WEBVTT - And Just Like That... Give Me Your Questions... 

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know, are

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<v Speaker 1>you a Charlotte? Alrighty, We're gonna just answer some questions

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<v Speaker 1>that came from fans, which is always fun. Thank you

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<v Speaker 1>guys for sending me questions, and let's do it some more. Okay,

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<v Speaker 1>all right, here's the first one. If Charlotte was to

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<v Speaker 1>take her younger self out to coffee, what would you

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<v Speaker 1>say to her younger self? Apparently this is a trend

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<v Speaker 1>on social media, which is kind of funny.

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<v Speaker 2>I like the trend.

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<v Speaker 1>If I were to take younger Charlotte out to coffee,

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<v Speaker 1>I would say, relax, it's all gonna work out. It's

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<v Speaker 1>going to be a bumpy road, but you're tougher than

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<v Speaker 1>you think. That's what I would say to her, and

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<v Speaker 1>probably what I would say to my own self as well,

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<v Speaker 1>and probably what I probably everyone would say that to

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<v Speaker 1>their own younger selves. I don't know, but I think

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<v Speaker 1>that I think that's definitely what I would say to

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<v Speaker 1>younger younger Charlotte, because she's obviously so worried about her

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<v Speaker 1>goals and so focused on her that almost to the

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<v Speaker 1>point where she can't see what's really real in front

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<v Speaker 1>of her, so I would say, focus less on your goals.

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<v Speaker 2>It's all gonna work out. I think that's what I

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<v Speaker 2>would say.

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<v Speaker 1>Okay, my favorite outfit for Charlotte and then for the

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<v Speaker 1>other ladies.

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<v Speaker 2>Okay.

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<v Speaker 1>Very hard to pick favorites. People ask me this very often.

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<v Speaker 1>Everyone knows I love the lipstick skirt. One time I

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<v Speaker 1>did have this Oscar de la Renta dress. It was

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<v Speaker 1>black lace. I believe I wear it in the first movie,

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<v Speaker 1>to Carrie's engagement party or like night before the wedding party.

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<v Speaker 2>That's what it's not engagement party, I don't think, is it.

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<v Speaker 2>I don't know.

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<v Speaker 1>I wear it.

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<v Speaker 2>It's got lace, has got a deep v neck. I

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<v Speaker 2>wish I had that dress.

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<v Speaker 1>It's one of the few things I don't have. Oh

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<v Speaker 1>my god, we gave it back to Oscar dela Reenta.

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<v Speaker 1>It was before Oscar himself passed away. He was such

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<v Speaker 1>a lovely man, and I just wish I had that

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<v Speaker 1>dress because it was one of my all time favorites.

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<v Speaker 1>Though I've loved every Oscar de la Renta dress I've

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<v Speaker 1>ever worn. In terms of the other Ladies favorites, ooh,

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<v Speaker 1>it's tough, but you know, weirdly, yeah, I'm rewatching the

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<v Speaker 1>first season, as you guys know, and the other day,

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<v Speaker 1>Sir Jessica was wearing this.

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<v Speaker 2>Butter yellow dress.

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<v Speaker 1>It's definitely the color of yellow that is very on

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<v Speaker 1>trend right now, and it looks almost like a nurse's uniform.

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<v Speaker 1>It's kind of like a cotton dress. She just has

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<v Speaker 1>a belt with it.

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<v Speaker 2>Her hair is in this very.

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<v Speaker 1>Cool kind of pulled back on the sides curly. It's

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<v Speaker 1>her natural curls. I love this outfit so much. I

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<v Speaker 1>don't remember this outfit. It's very simple for her, but

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<v Speaker 1>I just love it. I mean, she looks good and everything.

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<v Speaker 1>As you guys know, she can make a paper bag

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<v Speaker 1>look good obviously. I mean, there's so many outfits that

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<v Speaker 1>she wears that I love. But sometimes when i'm rewatching,

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<v Speaker 1>I love the really basic, everyday thing she wears because

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<v Speaker 1>she just has a way of making them all look

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<v Speaker 1>amazing and styling them just so.

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<v Speaker 2>And sometimes she messes with her clothes.

