WEBVTT - Episode 169 w/ NAS

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<v Speaker 1>And his Drink Chats Motherfucking podcast. He's a legendary queen's rapper,

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<v Speaker 1>He's segre is your boy in o R. He's a

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<v Speaker 1>Miami hippop pioneer. Up is d j e f N.

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<v Speaker 1>Together they drinking up with some of the biggest players

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<v Speaker 1>in the most professional unprofessional podcast, and yet number one

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<v Speaker 1>source were drunk back. Mother is New year Z. Let's

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<v Speaker 1>time for drink Champs, Trick Up Mother? Would it could be?

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<v Speaker 1>Hopefully wouldn't still be? This is your Boy and O R?

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<v Speaker 1>What up is d j e f N? This Drink

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<v Speaker 1>Chats Motherfucker? Yappy hour makes up. When we started this show,

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<v Speaker 1>we said that there was no platform for legends. When

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<v Speaker 1>you have ten, fifteen years or more in this game,

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<v Speaker 1>they want to call you old, they want to call

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<v Speaker 1>you washed up, they want to say this over for you.

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<v Speaker 1>And all genres of movement like rock and roll, jazz,

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<v Speaker 1>whatever the older you get, the more season you get.

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<v Speaker 1>I wanted to change that in hip hop, so instead

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<v Speaker 1>of us can playing about it, we did what the

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<v Speaker 1>funk we had to do. So when we throught of

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<v Speaker 1>this show, the person that's here that's our guest today

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<v Speaker 1>is the Empity of me of that is the guard

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<v Speaker 1>m C. He's my favorite MC of all times. I

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<v Speaker 1>never even told him that this makes me a kind

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<v Speaker 1>of fake nigger, like I told him that, like I

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<v Speaker 1>said texting right. One of the best business man. He

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<v Speaker 1>showed Queen's Bridge people that not only you can be

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<v Speaker 1>from the hood, but you can transition yourself into being

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<v Speaker 1>a real full fledged businessman from the world. Showed the

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<v Speaker 1>world this man has done whatever he had to do

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<v Speaker 1>countless times and he's on top. He's number one m C.

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<v Speaker 1>One of the illdest lyrically ever inclined, keeping the classy,

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<v Speaker 1>keeping the clup. See, I've never seen them on a

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<v Speaker 1>bump day. Neither then they've never had one bump day,

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<v Speaker 1>Like everybody has a bump day. Nows like at one

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<v Speaker 1>point you're gonna come outside like a you got to.

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<v Speaker 1>But if you don't know what we're talking about, me too,

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<v Speaker 1>about Niles by the way, By the way, they still

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<v Speaker 1>like being called Niles Estoball or yeah you don't give up,

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<v Speaker 1>Yeah I don't give a thing. Cool got them you

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<v Speaker 1>already drinking before me. So right now we're celebrating lost tapes.

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<v Speaker 1>So let's take those those tapes too. So let's break

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<v Speaker 1>down the origin of lost tapes. Lost tapes is the

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<v Speaker 1>records that didn't make the album. You could make an

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<v Speaker 1>album out of your side, but yeah, yeah, you know

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<v Speaker 1>you got the records that you didn't he wasn't sure about,

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<v Speaker 1>so you just they sit around. What's spending time? Is

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<v Speaker 1>this that these records are like win and win, like

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<v Speaker 1>two thousands seven to last year. Yeah, it's different albums. Yeah, yeah, yeah, yeah,

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<v Speaker 1>a couple of albums. So the crazy thing is, um, first, um,

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<v Speaker 1>first time I actually met you, met you was on

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<v Speaker 1>Vernon Boulevard. I think he was going on tour and

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<v Speaker 1>you was your your homeboys is playing this record that

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<v Speaker 1>I've never heard before in my life. I heard it

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<v Speaker 1>one time one time, Odie. I don't know if you

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<v Speaker 1>remember this story. I'm walking through Vernon Bulevard cause you

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<v Speaker 1>shotted me out without actually meeting me, like like, and

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<v Speaker 1>I finally met you. They it was playing this record.

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<v Speaker 1>Now you tell me if I'm bugging it was there's

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<v Speaker 1>a lady cops sucking the thugs dick on some bug ship.

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<v Speaker 1>Yeah that record up. No, he's looking at little STAPs

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<v Speaker 1>for that record. I'm looking to lock. It's the first time.

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<v Speaker 1>I feel like little Wayne bit your ship, oh ship. Yeah,

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<v Speaker 1>you know when I when I heard that song, it

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<v Speaker 1>reminded me of that ship. But I didn't think nobody

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<v Speaker 1>even that. You wouldn't even heard that joint dog. That's crazy.

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<v Speaker 1>No one knows that. I was like, Yo, how long

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<v Speaker 1>ages is? And you heard this record? This was after

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<v Speaker 1>it was written. This was after it was written, and

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<v Speaker 1>this is the fifty dollar Panta sonics. I ain't making

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<v Speaker 1>no noise. He's come on, ain't making no noise with it? Man,

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<v Speaker 1>please get the money. Were walking through Vernon Boulevard and

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<v Speaker 1>obviously obviously uh it was marb Deep that was coming up.

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<v Speaker 1>By the way, um the Prophecy tribute. We'll go right

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<v Speaker 1>to that. I remember they playing in a fifty dollar panastic.

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<v Speaker 1>I remember I was like, damn, this nigga saying that

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<v Speaker 1>he's sucking a lady cop. And I had never knew

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<v Speaker 1>that people can say that. I was so scared. That

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<v Speaker 1>was like a nigga album before Nick albums. That's the truth,

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<v Speaker 1>you know. I remember that song dog like, I think

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<v Speaker 1>Elios might have did that. So I didn't know what

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<v Speaker 1>to do with the song though. You know, that's that's

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<v Speaker 1>that's lost, lost, lost, that's like that's twenties something years ago.

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<v Speaker 1>That's crazy, bro. And of course I shout at you

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<v Speaker 1>out because y'all was coming up and I've seen that

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<v Speaker 1>ship and I'm like, these dudes, these these are the

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<v Speaker 1>dudes right here. So it's like, so queen ship, you

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<v Speaker 1>know what I'm saying, seen them coming up, capone, noriega.

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<v Speaker 1>I knew it was gonna be on. Yeah, for sure.

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<v Speaker 1>I ain't gonna lie to that change. That changed my

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<v Speaker 1>life because, um see, I know, I know you humble

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<v Speaker 1>and um and you don't realize that you're the greatest

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<v Speaker 1>m C of all times, the greatest mc all um.

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<v Speaker 1>You could worry. I'm gonna be cocky for you. This

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<v Speaker 1>is this is where we're here for. Um. I want

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<v Speaker 1>to tell you. I want to get to gotta say

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<v Speaker 1>I'm happy to be here man, man, you know, yeah,

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<v Speaker 1>I just want to tell you what al Matock was, right. Um.

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<v Speaker 1>It was a point in time caress kind of sucked

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<v Speaker 1>us up right clear. It was I was running through

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<v Speaker 1>spar Fit and I was running through Rager's Island. They

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<v Speaker 1>were saying, queens, it's bron snickers. They know I didn't

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<v Speaker 1>not like that. So it was one period. I'm sorry

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<v Speaker 1>cause I've never told you this. This is crazy. It's

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<v Speaker 1>one period that it changed the course of Queens m

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<v Speaker 1>and I don't know if you noticed, I'm sure you

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<v Speaker 1>know it. It was ill matic when when that's a fact. Listen,

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<v Speaker 1>it was Queen's nickers blowing dudes every day. They had

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<v Speaker 1>to get it on because it was it was the

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<v Speaker 1>joke of the town at the time. It would say

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<v Speaker 1>Queen's you turned around here. But the ill Mattic came

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<v Speaker 1>out and was like, all right, you know what you're

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<v Speaker 1>talking about now, because that's how you you you you

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<v Speaker 1>described the picture of Queens and Queensbridge in a way

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<v Speaker 1>like Donald Gorman's to think about why people read books

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<v Speaker 1>in jail as they go to that place. So everybody

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<v Speaker 1>when ill Mattock came out, every body actually it's not

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<v Speaker 1>only just from Queen's braves, but they was from Queen's period.

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<v Speaker 1>Do you know that I heard? Good looking? Though, look

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<v Speaker 1>your Careress story is like, uh, it's incredible. Care Arrest

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<v Speaker 1>is a leader, he's he's one of my favorite rappers ever.

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<v Speaker 1>So when I first when I was putting out the Automatic,

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<v Speaker 1>it was like almost two show care Arrest one. It

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<v Speaker 1>was almost that was part of my drive because I

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<v Speaker 1>had to because of what he had done, so I

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<v Speaker 1>had to. It was part of it. Was like, yo,

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<v Speaker 1>look Caress were here, so you know, he's one of

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<v Speaker 1>my favorites ever. But never mind saying that it changed

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<v Speaker 1>the course of queens or whatever changed the course of

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<v Speaker 1>hip hop period, Like did you even imagine that you

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<v Speaker 1>would just change, like the evolution of hip hop, because it,

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<v Speaker 1>to me, it changed. It was a new era in

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<v Speaker 1>hip hop when Thematic came out. Lyrically yeah, yeah, I

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<v Speaker 1>mean we had rock him and we had we had lyrics,

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<v Speaker 1>but it just it felt different after Atmatic. I feel

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<v Speaker 1>you it was like I had represent It was like

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<v Speaker 1>like Norri said that the pressure was on the Borough

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<v Speaker 1>and my projects, so it was like and then just

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<v Speaker 1>getting in the game, you had to have something to say.

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<v Speaker 1>So I definitely had to push it, push, push the

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<v Speaker 1>pen hard because it's not but it never flew and

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<v Speaker 1>people like me, I'm in Miami and I feel like

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<v Speaker 1>I was in Queensbridge listening to what I'm saying. It

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<v Speaker 1>was so vivid, appreciate. I'm not gonna lie to you.

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<v Speaker 1>I think I could quote that album backwards. That's how

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<v Speaker 1>good I know that. I know I know the album

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<v Speaker 1>better than you. I promised to you, I can you.

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<v Speaker 1>I can sumend your verses than because it meant it

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<v Speaker 1>meant so much more than me because we were in

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<v Speaker 1>we were in the pen now when it when it

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<v Speaker 1>came out, when I was in the p now, I

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<v Speaker 1>was locked with the Brooklyn guys. And it was Biggie

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<v Speaker 1>and it was it was a Buckshot. It was Buckshot

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<v Speaker 1>and and and I knew mind you. I have met

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<v Speaker 1>you through a Canelli, but I didn't know that was you.

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<v Speaker 1>And then when you said when I was twelve, I

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<v Speaker 1>went to health of stuffing, Jesus, what was room with you?

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<v Speaker 1>Sack or waving automatic guns and nothing? Everybody ever? Did

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<v Speaker 1>everybody ever actually that question? When you were twelve? Me

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<v Speaker 1>went the health is nothing, Jesus. I was. I was

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<v Speaker 1>sick at um what was happening in the black community.

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<v Speaker 1>And I felt like what was pushed on us uh

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<v Speaker 1>on a religious level, um was before my time. You know,

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<v Speaker 1>the Black church is powerful, definitely been there through the

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<v Speaker 1>Civil rights and all of that, and still powerful to

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<v Speaker 1>this day. But I was I didn't see it as

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<v Speaker 1>a black thing. I didn't see it as I saw

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<v Speaker 1>no ones coming to save us, you know, So I

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<v Speaker 1>just felt like it's me against the world. Had a

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<v Speaker 1>very rebellious spirit back then, like serious. So yeah, but

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<v Speaker 1>you know, I love Jesus. That's my man. That's my man.

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<v Speaker 1>And it's also a rumor that's been looking around that

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<v Speaker 1>it was you and Acnelli together. What you mean, like

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<v Speaker 1>like when y'all went to the deal or is that

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<v Speaker 1>true or something like that? We used to go um

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<v Speaker 1>the Columbiada. You're talking abou No, not before that, being

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<v Speaker 1>accused to meet me at the last car on the

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<v Speaker 1>train and we're gonna go here, or I'm gonna come

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<v Speaker 1>pick you up and we're gonna go shop. These tapes

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<v Speaker 1>I Cannella used to get me like motivated to go

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<v Speaker 1>shop demos. He for somehow knew he knew where the

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<v Speaker 1>officers was, he knew who to go see, he knew

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<v Speaker 1>he made meetings with them, He booked meetings with like

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<v Speaker 1>like real people. The barbecue and all that after after

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<v Speaker 1>because I met him doing a lot of the barbecue.

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<v Speaker 1>So he was like thinking like a businessman like he

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<v Speaker 1>was about it. I didn't. I was like, are we

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<v Speaker 1>really going to these going to these offices, like yeah,

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<v Speaker 1>yeah for sure. You know I joined the Taliban right now,

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<v Speaker 1>you've seen them lately. Look, you know you're going crazy,

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<v Speaker 1>pup don so. So I need to ask this question

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<v Speaker 1>because as a fan, this is a hip hop fan.

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<v Speaker 1>No Wu Tang came and they destroyed ship, but it

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<v Speaker 1>was a skin on Ghost Face album. Yeah, goddamnit, dj J,

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<v Speaker 1>what's what's rock? That's a skin? When they said a

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<v Speaker 1>big nas ship, Yeah, they said ship. Um it was um,

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<v Speaker 1>that was a talk. So that was a talk. I

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<v Speaker 1>just I couldn't believe he said it. So, um, it's

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<v Speaker 1>over the album cover right because Biggie because I had

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<v Speaker 1>a picture of young me on the cover, and then

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<v Speaker 1>Notorious b I g rest in Peace had a um

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<v Speaker 1>picture of a baby that was going to be him,

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<v Speaker 1>supposed to be him. So of course people start comparing

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<v Speaker 1>because they was comparing us anyway. So then the album

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<v Speaker 1>cover came and it was like, oh, so Ghost said it.

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<v Speaker 1>I said, Uh, it's straight blood sport out here. It's war. Absolutely.

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<v Speaker 1>When Ghost said that ship on um a raised tape,

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<v Speaker 1>Oh that was crazy. That was crazy, man, because because

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<v Speaker 1>it was something after that I think puff Big called me.

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<v Speaker 1>You've never heard this story? Now, Yeah, Big called me

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<v Speaker 1>and he's like, yo, fucking with the wound niggers. You

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<v Speaker 1>knew they said that ship. And he was like, Yo,

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<v Speaker 1>that's how you feel away, bro, because me and him

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<v Speaker 1>was tight, so we you know. I was like, yo,

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<v Speaker 1>I mean that's ghosts, ghost faces, ghost face, there's no

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<v Speaker 1>love loss. I didn't know he's gonna say this ship.

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<v Speaker 1>And he was just he was a little disappointed because

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<v Speaker 1>he wasn't trying to bite off my ship. No, no,

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<v Speaker 1>just just in general because he he wasn't coming at

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<v Speaker 1>it like that. Because if you listen to this album

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<v Speaker 1>he rapped from you tell the whole story and ship.

