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Speaker 1: There is an old familiar saying everyone has two countries

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Speaker 1: their own and France. For France is the land of individualism,

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Speaker 1: where you can allow your personal idiosyncrasies full play and

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Speaker 1: apologize for them with complete acceptability by the simple remark

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Speaker 1: jesuit com sa you are like that. It's all that

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Speaker 1: need be said. In France. Every person has a right

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Speaker 1: to be themselves. They needn't conform to the model of another.

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Speaker 1: It is this freedom that's made Paris the hoopla capital

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Speaker 1: of the world and one of the world's great cultural centers.

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Speaker 1: There is perhaps no other place in the world that

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Speaker 1: can contribute more to the spiritual development of the individual

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Speaker 1: By virtue of the influenced. Paris brings to bear upon

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Speaker 1: anyone sensitive to beauty, measure, and intellectual stimulation. The best

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Speaker 1: proof of this fact are the many expatriot that live

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Speaker 1: in Paris who come to admire but remain to praise.

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Speaker 1: But whether you visit Paris for a day or stay

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Speaker 1: a lifetime, the city will indelibly leave its mark.

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Speaker 2: Huh the audacity and ingenuity of some people.

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Speaker 1: What are you reading this morning's sight on?

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Speaker 2: I grabbed it from the airport. They have a story

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Speaker 2: about a daring escape from East Berlin. A vehicle spit

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Speaker 2: right below the gate of checkpoint Charlie.

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Speaker 1: Sounds daring, to say the least.

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Speaker 2: Well, you can't blame them, being trapped in a country

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Speaker 2: that takes away your voice, your independence, and keeps you

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Speaker 2: caged like an animal.

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Speaker 3: How could you not.

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Speaker 2: Want to escape?

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Speaker 1: Leaving East Germany for Paris feels like we are escaping ourselves,

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Speaker 1: doesn't it.

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Speaker 2: Hmm, absolutely, though Martin certainly keeps us on a night schedule.

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Speaker 2: How long are we here for this time?

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Speaker 1: I'm not sure yet, but booking us at the Ritz

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Speaker 1: is a good way to apologize.

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Speaker 2: He has been boiling us with hotel choices.

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Speaker 1: I'm not complaining as long as it doesn't affect our budget.

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Speaker 2: I'm looking forward to seeing a new side of Paris

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Speaker 2: I haven't yet. It will feel like being a tourist

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Speaker 2: in our own city.

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Speaker 1: Feeling like a tourist is right. Martin sent the list

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Speaker 1: of sites he wants me to hit with Rebecca, and

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Speaker 1: it's everything from Notre Dame to the Eiffel Tower.

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Speaker 2: Paris is one of the biggest tourist destinations in the

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Speaker 2: world and one of our best sellers.

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Speaker 1: And he wants it all captured in color.

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Speaker 2: But it can wait until tomorrow.

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Speaker 1: Yes, yes, but tomorrow will be a busy day.

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Speaker 2: I think I'll check in at the office in the morning,

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Speaker 2: maybe even start looking for new space with Lily already.

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Speaker 2: This new expansion is going to require more than just

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Speaker 2: adding a few desks.

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Speaker 4: We need offices, a reception.

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Speaker 1: I suppose you're right, better to be prepared. Do you

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Speaker 1: have places in mind?

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Speaker 2: I was thinking something in Montmartre would be nice.

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Speaker 1: I don't know. Perhaps it's too far. Maybe you should

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Speaker 1: look for something closer to the river.

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Speaker 2: Will debate neighbor's tomorrow. Tonight we check in, take a

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Speaker 2: bath and reeling.

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Speaker 1: We will monchuris vulvu couche avec mois this one?

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Speaker 2: But if you play your cards right, and here we are.

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Speaker 1: The Ritz Hotel is charmingly located and possibly the most

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Speaker 1: harmonious square in Paris, with the von Dome column rising

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Speaker 1: in its center and surrounded by luxury shopping and exceptional restaurants.

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Speaker 1: The hotel possesses two tiny bars, which are the most

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Speaker 1: elegant places in Paris to meet before lunch or dinner,

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Speaker 1: and a new attractive restaurant, the Espadont, which hosts a

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Speaker 1: celebrated weekly de jonet Monden. The Ritz has two hundred

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Speaker 1: and ten large, handsome rooms, the majority of which have baths,

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Speaker 1: attended to by a staff that's greater in number than

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Speaker 1: it's guests, and the service can be judged accordingly.

