1 00:00:01,760 --> 00:00:04,760 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,720 --> 00:00:11,959 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,760 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,800 --> 00:00:33,199 Speaker 1: a little thing we like to call the after party. 6 00:00:33,479 --> 00:00:35,640 Speaker 1: This is the show after the show, the party after 7 00:00:35,680 --> 00:00:37,200 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,240 --> 00:00:40,360 Speaker 1: episode of Disgraceland to the other, the backyard, to dig 9 00:00:40,440 --> 00:00:43,200 Speaker 1: into the dirt. Our mission here to uncover the truth, 10 00:00:43,240 --> 00:00:46,120 Speaker 1: to confront the myth, and to reclaim the story. On 11 00:00:46,200 --> 00:00:49,040 Speaker 1: this bonus episode, we've got some big news to announce. 12 00:00:49,080 --> 00:00:51,840 Speaker 1: In We're doing a recap on Patti Smith and the 13 00:00:51,880 --> 00:00:54,600 Speaker 1: true crime and Grime at the Chelsea Hotel back in 14 00:00:54,640 --> 00:00:58,680 Speaker 1: the day, previewing next week's episode on Grace Jones. Plus 15 00:00:58,680 --> 00:01:02,000 Speaker 1: we get into your email's comment dms, and as always, 16 00:01:02,040 --> 00:01:04,720 Speaker 1: a whole lot of Rosie. This is the podcast for 17 00:01:04,760 --> 00:01:08,080 Speaker 1: the musically obsessed, the outsiders, and the independent thinkers who 18 00:01:08,120 --> 00:01:11,120 Speaker 1: know that the best history is the history that gets buried. 19 00:01:11,400 --> 00:01:13,920 Speaker 1: Disgraceland is where I tell the stories they didn't want told, 20 00:01:14,120 --> 00:01:16,720 Speaker 1: the kind you'll end up telling someone else, all Right, discos. 21 00:01:17,080 --> 00:01:34,639 Speaker 1: Let's get into it. Happy first week of April discos. Listen, 22 00:01:34,680 --> 00:01:36,479 Speaker 1: I've got some exciting news for you that I've been 23 00:01:36,480 --> 00:01:39,520 Speaker 1: having a hard time keeping quiet about, and I'm gonna 24 00:01:39,520 --> 00:01:43,520 Speaker 1: spill it right here, right now. Disgraceland and Hollywood Land 25 00:01:44,160 --> 00:01:48,480 Speaker 1: are now part of the Exactly Right Network and the 26 00:01:48,520 --> 00:01:53,640 Speaker 1: iHeart Podcast Network. Exactly Right is the production company founded 27 00:01:53,680 --> 00:01:58,600 Speaker 1: by two badasses named Karen Kilgarriff and Georgia Hardstack, who 28 00:01:58,640 --> 00:02:02,360 Speaker 1: the world knows as the wildly successful hosts of the 29 00:02:02,400 --> 00:02:05,720 Speaker 1: My Favorite Murder podcast. I've been friends with Karen and 30 00:02:05,720 --> 00:02:08,960 Speaker 1: Georgia for a while now. They were two of the 31 00:02:09,000 --> 00:02:15,320 Speaker 1: first established podcasters to support Disgraceland. Back in the first 32 00:02:15,360 --> 00:02:19,000 Speaker 1: month of Disgraceland's existence, they talked about the show on 33 00:02:19,080 --> 00:02:22,720 Speaker 1: their podcast on My Favorite Murder. They appeared with me 34 00:02:23,200 --> 00:02:24,839 Speaker 1: a couple years later, about a year and a half 35 00:02:24,919 --> 00:02:28,560 Speaker 1: later at my book signing in Los Angeles. They had 36 00:02:28,560 --> 00:02:30,840 Speaker 1: me guest on an episode of My Favorite Murder a 37 00:02:30,840 --> 00:02:33,200 Speaker 1: couple of years after that, and we always kind of 38 00:02:33,240 --> 00:02:36,919 Speaker 1: felt like we were going to eventually work with each 39 00:02:36,960 --> 00:02:40,920 Speaker 1: other in some way, and now we are. Exactly Right 40 00:02:41,280 --> 00:02:44,880 Speaker 1: is part of the iHeart Podcast Network, so that means 41 00:02:44,880 --> 00:02:48,280 Speaker 1: that Disgraceland is now once again part of iHeart, and 42 00:02:48,320 --> 00:02:50,720 Speaker 1: I could not be happier about that. I had the 43 00:02:50,720 --> 00:02:53,760 Speaker 1: best time working with iHeart previously. The folks over there 44 00:02:54,000 --> 00:02:56,720 Speaker 1: who worked there, they really really know how to support talent. 45 00:02:57,280 --> 00:03:00,720 Speaker 1: So this is a match made in podcasts heaven, as 46 00:03:00,720 --> 00:03:03,160 Speaker 1: somebody said a couple weeks ago. So what does all 47 00:03:03,200 --> 00:03:06,200 Speaker 1: this mean for you guys, the listeners, Well, it means 48 00:03:06,320 --> 00:03:09,400 Speaker 1: that you're with me as always, and now a bunch 49 00:03:09,400 --> 00:03:12,040 Speaker 1: of other potentially new fans of Disgraceland who are going 50 00:03:12,040 --> 00:03:15,000 Speaker 1: to hear about this show now on a regular basis 51 00:03:15,280 --> 00:03:18,280 Speaker 1: from the folks at Exactly Right and iHeart, and we're 52 00:03:18,320 --> 00:03:21,520 Speaker 1: all going hand in hand, full steam ahead into this 53 00:03:21,880 --> 00:03:25,720 Speaker 1: next phase of the show together. The Murder Renos, the 54 00:03:25,720 --> 00:03:27,880 Speaker 1: fans of My Favorite Murder, are some of the most 55 00:03:27,919 --> 00:03:32,280 Speaker 1: passionate podcast and true crime fans on the planet, And 56 00:03:32,480 --> 00:03:35,080 Speaker 1: like Karen and Georgia, I know that they have great 57 00:03:35,080 --> 00:03:37,000 Speaker 1: taste in music. So the ones that I've met have 58 00:03:37,080 --> 00:03:39,760 Speaker 1: told me this, the ones that I've spoken to online 59 00:03:39,800 --> 00:03:42,280 Speaker 1: I can tell so this is really really going to 60 00:03:42,320 --> 00:03:45,560 Speaker 1: be a great partnership. We've got some exciting conversations going 61 00:03:45,600 --> 00:03:48,080 Speaker 1: on about how to grow Disgraceland even bigger than it 62 00:03:48,120 --> 00:03:51,880 Speaker 1: already is, about potential new content, new storytelling. Maybe I'll 63 00:03:51,880 --> 00:03:54,840 Speaker 1: start making some more appearances out there in the world 64 00:03:54,840 --> 00:03:58,240 Speaker 1: this year and on other podcasts. I'm not really sure 65 00:03:58,320 --> 00:04:00,240 Speaker 1: yet what I'm going to be doing, but all I 66 00:04:00,360 --> 00:04:03,400 Speaker 1: know is that it just feels good to once again 67 00:04:03,480 --> 00:04:06,080 Speaker 1: have partners to help myself and the folks over here 68 00:04:06,080 --> 00:04:09,560 Speaker 1: at Double Elvis. And the fact that it's these partners, 69 00:04:09,600 --> 00:04:12,400 Speaker 1: partners who really get the show, partners who really get 70 00:04:12,440 --> 00:04:16,400 Speaker 1: me as a creative person. I am just stoked, okay, 71 00:04:16,440 --> 00:04:18,200 Speaker 1: and I think you guys are going to be stoked 72 00:04:18,200 --> 00:04:20,960 Speaker 1: as well with the results. Now, if for some reason 73 00:04:21,200 --> 00:04:25,120 Speaker 1: you have not heard of or heard my Favorite Murder, 74 00:04:25,800 --> 00:04:29,640 Speaker 1: it's quite literally one of the biggest podcasts on the planet. 