0:12:56.120 --> 0:12:58.640
<v Speaker 1>So I never I didn't look I didn't look at

0:12:58.679 --> 0:13:00.480
<v Speaker 1>like like, I didn't look at it that. It was

0:13:00.559 --> 0:13:03.360
<v Speaker 1>just competition at that time. So at that time, I

0:13:03.520 --> 0:13:05.959
<v Speaker 1>was like, I was riding with that a little bit

0:13:06.080 --> 0:13:09.559
<v Speaker 1>because it was competition. So it was just one for me.

0:13:11.520 --> 0:13:14.520
<v Speaker 1>Other than that, bust Of Rhymes had told me a

0:13:14.559 --> 0:13:17.760
<v Speaker 1>story because I bust Of called me all care bust

0:13:17.760 --> 0:13:20.960
<v Speaker 1>I forget Buster said, yo, tell nas about the one

0:13:21.040 --> 0:13:24.600
<v Speaker 1>time it was you him and method Man in the studio.

0:13:25.360 --> 0:13:27.880
<v Speaker 1>And Big was supposed to come up, and Big didn't

0:13:27.920 --> 0:13:32.319
<v Speaker 1>want to woke up flights, the stairs, the elevator. The

0:13:32.440 --> 0:13:36.240
<v Speaker 1>elevator was broken, and Big had a car accident, so

0:13:36.440 --> 0:13:38.920
<v Speaker 1>he had a cane and he's like, dude, he said,

0:13:38.920 --> 0:13:40.839
<v Speaker 1>I love your niggers, but I ain't want to like

0:13:40.960 --> 0:13:43.760
<v Speaker 1>the stairs with this bro. His ship was broke. Something

0:13:43.840 --> 0:13:46.319
<v Speaker 1>was broke. He had a car accident. Yeah, that was

0:13:46.400 --> 0:13:48.800
<v Speaker 1>a crazy session. That was gonna be some ship. So

0:13:48.880 --> 0:13:50.960
<v Speaker 1>I didn't lea no verse. But the next day Big

0:13:51.080 --> 0:13:55.560
<v Speaker 1>came and and he did his ship. You know, that's

0:13:55.600 --> 0:13:58.360
<v Speaker 1>the only verse that Big when that pocket, Yes, the

0:13:58.520 --> 0:14:02.000
<v Speaker 1>double album, will the double album. He had some verses

0:14:02.040 --> 0:14:03.800
<v Speaker 1>for him, but you're right, that was the one when

0:14:03.840 --> 0:14:06.719
<v Speaker 1>he went right at him, right, Adam, you bust have

0:14:06.760 --> 0:14:08.400
<v Speaker 1>played me that verse. I was gonna bring her here,

0:14:08.440 --> 0:14:11.839
<v Speaker 1>but I said I don't think I should. I was like,

0:14:11.880 --> 0:14:17.200
<v Speaker 1>I don't think I should. So that's that's so. Yeah, Okay,

0:14:18.760 --> 0:14:25.040
<v Speaker 1>it comes a time after Illmatic right where it was written. Well, now,

0:14:25.360 --> 0:14:31.840
<v Speaker 1>oh I like that. I like that. I like so

0:14:32.400 --> 0:14:40.000
<v Speaker 1>so it changed from the project kid to like, uh uh, Big,

0:14:40.280 --> 0:14:44.720
<v Speaker 1>the big guy. I remember track master tone. We're asking

0:14:44.800 --> 0:14:47.200
<v Speaker 1>him so you'll track myster tone I want to do?

0:14:47.440 --> 0:14:53.880
<v Speaker 1>Um uh, what's what's this thing with Lorman? My toes said,

0:14:53.920 --> 0:14:56.640
<v Speaker 1>I will never give you that record, I said, jess Us,

0:14:57.560 --> 0:15:01.080
<v Speaker 1>and did you will see at lash from? Because you

0:15:01.200 --> 0:15:03.720
<v Speaker 1>you you? It was almost like you not like a backpacker.

0:15:03.720 --> 0:15:04.960
<v Speaker 1>I don't want to say like a back poper. You

0:15:05.040 --> 0:15:07.240
<v Speaker 1>was like the king of the underground. And then as

0:15:07.320 --> 0:15:10.920
<v Speaker 1>you transition to it was written it was like, now

0:15:11.040 --> 0:15:12.880
<v Speaker 1>you're a boss. But as soon as you become a boss,

0:15:13.040 --> 0:15:15.800
<v Speaker 1>people kind of you know what I'm saying. Did you

0:15:15.920 --> 0:15:18.560
<v Speaker 1>did you like see that? Like crossover? Yeah? Oh yeah,

0:15:18.720 --> 0:15:21.280
<v Speaker 1>big time, big time. When when we first put off

0:15:21.320 --> 0:15:23.760
<v Speaker 1>the record, it was a white label, so they didn't

0:15:23.800 --> 0:15:26.400
<v Speaker 1>know who was singing it, so they didn't know it

0:15:26.520 --> 0:15:29.320
<v Speaker 1>was her, So they're thinking, why is somebody singing on

0:15:29.440 --> 0:15:32.600
<v Speaker 1>this on your record? Bro? Like what's going on? And

0:15:32.680 --> 0:15:36.920
<v Speaker 1>I'm like, Dog, that's the that's Hohodini, the beat, that's Whodini,

0:15:37.040 --> 0:15:39.720
<v Speaker 1>that's something she's singing. Curtis bow Dog. This is this

0:15:39.840 --> 0:15:42.520
<v Speaker 1>is hip hop to me. Um, it sounds good for

0:15:42.640 --> 0:15:44.960
<v Speaker 1>radio too, but I'm just saying it's hip hop. So

0:15:46.080 --> 0:15:47.680
<v Speaker 1>this is what we This is what we're doing the

0:15:47.760 --> 0:15:49.680
<v Speaker 1>way the way the thing was changing. It was like

0:15:50.280 --> 0:15:52.960
<v Speaker 1>radio was opening up to us. Hot Night the seven

0:15:53.120 --> 0:15:56.400
<v Speaker 1>was now a thing, and that's opening up to us.

0:15:56.440 --> 0:15:59.480
<v Speaker 1>So if we can have a record that the streets

0:15:59.560 --> 0:16:03.440
<v Speaker 1>is into but also has a appeal to go a

0:16:03.560 --> 0:16:08.720
<v Speaker 1>massive hill, to go massive massive, then you had to

0:16:08.760 --> 0:16:10.480
<v Speaker 1>do that. We had to do that to get to

0:16:10.560 --> 0:16:13.920
<v Speaker 1>the next level, because you know, that was just the

0:16:14.320 --> 0:16:16.920
<v Speaker 1>the challenge was to just you can't just be rapping.

0:16:17.000 --> 0:16:20.480
<v Speaker 1>You gotta make records too. It's like keeping your authenticity

0:16:20.600 --> 0:16:23.960
<v Speaker 1>but still for sure. And then and then it's Lauren Hill,

0:16:24.120 --> 0:16:25.680
<v Speaker 1>you know what I'm saying, So not that I'm so good.

0:16:26.880 --> 0:16:29.080
<v Speaker 1>Then it's Lauren Hill. So it's like but then of

0:16:29.160 --> 0:16:33.320
<v Speaker 1>course you know people wasn't ready for the transition. And

0:16:33.400 --> 0:16:35.800
<v Speaker 1>now and now you're on tour with Mary J. Blige,

0:16:36.440 --> 0:16:45.280
<v Speaker 1>Nigga's out there out there's stepping on ship. Yeah there

0:16:45.560 --> 0:16:48.440
<v Speaker 1>doing it Like like is that what you're at in life?

0:16:48.480 --> 0:16:51.560
<v Speaker 1>Because you know we're here, we read all you know

0:16:51.760 --> 0:16:54.520
<v Speaker 1>the about the stock and everything you got is like

0:16:55.360 --> 0:16:56.920
<v Speaker 1>when you come out as there's things that you want

0:16:56.960 --> 0:16:59.400
<v Speaker 1>to do. You know what I'm saying, because I feel

0:16:59.400 --> 0:17:01.600
<v Speaker 1>like you wanted to do the tour, like I feel like, yeah,

0:17:01.800 --> 0:17:04.160
<v Speaker 1>there's a lot of things you can say no to. Yeah.

0:17:05.080 --> 0:17:08.200
<v Speaker 1>We've been talking about it for a while. So after

0:17:08.280 --> 0:17:11.360
<v Speaker 1>New Year's I've seen her and we's all hanging out

0:17:11.720 --> 0:17:14.760
<v Speaker 1>and um, I said, Yo, do you want tour this? Yeah?

0:17:14.840 --> 0:17:16.840
<v Speaker 1>She was like, Yo, yeah, let's do it. So I

0:17:16.960 --> 0:17:19.520
<v Speaker 1>was like, wait, wait a time out. That's how y'all

0:17:19.520 --> 0:17:22.840
<v Speaker 1>said it. Y're just somewhere said it's easy. I heard

0:17:22.880 --> 0:17:31.040
<v Speaker 1>her up, I leave friends like you now let's make that. Yeah.

0:17:31.520 --> 0:17:33.760
<v Speaker 1>Yeah called. I said, Yo, you want to do this tour?

0:17:33.920 --> 0:17:37.399
<v Speaker 1>She's like, let's do it. Let's do it, and she

0:17:37.600 --> 0:17:40.240
<v Speaker 1>was serious about it. So it was just a great time.

0:17:40.760 --> 0:17:44.720
<v Speaker 1>And your first date was Miami. Yeah, West Palm, West

0:17:44.720 --> 0:17:49.240
<v Speaker 1>Palm and the show was crazy. Bro. Yeah yeah. Shout

0:17:49.280 --> 0:17:51.480
<v Speaker 1>out to Mary. She's she's honored to be on tour

0:17:51.560 --> 0:17:53.920
<v Speaker 1>with her man her from What's the four one one

0:17:54.359 --> 0:17:57.760
<v Speaker 1>for Gan Pouba. She's always been at hip hop queen,

0:17:57.880 --> 0:17:59.840
<v Speaker 1>you know what I mean. So it's like queen of

0:18:00.080 --> 0:18:03.560
<v Speaker 1>pop soul, you know. So that's a sister. That's a sister.

0:18:04.960 --> 0:18:06.960
<v Speaker 1>Before we move on, I want to say welcome on.

0:18:07.200 --> 0:18:09.520
<v Speaker 1>My brother do was man, I miss you man. You know, um,

0:18:09.760 --> 0:18:13.280
<v Speaker 1>you know, I'm welcome home. My brother got damn okay.

0:18:13.600 --> 0:18:16.560
<v Speaker 1>But but when you said, when you said hip hop

0:18:16.720 --> 0:18:20.200
<v Speaker 1>is dead, how many like dms you got from the

0:18:20.280 --> 0:18:28.320
<v Speaker 1>young niggas? You know what I'm saying, Like it was

0:18:28.480 --> 0:18:31.200
<v Speaker 1>to kill me, man, because what you were saying was

0:18:32.119 --> 0:18:35.320
<v Speaker 1>explain to what you people you're saying it's dead. I

0:18:35.520 --> 0:18:39.440
<v Speaker 1>was just because we didn't have no control. And it's like,

0:18:40.280 --> 0:18:42.320
<v Speaker 1>you know a lot of people took offense to it

0:18:42.440 --> 0:18:44.080
<v Speaker 1>that I didn't think it was gonna take offense. I'm

0:18:44.119 --> 0:18:46.919
<v Speaker 1>talking about, let's wake up and take control. As soon

0:18:46.960 --> 0:18:49.760
<v Speaker 1>as we put out a record, there's some political or

0:18:49.840 --> 0:18:53.160
<v Speaker 1>some religious or whoever leader in the community that's trying

0:18:53.160 --> 0:18:55.200
<v Speaker 1>to build a name off you and start to protest

0:18:55.240 --> 0:18:57.439
<v Speaker 1>your record. As soon as you try to build your

0:18:57.480 --> 0:19:04.080
<v Speaker 1>company or trying to be independent all the labels, you

0:19:04.240 --> 0:19:06.359
<v Speaker 1>run into trouble, you know. So it was it was

0:19:06.440 --> 0:19:10.120
<v Speaker 1>so many people in control of where this thing was going.

0:19:10.720 --> 0:19:12.880
<v Speaker 1>And it's like I thought, we's had a great time

0:19:12.920 --> 0:19:16.320
<v Speaker 1>to turn this aroundt didn't control it basically, not like

0:19:16.520 --> 0:19:19.240
<v Speaker 1>not like what happened, not like what's going on today.

0:19:19.560 --> 0:19:23.160
<v Speaker 1>You know what I'm saying. And also, you know, um,

0:19:24.520 --> 0:19:27.200
<v Speaker 1>I probably thought a few a few people could have

0:19:28.200 --> 0:19:33.159
<v Speaker 1>stopped making records. I probably thought you couldn't even say

0:19:33.200 --> 0:19:38.520
<v Speaker 1>something about noise one time. That's not that's not hire.

0:19:38.600 --> 0:19:43.240
<v Speaker 1>I was dead. That's this was family ship. That's what's

0:19:43.280 --> 0:19:46.119
<v Speaker 1>mad about something. Stay here Because at the time when

0:19:46.160 --> 0:19:48.960
<v Speaker 1>you said that he was living in Atlanta, Yeah, out

0:19:49.000 --> 0:19:52.560
<v Speaker 1>of cribb in Atlanta, crib and McDonough, Georgia. Okay, but

0:19:52.680 --> 0:19:55.960
<v Speaker 1>that's who took an offense to it, right, man, Atlanta

0:19:55.960 --> 0:20:00.960
<v Speaker 1>took offense because because Little had a shirt that hip

0:20:01.040 --> 0:20:06.080
<v Speaker 1>Hop and Die lives in the South man. So I felt,

0:20:06.119 --> 0:20:10.560
<v Speaker 1>you know, I did that, but they know, so I

0:20:10.760 --> 0:20:14.760
<v Speaker 1>felt like I felt like, damn, it's it's not really

0:20:14.760 --> 0:20:17.480
<v Speaker 1>I didn't get the point off right because the wrong people.

0:20:18.320 --> 0:20:21.680
<v Speaker 1>I wasn't attacking Louda and my guys. No, no, it

0:20:21.760 --> 0:20:24.840
<v Speaker 1>wasn't the case. It was just like tell you true.

0:20:24.840 --> 0:20:29.159
<v Speaker 1>I forgot why I said it. But essentially it was

0:20:29.240 --> 0:20:32.879
<v Speaker 1>so long ago. It's something pissed me off. Something pissed

0:20:32.920 --> 0:20:36.679
<v Speaker 1>me off. Essentially, the breakdancing, the graffiti that's what you mean,

0:20:36.840 --> 0:20:40.440
<v Speaker 1>right to breakdance and the graffiti culture. It was. It

0:20:40.520 --> 0:20:42.560
<v Speaker 1>was all of this stuff that even today, a lot

0:20:42.600 --> 0:20:44.200
<v Speaker 1>of people don't care about it, and I like to.

