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Speaker 1: Hey, everybody, welcome to a bonus episode of I Saw

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Speaker 1: What You Did. My name is Millie to Jericho, I'm

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Speaker 1: Danielle Henderson, and uh, were you just eating the sandwich?

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Speaker 1: Just now? I'm eating I love it?

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Speaker 2: Called out immediately, I'm eating a buttered ROLLO. That's the

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Speaker 2: New York specialty. Then your breakfast specialties. You go to

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Speaker 2: a gas station and you get a buttered roll with

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Speaker 2: your gigantic dunkin.

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Speaker 1: DONUTSA what do you mean to butt?

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Speaker 3: Like?

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Speaker 1: So, is it like a dinner roll that has butter

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Speaker 1: in it? And then you just it's at a dinner roll?

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Speaker 1: What is it? Wait?

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Speaker 4: Well, how is it a New York specially? I've never

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Speaker 4: heard of this before in my life.

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Speaker 2: Well that's why I say it's a New York specialty

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Speaker 2: because in all of my travels, I've never seen it

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Speaker 2: anywhere else as prolifically as it has been in my

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Speaker 2: life growing up. Yeah, and every gas station you just

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Speaker 2: walk in and on the counter, if they have a

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Speaker 2: little deli spot for themselves, they'll make a buttered roll.

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Speaker 2: If they don't have a deadly spot, they usually have

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Speaker 2: them delivered. But almost every single gas station in New

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Speaker 2: York has this option. It's like a sandwich roll, like

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Speaker 2: a plain sandwich roll, but it's got butter inside.

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Speaker 1: And I don't know what they do.

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Speaker 2: Even if I have come across the buttered roll in

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Speaker 2: other places, the New York buttered roll is the best.

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Speaker 2: I don't know the butter. I don't know if it's

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Speaker 2: the bread. Next time you come up, we got it.

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Speaker 2: We got to hit up the Exxon.

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Speaker 1: Dude, this is incredible information. I had no idea that

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Speaker 1: this was a thing. I was going to say a trend.

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Speaker 1: It's not a trend. It's here to stay. It's here

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Speaker 1: to stay. It's here to stay for forty plus years. Yeah.

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Speaker 2: I feel like they probably had butter rolls for like

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Speaker 2: one hundred years in New York. But yeah, it's so

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Speaker 2: simple and so delicious and when you're just kind of

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Speaker 2: grabbing something on the go, bread and butter.

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Speaker 3: Man.

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Speaker 1: Okay.

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Speaker 4: My complaints about Southern gas stations is that they don't

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Speaker 4: go like the deli route as much as they should,

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Speaker 4: unless it's a chain, unless it's like wah Wall or something.

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Speaker 4: You know what I mean, right, But I'm saying most

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Speaker 4: like regular ass gas stations do not provide baked goods

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Speaker 4: or sandwiches on the rigs.

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Speaker 1: It's annoying. It's annoying. What are people running in there for?

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Speaker 1: I mean cigarettes?

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Speaker 2: Yeah, like you're running in for snacks, man, hype up

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Speaker 2: the snacks.

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Speaker 4: So I think our version of this perhaps, even though

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Speaker 4: I would say it's not the same as a buttered

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Speaker 4: roll is boiled peanuts. Oh what Yes, so you can

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Speaker 4: get boiled peanuts at the gas station. However, it's kind

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Speaker 4: of like only certain chains like a racetrack will have

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Speaker 4: the peanut patch boiled peanut.

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Speaker 1: It looks like it's in a soup, you know, like

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Speaker 1: a soup what you know, like where you get soup

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Speaker 1: like a cauldron.

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Speaker 4: Yeah, it's either in a cauldron or thing that's like

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Speaker 4: embedded into the counter, like at the place where you

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Speaker 4: eat at work.

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Speaker 1: Or something, you know what I mean. Wait, so you

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Speaker 1: serve yourself. So, like, these are wet peanuts boiled?

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Speaker 4: Yes, they are peanuts that are boiled in hot water

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Speaker 4: and then but they don't.

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Speaker 1: Even bother to dry them for you. No, they're supposed

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Speaker 1: to be wet.

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Speaker 2: Wet's get in your car with some wet peanuts.

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Speaker 1: That's a disaster, dude. They're so good, They're so good.

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Speaker 1: They're probably delicious.

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Speaker 4: They're kind of they're hot and salty and like kind

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Speaker 4: of they're like soft.

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Speaker 1: It's great.

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Speaker 2: I'm sure they are delicious. I'm thinking of the disaster

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Speaker 2: that is me eating in a car. Oh, I know,

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Speaker 2: and that is ripe for mess for me. It's like

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Speaker 2: a handful of wet peanuts.

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Speaker 1: Yeah, but it's happening. Portability is an issue, always has been.

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Speaker 4: But it's the thing where if you're sitting like you know,

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Speaker 4: usually you can get it into like a cup and

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Speaker 4: then you can just have a top and then you

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Speaker 4: can take it to your ballgame or your construction site

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Speaker 4: or your home wherever you're eating room, your classroom.

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Speaker 1: Yeah, oh it's by the way.

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Speaker 4: Like, yeah, when I was teaching last semester up North,

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Speaker 4: there was a boiled Peanuts day where that there was

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Speaker 4: like a boiled peanuts cauldron in the lobby of the

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Speaker 4: school and I.

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Speaker 1: Was like, this is incredible, Like they should do this

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Speaker 1: all the time, like all schools, so good.

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Speaker 2: Just the fucking straga known of that of boiled peanuts,

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Speaker 2: the wet peanuts is take them the class.

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Speaker 4: I know so many people that hate them too, which

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Speaker 4: is like shocking to me because I think they're delicious,

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Speaker 4: but so maybe kind of like kind of like a

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Speaker 4: buttered roll. But see, I don't know. I mean a

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Speaker 4: buttered roll sounds so good right now.

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Speaker 2: And they're so soft, like you can hear me eating it.

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Speaker 2: It's so soft, and the butter is like salty and sweet.

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Speaker 2: And I'm telling you, man, I've tried to replicate it

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Speaker 2: at home.

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Speaker 1: Yeah, it doesn't work.

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Speaker 2: The lovely lady who runs the gas station in town

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Speaker 2: that I go to, I've asked her. I'm like, yo,

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Speaker 2: I try to do this at home and it doesn't

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Speaker 2: taste the same.

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Speaker 1: What's up.

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Speaker 2: She's like, Oh, it's probably the bread because we have

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Speaker 2: it delivered from a bakery that you know, blah blah blah.

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Speaker 1: So the butter is already in it, it's already melty

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Speaker 1: in it. Oh it's like solid, but like love it.

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Speaker 1: It's soft. Yes, yes, yes, it's perfect. All right, I'm

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Speaker 1: forming a petition.

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Speaker 2: Oh, next time you come up, we'll just like eat

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Speaker 2: there every morning.

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Speaker 1: Oh my god, amazing. Just just a grab and go.

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Speaker 1: And this is a a gas like a straight up

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Speaker 1: gas station, like.

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Speaker 2: Straight up gas station. You go in, they're on the counter.

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Speaker 2: Oh my god, grab and go wrapped in clingfilm, grab

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Speaker 2: and go.

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Speaker 1: Man ah, that sounds great.

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Speaker 2: And then I go around the corner and I get

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Speaker 2: my dunkin Donuts. You know, because usually I drink my

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Speaker 2: coffee at home, I make it myself. But on the

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Speaker 2: occasion that I treat myself, I get my big old

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Speaker 2: dunkin Donuts. Now we haven't talked about this yet. Oh

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Speaker 2: and this was a couple of months ago. The ben

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Speaker 2: Affleck Matt Damon dunkin Donuts commercials.

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Speaker 4: Okay, you're gonna have to remind me of is there

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Speaker 4: a new one, because I remember there was one where

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Speaker 4: he worked in the drive through ben Affleck.

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Speaker 2: The new ones that came out for the Super Bowl.

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Speaker 2: Have you seen those?

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Speaker 3: No?

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Speaker 1: I haven't. I didn't watch the Super Bowl.

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Speaker 2: See I didn't either, but I looked up those fucking commercials.

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Speaker 1: Let me look one up right now, Hold on a second.

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Speaker 2: It has exacerbated my adoration of ben Affleck.

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Speaker 1: I don't know what is going on with me and

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Speaker 1: ben Affleck this year. I mean I do. I just

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Speaker 1: got that.

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Speaker 4: You know, once in a while we get a wild

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Speaker 4: hair in our ass and we started like or like,

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Speaker 4: who is what's this person doing?

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Speaker 1: What's this celebrity doing. He's so weird. I love that

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Speaker 1: he's a weird person. Yes, and he's smart. Dunk Kings

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Speaker 1: dunk Kings, and.

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Speaker 2: He is just as exhausted by his life as we

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Speaker 2: all would be. Wow, it's fucking phenomen There's like ten

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Speaker 2: different versions where they have like they have clips and

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Speaker 2: cuts and but Matt Damon is fucking hilarious.

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Speaker 1: Ben Affleck is fucking hilarious. I say one with j

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Speaker 1: Lo in the studio or something like that. That's the one.

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Speaker 1: Oh they got like full suits on.

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Speaker 2: They have full Duncan track suits on.

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Speaker 1: Wow. Wow, he went for it.

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Speaker 2: He's like, Oh, you think I like dunkin Donuts, Let

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Speaker 2: me fucking show you.

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Speaker 4: This is so interesting for me because, as everyone knows

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Speaker 4: by this point, my first job in the world, my

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Speaker 4: very first job, like the weekend after I turned fifteen

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Speaker 4: years old, was that I worked at a dunkin Donuts

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Speaker 4: and I worked there for like two years.

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Speaker 1: Your parents were like, get out, make that bread.

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Speaker 4: Yeah, you're gonna have to work every Saturday and Sunday.

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Speaker 4: I had like no weekends when I was in high

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Speaker 4: school because I worked at a dunkin Donuts and I

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Speaker 4: had to get up early, which my dad had to

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Speaker 4: drive me to Dunkin Donuts. Was like, you know, so

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Speaker 4: his whole plan was voked. He had to wake up early,

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Speaker 4: so I had the last last. So for a long time,

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Speaker 4: because I worked there, I could not stand the smell

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Speaker 4: of Duncan dirgets.

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Speaker 1: For years, I was like, oh, I hate this smell

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Speaker 1: and gross.

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Speaker 4: I can't the smell of like donuts and frosting and

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Speaker 4: all that stuff.

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Speaker 1: But then I don't know.

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Speaker 4: I think in my later years I've begun to really

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Speaker 4: appreciate a Duncan.

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Speaker 1: Mm hmmm.

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Speaker 4: I think piggybacking off of your passion for Duncan perhaps

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Speaker 4: maybe you know, in a roundabout way Ben Affleck's passion

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Speaker 4: for Duncan, I've.

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Speaker 1: Suddenly like become like I'm like a customer again.

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Speaker 2: That is the most special journey. I feel like it

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Speaker 2: should really be its own commercial, like a little tinkling

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Speaker 2: music and like gentle Enya style of music in the background,

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Speaker 2: Like I worked here and I fucking hated y'all. Yeah,

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Speaker 2: but give it a couple of decades. I'm back, baby,

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Speaker 2: I'm back, I.

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Speaker 4: Know, and you know why, you know what pulled me

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Speaker 4: back in the egg and cheese bagel.

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Speaker 1: Oh it wasn't even a donut. It was an egg

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Speaker 1: and cheese bag. It wasn't even a donut. Damn. I mean,

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Speaker 1: whatever gets you get you. They have lots of ways

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Speaker 1: to get you.

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Speaker 2: But I also feel like I should post a picture

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Speaker 2: of one of the Christmas gifts you got me this year.

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Speaker 1: Oh yeah, I forgot I got you up.

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Speaker 2: Because this thing showed up at my house and I

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Speaker 2: had no markings of who sent it, where it came.

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Speaker 2: It came from like somewhere deep in the South, and

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Speaker 2: I was like, what is it? And I opened it

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Speaker 2: and it is the most beautiful, non ironic Dunkin Donuts sweatshirt.

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Speaker 2: It just has duncans And I'm not a label person.

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Speaker 2: I'm not a brand person. It is only Dunkin Donuts

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Speaker 2: and it is a soft, comfortable sweatshirt that I am

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Speaker 2: looking for ways to wear to formal events because I

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Speaker 2: love it so much.