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<v Speaker 1>On camera, like she'll fix her collar or she'll kind

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<v Speaker 1>of pull on her shirt.

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<v Speaker 2>And it's super interesting.

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<v Speaker 1>It's not something that I was ever aware of then,

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<v Speaker 1>but it's kind of unusual because as actors were kind

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<v Speaker 1>of somewhat. Possibly the costume people don't want us to

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<v Speaker 1>do that, but it is something that people every day do.

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<v Speaker 1>But it's just like tucking your hair behind your ears,

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<v Speaker 1>and every day people always tuck their hair behind their

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<v Speaker 1>ears if you have long hair, but they don't really

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<v Speaker 1>want you to do this when you're acting because then

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<v Speaker 1>in continuity you have to make sure that you do

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<v Speaker 1>it at the exact same time in the scene that

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<v Speaker 1>you did it before, because you're going to film it

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<v Speaker 1>from a different angle and if your hair doesn't match,

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<v Speaker 1>it's going to mean that it's not editable, right, you

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<v Speaker 1>can't cut it together. So the continuity people get very

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<v Speaker 1>stressed out when you tuck your hair bind your ears,

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<v Speaker 1>but in reality, this is something everybody does. So it's

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<v Speaker 1>one of those really awkward things as an actor where

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<v Speaker 1>you want to do it because this is normal life.

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<v Speaker 1>You're trying to be as normal as you can be,

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<v Speaker 1>but then it causes production problems. So I love her

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<v Speaker 1>in her everyday clothes, and I love when she messes

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<v Speaker 1>with her clothes other outfits for them. Well, listen when

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<v Speaker 1>Kim wears the lingerie and the fur coat when she

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<v Speaker 1>comes to my apartment, I'm still in the first season, right,

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<v Speaker 1>So it's on my mind. It's incredible. And the funny

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<v Speaker 1>thing is that I do tend to think of the

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<v Speaker 1>first season as not really being kind of fully formed

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<v Speaker 1>in terms of our style yet, because we weren't able

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<v Speaker 1>to borrow clothes because no one knew what the show

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<v Speaker 1>was and this I don't know what that coat is.

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<v Speaker 1>I don't know where they got that coat and what

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<v Speaker 1>lingerie she's wearing, but it could not be more incredible

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<v Speaker 1>out there on Fifth Avenue or whatever it's supposed to

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<v Speaker 1>be Central Park West. I think it was actually a

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<v Speaker 1>Fifth Avenue though, But it's so great and powerful and

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<v Speaker 1>you know, I don't use this word lightly, but iconic.

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<v Speaker 2>Let's see for Miranda.

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<v Speaker 1>I don't know that we've come across any like complete

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<v Speaker 1>favorites yet.

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<v Speaker 2>In Miranda's first season, we're.

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<v Speaker 1>Maybe her suit in the beginning and the pilot it's

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<v Speaker 1>gray and she's.

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<v Speaker 2>Got a rebox on. I'm gonna go with that.

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<v Speaker 1>I mean, you know what.

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<v Speaker 2>I really love.

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<v Speaker 1>I love these crazy overalls that are coming that people

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<v Speaker 1>wear on Halloween. Now she's got like overalls and like

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<v Speaker 1>a buffy coat, and I don't know how come she's

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<v Speaker 1>wearing that.

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<v Speaker 2>I don't remember why. I don't know why Pat let

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<v Speaker 2>her wear it. It's really funny. I think she might

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<v Speaker 2>have a baseball cap on.

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<v Speaker 1>I really love those funny, really weird Miranda outfits. But

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<v Speaker 1>I also really love her bride'smaid's dress for Carrie's wedding.

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<v Speaker 1>It's like that beautiful, strong periwinkle blue as a Zach

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<v Speaker 1>Posen dress. If it isn't this so beautifully and looks

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<v Speaker 1>so gorgeous with her hair and her skin is just glowing.

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<v Speaker 1>It's very beautiful dress. Those come to mind, But you know,

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<v Speaker 1>ask me tomorrow and I'll have you a different set

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<v Speaker 1>of answers.

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<v Speaker 2>Okay, can I define the Charlotte aesthetic?