75 00:04:30,000 --> 00:04:34,000 Speaker 1: What Karen and Georgia have built with their show and 76 00:04:34,120 --> 00:04:37,840 Speaker 1: now with the Exactly Right network is super impressive. I 77 00:04:37,880 --> 00:04:39,760 Speaker 1: was out at their studio in La a couple of 78 00:04:39,760 --> 00:04:43,200 Speaker 1: weeks ago, and I was blown away by their growing 79 00:04:43,200 --> 00:04:46,280 Speaker 1: empire and also frankly by the folks who work at 80 00:04:46,320 --> 00:04:49,200 Speaker 1: Exactly Right. They couldn't have been cooler or more supportive 81 00:04:49,240 --> 00:04:53,839 Speaker 1: of Disgraceland and Hollywoodland. They're true fans. Same goes for 82 00:04:53,920 --> 00:04:57,200 Speaker 1: the iHeart folks that I ran into in Austin a 83 00:04:57,240 --> 00:05:00,400 Speaker 1: few weeks before that. When I was out in La 84 00:05:00,440 --> 00:05:04,320 Speaker 1: Though at Exactly Right, I sat down to film an 85 00:05:04,320 --> 00:05:07,719 Speaker 1: episode of My Favorite Murder with Karen and Georgia that's 86 00:05:07,800 --> 00:05:12,119 Speaker 1: out today. You can watch that on Netflix right now, 87 00:05:12,880 --> 00:05:15,440 Speaker 1: or listen to it on Apple Podcasts or in the 88 00:05:15,440 --> 00:05:18,920 Speaker 1: iHeartRadio app or wherever you get your podcasts. This interview, though, 89 00:05:18,920 --> 00:05:21,880 Speaker 1: it's going to give you, guys, some insight into our friendship, 90 00:05:22,720 --> 00:05:26,440 Speaker 1: how it's grown over the years, and likely some history 91 00:05:26,440 --> 00:05:29,599 Speaker 1: on Disgraceland that you've never heard before, so check that out. 92 00:05:30,360 --> 00:05:36,960 Speaker 1: Disgraceland has been independent since twenty twenty three, and we've 93 00:05:37,000 --> 00:05:40,520 Speaker 1: had a lot of offers to partner with folks at 94 00:05:40,560 --> 00:05:44,919 Speaker 1: some pretty awesome networks podcast professionals who are making great, 95 00:05:45,040 --> 00:05:48,400 Speaker 1: award winning culture shifting content. But in the end, we 96 00:05:48,480 --> 00:05:51,880 Speaker 1: decided to go with exactly Right in iHeart, mainly because 97 00:05:52,200 --> 00:05:54,239 Speaker 1: of the comfort level that I have with these folks 98 00:05:54,320 --> 00:05:56,480 Speaker 1: as a creator, as a writer, as an artist, as 99 00:05:56,480 --> 00:05:59,960 Speaker 1: a podcaster. Karen Georgia, the folks at Exactly Right Now, 100 00:06:00,080 --> 00:06:04,279 Speaker 1: they really understand the show and the absolute pros overt. 101 00:06:04,320 --> 00:06:07,760 Speaker 1: iHeart totally understand talent and how to give talent the 102 00:06:07,800 --> 00:06:10,800 Speaker 1: right tools to grow. So that's why we made this 103 00:06:10,920 --> 00:06:13,480 Speaker 1: jump when we made it, and you can hear it 104 00:06:13,480 --> 00:06:17,479 Speaker 1: in my voice. I'm stoked, Zeth, Matt, Jamie, everybody here 105 00:06:17,520 --> 00:06:20,640 Speaker 1: at Double Elvis. We're all super excited and you're gonna 106 00:06:20,640 --> 00:06:24,039 Speaker 1: get some of that excitement in the Netflix my favorite 107 00:06:24,120 --> 00:06:26,719 Speaker 1: murder interview that's up on Netflix right now, and also, 108 00:06:26,760 --> 00:06:28,720 Speaker 1: like I said, it's available in audio wherever you get 109 00:06:28,720 --> 00:06:31,600 Speaker 1: your podcasts, so check that out. You know what else 110 00:06:31,680 --> 00:06:35,320 Speaker 1: is available right now? Something else that I'm very excited about, 111 00:06:36,040 --> 00:06:39,039 Speaker 1: something that we've been working very hard on these last 112 00:06:39,120 --> 00:06:41,880 Speaker 1: few weeks, harder than we not to say that we 113 00:06:41,880 --> 00:06:44,400 Speaker 1: don't give every episode our all, but something about this 114 00:06:44,480 --> 00:06:49,279 Speaker 1: Patti Smith story really really pulled us in and it's 115 00:06:49,279 --> 00:06:52,000 Speaker 1: a unique take on her story that you're not going 116 00:06:52,040 --> 00:06:56,160 Speaker 1: to get anywhere else. I'm pretty pretty hyped on the 117 00:06:56,200 --> 00:07:00,640 Speaker 1: production and what Matt put together with the score and 118 00:07:00,680 --> 00:07:03,000 Speaker 1: the audio, and we worked with our old friend Ryan 119 00:07:03,160 --> 00:07:06,479 Speaker 1: on this score as well, and just cannot wait for 120 00:07:06,520 --> 00:07:09,080 Speaker 1: you to hear this Patty Smith episode of Disgraceland. If 121 00:07:09,080 --> 00:07:12,480 Speaker 1: you have not already. Now, if you have heard it, 122 00:07:13,120 --> 00:07:16,679 Speaker 1: you're fully aware of how this is a true crime story. 123 00:07:16,720 --> 00:07:18,320 Speaker 1: But if you haven't, you might be saying to yourself, 124 00:07:18,880 --> 00:07:24,239 Speaker 1: wait a minute, Patty Smith's story is true crime. Patti 125 00:07:24,280 --> 00:07:28,400 Speaker 1: Smith didn't kill anyone. Patty Smith was never busted for 126 00:07:28,520 --> 00:07:35,120 Speaker 1: anything serious. So how is Patti Smith a subject of disgraceland. Well, 127 00:07:36,200 --> 00:07:39,400 Speaker 1: as you'll hear when you listen, or as you might 128 00:07:39,440 --> 00:07:44,680 Speaker 1: have already heard, Patty Smith's story is steeped in true crime. Kidnapping, 129 00:07:45,040 --> 00:07:49,200 Speaker 1: Charles Manson, the Son of Sam chalk outlines of dead 130 00:07:49,240 --> 00:07:54,239 Speaker 1: bodies on the New York streets, blood splattered walls, junkie poets, 131 00:07:54,440 --> 00:07:57,840 Speaker 1: shotgun wielding novelists. This episode has it all, with the 132 00:07:57,840 --> 00:08:00,640 Speaker 1: godmother of punk at the center of it. You're gonna 133 00:08:00,640 --> 00:08:04,400 Speaker 1: dig it, trust me now. Patti Smith's story takes place 134 00:08:04,840 --> 00:08:08,320 Speaker 1: in part at the Chelsea Hotel in the late sixties 135 00:08:08,360 --> 00:08:12,280 Speaker 1: and early seventies, a hotel where a lot of great 136 00:08:12,280 --> 00:08:16,720 Speaker 1: culture was created, a lot of drugs were taken, some 137 00:08:16,760 --> 00:08:20,360 Speaker 1: people died, some people lived to tell about it. And 138 00:08:20,840 --> 00:08:25,200 Speaker 1: because of all this this lore, the Chelsea has been 139 00:08:25,240 --> 00:08:31,600 Speaker 1: depicted in numerous movies, some good, some bad. And Zeth 140 00:08:31,640 --> 00:08:33,680 Speaker 1: and I are going to talk about our favorites in 141 00:08:33,760 --> 00:08:36,359 Speaker 1: the exclusive section of this after party. Go to disgracelandpod 142 00:08:36,400 --> 00:08:38,400 Speaker 1: dot com to sign up to become an all access 143 00:08:38,400 --> 00:08:42,160 Speaker 1: member of Disgraceland to unlock exclusive content like this plus 144 00:08:42,880 --> 00:08:48,200 Speaker 1: ad free listening. Okay, new Patti Smith, that's the episode 145 00:08:48,240 --> 00:08:51,559 Speaker 1: in your feed right now. Rewind episode coming this Sunday. 146 00:08:51,640 --> 00:08:53,800 Speaker 1: Yes again, if you didn't get the message last week, 147 00:08:53,840 --> 00:08:57,400 Speaker 1: Rewinds are now on Sunday. The Rewind episode this week 148 00:08:57,600 --> 00:08:59,880 Speaker 1: right after this after party bonus episode that you are 149 00:09:00,040 --> 00:09:04,080 Speaker 1: listening to our rewind episode, We're dipping back into our 150 00:09:04,240 --> 00:09:07,200 Speaker 1: archive of over two hundred and fifty episodes to bring 151 00:09:07,240 --> 00:09:12,400 Speaker 1: you our Taylor Swift story and the batshit craziness that 152 00:09:12,520 --> 00:09:15,720 Speaker 1: involves her many many stalkers and the links Taylor Swift 153 00:09:15,720 --> 00:09:18,480 Speaker 1: has had to go through to just keep making music 154 00:09:18,600 --> 00:09:21,600 Speaker 1: and you know, keep yourself safe. You're not gonna want 155 00:09:21,600 --> 00:09:24,200 Speaker 1: to miss this if you haven't heard it, and if 156 00:09:24,240 --> 00:09:26,040 Speaker 1: you have heard it, you know it's there for you 157 00:09:26,120 --> 00:09:28,480 Speaker 1: to check out again on new Sunday. Sundays are a good, 158 00:09:28,559 --> 00:09:31,880 Speaker 1: good podcast listening day. They really are got to breakaway. 