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Speaker 1: So I sent out a couple of text messages to.

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Speaker 2: People I thought might be the culprint and I wrote

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Speaker 2: to Millie. I was like, Yo, did you send me

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Speaker 2: this Dunkin sweatshirt? She was like, yeah, that was my

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Speaker 2: fun and.

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Speaker 4: Gift and here's why because a when we were on

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Speaker 4: that road trip up to Maine, we stopped at Dunkin

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Speaker 4: Donuts like every day, and it's a common topic on

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Speaker 4: our podcast, so I felt like we had this inside

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Speaker 4: joke about it.

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Speaker 1: Duncan. I knew that there was a bed Affleck connection,

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Speaker 1: but then on top of that, I kind of loved

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Speaker 1: the design work. It was not yeah, it's like an

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Speaker 1: all over print, right, it is an all over print.

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Speaker 1: It's perfect.

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Speaker 2: It's your your weird dunkin pink and orange colors, which

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Speaker 2: nobody would ever put together. But it works, and it's

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Speaker 2: like diagonal is beautiful.

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Speaker 4: It looks like a sweatshirt that you would buy off

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Speaker 4: like Fairfax in our old neighborhood, like.

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Speaker 1: Cause it's like so cool. And I'm like, this looks cool.

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Speaker 4: And there was matching sweatpants, but I was like, I

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Speaker 4: don't know, maybe that's a little matchy matchie. I'll just

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Speaker 4: get the sweatshirt and then you know, we'll see where

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Speaker 4: it goes from there. But now that I'm looking at

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Speaker 4: this dunk King's commercial, I'm like, if they made swishy

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Speaker 4: suits yeah with Duncan logo.

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Speaker 1: We'd all be in Yeah.

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Speaker 2: And it's just it's beautiful. It's a beautiful miracle. And

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Speaker 2: it's also kind of hilarious because the only time I

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Speaker 2: usually leave my house is to go to Dunkin Donuts,

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Speaker 2: So I walk in like I'm fucking here.

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Speaker 1: I'm here to be the ben Affleck of my town. Dude,

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Speaker 1: do they feel you off any free shit?

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Speaker 2: No, because everyone that works there is like a fifteen

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Speaker 2: year old who already think I'm weird because I talk

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Speaker 2: to them and they're like, man, we have a kiosk

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Speaker 2: specifically so that you don't have to interact with us,

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Speaker 2: and I'm like, Yeah, what's up?

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Speaker 1: What's your name of that? I don't like.

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Speaker 2: They're very very friendly and timid people. Yeah, who already

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Speaker 2: think I'm a fucking weirdo. So when I walk in

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Speaker 2: in my duncan regalia, They're like, are we going to

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Speaker 2: get shot? What is happening here?

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Speaker 1: Well?

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Speaker 4: I feel like if you're wearing the regalia, that at

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Speaker 4: least gives you a like a My technique when I

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Speaker 4: was working at the joint was, you know, if somebody

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Speaker 4: ordered like a twenty five box or fifty bucks of

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Speaker 4: Munchkins and I really like them, I wouldn't count.

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Speaker 1: I just do a grab feel it.

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Speaker 4: Yeah, it's like claw game where I just grab the

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Speaker 4: munchkins and throw them in there. Didn't count to twenty five.

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Speaker 4: It was imprecise, and I was like, because who cares, Like.

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Speaker 1: Let's just give them a couple of handfuls. Let's break

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Speaker 1: them off a couple of ugget extras. Yeah.

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Speaker 4: So that's what I'm saying is that they should be

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Speaker 4: doing that for you, and if they're not, I need

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Speaker 4: to go up there.

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Speaker 1: Yeah, be like, listen, I'm an alumni. Okay, yes, let's

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Speaker 1: talk about this. This woman is coming in here with

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Speaker 1: a expensive donut sweatshirt with the logo of your establishment.

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Speaker 1: Right now, you need to like break her off something

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Speaker 1: or something nice.

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Speaker 2: Remember, like a few years ago, you'd always see there's

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Speaker 2: this club with older women who wear purple and red. Yeah,

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Speaker 2: and I think it's based on a pome or a

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Speaker 2: short story or something, and you would see them everywhere.

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Speaker 2: I haven't seen them in a long time, but you

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Speaker 2: see them everywhere. I feel like that when I walk

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Speaker 2: into a duncan in my dunkin sweatshirts, where I'm just like,

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Speaker 2: I'm your grandma, fucking respect, I'm your duncan, Nana.

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Speaker 1: I am an.

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Speaker 2: Elder of the dunkin an establishment. Can I get a

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Speaker 2: little extra donut?

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Speaker 1: They should?

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Speaker 2: Can I get a fucking gift card?

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Speaker 1: Can I get you to even just say hello to me?

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Speaker 1: Like I'm not even asking for things, just like, you know,

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Speaker 1: be like, yo, what's up?

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Speaker 2: You're clearly a wizard of some kind sent from the

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Speaker 2: past or the future, we don't know. Yeah, just like

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Speaker 2: a little bit of you know, hey. But people play

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Speaker 2: it too cool nowadays. If I saw someone in the

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Speaker 2: sweatshirt that you sent to me, by the end of

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Speaker 2: that conversation, I'd be on vacation with I'd be going

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Speaker 2: on vacation with them.

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Speaker 4: I'm telling you, it's a cool sweatshirt. It's like something

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Speaker 4: that Chris Pine would wear well running errands.

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Speaker 1: It looks great.

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Speaker 2: He would pair it with like some freyed booty shorts

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Speaker 2: and some red wing boots and like one earring, Like

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Speaker 2: he would just pair it with something that's just and

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Speaker 2: then he would get into his portion drive away with

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Speaker 2: a stack of books.

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Speaker 1: Exactly. That's all I'm saying. That's what I envisioned your

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Speaker 1: life is like up there, I really do.

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Speaker 2: One hundred fucking percent just me with one earring, zooming away.

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Speaker 1: In my not Porsche with your book.

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Speaker 2: Freaking just put my books, just freaking people out.

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Speaker 1: They are about fifteen books in the backseat of my

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Speaker 1: car right now. Dude, love that, just freaking people out.

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Speaker 1: I love it. I didn't come back here to make friends. Ah, okay, Well,

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Speaker 1: speaking of books, yes and eating yep? Is that a

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Speaker 1: transition to what we're about to do right now?

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Speaker 2: Let's make it one fucking bonus episode.

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Speaker 4: The wheels are off, well, of course, we're going to

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Speaker 4: read some letters and hear some voicemails from y'all. Yeah,

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Speaker 4: this first one do you want me to read or

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Speaker 4: do you want to read it?

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Speaker 1: Go for it? Okay, So this first one is from Holly.

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Speaker 1: She her pronouns, and the subject.

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Speaker 4: Of it is that time I ruined silence of the Lambs.

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Speaker 1: Now do you understand transition? I don't know about. Does

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Speaker 1: head of a lecture read? He reads? Right, That's why

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Speaker 1: he's so smart.

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Speaker 2: He's like a motherfucker. Oh my god, the man can't

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Speaker 2: stop reading. I don't know how they're geting him books

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Speaker 2: in prison, because you can. You can turn a hardcover

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Speaker 2: into a shive in three seconds.

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Speaker 1: Hey, definitely, And I just know that.

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Speaker 2: From working in bookstores, Like I used to work and

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Speaker 2: use bookstores, and we'd have to like, you know, wrap

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Speaker 2: the covers, and every single part of a book could

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Speaker 2: be a weapon.

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Speaker 4: Yeah, they had to feed all those books through that

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Speaker 4: like check cashing windows, lexiglass shit that. They were like,

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Speaker 4: he's too dangerous. We can't even hand him things. He'll

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Speaker 4: bite our fingers off.

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Speaker 2: Let's hand him this thing that can easily be turned

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Speaker 2: into a knife. Yeah, these sharp ass slicing pages. They

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Speaker 2: could be in there slicing himself up.

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Speaker 1: We don't know.

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Speaker 2: Oh, definitely he had those little gerbil holes to breathe through. Yeah,

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Speaker 2: the gerbil holes.

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Speaker 1: He's like, I can't wait to make this book into

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Speaker 1: a knife. Clarice.

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Speaker 2: We can't let this motherfucker take a full breath. But

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Speaker 2: here's the full compendium of fucking James Joyce probably hyper

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Speaker 2: ventilating in there, those little gerbil holes.

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Speaker 1: Oh my god. All right, let's see what Holly has

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Speaker 1: to say about this. Solis of the Lamps, say, my

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Speaker 1: dear dear Millian Danielle. First of all, I admire you

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Speaker 1: both so much as a woman of a certain age

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Speaker 1: and love listening to laugh cry, share your inspirational female

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Speaker 1: friendship and talk about film, which I also love. I'm

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Speaker 1: so grateful for your voices. I'm a white lady, no

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Speaker 1: mud room, but I'm learning.

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Speaker 4: Onto The show Silence of the Lambs came out when

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Speaker 4: I was in junior high school, and I went with

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Speaker 4: my boyfriend, a senior Oo La La, and our friends

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Speaker 4: to see it. So there we are holding hands watching

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Speaker 4: Clarice's the namesake of my first car, shake in the infrared.

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Speaker 1: Glow of the night vision goggles. It was intense.

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Speaker 4: I don't have to tell you that number one, this

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Speaker 4: seed was so scary at the time, and number two

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Speaker 4: I was just praying my hand wasn't getting too sweaty

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Speaker 4: in my own glow of romance and terror. Suddenly my

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Speaker 4: boyfriend reaches under our arms with his other hand and

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Speaker 4: grabs my ribs. I scream, and then the whole theater screams.

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Speaker 4: Clorice is still shaking in the green light. I scream again,

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Speaker 4: started by the audience's reaction. Then we all meet my boyfriend,

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Speaker 4: our friends, and the pack theater start laughing. And when

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Speaker 4: Clorice's finally spoiler alert blows Buffalo Bill away, we're all

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Speaker 4: trying to Recover No One Was Mad back in the

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Speaker 4: day before public rage was cool, and now one of

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Speaker 4: my favorite films is inextricably linked in my mind to

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Speaker 4: this hilarious, humiliating, haunting experience. Have you had funny, embarrassing,

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Speaker 4: or otherwise weird theater experiences? All the love and peace

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Speaker 4: in the world to you both, Holly.

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Speaker 2: I love this email for so many reasons. It brings

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Speaker 2: me back to that time of like the share movie

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Speaker 2: experience when you could and it still occasionally happens, but

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Speaker 2: like when you're all laughing together and like experiencing something together,

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Speaker 2: and that scene is one that if you touched me

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Speaker 2: during that scene now I would probably scream so yeah,

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Speaker 2: so good.

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Speaker 4: Have you had a weird embarrassing experience in a movie theater?

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Speaker 1: Oh?

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Speaker 5: All the time?

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Speaker 1: I mean, I.

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Speaker 2: Mean it wasn't like when I went and saw John

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Speaker 2: Wick four and some man pete and a cup behind me, embarrassing.

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Speaker 1: You know, me and my laugh.

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Speaker 2: So I'm constantly in theaters laughing by myself and it's

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Speaker 2: not embarrassing to me, it's I'm embarrassed for everyone else

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Speaker 2: that they're not so cool and fun.

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Speaker 4: Dude, I don't know what the fuck anyone is talking about.

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Speaker 4: I love a great laugh in a movie.

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Speaker 1: Right, it just sets you lose, it sets you free.

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Speaker 4: Oh my god, it's like it sets you free. I

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Speaker 4: feel your freedom when you're doing it.

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Speaker 1: Yeah, And it's just it's like an infectious like I

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Speaker 1: love laughing. I love joy. I love hilarious things.

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00:19:03,840 --> 00:19:07,080
Speaker 4: So when people are laughing and things, when it's like

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Speaker 4: a genuine laugh, right, and every time you laugh, you

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00:19:11,160 --> 00:19:16,160
Speaker 4: know you have a very genuine, warm, inviting.

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Speaker 1: Excellent laugh. So thank you, thank you. Yeah, I'm constantly.

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Speaker 2: But I also I think this gets to a deeper

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Speaker 2: question too, because I rarely feel embarrassed in general. I

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Speaker 2: don't know when that happened in my life. I used

415
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Speaker 2: to feel embarrassed a lot as a little kid. Yeah,

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00:19:32,720 --> 00:19:34,560
Speaker 2: but there was something that shifted. I think once I

417
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Speaker 2: became in control of my own life. I was like,

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Speaker 2: I'm not embarrassed aout, Like I'm fucking trying my best, dudes,

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Speaker 2: So why do I trip over nothing in a crowded room?