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<v Speaker 1>Yes, yes, sure, the Charlotte aesthetic, which definitely is not

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<v Speaker 1>happening yet in first season so much, I mean a

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<v Speaker 1>little bit, but not a lot. Her look is that

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<v Speaker 1>she likes something that's structured and starchy, like you know,

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<v Speaker 1>Crisp Cottons an a line skirt as time goes on,

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<v Speaker 1>a tighter skirt. Pat, you know, kind of talked me

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<v Speaker 1>into it as time went on. But in the beginning,

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<v Speaker 1>I like Crisp a line skirt, a wide belt, Cinchton

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<v Speaker 1>like if my belt is not Sinchton when I'm working,

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<v Speaker 1>I just don't even feel like I'm Charlotte. Basically, she

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<v Speaker 1>loves white, black red. I'm a winter so Charlotte likes

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<v Speaker 1>winter type colors. Pat and Mollie have always enjoyed putting

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<v Speaker 1>me in like blues, like soft powder blues. I don't

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<v Speaker 1>really love them on myself, to tell you the truth,

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<v Speaker 1>but they're always trying, so I still kind of let

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<v Speaker 1>Molly do it. Love pink obviously, don't even have to

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<v Speaker 1>say that. Charlotte also likes a little bit of whimsy

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<v Speaker 1>in her outfit. So like in the original show, I

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<v Speaker 1>used to have all these cute little Peter Pan type

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<v Speaker 1>collar shirts that were mume I feel like, and they

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<v Speaker 1>had little little like sequence and things sewn on them.

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<v Speaker 2>Obviously, I love Prada, the Proda lipstick skirt.

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<v Speaker 1>Kind of a little bit tongue in cheek, just to

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<v Speaker 1>you know, have some kind of sense of humor about

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<v Speaker 1>her clothes. I guess also really loves wait pearls, which

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<v Speaker 1>sometimes is a problem because also Carrie loves pearls, So

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<v Speaker 1>I have to pick and shoes where I'm gonna wear

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<v Speaker 1>the pearls, But pearls obviously make perfect sense, as Charlotte

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<v Speaker 1>is the you know, Park Avenue girl.

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<v Speaker 2>What else, She's very.

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<v Speaker 1>Into her diamonds, goodness as time goes on. Wow, We've

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<v Speaker 1>got a really incredible set of jewelry from miss Charlotte.

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<v Speaker 1>Sometimes I'm just blown away by her jewels. She loves

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<v Speaker 1>her Cardier watch. She's had some incredible jewelry over the years.

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<v Speaker 1>She's definitely a jewelry girl. And I was gonna see

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<v Speaker 1>something else, but it went out of my mind. But

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<v Speaker 1>you know, she loves her Manolo pump. We've got every

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<v Speaker 1>color of those things. I've been building my collection for

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<v Speaker 1>many years, me and Charlotte also.

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<v Speaker 2>Building the collection of Manolo pumps, Swayed, Patton, regular leather,

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<v Speaker 2>all of them.

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<v Speaker 1>But I think I think I was mostly just gonna

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<v Speaker 1>say there's a little bit of whimsy in Charlotte's look,

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<v Speaker 1>which I think people forget when they think about the structure,

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<v Speaker 1>which is also very true. But I have a lot

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<v Speaker 1>of kind of whimsical, funny little pieces, like I had

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<v Speaker 1>this beautiful bow necklace that was made of diamonds way

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<v Speaker 1>before bows were popular. It's a really good one. I

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<v Speaker 1>think it was possibly dere jewelry I'm not sure, like

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<v Speaker 1>just like like girly things that are just a little

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<v Speaker 1>bit you know, kooky, I guess would be a word.

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<v Speaker 2>Okay, next question, Oh, this is an odd one.

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<v Speaker 1>If Charlotte were to date any of the other lady's men,

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<v Speaker 1>who would it be? Okay, So definitely that would be

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<v Speaker 1>a big no now And one of the only notes

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<v Speaker 1>that I ever remember HBO giving to the show, like

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<v Speaker 1>as a storyline from our read through. We would always

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<v Speaker 1>do a read through where they would come or have

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<v Speaker 1>someone there right to listen. There was this storyline where

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<v Speaker 1>I think it was Miranda and Carrie both like the

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<v Speaker 1>same guy, or one of them dated the guy, and

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<v Speaker 1>then the other one states to guy, but then the

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<v Speaker 1>other one isn't wonder to da guy.

