1 00:00:00,840 --> 00:00:14,040 Speaker 1: The Welcome to Friday's show more a studio morning. Well, 2 00:00:14,240 --> 00:00:16,520 Speaker 1: but I don't know a minute from now. Luke Combs 3 00:00:17,120 --> 00:00:18,920 Speaker 1: we recorded this interview. I want you to hear it. 4 00:00:19,079 --> 00:00:20,680 Speaker 1: You haven't heard it yet, so it's not something we've 5 00:00:20,680 --> 00:00:25,119 Speaker 1: heard before. But here is myself and Luke Combs and 6 00:00:25,239 --> 00:00:27,480 Speaker 1: we recorded this because today his brand new album is out. 7 00:00:27,640 --> 00:00:30,360 Speaker 1: So if you're a Luke Combs fan, enjoy and let's 8 00:00:30,360 --> 00:00:34,440 Speaker 1: start the show all right, big day today because the 9 00:00:34,479 --> 00:00:37,080 Speaker 1: new Luke Combs album is out. You know, people wait 10 00:00:37,479 --> 00:00:41,920 Speaker 1: forever for your yes. Here it is, yeah? And do 11 00:00:42,040 --> 00:00:44,520 Speaker 1: you go? And I mean, who's telling you if people 12 00:00:44,560 --> 00:00:47,320 Speaker 1: are loving it equally or more? And who do you trust? 13 00:00:47,640 --> 00:00:50,280 Speaker 1: Oh man, the fans for sure is who you listen to. 14 00:00:50,520 --> 00:00:52,560 Speaker 1: But what they say, we like this one less Yes, 15 00:00:52,920 --> 00:00:57,520 Speaker 1: some of my fans would would yeah, they'd be like, 16 00:00:57,600 --> 00:01:00,200 Speaker 1: I can't believe this or you know it's it's and 17 00:01:00,440 --> 00:01:03,160 Speaker 1: I think that's you know, I mean, that's the best 18 00:01:03,200 --> 00:01:05,280 Speaker 1: stuff you can listen to. I mean you can't let it, 19 00:01:05,520 --> 00:01:08,080 Speaker 1: you know, really drive your decision making or your songwriting. 20 00:01:08,120 --> 00:01:11,840 Speaker 1: But it's good when people are honest with you about it, 21 00:01:11,880 --> 00:01:13,720 Speaker 1: and it gets you can get to a point where 22 00:01:13,720 --> 00:01:18,040 Speaker 1: it's hard to feel like, you know, it's like almost 23 00:01:18,040 --> 00:01:20,760 Speaker 1: you get to this point where it's like, let's let's 24 00:01:20,800 --> 00:01:23,240 Speaker 1: say I put this album out and it's out today, 25 00:01:23,440 --> 00:01:25,800 Speaker 1: and it's the best album I've ever put out. Right, 26 00:01:26,240 --> 00:01:30,679 Speaker 1: let's say it is. And let's say whoever on my team, 27 00:01:30,680 --> 00:01:33,479 Speaker 1: it doesn't matter if it's Cappy or whoever. They come 28 00:01:33,520 --> 00:01:35,560 Speaker 1: up and they go, god, dude, this album is great. 29 00:01:36,560 --> 00:01:40,399 Speaker 1: It's hard to be like it is great because like, 30 00:01:40,520 --> 00:01:43,080 Speaker 1: and not that I don't trust them, you know, implicitly, 31 00:01:43,160 --> 00:01:46,440 Speaker 1: because I do, But then you start to wonder, you're like, man, 32 00:01:46,760 --> 00:01:48,320 Speaker 1: or they just like pull my leg, you know, like 33 00:01:48,400 --> 00:01:50,760 Speaker 1: trying to make me feel good, you know, kind of thing, 34 00:01:50,760 --> 00:01:53,000 Speaker 1: because what if it's not good? You know, I don't know, 35 00:01:53,080 --> 00:01:55,600 Speaker 1: I think any. I feel like that's the curse of 36 00:01:55,600 --> 00:01:58,560 Speaker 1: being like a creative person. It's like your mind is 37 00:01:58,600 --> 00:02:01,360 Speaker 1: like way too overact, dude. You know, it's like the 38 00:02:01,360 --> 00:02:03,360 Speaker 1: best thing about what we do and the worst thing 39 00:02:03,400 --> 00:02:05,840 Speaker 1: about what we do, because you're so prone to like 40 00:02:05,920 --> 00:02:09,440 Speaker 1: second guess in yourself for like wondering if somebody's being 41 00:02:09,480 --> 00:02:12,400 Speaker 1: real with you or or not. You know, it's just 42 00:02:12,480 --> 00:02:15,640 Speaker 1: hard to like trust people's feedback sometimes, you know. So 43 00:02:16,280 --> 00:02:18,280 Speaker 1: I find that all you can do is just love. 44 00:02:19,240 --> 00:02:21,079 Speaker 1: You know, you have to just love the songs and 45 00:02:21,120 --> 00:02:23,639 Speaker 1: just trust that you did you know that you did 46 00:02:23,680 --> 00:02:25,160 Speaker 1: your best. I think it is the only thing that 47 00:02:25,200 --> 00:02:27,520 Speaker 1: I put any stock in At this point. I had 48 00:02:27,520 --> 00:02:29,160 Speaker 1: a couple of people in my life, and in my 49 00:02:29,240 --> 00:02:31,240 Speaker 1: last book, I wrote about how I only trust people 50 00:02:31,240 --> 00:02:32,800 Speaker 1: to tell me I did good if they've told me 51 00:02:32,840 --> 00:02:35,440 Speaker 1: I haven't done good. Sure, it's a weird way to feel, 52 00:02:35,480 --> 00:02:38,480 Speaker 1: but I again, once you get to a certain point, 53 00:02:38,680 --> 00:02:41,040 Speaker 1: everybody just starts to be nice to you, sure, even 54 00:02:41,080 --> 00:02:44,079 Speaker 1: if it sucks. And so I know that my wife 55 00:02:44,080 --> 00:02:47,320 Speaker 1: will tell me how exactly how she feels. And sometimes 56 00:02:47,320 --> 00:02:50,680 Speaker 1: it cuts when it urts, Yeah, because you think in 57 00:02:50,680 --> 00:02:52,239 Speaker 1: your head, you're like, man, I want people to be 58 00:02:52,280 --> 00:02:54,280 Speaker 1: honest with me, and then they are and you're like 59 00:02:54,320 --> 00:02:58,359 Speaker 1: that sucks. No more, it's good, tell me it's good. 60 00:02:58,520 --> 00:03:00,680 Speaker 1: But then it's like you're doing yourself a service at 61 00:03:00,720 --> 00:03:02,400 Speaker 1: that point, you know what I mean. And so if 62 00:03:02,400 --> 00:03:05,440 Speaker 1: you have somebody that tells you you suck, you can 63 00:03:05,800 --> 00:03:07,959 Speaker 1: you can trust them to tell you that you don 64 00:03:08,800 --> 00:03:11,480 Speaker 1: So any of these songs on this record were they 65 00:03:11,480 --> 00:03:13,320 Speaker 1: the ones that fell out and you wrote like fifteen 66 00:03:13,320 --> 00:03:17,280 Speaker 1: minutes going Going Gone was pretty fast. That one was 67 00:03:17,320 --> 00:03:21,239 Speaker 1: pretty fast, and probably middle somewhere that one went really 68 00:03:21,280 --> 00:03:24,520 Speaker 1: fast too. Um, but just fun, I mean just it's 69 00:03:24,560 --> 00:03:27,080 Speaker 1: really like if I mean, if it's just fun, you know, 70 00:03:27,160 --> 00:03:28,920 Speaker 1: it's easy to write, you know, or if you have 71 00:03:28,960 --> 00:03:31,280 Speaker 1: a really great like going Going Gone, it's such a 72 00:03:31,360 --> 00:03:35,520 Speaker 1: great riff, like a pronounced thing that we were writing to. Um. 73 00:03:35,600 --> 00:03:37,760 Speaker 1: I think that one was really great because you're not 74 00:03:37,800 --> 00:03:40,280 Speaker 1: really worried about anything. You're just like, you're just going 75 00:03:40,600 --> 00:03:43,200 Speaker 1: the new albums out today, growing up. Here we go 76 00:03:43,280 --> 00:03:45,560 Speaker 1: three big questions and then we're gonna let you go 77 00:03:45,600 --> 00:03:47,280 Speaker 1: about your married way because you have so much to do. 78 00:03:47,320 --> 00:03:49,560 Speaker 1: By the way, great album, here we go. Question number one. 79 00:03:49,600 --> 00:03:50,960 Speaker 1: Do you ever go back and hear an old song 80 00:03:51,000 --> 00:03:52,920 Speaker 1: that you did and go, oh, that, what was I thinking? 81 00:03:52,960 --> 00:03:54,680 Speaker 1: That is not a good song. I'm not even asking 82 00:03:54,680 --> 00:03:57,280 Speaker 1: you to say the song because there are other songwriters involved. 