WEBVTT - "Wayne's World -Comedic Advice from Wayne Federman"

0:00:02.520 --> 0:00:03.640
<v Speaker 1>Comedy Saved Me.

0:00:03.800 --> 0:00:05.320
<v Speaker 2>This is what I love about stand up.

0:00:05.440 --> 0:00:10.479
<v Speaker 3>It's a very communal activity that you get to share

0:00:10.640 --> 0:00:11.480
<v Speaker 3>with the audience.

0:00:11.600 --> 0:00:14.840
<v Speaker 1>I'm Len Hoffman, and welcome to the Comedy Save Me Podcast,

0:00:14.880 --> 0:00:18.800
<v Speaker 1>where we explore the power of the punchline. Joining us today,

0:00:19.160 --> 0:00:23.079
<v Speaker 1>can't even believe it is a stand up comedian, an actor, producer, author,

0:00:23.400 --> 0:00:27.520
<v Speaker 1>comedy writer, comedy historian. Oh yeah, also on the side,

0:00:27.520 --> 0:00:32.960
<v Speaker 1>a musician, an adjunct professor, and dabbler of podcasts. You've

0:00:32.960 --> 0:00:36.519
<v Speaker 1>seen him in shows over the decades, from Baywatch and

0:00:36.760 --> 0:00:40.159
<v Speaker 1>X Files to Curb Your Enthusiasm. It's always Sonny in Philadelphia,

0:00:40.240 --> 0:00:43.440
<v Speaker 1>Silicon Valley Dummy. I could go on here for the

0:00:43.440 --> 0:00:46.879
<v Speaker 1>whole hour, but I digress. We are going to be

0:00:46.920 --> 0:00:51.360
<v Speaker 1>speaking with the Emmy winning amazing man known as Wayne

0:00:51.360 --> 0:01:01.480
<v Speaker 1>Fetterman next on Comedy Save Me, Don't Move Comedy Saved Me. Right,

0:01:01.520 --> 0:01:03.880
<v Speaker 1>he feels like he's part of your family. If he

0:01:03.880 --> 0:01:05.800
<v Speaker 1>feels like he's part of your family, that's because he

0:01:06.319 --> 0:01:08.480
<v Speaker 1>really he really is. I mean, you've literally seen this

0:01:08.600 --> 0:01:11.720
<v Speaker 1>man in every television show, movie, and commercials since the

0:01:11.760 --> 0:01:15.400
<v Speaker 1>early seventies. Comedy or drama, take your pick. All right,

0:01:15.440 --> 0:01:17.280
<v Speaker 1>it may sound like I'm exaggerating a little bit, but

0:01:17.280 --> 0:01:19.600
<v Speaker 1>I feel like I can refer to him as a

0:01:19.680 --> 0:01:25.040
<v Speaker 1>prolific and expert comedic entertainer who once had Jimmy Fallon

0:01:25.120 --> 0:01:29.120
<v Speaker 1>as his opening act. Wayne Fetterman, Welcome to Comedy Save Me.

0:01:29.160 --> 0:01:30.880
<v Speaker 1>It's true honor to have you here today.

0:01:31.160 --> 0:01:34.800
<v Speaker 3>Well, thank you. You know, yes, I was doing comedy

0:01:34.840 --> 0:01:38.160
<v Speaker 3>in junior high school in the early seventies, but I'm

0:01:38.240 --> 0:01:42.120
<v Speaker 3>not quite that all that. I was born in the

0:01:42.160 --> 0:01:45.520
<v Speaker 3>forties or something, But thank you. Thank you for the introduction.

0:01:45.760 --> 0:01:47.400
<v Speaker 3>Very flattering. I love it.

0:01:47.400 --> 0:01:49.280
<v Speaker 1>It did sound that way. But you ever walk up

0:01:49.320 --> 0:01:51.760
<v Speaker 1>to somebody or see like a celebrity, even in your

0:01:51.760 --> 0:01:54.760
<v Speaker 1>own business, that comes by and you've seen them in

0:01:54.840 --> 0:01:58.440
<v Speaker 1>so many things, sometimes you don't realize it who you

0:01:58.440 --> 0:01:59.840
<v Speaker 1>think it is. You just think it's family, and so.

0:02:00.080 --> 0:02:04.400
<v Speaker 3>Course, yes, of course, yes, yes we have this, we

0:02:04.440 --> 0:02:06.760
<v Speaker 3>have this in common where you're like, I know, is

0:02:06.800 --> 0:02:07.720
<v Speaker 3>this a person?

0:02:08.000 --> 0:02:09.040
<v Speaker 2>Yeah?

0:02:09.120 --> 0:02:11.640
<v Speaker 1>Well, you are definitely the perfect guest for this show

0:02:11.639 --> 0:02:13.880
<v Speaker 1>because you've spent most of your life not just working

0:02:13.960 --> 0:02:17.040
<v Speaker 1>as an actor and comedian, but also teaching and studying

0:02:17.080 --> 0:02:20.120
<v Speaker 1>and writing about the fine art and history of stand

0:02:20.200 --> 0:02:23.280
<v Speaker 1>up comedy. As evidenced in your recent book The History

0:02:23.280 --> 0:02:27.080
<v Speaker 1>of Stand Up Congratulations, which also turned into a podcast.

0:02:27.720 --> 0:02:31.480
<v Speaker 1>Just to start us off, I'm curious in your studies

0:02:32.200 --> 0:02:37.239
<v Speaker 1>as a professor at USC adjunct, did you include your

0:02:37.240 --> 0:02:41.320
<v Speaker 1>studies in comedy about how it has healing powers for

0:02:41.400 --> 0:02:43.720
<v Speaker 1>both the givers of the comedy and the receivers, And

0:02:43.760 --> 0:02:46.560
<v Speaker 1>if so, what did you glean off of this album.

0:02:46.360 --> 0:02:47.440
<v Speaker 2>As a matter of fact, they didn't.

0:02:47.480 --> 0:02:50.360
<v Speaker 3>I just stuck mainly, I know the theme of this

0:02:50.440 --> 0:02:54.600
<v Speaker 3>show is the power of the comedy. I was more

0:02:54.800 --> 0:02:58.840
<v Speaker 3>just talking about its evolution and how it went from

0:02:58.919 --> 0:03:04.520
<v Speaker 3>a very small a part of variety shows to now

0:03:04.880 --> 0:03:07.400
<v Speaker 3>it is the show like it used to be. Just

0:03:07.440 --> 0:03:10.679
<v Speaker 3>like the monologists, that's what stand ups were called. We're

0:03:11.000 --> 0:03:14.280
<v Speaker 3>like part of a variety show. Even before Vaudeville they

0:03:14.320 --> 0:03:20.480
<v Speaker 3>were doing it, and then eventually people really started gravitating

0:03:20.639 --> 0:03:23.480
<v Speaker 3>towards what these people were saying. And I think it's

0:03:23.680 --> 0:03:29.600
<v Speaker 3>just the simplicity of one person standing on stage with

0:03:29.720 --> 0:03:34.079
<v Speaker 3>a microphone and just you get this view inside their

0:03:34.160 --> 0:03:38.400
<v Speaker 3>mind and they're basically tickling your mind.

0:03:38.760 --> 0:03:40.560
<v Speaker 2>They're not physically tickling.

0:03:40.200 --> 0:03:43.840
<v Speaker 3>You, but they're mentally tickling your mind with misdirections and

0:03:43.960 --> 0:03:48.640
<v Speaker 3>observations and you know, embarrassing stories that you might be

0:03:48.680 --> 0:03:52.200
<v Speaker 3>able to relate to. So it's a very This is

0:03:52.200 --> 0:03:55.840
<v Speaker 3>what I love about stand up. It's a very communal

0:03:56.280 --> 0:04:00.280
<v Speaker 3>activity that you get to share with the audience. And

0:04:00.320 --> 0:04:02.160
<v Speaker 3>I was just thinking about this the other day. I'm

0:04:02.160 --> 0:04:03.840
<v Speaker 3>going to go off just a little bit because I've

0:04:03.840 --> 0:04:06.720
<v Speaker 3>been thinking, like I was at a street fair the

0:04:06.760 --> 0:04:08.960
<v Speaker 3>other day and there was a band playing in one

0:04:09.000 --> 0:04:13.320
<v Speaker 3>of the shells and there was maybe two people watching

0:04:13.360 --> 0:04:16.960
<v Speaker 3>the band, but the band was cooking, and you could

0:04:17.040 --> 0:04:20.159
<v Speaker 3>have like the greatest guitar solo you ever do in

0:04:20.200 --> 0:04:23.039
<v Speaker 3>your life in front of one person or at sound

0:04:23.160 --> 0:04:26.799
<v Speaker 3>check or anything, but a stand up you need the audience,

0:04:27.000 --> 0:04:30.239
<v Speaker 3>you need the give and take. So it's that human

0:04:30.320 --> 0:04:33.719
<v Speaker 3>connection that really sets it apart from a lot of

0:04:33.760 --> 0:04:35.360
<v Speaker 3>the other art forms.

0:04:36.040 --> 0:04:37.839
<v Speaker 1>Yes, that is interesting, and you know it's funny you

0:04:37.880 --> 0:04:41.280
<v Speaker 1>said that. It almost is like even when you're one

0:04:41.320 --> 0:04:43.360
<v Speaker 1>on one with someone and they pull out a guitar

0:04:43.520 --> 0:04:46.919
<v Speaker 1>and they perform for you, it's it's still it's not

0:04:47.080 --> 0:04:50.120
<v Speaker 1>quite the same. It's not the same thing. Whether it's

0:04:51.080 --> 0:04:51.960
<v Speaker 1>does that make.

0:04:51.839 --> 0:04:55.120
<v Speaker 3>Sense, Like you're sitting on me, you because it's there's

0:04:55.160 --> 0:04:57.640
<v Speaker 3>a comedian named Dana Gould who would be a great

0:04:57.680 --> 0:05:00.839
<v Speaker 3>person to talk to on this podcast because he's a

0:05:00.960 --> 0:05:04.960
<v Speaker 3>very deep thinker, super hilarious, funnier than I am.

0:05:05.040 --> 0:05:07.360
<v Speaker 2>And it's just like it's just great.

0:05:07.520 --> 0:05:10.400
<v Speaker 3>And he's dealt with like kind of little more mental

0:05:10.440 --> 0:05:13.520
<v Speaker 3>health issues than I have. And he said that stand

0:05:13.600 --> 0:05:17.680
<v Speaker 3>up is a conversation, but only one person is talking.

