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Speaker 1: And his Drink Chats Motherfucking podcast. He's a legendary queen's rapper,

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Speaker 1: He's segre is your boy in o R. He's a

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Speaker 1: Miami hippop pioneer. Up is d j e f N.

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Speaker 1: Together they drinking up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast, and yet number one

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Speaker 1: source were drunk back. Mother is New year Z. Let's

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Speaker 1: time for drink Champs, Trick Up Mother? Would it could be?

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Speaker 1: Hopefully wouldn't still be? This is your Boy and O R?

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Speaker 1: What up is d j e f N? This Drink

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Speaker 1: Chats Motherfucker? Yappy hour makes up. When we started this show,

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Speaker 1: we said that there was no platform for legends. When

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Speaker 1: you have ten, fifteen years or more in this game,

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Speaker 1: they want to call you old, they want to call

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Speaker 1: you washed up, they want to say this over for you.

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Speaker 1: And all genres of movement like rock and roll, jazz,

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Speaker 1: whatever the older you get, the more season you get.

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Speaker 1: I wanted to change that in hip hop, so instead

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Speaker 1: of us can playing about it, we did what the

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Speaker 1: funk we had to do. So when we throught of

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Speaker 1: this show, the person that's here that's our guest today

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Speaker 1: is the Empity of me of that is the guard

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Speaker 1: m C. He's my favorite MC of all times. I

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Speaker 1: never even told him that this makes me a kind

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Speaker 1: of fake nigger, like I told him that, like I

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Speaker 1: said texting right. One of the best business man. He

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Speaker 1: showed Queen's Bridge people that not only you can be

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Speaker 1: from the hood, but you can transition yourself into being

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Speaker 1: a real full fledged businessman from the world. Showed the

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Speaker 1: world this man has done whatever he had to do

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Speaker 1: countless times and he's on top. He's number one m C.

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Speaker 1: One of the illdest lyrically ever inclined, keeping the classy,

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Speaker 1: keeping the clup. See, I've never seen them on a

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Speaker 1: bump day. Neither then they've never had one bump day,

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Speaker 1: Like everybody has a bump day. Nows like at one

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Speaker 1: point you're gonna come outside like a you got to.

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Speaker 1: But if you don't know what we're talking about, me too,

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Speaker 1: about Niles by the way, By the way, they still

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Speaker 1: like being called Niles Estoball or yeah you don't give up,

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Speaker 1: Yeah I don't give a thing. Cool got them you

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Speaker 1: already drinking before me. So right now we're celebrating lost tapes.

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Speaker 1: So let's take those those tapes too. So let's break

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Speaker 1: down the origin of lost tapes. Lost tapes is the

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Speaker 1: records that didn't make the album. You could make an

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Speaker 1: album out of your side, but yeah, yeah, you know

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Speaker 1: you got the records that you didn't he wasn't sure about,

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Speaker 1: so you just they sit around. What's spending time? Is

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Speaker 1: this that these records are like win and win, like

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Speaker 1: two thousands seven to last year. Yeah, it's different albums. Yeah, yeah, yeah, yeah,

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Speaker 1: a couple of albums. So the crazy thing is, um, first, um,

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Speaker 1: first time I actually met you, met you was on

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Speaker 1: Vernon Boulevard. I think he was going on tour and

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Speaker 1: you was your your homeboys is playing this record that

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Speaker 1: I've never heard before in my life. I heard it

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Speaker 1: one time one time, Odie. I don't know if you

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Speaker 1: remember this story. I'm walking through Vernon Bulevard cause you

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Speaker 1: shotted me out without actually meeting me, like like, and

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Speaker 1: I finally met you. They it was playing this record.

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Speaker 1: Now you tell me if I'm bugging it was there's

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Speaker 1: a lady cops sucking the thugs dick on some bug ship.

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Speaker 1: Yeah that record up. No, he's looking at little STAPs

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Speaker 1: for that record. I'm looking to lock. It's the first time.

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Speaker 1: I feel like little Wayne bit your ship, oh ship. Yeah,

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Speaker 1: you know when I when I heard that song, it

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Speaker 1: reminded me of that ship. But I didn't think nobody

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Speaker 1: even that. You wouldn't even heard that joint dog. That's crazy.

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Speaker 1: No one knows that. I was like, Yo, how long

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Speaker 1: ages is? And you heard this record? This was after

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Speaker 1: it was written. This was after it was written, and

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Speaker 1: this is the fifty dollar Panta sonics. I ain't making

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Speaker 1: no noise. He's come on, ain't making no noise with it? Man,

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Speaker 1: please get the money. Were walking through Vernon Boulevard and

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Speaker 1: obviously obviously uh it was marb Deep that was coming up.

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Speaker 1: By the way, um the Prophecy tribute. We'll go right

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Speaker 1: to that. I remember they playing in a fifty dollar panastic.

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Speaker 1: I remember I was like, damn, this nigga saying that

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Speaker 1: he's sucking a lady cop. And I had never knew

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Speaker 1: that people can say that. I was so scared. That

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Speaker 1: was like a nigga album before Nick albums. That's the truth,

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Speaker 1: you know. I remember that song dog like, I think

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Speaker 1: Elios might have did that. So I didn't know what

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Speaker 1: to do with the song though. You know, that's that's

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Speaker 1: that's lost, lost, lost, that's like that's twenties something years ago.

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Speaker 1: That's crazy, bro. And of course I shout at you

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Speaker 1: out because y'all was coming up and I've seen that

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Speaker 1: ship and I'm like, these dudes, these these are the

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Speaker 1: dudes right here. So it's like, so queen ship, you

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Speaker 1: know what I'm saying, seen them coming up, capone, noriega.

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Speaker 1: I knew it was gonna be on. Yeah, for sure.

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Speaker 1: I ain't gonna lie to that change. That changed my

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Speaker 1: life because, um see, I know, I know you humble

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Speaker 1: and um and you don't realize that you're the greatest

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Speaker 1: m C of all times, the greatest mc all um.

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Speaker 1: You could worry. I'm gonna be cocky for you. This

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Speaker 1: is this is where we're here for. Um. I want

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Speaker 1: to tell you. I want to get to gotta say

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Speaker 1: I'm happy to be here man, man, you know, yeah,

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Speaker 1: I just want to tell you what al Matock was, right. Um.

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Speaker 1: It was a point in time caress kind of sucked

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Speaker 1: us up right clear. It was I was running through

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Speaker 1: spar Fit and I was running through Rager's Island. They

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Speaker 1: were saying, queens, it's bron snickers. They know I didn't

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Speaker 1: not like that. So it was one period. I'm sorry

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Speaker 1: cause I've never told you this. This is crazy. It's

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Speaker 1: one period that it changed the course of Queens m

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Speaker 1: and I don't know if you noticed, I'm sure you

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Speaker 1: know it. It was ill matic when when that's a fact. Listen,

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Speaker 1: it was Queen's nickers blowing dudes every day. They had

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Speaker 1: to get it on because it was it was the

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Speaker 1: joke of the town at the time. It would say

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Speaker 1: Queen's you turned around here. But the ill Mattic came

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Speaker 1: out and was like, all right, you know what you're

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Speaker 1: talking about now, because that's how you you you you

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Speaker 1: described the picture of Queens and Queensbridge in a way

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Speaker 1: like Donald Gorman's to think about why people read books

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Speaker 1: in jail as they go to that place. So everybody

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Speaker 1: when ill Mattock came out, every body actually it's not

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Speaker 1: only just from Queen's braves, but they was from Queen's period.

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Speaker 1: Do you know that I heard? Good looking? Though, look

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Speaker 1: your Careress story is like, uh, it's incredible. Care Arrest

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Speaker 1: is a leader, he's he's one of my favorite rappers ever.

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Speaker 1: So when I first when I was putting out the Automatic,

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Speaker 1: it was like almost two show care Arrest one. It

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Speaker 1: was almost that was part of my drive because I

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Speaker 1: had to because of what he had done, so I

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Speaker 1: had to. It was part of it. Was like, yo,

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Speaker 1: look Caress were here, so you know, he's one of

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Speaker 1: my favorites ever. But never mind saying that it changed

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Speaker 1: the course of queens or whatever changed the course of

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Speaker 1: hip hop period, Like did you even imagine that you

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Speaker 1: would just change, like the evolution of hip hop, because it,

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Speaker 1: to me, it changed. It was a new era in

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Speaker 1: hip hop when Thematic came out. Lyrically yeah, yeah, I

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Speaker 1: mean we had rock him and we had we had lyrics,

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Speaker 1: but it just it felt different after Atmatic. I feel

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Speaker 1: you it was like I had represent It was like

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Speaker 1: like Norri said that the pressure was on the Borough

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Speaker 1: and my projects, so it was like and then just

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Speaker 1: getting in the game, you had to have something to say.

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Speaker 1: So I definitely had to push it, push, push the

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Speaker 1: pen hard because it's not but it never flew and

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Speaker 1: people like me, I'm in Miami and I feel like

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Speaker 1: I was in Queensbridge listening to what I'm saying. It

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Speaker 1: was so vivid, appreciate. I'm not gonna lie to you.

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Speaker 1: I think I could quote that album backwards. That's how

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Speaker 1: good I know that. I know I know the album

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Speaker 1: better than you. I promised to you, I can you.

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Speaker 1: I can sumend your verses than because it meant it

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Speaker 1: meant so much more than me because we were in

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Speaker 1: we were in the pen now when it when it

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Speaker 1: came out, when I was in the p now, I

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Speaker 1: was locked with the Brooklyn guys. And it was Biggie

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Speaker 1: and it was it was a Buckshot. It was Buckshot

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Speaker 1: and and and I knew mind you. I have met

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Speaker 1: you through a Canelli, but I didn't know that was you.

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Speaker 1: And then when you said when I was twelve, I

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Speaker 1: went to health of stuffing, Jesus, what was room with you?

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Speaker 1: Sack or waving automatic guns and nothing? Everybody ever? Did

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Speaker 1: everybody ever actually that question? When you were twelve? Me

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Speaker 1: went the health is nothing, Jesus. I was. I was

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Speaker 1: sick at um what was happening in the black community.

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Speaker 1: And I felt like what was pushed on us uh

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Speaker 1: on a religious level, um was before my time. You know,

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Speaker 1: the Black church is powerful, definitely been there through the

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Speaker 1: Civil rights and all of that, and still powerful to

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Speaker 1: this day. But I was I didn't see it as

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Speaker 1: a black thing. I didn't see it as I saw

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Speaker 1: no ones coming to save us, you know, So I

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Speaker 1: just felt like it's me against the world. Had a

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Speaker 1: very rebellious spirit back then, like serious. So yeah, but

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Speaker 1: you know, I love Jesus. That's my man. That's my man.

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Speaker 1: And it's also a rumor that's been looking around that

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Speaker 1: it was you and Acnelli together. What you mean, like

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Speaker 1: like when y'all went to the deal or is that

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Speaker 1: true or something like that? We used to go um

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Speaker 1: the Columbiada. You're talking abou No, not before that, being

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Speaker 1: accused to meet me at the last car on the

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Speaker 1: train and we're gonna go here, or I'm gonna come

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Speaker 1: pick you up and we're gonna go shop. These tapes

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Speaker 1: I Cannella used to get me like motivated to go

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Speaker 1: shop demos. He for somehow knew he knew where the

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Speaker 1: officers was, he knew who to go see, he knew

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Speaker 1: he made meetings with them, He booked meetings with like

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Speaker 1: like real people. The barbecue and all that after after

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Speaker 1: because I met him doing a lot of the barbecue.

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Speaker 1: So he was like thinking like a businessman like he

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Speaker 1: was about it. I didn't. I was like, are we

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Speaker 1: really going to these going to these offices, like yeah,

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Speaker 1: yeah for sure. You know I joined the Taliban right now,

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Speaker 1: you've seen them lately. Look, you know you're going crazy,

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Speaker 1: pup don so. So I need to ask this question

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Speaker 1: because as a fan, this is a hip hop fan.

192
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Speaker 1: No Wu Tang came and they destroyed ship, but it

193
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Speaker 1: was a skin on Ghost Face album. Yeah, goddamnit, dj J,

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Speaker 1: what's what's rock? That's a skin? When they said a

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Speaker 1: big nas ship, Yeah, they said ship. Um it was um,

196
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Speaker 1: that was a talk. So that was a talk. I

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Speaker 1: just I couldn't believe he said it. So, um, it's

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Speaker 1: over the album cover right because Biggie because I had

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Speaker 1: a picture of young me on the cover, and then

200
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Speaker 1: Notorious b I g rest in Peace had a um

201
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Speaker 1: picture of a baby that was going to be him,

202
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Speaker 1: supposed to be him. So of course people start comparing

203
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Speaker 1: because they was comparing us anyway. So then the album

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Speaker 1: cover came and it was like, oh, so Ghost said it.

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Speaker 1: I said, Uh, it's straight blood sport out here. It's war. Absolutely.

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Speaker 1: When Ghost said that ship on um a raised tape,

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Speaker 1: Oh that was crazy. That was crazy, man, because because

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Speaker 1: it was something after that I think puff Big called me.

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Speaker 1: You've never heard this story? Now, Yeah, Big called me

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Speaker 1: and he's like, yo, fucking with the wound niggers. You

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Speaker 1: knew they said that ship. And he was like, Yo,

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Speaker 1: that's how you feel away, bro, because me and him

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Speaker 1: was tight, so we you know. I was like, yo,

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Speaker 1: I mean that's ghosts, ghost faces, ghost face, there's no

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Speaker 1: love loss. I didn't know he's gonna say this ship.

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Speaker 1: And he was just he was a little disappointed because

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Speaker 1: he wasn't trying to bite off my ship. No, no,

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Speaker 1: just just in general because he he wasn't coming at

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Speaker 1: it like that. Because if you listen to this album

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Speaker 1: he rapped from you tell the whole story and ship.

