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Speaker 1: Thank you for coming back. Part two is underway. Let's

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Speaker 1: talk about what's going on now. This this this rap beef,

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Speaker 1: this rap discan. I mean, it seems like everybody's team

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Speaker 1: coming after Drake. You got k dot you know J

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Speaker 1: Cole took his shot. You got rass where you at

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Speaker 1: on the rap beat alone Drake at least, I mean

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Speaker 1: the white I mean the lights kin.

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Speaker 2: Do they don't sleep on that mix?

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Speaker 3: Boyd.

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Speaker 2: Yeah, y'all, y'all, y'all, y'all, ya, y'all gonna hit you

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Speaker 2: with the ghetto and the suburbs ship both sides. Yeah,

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Speaker 2: you don't die. I don't mess with Drake bro. I

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Speaker 2: like you know, I'm not a hip hop head. I

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Speaker 2: listen to hip hop right yeah, Drake Man. I don't

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Speaker 2: think Nick Mills ever quite recovered. Remember that, like seventy

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Speaker 2: years ago, back to.

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Speaker 3: Back, Drake bid Drake, Drake's fanos.

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Speaker 1: That's why everybody, everybody, That's why everybody team looks trying

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Speaker 1: to take it.

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Speaker 2: Everyone want to work with him, Everyone's to work with him. Yeah,

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Speaker 2: he's the guy right now right.

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Speaker 3: Let's talk about your movie career. It gets started.

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Speaker 1: Did you always want to do movie because it seems

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Speaker 1: like it's a natural transition. You go back and obviously

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Speaker 1: you had Cosbon, you had prior, you had Murphy, you

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Speaker 1: had a lot of guys in comedy, do real well

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Speaker 1: transitioning to the movies?

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Speaker 3: Did you want did you always want to be in movies?

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Speaker 2: Yeah? Yeah, that was always a goal. I never I

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Speaker 2: never thought it'd be like TV. I thought to be movies. Right, Uh, yeah,

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Speaker 2: that was I mean, you do stand up, that's the

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Speaker 2: Those are the dreams, like when you start doing stand up,

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Speaker 2: like if I get movies and stuff like that. So

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Speaker 2: that was always the goal, some movies and stuff.

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Speaker 3: Hold on you almost a part of Jango. What what

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Speaker 3: you go do in Jano?

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Speaker 2: No, I auditioned for Django, That's what I'm saying. Yeah,

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Speaker 2: you do what one of the henchmen. I never I

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Speaker 2: never said the inwards so much in my life and

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Speaker 2: it all this and the casting Rectord was a black lady.

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Speaker 2: So I go in, I'm looking at the sides and it's.

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Speaker 3: Inward, inward, inward, inward.

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Speaker 2: I'm like, kid, and I'm looking at it. I go,

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Speaker 2: you got to kidding me. Cast it was a black lady.

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Speaker 2: I'm like, I apologize afterwards, very sorry about everything I

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Speaker 2: just said.

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Speaker 3: One of them.

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Speaker 2: I mean, I don't know what look if I didn't

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Speaker 2: get it, so I don't know what part. Uh, I'm

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Speaker 2: auditioned for it. But it was one of the one

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Speaker 2: of the dudes that was trying to kill Jamie.

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Speaker 3: Right. Check us out think like a man the franchise,

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Speaker 3: I like you.

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Speaker 1: I mean you were cold to you. See see how

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Speaker 1: level headed you are you with doubt?

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Speaker 3: Hey, what yo? I mean your role that you played

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Speaker 3: anything like a man Bennett?

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Speaker 2: Yeah, yeah, that was cool. That was cool. That was

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Speaker 2: a good that was it.

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Speaker 3: But that ain't you.

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Speaker 2: No, no, no, it wasn't me. I had a whole back.

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Speaker 2: I was like I wanted to because you know, you

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Speaker 2: want to go back and forth. But it was funny

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Speaker 2: when I got the part, Like I think I was

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Speaker 2: the first one to like sign on because I already

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Speaker 2: Will Packer called the shouts out the WILF. But Will

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Speaker 2: Packer called and he was like, yo, I got this

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Speaker 2: movie man. He goes, we need a white guy that

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Speaker 2: kid hang out with black guys but not act black,

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Speaker 2: and we want you to bring your own spin to it.

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Speaker 2: And originally Will was trying to get me to play

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Speaker 2: Jerry Ferrara's party and then just things happened. The head

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Speaker 2: of screen is like Nazi Gary Moore's Bennett, and and

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Speaker 2: it worked out. I thought it all worked out in

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Speaker 2: the end because now that's the one movie like us

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Speaker 2: guys are still cool, like if you call them they're

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Speaker 2: there if you need something, you need to make a

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Speaker 2: social media post or I'm having an event. I never

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Speaker 2: and I you know, Michael Ealy said, he goes, you know,

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Speaker 2: acting in movies like summer Camp. You have fun where

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Speaker 2: you're there, but then it's over. You've probably never see

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Speaker 2: these people again. And obviously people go through separate ways.

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Speaker 2: But the Six of Us, man, that was that was

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Speaker 2: like some brother type because yeah, I realized two thousand

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Speaker 2: even we filmed the first one, twenty twelve comes out,

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Speaker 2: so we're doing press together. Twenty thirteen, we're filming the sequel.

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Speaker 2: Twenty fourteen, we're doing press hanging out again. That's four

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Speaker 2: straight years we hanging you know what I mean. So, yeah,

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Speaker 2: those guys, I love all those guys, man, They're great.

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Speaker 1: The book, did Steve give too much information away?

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Speaker 2: I didn't really read it.

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Speaker 3: I was like this, Oh, you pretending like you don't know.

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Speaker 2: They asked me, did I read it? I was like yeah,

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Speaker 2: I was like it was informative.

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Speaker 3: I was lying.

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Speaker 2: I ain't read that book. I just go to the pictures.

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Speaker 1: You mentioned the guys that you work with. Kevin Hart. Obviously,

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Speaker 1: what's k Heart like? Because people like they filed for

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Speaker 1: him that he give them opportunities. He's always trying to

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Speaker 1: put people in position to succeed. What's your relationship with

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Speaker 1: k Heart?

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Speaker 2: You know we I met Kevin ninety eight in New

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Speaker 2: York when he was little keV, And you know, Ken's

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Speaker 2: cool man. It's like when you just get him like

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Speaker 2: we're doing right now, he's the same dude. It's just

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Speaker 2: whom we leave here. It gets weird because the public

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Speaker 2: starts going nuts. I remember the first time I'm so

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Speaker 2: supposed to go nuts, like what they tripping on It

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Speaker 2: is keV, you know, but Ken, like I've noticed on

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Speaker 2: your show too, I've seen there's been a theme like

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Speaker 2: Monique was down, keV looked out, Amanda was down, keV

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Speaker 2: looked out. I had there last night with a gentleman.

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Speaker 2: He was like, yo, keV took care of me, not

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Speaker 2: took care of me, but gave me a job, and

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Speaker 2: nobody else to give me a job, right, And I

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Speaker 2: was like, that's three people. When my divorce happened, keV was.

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Speaker 2: keV reached out and he goes, you know, you need

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Speaker 2: if you need legal advice, need help financially because of

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Speaker 2: this stuff can get expensive. He was call me, and

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Speaker 2: I'm like, I'm I'm a grown man. I ain't gonna

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Speaker 2: go to some other grown man for help. I'll work

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Speaker 2: it out. But then yeah, but and then we're shaving

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Speaker 2: with forty four thousand. I did call him back. Yeah

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Speaker 2: you got to you got Jumid's residional check hanging around. No, no,

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Speaker 2: but he called, he called for help, and Ken just

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Speaker 2: solid man. So that when he when the when the

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Speaker 2: when people the hate come towards him, I think it's

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Speaker 2: just because he's like quote unquote top of the food chain,

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Speaker 2: you know what I mean. But it's funny too, because

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Speaker 2: like when you had cat on, I was like, Cat's

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Speaker 2: very generous too to people. Cat did one of the

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Speaker 2: coolest things anybody ever did for me in my career,

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Speaker 2: just in the moment. We were in Austin, Texas together.

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Speaker 2: And I've told this story on other platforms and stuff,

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Speaker 2: but it was right when he popped, like two thousand

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Speaker 2: and six around then, right, And I just remember we

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Speaker 2: had a show like six months prior at a college

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Speaker 2: and we was like in a ballroom and like one

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Speaker 2: hundred kids showed up. I get a contract. We're at

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Speaker 2: the Frank Irwin Center, in Austin, Texas, and it's the

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Speaker 2: that's the basketball arena, and I was like, why do

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Speaker 2: I mean Cat at the basketball right now? I think

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Speaker 2: we're more of a theater thing, right man. I showed

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Speaker 2: up there was something goddamn people, and I go oh

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Speaker 2: because I'm remember a Sokago when this happened. It's on

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Speaker 2: just six months and then the show's over, right, we

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Speaker 2: go back. The provoter gots two different limos, and my

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Speaker 2: limos in front of Cats and Cat's limos behind me.

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Speaker 2: I get back to the hotel for Cat and I'm

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Speaker 2: trying to go out for a little bit. So I'm

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Speaker 2: trying to tell the limo driver. I was like, hey, uh.

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Speaker 2: I was like, look, I needed a limo for a

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Speaker 2: couple more hours. Can I get it? It's yes, three

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Speaker 2: hundred dollars. Try to give him cash. He wouldn't take it.

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Speaker 2: So I need a credit card. I said, it's cash,

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Speaker 2: just take it. He goes a company policy. Man, I

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Speaker 2: keep mine. I'm married. I don't want this charge credit yes.

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Speaker 2: I'm like, I can't put it on credit on it?

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Speaker 2: And then I got I gotta answer for going out.

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Speaker 2: So Cat pulls up as I'm having the schedule with

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Speaker 2: my driver. Cat pulls up and just walks up and

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Speaker 2: he goes, Hey, what's going on here? I was like,

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Speaker 2: and I said, the driver wants three hundred dollars. He

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Speaker 2: won't take cash. I go, he wants a credit card.

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Speaker 2: And I'm telling Kat, I don't want to stand on

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Speaker 2: my credit card. And my wife Hall said, I gotta

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Speaker 2: discuss this stuff. Right, Kat goes hold on, takes my

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Speaker 2: driver around the back of his limo. Right. I don't

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Speaker 2: know what they talked about. I don't know how much

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Speaker 2: money Cat gave that dude, but this is the whole conversation.

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Speaker 2: We came back. He goes, he yells for the evening

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Speaker 2: Gary and Joel your knight. Oh yes, they do except

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Speaker 2: cash and away. I don't know how much can I

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Speaker 2: don't know how much Cat gave that driver. When I

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Speaker 2: say he pulled in the club, I got out. I

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Speaker 2: was on the dance floor.

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Speaker 3: Up saying yo.

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Speaker 2: Then he takes me back. I get up. The next morning,

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Speaker 2: he's still standing there. Wait a message. How much money

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Speaker 2: can't give this dude? He goes, yeah, mister Williams said,

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Speaker 2: take you to the airport. I was like, Wow, to

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Speaker 2: this day, I don't know how much money Cat gave that.

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Speaker 3: Dude, I'm looking at the cash.

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Speaker 1: Gabrielle you and and Chris Brown was also in making

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Speaker 1: good Raji Man, you had him outstanding cash. What was

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Speaker 1: it like working with all those those personalities and then

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Speaker 1: everybody blowing up?

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Speaker 2: Jerry Ferrera said the best when we went to the

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Speaker 2: table read and everybody was there before we knew what

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Speaker 2: it was. keV had all the twenty s right, and

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Speaker 2: I was and Jerry said, the best he goes. It

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Speaker 2: was set up for Kevin to hit a home run.

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Speaker 2: We just didn't know how far he was going to

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Speaker 2: hit it. Right, That still going, that ball still going.

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Speaker 2: That was some bugs bunny type shit. But everybody was

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Speaker 2: very like inclusive, like it's like, yo, I think this

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Speaker 2: would be funny.

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Speaker 3: Try it.

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Speaker 2: There was no egos, There wasn't like somebody was stealing

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Speaker 2: their shine. Everything. It was the most like I mean,

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Speaker 2: you just look forward to going to work. Everybody was cool,

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Speaker 2: and then of course your boys like who's gab Like

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Speaker 2: what you look like up close? Making like up close

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Speaker 2: it's weird when you work with them, you don't look

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Speaker 2: at him like that. I'll be looking at them like

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Speaker 2: why did I tripping. I mean, she cool, but you

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Speaker 2: were looking at him like a cousin, you know what

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Speaker 2: I mean to this day, like why people like tripping

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Speaker 2: over Megan?

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Speaker 3: That's just Megan.

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Speaker 2: Everybody was cool, especially us guys, man, because we know

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Speaker 2: it was very accepted. We didn't see the girls a lot,

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Speaker 2: so especially on the second one, but we'd see him

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Speaker 2: every now and then. But there was more of the

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Speaker 2: six guys working together all the time. Man, this is

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Speaker 2: just solid.

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Speaker 3: You were in Love Chronicles with Terrence Howard.

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Speaker 2: Holy cow, what'd you pull that one out of?

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Speaker 3: Yeah?

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Speaker 1: And he's suing c AA what I mean. Obviously you've

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Speaker 1: been in this business a long time and you know

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Speaker 1: how agencies work. I'm trying to figure out. I mean,

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Speaker 1: he's like he's suing them over his Empire salary because

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Speaker 1: I guess he's saying that he was only paid X

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Speaker 1: amount of dollars.

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Speaker 3: I mean, but it's kind of hard. What did you

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Speaker 3: sign the contract for? Yeah, that stuff?

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Speaker 2: You know.

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Speaker 3: T Crew said you can't nod yes in me No, I.

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Speaker 2: Saw that episode two.

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Speaker 3: Yep, creuz good.

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Speaker 2: He was good.

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Speaker 3: Yeah, I mean, and that's the thing.

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Speaker 1: So, have you had any bad experiences with with with

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Speaker 1: the management agencies or you do your are Yeah.

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Speaker 2: I mean they're always sticking a movie and you always

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Speaker 2: feel like he should be working more. They always feel

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Speaker 2: like you should have more. Uh. But as far as

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Speaker 2: like suing an agency or a studio for for like wages, no,

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Speaker 2: because it's like, you know, you negotiate and it's like

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Speaker 2: you want to not now. In the middle of my divorce,

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Speaker 2: I got sued by some dude. I think I want

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Speaker 2: to really shout him out because I want to make

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Speaker 2: sure I hate opportunists. His name is Mike CARLINI is

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Speaker 2: that right? What is it okay, Joe Carlyn? Yeah, yeah,

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Speaker 2: let make sure I get that name right. This this

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Speaker 2: piece of Joe CARLINI this dude, and I've never met

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Speaker 2: the due in my life. I don't know who he is,

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Speaker 2: and I really hope he sees this. He said that

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Speaker 2: I stole the movie idea What Men Want that Taraji

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Speaker 2: was in that Will Packer produced, that Paramount was behind I.

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Speaker 2: He gave the idea to me. I gave it to

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Speaker 2: Will and then they made the movie and he didn't

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Speaker 2: get anything from it. And I go keep in mind,

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Speaker 2: I wasn't in that movie. I audid it for that

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Speaker 2: movie and didn't get the part. And I go, I

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Speaker 2: gott nohe do with that movie. You figure if I

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Speaker 2: had the idea, I'm not a producer on it. I

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Speaker 2: got nothing to do with it. We come to find

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Speaker 2: out back in twenty fifteen, he somehow he got my email.

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Speaker 2: He emailed me something and we had to get like

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Speaker 2: a person to go through all your emails and check it.

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Speaker 2: It showed that I opened the email, but I didn't

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Speaker 2: send it to anybody. I don't even remember open it.

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Speaker 2: That's how he sued me and I had to fight.

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Speaker 2: This cost me one hundred and ten thousand dollars for nothing.

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Speaker 2: It didn't okay, thanks Lisa. You know what I don't know.

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Speaker 2: I don't know a goddamn thing. You know what, I

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Speaker 2: don't know his name. I probably got the wrong movie.

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Speaker 2: This is what you go through the divorce.

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Speaker 3: You forget right, or at least try to.

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Speaker 2: Yeah, now, this dude, Joe Careleedy. They went to my email,

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Speaker 2: and I guess they found out I didn't. They couldn't

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Speaker 2: find the email. But just the fact that I had

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Speaker 2: to pay these lawyers to fight this because he kept

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Speaker 2: like appealing it and I'm the one that was out like,

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Speaker 2: I'm sure Paramount fought it with their lawyers, and I don't.

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Speaker 3: They got a lot more money to fight with a

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Speaker 3: lot of money.

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Speaker 2: But I'm the one like, now, now we gotta go

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Speaker 2: to Paramount and beg, like, hey, can you guys give

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Speaker 2: me a couple of dollars Because that's the crazy part

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Speaker 2: about this business, right in fact, you can just get

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Speaker 2: accused of something and you're like, you gotta fight it

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Speaker 2: in court. Yeah, And I'm going this is all in

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Speaker 2: the middle of divorce. So I'm getting the force attorney bills.

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Speaker 2: I'm getting my attorney's fighting this frivolous lawsuit of a movie.

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Speaker 2: The thing bottles in the movie, maybe you could have

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Speaker 2: said something I would even in it, you know what

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Speaker 2: I mean. I had nothing to do with it. And

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Speaker 2: that movie's a remake. It was a Mail Gibson movie.

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Speaker 1: Meet the Blacks, Mike Ye, Little Duval, Michael Blacks and

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Speaker 1: Smooth Dogg Charlie Murphy, Mike Tyson, Paul Mooney, what's like

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Speaker 1: being on what's it like being on a set with

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Speaker 1: a lot of comedians?

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Speaker 2: That's the best. That's the dream set right there. That

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Speaker 2: was it that said was so much fun? We were inside,

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Speaker 2: we shout out to Dean Taylor, but we were outside

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Speaker 2: of Sacramento, on some farm. I'm talking like an hour

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Speaker 2: and a half outside of Sacramento, and we were standing

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Speaker 2: at the Best Western End because that was the only

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Speaker 2: hotel near it, and it was a It wasn't a

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Speaker 2: great hotel either, but just I think it was my

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Speaker 2: first time really working with Epps like that and Duvall,

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Speaker 2: and it means the best because they just especially Dion

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Speaker 2: it to direct comedians like that. It's just like, just

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Speaker 2: let him go. We'll get we'll get one off the script,

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Speaker 2: but let us go and then usually we'll come up

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Speaker 2: with something funnier than once. Yeah. Yeah, And he just

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Speaker 2: let it. At one point, I remember Dan, I was

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Speaker 2: just rambling then goes, hey, we just need one that's

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Speaker 2: on the page. I didn't realize, like take.

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Speaker 3: Six, what do I do? I'm gonna get this right?

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Speaker 1: Obviously you mentioned the early cat Cat was on here,

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Speaker 1: and I guess we're still trying to recover, recover.

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Speaker 2: We're talking about I'm looking at your watch, on your teeth,

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Speaker 2: your glasses, your haircut than everybody got to raise.