0:05:19.000 --> 0:05:20.800
<v Speaker 1>Wow, that would be really hard for me because I

0:05:20.880 --> 0:05:27.880
<v Speaker 1>love to talk obviously. Can you pinpoint, Wanne the moment

0:05:27.920 --> 0:05:30.880
<v Speaker 1>when you realized that comedy wasn't just something that you enjoyed,

0:05:30.880 --> 0:05:32.920
<v Speaker 1>but it was something that you needed in your life.

0:05:33.400 --> 0:05:35.120
<v Speaker 1>Clearly you needed it.

0:05:35.720 --> 0:05:40.160
<v Speaker 2>Well, I don't know, this was my thing.

0:05:40.240 --> 0:05:46.920
<v Speaker 3>My thing was I enjoyed the attention, the affirmation. Even

0:05:46.960 --> 0:05:48.920
<v Speaker 3>when I was in high school, I was a funny

0:05:49.000 --> 0:05:51.800
<v Speaker 3>kid and that's when this whole dream started for me.

0:05:51.880 --> 0:05:54.440
<v Speaker 2>Really, And there.

0:05:54.279 --> 0:05:56.720
<v Speaker 3>Were other funny kids in high school, but they were

0:05:56.839 --> 0:06:03.719
<v Speaker 3>very disruptive, and my goal as a class comedian or

0:06:03.720 --> 0:06:07.440
<v Speaker 3>something was to make the teachers laugh as well as

0:06:07.440 --> 0:06:10.119
<v Speaker 3>the students. It was easy to make the students laugh.

0:06:10.720 --> 0:06:14.640
<v Speaker 3>You could just be you know, incorrigible against the you know,

0:06:14.760 --> 0:06:15.360
<v Speaker 3>the authority.

0:06:15.360 --> 0:06:15.720
<v Speaker 2>Figure.

0:06:15.920 --> 0:06:18.560
<v Speaker 3>But if I could get the teachers to laugh as well,

0:06:19.120 --> 0:06:21.440
<v Speaker 3>I was like, Okay, now at least I know I

0:06:21.600 --> 0:06:25.599
<v Speaker 3>have like a an aptitude for this world, and like,

0:06:25.920 --> 0:06:27.960
<v Speaker 3>let me give this, let me give this a shot.

0:06:28.000 --> 0:06:31.359
<v Speaker 3>And many teachers encouraged me. But it wasn't like like

0:06:31.440 --> 0:06:33.520
<v Speaker 3>the name of your podcast really makes me laugh. It

0:06:34.080 --> 0:06:37.520
<v Speaker 3>makes it sound like, Oh, I was an accountant and

0:06:37.720 --> 0:06:41.560
<v Speaker 3>I was this drudgery and one night I did a

0:06:41.600 --> 0:06:44.440
<v Speaker 3>knock knock joke to a colleague and I laughed and

0:06:44.480 --> 0:06:45.360
<v Speaker 3>it saved my life.

0:06:45.440 --> 0:06:48.479
<v Speaker 2>It's not quite like that, but I did want to

0:06:48.600 --> 0:06:52.000
<v Speaker 2>lead a creative life. That was lynn that was my goal.

0:06:52.640 --> 0:06:55.600
<v Speaker 1>Well it's you know, it's funny. You said that the

0:06:55.640 --> 0:06:58.280
<v Speaker 1>funny ones were disruptive and you wanted to make the

0:06:58.360 --> 0:07:01.280
<v Speaker 1>teacher laugh. The disrupt ones were probably the ones that

0:07:01.320 --> 0:07:03.640
<v Speaker 1>were just so bored. That's all they wanted to do

0:07:03.760 --> 0:07:06.320
<v Speaker 1>was disrupt. I love that you wanted to make the

0:07:06.360 --> 0:07:09.080
<v Speaker 1>teacher laugh, because a gets you out of having to

0:07:09.080 --> 0:07:10.840
<v Speaker 1>study because they're laughing so hard.

0:07:10.840 --> 0:07:11.800
<v Speaker 2>I used to do that to my mom.

0:07:11.920 --> 0:07:13.520
<v Speaker 1>We had to go to bed. I try to make

0:07:13.520 --> 0:07:14.880
<v Speaker 1>her laugh so we could stay up later.

0:07:16.080 --> 0:07:18.680
<v Speaker 2>Oh I say, yeah, yeah, yeah, yeah.

0:07:18.200 --> 0:07:20.520
<v Speaker 1>Yeah, all my friends who are super super smart, they

0:07:20.520 --> 0:07:22.679
<v Speaker 1>were the disruptors.

0:07:22.360 --> 0:07:24.880
<v Speaker 3>And believe it or not, a lot of those disruptor

0:07:25.320 --> 0:07:27.040
<v Speaker 3>kids also became stand ups.

0:07:27.480 --> 0:07:30.320
<v Speaker 1>Yeah, you're trying to say that you were stupid or something,

0:07:30.560 --> 0:07:31.360
<v Speaker 1>because I wasn't.

0:07:31.360 --> 0:07:35.440
<v Speaker 2>My point I was, I was not trying to know.

0:07:35.600 --> 0:07:39.960
<v Speaker 3>I'm saying that that you could also be like a juvenile,

0:07:39.960 --> 0:07:42.280
<v Speaker 3>delinquent comedian and as well.

0:07:43.160 --> 0:07:45.720
<v Speaker 2>And but I unlike.

0:07:45.760 --> 0:07:48.560
<v Speaker 3>I feel like a lot of stand ups that I

0:07:48.640 --> 0:07:53.280
<v Speaker 3>talked to hated school, and I didn't. I really I

0:07:53.520 --> 0:07:56.640
<v Speaker 3>liked learning and I liked the community of it all.

0:07:56.960 --> 0:07:59.240
<v Speaker 3>But that might have to be because I came from

0:07:59.240 --> 0:08:01.800
<v Speaker 3>a very tense house sold so it was like, oh,

0:08:01.840 --> 0:08:04.000
<v Speaker 3>this is a place where I can really get some

0:08:04.960 --> 0:08:08.040
<v Speaker 3>you know, affirmation and community and things like that.

0:08:08.480 --> 0:08:10.400
<v Speaker 2>So it's weird. It's weird.

0:08:11.240 --> 0:08:11.960
<v Speaker 1>That's interesting.

0:08:13.400 --> 0:08:14.160
<v Speaker 2>Yes, it isn't.

0:08:14.240 --> 0:08:16.000
<v Speaker 1>How many siblings in the family do we have.

0:08:16.160 --> 0:08:17.960
<v Speaker 2>It's a lot. It's very kind. I don't think we

0:08:18.000 --> 0:08:19.640
<v Speaker 2>have enough time to go through the whole thing.

0:08:19.680 --> 0:08:23.800
<v Speaker 3>But basically there was four kids. I was the youngest,

0:08:24.560 --> 0:08:27.480
<v Speaker 3>and then my father died very young, never knew him,

0:08:28.120 --> 0:08:31.160
<v Speaker 3>and then my mom remarried four years later and had

0:08:31.160 --> 0:08:33.720
<v Speaker 3>two other kids. So I have step siblings, but I

0:08:33.800 --> 0:08:36.280
<v Speaker 3>just think of them as full brothers, sisters. It's not like,

0:08:36.520 --> 0:08:39.240
<v Speaker 3>oh yeah yeah, because I never knew my dad, so

0:08:40.080 --> 0:08:43.280
<v Speaker 3>and so it was a pretty big family, and you

0:08:43.320 --> 0:08:48.760
<v Speaker 3>know I needed attention apparently, well I couldn't get it yet.

0:08:48.840 --> 0:08:51.080
<v Speaker 1>No, that makes that makes a lot of sense. And

0:08:51.200 --> 0:08:53.640
<v Speaker 1>you know, it's so interesting that you say, that's exact

0:08:53.640 --> 0:08:57.560
<v Speaker 1>same story of my husband. He was sixteen. But still,

0:08:57.600 --> 0:09:00.160
<v Speaker 1>it's really a hard thing when you don't know your

0:09:00.160 --> 0:09:02.960
<v Speaker 1>father and didn't ever get to meet him. And it

0:09:03.000 --> 0:09:05.280
<v Speaker 1>says a lot about who you are today too.

0:09:05.200 --> 0:09:08.000
<v Speaker 3>That I like the way you in the middle of this,

0:09:08.040 --> 0:09:09.520
<v Speaker 3>you have to brag that you got married.

0:09:09.559 --> 0:09:10.079
<v Speaker 2>It's fun.

0:09:10.559 --> 0:09:14.480
<v Speaker 1>Oh well I stopped him for years, so did he

0:09:14.600 --> 0:09:15.040
<v Speaker 1>gave in?

0:09:16.120 --> 0:09:18.000
<v Speaker 2>Are you warmed down? I love it? I love it.

0:09:18.000 --> 0:09:18.560
<v Speaker 2>I love it.

0:09:18.800 --> 0:09:21.960
<v Speaker 1>Was there a specific a set or show or comedic

0:09:22.200 --> 0:09:24.960
<v Speaker 1>moment where you felt like you finally belonged somewhere and

0:09:25.000 --> 0:09:28.040
<v Speaker 1>you knew this was where you needed to be because

0:09:28.040 --> 0:09:31.800
<v Speaker 1>you've done so much. It's absolutely incredible and mind boggling

0:09:31.800 --> 0:09:34.679
<v Speaker 1>when I go through your sizzle reel. Yeah, how much

0:09:34.679 --> 0:09:35.480
<v Speaker 1>stuff you have done?

0:09:36.120 --> 0:09:40.079
<v Speaker 2>Thank you, thank you. No, it's so somebody, Yeah, I

0:09:40.559 --> 0:09:41.000
<v Speaker 2>look at it.

0:09:41.120 --> 0:09:43.679
<v Speaker 3>I was just trying to get the next thing, like

0:09:43.840 --> 0:09:46.199
<v Speaker 3>in the whole run of it. And I am, by

0:09:46.280 --> 0:09:49.400
<v Speaker 3>no means like a famous comedian. I'm a working comedian.

0:09:49.679 --> 0:09:53.040
<v Speaker 3>And so there's a slight difference in that. Was there

0:09:53.080 --> 0:09:54.920
<v Speaker 3>a moment can you ask that question again? Was there

0:09:54.920 --> 0:09:57.320
<v Speaker 3>a moment I felt like I belonged.

0:09:57.559 --> 0:10:00.640
<v Speaker 1>That you belonged, like that you had found your niche

0:10:01.200 --> 0:10:03.040
<v Speaker 1>outside the high school with the teacher.

0:10:03.120 --> 0:10:07.040
<v Speaker 3>Yeah, yeah, that side of making missus Forresburg laugh.

0:10:07.679 --> 0:10:12.040
<v Speaker 2>Wow, let me think. Yeah, I would say.