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Speaker 1: So I never I didn't look I didn't look at

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Speaker 1: like like, I didn't look at it that. It was

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Speaker 1: just competition at that time. So at that time, I

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Speaker 1: was like, I was riding with that a little bit

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Speaker 1: because it was competition. So it was just one for me.

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Speaker 1: Other than that, bust Of Rhymes had told me a

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Speaker 1: story because I bust Of called me all care bust

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Speaker 1: I forget Buster said, yo, tell nas about the one

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Speaker 1: time it was you him and method Man in the studio.

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Speaker 1: And Big was supposed to come up, and Big didn't

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Speaker 1: want to woke up flights, the stairs, the elevator. The

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Speaker 1: elevator was broken, and Big had a car accident, so

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Speaker 1: he had a cane and he's like, dude, he said,

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Speaker 1: I love your niggers, but I ain't want to like

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Speaker 1: the stairs with this bro. His ship was broke. Something

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Speaker 1: was broke. He had a car accident. Yeah, that was

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Speaker 1: a crazy session. That was gonna be some ship. So

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Speaker 1: I didn't lea no verse. But the next day Big

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Speaker 1: came and and he did his ship. You know, that's

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Speaker 1: the only verse that Big when that pocket, Yes, the

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Speaker 1: double album, will the double album. He had some verses

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Speaker 1: for him, but you're right, that was the one when

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Speaker 1: he went right at him, right, Adam, you bust have

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Speaker 1: played me that verse. I was gonna bring her here,

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Speaker 1: but I said I don't think I should. I was like,

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Speaker 1: I don't think I should. So that's that's so. Yeah, Okay,

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Speaker 1: it comes a time after Illmatic right where it was written. Well, now,

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Speaker 1: oh I like that. I like that. I like so

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Speaker 1: so it changed from the project kid to like, uh uh, Big,

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Speaker 1: the big guy. I remember track master tone. We're asking

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Speaker 1: him so you'll track myster tone I want to do?

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Speaker 1: Um uh, what's what's this thing with Lorman? My toes said,

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Speaker 1: I will never give you that record, I said, jess Us,

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Speaker 1: and did you will see at lash from? Because you

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Speaker 1: you you? It was almost like you not like a backpacker.

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Speaker 1: I don't want to say like a back poper. You

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Speaker 1: was like the king of the underground. And then as

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Speaker 1: you transition to it was written it was like, now

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Speaker 1: you're a boss. But as soon as you become a boss,

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Speaker 1: people kind of you know what I'm saying. Did you

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Speaker 1: did you like see that? Like crossover? Yeah? Oh yeah,

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Speaker 1: big time, big time. When when we first put off

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Speaker 1: the record, it was a white label, so they didn't

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Speaker 1: know who was singing it, so they didn't know it

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Speaker 1: was her, So they're thinking, why is somebody singing on

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Speaker 1: this on your record? Bro? Like what's going on? And

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Speaker 1: I'm like, Dog, that's the that's Hohodini, the beat, that's Whodini,

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Speaker 1: that's something she's singing. Curtis bow Dog. This is this

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Speaker 1: is hip hop to me. Um, it sounds good for

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Speaker 1: radio too, but I'm just saying it's hip hop. So

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Speaker 1: this is what we This is what we're doing the

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Speaker 1: way the way the thing was changing. It was like

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Speaker 1: radio was opening up to us. Hot Night the seven

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Speaker 1: was now a thing, and that's opening up to us.

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Speaker 1: So if we can have a record that the streets

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Speaker 1: is into but also has a appeal to go a

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Speaker 1: massive hill, to go massive massive, then you had to

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Speaker 1: do that. We had to do that to get to

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Speaker 1: the next level, because you know, that was just the

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Speaker 1: the challenge was to just you can't just be rapping.

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Speaker 1: You gotta make records too. It's like keeping your authenticity

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Speaker 1: but still for sure. And then and then it's Lauren Hill,

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Speaker 1: you know what I'm saying, So not that I'm so good.

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Speaker 1: Then it's Lauren Hill. So it's like but then of

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Speaker 1: course you know people wasn't ready for the transition. And

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Speaker 1: now and now you're on tour with Mary J. Blige,

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Speaker 1: Nigga's out there out there's stepping on ship. Yeah there

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Speaker 1: doing it Like like is that what you're at in life?

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Speaker 1: Because you know we're here, we read all you know

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Speaker 1: the about the stock and everything you got is like

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Speaker 1: when you come out as there's things that you want

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Speaker 1: to do. You know what I'm saying, because I feel

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Speaker 1: like you wanted to do the tour, like I feel like, yeah,

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Speaker 1: there's a lot of things you can say no to. Yeah.

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Speaker 1: We've been talking about it for a while. So after

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Speaker 1: New Year's I've seen her and we's all hanging out

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Speaker 1: and um, I said, Yo, do you want tour this? Yeah?

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Speaker 1: She was like, Yo, yeah, let's do it. So I

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Speaker 1: was like, wait, wait a time out. That's how y'all

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Speaker 1: said it. Y're just somewhere said it's easy. I heard

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Speaker 1: her up, I leave friends like you now let's make that. Yeah.

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Speaker 1: Yeah called. I said, Yo, you want to do this tour?

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Speaker 1: She's like, let's do it. Let's do it, and she

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Speaker 1: was serious about it. So it was just a great time.

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Speaker 1: And your first date was Miami. Yeah, West Palm, West

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Speaker 1: Palm and the show was crazy. Bro. Yeah yeah. Shout

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Speaker 1: out to Mary. She's she's honored to be on tour

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Speaker 1: with her man her from What's the four one one

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Speaker 1: for Gan Pouba. She's always been at hip hop queen,

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Speaker 1: you know what I mean. So it's like queen of

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Speaker 1: pop soul, you know. So that's a sister. That's a sister.

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Speaker 1: Before we move on, I want to say welcome on.

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Speaker 1: My brother do was man, I miss you man. You know, um,

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Speaker 1: you know, I'm welcome home. My brother got damn okay.

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Speaker 1: But but when you said, when you said hip hop

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Speaker 1: is dead, how many like dms you got from the

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Speaker 1: young niggas? You know what I'm saying, Like it was

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Speaker 1: to kill me, man, because what you were saying was

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Speaker 1: explain to what you people you're saying it's dead. I

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Speaker 1: was just because we didn't have no control. And it's like,

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Speaker 1: you know a lot of people took offense to it

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Speaker 1: that I didn't think it was gonna take offense. I'm

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Speaker 1: talking about, let's wake up and take control. As soon

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Speaker 1: as we put out a record, there's some political or

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Speaker 1: some religious or whoever leader in the community that's trying

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Speaker 1: to build a name off you and start to protest

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Speaker 1: your record. As soon as you try to build your

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Speaker 1: company or trying to be independent all the labels, you

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Speaker 1: run into trouble, you know. So it was it was

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Speaker 1: so many people in control of where this thing was going.

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Speaker 1: And it's like I thought, we's had a great time

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Speaker 1: to turn this aroundt didn't control it basically, not like

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Speaker 1: not like what happened, not like what's going on today.

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Speaker 1: You know what I'm saying. And also, you know, um,

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Speaker 1: I probably thought a few a few people could have

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Speaker 1: stopped making records. I probably thought you couldn't even say

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Speaker 1: something about noise one time. That's not that's not hire.

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Speaker 1: I was dead. That's this was family ship. That's what's

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Speaker 1: mad about something. Stay here Because at the time when

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Speaker 1: you said that he was living in Atlanta, Yeah, out

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Speaker 1: of cribb in Atlanta, crib and McDonough, Georgia. Okay, but

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Speaker 1: that's who took an offense to it, right, man, Atlanta

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Speaker 1: took offense because because Little had a shirt that hip

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Speaker 1: Hop and Die lives in the South man. So I felt,

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Speaker 1: you know, I did that, but they know, so I

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Speaker 1: felt like I felt like, damn, it's it's not really

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Speaker 1: I didn't get the point off right because the wrong people.

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Speaker 1: I wasn't attacking Louda and my guys. No, no, it

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Speaker 1: wasn't the case. It was just like tell you true.

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Speaker 1: I forgot why I said it. But essentially it was

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Speaker 1: so long ago. It's something pissed me off. Something pissed

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Speaker 1: me off. Essentially, the breakdancing, the graffiti that's what you mean,

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Speaker 1: right to breakdance and the graffiti culture. It was. It

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Speaker 1: was all of this stuff that even today, a lot

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Speaker 1: of people don't care about it, and I like to.

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Speaker 1: I like to care about it, Like I like what

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Speaker 1: you say about when the show starts, like give them

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Speaker 1: their roses while you could smell them. A lot of

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Speaker 1: people don't realize the great history here. That's that's that's

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Speaker 1: why we're trying to well, that's why we are building

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Speaker 1: a hip hop museum and the Bronx, you know what

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Speaker 1: I'm saying, because it should have been here, It should

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Speaker 1: have been should have been this way over due. We're

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Speaker 1: building one here because it'll be great. Because sometimes the

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Speaker 1: kids don't see why they shouldn't go far, go that

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Speaker 1: far back to to listen to some ship, you know,

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Speaker 1: but if you go back there, you might discover some

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Speaker 1: new ship that you could be doing. You know what

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Speaker 1: I'm saying. Like I looked at them old dudes, or

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Speaker 1: I don't want to call them old, but the pioneers,

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Speaker 1: and I learned from them. I learned from them, and

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Speaker 1: so it's like it's important that the kids today know

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Speaker 1: how important they are to this whole thing too, you know.

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Speaker 1: You know, one of the one of the one of

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Speaker 1: my favorite days of my life was. We was in

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Speaker 1: Massive Hill office and because I had thought Rock Kim

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Speaker 1: and Eric B was toring, idn't. I didn't know that

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Speaker 1: because I see rock Him, but I see Eric B

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Speaker 1: by itself. I didn't know that Eric being Rock Kim.

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Speaker 1: I hadn't been together so long. So he said to me,

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Speaker 1: you said your Nori, you want to go to the

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Speaker 1: Eric B and Rock Kim show. And I was like

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Speaker 1: leaving it up to me now, yeah, and then we

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Speaker 1: went there. So this is this is the favorite part

385
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Speaker 1: of my time, as as all the accolades you got

386
00:22:10,080 --> 00:22:12,800
Speaker 1: as much as you know, you can say, you the man.

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00:22:13,240 --> 00:22:16,119
Speaker 1: I saw you sit there and pay homage to Rock Him.

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Speaker 1: It was the best day of my life. Bro. It

389
00:22:18,000 --> 00:22:20,960
Speaker 1: was best just to see you humble, you like like

390
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Speaker 1: you were sitting there. And then Rock Him started to

391
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Speaker 1: do like two or three records that I never heard of.

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Speaker 1: I thought I was the biggest Rock Him fan. And

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00:22:28,480 --> 00:22:32,880
Speaker 1: I watched SNAs you knew every word I love. I said,

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Speaker 1: this is why I sneak as the king of hip hop?

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Speaker 1: Can you remember that day? That was a great day.

396
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Speaker 1: That was a great day. I got my big change.

397
00:22:43,840 --> 00:22:46,800
Speaker 1: I just got my big change. The first day heavy.

398
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Speaker 1: So you're really a student of the game of hip hop.

399
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Speaker 1: I love it. I think I am. Ok you too, though,

400
00:22:52,840 --> 00:22:56,000
Speaker 1: yes I am too. But now now my throat because

401
00:22:56,000 --> 00:22:58,920
Speaker 1: we all up their age, So my throat something at

402
00:22:59,000 --> 00:23:02,280
Speaker 1: all of us. What are you listening to right now?

403
00:23:04,119 --> 00:23:09,280
Speaker 1: A new new nigga nas niggak. There's a lot of

404
00:23:09,359 --> 00:23:12,720
Speaker 1: Dirk snigger, a little dirt, okay, a little Dirk, A

405
00:23:12,760 --> 00:23:14,480
Speaker 1: little Dirk. He just came home, right, he just came

406
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Speaker 1: home with the baby. The baby, the baby, the baby

407
00:23:18,720 --> 00:23:21,080
Speaker 1: and his little baby. Now, no white gotta be someone

408
00:23:21,200 --> 00:23:29,879
Speaker 1: new old Dreamville joint, Dreamville joint. Oh, Jay Cole, that's accomplished.

