1 00:00:00,400 --> 00:00:02,440 Speaker 1: Wake that ass up in the morning. 2 00:00:02,759 --> 00:00:05,360 Speaker 2: Breakfast Club Morning. 3 00:00:05,360 --> 00:00:08,799 Speaker 3: Everybody is the d j en Vy Jess hilarious, charlamage 4 00:00:08,840 --> 00:00:11,360 Speaker 3: the guy. We are the breakfast Club. We got some 5 00:00:11,400 --> 00:00:14,400 Speaker 3: special guests in the building. Well, I am a table. 6 00:00:14,440 --> 00:00:15,040 Speaker 4: Welcome fella. 7 00:00:15,840 --> 00:00:18,000 Speaker 1: What's up? How you feeling it's going to be here? 8 00:00:18,040 --> 00:00:19,960 Speaker 5: Good to see you, man, y'all got the new record 9 00:00:20,000 --> 00:00:21,000 Speaker 5: out of East l A. 10 00:00:21,280 --> 00:00:22,960 Speaker 2: Yeah, talks about that, man. 11 00:00:23,040 --> 00:00:28,160 Speaker 6: I'm sorry. 12 00:00:29,120 --> 00:00:34,280 Speaker 7: Obviously we sampled Carlos Santana, so thank you for clearing that. 13 00:00:35,760 --> 00:00:36,960 Speaker 1: It's been sampled a bunch. 14 00:00:37,880 --> 00:00:41,080 Speaker 7: But there's a part in the song where he says, uh, Maria, 15 00:00:41,159 --> 00:00:43,960 Speaker 7: Maria fell in love with East l A. So I 16 00:00:44,040 --> 00:00:46,840 Speaker 7: just wanted to like highlight that part of the song 17 00:00:48,040 --> 00:00:50,800 Speaker 7: and shout out the community that's being hit pretty hard 18 00:00:51,600 --> 00:00:58,200 Speaker 7: by the ice raids. And what's beautiful about that is 19 00:00:58,320 --> 00:00:59,920 Speaker 7: uh also got it. 20 00:01:00,400 --> 00:01:01,080 Speaker 1: I also got a. 21 00:01:01,000 --> 00:01:06,399 Speaker 7: Text from y Cleft saying he's a producer of the song, like, yo, 22 00:01:06,520 --> 00:01:07,880 Speaker 7: let me get a clip of the video so I 23 00:01:07,880 --> 00:01:11,760 Speaker 7: could post that. So that that meant a lot. But 24 00:01:12,440 --> 00:01:15,360 Speaker 7: what's going on in our communities, it's pretty harsh, and 25 00:01:16,160 --> 00:01:18,720 Speaker 7: I'm all for, you know, making. 26 00:01:18,520 --> 00:01:19,640 Speaker 1: Sure our borders are safe. 27 00:01:20,319 --> 00:01:23,880 Speaker 7: But it's just inhumane to go after anybody that looks 28 00:01:23,959 --> 00:01:27,959 Speaker 7: Latin that you know, there's people that have been detained 29 00:01:27,959 --> 00:01:31,240 Speaker 7: that are residents and citizens. There was a person who 30 00:01:31,360 --> 00:01:35,000 Speaker 7: served in our military that has been detained. 31 00:01:35,520 --> 00:01:36,319 Speaker 1: I just think that's a. 32 00:01:36,840 --> 00:01:43,160 Speaker 7: Pretty you know, bad execution that took a good idea 33 00:01:43,160 --> 00:01:45,840 Speaker 7: to turned into a bad idea because they could have 34 00:01:45,880 --> 00:01:48,720 Speaker 7: been going out to making sure our communities are safer 35 00:01:49,080 --> 00:01:52,600 Speaker 7: by apprehending, you know, criminals, but to go after hard 36 00:01:52,640 --> 00:01:56,000 Speaker 7: working folks, people that are working two to three jobs 37 00:01:56,040 --> 00:01:59,040 Speaker 7: to keep you know, food on their table, their kids 38 00:01:59,080 --> 00:02:01,880 Speaker 7: going off to four year colleges. I know this firsthand 39 00:02:02,160 --> 00:02:06,720 Speaker 7: because of the my program, my foundation, the work that 40 00:02:06,760 --> 00:02:10,120 Speaker 7: we do getting kids to go off to four year colleges. 41 00:02:10,760 --> 00:02:15,000 Speaker 7: You know, we've witnessed, you know, the fear that's been 42 00:02:15,040 --> 00:02:18,640 Speaker 7: instilled in our in our neighborhood. So I just wanted 43 00:02:18,639 --> 00:02:21,679 Speaker 7: to lift up the vibration and celebrate the community. 44 00:02:21,840 --> 00:02:25,520 Speaker 8: And also as Angelino's born and raised in East Los Angeles, 45 00:02:25,840 --> 00:02:27,720 Speaker 8: his mom went to Roosevelt High School, my mom went 46 00:02:27,760 --> 00:02:30,520 Speaker 8: to Guarfield, So there was always this beautiful rivalry, but 47 00:02:30,600 --> 00:02:32,200 Speaker 8: at the end of the day, it was about uniting 48 00:02:32,240 --> 00:02:35,560 Speaker 8: and bringing East La together and standing in solidarity with 49 00:02:35,600 --> 00:02:37,920 Speaker 8: those folks that you know that are crying out for 50 00:02:37,960 --> 00:02:38,960 Speaker 8: help justice. 51 00:02:39,040 --> 00:02:41,280 Speaker 2: So what does East La mean to both of you personally? 52 00:02:41,280 --> 00:02:43,639 Speaker 5: Like, is this record like more of a tribute, is 53 00:02:43,680 --> 00:02:45,520 Speaker 5: it a time capsule or is it something else? 54 00:02:45,960 --> 00:02:49,280 Speaker 7: Well, for me, it's a thank you, It's a I 55 00:02:49,320 --> 00:02:53,600 Speaker 7: see you, I love you. I have a lot of 56 00:02:55,760 --> 00:02:57,880 Speaker 7: just beautiful memories there. I was born and raised there, 57 00:02:58,800 --> 00:03:01,920 Speaker 7: spent twenty five years of my life there in the 58 00:03:01,960 --> 00:03:06,280 Speaker 7: projects dreaming. I was able to move my family, you know, 59 00:03:06,880 --> 00:03:10,440 Speaker 7: and we migrated out of the projects, but I still 60 00:03:10,960 --> 00:03:14,880 Speaker 7: you know, loved my neighborhood, my program. I got a 61 00:03:15,000 --> 00:03:18,480 Speaker 7: robotics program right in the middle of the projects that 62 00:03:18,520 --> 00:03:21,679 Speaker 7: I'm from. My after school program is right down the 63 00:03:21,680 --> 00:03:24,280 Speaker 7: street from that. My aunt still works at the Homo 64 00:03:24,400 --> 00:03:27,760 Speaker 7: shelter there. My uncle still works at the park, you know, 65 00:03:27,880 --> 00:03:30,720 Speaker 7: keeping the kids off the streets. So although we moved 66 00:03:30,880 --> 00:03:33,760 Speaker 7: out of the projects, we're still in the heart of 67 00:03:33,800 --> 00:03:37,520 Speaker 7: the community. So East La is like an ongoing dialogue 68 00:03:37,680 --> 00:03:41,800 Speaker 7: of commitment dedication to you know, change the vibration of 69 00:03:42,240 --> 00:03:42,880 Speaker 7: the neighborhood. 70 00:03:43,200 --> 00:03:45,720 Speaker 8: And for me, as a Native Mexican kid from La, 71 00:03:46,000 --> 00:03:47,560 Speaker 8: you know, It means a lot to be able to 72 00:03:48,280 --> 00:03:50,960 Speaker 8: not only give back to the community in a sense 73 00:03:51,000 --> 00:03:55,480 Speaker 8: of championing the idea of solidarity and oneness, but also 74 00:03:55,520 --> 00:03:58,520 Speaker 8: to be able to wrap in Spanish or Spanglish like 75 00:03:58,600 --> 00:04:02,720 Speaker 8: that was dope for us, you know, using slang specifically from. 76 00:04:02,200 --> 00:04:03,600 Speaker 9: East la or Ball Heights. 77 00:04:04,280 --> 00:04:07,360 Speaker 8: Really loving the vibration and the frequency that is the 78 00:04:07,360 --> 00:04:09,840 Speaker 8: color and the texture of East Los Angeles, and that's 79 00:04:09,840 --> 00:04:11,120 Speaker 8: why the video is so colorful. 80 00:04:11,840 --> 00:04:12,640 Speaker 6: You know, it's crazy. 81 00:04:12,680 --> 00:04:14,320 Speaker 3: You know, you said something earlier that a lot of 82 00:04:14,320 --> 00:04:17,479 Speaker 3: people don't necessarily say. You were saying that you're not 83 00:04:17,680 --> 00:04:21,120 Speaker 3: mad if they're taking criminals off the street, taking people 84 00:04:21,160 --> 00:04:23,320 Speaker 3: that are doing bad things off the street, but there 85 00:04:23,360 --> 00:04:25,719 Speaker 3: has to be a process and procedure to do it 86 00:04:25,800 --> 00:04:27,560 Speaker 3: and to figure out the good from the bad. 87 00:04:27,720 --> 00:04:28,440 Speaker 6: Is that what you're saying. 88 00:04:28,520 --> 00:04:31,960 Speaker 7: Yeah, like you remembered, during COVID, they did a really 89 00:04:32,000 --> 00:04:35,120 Speaker 7: good job making sure everybody got swabbed, making sure everybody 90 00:04:35,160 --> 00:04:36,960 Speaker 7: got vaccinated and. 91 00:04:37,520 --> 00:04:39,839 Speaker 6: Specifically and forced it on most people. 92 00:04:39,880 --> 00:04:44,960 Speaker 1: But well that's a different subject. 93 00:04:45,120 --> 00:04:48,359 Speaker 7: Yeah, but there was like a where you volunteered and 94 00:04:48,440 --> 00:04:51,599 Speaker 7: drove to the near a stadium or the arena to 95 00:04:51,680 --> 00:04:56,440 Speaker 7: get swabbed. And vaccinated, and a lot of the folks 96 00:04:56,480 --> 00:05:00,400 Speaker 7: that did that, not a lot portion of the folks 97 00:05:00,440 --> 00:05:04,400 Speaker 7: that did that were undocumented. So they know where the 98 00:05:04,480 --> 00:05:09,680 Speaker 7: undocumented people actually live. They got all the information, but 99 00:05:09,800 --> 00:05:15,640 Speaker 7: the way that they went about doing it is inhumane. 100 00:05:16,000 --> 00:05:21,560 Speaker 7: There is a you know, a path that they could 101 00:05:21,560 --> 00:05:26,800 Speaker 7: have taken to boost our economy by turning undocumented folks 102 00:05:26,839 --> 00:05:28,240 Speaker 7: to documented folks. 103 00:05:28,640 --> 00:05:29,800 Speaker 1: Because these folks that. 104 00:05:29,760 --> 00:05:34,640 Speaker 7: Have these jobs, income taxes are taken from their paycheck. 