WEBVTT - CZM Book Club: "The Stolen Bacillus" by HG Wells

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<v Speaker 1>Cool Zone Media.

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<v Speaker 2>Book Club book Club book Club. Hello, and welcome to

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<v Speaker 2>cool Z Owned Media book Club, the only book club

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<v Speaker 2>where I do the reading for you. Maybe there's other

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<v Speaker 2>book clubs where other people do the reading for you,

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<v Speaker 2>but this is the only one where I'm going to

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<v Speaker 2>do it. The I in the aforementioned I is me

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<v Speaker 2>Marta Kiljoy. I am a fiction writer, and I also

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<v Speaker 2>read you fiction stories every Sunday. So we talk sometimes

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<v Speaker 2>on this show about how certain stories are of interest,

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<v Speaker 2>in particular because of how they shine a light on

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<v Speaker 2>the past by showing how at least one author perceived

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<v Speaker 2>the world around them and various social issues all while

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<v Speaker 2>telling a good tale. Plot is the engine that drives

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<v Speaker 2>the story forward and keeps the reader engaged. Another thing

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<v Speaker 2>we talk about even more often on both It Could

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<v Speaker 2>Happen Here and Cool People Did Cool Stuff is the

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<v Speaker 2>history of the labor movement, and in particular the history

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<v Speaker 2>of the anarchist labor movement. We do that because we're

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<v Speaker 2>drawn to do so, but also because well, anarchism is

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<v Speaker 2>one of the most maligned political ideologies in history, which

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<v Speaker 2>is impressive because pretty much all the other major political

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<v Speaker 2>ideologies around in the twentieth century managed some rather impressive

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<v Speaker 2>feats of mass death, oppression, and general fuckery. Usually though

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<v Speaker 2>those ideologies killed mostly but not exclusively, poor people on

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<v Speaker 2>colonized subjects. The anarchists they killed a few kings and

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<v Speaker 2>politicians and cops, and suddenly everyone was freaked out. I

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<v Speaker 2>am fascinated by the Anarchists Scare. The first Red scare

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<v Speaker 2>in the US around the end of World War One

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<v Speaker 2>targeted anarchists, primarily because anarchism, before the Bolshevik victory in

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<v Speaker 2>the Russian Civil War was pretty much the biggest name

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<v Speaker 2>in town for the revolutionary left in a lot of countries,

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<v Speaker 2>not everywhere, but a lot of places. I make it

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<v Speaker 2>a hobby of reading anti anarchist fiction because there's an

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<v Speaker 2>awful lot of it from around the turn of the century,

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<v Speaker 2>and I think it's fun, honestly. Sometimes it was written

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<v Speaker 2>by some of the best writers of the era. G. K. Chesterton,

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<v Speaker 2>Joseph Conrad, and H. G. Wells have all made boogeymen

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<v Speaker 2>of anarchists. We were pulp novel villains, wild eyed, crazy zealots,

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<v Speaker 2>and terrorists who sometimes had class politics and sometimes didn't.

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<v Speaker 2>Probably the best modern comparison is how the Western media

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<v Speaker 2>often presents Muslims today, or especially did during the height

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<v Speaker 2>of the global War on Terror. Today's story is one

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<v Speaker 2>of these stories about anarchist boogeyman. It's by an author

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<v Speaker 2>I generally think rather highly of. HG. Wells. He's got

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<v Speaker 2>a ton of famous books. You might have heard of

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<v Speaker 2>The Island of Doctor Moreau, The Invisible Man, The War

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<v Speaker 2>of the Worlds. He's known as the father of science fiction.

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<v Speaker 2>He was a scientist trained in biology. He was also

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<v Speaker 2>quite openly a socialist. He was part of the Fabian Society,

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<v Speaker 2>which one day I'll cover in more detail. Actually a

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<v Speaker 2>lot of the old science fiction writers were part of

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<v Speaker 2>the Fabian Society. It's kind of interesting to me.

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<v Speaker 1>H G.

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<v Speaker 2>Wells's book The Time Machine is a simple parable about

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<v Speaker 2>how have class divisions continue to deep and humanity will

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<v Speaker 2>become two separate species. It's also where the word time

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<v Speaker 2>machine comes from. Plus I think he coined the word

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<v Speaker 2>atomic bomb by prophesizing them in nineteen fourteen. He was

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<v Speaker 2>raised middle class in England and was apprenticed out as

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<v Speaker 2>a draper, which is a cloth merchant basically, and then

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<v Speaker 2>soon just became a wildly prolific writer. The story We're

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<v Speaker 2>going to Read is the title story of his first

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<v Speaker 2>book of short stories, and frankly it doesn't represent his

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<v Speaker 2>mature opinion on just about anything. This is very like

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<v Speaker 2>his first book, kind of energy, not just in terms

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<v Speaker 2>of fiction, but especially in terms of his political thought.