83 00:03:57,280 --> 00:04:00,200 Speaker 1: But do you ever listen back and go, oh, why 84 00:04:00,280 --> 00:04:03,120 Speaker 1: did I even record that? I don't think anything that's 85 00:04:03,120 --> 00:04:05,160 Speaker 1: made it on an album. I feel that way about 86 00:04:05,560 --> 00:04:06,880 Speaker 1: it doesn't have to be album. It can be just 87 00:04:06,960 --> 00:04:09,760 Speaker 1: something you can go back to an old dude. Definitely 88 00:04:11,720 --> 00:04:14,840 Speaker 1: all the time. Yeah, absolutely, like all the time. But 89 00:04:15,320 --> 00:04:18,240 Speaker 1: why would you if you say all the time, like, 90 00:04:18,279 --> 00:04:21,640 Speaker 1: how can you write a poor song? At this point, 91 00:04:22,040 --> 00:04:24,240 Speaker 1: I think it's just I don't. And you're always like 92 00:04:24,279 --> 00:04:26,200 Speaker 1: the day you write it, you know this, it's like 93 00:04:26,279 --> 00:04:28,240 Speaker 1: the day you write it, you're so excited about it 94 00:04:28,360 --> 00:04:31,680 Speaker 1: because you're like, you're done with it. I never gauge 95 00:04:31,720 --> 00:04:33,840 Speaker 1: a song by how I feel about it when I'm 96 00:04:33,839 --> 00:04:36,200 Speaker 1: done writing it. It's the next day is the bar. 97 00:04:36,680 --> 00:04:38,520 Speaker 1: That's funny? You do that because if I write something funny, 98 00:04:38,520 --> 00:04:40,400 Speaker 1: I won't do it for a month because I can't 99 00:04:40,440 --> 00:04:43,120 Speaker 1: because I'm so I'm so associated with being in it, 100 00:04:43,160 --> 00:04:44,479 Speaker 1: and then I lose it while i'm in it. You 101 00:04:44,480 --> 00:04:45,960 Speaker 1: ever lose it while you're in it because you spend 102 00:04:46,000 --> 00:04:47,840 Speaker 1: so much time inside of it. Yeah, you're like, I 103 00:04:47,880 --> 00:04:49,800 Speaker 1: don't even if this is good anymore? Yeah, And I 104 00:04:49,839 --> 00:04:52,039 Speaker 1: get like the next day for me is the thing. 105 00:04:52,279 --> 00:04:54,040 Speaker 1: Like I always text the people and I'm like, hey, 106 00:04:54,040 --> 00:04:55,680 Speaker 1: do you guys listen to that song? And then they'll 107 00:04:55,760 --> 00:05:00,000 Speaker 1: be like, yeah, does anyone always does anyone ever say 108 00:05:00,040 --> 00:05:03,360 Speaker 1: head it's not that good? Luke? Yeah? Oh yeah, yeah, 109 00:05:03,400 --> 00:05:05,279 Speaker 1: like we'll be like, man, we just and sometimes that's 110 00:05:05,320 --> 00:05:08,600 Speaker 1: like we'll just go and rewrite that, you know, that thing, 111 00:05:08,720 --> 00:05:10,760 Speaker 1: or change what we don't like about it or so 112 00:05:10,800 --> 00:05:12,440 Speaker 1: I think you have to be willing to do that too. 113 00:05:12,600 --> 00:05:14,000 Speaker 1: You know, you have to be willed it. But you 114 00:05:14,000 --> 00:05:16,480 Speaker 1: always have to. I've always heard that you just you 115 00:05:16,520 --> 00:05:19,320 Speaker 1: have to finish a song, even if it's bad, even 116 00:05:19,320 --> 00:05:22,839 Speaker 1: if you don't like it. The practice of getting it complete. 117 00:05:23,440 --> 00:05:25,560 Speaker 1: You know, like if your job was cutting down trees 118 00:05:25,680 --> 00:05:28,279 Speaker 1: and you got halfway through cutting the tree down, you 119 00:05:28,279 --> 00:05:30,200 Speaker 1: would never know how to fell a tree because you 120 00:05:30,240 --> 00:05:32,719 Speaker 1: had never done it before. You might be really good 121 00:05:32,760 --> 00:05:35,360 Speaker 1: at chopping the tree halfway down, and then you don't 122 00:05:35,360 --> 00:05:37,880 Speaker 1: know how to do the rest. So it's like all 123 00:05:37,880 --> 00:05:40,080 Speaker 1: your songwriters out there, even if you're writing bad songs, 124 00:05:40,120 --> 00:05:42,520 Speaker 1: you have to just finish them and then move on. 125 00:05:42,720 --> 00:05:46,000 Speaker 1: Question two is if someone said, hey, man, there's a 126 00:05:46,000 --> 00:05:48,040 Speaker 1: million bucks, I need you to write me a radio hit. 127 00:05:48,040 --> 00:05:49,840 Speaker 1: You have thirty minutes. Do you think you could do it? 128 00:05:50,080 --> 00:05:57,240 Speaker 1: Thirty yes, write him my wallet? And what would you do? 129 00:05:57,279 --> 00:06:00,360 Speaker 1: Would you? Would you chase just a big melody without 130 00:06:00,400 --> 00:06:02,440 Speaker 1: a lot of like depth, And you know we're gonna 131 00:06:02,440 --> 00:06:06,400 Speaker 1: go whoo a lot of those. I think if if 132 00:06:06,400 --> 00:06:10,039 Speaker 1: it was in that in that sense and thirty minutes, 133 00:06:10,040 --> 00:06:13,360 Speaker 1: one million dollars, it's got to be a melodies melodies 134 00:06:13,400 --> 00:06:17,080 Speaker 1: the thing and claps and crows and yeah, melodies. Man, 135 00:06:17,200 --> 00:06:19,599 Speaker 1: sing Ability like something that people can sing back to, 136 00:06:19,760 --> 00:06:22,479 Speaker 1: I think is the biggest thing with any hit. Really, 137 00:06:23,040 --> 00:06:26,560 Speaker 1: final question you put out this album today. Do you 138 00:06:26,680 --> 00:06:31,159 Speaker 1: feel as good or better about this album than the 139 00:06:31,240 --> 00:06:35,120 Speaker 1: other albums that you've put out? Interesting question, Man, I 140 00:06:35,160 --> 00:06:38,360 Speaker 1: feel different about this one um in the sense of 141 00:06:39,000 --> 00:06:43,200 Speaker 1: it came together over the last two and a half 142 00:06:43,279 --> 00:06:45,880 Speaker 1: for three years, and it was like all the recording 143 00:06:45,880 --> 00:06:49,520 Speaker 1: sessions were so spread out and different. It was just 144 00:06:49,560 --> 00:06:53,600 Speaker 1: a completely different process than the other two, just because 145 00:06:53,640 --> 00:06:56,800 Speaker 1: of the circumstances of the world at the time that 146 00:06:56,880 --> 00:06:59,960 Speaker 1: it was made and all the different sessions that we did. 147 00:07:00,080 --> 00:07:02,039 Speaker 1: And then the tour came along, so that put the 148 00:07:02,040 --> 00:07:03,920 Speaker 1: brakes on it and I didn't do any work on 149 00:07:03,960 --> 00:07:06,280 Speaker 1: it for the whole tour because I just couldn't. I 150 00:07:06,320 --> 00:07:07,960 Speaker 1: just couldn't think about it because it was like I 151 00:07:07,960 --> 00:07:10,480 Speaker 1: wouldn't be able to focus on it. So I feel 152 00:07:10,560 --> 00:07:13,360 Speaker 1: really great about it, but it's just completely different, and 153 00:07:13,400 --> 00:07:15,920 Speaker 1: it's hard to even gauge it beside the other two 154 00:07:15,960 --> 00:07:19,080 Speaker 1: because it was just so completely different. The album's out 155 00:07:19,120 --> 00:07:22,120 Speaker 1: today in full transparency. We actually recorded this back in 156 00:07:22,200 --> 00:07:26,600 Speaker 1: April before Luke's wife and Luke had a baby. So 157 00:07:26,680 --> 00:07:28,720 Speaker 1: and we can air all this even as I'm about 158 00:07:28,760 --> 00:07:30,480 Speaker 1: to say as it is. But I'm just gonna say, hey, man, 159 00:07:30,480 --> 00:07:32,280 Speaker 1: how's the baby, and give me a few responses, sure, 160 00:07:32,280 --> 00:07:36,680 Speaker 1: and then we'll highlight the one whichever te So, So, 161 00:07:37,120 --> 00:07:39,360 Speaker 1: how was it at the hospital? Oh it was great man? 162 00:07:39,440 --> 00:07:42,560 Speaker 1: You know stressful? Oh yes, yeah, yeah, of course, give 163 00:07:42,600 --> 00:07:45,320 Speaker 1: me a second answer case it's it's not stressful at all. Yeah, 164 00:07:45,440 --> 00:07:48,280 Speaker 1: Oh it was great man. It is easy, peasy, good 165 00:07:48,600 --> 00:07:51,840 Speaker 1: look at that. Okay, cool? Easy? And how has it 166 00:07:51,840 --> 00:07:54,200 Speaker 1: been back at the house with the baby. It's good, 167 00:07:54,320 --> 00:07:57,240 Speaker 1: it's been good. It's not a lot of sleep, okay, cool, yeah, 168 00:07:57,320 --> 00:08:00,160 Speaker 1: not a lot of sleep. There's also a possibility that 169 00:08:00,200 --> 00:08:02,240 Speaker 1: we could not have a baby yet. By the way, 170 00:08:02,400 --> 00:08:05,320 Speaker 1: Oh okay, well that's a close. Hey Luke, where's the baby? 171 00:08:05,480 --> 00:08:09,240 Speaker 1: Who knows? Okay, there we go and then do uh 172 00:08:09,800 --> 00:08:12,160 Speaker 1: And this is all all playing for audience right here. 173 00:08:12,200 --> 00:08:14,360 Speaker 1: Do one where you go I've got tons of sleep. 