409
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Speaker 1: The revenge of thevenge. What's that called? Don't because the

410
00:23:33,720 --> 00:23:38,240
Speaker 1: niggas got ball homie reason from TVs problem. That's what

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00:23:38,320 --> 00:23:41,560
Speaker 1: you're listening to? Dirk a little bit? Yeah, the baby,

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Speaker 1: um little baby or the baby, both of them. Okay,

413
00:23:45,359 --> 00:23:48,399
Speaker 1: that's hard. That's that's forget. That was that was That

414
00:23:48,520 --> 00:23:55,480
Speaker 1: was old Bam My answer right there, that was that

415
00:23:55,640 --> 00:24:03,080
Speaker 1: was that was um who for sure? For sure Davies

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00:24:03,160 --> 00:24:09,680
Speaker 1: for sure family in retrospect um, like I have to

417
00:24:09,720 --> 00:24:11,720
Speaker 1: say it like that, but always people always say you

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Speaker 1: the second coming of rock him. I feel like Davis

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00:24:15,680 --> 00:24:18,520
Speaker 1: is the second coming of Nos or he's just his pause,

420
00:24:18,960 --> 00:24:20,960
Speaker 1: his own coming up coming. You know, I don't know

421
00:24:21,720 --> 00:24:26,359
Speaker 1: you know what I mean, but you know what I mean. Um,

422
00:24:27,000 --> 00:24:31,320
Speaker 1: I think I think Davis is the first Davies Todd. Yeah,

423
00:24:31,600 --> 00:24:37,600
Speaker 1: that's hard because sometimes that name and it would be

424
00:24:38,040 --> 00:24:41,640
Speaker 1: feeling like some people don't like that. So I would

425
00:24:41,640 --> 00:24:44,119
Speaker 1: be honored for somebody to call him that personally. But

426
00:24:44,760 --> 00:24:47,800
Speaker 1: he's his own man for sure. Have you have you

427
00:24:47,880 --> 00:24:50,760
Speaker 1: ever seen somebody never mind you of you like like

428
00:24:51,080 --> 00:24:53,280
Speaker 1: like you know what I'm saying, Like you know, everybody

429
00:24:53,359 --> 00:24:56,760
Speaker 1: bite your style and ship um like like they you said,

430
00:24:56,840 --> 00:25:06,159
Speaker 1: holy shit, Uh Loupe fraz Loupe or season Loupe. You

431
00:25:06,280 --> 00:25:14,119
Speaker 1: know it's two different loops now now Karatele baby Charibe

432
00:25:14,280 --> 00:25:20,119
Speaker 1: is hard, Yeah, both for them, both for them. Loupe, No,

433
00:25:20,200 --> 00:25:21,920
Speaker 1: that's my nigger. I got love for Loupe. I just

434
00:25:21,960 --> 00:25:24,119
Speaker 1: still want him to apologize to trim Core question from

435
00:25:24,160 --> 00:25:25,560
Speaker 1: that day when he came out there and he messed

436
00:25:25,600 --> 00:25:27,680
Speaker 1: them cute tip lyrics. Remember, I just wanted to say,

437
00:25:27,680 --> 00:25:29,720
Speaker 1: I'm sorry, that's it. So I'll be on Loupe's athlete.

438
00:25:29,720 --> 00:25:31,000
Speaker 1: You know, I love him as a brother and as

439
00:25:31,040 --> 00:25:34,720
Speaker 1: a fan. But you know he went out on Tropical Quest.

440
00:25:34,840 --> 00:25:37,280
Speaker 1: You don't remember it was a tribute to Tripic Core Quest.

441
00:25:37,840 --> 00:25:40,240
Speaker 1: That's it. I love Loupe like clear. I just want

442
00:25:40,280 --> 00:25:45,719
Speaker 1: to want to show coming up too. Oh all right?

443
00:25:46,000 --> 00:25:48,119
Speaker 1: Yeah you so you don't even knowing what you know?

444
00:25:51,920 --> 00:25:53,560
Speaker 1: You ever throw a hip hop? Like? I know? I

445
00:25:53,640 --> 00:25:55,200
Speaker 1: know this is like a cliche type of question. You

446
00:25:55,240 --> 00:25:59,760
Speaker 1: ever throw a hip hop? Really best? I always wanted

447
00:25:59,800 --> 00:26:03,560
Speaker 1: to be. I can't. I can't say that. Um, I

448
00:26:03,720 --> 00:26:06,359
Speaker 1: thought that your own wings chap, Yes it is, you

449
00:26:06,400 --> 00:26:09,320
Speaker 1: can have that, NAS's yes, it's not. Oh oh god,

450
00:26:09,400 --> 00:26:23,920
Speaker 1: we didn't have to ask you. Oh God, it's chance, baby,

451
00:26:26,000 --> 00:26:31,160
Speaker 1: Yes we have to ask you. God, damn the God.

452
00:26:31,240 --> 00:26:35,000
Speaker 1: And see what you say. Don't matter what you would

453
00:26:35,000 --> 00:26:38,439
Speaker 1: you like that? Would you like a shot? Nas anything?

454
00:26:38,480 --> 00:26:40,320
Speaker 1: You're doing what you want. Okay, let's let's do a shot.

455
00:26:40,320 --> 00:26:42,480
Speaker 1: We ain't gonna say what shot we doing? Um, it's

456
00:26:42,520 --> 00:26:44,920
Speaker 1: not a wingstop, by the way, man, shout the wingstop

457
00:26:44,960 --> 00:26:47,320
Speaker 1: who provided us some wings to shut out the cherry.

458
00:26:47,600 --> 00:26:51,600
Speaker 1: That's best by bestos bests. Ain't gone be so mad?

459
00:26:51,640 --> 00:26:57,879
Speaker 1: Advertisement talk about rich found niggers. Stop stop, stop about

460
00:26:57,920 --> 00:27:00,240
Speaker 1: this episode about you, brother. This episode is I'll do

461
00:27:00,800 --> 00:27:04,359
Speaker 1: so you know what I want to do. The Queen's

462
00:27:04,400 --> 00:27:05,840
Speaker 1: get the money, but you know I want to big

463
00:27:05,920 --> 00:27:08,960
Speaker 1: up too who I feel like don't get as much props,

464
00:27:09,000 --> 00:27:11,280
Speaker 1: and I feel like it's one of the best executives

465
00:27:11,400 --> 00:27:13,680
Speaker 1: ever in the world. And I know no one's not

466
00:27:13,760 --> 00:27:24,080
Speaker 1: gonna know. Horm about to say right now, Jungle. No,

467
00:27:24,359 --> 00:27:26,600
Speaker 1: that's that's one of my favorite I tell him that,

468
00:27:26,680 --> 00:27:29,320
Speaker 1: and we've always been when I say it, so he

469
00:27:29,359 --> 00:27:31,399
Speaker 1: think I'm playing, but I'm like a jungle. You're my

470
00:27:31,520 --> 00:27:35,280
Speaker 1: favorite executive. Like because he was hood, he knew exactly

471
00:27:35,320 --> 00:27:37,600
Speaker 1: what to do. Like do you remember we made Body

472
00:27:37,680 --> 00:27:42,240
Speaker 1: in the Truck. I can't forget that. I can't you

473
00:27:42,320 --> 00:27:44,640
Speaker 1: know wait how wait you mean the way we came

474
00:27:44,720 --> 00:27:47,720
Speaker 1: up with it was it was it was it was jungle,

475
00:27:47,840 --> 00:27:50,480
Speaker 1: It was Jungle. But before we get into that, I'm

476
00:27:50,480 --> 00:27:52,160
Speaker 1: gonna tell you. I'm gonna tell you a crazier story.

477
00:27:52,960 --> 00:27:55,520
Speaker 1: One day were in at the studio, me you and

478
00:27:55,600 --> 00:27:58,280
Speaker 1: It's Nature Session. So Me and You was both for

479
00:27:58,440 --> 00:28:02,520
Speaker 1: Nature Session and NASA. It's it's the song. It winded

480
00:28:02,640 --> 00:28:05,480
Speaker 1: up being called you with threat, but me and You're

481
00:28:05,480 --> 00:28:09,200
Speaker 1: in the studio and Nate just said so track master tone,

482
00:28:09,640 --> 00:28:13,720
Speaker 1: track masters, period plays the record, and Nation said you're

483
00:28:13,760 --> 00:28:15,520
Speaker 1: gonna take this ship. I'm gonna go home, and me

484
00:28:15,600 --> 00:28:18,439
Speaker 1: and you just looked at each other and as soon

485
00:28:18,480 --> 00:28:21,240
Speaker 1: as nature rolled out and you just bodied the whole reord.

486
00:28:21,280 --> 00:28:24,879
Speaker 1: You don't remember that there at first it was just

487
00:28:25,000 --> 00:28:27,439
Speaker 1: me and you. You remember he came back, and then

488
00:28:27,520 --> 00:28:30,000
Speaker 1: he came back. Then we was found niggas throwing it

489
00:28:30,040 --> 00:28:37,240
Speaker 1: out this so your drive, it was your drive though,

490
00:28:38,920 --> 00:28:43,320
Speaker 1: was like nothing I've never seen drinking motivated me. Thank

491
00:28:43,360 --> 00:28:46,040
Speaker 1: you somewhere like with you, and I'm like, if I

492
00:28:46,160 --> 00:28:49,760
Speaker 1: stand next to Homie, we're gonna make some real records.

493
00:28:49,800 --> 00:28:52,040
Speaker 1: So it was your drive, bro, and your vision, bro.

494
00:28:52,200 --> 00:28:54,400
Speaker 1: So it was just riding with you man. Thank you,

495
00:28:54,520 --> 00:28:57,760
Speaker 1: my brother, Thank you, because I don't know if I

496
00:28:57,840 --> 00:29:01,280
Speaker 1: ever told you this, but if it wasn't for I'm leaving,

497
00:29:01,960 --> 00:29:03,560
Speaker 1: I don't think I would have had a solo career.

498
00:29:04,920 --> 00:29:10,160
Speaker 1: And I don't know if you remember, but you guys

499
00:29:10,200 --> 00:29:14,040
Speaker 1: started recalling the Firm album in Miami and you're supposed

500
00:29:14,080 --> 00:29:16,840
Speaker 1: to give me a flight and I never got that flight.

501
00:29:19,040 --> 00:29:21,120
Speaker 1: But you gotta you gotta relax, You can't blame. You

502
00:29:21,200 --> 00:29:23,440
Speaker 1: gotta shut up and just wait for your hunger. And

503
00:29:23,520 --> 00:29:25,200
Speaker 1: then one day Jungle called me. It's like, you've been

504
00:29:25,240 --> 00:29:26,680
Speaker 1: in l A. And I was like, nick I made

505
00:29:26,840 --> 00:29:28,480
Speaker 1: l A, l A. I don't want to go to

506
00:29:28,680 --> 00:29:30,920
Speaker 1: l A. They're like, this is the only holl let

507
00:29:30,960 --> 00:29:32,560
Speaker 1: we need you on the Firm album. And I flew

508
00:29:32,600 --> 00:29:35,120
Speaker 1: out there and you know who the fund is the engineer,

509
00:29:36,000 --> 00:29:39,400
Speaker 1: Dr fucking dre My bro. The only time it's been

510
00:29:39,440 --> 00:29:46,120
Speaker 1: the room with Dr Dre's because you asked that. But

511
00:29:46,320 --> 00:29:48,840
Speaker 1: I want to go there for a second. The Firm album,

512
00:29:52,080 --> 00:29:57,920
Speaker 1: what was the vision to even create the Firm? And

513
00:29:58,240 --> 00:30:03,160
Speaker 1: we need a new firm. But that's it up I

514
00:30:03,280 --> 00:30:08,320
Speaker 1: needed I needed uh my niggers, you know. Um I

515
00:30:08,480 --> 00:30:11,240
Speaker 1: was dolo really so you need to squat up because

516
00:30:11,280 --> 00:30:15,640
Speaker 1: everybody was squatting up. So it's only right. Um you

517
00:30:15,760 --> 00:30:21,200
Speaker 1: had Junior Mafia, you know, you had um even you

518
00:30:21,280 --> 00:30:23,280
Speaker 1: know wood Tag. It's a lot of them, death rows,

519
00:30:23,320 --> 00:30:25,360
Speaker 1: a lot of them, you know. So I had to

520
00:30:25,400 --> 00:30:29,280
Speaker 1: squat up right here, and let's I want to want

521
00:30:29,320 --> 00:30:32,200
Speaker 1: to record reflect because all of people throught up in

522
00:30:32,240 --> 00:30:35,400
Speaker 1: the air, who put on Foxy Brown, she was signed

523
00:30:35,480 --> 00:30:40,680
Speaker 1: to you. Nah no she no, No, I lost the bet. No, Well,

524
00:30:43,600 --> 00:30:48,200
Speaker 1: can I retract the question. Let's bring up you know

525
00:30:48,560 --> 00:30:51,880
Speaker 1: um A Z introduced me to Foxy. He said, I

526
00:30:51,920 --> 00:30:55,200
Speaker 1: got a girl. I gotta girl that's called I'm like, nah,

527
00:30:55,960 --> 00:30:59,600
Speaker 1: when it's not gonna happen, they this girl Kim, It's

528
00:31:00,000 --> 00:31:03,080
Speaker 1: there's no there's nothing we can do to get anybody

529
00:31:03,120 --> 00:31:06,160
Speaker 1: to go. So Kim was out already before you met Foxy. Yeah,

530
00:31:08,440 --> 00:31:12,120
Speaker 1: I lost another back. Gay continues if it felt like

531
00:31:12,240 --> 00:31:14,280
Speaker 1: y'all were creating the firm on mix tapes. I mean

532
00:31:14,400 --> 00:31:16,120
Speaker 1: I might be completely wrong, but that's the way it felt.

533
00:31:16,800 --> 00:31:18,440
Speaker 1: I could answer that, but I'm let him answer it.

534
00:31:19,080 --> 00:31:21,000
Speaker 1: Just doing joint on mix tape, it just felt like

535
00:31:21,040 --> 00:31:23,040
Speaker 1: the firm was being created before our very eyes a

536
00:31:23,200 --> 00:31:27,080
Speaker 1: mix tapes. We we did mix tapes with DJ Clue.

537
00:31:27,960 --> 00:31:32,400
Speaker 1: We started doing stuff to promote the albums. So yeah,

538
00:31:32,520 --> 00:31:36,840
Speaker 1: we started doing that and that became the thing. So

539
00:31:37,040 --> 00:31:40,800
Speaker 1: we were using that. DJ Clue was our key to

540
00:31:40,960 --> 00:31:44,400
Speaker 1: the streets, and we just started doing a lot of

541
00:31:44,480 --> 00:31:46,280
Speaker 1: mix tape stuff because we couldn't wait for the albums

542
00:31:46,280 --> 00:31:49,000
Speaker 1: to come out. Yeah, but but A introduced me to

543
00:31:49,120 --> 00:31:52,280
Speaker 1: Foxy and I met her and I'm like, oh, she's

544
00:31:52,320 --> 00:31:58,720
Speaker 1: a beautiful, beautiful sister. She got bars, Oh she's gonna win.