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<v Speaker 2>Which isn't to say that he becomes an anarchist, but

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<v Speaker 2>he later actually comes kind of close. While still working

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<v Speaker 2>with some of the major power players of the world.

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<v Speaker 2>He would go on to correspond with and influence both

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<v Speaker 2>Winston Churchill and Joseph Stalin. At one point he went

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<v Speaker 2>to the USSR to interview Stalin to try and convince him,

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<v Speaker 2>basically to stop being such a dick, which obviously didn't work. H. G.

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<v Speaker 2>Wells's nineteen forty The Rights of Man was the inspiration

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<v Speaker 2>for the UN's Universal Declaration of Human Rights, which was

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<v Speaker 2>adopted in nineteen forty eight after Welles's death. Like all

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<v Speaker 2>actual socialists, H. G. Wells agreed with the anarchist vision

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<v Speaker 2>for the future, stateless and cooperative. He just disagreed with

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<v Speaker 2>the methods by which to reach it. In his book

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<v Speaker 2>New Worlds for Old, he wrote, the anarchist world, I

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<v Speaker 2>admit is our dream. Socialism is the preparation for that

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<v Speaker 2>higher anarchism. Painfully, laboriously, we mean to destroy false ideas

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<v Speaker 2>of property and self, eliminate unjust laws and poisonous and

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<v Speaker 2>hateful suggestions and prejudices, create a system of social right

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<v Speaker 2>dealing and a tradition of right feeling and action. Socialism

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<v Speaker 2>is the school room of true and noble anarchism, wherein

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<v Speaker 2>by training and restraint, we shall make free men. That was,

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<v Speaker 2>of course, fifteen or so years after he wrote this

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<v Speaker 2>anarchist terrorist boogeyman's story, which i'll read to you now,

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<v Speaker 2>The Stolen Bacillus by H. G. Wells. This again, said

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<v Speaker 2>the bacteriologist, slipping a glass slide under the microscope is

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<v Speaker 2>a preparation of the celebrated bacillis of cholera, the cholera germ.

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<v Speaker 2>The pale faced man peered down the microscope. He was

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<v Speaker 2>evidently not accustomed to that kind of thing, and held

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<v Speaker 2>a limp white hand over his disengaged eye. I see

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<v Speaker 2>very little, he said, Touch this screw, said the bacteriologist.

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<v Speaker 2>Perhaps the microscope is out of focus for you eyes

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<v Speaker 2>very so much. Just a fraction of a turn this

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<v Speaker 2>way or that. Ah, Now I see, said the visitor,

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<v Speaker 2>not so very much to see, after all, little streaks

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<v Speaker 2>and shreds of pink. Yet those little particles, those mere autonomies,

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<v Speaker 2>might multiply and devastate a city. Wonderful. He stood up, and,

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<v Speaker 2>releasing the glass slip from the microscope, held it in

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<v Speaker 2>his hands towards the window. Scarcely visible, he said, Scrutinizing

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<v Speaker 2>the preparation, he hesitated, are these alive? Are they dangerous? Now?

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<v Speaker 2>Those have been stained and killed, said the bacteriologist. I wish,

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<v Speaker 2>for my own part, we could kill and stain every

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<v Speaker 2>one of them in the universe. I suppose. The pale

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<v Speaker 2>man said, with a slight smile, that you scarcely care

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<v Speaker 2>to have such things about you in the living, in

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<v Speaker 2>the active state. On the contrary, we are obliged to,

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<v Speaker 2>said the bacteriologist. Here, for instance, he walked across the

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<v Speaker 2>room and took up one of several sealed tubes. Here

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<v Speaker 2>is the living thing. This is the cultivation of the

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<v Speaker 2>actual living disease bacteria, he hesitated, bottled cholera, so to speak.