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Speaker 3: Well that's what that's what Cat told me. Cat said

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Speaker 3: when you went award, No, you went awards, I get

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Speaker 3: a prize? You get him? Huh would you get him?

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Speaker 2: Now?

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Speaker 1: He I'm gonna let him tell you. I'm gonna let

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Speaker 1: him tell you. No, I haven't gotten him anything. He

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Speaker 1: doesn't he doesn't want anything. When you hear it, did

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Speaker 1: you know that this was like kind of behind the

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Speaker 1: scenes that comedians I had no idea people telling me

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Speaker 1: they mad at me, But what Cats said on my platform,

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Speaker 1: I'm like, guys, do you think I know what goes

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Speaker 1: on the comedic world.

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Speaker 3: I didn't know that there were beefs, Like, did you.

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Speaker 2: Know there's always beefs, There's always been Did you know

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Speaker 2: it was to this extent. Here's the thing. Cat is

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Speaker 2: so damn smart and his delivery is so good. It's

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Speaker 2: very engaged, you.

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Speaker 3: Know, how to tell the story there?

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Speaker 2: Man, he's a great storyteller. Yeah, he's a great narrator.

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Speaker 2: But yeah, we all know those beasts. That's green room talk, right,

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Speaker 2: you know, he just aired it publicly, and you know,

355
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Speaker 2: because we all know who. We all know who ain't funny,

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Speaker 2: we all know who's a hack. Where there's rumors, people

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Speaker 2: steal jokes. I don't I don't ever go to the

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Speaker 2: route like somebody just stole a joke, because I'm always like,

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00:16:27,920 --> 00:16:30,800
Speaker 2: we think alike, man, right, we think alike a lot,

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Speaker 2: you know, and then sometimes you don't even realize it.

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Speaker 2: Like I've seen people like start to act like people

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Speaker 2: their mannerisms, their delivery and stuff like that. So, I mean,

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Speaker 2: sometimes people do steal. I ain't gonna say it doesn't happen,

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Speaker 2: but I'm not just gonna out now accuse you.

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Speaker 1: But okay, So that's so because the thing was that

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Speaker 1: I had said on and I asked him, I said,

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Speaker 1: Cat wants to cue, you're stealing a joke, and he said, well,

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Speaker 1: the timeline doesn't add up. Well, I didn't even have

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Speaker 1: to bring it up. A couple of cat came on.

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Speaker 1: Cat brought it up and saying how the timeline doesn't

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Speaker 1: add up. He said, the only difference is is that

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Speaker 1: you took my car and turned it into a spaceship.

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Speaker 3: Yeah.

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Speaker 1: So I think he was upset and he says, well,

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Speaker 1: I gave you a grace, I gave you a past.

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Speaker 1: You said you sorry, blah blah blah, and then to

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Speaker 1: come out here and say that didn't happen, but you're

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Speaker 1: saying that if somebody stole your joke, you ain't gonna

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Speaker 1: front him.

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Speaker 3: You ain't gonna put it out there on front Street.

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Speaker 2: I'm a little more passive aggressive. Less it's my dad

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Speaker 2: or step there, I'm a little more passed. Yeah, I don't.

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Speaker 2: There's some instances where they just took it. And you know,

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Speaker 2: the only time I know somebody took my shirt was

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Speaker 2: there was a show on Showtime called Chalk of Sundays

386
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Speaker 2: and they did this whole bit of how a white

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Speaker 2: guy can get away of saying the N word and

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Speaker 2: what he does. He'd be like, SHITN and you mind,

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Speaker 2: and there'll be a black guy next to him and

390
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Speaker 2: he'll say the N word for him. Right. Yes, I

391
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Speaker 2: saw that sketch and I go, way, man, that's my joke.

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Speaker 2: I close with that on my special in twenty eleven

393
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Speaker 2: Coach True Story. How that joke came about was I

394
00:18:00,320 --> 00:18:02,480
Speaker 2: was at the end prov on a Monday night. D

395
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Speaker 2: Ray Davis was there. He's got it on he's got

396
00:18:05,040 --> 00:18:06,639
Speaker 2: it on his little hand. Old Camery sent it to me.

397
00:18:07,160 --> 00:18:09,880
Speaker 2: I'm talking like two thousand and seven. This happened. When

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Speaker 2: the joke came out, I got a Heckler. We were

399
00:18:12,720 --> 00:18:14,320
Speaker 2: going back and forth. I said, well, why don't you

400
00:18:14,359 --> 00:18:16,080
Speaker 2: come on stage because the Heckler was like, when you

401
00:18:16,160 --> 00:18:18,640
Speaker 2: got the mic, you always go to win, I said.

402
00:18:18,760 --> 00:18:20,960
Speaker 2: I said, like I said, man, if I was black,

403
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Speaker 2: I would call you the and word right now, but

404
00:18:22,480 --> 00:18:25,200
Speaker 2: I'm not allowed. And then the crowd's laughing right and

405
00:18:25,280 --> 00:18:27,480
Speaker 2: you know, the crowd say said, I said, I ain't

406
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Speaker 2: gonna say it, and I was like, d Ray, can

407
00:18:29,440 --> 00:18:32,000
Speaker 2: you say it for me? D Ray comes on stage.

408
00:18:32,760 --> 00:18:34,560
Speaker 2: I start going into dude, and d Ray starts saying

409
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Speaker 2: a word for me. That's what the joke came about.

410
00:18:37,760 --> 00:18:40,639
Speaker 2: So now I'm watching this show Chalk of Sundays, and

411
00:18:40,680 --> 00:18:42,600
Speaker 2: I'm seeing they got these two black dudes and the

412
00:18:42,640 --> 00:18:46,320
Speaker 2: white dude and they're basically turned my joke into a sketch.

413
00:18:47,240 --> 00:18:51,720
Speaker 2: I called the EP and I was like, yo, Joe.

414
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Speaker 2: I was like, Pooey, poo yours to Kevin, I said, Pooge.

415
00:18:54,840 --> 00:18:57,840
Speaker 2: I go, what a name, right, Poogy? I said, Pooge

416
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Speaker 2: who wrote the joke? So I can know where to

417
00:19:00,480 --> 00:19:04,720
Speaker 2: direct my anger at. He said, yeah, I don't know. Gee.

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00:19:04,720 --> 00:19:07,200
Speaker 2: We got a think tank and comedians just get in

419
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Speaker 2: the room and we start throwing ideas around. I said, well,

420
00:19:09,440 --> 00:19:12,440
Speaker 2: find out who came up with that premise. I said,

421
00:19:12,720 --> 00:19:15,119
Speaker 2: you know that's my bid, it's on showtime, it's all

422
00:19:15,240 --> 00:19:17,879
Speaker 2: right now, and nobody could give me an answer. So

423
00:19:18,400 --> 00:19:21,040
Speaker 2: somebody got in that think tank or like, hey, you

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Speaker 2: know what a good idea, but we got everything on video.

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00:19:24,440 --> 00:19:28,080
Speaker 3: You know, how often do you watch other comedians?

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00:19:28,200 --> 00:19:30,000
Speaker 1: Do you watch it? Do you watch You don't watch

427
00:19:30,040 --> 00:19:32,439
Speaker 1: anybody currently. You don't like man, that dude, that dud

428
00:19:32,520 --> 00:19:35,600
Speaker 1: he nice with it? You watch like clips, But.

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Speaker 2: I don't want to watch means for the reason Cat said,

430
00:19:37,640 --> 00:19:40,120
Speaker 2: I don't want to ever think my jokes ain't mine.

431
00:19:40,640 --> 00:19:42,000
Speaker 2: I don't want to watch someone like that was a

432
00:19:42,040 --> 00:19:44,920
Speaker 2: good bit or I should have thought of that. It's

433
00:19:45,119 --> 00:19:47,879
Speaker 2: two things, like I get frustrated. Why I'll get frustrated

434
00:19:47,880 --> 00:19:49,360
Speaker 2: because why do they have a special and I don't,

435
00:19:49,480 --> 00:19:52,080
Speaker 2: but all comedians think we deserve the special, right, And

436
00:19:52,240 --> 00:19:56,760
Speaker 2: then I don't want to ever think that. I don't

437
00:19:56,760 --> 00:19:58,560
Speaker 2: want to psych myself out. I seen comics do that.

438
00:19:59,240 --> 00:20:01,520
Speaker 2: They'll stop doing because somebody's doing a bit on the

439
00:20:01,520 --> 00:20:03,200
Speaker 2: same time, get better than they are, right, So I

440
00:20:03,320 --> 00:20:06,240
Speaker 2: was like, I just obviously watched clips. Now with TikTok

441
00:20:06,400 --> 00:20:09,440
Speaker 2: and Instagram, you might catch something to sit down and

442
00:20:09,520 --> 00:20:12,359
Speaker 2: watch an hour. I was like, I just can't. I

443
00:20:12,840 --> 00:20:15,720
Speaker 2: don't have I got an ADHD self diagnosed, and.

444
00:20:18,080 --> 00:20:18,920
Speaker 3: And I just can't.

445
00:20:19,400 --> 00:20:21,240
Speaker 2: Like I said, I just I do it so much.

446
00:20:21,320 --> 00:20:22,560
Speaker 2: The last time we do is go to a comedy

447
00:20:22,560 --> 00:20:24,240
Speaker 2: club or another comedy show, and I'm not on it.

448
00:20:24,760 --> 00:20:25,879
Speaker 2: So I just I just don't.

449
00:20:27,480 --> 00:20:29,520
Speaker 3: The Williams where are Where are they?

450
00:20:29,840 --> 00:20:32,520
Speaker 1: Because I don't think they get nearly enough credit because

451
00:20:32,560 --> 00:20:34,679
Speaker 1: what they did with Living Color.

452
00:20:34,600 --> 00:20:36,639
Speaker 2: Man that that still holds up.

453
00:20:37,119 --> 00:20:40,920
Speaker 1: That's dang. I mean, and look who was birthed out

454
00:20:41,000 --> 00:20:44,280
Speaker 1: of that. Yeah, Jim Carrey and Jamie Fox and David

455
00:20:44,320 --> 00:20:47,720
Speaker 1: Allen Greer and Tommy Davidson obviously the Wayams brother.

456
00:20:48,160 --> 00:20:50,840
Speaker 3: I mean, why do you? Why don't they? Will we

457
00:20:50,920 --> 00:20:53,200
Speaker 3: ever see another in Living Color again? Could that happen?

458
00:20:54,080 --> 00:20:57,680
Speaker 2: Leave it alone? Just leave it alone. That's greatness. Don't

459
00:20:57,720 --> 00:20:59,720
Speaker 2: touch it, say following us possible.

460
00:20:59,720 --> 00:21:02,879
Speaker 1: But you know, anytime you have success doing something, somebody

461
00:21:03,000 --> 00:21:05,080
Speaker 1: want to reboot it. Man, we see the animation of

462
00:21:05,160 --> 00:21:05,600
Speaker 1: a good time.

463
00:21:05,680 --> 00:21:06,000
Speaker 3: You saw that?

464
00:21:06,200 --> 00:21:10,840
Speaker 2: Yeah right, I'm like, my god, Now leave it alone,

465
00:21:11,160 --> 00:21:12,680
Speaker 2: let it ride, Let it ride.

466
00:21:13,440 --> 00:21:16,200
Speaker 1: So what is your relationship do you have any comedians

467
00:21:16,240 --> 00:21:18,159
Speaker 1: that you know? You know Cad like he has this

468
00:21:18,280 --> 00:21:20,920
Speaker 1: group that he stays away from. Obviously Monique has heard,

469
00:21:21,000 --> 00:21:24,879
Speaker 1: so she stays away from. And are they anybody that

470
00:21:25,000 --> 00:21:27,359
Speaker 1: you like? You don't have to say no name, but

471
00:21:27,440 --> 00:21:30,520
Speaker 1: do you like I'm better in my little box, and

472
00:21:30,560 --> 00:21:31,879
Speaker 1: I'm gonna let you play in your little No.

473
00:21:31,920 --> 00:21:37,240
Speaker 2: I'm cool with everybody. I'm not different. You don't wrong,

474
00:21:37,720 --> 00:21:37,879
Speaker 2: you know.

475
00:21:38,520 --> 00:21:41,720
Speaker 3: I thought I thought Monique was really engaged. I like Monique.

476
00:21:41,960 --> 00:21:42,440
Speaker 3: Here's the thing.

477
00:21:42,400 --> 00:21:45,680
Speaker 2: About Monique, though, like you're allowed to be made fun of.

478
00:21:46,400 --> 00:21:48,639
Speaker 2: We're comedians. Somebody's gonna see this and everything gonna make

479
00:21:48,640 --> 00:21:52,240
Speaker 2: fun of me, you know. And so it's like I

480
00:21:52,600 --> 00:21:56,000
Speaker 2: I snapped a little bit years ago because not over

481
00:21:56,200 --> 00:21:59,760
Speaker 2: the Tyler Perry or the Oprah stuff. Because she she

482
00:22:00,080 --> 00:22:02,600
Speaker 2: basically compare Will Packer, who's a friend and a guy

483
00:22:02,680 --> 00:22:04,480
Speaker 2: that employed me and a guy that helped take my

484
00:22:04,560 --> 00:22:09,320
Speaker 2: career to another level. She compared to Harvey Weinstein. Huh yeah,

485
00:22:09,400 --> 00:22:12,119
Speaker 2: she goes just like these girls gotta be quiet and

486
00:22:12,200 --> 00:22:15,280
Speaker 2: stuff like this. It was like his name was in

487
00:22:15,359 --> 00:22:17,800
Speaker 2: the same sentences, Harvey Weinstein and I go you know,

488
00:22:18,160 --> 00:22:20,360
Speaker 2: and nobody said anything. I go, ah, I'm gonna stand

489
00:22:20,440 --> 00:22:22,200
Speaker 2: up for my boy real quick. I didn't think it

490
00:22:22,240 --> 00:22:23,560
Speaker 2: was that big of a deal. I literally was in

491
00:22:23,600 --> 00:22:25,200
Speaker 2: the carpool line to pick up my daughter at school

492
00:22:25,200 --> 00:22:26,560
Speaker 2: and I was kind of just sitting there, so I

493
00:22:26,640 --> 00:22:28,800
Speaker 2: just did a video. I didn't think it was that

494
00:22:28,800 --> 00:22:31,679
Speaker 2: boovie deal. But think about it. I never called out

495
00:22:31,720 --> 00:22:34,760
Speaker 2: her name. I never like said she was wrong about

496
00:22:34,800 --> 00:22:38,359
Speaker 2: other stuff. I'm just like in that instance when that

497
00:22:38,440 --> 00:22:42,000
Speaker 2: situation when she said will Packer Harvey Weinstein, I was like,

498
00:22:42,200 --> 00:22:44,240
Speaker 2: that's not cool, you know what I mean, because I

499
00:22:44,400 --> 00:22:47,960
Speaker 2: honestly he gave her a part in a movie when

500
00:22:48,000 --> 00:22:50,760
Speaker 2: people really wasn't messing with him, and he, you know,

501
00:22:51,160 --> 00:22:53,119
Speaker 2: whatever happened over that, I don't know. I don't know

502
00:22:53,200 --> 00:22:55,680
Speaker 2: about that fire on the set that nobody got hurt.

503
00:22:56,040 --> 00:23:00,840
Speaker 2: I don't know about that. But when she I did

504
00:23:00,920 --> 00:23:03,800
Speaker 2: a on my podcast, I talked about her, like like

505
00:23:03,920 --> 00:23:05,920
Speaker 2: her and her husband will do their little their little

506
00:23:06,080 --> 00:23:10,080
Speaker 2: Instagram lives, and I go, man, they're really good at

507
00:23:10,400 --> 00:23:12,680
Speaker 2: saying they love you and then cut your throat the

508
00:23:12,760 --> 00:23:14,960
Speaker 2: next thing. May yeah, we love you, man, we do

509
00:23:15,119 --> 00:23:17,200
Speaker 2: know you got an abortion in Texas and that's illegal.

510
00:23:18,800 --> 00:23:20,800
Speaker 2: The cops are on their way, but we love your brothers.

511
00:23:20,840 --> 00:23:22,800
Speaker 2: When they get there, you're gonna have to get bail money.

512
00:23:22,840 --> 00:23:24,480
Speaker 2: And I don't know how you're gonna get that because

513
00:23:24,480 --> 00:23:28,200
Speaker 2: we got your bank accounts frozen. But we love you clearly.

514
00:23:28,280 --> 00:23:30,280
Speaker 2: I'm making fun of them, but I'm just having but

515
00:23:30,400 --> 00:23:32,880
Speaker 2: that's what we do, right, So you know, I heard

516
00:23:32,920 --> 00:23:35,800
Speaker 2: them going through their podcast afterwards after I said something

517
00:23:35,840 --> 00:23:38,679
Speaker 2: like that, and they was like snapping. I remember Hustan

518
00:23:38,800 --> 00:23:42,680
Speaker 2: was like, and our brother Gary Owen, you're invited. You're

519
00:23:42,760 --> 00:23:46,119
Speaker 2: a guest in the black community. And I'm thinking I

520
00:23:46,200 --> 00:23:50,119
Speaker 2: got more black kids than you. I just got two more, right,

521
00:23:50,880 --> 00:23:55,040
Speaker 2: I got a squad now. So uh And then they goes,

522
00:23:55,119 --> 00:23:57,040
Speaker 2: you know, he said, you know, and you brought up

523
00:23:57,600 --> 00:24:00,239
Speaker 2: we say people got abortions money too.

524
00:24:00,560 --> 00:24:02,639
Speaker 3: That's what what I go.

525
00:24:03,320 --> 00:24:05,879
Speaker 2: It was a joke. I was making fun of you,

526
00:24:06,200 --> 00:24:08,480
Speaker 2: which were allowed to do. You know, we can't take

527
00:24:08,560 --> 00:24:11,920
Speaker 2: everything so serious and literal. I don't live. I ain't

528
00:24:11,960 --> 00:24:14,639
Speaker 2: none against him nothing, but you are allowed to me

529
00:24:15,040 --> 00:24:17,560
Speaker 2: just like Amanda, a man of hills comes on there self,

530
00:24:17,800 --> 00:24:20,640
Speaker 2: diagnose yourself with autism. So of course I'm gonna bring

531
00:24:20,680 --> 00:24:23,000
Speaker 2: it up. That's what we do. I didn't say, I

532
00:24:23,000 --> 00:24:25,080
Speaker 2: didn't call her out her name right nothing. I ain't

533
00:24:25,119 --> 00:24:25,800
Speaker 2: say she was wrong.

534
00:24:26,200 --> 00:24:27,840
Speaker 3: But you know, I'm gonna get it now. I'milla get

535
00:24:28,119 --> 00:24:28,680
Speaker 3: I'm gonna get.

536
00:24:28,800 --> 00:24:31,520
Speaker 1: I gonna get it because I ain't protecting my black

537
00:24:31,760 --> 00:24:34,520
Speaker 1: my black queens when you said what you said, and

538
00:24:34,600 --> 00:24:35,920
Speaker 1: because I didn't push back.

539
00:24:36,200 --> 00:24:38,639
Speaker 3: Yeah, now you don't love me in and some stuff.