0:10:12.440 --> 0:10:15.240
<v Speaker 3>I would say when I was there was like a

0:10:15.280 --> 0:10:18.200
<v Speaker 3>comedy club that I developed at in New York City

0:10:18.480 --> 0:10:22.200
<v Speaker 3>called the Comic Strip. And when I started doing like

0:10:22.360 --> 0:10:25.800
<v Speaker 3>weekend sets, which were the prime sets you could get there,

0:10:26.480 --> 0:10:29.240
<v Speaker 3>and was doing very well.

0:10:29.320 --> 0:10:30.199
<v Speaker 2>On those sets.

0:10:30.480 --> 0:10:34.319
<v Speaker 3>I was playing the ukulele, I was just doing silly stuff,

0:10:34.840 --> 0:10:38.400
<v Speaker 3>and I was like, Oh, I think I can. I

0:10:38.440 --> 0:10:41.880
<v Speaker 3>think I can do this because I gave myself ten years.

0:10:41.880 --> 0:10:45.120
<v Speaker 3>I gave myself my thirties before I would even think

0:10:45.840 --> 0:10:49.320
<v Speaker 3>of assessing whether this could be a career. I was like,

0:10:49.360 --> 0:10:51.680
<v Speaker 3>I'm going to give up my ex year until thirty.

0:10:51.880 --> 0:10:55.440
<v Speaker 3>So my entire twenties, I would give up and to

0:10:55.480 --> 0:10:59.400
<v Speaker 3>pursue this as fully as I could. And then and

0:10:59.440 --> 0:11:03.160
<v Speaker 3>by the my time as twenty seven or twenty eight,

0:11:03.480 --> 0:11:05.440
<v Speaker 3>it was like making a living. I paid off my

0:11:05.480 --> 0:11:09.400
<v Speaker 3>student loan all doing comedy. So I was like, oh,

0:11:09.520 --> 0:11:11.679
<v Speaker 3>I guess I'm part of it. It's so funny you

0:11:11.760 --> 0:11:14.600
<v Speaker 3>keep asking for these specific moments. And to me, it

0:11:14.640 --> 0:11:19.760
<v Speaker 3>was more like a rolling rock kind of thing.

0:11:19.559 --> 0:11:22.040
<v Speaker 2>That just like just kept pushing it.

0:11:22.120 --> 0:11:25.920
<v Speaker 3>Yes, like momentum was going and there'd be setbacks and

0:11:26.000 --> 0:11:28.920
<v Speaker 3>the rock would roll back over me and I keep going,

0:11:29.000 --> 0:11:33.040
<v Speaker 3>and you know, so there really wasn't like, oh my god,

0:11:33.080 --> 0:11:37.120
<v Speaker 3>this one moment I'm performing and George Carlin was in

0:11:37.160 --> 0:11:38.800
<v Speaker 3>the crowd and he put his arm around me.

0:11:39.080 --> 0:11:40.160
<v Speaker 2>There was nothing like that.

0:11:40.520 --> 0:11:40.600
<v Speaker 4>No.

0:11:40.720 --> 0:11:42.679
<v Speaker 1>I mean, like I saw pictures of you with one

0:11:42.679 --> 0:11:45.720
<v Speaker 1>of my idols as a kid growing up, Bob Hope

0:11:46.240 --> 0:11:49.360
<v Speaker 1>and Gary Shanling and Steve Carella. I mean, like you're

0:11:49.440 --> 0:11:51.920
<v Speaker 1>just going one on one with the biggest names. And

0:11:51.960 --> 0:11:53.360
<v Speaker 1>to me, by the way, you said you weren't a

0:11:53.360 --> 0:11:56.760
<v Speaker 1>famous comedian, you are a famous comedian. I think you've

0:11:56.800 --> 0:11:59.880
<v Speaker 1>just been so busy working you haven't realized who you are.

0:12:00.240 --> 0:12:02.400
<v Speaker 2>Okay, you might be right. You might be right. I

0:12:02.480 --> 0:12:04.240
<v Speaker 2>doubt it, but thank you for saying that.

0:12:04.920 --> 0:12:08.920
<v Speaker 1>No, but what gave you that that gumption to continue

0:12:08.960 --> 0:12:12.480
<v Speaker 1>to pursue each new role? I mean it. I'm not

0:12:12.559 --> 0:12:16.120
<v Speaker 1>exaggerating when I say, if you go to Waynefetterman dot

0:12:16.120 --> 0:12:19.200
<v Speaker 1>com at the d R M A N you will

0:12:19.240 --> 0:12:21.960
<v Speaker 1>just be amazed. You were part of every part of

0:12:22.000 --> 0:12:22.720
<v Speaker 1>my life. Wayne.

0:12:23.120 --> 0:12:25.439
<v Speaker 2>This is all right, now, don't make me blush.

0:12:25.760 --> 0:12:26.960
<v Speaker 1>I'm fangirling on you.

0:12:28.160 --> 0:12:31.080
<v Speaker 3>It's not going to go well for me, all right.

0:12:31.960 --> 0:12:36.440
<v Speaker 3>So what was your question? When did I know what?

0:12:37.200 --> 0:12:37.480
<v Speaker 1>Well?

0:12:37.559 --> 0:12:40.520
<v Speaker 2>All right, it's just overwhelmed by the compliment. So I'm sorry.

0:12:40.559 --> 0:12:42.120
<v Speaker 1>Yeah, I know I tend to do that. I didn't

0:12:42.160 --> 0:12:43.600
<v Speaker 1>mean to throw you off.

0:12:44.679 --> 0:12:46.959
<v Speaker 2>Let's just move on. Okay, okay, okay.

0:12:47.360 --> 0:12:52.040
<v Speaker 1>How has your relationship with comedy changed over the years?

0:12:53.520 --> 0:12:56.320
<v Speaker 3>Do you ask these questions that are that have built

0:12:56.320 --> 0:12:59.400
<v Speaker 3>in assumptions in them that I don't know if I

0:12:59.440 --> 0:13:01.880
<v Speaker 3>agree with the built into something. Let me think about it.

0:13:02.600 --> 0:13:07.800
<v Speaker 3>My relationship with comedy, Oh my god, I'd never even

0:13:07.880 --> 0:13:11.200
<v Speaker 3>think of being in a relationship with comedy. I just

0:13:11.400 --> 0:13:14.880
<v Speaker 3>feel like, oh, I had an aptitude for this as

0:13:14.920 --> 0:13:19.800
<v Speaker 3>a kid, I pursued it because I just loved the

0:13:19.920 --> 0:13:22.920
<v Speaker 3>idea of it the first time, even in high school,

0:13:22.920 --> 0:13:26.400
<v Speaker 3>and I went to I'm from Florida. I'm like from nowhere,

0:13:26.440 --> 0:13:30.520
<v Speaker 3>from a place called this is embarrassing, Plantation, Florida.

0:13:30.679 --> 0:13:34.439
<v Speaker 1>I know, Plantation, Florida, you know, yeah.

0:13:34.040 --> 0:13:34.680
<v Speaker 2>Oh my god.

0:13:34.880 --> 0:13:39.400
<v Speaker 3>So anyway, I'm from Plantation. It's kind of an embarrassing name.

0:13:39.800 --> 0:13:42.439
<v Speaker 3>And I went to South Plantation High School. I'm from

0:13:42.440 --> 0:13:45.959
<v Speaker 3>the less progressive part, the south part of a place

0:13:46.000 --> 0:13:49.160
<v Speaker 3>called Plantation. There's a south part of Plantation. Eye, yes,

0:13:49.240 --> 0:13:51.440
<v Speaker 3>that's what south. I went to South Plantation High School.

0:13:52.280 --> 0:13:56.560
<v Speaker 3>So it's just so funny. I know, it's ridiculous.

0:13:56.600 --> 0:13:57.520
<v Speaker 2>It's ridiculous.

0:13:57.640 --> 0:14:00.920
<v Speaker 3>But they had this, oh my god, I wish I

0:14:00.920 --> 0:14:03.120
<v Speaker 3>could remember the name of it, but like at the

0:14:03.480 --> 0:14:06.960
<v Speaker 3>in the guidance counselor's office, like this book of possible

0:14:07.080 --> 0:14:10.800
<v Speaker 3>professions and it was like numerous books and you would

0:14:10.880 --> 0:14:14.000
<v Speaker 3>read it as a doctor, you know, had to do

0:14:14.200 --> 0:14:17.400
<v Speaker 3>ant caesiologist if he didn't want to be a full doctor.

0:14:17.600 --> 0:14:22.280
<v Speaker 3>Thing and nurse assistant whatever, construction manager stuff.

0:14:22.720 --> 0:14:25.880
<v Speaker 2>And one of them was entertained. Literally, they had like entertainer.

0:14:25.960 --> 0:14:28.920
<v Speaker 3>They didn't say stand up comedian, but they you know,

0:14:29.480 --> 0:14:32.760
<v Speaker 3>and I was reading about it, I was like, oh, this,

0:14:32.760 --> 0:14:36.479
<v Speaker 3>this is actually a career. And then once I realized

0:14:36.520 --> 0:14:41.440
<v Speaker 3>that making people laugh could be a career, that's exactly

0:14:41.440 --> 0:14:42.280
<v Speaker 3>what I wanted to do.

0:14:42.400 --> 0:14:45.280
<v Speaker 2>And I just did two things. I did stand up.

0:14:45.360 --> 0:14:48.120
<v Speaker 3>And I wanted to be a good comedic actor like

0:14:48.200 --> 0:14:51.240
<v Speaker 3>in commercials, which I also was able to knock on

0:14:51.320 --> 0:14:52.320
<v Speaker 3>wood achieve a little bit.

0:14:52.520 --> 0:14:55.640
<v Speaker 2>So that was my strategy.

0:14:55.680 --> 0:14:59.840
<v Speaker 3>So I don't know if I have a relationship with comedy, Yeah,

0:15:00.080 --> 0:15:03.160
<v Speaker 3>a relationship. Comedy hasn't called me quite a bit. I'm

0:15:03.200 --> 0:15:06.720
<v Speaker 3>getting desperate. I keep calling comedy on the weekend break up.

0:15:06.960 --> 0:15:10.440
<v Speaker 2>Yeah. Yeah, comedy broke my art several times.

0:15:11.440 --> 0:15:14.760
<v Speaker 3>Actually, comedy seeing another comedian it's really it's bad.

0:15:14.800 --> 0:15:16.200
<v Speaker 2>It's bad. I don't know why you would.

0:15:16.600 --> 0:15:18.960
<v Speaker 3>So I don't really think of it having a relationship

0:15:19.000 --> 0:15:24.400
<v Speaker 3>with it as more just I don't know, an absolute

0:15:24.480 --> 0:15:27.960
<v Speaker 3>affinity for it because it's the best. It's so human.