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Speaker 5: Venue.

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Speaker 6: How may I help you checking in, Monsieur and Madame

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Speaker 6: Fodor Caribbean. Here's your key and we will listen to

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Speaker 6: you with your bags and Monsieur, I have it Beckuters

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Speaker 6: for you.

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Speaker 1: It arrived this morning. More instructions from Martin. I'm sure, darling.

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Speaker 1: Why don't you go upstairs and start running that path.

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Speaker 1: I'll check my messages and be done with business.

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Speaker 5: For the night.

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Speaker 7: Sounds splendid.

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Speaker 5: We'll fight this way, Madame, Hello, Jean, welcome to Paris.

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Speaker 8: That was a bit of a hairy situation you left

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Speaker 8: back in East Germany, but I had no doubt you

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Speaker 8: get Sebago out. Upon his debrief with the JA, Zabago

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Speaker 8: revealed the photos of three men who entered France with

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Speaker 8: fake passports to assassinate President Charles de Gaul for changing

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Speaker 8: his position on Algeria and now supporting its independence. These

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Speaker 8: men believe they are working for the oas but they

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Speaker 8: are really being funded by the Soviets, who hope that

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Speaker 8: the death of de Gaulle and the turmoil that would

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Speaker 8: follow not only gives Communism a foothold in Algeria, but

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Speaker 8: threaten the very existence of the NATO Alliance. We obviously

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Speaker 8: can't allow that to happen. Your mission is to deliver

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Speaker 8: the photos to our contact at the sdece. French intelligence

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Speaker 8: has been warned of the threat. They should be able

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Speaker 8: to act on the intel and prevent any assassination attempt.

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Speaker 8: Rebecca will meet you at the Eiffel Tower at eighteen

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Speaker 8: hundred to help coordinate the exchange. Thanks, Gene, I'll be

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Speaker 8: in touch soon.

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Speaker 4: Apolate a room four They play in moment.

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Speaker 5: Hello, it's me.

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Speaker 2: Oh, this can't be good news.

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Speaker 1: Martin left even more assignments. Wants us to cover the

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Speaker 1: Paris nightlife for the new edition. Even the Moulin Rouge

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Speaker 1: thinks it will sell copies.

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Speaker 5: He's not wrong.

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Speaker 2: Sex sells, but this bath sure will feel lonely.

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Speaker 1: Enjoy it, order room service, spoil yourself. I'll catch up

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Speaker 1: as soon as I'm back.

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Speaker 5: Are you sure you deserve arrest?

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Speaker 2: After everything in Germany?

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Speaker 1: I just want to get this done, so it's not

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Speaker 1: hanging over my head. Don't wait up, I might be late, Okay,

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Speaker 1: I love you. The real marvel of Paris, for many

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Speaker 1: is the Eiffel Tower. If the Statue of Liberty is

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Speaker 1: New York, if Big Ben is London, if the Kremlin

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Speaker 1: is Moscow, then the Eiffel Tower is Paris. For two years,

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Speaker 1: a French engineer worked to a wrecked this strange and

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Speaker 1: ugly monument, which was designed to exalt the technical era

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Speaker 1: that had begun to shine in the lamp of Edison

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Speaker 1: and to stammer in the first phone call of Bell.

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Speaker 1: Eiffel used five thousand sheets of paper, each nearly a

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Speaker 1: yard square for his full scale plans of this enormous construction.

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Speaker 1: It was inaugurated on June tenth, eighteen eighty nine, by Edward,

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Speaker 1: the seventh Prince of Wales, and for years Parisians considered

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Speaker 1: it fashionable to call it hideous and to compare it

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Speaker 1: to a fifteen million pound giraffe whose head sort one

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Speaker 1: thousand feet high. But gradually it became part of the

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Speaker 1: Parisian landscape, and paperweights, ash trays and souvenirs spread its

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Speaker 1: reputation around the.

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Speaker 4: World from Asgeen. Sorry, I know you're never in photos,

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Speaker 4: but you looked so sweet standing there like a tourist

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Speaker 4: on holiday.

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Speaker 1: Well, hello to you too, Rebecca. What do you say

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Speaker 1: we hurry up and deliver these photo so we can

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Speaker 1: get a little holiday in ourselves.

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Speaker 4: Our contact from French intelligence should be waiting for us.

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Speaker 7: Let me see.