159 00:09:32,000 --> 00:09:34,200 Speaker 1: I know, I know everyone's got their routines, you know, 160 00:09:34,280 --> 00:09:37,800 Speaker 1: but I'm typically making podcasts during the week. You know, 161 00:09:37,880 --> 00:09:41,280 Speaker 1: I don't have a commute, so I'm i'm I'm listening 162 00:09:41,320 --> 00:09:44,120 Speaker 1: on Sundays. Maybe you're like me. I don't know. Let 163 00:09:44,160 --> 00:09:45,800 Speaker 1: me know. Let me know when you listen to podcasts, 164 00:09:45,800 --> 00:09:48,120 Speaker 1: and how what your podcast listening routine is. I'm curious 165 00:09:48,120 --> 00:09:50,080 Speaker 1: six one seven, nine oh six six sixty three eight 166 00:09:50,160 --> 00:09:53,840 Speaker 1: voicemail antext at Disgrace Lampod on the socials. Hit me 167 00:09:53,920 --> 00:09:56,840 Speaker 1: up in the Patreon chat as well. That's a surefire 168 00:09:56,920 --> 00:10:00,040 Speaker 1: way to get my attention quickly. But back to the 169 00:10:00,040 --> 00:10:02,440 Speaker 1: agenda here, We've got, like I said, Patty Smith, new 170 00:10:02,480 --> 00:10:05,840 Speaker 1: episode right now, Taylor Swift rewind coming up next after 171 00:10:05,880 --> 00:10:08,680 Speaker 1: this bonus after party, and then next week our new 172 00:10:08,720 --> 00:10:12,040 Speaker 1: episode on Grace Jones. And I don't know about you guys, 173 00:10:12,080 --> 00:10:15,679 Speaker 1: but for me, growing up in the eighties and the nineties, 174 00:10:16,320 --> 00:10:18,559 Speaker 1: I was kind of like, who the hell is this person? 175 00:10:18,960 --> 00:10:23,200 Speaker 1: Who is Grace Jones. She's beautiful, she's hot, she's sexy, 176 00:10:23,240 --> 00:10:26,599 Speaker 1: but she's also masculine, you know, but this is weird contrast. 177 00:10:26,920 --> 00:10:29,640 Speaker 1: And she was in the eighties and nineties, more so 178 00:10:29,760 --> 00:10:32,800 Speaker 1: the eighties, she was everywhere, But I was always kind 179 00:10:32,840 --> 00:10:35,240 Speaker 1: of like, what the hell, what does she do? What's 180 00:10:35,280 --> 00:10:38,559 Speaker 1: her thing? Is she a singer? Is she an actor? 181 00:10:38,800 --> 00:10:41,600 Speaker 1: Is she Max Headroom's mistress? Why do I care? Why 182 00:10:41,600 --> 00:10:42,160 Speaker 1: don't I care? 183 00:10:42,240 --> 00:10:42,520 Speaker 2: More? 184 00:10:43,440 --> 00:10:47,840 Speaker 1: Well, we dug into Grace Jones and surprise, there's a 185 00:10:47,880 --> 00:10:50,480 Speaker 1: bunch of true crime at the core, at the heart 186 00:10:50,520 --> 00:10:54,400 Speaker 1: of her story. And bonus, I got to learn more 187 00:10:54,480 --> 00:10:57,560 Speaker 1: about this incredible artist when we got into making this episode. 188 00:10:58,240 --> 00:11:00,120 Speaker 1: So when you're listening to it, when you listen to 189 00:11:00,160 --> 00:11:02,600 Speaker 1: the new episode on Grace Jones next week and thinking 190 00:11:02,640 --> 00:11:07,280 Speaker 1: about Grace Jones and her multi hyphenate career, try to 191 00:11:07,320 --> 00:11:13,760 Speaker 1: answer this question, which of your favorite musicians successfully made 192 00:11:13,760 --> 00:11:18,600 Speaker 1: the transition to acting or conversely, which of your favorite 193 00:11:18,640 --> 00:11:24,080 Speaker 1: actors or successfully made the transition to becoming a rockstar? 194 00:11:24,840 --> 00:11:27,280 Speaker 1: Six one seven nine oh six six six three eight 195 00:11:27,400 --> 00:11:29,680 Speaker 1: call me, leave me a voicemail with your answer, send 196 00:11:29,679 --> 00:11:31,760 Speaker 1: me a text if you're shy, hit me up at 197 00:11:31,800 --> 00:11:35,440 Speaker 1: Disgrace lamp Pod on the Socials, Disgrace Lampod at gmail 198 00:11:35,480 --> 00:11:39,000 Speaker 1: dot com on email. All right, disc goes, I want 199 00:11:39,040 --> 00:11:41,320 Speaker 1: to hear from you guys right now. Actually, so six 200 00:11:41,320 --> 00:11:43,199 Speaker 1: one seven nine o six six six three eight to 201 00:11:43,240 --> 00:11:45,960 Speaker 1: get in touch your voicemails and texts on last week's 202 00:11:46,040 --> 00:11:47,760 Speaker 1: Question of the Week on the other side. 203 00:11:47,559 --> 00:11:48,240 Speaker 2: Of this break. 204 00:12:02,200 --> 00:12:04,280 Speaker 1: Okay, so you want to be a rock and roll star, 205 00:12:04,360 --> 00:12:06,120 Speaker 1: then listen now here what I say. I'm in the 206 00:12:06,120 --> 00:12:08,520 Speaker 1: phone booth. It's the one across the hall disco six 207 00:12:08,640 --> 00:12:11,160 Speaker 1: one seven nine oh six six six three eight. Last 208 00:12:11,160 --> 00:12:14,160 Speaker 1: week's Question of the Week was all about your favorite 209 00:12:14,240 --> 00:12:18,520 Speaker 1: musician memoirs, inspired by our episode on Patti Smith and 210 00:12:18,559 --> 00:12:22,400 Speaker 1: her incredible memoir Just Kids. Won the National Book Award 211 00:12:22,440 --> 00:12:25,120 Speaker 1: for that, and I asked you guys what you thought, 212 00:12:25,360 --> 00:12:27,199 Speaker 1: and you gave me some great answers on your favorite 213 00:12:27,280 --> 00:12:30,400 Speaker 1: music memoirs. Let's hear from Daniel in the seven oh seven. 214 00:12:31,280 --> 00:12:36,000 Speaker 3: Hey, Jake, this is Daniel from beautiful sunny Humble County, California. 215 00:12:36,120 --> 00:12:39,000 Speaker 3: Thank you climate Change. Not sure if you've ever had 216 00:12:39,040 --> 00:12:41,800 Speaker 3: a seven oh seven area call before, but here you go. 217 00:12:42,040 --> 00:12:46,800 Speaker 3: So as to the autobiography question, flash suggestion. I've been 218 00:12:47,320 --> 00:12:50,240 Speaker 3: very much enjoying the punk and pre punk bands of 219 00:12:50,280 --> 00:12:54,160 Speaker 3: the seventies you've been covering, and just this last month 220 00:12:54,240 --> 00:12:57,000 Speaker 3: I read the book cheat Uh Chrome, a Dead Boy's 221 00:12:57,160 --> 00:13:01,760 Speaker 3: Tale by the guitarist of the Dead Boys, who he 222 00:13:01,880 --> 00:13:04,720 Speaker 3: was originally from Rocket from the Tunes, but then he 223 00:13:04,840 --> 00:13:08,160 Speaker 3: joined the Dead Boys, which was a very early, very 224 00:13:08,200 --> 00:13:12,160 Speaker 3: engaging punk band in the mid early seventies, very much 225 00:13:12,160 --> 00:13:15,600 Speaker 3: a part of that whole New York CBGV Maxis Kansas 226 00:13:15,600 --> 00:13:19,120 Speaker 3: City time and place. That's so fascinating. And you've been 227 00:13:19,160 --> 00:13:21,360 Speaker 3: covering a lot of he knew and he ran, and 228 00:13:21,400 --> 00:13:23,880 Speaker 3: he played with all of those key bands, you know, 229 00:13:24,040 --> 00:13:28,200 Speaker 3: Ramon's Iggy Pop, the Guys from the Dolls, Johnny Thunders, 230 00:13:28,280 --> 00:13:32,520 Speaker 3: Rich a hell from TV television. I mean, and you 231 00:13:32,559 --> 00:13:37,719 Speaker 3: know the book is in it's equal parts of self serving, vulnerable, egotistical, 232 00:13:37,920 --> 00:13:40,520 Speaker 3: all the classic rock and roll punk stuff we know 233 00:13:40,640 --> 00:13:44,680 Speaker 3: and love. So that's kind of my suggestion. It's a 234 00:13:44,720 --> 00:13:46,920 Speaker 3: little bit of a deep cut Dead Boys not really 235 00:13:47,000 --> 00:13:48,360 Speaker 3: talked about enough as a band. 236 00:13:48,840 --> 00:13:49,280 Speaker 2: So cool. 237 00:13:49,400 --> 00:13:50,920 Speaker 3: Thank you, Buck. 238 00:13:51,280 --> 00:13:54,600 Speaker 1: Daniel, Daniel Daniel, thank you for your voice memo in 239 00:13:54,720 --> 00:13:57,080 Speaker 1: reminding me that we need to do an episode on 240 00:13:57,160 --> 00:14:01,120 Speaker 1: the Dead Boys, or perhaps just on Stive Baters. But 241 00:14:01,320 --> 00:14:05,559 Speaker 1: this sounds like the main research source is Cheetah Cromb's book, 242 00:14:05,559 --> 00:14:07,959 Speaker 1: which you're mentioning here, And I appreciate you for that 243 00:14:08,200 --> 00:14:11,000 Speaker 1: I've always wanted to do an episode on Stive Baters. 244 00:14:11,040 --> 00:14:13,319 Speaker 1: This is one of the first I considered doing way 245 00:14:13,360 --> 00:14:16,920 Speaker 1: back in the day, prior to that first batch of stories. 