0:15:28.360 --> 0:15:31.640
<v Speaker 3>That's what I love about comedy is the human part

0:15:31.680 --> 0:15:34.800
<v Speaker 3>about it. It's like you're really it's part of the

0:15:34.920 --> 0:15:37.840
<v Speaker 3>human and it goes back way before staying you know,

0:15:37.920 --> 0:15:41.040
<v Speaker 3>I mean, as soon as there was even before then,

0:15:41.160 --> 0:15:44.880
<v Speaker 3>like in all of these societies, like you know Inca,

0:15:45.280 --> 0:15:48.880
<v Speaker 3>the Mexica that they all the Native Americans there was

0:15:48.920 --> 0:15:51.840
<v Speaker 3>always like a funny person and making life is part

0:15:51.880 --> 0:15:56.200
<v Speaker 3>of the human experience. So I'm just part of a

0:15:56.320 --> 0:15:59.760
<v Speaker 3>small part of this huge wave that's been part of

0:16:00.080 --> 0:16:00.640
<v Speaker 3>being alive.

0:16:01.160 --> 0:16:02.240
<v Speaker 2>It's part of being alive.

0:16:02.920 --> 0:16:05.760
<v Speaker 1>No, speaking of that, do you feel that people have

0:16:05.840 --> 0:16:08.800
<v Speaker 1>to be able to laugh at themselves in order to

0:16:09.080 --> 0:16:10.359
<v Speaker 1>be a good comedian.

0:16:11.960 --> 0:16:12.760
<v Speaker 2>I try not to.

0:16:13.240 --> 0:16:15.760
<v Speaker 3>Again, I'm like a bad person for this podcast because

0:16:15.800 --> 0:16:19.840
<v Speaker 3>I'm very much a nuanced guy for the most part. Lynn,

0:16:20.040 --> 0:16:24.000
<v Speaker 3>I do think, yes, I think, But I do know

0:16:24.080 --> 0:16:27.640
<v Speaker 3>comedians that are just like to are angry at the

0:16:27.680 --> 0:16:30.840
<v Speaker 3>world and have a comedic lens in which to vent

0:16:30.920 --> 0:16:34.080
<v Speaker 3>that anger. And I don't know if they have a

0:16:34.120 --> 0:16:36.880
<v Speaker 3>sense of humor about themselves. So I don't know if

0:16:36.920 --> 0:16:41.440
<v Speaker 3>that's true for me, Like that's I do self deprecating comedy.

0:16:41.600 --> 0:16:44.600
<v Speaker 1>So I'm always there is no better, There really is

0:16:44.640 --> 0:16:45.040
<v Speaker 1>no better.

0:16:45.120 --> 0:16:46.120
<v Speaker 2>Well, thank you, thank you.

0:16:46.160 --> 0:16:49.200
<v Speaker 3>I don't know if that's true, but yeah, so that's

0:16:49.240 --> 0:16:51.840
<v Speaker 3>what I try to do. But I can't speak on

0:16:51.920 --> 0:16:55.920
<v Speaker 3>behalf of other I can't speak on behalf of other comedians.

0:16:56.080 --> 0:16:59.960
<v Speaker 3>For myself, I like making fun of myself and so much.

0:17:00.120 --> 0:17:04.120
<v Speaker 3>He once said, that's like you just can't take your

0:17:04.320 --> 0:17:07.119
<v Speaker 3>you know, the whole thing is ridiculous. Anyway, when you

0:17:07.200 --> 0:17:10.199
<v Speaker 3>break down stand up, you're just like if there was

0:17:10.240 --> 0:17:12.560
<v Speaker 3>an alien who came down and went walked into a

0:17:12.600 --> 0:17:17.200
<v Speaker 3>comedy club and there's one person standing and everyone else

0:17:17.240 --> 0:17:20.080
<v Speaker 3>and then they're making these involuntary sounds and then once

0:17:20.080 --> 0:17:21.480
<v Speaker 3>in a while colapping like what.

0:17:21.520 --> 0:17:24.560
<v Speaker 2>Is happening here? Like why are these people?

0:17:25.040 --> 0:17:25.159
<v Speaker 1>What?

0:17:25.200 --> 0:17:29.720
<v Speaker 3>It's this weird ritual that's going on with you grunting

0:17:29.800 --> 0:17:34.240
<v Speaker 3>noises and things and screams, and like, okay, do you.

0:17:34.400 --> 0:17:38.560
<v Speaker 1>Do you love making people laugh? Do you love working

0:17:38.640 --> 0:17:41.280
<v Speaker 1>with other people that make you laugh? Is that sort

0:17:41.320 --> 0:17:44.719
<v Speaker 1>of part for the for your profession? You know?

0:17:44.880 --> 0:17:46.679
<v Speaker 3>I don't know if I use the word love, but

0:17:46.800 --> 0:17:53.399
<v Speaker 3>I do have an intense, intense attraction, no, a tense

0:17:54.040 --> 0:17:54.880
<v Speaker 3>pashion for it.

0:17:54.920 --> 0:17:55.159
<v Speaker 2>I do.

0:17:55.400 --> 0:17:59.200
<v Speaker 3>I do, I'd love Not only do I like doing comedy,

0:17:59.640 --> 0:18:03.720
<v Speaker 3>which is terrifying at times because when it's not going well,

0:18:03.840 --> 0:18:06.679
<v Speaker 3>not only do you know it the audience knows that

0:18:06.800 --> 0:18:09.960
<v Speaker 3>everyone in the room can feel it. It's not great,

0:18:10.520 --> 0:18:14.439
<v Speaker 3>it's not great, and I know, And so there's a

0:18:14.600 --> 0:18:17.280
<v Speaker 3>little bit of like you're on a tightrope up there

0:18:17.280 --> 0:18:19.920
<v Speaker 3>and you can fall and people can tell, and it's

0:18:20.280 --> 0:18:23.600
<v Speaker 3>you're a wallnda brother, all of a sudden, it's not good.

0:18:24.160 --> 0:18:24.920
<v Speaker 2>It's not good.

0:18:25.720 --> 0:18:28.000
<v Speaker 3>So I do love doing it, but I also love

0:18:28.080 --> 0:18:31.639
<v Speaker 3>watching it. And I know other comedians who don't watch

0:18:31.680 --> 0:18:33.080
<v Speaker 3>other don't watch comic.

0:18:33.720 --> 0:18:35.760
<v Speaker 2>They don't like it. They just want to think about

0:18:35.760 --> 0:18:36.359
<v Speaker 2>what they're doing.

0:18:37.119 --> 0:18:39.120
<v Speaker 1>Is it not because they don't want someone who's funnier

0:18:39.119 --> 0:18:40.880
<v Speaker 1>that they don't want to see someone who's funnier than them.

0:18:41.000 --> 0:18:43.959
<v Speaker 3>I think partly maybe that just like cause it's I

0:18:44.000 --> 0:18:46.840
<v Speaker 3>hate to say it, underneath all of this love of

0:18:46.920 --> 0:18:50.520
<v Speaker 3>comedy and elevated the stuff there is there's this huge

0:18:50.600 --> 0:18:54.639
<v Speaker 3>competition and suddenly, oh, that comedian's driving a Lamborghini and

0:18:54.680 --> 0:18:58.120
<v Speaker 3>I'm still with the camera over here. So it's there

0:18:58.160 --> 0:19:03.359
<v Speaker 3>is that part of its no question, no question, the

0:19:03.440 --> 0:19:06.240
<v Speaker 3>goals in comedy is to be big, like that's your

0:19:06.760 --> 0:19:09.920
<v Speaker 3>kind of your goal. And so it's very clear who

0:19:10.000 --> 0:19:13.439
<v Speaker 3>is selling out arenas and who is you know not

0:19:14.040 --> 0:19:16.640
<v Speaker 3>or playing smaller clubs or I don't even know if

0:19:16.640 --> 0:19:19.400
<v Speaker 3>you know this, not to get in the weeds too much.

0:19:19.440 --> 0:19:22.280
<v Speaker 3>But there's like A clubs and then what they call

0:19:22.359 --> 0:19:25.960
<v Speaker 3>B clubs and C clubs and that's and with each

0:19:26.080 --> 0:19:29.679
<v Speaker 3>letter it keeps getting worse, the kind of environment you

0:19:29.760 --> 0:19:33.800
<v Speaker 3>have to perform in front of. So so no, it's

0:19:34.200 --> 0:19:36.760
<v Speaker 3>and it's all getting laughs. It's all getting from the

0:19:36.800 --> 0:19:39.840
<v Speaker 3>open micer to Dave Chappelle, they're all doing the same

0:19:39.880 --> 0:19:43.320
<v Speaker 3>thing standing up there trying to get laughs using your

0:19:43.359 --> 0:19:47.160
<v Speaker 3>mind and your words and your thought, you know, comedic

0:19:47.200 --> 0:19:50.480
<v Speaker 3>ideas that you're presenting through your what I call a

0:19:50.480 --> 0:19:54.600
<v Speaker 3>specific comedy lens, like how you've see in the world. Yeah,

0:19:54.600 --> 0:19:57.320
<v Speaker 3>it's just like, oh, I see it focused tier. You're

0:19:57.359 --> 0:20:00.600
<v Speaker 3>looking there like I don't remember the.

0:20:00.600 --> 0:20:02.919
<v Speaker 1>Willing to you? What does it feel like to you

0:20:02.960 --> 0:20:04.680
<v Speaker 1>when you do that? Like have you ever have you

0:20:04.720 --> 0:20:06.800
<v Speaker 1>ever bombed and then had to recover?

0:20:07.800 --> 0:20:08.200
<v Speaker 2>Please?

0:20:08.920 --> 0:20:10.840
<v Speaker 1>Oh come on, give it to me please please?

0:20:11.680 --> 0:20:13.560
<v Speaker 3>Oh yeah, I mean I don't want to really, I

0:20:13.560 --> 0:20:16.280
<v Speaker 3>will tell you. The site of my worst show was

0:20:16.359 --> 0:20:20.719
<v Speaker 3>in Mechanicsburg, Pennsylvania, at a holiday inn. I don't want

0:20:20.760 --> 0:20:23.240
<v Speaker 3>to go into the details of it, but that's a hole.

0:20:23.440 --> 0:20:25.879
<v Speaker 3>That's how comedy almost killed me.

0:20:25.960 --> 0:20:28.119
<v Speaker 2>Should be your other podcast. Oh No, So it was

0:20:28.119 --> 0:20:30.400
<v Speaker 2>a very very I was devastating.

