1 00:00:05,120 --> 00:00:07,480 Speaker 1: Hello, this is Annie and this is Bridget and you're 2 00:00:07,480 --> 00:00:21,079 Speaker 1: listening to stuff. Mom never told you. This is part 3 00:00:21,160 --> 00:00:25,840 Speaker 1: two of our fan fiction Extravaganza, because, surprise, surprise, we 4 00:00:25,840 --> 00:00:29,040 Speaker 1: were very excited to talk about fan fiction. Um, if 5 00:00:29,080 --> 00:00:31,280 Speaker 1: you haven't caught the first episode, go check it out. 6 00:00:31,320 --> 00:00:33,080 Speaker 1: It was kind of more of a primer the history, 7 00:00:33,200 --> 00:00:36,319 Speaker 1: what what is this fan fiction thing? And in this 8 00:00:36,360 --> 00:00:40,360 Speaker 1: episode we're gonna look more into why it's mostly women 9 00:00:40,360 --> 00:00:45,600 Speaker 1: writing fan fiction and slash. Yeah. I was pretty surprised. 10 00:00:45,800 --> 00:00:48,159 Speaker 1: I had no idea there were so many ins and 11 00:00:48,200 --> 00:00:50,360 Speaker 1: outs to fan fiction. I thought it was going to 12 00:00:50,400 --> 00:00:53,120 Speaker 1: be something that was sort of a quick overview, but 13 00:00:53,520 --> 00:00:55,840 Speaker 1: when you actually look at the history, there's so much 14 00:00:55,840 --> 00:00:59,280 Speaker 1: going on and it's so gendered. After part one of 15 00:00:59,320 --> 00:01:01,840 Speaker 1: this episode aired, I was having a conversation with a 16 00:01:01,880 --> 00:01:04,039 Speaker 1: friend and I was like, oh, we were talking about 17 00:01:04,040 --> 00:01:06,280 Speaker 1: fan fiction and he said, oh, isn't that a bunch 18 00:01:06,319 --> 00:01:10,360 Speaker 1: of weirdos writing stories where Harry Potter and Gandolf have 19 00:01:10,440 --> 00:01:12,920 Speaker 1: sex with each other? And I was able to say, no, 20 00:01:13,200 --> 00:01:16,800 Speaker 1: that is a common fan fiction misconception. So I was 21 00:01:16,840 --> 00:01:19,800 Speaker 1: pretty proud of how how useful the information about fani 22 00:01:19,880 --> 00:01:22,039 Speaker 1: fiction turned out to be in my own life. I'm 23 00:01:22,080 --> 00:01:25,880 Speaker 1: proud to Bridget. Good for you standing up for fan fiction. 24 00:01:26,200 --> 00:01:28,880 Speaker 1: But yeah, let's let's dive right in, shall we. Let's 25 00:01:28,880 --> 00:01:31,640 Speaker 1: do it. Yes, fantic fear, that's what we're going to 26 00:01:31,800 --> 00:01:33,640 Speaker 1: talk about, and it does largely seem to do with 27 00:01:33,640 --> 00:01:37,440 Speaker 1: our anxieties around women and sexuality, and male anxieties about 28 00:01:37,520 --> 00:01:41,440 Speaker 1: women in the phantom Surprise surprise that's never come up 29 00:01:41,480 --> 00:01:44,839 Speaker 1: here on the show. No, never, never, And this fear 30 00:01:44,920 --> 00:01:48,680 Speaker 1: feminine media goes way back to take this quote from 31 00:01:48,680 --> 00:01:51,960 Speaker 1: a pastor from eighteen sixty four. I've seen a young 32 00:01:52,040 --> 00:01:54,120 Speaker 1: lady with her table loaded with volumes, a loaded of 33 00:01:54,160 --> 00:01:57,960 Speaker 1: fictitious trash, pouring day after day and night after night 34 00:01:58,200 --> 00:02:02,000 Speaker 1: over highly we're all seeing since carefully portrayed pictures of romance, 35 00:02:02,200 --> 00:02:05,520 Speaker 1: until her cheeks grew pale, her eyes became wild and reckless, 36 00:02:05,720 --> 00:02:08,480 Speaker 1: and her mind wandered and was lost. A lot of 37 00:02:08,480 --> 00:02:12,120 Speaker 1: intelligence passed behind a cloud, and her soul was forever benighted. 38 00:02:12,400 --> 00:02:16,480 Speaker 1: She was insane, incurably insane from reading novels. Is he 39 00:02:16,520 --> 00:02:18,360 Speaker 1: describing you? Is that what you look like when you 40 00:02:18,360 --> 00:02:20,960 Speaker 1: read band fiction? So I am a vampire. I wasn't 41 00:02:21,080 --> 00:02:27,280 Speaker 1: planning on admitting it. It's right to be hunting you, dad. 42 00:02:27,280 --> 00:02:30,200 Speaker 1: Wait is she behind you? That's why I was so 43 00:02:30,320 --> 00:02:34,000 Speaker 1: nervous before. Oh no, I hope she doesn't listen to 44 00:02:34,000 --> 00:02:37,960 Speaker 1: the show. She's gonna come's gonna come. I'm a vampire though. Anyway. 45 00:02:38,760 --> 00:02:41,519 Speaker 1: According to a survey from Fanfic, the fan fix site 46 00:02:41,560 --> 00:02:44,960 Speaker 1: AO three that we mentioned earlier, an overwhelming majority of 47 00:02:44,960 --> 00:02:47,760 Speaker 1: fan fiction is written by people who identify as women, 48 00:02:48,360 --> 00:02:52,040 Speaker 1: more identify as gender queer at six percent than male 49 00:02:52,160 --> 00:02:57,079 Speaker 1: at four percent, and only thirty eight percent identify as heterosexual. 50 00:02:57,720 --> 00:03:00,240 Speaker 1: When AO three was first coded, it mark to the 51 00:03:00,280 --> 00:03:06,280 Speaker 1: biggest majority female independent coding project ever. Wow. As to 52 00:03:06,440 --> 00:03:09,240 Speaker 1: age demographics, to go back to that whole horny teenagers 53 00:03:09,280 --> 00:03:11,440 Speaker 1: are the only ones writing this. That's not true. It 54 00:03:11,480 --> 00:03:13,560 Speaker 1: depends on which site you look at, but it probably 55 00:03:13,560 --> 00:03:16,720 Speaker 1: excused slightly older than you'd guess, like college aged outside 56 00:03:16,720 --> 00:03:18,560 Speaker 1: of what Pad, which we talked about earlier. See this 57 00:03:18,600 --> 00:03:21,320 Speaker 1: doesn't actually surprise me at all, because I've often found 58 00:03:21,360 --> 00:03:24,720 Speaker 1: that anything that involves sort of people power and media, 59 00:03:24,800 --> 00:03:28,880 Speaker 1: whether it's you know, YouTube or independent content creation, those 60 00:03:28,919 --> 00:03:32,600 Speaker 1: spaces tend to be heavily dominated by non heterosexual men's 61 00:03:32,639 --> 00:03:35,440 Speaker 1: which women, queer folks, non byronary filips, books of color, 62 00:03:35,520 --> 00:03:40,440 Speaker 1: like marginalized people really combine their voices in these alternative 63 00:03:40,520 --> 00:03:45,760 Speaker 1: sources of you know, creativity and media. Yeah, I am 64 00:03:45,840 --> 00:03:49,280 Speaker 1: kind of curious. I wonder how common it is for 65 00:03:49,640 --> 00:03:52,280 Speaker 1: perhaps men to pretend to be women writing fan fiction, 66 00:03:52,560 --> 00:03:55,640 Speaker 1: or like choose a name that maybe you couldn't get 67 00:03:55,640 --> 00:03:58,120 Speaker 1: a sense of whether or not they were male or female. 