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Speaker 1: I don't care. Yeah, like Rond's just.

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Speaker 2: Trying our best. So it's hard for me to get embarrassed.

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Speaker 2: But I always have funny and weird theater experiences for sure.

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Speaker 1: Yeah, well it's funny. I was thinking about this when

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Speaker 1: we were reading it.

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Speaker 4: And I had a sort of funny experience the other

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Speaker 4: week when I went so lead saph Frankenstein, which what

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00:20:02,160 --> 00:20:05,440
Speaker 4: happened we talked to you about. So in the theater,

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Speaker 4: I went to the movies with my friends Ben and

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Speaker 4: Eddie who I always go to the movies with Ben Cheves,

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Speaker 4: Eddie Ray, and then our friend Zach White, who is

431
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Speaker 4: a producer I wrote Adult Swim everybody you know pretty

432
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Speaker 4: much as like a media film person.

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Speaker 1: So we go to a lot of movies together. Right.

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Speaker 4: So we're in the movie and I know that the

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Speaker 4: movie was PG. Thirteen, right, so there was probably I

436
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Speaker 4: don't know, like some kids in there, but you know

437
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Speaker 4: they were like with their.

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Speaker 1: Parents and that kind of stuff. There also was apparently

439
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Speaker 1: I found this out.

440
00:20:37,960 --> 00:20:39,879
Speaker 4: After the movie, that there was some kind of like

441
00:20:40,000 --> 00:20:42,119
Speaker 4: school holiday in the next day, so for some reason,

442
00:20:42,119 --> 00:20:45,560
Speaker 4: there was like even more kids in the theater when

443
00:20:45,600 --> 00:20:50,280
Speaker 4: we were walking in. So halfway through Lisa Frankenstein, these

444
00:20:50,320 --> 00:20:53,879
Speaker 4: like three teenage girls walk in and they definitely are

445
00:20:53,920 --> 00:20:58,520
Speaker 4: sneaking into the movie, right, and they were I have

446
00:20:58,600 --> 00:21:01,920
Speaker 4: to say, pretty route. They were actually face timing when

447
00:21:01,920 --> 00:21:03,199
Speaker 4: they walked in, which I thought was.

448
00:21:03,240 --> 00:21:06,640
Speaker 1: Like, oh no, so insane.

449
00:21:06,680 --> 00:21:08,560
Speaker 4: I guess they were facetiming with some like boy that

450
00:21:08,600 --> 00:21:10,040
Speaker 4: one of them liked, and I was like, what in

451
00:21:10,080 --> 00:21:13,679
Speaker 4: the world, So they come in face timing, which I

452
00:21:13,760 --> 00:21:19,639
Speaker 4: will say generally Atlanta needs to regulate this kind of

453
00:21:19,720 --> 00:21:21,679
Speaker 4: thing a little bit more. And I'm saying this as

454
00:21:21,680 --> 00:21:25,600
Speaker 4: somebody who lived in La, where everybody is psychotic about

455
00:21:25,800 --> 00:21:27,400
Speaker 4: talking and phones.

456
00:21:27,760 --> 00:21:28,800
Speaker 1: You know what I'm talking.

457
00:21:28,600 --> 00:21:32,239
Speaker 4: About, right, Absolutely, people will yell in your face if

458
00:21:32,280 --> 00:21:34,200
Speaker 4: you pull out your phone for like two fucking seconds.

459
00:21:34,200 --> 00:21:37,480
Speaker 2: I've seen people in La yell at someone who comes

460
00:21:37,560 --> 00:21:39,920
Speaker 2: into the theater before the movie even starts and has

461
00:21:39,920 --> 00:21:43,160
Speaker 2: the flashlight on their phone because they have a disability.

462
00:21:43,240 --> 00:21:44,840
Speaker 1: And people are like, turn that fucking light off.

463
00:21:44,840 --> 00:21:48,200
Speaker 2: And I'm like, this man can't walk without seeing Why

464
00:21:48,200 --> 00:21:50,160
Speaker 2: don't you calm down before the movie starts.

465
00:21:50,280 --> 00:21:52,240
Speaker 1: Yeah, Like, and it doesn't matter the movie. It could

466
00:21:52,280 --> 00:21:52,720
Speaker 1: be like.

467
00:21:53,000 --> 00:21:58,399
Speaker 4: Shindler's List or like a Tommy Wiseou movie, Like, it

468
00:21:58,400 --> 00:21:58,920
Speaker 4: doesn't matter.

469
00:21:58,920 --> 00:22:00,000
Speaker 1: The quality of the movie doesn't matter.

470
00:22:00,240 --> 00:22:02,600
Speaker 4: They just hate hate when you break the rules, right,

471
00:22:02,880 --> 00:22:05,359
Speaker 4: And I know The Alamo Draft House also promotes that

472
00:22:05,400 --> 00:22:08,200
Speaker 4: a lot, but Atlanta is a wild West. Anybody can

473
00:22:08,240 --> 00:22:11,280
Speaker 4: do anything, truly, for better or for worse. But so

474
00:22:11,400 --> 00:22:13,879
Speaker 4: these girls come in with the FaceTime on, and everyone's like,

475
00:22:13,880 --> 00:22:15,640
Speaker 4: what the fuck. So then they go to the back

476
00:22:15,720 --> 00:22:18,160
Speaker 4: row and then they just start like giggling and laughing

477
00:22:18,160 --> 00:22:20,000
Speaker 4: and blah blah blah blah blah. So they're behind us,

478
00:22:20,040 --> 00:22:21,840
Speaker 4: right because we're like kind of in the I don't know,

479
00:22:21,880 --> 00:22:25,000
Speaker 4: middle back row, but they're like in the far back row.

480
00:22:25,960 --> 00:22:30,400
Speaker 1: So at some point the popcorn starts flying. Oh shit,

481
00:22:30,480 --> 00:22:35,040
Speaker 1: they threw popcorn at us, like basically Ben and Zack

482
00:22:35,160 --> 00:22:36,520
Speaker 1: they were throwing popcorn.

483
00:22:36,720 --> 00:22:39,919
Speaker 4: They threw popcorn at this and we're like he and

484
00:22:39,920 --> 00:22:42,960
Speaker 4: then like running around the like the top of the row,

485
00:22:43,119 --> 00:22:44,760
Speaker 4: like in the dark corner or whatever.

486
00:22:44,840 --> 00:22:46,680
Speaker 2: Bitch I would be in jail right now. I would

487
00:22:46,720 --> 00:22:47,560
Speaker 2: be in jail.

488
00:22:48,080 --> 00:22:48,280
Speaker 3: I know.

489
00:22:48,640 --> 00:22:52,080
Speaker 1: I was like, Oh my god, I'm gonna smack these girls.

490
00:22:52,119 --> 00:22:53,080
Speaker 1: Where are their parents?

491
00:22:53,920 --> 00:22:56,240
Speaker 4: So they started throwing popcorn and then we were kind

492
00:22:56,240 --> 00:22:58,760
Speaker 4: of like what the fuck. And then Zach like and

493
00:22:58,840 --> 00:23:00,879
Speaker 4: he was doing this out of love and respect for

494
00:23:00,920 --> 00:23:04,159
Speaker 4: the time outter tradition of like the grouchy man who

495
00:23:04,520 --> 00:23:06,000
Speaker 4: he turned around.

496
00:23:05,720 --> 00:23:08,320
Speaker 1: And went, what are you all girls doing, like.

497
00:23:08,320 --> 00:23:13,160
Speaker 4: In the most scary, demonic like monster voice, and they

498
00:23:13,320 --> 00:23:18,440
Speaker 4: all screamed bloody murder and ran. They like basically liked

499
00:23:19,080 --> 00:23:20,960
Speaker 4: and they were like laughing.

500
00:23:21,080 --> 00:23:26,400
Speaker 1: Fucked with the wrong one, but like on purpose.

501
00:23:26,480 --> 00:23:29,320
Speaker 4: He was trying to you know, of both the like

502
00:23:29,840 --> 00:23:33,800
Speaker 4: scary like a Wibcom type of person in the movie

503
00:23:33,800 --> 00:23:37,200
Speaker 4: theater and they screamed.

504
00:23:37,040 --> 00:23:39,400
Speaker 1: And like the whole movie was being was being.

505
00:23:39,280 --> 00:23:43,080
Speaker 4: Ruined by every second. But anyway, it was funny. It

506
00:23:43,160 --> 00:23:46,960
Speaker 4: was annoying, but then that was funny. And then they

507
00:23:47,040 --> 00:23:49,399
Speaker 4: ended up leaving at some point, but they were they

508
00:23:49,440 --> 00:23:52,120
Speaker 4: were very rude, but that moment made me laugh a lot.

509
00:23:52,280 --> 00:23:56,480
Speaker 2: That is the perfect fucking reaction, yea, to that kind

510
00:23:56,480 --> 00:23:59,199
Speaker 2: of behavior, because you can't lay hands because their children

511
00:23:59,680 --> 00:24:03,160
Speaker 2: and they're clearly are no parents around, yes, and they

512
00:24:03,200 --> 00:24:05,840
Speaker 2: know they have you at their fucking mercy for those reasons.

513
00:24:06,080 --> 00:24:08,600
Speaker 4: Yeah, the best thing you can do is scare teenagers

514
00:24:08,920 --> 00:24:12,399
Speaker 4: like with a that's hilarious, a scary voice, a scary

515
00:24:12,440 --> 00:24:13,280
Speaker 4: demon voice.

516
00:24:13,640 --> 00:24:15,600
Speaker 1: Anyway, so that's my recent story.

517
00:24:15,640 --> 00:24:18,040
Speaker 2: That's beautiful, and Holly also gave us some signs of

518
00:24:18,040 --> 00:24:19,000
Speaker 2: the lambs fmks.

519
00:24:20,560 --> 00:24:22,679
Speaker 1: If you want to get into those. I mean, do

520
00:24:22,800 --> 00:24:25,240
Speaker 1: you want to get into those? Yeah, it's so easy

521
00:24:25,280 --> 00:24:25,480
Speaker 1: for me.

522
00:24:25,920 --> 00:24:29,760
Speaker 4: Oh okay, okay, let's go then, so bonus fmk's Sunds

523
00:24:29,760 --> 00:24:30,520
Speaker 4: of the Lamb's Edition.

524
00:24:30,720 --> 00:24:33,080
Speaker 1: Okay, we've got the goodies.

525
00:24:33,280 --> 00:24:39,040
Speaker 4: So fuck Mary, kill Clarice, Catherine Martin and Jack Crawford.

526
00:24:39,400 --> 00:24:42,680
Speaker 2: So easy for me, hit it. Fuck Clarice, Mary, Jack

527
00:24:42,720 --> 00:24:44,040
Speaker 2: Crawford kill Katherine Martin.

528
00:24:44,280 --> 00:24:49,719
Speaker 1: Oh no, so easy.

529
00:24:50,320 --> 00:24:52,200
Speaker 2: You can't hang out with Clarice for too long because

530
00:24:52,200 --> 00:24:55,200
Speaker 2: she's got so much fucking trauma that she hasn't addressed. Okay,

531
00:24:55,240 --> 00:24:57,840
Speaker 2: and she has a gun, so like trauma plus gun,

532
00:24:57,960 --> 00:24:59,160
Speaker 2: I ain't staying around for long.

533
00:24:59,320 --> 00:25:00,280
Speaker 1: Sure.

534
00:25:00,400 --> 00:25:05,200
Speaker 2: Jack Crawford was fucking hot ooh yes, a forward thinking

535
00:25:05,240 --> 00:25:05,600
Speaker 2: man with.

536
00:25:05,600 --> 00:25:08,600
Speaker 1: A job and seems to be very smart.

537
00:25:09,160 --> 00:25:11,280
Speaker 2: And Catherine Martin was just annoying, like the way she

538
00:25:11,320 --> 00:25:13,480
Speaker 2: treated Hannibal Elector, like you're gonna roll up on somebody

539
00:25:13,520 --> 00:25:17,480
Speaker 2: dressed like a fucking Iron Maiden album cover and be bitchy.

540
00:25:17,840 --> 00:25:20,000
Speaker 1: No, you gotta go. That was so easy for me.