540
00:24:38,800 --> 00:24:39,840
Speaker 3: I ain't got nothing to do with it.

541
00:24:39,960 --> 00:24:42,639
Speaker 2: That's all I want to have this interview. That's the

542
00:24:42,680 --> 00:24:45,920
Speaker 2: only thing I wanted. Let's treat you to get to

543
00:24:46,080 --> 00:24:49,760
Speaker 2: step down from the black women. That was my cold.

544
00:24:50,760 --> 00:24:53,080
Speaker 2: You didn't have to defend your queen exactly.

545
00:24:53,119 --> 00:24:56,680
Speaker 1: You know that cupt castpoke very highly of you as

546
00:24:56,760 --> 00:24:59,520
Speaker 1: one of these guys that haven't sold out to the industry, right,

547
00:24:59,600 --> 00:25:01,760
Speaker 1: And if I I'm not mistaken, I think you said

548
00:25:01,800 --> 00:25:04,840
Speaker 1: there was a situation because Cat said there's sometimes that

549
00:25:05,119 --> 00:25:09,000
Speaker 1: you know, men do things behind the scene that that

550
00:25:10,200 --> 00:25:12,920
Speaker 1: they don't have anything to do with that acting and

551
00:25:13,040 --> 00:25:19,160
Speaker 1: they they go right, you mentioned that somebody you don't

552
00:25:19,920 --> 00:25:22,120
Speaker 1: you kept like, I think, I'm not sure. I don't

553
00:25:22,119 --> 00:25:22,760
Speaker 1: want to look.

554
00:25:23,080 --> 00:25:25,520
Speaker 2: Oh, you know, I knew the guy was hitting on me.

555
00:25:25,680 --> 00:25:26,240
Speaker 3: Here's the thing.

556
00:25:27,880 --> 00:25:30,640
Speaker 2: There was no lines crossed, nobody was touched. I wasn't

557
00:25:30,760 --> 00:25:35,080
Speaker 2: promised a job. I still got the job. Put the

558
00:25:35,160 --> 00:25:37,640
Speaker 2: dude hit on me. You know when somebody's hitting on you, right,

559
00:25:38,200 --> 00:25:40,720
Speaker 2: But it wasn't like a Terry Creuse situation. Nobody touched me.

560
00:25:41,080 --> 00:25:42,560
Speaker 2: Whether you got to do this or you won't get

561
00:25:42,600 --> 00:25:46,320
Speaker 2: the job. Dude clearly inquired, you know, am I interested?

562
00:25:46,440 --> 00:25:47,760
Speaker 2: And I was like, so there's no reason for me

563
00:25:47,840 --> 00:25:49,879
Speaker 2: to throw this dude under the bus. You are allowed

564
00:25:49,920 --> 00:25:53,640
Speaker 2: to hit on people, right. No, I'm mad at myself

565
00:25:54,040 --> 00:25:54,760
Speaker 2: because what kind of.

566
00:25:54,840 --> 00:25:55,760
Speaker 3: Vibe was I giving?

567
00:25:56,119 --> 00:25:58,600
Speaker 2: He thought it was okay to tink it was okay.

568
00:25:59,400 --> 00:26:01,560
Speaker 2: So I was like, that's why I say, people like

569
00:26:01,600 --> 00:26:03,800
Speaker 2: you gotta say your par the problem. You know, this

570
00:26:03,880 --> 00:26:06,600
Speaker 2: guy's a predator. I go, this dude is not a predator.

571
00:26:06,920 --> 00:26:08,560
Speaker 2: It was a guy that hit on me, and it's

572
00:26:08,640 --> 00:26:11,560
Speaker 2: not my place to out him, you know what I mean.

573
00:26:11,680 --> 00:26:14,280
Speaker 2: So I'm never gonna say who it was. It wasn't

574
00:26:14,359 --> 00:26:18,800
Speaker 2: Jackie Chan, Okay, That's all I'm giving you. It wasn't

575
00:26:18,920 --> 00:26:22,800
Speaker 2: or Chris Tucker. So that's all you get. What are you?

576
00:26:22,920 --> 00:26:27,600
Speaker 1: What are your thoughts on actors in dresses. Would you

577
00:26:27,680 --> 00:26:30,120
Speaker 1: wear a dress for a movie role check?

578
00:26:30,280 --> 00:26:30,520
Speaker 3: Was right?

579
00:26:32,400 --> 00:26:40,640
Speaker 2: Do it all braw panners? I shave my legs. Yeah,

580
00:26:40,680 --> 00:26:44,320
Speaker 2: but you know, if it's funny, if it's funny.

581
00:26:44,480 --> 00:26:46,040
Speaker 1: But gear here's the thing, and I think you know

582
00:26:46,200 --> 00:26:51,280
Speaker 1: this white men on Dustin Hoffman did it? Williams, Robin

583
00:26:51,560 --> 00:26:55,359
Speaker 1: Robin Williams did it? Misdoubtfied told see it's looked that

584
00:26:55,480 --> 00:26:58,240
Speaker 1: differently when a black man puts that dress on. Now,

585
00:26:58,640 --> 00:27:00,919
Speaker 1: nobody said anything because Flip Wilson was the first guy

586
00:27:01,000 --> 00:27:02,720
Speaker 1: that I remember doing it when he was Geraldine he

587
00:27:02,800 --> 00:27:04,040
Speaker 1: had this show on television.

588
00:27:04,840 --> 00:27:06,200
Speaker 3: But since then you remember that?

589
00:27:07,000 --> 00:27:08,480
Speaker 2: I don't remember it, but I know he dressed as

590
00:27:08,480 --> 00:27:08,760
Speaker 2: a woman.

591
00:27:08,880 --> 00:27:12,840
Speaker 1: Yes, yes, but since And the guy that catches the

592
00:27:12,880 --> 00:27:16,840
Speaker 1: most criticism obviously is Tyler Perry because the Medea role

593
00:27:16,920 --> 00:27:17,639
Speaker 1: that he plays.

594
00:27:18,880 --> 00:27:21,040
Speaker 2: What do you think Tyler Perry regrets putting on that dress?

595
00:27:21,160 --> 00:27:21,480
Speaker 3: I don't.

596
00:27:21,560 --> 00:27:25,240
Speaker 2: Well, no, right, that's what I'm saying. He put the

597
00:27:25,280 --> 00:27:27,760
Speaker 2: titties on. Yeah, the billy. I think at one point

598
00:27:27,800 --> 00:27:31,960
Speaker 2: he had a Cambelton. Yeah, I said, he going too

599
00:27:32,040 --> 00:27:37,040
Speaker 2: far down? Is that Kimmelton? Tyler? Is that Kimmel told Tanner.

600
00:27:39,560 --> 00:27:41,640
Speaker 1: Do you want Do you want to be in more

601
00:27:41,720 --> 00:27:44,520
Speaker 1: Ruby movies? Are you good with where you're doing stand up?

602
00:27:44,520 --> 00:27:46,960
Speaker 1: Because it seems like you're every week So how many

603
00:27:47,160 --> 00:27:49,600
Speaker 1: how many how many days a week?

604
00:27:49,680 --> 00:27:51,439
Speaker 3: How many days a year? Do you actually?

605
00:27:52,359 --> 00:27:54,639
Speaker 2: I can I could work every weekend if I wanted to,

606
00:27:55,359 --> 00:27:57,240
Speaker 2: because you're looking at you look at the tours, the

607
00:27:57,320 --> 00:28:00,200
Speaker 2: theater dates, the comedy club dates. Every now get a

608
00:28:00,280 --> 00:28:02,399
Speaker 2: corporate gig. But I mean I could work every weekend

609
00:28:02,400 --> 00:28:05,920
Speaker 2: i wanted to, And I work a lot, you know.

610
00:28:06,080 --> 00:28:10,560
Speaker 2: Now that another in a better spot financially and everything,

611
00:28:10,680 --> 00:28:13,320
Speaker 2: so I don't have to work every weekend. So I am,

612
00:28:13,480 --> 00:28:16,080
Speaker 2: for the first time probably in my career, taking some

613
00:28:16,240 --> 00:28:19,600
Speaker 2: weekends off just to enjoy everything.

614
00:28:19,760 --> 00:28:21,359
Speaker 3: So join some of the money that you're make it.

615
00:28:21,480 --> 00:28:24,440
Speaker 2: Yeah, but the road life isn't bad. We're still staying

616
00:28:24,480 --> 00:28:26,920
Speaker 2: at nice hotels. We go to work for a couple hours.

617
00:28:26,960 --> 00:28:29,080
Speaker 2: The hardest part about our job is to travel once

618
00:28:29,080 --> 00:28:32,199
Speaker 2: you get to a certain level. So yeah, the goal, obviously,

619
00:28:32,320 --> 00:28:34,159
Speaker 2: the goal is to be in more movies, you know

620
00:28:34,200 --> 00:28:36,440
Speaker 2: what I mean. And I'm not really tripping off TV

621
00:28:36,520 --> 00:28:41,960
Speaker 2: anymore like this, this to me is for my audience

622
00:28:42,000 --> 00:28:43,840
Speaker 2: where I'm at. It's way bigger than the Tonight show,

623
00:28:44,280 --> 00:28:46,160
Speaker 2: way bigger than the late night talk show or daytime

624
00:28:46,200 --> 00:28:49,760
Speaker 2: talk show. So when you guys called it said you

625
00:28:49,840 --> 00:28:52,960
Speaker 2: want to do it, I was like how much? And

626
00:28:53,080 --> 00:28:55,200
Speaker 2: you guys like, we don't pay. I was like, well,

627
00:28:55,440 --> 00:28:59,360
Speaker 2: I want bottle of water. So I appreciate it.

628
00:29:00,080 --> 00:29:03,320
Speaker 3: Yeah, no, we appreciate you. Yeah, real husbands of Hollywood.

629
00:29:03,720 --> 00:29:08,040
Speaker 2: I only did one episode. Why because my wife, my ex,

630
00:29:08,240 --> 00:29:10,719
Speaker 2: wasn't famous. That's because I asked them. I said, el

631
00:29:11,320 --> 00:29:13,680
Speaker 2: as Chris Spencer. I said, how come y'all never asked

632
00:29:13,720 --> 00:29:14,960
Speaker 2: me to do that? When it came out, and I

633
00:29:15,120 --> 00:29:18,080
Speaker 2: wasn't like asking like how could you not use me?

634
00:29:18,080 --> 00:29:19,880
Speaker 2: I'm literally asking like did my name come up? He

635
00:29:19,960 --> 00:29:22,880
Speaker 2: goes yeah, but you're it was real Husbands of Hollywood

636
00:29:22,920 --> 00:29:26,480
Speaker 2: and everybody's wife outside of Kevin obviously, but he was

637
00:29:26,600 --> 00:29:28,440
Speaker 2: like they was like their wife was in the business

638
00:29:28,560 --> 00:29:32,360
Speaker 2: or someone famous. They goes, yours wasn't, And I go, oh, yeah,

639
00:29:32,400 --> 00:29:33,920
Speaker 2: that makes sense, you know what I mean? But I

640
00:29:33,960 --> 00:29:34,960
Speaker 2: did an episode. It was fun.

641
00:29:35,120 --> 00:29:35,480
Speaker 3: It's fun.

642
00:29:35,800 --> 00:29:37,200
Speaker 2: Yeah, it was fun. You see.

643
00:29:37,320 --> 00:29:39,720
Speaker 3: It seemed to me like like could you would you

644
00:29:39,920 --> 00:29:42,200
Speaker 3: like to be in movies in which other.

645
00:29:42,120 --> 00:29:44,200
Speaker 1: Comedian because it seemed like you have the best time

646
00:29:44,240 --> 00:29:46,520
Speaker 1: when you like people, like, you know, y'all bouncing ideas,

647
00:29:46,560 --> 00:29:47,560
Speaker 1: y'all just having a good time.

648
00:29:47,880 --> 00:29:51,120
Speaker 3: Like you said that what was it called the Black

649
00:29:51,240 --> 00:29:52,120
Speaker 3: Yeah you really?

650
00:29:52,360 --> 00:29:53,880
Speaker 1: Now, I'm not just saying that you didn't love a

651
00:29:54,000 --> 00:29:55,800
Speaker 1: thing like a man because obviously that was an all

652
00:29:55,840 --> 00:30:01,000
Speaker 1: star cast. Yeah, but what's your ideal movie situation? Oh,

653
00:30:01,560 --> 00:30:03,920
Speaker 1: what's the role, what's the ro, what's the what's the

654
00:30:04,040 --> 00:30:04,920
Speaker 1: I know it, I know it.

655
00:30:05,360 --> 00:30:09,160
Speaker 2: Remake the jerk. Remake the jerk. That'd be the dream

656
00:30:09,200 --> 00:30:11,480
Speaker 2: role for me. The Steve Martin movie. Yes, you're raised

657
00:30:11,520 --> 00:30:13,560
Speaker 2: by a black family? Yeah, got on his own. You

658
00:30:13,640 --> 00:30:17,000
Speaker 2: could rework it and remake it to update it. That

659
00:30:17,280 --> 00:30:20,360
Speaker 2: to me from my audience and how I live my life,

660
00:30:21,720 --> 00:30:23,440
Speaker 2: I'm just thinking, like the ad libs and what I

661
00:30:23,440 --> 00:30:27,080
Speaker 2: could bring to that character would be the dream role.

662
00:30:27,360 --> 00:30:34,720
Speaker 2: And second would be the only only white guy. And Wakanda.

663
00:30:35,920 --> 00:30:38,920
Speaker 1: Like literally like oh my god, like it's too you

664
00:30:39,000 --> 00:30:44,200
Speaker 1: know the agent were there they about being there, like

665
00:30:44,240 --> 00:30:44,520
Speaker 1: there's a.

666
00:30:44,520 --> 00:30:47,040
Speaker 2: Bunch of light skinned with Kandians. Where do you come from?

667
00:30:47,120 --> 00:30:47,840
Speaker 2: And here I come out?

668
00:30:48,000 --> 00:30:50,280
Speaker 3: You know what I mean, oh, it's the white tugger.

669
00:30:50,800 --> 00:30:53,320
Speaker 3: Why don't you pitch the idea what the white guy

670
00:30:53,320 --> 00:30:56,680
Speaker 3: would come out? The jerk the remake? Yeah, we did.

671
00:30:56,760 --> 00:30:57,280
Speaker 2: We just did it.

672
00:30:58,400 --> 00:30:59,080
Speaker 3: We just did it.

673
00:30:59,760 --> 00:31:02,200
Speaker 2: You even realized we did? And did you watch this?

674
00:31:02,320 --> 00:31:06,880
Speaker 2: Better be a clip? Really yeah, that better be one

675
00:31:06,880 --> 00:31:07,360
Speaker 2: of your clips.

676
00:31:07,400 --> 00:31:09,520
Speaker 3: Now, hell, now you ain't doing it? Come on, Shannon,

677
00:31:09,600 --> 00:31:09,960
Speaker 3: did your.

678
00:31:09,840 --> 00:31:12,680
Speaker 2: Boy Joab what the white guy just got drafted as

679
00:31:12,680 --> 00:31:16,520
Speaker 2: a cornerback in the NFL? Times are changing, but you.

680
00:31:16,600 --> 00:31:19,240
Speaker 1: Know it's what every twenty years because the Jason Seahorn

681
00:31:19,360 --> 00:31:20,720
Speaker 1: was before that, remember him with the Giant.

682
00:31:20,640 --> 00:31:23,400
Speaker 2: Yeah, ninety four a c on the preseason game returning kickoff.

683
00:31:23,520 --> 00:31:24,400
Speaker 3: Yeah, I know football.

684
00:31:24,520 --> 00:31:24,720
Speaker 2: Yeah.

685
00:31:24,840 --> 00:31:26,560
Speaker 3: And then Scott it was Scott Case before him.

686
00:31:26,680 --> 00:31:28,800
Speaker 2: Yeah, I member Scott for the Falcon Yeah yeah, yeah, yeah.

687
00:31:28,640 --> 00:31:30,480
Speaker 3: Remember Scott can y'all got three of the last thirty five.

688
00:31:30,720 --> 00:31:31,400
Speaker 3: That's okay?

689
00:31:31,680 --> 00:31:32,960
Speaker 2: Well, how many how I'm asking this?

690
00:31:33,240 --> 00:31:33,440
Speaker 3: Yeah?

691
00:31:33,760 --> 00:31:36,960
Speaker 2: How many kickers you got? Uh? Yeah, you got new

692
00:31:37,000 --> 00:31:39,920
Speaker 2: extra points, mister soth Black guys, it's sixty six. It's

693
00:31:39,920 --> 00:31:40,560
Speaker 2: twelve to twelve.

694
00:31:43,680 --> 00:31:45,920
Speaker 1: Bill Illuminati, I've heard a lot of people talking about

695
00:31:45,920 --> 00:31:47,960
Speaker 1: the illuminati. What is the Illuminati? I don't know that

696
00:31:48,040 --> 00:31:50,280
Speaker 1: doesn't exist. I don't know you and Holly would Yeah,

697
00:31:50,280 --> 00:31:50,560
Speaker 1: I don't know.

698
00:31:51,080 --> 00:31:51,360
Speaker 3: I don't know.

699
00:31:51,400 --> 00:31:51,920
Speaker 2: I ain't seen it.

700
00:31:52,120 --> 00:31:54,920
Speaker 3: You ain't ever gone to no secret meeting? Nope. M

701
00:31:55,120 --> 00:31:59,400
Speaker 3: m mmm. What happens something A line it up? What

702
00:31:59,560 --> 00:32:01,840
Speaker 3: are you up? If I get the.

703
00:32:01,880 --> 00:32:07,960
Speaker 2: Jerk there's an illuminati? I don't know.

704
00:32:08,320 --> 00:32:10,640
Speaker 1: What about all these what about all these Hollywood parties

705
00:32:10,640 --> 00:32:12,720
Speaker 1: that people be talking about you in Hollywood? You know

706
00:32:12,760 --> 00:32:14,560
Speaker 1: about these parties. I was like, I ain't got ain't

707
00:32:14,560 --> 00:32:15,600
Speaker 1: nobody invited to be nowhere?

708
00:32:15,680 --> 00:32:15,720
Speaker 3: No?

709
00:32:15,880 --> 00:32:17,680
Speaker 2: I mean I'm in the When I first got to

710
00:32:17,880 --> 00:32:19,880
Speaker 2: l A, I saw some Wow. I was just some

711
00:32:20,000 --> 00:32:22,960
Speaker 2: wild stuff I would take to the grave, like parties

712
00:32:23,000 --> 00:32:23,400
Speaker 2: and stuff.

713
00:32:23,640 --> 00:32:26,520
Speaker 3: But you was there, active participant.

714
00:32:26,560 --> 00:32:29,720
Speaker 2: I would acting participant. I saw not. I'm not talking

715
00:32:29,720 --> 00:32:32,320
Speaker 2: about gage either. Yeah, I'm talking about like heterosexuals.