68 00:03:58,440 --> 00:04:01,160 Speaker 1: Sort of like how in in the video game world, 69 00:04:01,560 --> 00:04:04,000 Speaker 1: a lot of female gamers, including myself, which is a 70 00:04:04,040 --> 00:04:07,200 Speaker 1: masculine sounding name. Hopefully that people would leave us alone. 71 00:04:07,680 --> 00:04:09,640 Speaker 1: Like I wonder, I'm just curious if there's kind of 72 00:04:09,640 --> 00:04:13,080 Speaker 1: an embarrassment or maybe even male fan fiction writers feel 73 00:04:13,080 --> 00:04:16,120 Speaker 1: like they'd be more accepted. What was your fan fiction handle? 74 00:04:17,920 --> 00:04:22,080 Speaker 1: It was winded? W Why in D E D? What 75 00:04:22,240 --> 00:04:24,320 Speaker 1: is that? What? Where did that come from? What's the 76 00:04:24,360 --> 00:04:27,239 Speaker 1: origin of that? Gosh, it's actually a really embarrassing story. 77 00:04:27,279 --> 00:04:28,440 Speaker 1: I don't want to tell it. If you can, we 78 00:04:28,480 --> 00:04:30,760 Speaker 1: can tell it off air. You can still look it up. 79 00:04:30,920 --> 00:04:34,320 Speaker 1: It does exist, but there's nothing. They are deleted everything. Unfortunately. 80 00:04:34,600 --> 00:04:36,240 Speaker 1: I kind of wish there's something there for you. Maybe 81 00:04:36,240 --> 00:04:40,120 Speaker 1: if I find find them. I'll repost. This is so silly. 82 00:04:40,360 --> 00:04:44,080 Speaker 1: Once I snuck down to the hometown I grew up in, 83 00:04:44,440 --> 00:04:49,000 Speaker 1: had a really fancy neighborhood, really fancy, well known, and 84 00:04:49,040 --> 00:04:50,960 Speaker 1: I was just kind of curious about what went down 85 00:04:51,000 --> 00:04:53,640 Speaker 1: in there. So when I was eight or nine, I 86 00:04:53,800 --> 00:04:57,720 Speaker 1: um snuck in and I was looking around and these 87 00:04:57,720 --> 00:05:00,680 Speaker 1: police roll up and they had a bunch of like 88 00:05:00,760 --> 00:05:03,440 Speaker 1: big dogs. Really scared me, and also, you know, I'm 89 00:05:03,560 --> 00:05:06,320 Speaker 1: I'm a young kid, the last and they asked me 90 00:05:06,360 --> 00:05:09,520 Speaker 1: what my name was, and I panicked and I said, 91 00:05:10,200 --> 00:05:16,040 Speaker 1: August Wind. Do you believe it was it? August? Tell 92 00:05:16,080 --> 00:05:18,800 Speaker 1: me it was a windy night in August. It was 93 00:05:19,360 --> 00:05:25,440 Speaker 1: George Glass, it was it was August. And I'd like, 94 00:05:27,320 --> 00:05:32,120 Speaker 1: it was clearly thank you for laughing at my name, 95 00:05:32,480 --> 00:05:36,440 Speaker 1: thank you. I'm sorry, I'm sorry, but being a I 96 00:05:36,480 --> 00:05:40,560 Speaker 1: got I got windy August night. What's your name? August Wind? 97 00:05:41,760 --> 00:05:45,120 Speaker 1: And it was so clearly fake, but I like did 98 00:05:45,160 --> 00:05:47,919 Speaker 1: not abandon it, Like I went all in dawn with 99 00:05:47,960 --> 00:05:50,200 Speaker 1: the ship and You're like, where are you from, August Wind? 100 00:05:50,279 --> 00:05:54,159 Speaker 1: And I was like, oh, you know, neigh bows down, 101 00:05:54,640 --> 00:06:01,400 Speaker 1: They know me around here. August wouldn't ask anyone. I'm 102 00:06:01,440 --> 00:06:05,880 Speaker 1: so glad, I asked, But then I turned it into 103 00:06:06,040 --> 00:06:08,800 Speaker 1: like a pun, a play on winded, because you know, 104 00:06:09,279 --> 00:06:12,680 Speaker 1: I was an emo teenager and I was tired. I 105 00:06:12,760 --> 00:06:16,080 Speaker 1: was winded, But also I was staying with my roots 106 00:06:16,279 --> 00:06:20,040 Speaker 1: of my bad fake name that I made up when questioned, 107 00:06:20,720 --> 00:06:24,560 Speaker 1: that's such a good story. Yeah, it wasn't one of 108 00:06:24,600 --> 00:06:27,760 Speaker 1: my better fake names, but you know, I gave you 109 00:06:27,800 --> 00:06:30,760 Speaker 1: a swing in a mess, as they say, away from 110 00:06:30,920 --> 00:06:34,360 Speaker 1: my embarrassing pen name. But first we're gonna take a 111 00:06:34,440 --> 00:06:47,400 Speaker 1: quick break for word for our sponsor, and we're back. 112 00:06:47,440 --> 00:06:51,600 Speaker 1: Thank you, sponsor. Here is a quote from Vox. There's 113 00:06:51,600 --> 00:06:54,359 Speaker 1: a special I reserved for the particular corner of the 114 00:06:54,400 --> 00:06:57,880 Speaker 1: web where people make transformative works about the media they love. 115 00:06:58,360 --> 00:07:01,120 Speaker 1: And given that this corner is primarily composed of young women, 116 00:07:01,440 --> 00:07:05,000 Speaker 1: it's hard to avoid the conclusion that this ire is gendered. 