174 00:08:14,400 --> 00:08:16,560 Speaker 1: People are so wrong about how hard it is. Here 175 00:08:16,560 --> 00:08:22,760 Speaker 1: we go, here's Lukes man, I've been sleeping great, Okay, 176 00:08:23,720 --> 00:08:27,280 Speaker 1: Luke Combs albums out today. Um we obviously recorded this 177 00:08:27,320 --> 00:08:30,520 Speaker 1: back in April. So just man, love it, love what 178 00:08:30,560 --> 00:08:33,320 Speaker 1: you do, love to see just it's just a big, big, 179 00:08:33,760 --> 00:08:35,920 Speaker 1: honest conversation with you, and I can always appreciate that. 180 00:08:36,440 --> 00:08:39,199 Speaker 1: Quasi there he is Luke Combs. Go go see him 181 00:08:39,760 --> 00:08:42,360 Speaker 1: stream the music at Luke Hombs on Instagram and we'll 182 00:08:42,360 --> 00:08:46,200 Speaker 1: be back. You know, people send us emails. They do 183 00:08:46,360 --> 00:08:49,839 Speaker 1: write hellooooa, whoa. I didn't just start that out of nowhere. 184 00:08:49,880 --> 00:08:51,520 Speaker 1: I was wondering about that was one or two and 185 00:08:51,559 --> 00:08:54,280 Speaker 1: then people write their emails like that. Some do, some don't, 186 00:08:54,320 --> 00:08:56,880 Speaker 1: and some are really long. It was like helloola, So 187 00:08:57,040 --> 00:08:59,559 Speaker 1: just no, that's on the email. Let's open up the 188 00:08:59,600 --> 00:09:10,720 Speaker 1: mail back, get something we call hear Hello, Bobby Bones. 189 00:09:10,880 --> 00:09:12,800 Speaker 1: My family and I started a small business about five 190 00:09:12,880 --> 00:09:16,240 Speaker 1: years ago. It's a niche business. There aren't many of 191 00:09:16,320 --> 00:09:18,280 Speaker 1: us around just yet. We've worked from the ground up 192 00:09:18,400 --> 00:09:21,880 Speaker 1: Blood Sweat Tears. We have grown our business, which has 193 00:09:21,960 --> 00:09:24,920 Speaker 1: just been named best in the state for its class. 194 00:09:25,280 --> 00:09:27,800 Speaker 1: Now I understand similar businesses are going to pop up. 195 00:09:28,160 --> 00:09:31,360 Speaker 1: We almost encourage it. We love collaborating with similar companies 196 00:09:31,400 --> 00:09:35,320 Speaker 1: growing in our industry. But one of our previous employees 197 00:09:35,360 --> 00:09:37,120 Speaker 1: is new now open same kind of business in our 198 00:09:37,120 --> 00:09:40,400 Speaker 1: old location, selling the exact same stuff. Not only that 199 00:09:40,440 --> 00:09:42,680 Speaker 1: they copy our social posts, they host the same events. 200 00:09:43,360 --> 00:09:45,160 Speaker 1: They told everyone quote they are in the business to 201 00:09:45,160 --> 00:09:49,559 Speaker 1: put us out of business. Now, now, we were all 202 00:09:49,679 --> 00:09:52,120 Speaker 1: getting along with them, but Hank, it's annoying. How do 203 00:09:52,120 --> 00:09:55,199 Speaker 1: we stand out them piggybacking off us? Do we confront them, 204 00:09:55,240 --> 00:09:57,440 Speaker 1: extend the olive branch. We're in a small town rumor 205 00:09:57,480 --> 00:10:00,080 Speaker 1: spread like wildfire, but we want to remain cordial. How 206 00:10:00,080 --> 00:10:02,520 Speaker 1: do we get the leg up? Help ps listeners? Since 207 00:10:02,600 --> 00:10:05,200 Speaker 1: day one, my listener loves it. My daughter loves a 208 00:10:05,240 --> 00:10:07,920 Speaker 1: new kid's book signed a small business lady trying to 209 00:10:07,920 --> 00:10:10,880 Speaker 1: put her stamp on the world. Well, I appreciate that. Email. 210 00:10:10,880 --> 00:10:12,959 Speaker 1: I'll tell you a story somewhat similar. We started this 211 00:10:13,080 --> 00:10:14,959 Speaker 1: radio show a long time ago. This radio show is 212 00:10:15,000 --> 00:10:17,480 Speaker 1: done a bit different than other radio shows, not only 213 00:10:17,480 --> 00:10:18,960 Speaker 1: from how we do it behind the scenes, where I'm 214 00:10:18,960 --> 00:10:20,480 Speaker 1: the only person that knows what we're gonna talk about 215 00:10:20,520 --> 00:10:22,760 Speaker 1: on the show, to the group people that's never been 216 00:10:22,800 --> 00:10:25,000 Speaker 1: on the radio before, to the main host that doesn't 217 00:10:25,000 --> 00:10:27,640 Speaker 1: have a good radio voice too, that I could just 218 00:10:27,679 --> 00:10:29,640 Speaker 1: go down the line and how we did everything so different, 219 00:10:29,880 --> 00:10:31,560 Speaker 1: and we were told forever it's not going to work. 220 00:10:31,760 --> 00:10:34,520 Speaker 1: And then once it started working and then really started working, 221 00:10:34,720 --> 00:10:36,760 Speaker 1: everybody started copying it. They were like, oh, yeah, we 222 00:10:36,800 --> 00:10:41,200 Speaker 1: always knew that was blueprint for success. It's one after 223 00:10:41,280 --> 00:10:43,520 Speaker 1: the other. Little clones of this show would pop up, 224 00:10:44,080 --> 00:10:45,920 Speaker 1: even if it's not a straight clone of the show. 225 00:10:45,960 --> 00:10:48,760 Speaker 1: They'd still segments and change the name just a little bit, 226 00:10:48,800 --> 00:10:50,800 Speaker 1: but over and over. And I used to get so 227 00:10:50,880 --> 00:10:54,360 Speaker 1: upset about that. Now I just do me. I can't 228 00:10:54,400 --> 00:10:56,600 Speaker 1: control anybody else, can't control what they do, what they say, 229 00:10:56,800 --> 00:10:59,840 Speaker 1: can't control how they react to things, can't control their bosses. 230 00:11:01,080 --> 00:11:03,880 Speaker 1: I just do me. I do the best version of me. 231 00:11:04,280 --> 00:11:06,600 Speaker 1: I focus on me and us and what I can 232 00:11:06,640 --> 00:11:09,280 Speaker 1: do for me, us and our families. And that's it. 233 00:11:10,040 --> 00:11:13,560 Speaker 1: Because you don't have enough capacity to worry about this 234 00:11:13,640 --> 00:11:15,800 Speaker 1: other person. Now, if they're stealing something from you, if 235 00:11:15,840 --> 00:11:18,520 Speaker 1: they have some insine information there, you can sume. I 236 00:11:18,640 --> 00:11:20,200 Speaker 1: never suit anybody in my life, but I would if 237 00:11:20,240 --> 00:11:22,280 Speaker 1: it came to something like that, but I don't think 238 00:11:22,320 --> 00:11:25,520 Speaker 1: they are, and there's no law against a similar, very 239 00:11:25,559 --> 00:11:29,480 Speaker 1: similar business McDonald say hello, a Burger, king Apple say 240 00:11:29,520 --> 00:11:32,800 Speaker 1: hello to you can just do it. So here's the 241 00:11:32,840 --> 00:11:34,440 Speaker 1: advice I'm going to give you, and not just you 242 00:11:34,480 --> 00:11:36,400 Speaker 1: the emailer, but other people that are in a similar 243 00:11:36,440 --> 00:11:41,160 Speaker 1: situation professionally personally. Just do you. It's the only thing 244 00:11:41,160 --> 00:11:44,679 Speaker 1: you can control. Control what they're doing, because they're going 245 00:11:44,720 --> 00:11:46,079 Speaker 1: to do it regardless of how you feel about it, 246 00:11:46,080 --> 00:11:47,679 Speaker 1: how much hurt your feelings, how sad you are, how 247 00:11:47,720 --> 00:11:50,600 Speaker 1: angry you are. That's it. You control you. You do 248 00:11:50,679 --> 00:11:53,280 Speaker 1: your best job, put out your most authentic version of 249 00:11:53,280 --> 00:11:56,600 Speaker 1: what you're doing, and you will come ahead, especially if 250 00:11:56,600 --> 00:11:58,439 Speaker 1: you're already good. It sounds like you're killing it right now, 251 00:11:58,840 --> 00:12:03,120 Speaker 1: So keep doing you as least as possible, as less 252 00:12:03,160 --> 00:12:04,719 Speaker 1: as possible, trying not to worry about that. I know 253 00:12:04,760 --> 00:12:08,319 Speaker 1: it's hard. You are a human being and be so 254 00:12:08,360 --> 00:12:10,480 Speaker 1: good at what you do that that is what drives 255 00:12:10,520 --> 00:12:12,000 Speaker 1: them to go. I don't want to do this anymore. 