WEBVTT - Graydon Carter

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<v Speaker 1>Okay, so you're in London now right, Yeah, you can

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<v Speaker 1>tell from the books they have them Lost Angeles. I'm

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<v Speaker 1>going to use them as coast because you pull them

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<v Speaker 1>out there. Drink bring. I must say I'm using a

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<v Speaker 1>book as a coaster right now for my comp tea.

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<v Speaker 1>It's not a very good book. Hello, I'm Mini driver

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<v Speaker 1>and welcome to many questions. I've always loved Pruces questionnaire.

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<v Speaker 1>It was originally an eighteenth century parlor game meant to

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<v Speaker 1>reveal an individual's true nature. But with so many questions,

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<v Speaker 1>there wasn't really an opportunity to expand on anything. So

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<v Speaker 1>I took the format of Pruce's questionnaire and adapted What

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<v Speaker 1>I think are seven of the most important questions you

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<v Speaker 1>could ever ask someone. They are when and where were

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<v Speaker 1>you happiest? What is the quality you like least about yourself?

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<v Speaker 1>What relationship, real or fictionalized, defines love for you? What

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<v Speaker 1>question would you most like answered, What person, place, or

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<v Speaker 1>experience has shaped to you the most? What would be

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<v Speaker 1>your last meal? And can you tell me something in

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<v Speaker 1>your life that has grown out of a personal disaster.

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<v Speaker 1>The more people we ask, the more we begin to

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<v Speaker 1>see what makes us similar and what makes us individual.

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<v Speaker 1>I've gathered a group of really remarkable people who I

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<v Speaker 1>am honored and humbled to have had a chance to

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<v Speaker 1>engage with. My guest today on many questions is writer, editor, producer,

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<v Speaker 1>and legendary party thrower Graydon Carter. Grayden co founded the

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<v Speaker 1>satirical magazine Spy and was editor in chief of Vanity

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<v Speaker 1>Fair magazine for twenty five years. After a brief interlude

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<v Speaker 1>after Vanity Fair, which I believe he called his gardening leave,

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<v Speaker 1>he created, along with Alessander Stanley, the online weekly newsletter Airmail,

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<v Speaker 1>which as a subscriber, I can tell you is like

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<v Speaker 1>getting an email each week from your gossip eist, most

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<v Speaker 1>well read, well traveled aren't slash uncle, slash friend slash enemy.

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<v Speaker 1>The Vanity Fair parties celebrating the oscars that Grayden through

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<v Speaker 1>were legendary. It was at that party that I really

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<v Speaker 1>cut my teeth on learning how to interact with Hollywood.

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<v Speaker 1>I remember I was at the party one year before

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<v Speaker 1>I was what you call famous, and I'd really ill

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<v Speaker 1>advisedly borrowed away too casual striped sundress from a friend,

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<v Speaker 1>and Madonna asked if I had come as a beach umbrella,

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<v Speaker 1>and frand Liebowitz asked if I was selling ice cream

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<v Speaker 1>good times. Grading is a man of brevity. He really

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<v Speaker 1>is the living embodiment of the short letter. Mark Twain

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<v Speaker 1>was referencing in his quote, sorry about the long letter,

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<v Speaker 1>didn't have time to write a short one. Okay, So

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<v Speaker 1>tell me about this podcast. What's completely hilarious and ironic

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<v Speaker 1>with this idea of women because I'm sort of invisible

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<v Speaker 1>and silent after the age of forty five, and then

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<v Speaker 1>it's only women who sort of stand up and go, no,

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<v Speaker 1>we're not We're great, and it's like, yeah, but culture

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<v Speaker 1>doesn't necessarily absolve you of that getting old. And the

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<v Speaker 1>reality is I have never been more creative. I've never

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<v Speaker 1>been making more things that I love, whether it's the

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<v Speaker 1>book that I just wrote, which is coming out next year,

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<v Speaker 1>or this podcast, which came out of, you know, the

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<v Speaker 1>isolation of lockdown and wanting to speak to people wanting

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<v Speaker 1>to create. Well, it's like a memoir. In essays, it's

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<v Speaker 1>a tell most tell some, it's to tell some memoir,

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<v Speaker 1>with the central thesis that runs through the essays being

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<v Speaker 1>that things not working out is actually everything working out,

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<v Speaker 1>and that is just life that we might not be witnessed.

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<v Speaker 1>Were so used to witnessing everything these days on the internet,

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<v Speaker 1>seeing every failure and fall down, But it often happens privately. Agree.

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<v Speaker 1>I agree. And my mother used to throw around the

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<v Speaker 1>Christian Questionnaire and it was always really fun. And I

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<v Speaker 1>also loved Desert Island Disks, which is the English radio program, right,

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<v Speaker 1>but it was the first page I would always turn

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<v Speaker 1>to in Vanity Fair was the back page. Okay, very telling,

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<v Speaker 1>very chilling, Bruce, And you can tell a lot about

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<v Speaker 1>it person by the way they answered these questions, if

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<v Speaker 1>they answered them honestly, definitely, and also that the brevity

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<v Speaker 1>of a lot of the questions belies of deeper response,

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<v Speaker 1>like they seem to engender, like it's been fascinating. You know.

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<v Speaker 1>The funniest one we ever got in twenty odd years

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<v Speaker 1>of doing it was Arnold Schwarzenegger's What did he say?