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Speaker 4: Yes, there that man across the park. That is our contact, Hugo.

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Speaker 1: So what's the plan?

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Speaker 4: Real simple, transfer the passports and go our separate ways.

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Speaker 1: Great, maybe I'll make it back in time to surprise blaster.

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Speaker 4: Bon soir, Rebecca, Hi, Hugo, Nice to see you again.

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Speaker 4: This is my colleague Jeane.

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Speaker 1: A pleasure. I think these are for.

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Speaker 3: You, Ello, Jean, I can't thank you enough for delivering.

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Speaker 7: These our pleasure. I hope they help.

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Speaker 3: Yes, now we can put faces to the names of

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Speaker 3: matamp provided and it confirms our identity.

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Speaker 4: You know who they are.

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Speaker 3: We tracked the names to a hotel on the right bank,

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Speaker 3: but the assassins were tipped off and escaped before we

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Speaker 3: could make the arrest. The problem is these men are

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Speaker 3: former French military and have helped Bonzi inside.

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Speaker 1: De Gale should leave the city immediately and go into

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Speaker 1: protective custody.

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Speaker 3: Goal is a stubborn of the world and refuses to

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Speaker 3: do anything. There have already been thirty one assassination attempts

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Speaker 3: on his life that have all failed, so now he

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Speaker 3: seems to think he is on voneble.

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Speaker 4: But if they're French military with help on the inside,

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Speaker 4: that means they're dangerous and difficult to.

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Speaker 3: Catch, exactly something the Goal does not understand and the

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Speaker 3: reason why we need your help tracking the assassins our help.

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Speaker 1: We just gave you the passports. That's all we were

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Speaker 1: asked to do. I'm not qualified, Jeane.

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Speaker 4: Now that's not true. You told me yourself. No one

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Speaker 4: knows the city better and it would just be one night.

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Speaker 4: All we have to do is help find them. A

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Speaker 4: life literally might depend on it.

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Speaker 6: Many In fact, why do I even argue, fine, what

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Speaker 6: do we know about the men?

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Speaker 3: They are all as assassins organization are mes secret if

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Speaker 3: our write paramilitary terrorist organization intent on preventing a Aligerian independence.

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Speaker 3: Now that we can confirm our intelligence is correct, their

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Speaker 3: names are Jean Marie Bastian Theirie, a French Air Force

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Speaker 3: lieutenant colonel and military air weaponry engineer. Pierre Andre Magaard,

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Speaker 3: a twenty two year old Air Force des attire, and

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Speaker 3: the oping brute of a Pienoir named George Woitin, who

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Speaker 3: collected the ears of Algerian rebels he killed in a

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Speaker 3: glass jar. Charming, he told others in Algeria his fondest

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Speaker 3: wish was to add the Goal's ears to his collection.

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Speaker 3: They are all angry at the Goal for changing his

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Speaker 3: position on Algerian independence, calling him a tyrant and claiming

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Speaker 3: his assassination justified.

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Speaker 1: Look, they sound like some serious characters. Yes, I know

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Speaker 1: the city, but I must remind you both I'm just

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Speaker 1: a travel writer. You must have someone better suited for

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Speaker 1: the job.

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Speaker 3: We have the entire city looking for them, but with

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Speaker 3: their contacts on the inside, we need all the outside

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Speaker 3: help we can get.

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Speaker 7: We'll do whatever we can.

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Speaker 3: All I ask is please take a look at the

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Speaker 3: hotel rooms they deserted. See if you can find anything

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Speaker 3: in the evidence left behind. Martin said, you two are

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Speaker 3: good at solving puzzles.

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Speaker 1: We'll try our best.

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Speaker 7: Lead the way.

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Speaker 3: This is a room where the assassins have been staying.

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Speaker 3: They used the large passports to books or rooms.

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Speaker 1: Did they use the passports anywhere else? Any pattern to track.

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Speaker 3: They used them to enter Germany by trains six days ago,

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Speaker 3: but the trail ends here.

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Speaker 4: What about contacts in the city, any places they might.

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Speaker 3: Go too many? They are French and they have support,

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Speaker 3: They could be anywhere.

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Speaker 1: They clearly left in a hurry.

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Speaker 3: It seems they took everything with them other than the

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Speaker 3: few pieces of clothing you see.

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Speaker 1: And numerous cigarette butts, heavy smokers it looks.

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Speaker 4: Like, and drinkers.