256 00:12:12,200 --> 00:12:14,760 Speaker 1: I can't. I can't compete against them, so and they'll quit, 257 00:12:14,840 --> 00:12:17,480 Speaker 1: They'll lose. The end. Do you have any shows I've 258 00:12:17,520 --> 00:12:19,840 Speaker 1: had to stomp out from being I mean, I could 259 00:12:19,920 --> 00:12:23,280 Speaker 1: list them being like and I would get really competitive 260 00:12:23,320 --> 00:12:24,720 Speaker 1: and it didn't matter who was against me. They were 261 00:12:24,760 --> 00:12:27,319 Speaker 1: my mortal enemy. Some some salary. They don't even know it, 262 00:12:27,320 --> 00:12:31,440 Speaker 1: don't even read you anymore. I'm like, um, some of 263 00:12:31,440 --> 00:12:34,240 Speaker 1: that still gone it. Every once a while a little 264 00:12:34,280 --> 00:12:37,040 Speaker 1: head pops up. But just do you. That's it. Do 265 00:12:37,280 --> 00:12:39,840 Speaker 1: you focus on you do the best you the end, 266 00:12:40,240 --> 00:12:44,240 Speaker 1: because that's all you can do, other than mandalize in 267 00:12:44,240 --> 00:12:46,839 Speaker 1: the middle of the night. Oh, don't do that. Don't 268 00:12:46,880 --> 00:12:50,000 Speaker 1: do that. And that's it. Close up the mail bag. 269 00:12:50,440 --> 00:13:00,360 Speaker 1: We've got your and I was found the cloth. That right, 270 00:13:01,440 --> 00:13:04,520 Speaker 1: my favorite segment. All right, here we go, number five, 271 00:13:05,200 --> 00:13:08,559 Speaker 1: number five. So similar to the rings in a tree, 272 00:13:08,920 --> 00:13:12,840 Speaker 1: your teeth carry a record of stressful times throughout your life. 273 00:13:12,840 --> 00:13:14,720 Speaker 1: I've been grinding the crap out of mine. I thought 274 00:13:14,720 --> 00:13:17,200 Speaker 1: of you when I saw this so hard. I don't 275 00:13:17,200 --> 00:13:19,839 Speaker 1: know why. I don't know what's up. Just recently I 276 00:13:19,880 --> 00:13:22,080 Speaker 1: wonder if I grind because I'm happy that thing has 277 00:13:22,240 --> 00:13:25,319 Speaker 1: ever been Like, Wow, you're so happy. I can tell 278 00:13:25,360 --> 00:13:27,439 Speaker 1: that by the rings in your teeth. Don't think no, 279 00:13:28,720 --> 00:13:30,760 Speaker 1: I've got a new mouth guard my jaws. When I 280 00:13:30,800 --> 00:13:32,719 Speaker 1: eat sometimes food, I can't help my mouth all the 281 00:13:32,720 --> 00:13:34,679 Speaker 1: way because my jaws are so tired, the muscles are 282 00:13:35,160 --> 00:13:40,559 Speaker 1: so if you look at my teeth, I'm probably Methuselah. Old. 283 00:13:40,920 --> 00:13:42,439 Speaker 1: That's a Bible reference for some of you. Hold this 284 00:13:42,520 --> 00:13:47,600 Speaker 1: guy you're talking about, shout out number four. Jim Carrey 285 00:13:47,760 --> 00:13:51,439 Speaker 1: was originally offered the role of Captain Jack Sparrow and 286 00:13:51,559 --> 00:13:54,520 Speaker 1: Pirates of the Caribbean. He'd have been great. He turned 287 00:13:54,559 --> 00:13:57,680 Speaker 1: it down to do Bruce Almighty. Also good, yeah, also 288 00:13:57,720 --> 00:14:00,400 Speaker 1: goody good, kind of crazy seeing him as I mean, 289 00:14:00,400 --> 00:14:03,360 Speaker 1: because Johnny Depp, and I feel like Johnny Depp's doing 290 00:14:03,360 --> 00:14:06,240 Speaker 1: a Jim Carrey impression prior to the car He's like, Oh, 291 00:14:06,360 --> 00:14:09,280 Speaker 1: I'm dancing around doing Goofy. I feel like Johnny Depp 292 00:14:09,360 --> 00:14:11,240 Speaker 1: so goofy in that movie that Jim Carrey could have 293 00:14:11,240 --> 00:14:13,760 Speaker 1: easily done that. I think it had been fine. And also, 294 00:14:13,880 --> 00:14:18,680 Speaker 1: like Jim Carrey in serious movies, better than goofy ones anyway, Yeah, okay, 295 00:14:18,800 --> 00:14:20,200 Speaker 1: and then we'd have just thought of it as a 296 00:14:20,280 --> 00:14:21,920 Speaker 1: Jim Carrey would have been like Joe. Johnny Depp was 297 00:14:21,960 --> 00:14:24,520 Speaker 1: up second for this movie. But I think I'm into it. 298 00:14:24,720 --> 00:14:27,120 Speaker 1: I'm reading this book right now by this guy Jim Quick. 299 00:14:27,160 --> 00:14:28,760 Speaker 1: And he said he worked with Jim Carrey on a 300 00:14:28,800 --> 00:14:31,320 Speaker 1: product project and he was speaking somewhere where Jim Carrey 301 00:14:31,400 --> 00:14:33,120 Speaker 1: was and he went up to him afterwards and was like, Hey, 302 00:14:33,360 --> 00:14:35,920 Speaker 1: I'd like to do some private work with you. He's like, 303 00:14:35,920 --> 00:14:37,760 Speaker 1: because to do a weird question is that to go 304 00:14:37,840 --> 00:14:40,680 Speaker 1: up somebody and like one on one, I want to 305 00:14:40,720 --> 00:14:42,120 Speaker 1: hire you as a coach to help me. He's like, 306 00:14:42,120 --> 00:14:43,800 Speaker 1: I'm about to do Dumb and Dummer and I need 307 00:14:43,840 --> 00:14:45,720 Speaker 1: to be so Jim Carrey asked him. Yes, he goes, 308 00:14:46,200 --> 00:14:49,040 Speaker 1: I need to be smarter to do my role in 309 00:14:49,120 --> 00:14:51,880 Speaker 1: Dumb and Dumber. Yeah, it's really hard to play dumb. 310 00:14:52,640 --> 00:14:55,160 Speaker 1: It's not it's easy to be dumb. It's hard to 311 00:14:55,280 --> 00:14:59,640 Speaker 1: play dumb because you can't put yourself there because it's 312 00:14:59,680 --> 00:15:02,520 Speaker 1: like trying to be short. If you're really tall, you 313 00:15:02,600 --> 00:15:05,320 Speaker 1: can't just make your unless you're like been, it's impossible. 314 00:15:05,680 --> 00:15:07,680 Speaker 1: So you gotta be really smart to be dumb. So 315 00:15:07,920 --> 00:15:12,920 Speaker 1: that being said IQ of two hundred lunch Box, it's 316 00:15:14,280 --> 00:15:19,560 Speaker 1: not a thing that's that's brilliant timing. The guy leaves 317 00:15:20,080 --> 00:15:21,880 Speaker 1: in a British accent and has all the degrees. But 318 00:15:22,000 --> 00:15:25,960 Speaker 1: in this room, guy's crushing it, all right. Next number three, 319 00:15:26,840 --> 00:15:29,440 Speaker 1: HBO passed on The Walking Dead because they thought it 320 00:15:29,520 --> 00:15:33,440 Speaker 1: was too violent. It's very violent, though, but HBO, HBO 321 00:15:33,480 --> 00:15:37,000 Speaker 1: has ods. That's a pretty they showed back in the day, 322 00:15:37,600 --> 00:15:39,800 Speaker 1: so they've always been violent. So that's weird that they 323 00:15:39,840 --> 00:15:42,600 Speaker 1: were shows like The Wire and then even now and 324 00:15:42,720 --> 00:15:44,800 Speaker 1: they ended up being super successful. So I bet they were, like, 325 00:15:44,920 --> 00:15:47,880 Speaker 1: dang it, it was my favorite show for thirty four years, 326 00:15:48,000 --> 00:15:50,320 Speaker 1: like my the favorite show. Same, but I have not. 327 00:15:50,600 --> 00:15:52,880 Speaker 1: I don't know what's been happening. Is it still no? 328 00:15:53,080 --> 00:15:55,000 Speaker 1: I think now it's current day and everybody's living a 329 00:15:55,040 --> 00:15:57,520 Speaker 1: happy life. Okay, I'm boring of a show. All the 330 00:15:57,600 --> 00:15:59,880 Speaker 1: zombies are dead, people eat all the food groups the end, 331 00:16:00,240 --> 00:16:04,000 Speaker 1: all right. Next number two, it would take a person 332 00:16:04,080 --> 00:16:07,480 Speaker 1: approximately fifteen to eighteen years to do all the training 333 00:16:07,680 --> 00:16:13,960 Speaker 1: you'd need to become Batman. Interesting. I just I guess 334 00:16:14,000 --> 00:16:15,240 Speaker 1: I don't think of the training. I think of how 335 00:16:15,360 --> 00:16:16,600 Speaker 1: rich he is and just think he can buy all 336 00:16:16,640 --> 00:16:19,160 Speaker 1: that stuff. Yeah, because he has a I guess he has, yes, 337 00:16:19,240 --> 00:16:22,560 Speaker 1: but he also can fight, okay, well in training, Yeah, 338 00:16:23,320 --> 00:16:26,040 Speaker 1: well he goes away, remembering that one of the Batman's 339 00:16:26,120 --> 00:16:28,880 Speaker 1: that's jail. They throw him in a hole. That ain't training, 340 00:16:28,960 --> 00:16:32,960 Speaker 1: that's life. Maybe it goes away, Okay. I I had 341 00:16:33,040 --> 00:16:34,880 Speaker 1: this whole debate with my wife about Batman. We were 342 00:16:35,000 --> 00:16:38,720 Speaker 1: watching it and would turn it on and the new 343 00:16:38,880 --> 00:16:42,720 Speaker 1: The Batman and it's really long, and she's so analytical 344 00:16:42,760 --> 00:16:44,960 Speaker 1: about certain things, so emotional about others. And we're watching 345 00:16:45,000 --> 00:16:47,560 Speaker 1: it and she's like, what's this, what's this superhero power 346 00:16:47,680 --> 00:16:48,840 Speaker 1: or whatever? I was like, I didn't have one. He's 347 00:16:48,840 --> 00:16:50,720 Speaker 1: why they call him superhero. I was like, well, he 348 00:16:50,960 --> 00:16:53,360 Speaker 1: saves people. Okay, we'll call him a cop. I was like, well, 349 00:16:54,560 --> 00:16:57,360 Speaker 1: I was like, well, it's not really a cop, but 350 00:16:57,480 --> 00:17:01,040 Speaker 1: he's a superhero with like Iron Man. What's his power? 