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<v Speaker 1>It was just funny and self dappricating. He was really

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<v Speaker 1>very funny. Yeah, he is the people. It was funnier

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<v Speaker 1>than the comedians. He's pretty fantastic. When I first met him,

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<v Speaker 1>I met him a hundred years ago. He did do this, Hillary,

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<v Speaker 1>I mean, by today's standards, it would not be allowed

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<v Speaker 1>at all. But at the time I thought it was

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<v Speaker 1>hilarious and awful in equal measure. He was introduced to

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<v Speaker 1>me and his lovely then wife was next to him,

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<v Speaker 1>smiling a lot, and I went to shake his hand

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<v Speaker 1>and he reached out and he just picked me up

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<v Speaker 1>and he went five pounds that's party drink. He literally

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<v Speaker 1>did like a guess your weight, and he would have

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<v Speaker 1>done it to everybody. Yeah, but I told him it

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<v Speaker 1>wasn't a good idea. No, that would be against everything

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<v Speaker 1>is against a lot nowadays, but that's certainly against a lot. Yeah,

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<v Speaker 1>But guessing a woman's weight, even if you low ball it,

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<v Speaker 1>you can't ever do that unless it's like when you're

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<v Speaker 1>at bale Moral apparently where they do wear you when

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<v Speaker 1>you arrive for Christmas. Did you see that in that film, Spencer?

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<v Speaker 1>I didn't see that. Now. Apparently the queen weys you

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<v Speaker 1>to see how much you've enjoyed the food, and then

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<v Speaker 1>they wear you when you leave and see how much

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<v Speaker 1>weight you've gained. The silver ware in your pockets you're

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<v Speaker 1>way more. And by the way, that's really what they

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<v Speaker 1>should be looking for, is that that's what I do.

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<v Speaker 1>They don't call you light fingers guard for nothing. No, no,

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<v Speaker 1>they don't know. So what do you want from me?

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<v Speaker 1>I want you to answer these seven questions, and I

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<v Speaker 1>want you to make the answers perky and excellent. No,

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<v Speaker 1>I'm not sure I can do that pretty early in

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<v Speaker 1>the morning here, I mean in my time. But anyway, okay,

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<v Speaker 1>I'll do my best. Am I supposed to weep at

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<v Speaker 1>certain point during this thing, and just absolutely not. In fact,

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<v Speaker 1>you might be penalized if you do. Okay, So when

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<v Speaker 1>do we start? Okay, we're gonna start right now. We're

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<v Speaker 1>gonna start right now. In your life, can you tell

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<v Speaker 1>me about something that has grown out of a personal disaster.

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<v Speaker 1>When I was in college, I had a magazine and

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<v Speaker 1>it was a literary political magazine, and it did nothing

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<v Speaker 1>but lose money. I spent so much time on it

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<v Speaker 1>that I was thrown out of school before I had

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<v Speaker 1>so many incomplete and they said, basically, there's no point

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<v Speaker 1>you're ever coming back because you can never graduate. And

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<v Speaker 1>the magazine folds, and I thought, okay, I'm out here.

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<v Speaker 1>This magazine I worked on for five years have folded.

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<v Speaker 1>And I was in my early twenties. I was thrown

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<v Speaker 1>of the school and I thought, that's it. I mean,

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<v Speaker 1>I've got nothing left. So then ten years later I

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<v Speaker 1>started Spine Magazine in New York and that worked, and

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<v Speaker 1>it was a huge success, and it changed the course

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<v Speaker 1>of my professional life. But I learned from my magazine

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<v Speaker 1>in Canada that to succeed, the thing you do has

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<v Speaker 1>to have a point. And my magazine in Canada didn't

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<v Speaker 1>really have a point to it. It just was a

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<v Speaker 1>magazine that wrote about politics and culture in a maronic way,

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<v Speaker 1>the way twenty three year olds dude. And Spine Magazine

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<v Speaker 1>had a point because it was a satirical magazine about

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<v Speaker 1>New York City at a very particular time in the

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<v Speaker 1>city's history. And it was funny and it was fact

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<v Speaker 1>filmed and it was nonfiction and it did well. And

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<v Speaker 1>I've had a restaurant that did really well because it

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<v Speaker 1>had a point in that restaurant that did less well

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<v Speaker 1>because it didn't have a point. So out of that

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<v Speaker 1>horrible crisis, and when you're in the early twenties, everything

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<v Speaker 1>seems like it's like the end of the world. Something

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<v Speaker 1>came out of it, and that is just that things

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<v Speaker 1>have to have a point. I mean, they have to

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<v Speaker 1>be there for a reason. There has to be a

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<v Speaker 1>slight audience for it, and it has to be not

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<v Speaker 1>a complete rip off of what's gone before. That is

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<v Speaker 1>a really good point. I haven't thought about it like that.

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<v Speaker 1>It's like a story. William Goldman needs to say that.

