982 00:53:28,880 --> 00:53:32,239 Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and 983 00:53:32,320 --> 00:53:34,120 Speaker 3: Heidi our discord moderator,