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<v Speaker 2>Also obliged is me? I am obliged to cut to

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<v Speaker 2>ads and we're back. A slight gleam of satisfaction appeared

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<v Speaker 2>momentarily in the face of the pale man. It's a

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<v Speaker 2>deadly thing to have in your possession, he said, devouring

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<v Speaker 2>the little tube with his eyes. The bacteriologist watched the

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<v Speaker 2>morbid pleasure in his visitor's expression. This man, who had

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<v Speaker 2>visited him that afternoon with a note of introduction from

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<v Speaker 2>an old friend, interested him from the very contrast of

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<v Speaker 2>their dispositions. The lank black hair and deep gray eyes,

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<v Speaker 2>the haggard expression and nervous manner, the fitful yet keen

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<v Speaker 2>interest of his visitor. Where a novel change from the

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<v Speaker 2>phlegmatic deliberations of the ordinary scientific worker with whom the

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<v Speaker 2>bacteriologists chiefly associated. It was perhaps natural with a hearer

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<v Speaker 2>evidently so impressionable to the lethal nature of his topic,

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<v Speaker 2>to take the most effective aspect of the matter. He

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<v Speaker 2>held the tube in his hand thoughtfully, Yes, here is

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<v Speaker 2>the pestilence imprisoned. Only break such a little tube as

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<v Speaker 2>this into a supply of drinking water. Say to these

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<v Speaker 2>minute particles of life that one must needs stain and

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<v Speaker 2>examine with the highest powers of the microscope even to see,

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<v Speaker 2>and that one can neither smell nor taste, Say to them.

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<v Speaker 2>Go forth, increase and multiply and replenish the cisterns, and death, mysterious,

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<v Speaker 2>untraceable death, death, swift and terrible death, full of pain

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<v Speaker 2>and indignity, would be released upon this city, and go

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<v Speaker 2>hither and thither seeking his victims. Here he would take

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<v Speaker 2>the husband from his wife, hear the child from its mother,

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<v Speaker 2>hear the statesman from his duty, and hear the toiler

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<v Speaker 2>from his trouble. He would follow the water mains, creeping

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<v Speaker 2>along streets, picking out and punishing a house here and

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<v Speaker 2>a house there where they did not boil their drinking water,

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<v Speaker 2>Creeping into the wells of the mineral water makers, getting

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<v Speaker 2>washed into salad and line dormant in ices. He would wait,

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<v Speaker 2>ready to be drunk in horse troughs and by unwary

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<v Speaker 2>children in the public fountains. He would soak into the

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<v Speaker 2>soil to reappear in springs and wells at a thousand

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<v Speaker 2>unexpected places. Once start him at the water supply, and

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<v Speaker 2>before we could ring him in and catch him again,

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<v Speaker 2>he would have decimated the metropolis. He stopped abruptly. He

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<v Speaker 2>had been told rhetoric was his weakness. But he is

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<v Speaker 2>quite safe here, you know. Quite safe. The pale faced

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<v Speaker 2>man nodded, his eyes shone. He cleared his throat. These

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<v Speaker 2>anarchist rascals, said, he are fools, blind, fools to use

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<v Speaker 2>bombs when this kind of thing is attainable. I think

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<v Speaker 2>a gentle rap. A mere light of the touch of

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<v Speaker 2>fingernails was heard at the door. The bacteriologist opened it

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<v Speaker 2>just a minute, dear, whispered his wife. When he re

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<v Speaker 2>entered the laboratory, his visitor was looking at his watch.

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<v Speaker 2>I had no idea. I wasted an hour of your time,

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<v Speaker 2>he said, twelve minutes to four. I ought to have

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<v Speaker 2>left here at half past three, but your things were

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<v Speaker 2>really too interesting. No, positively, I cannot stop a moment longer.

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<v Speaker 2>I have an engagement. At four. He passed out of

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<v Speaker 2>the room, reiterating his thanks, and the bacteriologist accompanied him

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<v Speaker 2>to the door. Then returned thoughtfully along the passage to

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<v Speaker 2>his laboratory. He was musing on the ethnology of his visitor.

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<v Speaker 2>Certainly the man was not a Teutonic type, nor a

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<v Speaker 2>common Latin one. A morbid product. Anyhow, I'm afraid, said

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<v Speaker 2>the bacteriologist to himself. How he gloated on those cultivations

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<v Speaker 2>of diseased germs. A disturbing thought struck him. He turned

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<v Speaker 2>to the bench by the vapor bath, and then very

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<v Speaker 2>quickly to his writing table. Then he felt hastily in

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<v Speaker 2>his pockets. Then he rushed to the door. I may

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<v Speaker 2>have put it down on the hall table, he said, Minnie.