0:20:44.400 --> 0:20:45.840
<v Speaker 1>I like to care about it, Like I like what

0:20:45.960 --> 0:20:48.480
<v Speaker 1>you say about when the show starts, like give them

0:20:48.520 --> 0:20:51.159
<v Speaker 1>their roses while you could smell them. A lot of

0:20:51.240 --> 0:20:55.240
<v Speaker 1>people don't realize the great history here. That's that's that's

0:20:55.240 --> 0:20:57.679
<v Speaker 1>why we're trying to well, that's why we are building

0:20:57.720 --> 0:21:00.200
<v Speaker 1>a hip hop museum and the Bronx, you know what

0:21:00.200 --> 0:21:07.560
<v Speaker 1>I'm saying, because it should have been here, It should

0:21:07.600 --> 0:21:10.159
<v Speaker 1>have been should have been this way over due. We're

0:21:10.200 --> 0:21:12.960
<v Speaker 1>building one here because it'll be great. Because sometimes the

0:21:13.040 --> 0:21:15.680
<v Speaker 1>kids don't see why they shouldn't go far, go that

0:21:15.840 --> 0:21:18.240
<v Speaker 1>far back to to listen to some ship, you know,

0:21:18.720 --> 0:21:21.440
<v Speaker 1>but if you go back there, you might discover some

0:21:21.600 --> 0:21:23.600
<v Speaker 1>new ship that you could be doing. You know what

0:21:23.640 --> 0:21:26.080
<v Speaker 1>I'm saying. Like I looked at them old dudes, or

0:21:26.119 --> 0:21:28.320
<v Speaker 1>I don't want to call them old, but the pioneers,

0:21:28.840 --> 0:21:31.720
<v Speaker 1>and I learned from them. I learned from them, and

0:21:31.960 --> 0:21:34.639
<v Speaker 1>so it's like it's important that the kids today know

0:21:34.760 --> 0:21:38.200
<v Speaker 1>how important they are to this whole thing too, you know.

0:21:38.720 --> 0:21:40.040
<v Speaker 1>You know, one of the one of the one of

0:21:40.119 --> 0:21:42.480
<v Speaker 1>my favorite days of my life was. We was in

0:21:42.560 --> 0:21:46.600
<v Speaker 1>Massive Hill office and because I had thought Rock Kim

0:21:46.680 --> 0:21:49.200
<v Speaker 1>and Eric B was toring, idn't. I didn't know that

0:21:49.280 --> 0:21:51.399
<v Speaker 1>because I see rock Him, but I see Eric B

0:21:51.440 --> 0:21:53.480
<v Speaker 1>by itself. I didn't know that Eric being Rock Kim.

0:21:53.840 --> 0:21:56.040
<v Speaker 1>I hadn't been together so long. So he said to me,

0:21:56.080 --> 0:21:57.560
<v Speaker 1>you said your Nori, you want to go to the

0:21:57.680 --> 0:21:59.280
<v Speaker 1>Eric B and Rock Kim show. And I was like

0:22:00.280 --> 0:22:03.600
<v Speaker 1>leaving it up to me now, yeah, and then we

0:22:03.680 --> 0:22:05.639
<v Speaker 1>went there. So this is this is the favorite part

0:22:05.680 --> 0:22:09.120
<v Speaker 1>of my time, as as all the accolades you got

0:22:10.080 --> 0:22:12.800
<v Speaker 1>as much as you know, you can say, you the man.

0:22:13.240 --> 0:22:16.119
<v Speaker 1>I saw you sit there and pay homage to Rock Him.

0:22:16.160 --> 0:22:17.879
<v Speaker 1>It was the best day of my life. Bro. It

0:22:18.000 --> 0:22:20.960
<v Speaker 1>was best just to see you humble, you like like

0:22:21.080 --> 0:22:22.960
<v Speaker 1>you were sitting there. And then Rock Him started to

0:22:23.040 --> 0:22:25.440
<v Speaker 1>do like two or three records that I never heard of.

0:22:26.040 --> 0:22:28.359
<v Speaker 1>I thought I was the biggest Rock Him fan. And

0:22:28.480 --> 0:22:32.880
<v Speaker 1>I watched SNAs you knew every word I love. I said,

0:22:33.560 --> 0:22:35.160
<v Speaker 1>this is why I sneak as the king of hip hop?

0:22:39.000 --> 0:22:41.680
<v Speaker 1>Can you remember that day? That was a great day.

0:22:41.920 --> 0:22:43.800
<v Speaker 1>That was a great day. I got my big change.

0:22:43.840 --> 0:22:46.800
<v Speaker 1>I just got my big change. The first day heavy.

0:22:47.240 --> 0:22:49.440
<v Speaker 1>So you're really a student of the game of hip hop.

0:22:49.680 --> 0:22:52.600
<v Speaker 1>I love it. I think I am. Ok you too, though,

0:22:52.840 --> 0:22:56.000
<v Speaker 1>yes I am too. But now now my throat because

0:22:56.000 --> 0:22:58.920
<v Speaker 1>we all up their age, So my throat something at

0:22:59.000 --> 0:23:02.280
<v Speaker 1>all of us. What are you listening to right now?

0:23:04.119 --> 0:23:09.280
<v Speaker 1>A new new nigga nas niggak. There's a lot of

0:23:09.359 --> 0:23:12.720
<v Speaker 1>Dirk snigger, a little dirt, okay, a little Dirk, A

0:23:12.760 --> 0:23:14.480
<v Speaker 1>little Dirk. He just came home, right, he just came

0:23:14.480 --> 0:23:18.680
<v Speaker 1>home with the baby. The baby, the baby, the baby

0:23:18.720 --> 0:23:21.080
<v Speaker 1>and his little baby. Now, no white gotta be someone

0:23:21.200 --> 0:23:29.879
<v Speaker 1>new old Dreamville joint, Dreamville joint. Oh, Jay Cole, that's accomplished.

0:23:30.400 --> 0:23:33.639
<v Speaker 1>The revenge of thevenge. What's that called? Don't because the

0:23:33.720 --> 0:23:38.240
<v Speaker 1>niggas got ball homie reason from TVs problem. That's what

0:23:38.320 --> 0:23:41.560
<v Speaker 1>you're listening to? Dirk a little bit? Yeah, the baby,

0:23:41.880 --> 0:23:45.280
<v Speaker 1>um little baby or the baby, both of them. Okay,

0:23:45.359 --> 0:23:48.399
<v Speaker 1>that's hard. That's that's forget. That was that was That

0:23:48.520 --> 0:23:55.480
<v Speaker 1>was old Bam My answer right there, that was that

0:23:55.640 --> 0:24:03.080
<v Speaker 1>was that was um who for sure? For sure Davies

0:24:03.160 --> 0:24:09.680
<v Speaker 1>for sure family in retrospect um, like I have to

0:24:09.720 --> 0:24:11.720
<v Speaker 1>say it like that, but always people always say you

0:24:11.800 --> 0:24:15.560
<v Speaker 1>the second coming of rock him. I feel like Davis

0:24:15.680 --> 0:24:18.520
<v Speaker 1>is the second coming of Nos or he's just his pause,

0:24:18.960 --> 0:24:20.960
<v Speaker 1>his own coming up coming. You know, I don't know

0:24:21.720 --> 0:24:26.359
<v Speaker 1>you know what I mean, but you know what I mean. Um,

0:24:27.000 --> 0:24:31.320
<v Speaker 1>I think I think Davis is the first Davies Todd. Yeah,

0:24:31.600 --> 0:24:37.600
<v Speaker 1>that's hard because sometimes that name and it would be

0:24:38.040 --> 0:24:41.640
<v Speaker 1>feeling like some people don't like that. So I would

0:24:41.640 --> 0:24:44.119
<v Speaker 1>be honored for somebody to call him that personally. But

0:24:44.760 --> 0:24:47.800
<v Speaker 1>he's his own man for sure. Have you have you

0:24:47.880 --> 0:24:50.760
<v Speaker 1>ever seen somebody never mind you of you like like

0:24:51.080 --> 0:24:53.280
<v Speaker 1>like you know what I'm saying, Like you know, everybody

0:24:53.359 --> 0:24:56.760
<v Speaker 1>bite your style and ship um like like they you said,

0:24:56.840 --> 0:25:06.159
<v Speaker 1>holy shit, Uh Loupe fraz Loupe or season Loupe. You

0:25:06.280 --> 0:25:14.119
<v Speaker 1>know it's two different loops now now Karatele baby Charibe

0:25:14.280 --> 0:25:20.119
<v Speaker 1>is hard, Yeah, both for them, both for them. Loupe, No,

0:25:20.200 --> 0:25:21.920
<v Speaker 1>that's my nigger. I got love for Loupe. I just

0:25:21.960 --> 0:25:24.119
<v Speaker 1>still want him to apologize to trim Core question from

0:25:24.160 --> 0:25:25.560
<v Speaker 1>that day when he came out there and he messed

0:25:25.600 --> 0:25:27.680
<v Speaker 1>them cute tip lyrics. Remember, I just wanted to say,

0:25:27.680 --> 0:25:29.720
<v Speaker 1>I'm sorry, that's it. So I'll be on Loupe's athlete.

0:25:29.720 --> 0:25:31.000
<v Speaker 1>You know, I love him as a brother and as

0:25:31.040 --> 0:25:34.720
<v Speaker 1>a fan. But you know he went out on Tropical Quest.

0:25:34.840 --> 0:25:37.280
<v Speaker 1>You don't remember it was a tribute to Tripic Core Quest.

0:25:37.840 --> 0:25:40.240
<v Speaker 1>That's it. I love Loupe like clear. I just want

0:25:40.280 --> 0:25:45.719
<v Speaker 1>to want to show coming up too. Oh all right?

0:25:46.000 --> 0:25:48.119
<v Speaker 1>Yeah you so you don't even knowing what you know?

0:25:51.920 --> 0:25:53.560
<v Speaker 1>You ever throw a hip hop? Like? I know? I

0:25:53.640 --> 0:25:55.200
<v Speaker 1>know this is like a cliche type of question. You

0:25:55.240 --> 0:25:59.760
<v Speaker 1>ever throw a hip hop? Really best? I always wanted

0:25:59.800 --> 0:26:03.560
<v Speaker 1>to be. I can't. I can't say that. Um, I

0:26:03.720 --> 0:26:06.359
<v Speaker 1>thought that your own wings chap, Yes it is, you

0:26:06.400 --> 0:26:09.320
<v Speaker 1>can have that, NAS's yes, it's not. Oh oh god,

0:26:09.400 --> 0:26:23.920
<v Speaker 1>we didn't have to ask you. Oh God, it's chance, baby,

0:26:26.000 --> 0:26:31.160
<v Speaker 1>Yes we have to ask you. God, damn the God.

0:26:31.240 --> 0:26:35.000
<v Speaker 1>And see what you say. Don't matter what you would

0:26:35.000 --> 0:26:38.439
<v Speaker 1>you like that? Would you like a shot? Nas anything?

0:26:38.480 --> 0:26:40.320
<v Speaker 1>You're doing what you want. Okay, let's let's do a shot.

0:26:40.320 --> 0:26:42.480
<v Speaker 1>We ain't gonna say what shot we doing? Um, it's

0:26:42.520 --> 0:26:44.920
<v Speaker 1>not a wingstop, by the way, man, shout the wingstop

0:26:44.960 --> 0:26:47.320
<v Speaker 1>who provided us some wings to shut out the cherry.

0:26:47.600 --> 0:26:51.600
<v Speaker 1>That's best by bestos bests. Ain't gone be so mad?

0:26:51.640 --> 0:26:57.879
<v Speaker 1>Advertisement talk about rich found niggers. Stop stop, stop about

0:26:57.920 --> 0:27:00.240
<v Speaker 1>this episode about you, brother. This episode is I'll do

0:27:00.800 --> 0:27:04.359
<v Speaker 1>so you know what I want to do. The Queen's

0:27:04.400 --> 0:27:05.840
<v Speaker 1>get the money, but you know I want to big

0:27:05.920 --> 0:27:08.960
<v Speaker 1>up too who I feel like don't get as much props,

0:27:09.000 --> 0:27:11.280
<v Speaker 1>and I feel like it's one of the best executives

0:27:11.400 --> 0:27:13.680
<v Speaker 1>ever in the world. And I know no one's not

0:27:13.760 --> 0:27:24.080
<v Speaker 1>gonna know. Horm about to say right now, Jungle. No,

0:27:24.359 --> 0:27:26.600
<v Speaker 1>that's that's one of my favorite I tell him that,

0:27:26.680 --> 0:27:29.320
<v Speaker 1>and we've always been when I say it, so he

0:27:29.359 --> 0:27:31.399
<v Speaker 1>think I'm playing, but I'm like a jungle. You're my

0:27:31.520 --> 0:27:35.280
<v Speaker 1>favorite executive. Like because he was hood, he knew exactly

0:27:35.320 --> 0:27:37.600
<v Speaker 1>what to do. Like do you remember we made Body

0:27:37.680 --> 0:27:42.240
<v Speaker 1>in the Truck. I can't forget that. I can't you

0:27:42.320 --> 0:27:44.640
<v Speaker 1>know wait how wait you mean the way we came

0:27:44.720 --> 0:27:47.720
<v Speaker 1>up with it was it was it was it was jungle,

0:27:47.840 --> 0:27:50.480
<v Speaker 1>It was Jungle. But before we get into that, I'm

0:27:50.480 --> 0:27:52.160
<v Speaker 1>gonna tell you. I'm gonna tell you a crazier story.

0:27:52.960 --> 0:27:55.520
<v Speaker 1>One day were in at the studio, me you and

0:27:55.600 --> 0:27:58.280
<v Speaker 1>It's Nature Session. So Me and You was both for

0:27:58.440 --> 0:28:02.520
<v Speaker 1>Nature Session and NASA. It's it's the song. It winded

0:28:02.640 --> 0:28:05.480
<v Speaker 1>up being called you with threat, but me and You're

0:28:05.480 --> 0:28:09.200
<v Speaker 1>in the studio and Nate just said so track master tone,

0:28:09.640 --> 0:28:13.720
<v Speaker 1>track masters, period plays the record, and Nation said you're

0:28:13.760 --> 0:28:15.520
<v Speaker 1>gonna take this ship. I'm gonna go home, and me

0:28:15.600 --> 0:28:18.439
<v Speaker 1>and you just looked at each other and as soon

0:28:18.480 --> 0:28:21.240
<v Speaker 1>as nature rolled out and you just bodied the whole reord.