351 00:17:01,240 --> 00:17:03,440 Speaker 1: He's rich? Well, okay, call him a cop. And I 352 00:17:03,600 --> 00:17:05,040 Speaker 1: was like, well that's a good point, dang it. And 353 00:17:05,040 --> 00:17:06,880 Speaker 1: then she's like, why does he wear the stupid costume? 354 00:17:07,040 --> 00:17:07,920 Speaker 1: And I was like, what do you mean is this 355 00:17:08,000 --> 00:17:10,280 Speaker 1: he's this superop? We already say it's not superhero. Let's 356 00:17:10,280 --> 00:17:12,159 Speaker 1: move on from that. He said, but why, I like 357 00:17:12,280 --> 00:17:14,760 Speaker 1: the it looks like an adult going too a child's birthday. Party, like, 358 00:17:14,760 --> 00:17:17,119 Speaker 1: why does he have to do that? Like, after all 359 00:17:17,160 --> 00:17:19,880 Speaker 1: these years, can't they like make it. He's like moren 360 00:17:19,960 --> 00:17:23,000 Speaker 1: rubber and I was like, yeah, it's a movie. She goes, well, 361 00:17:23,200 --> 00:17:25,280 Speaker 1: it's creepy. They should not do that because he looks 362 00:17:25,320 --> 00:17:26,760 Speaker 1: like he's trying to get into it, like a kid's 363 00:17:27,000 --> 00:17:29,160 Speaker 1: birthday and it says. She said, why is he a bat? 364 00:17:29,240 --> 00:17:31,560 Speaker 1: And I was like, I have no idea. She's like, 365 00:17:31,680 --> 00:17:33,440 Speaker 1: can you just wear like a black headband or something? 366 00:17:33,840 --> 00:17:35,720 Speaker 1: And I was like, because he doesn't flap his arms 367 00:17:35,720 --> 00:17:37,840 Speaker 1: out anymore, that's old school Batman, So why does he 368 00:17:37,880 --> 00:17:39,840 Speaker 1: still wear the ears? Oh my goodness, this is the 369 00:17:39,920 --> 00:17:41,680 Speaker 1: discussion as you guys have, yeah, a positive for this. 370 00:17:42,160 --> 00:17:45,000 Speaker 1: I was really dialed in and so I said, uh, yeah, 371 00:17:45,000 --> 00:17:47,399 Speaker 1: I don't know why he's a bat sonar. She's like, 372 00:17:47,440 --> 00:17:48,800 Speaker 1: does he use that a lot? Like I don't think. 373 00:17:48,840 --> 00:17:51,280 Speaker 1: So she goes, all right, so he's not a superhero. 374 00:17:51,960 --> 00:17:54,159 Speaker 1: You don't know why he's a bat and he wears 375 00:17:54,359 --> 00:17:58,200 Speaker 1: like a creepy adult costume out solving crime. I was 376 00:17:58,200 --> 00:18:00,480 Speaker 1: like yeah, yeah, yeah. She's like, all right, you get play. 377 00:18:00,720 --> 00:18:02,160 Speaker 1: I was like, all right, cool. We didn't watch Spiderman 378 00:18:02,200 --> 00:18:04,440 Speaker 1: anything after that, But that was kind of how that 379 00:18:04,560 --> 00:18:08,880 Speaker 1: went down there, all right. Next Number one, sour patch 380 00:18:09,040 --> 00:18:13,000 Speaker 1: kids are from the same manufacturer as Swedish fish, So 381 00:18:13,160 --> 00:18:16,480 Speaker 1: the red sour Patch kids are the same exact candy 382 00:18:16,520 --> 00:18:18,240 Speaker 1: as Swedish fish. They just got sugar on them. I 383 00:18:18,240 --> 00:18:20,320 Speaker 1: don't know if there's a worse candy than Sweetish fish though. 384 00:18:20,520 --> 00:18:23,119 Speaker 1: That's like when they get old people who want candy 385 00:18:23,160 --> 00:18:24,800 Speaker 1: but don't can't really have a real candy because it's 386 00:18:24,800 --> 00:18:28,520 Speaker 1: not even sweet or not them. Like I used to 387 00:18:28,520 --> 00:18:30,720 Speaker 1: have a little wrestling men that were rubber, same thing 388 00:18:30,760 --> 00:18:33,879 Speaker 1: as sweetest fish, same factory I had those, Yeah, the 389 00:18:33,960 --> 00:18:37,520 Speaker 1: same same thing. Swedish fish are terrible. I don't hate them, oh, 390 00:18:37,760 --> 00:18:39,919 Speaker 1: but it's like not real candy. But I also love 391 00:18:40,000 --> 00:18:43,240 Speaker 1: Betto honey. I guess I'm not hard to please. I don't. 392 00:18:43,680 --> 00:18:45,800 Speaker 1: I don't like Beto honey, but that's because I don't 393 00:18:45,840 --> 00:18:49,640 Speaker 1: like Beto honey. Swedish fish I have no feeling about 394 00:18:49,680 --> 00:18:55,720 Speaker 1: whatsoever because it's just stupid. Wow, there you go. Yeah, 395 00:18:56,240 --> 00:18:58,119 Speaker 1: but next time you're eating a sour patch kid, just 396 00:18:58,240 --> 00:19:00,280 Speaker 1: know you're eating the red ones that you're eating a 397 00:19:00,280 --> 00:19:02,520 Speaker 1: Swedish fish dipped in sugar, be honest with you as 398 00:19:02,520 --> 00:19:06,000 Speaker 1: soon as this segments over and never remember this a light. Okay, 399 00:19:06,080 --> 00:19:16,239 Speaker 1: there you go. It's time for the good news, all right. 400 00:19:16,280 --> 00:19:17,680 Speaker 1: So I want to tell you this story about a 401 00:19:17,760 --> 00:19:21,320 Speaker 1: Kansas teenager who's doing something pretty simple but making people 402 00:19:21,400 --> 00:19:24,119 Speaker 1: feel super special. So everyone around the country can take 403 00:19:24,200 --> 00:19:27,200 Speaker 1: notes and try to do this. Shout out to Caleb 404 00:19:27,280 --> 00:19:29,240 Speaker 1: Kelly Jones, who was looking for a way to just 405 00:19:29,400 --> 00:19:32,199 Speaker 1: give back to his community. He noticed the janitors at 406 00:19:32,240 --> 00:19:35,720 Speaker 1: his school weren't really getting the type of appreciation they 407 00:19:35,800 --> 00:19:38,639 Speaker 1: deserve and they worked so hard, so he rallied his 408 00:19:38,840 --> 00:19:41,760 Speaker 1: family and friends and they made a bunch of cookies 409 00:19:42,160 --> 00:19:44,920 Speaker 1: and he straight up showed up to the janitors with 410 00:19:45,160 --> 00:19:47,760 Speaker 1: all the cookies and he had a card signed by 411 00:19:47,920 --> 00:19:52,000 Speaker 1: every single student, every teacher, every administrator at the school. 412 00:19:52,240 --> 00:19:55,719 Speaker 1: The custodians were completely blown away by the kind gesture 413 00:19:55,800 --> 00:19:57,879 Speaker 1: and it totally made their day. And I thought, this 414 00:19:58,080 --> 00:20:00,480 Speaker 1: is such a doable, simple thing as a way to 415 00:20:00,480 --> 00:20:02,080 Speaker 1: say thank you to people that work so hard well. 416 00:20:02,119 --> 00:20:04,320 Speaker 1: And I would bet you that's a pretty underappreciated job, 417 00:20:04,400 --> 00:20:06,280 Speaker 1: the amount of work that goes in the amount of 418 00:20:06,320 --> 00:20:08,639 Speaker 1: respect they probably don't get because you don't see the 419 00:20:08,680 --> 00:20:11,359 Speaker 1: amount of work that goes in. So I like it. 420 00:20:11,640 --> 00:20:14,640 Speaker 1: And again it's somebody appreciating somebody who probably doesn't feel 421 00:20:14,640 --> 00:20:17,440 Speaker 1: the appreciation enough. If I were to equate that to 422 00:20:17,480 --> 00:20:19,520 Speaker 1: somebody on the show, I'd say, probably like me, you 423 00:20:19,520 --> 00:20:24,040 Speaker 1: guys should appreciate you want cookies? Yeah, I always want 424 00:20:24,080 --> 00:20:25,880 Speaker 1: cookies in a car? Who doesn't want cookies in a card? 425 00:20:26,760 --> 00:20:29,520 Speaker 1: That's an awesome story. That is what it's all about. 426 00:20:30,119 --> 00:20:33,919 Speaker 1: That was tell me something good. We got a new champion, 427 00:20:34,040 --> 00:20:36,480 Speaker 1: Eddies back here I am. By the way, there have 428 00:20:36,640 --> 00:20:39,800 Speaker 1: been five champions total, Eddie four. Amy one champion Tom 429 00:20:39,840 --> 00:20:43,359 Speaker 1: Brady of Easy Trip. Are all right? It's the easiest 430 00:20:43,400 --> 00:20:46,800 Speaker 1: trivia game ever? A question number one the categories animals, Amy, 431 00:20:47,240 --> 00:20:52,320 Speaker 1: Which animal is known as man's best friend? A dog? Correct? Lunchbox? 432 00:20:52,359 --> 00:20:57,080 Speaker 1: Which desert animal has a hump? Camel? Yeah, Eddie? Was 433 00:20:57,119 --> 00:21:01,520 Speaker 1: a rhinoceros have on its nose a horn? Yeah? Morgan? 434 00:21:01,600 --> 00:21:05,600 Speaker 1: What animal is covered in quills? A porkpine? Is right? 