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<v Speaker 2>I can't remember. They argue about a guy and HBO said,

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<v Speaker 2>absolutely not.

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<v Speaker 1>The women will never be arguing over a guy, and

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<v Speaker 1>that was really smart of them, and I'm really glad

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<v Speaker 1>they did it because we've just seen so much of

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<v Speaker 1>that in film and television and it's just kind of

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<v Speaker 1>ig you know, and I don't really feel like it

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<v Speaker 1>happens that much in life, because I think that women

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<v Speaker 1>know not to date people that their other friends have dated,

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<v Speaker 1>you know, so that's one.

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<v Speaker 2>Okay.

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<v Speaker 1>Do I think I could have played any of the

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<v Speaker 1>other characters?

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<v Speaker 2>Definitely? Know, I think I've covered this already.

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<v Speaker 1>They did send it to me for Carrie at one point,

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<v Speaker 1>and I definitely do not ever, ever, ever think in

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<v Speaker 1>my wildest dreams I could to ever pull off Miranda

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<v Speaker 1>or Samantha, and not even Carrie, so only.

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<v Speaker 2>Charlotte for me for sure.

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<v Speaker 1>What is something you wish Charlotte would have gotten the

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<v Speaker 1>chance to do but it didn't happen. Okay, I do

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<v Speaker 1>think I've said this publicly, so I'm going to say

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<v Speaker 1>it again. I hope I don't get in trouble with

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<v Speaker 1>Michael Patrick. But when we were trying to plan the films,

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<v Speaker 1>there were many times that we were trying to plan

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<v Speaker 1>a film and then it didn't happen. And then eventually,

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<v Speaker 1>obviously the two films that you guys have hopefully seen happen.

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<v Speaker 1>But there was going to be a film in Michael

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<v Speaker 1>Patrick's mind where right at the if we had done

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<v Speaker 1>the film immediately after the end of the series and

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<v Speaker 1>Charlotte had adopted Lily with Harry, and Michael planned that Harry,

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<v Speaker 1>no Harry didn't go. Charlotte was going to take Lily

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<v Speaker 1>to China so that she could see where she came from,

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<v Speaker 1>and they were going to have to go into the countryside.

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<v Speaker 1>And Michael had this idea for some reason, and that

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<v Speaker 1>I was going to have to try to get an

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<v Speaker 1>ox across a river.

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<v Speaker 2>In the mud.

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<v Speaker 1>I don't know why he had this idea, but he did,

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<v Speaker 1>and I was like, yeah, let's do it. And then

0:11:11.960 --> 0:11:13.600
<v Speaker 1>I would have to take Charlotte would have to take

0:11:13.600 --> 0:11:17.079
<v Speaker 1>a train back to Beijing or whatever to get her

0:11:17.080 --> 0:11:20.200
<v Speaker 1>flight back, and she would feel seasick on the train

0:11:20.320 --> 0:11:22.600
<v Speaker 1>or you know, like motion sickness, and it would turn

0:11:22.679 --> 0:11:24.760
<v Speaker 1>out that she was pregnant, and that's how she would

0:11:24.760 --> 0:11:27.000
<v Speaker 1>find out that she was pregnant with Rose, who then

0:11:27.000 --> 0:11:28.480
<v Speaker 1>eventually changes into Rock.

0:11:28.800 --> 0:11:31.280
<v Speaker 2>That was how the storyline was going to go down. Now.

0:11:31.360 --> 0:11:34.080
<v Speaker 2>I don't know if he ever asked Newline if we

0:11:34.160 --> 0:11:35.600
<v Speaker 2>could go film in China.

0:11:36.040 --> 0:11:38.640
<v Speaker 1>I have no idea how far he got with the storyline,

0:11:38.720 --> 0:11:41.440
<v Speaker 1>but I did think it was really, really fun and

0:11:41.480 --> 0:11:43.960
<v Speaker 1>I so desperately wanted to do it, and I was

0:11:43.960 --> 0:11:46.200
<v Speaker 1>sad that we didn't get to do it, but we

0:11:46.280 --> 0:11:49.240
<v Speaker 1>got to do other very cool storylines in our movies.