117 00:07:05,680 --> 00:07:08,039 Speaker 1: And also, apart from that, if you think about the 118 00:07:08,040 --> 00:07:11,560 Speaker 1: gate keeping of fandoms, it's largely done by men, and 119 00:07:11,640 --> 00:07:15,640 Speaker 1: having women dominate this one particular aspect of fandom made 120 00:07:15,680 --> 00:07:18,600 Speaker 1: a lot of men in the fandom uncomfortable, like, what 121 00:07:18,640 --> 00:07:20,760 Speaker 1: are you doing this weird thing in my fandom? For 122 00:07:21,120 --> 00:07:23,679 Speaker 1: another article, Oh, this is the one I mentioned earlier 123 00:07:23,760 --> 00:07:28,320 Speaker 1: from the Mary Sue noted that the most vocal criticism 124 00:07:28,360 --> 00:07:31,480 Speaker 1: of fan fiction is from male critics, in an article 125 00:07:31,560 --> 00:07:34,240 Speaker 1: titled when men write fan fiction, it isn't fan fiction 126 00:07:34,280 --> 00:07:37,960 Speaker 1: because it's academic. Okay, that's first of all. How is 127 00:07:38,000 --> 00:07:40,160 Speaker 1: it that men are the most vocal critics of a 128 00:07:40,480 --> 00:07:43,680 Speaker 1: of a landscape dominated by For me, that just tells 129 00:07:43,680 --> 00:07:45,640 Speaker 1: you all you need to know about how men show 130 00:07:45,720 --> 00:07:49,000 Speaker 1: up in this space. And that sounds hostile. It is. 131 00:07:49,080 --> 00:07:52,640 Speaker 1: It's really hostile. And I found so many articles written 132 00:07:52,640 --> 00:07:55,520 Speaker 1: by men that were criticizing fan fiction and they were 133 00:07:56,040 --> 00:08:01,880 Speaker 1: just so condescending and like dismissive, just kind of insulting 134 00:08:02,120 --> 00:08:06,560 Speaker 1: about the people who would do this. And it was hard, Yeah, misogynistic, 135 00:08:06,720 --> 00:08:08,800 Speaker 1: very kind of left a bad taste in my mouth. 136 00:08:08,880 --> 00:08:10,880 Speaker 1: And there are a lot of theories as to why 137 00:08:11,000 --> 00:08:13,520 Speaker 1: women make up a majority of the fan fiction community. 138 00:08:13,760 --> 00:08:16,240 Speaker 1: One is that it allowed young girls and women traditionally 139 00:08:16,280 --> 00:08:18,840 Speaker 1: excluded from fandom by default and from the world of 140 00:08:18,880 --> 00:08:21,760 Speaker 1: professional writing and media making as well. It provided the 141 00:08:21,760 --> 00:08:24,840 Speaker 1: space that they could enter freely and create empowering storylines 142 00:08:25,000 --> 00:08:27,880 Speaker 1: that they weren't seeing anywhere else or even if the 143 00:08:27,920 --> 00:08:32,880 Speaker 1: storylines weren't empowering, they felt empowered because they created them. Yeah. Yeah, 144 00:08:32,960 --> 00:08:34,600 Speaker 1: I know we're like a broken record on the show 145 00:08:34,600 --> 00:08:37,480 Speaker 1: about this, but that really matters, you know, feeling like 146 00:08:37,480 --> 00:08:39,760 Speaker 1: you're the one who is the author of your own 147 00:08:39,800 --> 00:08:42,480 Speaker 1: story that matters so much. And even if it's not 148 00:08:42,520 --> 00:08:45,520 Speaker 1: an empowering story, knowing that you have a voice and 149 00:08:45,520 --> 00:08:47,360 Speaker 1: that you are have a seat at the table as 150 00:08:47,400 --> 00:08:49,880 Speaker 1: a creator is important. And I just hate seeing men 151 00:08:50,480 --> 00:08:54,040 Speaker 1: on it because of their own hang ups around gender. Yeah, 152 00:08:54,200 --> 00:08:56,520 Speaker 1: and it also breaks my heart about how a lot 153 00:08:56,559 --> 00:08:59,360 Speaker 1: of the like dismissiveness of it is like these are young, 154 00:08:59,480 --> 00:09:03,560 Speaker 1: stupid girls, like young and you know, like fan girls. 155 00:09:03,559 --> 00:09:06,040 Speaker 1: I remember Christen Carolin did an episode on how we 156 00:09:06,160 --> 00:09:09,280 Speaker 1: kind of deride the fan girl. It's a part of 157 00:09:09,320 --> 00:09:11,920 Speaker 1: life where you're you're growing and boys go through the 158 00:09:11,960 --> 00:09:15,200 Speaker 1: same thing, but we don't loving what they love. And 159 00:09:15,240 --> 00:09:16,880 Speaker 1: I think this is this is one of those times 160 00:09:16,920 --> 00:09:18,440 Speaker 1: where I want to say, oh, we should do another 161 00:09:18,480 --> 00:09:21,240 Speaker 1: episode on blah blah blah. But I've always thought that 162 00:09:21,320 --> 00:09:24,640 Speaker 1: it's young girls who are the real kind of Internet pioneers. 163 00:09:24,760 --> 00:09:27,760 Speaker 1: Look at things like Tumbler, look at things like meme, culture. 164 00:09:28,160 --> 00:09:31,800 Speaker 1: So much of that is fueled by very young girls 165 00:09:31,920 --> 00:09:34,679 Speaker 1: online who are like left to their own devices. They 166 00:09:34,720 --> 00:09:36,400 Speaker 1: really love this one thing. They're going to go all 167 00:09:36,440 --> 00:09:38,880 Speaker 1: in on it, and I think it's actually quite innovative. Like, 168 00:09:38,920 --> 00:09:41,840 Speaker 1: we don't think of young girls and their fandom as 169 00:09:42,080 --> 00:09:46,679 Speaker 1: purveyors of Internet innovation, but that's what they are. And 170 00:09:46,720 --> 00:09:49,959 Speaker 1: we because it's girls, because it's feminized, um, and because 171 00:09:49,960 --> 00:09:52,640 Speaker 1: of our hang ups around and anxieties around gender, people 172 00:09:52,679 --> 00:09:54,400 Speaker 1: have to put it down. But if they could look 173 00:09:54,400 --> 00:09:56,400 Speaker 1: at it with a fresh perspective, they would see, Oh, 174 00:09:56,440 --> 00:10:00,600 Speaker 1: these women and young girls actually are quite innovative, their 175 00:10:00,640 --> 00:10:03,520 Speaker 1: innovative creators who are carving off their own space of 176 00:10:03,559 --> 00:10:06,800 Speaker 1: the Internet. Yeah, and I'm kind of again. I had 177 00:10:06,800 --> 00:10:08,640 Speaker 1: a really I had a really good experience with fan fiction. 178 00:10:08,640 --> 00:10:11,720 Speaker 1: I'm sure this exist, like negativity exist, but for me, 179 00:10:11,880 --> 00:10:14,120 Speaker 1: I didn't really stumble onto it. And I'm I've been 180 00:10:14,200 --> 00:10:18,040 Speaker 1: proud that generally nobody's making fun of another fandom, or 181 00:10:18,040 --> 00:10:20,960 Speaker 1: at least if they are, they're like a quiet minority. 