541
00:25:20,320 --> 00:25:24,959
Speaker 4: I'm gonna blow your mind potentially. Let's see, all right, Well,

542
00:25:24,960 --> 00:25:27,120
Speaker 4: here's what I'm gonna do. I'm gonna fuck Jack Crawford

543
00:25:27,200 --> 00:25:31,399
Speaker 4: because duh, duh. I mean love that actor, love his

544
00:25:31,480 --> 00:25:33,080
Speaker 4: little glasses absolutely.

545
00:25:33,119 --> 00:25:34,399
Speaker 1: Scott Glenn please.

546
00:25:34,200 --> 00:25:38,000
Speaker 4: Yes, he's got this like weird like European philosopher kind

547
00:25:38,000 --> 00:25:38,800
Speaker 4: of look to him.

548
00:25:39,520 --> 00:25:41,960
Speaker 1: I am going to marry Catherine Martin.

549
00:25:42,680 --> 00:25:49,120
Speaker 2: Oh wow, because I think we know why the outfit

550
00:25:50,040 --> 00:25:51,040
Speaker 2: because of that dog.

551
00:25:51,440 --> 00:25:56,680
Speaker 1: The dog. The dog's not even hers. Well it's happening.

552
00:25:56,720 --> 00:25:58,879
Speaker 1: Wait is Catherine the mom or the one who's in

553
00:25:58,920 --> 00:26:02,679
Speaker 1: the well? I thought was the victim? I thought she

554
00:26:02,800 --> 00:26:03,720
Speaker 1: was down in the well.

555
00:26:03,920 --> 00:26:07,399
Speaker 2: Oh, because that will change my mind.

556
00:26:09,080 --> 00:26:13,240
Speaker 4: I thought it was the mom. Would you want to revise?

557
00:26:13,480 --> 00:26:14,879
Speaker 4: We can still revise by.

558
00:26:14,720 --> 00:26:18,400
Speaker 1: The way, I'm keeping it. I'll keeping it.

559
00:26:18,480 --> 00:26:21,600
Speaker 2: I'll keep its cool. Sorry, Catherine.

560
00:26:23,440 --> 00:26:26,280
Speaker 4: So, okay, now that you know it's the woman in

561
00:26:26,320 --> 00:26:28,240
Speaker 4: the well, well, yeah, so naturally.

562
00:26:27,920 --> 00:26:30,119
Speaker 1: The dog, Okay, I get that. And she's got she

563
00:26:30,280 --> 00:26:33,760
Speaker 1: likes Tom Petty. I love Tom Petty. Who does it? Okay?

564
00:26:34,040 --> 00:26:37,000
Speaker 4: She you know, has kind of a Southern accent, so

565
00:26:37,160 --> 00:26:39,560
Speaker 4: I feel like she might be I don't know, Southern,

566
00:26:39,680 --> 00:26:43,600
Speaker 4: or at least like can hang at like a honky.

567
00:26:43,280 --> 00:26:44,280
Speaker 1: Tonk or something. I don't know.

568
00:26:44,320 --> 00:26:46,119
Speaker 4: I feel like very connected to her in a lot

569
00:26:46,160 --> 00:26:48,920
Speaker 4: of ways, but the dog is number one. So that's

570
00:26:48,920 --> 00:26:51,359
Speaker 4: why we're getting married and living together forever. And then,

571
00:26:51,400 --> 00:26:52,919
Speaker 4: of course I don't want to do this, but I

572
00:26:52,920 --> 00:26:55,600
Speaker 4: gotta kill Clarice. I don't want that, but you know,

573
00:26:55,760 --> 00:26:56,320
Speaker 4: rules are rule.

574
00:26:56,440 --> 00:26:58,720
Speaker 2: Sometimes it happens you go so hard on the other

575
00:26:58,760 --> 00:27:00,640
Speaker 2: two that you just you know, the one that falls

576
00:27:00,680 --> 00:27:03,000
Speaker 2: by the wayside is just the way it shakes out. Yeah,

577
00:27:03,080 --> 00:27:05,119
Speaker 2: I will only change my answer to say that I'm

578
00:27:05,200 --> 00:27:07,680
Speaker 2: killing Catherine Martin because she's already in a will. She's right,

579
00:27:07,760 --> 00:27:13,360
Speaker 2: she's easy to kill. I'll keep the dog, yeah, keep

580
00:27:13,359 --> 00:27:17,919
Speaker 2: the dog alive. I'll keep Jame Gumm's dog alive.

581
00:27:18,040 --> 00:27:19,560
Speaker 1: But she gotta go. She's already in the.

582
00:27:19,480 --> 00:27:22,439
Speaker 2: Well, literally shooting fish in a barrel.

583
00:27:24,640 --> 00:27:27,119
Speaker 1: Okay, so there's that. Excellent. Now we've got this like

584
00:27:27,200 --> 00:27:32,119
Speaker 1: last round. This is rough the Baddies of Silence of

585
00:27:32,200 --> 00:27:32,720
Speaker 1: the Lambs.

586
00:27:33,080 --> 00:27:37,400
Speaker 4: So fuck Mary, kill doctor Lecter, Jame Gumm, and doctor Chilton.

587
00:27:38,240 --> 00:27:41,240
Speaker 4: Even though Holly says she thinks that he's been in

588
00:27:41,240 --> 00:27:44,360
Speaker 4: an FMK before, and I have to agree, we talked

589
00:27:44,400 --> 00:27:44,920
Speaker 4: about this before.

590
00:27:44,960 --> 00:27:47,400
Speaker 1: But anyway, what are your thoughts? This is also very

591
00:27:47,400 --> 00:27:50,520
Speaker 1: easy for me. Sure, Fuck doctor Lecter.

592
00:27:51,680 --> 00:27:58,240
Speaker 2: Mary, doctor Chilton killed Jame gom what off the dome.

593
00:27:58,440 --> 00:27:59,879
Speaker 1: I don't know why that's so easy for me.

594
00:28:01,560 --> 00:28:04,720
Speaker 2: If you can survive a fucking Hannibal Lecter, you will

595
00:28:04,720 --> 00:28:05,680
Speaker 2: have stories for.

596
00:28:05,640 --> 00:28:06,639
Speaker 1: The rest of your life.

597
00:28:06,760 --> 00:28:09,720
Speaker 2: Yeah, yeah, yeah, Plus like with his little like I'm

598
00:28:09,720 --> 00:28:12,720
Speaker 2: thinking of Anthony Hopkins Lecter or fucking Mats Michelson throw

599
00:28:12,760 --> 00:28:15,240
Speaker 2: it on the pile, I don't care, yeah, exactly, but

600
00:28:15,240 --> 00:28:18,600
Speaker 2: I'm thinking specifically Anthony Hopkins with this little high waisted pants,

601
00:28:19,000 --> 00:28:22,200
Speaker 2: his little T shirt. Yeah, just like he's in and out,

602
00:28:22,240 --> 00:28:24,240
Speaker 2: he's not fucking. He knows what he wants, he knows

603
00:28:24,280 --> 00:28:26,080
Speaker 2: what's going, he knows what he.

604
00:28:25,880 --> 00:28:27,440
Speaker 1: Wants in that bedroom.

605
00:28:30,720 --> 00:28:34,199
Speaker 2: You gotta you gotta kill James Gum, even though the

606
00:28:34,280 --> 00:28:37,480
Speaker 2: actor Ted Levine I would totally fuck, but you gotta

607
00:28:37,560 --> 00:28:41,040
Speaker 2: kill James Gumm because come on, that house is a mess.

608
00:28:41,400 --> 00:28:45,880
Speaker 4: Oh truly, listen, I think I'm gonna go exactly down

609
00:28:45,920 --> 00:28:51,400
Speaker 4: the line with me. I don't want to necessarily marry

610
00:28:51,480 --> 00:28:54,640
Speaker 4: doctor Chilton. You said married doctor Chilton, right, I said.

611
00:28:54,440 --> 00:28:56,240
Speaker 2: Mary, because he's always gone on trying to be some

612
00:28:56,320 --> 00:28:58,400
Speaker 2: big old and we have had him in an fmk

613
00:28:58,520 --> 00:29:00,520
Speaker 2: before it. I think when we had the previous one.

614
00:29:00,520 --> 00:29:04,000
Speaker 2: The answer was fuck yeah, but I don't care.

615
00:29:04,280 --> 00:29:06,320
Speaker 1: I'll marry him this time. Sure. Yeah.

616
00:29:06,400 --> 00:29:08,840
Speaker 4: I mean he's got a stable job, which is I

617
00:29:08,880 --> 00:29:10,760
Speaker 4: guess yeah, important for a marriage.

618
00:29:11,160 --> 00:29:11,760
Speaker 1: But I'm with you.

619
00:29:11,800 --> 00:29:14,520
Speaker 4: I'm killing Jame Gumm and I gotta be honest because

620
00:29:14,960 --> 00:29:17,200
Speaker 4: Jame Gub would love the fuck out of me, would

621
00:29:17,240 --> 00:29:19,120
Speaker 4: love to slice my body.

622
00:29:19,680 --> 00:29:22,600
Speaker 1: And I think you know why. So in a way,

623
00:29:22,880 --> 00:29:27,280
Speaker 1: I gotta kill Jame before Jame wears my ass.

624
00:29:27,680 --> 00:29:31,160
Speaker 2: He would slice you up to be like, I am

625
00:29:31,200 --> 00:29:35,760
Speaker 2: gonna get a matching dunkin donut sweatpants suit out of

626
00:29:35,760 --> 00:29:42,800
Speaker 2: this bitch, put on the Sarah V put on the

627
00:29:42,880 --> 00:29:46,240
Speaker 2: set of Hill Get it go a girl. I gotta

628
00:29:46,440 --> 00:29:49,080
Speaker 2: I gotta go out tonight. I'm gonna wear you like

629
00:29:49,120 --> 00:29:50,360
Speaker 2: a pair of boots.

630
00:29:51,120 --> 00:29:55,680
Speaker 1: It's so dark, so fucking dark. Some fucking Tiva sandals

631
00:29:55,680 --> 00:29:59,160
Speaker 1: out of your tendons. He would make a he would

632
00:29:59,480 --> 00:30:05,640
Speaker 1: love you too, literal death. Let's make some fucking earrings

633
00:30:05,640 --> 00:30:06,600
Speaker 1: out of these arteries.

634
00:30:07,920 --> 00:30:11,520
Speaker 4: You know that's about survival, and I am I'm getting

635
00:30:11,560 --> 00:30:14,360
Speaker 4: rid of you before you get my skin.

636
00:30:15,360 --> 00:30:20,360
Speaker 2: Harry, I love it, yo, Holly, that was great.

637
00:30:20,240 --> 00:30:27,560
Speaker 4: Amazing, Thank you, Holly, all right, what we got next?

638
00:30:27,960 --> 00:30:30,600
Speaker 1: Oh? Well, next up, we have a voicemail.

639
00:30:31,640 --> 00:30:35,880
Speaker 6: Himilli Danielle, first time caller, longtime listener. My name is Dominique,

640
00:30:35,920 --> 00:30:37,360
Speaker 6: and let me just start off by saying that I'm

641
00:30:37,360 --> 00:30:40,120
Speaker 6: from the city of Philadelphia. So whenever y'all mentioned my city,

642
00:30:40,200 --> 00:30:43,280
Speaker 6: my lovely, lovely city, on your podcast, it just cracks

643
00:30:43,280 --> 00:30:45,320
Speaker 6: me up, mostly because what y'all say about us is

644
00:30:45,320 --> 00:30:47,959
Speaker 6: pretty much true. And speaking of that, we are a

645
00:30:48,080 --> 00:30:50,520
Speaker 6: very big sports town. So I was wondering, what are

646
00:30:50,520 --> 00:30:52,960
Speaker 6: some of your favorite sports movies. I was actually born

647
00:30:53,000 --> 00:30:54,720
Speaker 6: and raised in Philadelphia, and then I moved out to

648
00:30:54,760 --> 00:30:56,720
Speaker 6: the surrounding suburbs when I was about eight or nine

649
00:30:56,760 --> 00:30:59,160
Speaker 6: years old, But sports has always been the boy for

650
00:30:59,200 --> 00:31:01,719
Speaker 6: me and my dad take So these days, since I

651
00:31:01,760 --> 00:31:04,240
Speaker 6: only have streaming, I don't have any sort of cable service,

652
00:31:04,600 --> 00:31:07,560
Speaker 6: it's hard for me to exit live sports. So I

653
00:31:07,560 --> 00:31:10,240
Speaker 6: actually find myself watching a lot more sports documentaries to

654
00:31:10,480 --> 00:31:13,120
Speaker 6: ESPN Plus. But I love a good sports movie, like

655
00:31:13,120 --> 00:31:14,840
Speaker 6: one of my favorites of all time is called Blue

656
00:31:14,920 --> 00:31:17,720
Speaker 6: Chips from nineteen ninety four and the stars two actual

657
00:31:17,880 --> 00:31:18,640
Speaker 6: NBA players.