105 00:05:34,920 --> 00:05:39,839 Speaker 7: And people in Beverly Hills in Brentwood, they know their 106 00:05:39,880 --> 00:05:49,000 Speaker 7: services are needed. Altadena and Malible Palisades burned down in 107 00:05:49,080 --> 00:05:53,320 Speaker 7: reconfiguring these neighborhoods. They know the value of these people's services, 108 00:05:53,760 --> 00:05:55,839 Speaker 7: and so I just think the way they went about 109 00:05:55,880 --> 00:05:59,279 Speaker 7: it is horribly wrong. There could have been a better 110 00:05:59,760 --> 00:06:04,279 Speaker 7: tax that, you know, gave people dignity, gave them the 111 00:06:04,320 --> 00:06:07,760 Speaker 7: opportunity to become citizens, just the way other countries do. 112 00:06:08,480 --> 00:06:11,680 Speaker 7: Just to blanket, just go into a neighborhood, mask people 113 00:06:13,680 --> 00:06:19,560 Speaker 7: right in unmarked vehicles, you're inciting kidnapping because there's. 114 00:06:19,320 --> 00:06:21,159 Speaker 1: No way to be able like who was that person? 115 00:06:21,520 --> 00:06:23,640 Speaker 1: You couldn't even you couldn't. 116 00:06:23,320 --> 00:06:24,839 Speaker 2: Even describe them. 117 00:06:25,040 --> 00:06:27,680 Speaker 7: You know what car was that You wouldn't even know 118 00:06:27,720 --> 00:06:30,680 Speaker 7: what if that was a government vehicle. I just think 119 00:06:30,720 --> 00:06:35,960 Speaker 7: the tactic was just poor, you know. And and it 120 00:06:36,000 --> 00:06:39,880 Speaker 7: doesn't reflect America's best. It doesn't reflect that sounds like 121 00:06:39,880 --> 00:06:42,960 Speaker 7: a third world country. That doesn't sound like America. 122 00:06:44,320 --> 00:06:44,839 Speaker 6: I agree. 123 00:06:45,839 --> 00:06:47,760 Speaker 5: Why was West Side Story to write song the sample 124 00:06:47,880 --> 00:06:49,440 Speaker 5: for this record? 125 00:06:49,880 --> 00:06:54,480 Speaker 1: Oh, because it's at East LA. That's the part. 126 00:06:54,720 --> 00:06:58,039 Speaker 7: I just love that part. And he said it with 127 00:06:58,120 --> 00:07:01,479 Speaker 7: so much emotion that I just wanted to highlight that part. 128 00:07:02,360 --> 00:07:04,719 Speaker 1: Yeah, you know, I wanted to highlight you know. 129 00:07:06,080 --> 00:07:09,400 Speaker 7: And and Carlos Santana has always been a hero in 130 00:07:09,440 --> 00:07:13,679 Speaker 7: the Chicano community me growing up. You know, his brother 131 00:07:13,720 --> 00:07:16,400 Speaker 7: did an awesome song. Shout out to Kid Frost for 132 00:07:16,520 --> 00:07:17,800 Speaker 7: sampling his brother's record. 133 00:07:18,280 --> 00:07:18,800 Speaker 1: You know it's a. 134 00:07:19,000 --> 00:07:25,520 Speaker 7: It's it's a you know, and absolute Carlos Santana once 135 00:07:25,560 --> 00:07:27,600 Speaker 7: again for for clearing that record. 136 00:07:28,120 --> 00:07:30,720 Speaker 8: Yeah, and it was beautiful to have like the musical 137 00:07:31,240 --> 00:07:33,560 Speaker 8: transitions from the three to zero, which were used to 138 00:07:33,840 --> 00:07:36,680 Speaker 8: in East Los Angeles when you're on a date or 139 00:07:36,720 --> 00:07:39,080 Speaker 8: you're doing something with family, you see three oo's in 140 00:07:39,160 --> 00:07:40,120 Speaker 8: restaurants and then. 141 00:07:39,960 --> 00:07:45,600 Speaker 10: To go what is like a like a yes, Okay, 142 00:07:46,360 --> 00:07:48,920 Speaker 10: so that frequency that you first hear that's a three 143 00:07:48,960 --> 00:07:52,360 Speaker 10: ozero and the three dudes playing usually at restaurants or 144 00:07:52,680 --> 00:07:54,920 Speaker 10: you know, at different events, and then to be able 145 00:07:54,960 --> 00:07:57,360 Speaker 10: to have it go into a transition with Cumbia with 146 00:07:57,360 --> 00:07:59,600 Speaker 10: the undertone of the hip hop bop as you said, 147 00:08:00,320 --> 00:08:01,600 Speaker 10: like that's it's really dope. 148 00:08:01,760 --> 00:08:04,680 Speaker 2: What's the cool was it? 149 00:08:05,000 --> 00:08:07,600 Speaker 7: Cumbia is a style of music that originated out of 150 00:08:07,600 --> 00:08:13,760 Speaker 7: Colombia and then a lot of Central American countries have 151 00:08:13,800 --> 00:08:18,960 Speaker 7: adopted it. Thenald Cumbia's is really awesome. It's it's popular, 152 00:08:19,000 --> 00:08:21,080 Speaker 7: but originated in Colombia. 153 00:08:21,280 --> 00:08:21,720 Speaker 1: It's like a. 154 00:08:24,480 --> 00:08:27,040 Speaker 7: It's like this rhythm, like you know, like I thought this, 155 00:08:29,880 --> 00:08:33,800 Speaker 7: and you know, trap has a signature rhythm. You know, 156 00:08:33,880 --> 00:08:36,640 Speaker 7: there's all these house has obviously it has their four 157 00:08:36,640 --> 00:08:42,200 Speaker 7: on the floor, but a cumbia's uh on the percussive 158 00:08:42,240 --> 00:08:45,720 Speaker 7: that that's a signature rhythm throughout every Cumbia. And so 159 00:08:45,760 --> 00:08:48,199 Speaker 7: we we wanted to go from a trio to a 160 00:08:48,320 --> 00:08:52,440 Speaker 7: cumbia because that's what growing up in East La felt like. 161 00:08:52,520 --> 00:08:56,280 Speaker 7: I grew up in a predominantly Mexican neighborhood which. 162 00:08:56,040 --> 00:08:59,839 Speaker 2: Was you know, beautiful, The only black family there there was. 163 00:08:59,800 --> 00:09:03,240 Speaker 1: Like, okay, there was the Hammers, there were. 164 00:09:03,679 --> 00:09:04,840 Speaker 2: We don't know these people, will. 165 00:09:08,280 --> 00:09:15,520 Speaker 7: People, the Rose family, the Walkers, my family, which is 166 00:09:15,800 --> 00:09:25,199 Speaker 7: pretty pretty pretty large, No Canes. Uh, there's about five 167 00:09:25,480 --> 00:09:29,840 Speaker 7: black families in our neighborhood. 168 00:09:29,960 --> 00:09:31,000 Speaker 1: But to all the. 169 00:09:30,960 --> 00:09:33,839 Speaker 7: Mexicans, it was just one black family, you know what 170 00:09:33,840 --> 00:09:34,120 Speaker 7: I mean. 171 00:09:34,640 --> 00:09:36,960 Speaker 1: And it was beautiful. It was beautiful growing up there. 172 00:09:37,400 --> 00:09:39,800 Speaker 6: Oh, people say you said that. 173 00:09:40,000 --> 00:09:43,960 Speaker 11: People tell you that you're not from Easter Laborature from 174 00:09:44,120 --> 00:09:44,680 Speaker 11: boy Heights. 175 00:09:44,720 --> 00:09:45,360 Speaker 2: What's the difference. 176 00:09:45,480 --> 00:09:49,480 Speaker 7: So growing up was East l A. But then we 177 00:09:49,559 --> 00:09:54,360 Speaker 7: they like twenty years ago, they specified like we're from 178 00:09:54,440 --> 00:10:00,319 Speaker 7: Boyle Heights and Boyle Heights. Uh, boyl High it's just 179 00:10:00,880 --> 00:10:04,840 Speaker 7: you know, just east of downtown, but not as east 180 00:10:04,880 --> 00:10:05,760 Speaker 7: as East l A. 181 00:10:05,960 --> 00:10:07,520 Speaker 1: And these two schools. 182 00:10:08,320 --> 00:10:12,440 Speaker 7: I think, really you know, define the rivalry between East 183 00:10:12,520 --> 00:10:17,000 Speaker 7: East LA and Boyle Heights, Roosevelt and Garfield. There's a 184 00:10:17,000 --> 00:10:20,880 Speaker 7: lot of like, uh, as far as the vibe, it's 185 00:10:20,920 --> 00:10:24,520 Speaker 7: the same as far as like, but the high schools, 186 00:10:24,559 --> 00:10:30,160 Speaker 7: the gangs are totally totally different. But to to East 187 00:10:30,200 --> 00:10:33,480 Speaker 7: Siders it's all one thing. But then there's there's a 188 00:10:33,480 --> 00:10:35,439 Speaker 7: lot of people that's gonna be listening, watching this, so 189 00:10:35,520 --> 00:10:37,600 Speaker 7: I have to be super careful to be like Willie's 190 00:10:37,600 --> 00:10:40,760 Speaker 7: Boyle Heights food gonna be given of, you know, separating 191 00:10:40,840 --> 00:10:44,000 Speaker 7: us or like same world together. But right now we're 192 00:10:44,000 --> 00:10:49,240 Speaker 7: all together. Right now, we're all together, right you want to. 193 00:10:50,920 --> 00:10:52,839 Speaker 3: You know, we talk about, you know, black in the 194 00:10:52,920 --> 00:10:55,000 Speaker 3: Latin culture a lot, especially in New York, right is different. 195 00:10:55,000 --> 00:10:59,079 Speaker 3: It's more Puerto Rican Dominicans, right, And I'm not Dominican, 196 00:10:59,120 --> 00:11:00,160 Speaker 3: I'm black, he saysn't. 197 00:11:00,240 --> 00:11:00,960 Speaker 1: You look Dominican. 198 00:11:01,000 --> 00:11:04,920 Speaker 6: Everybody said, I'm not. I'm fully black. 199 00:11:05,720 --> 00:11:08,720 Speaker 3: But you know, growing up, it was kind of like 200 00:11:08,920 --> 00:11:10,600 Speaker 3: it was when I say us verse there and not 201 00:11:10,760 --> 00:11:14,080 Speaker 3: us as in it was the blacks, Puerto Ricans, Dominicans. 202 00:11:14,080 --> 00:11:16,000 Speaker 6: We stood together. We stuck together, right, We clubbed, we 203 00:11:16,080 --> 00:11:16,760 Speaker 6: partied together. 204 00:11:17,080 --> 00:11:19,920 Speaker 3: It was against So it's nothing to hear somebody Puerto 205 00:11:20,000 --> 00:11:20,800 Speaker 3: Rican say nigga. 