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<v Speaker 2>He shouted hoarsely in the hall. Yes, dear, came a

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<v Speaker 2>remote voice. Had I anything in my hand when I

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<v Speaker 2>spoke to you, dear? Just now pause? Nothing, dear, because

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<v Speaker 2>I remember blue ruin, cried the bacteriologist, and incontinently ran

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<v Speaker 2>to the front door and down the steps of his

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<v Speaker 2>house to the street. Minnie, hearing the door slam, violently,

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<v Speaker 2>ran in alarm to the window. Down the street, a

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<v Speaker 2>slender man was getting into a cab. The bacteriologist, hatless

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<v Speaker 2>and in his carpet slippers, was running and gesticulating wildly

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<v Speaker 2>towards this group. One slipper came off, but he did

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<v Speaker 2>not wait for it. He has gone mad, said Minnie.

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<v Speaker 2>It's that horrid science of his, and opening the window

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<v Speaker 2>would have called after him. The slender man, suddenly glancing around,

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<v Speaker 2>seemed struck with the same idea of mental disorder. He

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<v Speaker 2>pointed to the bacteriologist said something to the case cabman.

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<v Speaker 2>The apron of the cab slammed, the whip swished, the

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<v Speaker 2>horse's feet clattered, and in a moment the cab bacteriologist,

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<v Speaker 2>hotly in pursuit, had receded up the vista of the

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<v Speaker 2>roadway and disappeared round the corner. Minnie remained straining out

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<v Speaker 2>the window for a minute. Then she drew her head

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<v Speaker 2>back into the room again. She was dumbfounded. Of course,

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<v Speaker 2>he is eccentric, she meditated. But running about London in

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<v Speaker 2>the height of the season too in his socks. A

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<v Speaker 2>happy thought struck her. She hastily put her bonnet on,

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<v Speaker 2>seized her shoes, went into the hall, took down his

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<v Speaker 2>hat and light overcoat from the pegs, emerged upon the doorstep,

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<v Speaker 2>and hailed a cab that opportunely crawled by. Drive me

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<v Speaker 2>up the road and round Havelock Crescent, and see if

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<v Speaker 2>we can find a gentleman running around in a velveteen

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<v Speaker 2>coat and no hat. Velveteen coat, ma'am. And no, at

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<v Speaker 2>very good, ma'am. And the cabman whipped up at once,

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<v Speaker 2>in the most matter of fact way, as if he

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<v Speaker 2>drove to this address every day of his life, much

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<v Speaker 2>like you can every day of your life participate in

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<v Speaker 2>buying stuff from ads. Here they are, and we're back.

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<v Speaker 2>Some few minutes later, the little group of cabmen and

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<v Speaker 2>loafers that collects around the cabman's shelter at Haverstock Hill

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<v Speaker 2>were startled by the passing of a cab with a

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<v Speaker 2>ginger colored screw of a horse driven furiously. They were

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<v Speaker 2>silent as it went by, then as it receded, that's

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<v Speaker 2>Airy X. What's he got? The writing is written out

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<v Speaker 2>like that, said the stout gentleman known as Old Toodles.

0:13:52.240 --> 0:13:55.120
<v Speaker 2>He's a using his whip. He is to rights, said

0:13:55.160 --> 0:14:00.160
<v Speaker 2>the ostler boy. Hello, said poor old Tommy Biles. There's

0:14:00.160 --> 0:14:05.120
<v Speaker 2>another blooming lunatic blowed. If there ain't it's Old George,

0:14:05.280 --> 0:14:09.080
<v Speaker 2>said Old Toodles. And he's driving a lunatic as you say,

0:14:09.840 --> 0:14:12.880
<v Speaker 2>Ain't he a clawing out the keb Wonder if he's

0:14:12.920 --> 0:14:17.120
<v Speaker 2>after Airy IX. The group round the cabman's shelter became

0:14:17.200 --> 0:14:22.600
<v Speaker 2>animated chorus, Go it, George, it's a race. You'll catch him.

0:14:22.880 --> 0:14:27.040
<v Speaker 2>Whip up. She's a goer, she is, said the ostler boy.

0:14:27.560 --> 0:14:32.720
<v Speaker 2>Strike me giddy, cry on Toodles. Sorry, I fucking can't.

0:14:32.840 --> 0:14:35.400
<v Speaker 2>It's written this way, and I can't do a British accent,

0:14:35.440 --> 0:14:39.320
<v Speaker 2>so I'm just trying to read it the way it's written. Here,

0:14:39.400 --> 0:14:42.080
<v Speaker 2>I'm a going to begin in a minute. Here's another coming.

0:14:42.600 --> 0:14:45.320
<v Speaker 2>If all the kebs in Hampston ain't gone mad this morning.

0:14:46.800 --> 0:14:49.400
<v Speaker 2>It's a field male this time, said the ostler boy.