658
00:31:19,240 --> 00:31:20,400
Speaker 1: Keep up the great work, ladies.

659
00:31:20,440 --> 00:31:21,680
Speaker 6: I can't wait to hear your responses.

660
00:31:22,560 --> 00:31:26,080
Speaker 2: Oh, Dominique, Well, first of all, thank you for the voicemail.

661
00:31:26,320 --> 00:31:29,400
Speaker 2: It's so succinct, and right under that sixty seconds, you know,

662
00:31:29,440 --> 00:31:31,640
Speaker 2: we love that. I also love that you're from Philly,

663
00:31:31,840 --> 00:31:34,239
Speaker 2: which again we have a healthy fear of, even if

664
00:31:34,240 --> 00:31:38,080
Speaker 2: we love the city. Two bits too, which is important

665
00:31:38,080 --> 00:31:40,720
Speaker 2: because people believe we do not dislike Philly.

666
00:31:40,840 --> 00:31:43,840
Speaker 1: I love Philly. I'm afraid of it. You'll never catch

667
00:31:43,920 --> 00:31:46,680
Speaker 1: me saying bad things about Philly, and you know never.

668
00:31:47,000 --> 00:31:50,640
Speaker 2: They got great food, they have incredible slang, and they

669
00:31:50,640 --> 00:31:55,200
Speaker 2: will literally kill you for no reason at all. It

670
00:31:55,320 --> 00:31:57,640
Speaker 2: is one of our greatest American cities for all those

671
00:31:57,680 --> 00:31:59,920
Speaker 2: reasons and more. Yeah, and I love that you connect

672
00:32:00,000 --> 00:32:02,640
Speaker 2: with your dad over movies, and it's You're right. It's

673
00:32:02,640 --> 00:32:04,320
Speaker 2: hard to watch live sports now because they're all so

674
00:32:04,480 --> 00:32:07,240
Speaker 2: disparate and they're like, oh, watch it on Amazon, watch it,

675
00:32:07,320 --> 00:32:08,880
Speaker 2: and I'm like, I don't want to download a thing

676
00:32:08,920 --> 00:32:12,360
Speaker 2: to watch a sport, so I missed that. I've actually

677
00:32:12,400 --> 00:32:15,000
Speaker 2: gone back to listening to baseball games on the radio

678
00:32:15,400 --> 00:32:16,680
Speaker 2: because like.

679
00:32:16,680 --> 00:32:19,280
Speaker 1: An old man in a garage. No, it's perfect because

680
00:32:19,320 --> 00:32:22,120
Speaker 1: I can't find out how to watch anything. It's absolutely great.

681
00:32:22,280 --> 00:32:23,680
Speaker 1: And that's that's the thing too.

682
00:32:23,800 --> 00:32:27,080
Speaker 4: I will say, Dominique, so true is I'm a big

683
00:32:27,120 --> 00:32:30,080
Speaker 4: basketball fan. Do you realize like the price gouching that's

684
00:32:30,080 --> 00:32:32,680
Speaker 4: happening with like upgrading the cable to try to get

685
00:32:32,720 --> 00:32:35,040
Speaker 4: the sports package to watch like the basketball game.

686
00:32:35,080 --> 00:32:37,760
Speaker 1: I'm like, right, oh my god, the minute the season is.

687
00:32:37,680 --> 00:32:41,200
Speaker 4: Over, I cancel the package because I'm just like, I

688
00:32:41,240 --> 00:32:43,120
Speaker 4: can't sit here and pay all this extra money.

689
00:32:43,160 --> 00:32:45,400
Speaker 2: Oh hell no, I'm up on my roof ripping the

690
00:32:45,440 --> 00:32:47,360
Speaker 2: aerial out of the socket.

691
00:32:48,200 --> 00:32:50,040
Speaker 1: I don't even try to give me this shit when

692
00:32:50,040 --> 00:32:54,040
Speaker 1: the season's over. Oh my god. Yeah, so I hear it.

693
00:32:54,040 --> 00:32:57,640
Speaker 4: And actually I love listening to sports on the radio, Daniel,

694
00:32:57,680 --> 00:32:58,320
Speaker 4: that's so good.

695
00:32:58,560 --> 00:32:58,960
Speaker 1: I love that.

696
00:32:59,120 --> 00:33:01,160
Speaker 2: But I also I do a lot of favorite sports movies.

697
00:33:01,160 --> 00:33:02,880
Speaker 2: I think I just kind of I grew up not

698
00:33:03,160 --> 00:33:05,000
Speaker 2: enjoying playing a lot of sports.

699
00:33:05,040 --> 00:33:07,280
Speaker 1: But I love watching a lot of sports.

700
00:33:07,320 --> 00:33:09,960
Speaker 2: And I think that also comes from my family, much

701
00:33:10,000 --> 00:33:12,000
Speaker 2: like dominic said, you know, watching with her dad. I

702
00:33:12,040 --> 00:33:14,720
Speaker 2: think that, you know, my grandparents love sports. My grandma

703
00:33:14,840 --> 00:33:17,880
Speaker 2: especially loves baseball and football. I never got into football

704
00:33:18,760 --> 00:33:21,560
Speaker 2: and basketball, and yeah, but there are also a lot

705
00:33:21,560 --> 00:33:22,680
Speaker 2: of sports movies to love.

706
00:33:22,800 --> 00:33:22,880
Speaker 1: So.

707
00:33:23,200 --> 00:33:24,880
Speaker 2: One of my favorites we actually have coming up in

708
00:33:24,880 --> 00:33:27,440
Speaker 2: an episode in a few weeks is Slap Shot.

709
00:33:27,520 --> 00:33:29,720
Speaker 1: It's a hockey movie, yes, with Paul.

710
00:33:29,520 --> 00:33:31,920
Speaker 2: Newman, and it's just it's I'll talk about it when

711
00:33:31,960 --> 00:33:34,240
Speaker 2: we cover the film, but it's one of my absolute favorites.

712
00:33:34,560 --> 00:33:36,440
Speaker 2: I also love like The sand Lot, which I would

713
00:33:36,440 --> 00:33:37,440
Speaker 2: consider a sports movie.

714
00:33:37,840 --> 00:33:40,640
Speaker 1: Yes, rookie of the year. Let's not forget my all

715
00:33:40,680 --> 00:33:43,400
Speaker 1: time favorite Rocky Yes, of course you have a tattoo

716
00:33:43,600 --> 00:33:45,320
Speaker 1: og Rocky Creed all of them.

717
00:33:45,360 --> 00:33:47,720
Speaker 2: I fucking love it, and I particularly love since, especially

718
00:33:47,760 --> 00:33:50,520
Speaker 2: since Dominique mentioned this, I love when they put actual

719
00:33:51,040 --> 00:33:54,040
Speaker 2: sports stars in movies because you have never seen people

720
00:33:54,080 --> 00:33:59,960
Speaker 2: who can't act harder, Like Charles Barkley's SNL is legendary,

721
00:34:00,280 --> 00:34:02,760
Speaker 2: not because it's good, but because he cannot act.

722
00:34:03,240 --> 00:34:03,920
Speaker 1: Yeah.

723
00:34:03,960 --> 00:34:07,120
Speaker 4: Well, and like Dominique mentioned, Blue Chips, which yeah, is

724
00:34:07,160 --> 00:34:09,640
Speaker 4: such a good choice. First of all, it was directed

725
00:34:09,640 --> 00:34:12,480
Speaker 4: by William Freakin, which is incredible in it of itself,

726
00:34:12,600 --> 00:34:13,680
Speaker 4: but then Shacks in it.

727
00:34:13,800 --> 00:34:17,839
Speaker 1: I love Shaq. Yep. Shack is a modern day fucking hero.

728
00:34:18,440 --> 00:34:20,560
Speaker 2: Have you seen those videos of him, like walking into

729
00:34:20,600 --> 00:34:22,279
Speaker 2: a Walmart and just buying random kids?

730
00:34:22,320 --> 00:34:25,560
Speaker 4: Bikes, dude, you know, because like basketball, I watch you know,

731
00:34:25,640 --> 00:34:29,640
Speaker 4: inside the NBA and Shocked in a Fool is my

732
00:34:29,840 --> 00:34:33,360
Speaker 4: favorite segment of all time. It's basically where Shack picks

733
00:34:33,719 --> 00:34:36,680
Speaker 4: like the bloopers of the week and there's like tons

734
00:34:36,680 --> 00:34:40,440
Speaker 4: of like hilarious photoshop and like, I mean that show

735
00:34:40,640 --> 00:34:44,200
Speaker 4: is absolutely genius and I'm so proud that it's filmed

736
00:34:44,280 --> 00:34:45,279
Speaker 4: in my hometown.

737
00:34:45,760 --> 00:34:48,440
Speaker 1: I'm so proud Shaq lives.

738
00:34:48,160 --> 00:34:51,920
Speaker 4: In Atlanta, So I'm just like it's like the pride

739
00:34:52,200 --> 00:34:55,800
Speaker 4: is like exploding from my chest and my heart.

740
00:34:55,880 --> 00:34:56,440
Speaker 1: But it's like.

741
00:34:56,840 --> 00:35:01,920
Speaker 4: He's so funny and weird, like weird and funny.

742
00:35:02,280 --> 00:35:04,960
Speaker 1: He's a trash love it. Oh, do you have any favorites?

743
00:35:05,000 --> 00:35:06,200
Speaker 2: I mean, I know we've covered a couple of your

744
00:35:06,200 --> 00:35:08,640
Speaker 2: favorite sports movies on the pod, like Fat City.

745
00:35:08,520 --> 00:35:13,040
Speaker 1: And yes, love that. Many good ones, so many good ones.

746
00:35:13,080 --> 00:35:16,040
Speaker 4: Well, I think we're gonna do this in an upcoming episode.

747
00:35:16,040 --> 00:35:19,520
Speaker 1: But Moneyball. I love Moneyball. Yeah, that's a great one.

748
00:35:19,920 --> 00:35:24,440
Speaker 4: It's so chill, Like it's such a chill film. But

749
00:35:24,560 --> 00:35:29,000
Speaker 4: also it's a little hard to kind of understand the

750
00:35:29,040 --> 00:35:30,960
Speaker 4: whole like saber metrics thing because there's a lot of

751
00:35:31,000 --> 00:35:33,080
Speaker 4: like facts and figures, but it kind of talks about

752
00:35:33,120 --> 00:35:36,280
Speaker 4: that whole thing in like a way that makes sense.

753
00:35:36,400 --> 00:35:41,960
Speaker 1: And another one, I love The Longest Yard. Yes, Burt Reynolds,

754
00:35:42,000 --> 00:35:45,560
Speaker 1: the seventies version, Thank you, it's really great.

755
00:35:45,680 --> 00:35:49,279
Speaker 4: So yeah, I love sports movies like there're so many

756
00:35:49,320 --> 00:35:51,440
Speaker 4: good ones. They've made so many good ones.

757
00:35:51,320 --> 00:35:52,960
Speaker 1: So many Dominique.

758
00:35:53,000 --> 00:35:56,000
Speaker 2: We cannot thank you enough for that incredible question voicemail.

759
00:35:56,080 --> 00:35:56,440
Speaker 1: Love it.

760
00:35:56,640 --> 00:35:59,480
Speaker 2: And again, Philly will come and take you to dinner,

761
00:35:59,560 --> 00:36:01,560
Speaker 2: but it will be at like four pm and we

762
00:36:01,600 --> 00:36:04,120
Speaker 2: will all be home by six pm because much like

763
00:36:04,120 --> 00:36:07,480
Speaker 2: a vampire town, don't be out in Philly past sunset.

764
00:36:10,160 --> 00:36:11,920
Speaker 2: You don't know where you're going and you don't want

765
00:36:11,920 --> 00:36:15,480
Speaker 2: to go in the wrong place. Thank you, Dominique. Our

766
00:36:15,600 --> 00:36:16,840
Speaker 2: next email.