0:28:21.280 --> 0:28:24.879
<v Speaker 1>You don't remember that there at first it was just

0:28:25.000 --> 0:28:27.439
<v Speaker 1>me and you. You remember he came back, and then

0:28:27.520 --> 0:28:30.000
<v Speaker 1>he came back. Then we was found niggas throwing it

0:28:30.040 --> 0:28:37.240
<v Speaker 1>out this so your drive, it was your drive though,

0:28:38.920 --> 0:28:43.320
<v Speaker 1>was like nothing I've never seen drinking motivated me. Thank

0:28:43.360 --> 0:28:46.040
<v Speaker 1>you somewhere like with you, and I'm like, if I

0:28:46.160 --> 0:28:49.760
<v Speaker 1>stand next to Homie, we're gonna make some real records.

0:28:49.800 --> 0:28:52.040
<v Speaker 1>So it was your drive, bro, and your vision, bro.

0:28:52.200 --> 0:28:54.400
<v Speaker 1>So it was just riding with you man. Thank you,

0:28:54.520 --> 0:28:57.760
<v Speaker 1>my brother, Thank you, because I don't know if I

0:28:57.840 --> 0:29:01.280
<v Speaker 1>ever told you this, but if it wasn't for I'm leaving,

0:29:01.960 --> 0:29:03.560
<v Speaker 1>I don't think I would have had a solo career.

0:29:04.920 --> 0:29:10.160
<v Speaker 1>And I don't know if you remember, but you guys

0:29:10.200 --> 0:29:14.040
<v Speaker 1>started recalling the Firm album in Miami and you're supposed

0:29:14.080 --> 0:29:16.840
<v Speaker 1>to give me a flight and I never got that flight.

0:29:19.040 --> 0:29:21.120
<v Speaker 1>But you gotta you gotta relax, You can't blame. You

0:29:21.200 --> 0:29:23.440
<v Speaker 1>gotta shut up and just wait for your hunger. And

0:29:23.520 --> 0:29:25.200
<v Speaker 1>then one day Jungle called me. It's like, you've been

0:29:25.240 --> 0:29:26.680
<v Speaker 1>in l A. And I was like, nick I made

0:29:26.840 --> 0:29:28.480
<v Speaker 1>l A, l A. I don't want to go to

0:29:28.680 --> 0:29:30.920
<v Speaker 1>l A. They're like, this is the only holl let

0:29:30.960 --> 0:29:32.560
<v Speaker 1>we need you on the Firm album. And I flew

0:29:32.600 --> 0:29:35.120
<v Speaker 1>out there and you know who the fund is the engineer,

0:29:36.000 --> 0:29:39.400
<v Speaker 1>Dr fucking dre My bro. The only time it's been

0:29:39.440 --> 0:29:46.120
<v Speaker 1>the room with Dr Dre's because you asked that. But

0:29:46.320 --> 0:29:48.840
<v Speaker 1>I want to go there for a second. The Firm album,

0:29:52.080 --> 0:29:57.920
<v Speaker 1>what was the vision to even create the Firm? And

0:29:58.240 --> 0:30:03.160
<v Speaker 1>we need a new firm. But that's it up I

0:30:03.280 --> 0:30:08.320
<v Speaker 1>needed I needed uh my niggers, you know. Um I

0:30:08.480 --> 0:30:11.240
<v Speaker 1>was dolo really so you need to squat up because

0:30:11.280 --> 0:30:15.640
<v Speaker 1>everybody was squatting up. So it's only right. Um you

0:30:15.760 --> 0:30:21.200
<v Speaker 1>had Junior Mafia, you know, you had um even you

0:30:21.280 --> 0:30:23.280
<v Speaker 1>know wood Tag. It's a lot of them, death rows,

0:30:23.320 --> 0:30:25.360
<v Speaker 1>a lot of them, you know. So I had to

0:30:25.400 --> 0:30:29.280
<v Speaker 1>squat up right here, and let's I want to want

0:30:29.320 --> 0:30:32.200
<v Speaker 1>to record reflect because all of people throught up in

0:30:32.240 --> 0:30:35.400
<v Speaker 1>the air, who put on Foxy Brown, she was signed

0:30:35.480 --> 0:30:40.680
<v Speaker 1>to you. Nah no she no, No, I lost the bet. No, Well,

0:30:43.600 --> 0:30:48.200
<v Speaker 1>can I retract the question. Let's bring up you know

0:30:48.560 --> 0:30:51.880
<v Speaker 1>um A Z introduced me to Foxy. He said, I

0:30:51.920 --> 0:30:55.200
<v Speaker 1>got a girl. I gotta girl that's called I'm like, nah,

0:30:55.960 --> 0:30:59.600
<v Speaker 1>when it's not gonna happen, they this girl Kim, It's

0:31:00.000 --> 0:31:03.080
<v Speaker 1>there's no there's nothing we can do to get anybody

0:31:03.120 --> 0:31:06.160
<v Speaker 1>to go. So Kim was out already before you met Foxy. Yeah,

0:31:08.440 --> 0:31:12.120
<v Speaker 1>I lost another back. Gay continues if it felt like

0:31:12.240 --> 0:31:14.280
<v Speaker 1>y'all were creating the firm on mix tapes. I mean

0:31:14.400 --> 0:31:16.120
<v Speaker 1>I might be completely wrong, but that's the way it felt.

0:31:16.800 --> 0:31:18.440
<v Speaker 1>I could answer that, but I'm let him answer it.

0:31:19.080 --> 0:31:21.000
<v Speaker 1>Just doing joint on mix tape, it just felt like

0:31:21.040 --> 0:31:23.040
<v Speaker 1>the firm was being created before our very eyes a

0:31:23.200 --> 0:31:27.080
<v Speaker 1>mix tapes. We we did mix tapes with DJ Clue.

0:31:27.960 --> 0:31:32.400
<v Speaker 1>We started doing stuff to promote the albums. So yeah,

0:31:32.520 --> 0:31:36.840
<v Speaker 1>we started doing that and that became the thing. So

0:31:37.040 --> 0:31:40.800
<v Speaker 1>we were using that. DJ Clue was our key to

0:31:40.960 --> 0:31:44.400
<v Speaker 1>the streets, and we just started doing a lot of

0:31:44.480 --> 0:31:46.280
<v Speaker 1>mix tape stuff because we couldn't wait for the albums

0:31:46.280 --> 0:31:49.000
<v Speaker 1>to come out. Yeah, but but A introduced me to

0:31:49.120 --> 0:31:52.280
<v Speaker 1>Foxy and I met her and I'm like, oh, she's

0:31:52.320 --> 0:31:58.720
<v Speaker 1>a beautiful, beautiful sister. She got bars, Oh she's gonna win.

0:31:59.360 --> 0:32:04.320
<v Speaker 1>So once they saw that I was invested, Um, everybody

0:32:04.440 --> 0:32:07.480
<v Speaker 1>just just went crazy and we were flying up Me,

0:32:07.640 --> 0:32:10.640
<v Speaker 1>Foxy and Um, flying floor to our l A to

0:32:10.760 --> 0:32:12.800
<v Speaker 1>talk to Jimmy Ivy to get it, try to get

0:32:12.840 --> 0:32:18.239
<v Speaker 1>her deal. No. I already had kicked it with Dre

0:32:18.680 --> 0:32:20.600
<v Speaker 1>my first album. He came to one of my shows

0:32:21.280 --> 0:32:23.840
<v Speaker 1>and he was like, Yo, we gotta work together and

0:32:24.320 --> 0:32:29.600
<v Speaker 1>at the Grand Slam Princess Club in l A. And yeah, yeah,

0:32:29.680 --> 0:32:32.280
<v Speaker 1>yeah for sure, so so but yeah, but we were

0:32:32.320 --> 0:32:36.200
<v Speaker 1>flying around shopping, shopping with trying to try to get involved.

0:32:36.240 --> 0:32:38.680
<v Speaker 1>But at the end I saw she was already up

0:32:38.720 --> 0:32:40.720
<v Speaker 1>and she was already on her way, so I stepped

0:32:40.760 --> 0:32:45.000
<v Speaker 1>back and let it go. So um and then and

0:32:45.080 --> 0:32:48.920
<v Speaker 1>then so the firm forms. Yeah you figure you figure,

0:32:49.560 --> 0:32:56.560
<v Speaker 1>uh it comes out and then Dr Dre says this

0:32:56.760 --> 0:32:59.760
<v Speaker 1>one line. He says some some ship or the firm flopped.

0:33:00.880 --> 0:33:04.160
<v Speaker 1>Everybody's saying I turn pop or the firm flop. Y'all

0:33:04.200 --> 0:33:06.920
<v Speaker 1>are the reason Dre ain't getting no sleep. So funck

0:33:07.000 --> 0:33:11.520
<v Speaker 1>y'all so so so were you at in your mind

0:33:11.560 --> 0:33:16.440
<v Speaker 1>frame like at that time? I mean, the expectations of

0:33:16.600 --> 0:33:19.880
<v Speaker 1>East Coast dudes rocking with Dr Dre at the time

0:33:20.040 --> 0:33:24.600
<v Speaker 1>was a lot, you know, and um, so it did

0:33:24.680 --> 0:33:28.320
<v Speaker 1>platinum and if it didn't do three or four platinum.

0:33:30.000 --> 0:33:36.480
<v Speaker 1>When Platinumney got gold black. Yeah, I'm gonna go to you.

0:33:36.920 --> 0:33:39.040
<v Speaker 1>Never got that. I didn't. I didn't get to my own.

0:33:39.120 --> 0:33:40.560
<v Speaker 1>I would have my own. I had no idea that

0:33:40.640 --> 0:33:42.480
<v Speaker 1>its actually been platinum. I'm now about to go out

0:33:42.520 --> 0:33:45.600
<v Speaker 1>to give you your platinum. Sure, So so what's your

0:33:45.680 --> 0:33:49.680
<v Speaker 1>what if you had and I needed you on that album? Yeah?

0:33:50.040 --> 0:33:53.240
<v Speaker 1>You was our guy, and talking like that, I'm thinking,

0:33:54.760 --> 0:33:57.360
<v Speaker 1>got a fact I felt. I felt that now I'm

0:33:57.400 --> 0:34:01.720
<v Speaker 1>leaving songs I'm leaving don't want to I'm leaving was

0:34:01.800 --> 0:34:05.520
<v Speaker 1>the song that really was our presence in the streets

0:34:05.560 --> 0:34:07.960
<v Speaker 1>in New York. That was the only song off the

0:34:08.040 --> 0:34:11.840
<v Speaker 1>album that went crazy on mixed shows at night, was this,

0:34:13.800 --> 0:34:17.080
<v Speaker 1>so that talk Now, they didn't hit this and at

0:34:17.120 --> 0:34:19.080
<v Speaker 1>first some of the some of the people was like,

0:34:19.960 --> 0:34:23.120
<v Speaker 1>you know, you're bringing too many queens guys into the fact.

0:34:23.280 --> 0:34:25.360
<v Speaker 1>It's chill. You know, why are you bringing them in

0:34:25.960 --> 0:34:29.440
<v Speaker 1>that talks and I said, now he got to be

0:34:29.520 --> 0:34:34.920
<v Speaker 1>on the joint. So yeah, because they was acting like

0:34:35.040 --> 0:34:37.520
<v Speaker 1>the production was too big for us. Firm bit single.

0:34:37.719 --> 0:34:41.000
<v Speaker 1>We had InVogue singers and their cars flying off the

0:34:41.080 --> 0:34:44.640
<v Speaker 1>roof and the ship he he leveled it and that

0:34:44.840 --> 0:34:48.080
<v Speaker 1>was just our vision. Also just knowing that he's the

0:34:48.160 --> 0:34:52.680
<v Speaker 1>one that's coming, so that talk, that's real ship. But

0:34:52.880 --> 0:34:58.279
<v Speaker 1>that man, I don't know what they're single, but we're

0:34:58.280 --> 0:35:00.399
<v Speaker 1>still gone. We're still gone. We're still but they're singing

0:35:00.400 --> 0:35:01.759
<v Speaker 1>in a little bit. I don't know what they're singling.

0:35:01.800 --> 0:35:03.640
<v Speaker 1>It's like they like the plane coming in right now.

0:35:03.680 --> 0:35:06.719
<v Speaker 1>They're going like this, But we're gonna still go because

0:35:06.719 --> 0:35:10.600
<v Speaker 1>you're the king. M c Okay, now we're here. So

0:35:10.719 --> 0:35:14.040
<v Speaker 1>if you had if you had one album, we gotta

0:35:14.040 --> 0:35:15.800
<v Speaker 1>do a shot. We don't even do shots. This is terrible.

0:35:16.120 --> 0:35:19.480
<v Speaker 1>This is we're not We're not. We're not this new

0:35:19.520 --> 0:35:22.839
<v Speaker 1>shots with everybody. You can pick your poison. We don't

0:35:22.840 --> 0:35:25.480
<v Speaker 1>have to say what it is. You you pick it

0:35:25.520 --> 0:35:28.719
<v Speaker 1>off camera, pick it off cameras. I'm head to Henny

0:35:28.719 --> 0:35:31.440
<v Speaker 1>you right then we're gonna hit the Hendy. Then do

0:35:31.440 --> 0:35:36.120
<v Speaker 1>you want to hit the any exod. I'm not gonna lie.

0:35:36.680 --> 0:35:39.600
<v Speaker 1>Let me tell you something, Nas, you're the only nigger

0:35:39.600 --> 0:35:42.000
<v Speaker 1>that can make me drink hennessy. You know, last time

0:35:42.040 --> 0:35:44.719
<v Speaker 1>I drank hennessy, I woke up in flatbus and like

0:35:45.120 --> 0:35:48.640
<v Speaker 1>flat bus, we're going flat buys. I'm like, why am

0:35:48.680 --> 0:35:51.480
<v Speaker 1>I here like this? The old flatbus, not the new flatbus,

0:35:51.880 --> 0:35:53.960
<v Speaker 1>not the new flat buys, the old flat buys. So

0:35:54.400 --> 0:35:56.600
<v Speaker 1>god damn, alright, we're gonna do Henny. Listen, listen, let's

0:35:56.640 --> 0:36:00.359
<v Speaker 1>listen now out here. This is beautifu for me. I'm

0:36:00.400 --> 0:36:08.520
<v Speaker 1>keeping it real. I'm keeping it now. Let's keep it real.

0:36:08.640 --> 0:36:10.400
<v Speaker 1>Let me tell you something. I have so many fights

0:36:11.160 --> 0:36:14.960
<v Speaker 1>before Illmatic came out and well Made came out. I

0:36:15.000 --> 0:36:16.719
<v Speaker 1>ain't gonna lie. I had at least two weeks I

0:36:16.760 --> 0:36:20.520
<v Speaker 1>didn't fight, wow, because niggas was like your queens. Niggas

0:36:20.560 --> 0:36:24.560
<v Speaker 1>got it. Wow. Why everybody always why they always trying

0:36:24.600 --> 0:36:26.520
<v Speaker 1>to bully queens? Man? No, No, I ain't gonna lie.