716
00:32:32,440 --> 00:32:34,480
Speaker 1: Yeah, but I'm saying, wow, though I was like, yeah,

717
00:32:34,560 --> 00:32:38,000
Speaker 1: you wasn't no participant. Well it wasn't no fun what

718
00:32:38,160 --> 00:32:38,600
Speaker 1: you watching.

719
00:32:39,320 --> 00:32:42,120
Speaker 2: I'm not saying I didn't take a girl back to

720
00:32:42,160 --> 00:32:44,360
Speaker 2: my pat When I say you a participant, but I

721
00:32:44,400 --> 00:32:47,160
Speaker 2: didn't do it in front of people. It's at the party,

722
00:32:47,240 --> 00:32:52,960
Speaker 2: you chicken huh, you chicken, you ain't living anybody trying

723
00:32:53,000 --> 00:32:56,040
Speaker 2: to see this glow in the dark going up and

724
00:32:56,160 --> 00:32:59,360
Speaker 2: down like that's the fun man.

725
00:33:00,480 --> 00:33:04,440
Speaker 3: Okay, let me ask what a gatekeeper? Are there such

726
00:33:04,480 --> 00:33:04,760
Speaker 3: a thing?

727
00:33:05,240 --> 00:33:07,400
Speaker 2: Yeah, definitely is. But I think we're getting away from it.

728
00:33:07,680 --> 00:33:11,040
Speaker 2: I think now you can take control your own career.

729
00:33:11,120 --> 00:33:16,720
Speaker 2: You don't need the machine to get behind you. Between YouTube, TikTok, Facebook,

730
00:33:16,880 --> 00:33:19,760
Speaker 2: we're at a great age. I think the gatekeepers are

731
00:33:19,800 --> 00:33:22,000
Speaker 2: kind of leaving. But there was for a long time.

732
00:33:22,240 --> 00:33:23,320
Speaker 3: Really, I was talking.

733
00:33:23,440 --> 00:33:25,280
Speaker 2: I was talking to my manager and she was telling me,

734
00:33:25,400 --> 00:33:28,760
Speaker 2: like when she started, she was working for a big

735
00:33:28,840 --> 00:33:31,120
Speaker 2: time producer and she goes, Yeah, she goes, I used

736
00:33:31,160 --> 00:33:33,880
Speaker 2: to have to deliver scripts to his house and she goes,

737
00:33:34,000 --> 00:33:35,360
Speaker 2: and he would have to read all of them. Then

738
00:33:35,400 --> 00:33:37,800
Speaker 2: he makes a decision which ones are we gonna do?

739
00:33:38,400 --> 00:33:41,560
Speaker 2: To me? That's a gatekeeper. I'm like, now, I saw

740
00:33:41,640 --> 00:33:43,640
Speaker 2: did a country wait on here? Yes, he did his

741
00:33:43,720 --> 00:33:46,200
Speaker 2: own movie independently. And you don't know when lightning is

742
00:33:46,200 --> 00:33:48,280
Speaker 2: going to strike in the ring. Let's let me tell

743
00:33:48,280 --> 00:33:50,520
Speaker 2: you there's gonna be a movie. There's gonna be a

744
00:33:50,520 --> 00:33:52,000
Speaker 2: movie on two wee, They're gonna be movie on YouTube.

745
00:33:52,000 --> 00:33:53,920
Speaker 2: All that ship where everybody's gonna start flocking to it,

746
00:33:54,000 --> 00:33:56,560
Speaker 2: It's gonna happen. Eventually. I was like, damn, they did

747
00:33:56,600 --> 00:33:59,080
Speaker 2: it for thirty thousand dollars something, you know what I mean.

748
00:33:59,120 --> 00:34:02,440
Speaker 2: They ain't gonna be the that's a big budget. Let's

749
00:34:02,480 --> 00:34:06,680
Speaker 2: cold find a jerk with Black Panther three. Hell yeah,

750
00:34:06,760 --> 00:34:07,360
Speaker 2: we just did that.

751
00:34:09,000 --> 00:34:12,560
Speaker 3: Come on, do you go out with Wendy Williams.

752
00:34:13,719 --> 00:34:20,120
Speaker 2: Okay, Jesus, your crack team is unbelievable. Bro, you got

753
00:34:20,200 --> 00:34:20,440
Speaker 2: next thing?

754
00:34:20,600 --> 00:34:24,719
Speaker 3: Are you circumstance? Let me go with the car, right

755
00:34:24,800 --> 00:34:25,320
Speaker 3: Queen Liby?

756
00:34:25,600 --> 00:34:29,320
Speaker 2: No, no, no, Wendy, here's what happened. Right with the

757
00:34:29,400 --> 00:34:31,279
Speaker 2: vorce happened. I went on her talk show and she

758
00:34:31,360 --> 00:34:33,520
Speaker 2: asked man on the date on the talk show. So

759
00:34:34,400 --> 00:34:38,280
Speaker 2: afterwards she called me off the air and she goes, Gary,

760
00:34:38,600 --> 00:34:40,600
Speaker 2: we're just going She goes, I know it came off

761
00:34:40,719 --> 00:34:43,440
Speaker 2: like that on the TV show, and she was very candid,

762
00:34:43,520 --> 00:34:46,520
Speaker 2: like I am interested, but she was like, look, it's

763
00:34:46,640 --> 00:34:50,399
Speaker 2: just dinner. It's public, There'll be other people there. Why

764
00:34:50,560 --> 00:34:53,520
Speaker 2: wouldn't I meet her for dinner in a public place?

765
00:34:53,719 --> 00:34:57,400
Speaker 2: Because however you feel about Wendy, she's a mogul, and

766
00:34:57,680 --> 00:35:00,880
Speaker 2: she rolled the dice on herself. She had making I

767
00:35:00,960 --> 00:35:04,399
Speaker 2: think seven figures on a radio show, said nah, I'm

768
00:35:04,440 --> 00:35:07,120
Speaker 2: a bet on myself and got her talk show to me.

769
00:35:07,200 --> 00:35:09,080
Speaker 2: I'm like, why wouldn't I sit down have dinner somebody,

770
00:35:09,120 --> 00:35:11,719
Speaker 2: just to talk? And that's all we did. Uber to

771
00:35:11,800 --> 00:35:15,759
Speaker 2: the restaurant, I got there, we talked. I uber back

772
00:35:15,760 --> 00:35:16,320
Speaker 2: to the hotel.

773
00:35:17,040 --> 00:35:17,719
Speaker 3: You know that was it?

774
00:35:17,840 --> 00:35:19,720
Speaker 2: What time did you get back to the hotel? Soon's

775
00:35:19,719 --> 00:35:21,600
Speaker 2: dinner was over. I didn't sleep with her.

776
00:35:21,680 --> 00:35:22,480
Speaker 3: What time did she leave?

777
00:35:23,239 --> 00:35:25,400
Speaker 2: I don't know. Eleven thirty.

778
00:35:25,800 --> 00:35:26,400
Speaker 3: You're just kidding.

779
00:35:27,880 --> 00:35:30,320
Speaker 2: No, we did not miss around though. Yeah, yeah, she

780
00:35:30,360 --> 00:35:33,880
Speaker 2: got tattooed right here. Though you like this, why you

781
00:35:33,920 --> 00:35:36,200
Speaker 2: got Mickey Mouse on your only but chet? I'm just kidding.

782
00:35:40,280 --> 00:35:42,480
Speaker 1: Obviously, the movie Thing Like a Man was written by

783
00:35:42,520 --> 00:35:44,920
Speaker 1: Steve Harvey. I read that you didn't have the greatest

784
00:35:44,920 --> 00:35:49,760
Speaker 1: relationship with Steve. See that's the headlines talking. I've always

785
00:35:49,760 --> 00:35:52,960
Speaker 1: been cool with Steve. What happened with that whole situation?

786
00:35:53,680 --> 00:35:56,799
Speaker 2: When he moved his talk show from Chicago to LA

787
00:35:57,760 --> 00:36:00,520
Speaker 2: I went on the show as a guest. He pulled

788
00:36:00,560 --> 00:36:02,839
Speaker 2: me aside and was like, he's telling me like, I'm

789
00:36:02,880 --> 00:36:05,840
Speaker 2: about to move this show to LA. We're going to

790
00:36:05,920 --> 00:36:08,080
Speaker 2: make it a nighttime field, but a daytime talk show.

791
00:36:08,120 --> 00:36:10,080
Speaker 2: But I want to bring you on as like a

792
00:36:10,160 --> 00:36:13,360
Speaker 2: co host. So I'm thinking like Johnny Carson ed McMahon.

793
00:36:14,320 --> 00:36:16,520
Speaker 2: So I'm like, yeah, I want to do that, of course.

794
00:36:17,000 --> 00:36:20,880
Speaker 2: So I'm excited I go back on this show again

795
00:36:21,560 --> 00:36:24,000
Speaker 2: for some for when I was still in Chicago, like

796
00:36:24,000 --> 00:36:25,279
Speaker 2: a couple months later, he goes, hey, they call you

797
00:36:25,400 --> 00:36:28,000
Speaker 2: yet about the dus and called me. It was really

798
00:36:28,280 --> 00:36:29,920
Speaker 2: next day, I got a phone call from a producer.

799
00:36:30,239 --> 00:36:33,000
Speaker 2: Steve told me to call you, and it was very apparent.

800
00:36:33,239 --> 00:36:35,759
Speaker 2: That's why I said, this isn't on Steve. That producer

801
00:36:36,320 --> 00:36:38,040
Speaker 2: was I don't think you knew who I was. I

802
00:36:38,080 --> 00:36:39,680
Speaker 2: think he was looking at like this is a favor,

803
00:36:39,920 --> 00:36:41,359
Speaker 2: Like I don't have anything going on in my life.

804
00:36:41,760 --> 00:36:44,160
Speaker 2: I could tell by the tone of conversation. Steve told

805
00:36:44,200 --> 00:36:46,800
Speaker 2: me to call you, and it was very dry. I

806
00:36:46,920 --> 00:36:48,920
Speaker 2: fly to LA and meet with the dude for lunch,

807
00:36:49,520 --> 00:36:52,399
Speaker 2: and then I could tell I got I say, yeah,

808
00:36:52,400 --> 00:36:54,040
Speaker 2: I got all these ideas right, he just kept shooting

809
00:36:54,080 --> 00:36:55,680
Speaker 2: them down. Yeah, we got something for that. We're not

810
00:36:55,719 --> 00:36:58,359
Speaker 2: worried about that. I was like, man, what you got?

811
00:36:59,040 --> 00:37:04,239
Speaker 2: So I take the job, right, we don't negotiate my contract.

812
00:37:04,920 --> 00:37:08,360
Speaker 2: So I came in on like on a temporary basis,

813
00:37:08,400 --> 00:37:10,839
Speaker 2: and I said, I'll do the first two weeks, show

814
00:37:10,840 --> 00:37:12,600
Speaker 2: you what I can do, and if you like me,

815
00:37:12,960 --> 00:37:15,960
Speaker 2: then we'll get a deal. Struck. If you don't, no

816
00:37:16,080 --> 00:37:21,719
Speaker 2: love lost. So my first day, I'm in this beautiful

817
00:37:21,800 --> 00:37:24,200
Speaker 2: dressing room and I was like did and they're taking

818
00:37:24,200 --> 00:37:25,960
Speaker 2: care of me and I'm getting sag minimum. I'm just

819
00:37:25,960 --> 00:37:27,440
Speaker 2: getting minimum waits for this, but I know what the

820
00:37:27,440 --> 00:37:28,000
Speaker 2: bigger picture.

821
00:37:28,440 --> 00:37:29,480
Speaker 3: So I'm like, dian, it's.

822
00:37:29,400 --> 00:37:34,960
Speaker 2: Nice, right, yeah, here, you gotta leave. It's like what, Well,

823
00:37:35,040 --> 00:37:37,800
Speaker 2: Chelsea Hanner was the first guest. He was shooting on

824
00:37:37,880 --> 00:37:41,160
Speaker 2: her old stage, so that used to be her dressing room.

825
00:37:41,600 --> 00:37:42,920
Speaker 2: So I was in her old dress room. So of

826
00:37:42,960 --> 00:37:44,600
Speaker 2: course she's coming. They're gonna put her back in old

827
00:37:44,640 --> 00:37:48,000
Speaker 2: dress room, right, So I thought, that's fine. Just this episode.

828
00:37:48,800 --> 00:37:52,600
Speaker 2: They I'm walking around this dude put me in like

829
00:37:52,680 --> 00:37:56,800
Speaker 2: a broke down closet with no mirror, no bathroom, and

830
00:37:56,840 --> 00:37:59,520
Speaker 2: I'm going and I'm standing outside and he's like, yeah,

831
00:37:59,560 --> 00:38:02,120
Speaker 2: this we're going. And they basically said this we're gonna

832
00:38:02,120 --> 00:38:04,879
Speaker 2: be for the rest of the week. And I was like, oh,

833
00:38:05,239 --> 00:38:05,680
Speaker 2: and he goes.

834
00:38:06,000 --> 00:38:06,760
Speaker 3: He started walking.

835
00:38:06,560 --> 00:38:08,839
Speaker 2: Towards the bathroom. He goes, yeah, in the bathroom is there?

836
00:38:08,840 --> 00:38:10,279
Speaker 2: He goes, Garay, what are you doing. I was like,

837
00:38:10,920 --> 00:38:13,719
Speaker 2: I'm never gonna go use a public bathroom. The only

838
00:38:13,800 --> 00:38:16,160
Speaker 2: two people here every day is me and Steam. I said,

839
00:38:16,160 --> 00:38:18,400
Speaker 2: find me a dressing room. And he was like he

840
00:38:18,560 --> 00:38:21,560
Speaker 2: was just like, they wasn't trying to help. So I'm

841
00:38:21,600 --> 00:38:24,160
Speaker 2: sitting here like, oh my god. I was like, they're

842
00:38:24,160 --> 00:38:24,759
Speaker 2: trying to put me in a.

843
00:38:24,760 --> 00:38:27,120
Speaker 3: Closet and I'm trying to make you quit.

844
00:38:27,920 --> 00:38:31,640
Speaker 2: Well, Black women to the rescue the people. You don't defend.

845
00:38:35,800 --> 00:38:38,560
Speaker 2: This is a white This is a white dude walking

846
00:38:38,600 --> 00:38:41,000
Speaker 2: me around. One of them black women stepped up.

847
00:38:41,080 --> 00:38:42,120
Speaker 3: She knew who I was.

848
00:38:42,360 --> 00:38:44,600
Speaker 2: She had now Gary come back here. She got me

849
00:38:44,600 --> 00:38:46,800
Speaker 2: in a little it one big little dress room, have

850
00:38:46,920 --> 00:38:49,839
Speaker 2: my own bathroom, had accounts, tiny TV. I don't need much.

851
00:38:50,040 --> 00:38:52,759
Speaker 2: So I was like, all right, I'm good. I do

852
00:38:52,960 --> 00:38:55,560
Speaker 2: the show for two weeks, but we're recording on Monday

853
00:38:55,600 --> 00:38:57,600
Speaker 2: and Friday. It was three or four days a week,

854
00:38:57,600 --> 00:38:58,919
Speaker 2: so I can't go on the road. So I'm losing

855
00:38:58,920 --> 00:39:02,279
Speaker 2: to stand up money. I know the bigger picture. They

856
00:39:02,440 --> 00:39:05,080
Speaker 2: never have me on stage with them. I'm always behind

857
00:39:05,160 --> 00:39:07,880
Speaker 2: the stage. They built like this telephone looking booth thing,

858
00:39:08,239 --> 00:39:11,400
Speaker 2: so you heard my voice, ladies and gentlemen, Steve Harvey,

859
00:39:11,480 --> 00:39:13,960
Speaker 2: Today's Guests and stuff like that, but you never see me.

860
00:39:14,840 --> 00:39:17,320
Speaker 2: So if we did ten episodes, you probably saw me

861
00:39:17,480 --> 00:39:20,399
Speaker 2: two two episodes where I actually did a sketch or something.

862
00:39:20,760 --> 00:39:22,520
Speaker 2: So I was just like I literally would come out

863
00:39:22,840 --> 00:39:24,480
Speaker 2: say give it up for Steve Harvey, and then he

864
00:39:24,600 --> 00:39:26,160
Speaker 2: walked on stage. I go back to my dress room.

865
00:39:26,680 --> 00:39:28,840
Speaker 2: Next episode, get up for Steve Harvey, walk back. So

866
00:39:28,880 --> 00:39:31,880
Speaker 2: after two weeks, I was like yo. My agency of

867
00:39:32,000 --> 00:39:34,279
Speaker 2: manager were like yo, we're ready to negotiate, and they go,

868
00:39:34,520 --> 00:39:36,480
Speaker 2: we want it for two more weeks. I go, I

869
00:39:36,560 --> 00:39:38,880
Speaker 2: can't do another two weeks. You've known about this for

870
00:39:39,000 --> 00:39:40,680
Speaker 2: six months. I can't give up to more. And then

871
00:39:40,719 --> 00:39:42,000
Speaker 2: you don't hire me or don't give me the money

872
00:39:42,040 --> 00:39:46,640
Speaker 2: I want. So I just politely said no, were people

873
00:39:46,680 --> 00:39:49,200
Speaker 2: in that Steve was when I told the dressing room story.

874
00:39:49,560 --> 00:39:52,200
Speaker 2: Now I'm in a weird spot. I'm cool with Steve.

875
00:39:52,840 --> 00:39:55,359
Speaker 2: I'm not gonna go to him where he's got all

876
00:39:55,440 --> 00:39:57,040
Speaker 2: this pressure of his own TV show and be like,

877
00:39:57,080 --> 00:39:59,080
Speaker 2: I ain't happy with the dressing room, so I don't

878
00:39:59,080 --> 00:40:00,600
Speaker 2: know what to do, and I don't. One the only

879
00:40:00,640 --> 00:40:01,880
Speaker 2: time I'm really seeing him is right before you go

880
00:40:01,920 --> 00:40:03,960
Speaker 2: on stage rum announce in his name. So I can't

881
00:40:03,960 --> 00:40:06,520
Speaker 2: be like, hey, what's I knew you got a jay

882
00:40:06,600 --> 00:40:08,560
Speaker 2: leno going on, but real quick, my dress room. I

883
00:40:08,600 --> 00:40:12,080
Speaker 2: can't do that. So, yeah, it's not I don't know

884
00:40:12,120 --> 00:40:14,319
Speaker 2: if it's on Steve or not on Steve. You can

885
00:40:14,360 --> 00:40:16,520
Speaker 2: tell you anywhere you want it. But it's not an

886
00:40:16,600 --> 00:40:19,440
Speaker 2: attack on him. It was just they tried to put

887
00:40:19,480 --> 00:40:21,560
Speaker 2: me the shitting dress room and then I wasn't And

888
00:40:21,640 --> 00:40:23,520
Speaker 2: then in the middle of it, one of the days off,

889
00:40:23,640 --> 00:40:26,879
Speaker 2: I did hip hop squares and I made like three

890
00:40:27,000 --> 00:40:29,960
Speaker 2: times the money on hip hop squares than I did

891
00:40:30,040 --> 00:40:32,799
Speaker 2: on Steve. And I go, I'm working for a week

892
00:40:33,360 --> 00:40:35,680
Speaker 2: and I'm making more doing hip hop squares for one day.