767
00:36:18,440 --> 00:36:18,840
Speaker 1: Is great.

768
00:36:18,920 --> 00:36:23,200
Speaker 2: The subject is Mortal Kombat nine Kramer versus Kramer and

769
00:36:23,239 --> 00:36:24,080
Speaker 2: this is from Jill.

770
00:36:24,840 --> 00:36:25,160
Speaker 1: Hello.

771
00:36:25,760 --> 00:36:27,320
Speaker 2: The other day, I was hanging out at my local

772
00:36:27,360 --> 00:36:31,080
Speaker 2: pinball arcade and bar as one does, admiring the new

773
00:36:31,160 --> 00:36:34,759
Speaker 2: Slash Vintage Jaws themed game, which got me thinking about

774
00:36:34,760 --> 00:36:38,080
Speaker 2: one of my favorite movie based things. When IP is

775
00:36:38,120 --> 00:36:41,920
Speaker 2: licensed out for video games or even the occasional pinball machine,

776
00:36:42,280 --> 00:36:44,479
Speaker 2: this brings me to my question. If you could turn

777
00:36:44,560 --> 00:36:47,800
Speaker 2: any movie into a game, what would it be? Personally,

778
00:36:47,840 --> 00:36:50,480
Speaker 2: I'd love to see a Death Becomes Her pinball machine

779
00:36:50,680 --> 00:36:53,040
Speaker 2: where you get a bonus point for launching the ball

780
00:36:53,080 --> 00:36:56,239
Speaker 2: through the hole in Goldie Hawn's stomach, or a The

781
00:36:56,400 --> 00:36:59,200
Speaker 2: Hours video game that is designed so that no one

782
00:36:59,239 --> 00:37:03,880
Speaker 2: can win. Apologies if this topic has been covered before.

783
00:37:04,360 --> 00:37:07,040
Speaker 2: I'm fairly new to the Bonnut episodes. Keep up the

784
00:37:07,040 --> 00:37:07,560
Speaker 2: good work.

785
00:37:08,040 --> 00:37:08,520
Speaker 1: Ps.

786
00:37:08,680 --> 00:37:10,880
Speaker 2: I didn't mean for there to be three Meryl Street

787
00:37:10,920 --> 00:37:12,759
Speaker 2: references in this email, but here we are.

788
00:37:13,200 --> 00:37:13,959
Speaker 1: For what it's worth.

789
00:37:14,000 --> 00:37:16,480
Speaker 2: I think Sophie's choice would make a terrible board game.

790
00:37:19,840 --> 00:37:23,040
Speaker 1: Oh Jill, this is so good. I love Hour. A

791
00:37:23,120 --> 00:37:25,439
Speaker 1: video game based on The Hours where no one can win.

792
00:37:25,719 --> 00:37:27,240
Speaker 1: That just kills me. Oh my god.

793
00:37:27,560 --> 00:37:29,919
Speaker 2: But I also feel like wouldn't Harold and Maud would

794
00:37:29,920 --> 00:37:31,799
Speaker 2: make a great video game or pinball machine game?

795
00:37:31,880 --> 00:37:32,280
Speaker 1: Especially?

796
00:37:32,360 --> 00:37:38,440
Speaker 4: Oh, Harold and Maud pinball machine would kill.

797
00:37:38,120 --> 00:37:39,480
Speaker 1: Are you joking right?

798
00:37:39,920 --> 00:37:41,239
Speaker 2: This is the kind of shit I would do if

799
00:37:41,280 --> 00:37:43,160
Speaker 2: I had fuck you money, I would hire someone to

800
00:37:43,160 --> 00:37:45,240
Speaker 2: design that game for me, just for my own personal

801
00:37:45,280 --> 00:37:45,839
Speaker 2: use in my home.

802
00:37:46,000 --> 00:37:47,719
Speaker 4: So on the topic of Harold Maud, I don't know

803
00:37:47,719 --> 00:37:50,440
Speaker 4: why I was also thinking like seventies for these games,

804
00:37:50,640 --> 00:37:52,880
Speaker 4: and maybe it's because we literally just said the words

805
00:37:52,920 --> 00:37:54,320
Speaker 4: like bad News Bears and stuff.

806
00:37:54,400 --> 00:37:56,359
Speaker 1: There should be like a Bad News Bears video game.

807
00:37:56,360 --> 00:37:59,640
Speaker 4: There should be a slapshot video game totally pinball machine,

808
00:38:00,160 --> 00:38:01,680
Speaker 4: like totally something along the.

809
00:38:01,600 --> 00:38:02,120
Speaker 1: Lines of that.

810
00:38:02,239 --> 00:38:06,960
Speaker 4: I love a seventies film as a pinball machine.

811
00:38:06,719 --> 00:38:10,440
Speaker 2: Or even like a Jackie Brown pinball game would be

812
00:38:10,480 --> 00:38:11,080
Speaker 2: fucking great.

813
00:38:11,560 --> 00:38:14,200
Speaker 1: Yeah, I mean you could kind of, I gotta be honest,

814
00:38:14,239 --> 00:38:16,640
Speaker 1: you could kinda do pretty much any movie as a

815
00:38:16,640 --> 00:38:18,799
Speaker 1: pinball game. Yeah, you know.

816
00:38:18,920 --> 00:38:22,120
Speaker 2: I would like to see also Bram Stoker's Dracula the

817
00:38:22,200 --> 00:38:25,879
Speaker 2: nineties version with Keanu Reeves and Gary Oldman where he's

818
00:38:25,920 --> 00:38:28,839
Speaker 2: like I have crossed oceans of time to be with you,

819
00:38:29,080 --> 00:38:31,359
Speaker 2: and like you hit the ball in a certain hole

820
00:38:31,400 --> 00:38:36,080
Speaker 2: in like a little Dracula like crosses an ocean, and

821
00:38:36,160 --> 00:38:39,040
Speaker 2: like Keanu Reeves is stuck to a ceiling just like.

822
00:38:39,040 --> 00:38:41,560
Speaker 1: So many Speaking of Kuanu Reeves, I was actually looking

823
00:38:41,640 --> 00:38:44,000
Speaker 1: us up before we started recording. I was like, there

824
00:38:44,080 --> 00:38:45,520
Speaker 1: has to be a John Wick video.

825
00:38:45,320 --> 00:38:48,000
Speaker 2: Game right dropping the fucking ball. I mean, you could

826
00:38:48,040 --> 00:38:49,680
Speaker 2: be dipping your hand into a river of money if

827
00:38:49,719 --> 00:38:51,120
Speaker 2: you release that tomorrow.

828
00:38:51,400 --> 00:38:54,080
Speaker 1: Is there a Raid Redemption video game? Would you want

829
00:38:54,120 --> 00:38:55,640
Speaker 1: one of those? That'd be the next thing.

830
00:38:55,640 --> 00:38:57,600
Speaker 2: I'd ask, whatever chump I got to build me the

831
00:38:57,600 --> 00:38:59,640
Speaker 2: Harold and Maud game, I'd be like, and then next,

832
00:38:59,680 --> 00:39:01,320
Speaker 2: do the Aid Redemption please.

833
00:39:02,560 --> 00:39:04,239
Speaker 1: Because the whole thing could be set up like.

834
00:39:04,239 --> 00:39:06,640
Speaker 2: A building, like the building that they're in, and you're

835
00:39:06,640 --> 00:39:09,040
Speaker 2: just going from floor to floor trying to kill batties.

836
00:39:09,520 --> 00:39:12,799
Speaker 4: Yeah, you could get like Matt Fraction to do some

837
00:39:12,840 --> 00:39:13,799
Speaker 4: design work on that.

838
00:39:13,960 --> 00:39:17,720
Speaker 1: Like, I think absolutely absolutely you can make this happen.

839
00:39:17,719 --> 00:39:21,040
Speaker 4: Out of anybody in this company as we're speaking right now,

840
00:39:21,080 --> 00:39:22,560
Speaker 4: you can make it happen.

841
00:39:22,680 --> 00:39:23,440
Speaker 1: I think we got to do it.

842
00:39:23,440 --> 00:39:25,319
Speaker 2: But that's a great question, and that is a thought

843
00:39:25,360 --> 00:39:27,319
Speaker 2: experiment that will stay with me for a while. What

844
00:39:27,360 --> 00:39:29,480
Speaker 2: would be a great video game or board game?

845
00:39:29,800 --> 00:39:34,400
Speaker 4: Yeah, for sure, Thank you, Jill. The next email is

846
00:39:34,400 --> 00:39:42,040
Speaker 4: from Jessica. It's called fm K baby. Uh oh, I

847
00:39:42,160 --> 00:39:42,560
Speaker 4: love this.

848
00:39:43,320 --> 00:39:46,200
Speaker 1: Hi Millia Daniel. Every time you guys read an FMK

849
00:39:46,280 --> 00:39:48,120
Speaker 1: and the Bonus episodes, I try to guess what your

850
00:39:48,160 --> 00:39:51,080
Speaker 1: answers will be, because apparently I think I know y'all.

851
00:39:51,120 --> 00:39:53,240
Speaker 1: Will I have an FMK.

852
00:39:53,400 --> 00:39:57,680
Speaker 4: Ben Fluck version because I just listened to the Boston

853
00:39:57,719 --> 00:39:58,600
Speaker 4: theme episode.

854
00:39:59,120 --> 00:40:03,239
Speaker 1: Lol, love you both, Jessica. Oh my god, it's all

855
00:40:03,280 --> 00:40:05,520
Speaker 1: come down to this so easy. It's all come down

856
00:40:05,560 --> 00:40:07,680
Speaker 1: to this so easy. Oh my god, I bet it's

857
00:40:07,680 --> 00:40:08,279
Speaker 1: easy for you.

858
00:40:09,400 --> 00:40:14,280
Speaker 4: FMK Fred and Taste and Confused, Chucky and Goodwill Hunting,

859
00:40:14,600 --> 00:40:15,800
Speaker 4: Nick Dunn and Gone.

860
00:40:15,600 --> 00:40:18,440
Speaker 1: Girl, Jessica, thanks for lobbing this one in.

861
00:40:19,040 --> 00:40:24,840
Speaker 2: Yeah, this grand slam on a pop fly grand slam

862
00:40:24,960 --> 00:40:28,200
Speaker 2: or whatever. I am fucking Nick Dunning, Gone Girl. I'm

863
00:40:28,239 --> 00:40:30,920
Speaker 2: marrying Chucky in Goodwill Hunting and I'm killing Fred and

864
00:40:30,960 --> 00:40:33,800
Speaker 2: Days and Confused and here's why. Okay, Nick Dunn and

865
00:40:33,840 --> 00:40:36,600
Speaker 2: Gone Girl. You literally see his dick and Ben Affleck

866
00:40:36,600 --> 00:40:42,719
Speaker 2: has a hog. Okay in the shower scene, you see

867
00:40:42,760 --> 00:40:45,279
Speaker 2: is dick. And if you're not fucking that dude after

868
00:40:45,320 --> 00:40:47,600
Speaker 2: seeing that scene, I don't know how to help you

869
00:40:47,640 --> 00:40:48,200
Speaker 2: in this life.

870
00:40:49,480 --> 00:40:50,520
Speaker 1: The man's got a hog.

871
00:40:51,440 --> 00:40:54,520
Speaker 2: Plus, if we're going from the character, you can only

872
00:40:54,600 --> 00:40:57,680
Speaker 2: fuck that guy because he's such a horrible husband. His

873
00:40:57,719 --> 00:41:02,040
Speaker 2: wife framed him for murder. Yes, so fuck Nick Dunn.

874
00:41:02,160 --> 00:41:05,160
Speaker 2: You gotta marry Chucky. That dude's gonna keep you laughing

875
00:41:05,760 --> 00:41:08,160
Speaker 2: for the rest of your fucking life. He's a hard worker.

876
00:41:08,360 --> 00:41:10,680
Speaker 2: He's got like a weird bricklayer pop eye body.

877
00:41:11,280 --> 00:41:14,280
Speaker 1: Loyalty, loyalty, loyalty.

