WEBVTT - Fried Egg Stories (Rerelease): Making TPC Sawgrass

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<v Speaker 1>Hello, and welcome to another edition of the Frida Egg Podcast.

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<v Speaker 1>Today we have a documentary episode for you on the

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<v Speaker 1>story of how TPC Sawgrass, the venue of the Players

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<v Speaker 1>Championship was designed and built. We actually released this episode

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<v Speaker 1>this week last year as the fourth installment of our

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<v Speaker 1>Frida Egg Story series. Now, of course you remember this

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<v Speaker 1>week last year.

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<v Speaker 2>We all do.

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<v Speaker 1>It was when the seriousness of the COVID nineteen pandemic

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<v Speaker 1>really became clear in the US, and the Players Championship

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<v Speaker 1>was canceled after Round one. In the midst of all

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<v Speaker 1>of that, we released this episode and people did listen

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<v Speaker 1>to it. We really appreciated that, but we thought we

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<v Speaker 1>would give it another chance this week, given that the

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<v Speaker 1>Players Championship, by all indications, will actually happen. This episode

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<v Speaker 1>has interviews with Dean Beeman, Jerry Pate, Vernon, Kelly, Tom Doak,

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<v Speaker 1>Sean Martin, and Adam Shuepack, and we thought they said

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<v Speaker 1>some really interesting and valuable things about Pete Dye, about

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<v Speaker 1>the process behind TPC Sawgrass, and about the influence of

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<v Speaker 1>both Die and what has become his most famous design. So,

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<v Speaker 1>without further ado, here is episode four of Fried Egg Stories.

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<v Speaker 1>Alligator Pitt the making of TPC sawgrass.

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<v Speaker 2>The fried egg requires a different technique.

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<v Speaker 3>What you need to do is.

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<v Speaker 4>Actually square the face so they'll dig down underneath that

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<v Speaker 4>bad lie and propel that ball right out onto the green.

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<v Speaker 3>Here's the thing.

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<v Speaker 5>Playing out of a buried lion of bunker is completely

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<v Speaker 5>different than playing out of a night and clean lion

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<v Speaker 5>a greenside bunker.

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<v Speaker 6>You need to be aggressive on any show weather it's

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<v Speaker 6>sitting cleanly for its fried egg.

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<v Speaker 2>Well, we've all faced it.

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<v Speaker 1>The dreaded fried egg not.

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<v Speaker 4>To be cleared, though, it's actually a pretty easy shot

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<v Speaker 4>to hit.

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<v Speaker 6>Sailing out of Gravesend, England on the trade route, Captain

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<v Speaker 6>William Hilton, one August morning in sixteen sixty three came

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<v Speaker 6>upon an island peaceful and serene.

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<v Speaker 1>What you're hearing is the telecast of the nineteen sixty

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<v Speaker 1>nine Heritage Golf Classic. It was a new event held

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<v Speaker 1>at a new golf course, Harbortown Golf Links had been

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<v Speaker 1>built by a forty three year old architect named Pete Dye.

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<v Speaker 1>Back then, Pete Dye wasn't well known in a mainstream way,

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<v Speaker 1>but his collaborator had a more recognizable name.

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<v Speaker 7>Hello, I'm Jack Nicholas. This is Pete Dye.

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<v Speaker 1>The two men lean against the balustrade of an outdoor stairway,

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<v Speaker 1>both looking a little flushed in their full suits.

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<v Speaker 7>Pete and I worked together to design and build the

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<v Speaker 7>Harbortown golf Links here at Seapin's plantation.

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<v Speaker 4>We're here on the eve of the.

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<v Speaker 7>First Heritage Golf Classic to be played over the Thanksgiving weekend.

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<v Speaker 7>Having a golf tournament on the first year of operation,

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<v Speaker 7>it's a dream come true for both of us.

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<v Speaker 5>And the golf course looks great.

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<v Speaker 2>Dunnie looks beautiful.

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<v Speaker 5>Jack.

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<v Speaker 6>Really, it's been a lot of fun here and well, yes,

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<v Speaker 6>that's a great contrast today the beautagrasses with a beheas

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<v Speaker 6>centipede pin strong brings you back to Pinehurst and some

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<v Speaker 6>of the old British golf links looks great.

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<v Speaker 1>It was quite a coup for Pete Dye to be

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<v Speaker 1>there on TV side by side with the greatest golfer

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<v Speaker 1>in the world. If you were a golf architect in

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<v Speaker 1>nineteen sixty nine, he didn't get an awful lot of

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<v Speaker 1>press unless your name was Robert Trent Jones. So the

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<v Speaker 1>opening of Harbortown marked a turning point in Pete Dye's career.

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<v Speaker 1>Here was a course to be discussed. It was quirky

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<v Speaker 1>and challenging, and it proved popular among the pros. One

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<v Speaker 1>of those pros was Dean Beeman, who played his first

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<v Speaker 1>Heritage in nineteen seventy one.

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<v Speaker 5>My favorite golf course was Harbortown, and Harbortown was today

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<v Speaker 5>is many players' favorite golf course.

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<v Speaker 3>They really like it.

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<v Speaker 5>Harbortown is a golf course that has just as many

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<v Speaker 5>right to left as left to right holes. It has

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<v Speaker 5>small and green, It demands accuracy. It doesn't favor a

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<v Speaker 5>long hitter versus a shorter hitter. So I thought it

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<v Speaker 5>had a great balance and it was a great test

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<v Speaker 5>of golf and a fair test to golf.

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<v Speaker 1>By nineteen seventy eight, Beaman was commissioner of the PGA

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<v Speaker 1>Tour and he had just negotiated the purchase of a wild,

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<v Speaker 1>soggy property near Jacksonville, Florida. There he intended to build

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<v Speaker 1>a new venue for the Tournament Players Championship. He wanted

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<v Speaker 1>the course to tax the abilities of the world's best

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<v Speaker 1>golfers while providing a better viewing experience for spectators. It

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<v Speaker 1>would be a stadium golf course, and he knew the

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<v Speaker 1>man to build it was Pete Dye. Today, on Frida

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<v Speaker 1>Egg's Stories, we are going back four decades to the

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<v Speaker 1>building of the stadium course at TPC Sawgrass in the

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<v Speaker 1>nineteen eighty two Players Championship. This story has been told

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<v Speaker 1>and retold over and over, and since it's Player's Week

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<v Speaker 1>right now, you'll no doubt be reminded by various journalists,

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<v Speaker 1>TV hosts, and podcasters of the usual bits of lore.

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<v Speaker 1>Dean Beeman purchasing the property for one dollar, Pete Dies

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<v Speaker 1>sketching a routing on the back of a place mat,

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<v Speaker 1>the creation of the island Green, the complaints of the pros,

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<v Speaker 1>and Jerry Pate after his victory in eighty two hauling

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<v Speaker 1>both Beman and Die into the pond next to the

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<v Speaker 1>eighteenth Green. Don't get me wrong, we'll replay a few

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<v Speaker 1>of those hits in this episode. We're not about that.

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<v Speaker 1>But the real reason I'm curious about the TPC Sawgrass

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<v Speaker 1>story has to do with the personalities involved in the

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<v Speaker 1>contrasts between them. On the one hand, you had Pete Dye.

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<v Speaker 1>Golf architecture was a passion for him, not just a

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<v Speaker 1>business enterprise, and as we know in the way he

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<v Speaker 1>designed courses. He was intensely hands on and independent. He

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<v Speaker 1>was an artist. On the other hand, you had the

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<v Speaker 1>PGA Tour under the leadership of Dean Beeman, thirteen years

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<v Speaker 1>younger than Pete.

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<v Speaker 8>Die.

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<v Speaker 1>Beeman was energetic and assertive, a deal maker. TPC Sawgrass

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<v Speaker 1>was his venture, and he had ideas of his own

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<v Speaker 1>about what it should be. No less an authority than

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<v Speaker 1>Alice Dye, Pete's wife and most trusted design consultant, had

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<v Speaker 1>her own doubts about the partnership between Dean and Pete. Oh, Pete,

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<v Speaker 1>you're crazy, she said, you can't build for Dean. He's particular,

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<v Speaker 1>he's efficient, he's all the things you aren't. He'll have

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<v Speaker 1>his hands in there trying to tell you what to do.

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<v Speaker 1>Don't do it. But he did, and oddly enough it worked.

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<v Speaker 1>In this episode of Frida Egg Stories, we'll try to

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<v Speaker 1>figure out how today the PGA Tour is the eight

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<v Speaker 1>hundred pound rilla of the golf World. Back in the

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<v Speaker 1>nineteen seventies, it was more like a newborn COMPUTIONI. The

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<v Speaker 1>Tournament Player's Division as it was then known, had just

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<v Speaker 1>separated from the PGA of America, and it was a

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<v Speaker 1>scrappy operation.

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<v Speaker 8>Yeah, it was.

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<v Speaker 9>Really a mom and pop shop back then.

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<v Speaker 1>Adam Schupak is a golf journalist and the author of

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<v Speaker 1>Golf's Driving Force, a biography of Dean Beaman.

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<v Speaker 9>When the Tour moved its headquarters to Panaviter Beach, it

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<v Speaker 9>was working out of a four bedroom home with Dean's

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<v Speaker 9>office was the master bedroom. The garage had the copier

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<v Speaker 9>and postage meter, and you know for an intercom, they

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<v Speaker 9>just yelled at each other. It was. It was a

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<v Speaker 9>really small staff and Beaman took over in nineteen seventy

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<v Speaker 9>four and used to say that, you know, the largest

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<v Speaker 9>capital ast that they had was an IBM Selectric typewriter.

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<v Speaker 9>They had about twenty walkie talkies and they did it on.

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<v Speaker 9>They had three Budweisers and the Canna Beans. I mean,

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<v Speaker 9>it was a time period where bowling was still attracting

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<v Speaker 9>higher ratings than golf, and tennis was the sport surging

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<v Speaker 9>and popularity, so you know, he had a lot of

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<v Speaker 9>work cut out for him when he took over his commissioner.

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<v Speaker 1>It didn't take long for Beaman to start making aggressive moves.

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<v Speaker 1>He was in his mid thirties and he had a

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<v Speaker 1>background not only as an elite golfer who had won

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<v Speaker 1>two US Amateurs, but also as an insurance broker. He

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<v Speaker 1>knew his way around tax documents as well as boardroom negotiations.

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<v Speaker 9>You know, he was an intense man. He's got these

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<v Speaker 9>piercing blue eyes, and you know, his friends used to

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<v Speaker 9>say that, you know, he could deliverer a look that

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<v Speaker 9>could exterminate headlce And it was a job that required toughness,

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<v Speaker 9>because you know, he had this quest to kind of

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<v Speaker 9>roll over the status quo in this traditional game, make

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<v Speaker 9>golf a bigger sport. And you know, he wanted to

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<v Speaker 9>create a fan base that was much broader than just

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<v Speaker 9>its own participants, and that meant doing things a little

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<v Speaker 9>differently than they'd been done in the past.

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<v Speaker 1>In his first year, Beaman converted the tour into a nonprofit,

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<v Speaker 1>exempting it from paying income taxes and changing its financial fortunes.

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<v Speaker 1>Beeman's other signature project was the new Turn of Players Championship,

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<v Speaker 1>later known as the Players Championship and now apparently as

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<v Speaker 1>just the Players Anyway. From the beginning, Beeman had big

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<v Speaker 1>plans for the event. The USGA had the US Open,

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<v Speaker 1>the PGA of America had the PGA Championship and the

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<v Speaker 1>RNA had the Open, why shouldn't the PGA Tour have

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<v Speaker 1>its own major. Well, for one, it's not easy to

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<v Speaker 1>manufacture prestige, but Beeman tried his best. After staging the

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<v Speaker 1>first three tournament players Championships at three different courses, he

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<v Speaker 1>decided to stick with one. It had worked for the Masters,

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<v Speaker 1>after all, So starting in nineteen seventy seven, the players

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<v Speaker 1>absorbed to the Greater Jacksonville Open and set up shop

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<v Speaker 1>at Sawgrass Country Club, which was.