0:36:26.680 --> 0:36:29.560
<v Speaker 1>Listen to caress you made a lot of killers. I

0:36:29.640 --> 0:36:31.400
<v Speaker 1>told them you made a lot of killers because that

0:36:31.719 --> 0:36:33.840
<v Speaker 1>queens ship was not funny. Man, It's not funny. So

0:36:33.920 --> 0:36:36.920
<v Speaker 1>a little but you know what, Allmatic little brother. So

0:36:37.040 --> 0:36:39.160
<v Speaker 1>now if you want you to know, we don't want

0:36:39.160 --> 0:36:41.160
<v Speaker 1>you to go away to have to tell you that

0:36:41.280 --> 0:36:43.120
<v Speaker 1>we love you. We don't want to have to you

0:36:43.200 --> 0:36:45.360
<v Speaker 1>go away. It's something happening to tell you that you

0:36:45.480 --> 0:36:48.759
<v Speaker 1>appreciate it. Here right now, your flowers is deserved. Now

0:36:49.239 --> 0:36:51.200
<v Speaker 1>we know you got all accolades, but you know what,

0:36:51.560 --> 0:36:53.560
<v Speaker 1>every now and then we gotta say thank you because

0:36:53.600 --> 0:36:55.840
<v Speaker 1>you know, if it wasn't for Illmatic, there won't be

0:36:55.880 --> 0:37:03.640
<v Speaker 1>no norry. And that's a real ship. You know what

0:37:03.760 --> 0:37:07.239
<v Speaker 1>my em C name was before all Matic, m C

0:37:07.400 --> 0:37:10.040
<v Speaker 1>y'all who with the ball to beam? I wouldn't have worked. No,

0:37:10.200 --> 0:37:12.120
<v Speaker 1>I wouldn't have worked. People didn't work. I needed this.

0:37:12.320 --> 0:37:17.399
<v Speaker 1>I needed how you can make up these words? That's

0:37:17.440 --> 0:37:21.960
<v Speaker 1>all about itself. Uage. You gotta trade all your crazy show.

0:37:22.280 --> 0:37:25.359
<v Speaker 1>I'm gonna tell you so funny ship with y'all one day, yo.

0:37:25.480 --> 0:37:27.680
<v Speaker 1>I don't I don't know if you had the Northern cavan,

0:37:27.800 --> 0:37:30.719
<v Speaker 1>I believe, and your came and you picked me up,

0:37:31.440 --> 0:37:33.279
<v Speaker 1>and me and this nigga both didn't know how to

0:37:33.400 --> 0:37:37.799
<v Speaker 1>roll weed. You remember that I was. I ain't gonna lie.

0:37:37.800 --> 0:37:40.000
<v Speaker 1>I'm keeping a hunt. You're gonna look at me different.

0:37:40.640 --> 0:37:42.839
<v Speaker 1>But for like two weeks, I was nas weed roll

0:37:42.960 --> 0:37:46.560
<v Speaker 1>up like that was my dog, like it was cool.

0:37:46.680 --> 0:37:48.719
<v Speaker 1>I was just like, all right, cool. He came up

0:37:48.800 --> 0:37:51.680
<v Speaker 1>and I bowed up, and that's when we do. We're

0:37:51.680 --> 0:37:54.080
<v Speaker 1>gonna flushing metal. And we did not have a driver's license,

0:37:54.360 --> 0:37:56.520
<v Speaker 1>none of I still don't gotta drive. You gotta drives.

0:37:56.719 --> 0:37:58.839
<v Speaker 1>I got him out a few years ago. You're not driving.

0:37:58.880 --> 0:38:01.080
<v Speaker 1>Let's see and tell me what the fun the reason?

0:38:01.160 --> 0:38:05.000
<v Speaker 1>No driving license? Thinkers and Jungle still smoking bogies? Still

0:38:05.200 --> 0:38:07.200
<v Speaker 1>he still smoking both. You're gonna get Jungle to stop

0:38:07.239 --> 0:38:09.880
<v Speaker 1>smoking bogies and I'm gonna get the drivers, like, please,

0:38:09.960 --> 0:38:13.520
<v Speaker 1>let's do that. So your favorite error in hip hop? Even,

0:38:13.560 --> 0:38:15.400
<v Speaker 1>let's do one more shot? I mean I'm into that.

0:38:15.880 --> 0:38:17.600
<v Speaker 1>You don't have to if you don't want to. I'm

0:38:17.640 --> 0:38:19.520
<v Speaker 1>with you. Your favorite error in hip hop? If you

0:38:19.600 --> 0:38:25.040
<v Speaker 1>have to pick one error, one error, run errowt be

0:38:25.120 --> 0:38:32.359
<v Speaker 1>honest because I put them in the order. You Oh

0:38:32.520 --> 0:38:43.200
<v Speaker 1>ship run DMC fat boys. Um that ship was magical

0:38:43.280 --> 0:38:46.920
<v Speaker 1>to me, man, that ship was magical? Is your favorite?

0:38:46.920 --> 0:38:52.640
<v Speaker 1>The early the early eighties, the early eighties, Um, cougie

0:38:53.000 --> 0:39:00.600
<v Speaker 1>not coushie wrap but like before Coushi rap um llo

0:39:00.680 --> 0:39:04.680
<v Speaker 1>coo Jay's original I need to be because the words

0:39:04.800 --> 0:39:07.000
<v Speaker 1>he was using, he had to go to the dictionary

0:39:08.360 --> 0:39:13.640
<v Speaker 1>and I was like, okay, it's real. And then he dropped,

0:39:13.760 --> 0:39:17.040
<v Speaker 1>um that I need the rock the Bells, the new

0:39:17.120 --> 0:39:21.560
<v Speaker 1>one that we all know today. That was crazy. So

0:39:21.760 --> 0:39:24.279
<v Speaker 1>so that error right there was like him and mc

0:39:24.480 --> 0:39:28.560
<v Speaker 1>shan was like, um, it was real crazy because I

0:39:28.640 --> 0:39:32.279
<v Speaker 1>walked to the record store and by the record so, um,

0:39:32.719 --> 0:39:35.399
<v Speaker 1>that was crazy to me. That's number one. That's number one.

0:39:36.000 --> 0:39:38.840
<v Speaker 1>Some of the illest um things that I ever mentioned

0:39:38.880 --> 0:39:41.880
<v Speaker 1>on Drink Champs was I told a person that if

0:39:41.920 --> 0:39:45.160
<v Speaker 1>you want to study hip hop, I think you should

0:39:45.160 --> 0:39:52.080
<v Speaker 1>start from all Mattic and then go backwards. Remember I

0:39:52.120 --> 0:39:54.759
<v Speaker 1>said that, So at first I thought everybody was gonna like,

0:39:55.040 --> 0:39:59.239
<v Speaker 1>that's blasphemy. Ironically, it's only a couple of people who

0:39:59.320 --> 0:40:02.200
<v Speaker 1>said it was blast but everybody because the thing about

0:40:02.239 --> 0:40:05.640
<v Speaker 1>it is, and this is all due respect to our forefathers,

0:40:06.360 --> 0:40:09.480
<v Speaker 1>it really wasn't saying champagne and getting pussy in, you

0:40:09.520 --> 0:40:11.400
<v Speaker 1>know what I'm saying, Like, sometimes that's what we need

0:40:11.480 --> 0:40:13.720
<v Speaker 1>to relate to to get us in. Like the Donald's

0:40:13.719 --> 0:40:16.960
<v Speaker 1>Gones book. So I say that, like, if you study

0:40:17.040 --> 0:40:21.720
<v Speaker 1>illmatic and then go to to cool her reverse engineer

0:40:21.800 --> 0:40:25.400
<v Speaker 1>reverse engineering, and ironically only had two people who disagree

0:40:25.440 --> 0:40:31.040
<v Speaker 1>with me, that's ill. That's ill. It's crazy, that's crazy.

0:40:33.200 --> 0:40:36.319
<v Speaker 1>He just look at me. That's that's very crazy. I'm

0:40:36.360 --> 0:40:38.920
<v Speaker 1>a fan of the show. And I saw you guys

0:40:39.560 --> 0:40:45.400
<v Speaker 1>interview Caress one and he said some words that humble

0:40:45.520 --> 0:40:48.480
<v Speaker 1>me down to the to the floor and we talk

0:40:48.520 --> 0:40:51.920
<v Speaker 1>about yes, sir, and I love the conversation you had.

0:40:52.000 --> 0:40:53.920
<v Speaker 1>You told him that he created a lot of killers

0:40:53.960 --> 0:40:58.440
<v Speaker 1>and queens that should But just to bring him on

0:40:58.560 --> 0:41:01.239
<v Speaker 1>this show and talk about out the art of it,

0:41:01.480 --> 0:41:04.399
<v Speaker 1>it's like, it's like, that's what I love to see.

0:41:04.480 --> 0:41:07.040
<v Speaker 1>So I don't know why I brought that up, because

0:41:07.800 --> 0:41:10.640
<v Speaker 1>he was talking about and then going back and you

0:41:10.680 --> 0:41:12.359
<v Speaker 1>want another show? I feel like you want one more.

0:41:12.440 --> 0:41:20.880
<v Speaker 1>I'm just like, that's it. It's no, you know, I

0:41:21.000 --> 0:41:22.880
<v Speaker 1>really I really appreciate you, though. My brother. Let me

0:41:22.920 --> 0:41:24.960
<v Speaker 1>just tell you something, man, in a lot of ways,

0:41:25.200 --> 0:41:28.440
<v Speaker 1>your birth career because of the album you made, and

0:41:28.880 --> 0:41:31.920
<v Speaker 1>I followed this suit you birth Mark Deep and Mark

0:41:32.000 --> 0:41:34.120
<v Speaker 1>Deep kind of birth CNN, and I will always do

0:41:34.239 --> 0:41:36.000
<v Speaker 1>that so when you got on the Lost tapes. On

0:41:36.080 --> 0:41:40.279
<v Speaker 1>the Lost Tapes, you actually got a tribute to Prodigy. Yes, yes,

0:41:40.480 --> 0:41:44.719
<v Speaker 1>breech politics. It's about it's Queens Ridge politics, but it's

0:41:44.760 --> 0:41:46.920
<v Speaker 1>love to him and I do a little more. Man,

0:41:47.000 --> 0:41:48.840
<v Speaker 1>come on, come ain't front. You're like violating me, man,

0:41:48.880 --> 0:41:50.640
<v Speaker 1>give me, give me, come on, man, you're like disrespecting

0:41:50.640 --> 0:41:52.759
<v Speaker 1>me in front of all these people. Man, I'm a man.

0:41:53.840 --> 0:41:58.080
<v Speaker 1>I'm a man out here, nig So, Um, I'm sorry.

0:41:58.080 --> 0:41:59.480
<v Speaker 1>I sorry. I had a side, not that I thought

0:41:59.480 --> 0:42:02.120
<v Speaker 1>it was just me here. So you gotta join Queen's

0:42:02.120 --> 0:42:05.680
<v Speaker 1>Bridge politics. Now, this is because the thing about Lost

0:42:05.719 --> 0:42:10.200
<v Speaker 1>tapes is taped through different periods. So was that old

0:42:10.320 --> 0:42:16.040
<v Speaker 1>record that was that was last year? What I did that? Yeah? Wow,

0:42:16.440 --> 0:42:19.480
<v Speaker 1>you talked about the memorial, the mural and yeah yeah

0:42:19.560 --> 0:42:25.680
<v Speaker 1>that was last year. Um. I never I never thought

0:42:25.719 --> 0:42:29.600
<v Speaker 1>we'd lose p right, and he lost them too soon.

0:42:29.920 --> 0:42:33.279
<v Speaker 1>They rest in peace. He um. Yes, we can make

0:42:33.320 --> 0:42:42.040
<v Speaker 1>noise for that. Yeah, you know, he um. It's hard

0:42:42.040 --> 0:42:44.320
<v Speaker 1>to get into it because he's not here, right, you know.

0:42:44.560 --> 0:42:47.400
<v Speaker 1>So it's a lot of things that went on that

0:42:47.840 --> 0:42:51.520
<v Speaker 1>I wish never happened, so that you even say I

0:42:51.560 --> 0:42:55.680
<v Speaker 1>wish you never wrote that book. In the rhyme, he said, yeah, yeah, yeah, yeah,

0:42:55.880 --> 0:42:58.839
<v Speaker 1>that was You never know why people do certain things,

0:42:58.960 --> 0:43:02.279
<v Speaker 1>you know, So I think he was probably going through

0:43:02.320 --> 0:43:07.479
<v Speaker 1>a lot of pain. But the politics of every hood,

0:43:07.600 --> 0:43:09.839
<v Speaker 1>you know how it is, the politics of every hood

0:43:09.960 --> 0:43:12.360
<v Speaker 1>is what it is. So if I would have finished

0:43:12.400 --> 0:43:14.480
<v Speaker 1>that song, if I would really have been four or

0:43:14.520 --> 0:43:17.719
<v Speaker 1>five minutes long, to really get into a lot of

0:43:17.760 --> 0:43:20.880
<v Speaker 1>the history that that I that I watched growing up,

0:43:20.880 --> 0:43:23.640
<v Speaker 1>a lot of people that taught me a lot I

0:43:23.640 --> 0:43:25.680
<v Speaker 1>would have to get into. Yeah, God damn it, man,

0:43:25.680 --> 0:43:27.080
<v Speaker 1>I see this shot. Got damn it, God damn it.

0:43:29.239 --> 0:43:34.880
<v Speaker 1>You take a Hennessy, man, take a Hennessy got I

0:43:35.000 --> 0:43:37.960
<v Speaker 1>got damn Yeah, she got real, she got real, she

0:43:38.080 --> 0:43:41.960
<v Speaker 1>got rem she got real. It's only for this NI

0:43:43.320 --> 0:43:48.880
<v Speaker 1>And it's an ex so ain't I ain't? So? Like,

0:43:49.120 --> 0:43:51.480
<v Speaker 1>as a kid, you've growing up loving Hennessey, Do you

0:43:51.960 --> 0:43:56.399
<v Speaker 1>realize you got a fucking job? You got a Hennessy deal?

0:43:56.560 --> 0:44:00.880
<v Speaker 1>Like that's crazy deal, Like you got Hennessey and like

0:44:01.000 --> 0:44:03.040
<v Speaker 1>you you can't tell them that, like to put me

0:44:03.080 --> 0:44:09.319
<v Speaker 1>off the black list? You said, Nike, Yeah what you mean? Yeah,

0:44:09.400 --> 0:44:11.359
<v Speaker 1>they put you on the black list on the black list,

0:44:11.440 --> 0:44:13.759
<v Speaker 1>can you help me? I'll have a Nike. You gotta Nike,

0:44:13.800 --> 0:44:20.120
<v Speaker 1>you something. I'll watch you on Instagram. You got like everything.

0:44:21.520 --> 0:44:23.960
<v Speaker 1>Please can't you tell them? Because I ain't tell them.

0:44:24.120 --> 0:44:27.840
<v Speaker 1>Please give me on the black list? I can do that.