0:11:49.280 --> 0:11:50.280
<v Speaker 2>So it all worked out.

0:11:50.360 --> 0:11:53.360
<v Speaker 1>But in my mind it's almost like I did get

0:11:53.400 --> 0:11:55.199
<v Speaker 1>to do it, or like Charlotte did get to do it,

0:11:55.240 --> 0:11:57.680
<v Speaker 1>because I have a very very vivid image of what

0:11:57.800 --> 0:12:10.880
<v Speaker 1>he described to me. Okay, this is a weird question.

0:12:10.920 --> 0:12:12.440
<v Speaker 1>I'm not gonna be able to answer it, but let's

0:12:12.480 --> 0:12:15.880
<v Speaker 1>talk about it. When and where were you when you

0:12:15.960 --> 0:12:19.040
<v Speaker 1>got the news that the first movie was being made? Okay,

0:12:19.120 --> 0:12:23.480
<v Speaker 1>I have no idea. But the thing about these things

0:12:23.559 --> 0:12:27.400
<v Speaker 1>is that it's never just one call. You know. There's

0:12:27.520 --> 0:12:31.800
<v Speaker 1>always such a process that involves so many people, all

0:12:31.880 --> 0:12:36.920
<v Speaker 1>of our agents, HBO, Slash, new Line, Michael Patrick, Sir Jessica,

0:12:37.480 --> 0:12:42.080
<v Speaker 1>all of the people involved. You know, It's it's never

0:12:42.280 --> 0:12:50.120
<v Speaker 1>just one phone call. It's more like I think, you know, in.

0:12:49.080 --> 0:12:51.600
<v Speaker 2>Some ways, were we on hold.

0:12:51.640 --> 0:12:55.960
<v Speaker 1>I think we were on hold technically speaking for a

0:12:56.000 --> 0:12:59.640
<v Speaker 1>while to do the film, but it was unclear who

0:12:59.720 --> 0:13:01.400
<v Speaker 1>was going to produce the film. I don't think we

0:13:01.440 --> 0:13:06.199
<v Speaker 1>had new Line shored up as like how like which

0:13:06.280 --> 0:13:09.360
<v Speaker 1>part of Warner Brothers would make this film. It wasn't

0:13:09.400 --> 0:13:12.079
<v Speaker 1>really something that was commonly done to take a television

0:13:12.080 --> 0:13:14.880
<v Speaker 1>show and make it into a film. I can't even

0:13:14.880 --> 0:13:16.600
<v Speaker 1>think right now, the other ones they have done it,

0:13:16.600 --> 0:13:18.920
<v Speaker 1>it's not that common. It's kind of a big deal.

0:13:19.120 --> 0:13:21.480
<v Speaker 1>But we were obviously under the Warner Brothers. Bann Er

0:13:21.640 --> 0:13:25.560
<v Speaker 1>HBO was owned by Warner Brothers, and you know Time

0:13:25.600 --> 0:13:28.680
<v Speaker 1>Warner owned Warner Brothers at the time. Now we have

0:13:28.720 --> 0:13:29.400
<v Speaker 1>a different name.

0:13:29.360 --> 0:13:30.640
<v Speaker 2>Discovery.

0:13:31.920 --> 0:13:35.600
<v Speaker 1>Max. I could keep going with the different names, but

0:13:36.160 --> 0:13:38.320
<v Speaker 1>it's never just one call is really what I want

0:13:38.320 --> 0:13:40.680
<v Speaker 1>to say? And so I have absolutely no idea, and

0:13:40.760 --> 0:13:43.200
<v Speaker 1>I think it was probably a series of calls, and

0:13:43.280 --> 0:13:47.120
<v Speaker 1>I think I was probably bothering Michael Patrick. Oh. Also,

0:13:47.120 --> 0:13:50.000
<v Speaker 1>we had script approval, so I think at a certain

0:13:50.040 --> 0:13:53.040
<v Speaker 1>point we would ask Michael Patrick like, how's the script coming?

0:13:53.080 --> 0:13:53.920
<v Speaker 2>How's the script coming?