246 00:14:17,679 --> 00:14:20,360 Speaker 1: It was on the list with Jerry Lee, Lewis, Sid 247 00:14:20,360 --> 00:14:26,359 Speaker 1: and Nancy, the Norwegian Black Metal Murders, Sam Cook, Lisa Lefti, Lopez, 248 00:14:26,560 --> 00:14:29,320 Speaker 1: all that stuff, and the Dead Boys were on that list. 249 00:14:29,760 --> 00:14:33,400 Speaker 1: I think because I don't remember if I read about 250 00:14:33,440 --> 00:14:36,360 Speaker 1: Stive Bader's death for the first time in the Legs 251 00:14:36,400 --> 00:14:39,360 Speaker 1: McNeil's Please Kill Me, but that book was instrumental in 252 00:14:39,400 --> 00:14:43,560 Speaker 1: getting me to start this podcast, and just the idea 253 00:14:43,640 --> 00:14:46,000 Speaker 1: that the way I heard it or read it, I 254 00:14:46,040 --> 00:14:50,400 Speaker 1: can't remember, Stive Baters was hit by a car and 255 00:14:51,080 --> 00:14:53,680 Speaker 1: refused to go to the hospital. She used to punk 256 00:14:53,760 --> 00:14:56,800 Speaker 1: rock or whatever, and ended up succumbing to his injuries 257 00:14:56,920 --> 00:15:00,320 Speaker 1: and dying, which is just mind blowing to me. And 258 00:15:00,360 --> 00:15:02,880 Speaker 1: I'm sure that's all in Cheetah Crome's memoir and I 259 00:15:02,920 --> 00:15:06,000 Speaker 1: can't wait to get into it. Thank you Daniel for 260 00:15:06,120 --> 00:15:09,000 Speaker 1: your voicemail. Appreciate it all. Right, same subject, Let's go 261 00:15:09,000 --> 00:15:09,880 Speaker 1: to the nine one six. 262 00:15:10,680 --> 00:15:13,840 Speaker 2: Hey, Jake, this is mister Taylor from Raleigh, North Carolina 263 00:15:14,200 --> 00:15:16,880 Speaker 2: calling in to respond to the question of the week 264 00:15:17,080 --> 00:15:22,480 Speaker 2: about the best rock and roll autobiographies or memoirs. And 265 00:15:22,520 --> 00:15:24,160 Speaker 2: I guess, if I was being cheeky, I would say 266 00:15:24,200 --> 00:15:26,240 Speaker 2: Cash by Johnny Cash. But it's not. It's not even 267 00:15:26,240 --> 00:15:29,600 Speaker 2: a rock and roll memoir. Quite frankly, the book is 268 00:15:29,640 --> 00:15:33,400 Speaker 2: Born Standing Up by Steve Martin. You know, I read 269 00:15:33,440 --> 00:15:35,760 Speaker 2: this when I was starting to get into stand up 270 00:15:35,760 --> 00:15:38,560 Speaker 2: comedy and was doing some shows locally, and I wanted 271 00:15:38,560 --> 00:15:41,800 Speaker 2: to go back and read about the great comedy luminaries. 272 00:15:42,440 --> 00:15:45,040 Speaker 2: And quite frankly, I didn't even understand Steve Martin when 273 00:15:45,040 --> 00:15:46,720 Speaker 2: I was a kid in the nineties. He was already 274 00:15:46,760 --> 00:15:50,560 Speaker 2: into his Father of the Bride Cheaper by the Dozen phase. 275 00:15:51,600 --> 00:15:54,640 Speaker 2: But I went read the book and it's incredible, And 276 00:15:55,280 --> 00:15:58,120 Speaker 2: you know what struck me it was so interesting is that, 277 00:15:58,360 --> 00:16:00,640 Speaker 2: you know, Steve Martin got a job at Disneyland when 278 00:16:00,680 --> 00:16:02,760 Speaker 2: he was ten years old. He worked there till he 279 00:16:02,800 --> 00:16:05,520 Speaker 2: was eighteen. By the time he was twenty, he was 280 00:16:05,560 --> 00:16:08,240 Speaker 2: doing a dozen shows a week at the Magic Store 281 00:16:08,360 --> 00:16:11,400 Speaker 2: at Nottsberry Farm. I mean, if you want to think 282 00:16:11,400 --> 00:16:14,360 Speaker 2: about it, the Milcolm Gladwell sence, I mean, he got 283 00:16:14,400 --> 00:16:18,200 Speaker 2: his ten thousand hours by the time he even reached maturity, 284 00:16:18,840 --> 00:16:21,600 Speaker 2: so it's no surprise that he burst onto the scene. 285 00:16:21,640 --> 00:16:24,640 Speaker 2: He was a fully formed comedian and was a rock 286 00:16:24,680 --> 00:16:26,960 Speaker 2: star in his own right, so much so that he 287 00:16:27,160 --> 00:16:29,720 Speaker 2: quit comedy when he was thirty years old at the 288 00:16:29,840 --> 00:16:34,240 Speaker 2: peak of his powers. And it was just a fascinating book, 289 00:16:34,320 --> 00:16:37,880 Speaker 2: an amazing read. Steve Martin has become just such a 290 00:16:37,920 --> 00:16:42,320 Speaker 2: big part of pop culture and comedy and film, but 291 00:16:42,400 --> 00:16:45,800 Speaker 2: I didn't really understand his position in the world of 292 00:16:45,920 --> 00:16:49,560 Speaker 2: creating the idea of rock star comedians. So it was 293 00:16:49,600 --> 00:16:53,080 Speaker 2: a great book. Highly recommends. Appreciate everything you do RockA 294 00:16:53,160 --> 00:16:54,760 Speaker 2: ROLLA nine one six. 295 00:16:55,040 --> 00:16:57,840 Speaker 1: This is another one that I'm grateful to be reminded 296 00:16:57,880 --> 00:17:01,920 Speaker 1: of the Steve Martin. Well, he's a musician actually, but 297 00:17:01,960 --> 00:17:06,879 Speaker 1: more comedian and I've heard this is fantastic. It's one 298 00:17:06,920 --> 00:17:09,640 Speaker 1: of those things that numerous people have told me about. 299 00:17:09,880 --> 00:17:12,399 Speaker 1: I seem to always forget about it, and to be honest, 300 00:17:12,440 --> 00:17:15,760 Speaker 1: I'm not always looking for music content in my spare 301 00:17:15,840 --> 00:17:19,440 Speaker 1: time to sit back and chill with, but this one 302 00:17:19,720 --> 00:17:22,760 Speaker 1: seems to be special, so I appreciate you bringing it 303 00:17:22,760 --> 00:17:24,920 Speaker 1: to my attention. And no shade on the Johnny The 304 00:17:25,000 --> 00:17:28,880 Speaker 1: Johnny Cash autobiography is mentioned all the time because it's 305 00:17:28,920 --> 00:17:32,840 Speaker 1: truly great. You can ask John Cusack's character in High 306 00:17:32,880 --> 00:17:38,080 Speaker 1: Fidelity about it. It's that great line I've read books 307 00:17:38,520 --> 00:17:40,920 Speaker 1: or whatever he says. And by the way, High Fidelity 308 00:17:41,000 --> 00:17:44,679 Speaker 1: is the next movie that we are covering in our 309 00:17:44,760 --> 00:17:48,479 Speaker 1: video podcast on great movie soundtracks and scores that's going 310 00:17:48,520 --> 00:17:50,040 Speaker 1: to be coming your way at the end of this month. 311 00:17:50,080 --> 00:17:52,240 Speaker 1: Go to disgrace impod dot com to become an all 312 00:17:52,280 --> 00:17:56,200 Speaker 1: access member to cop that content. Let's now, however, go 313 00:17:56,320 --> 00:18:00,960 Speaker 1: to the nine to seven to zero. Nine to seven 314 00:18:00,960 --> 00:18:03,440 Speaker 1: to zero had a great memoir recommendation, Matt, this is 315 00:18:03,480 --> 00:18:05,760 Speaker 1: a voice memo, not a voicemailble go ahead and find 316 00:18:05,760 --> 00:18:06,960 Speaker 1: that and play that for us, please. 317 00:18:08,320 --> 00:18:08,520 Speaker 4: Yeah. 318 00:18:08,640 --> 00:18:14,920 Speaker 5: Jake Artist Memoirs, rock and Roll Memoirs, Okay, Bill Graham 319 00:18:15,800 --> 00:18:23,080 Speaker 5: My Life Inside Rock and Out his memoir of being 320 00:18:23,119 --> 00:18:27,840 Speaker 5: born into Nazi Germany just before. 321 00:18:27,600 --> 00:18:30,960 Speaker 6: The war, being half a step ahead of the Nazis, 322 00:18:30,960 --> 00:18:35,400 Speaker 6: through the war, landing in an orphanage up the Hudson 323 00:18:35,480 --> 00:18:40,600 Speaker 6: River like Schenectady, getting adopted and brought to the Bronx, 324 00:18:42,560 --> 00:18:46,520 Speaker 6: learning about Latin music while living in the Five Boroughs 325 00:18:47,800 --> 00:18:51,560 Speaker 6: bouncing around being an actor, doing other things. 326 00:18:51,680 --> 00:18:54,720 Speaker 7: Finally landing on the West Coast and really hitting his 327 00:18:54,840 --> 00:18:58,280 Speaker 7: stride at about thirty three years old, when he found 328 00:18:58,600 --> 00:19:02,000 Speaker 7: all of the San Francisco musicians had no fucking business 329 00:19:02,000 --> 00:19:05,200 Speaker 7: sense and they're getting their asses kicked in the business world. 330 00:19:05,600 --> 00:19:10,399 Speaker 4: And then he went on to change the world. His 331 00:19:11,040 --> 00:19:14,680 Speaker 4: memoir also speaks about things like when to know how 332 00:19:14,680 --> 00:19:18,679 Speaker 4: to get off the wheel, and people howled when he 333 00:19:18,760 --> 00:19:22,120 Speaker 4: closed the Filmore East and the Fillmore West and stopped 334 00:19:22,119 --> 00:19:26,040 Speaker 4: certain other projects, but he knew better, he had a sense, 335 00:19:26,920 --> 00:19:29,560 Speaker 4: and then how to deal with conflict. 