0:44:28.120 --> 0:44:30.840
<v Speaker 1>Do you think do you think there's something called black balled?

0:44:31.160 --> 0:44:35.920
<v Speaker 1>Because you know, like remember when the firm actually dispersed,

0:44:36.080 --> 0:44:39.960
<v Speaker 1>right and it came time for NASTI standing on his own.

0:44:40.360 --> 0:44:44.520
<v Speaker 1>I remember almost each of every member like actually accusing

0:44:45.320 --> 0:44:48.960
<v Speaker 1>maybe you or the industry of that black balling him.

0:44:49.080 --> 0:44:54.839
<v Speaker 1>I'm black balled. Do you think that exists? A black

0:44:54.920 --> 0:44:59.120
<v Speaker 1>balling exists? Do you think that where? Is it something

0:44:59.200 --> 0:45:02.120
<v Speaker 1>that organized? It's really basically people just saying, don't sunk

0:45:02.160 --> 0:45:08.400
<v Speaker 1>with that person. Do you think it's more organized than that? Um? No,

0:45:08.840 --> 0:45:12.320
<v Speaker 1>I don't think it's that deep. Um I don't. I

0:45:12.320 --> 0:45:17.080
<v Speaker 1>don't think it's that deep. I mean, what what is

0:45:17.160 --> 0:45:19.879
<v Speaker 1>black balling? Like? If if somebody says they're gonna black

0:45:19.920 --> 0:45:25.680
<v Speaker 1>ball you, you're gonna let them black ball meeting. So

0:45:26.000 --> 0:45:28.959
<v Speaker 1>I don't really care about it. So I'm sure people

0:45:29.160 --> 0:45:31.279
<v Speaker 1>people tell me all the time, you know, they try

0:45:31.360 --> 0:45:34.600
<v Speaker 1>to black ball you. Sign they try to. I don't

0:45:34.680 --> 0:45:37.520
<v Speaker 1>FaZe me because I'm not letting nobody stop me. So

0:45:38.239 --> 0:45:40.960
<v Speaker 1>people probably try to pull the rug from under my

0:45:41.080 --> 0:45:43.279
<v Speaker 1>feet a couple of times. People trying to pull a

0:45:43.440 --> 0:45:46.800
<v Speaker 1>rug on everybody's feet. If you let them stop you,

0:45:47.120 --> 0:45:54.040
<v Speaker 1>you ain't built for this game. Goddamn serious because so

0:45:54.440 --> 0:45:57.279
<v Speaker 1>so low statee suit. You have a party recently at

0:45:57.320 --> 0:46:00.440
<v Speaker 1>Massive Hill office, and you said you have enough for

0:46:00.600 --> 0:46:09.600
<v Speaker 1>three and four. I do, damn nigga, it's you got records? Yeah,

0:46:09.800 --> 0:46:11.600
<v Speaker 1>not like three and four do. Come on, let's go.

0:46:11.760 --> 0:46:13.640
<v Speaker 1>It's go on, smell you, let's go. You got three

0:46:13.719 --> 0:46:17.319
<v Speaker 1>and four and besides your normal albums, I got yeah,

0:46:17.440 --> 0:46:24.359
<v Speaker 1>I do with some big artists features and I can

0:46:24.480 --> 0:46:27.759
<v Speaker 1>drop another one with features because this one, the two

0:46:28.040 --> 0:46:34.920
<v Speaker 1>I kept it no features. The next one production definitely.

0:46:35.000 --> 0:46:38.000
<v Speaker 1>I got love to all of those guys on man,

0:46:38.800 --> 0:46:41.520
<v Speaker 1>but there's nobody really, there's nobody rapping with me. But

0:46:41.800 --> 0:46:46.800
<v Speaker 1>the next one, the features are crazy on part three. Yeah, Okay,

0:46:46.840 --> 0:46:49.840
<v Speaker 1>let me ask you one question. Is there anybody that

0:46:49.960 --> 0:46:54.360
<v Speaker 1>said no the nis like, is there anybody because I

0:46:54.400 --> 0:46:56.239
<v Speaker 1>feel like you can think about Jesus, I'm just throwing

0:46:56.280 --> 0:47:03.080
<v Speaker 1>it out there, like yours basically here. Yeah, I'm so sorry.

0:47:03.080 --> 0:47:06.239
<v Speaker 1>I'm so sorry. I'm what I'm saying. Anybody ever said no,

0:47:06.440 --> 0:47:08.759
<v Speaker 1>like like yo, I ain't working with you or not

0:47:08.920 --> 0:47:10.719
<v Speaker 1>they ain't working with you, like they didn't call back

0:47:11.239 --> 0:47:15.839
<v Speaker 1>Carlos Santana something I don't know, like somebody weird. Come

0:47:15.840 --> 0:47:19.520
<v Speaker 1>on now, pick somebody weird. Don't do that, say Joe Rules.

0:47:19.560 --> 0:47:24.640
<v Speaker 1>I'm gonna be faking upset like I'm just playing now.

0:47:24.719 --> 0:47:26.920
<v Speaker 1>I'm sorry. I want one right now. I didn't. I

0:47:27.000 --> 0:47:29.359
<v Speaker 1>didn't ask for a lot of I didn't really ask

0:47:29.440 --> 0:47:33.160
<v Speaker 1>for a lot to be turned down. Um, there's certain

0:47:33.200 --> 0:47:35.160
<v Speaker 1>people I won't dead call because I just know they're

0:47:35.200 --> 0:47:38.120
<v Speaker 1>not gonna probably do it. Like wh who you? Who

0:47:38.200 --> 0:47:41.640
<v Speaker 1>you winn call? I want to know this. I've seen

0:47:41.640 --> 0:47:44.080
<v Speaker 1>you Flix with Madonna, Nigga, so I know you went there, Nigga.

0:47:44.120 --> 0:47:47.719
<v Speaker 1>Come on, let's go there, let's go there. So who

0:47:48.520 --> 0:47:56.920
<v Speaker 1>who are you going? So? Who would who would not

0:47:57.200 --> 0:47:59.040
<v Speaker 1>be nervous to call? I want to notice that. I

0:47:59.120 --> 0:48:05.600
<v Speaker 1>want to think, uh, because you said it in your rhynd.

0:48:05.600 --> 0:48:11.360
<v Speaker 1>You got naked pictures of God? So like no, I

0:48:11.440 --> 0:48:13.800
<v Speaker 1>don't know, I don't know. That's what I'm saying. They go,

0:48:14.640 --> 0:48:16.759
<v Speaker 1>there's no one like you gotta call God, you got

0:48:16.960 --> 0:48:21.360
<v Speaker 1>you gotta God text message like that and say, yo,

0:48:21.520 --> 0:48:26.840
<v Speaker 1>y'all is I too? So no one's never front on.

0:48:26.960 --> 0:48:30.840
<v Speaker 1>You never wanted to feature that. You never got shot at. Somebody.

0:48:31.000 --> 0:48:34.759
<v Speaker 1>Somebody had to say, no, I can't baby shot. I

0:48:34.880 --> 0:48:38.839
<v Speaker 1>don't probably be heard. Yeah, I'm not saying this coming

0:48:38.960 --> 0:48:42.400
<v Speaker 1>right now. I go, I don't think I called her

0:48:42.480 --> 0:48:45.799
<v Speaker 1>for a record, and I don't think I've a called

0:48:45.840 --> 0:48:54.040
<v Speaker 1>her for I got it. Okay, brents ho, let's take

0:48:54.040 --> 0:48:55.920
<v Speaker 1>it over. We're gonna edit that. We that say I

0:48:56.000 --> 0:49:05.319
<v Speaker 1>got it again, I got it, I got on. Who

0:49:05.440 --> 0:49:11.560
<v Speaker 1>is it? Princes Peace? Prince? As soon as you said prince,

0:49:11.960 --> 0:49:23.160
<v Speaker 1>everything got purple to me right here. I'm just a couple, Okay.

0:49:23.160 --> 0:49:26.640
<v Speaker 1>I didn't hate the story. Now, um did he answer

0:49:26.680 --> 0:49:28.400
<v Speaker 1>the phone? Because I felt like he answered like hello.

0:49:31.080 --> 0:49:42.160
<v Speaker 1>Michael Jackson was low, like hello. Okay. I saw it

0:49:42.280 --> 0:49:46.160
<v Speaker 1>him because he came to my UM I AM album

0:49:46.280 --> 0:49:52.280
<v Speaker 1>released party and no, Princess Prince. So was he flowing?

0:49:52.760 --> 0:49:57.640
<v Speaker 1>He was Okay, he was what he was, and he

0:49:57.719 --> 0:50:00.520
<v Speaker 1>had this bad joint with him and I was like

0:50:00.760 --> 0:50:05.200
<v Speaker 1>yo to the chick from the last dragon vanity, like

0:50:05.320 --> 0:50:07.960
<v Speaker 1>in my mind and my mind, just let's just keep

0:50:08.040 --> 0:50:09.880
<v Speaker 1>the story like that. Now, it's keep going. He was

0:50:09.920 --> 0:50:15.920
<v Speaker 1>with the chicken. He walked in with Avaloni. Let's take

0:50:15.920 --> 0:50:18.960
<v Speaker 1>it from there. That's my own story, your your life.

0:50:19.120 --> 0:50:22.879
<v Speaker 1>Let's go. I can't now I was one of them.

0:50:23.280 --> 0:50:25.960
<v Speaker 1>It's one of them, and I just you know, I

0:50:26.040 --> 0:50:28.120
<v Speaker 1>said it. I said it. I pulled the Nory move.

0:50:28.200 --> 0:50:31.480
<v Speaker 1>I said, yo, look man, look, you know, let's do this.

0:50:33.280 --> 0:50:35.680
<v Speaker 1>Let's do this ang And he was like, you know,

0:50:36.120 --> 0:50:44.439
<v Speaker 1>do you own your master's away? That's but he blew

0:50:44.520 --> 0:50:50.319
<v Speaker 1>my ship because I was like, I don't and I'm

0:50:50.440 --> 0:50:54.880
<v Speaker 1>far from it because this labeled about four or five albums,

0:50:55.920 --> 0:50:59.240
<v Speaker 1>so I was like, damn, drop to jewel to jewel.

0:50:59.320 --> 0:51:02.560
<v Speaker 1>He he kind of helped me see the future and

0:51:02.760 --> 0:51:05.760
<v Speaker 1>he was like, when you're own your master's give me arrange.

0:51:05.840 --> 0:51:08.520
<v Speaker 1>Everybody thought he was crazy the way he was doing

0:51:08.560 --> 0:51:13.359
<v Speaker 1>it with his master. They thought he was crazy. Slow

0:51:13.440 --> 0:51:23.120
<v Speaker 1>clapp slow claps. Slow clap is different. That's when you're like,

0:51:24.200 --> 0:51:27.800
<v Speaker 1>that's hard. But but we um, we kicked it a

0:51:27.880 --> 0:51:32.040
<v Speaker 1>few times. We got cool. He was he was he

0:51:32.320 --> 0:51:35.560
<v Speaker 1>very cool dude to me. He invited me on stage

0:51:35.600 --> 0:51:37.759
<v Speaker 1>and before him, I was like, I can't go out there,

0:51:37.920 --> 0:51:43.080
<v Speaker 1>you know, like like I didn't go because you know,

0:51:43.239 --> 0:51:44.759
<v Speaker 1>you know, Prince might have had his ass out. It's

0:51:44.800 --> 0:51:50.279
<v Speaker 1>different Differry Prince. It's like, you know, I understand, I understand, man,

0:51:50.360 --> 0:51:56.319
<v Speaker 1>that's that's one of the gods man Prince. Yeah, but yeah,

0:51:57.040 --> 0:52:00.560
<v Speaker 1>um he I think everybody went to work with him.

0:52:00.800 --> 0:52:04.440
<v Speaker 1>So the pressure that he had from everybody, what he

0:52:04.719 --> 0:52:08.959
<v Speaker 1>turned Michael Jackson down, the pressure he had for people

0:52:09.000 --> 0:52:12.719
<v Speaker 1>want to work with him, it's crazy. Yeah, so who

0:52:12.880 --> 0:52:15.719
<v Speaker 1>hold up? Damn Oh, we love Prince stories on it

0:52:16.160 --> 0:52:18.279
<v Speaker 1>didn't have it give us a Prince story was having

0:52:18.320 --> 0:52:23.440
<v Speaker 1>said he made the beat Coprins. Okay, but straight you

0:52:23.560 --> 0:52:27.160
<v Speaker 1>went to Wyoming, like and you worked with Kanye. You

0:52:27.200 --> 0:52:29.400
<v Speaker 1>didn't work with the regular Kanye. You work with Maga

0:52:29.440 --> 0:52:34.920
<v Speaker 1>hat Kanye. Did you know it at that point? Did you?

0:52:35.120 --> 0:52:37.320
<v Speaker 1>Did you talking about that? You would just just like,

0:52:37.400 --> 0:52:41.120
<v Speaker 1>you know what, let me let this nig be crazy. Yeah,

0:52:42.520 --> 0:52:47.440
<v Speaker 1>I took it too far. I went to still genius. Man,

0:52:47.920 --> 0:52:49.399
<v Speaker 1>we still love him. I want to be from them

0:52:49.480 --> 0:52:51.239
<v Speaker 1>right now, like take a beat, but I'm gonna te

0:52:51.280 --> 0:52:53.640
<v Speaker 1>him take the hat off, nig. I'm sorry. So so

0:52:53.800 --> 0:52:55.959
<v Speaker 1>he called me and he's like we always talked about

0:52:56.080 --> 0:52:59.400
<v Speaker 1>him producing my album. So I'm like, he's like, you

0:52:59.480 --> 0:53:01.640
<v Speaker 1>ready to this is this album? I was like, Yeah,

0:53:01.719 --> 0:53:04.040
<v Speaker 1>let's just do this album. So it's all right, Cool,

0:53:04.040 --> 0:53:07.200
<v Speaker 1>We're gonna figure out the schedule. Um. Once we figured

0:53:07.200 --> 0:53:10.920
<v Speaker 1>out schedule, before we started working, he wanted to announce

0:53:10.960 --> 0:53:14.920
<v Speaker 1>the album. And that's not cool because that makes us.

0:53:15.600 --> 0:53:17.520
<v Speaker 1>It puts the pressure on, makes us have to deliver

0:53:17.560 --> 0:53:22.640
<v Speaker 1>the album the next days when h the Trump thing

0:53:23.360 --> 0:53:29.840
<v Speaker 1>when crazy? So my phone's ringing, yo, Wayne, because go

0:53:29.920 --> 0:53:33.640
<v Speaker 1>to the other way. That was tough. That was tough,

0:53:34.080 --> 0:53:36.200
<v Speaker 1>because you know why you like you like the hood Savior.

0:53:36.320 --> 0:53:38.640
<v Speaker 1>I don't know if you you ever accepted this pressure.