206 00:11:20,960 --> 00:11:22,439 Speaker 6: You know that's my nigga. That's that. That's to the 207 00:11:22,520 --> 00:11:25,240 Speaker 6: ever So a Mexican ot recently said that people had 208 00:11:25,240 --> 00:11:26,480 Speaker 6: a problem with it. 209 00:11:26,480 --> 00:11:28,760 Speaker 3: It's different here because we didn't grow up with the 210 00:11:28,800 --> 00:11:31,360 Speaker 3: Mexican community. We grew up with Puerto Rican Dominicans. So 211 00:11:31,440 --> 00:11:33,960 Speaker 3: say Fat Joe saying nigga was never a problem j 212 00:11:34,080 --> 00:11:35,680 Speaker 3: Loo saying it. We didn't think, oh my god, it 213 00:11:35,760 --> 00:11:38,400 Speaker 3: was how we grew up, especially in Bronx, queens Brook 214 00:11:38,440 --> 00:11:41,520 Speaker 3: and whatever. How is it growing up in LA Because 215 00:11:41,520 --> 00:11:43,400 Speaker 3: people were disturbed by that one time. 216 00:11:43,440 --> 00:11:45,559 Speaker 6: But I'm like, that might be the same thing as 217 00:11:45,600 --> 00:11:47,079 Speaker 6: how we grew up here. 218 00:11:47,840 --> 00:11:48,880 Speaker 1: It depends, Like. 219 00:11:50,600 --> 00:11:55,679 Speaker 7: Nathaniels, they say they drop in bombs all the time people, 220 00:11:59,240 --> 00:12:04,320 Speaker 7: So the northern California and California and you know Richmond 221 00:12:04,320 --> 00:12:10,040 Speaker 7: and they embomb all the time. Daniels, southern southern Cali, 222 00:12:10,559 --> 00:12:11,560 Speaker 7: they don't really do that. 223 00:12:12,280 --> 00:12:16,079 Speaker 1: Uh. Our manager, Polo, he'd be dropping it crazy. 224 00:12:17,559 --> 00:12:20,320 Speaker 6: Here though, Mexican. 225 00:12:20,600 --> 00:12:24,080 Speaker 7: Polo's Mexican, Like yeah, So it all depends on what 226 00:12:24,080 --> 00:12:26,960 Speaker 7: which part of California you're talking about. 227 00:12:28,360 --> 00:12:32,320 Speaker 1: But because there's more black and Latin h. 228 00:12:33,920 --> 00:12:41,280 Speaker 7: Communities and in northern California where's tightly mixed together, I 229 00:12:41,320 --> 00:12:44,760 Speaker 7: could see why that that that's that has like a tolerance. 230 00:12:45,120 --> 00:12:49,880 Speaker 7: In southern California. Uh, there has been a division between 231 00:12:49,920 --> 00:12:53,320 Speaker 7: Blacks and Latins highly because of the prisons. So the 232 00:12:53,320 --> 00:12:58,840 Speaker 7: prisons have separated blacks and Latins, and so there was 233 00:12:58,880 --> 00:13:01,840 Speaker 7: like this notion that, wow, you survived, how did you 234 00:13:01,880 --> 00:13:04,160 Speaker 7: get how did you survive being one of the only 235 00:13:04,200 --> 00:13:05,760 Speaker 7: black families in all Mexican neighborhood. 236 00:13:05,800 --> 00:13:08,160 Speaker 1: For me, it was it was, it was awesome. 237 00:13:08,600 --> 00:13:11,800 Speaker 7: There's a lot of black people in southern California probably 238 00:13:11,800 --> 00:13:15,200 Speaker 7: had a tougher time, but for my family it was 239 00:13:15,520 --> 00:13:18,480 Speaker 7: and the other black families in our neighborhood and Elisa Pico, 240 00:13:18,559 --> 00:13:21,480 Speaker 7: Elisa Village, it was awesome. 241 00:13:22,160 --> 00:13:26,840 Speaker 8: In Tabo well, growing up in Dogtown Projects, which is 242 00:13:27,000 --> 00:13:28,839 Speaker 8: close to where he grew up, and then I moved 243 00:13:28,880 --> 00:13:33,600 Speaker 8: to Rosemey, California. It was predominantly Asian and Mexican, so 244 00:13:33,640 --> 00:13:35,079 Speaker 8: we didn't really have to worry about that. 245 00:13:35,120 --> 00:13:35,280 Speaker 2: You know. 246 00:13:35,320 --> 00:13:38,360 Speaker 8: It was more like you know, the Mexican Asian War, 247 00:13:39,120 --> 00:13:41,800 Speaker 8: because it was heavy in the eighties, like the Watchings 248 00:13:41,880 --> 00:13:44,440 Speaker 8: versus like Bartleer Street or you know, all these gangs 249 00:13:44,480 --> 00:13:47,040 Speaker 8: that were in the San Gabo Valley. But I always 250 00:13:47,080 --> 00:13:49,040 Speaker 8: knew that, you know, there was like this divide in 251 00:13:49,080 --> 00:13:51,679 Speaker 8: this separation. So when Black Eyed Peas was formed, it. 252 00:13:51,679 --> 00:13:53,800 Speaker 9: Was like yo, hip hop brought us together. It was 253 00:13:53,840 --> 00:13:54,720 Speaker 9: not a cultural thing. 254 00:13:54,720 --> 00:13:57,720 Speaker 8: It's not like oh, tabs Native American and Mexican and 255 00:13:57,760 --> 00:14:00,600 Speaker 8: Will's black and apples Filipinos more like now we we 256 00:14:00,720 --> 00:14:03,640 Speaker 8: hip hop kids. We grew up on dayline tribe. So 257 00:14:03,840 --> 00:14:07,920 Speaker 8: that whole essence of just like you know, standing together 258 00:14:08,440 --> 00:14:12,000 Speaker 8: for hip hop, B boying, MCing. It was that thing, 259 00:14:12,120 --> 00:14:16,040 Speaker 8: so that the word was never really like a thing 260 00:14:16,080 --> 00:14:18,800 Speaker 8: for us. You had your in your neighborhood. 261 00:14:19,200 --> 00:14:21,760 Speaker 7: You you got a lot of flag because I hung 262 00:14:21,800 --> 00:14:22,640 Speaker 7: out with Yeah, so. 263 00:14:24,080 --> 00:14:26,360 Speaker 1: Like, hey, out with the blacks. 264 00:14:26,440 --> 00:14:30,200 Speaker 8: Oh yeah, so so my son's mom, Josh, my oldest son, 265 00:14:30,480 --> 00:14:31,280 Speaker 8: his mom was black. 266 00:14:32,080 --> 00:14:33,680 Speaker 9: So I got a lot of flat like, hey, you're 267 00:14:33,720 --> 00:14:34,920 Speaker 9: living a taboo lifestyle. 268 00:14:35,560 --> 00:14:36,920 Speaker 2: Yea girlfriend. 269 00:14:38,200 --> 00:14:39,240 Speaker 7: The lifestyle. 270 00:14:39,320 --> 00:14:41,680 Speaker 8: Yeah, so so I was like, yeah, well, if I'm 271 00:14:41,720 --> 00:14:44,040 Speaker 8: living the taboo lifestyle, I am taboo. 272 00:14:45,280 --> 00:14:46,920 Speaker 1: So then that whole energy. 273 00:14:47,040 --> 00:14:49,440 Speaker 8: Came about, like yo, I don't I'm down with the 274 00:14:49,440 --> 00:14:52,000 Speaker 8: Blacks and down with the Filipinos, down with the Mexicans, 275 00:14:52,040 --> 00:14:52,560 Speaker 8: the Asians. 276 00:14:52,840 --> 00:14:55,600 Speaker 9: And that's that that connection that I had growing up. 277 00:14:56,200 --> 00:14:58,560 Speaker 5: How does like when you talk about East l A 278 00:14:58,600 --> 00:15:00,600 Speaker 5: and you know y'all mentioned in all the different types 279 00:15:00,640 --> 00:15:02,440 Speaker 5: of music that you were influenced by it that I 280 00:15:02,520 --> 00:15:04,640 Speaker 5: went into this record, how did that show up in 281 00:15:04,680 --> 00:15:06,720 Speaker 5: you'll musical identity before? 282 00:15:07,040 --> 00:15:07,880 Speaker 1: Oh oh oh, so. 283 00:15:07,840 --> 00:15:11,080 Speaker 7: If you listen to like songs like it, he says, 284 00:15:11,120 --> 00:15:14,480 Speaker 7: on their first album. If you listened to like songs 285 00:15:14,520 --> 00:15:17,200 Speaker 7: like Latin Girls on our third album, or people that 286 00:15:17,240 --> 00:15:22,520 Speaker 7: we've collaborated with, like Juanas and Juan Sebastian, DeBie Nova, 287 00:15:22,640 --> 00:15:24,400 Speaker 7: or a few Sergio Mendez. 288 00:15:25,760 --> 00:15:26,560 Speaker 1: If you see. 289 00:15:27,040 --> 00:15:30,760 Speaker 7: Records on like Translation where we went and dove into 290 00:15:30,800 --> 00:15:34,200 Speaker 7: like reggaeton, or when I collaborated with Daddy Yankee, like 291 00:15:34,240 --> 00:15:41,040 Speaker 7: on his first record. We've always been like fusing Latin 292 00:15:41,120 --> 00:15:45,600 Speaker 7: rhythms like our bio was in nineteen ninety eight. 293 00:15:45,680 --> 00:15:48,360 Speaker 1: It was like wise Black Eyed Peace different were like we. 294 00:15:48,240 --> 00:15:52,080 Speaker 7: Infuse Latin rhythms because of our you know, upbringings, like 295 00:15:52,160 --> 00:15:56,360 Speaker 7: you google it, google it, but yeah if Google has it. 296 00:15:56,840 --> 00:16:00,000 Speaker 8: And it was dope being able to drop Spanish versus 297 00:16:00,040 --> 00:16:02,680 Speaker 8: back then. So I was dropping, Like we did a 298 00:16:02,680 --> 00:16:05,440 Speaker 8: song called Release, and I was like, s I see see, 299 00:16:05,480 --> 00:16:09,400 Speaker 8: I see Mosic guys, she took get it something that weather? 300 00:16:11,640 --> 00:16:14,880 Speaker 8: I said, yes, and so oh, I see what I said. 301 00:16:14,960 --> 00:16:18,400 Speaker 8: Okay said it's the offer. You Spanish tongue is spinaking true. 302 00:16:18,840 --> 00:16:20,360 Speaker 8: That was like you've been talking that ship. 303 00:16:22,000 --> 00:16:22,800 Speaker 4: You don't know what he says. 304 00:16:24,480 --> 00:16:25,880 Speaker 1: I could have said this ship sucks. 305 00:16:25,920 --> 00:16:30,040 Speaker 9: This shows. 306 00:16:30,080 --> 00:16:32,000 Speaker 7: We would always we would always be like yo time, 307 00:16:32,120 --> 00:16:34,760 Speaker 7: like right, you know, you gotta dig and you gotta 308 00:16:34,760 --> 00:16:36,560 Speaker 7: go on your your Latin bag bro on this one. 309 00:16:36,640 --> 00:16:43,480 Speaker 7: Like that's it's really like hone into our individuality cultural differences. 310 00:16:43,800 --> 00:16:47,400 Speaker 7: You know, like you the Latin native dude. You know 311 00:16:47,440 --> 00:16:50,200 Speaker 7: what I'm saying, I'm the black dude from an all 312 00:16:50,280 --> 00:16:54,360 Speaker 7: Mexican neighborhood. Apples like super Filipinos straight from the Philippines 313 00:16:54,400 --> 00:16:57,280 Speaker 7: don't even speaking English for like twenty minutes. 314 00:16:58,880 --> 00:17:00,480 Speaker 1: And you know that's. 315 00:17:00,240 --> 00:17:03,440 Speaker 7: That's why Black Eyed Peas is like super international. 316 00:17:04,119 --> 00:17:06,080 Speaker 9: Just be white like you. 317 00:17:08,880 --> 00:17:12,800 Speaker 7: Before before we even Matt Fred before you mat fraid 318 00:17:13,400 --> 00:17:15,440 Speaker 7: and so black Eyed Peas. 319 00:17:18,119 --> 00:17:20,479 Speaker 1: Not the way she said, and that was funny. 