336 00:19:29,560 --> 00:19:33,040 Speaker 7: And what fucking big balls he had. So that's the 337 00:19:33,040 --> 00:19:36,600 Speaker 7: one that I would recommend. Bill Graham My Life Inside 338 00:19:36,760 --> 00:19:37,520 Speaker 7: Rock and Out. 339 00:19:38,440 --> 00:19:43,119 Speaker 1: Oh yes, Bill Graham. Bill Graham's autobiography. Bill Graham, great 340 00:19:43,240 --> 00:19:45,600 Speaker 1: rock and roll promoter, one of the best, guy who 341 00:19:45,640 --> 00:19:47,680 Speaker 1: kind of broke the mold, guy who kind of invented 342 00:19:47,720 --> 00:19:49,359 Speaker 1: the business in a lot of ways. I read this 343 00:19:49,400 --> 00:19:53,800 Speaker 1: book in high school, one of the of the I 344 00:19:53,840 --> 00:19:55,120 Speaker 1: think I read it right around the time I read 345 00:19:55,119 --> 00:19:58,280 Speaker 1: Helter Skelter, and I never think of of how formative 346 00:19:58,520 --> 00:20:02,879 Speaker 1: Bill Graham's autobiography he is to this show. But pretty 347 00:20:02,960 --> 00:20:07,320 Speaker 1: damn formative. I'll never forget his depiction nine to seven 348 00:20:07,440 --> 00:20:11,199 Speaker 1: zero of Otis Redding and seeing Otis Redding live for 349 00:20:11,240 --> 00:20:14,800 Speaker 1: the first time on his stage, and he describes him 350 00:20:14,840 --> 00:20:18,679 Speaker 1: as pure sex. And I read that as like a 351 00:20:18,720 --> 00:20:20,840 Speaker 1: fifteen year old and I didn't know what to what 352 00:20:20,920 --> 00:20:23,040 Speaker 1: to make of that. I didn't know what he meant. 353 00:20:23,520 --> 00:20:25,760 Speaker 1: I didn't know what I didn't know, and then I 354 00:20:25,800 --> 00:20:30,440 Speaker 1: started I think I saw the Otis Redding. I know, yeah, 355 00:20:30,520 --> 00:20:33,680 Speaker 1: I did. I saw the Otis Redding live at Monterey Footage, 356 00:20:34,520 --> 00:20:36,720 Speaker 1: and I got it. I was like, oh shit, I 357 00:20:36,760 --> 00:20:39,880 Speaker 1: know what Bill Graham was talking about. Great book. Bill 358 00:20:39,920 --> 00:20:42,520 Speaker 1: Graham will be an episode of Just Gray Sam at 359 00:20:42,520 --> 00:20:45,560 Speaker 1: some point. Thank you. Nine to seven zero, all right 360 00:20:45,600 --> 00:20:47,760 Speaker 1: six one seven nine oh six six six three eight, 361 00:20:47,800 --> 00:20:49,919 Speaker 1: Send me a voicemail, send me a text. If you're 362 00:20:49,920 --> 00:20:53,720 Speaker 1: shy five one two Allison hits us up. Hey, I'm 363 00:20:53,760 --> 00:20:58,000 Speaker 1: super excited about the new season. Teresa, Teresa, I think 364 00:20:58,000 --> 00:21:01,280 Speaker 1: she means there there are some great story about Rookie 365 00:21:01,400 --> 00:21:04,280 Speaker 1: ericson Rocky Erics. Excuse me, it is a ridiculous arrest 366 00:21:04,320 --> 00:21:08,320 Speaker 1: and stint at the mental hospital. That's gonna be uh yeah, 367 00:21:08,359 --> 00:21:11,600 Speaker 1: that's that's coming eventually. Not on our list of next episodes. 368 00:21:12,200 --> 00:21:15,159 Speaker 1: We'll be covering that story soon enough, Allison, thank you 369 00:21:15,200 --> 00:21:17,919 Speaker 1: so much. Erica from the seven to one nine is 370 00:21:18,000 --> 00:21:23,120 Speaker 1: recommending a Girl in a Band by Kim Gordon, which 371 00:21:23,160 --> 00:21:26,280 Speaker 1: I own. I've yet to read it. I've skimmed it. 372 00:21:27,160 --> 00:21:30,400 Speaker 1: And now this Courtney Love interview with Billy Corgan, it's 373 00:21:30,440 --> 00:21:34,080 Speaker 1: got me one. It's it's so kind of Caddy. I 374 00:21:34,080 --> 00:21:38,359 Speaker 1: shouldn't be into it, but I'm just, I'm just I 375 00:21:38,440 --> 00:21:41,000 Speaker 1: got I got a lot of Kim Gordon intrigue right now. 376 00:21:41,640 --> 00:21:44,040 Speaker 1: The fact that Courtney Love is talking shit about Kim 377 00:21:44,080 --> 00:21:47,920 Speaker 1: Gordon makes me kind of like Kim Gordon even more, 378 00:21:47,920 --> 00:21:51,119 Speaker 1: if that makes sense. I mean, Courtney Love not the 379 00:21:51,160 --> 00:21:55,320 Speaker 1: most reliable narrator, though I'm endlessly fascinated by her. And 380 00:21:55,359 --> 00:21:59,440 Speaker 1: there will be an episode on Kim Gordon at some point, 381 00:22:00,280 --> 00:22:02,119 Speaker 1: and I don't know what it's gonna be, but I 382 00:22:02,280 --> 00:22:05,320 Speaker 1: know I know that there's some them true crime there. 383 00:22:06,000 --> 00:22:07,600 Speaker 1: If there is for Patty Smith, there's gonna be for 384 00:22:07,680 --> 00:22:09,200 Speaker 1: Kim Gordon. That's all I gotta say. So we're gonna 385 00:22:09,200 --> 00:22:11,399 Speaker 1: figure that one out. Four, two five, Hey, Jake. Julia 386 00:22:11,480 --> 00:22:14,120 Speaker 1: from Seattle listening to the Patti Smith bit and it 387 00:22:14,160 --> 00:22:16,920 Speaker 1: brought me back to La nineteen seventy eight when I 388 00:22:16,960 --> 00:22:20,800 Speaker 1: got to see Patti Smith outside the Hollywood Liquorice Pizza 389 00:22:20,840 --> 00:22:24,600 Speaker 1: record store. It was insane. We're huge fans. And later 390 00:22:24,680 --> 00:22:27,040 Speaker 1: that summer, my crew and I saw television at the 391 00:22:27,119 --> 00:22:29,520 Speaker 1: Roxy just kitty corner to the Licorice Pizza. Such great 392 00:22:29,640 --> 00:22:34,320 Speaker 1: music rock a ROLLA yeah, wow, that's something you saw 393 00:22:34,400 --> 00:22:38,199 Speaker 1: some seminal rock and roll there, unreal. Thanks for the 394 00:22:38,240 --> 00:22:40,439 Speaker 1: text six one seven nine oh six six six three eight. 395 00:22:40,440 --> 00:22:43,640 Speaker 1: Guys who want to hit me up on anything, that's 396 00:22:43,680 --> 00:22:46,760 Speaker 1: how you do it via the voicemail and the text 397 00:22:47,200 --> 00:22:51,720 Speaker 1: can also email me Disgrace Lampod at gmail dot com. Okay, 398 00:22:52,000 --> 00:22:56,960 Speaker 1: this email comes from Scott Harwood, who writes in Rock Memoirs. 399 00:22:57,119 --> 00:22:59,200 Speaker 1: Dave Grohl. I haven't read this yet. I'm reading it 400 00:22:59,280 --> 00:23:02,719 Speaker 1: for the first time now. On the mic, message says, hey, 401 00:23:02,760 --> 00:23:04,800 Speaker 1: I'm a sixty eight model gen X who grew up 402 00:23:05,040 --> 00:23:08,280 Speaker 1: in that sweet spot of being thirteen when no one 403 00:23:08,320 --> 00:23:11,120 Speaker 1: here gets out alive. Came out and like most teenage 404 00:23:11,119 --> 00:23:13,399 Speaker 1: boys at that time, Jim Morrison was my north star 405 00:23:13,520 --> 00:23:15,400 Speaker 1: to the point that I spent the last three years 406 00:23:15,400 --> 00:23:18,680 Speaker 1: of high school in military school. I wanted to recommend 407 00:23:18,720 --> 00:23:21,439 Speaker 1: Set the Knight on Fire by Doors guitarist Robbie Kreeger. 408 00:23:21,480 --> 00:23:24,840 Speaker 1: He does a fantastic job of realigning the myths with 409 00:23:24,920 --> 00:23:28,240 Speaker 1: things such as telling us why Jim would have hated 410 00:23:28,280 --> 00:23:32,160 Speaker 1: being called Lizard King and why or how the lyrical 411 00:23:32,200 --> 00:23:36,359 Speaker 1: mishap on ed Sullivan Girl we Couldn't get much higher 412 00:23:36,840 --> 00:23:40,320 Speaker 1: was an innocent mistake of muscle memory responding to stage 413 00:23:40,320 --> 00:23:42,880 Speaker 1: fright and nervousness. It wasn't some glorious act of rebellion 414 00:23:42,920 --> 00:23:46,359 Speaker 1: against the establishment. Things like that a fantastic read that 415 00:23:46,440 --> 00:23:49,639 Speaker 1: I really needed as a fifty ish gen xer. Also, 416 00:23:49,680 --> 00:23:51,639 Speaker 1: don't be too hard on Dave Grohl. I grew up 417 00:23:51,680 --> 00:23:53,600 Speaker 1: in his neighborhood at the same time, and yeah, he 418 00:23:53,600 --> 00:23:56,720 Speaker 1: has a huge ego, and deservedly so, and his nice 419 00:23:56,720 --> 00:23:59,720 Speaker 1: guy image has certainly sharpened the knives going into him now. 420 00:24:00,000 --> 00:24:01,560 Speaker 1: At the end