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Speaker 3: As I said Zeya French.

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Speaker 1: Honestly, I could use a cigarette myself. You go mind

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Speaker 1: If I use those matches unlike our friends, I will

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Speaker 1: enjoy it on the balcony.

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Speaker 3: Of course, I need to make it fun. Called take

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Speaker 3: your time.

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Speaker 4: I'll join you.

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Speaker 7: Jean, What was that about?

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Speaker 4: You don't smoke?

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Speaker 1: See this symbol on the matchbook? I recognize it looks

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Speaker 1: like a music note it is, and I know a

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Speaker 1: club it came from. And if our guys went there,

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Speaker 1: I know who would have seen them.

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Speaker 4: Well that's great.

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Speaker 7: Why not tell Hugo.

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Speaker 1: Because he said it himself. There's someone on the inside

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Speaker 1: tipping them off, maybe even him. Yes, but look, if

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Speaker 1: my hunch is right and we get some info, we

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Speaker 1: can always loop him in. But better safe than sorry.

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Speaker 4: Right, well, look who's getting good at us?

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Speaker 1: Reluctantly, so where are we heading to? The best jazz

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Speaker 1: club in Paris. Paris is one city where no one

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Speaker 1: has ever had to ask what do you do at night? Fortunately,

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Speaker 1: a considerable proportion of the population of Paris is concerned

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Speaker 1: with providing distraction in the hours of darkness. Most of

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Speaker 1: it legal. All you have to do is sally forth

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Speaker 1: and let nature take its course. But if it's cutting

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Speaker 1: edge music you seek, there is no better place than

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Speaker 1: the Club Saint Jermon. Every night visiting an expatriate American

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Speaker 1: jazz musicians like Sidney Baschet, Charlie Parker, Bud Powell, James

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Speaker 1: Moody and Miles Davis hit the stage of the small,

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Speaker 1: smoke filled venue, showering the audience with the sounds of

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Speaker 1: improvisational artistry.

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Speaker 7: As much as I love live jazz.

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Speaker 4: When is your contact going to meet us?

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Speaker 1: We are on a bit of a clock. He'll be

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Speaker 1: here in a minute. Amazing, right, yeah, still got it

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Speaker 1: here he comes, great set, Kenny.

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Speaker 7: It's the drummer, mean Jean.

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Speaker 3: It's been a long time, my.

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Speaker 1: Man, Kenny. Please meet my colleague Rebecca. Rebecca the great

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Speaker 1: Kenny Clark.

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Speaker 3: It's a pleasure, mademoiselle.

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Speaker 7: You really were fantastic.

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Speaker 1: He's the best, always has been. Kenny used to keep

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Speaker 1: us entertained during the war when we were part of

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Speaker 1: the Special Services. He had a nasty habit of going

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Speaker 1: a wall whenever there was a good gig nearby.

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Speaker 5: Yeah, I mean, Jane.

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Speaker 3: He would always helped talk me out of.

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Speaker 1: Trouble my patriotic duty. Losing a drummer like you would

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Speaker 1: have been a hit to morale and it would have

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Speaker 1: been a damn shame to see you playing tin cans

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Speaker 1: in the brig.

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Speaker 4: I've actually seen you play before. Oh yeah, the Newport

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Speaker 4: Jazz Festival in fIF Thank you. And I loved your

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Speaker 4: work with Miles Davis on Birth of the Cool.

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Speaker 3: She knows her jazz, Jean.

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Speaker 1: She'll keep impressing you. Don't you worry. But in truth,

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Speaker 1: we aren't just here for the music, Kenny. We need your.

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Speaker 3: Help, anything you need, Jean. You know that what's going on.

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Speaker 1: We're looking for three French guys that came in recently,

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Speaker 1: probably a few nights ago.

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Speaker 4: Here are their photos. Do you recognize them?

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Speaker 3: Hell, yeah, I do. I can survey the whole crowd

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Speaker 3: from behind my kit. They were sitting off to the

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Speaker 3: side over there, drinking heavy, looking for trouble.

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Speaker 1: That type they are. They're Organizacion Almescret Assassins wanted by

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Speaker 1: the police.

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Speaker 3: That group has been terrorizing this city for months with

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Speaker 3: their cafe wars. Who would blow up in some people

285
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Speaker 3: just sitting down to have a coffee.

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Speaker 1: And we think they're planning something bigger.