0:14:49.800 --> 0:14:52.680
<v Speaker 2>She's a following him, said Old Toodles. Usually the other

0:14:52.720 --> 0:14:56.920
<v Speaker 2>way around. What she got in her hand looks like

0:14:57.160 --> 0:15:04.120
<v Speaker 2>I at fuck, what a bloomin lark. It is three

0:15:04.160 --> 0:15:07.320
<v Speaker 2>to one on Old George, said the ostler boy. Next

0:15:08.880 --> 0:15:11.720
<v Speaker 2>many went by in a perfect roar of applause. She

0:15:11.800 --> 0:15:13.600
<v Speaker 2>did not like it, but she felt that she was

0:15:13.600 --> 0:15:17.400
<v Speaker 2>doing her duty, and whirled on down Haverstock Hill and

0:15:17.440 --> 0:15:20.640
<v Speaker 2>Camden Town High Street, with her eyes ever intent on

0:15:20.720 --> 0:15:23.640
<v Speaker 2>the animated back of Old George, who was driving her

0:15:23.720 --> 0:15:28.960
<v Speaker 2>vagrant husband so incomprehensively away from her. The man in

0:15:29.000 --> 0:15:31.920
<v Speaker 2>the foremost cab sat crouched in the corner, his arms

0:15:31.960 --> 0:15:34.680
<v Speaker 2>tightly folded and the little tube that contained such vast

0:15:34.680 --> 0:15:38.480
<v Speaker 2>possibilities of destruction gripped in his hand. His mood was

0:15:38.480 --> 0:15:42.200
<v Speaker 2>a singular mixture of fear and exultation. Chiefly he was

0:15:42.240 --> 0:15:44.720
<v Speaker 2>afraid of being caught before he could accomplish his purpose.

0:15:45.160 --> 0:15:48.080
<v Speaker 2>But behind this was a vaguer but larger fear of

0:15:48.120 --> 0:15:52.040
<v Speaker 2>the awfulness of his crime. But his exultation far exceeded

0:15:52.080 --> 0:15:55.320
<v Speaker 2>his fear. No anarchist before him had ever approached this

0:15:55.400 --> 0:16:00.280
<v Speaker 2>conception of his ravat show valiant. All those distinguished persons

0:16:00.280 --> 0:16:04.320
<v Speaker 2>whose fame he had envied dwindled into significance beside him.

0:16:04.760 --> 0:16:06.800
<v Speaker 2>He had only to make sure of the water supply

0:16:07.200 --> 0:16:10.640
<v Speaker 2>and break the little tube into a reservoir. How brilliantly

0:16:10.720 --> 0:16:14.040
<v Speaker 2>he had planned it, forged the letter of introduction, and

0:16:14.120 --> 0:16:18.120
<v Speaker 2>gotten into the laboratory. How brilliantly he had seized his opportunity.

0:16:18.520 --> 0:16:21.240
<v Speaker 2>The world should hear of him at last. All these

0:16:21.280 --> 0:16:25.080
<v Speaker 2>people had sneered at him, neglected him, preferred other people

0:16:25.120 --> 0:16:28.920
<v Speaker 2>to him, found his company undesirable, should consider him at

0:16:29.000 --> 0:16:33.880
<v Speaker 2>last death, death, death. They had always treated him as

0:16:33.920 --> 0:16:37.000
<v Speaker 2>a man of no importance. All the world had been

0:16:37.000 --> 0:16:40.840
<v Speaker 2>in a conspiracy to keep him under. He would teach them. Yet,

0:16:40.920 --> 0:16:44.080
<v Speaker 2>what it is to isolate a man? What was this

0:16:44.160 --> 0:16:48.200
<v Speaker 2>familiar street, Great Saint Andrew's Street? Of course, how fared

0:16:48.240 --> 0:16:51.960
<v Speaker 2>the chase, he craned out the cab. The bacteriologist was

0:16:52.000 --> 0:16:55.520
<v Speaker 2>scarcely fifty yards behind. That was bad, he would be

0:16:55.560 --> 0:16:58.040
<v Speaker 2>caught and stopped. Yet he felt in his pocket for

0:16:58.160 --> 0:17:01.080
<v Speaker 2>money and found half a sovereign. This he thrust up

0:17:01.120 --> 0:17:03.320
<v Speaker 2>through the trap and the top of the cab into

0:17:03.320 --> 0:17:07.080
<v Speaker 2>the man's face. More, he shouted, if only we get away.