0:20:30.640 --> 0:20:34.879
<v Speaker 3>And some comedians have an ability like if it goes bad,

0:20:35.200 --> 0:20:37.960
<v Speaker 3>they'll turn on the audience because they're like, I'm not

0:20:38.000 --> 0:20:40.200
<v Speaker 3>going to be the one feeling bad about this. You're

0:20:40.240 --> 0:20:42.119
<v Speaker 3>going to be the one. I'm going to punish the crowd.

0:20:42.440 --> 0:20:48.560
<v Speaker 3>It's really interestingly, I was never like that. I was always, Oh,

0:20:48.720 --> 0:20:52.040
<v Speaker 3>this feels good, this means I'm not funny, or I

0:20:52.080 --> 0:20:54.040
<v Speaker 3>don't have the skills to do this, or I don't

0:20:54.080 --> 0:20:58.840
<v Speaker 3>have it tonight, and I will tap dance my way

0:20:58.880 --> 0:21:02.639
<v Speaker 3>through this the best I can put on a fake

0:21:02.720 --> 0:21:06.240
<v Speaker 3>smile that everyone sees as fake and try to power

0:21:06.280 --> 0:21:09.280
<v Speaker 3>through it. And but I try not to turn on

0:21:09.320 --> 0:21:12.520
<v Speaker 3>the crowd. I try as a rule, like I can't

0:21:12.560 --> 0:21:15.080
<v Speaker 3>even think of times I don't think I ever have.

0:21:15.800 --> 0:21:18.360
<v Speaker 3>And but that's a self defense mechanism for a lot

0:21:18.400 --> 0:21:20.040
<v Speaker 3>of comics that they don't.

0:21:20.080 --> 0:21:21.960
<v Speaker 2>They're like, I'm not going to feel bad.

0:21:22.160 --> 0:21:25.520
<v Speaker 3>You're going to feel bad because this isn't work even

0:21:25.520 --> 0:21:28.720
<v Speaker 3>if it is. The comedians anyway, very new I've.

0:21:28.720 --> 0:21:31.359
<v Speaker 1>An audience of that, you have I have I've seen

0:21:31.359 --> 0:21:34.200
<v Speaker 1>that happen before. Yeah, out in LA one time, it

0:21:34.280 --> 0:21:37.600
<v Speaker 1>was painful, like I cringed for the comedian and for

0:21:37.680 --> 0:21:41.840
<v Speaker 1>the audience because it was really difficult. And I give

0:21:41.880 --> 0:21:44.080
<v Speaker 1>you so much credit for just going back at it.

0:21:44.160 --> 0:21:46.800
<v Speaker 1>And so what keeps you going in this industry? How

0:21:46.880 --> 0:21:49.520
<v Speaker 1>have you been able to collect such an incredible resume?

0:21:49.720 --> 0:21:50.520
<v Speaker 2>Great question?

0:21:50.680 --> 0:21:53.920
<v Speaker 3>I think one of my skills I got a good

0:21:54.000 --> 0:21:56.080
<v Speaker 3>question after.

0:21:55.960 --> 0:21:59.800
<v Speaker 2>All this time without an assumption. Built in.

0:22:00.359 --> 0:22:04.399
<v Speaker 3>One of my skills besides being okay a comedy and

0:22:04.440 --> 0:22:09.120
<v Speaker 3>all of that, is I have an ability to recover

0:22:09.320 --> 0:22:10.120
<v Speaker 3>from rejection.

0:22:12.000 --> 0:22:13.320
<v Speaker 2>I have that bit.

0:22:13.520 --> 0:22:17.640
<v Speaker 3>It's not immediate, it's not like, oh whatever, that thing,

0:22:17.760 --> 0:22:20.679
<v Speaker 3>brush it off, like it takes the day or something

0:22:20.760 --> 0:22:24.240
<v Speaker 3>or maybe a few days. And if I have a

0:22:24.280 --> 0:22:28.800
<v Speaker 3>bad set, it's not I really don't feel completely whole

0:22:28.880 --> 0:22:32.160
<v Speaker 3>until I'm back on stage and had a reasonable set

0:22:32.280 --> 0:22:35.320
<v Speaker 3>after that. So but I do have the ability to

0:22:36.320 --> 0:22:40.640
<v Speaker 3>and I've had a lot of really very devastating rejections

0:22:40.680 --> 0:22:43.560
<v Speaker 3>and I'm just like, all right, this is part of this,

0:22:43.640 --> 0:22:46.600
<v Speaker 3>is it? No one No one owes you anything like

0:22:46.640 --> 0:22:49.440
<v Speaker 3>show business doesn't owe me a career at all.

0:22:49.640 --> 0:22:52.400
<v Speaker 2>There's no you know, no thing.

0:22:52.440 --> 0:22:57.600
<v Speaker 3>There's no guys weighing out, oh what's fair or anything

0:22:57.640 --> 0:23:02.000
<v Speaker 3>like that. So that would be to answer your one

0:23:02.040 --> 0:23:04.080
<v Speaker 3>good question this entire IM kidding.

0:23:04.080 --> 0:23:04.600
<v Speaker 2>I'm kidding.

0:23:05.240 --> 0:23:13.080
<v Speaker 3>To answer your I would say my ability to handle yes, yeah.

0:23:13.280 --> 0:23:15.119
<v Speaker 1>All right. I got another follow up on that. If

0:23:15.160 --> 0:23:15.639
<v Speaker 1>you're okay with.

0:23:15.760 --> 0:23:17.720
<v Speaker 2>Course, I love it. Let's follow up.

0:23:17.920 --> 0:23:20.280
<v Speaker 1>The follow up is, what would you say to a

0:23:20.320 --> 0:23:23.879
<v Speaker 1>young person who's getting into the industry, who has a

0:23:23.920 --> 0:23:27.280
<v Speaker 1>difficult time dealing with rejection or you know that they're

0:23:27.320 --> 0:23:30.680
<v Speaker 1>heading in that direction. What would you say to them?

0:23:30.680 --> 0:23:36.040
<v Speaker 1>What kind of advice, words of wisdom? Sage adjunct professor.

0:23:39.320 --> 0:23:39.879
<v Speaker 2>That's good.

0:23:40.119 --> 0:23:41.000
<v Speaker 1>What would you say?

0:23:41.200 --> 0:23:44.160
<v Speaker 3>I would try again, I try not like I feel

0:23:44.200 --> 0:23:47.840
<v Speaker 3>like everyone's on their own path and their own way,

0:23:47.960 --> 0:23:50.600
<v Speaker 3>and just because I did it this way doesn't mean

0:23:50.880 --> 0:23:55.560
<v Speaker 3>that'll work because obviously the industry changes a little every day.

0:23:55.800 --> 0:24:00.159
<v Speaker 3>Obviously it's way different now than when I started. I

0:24:00.160 --> 0:24:08.479
<v Speaker 3>would just say, you know, keep creating. I know, not

0:24:08.520 --> 0:24:10.359
<v Speaker 3>to take a person I don't know, I don't know,

0:24:10.520 --> 0:24:12.480
<v Speaker 3>I don't know. Well, this is this is what's coming

0:24:12.520 --> 0:24:15.359
<v Speaker 3>into my head. Is a sidebark, because I really feel

0:24:15.359 --> 0:24:21.040
<v Speaker 3>like younger people have way better connection and ability and

0:24:21.280 --> 0:24:27.200
<v Speaker 3>tools to deal with negative feedback because of the Internet. Like,

0:24:27.400 --> 0:24:30.760
<v Speaker 3>I know people that like, they think it's funny when

0:24:30.760 --> 0:24:36.399
<v Speaker 3>they get hate comments on their TikTok or x videos

0:24:36.520 --> 0:24:40.160
<v Speaker 3>or Instagram videos. They think it's funny. Others even think

0:24:40.160 --> 0:24:42.480
<v Speaker 3>it's great. It's like, that's how you build an audience.

0:24:42.520 --> 0:24:44.399
<v Speaker 3>You have to have some people that hate you and

0:24:44.440 --> 0:24:48.639
<v Speaker 3>some people love you. They fight, and that adds to

0:24:48.840 --> 0:24:53.439
<v Speaker 3>your you know, your outdoing or something. Yeah, yeah, the

0:24:53.560 --> 0:24:55.800
<v Speaker 3>number of impressions you make. I'm sure you know this

0:24:55.880 --> 0:24:59.000
<v Speaker 3>world something I don't know any So I actually would

0:24:59.040 --> 0:25:01.040
<v Speaker 3>do with the other I think I think I could get

0:25:01.080 --> 0:25:04.159
<v Speaker 3>advice from young people on how they deal with just,

0:25:04.800 --> 0:25:07.040
<v Speaker 3>you know, making fun of whatever.

0:25:07.160 --> 0:25:08.879
<v Speaker 2>You're most vulnerable about it.

0:25:08.920 --> 0:25:11.960
<v Speaker 3>The way you look, the way you sound, your material,

0:25:12.000 --> 0:25:15.520
<v Speaker 3>you're not funny, all of that. I actually think usually

0:25:15.560 --> 0:25:18.840
<v Speaker 3>younger people are way better at handling that than I am.

0:25:18.880 --> 0:25:21.679
<v Speaker 3>They're just like, oh, I think it's funny that I

0:25:21.720 --> 0:25:25.159
<v Speaker 3>have haters, and I'm like, oh, well, I'm not that

0:25:25.400 --> 0:25:29.280
<v Speaker 3>fox skin these days. I'm not that evolved. I'm a

0:25:29.400 --> 0:25:31.280
<v Speaker 3>sensitive first, and I think you can tell.

0:25:33.440 --> 0:25:36.120
<v Speaker 4>We'll be right back with more of the Comedy Save

0:25:36.240 --> 0:25:45.119
<v Speaker 4>Me Podcast. Welcome back to the Comedy Save Me Podcast.

0:25:46.640 --> 0:25:48.400
<v Speaker 1>You had this recurring role on one of my all

0:25:48.480 --> 0:25:53.080
<v Speaker 1>time favorite shows on HBO called Curb Your Enthusiasm. Yes,

0:25:53.160 --> 0:25:58.359
<v Speaker 1>And I always wanted to know how, I mean, was

0:25:58.400 --> 0:26:01.600
<v Speaker 1>the whole thing ab lived? Did you just get bullet points?

0:26:01.680 --> 0:26:04.440
<v Speaker 1>And how do you go up against these titans of

0:26:04.520 --> 0:26:09.679
<v Speaker 1>television and comedy and add lib and feel confident about it?

0:26:09.720 --> 0:26:12.040
<v Speaker 1>I mean that that must have been. Was that harder

0:26:12.040 --> 0:26:13.200
<v Speaker 1>than doing a stand up show?