320 00:17:21,440 --> 00:17:27,400 Speaker 7: But our biggest audience outside of the not we're more 321 00:17:27,960 --> 00:17:29,359 Speaker 7: We have more success. 322 00:17:29,000 --> 00:17:32,280 Speaker 1: In Mexico than the States really really. 323 00:17:32,600 --> 00:17:35,800 Speaker 7: Like yeah, yeah, like we could play like multiple stadiums 324 00:17:35,960 --> 00:17:38,600 Speaker 7: at our height. We was playing at Steca Stadium, was 325 00:17:38,680 --> 00:17:48,040 Speaker 7: playing stadiums all throughout Salvador and uh you know Bottomla Chile, Brazil, Brazil, Uruguay, Paraguay, Venezuela, 326 00:17:48,320 --> 00:17:52,920 Speaker 7: Like yeah, like that's where we would go to those 327 00:17:52,960 --> 00:17:56,359 Speaker 7: places that's the reason why the only stadium we played 328 00:17:56,359 --> 00:17:57,640 Speaker 7: in America was in Miami. 329 00:17:58,520 --> 00:18:01,160 Speaker 1: We didn't play no stadiums in the States. 330 00:18:00,480 --> 00:18:02,480 Speaker 7: Really at the height of our career, the height of 331 00:18:02,520 --> 00:18:06,720 Speaker 7: our career, we never played the stadium in America just 332 00:18:06,800 --> 00:18:07,280 Speaker 7: in Miami. 333 00:18:07,680 --> 00:18:08,600 Speaker 2: That's in our mind. 334 00:18:08,640 --> 00:18:10,880 Speaker 5: Black Eyed Peas was just big and that's all your 335 00:18:10,960 --> 00:18:11,720 Speaker 5: name stadium. 336 00:18:12,240 --> 00:18:14,200 Speaker 1: Yeahah, outside of America. 337 00:18:14,480 --> 00:18:16,679 Speaker 6: Wow, I don't know why I could have sworn they 338 00:18:16,680 --> 00:18:19,080 Speaker 6: did the garden. No, no, we did. We did a 339 00:18:19,680 --> 00:18:21,360 Speaker 6: different arenas, arenas. 340 00:18:21,440 --> 00:18:26,679 Speaker 7: Yeah, twenty twenty thirty thousand stadiums is eighty dollars, no 341 00:18:26,720 --> 00:18:27,720 Speaker 7: med life, none of those. 342 00:18:28,040 --> 00:18:30,040 Speaker 1: No, we didn't do that just in Miami. 343 00:18:30,200 --> 00:18:32,119 Speaker 8: But we was able to do eighty three thousand in 344 00:18:32,200 --> 00:18:34,440 Speaker 8: France three to three times in a row. 345 00:18:34,880 --> 00:18:37,960 Speaker 3: Yeah, Japan, all you that you were able to do 346 00:18:38,000 --> 00:18:39,879 Speaker 3: it there and not necessarily here. Did you want to 347 00:18:39,880 --> 00:18:41,480 Speaker 3: do it here or you didn't care success? You know 348 00:18:41,760 --> 00:18:43,000 Speaker 3: it didn't matter to you? 349 00:18:43,080 --> 00:18:47,080 Speaker 1: No, no, no, I can't nitpick be like no. 350 00:18:46,720 --> 00:18:48,560 Speaker 3: Because some people want to do home like I want 351 00:18:48,560 --> 00:18:52,640 Speaker 3: home like that. You know, home is earth, okay. 352 00:18:52,200 --> 00:18:55,600 Speaker 8: And we've we've always had It's true, we've always had 353 00:18:55,600 --> 00:18:57,720 Speaker 8: the mentality like apples from the Philippines. 354 00:18:58,520 --> 00:18:59,840 Speaker 9: Our goal is less. 355 00:18:59,640 --> 00:19:00,680 Speaker 1: Performed in the Philippine. 356 00:19:00,760 --> 00:19:03,800 Speaker 8: Yeah, we got to go back to Apple's motherland, so 357 00:19:03,920 --> 00:19:05,080 Speaker 8: it meant international. 358 00:19:05,760 --> 00:19:08,199 Speaker 9: The idea is we're going to take this international. 359 00:19:08,480 --> 00:19:09,080 Speaker 6: Yeah. 360 00:19:09,520 --> 00:19:11,879 Speaker 5: Will being one of the only black people growing up 361 00:19:11,880 --> 00:19:14,600 Speaker 5: in that Mexican community in Taboo, you know, you know, 362 00:19:14,640 --> 00:19:17,399 Speaker 5: getting flack I guess from your own community about you know, 363 00:19:17,440 --> 00:19:18,480 Speaker 5: being with a black woman. 364 00:19:18,640 --> 00:19:21,000 Speaker 2: Did y'all have any identity issues growing up? 365 00:19:23,720 --> 00:19:23,760 Speaker 9: No? 366 00:19:25,440 --> 00:19:27,360 Speaker 1: Hip hop did a really good job. 367 00:19:28,560 --> 00:19:32,320 Speaker 7: That was like, hey, Willie rapped on, hey, rap about 368 00:19:32,359 --> 00:19:38,120 Speaker 7: the neighborhood they seen, or like he that dances food and. 369 00:19:38,119 --> 00:19:45,399 Speaker 1: So because not even like hey and I forgets it. 370 00:19:45,440 --> 00:19:47,399 Speaker 1: Now you come to all the kind of inside of 371 00:19:47,480 --> 00:19:48,560 Speaker 1: fucking parties with his home. 372 00:19:49,200 --> 00:19:51,560 Speaker 7: But like that's how I That's how I talked growing up. 373 00:19:51,680 --> 00:19:54,320 Speaker 1: Like that's how I talked growing up. 374 00:19:54,320 --> 00:19:56,040 Speaker 7: If you would have if you would have seen me 375 00:19:56,640 --> 00:19:58,600 Speaker 7: fifteen years old, like, hey, that's what it was. 376 00:19:58,800 --> 00:20:00,240 Speaker 6: What did your mother and pop say when you came 377 00:20:00,359 --> 00:20:01,080 Speaker 6: home talking. 378 00:20:00,920 --> 00:20:03,880 Speaker 7: Late that, Oh, my mom's talking about my mom talks 379 00:20:03,920 --> 00:20:09,680 Speaker 7: like that. Now, my mom don't talk like that. 380 00:20:09,680 --> 00:20:10,880 Speaker 2: What about your cousins? 381 00:20:11,160 --> 00:20:13,760 Speaker 11: Oh, in the hood hood and you came around with 382 00:20:13,800 --> 00:20:14,800 Speaker 11: the headhomes. 383 00:20:14,480 --> 00:20:15,640 Speaker 1: So I just took my mom. 384 00:20:15,720 --> 00:20:18,520 Speaker 7: We had a every every summer, my mom comes with 385 00:20:18,560 --> 00:20:21,800 Speaker 7: me to Europe on tour for the past like eight years. 386 00:20:22,560 --> 00:20:23,440 Speaker 1: So we were just there. 387 00:20:24,040 --> 00:20:27,679 Speaker 7: We were in Turkey and in France this summer. So 388 00:20:27,760 --> 00:20:30,120 Speaker 7: my Mom's like, hey, Willie, look I got some pictures. 389 00:20:31,080 --> 00:20:35,520 Speaker 7: So my mom's trying pictures. I'm like, where's that. She's like, oh, 390 00:20:35,600 --> 00:20:41,800 Speaker 7: that's Media's king. I'm like, when was mean, Willie? That 391 00:20:42,040 --> 00:20:45,200 Speaker 7: was last week? I'm like, why didn't I do? Why 392 00:20:45,240 --> 00:20:49,080 Speaker 7: didn't I go and perform at it? Really? Because y'all 393 00:20:49,119 --> 00:20:52,359 Speaker 7: was out here. So a King Sina, for those is listening, 394 00:20:52,520 --> 00:20:53,600 Speaker 7: is like a Latin. 395 00:20:54,800 --> 00:20:55,200 Speaker 1: Sixteen. 396 00:20:55,840 --> 00:21:01,719 Speaker 7: So you know, my my and I wanted to make 397 00:21:01,760 --> 00:21:04,880 Speaker 7: sure her daughter had a She's half black, half Mexican. 398 00:21:05,320 --> 00:21:07,959 Speaker 7: A lot of my nieces and nephews and cousins are 399 00:21:08,000 --> 00:21:11,000 Speaker 7: half black, half Mexican, and half black half Mexican. 400 00:21:12,760 --> 00:21:14,080 Speaker 1: They end up looking Dominican. 401 00:21:14,800 --> 00:21:17,280 Speaker 7: Mm hmm, Jessica, I call it homemade Dominican. 402 00:21:18,080 --> 00:21:19,360 Speaker 2: Homemade Dominican, yes, we. 403 00:21:19,280 --> 00:21:20,200 Speaker 1: Got homemade Dominican. 404 00:21:20,440 --> 00:21:23,600 Speaker 7: Yes, And in our in our neighborhood, like so a 405 00:21:23,680 --> 00:21:26,480 Speaker 7: lot of our niece, my cousins look like you. 406 00:21:26,600 --> 00:21:27,240 Speaker 2: Because you ain't. 407 00:21:27,320 --> 00:21:31,080 Speaker 1: You ain't Dominican, but Dominican they look like you know 408 00:21:31,119 --> 00:21:31,400 Speaker 1: what I mean. 409 00:21:31,440 --> 00:21:35,840 Speaker 6: They look like just married a Mexican man, you look. 410 00:21:35,760 --> 00:21:41,760 Speaker 7: Like you can look like sisters. 411 00:21:42,359 --> 00:21:42,719 Speaker 6: Thank you. 412 00:21:42,760 --> 00:21:46,840 Speaker 7: My daughter is Mexican and black. It's do so I 413 00:21:46,880 --> 00:21:49,720 Speaker 7: have a homemade Dominican. You got a homemade Dominican. That's 414 00:21:49,720 --> 00:21:51,480 Speaker 7: a dope. 415 00:21:51,480 --> 00:21:52,840 Speaker 2: Dominican. Becauserie Dominican. 416 00:21:53,720 --> 00:21:56,560 Speaker 7: No, no, no, you just listen to the story Black and Mexicans. 417 00:21:56,560 --> 00:22:01,960 Speaker 7: Their kids look like Dominican. Therefore the yeah, so envy 418 00:22:02,119 --> 00:22:04,080 Speaker 7: might be homemade. Then I'm not dominic. 419 00:22:07,400 --> 00:22:08,320 Speaker 1: And here's the reason why. 420 00:22:08,560 --> 00:22:13,320 Speaker 7: If you think about, like, what's that island on the 421 00:22:13,359 --> 00:22:15,880 Speaker 7: other side of dominic d r is Haiti. 422 00:22:16,520 --> 00:22:18,960 Speaker 1: So people look like got. 423 00:22:20,080 --> 00:22:24,040 Speaker 7: And so obviously if you have black, any African descendant, 424 00:22:24,040 --> 00:22:24,600 Speaker 7: that's gonna go. 425 00:22:24,680 --> 00:22:27,560 Speaker 1: That's not gonna go right to the dominic community. 426 00:22:28,440 --> 00:22:32,240 Speaker 7: They're gonna be like, we're not African descendants, we're not black, 427 00:22:34,119 --> 00:22:39,439 Speaker 7: which is a different conversation conversation, but you unpack it 428 00:22:39,520 --> 00:22:45,479 Speaker 7: all they you know, ancestors look like me and gotcha. 429 00:22:45,560 --> 00:22:48,000 Speaker 7: You know we look alike. We could be in the 430 00:22:48,040 --> 00:22:48,800 Speaker 7: same family. 