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<v Speaker 1>You have to have a spine of a story that

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<v Speaker 1>everything else hangs on. If you don't have that central spine,

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<v Speaker 1>it doesn't matter how clever, how brilliant the characters, how

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<v Speaker 1>wonderful the dialogue, none of it matters if you don't

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<v Speaker 1>have that central thesis, right, I mean, look at the

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<v Speaker 1>Star Wars. You know, George Lucas, and then something is

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<v Speaker 1>sort of original. There's eight thousand imitations of Star Wars,

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<v Speaker 1>but if you want to buy a collectible lego, it's

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<v Speaker 1>a Star Wars and it's not like Star Gigantica or

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<v Speaker 1>some other rip off thing. It's the original and originals

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<v Speaker 1>it may take a little longer to catch on, but

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<v Speaker 1>they have longer shelf lives. So how do you figure

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<v Speaker 1>out what the point of something is? You personally? How

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<v Speaker 1>do you know what the point is? Is there a

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<v Speaker 1>need for it? Was there something exactly like this before?

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<v Speaker 1>Even if you recreate someone from the past as long

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<v Speaker 1>as it fills a purpose in other people's lives. Because

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<v Speaker 1>at the end of the day, everybody's in the service industry.

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<v Speaker 1>And whether you're man factoring artisanal candles in Brooklyn or

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<v Speaker 1>making a tesla in Texas, you're in the service centery.

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<v Speaker 1>You're gonna take that candle or that tesla and give

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<v Speaker 1>it to somebody else, and they're going to give you money.

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<v Speaker 1>And that's the service industry. And I suppose other than

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<v Speaker 1>people in fintech or whatever the hell that is, we're

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<v Speaker 1>all in the service business. You've got to think about

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<v Speaker 1>the other person at the other end. And when I

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<v Speaker 1>add an a vanity fair and we never did any

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<v Speaker 1>readership studies or anything like that, but I just thought

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<v Speaker 1>of some person getting on an eight hour flight and

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<v Speaker 1>picking up a copy of the magazine, and I just

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<v Speaker 1>wanted to make sure they were engaged and entertained for

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<v Speaker 1>a portion of that flight, and I figured if they were,

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<v Speaker 1>they'd come back the next month. It's so true. It's

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<v Speaker 1>so true, And I'm just trying to figure out how

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<v Speaker 1>it works in like filmmaking, because sometimes it feels like

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<v Speaker 1>there are films that directors have just made for themselves

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<v Speaker 1>and yet they do seem to strike a note like

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<v Speaker 1>the Lobster, for example, is a strange I don't know

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<v Speaker 1>if you ever saw that movie. It's a strange movie,

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<v Speaker 1>but you can catch the threat of the creativity and

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<v Speaker 1>the strangeness of it, which becomes the point. Maybe it's

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<v Speaker 1>slightly harder to pin down in films than it is

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<v Speaker 1>in a magazine or a restaurant. Well, person, you've gotta

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<v Speaker 1>be talented. You've got to be talented. I mean, there's

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<v Speaker 1>a lot of untalented filmmakers, and it's hard to make

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<v Speaker 1>it movie. It's hard to make a bad movie, let

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<v Speaker 1>alone a good one. It's hard to make a movie,

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<v Speaker 1>point blank. Yeah. And I've been in some stinkers and

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<v Speaker 1>some really good ones, and they were all as hard

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<v Speaker 1>to make. Yeah, but that's true. That's life. To make

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<v Speaker 1>a crummy car is just about the same amount of

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<v Speaker 1>work to make a really good car. I don't know.

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<v Speaker 1>I mean, to me, the joy in life is about

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<v Speaker 1>trying to have a job that's less about a sausage

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<v Speaker 1>assembly line as possible, make it in each individual meal,

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<v Speaker 1>and try to make it as good as possible because

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<v Speaker 1>you want the person to enjoy it. I like that

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<v Speaker 1>I like that it's a service industry. In the service industry, yes,

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<v Speaker 1>if you're offering up any kind of cultural content, you're

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<v Speaker 1>in a service industry for sure. What question would you

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<v Speaker 1>most like answered, Well, there's the obvious, what's the world

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<v Speaker 1>going to look like at the end of the century

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<v Speaker 1>for children, grandchildren? And is their life after death? But

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<v Speaker 1>I feel we're going through an age of unaccountability and

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<v Speaker 1>I would like to see some of the miscreants and

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<v Speaker 1>criminals of the last eight years. I'd like to see

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<v Speaker 1>justice done. You know, it's funny. After the savings and

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<v Speaker 1>loan crisis in the early nineties, people went to jail,

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<v Speaker 1>and after there were two thousand and eight banking crisis,

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<v Speaker 1>nobody went to jail. And I thought, you know, you're

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<v Speaker 1>never going to scare these people off unless somebody pays

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<v Speaker 1>the price for it. Do you think that we really

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<v Speaker 1>are in a sort of middle ages. We're in a

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<v Speaker 1>strange period and we all come out of it, because

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<v Speaker 1>we always do. Because the pendulum swings very dramatically in

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<v Speaker 1>the United States and less so in Britain, less so

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<v Speaker 1>in Canada, probably less so in Australia. But in America

0:11:54.840 --> 0:11:59.360
<v Speaker 1>you go from the anti establishment sixties and by three

0:11:59.440 --> 0:12:02.120
<v Speaker 1>or eighty four you had a Wall Street explosion with

0:12:02.160 --> 0:12:05.520
<v Speaker 1>the same people. So things do tend to swing. They're

0:12:05.520 --> 0:12:07.559
<v Speaker 1>going to swing another way, and I have no idea

0:12:07.600 --> 0:12:09.600
<v Speaker 1>which way that's going to go, but things will be

0:12:09.720 --> 0:12:12.280
<v Speaker 1>very different in three years than they are now. I agree.