0:53:39.000 --> 0:53:42.920
<v Speaker 1>But whatever nas do we do? If NAS rocking Nike,

0:53:43.160 --> 0:53:47.240
<v Speaker 1>we rock Nike. Naas rock Slilke shirts were rock silk shirts.

0:53:47.360 --> 0:53:49.080
<v Speaker 1>If NAS get a half moon in the park, nick

0:53:49.200 --> 0:53:50.680
<v Speaker 1>I just stopped getting a half in the park. Come on,

0:53:51.480 --> 0:53:56.440
<v Speaker 1>come on, you still over there, half moon? So whatever

0:53:56.560 --> 0:54:00.719
<v Speaker 1>you do, we do. So if I'm just curious, like

0:54:00.760 --> 0:54:02.759
<v Speaker 1>ya ever even had that talk or you just like

0:54:02.800 --> 0:54:04.279
<v Speaker 1>you know what, let the music like, it's like me

0:54:04.360 --> 0:54:05.920
<v Speaker 1>and for real, I don't. We're not getting a studio

0:54:05.960 --> 0:54:09.160
<v Speaker 1>with real. I don't talk about ship. It's about music.

0:54:09.520 --> 0:54:14.560
<v Speaker 1>I don't talk about subways, publics when Dixie Pigley Wiggily,

0:54:14.640 --> 0:54:16.360
<v Speaker 1>none of that ship with that nigger. We just just

0:54:16.480 --> 0:54:19.640
<v Speaker 1>chick stick with music. That's all. We got to pretty combination,

0:54:21.680 --> 0:54:25.080
<v Speaker 1>you know. But so did you even like talk about

0:54:25.120 --> 0:54:27.279
<v Speaker 1>that because all you just like sucking stick with the music.

0:54:27.800 --> 0:54:30.000
<v Speaker 1>Who's that Kanye with the Magna hat? Did he kep?

0:54:31.400 --> 0:54:33.759
<v Speaker 1>In my mind, he didn't come into the Maga hat

0:54:33.880 --> 0:54:40.080
<v Speaker 1>right even from Queen's rizns you gotta step it up? Yeah?

0:54:40.160 --> 0:54:43.239
<v Speaker 1>That was that was That was some ship because um,

0:54:44.680 --> 0:54:47.440
<v Speaker 1>you know he got his uh, he got his ways

0:54:48.200 --> 0:54:51.080
<v Speaker 1>of thinking and doing things. You know, that's what's sweat

0:54:51.120 --> 0:54:53.880
<v Speaker 1>he is like nowadays it's called trolling. Do you you

0:54:53.960 --> 0:54:55.560
<v Speaker 1>know what? You know what trolling means? I know you're rich,

0:54:55.719 --> 0:55:00.560
<v Speaker 1>but you know what trolling means, like like trolling is

0:55:00.640 --> 0:55:03.920
<v Speaker 1>like to do something to Yeah, it's a lot. This

0:55:04.000 --> 0:55:07.400
<v Speaker 1>is retro. This is retrostro I would say that Kanye

0:55:07.520 --> 0:55:10.400
<v Speaker 1>is a retro. I think that Kanye is a troll.

0:55:11.480 --> 0:55:15.200
<v Speaker 1>You understand what you're trying to say? The things that

0:55:15.880 --> 0:55:18.680
<v Speaker 1>his way I don't do ship like that. He's he's

0:55:19.200 --> 0:55:22.680
<v Speaker 1>he's a genius at what he does. He pisses people off,

0:55:23.880 --> 0:55:27.080
<v Speaker 1>but he's a good brother. I'm a real good brother.

0:55:27.160 --> 0:55:31.040
<v Speaker 1>I'll take another shot. Um, come on, come on, Mr Lee,

0:55:32.080 --> 0:55:33.880
<v Speaker 1>now your investment because I don't. I don't want take

0:55:33.920 --> 0:55:36.640
<v Speaker 1>a different with my father team. It's about loss takes two,

0:55:36.920 --> 0:55:39.480
<v Speaker 1>so I want to get into that. But i'm your investments.

0:55:40.000 --> 0:55:43.839
<v Speaker 1>Um ring, Yeah, I got that at my door right now.

0:55:43.920 --> 0:55:47.719
<v Speaker 1>That's a fact. I use your investments. Um what else

0:55:47.760 --> 0:55:54.560
<v Speaker 1>is here? Part of uh uh? Box lifting? My son

0:55:54.640 --> 0:55:59.320
<v Speaker 1>got hip to lift right now? Come on, I just

0:55:59.360 --> 0:56:03.640
<v Speaker 1>heard your saying shots and up. But how how did

0:56:03.719 --> 0:56:08.320
<v Speaker 1>you What was the anthony? So I always say that

0:56:08.400 --> 0:56:11.920
<v Speaker 1>you know, dyslexic, dyslexic. You know I'm probably be dyslexic.

0:56:12.360 --> 0:56:14.080
<v Speaker 1>Like at this point, just let me just rote. But

0:56:14.239 --> 0:56:15.680
<v Speaker 1>what was it that said, you know what, I'm gonna

0:56:15.680 --> 0:56:24.240
<v Speaker 1>start doing investments. I wanted to do that from watching

0:56:24.360 --> 0:56:28.759
<v Speaker 1>TV as a kid. I wanted to I wanted to

0:56:28.840 --> 0:56:32.759
<v Speaker 1>be a businessman when I was a kid, Like I

0:56:32.880 --> 0:56:38.759
<v Speaker 1>wanted the office and a briefcase and in a suit,

0:56:40.080 --> 0:56:44.279
<v Speaker 1>and and I wanted to connect dots. I wanted to

0:56:44.400 --> 0:56:47.160
<v Speaker 1>make big things happen. I wanted to see things happen.

0:56:47.600 --> 0:56:50.200
<v Speaker 1>I always wanted to be that, you know, you know,

0:56:50.360 --> 0:56:52.239
<v Speaker 1>life takes you in another direction and you're going to

0:56:52.360 --> 0:56:56.600
<v Speaker 1>music and then after a while comes back around. He's like,

0:56:56.600 --> 0:56:59.279
<v Speaker 1>all right, I got timed down before I didn't have

0:56:59.360 --> 0:57:02.680
<v Speaker 1>no time. I got time now. So it's like something

0:57:02.680 --> 0:57:04.640
<v Speaker 1>like the kid on the internet. I got time today

0:57:04.640 --> 0:57:11.439
<v Speaker 1>because I got time today. You always tell you something

0:57:14.560 --> 0:57:16.480
<v Speaker 1>it's it's the same as you though, you know, like

0:57:16.640 --> 0:57:18.920
<v Speaker 1>it's the same as you. You're a businessman. No, no,

0:57:19.000 --> 0:57:21.080
<v Speaker 1>I ain't gonna lie. Nos, I follow you like I'm

0:57:21.080 --> 0:57:24.560
<v Speaker 1>gonna be honest. Um. I wondered that that should hit

0:57:24.600 --> 0:57:26.360
<v Speaker 1>me there in a different way, that should hit different.

0:57:27.680 --> 0:57:30.760
<v Speaker 1>That's it different, goddamnit. So who it's still hit me.

0:57:30.800 --> 0:57:31.880
<v Speaker 1>All right, hold on, let me let me get my

0:57:31.880 --> 0:57:35.320
<v Speaker 1>life together. Wait for one moment, so I'm not gonna lie.

0:57:36.080 --> 0:57:38.960
<v Speaker 1>You're seeing you transition and like becoming the full fledged

0:57:39.000 --> 0:57:42.280
<v Speaker 1>businessman that you are. It's so inspiring. It's so like

0:57:42.640 --> 0:57:45.120
<v Speaker 1>inspirational because I remember, like me, you and Jungle just

0:57:45.680 --> 0:57:48.920
<v Speaker 1>you know, sitting there in Justin's and eating fried fried

0:57:49.040 --> 0:57:51.200
<v Speaker 1>chicken and just like talking about it. And I'm gonna

0:57:51.200 --> 0:57:53.400
<v Speaker 1>tell you something that I know you don't remember or

0:57:53.440 --> 0:57:58.200
<v Speaker 1>you maybe you have. I filmed you in jungle and um,

0:57:58.560 --> 0:58:00.760
<v Speaker 1>we we're talking about this backpack kid hop at the time,

0:58:00.800 --> 0:58:02.480
<v Speaker 1>and we all hated back back hip the time. I

0:58:02.520 --> 0:58:04.960
<v Speaker 1>won't say what it was, who it was. I don't

0:58:05.000 --> 0:58:06.720
<v Speaker 1>say who it was, but you know what you told me?

0:58:07.320 --> 0:58:09.760
<v Speaker 1>What what's that you said? Your one day they're gonna

0:58:09.760 --> 0:58:15.080
<v Speaker 1>pay you for for your conversation. You are nostro dumis

0:58:17.400 --> 0:58:20.439
<v Speaker 1>That's what you told me. But it's your gift. That's

0:58:20.520 --> 0:58:23.320
<v Speaker 1>that's your gift. Your word play is crazy, bro, That's

0:58:23.320 --> 0:58:26.800
<v Speaker 1>why your flow is crazy. That's why what you yeah,

0:58:28.080 --> 0:58:31.320
<v Speaker 1>what I'm telling you when when you know, I remember

0:58:31.360 --> 0:58:34.680
<v Speaker 1>I met you and also in dn D studio and

0:58:36.200 --> 0:58:39.520
<v Speaker 1>you came to meet me and you told me what

0:58:39.760 --> 0:58:43.440
<v Speaker 1>was going on in your business and what you wanted

0:58:43.480 --> 0:58:50.680
<v Speaker 1>to go on and and and the whole contin his

0:58:50.800 --> 0:58:53.320
<v Speaker 1>whole in R E. R. We was there for that,

0:58:53.560 --> 0:58:58.000
<v Speaker 1>like we got you, let's go. And so anybody that

0:58:58.120 --> 0:59:02.920
<v Speaker 1>want to complain and say somebody's holding me back, this

0:59:03.120 --> 0:59:05.880
<v Speaker 1>is this is proof. We were proof no one can

0:59:05.960 --> 0:59:10.960
<v Speaker 1>hold what's destined to be nobody. So what you did

0:59:11.280 --> 0:59:15.440
<v Speaker 1>was what I did. We got here, we came, we saw,

0:59:15.560 --> 0:59:24.200
<v Speaker 1>we conquered. Anything else, it's bullshit because I know when

0:59:24.240 --> 0:59:26.840
<v Speaker 1>you was getting at with that. No, not because you know,

0:59:27.040 --> 0:59:29.440
<v Speaker 1>I see so many people, because I mean all of

0:59:29.520 --> 0:59:31.400
<v Speaker 1>us as rapp us. We have people who we want

0:59:31.520 --> 0:59:34.800
<v Speaker 1>to bring and bring with us, for sure, but then

0:59:34.840 --> 0:59:37.000
<v Speaker 1>there's certain people that don't want to work, but they

0:59:37.080 --> 0:59:39.600
<v Speaker 1>think that they still deserve to be there. So the

0:59:39.680 --> 0:59:41.600
<v Speaker 1>thing is, you just gotta just put it in yourself.

0:59:41.640 --> 0:59:43.840
<v Speaker 1>So I followed your footsteps, you know what I'm saying,

0:59:44.000 --> 0:59:46.480
<v Speaker 1>And I followed what you was doing. So you know what, man,

0:59:46.960 --> 0:59:49.120
<v Speaker 1>we got any more questions? I mean, I want to

0:59:49.200 --> 0:59:52.160
<v Speaker 1>keep talking about how you was going. I want to

0:59:52.160 --> 0:59:54.520
<v Speaker 1>do body in the trunk. I just think that it's

0:59:54.520 --> 0:59:57.160
<v Speaker 1>important for people to understand, like the evolution of how

0:59:57.200 --> 1:00:01.160
<v Speaker 1>we can diversified ourselves. But other things like you said,

1:00:01.200 --> 1:00:05.120
<v Speaker 1>we're doing podcasting, Um, you're doing the enough announced this

1:00:05.200 --> 1:00:10.400
<v Speaker 1>massive pill deal too, that I should go right. You

1:00:10.560 --> 1:00:15.200
<v Speaker 1>just announced it right now. In case you don't know,

1:00:15.720 --> 1:00:18.280
<v Speaker 1>every time you hear drink chance that ship is gonna

1:00:18.280 --> 1:00:29.960
<v Speaker 1>be on massive Pill. Make some boddamn yo family such

1:00:30.000 --> 1:00:33.680
<v Speaker 1>a beautiful energy. Yes, good energy, and we want you

1:00:33.760 --> 1:00:35.400
<v Speaker 1>to know. Now, let me tell you something. Let me

1:00:35.440 --> 1:00:38.800
<v Speaker 1>tell you something. Listen, just because we down with massive

1:00:38.800 --> 1:00:41.280
<v Speaker 1>pill or whatever, you sell you the biggest artist, one

1:00:41.320 --> 1:00:42.960
<v Speaker 1>of the biggest artists in the world to me, the

1:00:43.000 --> 1:00:46.280
<v Speaker 1>biggest artists in the world. Because I'm pleased and yeah

1:00:46.600 --> 1:00:49.920
<v Speaker 1>to me, I say that. And you could have you

1:00:50.040 --> 1:00:51.760
<v Speaker 1>could have went anywhere, but you came to us, and

1:00:51.840 --> 1:00:56.640
<v Speaker 1>I'm pause, Um, I really, I really appreciated that. Now

1:00:56.800 --> 1:00:58.960
<v Speaker 1>because a lot of people don't know. They're thinking that

1:00:59.160 --> 1:01:01.240
<v Speaker 1>we just did this. Now. You showed up to our

1:01:01.640 --> 1:01:08.640
<v Speaker 1>main headquarters in Miami like you're seriously on the first Yes,

1:01:09.200 --> 1:01:11.320
<v Speaker 1>the first day of the tour. Yes, I gotta come

1:01:11.400 --> 1:01:14.520
<v Speaker 1>see my guys. I never did it before. It's family

1:01:14.600 --> 1:01:16.320
<v Speaker 1>time at the time, it couldn't have been better. Like

1:01:16.400 --> 1:01:18.880
<v Speaker 1>I said, I'm a fan of the show. I love

1:01:18.920 --> 1:01:20.840
<v Speaker 1>what you guys do. I think there's no show like

1:01:21.000 --> 1:01:24.960
<v Speaker 1>this in the game. It's pure, it's right, and he's drinking.

1:01:25.040 --> 1:01:28.200
<v Speaker 1>It's it's a brand slam. It's beautiful. So I couldn't

1:01:28.240 --> 1:01:30.360
<v Speaker 1>wait to be on the show. I saw Steve shout

1:01:30.400 --> 1:01:36.120
<v Speaker 1>on the show. He's crazy. I ask you about that. Yeah,

1:01:36.400 --> 1:01:42.800
<v Speaker 1>care arrest one I saw Oh man, it was daddy

1:01:42.840 --> 1:01:47.120
<v Speaker 1>came with Yeah, so so you know, keep doing your thing. Yeah.