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<v Speaker 5>A very dynamic golf course that was played in March

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<v Speaker 5>where the wind blew. It was as close to an

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<v Speaker 5>ocean side course as you could get, and so it

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<v Speaker 5>had all those elements in it.

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<v Speaker 1>But while Beeman liked Sawgrass as a course, he thought

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<v Speaker 1>it could be improved as a venue.

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<v Speaker 5>There was going to have to be a substantial investment

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<v Speaker 5>made in the golf course and the facilities to accommodate

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<v Speaker 5>both the players and the gallery and what we wanted

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<v Speaker 5>to do.

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<v Speaker 1>So Beaman attempted to buy Sawgrass Country Club, but for

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<v Speaker 1>a variety of reasons, the deal never happened. Instead, he

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<v Speaker 1>set out to build a new course, a home course

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<v Speaker 1>for the tour. Just across the road from Sawgrass Country

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<v Speaker 1>Club was a huge tract of wilderness. The owners knew

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<v Speaker 1>that being in business with the ascendant golf tour would

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<v Speaker 1>raise the value of their land, so they sold four

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<v Speaker 1>hundred and fifteen acres to Beaman for one dollar. From there,

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<v Speaker 1>the commissioner pieced together financing from a non recourse loan,

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<v Speaker 1>a few dozen expensive founding memberships, and a few thousand

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<v Speaker 1>cheap annual memberships. It was a tidy sum acquired at

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<v Speaker 1>minimal risks.

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<v Speaker 10>PG tour.

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<v Speaker 9>Commissionary's working for a board, he's working for the players,

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<v Speaker 9>and they had a lot of doubts and they pretty much,

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<v Speaker 9>you can't risk any of our assets.

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<v Speaker 10>They didn't have a lot of to day.

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<v Speaker 9>But they didn't want to put anything on the line,

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<v Speaker 9>and if he failed, it was his neck. And so

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<v Speaker 9>he went out figured a way to do it where

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<v Speaker 9>they just couldn't say no, and it was you know,

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<v Speaker 9>that is one of the most brilliant deals ever in

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<v Speaker 9>the game of golf.

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<v Speaker 1>After all of that, though, Beeman found himself in possession

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<v Speaker 1>of a piece of land that, to put it mildly,

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<v Speaker 1>seemed ill suited to golf. Here's how Pete Dye described

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<v Speaker 1>it in his autobiography Bury Me in a pop Bunker.

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<v Speaker 1>When I first inspected the proposed site for the player's course,

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<v Speaker 1>my only compatriots in the impenetrable swampy jungle were deer, alligators,

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<v Speaker 1>wild boar, and deadly snakes. In order to cut a path,

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<v Speaker 1>I followed deer tracks that led me to dry areas

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<v Speaker 1>in the swamp before I nearly drowned in the depths

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<v Speaker 1>of the marshland well.

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<v Speaker 3>The property was.

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<v Speaker 5>It was dead flat, It had a lot of standing

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<v Speaker 5>water on it'bstantial rainfall here in Jacksonville following rainfall.

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<v Speaker 3>Until to dry it out.

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<v Speaker 5>It was a pretty wet piece of property.

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<v Speaker 1>It hadn't always been that way. The array of oak, pine, sweetgum,

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<v Speaker 1>and magnolia trees on the site indicated that it had

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<v Speaker 1>once been in upland, But when the Intracoastal Waterway was

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<v Speaker 1>built nearby in the early nineteen hundreds, water began to

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<v Speaker 1>collect on the site. By the nineteen seventies, it was

0:12:25.320 --> 0:12:29.200
<v Speaker 1>a Florida forest mashed up with a Florida swamp. But

0:12:29.320 --> 0:12:32.120
<v Speaker 1>Beeman didn't mind that the property was flat and would

0:12:32.160 --> 0:12:35.240
<v Speaker 1>need to be almost wholly re engineered. To him, it

0:12:35.280 --> 0:12:37.920
<v Speaker 1>was a blank slate where he could realize his vision

0:12:38.080 --> 0:12:39.520
<v Speaker 1>for a stadium golf course.

0:12:40.480 --> 0:12:43.360
<v Speaker 5>No golf course up to that point had been bought,

0:12:43.600 --> 0:12:49.040
<v Speaker 5>had been built that more interest was concentrated on the

0:12:49.080 --> 0:12:53.080
<v Speaker 5>gallery than the players. Most golf courses are built for players.

0:12:53.480 --> 0:12:56.000
<v Speaker 5>We needed to build build one for the players, but

0:12:56.120 --> 0:12:59.319
<v Speaker 5>we also had to we want. I wanted to build

0:12:59.320 --> 0:13:02.280
<v Speaker 5>a golf course that would be the first what I

0:13:02.400 --> 0:13:04.560
<v Speaker 5>called a stadium golf course.

0:13:05.520 --> 0:13:08.679
<v Speaker 3>Well, I wanted. I wanted two things. There were two elements.

0:13:08.240 --> 0:13:12.080
<v Speaker 5>That I thought were extremely important in making a stadium

0:13:12.160 --> 0:13:16.080
<v Speaker 5>course as successful as it could be. One is that

0:13:16.160 --> 0:13:21.920
<v Speaker 5>you did all you could to build the spectator areas

0:13:22.240 --> 0:13:24.720
<v Speaker 5>in the highest places on the course and the golf

0:13:24.720 --> 0:13:28.760
<v Speaker 5>courses in the playing services on the lowest point of

0:13:28.840 --> 0:13:33.800
<v Speaker 5>the golf course, so that the spectators were actually walking

0:13:33.840 --> 0:13:36.800
<v Speaker 5>with you, and they would be above the players, and

0:13:36.840 --> 0:13:39.960
<v Speaker 5>so more people could see. And that's the concept of

0:13:40.000 --> 0:13:43.600
<v Speaker 5>a stadium. The second part of the concept that I

0:13:43.640 --> 0:13:47.559
<v Speaker 5>thought was very important was the routing of the golf

0:13:47.600 --> 0:13:51.600
<v Speaker 5>course should be in a way that produced the most

0:13:51.960 --> 0:13:56.280
<v Speaker 5>what I call areas of activity. Instead of spreading the

0:13:56.280 --> 0:14:00.559
<v Speaker 5>golf course out and stringing the holes out. They shared

0:14:00.640 --> 0:14:04.079
<v Speaker 5>wind back and forth in a way that created us

0:14:04.320 --> 0:14:09.719
<v Speaker 5>hubs of activities where a spectator could maybe walk two

0:14:09.760 --> 0:14:13.440
<v Speaker 5>or three hundred yards and see four or five different

0:14:13.480 --> 0:14:18.000
<v Speaker 5>shots close to a couple of tees, a couple of greens,

0:14:18.080 --> 0:14:22.440
<v Speaker 5>and maybe a fairway, and not have to walk five

0:14:22.520 --> 0:14:26.160
<v Speaker 5>miles to watch a lot of golf. Because there are

0:14:26.200 --> 0:14:29.200
<v Speaker 5>some spectators that want to follow their favorite player and

0:14:29.280 --> 0:14:30.880
<v Speaker 5>others that just want to watch golf.

0:14:31.640 --> 0:14:34.760
<v Speaker 1>It's striking how these ideas, although novel at the time,

0:14:35.040 --> 0:14:37.840
<v Speaker 1>call to mind the features of certain time tested tournament

0:14:37.880 --> 0:14:41.520
<v Speaker 1>golf courses. As Pete Dye pointed out in his autobiography,

0:14:41.760 --> 0:14:44.680
<v Speaker 1>the Links courses of Great Britain and Ireland have dunes

0:14:44.720 --> 0:14:48.120
<v Speaker 1>that form natural spectator mounds along the fairways and around

0:14:48.160 --> 0:14:51.840
<v Speaker 1>the greens, and Beeman's notion of hubs of activity reminded

0:14:51.880 --> 0:14:56.240
<v Speaker 1>me of how Augusta National returns to certain landforms, creating

0:14:56.280 --> 0:14:59.800
<v Speaker 1>gathering spots where spectators can see multiple greens and tees

0:15:00.080 --> 0:15:04.680
<v Speaker 1>at once. Perhaps in part because he appreciated these historical references,

0:15:05.080 --> 0:15:07.800
<v Speaker 1>Pete Dye took beeman stadium concept and ran with it.

0:15:08.440 --> 0:15:11.920
<v Speaker 1>Over dinner at the Homestead restaurant in Jacksonville. Die sketched

0:15:11.920 --> 0:15:14.680
<v Speaker 1>a back nine routing on that now famous Place Mat

0:15:14.960 --> 0:15:18.520
<v Speaker 1>and Beeman knew he had the right architect. Granted a

0:15:18.560 --> 0:15:21.040
<v Speaker 1>Place Matt is a lot easier to work with than

0:15:21.080 --> 0:15:23.160
<v Speaker 1>a four hundred and fifteen acre alligator pick.

0:15:27.920 --> 0:15:32.960
<v Speaker 11>We killed rattlesnakes and moccasins all the time, almost every day.

0:15:33.440 --> 0:15:37.920
<v Speaker 11>Were also alligators and spatters and all kinds of stuff

0:15:38.320 --> 0:15:41.200
<v Speaker 11>out on the side, and you wore snake boots or

0:15:41.600 --> 0:15:43.000
<v Speaker 11>or you didn't really go out there.

0:15:43.600 --> 0:15:47.440
<v Speaker 1>Vernon Kelly was the project manager at TPC Sawgrass.

0:15:47.720 --> 0:15:51.760
<v Speaker 11>There was something out there we called blue gumbo clay.

0:15:52.160 --> 0:15:55.760
<v Speaker 11>What it was was almost a plastic kind of play

0:15:55.840 --> 0:15:59.880
<v Speaker 11>It was like quicksand. And when you were digging san

0:16:00.080 --> 0:16:04.080
<v Speaker 11>and out of the pits, because wherever you found sand,

0:16:04.520 --> 0:16:06.920
<v Speaker 11>we excavated it for the golf holds, and that's how

0:16:06.960 --> 0:16:10.320
<v Speaker 11>we created seventeen. Of course, almost anyway you see a

0:16:10.400 --> 0:16:12.880
<v Speaker 11>lake out there, it's because there was sand in that

0:16:12.960 --> 0:16:15.600
<v Speaker 11>area and we didn't have the money to buy sand.

0:16:16.360 --> 0:16:19.400
<v Speaker 11>And once you excavated the sand, sometimes you would hit

0:16:19.440 --> 0:16:23.800
<v Speaker 11>this gushy kind of play material and it didn't seem

0:16:23.840 --> 0:16:26.240
<v Speaker 11>to be in the bottom to it and out on

0:16:26.840 --> 0:16:29.680
<v Speaker 11>I think it was number seven. One night we went

0:16:29.720 --> 0:16:33.520
<v Speaker 11>a backo when we were digging building the green, and

0:16:34.000 --> 0:16:38.040
<v Speaker 11>he got into that stuff, and I mean literally, without

0:16:38.480 --> 0:16:42.000
<v Speaker 11>a couple of hours, it completely covered the tracks of

0:16:42.080 --> 0:16:44.840
<v Speaker 11>the back hoe and was up to the cab, which

0:16:44.880 --> 0:16:47.600
<v Speaker 11>is about five feet. We were able to pull it

0:16:47.640 --> 0:16:52.520
<v Speaker 11>out with a dozer, but it just showed how treacherous

0:16:52.520 --> 0:16:53.320
<v Speaker 11>the sight was.