893
00:40:36,280 --> 00:40:38,680
Speaker 2: I was like this, Yeah, this ain't working on So

894
00:40:38,840 --> 00:40:40,520
Speaker 2: I don't want to say it's on Steve. You know,

895
00:40:40,640 --> 00:40:44,160
Speaker 2: I would say it's on Lori. It was her faults again.

896
00:40:44,280 --> 00:40:45,920
Speaker 2: You're not going to defender, You're not going to defender.

897
00:40:46,719 --> 00:40:50,399
Speaker 2: You're not in defend Lori Harvey and another black woman.

898
00:40:50,480 --> 00:40:51,560
Speaker 2: You don't defend.

899
00:40:52,719 --> 00:40:55,720
Speaker 1: What's in the ward in Ohio? Kat William, Steve Harvey

900
00:40:55,800 --> 00:40:57,879
Speaker 1: or Senior Hall Chapelle and not lives there.

901
00:40:58,080 --> 00:41:00,680
Speaker 3: What is it about? What is it about Ohio?

902
00:41:02,360 --> 00:41:08,040
Speaker 2: The women? Their head games crazy so yo top if

903
00:41:08,080 --> 00:41:11,080
Speaker 2: you do states like, they're definitely top five the women

904
00:41:11,120 --> 00:41:13,680
Speaker 2: in Ohio. That's what it is, and it brings it,

905
00:41:13,719 --> 00:41:15,080
Speaker 2: brings it creative Jesus.

906
00:41:14,800 --> 00:41:15,400
Speaker 3: That's what it is.

907
00:41:17,200 --> 00:41:20,200
Speaker 2: I don't know man like and Dave like I've heard

908
00:41:20,280 --> 00:41:23,239
Speaker 2: like Dave David's d C and Ohio. I think he

909
00:41:23,320 --> 00:41:25,080
Speaker 2: grew up in both. I don't know the whole story.

910
00:41:25,200 --> 00:41:27,799
Speaker 1: Yeah, but he mainly associate because d C. They got

911
00:41:27,880 --> 00:41:31,640
Speaker 1: him to DC. Wanda Sykes Earthquake Chapelle here.

912
00:41:31,600 --> 00:41:34,680
Speaker 2: Knows one of Sykes like she's lesbian? All right, Yeah, yeah,

913
00:41:35,360 --> 00:41:37,839
Speaker 2: I watched one of her specials back in the day

914
00:41:37,840 --> 00:41:39,800
Speaker 2: and that's my girl. Be careful, no, no, I'm just

915
00:41:40,120 --> 00:41:41,759
Speaker 2: it's a joke. You're allowed to talk about you And

916
00:41:41,920 --> 00:41:45,000
Speaker 2: she said she was talking about it was a clip

917
00:41:45,040 --> 00:41:47,480
Speaker 2: I saw you talking about good and I was like,

918
00:41:47,840 --> 00:41:50,319
Speaker 2: she had a writer. She didn't write that joke.

919
00:41:53,120 --> 00:41:53,560
Speaker 3: There you go.

920
00:41:55,600 --> 00:41:58,319
Speaker 2: Early experimented like me with the biker on ninety six.

921
00:41:58,400 --> 00:42:00,279
Speaker 2: You're right, I take it back, one.

922
00:42:00,239 --> 00:42:01,239
Speaker 3: White girl, you whole life.

923
00:42:01,680 --> 00:42:04,640
Speaker 2: Look at you. Look at you trying to switch this up.

924
00:42:05,040 --> 00:42:05,880
Speaker 3: I'm not.

925
00:42:06,040 --> 00:42:08,680
Speaker 2: You don't defend black women, so you try to turn

926
00:42:08,760 --> 00:42:11,880
Speaker 2: them on me. Oh my god, I got a hand job. Okay,

927
00:42:12,719 --> 00:42:16,320
Speaker 2: I got a hand job from one. We already know

928
00:42:16,400 --> 00:42:18,759
Speaker 2: that story. Do you remember what it was like when

929
00:42:18,800 --> 00:42:20,600
Speaker 2: you went on stage for the very first Tame Yeah

930
00:42:20,920 --> 00:42:26,320
Speaker 2: comedy store Lajoya, California. I was twenty years old. I

931
00:42:26,480 --> 00:42:29,160
Speaker 2: go up and I'm thinking I'm about to be discovered.

932
00:42:29,320 --> 00:42:31,239
Speaker 2: I never gonna say I thought this is what I thought.

933
00:42:32,160 --> 00:42:34,359
Speaker 2: I'm in the Navy, and I didn't know you could

934
00:42:34,360 --> 00:42:36,239
Speaker 2: start stand up whatever city live in. I thought you

935
00:42:36,320 --> 00:42:38,439
Speaker 2: had to start in LA. And I thought the whole

936
00:42:38,440 --> 00:42:40,359
Speaker 2: state of California was LA. Because I'm looking to David

937
00:42:40,400 --> 00:42:42,399
Speaker 2: Lee Roth Whisch, y'all could be California goes. I didn't

938
00:42:42,440 --> 00:42:44,760
Speaker 2: know there was a frails No, a beggers Field or Eureka.

939
00:42:45,280 --> 00:42:46,879
Speaker 3: You know, I thought the whole state was LA.

940
00:42:47,800 --> 00:42:50,479
Speaker 2: So first two years I'm in the Navy, I'm station

941
00:42:50,520 --> 00:42:53,680
Speaker 2: in Washington, d C. And I used to go. If

942
00:42:53,719 --> 00:42:55,879
Speaker 2: I heard a concert was in town, or I would

943
00:42:55,960 --> 00:42:57,120
Speaker 2: find out where Commuddes was.

944
00:42:57,160 --> 00:42:57,480
Speaker 3: I would go.

945
00:42:57,560 --> 00:42:59,319
Speaker 2: I was only seventeen, eighteen years old. I would sit

946
00:42:59,360 --> 00:43:02,600
Speaker 2: outside and listen. I'm just listen, and then I could

947
00:43:02,640 --> 00:43:05,680
Speaker 2: hear comedians right, or the big shows would come and

948
00:43:05,800 --> 00:43:07,839
Speaker 2: I'd just stand outside theater and just listen. I didn't

949
00:43:07,840 --> 00:43:09,640
Speaker 2: have any money to really go, and I wasn't old

950
00:43:09,680 --> 00:43:12,680
Speaker 2: enough to get in, but I thought, I just gotta

951
00:43:12,680 --> 00:43:15,120
Speaker 2: get to La. I gotta get to La. So I

952
00:43:15,200 --> 00:43:17,560
Speaker 2: get first hand to get stationed California. I take it.

953
00:43:18,320 --> 00:43:20,400
Speaker 2: So I come out here first day. I'm in the

954
00:43:20,440 --> 00:43:23,200
Speaker 2: phone book. I'm like looking up comedy clubs. I call

955
00:43:23,280 --> 00:43:26,200
Speaker 2: this place called the Comic Castle. Called a dude up.

956
00:43:26,719 --> 00:43:29,960
Speaker 2: I said, you gotta open mic? He goes, who's at?

957
00:43:30,480 --> 00:43:32,200
Speaker 2: I go, no, you got open mic here? Let me check?

958
00:43:32,520 --> 00:43:34,120
Speaker 2: He can put me on hold of the who is that?

959
00:43:34,320 --> 00:43:37,920
Speaker 2: Let me check? I called a comic book store. I

960
00:43:38,000 --> 00:43:39,640
Speaker 2: thought I called a comedy club. He's looking for a

961
00:43:39,680 --> 00:43:47,080
Speaker 2: superhero and the open mic right pause. So so I'm

962
00:43:47,120 --> 00:43:48,799
Speaker 2: like he's like, I was like, what are you talking about?

963
00:43:48,800 --> 00:43:50,279
Speaker 2: You can't find him? He goes, man what are you

964
00:43:50,400 --> 00:43:52,640
Speaker 2: looking for? I go, this is a comedy club. He goes, nah,

965
00:43:52,680 --> 00:43:54,680
Speaker 2: it's a comic book store. I go. Now we're having

966
00:43:54,680 --> 00:43:56,719
Speaker 2: a full conversation. I go, oh, man, I just moved here.

967
00:43:56,880 --> 00:43:58,960
Speaker 2: I'm a comedian. I'm trying to find a comedy club.

968
00:43:59,320 --> 00:44:01,520
Speaker 2: And then he goes, so, now he gets on the

969
00:44:01,560 --> 00:44:03,759
Speaker 2: phone book on his end, he gives me the number

970
00:44:03,760 --> 00:44:06,720
Speaker 2: of the country store, this mythical voice from the comic Castle.

971
00:44:07,360 --> 00:44:09,759
Speaker 2: And so I now I call the comedy store. Call

972
00:44:10,040 --> 00:44:13,359
Speaker 2: open MIC's Sunday night. I call up there. I get

973
00:44:13,480 --> 00:44:15,560
Speaker 2: on the first Sunday I called. I got on and said, yeah,

974
00:44:15,560 --> 00:44:18,319
Speaker 2: your only shows it like ten o'clock at night, open Mic.

975
00:44:19,040 --> 00:44:19,600
Speaker 3: I go there.

976
00:44:20,160 --> 00:44:24,160
Speaker 2: I got dressed. I'm thinking, I'm brushing my teeth extra hard.

977
00:44:24,600 --> 00:44:26,800
Speaker 2: I'm like, I'm about to be delirious, about to be

978
00:44:26,840 --> 00:44:29,520
Speaker 2: Eddie Murphy, right, you know. I get here, I was like, oh,

979
00:44:30,160 --> 00:44:32,680
Speaker 2: it's like ten people in the audience. Nobody's really paying attention.

980
00:44:32,840 --> 00:44:35,800
Speaker 2: But there's like twenty comics in the back, all open micers.

981
00:44:36,480 --> 00:44:39,080
Speaker 2: I'm like one of the last guys up. Just remember

982
00:44:39,920 --> 00:44:44,040
Speaker 2: I'm on stage. I'm nervous. I don't have material to

983
00:44:44,120 --> 00:44:46,120
Speaker 2: be moving stick in a movie. I got these five minutes.

984
00:44:46,239 --> 00:44:48,880
Speaker 2: I've been working all my whole life the comics, and

985
00:44:48,960 --> 00:44:50,600
Speaker 2: this is what comics did. We don't laugh, we go ha,

986
00:44:51,360 --> 00:44:54,040
Speaker 2: that's all we do. They're cutting me off. I'm trying

987
00:44:54,040 --> 00:44:56,760
Speaker 2: to get a points out there, like ha, I'm freaking

988
00:44:56,800 --> 00:44:58,839
Speaker 2: out right. So in the middle of it, I'm twenty

989
00:44:58,920 --> 00:45:02,359
Speaker 2: years old. I got beer in his hand and I said, hey,

990
00:45:03,040 --> 00:45:06,200
Speaker 2: are you comics? Ind and back I go, keep hackling.

991
00:45:06,680 --> 00:45:08,640
Speaker 2: I'm only twenty years old. I said, why don't I

992
00:45:08,640 --> 00:45:12,520
Speaker 2: call the cops and shut this mother down? When I

993
00:45:12,719 --> 00:45:15,879
Speaker 2: say the lights went off, the mic went off, It's

994
00:45:15,920 --> 00:45:17,919
Speaker 2: like somebody grabbed me from the back of my shirt

995
00:45:17,960 --> 00:45:20,359
Speaker 2: and they rolled me to the front of the comedy store.

996
00:45:20,360 --> 00:45:21,479
Speaker 2: It threw me out and I did like a front

997
00:45:21,600 --> 00:45:24,120
Speaker 2: row and I stand up and I start dusting myself

998
00:45:24,120 --> 00:45:25,839
Speaker 2: and the one guy was like, don't ever come back,

999
00:45:26,239 --> 00:45:28,400
Speaker 2: and I was like, well, can't come back here, but

1000
00:45:28,440 --> 00:45:30,360
Speaker 2: I can talk to you, right. So it took a

1001
00:45:30,400 --> 00:45:31,800
Speaker 2: little while for me to get the nerve to go

1002
00:45:31,880 --> 00:45:33,239
Speaker 2: back up because it didn kind of scarm me. But

1003
00:45:33,320 --> 00:45:35,640
Speaker 2: then that that was my first time on stage.

1004
00:45:36,360 --> 00:45:38,440
Speaker 1: Did you always were you? Were you a class cow?

1005
00:45:38,640 --> 00:45:40,759
Speaker 1: Did you were you disruptive? Did you always know you

1006
00:45:40,840 --> 00:45:41,680
Speaker 1: wanted to be a comic?

1007
00:45:42,080 --> 00:45:45,000
Speaker 2: Yeah? I was. I was class calmed, most obnoxious, prom king,

1008
00:45:45,239 --> 00:45:49,040
Speaker 2: most popular too. You know, my school, I don't have that.

1009
00:45:50,360 --> 00:45:52,080
Speaker 2: I don't have that story where nobody believed in me.

1010
00:45:52,880 --> 00:45:55,359
Speaker 2: Nobody believed in me in the trailer where I lived.

1011
00:45:55,760 --> 00:45:57,799
Speaker 2: My school was where I got to be me because

1012
00:45:57,800 --> 00:46:00,799
Speaker 2: I couldn't be me at home, right, So that's why

1013
00:46:00,800 --> 00:46:02,600
Speaker 2: I get back to my school so much. My high

1014
00:46:02,600 --> 00:46:05,080
Speaker 2: school tell he wont high school and OxT Ohio. I

1015
00:46:05,239 --> 00:46:09,319
Speaker 2: was like because the people I went to school with, man,

1016
00:46:09,520 --> 00:46:11,919
Speaker 2: they always said you funny. They always said I could

1017
00:46:12,120 --> 00:46:13,640
Speaker 2: make it, even though I don't know if they believe

1018
00:46:13,680 --> 00:46:17,280
Speaker 2: it or not. But it was just like the teachers

1019
00:46:17,400 --> 00:46:20,839
Speaker 2: liked me so much, but they couldn't ever stay mad

1020
00:46:20,880 --> 00:46:22,600
Speaker 2: at me, because even though I'd be talking during class

1021
00:46:22,719 --> 00:46:26,360
Speaker 2: and being smart elec. Sometimes I guess I was endearing,

1022
00:46:27,160 --> 00:46:29,160
Speaker 2: you know, like I am the black woman unlike yourself.

1023
00:46:31,640 --> 00:46:34,000
Speaker 3: You got any what's your crazy stories?

1024
00:46:34,880 --> 00:46:38,920
Speaker 2: Bro? Like road or growing up road? Oh man?

1025
00:46:39,080 --> 00:46:40,240
Speaker 3: Anybody rough to stage?

1026
00:46:41,280 --> 00:46:41,480
Speaker 2: Yeah?

1027
00:46:41,520 --> 00:46:42,000
Speaker 3: Louisville.

1028
00:46:42,040 --> 00:46:44,879
Speaker 2: One time there was a night before Thanksgiving, guy named

1029
00:46:44,880 --> 00:46:47,480
Speaker 2: Spike Davis had a one nighter in Louisville. I was

1030
00:46:47,480 --> 00:46:50,359
Speaker 2: living in Cincinnati and I drove down LOWID to this show.

1031
00:46:50,400 --> 00:46:52,520
Speaker 2: But it was one of them shows where the the

1032
00:46:53,360 --> 00:46:55,760
Speaker 2: comic club and the clubs in the same room. Okay,

1033
00:46:56,000 --> 00:46:57,560
Speaker 2: so the show is supposed to start at seven, it

1034
00:46:57,640 --> 00:46:59,960
Speaker 2: don't start till eight. I'm last, so now I'm not

1035
00:47:00,160 --> 00:47:02,640
Speaker 2: going up till ten thirty eleven. So now people are

1036
00:47:02,680 --> 00:47:06,320
Speaker 2: coming in to go to club. And I started bagging

1037
00:47:06,360 --> 00:47:08,239
Speaker 2: on this dude. Me and him were back and forth,

1038
00:47:08,480 --> 00:47:10,200
Speaker 2: and it's actually the crowds into it because it was

1039
00:47:10,239 --> 00:47:13,200
Speaker 2: hard because I was fighting the bar and I said

1040
00:47:13,280 --> 00:47:15,759
Speaker 2: something again, why don't you come on stage. I don't

1041
00:47:15,760 --> 00:47:17,200
Speaker 2: know why I kept saying that early in my career.

1042
00:47:17,800 --> 00:47:19,120
Speaker 2: And I looked up.

1043
00:47:19,320 --> 00:47:19,880
Speaker 3: I looked over.

1044
00:47:19,920 --> 00:47:21,680
Speaker 2: I don't know where these two dudes came from. They

1045
00:47:21,760 --> 00:47:25,040
Speaker 2: had gold fronts, They was sagging. They looked like they

1046
00:47:25,040 --> 00:47:27,240
Speaker 2: didn't have none to lose. They was on the stage.

1047
00:47:28,040 --> 00:47:30,920
Speaker 2: I broke the long jump record that night. I jumped

1048
00:47:30,960 --> 00:47:34,400
Speaker 2: so far off that stage. I went, Oh, I jumped

1049
00:47:34,560 --> 00:47:37,360
Speaker 2: into the DJ booth like there was people. I jumped

1050
00:47:37,400 --> 00:47:39,520
Speaker 2: over them land I still got the mic. So now

1051
00:47:39,560 --> 00:47:40,120
Speaker 2: I'm still.

1052
00:47:43,400 --> 00:47:43,919
Speaker 3: They ushered.

1053
00:47:44,000 --> 00:47:45,600
Speaker 2: These two dudes out and this one. I knew this

1054
00:47:45,680 --> 00:47:47,759
Speaker 2: might be a problem. They ushered these two dudes out.

1055
00:47:48,200 --> 00:47:51,840
Speaker 2: The show's over. They give me my money. They ushered

1056
00:47:51,920 --> 00:47:54,239
Speaker 2: me out the back door. And this guy's now taking

1057
00:47:54,360 --> 00:47:57,800
Speaker 2: to a hotel. He's got his gun right next to

1058
00:47:57,840 --> 00:48:00,480
Speaker 2: the seat, and I'm going we got to there's some

1059
00:48:00,560 --> 00:48:02,800
Speaker 2: drug boys, man. I said, we're just gonn just go

1060
00:48:02,880 --> 00:48:04,760
Speaker 2: back to your hotel. Don't come out, I said, hotel.

1061
00:48:04,920 --> 00:48:06,160
Speaker 2: I said, Now I'm about to get my stuff. A

1062
00:48:06,239 --> 00:48:09,840
Speaker 2: drum back cincinnaty night. I ain't standing right here, so

1063
00:48:09,920 --> 00:48:13,000
Speaker 2: I drove back and I was like, yo, that was wild.

1064
00:48:13,600 --> 00:48:15,760
Speaker 3: You have a booed food.

1065
00:48:15,960 --> 00:48:18,640
Speaker 2: Once at La Place called the Rage.

1066
00:48:18,680 --> 00:48:19,279
Speaker 3: It was a gay bar.