of the day, he's a married rock 421 00:24:01,600 --> 00:24:04,199 Speaker 1: star who cheated on his wife, and I defy you 422 00:24:04,240 --> 00:24:06,720 Speaker 1: to name five rock stars who never cheated. And when 423 00:24:06,760 --> 00:24:09,800 Speaker 1: you can't, ask yourself why Grohl is catching so much 424 00:24:09,840 --> 00:24:12,479 Speaker 1: more shit than the others. He was very close to 425 00:24:12,520 --> 00:24:17,120 Speaker 1: his mother and his drummer. He lost them both within 426 00:24:17,160 --> 00:24:18,760 Speaker 1: a short period of time. Yeah, and his drummer. He 427 00:24:18,800 --> 00:24:20,200 Speaker 1: lost them both in the short period of time. Maybe 428 00:24:20,200 --> 00:24:22,399 Speaker 1: give them a little slack. If not, maybe give him 429 00:24:22,400 --> 00:24:26,240 Speaker 1: some space rather than comments and judgments. Have I been 430 00:24:26,600 --> 00:24:31,280 Speaker 1: unfairly judgmental Dave Grohl as a person? I don't think 431 00:24:31,320 --> 00:24:35,160 Speaker 1: I have at all, And I've already written the Foo 432 00:24:35,160 --> 00:24:37,720 Speaker 1: Fighters episode, and I think you're going to be. I 433 00:24:37,760 --> 00:24:40,439 Speaker 1: don't want to give it away, Scott, but you know 434 00:24:40,520 --> 00:24:46,000 Speaker 1: I'm fair, I'm fair, and you're absolutely right about you know, 435 00:24:46,000 --> 00:24:48,639 Speaker 1: a guy cheating on his wife, a rock star, excuse me, 436 00:24:48,760 --> 00:24:50,960 Speaker 1: cheating on his wife. And it's hard for me to 437 00:24:50,960 --> 00:24:53,840 Speaker 1: go there. I mean because look, I think Dave Groll 438 00:24:54,480 --> 00:24:58,439 Speaker 1: gets maybe more shit for that than most rock stars do, 439 00:24:58,880 --> 00:25:04,760 Speaker 1: because he has such the nice guy image. But dude, 440 00:25:04,920 --> 00:25:10,200 Speaker 1: we like I'll do full episodes on musicians and never 441 00:25:10,280 --> 00:25:14,639 Speaker 1: once mentioned the infidelities. For some reason, the Dave Grol thing, 442 00:25:14,680 --> 00:25:17,040 Speaker 1: it's it's so much part of the story right now, 443 00:25:17,800 --> 00:25:25,159 Speaker 1: and I think Dave Groll really wants to show his 444 00:25:25,359 --> 00:25:30,320 Speaker 1: family and his fans that he's earnestly trying to get 445 00:25:30,320 --> 00:25:32,879 Speaker 1: by this, and I'm not gonna fault him for that. 446 00:25:33,840 --> 00:25:37,080 Speaker 1: I mean, I'm not even it's just wait, just wait 447 00:25:37,080 --> 00:25:38,760 Speaker 1: for the episode. I don't want to burn it here. 448 00:25:39,240 --> 00:25:42,880 Speaker 1: But Scott, everybody else, you know, I love Dave Grohl. 449 00:25:42,920 --> 00:25:44,800 Speaker 1: I grew up with Dave Grohl, not like you did 450 00:25:44,800 --> 00:25:47,040 Speaker 1: in the same neighborhood, but we all feel like we 451 00:25:47,080 --> 00:25:51,040 Speaker 1: grew up with Dave Grohl. And you know, whether this 452 00:25:51,280 --> 00:25:54,720 Speaker 1: was however, people people have these sort of what's the 453 00:25:54,720 --> 00:25:57,520 Speaker 1: word parasocial relationships with rock stars where they really feel 454 00:25:57,520 --> 00:26:00,639 Speaker 1: like they know them, and then when they fall it 455 00:26:00,720 --> 00:26:02,480 Speaker 1: hurts in a different way. And I think that's part 456 00:26:02,520 --> 00:26:06,359 Speaker 1: of what's going on here. But again, I'm not excusing it. 457 00:26:07,200 --> 00:26:09,879 Speaker 1: And as far as judgment goes, you're gonna have to 458 00:26:09,920 --> 00:26:11,879 Speaker 1: hear the episode that's coming up in a couple weeks. 459 00:26:12,720 --> 00:26:15,960 Speaker 1: Disgrace Lampod at gmail dot com. You guys want to 460 00:26:15,960 --> 00:26:18,040 Speaker 1: get in touch with me, can also dm me at 461 00:26:18,040 --> 00:26:22,440 Speaker 1: disgracelam pod. On the subject of music memoirs, Paula Cook 462 00:26:22,520 --> 00:26:25,480 Speaker 1: writes it, Hey, there's a new book by Robbie Robinson 463 00:26:25,600 --> 00:26:29,119 Speaker 1: talking about his relationship with Martin Scorsese. Paula, I know 464 00:26:29,200 --> 00:26:31,760 Speaker 1: it well well, not well enough. I have that book 465 00:26:31,920 --> 00:26:35,320 Speaker 1: literally on my nightstand. It's on a stack of books, 466 00:26:35,440 --> 00:26:36,720 Speaker 1: part of a stack of books that I have not 467 00:26:36,800 --> 00:26:38,639 Speaker 1: read yet that I want to read before I go 468 00:26:38,720 --> 00:26:42,200 Speaker 1: on vacation this summer, so that then I can get 469 00:26:42,200 --> 00:26:44,480 Speaker 1: my vacation books all lined up. You know what I'm saying. 470 00:26:44,640 --> 00:26:46,800 Speaker 1: These are the books before the books, so to speak, 471 00:26:46,840 --> 00:26:51,960 Speaker 1: and I'm woefully behind. But this one, the Robbie Robertson 472 00:26:51,960 --> 00:26:54,440 Speaker 1: the Cocaine Book, as I'm calling it, top of the list. 473 00:26:54,920 --> 00:26:58,240 Speaker 1: Thanks for the reminder. Paula Cook on where are We Facebook? 474 00:26:58,280 --> 00:27:00,879 Speaker 1: Paula Facebook, Paula Cook, thank you. All right, guys, were 475 00:27:00,880 --> 00:27:09,760 Speaker 1: gonna come back on the other side with some music recommendations. 476 00:27:17,280 --> 00:27:19,560 Speaker 1: All right, guys, welcome back. As you may or may 477 00:27:19,600 --> 00:27:22,239 Speaker 1: not know, I was on the Hollywoodland Rap Party this 478 00:27:22,280 --> 00:27:26,560 Speaker 1: week doing a little music recommendation bit with Zeth. So 479 00:27:27,920 --> 00:27:30,800 Speaker 1: Zeth takes into account our Hollywood and true crime story 480 00:27:31,240 --> 00:27:34,800 Speaker 1: from our archive that week, and he creates two new 481 00:27:34,840 --> 00:27:37,359 Speaker 1: episodes to accompany hit the Rap Party, in the Screening 482 00:27:37,440 --> 00:27:41,399 Speaker 1: Room and in the Rap Party. I'm appearing now regularly again. 483 00:27:41,480 --> 00:27:43,119 Speaker 1: Once again, I was doing this prior. I'm going to 484 00:27:43,160 --> 00:27:46,360 Speaker 1: continue to do it now because we needed an expansive 485 00:27:46,640 --> 00:27:49,879 Speaker 1: place to talk about our recommendations, not just for music, 486 00:27:49,920 --> 00:27:53,160 Speaker 1: but for film as well. And Zeth has this really 487 00:27:53,240 --> 00:27:55,199 Speaker 1: kind of unique way of being able to tie the 488 00:27:55,320 --> 00:28:00,359 Speaker 1: history of film to these questions. These prompts get me 489 00:28:00,440 --> 00:28:04,640 Speaker 1: thinking about music in a new way. And he somehow 490 00:28:04,680 --> 00:28:06,960 Speaker 1: got this week from because we did the George rees 491 00:28:07,000 --> 00:28:10,400 Speaker 1: episode in Hollywood Land. George Reeves, of course played Superman 492 00:28:11,480 --> 00:28:14,960 Speaker 1: and there's that whole crime around his story. Anyways, Seth 493 00:28:15,040 --> 00:28:19,399 Speaker 1: somehow connected that to actors who make the leap to 494 00:28:20,560 --> 00:28:24,840 Speaker 1: doing big, big superhero roles and how that relates to 495 00:28:25,119 --> 00:28:29,439 Speaker 1: indie bands making the leap to major labels. And the 496 00:28:29,520 --> 00:28:32,360 Speaker 1: question was, you know which, to me, which of those 497 00:28:32,480 --> 00:28:35,520 Speaker 1: bands albums would I recommend? So we got into that 498 00:28:35,560 --> 00:28:39,560 Speaker 1: over there, and it really had me thinking about a 499 00:28:39,600 --> 00:28:41,719 Speaker 1: lot of the hardcore stuff and indie stuff that I 500 00:28:41,760 --> 00:28:45,240 Speaker 1: was into in the nineties. I don't want to say 501 00:28:45,240 --> 00:28:47,600 Speaker 1: friends of ours, but people we kind of knew from 502 00:28:47,600 --> 00:28:50,480 Speaker 1: the hardcore scene who were getting signed beyond the indie 503 00:28:50,520 --> 00:28:54,000 Speaker 1: labels that we were on the to these major labels, 504 00:28:54,400 --> 00:28:57,880 Speaker 1: and what our reactions to those records were at the time. 505 00:28:58,520 --> 00:29:01,640 Speaker 1: And it was a fascinating conversation. Super grateful for Zeth's 506 00:29:01,800 --> 00:29:04,560 Speaker 1: big brain for finding a way to get me into 507 00:29:04,600 --> 00:29:07,560 Speaker 1: it that way. Check that out. That's the rap Party. 