182 00:10:21,040 --> 00:10:25,400 Speaker 1: So I like that. I think that you know, write 183 00:10:25,440 --> 00:10:28,280 Speaker 1: your one direction fan fiction. I'm gonna write my Harry 184 00:10:28,280 --> 00:10:32,640 Speaker 1: Potter fan fiction. We're all just creating these things here, 185 00:10:33,080 --> 00:10:35,880 Speaker 1: and I like that the kind of judgment isn't there 186 00:10:36,160 --> 00:10:39,120 Speaker 1: as much as you see with the male dominated parts 187 00:10:39,120 --> 00:10:42,200 Speaker 1: of fandom. Writing fan fiction may also give women that 188 00:10:42,240 --> 00:10:44,560 Speaker 1: sense of community that we've talked so much about, which 189 00:10:44,600 --> 00:10:48,240 Speaker 1: is even more important. Research suggest for lesbian and queer 190 00:10:48,280 --> 00:10:50,920 Speaker 1: girls who wrote our found role models and slash fiction 191 00:10:51,000 --> 00:10:54,160 Speaker 1: at times when they felt isolated. Elizabeth Minkl wrote in 192 00:10:54,160 --> 00:10:57,720 Speaker 1: The New Statesman, my preferred explanation, and she's talking about 193 00:10:57,840 --> 00:11:00,160 Speaker 1: why fan fiction is sort of dominated by women, is 194 00:11:00,160 --> 00:11:01,880 Speaker 1: the idea that a vast majority of what we watch 195 00:11:01,960 --> 00:11:05,439 Speaker 1: is from the male perspective, author directed and filmed by men, 196 00:11:05,520 --> 00:11:08,280 Speaker 1: and mostly straight white men. At that fan fiction gives 197 00:11:08,280 --> 00:11:11,960 Speaker 1: women and other marginalized groups the chance to subvert that perspective, 198 00:11:12,200 --> 00:11:15,040 Speaker 1: to fracture a story and recast it in her own way. 199 00:11:15,360 --> 00:11:17,520 Speaker 1: It often feels as if there isn't much space for 200 00:11:17,600 --> 00:11:21,640 Speaker 1: difference in the dominant cultural narratives in fandom. By design, 201 00:11:22,000 --> 00:11:24,760 Speaker 1: there's space for it. I love that, And even though 202 00:11:24,760 --> 00:11:27,400 Speaker 1: I'm not someone who's super into fandom, that's the thing 203 00:11:27,480 --> 00:11:30,000 Speaker 1: I find so beautiful that it's it can be such 204 00:11:30,000 --> 00:11:34,680 Speaker 1: an inclusive space where all different narratives get to be included. Yeah, 205 00:11:34,840 --> 00:11:38,040 Speaker 1: and we've touched on before having to prove your fandom 206 00:11:38,040 --> 00:11:41,840 Speaker 1: as a woman or fake geek girl, fear she's just 207 00:11:41,880 --> 00:11:45,640 Speaker 1: faking it to infiltrate or fandom. Then that's another thing 208 00:11:45,640 --> 00:11:47,360 Speaker 1: that we'll have to return to. But it does play 209 00:11:47,360 --> 00:11:49,280 Speaker 1: a role, and I think in kind of the hang 210 00:11:49,360 --> 00:11:51,960 Speaker 1: ups we have around fan fiction and all the women 211 00:11:52,080 --> 00:11:55,640 Speaker 1: writing it, this does bring us to slash. It's time. 212 00:11:55,679 --> 00:11:59,840 Speaker 1: It's finally time to talk about Slash. Okay, So first off, 213 00:12:00,200 --> 00:12:02,920 Speaker 1: Slash is not always pornographic, like I've said many times. 214 00:12:03,320 --> 00:12:07,480 Speaker 1: In fact, it's more often than not not pornographic. And 215 00:12:07,520 --> 00:12:10,240 Speaker 1: it's important keep in mind when we unpack why most 216 00:12:10,400 --> 00:12:14,200 Speaker 1: Slash is written by women, just in case people aren't 217 00:12:14,600 --> 00:12:17,839 Speaker 1: as tuned into this world as me. Slashes male two 218 00:12:17,840 --> 00:12:21,400 Speaker 1: men together, that's noncanon. So if we look down, if 219 00:12:21,400 --> 00:12:25,800 Speaker 1: we break down readership demographics, it's generally at split between heater, 220 00:12:25,920 --> 00:12:28,600 Speaker 1: sexual readers, and queer readers. When it comes to Slash, 221 00:12:28,679 --> 00:12:31,560 Speaker 1: it can differ depending on the fandom and the site. 222 00:12:31,920 --> 00:12:34,760 Speaker 1: And there are a lot of theories um as to 223 00:12:34,800 --> 00:12:37,400 Speaker 1: why slash is such a phenomenon, and I have one 224 00:12:38,040 --> 00:12:40,079 Speaker 1: that I am now totally on board with and has 225 00:12:40,160 --> 00:12:43,719 Speaker 1: changed my view of most media for a while. Personally, 226 00:12:43,800 --> 00:12:46,160 Speaker 1: I had a theory it was because most well developed 227 00:12:46,200 --> 00:12:49,600 Speaker 1: characters we consume our male female options are limited, so 228 00:12:49,760 --> 00:12:53,440 Speaker 1: most relationships were seeing on screen are between two dubes. 229 00:12:53,760 --> 00:12:57,320 Speaker 1: I think Everybody, Cop Movie or Kirkin's Black. So we're 230 00:12:57,360 --> 00:13:00,079 Speaker 1: just we're taking what we see and expounding upon it. 231 00:13:00,440 --> 00:13:04,840 Speaker 1: Another idea I read that in particular in Japanese fan fiction, 232 00:13:05,160 --> 00:13:08,079 Speaker 1: a slash might be preferred because it removes the pressures 233 00:13:08,120 --> 00:13:12,439 Speaker 1: of marriage and that little line item we call pregnancy. 234 00:13:12,600 --> 00:13:15,599 Speaker 1: No matter where you are, the female body is inherently political, 235 00:13:15,720 --> 00:13:18,320 Speaker 1: and it comes with all of this invisible baggage that 236 00:13:18,400 --> 00:13:22,320 Speaker 1: male bodies don't, And we could do a whole thing 237 00:13:22,440 --> 00:13:26,520 Speaker 1: about slash in Asia. In Japan, where manga based slash 238 00:13:26,559 --> 00:13:29,840 Speaker 1: is called at yaoe, the romance between two male characters 239 00:13:29,920 --> 00:13:34,720 Speaker 1: usually still fits into the traditional, often regressive, masculine feminine pairing. 