1067
00:48:20,719 --> 00:48:22,560
Speaker 2: I didn't know it was gay because I'm trying to

1068
00:48:22,560 --> 00:48:25,279
Speaker 2: get up in La so I'm just calling places, and

1069
00:48:25,480 --> 00:48:28,239
Speaker 2: cause I'm living in Santego. Now I'm comfortable enough. I

1070
00:48:28,239 --> 00:48:29,680
Speaker 2: feel like I got five ten minutes I can do.

1071
00:48:29,960 --> 00:48:33,160
Speaker 2: La Place called the Rage. On Santa Monica. They said, yeah,

1072
00:48:33,160 --> 00:48:37,160
Speaker 2: we have a variety show on Tuesdays, So you sign

1073
00:48:37,280 --> 00:48:39,239
Speaker 2: up at four o'clock. You got to show your face.

1074
00:48:40,120 --> 00:48:41,920
Speaker 2: Come back at nine we tell you if you made

1075
00:48:41,920 --> 00:48:44,600
Speaker 2: the show. And then the show starts at ten. I

1076
00:48:44,719 --> 00:48:47,359
Speaker 2: came and signed up put comedian. I'm looking it's all

1077
00:48:47,400 --> 00:48:50,560
Speaker 2: like singing and dancing. I was like, so I come

1078
00:48:50,600 --> 00:48:52,439
Speaker 2: back at nine. They said, yeah, you want the show

1079
00:48:52,800 --> 00:48:55,719
Speaker 2: you last. I was like okay, So I get there

1080
00:48:55,800 --> 00:48:57,320
Speaker 2: and then the dudes just start showing up. I was

1081
00:48:57,360 --> 00:49:01,719
Speaker 2: like a lot of dudes here, like twenty twenty two.

1082
00:49:01,760 --> 00:49:05,520
Speaker 2: I'm like, dude here and I was like this is

1083
00:49:05,640 --> 00:49:08,759
Speaker 2: a gabler and like, oh cause I'm by myself right mind.

1084
00:49:08,920 --> 00:49:09,120
Speaker 3: Yes.

1085
00:49:09,400 --> 00:49:13,040
Speaker 2: So I'm backstage and everybody doing like they're saying, they're

1086
00:49:13,120 --> 00:49:15,120
Speaker 2: dancing all the other shit. I go, they gonna have

1087
00:49:15,160 --> 00:49:19,120
Speaker 2: a comedian or what Shannon. I came out there, they

1088
00:49:19,239 --> 00:49:23,040
Speaker 2: go next we got a comedia and I was like

1089
00:49:23,520 --> 00:49:25,880
Speaker 2: the crowd it was so I walked out there, I go,

1090
00:49:26,000 --> 00:49:29,400
Speaker 2: what's up el life. It was like they look at

1091
00:49:29,440 --> 00:49:32,360
Speaker 2: me like, straight white male, why are you in our space?

1092
00:49:32,480 --> 00:49:33,319
Speaker 3: Boo yo?

1093
00:49:34,400 --> 00:49:36,560
Speaker 2: You know the apollo right collos where you see the boot,

1094
00:49:36,600 --> 00:49:40,000
Speaker 2: but whenever somebody gets boot the apollo, you hear a boot. First,

1095
00:49:40,040 --> 00:49:42,399
Speaker 2: you hear a boot, and then the crowd joins in shame.

1096
00:49:43,680 --> 00:49:46,080
Speaker 2: I told joke, and they looked at me and I

1097
00:49:46,200 --> 00:49:48,440
Speaker 2: heard a boot and I said, I'm about to get

1098
00:49:48,440 --> 00:49:50,520
Speaker 2: a boot at a gate club and I just closed

1099
00:49:50,560 --> 00:49:52,600
Speaker 2: my eyes. I said, I'm not even here right now.

1100
00:49:53,719 --> 00:49:57,440
Speaker 2: They it was so brutal. It was like but it

1101
00:49:57,480 --> 00:50:00,319
Speaker 2: didn't come out like the Apollo. It was like boom boo,

1102
00:50:01,360 --> 00:50:05,000
Speaker 2: you suck. I mean we suck, but you ain't funny.

1103
00:50:07,160 --> 00:50:11,040
Speaker 2: A guy came out like they were dragging him on

1104
00:50:11,120 --> 00:50:12,840
Speaker 2: a chariot, but it was a wagon, but they may

1105
00:50:12,920 --> 00:50:15,279
Speaker 2: look like a chariot. Two guys with the ving rang

1106
00:50:15,360 --> 00:50:17,520
Speaker 2: shit from Fault Fiction. They dragged this dude out and

1107
00:50:17,560 --> 00:50:20,960
Speaker 2: then gong me. I got booed and gong and my

1108
00:50:21,120 --> 00:50:25,359
Speaker 2: dumba thinks I'm in La, like somebody I should probably leave.

1109
00:50:26,040 --> 00:50:28,960
Speaker 2: It's gay. I'm in La. I'm still like trying to

1110
00:50:29,480 --> 00:50:32,520
Speaker 2: to network, right, and this fun guy sees He goes, hey,

1111
00:50:33,239 --> 00:50:35,759
Speaker 2: you're funny. This is not the right crowd. And then

1112
00:50:35,800 --> 00:50:37,839
Speaker 2: he had a card. He put a card in my pocket, goes,

1113
00:50:38,080 --> 00:50:40,440
Speaker 2: but if you need a massage, call me. I was

1114
00:50:40,480 --> 00:50:42,480
Speaker 2: like this, I'm out. That's what I said. I'm out.

1115
00:50:42,840 --> 00:50:44,359
Speaker 2: Never come back. That place is still open.

1116
00:50:44,440 --> 00:50:50,480
Speaker 3: I think BT Comedy you the host, Yeah, what was

1117
00:50:50,560 --> 00:50:51,200
Speaker 3: that experience like?

1118
00:50:51,280 --> 00:50:53,680
Speaker 1: And did other did black Comedia, because that's supposed to

1119
00:50:53,680 --> 00:50:55,359
Speaker 1: be a safe black space.

1120
00:50:55,239 --> 00:50:58,680
Speaker 3: Right, and uh, you ain't black?

1121
00:50:58,880 --> 00:51:02,680
Speaker 2: Yeah really, I just noticed that brown look at you

1122
00:51:02,840 --> 00:51:03,879
Speaker 2: not defending black women.

1123
00:51:04,600 --> 00:51:05,680
Speaker 3: She noticed a white man.

1124
00:51:08,520 --> 00:51:11,399
Speaker 2: Yeah, that was That was interesting because how it all happen.

1125
00:51:11,440 --> 00:51:14,360
Speaker 2: It was interesting. I'm in the Navy. I'm still active duty.

1126
00:51:15,400 --> 00:51:18,000
Speaker 2: But I won the Funniest Black Comedian San Diego contest.

1127
00:51:18,080 --> 00:51:20,359
Speaker 2: There was a radio station called Z ninety and they

1128
00:51:20,400 --> 00:51:22,840
Speaker 2: said we're looking for the funniest Black comedian of San Diego.

1129
00:51:23,080 --> 00:51:25,279
Speaker 2: So I called, I pulled overs for a cell phones.

1130
00:51:25,320 --> 00:51:27,600
Speaker 2: I called, I wrote the number down. Then when I

1131
00:51:27,640 --> 00:51:30,480
Speaker 2: got home, I called, and I didn't say it was black,

1132
00:51:30,520 --> 00:51:32,080
Speaker 2: but I didn't say it was white. I did put

1133
00:51:32,120 --> 00:51:34,160
Speaker 2: some bass in my voice. I was like, hey, you

1134
00:51:34,200 --> 00:51:41,080
Speaker 2: got the contest. Yeah right, So I get there, I'm white.

1135
00:51:41,160 --> 00:51:44,160
Speaker 2: I win the contest, and keep mind San Diego. It's

1136
00:51:44,200 --> 00:51:47,320
Speaker 2: not like Brooklyn or Atlanta with the competition on that stuff.

1137
00:51:48,280 --> 00:51:52,040
Speaker 2: But first prize was an audition for Comicview. So that

1138
00:51:52,200 --> 00:51:54,839
Speaker 2: got me the audition and I got on the show,

1139
00:51:55,400 --> 00:51:58,480
Speaker 2: and back in the day, Comview was a contest. Kept

1140
00:51:58,480 --> 00:52:02,120
Speaker 2: winning my rounds and then I got the hour special

1141
00:52:02,920 --> 00:52:05,319
Speaker 2: get that we're special. And all this time, I'm still

1142
00:52:05,320 --> 00:52:07,319
Speaker 2: in the Navy. So I just drove up to LA

1143
00:52:08,200 --> 00:52:10,239
Speaker 2: because they filmed the whole season in a week, So

1144
00:52:10,360 --> 00:52:11,759
Speaker 2: I just drove to LA for a week and came back.

1145
00:52:12,000 --> 00:52:14,200
Speaker 2: So literally I'm on TV and waving cars on the

1146
00:52:14,239 --> 00:52:16,200
Speaker 2: base at the same time. So every now and then

1147
00:52:16,200 --> 00:52:19,080
Speaker 2: the black people pull up, like, who was you gonna

1148
00:52:19,080 --> 00:52:19,640
Speaker 2: beat this night?

1149
00:52:19,800 --> 00:52:21,000
Speaker 3: Yeah? Keep going to have a good day, sir.

1150
00:52:22,480 --> 00:52:26,440
Speaker 2: So I ended up I got the job, and yeah,

1151
00:52:26,560 --> 00:52:29,960
Speaker 2: there was obviously some backlash. A lot of a lot

1152
00:52:30,040 --> 00:52:33,560
Speaker 2: of comics wasn't happy. But I looking back, I get it.

1153
00:52:34,080 --> 00:52:36,239
Speaker 2: When I'm white, it's a black show. There wasn't that

1154
00:52:36,360 --> 00:52:39,680
Speaker 2: many black shows, and I was new. I didn't I

1155
00:52:39,760 --> 00:52:43,680
Speaker 2: didn't have the cachet like. I wasn't like, oh that's Geary.

1156
00:52:43,719 --> 00:52:45,239
Speaker 2: He's been around for a while. I didn't know a

1157
00:52:45,320 --> 00:52:47,600
Speaker 2: lot of people. So it was just like and some

1158
00:52:47,760 --> 00:52:49,720
Speaker 2: More said it best. Like some More was the host

1159
00:52:49,880 --> 00:52:52,279
Speaker 2: a couple of years before I was. Yes, she I

1160
00:52:52,440 --> 00:52:54,200
Speaker 2: was talking to her at that time and I remember

1161
00:52:54,280 --> 00:52:56,919
Speaker 2: she going, she goes Gary, it don't matter who gets

1162
00:52:56,960 --> 00:52:59,160
Speaker 2: a job, they gonna get hate. She was I was

1163
00:52:59,200 --> 00:53:01,200
Speaker 2: the first woman, so they was a lot of the

1164
00:53:01,280 --> 00:53:03,960
Speaker 2: male comics. It was like, you know, now to give

1165
00:53:04,000 --> 00:53:06,600
Speaker 2: it to a woman, right, she goes, you being white

1166
00:53:06,719 --> 00:53:09,279
Speaker 2: makes it super easy to hate. So she goes it

1167
00:53:09,320 --> 00:53:11,520
Speaker 2: don't matter who they and it's true whoever becomes a

1168
00:53:11,600 --> 00:53:15,200
Speaker 2: host again in the green room, we talked with this

1169
00:53:15,320 --> 00:53:17,120
Speaker 2: in comics, We're like we always be like, we all

1170
00:53:17,160 --> 00:53:18,640
Speaker 2: have our choice who they think should have got it,

1171
00:53:19,200 --> 00:53:20,759
Speaker 2: so it don't matter who the host is. I was

1172
00:53:20,840 --> 00:53:22,200
Speaker 2: just easy because I was white.

1173
00:53:23,200 --> 00:53:26,520
Speaker 3: Specials. How difficult is it to get a special?

1174
00:53:28,239 --> 00:53:34,120
Speaker 2: H You mean, like I haven't got a Netflix one yet.

1175
00:53:34,920 --> 00:53:37,359
Speaker 2: I think it's caause I'm white. They're not keeping white

1176
00:53:37,360 --> 00:53:39,400
Speaker 2: guys specials on Netflix. No, I don't know why. I

1177
00:53:39,440 --> 00:53:41,920
Speaker 2: think you beat yourself up. Like I saw Godfrey on

1178
00:53:41,960 --> 00:53:43,880
Speaker 2: here and he was talking about that too, and I

1179
00:53:44,040 --> 00:53:46,200
Speaker 2: was like, when I saw Godfreend, I go, yeah, yeah,

1180
00:53:46,200 --> 00:53:49,480
Speaker 2: I think every comic thinks they deserve that Netflix special

1181
00:53:49,880 --> 00:53:52,720
Speaker 2: and I'm no different. You know, I've been in the trenches,

1182
00:53:52,719 --> 00:53:56,640
Speaker 2: I've done my work, But I think I just had

1183
00:53:56,640 --> 00:53:59,440
Speaker 2: a conversation with Bill Burr at an a the Bourbank

1184
00:53:59,440 --> 00:54:01,440
Speaker 2: Airport years go, and he just goes, you know what,

1185
00:54:02,239 --> 00:54:05,680
Speaker 2: home be so funny. They can't deny me, and I went,

1186
00:54:06,840 --> 00:54:09,399
Speaker 2: so all I can control is to be funny. It's

1187
00:54:09,480 --> 00:54:12,360
Speaker 2: out of my hands if a network wants to do

1188
00:54:12,480 --> 00:54:15,520
Speaker 2: a specially with me or not. But I mean, hopefully, yeah,

1189
00:54:15,560 --> 00:54:18,160
Speaker 2: that's the goal to get one one day on Netflix.

1190
00:54:18,360 --> 00:54:21,359
Speaker 2: But if it never happens, I still I got great life.

1191
00:54:21,520 --> 00:54:23,840
Speaker 2: I sell a lot of tickets. I'm good, but I

1192
00:54:23,960 --> 00:54:26,480
Speaker 2: do want it. Don't get twisted. And I put a

1193
00:54:26,520 --> 00:54:28,520
Speaker 2: lot of work into my specialist. I don't just put

1194
00:54:28,560 --> 00:54:30,680
Speaker 2: them out there, like, oh I got special let me

1195
00:54:30,760 --> 00:54:31,440
Speaker 2: just throw it out there.

1196
00:54:31,640 --> 00:54:31,800
Speaker 3: I go.

1197
00:54:31,960 --> 00:54:35,080
Speaker 2: I put a lot of like thought into it, like okay,

1198
00:54:35,320 --> 00:54:37,680
Speaker 2: I really want to be saying something, especially I got

1199
00:54:37,760 --> 00:54:40,759
Speaker 2: I got tu in the cam right now we're shopping. Man.

1200
00:54:41,120 --> 00:54:44,640
Speaker 2: That the first one is very well, you're not gonna

1201
00:54:44,719 --> 00:54:47,719
Speaker 2: like it, hate my dad, avoid the process server type.

1202
00:54:48,320 --> 00:54:50,680
Speaker 2: But the second one, I still we got out there too,

1203
00:54:50,880 --> 00:54:55,200
Speaker 2: like is very military. I purposely did know racial jokes

1204
00:54:55,320 --> 00:54:58,319
Speaker 2: because people I hear that sometimes like just black white.

1205
00:54:58,520 --> 00:55:00,440
Speaker 2: I hear people even got the divorce I have now

1206
00:55:00,719 --> 00:55:04,440
Speaker 2: act now he's divorced. I said, oh, you have no idea?

1207
00:55:05,440 --> 00:55:07,000
Speaker 3: What about canceled culture?

1208
00:55:07,760 --> 00:55:10,880
Speaker 1: Are they words that there's something that because and you know,

1209
00:55:10,960 --> 00:55:13,120
Speaker 1: we talk about like what they can say back in

1210
00:55:13,200 --> 00:55:16,279
Speaker 1: the eighties and the seventies, even on tennis sitcoms. I

1211
00:55:16,320 --> 00:55:20,960
Speaker 1: mean the Jefferson and all the Archie Bunker, all in

1212
00:55:21,000 --> 00:55:23,680
Speaker 1: the I think, all the family. Yeah, but you can't

1213
00:55:23,719 --> 00:55:25,960
Speaker 1: talk like that. Now, how do you how do you

1214
00:55:26,120 --> 00:55:26,879
Speaker 1: navigate that gear?

1215
00:55:27,600 --> 00:55:28,920
Speaker 2: Well, I'm to say I can't say the N word.

1216
00:55:30,440 --> 00:55:33,880
Speaker 2: That's when you're getting that. I go, but yeah, I

1217
00:55:33,920 --> 00:55:37,680
Speaker 2: can't say that. But I think live comedy shows, you're fine.

1218
00:55:37,840 --> 00:55:41,000
Speaker 2: And that's why we don't want your cell phones out right,

1219
00:55:41,400 --> 00:55:43,040
Speaker 2: because I think people go to shows with a level

1220
00:55:43,040 --> 00:55:46,359
Speaker 2: of expectation and if you don't meet that expectation, they're disappointed. Right,

1221
00:55:46,760 --> 00:55:49,600
Speaker 2: But some people want to hear the uncomfortable. Yeah, you know,

1222
00:55:50,000 --> 00:55:53,399
Speaker 2: and I'm like that, I think you know. But that's

1223
00:55:53,440 --> 00:55:55,759
Speaker 2: the thing, like you got to ask yourself, is it

1224
00:55:55,840 --> 00:55:59,279
Speaker 2: worth it for me to stand on my two feet

1225
00:55:59,280 --> 00:56:01,000
Speaker 2: and say I'm gonna do this joke. I don't care,

1226
00:56:01,280 --> 00:56:04,160
Speaker 2: I'll say what I want. Is it worth it if

1227
00:56:04,200 --> 00:56:07,000
Speaker 2: you get the backlash? Because it is gonna come? And

1228
00:56:07,120 --> 00:56:10,520
Speaker 2: are you have you created a strong enough fan base

1229
00:56:10,560 --> 00:56:12,680
Speaker 2: that cancel culture can't mess with you because there are

1230
00:56:12,760 --> 00:56:16,520
Speaker 2: people like Chappelle. He can't be canceled, Ricky Gervais, he

1231
00:56:16,640 --> 00:56:20,480
Speaker 2: cannot be canceled. Andrew Schultz cannot be canceled. I would

1232
00:56:20,560 --> 00:56:24,080
Speaker 2: think Shane Gillis right now, he can. A cat can't

1233
00:56:24,120 --> 00:56:28,880
Speaker 2: be canceled. Kevin can. Kevin's very corporate. Kevin has to

1234
00:56:28,960 --> 00:56:30,719
Speaker 2: be careful what he says, you know what I mean.

1235
00:56:31,080 --> 00:56:33,640
Speaker 2: So that's what I'm saying. Like someone like Kevin Chappelle,

1236
00:56:33,880 --> 00:56:37,160
Speaker 2: they don't have they don't have these corporate, corporate deals.