508 00:29:07,600 --> 00:29:10,080 Speaker 1: You can just search Hollywood Land and Apple Podcasts or 509 00:29:10,120 --> 00:29:12,280 Speaker 1: the iHeartRadio app or wherever you get your podcasts, and 510 00:29:12,560 --> 00:29:14,600 Speaker 1: you'll find a bunch of archive episodes there, plus new 511 00:29:14,600 --> 00:29:17,000 Speaker 1: ones every week that we're doing. And I use that 512 00:29:17,120 --> 00:29:21,480 Speaker 1: as an excuse to recommend I'm not gonna talk about here, 513 00:29:22,440 --> 00:29:26,160 Speaker 1: to recommend a TV show that is blowing my mind. 514 00:29:26,520 --> 00:29:29,479 Speaker 1: I love it so much. And no, it's not Love Story. 515 00:29:30,760 --> 00:29:34,480 Speaker 1: In our text thread, Zeth, myself and Matt are production 516 00:29:35,120 --> 00:29:38,920 Speaker 1: slash editorial text thread that we have going every week. Wait, 517 00:29:38,960 --> 00:29:41,800 Speaker 1: I want to read it to you because it's just perfect. 518 00:29:42,440 --> 00:29:45,640 Speaker 1: This is from Matt and Matt mixes all these episodes 519 00:29:45,760 --> 00:29:48,520 Speaker 1: anywhere its and hey, every rap party and after party 520 00:29:48,520 --> 00:29:52,080 Speaker 1: conversation lately is just an incremental process of Jake grooming 521 00:29:52,200 --> 00:29:57,360 Speaker 1: Zeth to watch Love Story. Ah, I swear that's not 522 00:29:57,400 --> 00:30:01,200 Speaker 1: what I'm recommending. Over there, he's gone Love Stories. It's 523 00:30:01,240 --> 00:30:06,479 Speaker 1: it's over man, Let it go, Let it go. Okay, So, 524 00:30:07,160 --> 00:30:09,600 Speaker 1: but there's something else that I think is actually better. 525 00:30:10,760 --> 00:30:12,360 Speaker 1: I got some good TV going on right now, and 526 00:30:12,360 --> 00:30:14,640 Speaker 1: I'm talking about that with Zeth in the wrap party. 527 00:30:14,680 --> 00:30:17,360 Speaker 1: But I'll also right here i'll talk about I'm loving 528 00:30:17,520 --> 00:30:20,440 Speaker 1: DTF Saint Louis. I know a lot of you probably 529 00:30:20,480 --> 00:30:22,640 Speaker 1: are as well. It started out slow for me. I 530 00:30:22,680 --> 00:30:26,600 Speaker 1: barely I was barely able to hang on, but I'm 531 00:30:26,680 --> 00:30:29,760 Speaker 1: so glad that I did. Jason Bateman is on another 532 00:30:29,880 --> 00:30:36,240 Speaker 1: level lately. Man just just so so incredibly talented. He's talented. 533 00:30:36,600 --> 00:30:41,280 Speaker 1: His acting talent I think has reached a stage of 534 00:30:41,440 --> 00:30:45,720 Speaker 1: excellence that is beyond words. For me, I can't actually 535 00:30:45,760 --> 00:30:49,160 Speaker 1: describe it. I attempt to in the bonus section of 536 00:30:49,200 --> 00:30:50,880 Speaker 1: this after party a little bit with Zeth because we 537 00:30:50,880 --> 00:30:52,800 Speaker 1: get into it a little bit. I don't know. I'm 538 00:30:52,800 --> 00:30:54,720 Speaker 1: interested to know if you guys are watching the show 539 00:30:54,800 --> 00:30:56,960 Speaker 1: six one seven nine, I was six six six three eight, 540 00:30:56,960 --> 00:30:59,880 Speaker 1: and what you think really interesting music choices by the way, 541 00:31:00,880 --> 00:31:03,000 Speaker 1: Some they hit the ball out of the park. Some 542 00:31:03,040 --> 00:31:05,640 Speaker 1: I'm just I'm just like, what what what is that? 543 00:31:06,000 --> 00:31:06,680 Speaker 8: What are you doing? 544 00:31:06,800 --> 00:31:10,360 Speaker 1: Man? I don't know. It's it's compelling though either way. 545 00:31:10,960 --> 00:31:13,840 Speaker 1: But back to music recommendations. We're gonna do, We're gonna do, 546 00:31:13,880 --> 00:31:16,480 Speaker 1: We're gonna play an old song new song here. Okay, 547 00:31:16,600 --> 00:31:19,600 Speaker 1: the new song that I'm recommending this week that I'm 548 00:31:19,640 --> 00:31:23,120 Speaker 1: listening to is Denial is a River by Doci Now 549 00:31:23,880 --> 00:31:28,080 Speaker 1: Florida hip hop artist here. This sounds very much like 550 00:31:28,160 --> 00:31:32,360 Speaker 1: a nineties New York hip hop artist. She fucking kills. 551 00:31:32,640 --> 00:31:36,239 Speaker 1: She's incredible. This song is amazing. This song is. It's 552 00:31:36,280 --> 00:31:39,280 Speaker 1: not super new, it's from twenty twenty four, but all 553 00:31:39,280 --> 00:31:41,800 Speaker 1: her stuff, her newer stuff, her older stuff, it is 554 00:31:41,880 --> 00:31:45,080 Speaker 1: all great. This song is filthy jay Z, not filthy 555 00:31:45,160 --> 00:31:47,000 Speaker 1: like just in like a sex way, but just in 556 00:31:47,040 --> 00:31:49,959 Speaker 1: like a real kind of just in a real way. 557 00:31:50,120 --> 00:31:54,320 Speaker 1: It's a jay Z early Kanye Salt and Peppa, Missy Elliott. 558 00:31:54,400 --> 00:31:58,920 Speaker 1: It's all here. But this is it's it's more modern. 559 00:31:58,960 --> 00:32:03,320 Speaker 1: I almost said fresh, I didn't, and I know a 560 00:32:03,360 --> 00:32:05,360 Speaker 1: lot of you already know about this, and then I'm 561 00:32:05,440 --> 00:32:07,840 Speaker 1: late to the party. But I don't care. This shit rules. 562 00:32:07,920 --> 00:32:10,600 Speaker 1: I love it Doci, Sean Hastings. If you're listening, go 563 00:32:10,680 --> 00:32:13,720 Speaker 1: get that. Anyone else check it out. Old song wreck 564 00:32:14,400 --> 00:32:18,160 Speaker 1: Ryan Paris dolce Vita. Now. I don't know anything about 565 00:32:18,160 --> 00:32:19,960 Speaker 1: this song except that it came out in nineteen eighty 566 00:32:19,960 --> 00:32:22,600 Speaker 1: three and I heard it in some TV show probably 567 00:32:22,640 --> 00:32:26,000 Speaker 1: ten years ago. I don't know anything about this artist either. 568 00:32:26,200 --> 00:32:30,640 Speaker 1: This is Italian disco. Listen to this song. First of all, 569 00:32:30,760 --> 00:32:33,280 Speaker 1: this song is a great sort of mixed starter, all right, 570 00:32:33,320 --> 00:32:35,960 Speaker 1: like playlist starter, because it's going to cool you into 571 00:32:36,000 --> 00:32:38,960 Speaker 1: a bunch of disco that you've probably never heard of before. 572 00:32:38,960 --> 00:32:42,800 Speaker 1: Because this song is obscure ish, people who are into 573 00:32:42,920 --> 00:32:44,600 Speaker 1: disco are going to know this, and people who are 574 00:32:44,600 --> 00:32:47,080 Speaker 1: into Italian disco are definitely going to know this. But 575 00:32:47,160 --> 00:32:50,040 Speaker 1: this song will just make you feel awesome. It'll make 576 00:32:50,040 --> 00:32:52,560 Speaker 1: you feel like you know, it'll just no matter where 577 00:32:52,600 --> 00:32:54,600 Speaker 1: you are, you're gonna feel like you're in a cool 578 00:32:54,760 --> 00:32:58,280 Speaker 1: robe next to a pool at a party with some 579 00:32:58,360 --> 00:33:01,200 Speaker 1: really good looking people. That's what this song does. It's 580 00:33:01,440 --> 00:33:03,600 Speaker 1: so good. You know that meme that's been going around 581 00:33:03,600 --> 00:33:06,760 Speaker 1: the last like twelve months of the two Italian dudes 582 00:33:06,800 --> 00:33:10,680 Speaker 1: like smoking cigarettes, you know, you know, off the on 583 00:33:10,720 --> 00:33:12,800 Speaker 1: the coast of the Mediterranean. They're just kind of bobbing 584 00:33:12,840 --> 00:33:15,680 Speaker 1: their heads to some cool disco. This is the shit 585 00:33:15,800 --> 00:33:19,800 Speaker 1: those guys were at one point listening to. I guarantee 586 00:33:19,800 --> 00:33:24,560 Speaker 1: it okay. Ryan Paris's Doulce Vita check it out all right. 