0:13:54.080 --> 0:13:55.720
<v Speaker 1>You know? And then I would ask my manager like,

0:13:55.880 --> 0:13:57.240
<v Speaker 1>who do you think is going to make this film?

0:13:57.240 --> 0:13:59.200
<v Speaker 1>And if he'll say, oh, I talked to Toby at

0:13:59.280 --> 0:14:01.480
<v Speaker 1>Newline and he's they're going to make it, I say, great,

0:14:01.520 --> 0:14:03.960
<v Speaker 1>we love Toby, And you know, like that, it would

0:14:04.000 --> 0:14:07.600
<v Speaker 1>go on for months, right Like the development of a project,

0:14:07.840 --> 0:14:11.640
<v Speaker 1>any project takes forever, much less a project that's jumping

0:14:11.720 --> 0:14:16.120
<v Speaker 1>from the screens of your actual television in your house

0:14:16.679 --> 0:14:19.360
<v Speaker 1>to the movie theaters in the actual movie theaters, which

0:14:19.440 --> 0:14:21.040
<v Speaker 1>is how it was in two thousand and eight when

0:14:21.040 --> 0:14:24.200
<v Speaker 1>the film came out. So it was a whole long process,

0:14:24.240 --> 0:14:26.760
<v Speaker 1>and I don't remember when I got the call that

0:14:26.920 --> 0:14:30.320
<v Speaker 1>was actually greenlit, but I do remember just being so

0:14:30.560 --> 0:14:35.320
<v Speaker 1>excited when Michael was feeling really positive, had written the script,

0:14:35.400 --> 0:14:38.200
<v Speaker 1>had turned the script in New Land, liked it, we

0:14:38.280 --> 0:14:38.960
<v Speaker 1>got to read it.

0:14:39.000 --> 0:14:39.920
<v Speaker 2>We all liked it.

0:14:40.200 --> 0:14:40.360
<v Speaker 1>You know.

0:14:40.440 --> 0:14:43.520
<v Speaker 2>That was thrilling, But I don't think, I don't know.

0:14:43.440 --> 0:14:47.120
<v Speaker 1>If I really believed it until we got back to

0:14:47.160 --> 0:14:49.120
<v Speaker 1>New York and got all back together and we were

0:14:49.160 --> 0:14:51.640
<v Speaker 1>together on the street, you know, and then it felt

0:14:51.640 --> 0:14:54.400
<v Speaker 1>real and then it was, I mean, beyond exciting, and

0:14:54.440 --> 0:14:57.280
<v Speaker 1>we had this huge crowd of people who'd come to watch,

0:14:57.320 --> 0:14:59.400
<v Speaker 1>and it was so much fun, you know, to be

0:14:59.440 --> 0:15:01.240
<v Speaker 1>there and to get to do it and to get

0:15:01.280 --> 0:15:03.520
<v Speaker 1>to keep going. And of course we're still going now

0:15:03.560 --> 0:15:05.680
<v Speaker 1>within just like that, and we never thought that would happen.

0:15:05.720 --> 0:15:07.640
<v Speaker 1>So it's just one of those times where you have

0:15:07.720 --> 0:15:10.520
<v Speaker 1>this wish, this dream that's going to happen, and you've

0:15:10.560 --> 0:15:12.880
<v Speaker 1>talked to everyone about it and everyone seems to share

0:15:12.920 --> 0:15:15.320
<v Speaker 1>the dream, and you're just hoping it'll come together, and

0:15:15.360 --> 0:15:17.560
<v Speaker 1>then when it does, it's a miracle. Every single time

0:15:17.560 --> 0:15:20.440
<v Speaker 1>it's a miracle. So thank you guys for sending in

0:15:20.520 --> 0:15:24.040
<v Speaker 1>questions and please keep them coming. We'll put up a

0:15:24.080 --> 0:15:26.840
<v Speaker 1>link and ask for questions and please send them in.

0:15:26.920 --> 0:15:29.400
<v Speaker 1>I love to hear what you guys are interested in,

0:15:30.280 --> 0:15:32.440
<v Speaker 1>and we'll try to do another question and answer soon.

0:15:32.600 --> 0:15:38.400
<v Speaker 2>Thanks for listening. Fine