0:16:53.960 --> 0:16:56.880
<v Speaker 1>Early on, it could seem like the land itself was

0:16:56.920 --> 0:16:58.200
<v Speaker 1>rejecting the golf course.

0:16:59.200 --> 0:17:01.840
<v Speaker 11>The first thing we had to do was to find

0:17:01.880 --> 0:17:05.320
<v Speaker 11>the property, so we had the boundary surveyed, and the

0:17:05.400 --> 0:17:09.240
<v Speaker 11>surveyors actually went out there and cut the survey line

0:17:09.440 --> 0:17:13.119
<v Speaker 11>with machetes, and then you know, went from point to

0:17:13.160 --> 0:17:17.560
<v Speaker 11>point and marked the points with the survey steaks and

0:17:17.880 --> 0:17:21.880
<v Speaker 11>survey tape. Well, the vegetation grew so fast out there,

0:17:22.720 --> 0:17:24.560
<v Speaker 11>literally within a couple of days.

0:17:25.160 --> 0:17:26.080
<v Speaker 10>You could barely.

0:17:25.800 --> 0:17:29.520
<v Speaker 11>Find the cut lines, which were the pass from state

0:17:29.600 --> 0:17:33.200
<v Speaker 11>to streak, and you couldn't find the steaks at all.

0:17:34.280 --> 0:17:36.320
<v Speaker 1>And then there was the wildlife.

0:17:38.440 --> 0:17:41.080
<v Speaker 11>So one day we were walking along it as hot

0:17:41.080 --> 0:17:43.760
<v Speaker 11>as could be, and the bugs were about to carry

0:17:43.800 --> 0:17:46.600
<v Speaker 11>off the skews and the rest, and I was talking

0:17:46.600 --> 0:17:47.080
<v Speaker 11>to David.

0:17:47.480 --> 0:17:51.399
<v Speaker 1>That would be David post Away, Pete Dye's construction superintendent.

0:17:52.000 --> 0:17:54.439
<v Speaker 11>He said, do you think there are any alligators out here?

0:17:54.520 --> 0:17:56.720
<v Speaker 11>I said, oh, yeah, they're all over the place because

0:17:56.760 --> 0:17:59.720
<v Speaker 11>they can travel in this water. It's about knee high

0:18:00.160 --> 0:18:02.240
<v Speaker 11>and they can move from place to place. And he said,

0:18:02.480 --> 0:18:06.520
<v Speaker 11>those are step on one it's all. We won't do that,

0:18:06.600 --> 0:18:10.640
<v Speaker 11>but you can find them because there'll be an alligator pit.

0:18:10.800 --> 0:18:13.440
<v Speaker 11>And what they do is they'll be in an area

0:18:13.440 --> 0:18:19.239
<v Speaker 11>of saw grass and they'll root around and make an

0:18:19.600 --> 0:18:23.520
<v Speaker 11>alligator pit that's probably twenty feet square around where they

0:18:23.640 --> 0:18:27.280
<v Speaker 11>ripped up the vegetation and kind of dug them but

0:18:27.600 --> 0:18:30.879
<v Speaker 11>a little bit deeper, and that's where they live and

0:18:30.920 --> 0:18:34.480
<v Speaker 11>that's where they sleep in the water. And all they're scavengers.

0:18:34.480 --> 0:18:38.160
<v Speaker 11>They don't eat live meat. They kill things and they

0:18:38.200 --> 0:18:41.440
<v Speaker 11>put it in that pit to rot and when it's

0:18:41.640 --> 0:18:44.959
<v Speaker 11>real gamey, then they'll eat it. So when you come

0:18:45.040 --> 0:18:47.239
<v Speaker 11>to one of those pits, you can tell what it

0:18:47.359 --> 0:18:50.600
<v Speaker 11>is because it stinks to high heaven. And he said, boy,

0:18:50.600 --> 0:18:52.600
<v Speaker 11>I hate to be in something like that, and I said, yeah,

0:18:52.680 --> 0:18:55.840
<v Speaker 11>me too. So in the meantime, we're pushing through. We're

0:18:55.880 --> 0:18:58.600
<v Speaker 11>pushing through the saw grass and it's about five feet ah,

0:19:00.119 --> 0:19:00.680
<v Speaker 11>so thick.

0:19:00.840 --> 0:19:02.119
<v Speaker 10>I mean, you can't.

0:19:02.240 --> 0:19:04.400
<v Speaker 11>It just wears you out to push against it, sort

0:19:04.440 --> 0:19:09.560
<v Speaker 11>of leaning leaning into it. I was in front and

0:19:09.680 --> 0:19:12.560
<v Speaker 11>Dave was following me, and all of a sudden I

0:19:12.640 --> 0:19:14.239
<v Speaker 11>was leaning. All of a sudden it just parted and

0:19:14.280 --> 0:19:16.679
<v Speaker 11>I fell in this hole. And I knew immediately what

0:19:16.720 --> 0:19:19.320
<v Speaker 11>it was because it's stunk to high of it and

0:19:20.320 --> 0:19:24.440
<v Speaker 11>I'd fallen into an alligator. H Fortunately the alligator went home.

0:19:25.080 --> 0:19:29.960
<v Speaker 12>But you know, so I'm lad of this thing, and

0:19:30.000 --> 0:19:34.600
<v Speaker 12>my full concentration is on keeping my alpha order. All

0:19:34.600 --> 0:19:37.040
<v Speaker 12>of a sudden, David comes and pops right through the

0:19:37.119 --> 0:19:38.679
<v Speaker 12>grass and falls right on top of me.

0:19:39.440 --> 0:19:42.560
<v Speaker 11>He looks around, he says, oh my god, he says,

0:19:42.560 --> 0:19:44.480
<v Speaker 11>the stinks that I have and what is this? So

0:19:44.880 --> 0:19:48.800
<v Speaker 11>it's what we were talking about. It's an alligator. He's gone.

0:19:50.320 --> 0:19:53.359
<v Speaker 11>He just disappeared. He took off so fast.

0:19:53.920 --> 0:19:54.800
<v Speaker 1>How did you get out?

0:19:55.040 --> 0:19:55.200
<v Speaker 3>Oh?

0:19:55.200 --> 0:19:55.720
<v Speaker 10>I got out.

0:19:56.200 --> 0:20:00.320
<v Speaker 11>I was I was right behind, but nothing happened to it.

0:20:03.520 --> 0:20:06.240
<v Speaker 1>Kelly, who hadn't worked on a Pete Dye project before,

0:20:06.440 --> 0:20:10.200
<v Speaker 1>quickly got a taste of Diye's creative process.

0:20:10.080 --> 0:20:12.119
<v Speaker 11>When we first started working with him. We had to

0:20:12.119 --> 0:20:14.959
<v Speaker 11>get upset of plans for the bank in order to

0:20:15.280 --> 0:20:18.560
<v Speaker 11>cheer a loan. It was the hardest thing to get

0:20:18.560 --> 0:20:22.480
<v Speaker 11>a set of plants. Beat resisted and just didn't want

0:20:22.520 --> 0:20:25.600
<v Speaker 11>to give us a set of plants. And finally we

0:20:25.600 --> 0:20:27.479
<v Speaker 11>were able to secure a set of plants from him.

0:20:27.520 --> 0:20:30.200
<v Speaker 11>We gave them to the bank and everything's ready to go.

0:20:30.680 --> 0:20:34.439
<v Speaker 11>So we were on the site the first day. We

0:20:34.440 --> 0:20:37.320
<v Speaker 11>were walking out to the first t I said, oh, waitmen,

0:20:37.400 --> 0:20:39.600
<v Speaker 11>I forgot something, and I went running back to the

0:20:39.640 --> 0:20:42.639
<v Speaker 11>truck and got the plans. And so I come running,

0:20:43.440 --> 0:20:46.360
<v Speaker 11>come running back, and Pete says to me, what's that

0:20:46.600 --> 0:20:49.000
<v Speaker 11>And I said, Oh, these are the plants, And he

0:20:49.040 --> 0:20:51.320
<v Speaker 11>said put them back in the truck, and I don't

0:20:51.320 --> 0:20:56.480
<v Speaker 11>want to see him again. That was the last time

0:20:56.560 --> 0:20:58.000
<v Speaker 11>we had the plants on the job.

0:20:58.520 --> 0:21:01.439
<v Speaker 1>And that it seems to me exactly where Pete Die

0:21:01.480 --> 0:21:04.320
<v Speaker 1>and the tour could have found themselves at loggerheads, the

0:21:04.400 --> 0:21:08.680
<v Speaker 1>craftsmen versus the corporation, the improviser versus the plan followers.

0:21:09.160 --> 0:21:12.040
<v Speaker 1>But as it turned out, Dean Beeman himself had a

0:21:12.080 --> 0:21:15.000
<v Speaker 1>healthy regard for Die's methods.

0:21:14.760 --> 0:21:15.639
<v Speaker 3>That's Pete.

0:21:15.880 --> 0:21:18.800
<v Speaker 5>Pete wants to be hands on boots on the ground.

0:21:19.320 --> 0:21:21.080
<v Speaker 5>I want to see it. I don't want to see

0:21:21.080 --> 0:21:22.520
<v Speaker 5>it on a piece of paper. I want to see

0:21:22.520 --> 0:21:24.639
<v Speaker 5>it with my own eye and my boots on the

0:21:24.680 --> 0:21:26.719
<v Speaker 5>ground and get wet.

0:21:26.240 --> 0:21:28.679
<v Speaker 1>And from vernon Kelly's point of view. While there was

0:21:28.720 --> 0:21:31.840
<v Speaker 1>a contrast in styles between Die and Beman, there was

0:21:31.880 --> 0:21:34.200
<v Speaker 1>also a crucial element that kept the peace.

0:21:35.200 --> 0:21:38.040
<v Speaker 11>There was a tremendous amount of respect between Dean and

0:21:38.160 --> 0:21:41.800
<v Speaker 11>det In both ways and Alice both ways.

0:21:42.520 --> 0:21:45.640
<v Speaker 1>Years later, Alice I admitted that her initial fears about

0:21:45.640 --> 0:21:49.520
<v Speaker 1>the partnership had been unfounded. Dean was wonderful, she said.

0:21:49.920 --> 0:21:53.200
<v Speaker 1>He let Pete do his thing, and both of them

0:21:53.320 --> 0:21:56.200
<v Speaker 1>let Alice do her thing. She too was on site,

0:21:56.240 --> 0:21:58.280
<v Speaker 1>and she too had a knack for boots on the

0:21:58.280 --> 0:22:02.640
<v Speaker 1>ground improvisation. According to plans, the par three seventeenth would

0:22:02.680 --> 0:22:06.000
<v Speaker 1>have water just on the right, but around the seventeenth green,

0:22:06.080 --> 0:22:08.040
<v Speaker 1>as it happened, was some of the best sand on

0:22:08.080 --> 0:22:11.480
<v Speaker 1>a generally mucky property, So the crew kept digging that

0:22:11.560 --> 0:22:14.680
<v Speaker 1>sand out and using it as foundation for turf elsewhere

0:22:14.680 --> 0:22:18.080
<v Speaker 1>on the course. Eventually there was an enormous pit where

0:22:18.080 --> 0:22:21.000
<v Speaker 1>the seventeenth hole was supposed to be. Here's how Pete

0:22:21.080 --> 0:22:24.800
<v Speaker 1>Dye recounted what happened next. I called Alice over to

0:22:24.880 --> 0:22:27.320
<v Speaker 1>discuss with her where we could find a new place

0:22:27.359 --> 0:22:30.320
<v Speaker 1>for the green. She said, put the green back where

0:22:30.320 --> 0:22:34.000
<v Speaker 1>it was and fill the hole with water. Simple enough.