0:12:12.559 --> 0:12:16.640
<v Speaker 1>So if it's this era of on accountability, then how

0:12:16.720 --> 0:12:19.560
<v Speaker 1>is it also this era of sort of witch hunting

0:12:19.640 --> 0:12:23.040
<v Speaker 1>as well and forcible responsibility. It seems to be these

0:12:23.080 --> 0:12:26.120
<v Speaker 1>two extremes are happening at the same time. That's a

0:12:26.160 --> 0:12:28.959
<v Speaker 1>good point, is that part of the pendulum swinging, I mean,

0:12:29.080 --> 0:12:30.960
<v Speaker 1>is that part of what you think is that when

0:12:31.120 --> 0:12:34.319
<v Speaker 1>something cannot settle, when it needs to change but it

0:12:34.360 --> 0:12:36.600
<v Speaker 1>can't figure out where it's going to, that all voices

0:12:36.640 --> 0:12:40.080
<v Speaker 1>just become louder. Well, the culture wars are so far

0:12:40.400 --> 0:12:43.720
<v Speaker 1>out on one swing of the pendulum, do you worry

0:12:43.760 --> 0:12:46.880
<v Speaker 1>that if the pendulum does swing, those voices won't count

0:12:46.920 --> 0:12:48.959
<v Speaker 1>at all? Because that's the only way to go. You

0:12:49.000 --> 0:12:51.520
<v Speaker 1>can't have counting more. And if they don't count at all,

0:12:51.800 --> 0:12:55.120
<v Speaker 1>you go back to a very dark place where people

0:12:55.120 --> 0:12:59.040
<v Speaker 1>who are underserved or underprivileged have no say in what's

0:12:59.080 --> 0:13:01.000
<v Speaker 1>going on. So all I know is it won't stay

0:13:01.040 --> 0:13:04.000
<v Speaker 1>the same. Never does. So things will shift and I

0:13:04.040 --> 0:13:06.240
<v Speaker 1>have no idea which way they'll shift. And if you're

0:13:06.240 --> 0:13:08.440
<v Speaker 1>in the nineteen sixties and you said, like, the same

0:13:08.480 --> 0:13:10.920
<v Speaker 1>guys that are protesting the war in Vietnam in the

0:13:11.000 --> 0:13:15.040
<v Speaker 1>nine Democratic Convention are gonna wind up being the suspender

0:13:15.080 --> 0:13:18.679
<v Speaker 1>wearing bankers on Wall Street fourteen years ladies say you're crazy.

0:13:18.920 --> 0:13:22.360
<v Speaker 1>It's so weird because stuff needs to change, like systemic changes.

0:13:22.480 --> 0:13:25.800
<v Speaker 1>That is a very real happening that America needs and

0:13:25.960 --> 0:13:28.560
<v Speaker 1>arguably the world needs. A lot of good will come

0:13:28.559 --> 0:13:30.360
<v Speaker 1>out of this. I don't know what good will come

0:13:30.360 --> 0:13:33.400
<v Speaker 1>out of it, but a lot will social and people generally.

0:13:33.679 --> 0:13:37.079
<v Speaker 1>The end result is something better than before the social

0:13:37.280 --> 0:13:41.800
<v Speaker 1>people started, right, and that historically that's what it looks like. Yeah,

0:13:41.880 --> 0:13:44.160
<v Speaker 1>and so four years now things will be better, at

0:13:44.200 --> 0:13:46.360
<v Speaker 1>least I as him, So maybe they won't be. I'm

0:13:46.360 --> 0:13:49.000
<v Speaker 1>a half glass full sort of person, so my son

0:13:49.080 --> 0:13:50.880
<v Speaker 1>said the other day when he was like, I don't

0:13:50.960 --> 0:13:54.760
<v Speaker 1>I don't understand the glass half full. The glass had empty, Like,

0:13:54.760 --> 0:13:57.760
<v Speaker 1>why don't you just refill the glass though it's full? Like,

0:13:57.840 --> 0:14:05.920
<v Speaker 1>just refilled the glass? What relationship real or fictionalized defines

0:14:06.000 --> 0:14:08.480
<v Speaker 1>love for you. You know, I've got five children. I've

0:14:08.480 --> 0:14:10.880
<v Speaker 1>seen the way my children are with each other, and

0:14:10.920 --> 0:14:14.480
<v Speaker 1>that is absolutely and utter true love. Even if they

0:14:14.480 --> 0:14:16.520
<v Speaker 1>haven't seen each other for like four months, because one

0:14:16.600 --> 0:14:19.040
<v Speaker 1>lives in Los Angeles, one in London, three of them

0:14:19.080 --> 0:14:20.560
<v Speaker 1>live in New York, that they just sort of pick

0:14:20.640 --> 0:14:23.360
<v Speaker 1>up a conversation that they left off like six months

0:14:23.400 --> 0:14:25.640
<v Speaker 1>before and never stopped talking, And that would be it

0:14:25.720 --> 0:14:27.560
<v Speaker 1>would be my definition of luck. It's the way that

0:14:27.600 --> 0:14:31.280
<v Speaker 1>they love each other. Right, How do you think that

0:14:31.320 --> 0:14:35.080
<v Speaker 1>you have thoroughly nice children because they learned that that's

0:14:35.200 --> 0:14:37.480
<v Speaker 1>learned that. I feel like it's learned behavior. You know,

0:14:37.600 --> 0:14:39.600
<v Speaker 1>Like we would go to dinner and they would sit

0:14:39.600 --> 0:14:42.520
<v Speaker 1>at the table, they couldn't bring any toys before, screens

0:14:42.600 --> 0:14:44.720
<v Speaker 1>or anything like that, and they either like said nothing

0:14:44.840 --> 0:14:46.440
<v Speaker 1>or they would have to start talking to each other.