0:26:13.760 --> 0:26:14.359
<v Speaker 2>No?

0:26:14.520 --> 0:26:19.360
<v Speaker 3>Much easier, much easier. How because stand up show it's

0:26:19.400 --> 0:26:22.320
<v Speaker 3>all on you. It's like the whole thing. You get

0:26:22.359 --> 0:26:24.879
<v Speaker 3>all the acclaim and you get all the blame like

0:26:25.000 --> 0:26:26.680
<v Speaker 3>ite's I know that that rhymes.

0:26:26.720 --> 0:26:27.600
<v Speaker 2>I just came up with that.

0:26:28.320 --> 0:26:33.000
<v Speaker 3>So that is the you know, the high wire act

0:26:33.040 --> 0:26:36.000
<v Speaker 3>that stand up comedy, like you are up there, just

0:26:36.040 --> 0:26:40.119
<v Speaker 3>so you know, human beings' biggest fear is standing on

0:26:40.200 --> 0:26:44.320
<v Speaker 3>stage talking to an audience, like more than death, more

0:26:44.359 --> 0:26:47.320
<v Speaker 3>than dying in a plane crash, any of them drowning,

0:26:47.840 --> 0:26:52.399
<v Speaker 3>it's that that's human beings. And then to add another

0:26:52.720 --> 0:26:59.520
<v Speaker 3>level when of expectation that you need to elicit laughter.

0:27:00.119 --> 0:27:02.239
<v Speaker 3>Now we're talking about a level or people are just

0:27:02.680 --> 0:27:05.520
<v Speaker 3>how many times, I mean, people always come up to

0:27:05.560 --> 0:27:08.320
<v Speaker 3>me and like, I don't know how anyone could possibly do.

0:27:08.320 --> 0:27:11.159
<v Speaker 2>It all right, Well you don't have to.

0:27:11.720 --> 0:27:15.479
<v Speaker 3>Luckily you don't thank you for pain to come to

0:27:15.520 --> 0:27:20.480
<v Speaker 3>the show. So uh so back to curb your enthusiasm.

0:27:20.920 --> 0:27:24.000
<v Speaker 3>That's much easier. Yes, you nailed it. You answered your

0:27:24.040 --> 0:27:26.960
<v Speaker 3>own question. This is your second best question because I

0:27:26.960 --> 0:27:29.240
<v Speaker 3>don't have to do anything. I just have to nod.

0:27:29.680 --> 0:27:30.000
<v Speaker 2>Yes.

0:27:30.119 --> 0:27:32.960
<v Speaker 3>There is bullet points of what has to happen in

0:27:33.000 --> 0:27:36.800
<v Speaker 3>the scene, and no lines of dialogue are written at all.

0:27:37.720 --> 0:27:40.920
<v Speaker 3>All you all you have to do is just listen

0:27:41.640 --> 0:27:44.800
<v Speaker 3>and react. That's all you have to do in Curb

0:27:44.800 --> 0:27:45.800
<v Speaker 3>your enthusiasm.

0:27:46.200 --> 0:27:48.919
<v Speaker 1>See, that would horrify me because I would be so

0:27:48.960 --> 0:27:50.960
<v Speaker 1>worried that it wouldn't be good or up to par.

0:27:51.080 --> 0:27:53.600
<v Speaker 1>And then what does Larry say to you? If you

0:27:53.640 --> 0:27:55.399
<v Speaker 1>don't really give him what he wants? You have to

0:27:55.400 --> 0:27:56.720
<v Speaker 1>do that over again the scene.

0:27:56.800 --> 0:27:59.120
<v Speaker 3>We do it over and over and he's like each time,

0:27:59.200 --> 0:28:01.240
<v Speaker 3>he's like, do more of that, do less of that.

0:28:01.359 --> 0:28:03.400
<v Speaker 3>But he kind of liked what I was doing, right,

0:28:03.440 --> 0:28:05.480
<v Speaker 3>I sort of had an angle on how to play

0:28:05.600 --> 0:28:10.120
<v Speaker 3>this character Dean Weinstock, and so which was I want

0:28:10.160 --> 0:28:13.680
<v Speaker 3>to be the worst person in the world, but under

0:28:13.720 --> 0:28:16.600
<v Speaker 3>the guise of a nice person like what they go

0:28:16.760 --> 0:28:20.080
<v Speaker 3>passive aggressive, So that was like, that was just like

0:28:20.160 --> 0:28:22.440
<v Speaker 3>my angle, and it was working right from the start.

0:28:22.520 --> 0:28:24.400
<v Speaker 2>Luckily. I don't know what would have happened if he.

0:28:24.400 --> 0:28:26.560
<v Speaker 3>Had been like, oh, this is not what we wanted

0:28:26.600 --> 0:28:29.840
<v Speaker 3>at all. I mean, I guess there was that possibility,

0:28:30.560 --> 0:28:32.960
<v Speaker 3>So I don't know. I just thought it was easy,

0:28:33.000 --> 0:28:35.359
<v Speaker 3>actually much easier to me than acting when you have

0:28:36.000 --> 0:28:38.920
<v Speaker 3>lines that are written, because then I'm kind of worried

0:28:38.920 --> 0:28:40.280
<v Speaker 3>that I'm going to forget the lines.

0:28:41.040 --> 0:28:41.560
<v Speaker 2>That's true.

0:28:41.560 --> 0:28:44.280
<v Speaker 1>I didn't even think of that at all, think.

0:28:44.160 --> 0:28:47.840
<v Speaker 2>A little bit. Please please sorry, no love of God.

0:28:48.280 --> 0:28:49.440
<v Speaker 1>I love, I love.

0:28:49.920 --> 0:28:53.080
<v Speaker 2>Beat me up. I'm sorry, I'm sorry. I'm gonna get

0:28:53.080 --> 0:28:55.120
<v Speaker 2>bad review. Yeah, so I have. I don't know. You've

0:28:55.120 --> 0:28:59.160
<v Speaker 2>acted right occasionally not. Yeah, but it's like when.

0:28:59.040 --> 0:29:01.400
<v Speaker 3>You act, you have to say these lines the same

0:29:01.440 --> 0:29:03.720
<v Speaker 3>way and make it sound like you're thinking of them

0:29:03.760 --> 0:29:04.920
<v Speaker 3>at the time, and it's.

0:29:04.880 --> 0:29:07.680
<v Speaker 1>Oh, oh yeah. I'm a voiceover artist as well. I

0:29:07.720 --> 0:29:11.400
<v Speaker 1>do imaging for like hundreds of stations in radio and

0:29:11.440 --> 0:29:13.800
<v Speaker 1>television and stuff, so I guess that would be my

0:29:13.880 --> 0:29:16.560
<v Speaker 1>acting because I have to read lines and sound important.

0:29:17.200 --> 0:29:17.440
<v Speaker 2>Yeah.

0:29:17.560 --> 0:29:20.800
<v Speaker 3>Yeah, but but I'm saying on camera if you don't

0:29:20.840 --> 0:29:23.000
<v Speaker 3>have the line right in front of you want to stand?

0:29:23.520 --> 0:29:26.280
<v Speaker 3>Do you clip it on or do you what's your

0:29:26.320 --> 0:29:29.960
<v Speaker 3>what's your technique my microphone? Yeah no, I mean I'm

0:29:30.000 --> 0:29:31.960
<v Speaker 3>talking about the copy you have to read.

0:29:32.840 --> 0:29:36.680
<v Speaker 1>Oh my technique is I try to be like Don

0:29:36.720 --> 0:29:40.920
<v Speaker 1>la Fontaine and just do one take. It never works

0:29:40.960 --> 0:29:42.680
<v Speaker 1>out that way, though, I like I try to just

0:29:42.800 --> 0:29:47.640
<v Speaker 1>read cold and just go through the lines and react

0:29:47.840 --> 0:29:50.200
<v Speaker 1>as I naturally am reading it, as opposed to thinking

0:29:50.200 --> 0:29:50.960
<v Speaker 1>about it too much.

0:29:51.800 --> 0:29:54.400
<v Speaker 2>Well, what a legend that dude. You should drive around

0:29:54.400 --> 0:29:58.360
<v Speaker 2>in that limo to gig take? Oh my god, I know,

0:29:58.560 --> 0:29:58.840
<v Speaker 2>in the.

0:29:58.920 --> 0:30:02.920
<v Speaker 3>World, in a world time, in the world. So so

0:30:03.000 --> 0:30:05.520
<v Speaker 3>that's it. So, yes, I found it very Actually I

0:30:05.520 --> 0:30:07.600
<v Speaker 3>didn't find it that challenge. I mean, I was thrilled

0:30:07.600 --> 0:30:12.040
<v Speaker 3>at the situation I thought was funny, and and I'd

0:30:12.080 --> 0:30:14.080
<v Speaker 3>known Larry when he was doing stand ups, so I

0:30:14.120 --> 0:30:16.360
<v Speaker 3>had already known the guy, so it wasn't like it

0:30:16.400 --> 0:30:17.080
<v Speaker 3>wasn't unknown.

0:30:17.240 --> 0:30:18.400
<v Speaker 2>Yes, yeah, yeah, yeah, yeah.

0:30:18.400 --> 0:30:21.000
<v Speaker 1>All right. So last question, and my god, I'm starting

0:30:21.000 --> 0:30:24.640
<v Speaker 1>to get a little anxiety because what I do question?

0:30:25.160 --> 0:30:26.120
<v Speaker 2>Oh, I'm sorry.

0:30:26.360 --> 0:30:29.800
<v Speaker 1>If comedy hadn't found you, where do you think you

0:30:29.840 --> 0:30:31.600
<v Speaker 1>would be today, What do you think you would be doing?

0:30:32.000 --> 0:30:34.240
<v Speaker 1>Actually this is second to last question because I want more.

0:30:34.840 --> 0:30:36.840
<v Speaker 3>You can do. You can do two bonus. We're in

0:30:36.880 --> 0:30:38.760
<v Speaker 3>the wing, going to the bonus round. I don't care,

0:30:39.200 --> 0:30:42.560
<v Speaker 3>all right, I have a hunch it would be close

0:30:42.640 --> 0:30:45.840
<v Speaker 3>to what I'm doing now, which is I teach this

0:30:46.040 --> 0:30:48.920
<v Speaker 3>history of stand up class at USC based on my book.

0:30:49.280 --> 0:30:52.320
<v Speaker 3>But I've I always kind of liked history. It might

0:30:52.320 --> 0:30:55.200
<v Speaker 3>have been it might have been like stayed in school

0:30:55.240 --> 0:30:59.120
<v Speaker 3>and become a teacher or something. I like, you know,

0:30:59.280 --> 0:31:01.800
<v Speaker 3>I know that sounds creepy, but I like kids. I

0:31:01.880 --> 0:31:06.240
<v Speaker 3>like their energy. I just it's you know, it's fun.