0:22:35.200 --> 0:22:39.040
<v Speaker 1>This sort of husband wife collaboration was common on Dye projects.

0:22:39.560 --> 0:22:42.399
<v Speaker 1>One summer when he was in college, Tom Doak worked

0:22:42.400 --> 0:22:44.840
<v Speaker 1>on the crew at Die's Long Cove Club on Hilton

0:22:44.880 --> 0:22:45.479
<v Speaker 1>Head Island.

0:22:46.480 --> 0:22:49.240
<v Speaker 2>They were renting a house three miles away and see

0:22:49.280 --> 0:22:53.160
<v Speaker 2>Pine's plantation, and Pete would be there six or seven

0:22:53.200 --> 0:22:54.960
<v Speaker 2>days a week at six thirty in the morning with

0:22:55.000 --> 0:22:58.560
<v Speaker 2>the crew, and Alice would come out maybe two or

0:22:58.600 --> 0:23:02.040
<v Speaker 2>three times a week, you know, lunchtime or in the afternoon,

0:23:02.359 --> 0:23:05.960
<v Speaker 2>and she'd just come check on progress and see, you know,

0:23:06.040 --> 0:23:08.480
<v Speaker 2>see what what had been done since the last time

0:23:08.520 --> 0:23:11.160
<v Speaker 2>she was out there, which you know, even that would

0:23:11.200 --> 0:23:14.119
<v Speaker 2>be more visits than most architects would make to their

0:23:14.160 --> 0:23:20.679
<v Speaker 2>own construction sites. And it was actually a guy on

0:23:20.720 --> 0:23:23.640
<v Speaker 2>our crew that would have been a college roommate of PD's,

0:23:24.640 --> 0:23:27.399
<v Speaker 2>you know, Pebe was shaping on the golf course and Steve,

0:23:27.520 --> 0:23:29.960
<v Speaker 2>his roommate, was out there working on the labor crew.

0:23:30.000 --> 0:23:31.639
<v Speaker 2>And I get to know Steve a little bit, and

0:23:32.119 --> 0:23:35.640
<v Speaker 2>at one point Steve just sort of said, really casually, well,

0:23:36.000 --> 0:23:38.680
<v Speaker 2>you know, nothing's really done out here until miss Sally

0:23:38.760 --> 0:23:42.959
<v Speaker 2>says it's okay. And I thought that was funny at

0:23:42.960 --> 0:23:46.480
<v Speaker 2>the time, but but I really did get the impression

0:23:46.560 --> 0:23:48.840
<v Speaker 2>by the time I was done working for Pete and

0:23:48.880 --> 0:23:52.359
<v Speaker 2>Alice that Alice had a lot to say about you know,

0:23:52.920 --> 0:23:55.719
<v Speaker 2>maybe not the final say, but she was certainly going

0:23:55.760 --> 0:23:58.359
<v Speaker 2>to tell Pe if she didn't think, you know, she

0:23:58.520 --> 0:24:01.480
<v Speaker 2>thought golf course is too hard or too easy, or

0:24:01.520 --> 0:24:05.200
<v Speaker 2>if that feature didn't look right, and you know, hers

0:24:05.320 --> 0:24:09.639
<v Speaker 2>was the most important opinion to Pete.

0:24:10.520 --> 0:24:13.200
<v Speaker 1>So while Pete die was firm in his own convictions,

0:24:13.520 --> 0:24:16.400
<v Speaker 1>he was also eager to gather input from others.

0:24:16.720 --> 0:24:18.960
<v Speaker 2>I can stand as an architect, the hardest one of

0:24:19.000 --> 0:24:20.920
<v Speaker 2>the hardest things to do when you're in the middle

0:24:20.960 --> 0:24:25.960
<v Speaker 2>of a construction project is half perspective on you've sort

0:24:25.960 --> 0:24:29.440
<v Speaker 2>of you've gotten away from playing golf on graph and

0:24:29.760 --> 0:24:32.840
<v Speaker 2>you get to lose perspective of this is too hard,

0:24:32.880 --> 0:24:35.960
<v Speaker 2>is this too easy? And it really helped out somebody

0:24:35.960 --> 0:24:39.919
<v Speaker 2>out there you trust just this you know, it's okay,

0:24:40.080 --> 0:24:42.960
<v Speaker 2>it's fine, or it's oh wait, Are you sure you

0:24:43.000 --> 0:24:45.640
<v Speaker 2>want to be doing that? You know, and most architects

0:24:45.680 --> 0:24:46.280
<v Speaker 2>don't have that.

0:24:49.880 --> 0:24:53.480
<v Speaker 1>The Stadium Course opened in nineteen eighty, but as the

0:24:53.520 --> 0:24:56.800
<v Speaker 1>eighty two Players Championship approached, the first players to be

0:24:56.840 --> 0:25:00.480
<v Speaker 1>held at TPC Sawgrass, the pressure on both p Die

0:25:00.520 --> 0:25:02.400
<v Speaker 1>and Dean Beaman ratcheted up.

0:25:02.960 --> 0:25:05.160
<v Speaker 8>It was definitely a move forward for the PGA Tour

0:25:05.200 --> 0:25:07.840
<v Speaker 8>because they were opening their own golf course.

0:25:08.440 --> 0:25:11.840
<v Speaker 1>Sean Martin is a senior editor for PGA Tour dot com,

0:25:12.200 --> 0:25:15.280
<v Speaker 1>and in twenty seventeen he wrote a feature called Leap

0:25:15.320 --> 0:25:18.600
<v Speaker 1>of Faith behind the Stadium Course's wild debut at the

0:25:18.680 --> 0:25:22.119
<v Speaker 1>nineteen eighty two Players Championship. It's really great and a

0:25:22.160 --> 0:25:24.040
<v Speaker 1>major inspiration for this episode.

0:25:24.720 --> 0:25:27.600
<v Speaker 8>So now they were getting into the golf course business,

0:25:27.640 --> 0:25:30.000
<v Speaker 8>and there was debate among the players whether or not

0:25:30.040 --> 0:25:32.800
<v Speaker 8>the PGA Tour should be getting into the golf course business,

0:25:32.840 --> 0:25:35.200
<v Speaker 8>whether or not that was a wise business decision.

0:25:35.240 --> 0:25:35.399
<v Speaker 3>You know.

0:25:35.400 --> 0:25:37.919
<v Speaker 8>You look at Adam Schupack's book about Dean Beaman and

0:25:38.320 --> 0:25:41.240
<v Speaker 8>the early tour was run out of basically, I believe

0:25:41.240 --> 0:25:43.919
<v Speaker 8>it was a town homer, a condo at the Sawgrass

0:25:43.920 --> 0:25:46.879
<v Speaker 8>Country Club. So it was a very modest organization, so

0:25:47.000 --> 0:25:49.160
<v Speaker 8>to now all of a sudden get into the golf

0:25:49.160 --> 0:25:51.960
<v Speaker 8>course business. It was a risky venture.

0:25:52.200 --> 0:25:54.679
<v Speaker 1>And the heat on Beaman and Die got turned up

0:25:54.720 --> 0:25:56.800
<v Speaker 1>when the pros started to visit the new course.

0:25:57.400 --> 0:26:00.719
<v Speaker 8>So Sawgrass Country Club, which hosted the players, with literally

0:26:00.760 --> 0:26:03.840
<v Speaker 8>across the street, so when guys were in town for

0:26:04.040 --> 0:26:07.040
<v Speaker 8>the players, they could go over and see TPC. It

0:26:07.080 --> 0:26:09.520
<v Speaker 8>was carved out of a swamp. It was much more

0:26:09.560 --> 0:26:12.280
<v Speaker 8>severe than what you see today. I think some of

0:26:12.280 --> 0:26:15.800
<v Speaker 8>that is just when you build slopes and you shape them,

0:26:16.080 --> 0:26:18.480
<v Speaker 8>they never look quite as severe as when they get

0:26:18.520 --> 0:26:20.640
<v Speaker 8>grass on them. And so just I think of course

0:26:20.720 --> 0:26:22.400
<v Speaker 8>is always gonna be severe when it's new. And then

0:26:22.400 --> 0:26:25.880
<v Speaker 8>also you know, combine some of that with just the

0:26:25.920 --> 0:26:31.160
<v Speaker 8>wild surrounds off the fairway. If you strayed from the

0:26:31.200 --> 0:26:33.960
<v Speaker 8>corridors and hit it into that stuff, I mean you're

0:26:34.000 --> 0:26:37.040
<v Speaker 8>looking at lost balls, You're having trouble hacking out. It

0:26:37.080 --> 0:26:40.120
<v Speaker 8>was very raw and very very penal.

0:26:40.720 --> 0:26:43.399
<v Speaker 1>The players began to make their opinions known, and not

0:26:43.560 --> 0:26:48.000
<v Speaker 1>long after the grand opening, Dean Beaman oversaw some significant changes.

0:26:48.680 --> 0:26:52.400
<v Speaker 5>It was difficult for me to envision what the final

0:26:52.520 --> 0:26:56.119
<v Speaker 5>product would be based on looking at dirt when the

0:26:56.200 --> 0:26:58.600
<v Speaker 5>grasso was on it, it was far different.

0:26:58.359 --> 0:26:59.560
<v Speaker 3>Than I had imagined.

0:27:00.119 --> 0:27:04.080
<v Speaker 5>And clearly as soon as it opened, even before tour

0:27:04.119 --> 0:27:08.080
<v Speaker 5>players came in and wanted to play it, I determined

0:27:08.080 --> 0:27:12.560
<v Speaker 5>it was much too severe. The greens themselves were much

0:27:12.600 --> 0:27:16.240
<v Speaker 5>too severe. So during the course of that year, before

0:27:16.280 --> 0:27:19.280
<v Speaker 5>the first tournament Wilt, a lot of work was done

0:27:19.560 --> 0:27:23.600
<v Speaker 5>to take some of the severity out of the greens.

0:27:26.040 --> 0:27:29.200
<v Speaker 1>But when the eighty two Players Championship arrived, the course

0:27:29.280 --> 0:27:33.119
<v Speaker 1>was still very rugged and very difficult. Tom Doak headed

0:27:33.160 --> 0:27:36.200
<v Speaker 1>down from Cornell during his spring break to watch the tournament.

0:27:36.720 --> 0:27:40.320
<v Speaker 1>When Doak remembers that era of TPC Sagrass, the image

0:27:40.320 --> 0:27:43.359
<v Speaker 1>of a relatively bare bones golf course comes to his mind.

0:27:43.960 --> 0:27:45.760
<v Speaker 2>You know, one of the things about the TPC that

0:27:45.800 --> 0:27:48.399
<v Speaker 2>most people don't realize is, you know, in nineteen seventy

0:27:48.480 --> 0:27:53.040
<v Speaker 2>ninety eighty was terrible recession time in America, and the

0:27:53.080 --> 0:27:56.520
<v Speaker 2>TVC was really built to be a low meetenance golf course,

0:27:56.960 --> 0:28:00.399
<v Speaker 2>in a fairly low budget golf course to build. And

0:28:00.440 --> 0:28:02.840
<v Speaker 2>of course once it was opened for three or four years,

0:28:02.880 --> 0:28:05.879
<v Speaker 2>they all of a sudden it was like, well, this

0:28:06.040 --> 0:28:08.000
<v Speaker 2>is the headquarters of the tour. We've got to spruce

0:28:08.040 --> 0:28:10.119
<v Speaker 2>it up, and we've got to make it look pretty imperfect.