587 00:33:24,680 --> 00:33:28,040 Speaker 1: Earlier in this episode, we were talking about Patti Smith 588 00:33:28,200 --> 00:33:31,200 Speaker 1: in the Chelsea Hotel, and for good reason. The Chelsea 589 00:33:31,440 --> 00:33:35,960 Speaker 1: is where a large portion of Patty's story or formative story, 590 00:33:35,960 --> 00:33:39,000 Speaker 1: i should say, it takes place. And there's a lot 591 00:33:39,000 --> 00:33:42,400 Speaker 1: of media, great media that has come out of that 592 00:33:42,520 --> 00:33:45,560 Speaker 1: time that Lore and Zeth and I are going to 593 00:33:45,640 --> 00:33:48,160 Speaker 1: try to sift through some of it in the exclusive 594 00:33:48,160 --> 00:33:51,480 Speaker 1: section of the after Party coming up in just a 595 00:33:51,520 --> 00:33:54,200 Speaker 1: few moments. If you're new to the show and you're like, 596 00:33:54,280 --> 00:33:57,000 Speaker 1: what is the exclusive section? What the hell are you 597 00:33:57,080 --> 00:33:59,840 Speaker 1: talking about? Well, we do a little exclusive content every month. 598 00:34:00,440 --> 00:34:02,760 Speaker 1: Every week here in the after Party, you get a 599 00:34:02,760 --> 00:34:07,040 Speaker 1: little bit plus you also monthly get access to our 600 00:34:07,120 --> 00:34:10,080 Speaker 1: video podcast. This film should be played loud, and you 601 00:34:10,120 --> 00:34:13,240 Speaker 1: get access to the Disgraceland Chat and all the Disgrace 602 00:34:13,280 --> 00:34:15,719 Speaker 1: and listeners who are hanging out in there. Go to 603 00:34:15,880 --> 00:34:19,200 Speaker 1: disgracelandpod dot com to sign up to become an all 604 00:34:19,239 --> 00:34:21,840 Speaker 1: Access member. There's all kinds of different tiers and levels 605 00:34:21,880 --> 00:34:23,279 Speaker 1: you can sign up. You can even become a free 606 00:34:23,320 --> 00:34:26,839 Speaker 1: member if you want. Get in there and we're gonna 607 00:34:26,840 --> 00:34:28,640 Speaker 1: give you some stuff on the Chelsea that I guarantee 608 00:34:28,640 --> 00:34:31,080 Speaker 1: you you probably have not heard of before. All right, 609 00:34:31,120 --> 00:34:47,240 Speaker 1: and take a quick break, be right back. All right, guys, 610 00:34:47,280 --> 00:34:50,040 Speaker 1: we are back, and before we recap and get out 611 00:34:50,040 --> 00:34:52,160 Speaker 1: of here, I want to tell you about our archive. 612 00:34:52,320 --> 00:34:54,520 Speaker 1: Most of you know about the archive. If you don't 613 00:34:54,560 --> 00:34:57,040 Speaker 1: know about the archive, well, basically you're missing out on 614 00:34:57,080 --> 00:35:00,520 Speaker 1: about two hundred and fifty stories artists from every genre 615 00:35:00,560 --> 00:35:02,680 Speaker 1: and the true crimes that they've either committed or have 616 00:35:02,800 --> 00:35:05,680 Speaker 1: affected them in some way. It doesn't matter what genre 617 00:35:05,760 --> 00:35:08,200 Speaker 1: of music you are interested in, you're going to find 618 00:35:08,239 --> 00:35:13,120 Speaker 1: an artist from that genre in our archive. Amy Winehouse, 619 00:35:13,680 --> 00:35:18,680 Speaker 1: Grateful Dead, Tina Turner, Ike Turner, Chuck Berry, The Beatles, 620 00:35:18,719 --> 00:35:23,000 Speaker 1: The Stones, Azzy Metallica, It goes on and on, Motley Crue, 621 00:35:23,360 --> 00:35:26,840 Speaker 1: so Many Me as a PoTA from the Gets, Lana 622 00:35:26,920 --> 00:35:31,520 Speaker 1: del Rey, Travis Scott, on and on and on. Get 623 00:35:31,560 --> 00:35:34,279 Speaker 1: into the archive, see what we've been up to for 624 00:35:34,320 --> 00:35:37,640 Speaker 1: the past few years here in Disgraceland and let us 625 00:35:37,640 --> 00:35:39,399 Speaker 1: know what you think. Hit us back six one seven 626 00:35:39,480 --> 00:35:42,360 Speaker 1: nine oh six six six three eight, voicemail and text 627 00:35:42,360 --> 00:35:45,280 Speaker 1: if you got any questions about artists that you maybe 628 00:35:45,760 --> 00:35:48,040 Speaker 1: want to listen to in Disgraceland. But can't find hit 629 00:35:48,080 --> 00:35:49,880 Speaker 1: me up. I'll point in the right direction or somebody 630 00:35:49,880 --> 00:35:52,560 Speaker 1: will here at Double Elves, And as always, Matt will 631 00:35:52,560 --> 00:35:55,040 Speaker 1: pull a couple of these stories and put the episode 632 00:35:55,040 --> 00:35:58,080 Speaker 1: information in the show notes of this yere after party. 633 00:35:58,440 --> 00:36:01,440 Speaker 1: All right, let's recap number one this week Patti Smith. 634 00:36:01,480 --> 00:36:03,200 Speaker 1: Our new episode, it's available for you to listen to 635 00:36:03,360 --> 00:36:05,680 Speaker 1: right now. Our rewind episode coming on Sunday. It's on 636 00:36:05,760 --> 00:36:08,720 Speaker 1: Taylor Swift. You're not gonna want to miss that. Next week, 637 00:36:08,800 --> 00:36:12,799 Speaker 1: our new episode on Grace Jones. Number four is Zeth 638 00:36:12,880 --> 00:36:15,440 Speaker 1: gives you those Hollywood and crime vibes over in the 639 00:36:15,440 --> 00:36:18,480 Speaker 1: Hollywood Land feed, So make sure you're subscribed to Hollywood 640 00:36:18,520 --> 00:36:21,480 Speaker 1: Land wherever you get your podcasts. Number five, this film 641 00:36:21,520 --> 00:36:24,719 Speaker 1: should be played loud. Our video podcast, our new episode 642 00:36:25,160 --> 00:36:27,520 Speaker 1: on The Big Lebowski that's available for you to check 643 00:36:27,560 --> 00:36:29,239 Speaker 1: out right now. And we got a new one coming 644 00:36:29,239 --> 00:36:31,520 Speaker 1: for you in a couple of weeks on what are 645 00:36:31,560 --> 00:36:33,600 Speaker 1: we doing? What are doing? High fidelity, high fidelity, That's 646 00:36:33,600 --> 00:36:35,279 Speaker 1: what we're doing in this film should be played loud 647 00:36:35,440 --> 00:36:37,719 Speaker 1: six one seven nine oh six six six three eight. 648 00:36:37,960 --> 00:36:40,000 Speaker 1: Your voice keeps us digging into the dark corners of 649 00:36:40,080 --> 00:36:43,600 Speaker 1: music history. So keep calling, guys, keep texting, keep sending 650 00:36:43,680 --> 00:36:46,040 Speaker 1: us your answers to this week's question of the week 651 00:36:46,160 --> 00:36:48,279 Speaker 1: or whatever else you want to talk about. And don't 652 00:36:48,280 --> 00:36:52,200 Speaker 1: forget this isn't just content. It's community, a community the obsessed. 653 00:36:52,239 --> 00:36:54,719 Speaker 1: And no one cares about music, books, records and the 654 00:36:54,760 --> 00:36:57,120 Speaker 1: crime and grime that ties them all together like you do. 655 00:36:57,280 --> 00:37:01,240 Speaker 1: And well that's a disgrace, all right. Back on March second, 656 00:37:01,320 --> 00:37:05,120 Speaker 1: nineteen seventy eight, Patti Smith released the song Because the 657 00:37:05,280 --> 00:37:08,400 Speaker 1: Night and reclaimed New York nights for lovers from the 658 00:37:08,440 --> 00:37:11,320 Speaker 1: fear of the Son of Sam. And here's what America 659 00:37:11,360 --> 00:37:14,600 Speaker 1: was listening to on that day, according to the Billboard Charts. 660 00:37:15,360 --> 00:37:19,680 Speaker 1: Number one, Love is Thicker than Water Andy Gibb last 661 00:37:19,719 --> 00:37:25,480 Speaker 1: week one, peak position one weeks on chart nineteen. Number 662 00:37:25,480 --> 00:37:31,439 Speaker 1: two Night Fever Begs last week five, peak position two 663 00:37:32,120 --> 00:37:36,239 Speaker 1: weeks on chart week six, number number three. Sometimes when 664 00:37:36,280 --> 00:37:41,080 Speaker 1: We Touched Dan Hill last week three, peak position five 665 00:37:41,880 --> 00:37:46,960 Speaker 1: weeks on chart weeks on sixteen, Number four. Emotion Samantha 666 00:37:47,239 --> 00:37:51,920 Speaker 1: Sang last week full of peak position four weeks on 667 00:37:52,000 --> 00:37:57,600 Speaker 1: chart seventeen, number number five. 668 00:37:57,880 --> 00:38:10,960 Speaker 8: Last week, Quit talking and start mixing. 669 00:38:11,360 --> 00:38:11,600 Speaker 5: Could