435 00:21:05,680 --> 00:21:09,280 Speaker 1: Let's go. Let's go. Okay, So now if you miss it, 436 00:21:09,359 --> 00:21:11,560 Speaker 1: you're out. And if you miss it, you're gonna hear 437 00:21:11,600 --> 00:21:16,000 Speaker 1: this sound. You've been booed. Object to the game be 438 00:21:16,080 --> 00:21:20,560 Speaker 1: the last one to be boned. Nice, let's go. The 439 00:21:20,680 --> 00:21:25,159 Speaker 1: category is country music, Amy who is known as the 440 00:21:25,240 --> 00:21:30,200 Speaker 1: King country Music. George Trait correct, Lunchbox, what country artist 441 00:21:30,280 --> 00:21:37,879 Speaker 1: sings this kiss? This kiss? This kiss? It's some tropical 442 00:21:39,280 --> 00:21:43,960 Speaker 1: uh this kiss? Uh? Faith Hill? Correct? Got there? Eddie 443 00:21:43,960 --> 00:21:50,080 Speaker 1: who wrote the autobiographical song coal Miner's Daughter, m Colmar's daughter. 444 00:21:50,320 --> 00:21:53,760 Speaker 1: That is Lauretta Lynn Correct. It's a pretty tough one 445 00:21:53,760 --> 00:21:57,480 Speaker 1: for round. Good one for you. Kenny Rogers and Dolly 446 00:21:57,560 --> 00:22:01,200 Speaker 1: Parton Morgan famously do edit on what country song? It 447 00:22:01,359 --> 00:22:05,000 Speaker 1: was also written by the Beeg's Islands in the Sound? 448 00:22:05,080 --> 00:22:07,240 Speaker 1: Was we are Islands in the Stream? Was? Dolly Parton 449 00:22:07,280 --> 00:22:10,919 Speaker 1: and Kenny Rogers? Good job? Wow Morgan? Good job? All right? 450 00:22:11,040 --> 00:22:15,359 Speaker 1: The next one US city nicknames? Oh graph? Can we 451 00:22:15,440 --> 00:22:19,440 Speaker 1: get mad at us? I know what? Okay? US city nicknames? 452 00:22:19,600 --> 00:22:23,800 Speaker 1: R us city knowledge? Which city is the home of 453 00:22:23,880 --> 00:22:31,200 Speaker 1: Finnway Park known as Beantown? We've been there, we go, there, gone, 454 00:22:32,080 --> 00:22:37,000 Speaker 1: we win. Let's see the bean Fenway? Where were we? 455 00:22:38,400 --> 00:22:43,320 Speaker 1: I know? There's the bean in Chicago Beantoween Park and 456 00:22:43,400 --> 00:22:46,600 Speaker 1: then Finnway Is that where the Chicago Cubs are? Chicago 457 00:22:47,440 --> 00:22:52,120 Speaker 1: you've been Benway for the Boston Red Sox plays where 458 00:22:52,160 --> 00:22:54,560 Speaker 1: we went, Yeah, beantown of Boston. But there's a bean 459 00:22:54,640 --> 00:22:57,119 Speaker 1: but Boston doesn't own every bean. And there are Boston 460 00:22:57,200 --> 00:23:03,680 Speaker 1: beans by Boston, so that I knew. We went to 461 00:23:03,800 --> 00:23:06,840 Speaker 1: that and it was in Boston. Lunchbox, What city is 462 00:23:06,920 --> 00:23:12,080 Speaker 1: known as the birthplace of jazz? Uh has to be 463 00:23:12,160 --> 00:23:15,480 Speaker 1: New Orleans? Is that your answer? Yeah? Correct, Eddie. What 464 00:23:15,640 --> 00:23:17,600 Speaker 1: city is known as the City of Angels? That is 465 00:23:17,680 --> 00:23:26,280 Speaker 1: Los Angeles? Yeah, Morgan. What's motor city? Motor City? I 466 00:23:28,480 --> 00:23:32,119 Speaker 1: I don't know, I mean Nascar, I would imagine. Is 467 00:23:32,160 --> 00:23:38,480 Speaker 1: that Indiana? Is that Indianapolis? I have no idea Indianapolis? 468 00:23:40,040 --> 00:23:43,440 Speaker 1: That's incorrect. You've been motor city? Cars that make a 469 00:23:43,480 --> 00:23:49,720 Speaker 1: lot of cars. I got nothing. Detroit would have never 470 00:23:49,800 --> 00:23:52,960 Speaker 1: gotten that. Yeah, city and geographies. That takes us down. 471 00:23:54,080 --> 00:23:57,959 Speaker 1: All right, Lunchbox and Eddie are left. Let's go. There 472 00:23:58,000 --> 00:23:59,680 Speaker 1: are two questions for each of you in this category, 473 00:24:00,440 --> 00:24:10,440 Speaker 1: which is nineties movies. Easy, which box office hit about nuns? Started? 474 00:24:10,440 --> 00:24:18,040 Speaker 1: Wolfee Goldberg sister? Correct? Yes, Eddie. This quote You're killing 475 00:24:18,080 --> 00:24:22,960 Speaker 1: me Smalls is from what nineties movie? That's the Sandlot? Correct? Lunchbox. 476 00:24:23,040 --> 00:24:28,280 Speaker 1: Who played missus doubt fire? Robin Williams? Who Robin Williams? 477 00:24:29,160 --> 00:24:31,720 Speaker 1: He said, Ronald Williams didn't. I know you didn't. I 478 00:24:31,800 --> 00:24:34,960 Speaker 1: was asking again. What color was Nickelodeon known for making 479 00:24:35,000 --> 00:24:39,159 Speaker 1: their VHS tapes? Eddie? What color was Nickelodeon known for 480 00:24:39,280 --> 00:24:43,159 Speaker 1: making their VHS tapes? Man? I never bought a Nickelodeon 481 00:24:43,240 --> 00:24:47,520 Speaker 1: VHS tape, but I'm assuming they were. I mean, Nickelodeon's orange, 482 00:24:48,760 --> 00:24:51,719 Speaker 1: so I'm assuming they would make it orange. Answer, I mean, 483 00:24:51,760 --> 00:24:57,840 Speaker 1: I have no other answer orange? Correct? Wow. Category of celebrities. Yeah, 484 00:24:58,359 --> 00:25:00,800 Speaker 1: for me and my people, lunchbox. What country is Ryan 485 00:25:00,840 --> 00:25:09,320 Speaker 1: Reynolds born in Canada? Fret? Wow? You know that? Wow? 486 00:25:10,119 --> 00:25:13,440 Speaker 1: Which actor visits chick six children in the hospital in 487 00:25:13,560 --> 00:25:19,760 Speaker 1: the Peter Quill star lord costumes? Excuse me, He's done 488 00:25:19,800 --> 00:25:22,399 Speaker 1: this a lot. Which actor visits six children in the 489 00:25:22,440 --> 00:25:28,960 Speaker 1: hospital in the Peter Quill star lord costume? Well, I 490 00:25:29,000 --> 00:25:32,840 Speaker 1: would assume that's who he played in a movie. I 491 00:25:32,920 --> 00:25:34,640 Speaker 1: don't know. I don't know who that is, but I'm 492 00:25:34,680 --> 00:25:39,040 Speaker 1: thinking it's um the Guardians of the Galaxy guy. Kind 493 00:25:39,080 --> 00:25:42,480 Speaker 1: of funny. He was in Parks and rec used to 494 00:25:42,520 --> 00:25:46,040 Speaker 1: be bigger. Now he's all fit. What is his name? 495 00:25:46,800 --> 00:25:54,639 Speaker 1: Five seconds? Oh my gosh, Chris Liam, Chris Hems, No, 496 00:25:55,119 --> 00:25:58,160 Speaker 1: Chris Fine, Chris Pratt, Chris Pratt? What hold on? Here're 497 00:25:58,160 --> 00:26:00,359 Speaker 1: time's but what is your answer? Chris Pratt? Answer is 498 00:26:00,400 --> 00:26:02,560 Speaker 1: Chris Pratt. Oh my gosh, it's not Chris. The answer 499 00:26:02,760 --> 00:26:06,719 Speaker 1: is Chris Pratt. Oh yeah, you got there. Lunchbox, Oh 500 00:26:06,840 --> 00:26:13,399 Speaker 1: my gosh. Who is Surrey's mother? Katie Holmes? Correct? Sorry, Cruis, 501 00:26:13,520 --> 00:26:16,280 Speaker 1: that's really good. What two celebrities have a daughter together 502 00:26:16,400 --> 00:26:19,919 Speaker 1: named Apple? Eddie? That's Gwyneth Paltcher and Chris Martin correct. 503 00:26:20,560 --> 00:26:22,840 Speaker 1: The tough way to get here, But we're here, lunchbox. 504 00:26:22,960 --> 00:26:29,040 Speaker 1: The category of science? What does a botanist study? Clients? Correct? Eddie? 505 00:26:29,160 --> 00:26:33,880 Speaker 1: Who discovered gravity and the three laws of motion? Isaac Newton? Correct? Lunchbox, 506 00:26:33,920 --> 00:26:38,080 Speaker 1: who discovered the theory of relativity? What the theory of relativity? 