0:14:46.560 --> 0:14:50.360
<v Speaker 1>It took a few dinners and restaurants before they have

0:14:50.440 --> 0:14:52.840
<v Speaker 1>sudden they realized that this is it, we have to

0:14:52.880 --> 0:14:55.160
<v Speaker 1>start talking to each other. And they started and they

0:14:55.240 --> 0:14:59.360
<v Speaker 1>never stopped. Do you think that conversation is a far

0:14:59.480 --> 0:15:02.200
<v Speaker 1>more powerful tool than we give it credit for? I

0:15:02.240 --> 0:15:05.800
<v Speaker 1>feel like conversation is kind of dissolved now into screaming matches,

0:15:05.880 --> 0:15:08.440
<v Speaker 1>and that that idea of being able to share ideas

0:15:08.640 --> 0:15:10.560
<v Speaker 1>or listen to someone else is kind of a bit

0:15:10.600 --> 0:15:14.480
<v Speaker 1>more remote. Well, there's always been hot button issues within families,

0:15:14.520 --> 0:15:17.800
<v Speaker 1>within groups of friends, within colleagues, you know. And during

0:15:17.880 --> 0:15:20.960
<v Speaker 1>the nineteen sixties and early seventies, you know, the war

0:15:21.200 --> 0:15:25.520
<v Speaker 1>was a very much a hot hot button issue. You know,

0:15:25.600 --> 0:15:29.600
<v Speaker 1>climate changes, the culture wars are now. The Battle of

0:15:29.600 --> 0:15:32.240
<v Speaker 1>the sexes in the sixties was a hot button issues.

0:15:32.280 --> 0:15:34.200
<v Speaker 1>So there's always there. So you're going to have sort

0:15:34.200 --> 0:15:37.320
<v Speaker 1>of elements at a dinner table that you are going

0:15:37.400 --> 0:15:40.480
<v Speaker 1>to avoid based on your reading of the other people

0:15:40.480 --> 0:15:43.520
<v Speaker 1>at the table, right, Because interesting getting your children to

0:15:43.560 --> 0:15:46.200
<v Speaker 1>listen to each other or to even engage, Like it

0:15:46.240 --> 0:15:48.840
<v Speaker 1>was funny Kate's youngest and my son at the same age,

0:15:48.880 --> 0:15:50.760
<v Speaker 1>and I took them out for lunch today and they

0:15:50.800 --> 0:15:54.560
<v Speaker 1>sat there and locked in this awkward silence to begin with,

0:15:55.000 --> 0:15:57.120
<v Speaker 1>and then I got up to go and talk to

0:15:57.320 --> 0:15:59.800
<v Speaker 1>a friend who I had seen and it's so interesting

0:16:00.080 --> 0:16:04.200
<v Speaker 1>when there isn't any alternative. They really did just start talking.

0:16:04.800 --> 0:16:06.160
<v Speaker 1>But it's kind of like your their backs have to

0:16:06.200 --> 0:16:07.920
<v Speaker 1>be against the wall to do it and there has

0:16:07.960 --> 0:16:10.040
<v Speaker 1>to be no distraction. Yeah, you need something to prime

0:16:10.080 --> 0:16:11.960
<v Speaker 1>the pump. I used to do this thing called quiz

0:16:12.000 --> 0:16:14.640
<v Speaker 1>Masters at the dinner table, and because I got home

0:16:14.680 --> 0:16:17.040
<v Speaker 1>at five thirty most days and then I've had dinner

0:16:17.040 --> 0:16:19.000
<v Speaker 1>with my family, we have a thing called quiz Masters,

0:16:19.040 --> 0:16:21.160
<v Speaker 1>and I would just just make up these things, like

0:16:21.200 --> 0:16:24.680
<v Speaker 1>for five points, what does you know NBC stand for?

0:16:24.680 --> 0:16:27.720
<v Speaker 1>For like eight points what cars to general motors make?

0:16:27.800 --> 0:16:30.120
<v Speaker 1>And you know, things like they are in cultural things

0:16:30.120 --> 0:16:32.800
<v Speaker 1>and business things and political things. And as a result,

0:16:32.880 --> 0:16:35.960
<v Speaker 1>we have something called Loser Nightlife where we have dinner

0:16:36.000 --> 0:16:39.400
<v Speaker 1>and watched Jeopardy. I love Jeopardy, so my kids, I mean,

0:16:39.680 --> 0:16:42.560
<v Speaker 1>my kids are astoundingly good to Jeopardy. I think because

0:16:42.560 --> 0:16:45.720
<v Speaker 1>of quiz Masters, you ran you dinner like trivial pursuit.

0:16:46.600 --> 0:16:49.400
<v Speaker 1>It primes the pump and conversation. I think it's really good.

0:16:49.480 --> 0:16:52.400
<v Speaker 1>I'm adding that into my percentages of what parenting is.