240 00:13:34,880 --> 00:13:36,920 Speaker 1: There's pretty clear like this one was meant to be 241 00:13:36,920 --> 00:13:38,160 Speaker 1: the masculine one, this one is meant to be the 242 00:13:38,160 --> 00:13:40,599 Speaker 1: feminine one. It's pretty widely seen as a way for 243 00:13:40,640 --> 00:13:43,440 Speaker 1: women to express their sexuality and desire and to experience 244 00:13:43,440 --> 00:13:48,280 Speaker 1: the emotional aspects of relationships of the attendees at the 245 00:13:48,280 --> 00:13:51,280 Speaker 1: two thousand and three Yoecon and San Francisco, or women 246 00:13:51,520 --> 00:13:56,000 Speaker 1: That's Fascinating. Slash Our den Mai is popular among heterosexual 247 00:13:56,040 --> 00:13:59,360 Speaker 1: women self identified as rotten girls in China. To an 248 00:13:59,440 --> 00:14:03,800 Speaker 1: estimated two seventy five million people read slash fan fiction 249 00:14:03,880 --> 00:14:07,480 Speaker 1: in China. Researchers into why positive it's because women like 250 00:14:07,520 --> 00:14:09,880 Speaker 1: reading don my because it's a way for women to 251 00:14:09,920 --> 00:14:13,440 Speaker 1: rebel in a society that expects women to be obedient. 252 00:14:13,760 --> 00:14:16,280 Speaker 1: Owners of the sites hosting down Mike can be jailed 253 00:14:16,400 --> 00:14:19,520 Speaker 1: by the government, and the readers are often described as 254 00:14:19,520 --> 00:14:22,800 Speaker 1: needing psychiatric help. And a criticism I see about slash 255 00:14:22,800 --> 00:14:25,400 Speaker 1: fairly regularly is that it makes it harder for gay 256 00:14:25,400 --> 00:14:28,680 Speaker 1: men are gay characters to have platonic relationships, and that 257 00:14:28,800 --> 00:14:32,520 Speaker 1: it fetishizes and objectifies gay men, particularly more visual mediums 258 00:14:32,560 --> 00:14:36,040 Speaker 1: like yoe, which is traditionally more visual. A counterpoint to 259 00:14:36,080 --> 00:14:38,400 Speaker 1: that is that a decent portion of the women creating 260 00:14:38,400 --> 00:14:41,720 Speaker 1: slash are not attracted to men, and almost all of 261 00:14:41,720 --> 00:14:43,800 Speaker 1: the women writing slash grew up in a society that 262 00:14:43,920 --> 00:14:47,400 Speaker 1: is prohibitive when it comes to women exploring their sexuality 263 00:14:47,680 --> 00:14:51,560 Speaker 1: one that shames women and objectifies their bodies. Male characters 264 00:14:51,560 --> 00:14:53,760 Speaker 1: are a safe, shame free way to dip your toe 265 00:14:53,800 --> 00:14:55,640 Speaker 1: in and kind of a funny way. It removes the 266 00:14:55,680 --> 00:14:59,400 Speaker 1: male gaze that women have internalized. It's so fascinating how 267 00:14:59,440 --> 00:15:03,120 Speaker 1: women are using this medium to sort of explore their 268 00:15:03,120 --> 00:15:07,280 Speaker 1: own sexuality, but not even necessarily in a overtly sexualized 269 00:15:07,360 --> 00:15:11,080 Speaker 1: way if they're not actually attracted to men. Yeah. Yeah, 270 00:15:11,080 --> 00:15:13,600 Speaker 1: this is the one that is. I feel like it's 271 00:15:13,680 --> 00:15:15,480 Speaker 1: kind of changed how I look at on media because, 272 00:15:15,840 --> 00:15:19,360 Speaker 1: like I said, I never liked the sex part of slash, 273 00:15:19,440 --> 00:15:22,560 Speaker 1: but I did like Slash fan fiction because of the 274 00:15:22,600 --> 00:15:24,960 Speaker 1: relationships in there. And the more I think about it, 275 00:15:25,040 --> 00:15:27,680 Speaker 1: the more I think it was because of this, because 276 00:15:27,760 --> 00:15:31,680 Speaker 1: it was a safer way it removed the female body 277 00:15:31,720 --> 00:15:35,640 Speaker 1: does come with all of this stuff that kind of 278 00:15:36,040 --> 00:15:38,040 Speaker 1: almost takes you away from the story. You can enjoy 279 00:15:38,080 --> 00:15:40,240 Speaker 1: it as much because you, or at least I felt 280 00:15:40,280 --> 00:15:43,440 Speaker 1: like as a woman, it almost makes me tense knowing 281 00:15:43,520 --> 00:15:45,240 Speaker 1: she's going to have to deal with all of these things. 282 00:15:45,360 --> 00:15:47,640 Speaker 1: It's just like what you said before, Women's bodies are 283 00:15:47,640 --> 00:15:51,400 Speaker 1: inherently political, and so if the point of view consuming 284 00:15:51,400 --> 00:15:53,920 Speaker 1: this media, it's just sort of get an escape from that. 285 00:15:54,040 --> 00:15:56,920 Speaker 1: It makes sense that including a sexualized female body would 286 00:15:56,920 --> 00:15:59,240 Speaker 1: only sort of add to your anxieties. It wouldn't be 287 00:15:59,320 --> 00:16:02,120 Speaker 1: that like escape that you're looking for. Yeah, and we 288 00:16:02,160 --> 00:16:05,560 Speaker 1: have penned so many things to women, and that the 289 00:16:05,560 --> 00:16:08,200 Speaker 1: way they behave. I read an article by someone else 290 00:16:08,240 --> 00:16:10,920 Speaker 1: who was saying she realized when she got older than 291 00:16:11,000 --> 00:16:13,640 Speaker 1: almost every character she'd ever written, almost every fan fiction 292 00:16:13,720 --> 00:16:17,120 Speaker 1: she'd ever read, all had like men in them, even 293 00:16:17,120 --> 00:16:19,160 Speaker 1: though she's a feminist, and she was trying to at 294 00:16:19,160 --> 00:16:20,640 Speaker 1: the bottom of why that is. And she thinks it's 295 00:16:20,680 --> 00:16:24,360 Speaker 1: because women are almost always passive, or should be seen 296 00:16:24,360 --> 00:16:28,440 Speaker 1: as passive, whereas male characters are men, they're active, they're aggressive. 