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Speaker 3: Shit, And these sons of bitches are staying at my hotel.

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Speaker 3: I got a warm daisy. They might be trying to

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Speaker 3: blow it up too.

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Speaker 1: Don't worry, these aren't bombers. But you're sure they're staying

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Speaker 1: at your hotel?

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Speaker 3: They were. I saw him stumble in after the last set.

293
00:16:01,520 --> 00:16:03,800
Speaker 3: I think they asked the bartender for a local place

294
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Speaker 3: to stay.

295
00:16:04,520 --> 00:16:06,160
Speaker 7: It all lines up.

296
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Speaker 3: What's the Hotel La Louisianne, just down the street.

297
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Speaker 7: Let's go Geene.

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Speaker 1: Thanks Kenny, that's all we needed. Hell, that's everything we needed.

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Speaker 1: I'm just sorry we'll have to miss your next set.

300
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Speaker 3: Glad to help, But next time you're in Pirie, we

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Speaker 3: grab a drink and you tell me how this story ends.

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Speaker 1: You have a deal.

303
00:16:23,320 --> 00:16:24,080
Speaker 7: Thanks so much.

304
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Speaker 1: Hotel La Louisiane is a Parisian hotel located in the

305
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Speaker 1: heart of Saint German de Prey, one of the most

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Speaker 1: artistic neighborhoods in the city. You can find the hotel

307
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Speaker 1: at the intersection of Rue de Bussi, where it has

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00:16:39,720 --> 00:16:42,920
Speaker 1: a side entrance and Rue Descent, with its main entrance

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Speaker 1: in the sixth arrondisement. It's well known as a home

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Speaker 1: in Paris for many of the world's famous jazz musicians.

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Speaker 1: Oscar Peterson, Miles Davis, Bud Powell, Max Roach, Dizzy Gillespie,

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Speaker 1: Art Blakey, Billie Holliday, Lester Young, and Charlie Parker all

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Speaker 1: were guests. In fact, Jean Paul Satre set up Juliette

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Speaker 1: Greco in Room ten and moved to Room nineteen, which

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Speaker 1: he kept in his name until nineteen fifty. Juliette Greco

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Speaker 1: and Miles Davis later met in the hotel, which became

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Speaker 1: the setting of their infamous love story. It also drew

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Speaker 1: in writers such as Ernest Hemingway, Antoine de st Experis,

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Speaker 1: Henry Miller, Cyril Connolly, Peter Berling, and Albertine Sarazan, all

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Speaker 1: who called La Louisiana home at one point or another.

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Speaker 1: How may I help you?

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Speaker 9: Monsieur.

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00:17:40,840 --> 00:17:43,560
Speaker 1: Hello, We're looking for three men who I believe are

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Speaker 1: staying here.

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Speaker 7: These are their photos.

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Speaker 6: Yes, I knows his men, but unfortunately they are not

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Speaker 6: currently in zeroom.

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Speaker 4: Do you know where they are when they'll be back?

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Speaker 6: I don't, but I'm also not permitted to give out

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Speaker 6: information on guests.

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Speaker 1: Look, these men are members of the terrorist organization behind

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Speaker 1: the Cafe Wars that have been destroying this city. We

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00:18:05,760 --> 00:18:09,080
Speaker 1: understand your policy, but this could help prevent another attack.

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00:18:09,880 --> 00:18:12,040
Speaker 1: And who are you?

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Speaker 4: You've seen James Bond, right, he's the real thing.

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Speaker 6: M This does feel like a movie and you do

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00:18:20,600 --> 00:18:23,800
Speaker 6: look like a bomb girl. All right, I'll show you

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Speaker 6: the rooms so we can catch these bastards.

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Speaker 9: You are free to look around.

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Speaker 1: I'll be back downstairs to keep a lookout in case

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Speaker 1: you need me.

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Speaker 4: Mercy.

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Speaker 1: They definitely haven't checked out yet. We should tell Hugo.

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Speaker 7: Hmm, Jeane, look at this? What is it with a briefcase?

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Speaker 4: It has a false bottom.

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00:18:58,000 --> 00:18:58,800
Speaker 3: I just got.

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Speaker 4: A jimmy it an. I think it's papers.

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00:19:03,680 --> 00:19:07,159
Speaker 1: No, no, no, they're maps. See look it's maps of

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00:19:07,200 --> 00:19:10,840
Speaker 1: the same section outside Paris, only with different locations marked

350
00:19:10,880 --> 00:19:15,800
Speaker 1: and different routes. The routes are between Elise Palace and

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Speaker 1: the airport.