0:17:08.280 --> 0:17:11.440
<v Speaker 2>The money was snatched out of his hand. Right you are,

0:17:11.960 --> 0:17:14.639
<v Speaker 2>said the cabman, and the trap slammed, and the lash

0:17:14.720 --> 0:17:18.440
<v Speaker 2>lay along the glistening side of the horse. The cab swayed,

0:17:18.480 --> 0:17:21.480
<v Speaker 2>and the anarchist, half standing under the trap, with the

0:17:21.520 --> 0:17:24.200
<v Speaker 2>hand containing the little glass tube upon the apron to

0:17:24.240 --> 0:17:28.560
<v Speaker 2>preserve his balance. He felt the brittle thing crack, and

0:17:28.600 --> 0:17:30.879
<v Speaker 2>the broken half of it rang upon the floor of

0:17:30.880 --> 0:17:34.080
<v Speaker 2>the cab. He fell back into the seat with a curse,

0:17:34.440 --> 0:17:37.000
<v Speaker 2>and stared dismally at the two or three drops of

0:17:37.040 --> 0:17:42.399
<v Speaker 2>moisture on the apron. He shuddered, Well, I suppose I

0:17:42.400 --> 0:17:46.080
<v Speaker 2>shall be the first phew. Anyhow, I shall be a martyr.

0:17:46.520 --> 0:17:50.480
<v Speaker 2>That's something. But it is a filthy death. Nevertheless, I

0:17:50.560 --> 0:17:54.919
<v Speaker 2>wonder if it hurts as much as they say. Presently,

0:17:55.000 --> 0:17:57.720
<v Speaker 2>a thought occurred to him He groped between his feet.

0:17:58.200 --> 0:18:01.160
<v Speaker 2>A little drop was still in the broken end the tube,

0:18:01.320 --> 0:18:04.119
<v Speaker 2>and he drank that to make sure. It was better

0:18:04.160 --> 0:18:07.240
<v Speaker 2>to make sure, at any rate he would not fail.

0:18:08.920 --> 0:18:11.080
<v Speaker 2>Then it dawned upon him that there was no further

0:18:11.160 --> 0:18:15.800
<v Speaker 2>need to escape the bacteriologist in Wellington Street. He told

0:18:15.840 --> 0:18:18.879
<v Speaker 2>the cabman to stop and got out. He slipped on

0:18:18.960 --> 0:18:22.760
<v Speaker 2>the step. His head felt queer. It was rapid stuff,

0:18:22.840 --> 0:18:26.720
<v Speaker 2>this cholera poison. He waved his cabman out of existence,

0:18:26.760 --> 0:18:29.199
<v Speaker 2>so to speak, and stood on the pavement with his

0:18:29.320 --> 0:18:33.440
<v Speaker 2>arm folded upon his breast, awaiting the arrival of the bacteriologist.

0:18:34.200 --> 0:18:37.280
<v Speaker 2>There was something tragic in his pose. The sense of

0:18:37.359 --> 0:18:40.719
<v Speaker 2>imminent death gave him a certain dignity. He greeted his

0:18:40.760 --> 0:18:45.240
<v Speaker 2>pursuer with a defiant laugh. Vive la anarchy. You are

0:18:45.240 --> 0:18:48.680
<v Speaker 2>too late, my friend. I have drunk it. The cholera

0:18:49.040 --> 0:18:54.679
<v Speaker 2>is abroad. The bacteriologist from his cab beamed curiously at

0:18:54.760 --> 0:18:58.560
<v Speaker 2>him through his spectacles. You have drunk it, an anarchist,

0:18:58.880 --> 0:19:01.800
<v Speaker 2>I see now. He was about to say something more,

0:19:02.160 --> 0:19:05.080
<v Speaker 2>and then checked himself. A smile hung in the corner

0:19:05.119 --> 0:19:07.800
<v Speaker 2>of his mouth. He opened the apron of his cab

0:19:07.840 --> 0:19:10.919
<v Speaker 2>as if to descend, at which the anarchist waved him

0:19:10.920 --> 0:19:15.560
<v Speaker 2>a dramatic farewell and strode off towards Waterloo Bridge, carefully

0:19:15.640 --> 0:19:19.160
<v Speaker 2>jostling his infected body against as many people as possible.