0:16:52.560 --> 0:16:57.200
<v Speaker 1>I think being a quiz master is a legitimate percentage. Sure. Yeah,

0:16:57.480 --> 0:17:00.000
<v Speaker 1>And it's like stupid stuff. It's not an important history

0:17:00.040 --> 0:17:02.360
<v Speaker 1>racle stuff. It's just dumb things that are sort of

0:17:02.440 --> 0:17:04.600
<v Speaker 1>linked in the culture that you want them to know.

0:17:04.640 --> 0:17:09.280
<v Speaker 1>About is because they're gonna learn important stuff in school. Definitely, definitely, definitely,

0:17:09.680 --> 0:17:12.840
<v Speaker 1>And also weirdly, there's a brevity and there's well maybe

0:17:12.840 --> 0:17:15.399
<v Speaker 1>it's just with children with a short attention span, a

0:17:15.480 --> 0:17:18.240
<v Speaker 1>short question with a short answer that has a sort

0:17:18.240 --> 0:17:21.600
<v Speaker 1>of mind blowing concept. But my son loves that you

0:17:21.640 --> 0:17:23.679
<v Speaker 1>know the distance from the Earth to the sun, and

0:17:23.920 --> 0:17:26.679
<v Speaker 1>that's why it's right, why quiz is good. But I

0:17:26.720 --> 0:17:29.640
<v Speaker 1>do also think it gives you like a foundation of curiosity,

0:17:29.680 --> 0:17:32.320
<v Speaker 1>which I do think needs to be encouraged, particularly now

0:17:32.400 --> 0:17:36.000
<v Speaker 1>with the distraction of everything. I agree, I agree, I

0:17:36.040 --> 0:17:42.639
<v Speaker 1>agree with that what would be your last meal? Like

0:17:42.720 --> 0:17:45.639
<v Speaker 1>the actual food elements, Yeah, I mean you can actually

0:17:45.720 --> 0:17:48.040
<v Speaker 1>expand on where it would be in Hobie with but yeah,

0:17:48.080 --> 0:17:49.480
<v Speaker 1>the food, I'm not going to say, like you know,

0:17:49.600 --> 0:17:52.040
<v Speaker 1>your hoody menu went in Winston Churchill like everybody else,

0:17:52.040 --> 0:17:53.920
<v Speaker 1>and I mean they could be I mean, you know,

0:17:54.119 --> 0:17:58.080
<v Speaker 1>it's your last dinner. My last dinner would be pretty simple. No,

0:17:58.200 --> 0:18:00.440
<v Speaker 1>I'm not a gourmand. I don't know about lines or

0:18:00.480 --> 0:18:03.320
<v Speaker 1>anything like that, or smoke cigars or anything like that.

0:18:03.320 --> 0:18:07.200
<v Speaker 1>I'd probably have Italian food and red wine and now

0:18:07.280 --> 0:18:10.119
<v Speaker 1>ice cream and I'd have cigarettes after the meal, you

0:18:10.160 --> 0:18:13.520
<v Speaker 1>would definitely are you kidding me? Yes, cigarette before the meal,

0:18:13.720 --> 0:18:16.720
<v Speaker 1>sigarette after the meal. Good cigarettes. Cigarettes are a huge

0:18:16.720 --> 0:18:19.720
<v Speaker 1>part of your meal. Man, I wish they were. I know.

0:18:19.920 --> 0:18:21.639
<v Speaker 1>I'm with you. I will always, I think, be a

0:18:21.760 --> 0:18:23.919
<v Speaker 1>smoker who chooses not to smoke. Yeah, and I'm a

0:18:23.960 --> 0:18:27.160
<v Speaker 1>white knuckle non smoker. Yeah. That's actually a good wife

0:18:27.200 --> 0:18:29.600
<v Speaker 1>putting it. It's terrible. It's terrible to have done something

0:18:29.800 --> 0:18:37.280
<v Speaker 1>that I knew was so, Joe, what person, place, or

0:18:37.320 --> 0:18:41.199
<v Speaker 1>experience has most altered your life? Well, obviously you know,

0:18:41.400 --> 0:18:44.480
<v Speaker 1>family members and huge part you know, so I knew

0:18:44.480 --> 0:18:46.560
<v Speaker 1>has had a huge impact of my life. I worked

0:18:46.560 --> 0:18:49.720
<v Speaker 1>for for twenty years and he was like a father

0:18:49.800 --> 0:18:51.639
<v Speaker 1>to me, and I learned more from him than I

0:18:51.760 --> 0:18:55.600
<v Speaker 1>probably learned from anybody in a working situation. And I

0:18:55.640 --> 0:18:58.679
<v Speaker 1>feel blessed by that. And I got to ride the

0:18:58.680 --> 0:19:01.200
<v Speaker 1>concorde at the same time. So that was win win.

0:19:01.680 --> 0:19:03.840
<v Speaker 1>Hold on, So, did he teach you a lot about

0:19:03.920 --> 0:19:07.800
<v Speaker 1>life or about specifically working in publishing and being an editor.

0:19:08.040 --> 0:19:11.639
<v Speaker 1>It's altogether. You know, he hated trickery. He loved you know,

0:19:11.680 --> 0:19:14.960
<v Speaker 1>the cleanliness of making a magazine is easy to read.