545
00:31:59,360 --> 00:32:04,320
Speaker 1: So once they saw that I was invested, Um, everybody

546
00:32:04,440 --> 00:32:07,480
Speaker 1: just just went crazy and we were flying up Me,

547
00:32:07,640 --> 00:32:10,640
Speaker 1: Foxy and Um, flying floor to our l A to

548
00:32:10,760 --> 00:32:12,800
Speaker 1: talk to Jimmy Ivy to get it, try to get

549
00:32:12,840 --> 00:32:18,239
Speaker 1: her deal. No. I already had kicked it with Dre

550
00:32:18,680 --> 00:32:20,600
Speaker 1: my first album. He came to one of my shows

551
00:32:21,280 --> 00:32:23,840
Speaker 1: and he was like, Yo, we gotta work together and

552
00:32:24,320 --> 00:32:29,600
Speaker 1: at the Grand Slam Princess Club in l A. And yeah, yeah,

553
00:32:29,680 --> 00:32:32,280
Speaker 1: yeah for sure, so so but yeah, but we were

554
00:32:32,320 --> 00:32:36,200
Speaker 1: flying around shopping, shopping with trying to try to get involved.

555
00:32:36,240 --> 00:32:38,680
Speaker 1: But at the end I saw she was already up

556
00:32:38,720 --> 00:32:40,720
Speaker 1: and she was already on her way, so I stepped

557
00:32:40,760 --> 00:32:45,000
Speaker 1: back and let it go. So um and then and

558
00:32:45,080 --> 00:32:48,920
Speaker 1: then so the firm forms. Yeah you figure you figure,

559
00:32:49,560 --> 00:32:56,560
Speaker 1: uh it comes out and then Dr Dre says this

560
00:32:56,760 --> 00:32:59,760
Speaker 1: one line. He says some some ship or the firm flopped.

561
00:33:00,880 --> 00:33:04,160
Speaker 1: Everybody's saying I turn pop or the firm flop. Y'all

562
00:33:04,200 --> 00:33:06,920
Speaker 1: are the reason Dre ain't getting no sleep. So funck

563
00:33:07,000 --> 00:33:11,520
Speaker 1: y'all so so so were you at in your mind

564
00:33:11,560 --> 00:33:16,440
Speaker 1: frame like at that time? I mean, the expectations of

565
00:33:16,600 --> 00:33:19,880
Speaker 1: East Coast dudes rocking with Dr Dre at the time

566
00:33:20,040 --> 00:33:24,600
Speaker 1: was a lot, you know, and um, so it did

567
00:33:24,680 --> 00:33:28,320
Speaker 1: platinum and if it didn't do three or four platinum.

568
00:33:30,000 --> 00:33:36,480
Speaker 1: When Platinumney got gold black. Yeah, I'm gonna go to you.

569
00:33:36,920 --> 00:33:39,040
Speaker 1: Never got that. I didn't. I didn't get to my own.

570
00:33:39,120 --> 00:33:40,560
Speaker 1: I would have my own. I had no idea that

571
00:33:40,640 --> 00:33:42,480
Speaker 1: its actually been platinum. I'm now about to go out

572
00:33:42,520 --> 00:33:45,600
Speaker 1: to give you your platinum. Sure, So so what's your

573
00:33:45,680 --> 00:33:49,680
Speaker 1: what if you had and I needed you on that album? Yeah?

574
00:33:50,040 --> 00:33:53,240
Speaker 1: You was our guy, and talking like that, I'm thinking,

575
00:33:54,760 --> 00:33:57,360
Speaker 1: got a fact I felt. I felt that now I'm

576
00:33:57,400 --> 00:34:01,720
Speaker 1: leaving songs I'm leaving don't want to I'm leaving was

577
00:34:01,800 --> 00:34:05,520
Speaker 1: the song that really was our presence in the streets

578
00:34:05,560 --> 00:34:07,960
Speaker 1: in New York. That was the only song off the

579
00:34:08,040 --> 00:34:11,840
Speaker 1: album that went crazy on mixed shows at night, was this,

580
00:34:13,800 --> 00:34:17,080
Speaker 1: so that talk Now, they didn't hit this and at

581
00:34:17,120 --> 00:34:19,080
Speaker 1: first some of the some of the people was like,

582
00:34:19,960 --> 00:34:23,120
Speaker 1: you know, you're bringing too many queens guys into the fact.

583
00:34:23,280 --> 00:34:25,360
Speaker 1: It's chill. You know, why are you bringing them in

584
00:34:25,960 --> 00:34:29,440
Speaker 1: that talks and I said, now he got to be

585
00:34:29,520 --> 00:34:34,920
Speaker 1: on the joint. So yeah, because they was acting like

586
00:34:35,040 --> 00:34:37,520
Speaker 1: the production was too big for us. Firm bit single.

587
00:34:37,719 --> 00:34:41,000
Speaker 1: We had InVogue singers and their cars flying off the

588
00:34:41,080 --> 00:34:44,640
Speaker 1: roof and the ship he he leveled it and that

589
00:34:44,840 --> 00:34:48,080
Speaker 1: was just our vision. Also just knowing that he's the

590
00:34:48,160 --> 00:34:52,680
Speaker 1: one that's coming, so that talk, that's real ship. But

591
00:34:52,880 --> 00:34:58,279
Speaker 1: that man, I don't know what they're single, but we're

592
00:34:58,280 --> 00:35:00,399
Speaker 1: still gone. We're still gone. We're still but they're singing

593
00:35:00,400 --> 00:35:01,759
Speaker 1: in a little bit. I don't know what they're singling.

594
00:35:01,800 --> 00:35:03,640
Speaker 1: It's like they like the plane coming in right now.

595
00:35:03,680 --> 00:35:06,719
Speaker 1: They're going like this, But we're gonna still go because

596
00:35:06,719 --> 00:35:10,600
Speaker 1: you're the king. M c Okay, now we're here. So

597
00:35:10,719 --> 00:35:14,040
Speaker 1: if you had if you had one album, we gotta

598
00:35:14,040 --> 00:35:15,800
Speaker 1: do a shot. We don't even do shots. This is terrible.

599
00:35:16,120 --> 00:35:19,480
Speaker 1: This is we're not We're not. We're not this new

600
00:35:19,520 --> 00:35:22,839
Speaker 1: shots with everybody. You can pick your poison. We don't

601
00:35:22,840 --> 00:35:25,480
Speaker 1: have to say what it is. You you pick it

602
00:35:25,520 --> 00:35:28,719
Speaker 1: off camera, pick it off cameras. I'm head to Henny

603
00:35:28,719 --> 00:35:31,440
Speaker 1: you right then we're gonna hit the Hendy. Then do

604
00:35:31,440 --> 00:35:36,120
Speaker 1: you want to hit the any exod. I'm not gonna lie.

605
00:35:36,680 --> 00:35:39,600
Speaker 1: Let me tell you something, Nas, you're the only nigger

606
00:35:39,600 --> 00:35:42,000
Speaker 1: that can make me drink hennessy. You know, last time

607
00:35:42,040 --> 00:35:44,719
Speaker 1: I drank hennessy, I woke up in flatbus and like

608
00:35:45,120 --> 00:35:48,640
Speaker 1: flat bus, we're going flat buys. I'm like, why am

609
00:35:48,680 --> 00:35:51,480
Speaker 1: I here like this? The old flatbus, not the new flatbus,

610
00:35:51,880 --> 00:35:53,960
Speaker 1: not the new flat buys, the old flat buys. So

611
00:35:54,400 --> 00:35:56,600
Speaker 1: god damn, alright, we're gonna do Henny. Listen, listen, let's

612
00:35:56,640 --> 00:36:00,359
Speaker 1: listen now out here. This is beautifu for me. I'm

613
00:36:00,400 --> 00:36:08,520
Speaker 1: keeping it real. I'm keeping it now. Let's keep it real.

614
00:36:08,640 --> 00:36:10,400
Speaker 1: Let me tell you something. I have so many fights

615
00:36:11,160 --> 00:36:14,960
Speaker 1: before Illmatic came out and well Made came out. I

616
00:36:15,000 --> 00:36:16,719
Speaker 1: ain't gonna lie. I had at least two weeks I

617
00:36:16,760 --> 00:36:20,520
Speaker 1: didn't fight, wow, because niggas was like your queens. Niggas

618
00:36:20,560 --> 00:36:24,560
Speaker 1: got it. Wow. Why everybody always why they always trying

619
00:36:24,600 --> 00:36:26,520
Speaker 1: to bully queens? Man? No, No, I ain't gonna lie.

620
00:36:26,680 --> 00:36:29,560
Speaker 1: Listen to caress you made a lot of killers. I

621
00:36:29,640 --> 00:36:31,400
Speaker 1: told them you made a lot of killers because that

622
00:36:31,719 --> 00:36:33,840
Speaker 1: queens ship was not funny. Man, It's not funny. So

623
00:36:33,920 --> 00:36:36,920
Speaker 1: a little but you know what, Allmatic little brother. So

624
00:36:37,040 --> 00:36:39,160
Speaker 1: now if you want you to know, we don't want

625
00:36:39,160 --> 00:36:41,160
Speaker 1: you to go away to have to tell you that

626
00:36:41,280 --> 00:36:43,120
Speaker 1: we love you. We don't want to have to you

627
00:36:43,200 --> 00:36:45,360
Speaker 1: go away. It's something happening to tell you that you

628
00:36:45,480 --> 00:36:48,759
Speaker 1: appreciate it. Here right now, your flowers is deserved. Now

629
00:36:49,239 --> 00:36:51,200
Speaker 1: we know you got all accolades, but you know what,

630
00:36:51,560 --> 00:36:53,560
Speaker 1: every now and then we gotta say thank you because

631
00:36:53,600 --> 00:36:55,840
Speaker 1: you know, if it wasn't for Illmatic, there won't be

632
00:36:55,880 --> 00:37:03,640
Speaker 1: no norry. And that's a real ship. You know what

633
00:37:03,760 --> 00:37:07,239
Speaker 1: my em C name was before all Matic, m C

634
00:37:07,400 --> 00:37:10,040
Speaker 1: y'all who with the ball to beam? I wouldn't have worked. No,

635
00:37:10,200 --> 00:37:12,120
Speaker 1: I wouldn't have worked. People didn't work. I needed this.

636
00:37:12,320 --> 00:37:17,399
Speaker 1: I needed how you can make up these words? That's

637
00:37:17,440 --> 00:37:21,960
Speaker 1: all about itself. Uage. You gotta trade all your crazy show.

638
00:37:22,280 --> 00:37:25,359
Speaker 1: I'm gonna tell you so funny ship with y'all one day, yo.

639
00:37:25,480 --> 00:37:27,680
Speaker 1: I don't I don't know if you had the Northern cavan,

640
00:37:27,800 --> 00:37:30,719
Speaker 1: I believe, and your came and you picked me up,

641
00:37:31,440 --> 00:37:33,279
Speaker 1: and me and this nigga both didn't know how to

642
00:37:33,400 --> 00:37:37,799
Speaker 1: roll weed. You remember that I was. I ain't gonna lie.

643
00:37:37,800 --> 00:37:40,000
Speaker 1: I'm keeping a hunt. You're gonna look at me different.

644
00:37:40,640 --> 00:37:42,839
Speaker 1: But for like two weeks, I was nas weed roll

645
00:37:42,960 --> 00:37:46,560
Speaker 1: up like that was my dog, like it was cool.

646
00:37:46,680 --> 00:37:48,719
Speaker 1: I was just like, all right, cool. He came up

647
00:37:48,800 --> 00:37:51,680
Speaker 1: and I bowed up, and that's when we do. We're

648
00:37:51,680 --> 00:37:54,080
Speaker 1: gonna flushing metal. And we did not have a driver's license,

649
00:37:54,360 --> 00:37:56,520
Speaker 1: none of I still don't gotta drive. You gotta drives.

650
00:37:56,719 --> 00:37:58,839
Speaker 1: I got him out a few years ago. You're not driving.

651
00:37:58,880 --> 00:38:01,080
Speaker 1: Let's see and tell me what the fun the reason?

652
00:38:01,160 --> 00:38:05,000
Speaker 1: No driving license? Thinkers and Jungle still smoking bogies? Still

653
00:38:05,200 --> 00:38:07,200
Speaker 1: he still smoking both. You're gonna get Jungle to stop

654
00:38:07,239 --> 00:38:09,880
Speaker 1: smoking bogies and I'm gonna get the drivers, like, please,

655
00:38:09,960 --> 00:38:13,520
Speaker 1: let's do that. So your favorite error in hip hop? Even,

656
00:38:13,560 --> 00:38:15,400
Speaker 1: let's do one more shot? I mean I'm into that.

657
00:38:15,880 --> 00:38:17,600
Speaker 1: You don't have to if you don't want to. I'm

658
00:38:17,640 --> 00:38:19,520
Speaker 1: with you. Your favorite error in hip hop? If you

659
00:38:19,600 --> 00:38:25,040
Speaker 1: have to pick one error, one error, run errowt be

660
00:38:25,120 --> 00:38:32,359
Speaker 1: honest because I put them in the order. You Oh

661
00:38:32,520 --> 00:38:43,200
Speaker 1: ship run DMC fat boys. Um that ship was magical

662
00:38:43,280 --> 00:38:46,920
Speaker 1: to me, man, that ship was magical? Is your favorite?