0:31:06.240 --> 0:31:08.240
<v Speaker 1>It's creepy about that. I feel the same. I just

0:31:08.280 --> 0:31:10.320
<v Speaker 1>said to my husband the other day. It's like, let's

0:31:10.360 --> 0:31:12.120
<v Speaker 1>go to dinner with the neighbors. They're like in their

0:31:12.120 --> 0:31:15.200
<v Speaker 1>early thirties, they have four kids. They're so upbeat. It

0:31:15.200 --> 0:31:18.240
<v Speaker 1>feels so great to be around them. You know, there's

0:31:18.560 --> 0:31:20.160
<v Speaker 1>you know, there's something to that.

0:31:21.040 --> 0:31:23.160
<v Speaker 2>All right, I'm curious where do you live? Where do

0:31:23.200 --> 0:31:25.000
<v Speaker 2>you live? You don't have to tell me the exact street,

0:31:25.080 --> 0:31:25.600
<v Speaker 2>but like.

0:31:26.440 --> 0:31:31.160
<v Speaker 1>I'm in Connecticut. Oh, I was originally from Boston. Oh,

0:31:31.240 --> 0:31:33.400
<v Speaker 1>so I went to New York and then I ended

0:31:33.480 --> 0:31:35.000
<v Speaker 1>up here like an Asella kid.

0:31:35.120 --> 0:31:35.520
<v Speaker 2>I get it.

0:31:35.600 --> 0:31:39.200
<v Speaker 1>Yeah, pretty much, Asella Dweller, I get it.

0:31:39.480 --> 0:31:41.760
<v Speaker 2>Say I know that world a little bit.

0:31:43.280 --> 0:31:45.040
<v Speaker 1>Wait what world were we just talking about?

0:31:45.160 --> 0:31:46.360
<v Speaker 2>No, you were talking about kids.

0:31:46.680 --> 0:31:49.640
<v Speaker 3>I said that I like kids and that I think

0:31:49.680 --> 0:31:52.320
<v Speaker 3>sometimes that sounds creepy, but it's true. I was a

0:31:52.360 --> 0:31:57.320
<v Speaker 3>camp counselor and still friends with some of the kids

0:31:57.360 --> 0:32:01.240
<v Speaker 3>that I was the counselor of years ago. Like it

0:32:01.280 --> 0:32:04.560
<v Speaker 3>was called Racket Lake boys Camp. There was a Racket Lake.

0:32:04.680 --> 0:32:06.920
<v Speaker 3>There's a boy's camp and lake and girls camp. On

0:32:06.960 --> 0:32:07.680
<v Speaker 3>the other side.

0:32:07.760 --> 0:32:09.000
<v Speaker 2>They had socials.

0:32:09.160 --> 0:32:12.640
<v Speaker 3>It was so it was like it was like Norman

0:32:12.800 --> 0:32:16.280
<v Speaker 3>Rockwell created this place. It's up in the Adirondack Mountains.

0:32:16.720 --> 0:32:19.960
<v Speaker 3>No ragweed sometimes I have that allergy.

0:32:20.640 --> 0:32:22.840
<v Speaker 1>Oh you meant the smoking kind. I didn't know.

0:32:23.120 --> 0:32:26.000
<v Speaker 2>No, no, no, see I'm not.

0:32:26.680 --> 0:32:29.000
<v Speaker 1>I'm the king of at again.

0:32:29.040 --> 0:32:30.880
<v Speaker 2>No, No, I get I get Do I look like

0:32:30.920 --> 0:32:31.840
<v Speaker 2>a dope fiend to you?

0:32:32.040 --> 0:32:37.520
<v Speaker 1>Do? I just occasionally, what Wayne, what do you think

0:32:37.560 --> 0:32:39.400
<v Speaker 1>the world would be like without comedy?

0:32:40.880 --> 0:32:42.880
<v Speaker 3>In a weird way, because I know you also do

0:32:42.960 --> 0:32:47.680
<v Speaker 3>the music one Craig Yes, yes, yes, and as much

0:32:47.720 --> 0:32:50.360
<v Speaker 3>as I love comedy and I've dedicated my life to it.

0:32:50.480 --> 0:32:54.760
<v Speaker 3>I really think music as a human artistic form, despite

0:32:54.760 --> 0:32:57.480
<v Speaker 3>the fact that it's not a give and take, is

0:32:58.160 --> 0:33:01.040
<v Speaker 3>maybe more healing than comedy. And let me tell you why.

0:33:01.440 --> 0:33:08.400
<v Speaker 3>Because after nine to eleven they did a concert on television,

0:33:08.400 --> 0:33:12.760
<v Speaker 3>a live concert, and no one wanted to hear from comedians,

0:33:13.120 --> 0:33:16.480
<v Speaker 3>But we did want to hear from Tom Petty and

0:33:16.600 --> 0:33:22.560
<v Speaker 3>other you know, singing singing, because that like touches our souls,

0:33:22.760 --> 0:33:25.560
<v Speaker 3>touches our soul in a way that comedy is more

0:33:25.600 --> 0:33:28.400
<v Speaker 3>about the mind. I think music is more about the soul,

0:33:29.400 --> 0:33:33.640
<v Speaker 3>not that there's nothing some and some comedians Gary Goldman,

0:33:33.680 --> 0:33:36.680
<v Speaker 3>I'm looking at you and Maria Bamford, they go into

0:33:36.720 --> 0:33:41.960
<v Speaker 3>that world that but I do feel like music does.

0:33:42.640 --> 0:33:45.240
<v Speaker 3>And that's why when you go to see a musician,

0:33:45.960 --> 0:33:50.000
<v Speaker 3>you want to hear the songs that you heard before

0:33:50.160 --> 0:33:52.560
<v Speaker 3>that connected with you. Whereas you go to see comedian,

0:33:52.600 --> 0:33:54.560
<v Speaker 3>if they do a bit they did ten years ago,

0:33:54.600 --> 0:33:56.200
<v Speaker 3>you're like, can you write.

0:33:55.960 --> 0:33:57.640
<v Speaker 2>Something new, please? Please, sir.

0:34:00.360 --> 0:34:03.080
<v Speaker 3>It's one hundred percent true. You have to have you

0:34:03.160 --> 0:34:06.240
<v Speaker 3>have to have new material all the time. And with music,

0:34:06.280 --> 0:34:10.000
<v Speaker 3>they're like, please, Paul play a Jude. Let it be

0:34:10.400 --> 0:34:14.319
<v Speaker 3>Lady Madonna, thank you, thank you, thank you. And if

0:34:14.360 --> 0:34:17.120
<v Speaker 3>you were comedian and you want to see I don't

0:34:17.120 --> 0:34:21.400
<v Speaker 3>know gaff again or you know Mulaney and he was

0:34:21.440 --> 0:34:25.160
<v Speaker 3>doing his subway bit that he did from fifteen years ago,

0:34:25.440 --> 0:34:27.920
<v Speaker 3>I don't think you'd be that. Yeah, maybe they'd be

0:34:27.960 --> 0:34:31.319
<v Speaker 3>fans like, oh, I love this bit, but it's it's

0:34:31.360 --> 0:34:34.880
<v Speaker 3>a different kind of thing. I know this is so philosophical.

0:34:35.000 --> 0:34:37.719
<v Speaker 3>I hope I'm not too much into the weeds on this.

0:34:38.280 --> 0:34:41.960
<v Speaker 1>No, I appreciate. It's a very refreshing take because it's

0:34:42.000 --> 0:34:46.879
<v Speaker 1>it's very different than other interviews I've done with comedians.

0:34:46.920 --> 0:34:50.239
<v Speaker 1>So I love hearing a totally different angle. I tend

0:34:50.320 --> 0:34:52.640
<v Speaker 1>to be more on like the agreeable side with you,

0:34:52.680 --> 0:34:54.799
<v Speaker 1>because when people ask me about stuff that I do,

0:34:54.840 --> 0:34:58.880
<v Speaker 1>I'm always like, so unimpressed. I don't know what I'm doing.

0:34:59.200 --> 0:35:01.920
<v Speaker 1>I don't know how to affects people. I'm not trying to.

0:35:02.040 --> 0:35:03.880
<v Speaker 1>I'm just kind of doing what makes me feel good.

0:35:04.520 --> 0:35:09.439
<v Speaker 1>And you know, but the success that you've had, it's

0:35:09.480 --> 0:35:13.000
<v Speaker 1>a lot, and obviously you've been so busy. Sometimes we

0:35:13.080 --> 0:35:14.719
<v Speaker 1>get so busy working all of a sudden, it's like

0:35:14.719 --> 0:35:17.000
<v Speaker 1>ten years ago by and you're like, what happened? You know,

0:35:17.239 --> 0:35:18.879
<v Speaker 1>what do I need to get caught up on because

0:35:18.920 --> 0:35:22.120
<v Speaker 1>I'm so into what I'm doing. But I just disagree

0:35:22.120 --> 0:35:23.840
<v Speaker 1>with you about the feeling because.

0:35:23.920 --> 0:35:26.680
<v Speaker 3>You feel like stay, you feel like comedy is more

0:35:27.040 --> 0:35:29.560
<v Speaker 3>for the soul than for the mind.

0:35:30.280 --> 0:35:32.960
<v Speaker 1>I just think that when you hear that song or

0:35:33.000 --> 0:35:36.960
<v Speaker 1>that you've had incredible belly laughs, it's the same feeling

0:35:37.120 --> 0:35:40.240
<v Speaker 1>that you just feel healed in some way.

0:35:40.520 --> 0:35:40.920
<v Speaker 2>Maybe.

0:35:41.000 --> 0:35:46.319
<v Speaker 3>I mean, obviously people get there's some Cathartis experience going

0:35:46.360 --> 0:35:49.640
<v Speaker 3>on with comedy when you're just losing it and stuff.

0:35:50.120 --> 0:35:51.680
<v Speaker 2>Yeah, no, I mean.

0:35:51.560 --> 0:35:55.080
<v Speaker 3>That that is true. So maybe maybe I'm underselling comedy.

0:35:54.719 --> 0:35:56.520
<v Speaker 2>A little bit. I just think of it.

0:35:56.600 --> 0:35:59.719
<v Speaker 3>I think of it a little more as a less elevate.

0:36:00.160 --> 0:36:03.520
<v Speaker 3>I know this sounds horrible because I've dedicated my whole life,

0:36:04.280 --> 0:36:06.759
<v Speaker 3>you know, my few hours, as I like to say,

0:36:06.800 --> 0:36:09.200
<v Speaker 3>here on this planet.