878
00:41:14,000 --> 00:41:18,879
Speaker 2: Smart, smart in that like really cool organic way. Yeah,

879
00:41:19,200 --> 00:41:21,759
Speaker 2: loves his friends. I feel like if he loves you,

880
00:41:22,000 --> 00:41:25,680
Speaker 2: he will do anything for you. Oh on and Fred

881
00:41:25,680 --> 00:41:28,680
Speaker 2: and Dazing confused. As we know, I don't love Dazing confused,

882
00:41:28,960 --> 00:41:31,520
Speaker 2: and his character was so cruel I can't go there.

883
00:41:32,080 --> 00:41:36,840
Speaker 1: Yeah, so easy peasy hog, loyal chump.

884
00:41:37,400 --> 00:41:42,960
Speaker 4: Yeah, I have the exact same answers once again, because

885
00:41:43,239 --> 00:41:48,520
Speaker 4: you actually said the perfect things for me as well.

886
00:41:50,480 --> 00:41:53,560
Speaker 4: You know, I mean the reason why I've already talked

887
00:41:53,600 --> 00:41:58,640
Speaker 4: about Obannon being the absolute reason why I thought Ben

888
00:41:58,680 --> 00:42:02,920
Speaker 4: Affleck had mean face because he played bullies for.

889
00:42:03,160 --> 00:42:05,040
Speaker 1: A lot of roles in the nineties, so I was like,

890
00:42:05,200 --> 00:42:09,080
Speaker 1: he's a bully, absolutely, So you know, that's why that

891
00:42:09,120 --> 00:42:10,040
Speaker 1: guy's got to die.

892
00:42:10,160 --> 00:42:12,239
Speaker 4: But then the other reasons you said are perfect and

893
00:42:12,280 --> 00:42:15,200
Speaker 4: I won't even go on. You know, I can't even

894
00:42:15,320 --> 00:42:18,280
Speaker 4: explain it further than what you've explained it. Because the hog,

895
00:42:19,120 --> 00:42:22,319
Speaker 4: I completely forgot about the fucking hog. I want to

896
00:42:22,360 --> 00:42:24,920
Speaker 4: see Gone Girl like, and I haven't seen Gone Girl since.

897
00:42:24,719 --> 00:42:27,560
Speaker 1: It came out. And because you were talking about seven

898
00:42:27,640 --> 00:42:29,560
Speaker 1: and shit, I was like, we got to do this.

899
00:42:29,800 --> 00:42:32,439
Speaker 2: It's a near perfect film because it's a near perfect book,

900
00:42:32,480 --> 00:42:34,000
Speaker 2: but like it's a great rewatch.

901
00:42:34,480 --> 00:42:38,400
Speaker 1: Yeah, and then the hog scene. It's quick and it

902
00:42:38,440 --> 00:42:40,239
Speaker 1: could be a stunt hog for all I know.

903
00:42:40,800 --> 00:42:44,040
Speaker 2: But you're like positive posit there, and that's the thing, like,

904
00:42:44,080 --> 00:42:46,040
Speaker 2: you can't. You don't want to be that creep who's

905
00:42:46,040 --> 00:42:47,600
Speaker 2: like pausing it to look at someone's dick.

906
00:42:47,680 --> 00:42:50,840
Speaker 1: That's weird. Yeah, but it's like a quick scene. And

907
00:42:50,880 --> 00:42:52,800
Speaker 1: if you've watched the movie more than once.

908
00:42:52,600 --> 00:42:54,440
Speaker 2: You're like, I know it's coming up, so I'll just

909
00:42:54,440 --> 00:42:55,560
Speaker 2: pay attention next time.

910
00:42:55,880 --> 00:43:01,399
Speaker 1: Yeah, exactly, exactly. Well, this is a perfect it's perfect, Yeah,

911
00:43:01,400 --> 00:43:06,879
Speaker 1: absolutely perfect. Thank you again so much, Jessica. Yes. Our

912
00:43:07,040 --> 00:43:09,960
Speaker 1: next next entry is another voicemail.

913
00:43:11,760 --> 00:43:15,440
Speaker 5: Hello to my favorite ear buddies. I have a question

914
00:43:15,600 --> 00:43:20,840
Speaker 5: for you. What actors, in your opinion have the greatest

915
00:43:20,960 --> 00:43:24,840
Speaker 5: range in their careers. I'm going to take Meryl Streep

916
00:43:25,280 --> 00:43:28,960
Speaker 5: and Jack Lemon off the table because they are way

917
00:43:29,000 --> 00:43:32,600
Speaker 5: too easy of an answer, and I'm going to submit JK.

918
00:43:32,800 --> 00:43:36,839
Speaker 5: Simmons for your consideration. He can do drama, he can

919
00:43:36,880 --> 00:43:39,719
Speaker 5: do comedy, He's an Oscar winner who still does commercials.

920
00:43:39,960 --> 00:43:43,480
Speaker 3: So what are your thoughts? Please let us know and

921
00:43:43,880 --> 00:43:46,480
Speaker 3: thank you for all you do. I love listening to

922
00:43:46,600 --> 00:43:50,000
Speaker 3: you listen to each other. It's beautiful and both of

923
00:43:50,040 --> 00:43:51,040
Speaker 3: your books are brilliant.

924
00:43:51,440 --> 00:43:54,719
Speaker 1: Thanks bye ah, thank you.

925
00:43:54,760 --> 00:43:58,960
Speaker 2: Amanda. What a great question with a great voicemail. That's

926
00:43:58,960 --> 00:44:01,680
Speaker 2: so sweet and Amanda, she did also include an FMK

927
00:44:01,840 --> 00:44:03,560
Speaker 2: for us, but about J K. Simmons, But I think

928
00:44:03,600 --> 00:44:05,400
Speaker 2: it's too long to include this time. But maybe well

929
00:44:05,800 --> 00:44:07,080
Speaker 2: we'll ear market for next time.

930
00:44:07,160 --> 00:44:08,840
Speaker 1: Yeah, let's say it. But I love this And Ja K.

931
00:44:08,920 --> 00:44:10,160
Speaker 1: Simmons does have great range.

932
00:44:10,239 --> 00:44:12,080
Speaker 2: You know who came to mind to me first, probably

933
00:44:12,120 --> 00:44:15,840
Speaker 2: because of our first letter on this bonus episode. Great

934
00:44:15,960 --> 00:44:18,760
Speaker 2: range in acting the dog from Silence of the Lambs.

935
00:44:18,840 --> 00:44:21,520
Speaker 2: That motherfucker was in like eight movies. It was the

936
00:44:21,600 --> 00:44:25,440
Speaker 2: Dog in the Burbs, that of the range for days.

937
00:44:27,080 --> 00:44:32,720
Speaker 4: Yo, my queen, my queen, the queen of white dogs.

938
00:44:32,360 --> 00:44:35,520
Speaker 2: Everywhere, Bijon freesh ruler of the universe.

939
00:44:37,520 --> 00:44:42,799
Speaker 4: That dog has rage, no but shit, oh my god, amazing.

940
00:44:43,080 --> 00:44:46,360
Speaker 2: But I also think Viola Davis is a great entry.

941
00:44:46,800 --> 00:44:50,440
Speaker 2: Viola Davis, I mean doubt widows. She's in kung Fu

942
00:44:50,520 --> 00:44:53,239
Speaker 2: Panda four, like she's just she does everything she can do.

943
00:44:54,000 --> 00:44:56,480
Speaker 2: She's one of our great dramatic actresses, but she's also

944
00:44:56,760 --> 00:44:57,360
Speaker 2: very funny.

945
00:44:57,719 --> 00:45:01,680
Speaker 1: So yeah, well I'm thinking Philip sym or Hoffman. That's

946
00:45:01,680 --> 00:45:05,640
Speaker 1: a good one, oh so good. But my thought was

947
00:45:05,719 --> 00:45:08,280
Speaker 1: actually Willem Dafoe, And I know that that's funny because

948
00:45:08,280 --> 00:45:10,239
Speaker 1: he was an all the way up king, but like

949
00:45:10,280 --> 00:45:12,439
Speaker 1: we've talked about in that episode, like he can play

950
00:45:12,480 --> 00:45:14,680
Speaker 1: like nice Grandpa's but then Bobby.

951
00:45:14,400 --> 00:45:20,560
Speaker 2: Peru exactly amazing, so amazing. And I think Tilda Swinton

952
00:45:20,640 --> 00:45:22,600
Speaker 2: also has great range, even though some of the roles

953
00:45:22,600 --> 00:45:24,120
Speaker 2: she picks are kind of problematic, but.

954
00:45:24,080 --> 00:45:28,120
Speaker 1: She's a straight up weirdo. Yeah, like she'll do anything. Yeah.

955
00:45:28,200 --> 00:45:29,880
Speaker 4: See, I have to say I think that when it

956
00:45:29,920 --> 00:45:33,600
Speaker 4: comes to range, I feel like character actors, Like maybe

957
00:45:33,600 --> 00:45:36,799
Speaker 4: this is like going against maybe conventional wisdom, but I

958
00:45:36,800 --> 00:45:38,960
Speaker 4: think character actors have the best range because they can

959
00:45:39,320 --> 00:45:41,640
Speaker 4: literally play like different types of people. Whereas it's like,

960
00:45:41,960 --> 00:45:44,399
Speaker 4: you know, I don't know if you're Brad Pitt, you're

961
00:45:44,520 --> 00:45:47,319
Speaker 4: kind of Brad Pitt in every movie for the most part,

962
00:45:47,400 --> 00:45:49,480
Speaker 4: you know what I'm saying, Like exactly, even though maybe

963
00:45:49,480 --> 00:45:51,160
Speaker 4: that's a bad example, he's a little bit more on

964
00:45:51,200 --> 00:45:52,000
Speaker 4: the character actor.

965
00:45:51,920 --> 00:45:55,719
Speaker 1: Spectrum than saying George Clooney, Yes Clooney, or you know

966
00:45:55,680 --> 00:45:57,879
Speaker 1: who's a great actor. But it's just like George, he's

967
00:45:57,880 --> 00:46:01,240
Speaker 1: George Clooney, like he has a grand a toss that. Yeah,

968
00:46:01,280 --> 00:46:02,120
Speaker 1: he brings to every.

969
00:46:02,000 --> 00:46:03,960
Speaker 4: Role, right, And they would never let George Clooney be

970
00:46:04,120 --> 00:46:07,040
Speaker 4: leatherface or something, you know, even though you should.

971
00:46:06,840 --> 00:46:07,440
Speaker 1: Be the.

972
00:46:09,600 --> 00:46:16,000
Speaker 2: Title of this episode, they would never let George Clooney

973
00:46:16,040 --> 00:46:16,760
Speaker 2: be leather face.

974
00:46:17,760 --> 00:46:21,040
Speaker 1: So so true. But that's what we want, that's what

975
00:46:21,080 --> 00:46:24,560
Speaker 1: we want to happen. Oh good, I love it.

976
00:46:24,920 --> 00:46:28,759
Speaker 4: Well, this is such a good voicemail. Thank you, Amanda.

977
00:46:29,360 --> 00:46:32,520
Speaker 4: I'm very touched that you liked us listening to each other.

978
00:46:32,920 --> 00:46:35,759
Speaker 1: That's so fat. It's very sweet. We we do. I've never

979
00:46:35,760 --> 00:46:37,080
Speaker 1: thought of something like that, you know.

980
00:46:37,040 --> 00:46:39,080
Speaker 2: These these other pods we listened to with some dudes

981
00:46:39,120 --> 00:46:41,080
Speaker 2: who are just talking over each other the whole time.

982
00:46:40,920 --> 00:46:43,600
Speaker 1: And like, oh, I know, waiting for their turn or

983
00:46:43,640 --> 00:46:46,000
Speaker 1: talking over women, which drives me crazy.

984
00:46:46,120 --> 00:46:47,759
Speaker 4: All right, So this is the last one for this

985
00:46:47,840 --> 00:46:50,280
Speaker 4: app and it's actually a good one, a good email.

986
00:46:50,360 --> 00:46:51,440
Speaker 1: So this is from Barb.

987
00:46:51,880 --> 00:46:56,800
Speaker 4: She her pronouns the subject is is demonic possession.

988
00:46:56,320 --> 00:46:59,480
Speaker 1: A white person problem? Hey, ladies.