431 00:22:49,119 --> 00:22:49,959 Speaker 1: Yeah, MV. 432 00:22:50,119 --> 00:22:52,320 Speaker 9: Have you guys noticed Ice out here like the way 433 00:22:52,359 --> 00:22:52,960 Speaker 9: it is in l A. 434 00:22:53,160 --> 00:22:57,040 Speaker 3: Oh yeah absolutely not like no, not like l A. 435 00:22:57,119 --> 00:23:00,000 Speaker 3: But yeah, like you see him over in Jersey, heavy 436 00:23:00,720 --> 00:23:01,160 Speaker 3: in Jersey. 437 00:23:01,320 --> 00:23:01,760 Speaker 6: But you see it. 438 00:23:02,359 --> 00:23:04,680 Speaker 9: Puerto Ricans and Dominicans. 439 00:23:04,200 --> 00:23:05,600 Speaker 6: Dominicans, Yeah, you see it. 440 00:23:05,840 --> 00:23:08,040 Speaker 3: Uh, And you know they're all online and they'll send 441 00:23:08,040 --> 00:23:09,560 Speaker 3: out of text, Hey just let you know Ice is 442 00:23:09,600 --> 00:23:12,440 Speaker 3: in Patterson today, Ices in this town, Ices in this town, 443 00:23:12,480 --> 00:23:14,639 Speaker 3: and you know, yeah, they running up grabbing. 444 00:23:14,680 --> 00:23:16,240 Speaker 5: And he never used to let people know he's not 445 00:23:16,280 --> 00:23:18,240 Speaker 5: Dominican more than he do now. Before he used to 446 00:23:18,280 --> 00:23:19,000 Speaker 5: kind of embrace it. 447 00:23:20,920 --> 00:23:21,560 Speaker 6: He's a lie. 448 00:23:21,680 --> 00:23:23,879 Speaker 5: That's In fact, he did a whole interview with TMD 449 00:23:23,960 --> 00:23:25,720 Speaker 5: and the headline is like I am black. 450 00:23:32,240 --> 00:23:32,440 Speaker 6: Side. 451 00:23:32,920 --> 00:23:34,160 Speaker 2: He plays around. 452 00:23:33,840 --> 00:23:36,520 Speaker 6: All the time, he says, the Dominican he was even good. 453 00:23:36,840 --> 00:23:38,320 Speaker 3: I'm gonna do a ride along and call Ice to 454 00:23:38,320 --> 00:23:41,920 Speaker 3: see if they grab you. 455 00:23:42,160 --> 00:23:55,040 Speaker 5: If he confirmed he's a hundred, why. 456 00:23:52,359 --> 00:23:52,439 Speaker 4: Not. 457 00:23:53,480 --> 00:23:55,439 Speaker 6: I want a Dominican a war too. But I'm not Dominican, 458 00:23:55,520 --> 00:23:55,840 Speaker 6: I'm black. 459 00:23:57,760 --> 00:24:01,040 Speaker 2: I don't get it. What about you have any identity issues? 460 00:24:01,400 --> 00:24:05,359 Speaker 8: So growing up in Los Angeles is a mosaic of cultures. 461 00:24:05,640 --> 00:24:11,119 Speaker 8: So I just felt comfortable moving through understanding and loving 462 00:24:11,160 --> 00:24:15,600 Speaker 8: and appreciating learning about all these different cultures growing up. Dude, 463 00:24:15,680 --> 00:24:18,720 Speaker 8: I'm Native and Mexican. So one end, my grandmother was 464 00:24:18,760 --> 00:24:21,800 Speaker 8: connected to the Jerome roots, which is the Native side, 465 00:24:22,040 --> 00:24:24,480 Speaker 8: and then on another end, I got my Mexican Chicano 466 00:24:24,560 --> 00:24:28,160 Speaker 8: roots right growing up growing up in La So it 467 00:24:28,359 --> 00:24:33,639 Speaker 8: was a tough heavy lift to like bring other nationalities 468 00:24:33,680 --> 00:24:35,920 Speaker 8: to the house sometimes, But at the end of the day, 469 00:24:35,920 --> 00:24:38,240 Speaker 8: it was like, this is who I am, and so 470 00:24:38,240 --> 00:24:40,399 Speaker 8: I'm going to be. I'm go an live this taboo lifestyle. 471 00:24:40,520 --> 00:24:42,640 Speaker 8: People rock with it or not, It's all good. 472 00:24:42,680 --> 00:24:43,320 Speaker 1: This is who I am. 473 00:24:43,400 --> 00:24:45,080 Speaker 9: I stand on business, you know. 474 00:24:45,040 --> 00:24:45,600 Speaker 1: It's dope too. 475 00:24:45,680 --> 00:24:50,640 Speaker 7: Like I was I rereading the comments on YouTube, and 476 00:24:50,680 --> 00:24:52,760 Speaker 7: there's this there's a there's a couple of people that 477 00:24:52,800 --> 00:24:56,679 Speaker 7: are like, hey, Willie, your mom, your mom raised me 478 00:24:56,720 --> 00:24:58,320 Speaker 7: at the park, mom. 479 00:24:58,119 --> 00:24:58,840 Speaker 1: Took care of you know. 480 00:24:58,920 --> 00:25:02,800 Speaker 7: Yeah, so my mom in the projects was the mom 481 00:25:02,880 --> 00:25:06,159 Speaker 7: that took care of people's kids. And so there's a 482 00:25:06,200 --> 00:25:08,800 Speaker 7: lot of people that are on that when I travel 483 00:25:08,840 --> 00:25:11,520 Speaker 7: out there, when I'm out in the streets on the 484 00:25:11,640 --> 00:25:14,080 Speaker 7: on the comments on videos that are like, your mom 485 00:25:14,119 --> 00:25:15,600 Speaker 7: took care of me, your mom raised me, and your 486 00:25:15,640 --> 00:25:20,720 Speaker 7: mom helped raise my kids, and so the love in 487 00:25:20,760 --> 00:25:24,400 Speaker 7: the community was real. The only time I wouldn't say 488 00:25:24,400 --> 00:25:27,399 Speaker 7: it was an identity issue. My mom was real strict 489 00:25:27,400 --> 00:25:31,119 Speaker 7: growing up, like I couldn't really go outside and play 490 00:25:31,240 --> 00:25:33,720 Speaker 7: too far from where she could in line of sight 491 00:25:34,640 --> 00:25:37,040 Speaker 7: and so, and then a lot of my friends growing 492 00:25:37,119 --> 00:25:39,600 Speaker 7: up their family their their parents were kind of like, 493 00:25:40,040 --> 00:25:42,480 Speaker 7: you know, free, Willie. They go out and do whatever 494 00:25:42,480 --> 00:25:44,800 Speaker 7: they wanted, and so I would always be like, damn, 495 00:25:44,840 --> 00:25:46,520 Speaker 7: my mom is mean. I wish my mom was like 496 00:25:46,760 --> 00:25:50,280 Speaker 7: Andy's mom. I wish my mom was like Lollo's mom. 497 00:25:50,280 --> 00:25:52,359 Speaker 7: But now that I got older, I'm so happy that 498 00:25:52,400 --> 00:25:56,879 Speaker 7: my mom was strict, you know, rest in peace Lollo 499 00:25:59,760 --> 00:26:02,560 Speaker 7: that I grew up with. But yeah, my mama is 500 00:26:02,800 --> 00:26:06,600 Speaker 7: my mama strict, And they would be like, where you're going, Willie, 501 00:26:06,640 --> 00:26:08,080 Speaker 7: your mom did you get a switch, hunk? 502 00:26:08,400 --> 00:26:09,800 Speaker 1: So my mom would be like, go get a switch. 503 00:26:10,240 --> 00:26:12,520 Speaker 7: Make sure that I went and got a switch by 504 00:26:12,520 --> 00:26:13,520 Speaker 7: where people were playing. 505 00:26:14,040 --> 00:26:17,080 Speaker 2: I thought that was just some down south ship we 506 00:26:17,080 --> 00:26:17,480 Speaker 2: was born. 507 00:26:17,600 --> 00:26:18,880 Speaker 1: My mom was born in the South. 508 00:26:19,560 --> 00:26:21,760 Speaker 7: She was born in Louisiana, and Grandma was born and 509 00:26:21,800 --> 00:26:24,080 Speaker 7: picking in Mississippi, and then brought a lot of that 510 00:26:24,440 --> 00:26:29,600 Speaker 7: Southern like, you know, raising how she disciplined us, She 511 00:26:29,760 --> 00:26:32,560 Speaker 7: kept that and ongoing and how she raised us. 512 00:26:32,760 --> 00:26:34,600 Speaker 1: She'd be like, get. 513 00:26:34,480 --> 00:26:35,879 Speaker 7: You put out there and go give me a switch 514 00:26:36,119 --> 00:26:37,720 Speaker 7: from over there where they at. 515 00:26:38,200 --> 00:26:39,840 Speaker 1: So I had to go get a switch. 516 00:26:40,119 --> 00:26:43,040 Speaker 7: And your mom's gonna hit you hung and your mom 517 00:26:43,119 --> 00:26:46,080 Speaker 7: me so they would follow me just to go see 518 00:26:46,080 --> 00:26:46,960 Speaker 7: me get disciplined. 519 00:26:47,840 --> 00:26:50,160 Speaker 5: And then the old thing about it if you picked 520 00:26:50,200 --> 00:26:54,399 Speaker 5: the wrong switch, you can't. Yeah, that taught you a 521 00:26:54,440 --> 00:26:57,360 Speaker 5: lot about consequences and accountability at a young. 522 00:26:57,200 --> 00:26:59,280 Speaker 6: Age, not abuse. 523 00:27:00,080 --> 00:27:02,159 Speaker 9: Yeah, it's a different, different time, you know. 524 00:27:02,240 --> 00:27:05,240 Speaker 8: Speaking about moms. My mom send us a nice text 525 00:27:05,280 --> 00:27:07,439 Speaker 8: about the song. She said, I'm proud of you and 526 00:27:07,480 --> 00:27:10,359 Speaker 8: Willie taking it back to the neighborhood. My memories of 527 00:27:10,440 --> 00:27:12,399 Speaker 8: growing up in East l A start with the music 528 00:27:12,440 --> 00:27:15,920 Speaker 8: playing loud and watching Chicano culture evolve and take over 529 00:27:15,960 --> 00:27:18,360 Speaker 8: the streets. I never thought that my son would bring 530 00:27:18,400 --> 00:27:20,240 Speaker 8: the music to my childhood neighborhood. 531 00:27:20,640 --> 00:27:24,639 Speaker 7: Love you forever, Mom and my mom's My mom's text was, 532 00:27:25,720 --> 00:27:29,920 Speaker 7: I cannot believe I made a trailblazer, a waymaker, an 533 00:27:29,960 --> 00:27:31,359 Speaker 7: influencer and innovator. 534 00:27:31,960 --> 00:27:32,800 Speaker 1: That's my Willie. 535 00:27:34,920 --> 00:27:48,159 Speaker 2: I love that. Yeah, you look like a man. What 536 00:27:48,280 --> 00:27:50,120 Speaker 2: took y'all so long to create a song? 537 00:27:50,160 --> 00:27:52,720 Speaker 5: I guess paying homs to this particular community. 