0:36:08.680 --> 0:36:12.040
<v Speaker 2>To this. It's a good question. This is a good question.

0:36:12.200 --> 0:36:13.120
<v Speaker 2>I guess for some.

0:36:13.200 --> 0:36:20.360
<v Speaker 3>People, comedy is obviously healing and reinvigorating and life affirming,

0:36:20.480 --> 0:36:22.040
<v Speaker 3>right of course, of course.

0:36:22.640 --> 0:36:27.279
<v Speaker 2>But to the level of music, I don't know. I

0:36:27.320 --> 0:36:29.000
<v Speaker 2>don't know, all right. I don't know.

0:36:29.280 --> 0:36:31.400
<v Speaker 3>I mean it's not there's no right or wrong obviously,

0:36:31.440 --> 0:36:33.560
<v Speaker 3>it's just wayn with the stupid opinions.

0:36:33.960 --> 0:36:36.439
<v Speaker 1>Well, Wayne, are you going to be teaching anytime soon

0:36:36.480 --> 0:36:40.000
<v Speaker 1>a class at USC but little college out in California? Yeah,

0:36:40.040 --> 0:36:40.719
<v Speaker 1>anytime soon.

0:36:41.200 --> 0:36:42.439
<v Speaker 2>Yeah, I'll be the next week.

0:36:42.680 --> 0:36:46.120
<v Speaker 1>But yeah, well, I think you should add to your syllabus.

0:36:46.320 --> 0:36:48.359
<v Speaker 2>Tell me, I think you should add on.

0:36:48.440 --> 0:36:52.480
<v Speaker 3>Hold on, hold on, I got the paper. Let me

0:36:52.520 --> 0:36:53.320
<v Speaker 3>write this down.

0:36:53.840 --> 0:36:56.040
<v Speaker 1>No, it's not going to be that or shattering.

0:36:56.120 --> 0:36:58.759
<v Speaker 2>I just use by the way I use the Flair pen.

0:36:58.880 --> 0:36:59.920
<v Speaker 2>Are you familiar with this?

0:37:01.080 --> 0:37:02.600
<v Speaker 1>Did you do a commercial for that one time?

0:37:02.680 --> 0:37:05.800
<v Speaker 2>No? No, I've never seen a flare pen commercial.

0:37:06.080 --> 0:37:07.440
<v Speaker 1>I don't have a flare pen.

0:37:07.920 --> 0:37:10.839
<v Speaker 2>Do you know what? It is very hard to come.

0:37:10.880 --> 0:37:11.520
<v Speaker 1>It's really good.

0:37:12.360 --> 0:37:14.040
<v Speaker 2>What do you use? What do you use? What is that?

0:37:14.960 --> 0:37:18.000
<v Speaker 1>This pencils JC mobile Auto?

0:37:19.080 --> 0:37:22.800
<v Speaker 2>It's a promotional pen. Okay, a little different world.

0:37:23.800 --> 0:37:27.200
<v Speaker 1>No, I think that in all seriousness, What if you

0:37:27.280 --> 0:37:30.200
<v Speaker 1>studied a little bit of the physical effects, the scientific

0:37:30.280 --> 0:37:32.400
<v Speaker 1>effects of the power of comedy?

0:37:32.520 --> 0:37:35.560
<v Speaker 3>Oh okay, you know, can you Is there any sort

0:37:35.600 --> 0:37:40.160
<v Speaker 3>of research on that? Is there any sort of science

0:37:40.480 --> 0:37:41.120
<v Speaker 3>research it?

0:37:41.200 --> 0:37:41.840
<v Speaker 1>Now? No?

0:37:41.840 --> 0:37:42.400
<v Speaker 2>No, no, No.

0:37:42.480 --> 0:37:44.560
<v Speaker 3>I thought you were like, oh, you have to study

0:37:44.719 --> 0:37:47.239
<v Speaker 3>brendel Burg's paper where he talked about it.

0:37:47.280 --> 0:37:49.719
<v Speaker 1>Maybe a scientist could come in, like somebody who does

0:37:49.760 --> 0:37:52.640
<v Speaker 1>study the effects of laughter and human body.

0:37:53.120 --> 0:37:55.920
<v Speaker 3>Okay, could be like take you in a whole new

0:37:55.920 --> 0:37:59.200
<v Speaker 3>direction you never even thought of. I'm writing, I wrote

0:37:59.239 --> 0:38:02.640
<v Speaker 3>it down. Yes, I think it's a good idea.

0:38:02.680 --> 0:38:03.840
<v Speaker 2>Of course. Of course.

0:38:03.880 --> 0:38:05.520
<v Speaker 1>Well on that note, don't they always say you should

0:38:05.560 --> 0:38:06.160
<v Speaker 1>go out on top?

0:38:06.719 --> 0:38:09.000
<v Speaker 3>I always heard you leave them wanting more, but you

0:38:09.200 --> 0:38:10.160
<v Speaker 3>say go out on top?

0:38:10.600 --> 0:38:14.800
<v Speaker 1>All right? Going out on top? Well, just in your eyes, Wayne,

0:38:14.840 --> 0:38:17.400
<v Speaker 1>because I do want to leave you with good feelings

0:38:17.440 --> 0:38:20.000
<v Speaker 1>because I am such a huge fan and I'm so

0:38:20.040 --> 0:38:23.000
<v Speaker 1>grateful to have spent this time, and you're just so

0:38:23.080 --> 0:38:26.440
<v Speaker 1>easy and disarming to talk to, and you're like just

0:38:26.719 --> 0:38:29.600
<v Speaker 1>normal kind of guy who's been in probably every television

0:38:29.640 --> 0:38:32.560
<v Speaker 1>show and commercial and movie I've ever watched. So I

0:38:33.400 --> 0:38:35.080
<v Speaker 1>really do appreciate the time.

0:38:35.520 --> 0:38:36.640
<v Speaker 2>Well, thank you for reaching out.

0:38:36.680 --> 0:38:38.799
<v Speaker 3>I know this was this was like a month ago

0:38:38.920 --> 0:38:40.880
<v Speaker 3>we were going to do this and we kept missing

0:38:40.920 --> 0:38:44.200
<v Speaker 3>each other and stuff, So thank you for making time.

0:38:44.360 --> 0:38:48.640
<v Speaker 3>Oh my god, Wayne Fetterman from South Plantation High School,

0:38:48.880 --> 0:38:51.000
<v Speaker 3>South Plantation Florida exactly.

0:38:51.920 --> 0:38:53.600
<v Speaker 1>If you want to know everything about Wayne, just go

0:38:53.640 --> 0:38:56.759
<v Speaker 1>to Waynefetterman dot com and you will just laugh and

0:38:56.800 --> 0:38:59.560
<v Speaker 1>you will just be taken down memory lane and see

0:38:59.600 --> 0:39:02.080
<v Speaker 1>all of his incredible work and what he continues to do.

0:39:02.239 --> 0:39:03.680
<v Speaker 1>What else can we look for for you in the

0:39:03.680 --> 0:39:04.440
<v Speaker 1>future here.

0:39:04.280 --> 0:39:06.200
<v Speaker 2>Well, I would say two things.

0:39:07.000 --> 0:39:09.840
<v Speaker 3>By the way, I'm also my favorite credit outside of

0:39:09.920 --> 0:39:13.160
<v Speaker 3>Curb is there's a movie called Legally Blonde, which I

0:39:13.200 --> 0:39:13.560
<v Speaker 3>am in.

0:39:14.280 --> 0:39:15.879
<v Speaker 1>Of course, one of my favorites too.

0:39:16.080 --> 0:39:17.160
<v Speaker 2>Yeah, yeah, yeah, yeah.

0:39:17.719 --> 0:39:19.600
<v Speaker 1>It's no joke. Though. If you were to stand here

0:39:19.640 --> 0:39:22.160
<v Speaker 1>and just say the name of everything that you have

0:39:22.280 --> 0:39:25.800
<v Speaker 1>worked on, I would have to time it because it

0:39:25.800 --> 0:39:29.319
<v Speaker 1>would go on for a long time and you don't

0:39:29.320 --> 0:39:31.440
<v Speaker 1>look old enough. So that's another crazy thing we can

0:39:31.480 --> 0:39:34.760
<v Speaker 1>talk about next time. Thank you, Thank you, Wayne Betderman.

0:39:35.360 --> 0:39:37.920
<v Speaker 3>That's it, And there's going to be an updated version

0:39:38.080 --> 0:39:41.360
<v Speaker 3>of the History of stand Up that's coming out January fifteenth.

0:39:41.600 --> 0:39:44.080
<v Speaker 3>I've added a new chapter because I ended it right

0:39:44.160 --> 0:39:47.480
<v Speaker 3>during COVID, which was around two thousand, so now there's

0:39:47.520 --> 0:39:51.040
<v Speaker 3>been another five years of stand up fantastic.

0:39:50.520 --> 0:39:52.080
<v Speaker 1>So are you going to have that as a podcast

0:39:52.120 --> 0:39:52.520
<v Speaker 1>as well?

0:39:53.560 --> 0:39:56.279
<v Speaker 3>I mean, I mean, I do do a podcast, yes,

0:39:56.440 --> 0:39:59.239
<v Speaker 3>I mean, but basically it's the book. Basically it's the

0:39:59.280 --> 0:40:01.799
<v Speaker 3>book and the audio book. I have never released it

0:40:01.840 --> 0:40:04.000
<v Speaker 3>as an audiobook, so I'm going to be doing what

0:40:04.040 --> 0:40:07.480
<v Speaker 3>you do, staying in front of a mike reading thing there.

0:40:08.360 --> 0:40:11.120
<v Speaker 1>That's awesome. We'll enjoy and if you need a stand in,

0:40:11.200 --> 0:40:12.120
<v Speaker 1>I'm happy to do it.

0:40:12.800 --> 0:40:15.000
<v Speaker 2>Oh my god, you're too nice. You're too nice.

0:40:15.760 --> 0:40:18.640
<v Speaker 1>Thank you Wayne Petterman for being on Comedy Save Me,

0:40:18.719 --> 0:40:20.719
<v Speaker 1>and we'll see you next time. Maybe you come on

0:40:20.800 --> 0:40:22.800
<v Speaker 1>Music Save Me and we can talk about your musical

0:40:22.840 --> 0:40:24.160
<v Speaker 1>career now is.

0:40:24.200 --> 0:40:28.719
<v Speaker 3>Not as deep as obviously my comedy career. Thank you

0:40:28.800 --> 0:40:31.280
<v Speaker 3>so much, all right, thank you again, Thank you again,