663
00:38:46,920 --> 00:38:52,640
Speaker 1: The early the early eighties, the early eighties, Um, cougie

664
00:38:53,000 --> 00:39:00,600
Speaker 1: not coushie wrap but like before Coushi rap um llo

665
00:39:00,680 --> 00:39:04,680
Speaker 1: coo Jay's original I need to be because the words

666
00:39:04,800 --> 00:39:07,000
Speaker 1: he was using, he had to go to the dictionary

667
00:39:08,360 --> 00:39:13,640
Speaker 1: and I was like, okay, it's real. And then he dropped,

668
00:39:13,760 --> 00:39:17,040
Speaker 1: um that I need the rock the Bells, the new

669
00:39:17,120 --> 00:39:21,560
Speaker 1: one that we all know today. That was crazy. So

670
00:39:21,760 --> 00:39:24,279
Speaker 1: so that error right there was like him and mc

671
00:39:24,480 --> 00:39:28,560
Speaker 1: shan was like, um, it was real crazy because I

672
00:39:28,640 --> 00:39:32,279
Speaker 1: walked to the record store and by the record so, um,

673
00:39:32,719 --> 00:39:35,399
Speaker 1: that was crazy to me. That's number one. That's number one.

674
00:39:36,000 --> 00:39:38,840
Speaker 1: Some of the illest um things that I ever mentioned

675
00:39:38,880 --> 00:39:41,880
Speaker 1: on Drink Champs was I told a person that if

676
00:39:41,920 --> 00:39:45,160
Speaker 1: you want to study hip hop, I think you should

677
00:39:45,160 --> 00:39:52,080
Speaker 1: start from all Mattic and then go backwards. Remember I

678
00:39:52,120 --> 00:39:54,759
Speaker 1: said that, So at first I thought everybody was gonna like,

679
00:39:55,040 --> 00:39:59,239
Speaker 1: that's blasphemy. Ironically, it's only a couple of people who

680
00:39:59,320 --> 00:40:02,200
Speaker 1: said it was blast but everybody because the thing about

681
00:40:02,239 --> 00:40:05,640
Speaker 1: it is, and this is all due respect to our forefathers,

682
00:40:06,360 --> 00:40:09,480
Speaker 1: it really wasn't saying champagne and getting pussy in, you

683
00:40:09,520 --> 00:40:11,400
Speaker 1: know what I'm saying, Like, sometimes that's what we need

684
00:40:11,480 --> 00:40:13,720
Speaker 1: to relate to to get us in. Like the Donald's

685
00:40:13,719 --> 00:40:16,960
Speaker 1: Gones book. So I say that, like, if you study

686
00:40:17,040 --> 00:40:21,720
Speaker 1: illmatic and then go to to cool her reverse engineer

687
00:40:21,800 --> 00:40:25,400
Speaker 1: reverse engineering, and ironically only had two people who disagree

688
00:40:25,440 --> 00:40:31,040
Speaker 1: with me, that's ill. That's ill. It's crazy, that's crazy.

689
00:40:33,200 --> 00:40:36,319
Speaker 1: He just look at me. That's that's very crazy. I'm

690
00:40:36,360 --> 00:40:38,920
Speaker 1: a fan of the show. And I saw you guys

691
00:40:39,560 --> 00:40:45,400
Speaker 1: interview Caress one and he said some words that humble

692
00:40:45,520 --> 00:40:48,480
Speaker 1: me down to the to the floor and we talk

693
00:40:48,520 --> 00:40:51,920
Speaker 1: about yes, sir, and I love the conversation you had.

694
00:40:52,000 --> 00:40:53,920
Speaker 1: You told him that he created a lot of killers

695
00:40:53,960 --> 00:40:58,440
Speaker 1: and queens that should But just to bring him on

696
00:40:58,560 --> 00:41:01,239
Speaker 1: this show and talk about out the art of it,

697
00:41:01,480 --> 00:41:04,399
Speaker 1: it's like, it's like, that's what I love to see.

698
00:41:04,480 --> 00:41:07,040
Speaker 1: So I don't know why I brought that up, because

699
00:41:07,800 --> 00:41:10,640
Speaker 1: he was talking about and then going back and you

700
00:41:10,680 --> 00:41:12,359
Speaker 1: want another show? I feel like you want one more.

701
00:41:12,440 --> 00:41:20,880
Speaker 1: I'm just like, that's it. It's no, you know, I

702
00:41:21,000 --> 00:41:22,880
Speaker 1: really I really appreciate you, though. My brother. Let me

703
00:41:22,920 --> 00:41:24,960
Speaker 1: just tell you something, man, in a lot of ways,

704
00:41:25,200 --> 00:41:28,440
Speaker 1: your birth career because of the album you made, and

705
00:41:28,880 --> 00:41:31,920
Speaker 1: I followed this suit you birth Mark Deep and Mark

706
00:41:32,000 --> 00:41:34,120
Speaker 1: Deep kind of birth CNN, and I will always do

707
00:41:34,239 --> 00:41:36,000
Speaker 1: that so when you got on the Lost tapes. On

708
00:41:36,080 --> 00:41:40,279
Speaker 1: the Lost Tapes, you actually got a tribute to Prodigy. Yes, yes,

709
00:41:40,480 --> 00:41:44,719
Speaker 1: breech politics. It's about it's Queens Ridge politics, but it's

710
00:41:44,760 --> 00:41:46,920
Speaker 1: love to him and I do a little more. Man,

711
00:41:47,000 --> 00:41:48,840
Speaker 1: come on, come ain't front. You're like violating me, man,

712
00:41:48,880 --> 00:41:50,640
Speaker 1: give me, give me, come on, man, you're like disrespecting

713
00:41:50,640 --> 00:41:52,759
Speaker 1: me in front of all these people. Man, I'm a man.

714
00:41:53,840 --> 00:41:58,080
Speaker 1: I'm a man out here, nig So, Um, I'm sorry.

715
00:41:58,080 --> 00:41:59,480
Speaker 1: I sorry. I had a side, not that I thought

716
00:41:59,480 --> 00:42:02,120
Speaker 1: it was just me here. So you gotta join Queen's

717
00:42:02,120 --> 00:42:05,680
Speaker 1: Bridge politics. Now, this is because the thing about Lost

718
00:42:05,719 --> 00:42:10,200
Speaker 1: tapes is taped through different periods. So was that old

719
00:42:10,320 --> 00:42:16,040
Speaker 1: record that was that was last year? What I did that? Yeah? Wow,

720
00:42:16,440 --> 00:42:19,480
Speaker 1: you talked about the memorial, the mural and yeah yeah

721
00:42:19,560 --> 00:42:25,680
Speaker 1: that was last year. Um. I never I never thought

722
00:42:25,719 --> 00:42:29,600
Speaker 1: we'd lose p right, and he lost them too soon.

723
00:42:29,920 --> 00:42:33,279
Speaker 1: They rest in peace. He um. Yes, we can make

724
00:42:33,320 --> 00:42:42,040
Speaker 1: noise for that. Yeah, you know, he um. It's hard

725
00:42:42,040 --> 00:42:44,320
Speaker 1: to get into it because he's not here, right, you know.

726
00:42:44,560 --> 00:42:47,400
Speaker 1: So it's a lot of things that went on that

727
00:42:47,840 --> 00:42:51,520
Speaker 1: I wish never happened, so that you even say I

728
00:42:51,560 --> 00:42:55,680
Speaker 1: wish you never wrote that book. In the rhyme, he said, yeah, yeah, yeah, yeah,

729
00:42:55,880 --> 00:42:58,839
Speaker 1: that was You never know why people do certain things,

730
00:42:58,960 --> 00:43:02,279
Speaker 1: you know, So I think he was probably going through

731
00:43:02,320 --> 00:43:07,479
Speaker 1: a lot of pain. But the politics of every hood,

732
00:43:07,600 --> 00:43:09,839
Speaker 1: you know how it is, the politics of every hood

733
00:43:09,960 --> 00:43:12,360
Speaker 1: is what it is. So if I would have finished

734
00:43:12,400 --> 00:43:14,480
Speaker 1: that song, if I would really have been four or

735
00:43:14,520 --> 00:43:17,719
Speaker 1: five minutes long, to really get into a lot of

736
00:43:17,760 --> 00:43:20,880
Speaker 1: the history that that I that I watched growing up,

737
00:43:20,880 --> 00:43:23,640
Speaker 1: a lot of people that taught me a lot I

738
00:43:23,640 --> 00:43:25,680
Speaker 1: would have to get into. Yeah, God damn it, man,

739
00:43:25,680 --> 00:43:27,080
Speaker 1: I see this shot. Got damn it, God damn it.

740
00:43:29,239 --> 00:43:34,880
Speaker 1: You take a Hennessy, man, take a Hennessy got I

741
00:43:35,000 --> 00:43:37,960
Speaker 1: got damn Yeah, she got real, she got real, she

742
00:43:38,080 --> 00:43:41,960
Speaker 1: got rem she got real. It's only for this NI

743
00:43:43,320 --> 00:43:48,880
Speaker 1: And it's an ex so ain't I ain't? So? Like,

744
00:43:49,120 --> 00:43:51,480
Speaker 1: as a kid, you've growing up loving Hennessey, Do you

745
00:43:51,960 --> 00:43:56,399
Speaker 1: realize you got a fucking job? You got a Hennessy deal?

746
00:43:56,560 --> 00:44:00,880
Speaker 1: Like that's crazy deal, Like you got Hennessey and like

747
00:44:01,000 --> 00:44:03,040
Speaker 1: you you can't tell them that, like to put me

748
00:44:03,080 --> 00:44:09,319
Speaker 1: off the black list? You said, Nike, Yeah what you mean? Yeah,

749
00:44:09,400 --> 00:44:11,359
Speaker 1: they put you on the black list on the black list,

750
00:44:11,440 --> 00:44:13,759
Speaker 1: can you help me? I'll have a Nike. You gotta Nike,

751
00:44:13,800 --> 00:44:20,120
Speaker 1: you something. I'll watch you on Instagram. You got like everything.

752
00:44:21,520 --> 00:44:23,960
Speaker 1: Please can't you tell them? Because I ain't tell them.

753
00:44:24,120 --> 00:44:27,840
Speaker 1: Please give me on the black list? I can do that.

754
00:44:28,120 --> 00:44:30,840
Speaker 1: Do you think do you think there's something called black balled?

755
00:44:31,160 --> 00:44:35,920
Speaker 1: Because you know, like remember when the firm actually dispersed,

756
00:44:36,080 --> 00:44:39,960
Speaker 1: right and it came time for NASTI standing on his own.

757
00:44:40,360 --> 00:44:44,520
Speaker 1: I remember almost each of every member like actually accusing

758
00:44:45,320 --> 00:44:48,960
Speaker 1: maybe you or the industry of that black balling him.

759
00:44:49,080 --> 00:44:54,839
Speaker 1: I'm black balled. Do you think that exists? A black

760
00:44:54,920 --> 00:44:59,120
Speaker 1: balling exists? Do you think that where? Is it something

761
00:44:59,200 --> 00:45:02,120
Speaker 1: that organized? It's really basically people just saying, don't sunk

762
00:45:02,160 --> 00:45:08,400
Speaker 1: with that person. Do you think it's more organized than that? Um? No,

763
00:45:08,840 --> 00:45:12,320
Speaker 1: I don't think it's that deep. Um I don't. I

764
00:45:12,320 --> 00:45:17,080
Speaker 1: don't think it's that deep. I mean, what what is

765
00:45:17,160 --> 00:45:19,879
Speaker 1: black balling? Like? If if somebody says they're gonna black

766
00:45:19,920 --> 00:45:25,680
Speaker 1: ball you, you're gonna let them black ball meeting. So

767
00:45:26,000 --> 00:45:28,959
Speaker 1: I don't really care about it. So I'm sure people

768
00:45:29,160 --> 00:45:31,279
Speaker 1: people tell me all the time, you know, they try

769
00:45:31,360 --> 00:45:34,600
Speaker 1: to black ball you. Sign they try to. I don't

770
00:45:34,680 --> 00:45:37,520
Speaker 1: FaZe me because I'm not letting nobody stop me. So

771
00:45:38,239 --> 00:45:40,960
Speaker 1: people probably try to pull the rug from under my

772
00:45:41,080 --> 00:45:43,279
Speaker 1: feet a couple of times. People trying to pull a

773
00:45:43,440 --> 00:45:46,800
Speaker 1: rug on everybody's feet. If you let them stop you,

774
00:45:47,120 --> 00:45:54,040
Speaker 1: you ain't built for this game. Goddamn serious because so

775
00:45:54,440 --> 00:45:57,279
Speaker 1: so low statee suit. You have a party recently at

776
00:45:57,320 --> 00:46:00,440
Speaker 1: Massive Hill office, and you said you have enough for

777
00:46:00,600 --> 00:46:09,600
Speaker 1: three and four. I do, damn nigga, it's you got records? Yeah,

778
00:46:09,800 --> 00:46:11,600
Speaker 1: not like three and four do. Come on, let's go.

779
00:46:11,760 --> 00:46:13,640
Speaker 1: It's go on, smell you, let's go. You got three

780
00:46:13,719 --> 00:46:17,319
Speaker 1: and four and besides your normal albums, I got yeah,

781
00:46:17,440 --> 00:46:24,359
Speaker 1: I do with some big artists features and I can

782
00:46:24,480 --> 00:46:27,759
Speaker 1: drop another one with features because this one, the two

783
00:46:28,040 --> 00:46:34,920
Speaker 1: I kept it no features. The next one production definitely.

784
00:46:35,000 --> 00:46:38,000
Speaker 1: I got love to all of those guys on man,

785
00:46:38,800 --> 00:46:41,520
Speaker 1: but there's nobody really, there's nobody rapping with me. But

786
00:46:41,800 --> 00:46:46,800
Speaker 1: the next one, the features are crazy on part three. Yeah, Okay,

787
00:46:46,840 --> 00:46:49,840
Speaker 1: let me ask you one question. Is there anybody that

788
00:46:49,960 --> 00:46:54,360
Speaker 1: said no the nis like, is there anybody because I

789
00:46:54,400 --> 00:46:56,239
Speaker 1: feel like you can think about Jesus, I'm just throwing

790
00:46:56,280 --> 00:47:03,080
Speaker 1: it out there, like yours basically here. Yeah, I'm so sorry.