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00:19:16,520 --> 00:19:19,840
Speaker 4: Gelise Palace is where de Gaul has his cabinet meetings,

353
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Speaker 4: and he always goes straight to the airport after.

354
00:19:22,280 --> 00:19:24,840
Speaker 1: They must be targeting his two primary routes to the airport.

355
00:19:25,760 --> 00:19:29,320
Speaker 4: But why too, because he would never let the chosen

356
00:19:29,400 --> 00:19:32,360
Speaker 4: route be known until he was underway for security reasons.

357
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Speaker 1: So they must have someone on the inside tipping them

358
00:19:34,960 --> 00:19:37,520
Speaker 1: off when he leaves, and they position their scouts here

359
00:19:37,920 --> 00:19:40,720
Speaker 1: and here so they can phone in the chosen path

360
00:19:41,240 --> 00:19:44,080
Speaker 1: and then easily prepare an ambush at this intersection. See

361
00:19:44,160 --> 00:19:47,160
Speaker 1: at Petit Timon. As a military man, it's the perfect

362
00:19:47,200 --> 00:19:48,480
Speaker 1: position for an ambush.

363
00:19:48,600 --> 00:19:50,720
Speaker 4: Degaull's cabinet meeting should be finishing any minute.

364
00:19:50,960 --> 00:19:53,280
Speaker 1: Let's call Hugo and get to Petit Clement before it's

365
00:19:53,280 --> 00:19:53,680
Speaker 1: too late.

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Speaker 2: M D.

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00:20:09,680 --> 00:20:12,520
Speaker 5: This is Max. The dogget has left the palace. Make

368
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Speaker 5: sure the girls are in position.

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00:20:14,160 --> 00:20:26,080
Speaker 9: We too, sweet, Hello, this is d d A.

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00:20:26,520 --> 00:20:28,919
Speaker 3: Convoys en roots should be arriving at the junction in

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Speaker 3: any minute.

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Speaker 9: Confirm direction.

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Speaker 5: We here they come.

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00:20:33,800 --> 00:20:36,040
Speaker 9: They took lute a repeat ruth as they go.

375
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Speaker 1: They're on the way to Petty lament. Suck out of

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Speaker 1: the way.

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Speaker 3: If you're right, scenes will be at Petite Clamar and

378
00:20:49,800 --> 00:20:50,639
Speaker 3: only a few minutes.

379
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Speaker 1: We have to get there first and divert the convoy

380
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Speaker 1: from the ambush spot. It's just a couple of blocks away.

381
00:20:54,840 --> 00:21:00,679
Speaker 1: Should go step on it. There it is ahead we

382
00:21:00,840 --> 00:21:01,359
Speaker 1: and that's the go.

383
00:21:01,560 --> 00:21:02,040
Speaker 9: Sit three on.

384
00:21:02,119 --> 00:21:05,280
Speaker 1: Approaching the intersection. You see that man waving that newspaper.

385
00:21:05,800 --> 00:21:08,080
Speaker 4: He must be signaling the ambush. We have to warn

386
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Speaker 4: them along the horn. Flash your lights.

387
00:21:12,160 --> 00:21:14,639
Speaker 1: Keep pressing, Hugo, it's working. You got their attention.

388
00:21:14,760 --> 00:21:15,720
Speaker 4: I think they see the gunman.

389
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Speaker 7: I hope it's not too late.

390
00:21:20,080 --> 00:21:24,960
Speaker 1: Take Okay, they made it through turn luck before we're next.

391
00:21:26,320 --> 00:21:27,240
Speaker 9: Let's get out of here.

392
00:21:27,400 --> 00:21:28,960
Speaker 3: The police should be right behind us.

393
00:21:45,680 --> 00:21:47,760
Speaker 1: Man Lucky, sure, kim blow that horn.

394
00:21:48,080 --> 00:21:50,320
Speaker 4: That sack solo took longer than it did to solve

395
00:21:50,359 --> 00:21:50,840
Speaker 4: our case.

396
00:21:51,440 --> 00:21:55,840
Speaker 3: Hello, my American friends, I am back with news and drinks.

397
00:21:55,920 --> 00:21:57,440
Speaker 3: Go to see it's a French government.

398
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Speaker 4: Thanks, Hugo, take a seat.