297 00:16:28,480 --> 00:16:31,720 Speaker 1: So you're telling a story you want like an active character, 298 00:16:31,880 --> 00:16:33,800 Speaker 1: you don't want a passive character. And I think we've 299 00:16:33,840 --> 00:16:37,440 Speaker 1: internalized so much about what society tells us is how 300 00:16:37,600 --> 00:16:39,720 Speaker 1: a woman should behave and what we see in media, 301 00:16:39,840 --> 00:16:42,520 Speaker 1: that it is hard to escape it. If you introduce 302 00:16:42,600 --> 00:16:45,840 Speaker 1: a woman into a story, whether you like it or not, 303 00:16:45,880 --> 00:16:47,520 Speaker 1: whether you know it or not. I think in the 304 00:16:47,560 --> 00:16:49,280 Speaker 1: back of your head there are all these assumptions that 305 00:16:49,320 --> 00:16:51,720 Speaker 1: you're making that are perhaps making it hard to just 306 00:16:51,880 --> 00:16:54,840 Speaker 1: enjoy it. After I read this, I started to think 307 00:16:54,840 --> 00:16:57,320 Speaker 1: that maybe this is why we see so much romance 308 00:16:57,720 --> 00:17:00,000 Speaker 1: as a culture. We've sexualized the female body so much. 309 00:17:00,160 --> 00:17:03,160 Speaker 1: Having a story with a female character played against a 310 00:17:03,200 --> 00:17:07,879 Speaker 1: male character or another female character, it automatically becomes sexualized, 311 00:17:08,320 --> 00:17:11,400 Speaker 1: even if it's platonic exactly. You're thinking in the back 312 00:17:11,400 --> 00:17:15,480 Speaker 1: of your head, they're going to get together, exactly. But 313 00:17:15,600 --> 00:17:20,280 Speaker 1: that doesn't happen with two male characters for male viewers, 314 00:17:20,320 --> 00:17:23,600 Speaker 1: which is what media is traditionally, has traditionally been made 315 00:17:23,600 --> 00:17:26,359 Speaker 1: for as male viewers, for the male gaze, and sometimes 316 00:17:26,359 --> 00:17:29,000 Speaker 1: that comes through through the writer, through the director, or 317 00:17:29,080 --> 00:17:31,119 Speaker 1: sometimes it comes through the audience, just as observing. We 318 00:17:31,240 --> 00:17:33,320 Speaker 1: might be putting that on there. I would say a 319 00:17:33,320 --> 00:17:36,239 Speaker 1: lot of times we're putting that there because that is 320 00:17:36,280 --> 00:17:38,800 Speaker 1: what's been ingrained in us. But for so long the 321 00:17:38,800 --> 00:17:42,920 Speaker 1: female character has existed in the story solely for some 322 00:17:43,040 --> 00:17:47,359 Speaker 1: kind of like objectification or sexual aspect. That's why she's there. 323 00:17:47,680 --> 00:17:49,320 Speaker 1: I think we're moving away from that. But I think 324 00:17:49,359 --> 00:17:51,359 Speaker 1: that is one of the reasons perhaps that so many 325 00:17:51,400 --> 00:17:55,880 Speaker 1: women are writing slash two male characters that hawn't even 326 00:17:55,880 --> 00:17:58,280 Speaker 1: occurred to me, but that makes so much sense. Yeah, 327 00:17:58,560 --> 00:18:01,600 Speaker 1: I did have a moment of like, trans fiction, you're 328 00:18:01,720 --> 00:18:06,399 Speaker 1: changing my view on the world. Everything's making sense now. 329 00:18:06,880 --> 00:18:10,480 Speaker 1: Over at the High Hat, Melissa writes that slash gives 330 00:18:10,520 --> 00:18:13,040 Speaker 1: the author the chance to quote have the freedom of 331 00:18:13,080 --> 00:18:16,000 Speaker 1: being male in their female bodies. And I do think 332 00:18:16,000 --> 00:18:19,840 Speaker 1: there is more freedom in the male body, I would say. 333 00:18:20,119 --> 00:18:23,800 Speaker 1: And also, young straight men have a plethora of mainstream 334 00:18:23,960 --> 00:18:28,239 Speaker 1: accepted media to help them explore their sexuality. Definitely, they 335 00:18:28,280 --> 00:18:34,119 Speaker 1: have an abundance. Yes, oh yeah, slash challenges gender norms, masculinity, femininity. 336 00:18:34,200 --> 00:18:38,320 Speaker 1: I'm not sure the same fear would exist around male 337 00:18:38,400 --> 00:18:42,080 Speaker 1: authored fim slash if it were men writing sex between 338 00:18:42,119 --> 00:18:44,280 Speaker 1: two women. I'm pretty sure we would just be like, oh, man, 339 00:18:44,600 --> 00:18:51,159 Speaker 1: you know, just doing Yeah. And a side note in 340 00:18:51,160 --> 00:18:52,920 Speaker 1: the article I was reading about the fear of fan 341 00:18:53,040 --> 00:18:55,919 Speaker 1: fiction from Box, they specifically call out the fact that 342 00:18:55,920 --> 00:18:59,199 Speaker 1: despite having an all male cradive team Captain America, The 343 00:18:59,200 --> 00:19:02,320 Speaker 1: Winner's Soldier, which is one of my favorites, is popularly 344 00:19:02,359 --> 00:19:05,600 Speaker 1: read and turned into a homoertic love story between the 345 00:19:05,640 --> 00:19:09,720 Speaker 1: two men by young women, which as someone who dresses 346 00:19:09,800 --> 00:19:12,080 Speaker 1: up as the Winner's Soldier at conventions and sees this 347 00:19:12,240 --> 00:19:14,520 Speaker 1: all the time. For some reason, in my Pinteres feed, 348 00:19:14,880 --> 00:19:17,240 Speaker 1: I really appreciated it. When I read that, I was like, yep, 349 00:19:17,840 --> 00:19:21,719 Speaker 1: I hadn't thought about it, but yes, we're gonna take 350 00:19:21,720 --> 00:19:35,680 Speaker 1: a quick break for word for a sponsor and we're back. 351 00:19:35,720 --> 00:19:38,840 Speaker 1: Thank you sponsor. Okay, So you can probably tell I 352 00:19:38,840 --> 00:19:42,160 Speaker 1: am no fan fiction expert, but this I found really 353 00:19:42,160 --> 00:19:44,680 Speaker 1: really interesting and I wanted to include it. A quick 354 00:19:44,720 --> 00:19:48,439 Speaker 1: note about celebrities. When reporters asked celebrities to comment on 355 00:19:48,520 --> 00:19:51,479 Speaker 1: weird fan fiction, they are doing it to mock their fans. 356 00:19:51,880 --> 00:19:55,439 Speaker 1: Probably neither the reporter nor the celebrity know about fan fiction, 357 00:19:55,480 --> 00:19:57,600 Speaker 1: and that's fine, but then you wonder, like, why even 358 00:19:57,600 --> 00:20:00,680 Speaker 1: talk about it at all. So there's this really misinterview 359 00:20:00,760 --> 00:20:03,919 Speaker 1: with Benedict Cumberbatch in Out magazine that really did a 360 00:20:03,920 --> 00:20:06,200 Speaker 1: lot of this kind of thing, demeaning people who read 361 00:20:06,240 --> 00:20:09,080 Speaker 1: fan fiction, who write fan fiction, and who are excited 362 00:20:09,080 --> 00:20:12,680 Speaker 1: about fan fiction. But those fans took one phrase in 363 00:20:12,720 --> 00:20:17,800 Speaker 1: that interview that phrases quote lustful monster and put it 364 00:20:17,840 --> 00:20:20,720 Speaker 1: in art. One actually put it on a T shirt, 365 00:20:20,760 --> 00:20:23,240 Speaker 1: and the sales of that shirt go to the nonprofit 366 00:20:23,280 --> 00:20:27,080 Speaker 1: behind a oh three the Organization for Transformative Works. So 367 00:20:27,280 --> 00:20:30,000 Speaker 1: that just goes to show you that these innovators are 368 00:20:30,080 --> 00:20:33,800 Speaker 1: taking a reporter basically trying to make fun of them, 369 00:20:33,920 --> 00:20:36,400 Speaker 1: making lemonade out of lemons, and using it to raise 370 00:20:36,480 --> 00:20:38,840 Speaker 1: money for a great cause that they care about. Who 371 00:20:38,840 --> 00:20:42,800 Speaker 1: would have ever thought that lustful clonster could generate such 372 00:20:42,920 --> 00:20:47,760 Speaker 1: positive impact. My heart is fit to burst to birth. 