1237
00:56:37,360 --> 00:56:40,279
Speaker 2: Kevin's got to be careful, and I'm sure there's some

1238
00:56:40,400 --> 00:56:42,520
Speaker 2: things he wants to say, but he ain't trying to

1239
00:56:42,520 --> 00:56:45,200
Speaker 2: mess up that check. Just like you. You don't defend

1240
00:56:45,239 --> 00:56:49,320
Speaker 2: black women, you know what I mean. I'm sure like

1241
00:56:49,440 --> 00:57:01,000
Speaker 2: wranglers about to call you John Deere, I got there.

1242
00:57:01,080 --> 00:57:03,040
Speaker 3: You go. See, I should have never opened that that

1243
00:57:03,160 --> 00:57:10,360
Speaker 3: care of word because I know doubt I think you

1244
00:57:10,440 --> 00:57:14,359
Speaker 3: ought to go on a uh that show next week?

1245
00:57:15,120 --> 00:57:15,839
Speaker 2: Who show?

1246
00:57:15,880 --> 00:57:19,960
Speaker 1: I ain't telling you, uh how this comedy changed from

1247
00:57:20,120 --> 00:57:22,600
Speaker 1: when you first got in to what we see right now.

1248
00:57:23,480 --> 00:57:25,640
Speaker 2: We we were at the mercy. We needed somebody to

1249
00:57:25,680 --> 00:57:28,280
Speaker 2: put us on. So now, like I said, you can

1250
00:57:28,320 --> 00:57:30,120
Speaker 2: control your own you know what I mean?

1251
00:57:30,600 --> 00:57:31,000
Speaker 3: I gotta.

1252
00:57:31,000 --> 00:57:32,760
Speaker 2: I got a guy that goes enroll me right now

1253
00:57:32,880 --> 00:57:37,600
Speaker 2: called the Mailman. He's a TikTok guy and he's not

1254
00:57:38,320 --> 00:57:39,640
Speaker 2: He didn't start at the stand up. He started a

1255
00:57:39,680 --> 00:57:41,960
Speaker 2: social media guy. But he wants to be a stand up.

1256
00:57:42,160 --> 00:57:44,280
Speaker 2: So I tell he's from Cincinnati, you know. I like

1257
00:57:44,760 --> 00:57:46,920
Speaker 2: the hometown is like always good. So I bring on

1258
00:57:46,960 --> 00:57:49,760
Speaker 2: the road now so we can work his act out.

1259
00:57:50,080 --> 00:57:52,440
Speaker 2: But there's no gatekeepers with him, so to speak, So

1260
00:57:52,600 --> 00:57:54,800
Speaker 2: he couldn't. He could have never did something like that

1261
00:57:54,960 --> 00:57:59,160
Speaker 2: years ago. And now, like, you don't need somebody's permission

1262
00:57:59,160 --> 00:58:02,200
Speaker 2: to put a joke out. Man. I thought about that too.

1263
00:58:02,240 --> 00:58:05,280
Speaker 2: I was like, man, you really we all know those

1264
00:58:05,320 --> 00:58:09,880
Speaker 2: funny guys that never popped because for whatever reason, they

1265
00:58:11,040 --> 00:58:14,960
Speaker 2: the powers that be didn't put them on. But you know,

1266
00:58:15,280 --> 00:58:17,720
Speaker 2: so now you don't. You can't blame nobody else if

1267
00:58:17,720 --> 00:58:20,360
Speaker 2: you don't have a Netflix special, if you don't quote

1268
00:58:20,400 --> 00:58:22,280
Speaker 2: unquote get your turn. Why isn't Hollywood ever taken a

1269
00:58:22,400 --> 00:58:24,160
Speaker 2: chance on me? Take a chance on yourself.

1270
00:58:24,520 --> 00:58:26,120
Speaker 3: You look at the comedians, So where are you with

1271
00:58:26,200 --> 00:58:27,000
Speaker 3: these comedians? Now?

1272
00:58:27,040 --> 00:58:28,440
Speaker 1: A lot there are a lot of comedian of us

1273
00:58:28,520 --> 00:58:31,200
Speaker 1: on social media, they do their thing on ig and

1274
00:58:31,320 --> 00:58:31,880
Speaker 1: things like that.

1275
00:58:32,400 --> 00:58:34,840
Speaker 3: And I was reading somebody with I forget who it was.

1276
00:58:34,920 --> 00:58:37,840
Speaker 1: It says, Yeah, doing a skit for like five minutes

1277
00:58:38,000 --> 00:58:40,200
Speaker 1: is entirely different than writing an entire safe for thirty

1278
00:58:40,320 --> 00:58:41,280
Speaker 1: forty five an hour.

1279
00:58:41,480 --> 00:58:46,520
Speaker 2: Right, Yeah, facts, it's a different muscle. It's a different muscle.

1280
00:58:46,640 --> 00:58:51,040
Speaker 1: Like it's it's like, yeah, to hit that, as Kat said,

1281
00:58:51,200 --> 00:58:53,720
Speaker 1: to do it over and over and over and over

1282
00:58:53,880 --> 00:58:54,360
Speaker 1: and over.

1283
00:58:55,280 --> 00:58:57,280
Speaker 2: I don't look at it like an art because to me,

1284
00:58:57,400 --> 00:58:59,480
Speaker 2: it comes so easy. So when people like how you

1285
00:58:59,600 --> 00:58:59,760
Speaker 2: do that?

1286
00:59:00,200 --> 00:59:00,920
Speaker 3: How you not do it?

1287
00:59:01,240 --> 00:59:03,080
Speaker 2: When people say I'm scared of public speaking, I go

1288
00:59:03,200 --> 00:59:05,680
Speaker 2: for what that's a Catholic audience, you know what I mean.

1289
00:59:06,320 --> 00:59:08,800
Speaker 2: So it's a different muscle. I'm not never gonna knock

1290
00:59:08,840 --> 00:59:12,040
Speaker 2: somebody for like building a fan base and making money

1291
00:59:12,080 --> 00:59:14,240
Speaker 2: on the road, because I've learned there's enough for all

1292
00:59:14,320 --> 00:59:17,880
Speaker 2: of us, and I'd rather be cool with people and

1293
00:59:18,000 --> 00:59:20,960
Speaker 2: hopefully they bring me into a sketch or they have

1294
00:59:21,040 --> 00:59:22,440
Speaker 2: a show and they think of me. You know what

1295
00:59:22,480 --> 00:59:26,040
Speaker 2: I mean? You hat DESI banks on, Yes, we're doing

1296
00:59:26,080 --> 00:59:26,760
Speaker 2: real estate together.

1297
00:59:27,760 --> 00:59:28,280
Speaker 3: You know what I mean?

1298
00:59:29,240 --> 00:59:32,080
Speaker 2: You may if I have went like that. Heck, he

1299
00:59:33,480 --> 00:59:36,560
Speaker 2: ain't funny do this? Now we got this other. We

1300
00:59:36,640 --> 00:59:39,040
Speaker 2: got this guy, Geen Johnson. He's a builder in Atlanta.

1301
00:59:40,240 --> 00:59:42,320
Speaker 2: I bought a house I wanted to flip it. I

1302
00:59:42,400 --> 00:59:45,360
Speaker 2: got hold of him. He tell me no. I called DESI,

1303
00:59:45,720 --> 00:59:47,080
Speaker 2: so I got this flip house being. I saw you've

1304
00:59:47,080 --> 00:59:49,680
Speaker 2: been flipping houses. I was like, who's your guy? He

1305
00:59:49,760 --> 00:59:52,480
Speaker 2: gave me this guy, Geene Johnson his name I called him.

1306
00:59:52,480 --> 00:59:54,920
Speaker 2: He goes, y'all, help you flip it? And then now

1307
00:59:55,000 --> 00:59:56,440
Speaker 2: he brings us in. He goes, what you guys ever

1308
00:59:56,440 --> 00:59:59,439
Speaker 2: thought about doing something together? Like two comedians doing flip

1309
00:59:59,520 --> 01:00:02,600
Speaker 2: houses or airbnbs? And we and we're gonna film it.

1310
01:00:02,720 --> 01:00:04,600
Speaker 2: We don't know if anything comes of it, but you

1311
01:00:04,720 --> 01:00:06,840
Speaker 2: might if I just went off on Dezzy, right, he

1312
01:00:06,960 --> 01:00:09,400
Speaker 2: defends black women. He does me too.

1313
01:00:09,640 --> 01:00:13,840
Speaker 3: Yeah, hold up, is this true? You had a script?

1314
01:00:14,280 --> 01:00:17,600
Speaker 3: Script joint's trouble for not tippy? Yeah?

1315
01:00:17,680 --> 01:00:18,920
Speaker 2: How you be getting this information?

1316
01:00:19,760 --> 01:00:20,000
Speaker 3: People?

1317
01:00:20,280 --> 01:00:21,840
Speaker 2: That was the streets talking.

1318
01:00:22,080 --> 01:00:25,160
Speaker 3: Yeah, So how you gonna go to the club and

1319
01:00:25,240 --> 01:00:26,360
Speaker 3: look at cheeks and not plaid?

1320
01:00:26,480 --> 01:00:30,680
Speaker 2: I didn't know I did. I was eighteen. I'm living

1321
01:00:30,720 --> 01:00:33,959
Speaker 2: in d C. It was middle of the day somebody said,

1322
01:00:33,960 --> 01:00:36,080
Speaker 2: you know you can see chitties. We got a spy,

1323
01:00:36,120 --> 01:00:38,320
Speaker 2: you can see titty that's the real titties. You know.

1324
01:00:39,560 --> 01:00:42,720
Speaker 2: I'm sheltered, man. I didn't hear puberty till late. I

1325
01:00:42,800 --> 01:00:44,800
Speaker 2: went to school with mostly white women, so I was

1326
01:00:44,840 --> 01:00:47,280
Speaker 2: a virgin. I was nineteen. So I get to DC,

1327
01:00:47,440 --> 01:00:50,240
Speaker 2: Chocolate City. I said, where do you see titties? So

1328
01:00:50,360 --> 01:00:52,919
Speaker 2: they're like yoka. I took another guy's I d another

1329
01:00:53,000 --> 01:00:55,240
Speaker 2: military guy and there was this one strip club in DC,

1330
01:00:55,440 --> 01:00:58,240
Speaker 2: like if you were military, they didn't really look and slide.

1331
01:00:59,160 --> 01:01:01,200
Speaker 2: So I got another guy that did. They let me in.

1332
01:01:01,480 --> 01:01:04,040
Speaker 2: I sit down. I'm like the only dude in there. Right.

1333
01:01:04,320 --> 01:01:07,360
Speaker 2: The waitress keeps coming over like the only white dude. Yeah,

1334
01:01:07,520 --> 01:01:09,200
Speaker 2: there was like nobody in this club.

1335
01:01:09,240 --> 01:01:11,040
Speaker 3: There was like eleven am.

1336
01:01:11,520 --> 01:01:14,680
Speaker 2: I got there early, so there's like one stripper on

1337
01:01:14,760 --> 01:01:16,960
Speaker 2: one waitress and the strippers really trying to dance for

1338
01:01:17,080 --> 01:01:19,800
Speaker 2: me hard because nobody el's there. And I'm literally like this,

1339
01:01:20,400 --> 01:01:22,400
Speaker 2: I'm right next to the stage, right, the water comes in,

1340
01:01:22,480 --> 01:01:25,800
Speaker 2: you know, drink. I'm good. I'm good one. I'm scared

1341
01:01:25,840 --> 01:01:27,880
Speaker 2: of you guys from my d again, I said, I'm

1342
01:01:27,920 --> 01:01:31,400
Speaker 2: good so then the stripper, she's really going to town.

1343
01:01:31,440 --> 01:01:34,840
Speaker 2: I'm not stripping, I'm not tipping. I'm just looking. It's

1344
01:01:34,880 --> 01:01:38,360
Speaker 2: like an hour I bought no drinks. I haven't tipped.

1345
01:01:38,600 --> 01:01:40,560
Speaker 3: You ain't tipping the sippy. You got out of there.

1346
01:01:41,160 --> 01:01:44,960
Speaker 2: Literally, the waitress like this, she goes you drink. I said, no,

1347
01:01:45,040 --> 01:01:45,360
Speaker 2: I'm good.

1348
01:01:45,400 --> 01:01:45,640
Speaker 3: She goes.

1349
01:01:45,680 --> 01:01:48,919
Speaker 2: She just come looking free. I was like this, I'm out.

1350
01:01:49,080 --> 01:01:54,640
Speaker 2: I just got. I was like, she snapped, t me too,

1351
01:01:54,880 --> 01:01:58,360
Speaker 2: just come looking free. I was like this, actually I did.

1352
01:01:59,440 --> 01:02:04,960
Speaker 3: That's I came. You are? Are you a strip club connoisseur?

1353
01:02:05,160 --> 01:02:07,800
Speaker 2: No, I go, but I ain't a strike co conosour.

1354
01:02:08,320 --> 01:02:09,360
Speaker 3: What's the best one you've been in?

1355
01:02:10,440 --> 01:02:10,800
Speaker 2: Mmm?

1356
01:02:11,840 --> 01:02:12,240
Speaker 3: Atlanta?

1357
01:02:13,520 --> 01:02:20,040
Speaker 2: No Shades, Oa your real Jamaica. That was the wildest

1358
01:02:20,160 --> 01:02:23,000
Speaker 2: night I've ever seen that strip club in my whole life. Really,

1359
01:02:23,320 --> 01:02:24,920
Speaker 2: I did a bit on it one of my specially

1360
01:02:24,960 --> 01:02:25,720
Speaker 2: about ten years ago.

1361
01:02:25,920 --> 01:02:27,760
Speaker 3: You said your reals.

1362
01:02:28,400 --> 01:02:32,240
Speaker 2: Yeah, so it's called Shades. It's still there. It recently

1363
01:02:32,280 --> 01:02:35,959
Speaker 2: when viral they have a little person that comes out. Dude,

1364
01:02:36,880 --> 01:02:40,400
Speaker 2: he'd be knocked him down. He's slanging. He's slanging like

1365
01:02:40,480 --> 01:02:44,880
Speaker 2: a normal right below his knee type of stuff. Literally,

1366
01:02:45,720 --> 01:02:49,320
Speaker 2: So I went there. I went there with my boys,

1367
01:02:49,360 --> 01:02:52,280
Speaker 2: two white dudes, three white dudes, going to the strip

1368
01:02:52,280 --> 01:02:54,760
Speaker 2: cult in Jamaica. What could go wrong? Right? And it's

1369
01:02:54,800 --> 01:03:00,760
Speaker 2: in the hills, right, So what happened? So Tom Joners

1370
01:03:00,800 --> 01:03:02,640
Speaker 2: had the Tom Joiner Cruise. I think he still does

1371
01:03:02,720 --> 01:03:05,560
Speaker 2: it right. But when you were a performer, they fly

1372
01:03:05,760 --> 01:03:07,520
Speaker 2: you in, you mean you only take the cruise half

1373
01:03:07,560 --> 01:03:09,360
Speaker 2: the time, half to so it's seven days. You know

1374
01:03:09,440 --> 01:03:12,480
Speaker 2: you're on for three days, right. So we were picking

1375
01:03:12,560 --> 01:03:15,120
Speaker 2: it up in Jamaica. So I flew in the night before.

1376
01:03:16,120 --> 01:03:20,520
Speaker 2: I got real cool with the locals. No, the guys

1377
01:03:20,560 --> 01:03:22,920
Speaker 2: at the resort that work there, the bartender, if irebody

1378
01:03:22,960 --> 01:03:23,200
Speaker 2: knew me.

1379
01:03:23,440 --> 01:03:23,560
Speaker 3: Right.

1380
01:03:24,160 --> 01:03:27,200
Speaker 2: So I got my two buddies, two white dudes. Right

1381
01:03:27,640 --> 01:03:29,360
Speaker 2: when I get there. I got there like an hour

1382
01:03:29,400 --> 01:03:31,840
Speaker 2: after them. He's making out with some chicken a pool.

1383
01:03:32,200 --> 01:03:34,320
Speaker 2: I was like, dang, Brian, ain't west no time. Right.

1384
01:03:35,120 --> 01:03:37,640
Speaker 2: We go to dinner. He's like, he's telling me, yeah,

1385
01:03:37,720 --> 01:03:39,640
Speaker 2: this girl man, I got to meet her at the

1386
01:03:39,680 --> 01:03:41,920
Speaker 2: club on the on the resort. You know, he goes,

1387
01:03:41,960 --> 01:03:44,400
Speaker 2: he think it's gonna pop off. We eat dinner, we

1388
01:03:44,520 --> 01:03:47,240
Speaker 2: go to club. She making out with a different dude,

1389
01:03:47,640 --> 01:03:51,880
Speaker 2: on the dance floor. Now he's pissed. He goes, you

1390
01:03:51,920 --> 01:03:57,320
Speaker 2: know what, Yeah, she's doing what dudes do, right. I

1391
01:03:57,400 --> 01:03:59,520
Speaker 2: was giving her all the respect in the world. And

1392
01:03:59,600 --> 01:04:02,400
Speaker 2: then so now he's trying to leave. He said, melmny,

1393
01:04:02,480 --> 01:04:04,440
Speaker 2: I'm going going out tonight. I said, you can't leave

1394
01:04:04,480 --> 01:04:07,360
Speaker 2: the resort, bro, And now one of the little little

1395
01:04:07,600 --> 01:04:10,560
Speaker 2: bartender videos, he goes, mister Gary, he cannot leave the resort.

1396
01:04:10,600 --> 01:04:13,440
Speaker 2: It's not safe to go by himself. My buddy's so

1397
01:04:13,720 --> 01:04:17,680
Speaker 2: lit and so mad. We can't stop them, right, So

1398
01:04:17,840 --> 01:04:20,520
Speaker 2: he goes the dudees like, dude, I get off at eleven.

1399
01:04:20,720 --> 01:04:24,040
Speaker 2: I'll take you guys out right. That's probably one of

1400
01:04:24,080 --> 01:04:26,200
Speaker 2: the smartest movie there. We getting this.

1401
01:04:26,400 --> 01:04:27,040
Speaker 3: He picks us up.

1402
01:04:27,040 --> 01:04:28,440
Speaker 2: We got to meet him at the end of the resort,

1403
01:04:28,480 --> 01:04:30,040
Speaker 2: which is like a mile walk by the way to

1404
01:04:30,120 --> 01:04:32,160
Speaker 2: the road. He picks us up in this little beat

1405
01:04:32,200 --> 01:04:33,720
Speaker 2: a vehicle. Now he got three of us buddies in

1406
01:04:33,760 --> 01:04:35,720
Speaker 2: the car, so there's literally like seven of us in

1407
01:04:35,800 --> 01:04:36,760
Speaker 2: this tiny car.

1408
01:04:37,400 --> 01:04:38,280
Speaker 3: We go up this hill.

1409
01:04:38,320 --> 01:04:41,919
Speaker 2: I'm like, I don't know about this. Shane's is different, man.