538 00:27:56,520 --> 00:27:58,480 Speaker 1: That's a really good question. It is, I tell you. 539 00:27:58,560 --> 00:27:59,480 Speaker 1: I tell you. 540 00:28:04,680 --> 00:28:11,400 Speaker 7: So, up until this point, if you did a record, 541 00:28:12,200 --> 00:28:18,199 Speaker 7: it would be it would be a gang alignment. But 542 00:28:18,600 --> 00:28:22,560 Speaker 7: my neighborhood is you know, we know the gang in 543 00:28:22,600 --> 00:28:30,000 Speaker 7: the neighborhood. And I didn't want to make like a 544 00:28:30,040 --> 00:28:35,240 Speaker 7: record that can be misconscrewed. We misconscrewed as. 545 00:28:35,119 --> 00:28:39,280 Speaker 1: Like gang alignment. I didn't want to make a record 546 00:28:39,880 --> 00:28:43,920 Speaker 1: that that was like. 547 00:28:45,720 --> 00:28:52,520 Speaker 7: Street you know and celebrating, you know, the conditions of life. 548 00:28:53,160 --> 00:28:58,880 Speaker 7: And so now the record is about it's urgent. We'll 549 00:28:58,920 --> 00:29:01,840 Speaker 7: have songs like Latin Girls was well, have songs that 550 00:29:01,840 --> 00:29:05,080 Speaker 7: that shout out. 551 00:29:04,280 --> 00:29:06,280 Speaker 1: You know, the lifestyle of where we were raised. 552 00:29:07,760 --> 00:29:08,640 Speaker 4: But it was all. 553 00:29:10,240 --> 00:29:15,239 Speaker 7: Fantasy music, so using your imagination. Most people like want 554 00:29:15,280 --> 00:29:18,920 Speaker 7: to keep a real, living reality. I wanted to stay fantasy. 555 00:29:19,600 --> 00:29:23,040 Speaker 7: I wanted to make music that was like different from 556 00:29:23,600 --> 00:29:26,040 Speaker 7: you know, the conditions of life, like. 557 00:29:26,000 --> 00:29:27,200 Speaker 1: I don't want to relive that. 558 00:29:28,160 --> 00:29:31,680 Speaker 7: And so music, especially Daylight sold trump real quest I was. 559 00:29:31,760 --> 00:29:37,200 Speaker 1: Escape from my reality, and I think. 560 00:29:37,520 --> 00:29:42,240 Speaker 7: If I look at you know, that was a heavy 561 00:29:42,320 --> 00:29:43,760 Speaker 7: question because it makes you reflect on. 562 00:29:43,800 --> 00:29:45,200 Speaker 1: Like, hey, why didn't we do that? 563 00:29:45,720 --> 00:29:47,800 Speaker 7: Why didn't we have like an East LA record in 564 00:29:47,920 --> 00:29:52,880 Speaker 7: nineteen ninety eight, nine two thousand one. I think it's 565 00:29:52,880 --> 00:29:58,440 Speaker 7: been two decades, you know. Plus so why now? And 566 00:29:58,520 --> 00:30:02,320 Speaker 7: the reason now, it's because the urgency and the need 567 00:30:02,880 --> 00:30:08,160 Speaker 7: for you know, changing the vibration and you know, think 568 00:30:08,280 --> 00:30:12,040 Speaker 7: in the community and at the same time letting the 569 00:30:12,040 --> 00:30:14,080 Speaker 7: community know that we. 570 00:30:14,200 --> 00:30:14,920 Speaker 1: Got your back. 571 00:30:15,400 --> 00:30:18,440 Speaker 7: There's a lot of folks that don't want to speak 572 00:30:18,520 --> 00:30:24,760 Speaker 7: up because there's a lot of politics on speaking There's 573 00:30:24,800 --> 00:30:28,000 Speaker 7: a lot of folks that that remained silent because of 574 00:30:28,760 --> 00:30:30,800 Speaker 7: like what is it? What is it going to mean? 575 00:30:30,840 --> 00:30:32,600 Speaker 7: There's a lot of you don't know who owns what. 576 00:30:33,440 --> 00:30:38,320 Speaker 7: M there's there's a you could be signed in a contract, 577 00:30:38,560 --> 00:30:42,040 Speaker 7: you could be doing something with a certain organization and 578 00:30:42,080 --> 00:30:44,080 Speaker 7: that organization owns things. 579 00:30:45,160 --> 00:30:48,720 Speaker 1: You don't know who owns what. And so for that like. 580 00:30:50,360 --> 00:30:55,040 Speaker 7: We've we've already had a career and now's the time 581 00:30:55,080 --> 00:30:57,400 Speaker 7: they do that. There's it if there was a time, 582 00:30:57,400 --> 00:30:59,480 Speaker 7: will be right now more so than then. 583 00:30:59,640 --> 00:31:02,160 Speaker 8: And also add that we are from the cloth of 584 00:31:02,240 --> 00:31:06,160 Speaker 8: like self Destruction, Boogie Down Production, Miss Melody, Dougie Fresh 585 00:31:06,280 --> 00:31:08,280 Speaker 8: m See like all that era, and then you had 586 00:31:08,400 --> 00:31:10,280 Speaker 8: We're All in the Same Game on the West Coast 587 00:31:10,360 --> 00:31:14,680 Speaker 8: with Young MC easy that record. So we've always been 588 00:31:14,920 --> 00:31:18,080 Speaker 8: pillars of activism, but movement with like songs like Where's 589 00:31:18,080 --> 00:31:21,280 Speaker 8: the Love Right, Well, we advocate for people that may 590 00:31:21,320 --> 00:31:23,360 Speaker 8: not have the same platform that we have, and in 591 00:31:23,400 --> 00:31:26,920 Speaker 8: this this situation, it was RASA, It was people that 592 00:31:26,960 --> 00:31:29,160 Speaker 8: we grew up with. It was the voices that didn't 593 00:31:29,160 --> 00:31:33,120 Speaker 8: have the platform, and it was our love letter to 594 00:31:33,320 --> 00:31:36,160 Speaker 8: our childhood. But also to stand in solidarity with those people. 595 00:31:36,320 --> 00:31:42,000 Speaker 7: Also, also there's you could talk about the community, or 596 00:31:42,040 --> 00:31:43,720 Speaker 7: you could be about the community and go to the 597 00:31:43,720 --> 00:31:47,600 Speaker 7: community and bring solutions to the community. So I'm more 598 00:31:47,720 --> 00:31:51,120 Speaker 7: solution orientated, like I don't have to talk about the 599 00:31:51,120 --> 00:31:56,280 Speaker 7: community to go out there and you know, have success, 600 00:31:56,880 --> 00:32:00,400 Speaker 7: come back to the community and build robotics programs, college 601 00:32:00,400 --> 00:32:06,680 Speaker 7: prep programs. And then during COVID, when when we realized 602 00:32:06,680 --> 00:32:10,600 Speaker 7: that when people were working from home, when they were 603 00:32:10,880 --> 00:32:14,000 Speaker 7: educating themselves from home, they didn't have access to the internet, 604 00:32:14,320 --> 00:32:17,120 Speaker 7: go back to the community, provide free Wi Fi for 605 00:32:17,240 --> 00:32:21,480 Speaker 7: the projects so kids could you know, learn from their 606 00:32:21,480 --> 00:32:23,960 Speaker 7: home because we realized that they were putting themselves in 607 00:32:24,000 --> 00:32:27,000 Speaker 7: harm's way when they had to go up to you know, 608 00:32:27,080 --> 00:32:29,240 Speaker 7: an area where they had free Wi Fi. So we 609 00:32:30,440 --> 00:32:33,840 Speaker 7: about any place any so we brought so my foundation 610 00:32:35,440 --> 00:32:38,200 Speaker 7: in collaboration when we link brought you know, free Wi 611 00:32:38,200 --> 00:32:40,920 Speaker 7: Fi to the projects and so you could talk about 612 00:32:40,960 --> 00:32:42,760 Speaker 7: it or you could do about it. And so I 613 00:32:43,640 --> 00:32:46,440 Speaker 7: we always wanted to I always wanted to do about it, 614 00:32:46,960 --> 00:32:49,680 Speaker 7: and now it's time to talk about it and do 615 00:32:49,760 --> 00:32:50,160 Speaker 7: about it. 616 00:32:50,200 --> 00:32:51,719 Speaker 5: At the same time, though, I did the same thing 617 00:32:51,720 --> 00:32:54,880 Speaker 5: as South Carolina, same exact thing, d because I, you know, 618 00:32:54,960 --> 00:32:56,880 Speaker 5: I usually do like the book back drives and everything, 619 00:32:56,920 --> 00:32:58,760 Speaker 5: but like during that time, I'm like, all of these 620 00:32:58,840 --> 00:33:00,800 Speaker 5: kids are having to go to like fast. 621 00:33:00,520 --> 00:33:02,160 Speaker 2: From restaurants to get Wi Fi. 622 00:33:02,320 --> 00:33:04,000 Speaker 5: And so I did the same exact thing, got Wi 623 00:33:04,040 --> 00:33:07,280 Speaker 5: Fi for this, Yeah, the colony, Colony House of Projects 624 00:33:07,280 --> 00:33:08,920 Speaker 5: and Columbus Olina. 625 00:33:08,720 --> 00:33:12,040 Speaker 11: And then the visual that goes along with it as well, 626 00:33:12,120 --> 00:33:14,280 Speaker 11: like even your heartfelt message at the end. Well, I 627 00:33:14,320 --> 00:33:18,280 Speaker 11: thought that was really dope because specifically Boyle Heights have 628 00:33:18,440 --> 00:33:20,120 Speaker 11: been like they've been going through a lot, you know, 629 00:33:20,200 --> 00:33:24,080 Speaker 11: with the LAPD officer shootings, and everything like that. I 630 00:33:24,120 --> 00:33:26,760 Speaker 11: don't know if y'all heard, but it was an unfortunate death. 631 00:33:27,600 --> 00:33:30,080 Speaker 11: Reci peace to Jeremy Flores. He and his family. They 632 00:33:30,200 --> 00:33:35,040 Speaker 11: just they underwent, They underwent like some crazy trouble right 633 00:33:35,080 --> 00:33:37,720 Speaker 11: with somebody called the police on him because he was 634 00:33:37,800 --> 00:33:40,760 Speaker 11: driving a white van and they said that they that 635 00:33:40,840 --> 00:33:43,080 Speaker 11: he had a rifle and then the police came and 636 00:33:43,120 --> 00:33:45,880 Speaker 11: they killed him, you know what I mean. Like, so 637 00:33:46,640 --> 00:33:50,680 Speaker 11: this is a great tribute to them, and just just 638 00:33:51,440 --> 00:33:55,080 Speaker 11: this song just alone, the visual as well, Shine's light 639 00:33:55,320 --> 00:33:59,680 Speaker 11: on East LA and some of those projects and communities 640 00:33:59,720 --> 00:34:04,680 Speaker 11: because they really really need like like some healing right now, 641 00:34:05,240 --> 00:34:07,400 Speaker 11: so that this what y'all doing is great. Now, is 642 00:34:07,440 --> 00:34:10,239 Speaker 11: this a Black Eyed Peas song? Or will I Am 643 00:34:10,280 --> 00:34:11,040 Speaker 11: in Taboo song? 644 00:34:11,200 --> 00:34:15,160 Speaker 7: It's will I Am in Taboo? We struggle with that, 645 00:34:15,320 --> 00:34:16,720 Speaker 7: like is this black Eyed Peas? 646 00:34:17,120 --> 00:34:17,239 Speaker 6: Oh? 647 00:34:17,320 --> 00:34:19,120 Speaker 1: Yeah? 648 00:34:19,280 --> 00:34:20,880 Speaker 7: And I'm like, hey, why don't we do something that 649 00:34:20,920 --> 00:34:25,520 Speaker 7: we haven't done where you know, we we we know 650 00:34:25,560 --> 00:34:29,680 Speaker 7: what Votron's like, but if we could, like, you know, 651 00:34:30,719 --> 00:34:34,600 Speaker 7: highlight different clusters of what we are collectively, that means 652 00:34:34,920 --> 00:34:36,960 Speaker 7: a tab and Apple song will call a me and 653 00:34:37,040 --> 00:34:41,840 Speaker 7: Apple song, you know, you know, doing doing it like 654 00:34:41,880 --> 00:34:43,760 Speaker 7: that on this on this next face. 655 00:34:44,719 --> 00:34:46,160 Speaker 1: But I'm in solo mode. 656 00:34:46,200 --> 00:34:50,200 Speaker 7: I have records coming out, and I wanted to put 657 00:34:50,239 --> 00:34:52,880 Speaker 7: out as much human made music as possible. 