373 00:20:48,040 --> 00:20:50,080 Speaker 1: Do you own a lustful You should? If you had it, 374 00:20:50,119 --> 00:20:52,240 Speaker 1: you would be wearing it. I didn't know this existed, 375 00:20:52,320 --> 00:20:54,840 Speaker 1: but now I really want one. And another show I 376 00:20:54,880 --> 00:20:58,000 Speaker 1: mentioned before, Supernatural, did the whole episode of fan fiction 377 00:20:58,040 --> 00:21:00,919 Speaker 1: that's really difficult to explain without having the fundation of 378 00:21:00,960 --> 00:21:03,600 Speaker 1: what that show is, but basically, the main characters have 379 00:21:03,600 --> 00:21:06,840 Speaker 1: a cult following and stumble upon a high school that's 380 00:21:06,840 --> 00:21:09,520 Speaker 1: putting on a musical about their lives. And this musical 381 00:21:09,600 --> 00:21:12,879 Speaker 1: is almost exclusively put together by young women. It's pretty 382 00:21:12,880 --> 00:21:15,280 Speaker 1: great because the two main characters of that show are 383 00:21:15,280 --> 00:21:18,360 Speaker 1: pretty like macho dudes, and then they stumbled upon these 384 00:21:18,400 --> 00:21:20,920 Speaker 1: young ladies making a musical about their life. And at 385 00:21:20,920 --> 00:21:22,679 Speaker 1: the end, one of the characters is like, look, I 386 00:21:22,720 --> 00:21:25,520 Speaker 1: really don't like what you're doing, but I appreciate your 387 00:21:25,600 --> 00:21:29,400 Speaker 1: right to do it, and you do it well. Yeah. 388 00:21:29,440 --> 00:21:31,400 Speaker 1: And one of the actors from the show, Misha Collins, 389 00:21:31,760 --> 00:21:35,399 Speaker 1: he has some really awesome quotes about fan fiction. For instance, 390 00:21:35,400 --> 00:21:38,720 Speaker 1: when somebody asked him about slash because his character, as 391 00:21:38,760 --> 00:21:41,159 Speaker 1: I mentioned earlier, CASTI L and Dean, there's a lot 392 00:21:41,200 --> 00:21:43,640 Speaker 1: of slash about them the STL. When he was asked 393 00:21:43,680 --> 00:21:47,040 Speaker 1: about it at a convention, he said, talking about slash, 394 00:21:47,119 --> 00:21:49,280 Speaker 1: I think it is a great cultural asset that unites 395 00:21:49,320 --> 00:21:51,960 Speaker 1: the world and makes it better, which is lovely, Which 396 00:21:52,040 --> 00:21:55,080 Speaker 1: is lovely. Author Daniel Being spoke that her experience with 397 00:21:55,080 --> 00:21:58,040 Speaker 1: fan fiction taught her that she wrote about common themes 398 00:21:58,040 --> 00:22:01,760 Speaker 1: and would write with quote, urgency, joy and discipline. When 399 00:22:01,800 --> 00:22:03,879 Speaker 1: she provided a Buffy the Vampire Slater fiction as a 400 00:22:03,920 --> 00:22:06,680 Speaker 1: sample for previous work. When applying for a writing program, 401 00:22:06,760 --> 00:22:08,800 Speaker 1: she had to explain and her follow up interview what 402 00:22:08,920 --> 00:22:11,200 Speaker 1: fan fiction was and why she was drawn to it. 403 00:22:11,200 --> 00:22:13,080 Speaker 1: It gave her the space to experiment with her voice 404 00:22:13,080 --> 00:22:15,479 Speaker 1: freely and with characters and universes that she was comfortable with, 405 00:22:15,840 --> 00:22:17,880 Speaker 1: and she got in and is now a two time 406 00:22:17,920 --> 00:22:21,119 Speaker 1: recipient of the Romance Writers of Australia Media Industry award, 407 00:22:21,359 --> 00:22:23,959 Speaker 1: So good for her, for all the men who were 408 00:22:24,000 --> 00:22:26,359 Speaker 1: like looking down at it and on it. It's actually 409 00:22:26,440 --> 00:22:29,840 Speaker 1: changing people's lives. Absolutely, It's just kind of this beautiful 410 00:22:29,880 --> 00:22:34,840 Speaker 1: democratic thing. We have this industry of published fiction as 411 00:22:34,840 --> 00:22:38,879 Speaker 1: a lot of barriers, of barriers socio economically, even having 412 00:22:39,200 --> 00:22:43,800 Speaker 1: access to education to get the degree that's going to 413 00:22:43,840 --> 00:22:46,439 Speaker 1: get agents to sign you, Like, there are barriers. But 414 00:22:46,720 --> 00:22:50,800 Speaker 1: in the world of fan fiction at its best, and yeah, again, 415 00:22:50,840 --> 00:22:52,800 Speaker 1: going back to Binks, she says, fan fiction is a 416 00:22:52,840 --> 00:22:56,480 Speaker 1: more accessible platform for writing and experimentation and I'm all 417 00:22:56,520 --> 00:22:59,280 Speaker 1: for it, and so am I. It's made me really 418 00:22:59,560 --> 00:23:01,840 Speaker 1: really happy to do this research and us. I really 419 00:23:01,840 --> 00:23:05,320 Speaker 1: appreciate this world that we've kind of made for ourselves. 420 00:23:05,480 --> 00:23:09,160 Speaker 1: And Annie, I appreciate this master class in fan fiction. 421 00:23:09,720 --> 00:23:11,800 Speaker 1: I feel like I could really teach a class now, 422 00:23:12,359 --> 00:23:14,520 Speaker 1: believe it or not. I cut a lot of stuff. 