507 00:26:39,960 --> 00:26:43,040 Speaker 1: I thought we already did science? Two questions in each? YEA, 508 00:26:43,320 --> 00:26:52,080 Speaker 1: well relativity? Um Newton? Well he just said Newton, Well, 509 00:26:52,240 --> 00:26:59,200 Speaker 1: so you could do back. He could be really good. Yeah, 510 00:26:59,280 --> 00:27:02,880 Speaker 1: he equals him. I don't know what that means. There's 511 00:27:02,880 --> 00:27:05,399 Speaker 1: like famous Eddie for the wind come on, come on, okay, 512 00:27:05,680 --> 00:27:14,400 Speaker 1: what is a paleontologist study? Come on? Uh? Fossils? Correct? Yes? Yes, 513 00:27:15,520 --> 00:27:20,560 Speaker 1: was that Ross and Friends first victory of the season 514 00:27:24,600 --> 00:27:32,360 Speaker 1: was goody, you're so close? All right, all right, let's 515 00:27:32,359 --> 00:27:35,600 Speaker 1: play a couple of voicemails here. This first one is 516 00:27:35,600 --> 00:27:39,080 Speaker 1: about a scam on our Facebook page. Right play that one, please. Hi, 517 00:27:39,320 --> 00:27:43,800 Speaker 1: I'm just calling because I almost fell first. Damn that 518 00:27:44,080 --> 00:27:48,840 Speaker 1: A Deborah Headley is posted on Facebook with your show 519 00:27:49,200 --> 00:27:52,080 Speaker 1: to give people fifteen hundred dollars in cash app but 520 00:27:52,200 --> 00:27:54,119 Speaker 1: you have to pay fifty dollars first to get it. 521 00:27:54,240 --> 00:27:56,000 Speaker 1: So I just wanted you to be aware of the scam. 522 00:27:56,160 --> 00:27:58,479 Speaker 1: So maybe you guys can shut her down. I love 523 00:27:58,560 --> 00:28:00,720 Speaker 1: your show. I love you guys. Thanks so much for 524 00:28:00,800 --> 00:28:03,240 Speaker 1: being on the air. I enjoy you every day. Hey, thanks, 525 00:28:03,560 --> 00:28:05,360 Speaker 1: and thanks for the heads up. Just as a heads 526 00:28:05,440 --> 00:28:07,760 Speaker 1: up to everybody else, regardless if it's our page or 527 00:28:07,800 --> 00:28:10,560 Speaker 1: anywhere else in social media. Never pay anybody anything to 528 00:28:10,600 --> 00:28:12,359 Speaker 1: get something. If they're like, hey, i'll give you this, 529 00:28:12,480 --> 00:28:14,520 Speaker 1: we have to pay this. Never, it's always a scam. 530 00:28:14,920 --> 00:28:16,600 Speaker 1: The only time that you pay somebody to get something 531 00:28:16,680 --> 00:28:18,560 Speaker 1: that's not a scam is when you're actually buying something 532 00:28:19,480 --> 00:28:23,200 Speaker 1: from a reputable source like a store. You know, so Morgan, 533 00:28:23,240 --> 00:28:25,199 Speaker 1: did they put I assume because we have a big following, 534 00:28:25,240 --> 00:28:26,840 Speaker 1: there's a lot of this crap. Oh my gosh, there's 535 00:28:26,840 --> 00:28:28,760 Speaker 1: so many scams. I go through our page like three 536 00:28:28,840 --> 00:28:31,160 Speaker 1: times a day trying to ban these people and shut 537 00:28:31,240 --> 00:28:32,720 Speaker 1: them down. But of course there's going to be some 538 00:28:32,880 --> 00:28:34,920 Speaker 1: that fall through the crack, So just be vigilant to 539 00:28:35,080 --> 00:28:38,080 Speaker 1: not fall for it. Don't pay for anything on our page. Man, 540 00:28:38,080 --> 00:28:39,840 Speaker 1: I saw an investment. It looked pretty good on that page. 541 00:28:39,880 --> 00:28:42,280 Speaker 1: Oh yeah, it was it five thousand dollars. And then 542 00:28:42,280 --> 00:28:45,480 Speaker 1: there were some testimonies like yeah I did that network. Wow, 543 00:28:45,880 --> 00:28:49,800 Speaker 1: that's crazy. All right, here is one more. This is 544 00:28:49,920 --> 00:28:52,960 Speaker 1: Sandra that would like for you to give a shout 545 00:28:53,000 --> 00:28:56,800 Speaker 1: out to the poc City Police Department because we had 546 00:28:56,800 --> 00:28:59,640 Speaker 1: a near drownding a like my three year old granddaughter. 547 00:29:00,040 --> 00:29:03,880 Speaker 1: Than they saved her life. That's awesome, So packa city 548 00:29:03,920 --> 00:29:06,560 Speaker 1: police department. It's like, tell me something good here, jumped 549 00:29:06,600 --> 00:29:10,240 Speaker 1: in saved her. Pretty cool. On Monday's show, Eddie's gonna 550 00:29:10,240 --> 00:29:11,360 Speaker 1: try to be a lifeguard. I don't know if Gus 551 00:29:11,480 --> 00:29:13,479 Speaker 1: Hurd yet. He's gonna take the physical test. It's been 552 00:29:13,480 --> 00:29:15,840 Speaker 1: a while since I've done something like that and won. 553 00:29:15,880 --> 00:29:17,960 Speaker 1: You said, if you live yourself? Yes, how he saved 554 00:29:18,000 --> 00:29:25,000 Speaker 1: you gut? Yeah, come on, that's Monday Show. You're Amy's 555 00:29:25,040 --> 00:29:28,880 Speaker 1: pile of Stories. A new study found that women need 556 00:29:29,000 --> 00:29:32,400 Speaker 1: more downtime on weekends more than men do. The new 557 00:29:32,480 --> 00:29:39,360 Speaker 1: study was done by women. Yes, so in general's weekends 558 00:29:39,520 --> 00:29:41,600 Speaker 1: is when you know, we have the least amount of stress. 559 00:29:41,640 --> 00:29:44,200 Speaker 1: Everybody deserves a little bit of downtime, but there's a 560 00:29:44,360 --> 00:29:47,720 Speaker 1: major dramatic shift for women because women juggle more things 561 00:29:47,760 --> 00:29:50,280 Speaker 1: throughout the week and they don't have as much downtime 562 00:29:50,360 --> 00:29:53,080 Speaker 1: in general, So it is important for you to kick 563 00:29:53,160 --> 00:29:57,000 Speaker 1: back relax on the weekends. They say it's essential here. Well, 564 00:29:57,040 --> 00:29:59,280 Speaker 1: if the story in the pile we know must live it, 565 00:29:59,320 --> 00:30:00,800 Speaker 1: we must go live it in our lives. Take this 566 00:30:00,880 --> 00:30:03,080 Speaker 1: home to your men, all right? What else? If you've 567 00:30:03,120 --> 00:30:05,280 Speaker 1: always been a bad dancer, you can officially blame it 568 00:30:05,360 --> 00:30:08,200 Speaker 1: on your parents because another study was done about this, 569 00:30:08,520 --> 00:30:11,640 Speaker 1: and it's partly down to your genetics. Whether or not 570 00:30:11,720 --> 00:30:14,280 Speaker 1: you can move on the dance. For sure, it's rhythm, 571 00:30:14,480 --> 00:30:17,440 Speaker 1: it's hand eye coordinate. I would say it's all genetics 572 00:30:17,840 --> 00:30:21,160 Speaker 1: as far as what you can do naturally. If you're 573 00:30:21,240 --> 00:30:23,920 Speaker 1: a fast runner, probably your parents were pretty fast runners. 574 00:30:24,040 --> 00:30:26,920 Speaker 1: Anything we do physically, Yeah, the study even went into 575 00:30:27,160 --> 00:30:30,640 Speaker 1: playing the drums or rhythm guitar, like there's work that 576 00:30:30,680 --> 00:30:32,520 Speaker 1: takes to get better, but just being natural at something 577 00:30:32,960 --> 00:30:36,080 Speaker 1: is almost all just coming from your parents or your grandparents, 578 00:30:36,240 --> 00:30:38,840 Speaker 1: I know. And what's a bummer is that my sister 579 00:30:39,160 --> 00:30:42,080 Speaker 1: is a really good dancer, and then I'm not. You'll 580 00:30:42,080 --> 00:30:44,600 Speaker 1: admit that, Oh, I know, I'm not good. I've even 581 00:30:44,720 --> 00:30:47,200 Speaker 1: tried sashira. My daughter did a dance camp the other 582 00:30:47,320 --> 00:30:48,720 Speaker 1: day and I had to help her with a dance 583 00:30:48,880 --> 00:30:53,080 Speaker 1: and it was brutal, like brutal. Did you see justin 584 00:30:53,080 --> 00:30:55,720 Speaker 1: Timberlake dance recently? He was dancing on stage and it 585 00:30:55,840 --> 00:30:57,800 Speaker 1: was like and I thought he was kidding, but the 586 00:30:58,480 --> 00:31:00,440 Speaker 1: internet was like, oh, Timberlake's lost it all. He's lost 587 00:31:00,440 --> 00:31:02,360 Speaker 1: all swag. He was on sexy Back, he was just 588 00:31:02,480 --> 00:31:04,680 Speaker 1: he was dancing one of his songs. How could he 589 00:31:04,800 --> 00:31:11,760 Speaker 1: lose it? He saw it? That's tough. Else. Well, speaking 590 00:31:11,760 --> 00:31:14,080 Speaker 1: of you being on TV, I saw that Snake in 591 00:31:14,120 --> 00:31:17,560 Speaker 1: the Grass, your TV show on USA Network officially is 592 00:31:17,600 --> 00:31:22,120 Speaker 1: premiering on Monday, August first, at eleven Easter ten Central. Yeah, 593 00:31:22,160 --> 00:31:27,240 Speaker 1: eleven Easter, it's a holiday, said, um, Snake in the Grass. 594 00:31:27,480 --> 00:31:30,600 Speaker 1: I didn't know it was coming on so late that night, Yeah, 595 00:31:30,640 --> 00:31:33,440 Speaker 1: eleven tenth Central. Um, yeah, no idea, it's and it's 596 00:31:33,520 --> 00:31:36,920 Speaker 1: after USA's biggest show, which is wrestling, and then I 597 00:31:37,040 --> 00:31:40,480 Speaker 1: think it goes on Peacock immediately, like in the next day, 598 00:31:40,840 --> 00:31:42,520 Speaker 1: so USA. Because I'm gonna be honest, I don't. I 599 00:31:42,520 --> 00:31:44,200 Speaker 1: don't see it that that late. I'll sa ten o'clock. 