1:01:48.320 --> 1:01:50.640
<v Speaker 1>I just want to thank you so much because you're

1:01:50.720 --> 1:01:53.320
<v Speaker 1>you're not your whole letting out here. You know they'd

1:01:53.320 --> 1:01:54.760
<v Speaker 1>be like ninol go out here with the whole baby.

1:01:55.120 --> 1:02:00.880
<v Speaker 1>Yeah wait wait, let's be real though, good though you

1:02:01.000 --> 1:02:04.640
<v Speaker 1>got lost tapes to You're gonna have with you drink

1:02:04.720 --> 1:02:12.840
<v Speaker 1>Champs with Nas Part two in Miami. I just want

1:02:12.880 --> 1:02:15.360
<v Speaker 1>to say, because you know what, you know what, it's

1:02:15.400 --> 1:02:17.120
<v Speaker 1>so perfect, you know what, I could go in, I

1:02:17.160 --> 1:02:19.040
<v Speaker 1>could go in for six hours, but I'm gonna man,

1:02:19.320 --> 1:02:27.240
<v Speaker 1>I can't believe it's going pooked. Yeah. Yeah, you got

1:02:27.360 --> 1:02:32.040
<v Speaker 1>to celebrate. We gotta celebrate with you. So yeah, celebration

1:02:33.560 --> 1:02:35.480
<v Speaker 1>once again. I just want to say thank you. You

1:02:35.520 --> 1:02:37.520
<v Speaker 1>know what I'm saying because at the end of the day,

1:02:39.200 --> 1:02:40.640
<v Speaker 1>certain people don't have to do what they got to

1:02:40.680 --> 1:02:43.720
<v Speaker 1>do to keep hip hop going. Like you're at a

1:02:43.800 --> 1:02:45.520
<v Speaker 1>level where you can say, you know what I can

1:02:45.560 --> 1:02:49.680
<v Speaker 1>say on Wall Street, You're still here. You're still making

1:02:49.760 --> 1:02:53.360
<v Speaker 1>business benches with niggers like us just trying to get

1:02:53.400 --> 1:02:59.160
<v Speaker 1>apartment and I'm coming right, Yeah, come on but I'm

1:02:59.200 --> 1:03:03.200
<v Speaker 1>coming there. But and I just want to thank you

1:03:03.320 --> 1:03:05.320
<v Speaker 1>because in case you don't know what you mean the

1:03:05.440 --> 1:03:09.360
<v Speaker 1>hip hop, if it wasn't for Nas, it wouldn't be

1:03:09.440 --> 1:03:12.880
<v Speaker 1>a whole genre of music. It wouldn't be a mob deek,

1:03:12.960 --> 1:03:15.760
<v Speaker 1>there wouldn't be a component in oriega. There wouldn't be

1:03:15.840 --> 1:03:18.360
<v Speaker 1>a the Locks. There wouldn't be there. It's a lot

1:03:18.440 --> 1:03:21.760
<v Speaker 1>of people that you birthed with that drug dealer, real

1:03:22.000 --> 1:03:27.480
<v Speaker 1>nigga rat that that I know. I know. I know

1:03:27.560 --> 1:03:33.720
<v Speaker 1>you're humble, your burger of Stember sixty set, so I

1:03:33.840 --> 1:03:35.720
<v Speaker 1>know you don't all right now, So body in the trunk?

1:03:35.800 --> 1:03:37.640
<v Speaker 1>Do you remember how he made Body in the trunk?

1:03:37.680 --> 1:03:41.880
<v Speaker 1>All right? Hell yeah, I don't want you. We used

1:03:41.920 --> 1:03:44.080
<v Speaker 1>to hang a lot. We used to hang a lot

1:03:45.000 --> 1:03:57.120
<v Speaker 1>a lot. Used to take me to seafood place. He

1:03:57.160 --> 1:03:58.840
<v Speaker 1>always had a style about him. He could be in

1:03:58.880 --> 1:04:01.160
<v Speaker 1>the hood, but he knew how us spin niggers and

1:04:01.200 --> 1:04:06.040
<v Speaker 1>then we go through the fly ships. So yes, so

1:04:06.240 --> 1:04:09.360
<v Speaker 1>body the trunk, Yeah, that was us in the studio.

1:04:10.320 --> 1:04:13.040
<v Speaker 1>Just just want to make records. This I'm gonna be honest.

1:04:13.080 --> 1:04:14.680
<v Speaker 1>This is what you said to me. Because we had

1:04:14.800 --> 1:04:17.120
<v Speaker 1>had like seven records at the time. And I don't

1:04:17.120 --> 1:04:19.600
<v Speaker 1>know if y'all know, but none of your niggers in

1:04:19.640 --> 1:04:21.640
<v Speaker 1>this room was lucky enough to have seven records with

1:04:21.720 --> 1:04:25.840
<v Speaker 1>nos I, so relax. I had seven So and now

1:04:25.880 --> 1:04:29.360
<v Speaker 1>I said, yo, let's do a concept record. So the

1:04:29.440 --> 1:04:35.240
<v Speaker 1>whole time we're driving, right, I ain't gonna I got

1:04:35.280 --> 1:04:39.040
<v Speaker 1>out of controls okay, So as me driving to the

1:04:39.720 --> 1:04:42.280
<v Speaker 1>see you, You and the Hit Factor we already but

1:04:42.360 --> 1:04:44.760
<v Speaker 1>I'm with Jungle and the Chapelle. So they keep they

1:04:44.880 --> 1:04:47.680
<v Speaker 1>keep battling each other, gets somebody in the trunk, y'all,

1:04:48.360 --> 1:04:51.200
<v Speaker 1>somebody in the trump and then they just so I

1:04:51.320 --> 1:04:53.440
<v Speaker 1>walk in the studio with you, and I'm like, yo, um,

1:04:54.880 --> 1:04:56.800
<v Speaker 1>let's do a concept record. I was like, all right, cool,

1:04:57.000 --> 1:04:59.240
<v Speaker 1>and we started thinking of concepts. I went to the bathroom.

1:04:59.280 --> 1:05:03.280
<v Speaker 1>They still the bullshit, I said. I came back in.

1:05:03.400 --> 1:05:07.040
<v Speaker 1>I said, did you hear what they're talking about? You're like, nah,

1:05:07.120 --> 1:05:09.440
<v Speaker 1>I said, Yo, he keeps talking about the body of

1:05:09.480 --> 1:05:15.880
<v Speaker 1>the trunk. He was like, that's perfect for the concept. Yo,

1:05:16.400 --> 1:05:20.640
<v Speaker 1>that's my ship. That's that's my ship right there. That

1:05:20.760 --> 1:05:23.880
<v Speaker 1>show is crazy. No, that was a crazy joint because

1:05:23.880 --> 1:05:25.919
<v Speaker 1>it was like you had to like a movie part

1:05:25.960 --> 1:05:28.400
<v Speaker 1>and then that had the sound effects and to beat

1:05:28.440 --> 1:05:31.439
<v Speaker 1>the stupid beat, go dumb, y'all should make a movie

1:05:31.560 --> 1:05:35.880
<v Speaker 1>right now, that motherfucker. But I got the Jungle all

1:05:35.920 --> 1:05:38.520
<v Speaker 1>the time. He I hear him talking that ship turned

1:05:38.560 --> 1:05:42.960
<v Speaker 1>on a song. It's like, oh ship id be later

1:05:43.000 --> 1:05:45.240
<v Speaker 1>he getting little ripped. I ain't getting paid for that song,

1:05:46.440 --> 1:05:51.439
<v Speaker 1>pub That's not true. I paid them for the whole

1:05:51.600 --> 1:05:54.439
<v Speaker 1>motherfucking executive producing because you know what, And I'm gonna

1:05:54.440 --> 1:05:57.800
<v Speaker 1>be honest. I'm gonna be honest. I owe Jungle more.

1:05:57.920 --> 1:06:00.640
<v Speaker 1>I owe you more because you know what as a friend,

1:06:00.760 --> 1:06:03.040
<v Speaker 1>as a like, as a friend dude in the game.

1:06:03.440 --> 1:06:05.960
<v Speaker 1>What happened was I took that whole album on my

1:06:06.080 --> 1:06:10.600
<v Speaker 1>own and y'all didn't. I didn't take over, but you

1:06:10.840 --> 1:06:13.360
<v Speaker 1>came over and just let me know you did your thing.

1:06:13.720 --> 1:06:15.760
<v Speaker 1>He was helping me with the spices over here and

1:06:15.880 --> 1:06:20.000
<v Speaker 1>over here. And I can't never thank you, incredible, bro.

1:06:21.000 --> 1:06:23.600
<v Speaker 1>You couldn't do that. Thank everybody can't do what you do. Bro.

1:06:23.880 --> 1:06:26.760
<v Speaker 1>Thank you. My Brother's what it is. So listen everybody,

1:06:26.880 --> 1:06:28.440
<v Speaker 1>before before we get out of here, we also got

1:06:28.560 --> 1:06:30.680
<v Speaker 1>a big up. Not only are we gonna break news

1:06:31.160 --> 1:06:36.120
<v Speaker 1>massive peal, Yes, title in the building with us too. V.

1:06:37.480 --> 1:06:43.360
<v Speaker 1>Let me just say something. Let me say something to

1:06:43.440 --> 1:06:45.480
<v Speaker 1>the people. You ran a play right there when we

1:06:45.520 --> 1:06:49.480
<v Speaker 1>say something to the people real quick. Good friend of

1:06:49.520 --> 1:06:53.720
<v Speaker 1>mine named Peter for Massive Pill. Pete said to me,

1:06:54.880 --> 1:06:57.120
<v Speaker 1>and I don't even think he knows he said this

1:06:57.240 --> 1:06:59.880
<v Speaker 1>to me, but he, I mean knows that this was

1:07:00.040 --> 1:07:04.400
<v Speaker 1>a heavy weighing on us. We had a heavy deal

1:07:04.800 --> 1:07:09.280
<v Speaker 1>with our Heart radio. I don't get too crazy details crazy,

1:07:09.320 --> 1:07:12.560
<v Speaker 1>all right, I gotta relax, you gotta relax. I see

1:07:12.600 --> 1:07:15.600
<v Speaker 1>people way, chill, all right, chill, nick. I know what

1:07:15.640 --> 1:07:19.240
<v Speaker 1>I'm doing. But Peter said something crazy to me. It

1:07:19.360 --> 1:07:22.560
<v Speaker 1>was in Bahamas, and he said, our heart ain't gonna

1:07:22.600 --> 1:07:27.080
<v Speaker 1>get y'all. You're gonna do something crazy and our heart

1:07:27.120 --> 1:07:31.640
<v Speaker 1>ain't gonna be there. And as wild as that ship sound,

1:07:32.080 --> 1:07:35.000
<v Speaker 1>it was very simple. We know we say wild ship.

1:07:35.960 --> 1:07:38.160
<v Speaker 1>We know that any other show can be censored and

1:07:38.240 --> 1:07:43.720
<v Speaker 1>can be tamed. We know this. So instead of our Heart,

1:07:44.600 --> 1:07:53.600
<v Speaker 1>he chose motherfucking mass of pill. And I want to

1:07:53.960 --> 1:07:55.800
<v Speaker 1>I wanted to record this show that because I know

1:07:55.920 --> 1:07:57.440
<v Speaker 1>Peter didn't know what he said when he said that,

1:07:57.560 --> 1:07:59.680
<v Speaker 1>Because he said he said, he said that ship to

1:07:59.720 --> 1:08:02.160
<v Speaker 1>me and said it so nonchalantly, but it made so

1:08:02.320 --> 1:08:06.440
<v Speaker 1>much sense because because the thing about it is, I

1:08:06.600 --> 1:08:09.680
<v Speaker 1>want everybody listen to this, not because I'm ill. People,

1:08:09.680 --> 1:08:15.800
<v Speaker 1>because I'm ill. Go where you appreciate it, Go when

1:08:15.840 --> 1:08:26.880
<v Speaker 1>you celebrate it. I'm going when you tolerated like I'd

1:08:26.960 --> 1:08:31.200
<v Speaker 1>rather be with my people. Like I never had business,

1:08:31.439 --> 1:08:33.880
<v Speaker 1>I never I never had dreams of doing business with

1:08:33.960 --> 1:08:37.120
<v Speaker 1>Warren Buffett or Steve Jobs or things like that. My

1:08:37.479 --> 1:08:39.960
<v Speaker 1>thing was, I want to do business with puff Daddy.

1:08:40.840 --> 1:08:43.280
<v Speaker 1>I want to do business with nads. I want to

1:08:43.320 --> 1:08:46.200
<v Speaker 1>do business with a whole because that's who I look

1:08:46.280 --> 1:08:48.919
<v Speaker 1>up to and that's who I can see myself becoming.

1:08:49.840 --> 1:08:55.439
<v Speaker 1>So no disrespect. But why go to Spotify? Why I

1:08:55.680 --> 1:08:59.679
<v Speaker 1>don't got that guy's number? I don't even know who's

1:08:59.760 --> 1:09:02.800
<v Speaker 1>Mr Spotify? Who is that name? Hold on, hold on on,

1:09:02.840 --> 1:09:04.599
<v Speaker 1>and let me tell you there's nothing more hip hop.

1:09:05.080 --> 1:09:07.840
<v Speaker 1>Did I kill that? I killed that. There's nothing more

1:09:07.960 --> 1:09:11.120
<v Speaker 1>hip hop than to say, I say a Cuban kid

1:09:11.240 --> 1:09:13.840
<v Speaker 1>from Miami. That's right. I tuck that ship. It's sitting

1:09:13.840 --> 1:09:17.280
<v Speaker 1>at the table with legends, nonetheless, and then we can

1:09:17.360 --> 1:09:22.639
<v Speaker 1>announce a monumental deal in hip hop revote and massive

1:09:22.720 --> 1:09:32.840
<v Speaker 1>palms and on that note, nas nas, thank you so much.

1:09:33.479 --> 1:09:35.920
<v Speaker 1>I want to thank the massive pill staff draft to

1:09:36.080 --> 1:09:39.720
<v Speaker 1>add to Peter, so damn so many of them all.

1:09:39.800 --> 1:09:42.240
<v Speaker 1>I forgot the London girl. Forgot her name? What's her name?

1:09:43.280 --> 1:09:45.800
<v Speaker 1>What's her name? The London girl to accent the publicist. Okay,

1:09:47.400 --> 1:09:51.439
<v Speaker 1>I'm a big up to the title little big up

1:09:51.479 --> 1:10:01.760
<v Speaker 1>to a revote, robbing and every everybody, Yo, Na you

1:10:06.080 --> 1:10:11.800
<v Speaker 1>do ro think a drop drop? I know, I know,

1:10:11.960 --> 1:10:13.639
<v Speaker 1>I know, I get drop