423 00:23:15,760 --> 00:23:18,200 Speaker 1: I was like, I'm here's a sample of across over 424 00:23:18,720 --> 00:23:21,960 Speaker 1: like I had a sample for everything. You've got to 425 00:23:22,000 --> 00:23:25,760 Speaker 1: calm down, Annie, are else will never leave the studio. Well, 426 00:23:26,280 --> 00:23:29,560 Speaker 1: I hope that you listeners have enjoyed this as much 427 00:23:29,600 --> 00:23:33,760 Speaker 1: as we have enjoyed putting it together. And please if 428 00:23:33,760 --> 00:23:37,240 Speaker 1: you're comfortable with it, send us some fan fiction that 429 00:23:37,280 --> 00:23:39,880 Speaker 1: you've written. We're thinking about doing kind of a kind 430 00:23:39,880 --> 00:23:44,000 Speaker 1: of an on ongoing series of reading fan fiction, perhaps 431 00:23:44,000 --> 00:23:46,200 Speaker 1: with some like production value. You've got, You've got a 432 00:23:46,240 --> 00:23:49,560 Speaker 1: little whole project idea kicking around. Yeah, send us that 433 00:23:49,640 --> 00:23:53,119 Speaker 1: fan pic, absolutely, and Bridget and I I will jump 434 00:23:53,119 --> 00:23:56,240 Speaker 1: in the fray. I will read my fan fiction. I 435 00:23:56,359 --> 00:24:00,160 Speaker 1: might okay, I might well see Okay, I gotta get 436 00:24:00,200 --> 00:24:02,679 Speaker 1: I gotta like psych yourself. I gotta check myself up 437 00:24:02,680 --> 00:24:05,639 Speaker 1: a little bit. Okay. But speaking of asking people to 438 00:24:05,680 --> 00:24:08,560 Speaker 1: send in their fan fiction, no, this time for some 439 00:24:08,760 --> 00:24:15,880 Speaker 1: listener mail, Skyler wrote, I wanted to share a small 440 00:24:15,920 --> 00:24:18,600 Speaker 1: anecdote from my junior prom. We didn't have a specific 441 00:24:18,640 --> 00:24:21,000 Speaker 1: dress code for prom other than formal attire and to 442 00:24:21,119 --> 00:24:23,960 Speaker 1: use our brains on what is quote appropriate. It was 443 00:24:24,000 --> 00:24:27,160 Speaker 1: definitely less strict than our school dress code. The administrators 444 00:24:27,160 --> 00:24:30,800 Speaker 1: were more concerned with alcohol than dress. To their credit anyway, 445 00:24:30,840 --> 00:24:33,040 Speaker 1: there was a group of about ten guys that chose 446 00:24:33,040 --> 00:24:35,760 Speaker 1: not to wear shirts under their vest. Somehow that qual 447 00:24:36,280 --> 00:24:40,560 Speaker 1: is formal. They were confronted by the chaperones eventually for 448 00:24:40,720 --> 00:24:44,359 Speaker 1: jumping on in over tables. Come to find out she 449 00:24:44,400 --> 00:24:51,159 Speaker 1: went to high school with the Chippendales dancers. That sounds 450 00:24:51,160 --> 00:24:53,680 Speaker 1: like it could happen in a fan fiction. Honestly it does. 451 00:24:53,960 --> 00:24:56,920 Speaker 1: It does. Our next email us from Sarah, Sarah writes, 452 00:24:57,280 --> 00:24:59,000 Speaker 1: I just listened to your episode on prom and I 453 00:24:59,040 --> 00:25:01,200 Speaker 1: thought it was so interesting. It really got me thinking 454 00:25:01,240 --> 00:25:03,960 Speaker 1: about my own prom experiences. I never thought I would 455 00:25:03,960 --> 00:25:06,040 Speaker 1: consider my school liberal, but when it comes to prom, 456 00:25:06,040 --> 00:25:08,840 Speaker 1: it definitely is. We don't have a prom dress code, 457 00:25:08,840 --> 00:25:11,000 Speaker 1: and two girls or two guys buy the couple's prom 458 00:25:11,000 --> 00:25:13,719 Speaker 1: ticket all the time because it's cheaper than buying two singles. 459 00:25:14,000 --> 00:25:17,080 Speaker 1: Listening to the controversies and activism around prom and comparing 460 00:25:17,119 --> 00:25:19,480 Speaker 1: them to how my school handles the same issue was fascinating. 461 00:25:19,960 --> 00:25:21,800 Speaker 1: I lit up when you mentioned how you wish you'd 462 00:25:21,800 --> 00:25:23,880 Speaker 1: want our suit to prom, because that's exactly what I did. 463 00:25:24,240 --> 00:25:26,679 Speaker 1: I'd warn dresses to every single school dance before my 464 00:25:26,720 --> 00:25:28,919 Speaker 1: senior prom. But I went on a vacation to France 465 00:25:28,920 --> 00:25:31,400 Speaker 1: a month before prom and and impulse bought these fabulous, 466 00:25:31,400 --> 00:25:33,720 Speaker 1: glittery pink saddle shoes. Of course, it had to base 467 00:25:33,800 --> 00:25:36,640 Speaker 1: my entire problem. Look around them, my makeup, my jewelry, 468 00:25:36,720 --> 00:25:39,280 Speaker 1: my manicure and the vest and tie. My mom completely 469 00:25:39,320 --> 00:25:41,920 Speaker 1: supported me, although I felt super awkward at first, as 470 00:25:41,960 --> 00:25:44,920 Speaker 1: can happen when you're defying gender expectations. I got so 471 00:25:44,960 --> 00:25:47,760 Speaker 1: many compliments. My other friends were complaining about how they 472 00:25:47,760 --> 00:25:50,240 Speaker 1: couldn't breathe in their dresses, how their strap was bras 473 00:25:50,280 --> 00:25:53,119 Speaker 1: kept slipping. But I got to be comfortable and stylish. 474 00:25:53,440 --> 00:25:56,600 Speaker 1: Suits of the way to go man um, Sarah, I'm 475 00:25:56,640 --> 00:25:59,560 Speaker 1: like living vicariously through you. I wish i'd worn a 476 00:25:59,600 --> 00:26:02,080 Speaker 1: suit to UM and I wish I had had pink, 477 00:26:02,119 --> 00:26:06,280 Speaker 1: sparkly saddle shoes. She sent a picture and that was 478 00:26:06,480 --> 00:26:11,480 Speaker 1: that was a dope outfit. So good, Sarah, Well done, Yes, 479 00:26:11,960 --> 00:26:14,560 Speaker 1: well done. Thanks to both of them for writing in. 480 00:26:14,960 --> 00:26:18,000 Speaker 1: Thanks it's always to our producers, Delan Fagan and Kathleen Quillian. 481 00:26:18,320 --> 00:26:20,000 Speaker 1: We would love to hear from you. Please send those 482 00:26:20,040 --> 00:26:23,800 Speaker 1: fan fiction please, or any other thoughts that you have. 483 00:26:24,040 --> 00:26:26,320 Speaker 1: Um our email is a mom Stuff at how stuff 484 00:26:26,320 --> 00:26:29,040 Speaker 1: works dot com. You can also find us on Twitter 485 00:26:29,200 --> 00:26:32,120 Speaker 1: at mom stuff and on Instagram at stuff Mom Never 486 00:26:32,160 --> 00:26:32,600 Speaker 1: told You