658 00:34:53,840 --> 00:34:57,360 Speaker 2: Because hey, I take it over like that. Damn. 659 00:34:57,880 --> 00:35:04,600 Speaker 7: Well yeah, it's really dopey the aim. 660 00:35:05,560 --> 00:35:06,560 Speaker 1: Yeah, so I want to. 661 00:35:07,800 --> 00:35:10,160 Speaker 5: That sounds crazy to even say I want to make 662 00:35:10,200 --> 00:35:12,640 Speaker 5: as much human made music as possible. 663 00:35:12,960 --> 00:35:14,759 Speaker 6: Yeah, damn. How do you feel? 664 00:35:14,760 --> 00:35:17,120 Speaker 3: You know, people got on Timberland when he signed his 665 00:35:17,200 --> 00:35:19,520 Speaker 3: first AI artists, and people were mad and said, you're 666 00:35:19,560 --> 00:35:24,480 Speaker 3: taking the jobs from regular artists, taking the creativity away, 667 00:35:24,560 --> 00:35:25,919 Speaker 3: taking you know, the fact. 668 00:35:26,000 --> 00:35:27,000 Speaker 6: What are your thoughts on it? 669 00:35:32,920 --> 00:35:34,040 Speaker 1: I think it's the way. 670 00:35:36,680 --> 00:35:42,120 Speaker 7: The environment, the proximity of what Timberland was around as 671 00:35:42,160 --> 00:35:45,080 Speaker 7: he was doing the AI music. So for a couple 672 00:35:45,120 --> 00:35:48,600 Speaker 7: of years before that, he was, you know, wanted to 673 00:35:48,640 --> 00:35:52,719 Speaker 7: sign people by having them submit music. And then the 674 00:35:52,800 --> 00:35:55,080 Speaker 7: thing that he signed is an AI, not a human 675 00:35:55,760 --> 00:35:58,040 Speaker 7: I could see why that rough feathers. 676 00:35:58,680 --> 00:36:00,359 Speaker 1: I thought, you just did this campaign. 677 00:36:01,760 --> 00:36:08,959 Speaker 7: And then the situation with the dude and the beat. 678 00:36:07,640 --> 00:36:09,960 Speaker 1: It's a there's a lot of noise around it. 679 00:36:10,800 --> 00:36:15,839 Speaker 7: Had uh. For example, we did some version of that 680 00:36:15,880 --> 00:36:17,920 Speaker 7: where we're like the new member of the Black Eyed 681 00:36:17,960 --> 00:36:21,440 Speaker 7: Peas is an Ai when we were about to do Vegas. 682 00:36:23,239 --> 00:36:24,680 Speaker 1: But like I said, I think. 683 00:36:24,520 --> 00:36:28,400 Speaker 7: It's the proximity because he was adjacent to you know, 684 00:36:30,320 --> 00:36:34,920 Speaker 7: a call out, you know, magnetizing the community to send music, 685 00:36:35,760 --> 00:36:38,120 Speaker 7: and then the thing he signs is an AI. But 686 00:36:38,239 --> 00:36:39,919 Speaker 7: other than that, if you remove that out of the way, 687 00:36:40,120 --> 00:36:44,600 Speaker 7: there's no there's no there's no, it's no different of 688 00:36:45,040 --> 00:36:50,760 Speaker 7: lending your voice to a to a cartoon. For example, 689 00:36:50,880 --> 00:36:53,840 Speaker 7: I did Madagascar two that hippos a hippo. 690 00:36:55,000 --> 00:36:57,320 Speaker 1: I did a bird on Rio one and two who's 691 00:36:58,160 --> 00:37:00,879 Speaker 1: was Pedro. So it's using your. 692 00:37:00,800 --> 00:37:03,320 Speaker 7: Imagination and like building character. 693 00:37:04,239 --> 00:37:05,759 Speaker 1: You know, Mickey. 694 00:37:05,440 --> 00:37:11,600 Speaker 7: Mouse is the o g Ai character outlived freaking walk. 695 00:37:12,640 --> 00:37:18,200 Speaker 7: So there's nothing wrong with you know, avatars or you know, 696 00:37:18,560 --> 00:37:23,560 Speaker 7: uh alter egos. You know, there's nothing wrong with that. 697 00:37:24,000 --> 00:37:26,719 Speaker 7: It's just you gotta be careful in the environment and 698 00:37:26,800 --> 00:37:29,360 Speaker 7: they and the environment that you that you do it. 699 00:37:29,360 --> 00:37:33,120 Speaker 6: In what happened with Vegas because you mentioned Vegas the virus. 700 00:37:34,040 --> 00:37:35,160 Speaker 9: I was affected by the fires. 701 00:37:35,160 --> 00:37:37,480 Speaker 8: To be honest with you, I'm an altaden opacity in 702 00:37:37,480 --> 00:37:40,640 Speaker 8: the area and I was displaced for a long time. 703 00:37:41,040 --> 00:37:43,320 Speaker 1: I didn't have a home. Wow, fact. 704 00:37:43,920 --> 00:37:47,560 Speaker 7: Yeah, so we had a well we well, we'll revisit 705 00:37:47,640 --> 00:37:51,600 Speaker 7: that now that you know, you know, people are safe, 706 00:37:51,960 --> 00:37:52,719 Speaker 7: people can live. 707 00:37:53,320 --> 00:37:54,560 Speaker 6: You did you lose everything? 708 00:37:55,239 --> 00:37:57,919 Speaker 8: I had to get rid of Every internal damage was bad, 709 00:37:58,000 --> 00:38:00,560 Speaker 8: so we had to get rid of everything internally structurally. 710 00:38:00,600 --> 00:38:04,560 Speaker 8: Structurally were okay, but our surrounding area was devastated. So 711 00:38:04,880 --> 00:38:07,600 Speaker 8: you know, my hearts go out to Yeah, my kid, 712 00:38:07,840 --> 00:38:11,799 Speaker 8: both of my son's preschool burned down, So my heart 713 00:38:11,800 --> 00:38:15,839 Speaker 8: goes out to Altadina, Malibu Palisades and all the people affected. Dude, 714 00:38:15,920 --> 00:38:20,000 Speaker 8: our our year started off fucked up twenty five so 715 00:38:20,040 --> 00:38:21,920 Speaker 8: to be able to have come back in the summer 716 00:38:22,040 --> 00:38:24,560 Speaker 8: and have healing, as you said, with this song and 717 00:38:24,600 --> 00:38:26,960 Speaker 8: this whole idea of how can we be of service 718 00:38:27,000 --> 00:38:30,680 Speaker 8: and help and do our part to advocate, Like that's 719 00:38:30,760 --> 00:38:31,879 Speaker 8: that's a blessing for us as. 720 00:38:31,800 --> 00:38:32,399 Speaker 2: We made year. 721 00:38:32,440 --> 00:38:34,080 Speaker 1: Man, I feel like it was two years so far. 722 00:38:34,200 --> 00:38:34,480 Speaker 7: Now. 723 00:38:34,600 --> 00:38:36,839 Speaker 5: It's crazy because I feel like culturally LA is having 724 00:38:36,880 --> 00:38:39,359 Speaker 5: such a great moment, right, not a moment because y'all 725 00:38:39,360 --> 00:38:41,920 Speaker 5: at LA, but like, you know what Kendrick did well culturally, 726 00:38:41,960 --> 00:38:45,480 Speaker 5: but then it's like societally, the fire ice ray, It's 727 00:38:45,640 --> 00:38:46,320 Speaker 5: like God. 728 00:38:46,280 --> 00:38:50,120 Speaker 7: Yeah, yeah, what is thirty fifty two. 729 00:38:50,120 --> 00:38:53,400 Speaker 11: I noticed that it's shouted in the song Copley fifty. 730 00:38:53,120 --> 00:39:00,319 Speaker 7: Two is a section and LAFC where the community they've made. 731 00:39:00,880 --> 00:39:03,880 Speaker 7: You know, the team did an awesome job making a 732 00:39:03,920 --> 00:39:09,120 Speaker 7: space for the community of Angelinos to really celebrate. You know, 733 00:39:09,800 --> 00:39:13,600 Speaker 7: they brought a tribal experience to sporting. The only place 734 00:39:13,640 --> 00:39:15,920 Speaker 7: we actually find that is outside of the States, the 735 00:39:16,040 --> 00:39:20,840 Speaker 7: Real Madrid or the Brazilian football team or Germany. You know, 736 00:39:21,080 --> 00:39:24,959 Speaker 7: you see this like a different level of fandom that's 737 00:39:25,040 --> 00:39:25,720 Speaker 7: that's tribal. 738 00:39:26,080 --> 00:39:27,200 Speaker 1: So thirty two fifty two. 739 00:39:29,120 --> 00:39:30,680 Speaker 7: I wanted to shout that out because I go to 740 00:39:30,880 --> 00:39:34,520 Speaker 7: I go to the games, and that section is you know, 741 00:39:34,880 --> 00:39:38,480 Speaker 7: a lot of the people from the community that I know. 742 00:39:38,600 --> 00:39:41,360 Speaker 7: There's people like Boyle Heights. They got the Boyle Heights 743 00:39:41,640 --> 00:39:43,960 Speaker 7: scarves and the Boyle Heights flags or. 744 00:39:44,360 --> 00:39:50,360 Speaker 1: Different cut a hay. You know, the whole East Side 745 00:39:50,480 --> 00:39:51,520 Speaker 1: east Siders. 746 00:39:51,160 --> 00:39:54,280 Speaker 7: Are there in the in the thirty two fifty two 747 00:39:54,480 --> 00:39:58,239 Speaker 7: like which is three thousand, uh three, five hundred and 748 00:39:58,280 --> 00:40:00,400 Speaker 7: fifty two seats. 749 00:40:01,280 --> 00:40:02,160 Speaker 1: It's really what. 750 00:40:02,120 --> 00:40:04,360 Speaker 9: It is, like the Seahawks, how they have the twelve 751 00:40:04,480 --> 00:40:05,560 Speaker 9: man like that. 752 00:40:06,800 --> 00:40:09,239 Speaker 2: Okay, did you have you bounced back to that book from 753 00:40:09,280 --> 00:40:09,600 Speaker 2: your house. 