0:19:15.000 --> 0:19:18.280
<v Speaker 1>As humanly possible, and they're often when you have lunch

0:19:18.280 --> 0:19:21.520
<v Speaker 1>with them, to be long gaps, and you learned not

0:19:21.760 --> 0:19:25.080
<v Speaker 1>to fill in those gaps because I was thinking about

0:19:25.080 --> 0:19:27.639
<v Speaker 1>what he wanted to say, and as a result, I

0:19:27.640 --> 0:19:32.000
<v Speaker 1>don't recall him ever saying anything dumb. Ever, everything he

0:19:32.119 --> 0:19:36.000
<v Speaker 1>said was thoughtful and reasoned, and he had a study

0:19:36.000 --> 0:19:39.080
<v Speaker 1>of yoda Ish wisdom and this I've also learned that

0:19:39.119 --> 0:19:40.960
<v Speaker 1>he would have a conversation about a problem in a

0:19:41.080 --> 0:19:44.640
<v Speaker 1>very socratic method. Rather than saying do this, he said,

0:19:44.680 --> 0:19:47.040
<v Speaker 1>have you thought of this? And you worked through a

0:19:47.080 --> 0:19:50.280
<v Speaker 1>problem that way? So what he'd ask you to examine,

0:19:50.560 --> 0:19:52.760
<v Speaker 1>like have you thought about these different ways of looking

0:19:52.760 --> 0:19:55.560
<v Speaker 1>at this? Yes? And you could say, well, I can't

0:19:55.560 --> 0:19:57.639
<v Speaker 1>do it this way because of this, for this reason

0:19:57.640 --> 0:20:01.080
<v Speaker 1>and that reason. And I think it came through him organically.

0:20:01.080 --> 0:20:03.320
<v Speaker 1>I don't think anybody sort of instructed him to do this.

0:20:03.440 --> 0:20:05.240
<v Speaker 1>It's just the way his mind worked. I found it

0:20:05.359 --> 0:20:07.920
<v Speaker 1>invaluable when I was working for him, and I find

0:20:07.920 --> 0:20:10.520
<v Speaker 1>it a value as I work after him. Now, do

0:20:10.560 --> 0:20:13.919
<v Speaker 1>you think that having a sort of paternal or Evankula

0:20:14.080 --> 0:20:17.360
<v Speaker 1>figure in your life was that all pre children? I'm

0:20:17.359 --> 0:20:21.000
<v Speaker 1>tryingly no, I've I've always had an older man in

0:20:21.040 --> 0:20:23.360
<v Speaker 1>my life. And you know, when you're in your twenties

0:20:23.400 --> 0:20:25.879
<v Speaker 1>and somebody in their thirties takes you seriously, you're you know,

0:20:25.960 --> 0:20:29.680
<v Speaker 1>you're e static. It's very validating. And so I've always

0:20:29.720 --> 0:20:32.760
<v Speaker 1>been last with any number of sort of older figures.

0:20:32.800 --> 0:20:35.280
<v Speaker 1>I mean, David Halberstam was a good friend of mine

0:20:35.280 --> 0:20:37.240
<v Speaker 1>and he was fifteen years older than me, but we

0:20:37.320 --> 0:20:39.080
<v Speaker 1>used to talk a couple of times a week. And

0:20:39.160 --> 0:20:41.200
<v Speaker 1>there was a writer called Michael Hare who had brought

0:20:41.240 --> 0:20:44.480
<v Speaker 1>a very famous book about Vietnam called Dispatches. You know,

0:20:44.520 --> 0:20:46.640
<v Speaker 1>I talked to him for hours usday, used to talk

0:20:46.640 --> 0:20:49.040
<v Speaker 1>to for hours every day to like frandly with it.

0:20:49.119 --> 0:20:51.040
<v Speaker 1>So it's just there a lot of people in your

0:20:51.040 --> 0:20:54.600
<v Speaker 1>life that have part in shaping who you've become over

0:20:54.640 --> 0:20:57.240
<v Speaker 1>the years. And the way you think, yeah, do you

0:20:57.240 --> 0:21:00.520
<v Speaker 1>find that you at that figure for your children? Um,

0:21:00.560 --> 0:21:02.080
<v Speaker 1>you know, you want your child to be able to

0:21:02.080 --> 0:21:03.920
<v Speaker 1>come to you, but you do not want to be

0:21:04.359 --> 0:21:07.480
<v Speaker 1>intruding on their lives. They're adults, they have their own lives,

0:21:07.480 --> 0:21:10.159
<v Speaker 1>their own careers, and then there as a backdrop in

0:21:10.160 --> 0:21:12.280
<v Speaker 1>case they want to talk about something. And I see

0:21:12.320 --> 0:21:14.400
<v Speaker 1>a lot of them, and I'm trying to be as

0:21:14.400 --> 0:21:18.240
<v Speaker 1>supportive and helpful as I can without getting in the way.

0:21:28.520 --> 0:21:31.400
<v Speaker 1>Where and when were you happiest? I mean, I'm generally

0:21:31.400 --> 0:21:33.399
<v Speaker 1>a pretty content person. I can put up with a

0:21:33.400 --> 0:21:35.439
<v Speaker 1>lot of crap and still managed to get through a

0:21:35.440 --> 0:21:40.080
<v Speaker 1>good day. But four years ago, almost today, i'd left

0:21:40.080 --> 0:21:42.400
<v Speaker 1>fanity Fair. I left handy Fair one day. The next

0:21:42.520 --> 0:21:45.040
<v Speaker 1>day we're on a flight to London on our way

0:21:45.080 --> 0:21:48.679
<v Speaker 1>to Provence. And the time I spent spent most of

0:21:48.720 --> 0:21:51.400
<v Speaker 1>the next three years in this little town in Provence,

0:21:51.480 --> 0:21:55.040
<v Speaker 1>about twenty miles north of Antibe, and I honestly think

0:21:55.160 --> 0:21:57.560
<v Speaker 1>I was happier there than I've ever been in my life.