600 00:31:45,000 --> 00:31:46,640 Speaker 1: But I'm glad it's on a weeknight, so at least 601 00:31:46,640 --> 00:31:48,800 Speaker 1: I can tell the audience, Hey, tonight's the show. Yeah. 602 00:31:49,240 --> 00:31:52,360 Speaker 1: So but August first, the show airs. It's really it's 603 00:31:52,360 --> 00:31:54,640 Speaker 1: a really cool show. Who had Who's seen it? Not me? 604 00:31:55,960 --> 00:31:57,640 Speaker 1: You haven't send me? One didn't send it. It's a 605 00:31:57,720 --> 00:32:00,600 Speaker 1: really cool show. It's like an old like who done 606 00:32:00,640 --> 00:32:03,480 Speaker 1: You gotta figure out who who's the snake the whole time? 607 00:32:03,720 --> 00:32:05,840 Speaker 1: But there's Um, I don't want to run too much 608 00:32:05,880 --> 00:32:08,160 Speaker 1: of it. What did it say in the press release? There? Okay, 609 00:32:08,320 --> 00:32:11,240 Speaker 1: I can say what it does. Okay. This action packed 610 00:32:11,320 --> 00:32:14,240 Speaker 1: social experiment is hosted by That's a social experiment that's 611 00:32:14,320 --> 00:32:16,880 Speaker 1: what it is. You're like judging people and how they 612 00:32:17,120 --> 00:32:19,400 Speaker 1: react to situation. Hey, she was about to say, who 613 00:32:19,440 --> 00:32:22,080 Speaker 1: was Yeah, go ahead, yeah, Host to buy national radio 614 00:32:22,240 --> 00:32:26,200 Speaker 1: and television personality Bobby Bones. Each episode will feature four 615 00:32:26,280 --> 00:32:28,680 Speaker 1: players who are dropped in the wild for thirty six 616 00:32:28,720 --> 00:32:31,760 Speaker 1: hours with a chance to win one hundred thousand dollars. 617 00:32:32,080 --> 00:32:34,720 Speaker 1: In order to win, the four must figure out which 618 00:32:34,800 --> 00:32:38,120 Speaker 1: one of them is the snake and it's Each episode 619 00:32:38,160 --> 00:32:42,080 Speaker 1: self contains you have to follow along. Are these players celebrities? 620 00:32:42,120 --> 00:32:44,040 Speaker 1: There are? Okay? Yea, some are like I can say 621 00:32:44,120 --> 00:32:47,880 Speaker 1: now old we died one with all old Survivor contestants. 622 00:32:48,240 --> 00:32:51,320 Speaker 1: Oh cool, now questionazing races from all over the country. Yeah, 623 00:32:51,760 --> 00:32:54,800 Speaker 1: the one hundred thousand dollars. If the snake, the snake 624 00:32:54,840 --> 00:32:56,800 Speaker 1: gets it off, he tricks them. Okay, but if they 625 00:32:56,880 --> 00:32:59,520 Speaker 1: figure it out, said, if they figure out how the 626 00:32:59,520 --> 00:33:03,480 Speaker 1: snake is, the snake is none none. Oh you like that? Yeah, 627 00:33:03,600 --> 00:33:05,880 Speaker 1: I do like that. Yeah, it's good because again it's 628 00:33:05,880 --> 00:33:09,160 Speaker 1: just an episode. It's shot really cool. It's different. It's 629 00:33:09,480 --> 00:33:12,360 Speaker 1: I guess people will compare it to Survivor just because 630 00:33:12,360 --> 00:33:15,640 Speaker 1: we're in the jungle. There's no surviving. You're in the 631 00:33:15,800 --> 00:33:19,320 Speaker 1: remote and rugged Central American jungle. Yeah, it sucked so 632 00:33:19,840 --> 00:33:22,720 Speaker 1: that they call it the Snake. But you didn't compete. No, 633 00:33:22,800 --> 00:33:27,360 Speaker 1: but I was than they were. Shoot had every challenge. Man. Listen, 634 00:33:27,560 --> 00:33:31,200 Speaker 1: there's whoa, there's Reality TV legends from Survivor, Big Brother, 635 00:33:31,360 --> 00:33:35,520 Speaker 1: Naked and Afraid. Yeah, I just said that's mean Survivor. 636 00:33:35,600 --> 00:33:38,680 Speaker 1: You said Survivor, you didn't not sorry, Naked and Afraid 637 00:33:38,760 --> 00:33:40,479 Speaker 1: because guess what, we don't know who anybody is from 638 00:33:40,520 --> 00:33:43,040 Speaker 1: Naked and fred I don't know anybody that's crazy. They 639 00:33:43,040 --> 00:33:46,080 Speaker 1: did the whole show naked, though they didn't. Thank god. 640 00:33:46,400 --> 00:33:48,880 Speaker 1: All right, well, thank you August first. That show premieres 641 00:33:48,880 --> 00:33:50,560 Speaker 1: on USA. I hope you guys watch it. Yeah, and 642 00:33:50,760 --> 00:33:52,840 Speaker 1: that's all all right, Amy, I Amy, that's my pile. 643 00:33:53,800 --> 00:33:57,160 Speaker 1: That was Amy's pile of stories. It's time for the 644 00:33:57,280 --> 00:34:05,080 Speaker 1: good news lunchbox. Miles Copeland is twenty five years old. 645 00:34:05,240 --> 00:34:07,960 Speaker 1: His day job, he's a firefighter, so he fights fire, 646 00:34:08,120 --> 00:34:11,399 Speaker 1: saves lives. But he's also a semi pro basketball player, 647 00:34:11,480 --> 00:34:13,719 Speaker 1: so he fights fires, gets done. Oh, I got a 648 00:34:13,760 --> 00:34:16,239 Speaker 1: game today, goes to the game. He's playing, run up 649 00:34:16,239 --> 00:34:18,040 Speaker 1: down the court. All of a sudden sixty one year 650 00:34:18,080 --> 00:34:22,600 Speaker 1: old referee boom passes out falls face down onto the court. 651 00:34:23,120 --> 00:34:25,919 Speaker 1: Well guess what Myles said, Hey, I'm a firefighter, runs 652 00:34:25,960 --> 00:34:31,440 Speaker 1: over there. Who who dango? Chess compressions? Not for one minute, 653 00:34:31,640 --> 00:34:35,160 Speaker 1: not two minutes, not three, four, five, ten minutes, he 654 00:34:35,280 --> 00:34:43,640 Speaker 1: did chess compress Be honest with him, he's yeah. Ten 655 00:34:43,719 --> 00:34:46,560 Speaker 1: minutes later brought him back to like, Wow, that's awesome. 656 00:34:46,840 --> 00:34:49,839 Speaker 1: Just hang into it, Like how long do you hang? 657 00:34:50,920 --> 00:34:52,680 Speaker 1: I mean do you hang until someone like a doctor 658 00:34:52,760 --> 00:34:55,240 Speaker 1: gets there and goes, yes, sir, I don't know because 659 00:34:55,239 --> 00:34:57,800 Speaker 1: you hear like ten minutes. I'd be like, I mean seconds, 660 00:34:57,800 --> 00:34:59,440 Speaker 1: I'm tired and I don't know. Guy's not gonna work. 661 00:34:59,480 --> 00:35:02,640 Speaker 1: He lost him. Yeah, Oh gosh, he's still somewhat breathing 662 00:35:02,640 --> 00:35:04,960 Speaker 1: in his eyes opening Guys, he's done. Put a towel 663 00:35:04,960 --> 00:35:08,239 Speaker 1: over him. But that's to to do that for ten 664 00:35:08,280 --> 00:35:10,000 Speaker 1: minutes and to have those skills and to use them 665 00:35:10,480 --> 00:35:12,480 Speaker 1: pretty awesome. And so the ref you know, woke up 666 00:35:12,560 --> 00:35:15,880 Speaker 1: and he was like, no foul technical He said, oh 667 00:35:15,960 --> 00:35:17,320 Speaker 1: do I need to finish ref in the game. But 668 00:35:17,400 --> 00:35:18,920 Speaker 1: they took him to the hospital and he had open 669 00:35:19,000 --> 00:35:22,840 Speaker 1: heart surgery. To wow, he did. Yeah, he had a blockage, boom, 670 00:35:22,880 --> 00:35:25,520 Speaker 1: but he's okay. Those blockages are crazy because you can't 671 00:35:25,520 --> 00:35:27,480 Speaker 1: see him right. And we have somebody that's close to 672 00:35:27,560 --> 00:35:28,959 Speaker 1: us that had a blockage and all of a sudden 673 00:35:29,040 --> 00:35:31,879 Speaker 1: was feeling really sick smash cut in the hospital having 674 00:35:31,920 --> 00:35:36,480 Speaker 1: full heart surgery. Crazy. You can't see them. I don't 675 00:35:36,520 --> 00:35:40,440 Speaker 1: you want and it's so it's wrong in me right now. 676 00:35:40,560 --> 00:35:42,600 Speaker 1: I feel like you can just go pay to have 677 00:35:42,719 --> 00:35:44,120 Speaker 1: it looked at. I mean, I guess you couldn't have 678 00:35:44,200 --> 00:35:46,440 Speaker 1: to have a lot of money. There are places you 679 00:35:46,520 --> 00:35:47,640 Speaker 1: can go, but you have to pay a lot of 680 00:35:47,640 --> 00:35:49,759 Speaker 1: the money. Yeah, I've only heard of these places. I 681 00:35:49,800 --> 00:35:50,840 Speaker 1: have a friend that's like, I want to go to 682 00:35:50,920 --> 00:35:53,080 Speaker 1: this place. I want to fly to San Diego and 683 00:35:53,200 --> 00:35:55,680 Speaker 1: they go over every inch of your body and they 684 00:35:55,719 --> 00:35:58,160 Speaker 1: tell you everything that's wrong with you that sounds awesome, 685 00:35:58,640 --> 00:36:00,799 Speaker 1: or tell me everything to write with. Yeah, I need 686 00:36:00,840 --> 00:36:05,480 Speaker 1: something in the middle. Yeah, like for everything you find wrong, 687 00:36:05,520 --> 00:36:10,880 Speaker 1: I need something really great. Otherwise I'm really sad. Great story, lunchbox, 688 00:36:11,040 --> 00:36:14,279 Speaker 1: that's what it's all about. That was tell me something good.