754 00:40:09,719 --> 00:40:10,040 Speaker 1: We did. 755 00:40:10,120 --> 00:40:15,120 Speaker 8: Yeah, we moved in fortunately, but still we have eight 756 00:40:15,200 --> 00:40:17,799 Speaker 8: hundred trash trucks taking the debris out. We probably won't 757 00:40:17,800 --> 00:40:20,440 Speaker 8: be up and running as a community as far as 758 00:40:20,480 --> 00:40:23,279 Speaker 8: like good for a couple of years. Some of the 759 00:40:23,320 --> 00:40:25,640 Speaker 8: lots are being sold. Some of the lots are being 760 00:40:26,000 --> 00:40:27,600 Speaker 8: taken over because they don't have insurance. 761 00:40:27,600 --> 00:40:28,240 Speaker 1: Some of the people. 762 00:40:28,640 --> 00:40:31,560 Speaker 8: You gotta understand, bro, these are marginalized communities on the 763 00:40:31,600 --> 00:40:34,279 Speaker 8: other side of Altadina, A lot of black families and 764 00:40:34,320 --> 00:40:36,479 Speaker 8: Mexican families that didn't have, you know. 765 00:40:36,400 --> 00:40:37,520 Speaker 1: The proper insurance. 766 00:40:37,920 --> 00:40:40,319 Speaker 8: They've been living there there for years and they were 767 00:40:40,360 --> 00:40:43,480 Speaker 8: affected by the fires, and unfortunately the city comes in 768 00:40:43,560 --> 00:40:46,319 Speaker 8: and takes their home because they can't pay for that lot. 769 00:40:48,160 --> 00:40:50,240 Speaker 5: Is this song gonna be part of a bigger project 770 00:40:50,280 --> 00:40:51,600 Speaker 5: or it's just like a one off statement. 771 00:40:51,920 --> 00:40:54,839 Speaker 7: Oh no, it's part of my solo project of one 772 00:40:54,840 --> 00:40:59,759 Speaker 7: of the three. So I got I got all pop 773 00:41:00,000 --> 00:41:03,880 Speaker 7: record that's like a big, big type of records. 774 00:41:04,280 --> 00:41:05,560 Speaker 1: Then I got like a just a. 775 00:41:07,040 --> 00:41:14,160 Speaker 7: Like a nineties influence boom back a record, and then 776 00:41:14,200 --> 00:41:18,000 Speaker 7: I have just like a fusion project. 777 00:41:18,000 --> 00:41:20,160 Speaker 1: This is the fusion project. 778 00:41:21,280 --> 00:41:25,319 Speaker 11: I just saw that you collaborated with Mercedes. 779 00:41:26,280 --> 00:41:28,840 Speaker 6: Yeah, yeah, he did. He did that. I tried to 780 00:41:28,840 --> 00:41:29,919 Speaker 6: get it for the last. 781 00:41:31,640 --> 00:41:31,839 Speaker 1: Yeah. 782 00:41:31,880 --> 00:41:34,640 Speaker 7: So we got two pieces of technology inside Mercedes. One 783 00:41:34,719 --> 00:41:37,040 Speaker 7: the sound drive that takes all the sensor data, yeah, 784 00:41:38,160 --> 00:41:41,320 Speaker 7: and aims at sensor data to a sound generation platform 785 00:41:41,360 --> 00:41:44,480 Speaker 7: that allows a driver to remix, reimagine songs just by driving. 786 00:41:44,920 --> 00:41:48,520 Speaker 7: And then I got this AI radio that's in Mercedes vehicles. 787 00:41:49,000 --> 00:41:52,040 Speaker 7: And because of that Qualcom, we just partnered up with 788 00:41:52,080 --> 00:41:55,479 Speaker 7: Qualcomm and we you know, just married our systems onto 789 00:41:55,600 --> 00:41:59,320 Speaker 7: Chip so they would get us in more OEM vehicles. 790 00:41:59,320 --> 00:42:00,759 Speaker 1: So we I go to India. 791 00:42:01,400 --> 00:42:05,360 Speaker 7: In two weeks to announce our partnership with three OHEM 792 00:42:07,640 --> 00:42:11,520 Speaker 7: auto manufacturers out there in India. What's awesome is one 793 00:42:11,520 --> 00:42:15,839 Speaker 7: of our kids that joined MY program. There's a kid 794 00:42:15,880 --> 00:42:18,680 Speaker 7: that comes from the same project as me. He joined 795 00:42:18,719 --> 00:42:21,480 Speaker 7: my my My program when he was like in the 796 00:42:21,560 --> 00:42:22,760 Speaker 7: ninth grade, tenth grade. 797 00:42:23,440 --> 00:42:26,000 Speaker 1: He then went to school for computer science. 798 00:42:26,680 --> 00:42:31,120 Speaker 7: He then graduated and now he's like one of the 799 00:42:31,200 --> 00:42:38,040 Speaker 7: lead in leadership implementing our systems and Mercedes. I'm just 800 00:42:38,080 --> 00:42:41,400 Speaker 7: really proud of his dedication, commitment and we rely on 801 00:42:41,480 --> 00:42:45,480 Speaker 7: him for his talents. But you know, just go to 802 00:42:45,520 --> 00:42:49,280 Speaker 7: show that people from the same projects can can align 803 00:42:49,960 --> 00:42:52,759 Speaker 7: and bring the best out of each other. So you know, 804 00:42:52,880 --> 00:42:58,680 Speaker 7: really really salute his h his growth and now leadership 805 00:42:58,920 --> 00:42:59,520 Speaker 7: at the company. 806 00:42:59,600 --> 00:43:00,480 Speaker 6: So I love that you. 807 00:43:01,080 --> 00:43:03,040 Speaker 5: That's really it's great when I sit here and I 808 00:43:03,080 --> 00:43:05,240 Speaker 5: listen to you and Taboo talk man, and I think about, 809 00:43:05,480 --> 00:43:08,160 Speaker 5: you know, the other members Filipino, with all the different 810 00:43:08,160 --> 00:43:09,080 Speaker 5: coaches in the group. 811 00:43:09,239 --> 00:43:10,439 Speaker 2: How did y'all land on the name. 812 00:43:10,360 --> 00:43:12,759 Speaker 5: Black eyed Peas because black eyed Peas is synonymous with 813 00:43:12,800 --> 00:43:13,400 Speaker 5: black folks. 814 00:43:13,480 --> 00:43:16,440 Speaker 1: Yeah, I mean that accompanis. 815 00:43:20,520 --> 00:43:32,759 Speaker 4: And on that name. 816 00:43:33,160 --> 00:43:36,759 Speaker 7: I just I just uh, my grandma she used to 817 00:43:37,080 --> 00:43:40,120 Speaker 7: used to, you know, force me, not force me, but like, boy, 818 00:43:40,120 --> 00:43:41,279 Speaker 7: you ain't getting up out that table. 819 00:43:41,320 --> 00:43:45,160 Speaker 1: Tea finished in black eyed Peas and they were drive 820 00:43:47,360 --> 00:43:49,960 Speaker 1: and I didn't. I'm not. I'm not a fan of. 821 00:43:49,920 --> 00:43:51,399 Speaker 2: The love black eyed Peas. 822 00:43:53,640 --> 00:43:56,120 Speaker 7: Rights is good. It's just a peace by itself. Like 823 00:43:56,760 --> 00:44:00,319 Speaker 7: to me, sometimes it's good. But the way that way 824 00:44:00,360 --> 00:44:01,319 Speaker 7: I had it growing. 825 00:44:01,080 --> 00:44:05,200 Speaker 1: Up, it was. And so the green beans. 826 00:44:06,640 --> 00:44:09,480 Speaker 7: And black eyed peace when they get cold, I ain't 827 00:44:09,480 --> 00:44:11,960 Speaker 7: trying to add that. And so my grandma would be like, 828 00:44:13,000 --> 00:44:14,879 Speaker 7: you ain't getting up off that table to you finish 829 00:44:14,920 --> 00:44:16,839 Speaker 7: the Black Eyed Peace. So for me, it just meant like, 830 00:44:17,520 --> 00:44:20,680 Speaker 7: don't stop until you're done. You can't get up until 831 00:44:20,680 --> 00:44:24,080 Speaker 7: you finish something. And no matter how hard it is, 832 00:44:24,160 --> 00:44:26,320 Speaker 7: no matter what it is, if you got a dream, 833 00:44:26,360 --> 00:44:28,279 Speaker 7: if you were set to do something, you gotta see 834 00:44:28,320 --> 00:44:29,520 Speaker 7: it and you got to complete it. 835 00:44:30,000 --> 00:44:30,879 Speaker 1: And it's good luck. 836 00:44:31,280 --> 00:44:35,239 Speaker 7: You know, it's a good luck and so good luck 837 00:44:35,520 --> 00:44:38,880 Speaker 7: and you know, good vibes and what you magnetize and 838 00:44:38,920 --> 00:44:39,560 Speaker 7: what you attract. 839 00:44:40,200 --> 00:44:42,640 Speaker 8: And also Black Eyed Peas and Soul Food and we 840 00:44:42,680 --> 00:44:45,960 Speaker 8: always felt like our music feeds the soul. And it 841 00:44:46,000 --> 00:44:48,400 Speaker 8: would have been weird being like, okay because your mexicanist 842 00:44:48,640 --> 00:44:49,680 Speaker 8: list named the group. 843 00:44:50,040 --> 00:44:55,160 Speaker 7: But they had that or Bees and Rice. 844 00:44:57,040 --> 00:45:01,319 Speaker 2: Hit Listen. Black probably would have been whack if y'all 845 00:45:01,320 --> 00:45:01,879 Speaker 2: didn't make it. 846 00:45:02,440 --> 00:45:02,920 Speaker 1: That's true. 847 00:45:05,200 --> 00:45:06,120 Speaker 4: I want to change the name. 848 00:45:06,560 --> 00:45:07,960 Speaker 6: Somebody was like Black Eyed Peas. 849 00:45:07,920 --> 00:45:10,800 Speaker 9: No, no, no, because the idea of soul food is dope. 850 00:45:11,239 --> 00:45:13,239 Speaker 2: We feed the soul with our music absolutely. 851 00:45:13,680 --> 00:45:15,399 Speaker 7: And you know, there was two groups that were out 852 00:45:15,560 --> 00:45:18,600 Speaker 7: that was named after food, like the Red Hot Chili Peppers. 853 00:45:18,680 --> 00:45:21,719 Speaker 7: I'm like, they got to smash the pumpkins. I'm like, yo, 854 00:45:21,760 --> 00:45:25,360 Speaker 7: they got food names. Bro, Like you know what I'm saying. Well, 855 00:45:25,400 --> 00:45:26,760 Speaker 7: let's get into the joint right now. 856 00:45:28,200 --> 00:45:29,560 Speaker 6: Let's get into you and introduce it. 857 00:45:30,560 --> 00:45:31,040 Speaker 1: Yo, what's up. 858 00:45:31,120 --> 00:45:32,719 Speaker 7: This is what I am Taboo and this is a 859 00:45:32,719 --> 00:45:35,040 Speaker 7: new record that we got called East l A. 860 00:45:35,440 --> 00:45:35,799 Speaker 1: That's right. 861 00:45:35,880 --> 00:45:37,319 Speaker 6: We appreciate you guys for joining us. 862 00:45:37,320 --> 00:45:39,680 Speaker 7: Man, thank you for having us all the time. 863 00:45:39,680 --> 00:45:41,560 Speaker 6: Sarahs Breakfast Club one. Let's get into it. 864 00:45:41,920 --> 00:45:44,000 Speaker 9: Wake that ass up in the morning. 865 00:45:44,320 --> 00:45:45,120 Speaker 1: Breakfast Club