791
00:47:03,080 --> 00:47:06,239
Speaker 1: I'm so sorry. I'm what I'm saying. Anybody ever said no,

792
00:47:06,440 --> 00:47:08,759
Speaker 1: like like yo, I ain't working with you or not

793
00:47:08,920 --> 00:47:10,719
Speaker 1: they ain't working with you, like they didn't call back

794
00:47:11,239 --> 00:47:15,839
Speaker 1: Carlos Santana something I don't know, like somebody weird. Come

795
00:47:15,840 --> 00:47:19,520
Speaker 1: on now, pick somebody weird. Don't do that, say Joe Rules.

796
00:47:19,560 --> 00:47:24,640
Speaker 1: I'm gonna be faking upset like I'm just playing now.

797
00:47:24,719 --> 00:47:26,920
Speaker 1: I'm sorry. I want one right now. I didn't. I

798
00:47:27,000 --> 00:47:29,359
Speaker 1: didn't ask for a lot of I didn't really ask

799
00:47:29,440 --> 00:47:33,160
Speaker 1: for a lot to be turned down. Um, there's certain

800
00:47:33,200 --> 00:47:35,160
Speaker 1: people I won't dead call because I just know they're

801
00:47:35,200 --> 00:47:38,120
Speaker 1: not gonna probably do it. Like wh who you? Who

802
00:47:38,200 --> 00:47:41,640
Speaker 1: you winn call? I want to know this. I've seen

803
00:47:41,640 --> 00:47:44,080
Speaker 1: you Flix with Madonna, Nigga, so I know you went there, Nigga.

804
00:47:44,120 --> 00:47:47,719
Speaker 1: Come on, let's go there, let's go there. So who

805
00:47:48,520 --> 00:47:56,920
Speaker 1: who are you going? So? Who would who would not

806
00:47:57,200 --> 00:47:59,040
Speaker 1: be nervous to call? I want to notice that. I

807
00:47:59,120 --> 00:48:05,600
Speaker 1: want to think, uh, because you said it in your rhynd.

808
00:48:05,600 --> 00:48:11,360
Speaker 1: You got naked pictures of God? So like no, I

809
00:48:11,440 --> 00:48:13,800
Speaker 1: don't know, I don't know. That's what I'm saying. They go,

810
00:48:14,640 --> 00:48:16,759
Speaker 1: there's no one like you gotta call God, you got

811
00:48:16,960 --> 00:48:21,360
Speaker 1: you gotta God text message like that and say, yo,

812
00:48:21,520 --> 00:48:26,840
Speaker 1: y'all is I too? So no one's never front on.

813
00:48:26,960 --> 00:48:30,840
Speaker 1: You never wanted to feature that. You never got shot at. Somebody.

814
00:48:31,000 --> 00:48:34,759
Speaker 1: Somebody had to say, no, I can't baby shot. I

815
00:48:34,880 --> 00:48:38,839
Speaker 1: don't probably be heard. Yeah, I'm not saying this coming

816
00:48:38,960 --> 00:48:42,400
Speaker 1: right now. I go, I don't think I called her

817
00:48:42,480 --> 00:48:45,799
Speaker 1: for a record, and I don't think I've a called

818
00:48:45,840 --> 00:48:54,040
Speaker 1: her for I got it. Okay, brents ho, let's take

819
00:48:54,040 --> 00:48:55,920
Speaker 1: it over. We're gonna edit that. We that say I

820
00:48:56,000 --> 00:49:05,319
Speaker 1: got it again, I got it, I got on. Who

821
00:49:05,440 --> 00:49:11,560
Speaker 1: is it? Princes Peace? Prince? As soon as you said prince,

822
00:49:11,960 --> 00:49:23,160
Speaker 1: everything got purple to me right here. I'm just a couple, Okay.

823
00:49:23,160 --> 00:49:26,640
Speaker 1: I didn't hate the story. Now, um did he answer

824
00:49:26,680 --> 00:49:28,400
Speaker 1: the phone? Because I felt like he answered like hello.

825
00:49:31,080 --> 00:49:42,160
Speaker 1: Michael Jackson was low, like hello. Okay. I saw it

826
00:49:42,280 --> 00:49:46,160
Speaker 1: him because he came to my UM I AM album

827
00:49:46,280 --> 00:49:52,280
Speaker 1: released party and no, Princess Prince. So was he flowing?

828
00:49:52,760 --> 00:49:57,640
Speaker 1: He was Okay, he was what he was, and he

829
00:49:57,719 --> 00:50:00,520
Speaker 1: had this bad joint with him and I was like

830
00:50:00,760 --> 00:50:05,200
Speaker 1: yo to the chick from the last dragon vanity, like

831
00:50:05,320 --> 00:50:07,960
Speaker 1: in my mind and my mind, just let's just keep

832
00:50:08,040 --> 00:50:09,880
Speaker 1: the story like that. Now, it's keep going. He was

833
00:50:09,920 --> 00:50:15,920
Speaker 1: with the chicken. He walked in with Avaloni. Let's take

834
00:50:15,920 --> 00:50:18,960
Speaker 1: it from there. That's my own story, your your life.

835
00:50:19,120 --> 00:50:22,879
Speaker 1: Let's go. I can't now I was one of them.

836
00:50:23,280 --> 00:50:25,960
Speaker 1: It's one of them, and I just you know, I

837
00:50:26,040 --> 00:50:28,120
Speaker 1: said it. I said it. I pulled the Nory move.

838
00:50:28,200 --> 00:50:31,480
Speaker 1: I said, yo, look man, look, you know, let's do this.

839
00:50:33,280 --> 00:50:35,680
Speaker 1: Let's do this ang And he was like, you know,

840
00:50:36,120 --> 00:50:44,439
Speaker 1: do you own your master's away? That's but he blew

841
00:50:44,520 --> 00:50:50,319
Speaker 1: my ship because I was like, I don't and I'm

842
00:50:50,440 --> 00:50:54,880
Speaker 1: far from it because this labeled about four or five albums,

843
00:50:55,920 --> 00:50:59,240
Speaker 1: so I was like, damn, drop to jewel to jewel.

844
00:50:59,320 --> 00:51:02,560
Speaker 1: He he kind of helped me see the future and

845
00:51:02,760 --> 00:51:05,760
Speaker 1: he was like, when you're own your master's give me arrange.

846
00:51:05,840 --> 00:51:08,520
Speaker 1: Everybody thought he was crazy the way he was doing

847
00:51:08,560 --> 00:51:13,359
Speaker 1: it with his master. They thought he was crazy. Slow

848
00:51:13,440 --> 00:51:23,120
Speaker 1: clapp slow claps. Slow clap is different. That's when you're like,

849
00:51:24,200 --> 00:51:27,800
Speaker 1: that's hard. But but we um, we kicked it a

850
00:51:27,880 --> 00:51:32,040
Speaker 1: few times. We got cool. He was he was he

851
00:51:32,320 --> 00:51:35,560
Speaker 1: very cool dude to me. He invited me on stage

852
00:51:35,600 --> 00:51:37,759
Speaker 1: and before him, I was like, I can't go out there,

853
00:51:37,920 --> 00:51:43,080
Speaker 1: you know, like like I didn't go because you know,

854
00:51:43,239 --> 00:51:44,759
Speaker 1: you know, Prince might have had his ass out. It's

855
00:51:44,800 --> 00:51:50,279
Speaker 1: different Differry Prince. It's like, you know, I understand, I understand, man,

856
00:51:50,360 --> 00:51:56,319
Speaker 1: that's that's one of the gods man Prince. Yeah, but yeah,

857
00:51:57,040 --> 00:52:00,560
Speaker 1: um he I think everybody went to work with him.

858
00:52:00,800 --> 00:52:04,440
Speaker 1: So the pressure that he had from everybody, what he

859
00:52:04,719 --> 00:52:08,959
Speaker 1: turned Michael Jackson down, the pressure he had for people

860
00:52:09,000 --> 00:52:12,719
Speaker 1: want to work with him, it's crazy. Yeah, so who

861
00:52:12,880 --> 00:52:15,719
Speaker 1: hold up? Damn Oh, we love Prince stories on it

862
00:52:16,160 --> 00:52:18,279
Speaker 1: didn't have it give us a Prince story was having

863
00:52:18,320 --> 00:52:23,440
Speaker 1: said he made the beat Coprins. Okay, but straight you

864
00:52:23,560 --> 00:52:27,160
Speaker 1: went to Wyoming, like and you worked with Kanye. You

865
00:52:27,200 --> 00:52:29,400
Speaker 1: didn't work with the regular Kanye. You work with Maga

866
00:52:29,440 --> 00:52:34,920
Speaker 1: hat Kanye. Did you know it at that point? Did you?

867
00:52:35,120 --> 00:52:37,320
Speaker 1: Did you talking about that? You would just just like,

868
00:52:37,400 --> 00:52:41,120
Speaker 1: you know what, let me let this nig be crazy. Yeah,

869
00:52:42,520 --> 00:52:47,440
Speaker 1: I took it too far. I went to still genius. Man,

870
00:52:47,920 --> 00:52:49,399
Speaker 1: we still love him. I want to be from them

871
00:52:49,480 --> 00:52:51,239
Speaker 1: right now, like take a beat, but I'm gonna te

872
00:52:51,280 --> 00:52:53,640
Speaker 1: him take the hat off, nig. I'm sorry. So so

873
00:52:53,800 --> 00:52:55,959
Speaker 1: he called me and he's like we always talked about

874
00:52:56,080 --> 00:52:59,400
Speaker 1: him producing my album. So I'm like, he's like, you

875
00:52:59,480 --> 00:53:01,640
Speaker 1: ready to this is this album? I was like, Yeah,

876
00:53:01,719 --> 00:53:04,040
Speaker 1: let's just do this album. So it's all right, Cool,

877
00:53:04,040 --> 00:53:07,200
Speaker 1: We're gonna figure out the schedule. Um. Once we figured

878
00:53:07,200 --> 00:53:10,920
Speaker 1: out schedule, before we started working, he wanted to announce

879
00:53:10,960 --> 00:53:14,920
Speaker 1: the album. And that's not cool because that makes us.

880
00:53:15,600 --> 00:53:17,520
Speaker 1: It puts the pressure on, makes us have to deliver

881
00:53:17,560 --> 00:53:22,640
Speaker 1: the album the next days when h the Trump thing

882
00:53:23,360 --> 00:53:29,840
Speaker 1: when crazy? So my phone's ringing, yo, Wayne, because go

883
00:53:29,920 --> 00:53:33,640
Speaker 1: to the other way. That was tough. That was tough,

884
00:53:34,080 --> 00:53:36,200
Speaker 1: because you know why you like you like the hood Savior.

885
00:53:36,320 --> 00:53:38,640
Speaker 1: I don't know if you you ever accepted this pressure.

886
00:53:39,000 --> 00:53:42,920
Speaker 1: But whatever nas do we do? If NAS rocking Nike,

887
00:53:43,160 --> 00:53:47,240
Speaker 1: we rock Nike. Naas rock Slilke shirts were rock silk shirts.

888
00:53:47,360 --> 00:53:49,080
Speaker 1: If NAS get a half moon in the park, nick

889
00:53:49,200 --> 00:53:50,680
Speaker 1: I just stopped getting a half in the park. Come on,

890
00:53:51,480 --> 00:53:56,440
Speaker 1: come on, you still over there, half moon? So whatever

891
00:53:56,560 --> 00:54:00,719
Speaker 1: you do, we do. So if I'm just curious, like

892
00:54:00,760 --> 00:54:02,759
Speaker 1: ya ever even had that talk or you just like

893
00:54:02,800 --> 00:54:04,279
Speaker 1: you know what, let the music like, it's like me

894
00:54:04,360 --> 00:54:05,920
Speaker 1: and for real, I don't. We're not getting a studio

895
00:54:05,960 --> 00:54:09,160
Speaker 1: with real. I don't talk about ship. It's about music.

896
00:54:09,520 --> 00:54:14,560
Speaker 1: I don't talk about subways, publics when Dixie Pigley Wiggily,

897
00:54:14,640 --> 00:54:16,360
Speaker 1: none of that ship with that nigger. We just just

898
00:54:16,480 --> 00:54:19,640
Speaker 1: chick stick with music. That's all. We got to pretty combination,

899
00:54:21,680 --> 00:54:25,080
Speaker 1: you know. But so did you even like talk about

900
00:54:25,120 --> 00:54:27,279
Speaker 1: that because all you just like sucking stick with the music.

901
00:54:27,800 --> 00:54:30,000
Speaker 1: Who's that Kanye with the Magna hat? Did he kep?

902
00:54:31,400 --> 00:54:33,759
Speaker 1: In my mind, he didn't come into the Maga hat

903
00:54:33,880 --> 00:54:40,080
Speaker 1: right even from Queen's rizns you gotta step it up? Yeah?

904
00:54:40,160 --> 00:54:43,239
Speaker 1: That was that was That was some ship because um,

905
00:54:44,680 --> 00:54:47,440
Speaker 1: you know he got his uh, he got his ways

906
00:54:48,200 --> 00:54:51,080
Speaker 1: of thinking and doing things. You know, that's what's sweat

907
00:54:51,120 --> 00:54:53,880
Speaker 1: he is like nowadays it's called trolling. Do you you

908
00:54:53,960 --> 00:54:55,560
Speaker 1: know what? You know what trolling means? I know you're rich,

909
00:54:55,719 --> 00:55:00,560
Speaker 1: but you know what trolling means, like like trolling is

910
00:55:00,640 --> 00:55:03,920
Speaker 1: like to do something to Yeah, it's a lot. This

911
00:55:04,000 --> 00:55:07,400
Speaker 1: is retro. This is retrostro I would say that Kanye

912
00:55:07,520 --> 00:55:10,400
Speaker 1: is a retro. I think that Kanye is a troll.