0:21:57.760 --> 0:22:00.960
<v Speaker 1>I had no stress of a big job in jobs

0:22:01.000 --> 0:22:02.719
<v Speaker 1>like you know, being the other vanuy Ferrets have an

0:22:02.800 --> 0:22:05.440
<v Speaker 1>enjoyable job, but it is stressful and it does take

0:22:05.480 --> 0:22:08.720
<v Speaker 1>its toll. And I just felt like all this weight

0:22:08.800 --> 0:22:11.200
<v Speaker 1>had been lifted from my shoulders. I got like two

0:22:11.240 --> 0:22:15.960
<v Speaker 1>thousand letters from around the world, people saying congratulations or whatever,

0:22:16.119 --> 0:22:19.040
<v Speaker 1>and I replied to every one of them, and I

0:22:19.200 --> 0:22:22.160
<v Speaker 1>just read and relaxed and went to the Christmas markets.

0:22:22.320 --> 0:22:26.320
<v Speaker 1>And we had thirteen family members come for Christmas and

0:22:26.640 --> 0:22:28.560
<v Speaker 1>it was just the one of the most enjoyable periods

0:22:28.560 --> 0:22:31.080
<v Speaker 1>of my life. And how long were you therefore, well,

0:22:31.119 --> 0:22:33.520
<v Speaker 1>about two and a half years, over three and a

0:22:33.600 --> 0:22:35.960
<v Speaker 1>half year period, and we had to go back to

0:22:36.000 --> 0:22:37.800
<v Speaker 1>New York for a period, and then we're back in

0:22:37.840 --> 0:22:39.760
<v Speaker 1>New York. Now that's where I am. Now. So what

0:22:40.359 --> 0:22:43.360
<v Speaker 1>if we don't associate work with being happy, then why

0:22:43.440 --> 0:22:46.320
<v Speaker 1>is that the sort of apparently all an end all pursuit.

0:22:46.560 --> 0:22:48.879
<v Speaker 1>It's like, why are we happiest when we don't have

0:22:48.920 --> 0:22:53.040
<v Speaker 1>that pressure? And yet that pressure is about of our lives,

0:22:53.119 --> 0:22:55.879
<v Speaker 1>it seems all the pursuit of it. Well, there's stress,

0:22:55.880 --> 0:22:58.320
<v Speaker 1>and there's pressure, and I find that stress comes from

0:22:58.640 --> 0:23:01.440
<v Speaker 1>external factors. Sure, just sort of something you can put

0:23:01.480 --> 0:23:04.320
<v Speaker 1>on yourself to do something better, to write something better,

0:23:04.359 --> 0:23:07.639
<v Speaker 1>to film something better, to paint something better. And I

0:23:07.760 --> 0:23:10.800
<v Speaker 1>love working and I love my job at Vanni very.

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<v Speaker 1>I was just really happy when I was done. Yeah.

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<v Speaker 1>I love working. Yeah, me too, I love it in moderation. Yeah.

0:23:18.160 --> 0:23:20.399
<v Speaker 1>The best time is the time between when I know

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<v Speaker 1>I've got a job and when the job actually starts.

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<v Speaker 1>I really like that bit in between. That's true, because

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<v Speaker 1>you need an income and you need to be busy,

0:23:28.359 --> 0:23:30.480
<v Speaker 1>otherwise you just woind up being a playing golf and

0:23:30.560 --> 0:23:33.680
<v Speaker 1>becoming a Republican. Yes, those two things do seem to

0:23:33.760 --> 0:23:40.399
<v Speaker 1>go hand in hand. They do, brilliant. Thank you so much. Okay, Okay,

0:23:40.400 --> 0:23:43.159
<v Speaker 1>it's the pleasure, and thank you so much. Thank you,

0:23:43.240 --> 0:23:51.680
<v Speaker 1>graydon At. You can sign up to receive air mail weekly,

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<v Speaker 1>and inside airmail is this incredible thing called Arts Intel,

0:23:57.440 --> 0:24:01.720
<v Speaker 1>which is the only global cultural matrix for finding out

0:24:01.720 --> 0:24:08.600
<v Speaker 1>what's happening in the arts around the whole world. Mini

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<v Speaker 1>Questions is hosted and written by Me Mini Driver, supervising

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<v Speaker 1>producer Aaron Kaufman, Producer Morgan Lavoy, Research assistant Marissa Brown.

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<v Speaker 1>Original music Sorry Baby by Mini Driver, Additional music by

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<v Speaker 1>Aaron Kaufman. Executive produced by Me Mini Driver. Special thanks

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<v Speaker 1>to Jim Nikolay, Will Pearson, Addison No Day, Lisa Castella

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<v Speaker 1>and Annicke Oppenheim at w kPr de La Pescador, Kate

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<v Speaker 1>Driver and Jason Weinberg, and for constantly solicited tech support,

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<v Speaker 1>Henry Driver