399
00:21:59,359 --> 00:22:01,280
Speaker 1: What did you learn? How's the goal?

400
00:22:01,680 --> 00:22:04,719
Speaker 3: The goal and his wife made it safely to Villacouble

401
00:22:04,880 --> 00:22:08,280
Speaker 3: air base. Miraculously no one was injured.

402
00:22:08,320 --> 00:22:09,080
Speaker 4: Oh thank god.

403
00:22:09,520 --> 00:22:12,600
Speaker 3: They found one hundred and eighty seven sharecasings at the

404
00:22:12,640 --> 00:22:15,240
Speaker 3: crime scene, and there were fourteen bullet holes in his

405
00:22:15,320 --> 00:22:19,960
Speaker 3: citry on the gal said Citi when he exited the car.

406
00:22:21,359 --> 00:22:23,639
Speaker 1: It means this time it was close.

407
00:22:23,880 --> 00:22:27,239
Speaker 4: That's an understatement. Do you think he'll start taking these

408
00:22:27,280 --> 00:22:28,280
Speaker 4: threats more seriously?

409
00:22:28,640 --> 00:22:29,880
Speaker 3: Oh, very doubtful.

410
00:22:30,640 --> 00:22:33,080
Speaker 1: And the assassins, did you catch them?

411
00:22:33,440 --> 00:22:36,080
Speaker 3: We've already arrested the couple. It won't be long before

412
00:22:36,080 --> 00:22:38,879
Speaker 3: we've captured the arrest So I think it's time we

413
00:22:38,920 --> 00:22:40,960
Speaker 3: celebrate Sante.

414
00:22:41,040 --> 00:22:43,840
Speaker 1: Two close calls and closer friends.

415
00:22:44,600 --> 00:22:45,040
Speaker 4: Cheers.

416
00:23:00,880 --> 00:23:02,840
Speaker 2: You're back late again, Darling.

417
00:23:02,920 --> 00:23:05,919
Speaker 1: You're up. I thought you'd be asleep. I was trying

418
00:23:05,920 --> 00:23:06,480
Speaker 1: not to wake you.

419
00:23:06,760 --> 00:23:07,440
Speaker 10: Where have you been?

420
00:23:07,960 --> 00:23:12,119
Speaker 1: Oh? You know the French transportation system. The metro was

421
00:23:12,160 --> 00:23:15,120
Speaker 1: down and we had a difficult time getting back from Montmart.

422
00:23:15,960 --> 00:23:16,920
Speaker 1: Walked most of the way.

423
00:23:17,119 --> 00:23:18,160
Speaker 7: Don't lie to meet Jean.

424
00:23:19,280 --> 00:23:19,840
Speaker 1: What do you mean?

425
00:23:20,320 --> 00:23:22,200
Speaker 2: I know you weren't in Monmart.

426
00:23:23,440 --> 00:23:23,760
Speaker 1: Really?

427
00:23:25,160 --> 00:23:29,480
Speaker 10: How Because I'm not stupid, Geane, but I am bored.

428
00:23:30,080 --> 00:23:32,560
Speaker 10: So instead of just sitting in the hotel room all

429
00:23:32,640 --> 00:23:35,520
Speaker 10: night like I have been the last few cities, I

430
00:23:35,640 --> 00:23:37,160
Speaker 10: decided to meet Lily.

431
00:23:36,960 --> 00:23:37,520
Speaker 2: For a drink.

432
00:23:38,320 --> 00:23:40,720
Speaker 1: I'm so sorry. I wanted to meet you for dinner,

433
00:23:40,760 --> 00:23:41,080
Speaker 1: but but.

434
00:23:41,119 --> 00:23:44,200
Speaker 10: Instead Lily said she saw you earlier with a young

435
00:23:44,280 --> 00:23:45,800
Speaker 10: girl at club Saint Janmain.

436
00:23:47,000 --> 00:23:49,359
Speaker 1: I can explain Rebecca and I And.

437
00:23:49,240 --> 00:23:52,359
Speaker 10: Then Lily said she followed you to a hotel after.

438
00:23:52,640 --> 00:23:54,800
Speaker 1: Now, wait, this is completely insane.

439
00:23:54,880 --> 00:23:56,400
Speaker 10: Are you cheating on me with Rebecca?

440
00:23:56,960 --> 00:23:57,200
Speaker 9: What?