0:28:10.440 --> 0:28:14.080
<v Speaker 2>But that was not Pete's idea going into it. One

0:28:14.160 --> 0:28:16.240
<v Speaker 2>of the quotes I remember him saying it to the

0:28:16.240 --> 0:28:19.760
<v Speaker 2>original tournament in nineteen eighty two, with everything here is

0:28:19.800 --> 0:28:22.720
<v Speaker 2>the dead opposite of Augusta on purpose.

0:28:23.960 --> 0:28:26.280
<v Speaker 1>When Dope got to the tournament, he went out and

0:28:26.320 --> 0:28:27.919
<v Speaker 1>found Pete Dye on the course.

0:28:28.640 --> 0:28:32.720
<v Speaker 2>I think it was on like the eleventh or twelfth hole. Basically,

0:28:32.800 --> 0:28:34.600
<v Speaker 2>he was just going around to one hole at a

0:28:34.600 --> 0:28:38.120
<v Speaker 2>time and watching players come through and you know, watching

0:28:38.160 --> 0:28:41.000
<v Speaker 2>shots and seeing how they reacted. He wanted to see

0:28:41.040 --> 0:28:42.920
<v Speaker 2>how they played him. He didn't want to hear how

0:28:43.000 --> 0:28:45.280
<v Speaker 2>what they said. He didn't care so much what they

0:28:45.320 --> 0:28:47.080
<v Speaker 2>said about it. You know, he just wanted to see

0:28:47.120 --> 0:28:49.440
<v Speaker 2>if the shots work the way he intended them to.

0:28:49.600 --> 0:28:51.680
<v Speaker 2>And you know, so we just go to one hole

0:28:51.720 --> 0:28:54.000
<v Speaker 2>at a time and watched three or four groups play through,

0:28:54.040 --> 0:28:57.400
<v Speaker 2>and Pete did see somebody hid a good shot and go, oh,

0:28:57.440 --> 0:28:59.720
<v Speaker 2>that hole works. We can go to the next hall now.

0:29:01.800 --> 0:29:04.440
<v Speaker 1>But the pros were coming to their own conclusions.

0:29:04.760 --> 0:29:04.920
<v Speaker 2>You know.

0:29:05.040 --> 0:29:06.920
<v Speaker 8>Going in, people knew I think that it was going

0:29:06.960 --> 0:29:09.360
<v Speaker 8>to be a high tension week. This was a players

0:29:09.360 --> 0:29:11.760
<v Speaker 8>were facing something that was new, something that was very penal.

0:29:12.360 --> 0:29:15.160
<v Speaker 8>Players had an opportunity to voice their opinions and voice

0:29:15.160 --> 0:29:18.320
<v Speaker 8>them strongly and loudly, and the press obviously was very

0:29:18.360 --> 0:29:20.440
<v Speaker 8>willing to write them. And so you had some great

0:29:20.520 --> 0:29:22.920
<v Speaker 8>quotes that you know, I think players had probably spent

0:29:23.000 --> 0:29:26.120
<v Speaker 8>some time thinking about. And so you had Ben Crenshaw

0:29:26.120 --> 0:29:28.360
<v Speaker 8>of all people, referring to it as Star Wars golf

0:29:28.400 --> 0:29:31.880
<v Speaker 8>designed by Darth Vader. Jack Nicholas after missing the cuts

0:29:31.880 --> 0:29:34.400
<v Speaker 8>that I've never been very good at stopping a five

0:29:34.440 --> 0:29:35.640
<v Speaker 8>iron on the hood of a car.

0:29:36.120 --> 0:29:38.560
<v Speaker 1>At least one player, however, was in his element.

0:29:38.960 --> 0:29:40.760
<v Speaker 4>As far as a Pete Die golf course, I was

0:29:40.800 --> 0:29:44.000
<v Speaker 4>fortunate enough to play in nineteen seventy four, I played

0:29:44.000 --> 0:29:46.040
<v Speaker 4>the Teeth of the Dog at Casady Compo.

0:29:46.720 --> 0:29:49.480
<v Speaker 1>Jerry Pate was a twenty eight year old US amateur

0:29:49.560 --> 0:29:53.360
<v Speaker 1>and US Open champion. He had a silky, powerful swing

0:29:53.560 --> 0:29:56.040
<v Speaker 1>and a fearless attitude, and he felt that he had

0:29:56.040 --> 0:29:58.120
<v Speaker 1>a bead on Pete Die designs.

0:29:58.600 --> 0:30:00.600
<v Speaker 4>So I kind of understood Pete strategies.

0:30:00.840 --> 0:30:02.960
<v Speaker 10>I had to feel for how he liked.

0:30:02.840 --> 0:30:05.800
<v Speaker 4>To strategize holes, and there were just certain places you

0:30:05.800 --> 0:30:06.640
<v Speaker 4>couldn't hit the ball.

0:30:06.680 --> 0:30:08.959
<v Speaker 10>You just if you'd hit it there, you were in trouble.

0:30:09.600 --> 0:30:12.680
<v Speaker 4>And when I saw the Stadium course for the first time,

0:30:13.160 --> 0:30:15.680
<v Speaker 4>a lot of people complained about it because the greens

0:30:15.720 --> 0:30:18.240
<v Speaker 4>were sort of perched up off of the grade, so

0:30:19.200 --> 0:30:21.240
<v Speaker 4>you had a lot of areas.

0:30:20.840 --> 0:30:22.800
<v Speaker 10>That had I would call.

0:30:22.760 --> 0:30:25.520
<v Speaker 4>Them false fronts in the front, and the green ran

0:30:25.600 --> 0:30:27.640
<v Speaker 4>off on the left side and the right side, and

0:30:28.160 --> 0:30:31.400
<v Speaker 4>there were very very small pinnable areas that were little

0:30:31.480 --> 0:30:33.520
<v Speaker 4>target areas, and if you didn't hit it there, the

0:30:33.520 --> 0:30:37.200
<v Speaker 4>ball would gather some fifteen to thirty forty feet away

0:30:37.200 --> 0:30:39.960
<v Speaker 4>from there into a low depression either on the green

0:30:40.040 --> 0:30:42.480
<v Speaker 4>or off the greens. So you had to be extremely

0:30:42.520 --> 0:30:44.240
<v Speaker 4>accurate with your iron. You had to be a good

0:30:44.320 --> 0:30:46.320
<v Speaker 4>driver of the ball, which I was, and you had

0:30:46.360 --> 0:30:48.280
<v Speaker 4>to be a really good iron player, which I was.

0:30:48.360 --> 0:30:51.560
<v Speaker 4>So his designs sort of played right into my hand.

0:30:52.200 --> 0:30:55.600
<v Speaker 1>Still, like everyone else, Jerry Pate was struck by the

0:30:55.680 --> 0:30:57.920
<v Speaker 1>rawness and difficulty of the new TPC.

0:30:58.760 --> 0:31:00.880
<v Speaker 4>And you know, the golf course was wild and willy then.

0:31:00.960 --> 0:31:04.200
<v Speaker 4>It wasn't naturally managed and manacured light. I mean, it

0:31:04.240 --> 0:31:07.360
<v Speaker 4>wasn't as manicure today it was natural with pal meadows

0:31:07.440 --> 0:31:11.960
<v Speaker 4>and just you know, basically bobcats and rattlesnakes twenty foot

0:31:11.960 --> 0:31:15.960
<v Speaker 4>off the fairway and Armadilla's and you name it. So

0:31:16.040 --> 0:31:18.680
<v Speaker 4>that day there was nothing on earth. And I mean

0:31:18.720 --> 0:31:22.040
<v Speaker 4>that with it, not with exaggeration. There was no other

0:31:22.160 --> 0:31:25.920
<v Speaker 4>course on the earth more difficult and diabolical than that

0:31:26.000 --> 0:31:26.640
<v Speaker 4>golf course.

0:31:27.160 --> 0:31:30.400
<v Speaker 1>But unlike almost everyone else, Pet wasn't much bothered by

0:31:30.440 --> 0:31:33.680
<v Speaker 1>the stadium course's severity. This was at least in part

0:31:33.800 --> 0:31:36.040
<v Speaker 1>because he just wasn't the worrying type.

0:31:36.440 --> 0:31:40.800
<v Speaker 8>Yeah, so he was this gregarious bass riker, just fun

0:31:40.840 --> 0:31:44.240
<v Speaker 8>loving flagging shots and I guess maybe kind of cavalier

0:31:44.240 --> 0:31:46.840
<v Speaker 8>in that way, aiming at flags and playing I think

0:31:46.960 --> 0:31:49.080
<v Speaker 8>kind of care free, because when you're that good of

0:31:49.120 --> 0:31:51.520
<v Speaker 8>a bass riker, you can kind of do that because

0:31:51.760 --> 0:31:53.040
<v Speaker 8>the ball's going to go where you aim.

0:31:53.520 --> 0:31:56.240
<v Speaker 1>Peate also had the advantage of having played at the

0:31:56.240 --> 0:31:59.640
<v Speaker 1>grand opening of TPC Sawgrass in nineteen eighty and being

0:31:59.680 --> 0:32:03.240
<v Speaker 1>pair with Dean Beaman himself. Beaman had shown him where

0:32:03.280 --> 0:32:05.640
<v Speaker 1>he could be aggressive off the tee and taught him

0:32:05.680 --> 0:32:07.960
<v Speaker 1>not to be intimidated by Die's visuals.

0:32:08.600 --> 0:32:11.200
<v Speaker 8>Look, the fairways are much wider than they appear. They're

0:32:11.480 --> 0:32:15.720
<v Speaker 8>classic Pete Die deception, you know, who build up bunkers

0:32:16.280 --> 0:32:18.320
<v Speaker 8>or slopes that will make the fairway look smaller than

0:32:18.320 --> 0:32:21.040
<v Speaker 8>they are. But the problem is is really the fairways

0:32:21.200 --> 0:32:23.000
<v Speaker 8>or wider than you think. And if you lay back

0:32:23.040 --> 0:32:25.480
<v Speaker 8>off the tee, the second shot you're going to face

0:32:25.520 --> 0:32:28.160
<v Speaker 8>into the greens is harder than the shot that you

0:32:28.200 --> 0:32:29.200
<v Speaker 8>just avoided.

0:32:28.800 --> 0:32:29.360
<v Speaker 3>Off the tee.

0:32:29.520 --> 0:32:32.240
<v Speaker 8>So by playing safe off the tee, you're not really

0:32:32.320 --> 0:32:34.320
<v Speaker 8>avoiding as much trouble as you think you are, and

0:32:34.360 --> 0:32:37.120
<v Speaker 8>you're just bringing that much more into play around the greens.

0:32:37.160 --> 0:32:40.520
<v Speaker 8>And so it is very visually intimidating, but you're also

0:32:40.760 --> 0:32:44.200
<v Speaker 8>going to be best suited if you take the challenge on.

0:32:45.080 --> 0:32:48.200
<v Speaker 1>So Pete was even more confident than usual going into

0:32:48.200 --> 0:32:51.120
<v Speaker 1>the eighty two players. Not only did he like Pete

0:32:51.160 --> 0:32:53.680
<v Speaker 1>Die courses and do well at them, not only did

0:32:53.680 --> 0:32:56.600
<v Speaker 1>he have the right skill set and disposition. Not only

0:32:56.640 --> 0:32:59.760
<v Speaker 1>did he have intel on TPC sawgrass, but he also

0:32:59.840 --> 0:33:03.360
<v Speaker 1>had deep family connections to Jacksonville. His father had been

0:33:03.360 --> 0:33:05.680
<v Speaker 1>born and raised there, and his mother had moved there

0:33:05.680 --> 0:33:08.760
<v Speaker 1>in high school. Added all up, and Jerry Pate felt

0:33:08.800 --> 0:33:10.440
<v Speaker 1>that he had destiny on his side.