913
00:55:11,480 --> 00:55:15,200
Speaker 1: You understand what you're trying to say? The things that

914
00:55:15,880 --> 00:55:18,680
Speaker 1: his way I don't do ship like that. He's he's

915
00:55:19,200 --> 00:55:22,680
Speaker 1: he's a genius at what he does. He pisses people off,

916
00:55:23,880 --> 00:55:27,080
Speaker 1: but he's a good brother. I'm a real good brother.

917
00:55:27,160 --> 00:55:31,040
Speaker 1: I'll take another shot. Um, come on, come on, Mr Lee,

918
00:55:32,080 --> 00:55:33,880
Speaker 1: now your investment because I don't. I don't want take

919
00:55:33,920 --> 00:55:36,640
Speaker 1: a different with my father team. It's about loss takes two,

920
00:55:36,920 --> 00:55:39,480
Speaker 1: so I want to get into that. But i'm your investments.

921
00:55:40,000 --> 00:55:43,839
Speaker 1: Um ring, Yeah, I got that at my door right now.

922
00:55:43,920 --> 00:55:47,719
Speaker 1: That's a fact. I use your investments. Um what else

923
00:55:47,760 --> 00:55:54,560
Speaker 1: is here? Part of uh uh? Box lifting? My son

924
00:55:54,640 --> 00:55:59,320
Speaker 1: got hip to lift right now? Come on, I just

925
00:55:59,360 --> 00:56:03,640
Speaker 1: heard your saying shots and up. But how how did

926
00:56:03,719 --> 00:56:08,320
Speaker 1: you What was the anthony? So I always say that

927
00:56:08,400 --> 00:56:11,920
Speaker 1: you know, dyslexic, dyslexic. You know I'm probably be dyslexic.

928
00:56:12,360 --> 00:56:14,080
Speaker 1: Like at this point, just let me just rote. But

929
00:56:14,239 --> 00:56:15,680
Speaker 1: what was it that said, you know what, I'm gonna

930
00:56:15,680 --> 00:56:24,240
Speaker 1: start doing investments. I wanted to do that from watching

931
00:56:24,360 --> 00:56:28,759
Speaker 1: TV as a kid. I wanted to I wanted to

932
00:56:28,840 --> 00:56:32,759
Speaker 1: be a businessman when I was a kid, Like I

933
00:56:32,880 --> 00:56:38,759
Speaker 1: wanted the office and a briefcase and in a suit,

934
00:56:40,080 --> 00:56:44,279
Speaker 1: and and I wanted to connect dots. I wanted to

935
00:56:44,400 --> 00:56:47,160
Speaker 1: make big things happen. I wanted to see things happen.

936
00:56:47,600 --> 00:56:50,200
Speaker 1: I always wanted to be that, you know, you know,

937
00:56:50,360 --> 00:56:52,239
Speaker 1: life takes you in another direction and you're going to

938
00:56:52,360 --> 00:56:56,600
Speaker 1: music and then after a while comes back around. He's like,

939
00:56:56,600 --> 00:56:59,279
Speaker 1: all right, I got timed down before I didn't have

940
00:56:59,360 --> 00:57:02,680
Speaker 1: no time. I got time now. So it's like something

941
00:57:02,680 --> 00:57:04,640
Speaker 1: like the kid on the internet. I got time today

942
00:57:04,640 --> 00:57:11,439
Speaker 1: because I got time today. You always tell you something

943
00:57:14,560 --> 00:57:16,480
Speaker 1: it's it's the same as you though, you know, like

944
00:57:16,640 --> 00:57:18,920
Speaker 1: it's the same as you. You're a businessman. No, no,

945
00:57:19,000 --> 00:57:21,080
Speaker 1: I ain't gonna lie. Nos, I follow you like I'm

946
00:57:21,080 --> 00:57:24,560
Speaker 1: gonna be honest. Um. I wondered that that should hit

947
00:57:24,600 --> 00:57:26,360
Speaker 1: me there in a different way, that should hit different.

948
00:57:27,680 --> 00:57:30,760
Speaker 1: That's it different, goddamnit. So who it's still hit me.

949
00:57:30,800 --> 00:57:31,880
Speaker 1: All right, hold on, let me let me get my

950
00:57:31,880 --> 00:57:35,320
Speaker 1: life together. Wait for one moment, so I'm not gonna lie.

951
00:57:36,080 --> 00:57:38,960
Speaker 1: You're seeing you transition and like becoming the full fledged

952
00:57:39,000 --> 00:57:42,280
Speaker 1: businessman that you are. It's so inspiring. It's so like

953
00:57:42,640 --> 00:57:45,120
Speaker 1: inspirational because I remember, like me, you and Jungle just

954
00:57:45,680 --> 00:57:48,920
Speaker 1: you know, sitting there in Justin's and eating fried fried

955
00:57:49,040 --> 00:57:51,200
Speaker 1: chicken and just like talking about it. And I'm gonna

956
00:57:51,200 --> 00:57:53,400
Speaker 1: tell you something that I know you don't remember or

957
00:57:53,440 --> 00:57:58,200
Speaker 1: you maybe you have. I filmed you in jungle and um,

958
00:57:58,560 --> 00:58:00,760
Speaker 1: we we're talking about this backpack kid hop at the time,

959
00:58:00,800 --> 00:58:02,480
Speaker 1: and we all hated back back hip the time. I

960
00:58:02,520 --> 00:58:04,960
Speaker 1: won't say what it was, who it was. I don't

961
00:58:05,000 --> 00:58:06,720
Speaker 1: say who it was, but you know what you told me?

962
00:58:07,320 --> 00:58:09,760
Speaker 1: What what's that you said? Your one day they're gonna

963
00:58:09,760 --> 00:58:15,080
Speaker 1: pay you for for your conversation. You are nostro dumis

964
00:58:17,400 --> 00:58:20,439
Speaker 1: That's what you told me. But it's your gift. That's

965
00:58:20,520 --> 00:58:23,320
Speaker 1: that's your gift. Your word play is crazy, bro, That's

966
00:58:23,320 --> 00:58:26,800
Speaker 1: why your flow is crazy. That's why what you yeah,

967
00:58:28,080 --> 00:58:31,320
Speaker 1: what I'm telling you when when you know, I remember

968
00:58:31,360 --> 00:58:34,680
Speaker 1: I met you and also in dn D studio and

969
00:58:36,200 --> 00:58:39,520
Speaker 1: you came to meet me and you told me what

970
00:58:39,760 --> 00:58:43,440
Speaker 1: was going on in your business and what you wanted

971
00:58:43,480 --> 00:58:50,680
Speaker 1: to go on and and and the whole contin his

972
00:58:50,800 --> 00:58:53,320
Speaker 1: whole in R E. R. We was there for that,

973
00:58:53,560 --> 00:58:58,000
Speaker 1: like we got you, let's go. And so anybody that

974
00:58:58,120 --> 00:59:02,920
Speaker 1: want to complain and say somebody's holding me back, this

975
00:59:03,120 --> 00:59:05,880
Speaker 1: is this is proof. We were proof no one can

976
00:59:05,960 --> 00:59:10,960
Speaker 1: hold what's destined to be nobody. So what you did

977
00:59:11,280 --> 00:59:15,440
Speaker 1: was what I did. We got here, we came, we saw,

978
00:59:15,560 --> 00:59:24,200
Speaker 1: we conquered. Anything else, it's bullshit because I know when

979
00:59:24,240 --> 00:59:26,840
Speaker 1: you was getting at with that. No, not because you know,

980
00:59:27,040 --> 00:59:29,440
Speaker 1: I see so many people, because I mean all of

981
00:59:29,520 --> 00:59:31,400
Speaker 1: us as rapp us. We have people who we want

982
00:59:31,520 --> 00:59:34,800
Speaker 1: to bring and bring with us, for sure, but then

983
00:59:34,840 --> 00:59:37,000
Speaker 1: there's certain people that don't want to work, but they

984
00:59:37,080 --> 00:59:39,600
Speaker 1: think that they still deserve to be there. So the

985
00:59:39,680 --> 00:59:41,600
Speaker 1: thing is, you just gotta just put it in yourself.

986
00:59:41,640 --> 00:59:43,840
Speaker 1: So I followed your footsteps, you know what I'm saying,

987
00:59:44,000 --> 00:59:46,480
Speaker 1: And I followed what you was doing. So you know what, man,

988
00:59:46,960 --> 00:59:49,120
Speaker 1: we got any more questions? I mean, I want to

989
00:59:49,200 --> 00:59:52,160
Speaker 1: keep talking about how you was going. I want to

990
00:59:52,160 --> 00:59:54,520
Speaker 1: do body in the trunk. I just think that it's

991
00:59:54,520 --> 00:59:57,160
Speaker 1: important for people to understand, like the evolution of how

992
00:59:57,200 --> 01:00:01,160
Speaker 1: we can diversified ourselves. But other things like you said,

993
01:00:01,200 --> 01:00:05,120
Speaker 1: we're doing podcasting, Um, you're doing the enough announced this

994
01:00:05,200 --> 01:00:10,400
Speaker 1: massive pill deal too, that I should go right. You

995
01:00:10,560 --> 01:00:15,200
Speaker 1: just announced it right now. In case you don't know,

996
01:00:15,720 --> 01:00:18,280
Speaker 1: every time you hear drink chance that ship is gonna

997
01:00:18,280 --> 01:00:29,960
Speaker 1: be on massive Pill. Make some boddamn yo family such

998
01:00:30,000 --> 01:00:33,680
Speaker 1: a beautiful energy. Yes, good energy, and we want you

999
01:00:33,760 --> 01:00:35,400
Speaker 1: to know. Now, let me tell you something. Let me

1000
01:00:35,440 --> 01:00:38,800
Speaker 1: tell you something. Listen, just because we down with massive

1001
01:00:38,800 --> 01:00:41,280
Speaker 1: pill or whatever, you sell you the biggest artist, one

1002
01:00:41,320 --> 01:00:42,960
Speaker 1: of the biggest artists in the world to me, the

1003
01:00:43,000 --> 01:00:46,280
Speaker 1: biggest artists in the world. Because I'm pleased and yeah

1004
01:00:46,600 --> 01:00:49,920
Speaker 1: to me, I say that. And you could have you

1005
01:00:50,040 --> 01:00:51,760
Speaker 1: could have went anywhere, but you came to us, and

1006
01:00:51,840 --> 01:00:56,640
Speaker 1: I'm pause, Um, I really, I really appreciated that. Now

1007
01:00:56,800 --> 01:00:58,960
Speaker 1: because a lot of people don't know. They're thinking that

1008
01:00:59,160 --> 01:01:01,240
Speaker 1: we just did this. Now. You showed up to our

1009
01:01:01,640 --> 01:01:08,640
Speaker 1: main headquarters in Miami like you're seriously on the first Yes,

1010
01:01:09,200 --> 01:01:11,320
Speaker 1: the first day of the tour. Yes, I gotta come

1011
01:01:11,400 --> 01:01:14,520
Speaker 1: see my guys. I never did it before. It's family

1012
01:01:14,600 --> 01:01:16,320
Speaker 1: time at the time, it couldn't have been better. Like

1013
01:01:16,400 --> 01:01:18,880
Speaker 1: I said, I'm a fan of the show. I love

1014
01:01:18,920 --> 01:01:20,840
Speaker 1: what you guys do. I think there's no show like

1015
01:01:21,000 --> 01:01:24,960
Speaker 1: this in the game. It's pure, it's right, and he's drinking.

1016
01:01:25,040 --> 01:01:28,200
Speaker 1: It's it's a brand slam. It's beautiful. So I couldn't

1017
01:01:28,240 --> 01:01:30,360
Speaker 1: wait to be on the show. I saw Steve shout

1018
01:01:30,400 --> 01:01:36,120
Speaker 1: on the show. He's crazy. I ask you about that. Yeah,

1019
01:01:36,400 --> 01:01:42,800
Speaker 1: care arrest one I saw Oh man, it was daddy

1020
01:01:42,840 --> 01:01:47,120
Speaker 1: came with Yeah, so so you know, keep doing your thing. Yeah.

1021
01:01:48,320 --> 01:01:50,640
Speaker 1: I just want to thank you so much because you're

1022
01:01:50,720 --> 01:01:53,320
Speaker 1: you're not your whole letting out here. You know they'd

1023
01:01:53,320 --> 01:01:54,760
Speaker 1: be like ninol go out here with the whole baby.