1410
01:04:42,480 --> 01:04:45,040
Speaker 2: You walk up it's like a steel door and they

1411
01:04:45,240 --> 01:04:48,480
Speaker 2: slide it open and then you walk down some stairs

1412
01:04:48,920 --> 01:04:50,760
Speaker 2: we got and this just opened up. You ever seen

1413
01:04:50,840 --> 01:04:51,480
Speaker 2: dust till dawn?

1414
01:04:51,800 --> 01:04:53,680
Speaker 3: Yeah, it was like that. You walk in.

1415
01:04:53,840 --> 01:04:56,680
Speaker 2: I was like, whoa, it's a lot. These strippers saw

1416
01:04:56,760 --> 01:04:59,960
Speaker 2: these three white dudes walk in. We were fresh meat.

1417
01:05:00,640 --> 01:05:03,600
Speaker 2: They started attacking, right. I told my boys I didn't drink.

1418
01:05:03,600 --> 01:05:05,280
Speaker 2: I said, give me all your money here and put

1419
01:05:05,320 --> 01:05:07,880
Speaker 2: in this pocket, I go, so nobody can rip us

1420
01:05:07,880 --> 01:05:11,600
Speaker 2: off or steal from us. Right. So we're sitting there,

1421
01:05:11,920 --> 01:05:13,760
Speaker 2: you know, watching Lapdan and stuff. All of a sudden,

1422
01:05:14,600 --> 01:05:19,200
Speaker 2: everything changed. Whist was blowing. This little person came out

1423
01:05:19,200 --> 01:05:20,520
Speaker 2: of the back. I said, what's he about to do?

1424
01:05:20,800 --> 01:05:20,920
Speaker 3: Yo?

1425
01:05:21,160 --> 01:05:24,360
Speaker 2: He started laying a pipe on these strippers right in

1426
01:05:24,440 --> 01:05:24,880
Speaker 2: front of us.

1427
01:05:25,760 --> 01:05:25,880
Speaker 3: Yo.

1428
01:05:26,120 --> 01:05:28,560
Speaker 2: It's on the internet now. It got posted like a

1429
01:05:28,600 --> 01:05:30,160
Speaker 2: couple of years ago there to look at this, like

1430
01:05:30,200 --> 01:05:31,760
Speaker 2: on World Star Hip Hop. Right, And I was like,

1431
01:05:31,960 --> 01:05:34,320
Speaker 2: I told everybody was true. I told him it was

1432
01:05:34,360 --> 01:05:37,120
Speaker 2: true because nobody believe me. He I mean, he's knocking

1433
01:05:37,160 --> 01:05:40,280
Speaker 2: them down one after the other. One girl spun him.

1434
01:05:41,280 --> 01:05:47,960
Speaker 2: I was like, yo, like he's inside her. He spun

1435
01:05:48,520 --> 01:05:51,520
Speaker 2: Come on on, strike me down right now. If I'm

1436
01:05:51,560 --> 01:05:55,400
Speaker 2: lying spun him. I was like, Yo, this is another level.

1437
01:05:56,400 --> 01:05:59,800
Speaker 2: So then then my boys, like the dude the wild Ones,

1438
01:06:00,040 --> 01:06:01,800
Speaker 2: He's like, yo, man, give me a hundred dollars, I said,

1439
01:06:01,840 --> 01:06:04,920
Speaker 2: for what. He goes there was like a CD hotel

1440
01:06:05,000 --> 01:06:07,440
Speaker 2: next to Shades. He goes, the girl's gonna take me

1441
01:06:07,480 --> 01:06:09,080
Speaker 2: over there. I don't know if the girl was seventy

1442
01:06:09,120 --> 01:06:11,080
Speaker 2: and room was thirty or the rumors thirty and the

1443
01:06:11,120 --> 01:06:16,240
Speaker 2: girl was seventy. So I said, yo, no, no, no,

1444
01:06:16,320 --> 01:06:18,040
Speaker 2: I said. The kid that tell to me you at

1445
01:06:18,080 --> 01:06:20,040
Speaker 2: the resort, you're not going over there. And then the

1446
01:06:20,120 --> 01:06:21,640
Speaker 2: local guy that would drive me around, he goes, don't

1447
01:06:21,640 --> 01:06:24,400
Speaker 2: don't let him go. They're gonna shake him down. They said,

1448
01:06:24,880 --> 01:06:27,480
Speaker 2: my Jamaican accent is terrible, by the way. So he

1449
01:06:27,600 --> 01:06:29,760
Speaker 2: was like, they're gonna shake him down. Either he's gonna

1450
01:06:29,760 --> 01:06:31,439
Speaker 2: go over there, she's gonna milk him for more money,

1451
01:06:31,800 --> 01:06:33,640
Speaker 2: or he's getting set up and they're gonna rob him. Right,

1452
01:06:33,680 --> 01:06:35,600
Speaker 2: So I told him no. So now he's mad at me,

1453
01:06:35,640 --> 01:06:38,800
Speaker 2: cuss me out, calls me a block blocking bro. You're

1454
01:06:39,080 --> 01:06:43,520
Speaker 2: blocking some white blocking bro. You don't the fen black women.

1455
01:06:46,000 --> 01:06:51,480
Speaker 2: So we're waiting now. The guy that drove us here,

1456
01:06:52,040 --> 01:06:53,600
Speaker 2: he had to park down the hill you gotta walk

1457
01:06:53,640 --> 01:06:55,360
Speaker 2: up this hill and get the shades. He parked upon

1458
01:06:55,440 --> 01:06:56,960
Speaker 2: my hill. So now we're waiting on him, and it's

1459
01:06:57,000 --> 01:06:58,840
Speaker 2: like a twenty minute wait, and I see this dude

1460
01:06:58,880 --> 01:07:01,880
Speaker 2: scold me out. All he goes. He's looking at me,

1461
01:07:01,960 --> 01:07:04,960
Speaker 2: looking at me. He goes, hey, money man, money man,

1462
01:07:05,600 --> 01:07:07,400
Speaker 2: buy me and my friends some beers. And I go,

1463
01:07:07,520 --> 01:07:08,360
Speaker 2: I ain't got no money.

1464
01:07:08,680 --> 01:07:09,400
Speaker 3: They said.

1465
01:07:09,400 --> 01:07:11,919
Speaker 2: I pointed the club ago all the girls took my money. Goes, nah,

1466
01:07:12,920 --> 01:07:15,720
Speaker 2: you the money man, buy me and my friends some beers.

1467
01:07:16,360 --> 01:07:19,400
Speaker 2: It's getting scary now, and I'm going, oh, I'm starting

1468
01:07:19,400 --> 01:07:22,840
Speaker 2: to sweat. Just then the dude pulled up with this car.

1469
01:07:23,560 --> 01:07:23,920
Speaker 3: What is it?

1470
01:07:23,960 --> 01:07:28,120
Speaker 2: Patwal? Is that Jamaican patwa? They start speaking up Patwash.

1471
01:07:30,640 --> 01:07:34,400
Speaker 2: They looked at me, goes, okay, you got your n word,

1472
01:07:34,600 --> 01:07:38,560
Speaker 2: I got mine. We're good. Let me go. When I say,

1473
01:07:39,000 --> 01:07:40,520
Speaker 2: I said, oh, in my pocket. We got back to

1474
01:07:40,520 --> 01:07:42,560
Speaker 2: the resort. I gave it to the dude. The driver.

1475
01:07:43,120 --> 01:07:45,520
Speaker 2: I said, take it. I swear I do start crying.

1476
01:07:46,000 --> 01:07:46,840
Speaker 3: He said, you don't have to do this.

1477
01:07:46,920 --> 01:07:49,160
Speaker 2: I go, dude, you saved this tonight. Take it. It

1478
01:07:49,280 --> 01:07:51,560
Speaker 2: might have been like five hundred bucks. I was like, dude,

1479
01:07:51,640 --> 01:07:52,680
Speaker 2: I don't want to take it. Thank you.

1480
01:07:53,080 --> 01:07:53,800
Speaker 3: We had a great night.

1481
01:07:54,120 --> 01:07:55,720
Speaker 2: I got a story. I'm gonna put it in my special.

1482
01:07:56,000 --> 01:08:01,080
Speaker 2: I'm not many money. I'm going on shannonh Yeah about it,

1483
01:08:01,600 --> 01:08:05,760
Speaker 2: you know the podcast Women. Sorry about that.

1484
01:08:06,320 --> 01:08:08,360
Speaker 1: We'll get you out here. A little bit of your upbringing.

1485
01:08:08,600 --> 01:08:10,480
Speaker 1: I grew up in a trailer park, I'm correct, yep.

1486
01:08:10,880 --> 01:08:11,720
Speaker 1: How many bedrooms?

1487
01:08:12,520 --> 01:08:18,479
Speaker 3: Three? Three bedrooms? Three kids and seven seven kids, no, no,

1488
01:08:18,640 --> 01:08:19,400
Speaker 3: five five?

1489
01:08:20,040 --> 01:08:26,320
Speaker 2: My twins was from my dad. So we had Michelle, Dallas, Kyle, Ashley,

1490
01:08:26,439 --> 01:08:29,040
Speaker 2: me five five. Yeah, Michelle was in and out. Michelle

1491
01:08:29,080 --> 01:08:31,559
Speaker 2: was my step sister. She was older, and the parents

1492
01:08:31,880 --> 01:08:36,639
Speaker 2: three bedrooms. Uh huh, I have my own because yeah,

1493
01:08:36,680 --> 01:08:38,240
Speaker 2: I was way older too. It was like it was

1494
01:08:38,280 --> 01:08:42,200
Speaker 2: like a nine year difference, and then the other the

1495
01:08:42,320 --> 01:08:46,000
Speaker 2: other three was in one and then my mom and stepdad.

1496
01:08:46,080 --> 01:08:49,000
Speaker 3: Was your upbringing like like eminem character eight mile.

1497
01:08:50,240 --> 01:08:53,640
Speaker 2: Probably worse, probably worse. My stepdad is literally one of

1498
01:08:53,680 --> 01:08:55,280
Speaker 2: the worst human beings on the planet.

1499
01:08:55,360 --> 01:08:57,960
Speaker 3: But y'all did have indoor indoor plumbing and running ward

1500
01:08:58,000 --> 01:08:58,400
Speaker 3: and things like that.

1501
01:08:58,680 --> 01:09:01,439
Speaker 2: But in the Winner, I want to have to climb

1502
01:09:01,560 --> 01:09:03,920
Speaker 2: under there. They got this thing called skirty goes around

1503
01:09:03,920 --> 01:09:06,160
Speaker 2: the bottom of the trailer stops the wind and everything.

1504
01:09:06,760 --> 01:09:09,200
Speaker 2: You gotta crawlnder there and you gotta ductate the pipes. Yeah,

1505
01:09:09,360 --> 01:09:11,479
Speaker 2: and then you always got to keep the water running

1506
01:09:11,479 --> 01:09:14,479
Speaker 2: a little bit, it doesn't freeze. Yeah, so we had Yeah,

1507
01:09:14,520 --> 01:09:15,200
Speaker 2: we had running water.

1508
01:09:15,720 --> 01:09:18,960
Speaker 3: How did How did it feel? I mean, to be

1509
01:09:19,120 --> 01:09:24,200
Speaker 3: embraced like you are by black gortry? What's the best?

1510
01:09:24,640 --> 01:09:26,920
Speaker 2: I wish everybody had that feeling, you know what I mean?

1511
01:09:26,960 --> 01:09:30,759
Speaker 2: It's weird at the airport because then I'll get stopped

1512
01:09:30,800 --> 01:09:32,640
Speaker 2: and black people start freaking out, and white people like,

1513
01:09:32,640 --> 01:09:33,280
Speaker 2: who's you played for?

1514
01:09:36,800 --> 01:09:37,599
Speaker 3: Why don't we know him?

1515
01:09:38,439 --> 01:09:41,439
Speaker 2: So? What made you join the military to get out

1516
01:09:41,439 --> 01:09:43,240
Speaker 2: of the trailer park? Get away from that dude? Instead?

1517
01:09:43,280 --> 01:09:46,080
Speaker 3: Dad, why the Navy? Why not the Army or the Marines?

1518
01:09:46,120 --> 01:09:46,599
Speaker 3: Air Force?

1519
01:09:46,880 --> 01:09:50,559
Speaker 2: My buddy of mine woke me up. Was my senior year.

1520
01:09:50,800 --> 01:09:52,920
Speaker 2: I didn't take the Act, didn't take the SAT nobody

1521
01:09:52,920 --> 01:09:54,479
Speaker 2: went to Cosmon family. I didn't know yet do stuff

1522
01:09:54,479 --> 01:09:57,400
Speaker 2: like that. He woke me up. It was a Saturday

1523
01:09:57,400 --> 01:09:59,519
Speaker 2: morning and he goes, Garrett, come on, come on, come on,

1524
01:09:59,760 --> 01:10:01,160
Speaker 2: And his dad was in a car waiting up front.

1525
01:10:01,200 --> 01:10:03,240
Speaker 2: I'm like, I'm looking at him like, what, Michael's come

1526
01:10:03,280 --> 01:10:06,280
Speaker 2: on and he's in my ear. He's in my room.

1527
01:10:06,320 --> 01:10:07,720
Speaker 2: I don't know how I think my mom let him

1528
01:10:07,720 --> 01:10:09,880
Speaker 2: in and she was like, you gotta get out of here.

1529
01:10:10,280 --> 01:10:11,640
Speaker 2: What do you mean? He goes, can be stuck here

1530
01:10:11,640 --> 01:10:13,560
Speaker 2: your whole life. So he took me down to the

1531
01:10:13,640 --> 01:10:16,280
Speaker 2: recruit and says he'd already joined the Navy. So the Navy,

1532
01:10:16,479 --> 01:10:18,320
Speaker 2: Marine's an Army was all in the same building. I

1533
01:10:18,320 --> 01:10:21,160
Speaker 2: don't know where Coastcard Air Force was. So I met

1534
01:10:21,200 --> 01:10:24,160
Speaker 2: with all three that day and Marine said, we're the

1535
01:10:24,240 --> 01:10:26,000
Speaker 2: first one's in. I'm out. I don't want to be

1536
01:10:26,040 --> 01:10:29,960
Speaker 2: first one. I'll be second and third. The army guy

1537
01:10:30,120 --> 01:10:33,280
Speaker 2: was lying because he knew I wrestled in high school

1538
01:10:33,320 --> 01:10:35,439
Speaker 2: and he was like, yo, you're a wrestler. He goes,

1539
01:10:35,479 --> 01:10:37,760
Speaker 2: you could you join the army? You could wrestle. I said,

1540
01:10:37,760 --> 01:10:41,120
Speaker 2: I'm three and thirty. Bro. Three times I lost thirty.

1541
01:10:41,520 --> 01:10:44,320
Speaker 2: I'd beat the same guy three times. Nathan eb Edgwood

1542
01:10:44,360 --> 01:10:47,080
Speaker 2: High School. Still know his name. I said, I've been

1543
01:10:47,200 --> 01:10:51,040
Speaker 2: pinned twenty nine times. I go, there's not a high

1544
01:10:51,040 --> 01:10:53,799
Speaker 2: school gymnasium in Cincinnati, Ohio. You showed me the ceiling.

1545
01:10:53,960 --> 01:10:55,519
Speaker 2: I'll tell your freaking high school it is. I saw

1546
01:10:55,560 --> 01:10:57,960
Speaker 2: him all shit, you know what I mean. So the

1547
01:10:58,040 --> 01:10:59,720
Speaker 2: navy guy was just cool. He's like, oh, we can

1548
01:10:59,760 --> 01:11:02,080
Speaker 2: get you. When I was like, all right, I'll join

1549
01:11:02,120 --> 01:11:04,120
Speaker 2: the navy. And my stepdad always told.

1550
01:11:03,960 --> 01:11:04,400
Speaker 3: Me he goes.

1551
01:11:04,680 --> 01:11:06,840
Speaker 2: He used to call me a freeloader. I'm in high school.

1552
01:11:06,840 --> 01:11:08,439
Speaker 2: He used to be like, you gotta stop freeloading off

1553
01:11:08,479 --> 01:11:10,519
Speaker 2: your mom. Man, you gotta get a job. He might.

1554
01:11:10,520 --> 01:11:12,280
Speaker 2: I don't have a car, we don't have any money.

1555
01:11:12,360 --> 01:11:15,920
Speaker 2: He's not working right. And he always told me, like

1556
01:11:16,040 --> 01:11:17,400
Speaker 2: I got you, you have to be out of the

1557
01:11:17,439 --> 01:11:19,559
Speaker 2: house by the time you're eighteen. I said, where am

1558
01:11:19,560 --> 01:11:23,240
Speaker 2: I go? I don't care. You gotta be gone. So him,

1559
01:11:23,439 --> 01:11:26,840
Speaker 2: I left when I was seventeen, beat him to the punch. Wow, yep,

1560
01:11:26,960 --> 01:11:29,320
Speaker 2: that was on purpose. I said, when can I leave?

1561
01:11:29,400 --> 01:11:32,000
Speaker 2: They said eighteen? I was like joy twenty six. They said,

1562
01:11:32,040 --> 01:11:34,960
Speaker 2: you lead Jay twenty third. I said, do it the.

1563
01:11:35,000 --> 01:11:37,360
Speaker 3: Best decision of your life. But how different?

1564
01:11:37,400 --> 01:11:40,439
Speaker 1: How different would your Gary Oyen's life have been had

1565
01:11:40,479 --> 01:11:42,479
Speaker 1: he not joined the military and got out of there.

1566
01:11:42,520 --> 01:11:46,200
Speaker 2: When he did, I'd be fat, my wife would be fat,

1567
01:11:46,240 --> 01:11:48,320
Speaker 2: and I'd have a fridge fow a mountain dew in Dorito's.

1568
01:11:48,680 --> 01:11:50,200
Speaker 3: But he wouldn't be a sister.

1569
01:11:50,840 --> 01:11:54,640
Speaker 2: Probably not her, for I'd be looking at at all

1570
01:11:54,680 --> 01:11:59,000
Speaker 2: the black girls on TV like that's the age. I

1571
01:11:59,080 --> 01:11:59,960
Speaker 2: definite would have been a sister.

1572
01:12:00,479 --> 01:12:03,280
Speaker 3: Stop making stuff back yere, I appreciate it. Appreciate Jay always,

1573
01:12:03,320 --> 01:12:04,960
Speaker 3: Ladies and gentlemen all my.

1574
01:12:05,040 --> 01:12:09,320
Speaker 2: Life, grinding all my life, sacrifice, hustle back the price.

1575
01:12:10,000 --> 01:12:12,840
Speaker 2: Wanta slice? Got to brow the dice, the squad all

1576
01:12:12,880 --> 01:12:15,479
Speaker 2: my life. I've been grinding all my life. Look all

1577
01:12:15,520 --> 01:12:19,519
Speaker 2: my life and grinding all my life, sacrifice, hustle back

1578
01:12:19,560 --> 01:12:22,559
Speaker 2: the price. Want a slice? Got to brow the dice,

1579
01:12:22,720 --> 01:12:23,920
Speaker 2: the squad all my life.

1580
01:12:24,000 --> 01:12:25,280
Speaker 3: I've been grinding all my life.

1581
01:12:29,360 --> 01:12:29,400
Speaker 2: M