0:19:20.080 --> 0:19:23.440
<v Speaker 2>The bacteriologist was so preoccupied with the vision of him

0:19:23.440 --> 0:19:26.600
<v Speaker 2>that he scarcely manifested the slightest surprise at the appearance

0:19:26.640 --> 0:19:29.639
<v Speaker 2>of many upon the pavement with his hat and shoes

0:19:29.680 --> 0:19:33.359
<v Speaker 2>and overcoat. Very good of you to bring my things,

0:19:33.400 --> 0:19:36.679
<v Speaker 2>he said, and then remained lost in contemplation of the

0:19:36.720 --> 0:19:40.800
<v Speaker 2>receding figure of the anarchist. You had better get in,

0:19:40.920 --> 0:19:44.639
<v Speaker 2>he said, still staring. Minnie felt absolutely convinced now that

0:19:44.720 --> 0:19:47.320
<v Speaker 2>he was mad, and directed the cabman home on her

0:19:47.359 --> 0:19:52.320
<v Speaker 2>own responsibility. Put on my shoes, certainly, dear, said he,

0:19:52.520 --> 0:19:55.440
<v Speaker 2>as the cab began to turn and hid the strutting

0:19:55.480 --> 0:19:58.639
<v Speaker 2>black figure, now small in the distance, from his eyes.

0:19:59.400 --> 0:20:03.440
<v Speaker 2>Then suddenly something grotesque struck him, and he laughed. Then

0:20:03.480 --> 0:20:08.399
<v Speaker 2>he remarked, it is really very serious, though. You see

0:20:08.840 --> 0:20:11.000
<v Speaker 2>that man came to my house to see me, and

0:20:11.040 --> 0:20:14.240
<v Speaker 2>he is an anarchist. No, don't faint, or I cannot

0:20:14.280 --> 0:20:17.760
<v Speaker 2>possibly tell you the rest. And I wanted to astonish him,

0:20:17.840 --> 0:20:20.679
<v Speaker 2>not knowing he was an anarchist, and I took up

0:20:20.720 --> 0:20:23.439
<v Speaker 2>a cultivation of that new species of bacterium. I was

0:20:23.480 --> 0:20:26.760
<v Speaker 2>telling you of that infest and that I think cause

0:20:27.240 --> 0:20:31.160
<v Speaker 2>the blue patches upon various monkeys, And like a fool,

0:20:31.560 --> 0:20:35.040
<v Speaker 2>I said it was asiatic cholera. And he ran away

0:20:35.080 --> 0:20:37.600
<v Speaker 2>with it to poison the water of London. And he

0:20:37.680 --> 0:20:40.520
<v Speaker 2>certainly might have made things look blue for this civilized city.

0:20:40.960 --> 0:20:43.480
<v Speaker 2>And now he has swallowed it. Of course I cannot

0:20:43.480 --> 0:20:45.679
<v Speaker 2>say what will happen, but you know it turned that

0:20:45.760 --> 0:20:49.119
<v Speaker 2>kitten blue, and the three puppies and patches and the

0:20:49.160 --> 0:20:53.040
<v Speaker 2>sparrow bright blue. But the bother is I shall have

0:20:53.040 --> 0:20:57.320
<v Speaker 2>all the trouble and expense of preparing some more. Put

0:20:57.320 --> 0:21:00.719
<v Speaker 2>on my coat on this hot day? Why because we

0:21:00.800 --> 0:21:04.159
<v Speaker 2>might meet Missus Jabber. My dear Missus Jabber is not

0:21:04.200 --> 0:21:06.639
<v Speaker 2>a draft. But why should I wear a coat on

0:21:06.680 --> 0:21:15.240
<v Speaker 2>a hot day because of missus? Oh? Very well? The end? Okay,

0:21:15.280 --> 0:21:17.639
<v Speaker 2>I like this story because it's so trashy. It's like,

0:21:18.400 --> 0:21:20.879
<v Speaker 2>ahhe Wells is the father of science fiction, and this

0:21:21.000 --> 0:21:26.440
<v Speaker 2>is just like a vaguely racist, shitty, anti anarchist book.

0:21:26.480 --> 0:21:28.199
<v Speaker 2>Like you know, He's like going on to try and

0:21:28.240 --> 0:21:30.919
<v Speaker 2>be like that man who came in. He was like

0:21:30.960 --> 0:21:34.520
<v Speaker 2>the wrong kind of white. You know, he wasn't too tonic,

0:21:35.160 --> 0:21:37.639
<v Speaker 2>he wasn't you know, like he's like trying to play

0:21:38.440 --> 0:21:42.359
<v Speaker 2>what ethnicity is this man, because he's like weird and

0:21:42.400 --> 0:21:46.200
<v Speaker 2>can't be trusted, and he's like tall and lanky and evil,

0:21:46.600 --> 0:21:49.640
<v Speaker 2>and he's also like a total insult right the anarchist