0:33:10.840 --> 0:33:12.640
<v Speaker 10>I just knew I was gonna win it.

0:33:12.640 --> 0:33:14.840
<v Speaker 4>It wasn't even a thought in my head, you know,

0:33:15.400 --> 0:33:16.360
<v Speaker 4>I knew it all along.

0:33:17.440 --> 0:33:19.840
<v Speaker 1>Well, he didn't exactly jump out to the lead. He

0:33:19.920 --> 0:33:24.640
<v Speaker 1>hung around shooting seventy seventy three seventy. After fifty four holes,

0:33:24.760 --> 0:33:27.520
<v Speaker 1>he was tied for sixth, three shots behind his brother

0:33:27.560 --> 0:33:31.800
<v Speaker 1>in law Bruce Letsky and co leader Brad Bryant. Meanwhile,

0:33:31.960 --> 0:33:35.000
<v Speaker 1>Pate was very aware of the rumblings among veteran players

0:33:35.040 --> 0:33:37.120
<v Speaker 1>about the course and the tour's new direction.

0:33:37.600 --> 0:33:40.120
<v Speaker 4>And there was talk in the locker room by the

0:33:40.200 --> 0:33:43.320
<v Speaker 4>senior Hall of famers just before they were into Hall

0:33:43.360 --> 0:33:45.400
<v Speaker 4>of Fame. And I won't mention names. Some of them

0:33:45.400 --> 0:33:48.680
<v Speaker 4>are dead now, some are still alive in their eighties,

0:33:49.040 --> 0:33:51.160
<v Speaker 4>and the talk was they were going to get, you know,

0:33:51.240 --> 0:33:53.600
<v Speaker 4>have a coup and fired Dean because we had no

0:33:53.760 --> 0:33:56.680
<v Speaker 4>business owning a golf course and it was crazy, and

0:33:56.720 --> 0:34:01.240
<v Speaker 4>it was competing against some of the famous golfers design careers.

0:34:01.280 --> 0:34:03.960
<v Speaker 4>They had their own design careers going. So they're thinking, well,

0:34:04.000 --> 0:34:07.360
<v Speaker 4>wait a minute, PGA Tours hiring some outside guy named

0:34:07.400 --> 0:34:09.640
<v Speaker 4>Pete Died to design their golf cours. Why didn't they

0:34:09.680 --> 0:34:14.400
<v Speaker 4>hire a player. It was victrial, it was anger. The

0:34:14.440 --> 0:34:18.120
<v Speaker 4>players were mad, angry. I mean, you could use all

0:34:18.160 --> 0:34:20.960
<v Speaker 4>those words. It was a big deal politically for Dean

0:34:21.000 --> 0:34:21.879
<v Speaker 4>and Pete Die, I.

0:34:21.840 --> 0:34:22.520
<v Speaker 10>Can tell you.

0:34:22.920 --> 0:34:26.040
<v Speaker 4>And there were some really top players in that, as

0:34:26.040 --> 0:34:28.319
<v Speaker 4>I said, hall of fame, golfers that didn't like the

0:34:28.360 --> 0:34:31.799
<v Speaker 4>golf course at all, in fact missed the cut. And

0:34:31.840 --> 0:34:34.440
<v Speaker 4>then once you get something that's negative in your mind,

0:34:34.640 --> 0:34:36.600
<v Speaker 4>you don't like the golf course, you're done. There's no

0:34:36.640 --> 0:34:39.040
<v Speaker 4>way you're going to play well. And I loved it.

0:34:39.400 --> 0:34:43.000
<v Speaker 1>On Sunday, after burdying twelve, Pate had closed the gap

0:34:43.040 --> 0:34:46.560
<v Speaker 1>between himself and the leaders. The year prior, he had

0:34:46.560 --> 0:34:49.319
<v Speaker 1>won in Memphis, and in celebration he had leapt into

0:34:49.360 --> 0:34:52.880
<v Speaker 1>the lake by the eighteenth green. So rumors were already

0:34:52.920 --> 0:34:56.000
<v Speaker 1>going around TPC Sagrass that if he pulled off the victory,

0:34:56.360 --> 0:34:57.600
<v Speaker 1>he would do the same today.

0:34:58.080 --> 0:35:00.799
<v Speaker 4>So anyway, as I walked back to thirteen Can, I

0:35:00.840 --> 0:35:02.680
<v Speaker 4>heard somebody kind of running up behind me and they

0:35:02.680 --> 0:35:03.359
<v Speaker 4>grabbed my arm.

0:35:03.520 --> 0:35:04.200
<v Speaker 10>I turned around.

0:35:04.200 --> 0:35:06.920
<v Speaker 4>It was Alice Die and she looked at me and

0:35:07.040 --> 0:35:09.200
<v Speaker 4>she said, you've got to win this thing, and you

0:35:09.320 --> 0:35:10.719
<v Speaker 4>got to throw Pete in the lake.

0:35:11.239 --> 0:35:14.840
<v Speaker 1>Alice's idea, it seems, was that a little playful public

0:35:14.880 --> 0:35:17.560
<v Speaker 1>come up ins might do some good. It might provide

0:35:17.600 --> 0:35:20.640
<v Speaker 1>an outlet for the rising hostility toward her husband and

0:35:20.719 --> 0:35:21.920
<v Speaker 1>their design business.

0:35:22.120 --> 0:35:25.080
<v Speaker 4>Of course, Pete had been catching ungodly amount of heat

0:35:25.200 --> 0:35:29.279
<v Speaker 4>for this golf course, and Alice, I think, was a

0:35:29.320 --> 0:35:30.160
<v Speaker 4>little bit worried.

0:35:30.680 --> 0:35:32.399
<v Speaker 10>Can I turn around? Looked at her just.

0:35:32.520 --> 0:35:34.799
<v Speaker 4>Calm as can be, And everybody used to think, you know,

0:35:34.840 --> 0:35:36.120
<v Speaker 4>when I played, I was cocky.

0:35:36.960 --> 0:35:38.160
<v Speaker 10>I really wasn't cocky.

0:35:38.400 --> 0:35:40.520
<v Speaker 4>I just you know, I knew in my heart I

0:35:40.560 --> 0:35:42.920
<v Speaker 4>could pull it off, and I said, I'm gonna win.

0:35:43.480 --> 0:35:47.040
<v Speaker 1>Pet went on to par thirteen, Birdie fourteen, and Bertie

0:35:47.080 --> 0:35:50.000
<v Speaker 1>the Island seventeenth hole. He drove it right up the

0:35:50.000 --> 0:35:52.840
<v Speaker 1>god on eighteen and had a five iron into the green.

0:35:53.680 --> 0:35:56.520
<v Speaker 1>Until that point, the most famous moment in Pet's career

0:35:56.560 --> 0:35:59.919
<v Speaker 1>had involved another seventy second hole five iron, this one

0:36:00.080 --> 0:36:03.040
<v Speaker 1>at the nineteen seventy six US Open. He hit it

0:36:03.120 --> 0:36:05.760
<v Speaker 1>so close to a dangerous whole location that some accused

0:36:05.800 --> 0:36:09.360
<v Speaker 1>him of pulling it. Today, the approach to the eighteenth

0:36:09.400 --> 0:36:12.759
<v Speaker 1>that TPC sawgrass is still a scary shot, even when

0:36:12.800 --> 0:36:15.640
<v Speaker 1>pros are hitting eight or nine irons. Almost no one

0:36:15.680 --> 0:36:18.920
<v Speaker 1>goes directly at the pin, but Pate did with a

0:36:18.960 --> 0:36:21.760
<v Speaker 1>five iron, and he knocked it to two feet.

0:36:21.960 --> 0:36:24.760
<v Speaker 4>For me to hit that shot like Ben Crenshaw hitting

0:36:24.760 --> 0:36:28.800
<v Speaker 4>a six foot pot. He's not nervous. Jack Nicholas isn't

0:36:28.800 --> 0:36:31.840
<v Speaker 4>nervous on a six foot pot. Tom Watson wasn't nervous

0:36:31.840 --> 0:36:35.000
<v Speaker 4>on a six foot but Lee Terveno was never nervous

0:36:35.000 --> 0:36:37.319
<v Speaker 4>on a nine yard wed shot, and Jerry Fate was

0:36:37.360 --> 0:36:38.399
<v Speaker 4>never nervous hitting a.

0:36:38.320 --> 0:36:39.080
<v Speaker 3>Long iron shot.

0:36:39.120 --> 0:36:43.200
<v Speaker 4>I mean, I nerves weren't even in my vocabulary. And

0:36:43.320 --> 0:36:45.040
<v Speaker 4>when I hit the five iron, and I went to

0:36:45.160 --> 0:36:48.040
<v Speaker 4>the press room, and I think Tom Place was running

0:36:48.080 --> 0:36:50.120
<v Speaker 4>the interview for the PGA Tour and he said, you

0:36:50.120 --> 0:36:52.120
<v Speaker 4>have any opening statements, and I go, yeah, I guess,

0:36:52.200 --> 0:36:54.440
<v Speaker 4>I guess I pulled another five iron.

0:36:57.200 --> 0:36:59.160
<v Speaker 1>But let's go back for a moment to the eighteenth

0:36:59.239 --> 0:37:03.200
<v Speaker 1>fairway after Pate had stiffed his approach and.

0:37:03.040 --> 0:37:05.640
<v Speaker 4>The camera was on me, little Davy Finch, you worked

0:37:05.640 --> 0:37:07.960
<v Speaker 4>for CBS and Trick Kenny and is in the truck.

0:37:08.000 --> 0:37:10.440
<v Speaker 4>I knew that, and you know all my buddies and

0:37:10.520 --> 0:37:12.040
<v Speaker 4>CBS were there, and I.

0:37:11.960 --> 0:37:13.280
<v Speaker 10>Have no idea what they've said.

0:37:14.080 --> 0:37:17.719
<v Speaker 4>But as I walked up the eighteenth fairway, Davy Finch says,

0:37:17.719 --> 0:37:19.919
<v Speaker 4>you're gonna jump in the lake, and I said, Pete,

0:37:20.000 --> 0:37:21.440
<v Speaker 4>die will go for a swim.

0:37:21.800 --> 0:37:23.960
<v Speaker 1>As he waited for the groups behind him to finish,

0:37:24.280 --> 0:37:27.319
<v Speaker 1>pet saw Dean Beaman's wife Judy, who urged him to

0:37:27.320 --> 0:37:31.640
<v Speaker 1>throw Dean in the water with Pete. As that was happening, CBS,

0:37:31.719 --> 0:37:34.440
<v Speaker 1>with Vin Scully calling the action, was working a bit

0:37:34.480 --> 0:37:35.400
<v Speaker 1>of TV magic.

0:37:35.960 --> 0:37:38.319
<v Speaker 8>There was a gator that had been seen in the

0:37:38.480 --> 0:37:42.279
<v Speaker 8>pond at seventeen. So Frank Trickinny in the Great CBS

0:37:42.320 --> 0:37:45.359
<v Speaker 8>producer put up a split screen and there's kind of

0:37:45.640 --> 0:37:48.960
<v Speaker 8>waiting for Jerry to throw them in at the trophy

0:37:49.000 --> 0:37:51.120
<v Speaker 8>ceremony on one side and the other side of this

0:37:51.239 --> 0:37:53.920
<v Speaker 8>gator in the water. But what Vin said was that

0:37:54.040 --> 0:37:56.799
<v Speaker 8>this gator is on the lake at seventeen. The lake

0:37:56.840 --> 0:37:59.439
<v Speaker 8>on eighteen is not connected. And so the television viewers

0:37:59.440 --> 0:38:02.120
<v Speaker 8>thinking they're about to jump into this gator infested pond.