1024
01:01:55,120 --> 01:02:00,880
Speaker 1: Yeah wait wait, let's be real though, good though you

1025
01:02:01,000 --> 01:02:04,640
Speaker 1: got lost tapes to You're gonna have with you drink

1026
01:02:04,720 --> 01:02:12,840
Speaker 1: Champs with Nas Part two in Miami. I just want

1027
01:02:12,880 --> 01:02:15,360
Speaker 1: to say, because you know what, you know what, it's

1028
01:02:15,400 --> 01:02:17,120
Speaker 1: so perfect, you know what, I could go in, I

1029
01:02:17,160 --> 01:02:19,040
Speaker 1: could go in for six hours, but I'm gonna man,

1030
01:02:19,320 --> 01:02:27,240
Speaker 1: I can't believe it's going pooked. Yeah. Yeah, you got

1031
01:02:27,360 --> 01:02:32,040
Speaker 1: to celebrate. We gotta celebrate with you. So yeah, celebration

1032
01:02:33,560 --> 01:02:35,480
Speaker 1: once again. I just want to say thank you. You

1033
01:02:35,520 --> 01:02:37,520
Speaker 1: know what I'm saying because at the end of the day,

1034
01:02:39,200 --> 01:02:40,640
Speaker 1: certain people don't have to do what they got to

1035
01:02:40,680 --> 01:02:43,720
Speaker 1: do to keep hip hop going. Like you're at a

1036
01:02:43,800 --> 01:02:45,520
Speaker 1: level where you can say, you know what I can

1037
01:02:45,560 --> 01:02:49,680
Speaker 1: say on Wall Street, You're still here. You're still making

1038
01:02:49,760 --> 01:02:53,360
Speaker 1: business benches with niggers like us just trying to get

1039
01:02:53,400 --> 01:02:59,160
Speaker 1: apartment and I'm coming right, Yeah, come on but I'm

1040
01:02:59,200 --> 01:03:03,200
Speaker 1: coming there. But and I just want to thank you

1041
01:03:03,320 --> 01:03:05,320
Speaker 1: because in case you don't know what you mean the

1042
01:03:05,440 --> 01:03:09,360
Speaker 1: hip hop, if it wasn't for Nas, it wouldn't be

1043
01:03:09,440 --> 01:03:12,880
Speaker 1: a whole genre of music. It wouldn't be a mob deek,

1044
01:03:12,960 --> 01:03:15,760
Speaker 1: there wouldn't be a component in oriega. There wouldn't be

1045
01:03:15,840 --> 01:03:18,360
Speaker 1: a the Locks. There wouldn't be there. It's a lot

1046
01:03:18,440 --> 01:03:21,760
Speaker 1: of people that you birthed with that drug dealer, real

1047
01:03:22,000 --> 01:03:27,480
Speaker 1: nigga rat that that I know. I know. I know

1048
01:03:27,560 --> 01:03:33,720
Speaker 1: you're humble, your burger of Stember sixty set, so I

1049
01:03:33,840 --> 01:03:35,720
Speaker 1: know you don't all right now, So body in the trunk?

1050
01:03:35,800 --> 01:03:37,640
Speaker 1: Do you remember how he made Body in the trunk?

1051
01:03:37,680 --> 01:03:41,880
Speaker 1: All right? Hell yeah, I don't want you. We used

1052
01:03:41,920 --> 01:03:44,080
Speaker 1: to hang a lot. We used to hang a lot

1053
01:03:45,000 --> 01:03:57,120
Speaker 1: a lot. Used to take me to seafood place. He

1054
01:03:57,160 --> 01:03:58,840
Speaker 1: always had a style about him. He could be in

1055
01:03:58,880 --> 01:04:01,160
Speaker 1: the hood, but he knew how us spin niggers and

1056
01:04:01,200 --> 01:04:06,040
Speaker 1: then we go through the fly ships. So yes, so

1057
01:04:06,240 --> 01:04:09,360
Speaker 1: body the trunk, Yeah, that was us in the studio.

1058
01:04:10,320 --> 01:04:13,040
Speaker 1: Just just want to make records. This I'm gonna be honest.

1059
01:04:13,080 --> 01:04:14,680
Speaker 1: This is what you said to me. Because we had

1060
01:04:14,800 --> 01:04:17,120
Speaker 1: had like seven records at the time. And I don't

1061
01:04:17,120 --> 01:04:19,600
Speaker 1: know if y'all know, but none of your niggers in

1062
01:04:19,640 --> 01:04:21,640
Speaker 1: this room was lucky enough to have seven records with

1063
01:04:21,720 --> 01:04:25,840
Speaker 1: nos I, so relax. I had seven So and now

1064
01:04:25,880 --> 01:04:29,360
Speaker 1: I said, yo, let's do a concept record. So the

1065
01:04:29,440 --> 01:04:35,240
Speaker 1: whole time we're driving, right, I ain't gonna I got

1066
01:04:35,280 --> 01:04:39,040
Speaker 1: out of controls okay, So as me driving to the

1067
01:04:39,720 --> 01:04:42,280
Speaker 1: see you, You and the Hit Factor we already but

1068
01:04:42,360 --> 01:04:44,760
Speaker 1: I'm with Jungle and the Chapelle. So they keep they

1069
01:04:44,880 --> 01:04:47,680
Speaker 1: keep battling each other, gets somebody in the trunk, y'all,

1070
01:04:48,360 --> 01:04:51,200
Speaker 1: somebody in the trump and then they just so I

1071
01:04:51,320 --> 01:04:53,440
Speaker 1: walk in the studio with you, and I'm like, yo, um,

1072
01:04:54,880 --> 01:04:56,800
Speaker 1: let's do a concept record. I was like, all right, cool,

1073
01:04:57,000 --> 01:04:59,240
Speaker 1: and we started thinking of concepts. I went to the bathroom.

1074
01:04:59,280 --> 01:05:03,280
Speaker 1: They still the bullshit, I said. I came back in.

1075
01:05:03,400 --> 01:05:07,040
Speaker 1: I said, did you hear what they're talking about? You're like, nah,

1076
01:05:07,120 --> 01:05:09,440
Speaker 1: I said, Yo, he keeps talking about the body of

1077
01:05:09,480 --> 01:05:15,880
Speaker 1: the trunk. He was like, that's perfect for the concept. Yo,

1078
01:05:16,400 --> 01:05:20,640
Speaker 1: that's my ship. That's that's my ship right there. That

1079
01:05:20,760 --> 01:05:23,880
Speaker 1: show is crazy. No, that was a crazy joint because

1080
01:05:23,880 --> 01:05:25,919
Speaker 1: it was like you had to like a movie part

1081
01:05:25,960 --> 01:05:28,400
Speaker 1: and then that had the sound effects and to beat

1082
01:05:28,440 --> 01:05:31,439
Speaker 1: the stupid beat, go dumb, y'all should make a movie

1083
01:05:31,560 --> 01:05:35,880
Speaker 1: right now, that motherfucker. But I got the Jungle all

1084
01:05:35,920 --> 01:05:38,520
Speaker 1: the time. He I hear him talking that ship turned

1085
01:05:38,560 --> 01:05:42,960
Speaker 1: on a song. It's like, oh ship id be later

1086
01:05:43,000 --> 01:05:45,240
Speaker 1: he getting little ripped. I ain't getting paid for that song,

1087
01:05:46,440 --> 01:05:51,439
Speaker 1: pub That's not true. I paid them for the whole

1088
01:05:51,600 --> 01:05:54,439
Speaker 1: motherfucking executive producing because you know what, And I'm gonna

1089
01:05:54,440 --> 01:05:57,800
Speaker 1: be honest. I'm gonna be honest. I owe Jungle more.

1090
01:05:57,920 --> 01:06:00,640
Speaker 1: I owe you more because you know what as a friend,

1091
01:06:00,760 --> 01:06:03,040
Speaker 1: as a like, as a friend dude in the game.

1092
01:06:03,440 --> 01:06:05,960
Speaker 1: What happened was I took that whole album on my

1093
01:06:06,080 --> 01:06:10,600
Speaker 1: own and y'all didn't. I didn't take over, but you

1094
01:06:10,840 --> 01:06:13,360
Speaker 1: came over and just let me know you did your thing.

1095
01:06:13,720 --> 01:06:15,760
Speaker 1: He was helping me with the spices over here and

1096
01:06:15,880 --> 01:06:20,000
Speaker 1: over here. And I can't never thank you, incredible, bro.

1097
01:06:21,000 --> 01:06:23,600
Speaker 1: You couldn't do that. Thank everybody can't do what you do. Bro.

1098
01:06:23,880 --> 01:06:26,760
Speaker 1: Thank you. My Brother's what it is. So listen everybody,

1099
01:06:26,880 --> 01:06:28,440
Speaker 1: before before we get out of here, we also got

1100
01:06:28,560 --> 01:06:30,680
Speaker 1: a big up. Not only are we gonna break news

1101
01:06:31,160 --> 01:06:36,120
Speaker 1: massive peal, Yes, title in the building with us too. V.

1102
01:06:37,480 --> 01:06:43,360
Speaker 1: Let me just say something. Let me say something to

1103
01:06:43,440 --> 01:06:45,480
Speaker 1: the people. You ran a play right there when we

1104
01:06:45,520 --> 01:06:49,480
Speaker 1: say something to the people real quick. Good friend of

1105
01:06:49,520 --> 01:06:53,720
Speaker 1: mine named Peter for Massive Pill. Pete said to me,

1106
01:06:54,880 --> 01:06:57,120
Speaker 1: and I don't even think he knows he said this

1107
01:06:57,240 --> 01:06:59,880
Speaker 1: to me, but he, I mean knows that this was

1108
01:07:00,040 --> 01:07:04,400
Speaker 1: a heavy weighing on us. We had a heavy deal

1109
01:07:04,800 --> 01:07:09,280
Speaker 1: with our Heart radio. I don't get too crazy details crazy,

1110
01:07:09,320 --> 01:07:12,560
Speaker 1: all right, I gotta relax, you gotta relax. I see

1111
01:07:12,600 --> 01:07:15,600
Speaker 1: people way, chill, all right, chill, nick. I know what

1112
01:07:15,640 --> 01:07:19,240
Speaker 1: I'm doing. But Peter said something crazy to me. It

1113
01:07:19,360 --> 01:07:22,560
Speaker 1: was in Bahamas, and he said, our heart ain't gonna

1114
01:07:22,600 --> 01:07:27,080
Speaker 1: get y'all. You're gonna do something crazy and our heart

1115
01:07:27,120 --> 01:07:31,640
Speaker 1: ain't gonna be there. And as wild as that ship sound,

1116
01:07:32,080 --> 01:07:35,000
Speaker 1: it was very simple. We know we say wild ship.

1117
01:07:35,960 --> 01:07:38,160
Speaker 1: We know that any other show can be censored and

1118
01:07:38,240 --> 01:07:43,720
Speaker 1: can be tamed. We know this. So instead of our Heart,

1119
01:07:44,600 --> 01:07:53,600
Speaker 1: he chose motherfucking mass of pill. And I want to

1120
01:07:53,960 --> 01:07:55,800
Speaker 1: I wanted to record this show that because I know

1121
01:07:55,920 --> 01:07:57,440
Speaker 1: Peter didn't know what he said when he said that,

1122
01:07:57,560 --> 01:07:59,680
Speaker 1: Because he said he said, he said that ship to

1123
01:07:59,720 --> 01:08:02,160
Speaker 1: me and said it so nonchalantly, but it made so

1124
01:08:02,320 --> 01:08:06,440
Speaker 1: much sense because because the thing about it is, I

1125
01:08:06,600 --> 01:08:09,680
Speaker 1: want everybody listen to this, not because I'm ill. People,

1126
01:08:09,680 --> 01:08:15,800
Speaker 1: because I'm ill. Go where you appreciate it, Go when

1127
01:08:15,840 --> 01:08:26,880
Speaker 1: you celebrate it. I'm going when you tolerated like I'd

1128
01:08:26,960 --> 01:08:31,200
Speaker 1: rather be with my people. Like I never had business,

1129
01:08:31,439 --> 01:08:33,880
Speaker 1: I never I never had dreams of doing business with

1130
01:08:33,960 --> 01:08:37,120
Speaker 1: Warren Buffett or Steve Jobs or things like that. My

1131
01:08:37,479 --> 01:08:39,960
Speaker 1: thing was, I want to do business with puff Daddy.

1132
01:08:40,840 --> 01:08:43,280
Speaker 1: I want to do business with nads. I want to

1133
01:08:43,320 --> 01:08:46,200
Speaker 1: do business with a whole because that's who I look

1134
01:08:46,280 --> 01:08:48,919
Speaker 1: up to and that's who I can see myself becoming.

1135
01:08:49,840 --> 01:08:55,439
Speaker 1: So no disrespect. But why go to Spotify? Why I

1136
01:08:55,680 --> 01:08:59,679
Speaker 1: don't got that guy's number? I don't even know who's

1137
01:08:59,760 --> 01:09:02,800
Speaker 1: Mr Spotify? Who is that name? Hold on, hold on on,

1138
01:09:02,840 --> 01:09:04,599
Speaker 1: and let me tell you there's nothing more hip hop.

1139
01:09:05,080 --> 01:09:07,840
Speaker 1: Did I kill that? I killed that. There's nothing more

1140
01:09:07,960 --> 01:09:11,120
Speaker 1: hip hop than to say, I say a Cuban kid

1141
01:09:11,240 --> 01:09:13,840
Speaker 1: from Miami. That's right. I tuck that ship. It's sitting

1142
01:09:13,840 --> 01:09:17,280
Speaker 1: at the table with legends, nonetheless, and then we can

1143
01:09:17,360 --> 01:09:22,639
Speaker 1: announce a monumental deal in hip hop revote and massive

1144
01:09:22,720 --> 01:09:32,840
Speaker 1: palms and on that note, nas nas, thank you so much.

1145
01:09:33,479 --> 01:09:35,920
Speaker 1: I want to thank the massive pill staff draft to

1146
01:09:36,080 --> 01:09:39,720
Speaker 1: add to Peter, so damn so many of them all.

1147
01:09:39,800 --> 01:09:42,240
Speaker 1: I forgot the London girl. Forgot her name? What's her name?

1148
01:09:43,280 --> 01:09:45,800
Speaker 1: What's her name? The London girl to accent the publicist. Okay,

1149
01:09:47,400 --> 01:09:51,439
Speaker 1: I'm a big up to the title little big up

1150
01:09:51,479 --> 01:10:01,760
Speaker 1: to a revote, robbing and every everybody, Yo, Na you

1151
01:10:06,080 --> 01:10:11,800
Speaker 1: do ro think a drop drop? I know, I know,

1152
01:10:11,960 --> 01:10:13,639
Speaker 1: I know, I get drop