989
00:47:00,000 --> 00:47:01,920
Speaker 4: First off, I want to say thank you for reading

990
00:47:01,920 --> 00:47:04,200
Speaker 4: my first email on a bonus episode. I was having

991
00:47:04,200 --> 00:47:07,720
Speaker 4: a shitty day and hearing it literally made my day. Okay,

992
00:47:07,760 --> 00:47:11,399
Speaker 4: my question it's in the subject line, but are there

993
00:47:11,440 --> 00:47:14,760
Speaker 4: any American made possession movies with Latino or Black people

994
00:47:14,800 --> 00:47:16,120
Speaker 4: as the person possessed?

995
00:47:16,600 --> 00:47:19,120
Speaker 1: Or is this a white person problem, in which case

996
00:47:19,120 --> 00:47:22,279
Speaker 1: I should watch out? Thanks again, barn.

997
00:47:25,320 --> 00:47:27,840
Speaker 2: This is such a fucking good question, but the subject

998
00:47:28,000 --> 00:47:28,560
Speaker 2: kills me.

999
00:47:29,120 --> 00:47:32,160
Speaker 1: Yeh, it's it's a lot of possession a white person.

1000
00:47:32,239 --> 00:47:33,839
Speaker 2: That's like the kind of thought I would have sitting

1001
00:47:33,880 --> 00:47:35,000
Speaker 2: in a red light in my car.

1002
00:47:35,200 --> 00:47:36,000
Speaker 1: One percent.

1003
00:47:36,120 --> 00:47:38,280
Speaker 2: And it's a great question because I was thinking about

1004
00:47:38,360 --> 00:47:39,080
Speaker 2: it heavily.

1005
00:47:39,760 --> 00:47:40,439
Speaker 1: And you're right.

1006
00:47:40,600 --> 00:47:43,719
Speaker 2: I think in film demonic possession is mostly a white

1007
00:47:43,760 --> 00:47:47,279
Speaker 2: person problem, with the only example that I can think

1008
00:47:47,320 --> 00:47:50,800
Speaker 2: of being recent and it's the movie get Out, where

1009
00:47:50,840 --> 00:47:52,680
Speaker 2: black people are possessed by white people.

1010
00:47:52,840 --> 00:47:56,400
Speaker 4: Yes, the only one I thought of, and this is

1011
00:47:56,560 --> 00:48:00,520
Speaker 4: it's very specifically a possession movie is Abby, which is

1012
00:48:00,560 --> 00:48:05,160
Speaker 4: this movie from nineteen seventy four. It was essentially a

1013
00:48:05,200 --> 00:48:09,759
Speaker 4: black version of the Exorcist to the degree which the

1014
00:48:10,000 --> 00:48:14,560
Speaker 4: movie was actually sued by Warner Brothers who made The

1015
00:48:14,600 --> 00:48:18,879
Speaker 4: Exorcist because they thought it was too close to the

1016
00:48:18,880 --> 00:48:22,839
Speaker 4: movie they had made, the William Freakin movie. So that's

1017
00:48:22,880 --> 00:48:25,600
Speaker 4: the one that I thought of immediately because in Abby,

1018
00:48:25,719 --> 00:48:27,719
Speaker 4: now it's really hard to see Abby. You might have

1019
00:48:27,760 --> 00:48:29,600
Speaker 4: to like go into some dark corners of the internet

1020
00:48:29,640 --> 00:48:30,880
Speaker 4: because basically.

1021
00:48:30,440 --> 00:48:32,800
Speaker 1: They pulled it during the lawsuit.

1022
00:48:32,840 --> 00:48:36,080
Speaker 4: Basically they pulled it and it's not really kind of

1023
00:48:36,080 --> 00:48:39,480
Speaker 4: been in circulation since, and there's like a couple of

1024
00:48:39,560 --> 00:48:42,319
Speaker 4: DVDs of it, but they're like really expensive and out

1025
00:48:42,360 --> 00:48:44,319
Speaker 4: of print. So anyway, if you can somehow see Abby,

1026
00:48:44,360 --> 00:48:47,080
Speaker 4: you should watch it because it's wild as fuck. It's

1027
00:48:47,080 --> 00:48:51,920
Speaker 4: basically like this African American woman gets possessed by like

1028
00:48:51,960 --> 00:48:52,920
Speaker 4: a sex demon.

1029
00:48:53,480 --> 00:48:58,399
Speaker 1: I think that's the storyline. And William Marshall, who played Blackula.

1030
00:48:58,000 --> 00:49:01,080
Speaker 4: Is in the movie too, and it's like this great

1031
00:49:01,120 --> 00:49:04,080
Speaker 4: film that I wish more people could see. But that's

1032
00:49:04,120 --> 00:49:06,560
Speaker 4: one of the ones that I thought of immediately. And

1033
00:49:06,600 --> 00:49:09,760
Speaker 4: then the other one because this is the thing about

1034
00:49:09,760 --> 00:49:13,760
Speaker 4: Get Out too. It's kind of like what's the possession level?

1035
00:49:13,880 --> 00:49:15,040
Speaker 4: What are the terms right?

1036
00:49:15,320 --> 00:49:15,520
Speaker 3: Right?

1037
00:49:15,840 --> 00:49:18,680
Speaker 4: Because there's also this movie called Death by tentation from

1038
00:49:18,719 --> 00:49:22,200
Speaker 4: like the nineties that I think is like a succubus,

1039
00:49:22,400 --> 00:49:25,760
Speaker 4: which I think is a demon. But is it the devil?

1040
00:49:26,560 --> 00:49:28,960
Speaker 4: Is it just a random demon? I don't know, so

1041
00:49:29,040 --> 00:49:30,520
Speaker 4: I think there's possession in that one.

1042
00:49:30,719 --> 00:49:34,160
Speaker 2: I love a movie that has this, considering the origin

1043
00:49:34,200 --> 00:49:35,400
Speaker 2: of a succubis.

1044
00:49:36,480 --> 00:49:40,320
Speaker 1: And the genus or species of a succubist. Like, look,

1045
00:49:40,400 --> 00:49:43,160
Speaker 1: I am not that Catholic. I was not raised that Catholic,

1046
00:49:43,239 --> 00:49:44,120
Speaker 1: so I don't remember.

1047
00:49:44,120 --> 00:49:47,879
Speaker 4: Like like maybe some religious studies person will know better

1048
00:49:47,920 --> 00:49:51,320
Speaker 4: than me, but like, is the devil a demon?

1049
00:49:51,600 --> 00:49:53,560
Speaker 1: Is a demon? A devil? The devil?

1050
00:49:54,440 --> 00:49:54,640
Speaker 3: You know?

1051
00:49:54,960 --> 00:49:55,000
Speaker 1: Is?

1052
00:49:55,320 --> 00:49:58,520
Speaker 2: These are heavy hidden questions for a podcast that just

1053
00:49:58,600 --> 00:50:00,160
Speaker 2: asked if George Clooney capilli Later.

1054
00:50:02,520 --> 00:50:04,440
Speaker 1: We cover this fucking spread.

1055
00:50:04,120 --> 00:50:08,080
Speaker 4: Y'all because even in I guess the white version of

1056
00:50:08,120 --> 00:50:12,239
Speaker 4: the Exorcist Reagan is is is Pazuzu?

1057
00:50:12,440 --> 00:50:15,000
Speaker 1: So is the devil? I don't know? Right?

1058
00:50:15,400 --> 00:50:18,800
Speaker 2: These are great questions, And in the remake the current

1059
00:50:18,920 --> 00:50:21,000
Speaker 2: extorsis a black girl was possessed.

1060
00:50:21,080 --> 00:50:24,200
Speaker 1: Hey, that's a great one. That's actually a great choice.

1061
00:50:24,280 --> 00:50:26,799
Speaker 2: I think it counts because there is something entering your

1062
00:50:26,800 --> 00:50:29,840
Speaker 2: body that is not you, yes, or that is like

1063
00:50:29,880 --> 00:50:31,920
Speaker 2: an evil force entering your body to me is like

1064
00:50:32,080 --> 00:50:36,120
Speaker 2: possession one O one. But you're asking some great questions here,

1065
00:50:36,160 --> 00:50:39,080
Speaker 2: man posting the big ones. Yeah, we should have people

1066
00:50:39,120 --> 00:50:39,960
Speaker 2: write in and tell us.

1067
00:50:40,120 --> 00:50:44,600
Speaker 4: Once we figure out the taxonomy of possession, we might

1068
00:50:44,680 --> 00:50:45,680
Speaker 4: revise our answers.

1069
00:50:45,719 --> 00:50:47,560
Speaker 1: But the only one, like I said, the only one

1070
00:50:47,560 --> 00:50:48,799
Speaker 1: I thought of off the cuff.

1071
00:50:48,600 --> 00:50:53,760
Speaker 4: Was Abby Daniel thought of get Out and the Exorcist remake,

1072
00:50:54,440 --> 00:50:57,879
Speaker 4: possibly deaf by temptation. But I feel like we're gonna

1073
00:50:57,880 --> 00:50:59,799
Speaker 4: have to chew on that a little bit longer. But

1074
00:51:00,080 --> 00:51:00,920
Speaker 4: that's a great question.

1075
00:51:01,200 --> 00:51:03,799
Speaker 2: And it could just be that Barb hit the nail

1076
00:51:03,800 --> 00:51:05,960
Speaker 2: on the head and demonic possession and film as a

1077
00:51:05,960 --> 00:51:07,319
Speaker 2: white person problem, so watch out.

1078
00:51:07,400 --> 00:51:10,800
Speaker 4: Yeah, I definitely think it's a white person problem generally.

1079
00:51:12,400 --> 00:51:14,840
Speaker 2: Look, you're in school, change your thesis. This should be

1080
00:51:14,840 --> 00:51:17,600
Speaker 2: the primary question you're asking. That's why they run a

1081
00:51:17,600 --> 00:51:19,200
Speaker 2: writer or doing all this bad stuff.

1082
00:51:19,360 --> 00:51:22,239
Speaker 1: Nope, it would explain a lot.

1083
00:51:22,239 --> 00:51:26,200
Speaker 2: It would explain a lot about America the past fifteen years.

1084
00:51:26,960 --> 00:51:30,919
Speaker 4: Oh lord boy, shit, listen. I love the bonus. They're

1085
00:51:31,000 --> 00:51:34,279
Speaker 4: so so fun. And if you want to send us

1086
00:51:34,320 --> 00:51:37,840
Speaker 4: an email, we are at I saw you Pottgmail dot com.

1087
00:51:38,400 --> 00:51:41,720
Speaker 4: And you know we're reading letters on these bonus episodes

1088
00:51:41,719 --> 00:51:43,080
Speaker 4: and we love them. And we also have a po

1089
00:51:43,160 --> 00:51:45,440
Speaker 4: box if you want to send us handwritten.

1090
00:51:45,040 --> 00:51:47,919
Speaker 2: Letters, and you can find our address for our po

1091
00:51:48,000 --> 00:51:51,239
Speaker 2: box on our Instagram link tree. We are at I

1092
00:51:51,280 --> 00:51:55,000
Speaker 2: Saw Pod on Instagram, Blue Sky, Twitter, and you can also.

1093
00:51:54,880 --> 00:51:56,479
Speaker 1: Leave us a voicemail now to play on the show.

1094
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Speaker 2: As you have heard, yes, all you have to do

1095
00:51:58,680 --> 00:52:00,880
Speaker 2: is record a voice memo on your phone and email

1096
00:52:00,920 --> 00:52:02,640
Speaker 2: it to I Saw It you did put at gmail

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00:52:02,680 --> 00:52:06,239
Speaker 2: dot com. Please make it sixty seconds or less and

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Speaker 2: please record in a quiet space.

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Speaker 1: That's right. Also, we have merch go to exactly right

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Speaker 1: store dot com to buy it.

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Speaker 2: And if you're listening to this bonus episode, you know

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Speaker 2: all of our bonus episodes drop on the main feed

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Speaker 2: every third Thursday of the month.

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Speaker 1: That's right. Danielle. As always a fucking pleasure doing this

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Speaker 1: podcast with you.

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Speaker 2: We covered a lot, we learned a lot, we did

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Speaker 2: about each other.

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Speaker 1: By This has been an exactly right production produced by

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Speaker 1: Casey O'Brien.

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Speaker 2: Episode mixing and theme music by Tom Bryfogel, artwork by

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Speaker 2: Garrett Ross. Our executive producers are Georgia Hartstart, karenkle Gareff,

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Speaker 2: and Daniel Kramer. You can follow us on Instagram and

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Speaker 2: Twitter at I Saw pod, and you can email us

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Speaker 2: at I Saw What you Did Pod at gmail