0:38:04.960 --> 0:38:07.440
<v Speaker 4>Now I didn't even think I was gonna go in.

0:38:07.560 --> 0:38:09.080
<v Speaker 4>I thought I would just throw them both in the

0:38:09.120 --> 0:38:11.200
<v Speaker 4>lake and that would be it. And then they were

0:38:11.200 --> 0:38:12.960
<v Speaker 4>out there, and you know, in the lake, So I

0:38:13.000 --> 0:38:14.960
<v Speaker 4>threw them both in the lake off the bulkhead, and

0:38:14.960 --> 0:38:17.480
<v Speaker 4>then I jumped in behind him. But you know, I

0:38:17.560 --> 0:38:20.239
<v Speaker 4>never realized how high it was, and when I jumped in.

0:38:20.520 --> 0:38:22.879
<v Speaker 4>After the fact, I go back and look at those videos. Heck,

0:38:22.920 --> 0:38:25.120
<v Speaker 4>it was about an eight foot off the water. That

0:38:25.200 --> 0:38:27.919
<v Speaker 4>bulkhead was about eight foot, so it's a pretty big

0:38:28.040 --> 0:38:29.799
<v Speaker 4>racing dive. But to be eight foot in the air,

0:38:30.280 --> 0:38:34.399
<v Speaker 4>but we didn't care. There was so much, so much adrenaline,

0:38:34.800 --> 0:38:36.000
<v Speaker 4>the emotion of winning.

0:38:37.840 --> 0:38:39.920
<v Speaker 10>It was an exciting time and it was, you know,

0:38:40.000 --> 0:38:41.640
<v Speaker 10>a memory I'll never forget it was.

0:38:41.960 --> 0:38:43.959
<v Speaker 4>It was as great as winning the US Open.

0:38:44.080 --> 0:38:44.719
<v Speaker 10>I can tell you.

0:38:45.200 --> 0:38:48.080
<v Speaker 1>Dean Beeman that's his own way of remembering the experience.

0:38:48.640 --> 0:38:49.640
<v Speaker 1>How did the water feel?

0:38:51.120 --> 0:38:52.880
<v Speaker 3>It was pretty ugly.

0:38:59.480 --> 0:39:03.200
<v Speaker 1>The jumping and it's theater of just desserts may have

0:39:03.239 --> 0:39:06.439
<v Speaker 1>taken the edge off the player's outrage. Dean Beeman kept

0:39:06.480 --> 0:39:09.279
<v Speaker 1>his job and Pete Die kept designing courses for the

0:39:09.320 --> 0:39:12.640
<v Speaker 1>PGA Tour, but the pro's opinion of the stadium course

0:39:12.680 --> 0:39:15.280
<v Speaker 1>at TPC Sawgrass didn't change. Right away.

0:39:16.080 --> 0:39:18.640
<v Speaker 8>After the tournament was over, Pete's in the locker room

0:39:18.719 --> 0:39:21.360
<v Speaker 8>changing He's just been thrown in the lake. Ed Snead

0:39:21.440 --> 0:39:23.960
<v Speaker 8>and Tom Weiscoffer waiting for him, and Pete knew both

0:39:24.000 --> 0:39:26.160
<v Speaker 8>of them from Ohio, and they had a question about

0:39:26.160 --> 0:39:28.960
<v Speaker 8>the thirteenth hole, which is a par three. There's water

0:39:29.120 --> 0:39:33.560
<v Speaker 8>left and the green is bisected by a pretty severe swale,

0:39:33.920 --> 0:39:35.759
<v Speaker 8>and so the whole locations down on the left. They're

0:39:35.800 --> 0:39:37.680
<v Speaker 8>by the water. But you can use that swale to

0:39:37.719 --> 0:39:40.440
<v Speaker 8>funnel the tea shot towards the hole. However, if you

0:39:40.520 --> 0:39:43.160
<v Speaker 8>miss on the wrong side of it, you're now putting

0:39:43.200 --> 0:39:45.360
<v Speaker 8>down a very steep slope to the hole. Two putting

0:39:45.400 --> 0:39:48.480
<v Speaker 8>is almost impossible. So Ed and Tom had played together.

0:39:48.600 --> 0:39:50.680
<v Speaker 8>They said their te shots landed within two feet of

0:39:50.719 --> 0:39:52.959
<v Speaker 8>each other. One of them funneled down towards the hole,

0:39:53.040 --> 0:39:56.279
<v Speaker 8>the other state up top. And they were asking, how

0:39:56.320 --> 0:39:58.480
<v Speaker 8>can we have a golf course where two shots that

0:39:58.640 --> 0:40:01.320
<v Speaker 8>land within two feet of each other have such vastly

0:40:01.440 --> 0:40:04.799
<v Speaker 8>different results. That doesn't seem fair. Pete looks at them

0:40:04.800 --> 0:40:07.400
<v Speaker 8>and he says, well, the only reason that happened is

0:40:07.440 --> 0:40:10.279
<v Speaker 8>because you guys are chicken. If you were aiming at

0:40:10.280 --> 0:40:12.560
<v Speaker 8>the hole, that two feet wouldn't have mattered at all.

0:40:12.760 --> 0:40:14.400
<v Speaker 8>But you're afraid of the water on the left, so

0:40:14.400 --> 0:40:16.040
<v Speaker 8>you're aiming for a slope in the green to try

0:40:16.040 --> 0:40:17.840
<v Speaker 8>to save you, and that has too small of a

0:40:17.880 --> 0:40:20.319
<v Speaker 8>margin for error, which you just told me you're not

0:40:20.360 --> 0:40:21.080
<v Speaker 8>good enough to hit.

0:40:21.680 --> 0:40:25.080
<v Speaker 1>In spite of appearances, though Pete Die was not unmoved

0:40:25.080 --> 0:40:28.880
<v Speaker 1>by the criticism. He wrote in his autobiography, the verbal

0:40:28.920 --> 0:40:32.239
<v Speaker 1>assault against our new creation hit like a stake in

0:40:32.320 --> 0:40:35.880
<v Speaker 1>my heart. Still he saw no evidence that the course

0:40:35.960 --> 0:40:38.640
<v Speaker 1>was too hard. After all, Jerry Pate had won at

0:40:38.680 --> 0:40:41.160
<v Speaker 1>eight under. In order to make the top ten, you

0:40:41.239 --> 0:40:44.160
<v Speaker 1>had to break par. In fact, Die said at the time,

0:40:44.480 --> 0:40:46.759
<v Speaker 1>when they learn how to play this stadium course, we

0:40:46.840 --> 0:40:48.920
<v Speaker 1>may have to put in some more obstacles to keep

0:40:48.920 --> 0:40:55.720
<v Speaker 1>them totally frustrated. But ultimately it wasn't Die's call. After

0:40:55.760 --> 0:41:00.400
<v Speaker 1>the eighty three Tournament Players Championship, the pros revolted. According

0:41:00.440 --> 0:41:03.200
<v Speaker 1>to Adam Shuepack's account, a group of top players sent

0:41:03.239 --> 0:41:06.680
<v Speaker 1>a letter of complaint to Commissioner Beman. Among the signees

0:41:06.680 --> 0:41:11.360
<v Speaker 1>were Ben Crenshaw, Taylorwin Jack, Nicholas, Craig Stadler, Tom Watson,

0:41:11.480 --> 0:41:15.400
<v Speaker 1>and Tom Weiscough. Quickly, Beaman arranged a meeting at TPC

0:41:15.560 --> 0:41:19.120
<v Speaker 1>Sawgrass between Pete Dye and a player committee. They toured

0:41:19.160 --> 0:41:22.279
<v Speaker 1>the course and the players grilled Die about the green contours.

0:41:22.800 --> 0:41:25.439
<v Speaker 1>The commissioner saw their side well.

0:41:25.480 --> 0:41:28.080
<v Speaker 5>Some of the lowest areas on the greens that were

0:41:28.160 --> 0:41:32.399
<v Speaker 5>pin positions were in places that the green surfaces at

0:41:32.400 --> 0:41:35.799
<v Speaker 5>the higher part of those greens were so severe that

0:41:35.960 --> 0:41:38.320
<v Speaker 5>the ball coming off the high side down to the

0:41:38.360 --> 0:41:40.680
<v Speaker 5>low side wouldn't stay on the green at all. So

0:41:40.760 --> 0:41:44.799
<v Speaker 5>it was literally impossible to not three parts, many many

0:41:44.880 --> 0:41:48.080
<v Speaker 5>times from one transition.

0:41:47.680 --> 0:41:48.960
<v Speaker 3>Part of a green to another.

0:41:49.719 --> 0:41:52.480
<v Speaker 5>And the players were right, they were too severe. It

0:41:52.640 --> 0:41:55.719
<v Speaker 5>was still too severe to be really a fair test

0:41:55.760 --> 0:41:59.799
<v Speaker 5>to golf. Yeah, our feelings were still hurt, but they

0:41:59.840 --> 0:42:00.319
<v Speaker 5>were right.

0:42:02.400 --> 0:42:06.000
<v Speaker 1>Months later, Ben Crenshaw, the co chair of the architectural committee,

0:42:06.080 --> 0:42:08.239
<v Speaker 1>presented a list of changes to be made to the

0:42:08.239 --> 0:42:12.040
<v Speaker 1>Stadium course. At that point, I almost certainly saw the

0:42:12.040 --> 0:42:14.960
<v Speaker 1>writing on the wall. How do you think mister Die

0:42:15.440 --> 0:42:19.719
<v Speaker 1>reacted to or felt about the fact that he was

0:42:20.080 --> 0:42:22.120
<v Speaker 1>modifying or had to modify the course.

0:42:23.440 --> 0:42:25.880
<v Speaker 5>The answer is he was very reluctant to make the

0:42:26.000 --> 0:42:30.080
<v Speaker 5>changes that we wanted made. He wanted it as difficulty

0:42:30.160 --> 0:42:32.640
<v Speaker 5>could because he wanted to challenge the best players in

0:42:32.680 --> 0:42:33.160
<v Speaker 5>the world.

0:42:33.840 --> 0:42:35.239
<v Speaker 3>But and he didn't care.

0:42:35.960 --> 0:42:38.000
<v Speaker 5>He didn't think golf was fair in the first place,

0:42:38.440 --> 0:42:43.920
<v Speaker 5>so he was not He was not happy with the

0:42:43.920 --> 0:42:46.440
<v Speaker 5>continual modifications of it, but.

0:42:46.480 --> 0:42:50.280
<v Speaker 1>The modifications were made mostly carried out by Die's associate

0:42:50.320 --> 0:42:54.680
<v Speaker 1>Bobby Weed between eighty three and eighty eight. Weed once said,

0:42:54.920 --> 0:42:57.200
<v Speaker 1>one of my biggest regrets of being in the business

0:42:57.280 --> 0:42:59.040
<v Speaker 1>is I was the one who had to make all

0:42:59.040 --> 0:43:03.440
<v Speaker 1>the changes. Those changes did, however, mollify the pros and

0:43:03.520 --> 0:43:07.520
<v Speaker 1>TPC sawgrass, which today boasts Augusta like conditions, complete with

0:43:07.560 --> 0:43:10.920
<v Speaker 1>flower beds accenting the arena of the seventeenth hole, is

0:43:10.960 --> 0:43:14.200
<v Speaker 1>now highly regarded among PGA Tour members. In a way,

0:43:14.320 --> 0:43:18.000
<v Speaker 1>it's become a symbol of the tour the Dean Beaman built, sturdy,

0:43:18.120 --> 0:43:21.800
<v Speaker 1>impressive and efficiently run. Here's Adam Schuepack.