0:21:49.680 --> 0:21:53.040
<v Speaker 2>in this story, he's like everyone treated me wrong and

0:21:53.160 --> 0:21:55.400
<v Speaker 2>I'm going to show them all. And that is not

0:21:55.840 --> 0:21:58.320
<v Speaker 2>that's not the anarchist vibe. I don't believe it was

0:21:58.320 --> 0:22:03.119
<v Speaker 2>the anarchist vibe back then either at all. But you know,

0:22:03.200 --> 0:22:06.840
<v Speaker 2>I mean, the story was written before HG. Wells's serious

0:22:06.880 --> 0:22:10.480
<v Speaker 2>involvement in socialist politics. It was, like I've written, I think,

0:22:10.560 --> 0:22:14.119
<v Speaker 2>right before he joined the Fabian Society, and certainly you know,

0:22:14.200 --> 0:22:16.679
<v Speaker 2>fifteen years before he was talking about how anarchism is

0:22:16.760 --> 0:22:20.359
<v Speaker 2>the goal of every socialist in very explicit terms. I

0:22:20.440 --> 0:22:23.920
<v Speaker 2>wasn't able to find him like reflecting on this story.

0:22:24.560 --> 0:22:27.800
<v Speaker 2>And I'd be really interested if anyone out there knows

0:22:27.840 --> 0:22:30.720
<v Speaker 2>what he thought about this story later, because it's so

0:22:30.960 --> 0:22:34.560
<v Speaker 2>bad it's entertaining. I hope you found it entertaining and

0:22:34.680 --> 0:22:37.040
<v Speaker 2>the little like trick ending at the end like oh,

0:22:37.400 --> 0:22:42.080
<v Speaker 2>just he's gonna turn blue. Well done, well done, HG Wells,

0:22:42.119 --> 0:22:46.159
<v Speaker 2>You weird fucker. Men hate their wives. That is just

0:22:46.200 --> 0:22:49.120
<v Speaker 2>like a thing throughout history. And that is why here

0:22:49.200 --> 0:22:52.159
<v Speaker 2>on this podcast we stand wife guys. And this is

0:22:52.200 --> 0:22:55.520
<v Speaker 2>not a wife guy story. This is all like I'm

0:22:55.560 --> 0:22:59.240
<v Speaker 2>thinking about saving all of London or whatever, and my

0:22:59.359 --> 0:23:03.800
<v Speaker 2>wife is only thinking about me looking weird in front

0:23:03.840 --> 0:23:06.800
<v Speaker 2>of the neighbors, because that's all women think about, even

0:23:06.800 --> 0:23:10.560
<v Speaker 2>though she's like on call for him at all times.

0:23:11.200 --> 0:23:13.919
<v Speaker 2>Ith She Wells did not go on to treat women

0:23:14.040 --> 0:23:18.560
<v Speaker 2>with a He was not known for his fidelity in

0:23:18.600 --> 0:23:22.800
<v Speaker 2>his marriages. Marriage I don't remember. He was with a

0:23:22.800 --> 0:23:24.640
<v Speaker 2>lot of people. I don't remember how many of them

0:23:24.640 --> 0:23:28.359
<v Speaker 2>married him. I reached the point where I'm out of

0:23:28.400 --> 0:23:31.119
<v Speaker 2>things to say. I'll see you next week on another

0:23:31.200 --> 0:23:34.359
<v Speaker 2>episode of Cool Zone Media book Club. And if you

0:23:34.400 --> 0:23:36.800
<v Speaker 2>want more from me about history, you can check out

0:23:36.880 --> 0:23:39.080
<v Speaker 2>cool People who Did Cool stuff. And if you want

0:23:39.160 --> 0:23:43.640
<v Speaker 2>more from not me about dot history, you can check

0:23:43.680 --> 0:23:46.320
<v Speaker 2>out it could happen here. Talk to you all soon.

0:23:47.840 --> 0:23:50.320
<v Speaker 1>It could happen here as a production of Cool Zone Media.

0:23:50.400 --> 0:23:53.080
<v Speaker 1>For more podcasts from cool Zone Media, visit our website

0:23:53.119 --> 0:23:55.359
<v Speaker 1>cool zonemedia dot com, or check us out on the

0:23:55.400 --> 0:23:59.000
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to podcasts

0:23:59.359 --> 0:24:01.919
<v Speaker 1>you can find for it could happen here, Updated monthly

0:24:02.200 --> 0:24:05.600
<v Speaker 1>at coolzonemedia dot com slash sources. Thanks for listening.