0:43:22.520 --> 0:43:25.359
<v Speaker 9>Dean came along at a time where the PGA Tour

0:43:25.600 --> 0:43:27.920
<v Speaker 9>was just this mom and pop shop, and he really,

0:43:28.040 --> 0:43:31.239
<v Speaker 9>during his twenty years tenures, assembled the building blocks that

0:43:31.280 --> 0:43:33.960
<v Speaker 9>are the foundation of the modern PGA tour. And I

0:43:34.000 --> 0:43:36.640
<v Speaker 9>feel like the PGA Tour is still running the Dean

0:43:36.680 --> 0:43:39.600
<v Speaker 9>Beaman playbook. It's worked all this time, and it continues

0:43:39.640 --> 0:43:45.240
<v Speaker 9>to seem almost invincible. And impenetrable to whatever comes along.

0:43:45.560 --> 0:43:48.040
<v Speaker 9>It's just a well oiled machine.

0:43:50.600 --> 0:43:53.719
<v Speaker 1>Now, whether the alterations Tode's original design were for the

0:43:53.760 --> 0:43:56.200
<v Speaker 1>best remains a topic of debate in the golf world,

0:43:56.600 --> 0:43:59.759
<v Speaker 1>one that breaks down along familiar lines. If you're a

0:43:59.800 --> 0:44:03.560
<v Speaker 1>competitive or score oriented golfer, if you prize fairness and

0:44:03.600 --> 0:44:06.760
<v Speaker 1>course design whatever that means, you'll likely see the changes

0:44:06.800 --> 0:44:11.239
<v Speaker 1>as positive, even necessary. Others may argue that fairness is

0:44:11.280 --> 0:44:14.200
<v Speaker 1>an irrelevant concern, especially when everyone is competing on the

0:44:14.200 --> 0:44:17.000
<v Speaker 1>same course. These people may wish that more of the

0:44:17.080 --> 0:44:21.480
<v Speaker 1>rugged quirk of Die's original design had been preserved. Tom

0:44:21.520 --> 0:44:23.680
<v Speaker 1>Doak takes a fairly diplomatic view.

0:44:24.600 --> 0:44:26.560
<v Speaker 2>I don't know if he can say the changes made

0:44:26.600 --> 0:44:29.640
<v Speaker 2>the course better or worse. You know, it's all it's

0:44:29.640 --> 0:44:32.040
<v Speaker 2>all a matter of opinion, and it's all your perspective

0:44:32.080 --> 0:44:34.640
<v Speaker 2>on what the objective of the course should try to be.

0:44:35.200 --> 0:44:39.000
<v Speaker 2>To me, it just made it different than the original intention,

0:44:39.560 --> 0:44:42.520
<v Speaker 2>you know, in terms of how much pressure it put

0:44:42.520 --> 0:44:45.759
<v Speaker 2>on the players to hit good shots consistently through the

0:44:45.800 --> 0:44:49.520
<v Speaker 2>golf course. But you know, the bottom line is, you know,

0:44:49.600 --> 0:44:52.600
<v Speaker 2>pros don't like shooting seventy five when they have an

0:44:52.600 --> 0:44:55.360
<v Speaker 2>average to poor day. You know, they don't mind not

0:44:55.400 --> 0:44:57.520
<v Speaker 2>shooting sixty seven all the time, but they don't. They

0:44:57.560 --> 0:44:59.560
<v Speaker 2>don't want the numbers to get up there and the

0:44:59.600 --> 0:45:02.160
<v Speaker 2>TPS see when you were having a bad day there

0:45:02.320 --> 0:45:04.160
<v Speaker 2>darnwell reflected it on the scorecard.

0:45:06.280 --> 0:45:09.600
<v Speaker 1>In a sense, Alice Stye's prediction had come true. But

0:45:09.680 --> 0:45:12.719
<v Speaker 1>it wasn't Dean Beeman specifically who came into conflict with

0:45:12.719 --> 0:45:15.759
<v Speaker 1>her husband. It was the players, and they had the

0:45:15.840 --> 0:45:19.399
<v Speaker 1>last word. At some point, perhaps during that walk around

0:45:19.440 --> 0:45:22.600
<v Speaker 1>TPC Sagrass with the committee in nineteen eighty three, he

0:45:22.680 --> 0:45:29.080
<v Speaker 1>must have recognized that fact. After his triumph at the

0:45:29.080 --> 0:45:32.640
<v Speaker 1>eighty two Players, Jerry Pate was living large.

0:45:32.160 --> 0:45:33.400
<v Speaker 4>And I had a ten year exemption.

0:45:33.520 --> 0:45:35.560
<v Speaker 10>It was a big deal. The most money anybody.

0:45:35.200 --> 0:45:38.440
<v Speaker 4>Had ever won, ninety thousand dollars, a lot of endorsements,

0:45:38.760 --> 0:45:38.920
<v Speaker 4>you know.

0:45:39.040 --> 0:45:39.719
<v Speaker 10>Life was great.

0:45:39.719 --> 0:45:41.920
<v Speaker 4>To have my own private plane. Jack and Arnold and

0:45:41.920 --> 0:45:43.920
<v Speaker 4>I were the only three players had a private plane

0:45:43.920 --> 0:45:46.600
<v Speaker 4>on the tour at that time. And I was twenty eight,

0:45:46.760 --> 0:45:49.080
<v Speaker 4>you know, in pretty big tall cotton, I guess you

0:45:49.120 --> 0:45:50.719
<v Speaker 4>could say for a Southern boy.

0:45:51.200 --> 0:45:52.680
<v Speaker 10>And then in one swing.

0:45:52.360 --> 0:45:54.600
<v Speaker 4>In the first of June that was kind of into

0:45:54.600 --> 0:45:56.400
<v Speaker 4>my golfing competitive career.

0:45:56.960 --> 0:45:59.640
<v Speaker 1>He was on the driving range at Pensacola preparing for

0:45:59.680 --> 0:46:02.400
<v Speaker 1>the Open, and by practicing one iron stingers into the

0:46:02.440 --> 0:46:05.720
<v Speaker 1>wind off of hard ground on one swing, he felt

0:46:05.719 --> 0:46:09.360
<v Speaker 1>his left shoulder pop, and that injury turned Jerry Pate

0:46:09.400 --> 0:46:12.719
<v Speaker 1>into one of golf's great what if stories. He never

0:46:12.760 --> 0:46:15.960
<v Speaker 1>won again on the PGA Tour, but he stayed in

0:46:16.000 --> 0:46:18.840
<v Speaker 1>the golf business, eventually starting a course design firm of

0:46:18.880 --> 0:46:21.600
<v Speaker 1>his own. Over the years, he became close with Pete

0:46:21.640 --> 0:46:24.840
<v Speaker 1>and Alice Dye. Their friendship had begun in nineteen seventy

0:46:24.880 --> 0:46:27.120
<v Speaker 1>four when a twenty one year old Pate played the

0:46:27.120 --> 0:46:30.720
<v Speaker 1>World amateur at Teeth of the Dog. Today, his firm

0:46:30.760 --> 0:46:33.000
<v Speaker 1>looks after Teeth of the Dog and the other die

0:46:33.040 --> 0:46:34.719
<v Speaker 1>courses at Casada Compo.

0:46:34.920 --> 0:46:37.600
<v Speaker 4>As we've sort of taken on the role to keep

0:46:37.640 --> 0:46:42.759
<v Speaker 4>the integrity of the aesthetics of the architecture and agronomics there.

0:46:42.800 --> 0:46:44.879
<v Speaker 4>I go to Kasa Da Kamp, I'm going next week

0:46:44.920 --> 0:46:47.080
<v Speaker 4>down there. In fact, I go go down.

0:46:46.880 --> 0:46:47.440
<v Speaker 10>There a lot.

0:46:47.800 --> 0:46:50.240
<v Speaker 4>And so it's a great honor to have met Pete

0:46:50.280 --> 0:46:52.719
<v Speaker 4>Dye as a twenty one year old kid, and now

0:46:52.760 --> 0:46:55.120
<v Speaker 4>I'm sort of stepped in his place. At one of

0:46:55.160 --> 0:46:56.520
<v Speaker 4>his favorite places, and that's.

0:46:56.360 --> 0:46:56.959
<v Speaker 10>Where he died.

0:46:57.480 --> 0:47:00.400
<v Speaker 1>If you listen to the Fried Egg podcast, I already

0:47:00.440 --> 0:47:03.040
<v Speaker 1>know that Pete and Alice I are no longer with us.

0:47:03.880 --> 0:47:06.480
<v Speaker 1>Pete passed away in January at the age of ninety

0:47:06.520 --> 0:47:10.239
<v Speaker 1>five after a battle with Alzheimer's. Alice was ninety one

0:47:10.280 --> 0:47:14.840
<v Speaker 1>when she died in February of last year. They're longtime friends.

0:47:14.960 --> 0:47:18.239
<v Speaker 1>Like Dean Beaman, Vernon Kelly, and Jerry Pate tend to

0:47:18.280 --> 0:47:21.120
<v Speaker 1>speak about Pete and Alice in terms of both personal

0:47:21.320 --> 0:47:27.440
<v Speaker 1>and historical. Their generosity, their accomplishments, their eccentric, nomadic lifestyle,

0:47:27.840 --> 0:47:31.600
<v Speaker 1>their influence on a generation of architects, their commitment to

0:47:31.640 --> 0:47:33.480
<v Speaker 1>the game and to the craft.

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<v Speaker 4>They didn't build golf courses for the money. They built

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<v Speaker 4>golf course because because Alice was a great amateur player

0:47:40.160 --> 0:47:43.800
<v Speaker 4>in her own right, her husband was really a fine

0:47:43.840 --> 0:47:46.760
<v Speaker 4>amateur player, and they gave so much to the game.

0:47:47.800 --> 0:47:49.799
<v Speaker 4>I guess Alice was the first woman to sit on

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<v Speaker 4>the PGA of America board that I remember, and I

0:47:52.440 --> 0:47:55.799
<v Speaker 4>know she was head of the Architects Society.

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<v Speaker 10>I mean they were for a woman. She did on.

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<v Speaker 4>Incredible things in our man's world and of course Pete

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<v Speaker 4>was a legend.

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<v Speaker 3>Oh my god.

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<v Speaker 4>You know the stories Pete used to tell me about

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<v Speaker 4>how he got fired by Augy Bush or fired by

0:48:09.760 --> 0:48:11.000
<v Speaker 4>herb Cooher and then they'd.

0:48:10.880 --> 0:48:13.359
<v Speaker 10>Hire him back. And I'm sure Dean wanted to fire ms.

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<v Speaker 10>He was quite a character.

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<v Speaker 3>You know.

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<v Speaker 4>And you couldn't help beloved Pete Dye and Alice was

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<v Speaker 4>just gosh, she was the salt of the earth. She

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<v Speaker 4>was like a mother to me, I'll tell you. And

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<v Speaker 4>so I dearly miss him both. I dearly miss him both.

0:48:34.840 --> 0:48:37.799
<v Speaker 1>This was the fourth episode of Frida Egg Stories. It

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<v Speaker 1>was created and hosted by me Garrett Morrison, with mixing

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<v Speaker 1>and engineering from Jay Eric. Our executive producer is Andy Johnson.

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<v Speaker 1>Thanks for listening.