441
00:23:57,560 --> 00:24:02,800
Speaker 1: No, of course not, I would never. I love you,

442
00:24:03,600 --> 00:24:04,240
Speaker 1: It's not like that.

443
00:24:04,320 --> 00:24:06,879
Speaker 10: I swear something has been going on, Jean, and I

444
00:24:06,920 --> 00:24:10,640
Speaker 10: want the truth. You show up bruised and better than Rome,

445
00:24:10,720 --> 00:24:13,760
Speaker 10: you disappear for a night in Berlin, and now I

446
00:24:13,840 --> 00:24:14,960
Speaker 10: catch you lying.

447
00:24:14,720 --> 00:24:15,840
Speaker 9: To me in Paris.

448
00:24:16,080 --> 00:24:19,280
Speaker 1: There are very reasonable explanations for all of those things.

449
00:24:19,720 --> 00:24:23,040
Speaker 10: I know you better than I know myself. Something is

450
00:24:23,080 --> 00:24:25,399
Speaker 10: going on, and it's high time you tell me the truth.

451
00:24:25,840 --> 00:24:30,080
Speaker 10: I will ask you one more time. Are you having

452
00:24:30,160 --> 00:24:31,480
Speaker 10: an affair with Rebecca?

453
00:24:32,160 --> 00:24:38,200
Speaker 1: No? I promise that's not it, Jean. I promise it's

454
00:24:38,200 --> 00:24:44,720
Speaker 1: nothing that bad. Or maybe I don't know, maybe it's worse.

455
00:24:46,000 --> 00:24:48,199
Speaker 1: But I promise you I am not having an affair.

456
00:24:49,760 --> 00:24:50,520
Speaker 10: Then what is it?

457
00:24:54,280 --> 00:24:58,119
Speaker 1: I'm sorry. I thought I was protecting you by not

458
00:24:58,160 --> 00:25:01,040
Speaker 1: telling you. Maybe I was scared I might lose you,

459
00:25:02,200 --> 00:25:05,480
Speaker 1: no matter what it was I realize now I was wrong.

460
00:25:06,800 --> 00:25:09,160
Speaker 1: You deserve to know everything and make your own choice.

461
00:25:09,960 --> 00:25:13,159
Speaker 10: Choice about what? What are you talking about? What on

462
00:25:13,200 --> 00:25:14,280
Speaker 10: earth is going on?

463
00:25:17,119 --> 00:25:23,520
Speaker 1: Okay? Here it is? Martin is more than just our publisher.

464
00:25:24,840 --> 00:25:28,040
Speaker 1: He also works for the CIA, and he asked me

465
00:25:28,080 --> 00:25:30,720
Speaker 1: to help them on some urgent and important business and

466
00:25:30,880 --> 00:25:36,240
Speaker 1: I agreed. And then well things got complicated.

467
00:25:37,200 --> 00:25:40,919
Speaker 10: So you help him in exchange for what him helping

468
00:25:41,000 --> 00:25:43,440
Speaker 10: us with the business. Oh, I knew this was too

469
00:25:43,440 --> 00:25:44,280
Speaker 10: good to be true.

470
00:25:45,040 --> 00:25:46,640
Speaker 1: It's more complicated than that.

471
00:25:46,800 --> 00:25:50,000
Speaker 10: No, it isn't. What's fabian? A part of this is Rebecca.

472
00:25:50,800 --> 00:25:53,000
Speaker 10: I don't want you risking your life so we can

473
00:25:53,040 --> 00:25:57,320
Speaker 10: get what worldwide distribution and stay at some ritzy hotels.

474
00:25:57,960 --> 00:26:01,760
Speaker 10: It's not worth it. You can tell Martin we're out,

475
00:26:02,160 --> 00:26:04,199
Speaker 10: which is exactly what I would have said if you

476
00:26:04,200 --> 00:26:06,479
Speaker 10: had told me in the beginning, like you should have.

477
00:26:06,800 --> 00:26:11,840
Speaker 1: I know, maybe that's why I didn't. But there's more

478
00:26:11,840 --> 00:26:12,200
Speaker 1: than that.

479
00:26:13,760 --> 00:26:14,320
Speaker 9: What is it?

480
00:26:14,640 --> 00:26:18,160
Speaker 1: What do they have on you? That's not me? It's

481
00:26:18,200 --> 00:26:21,320
Speaker 1: my father here? Look at this?

482
00:26:23,000 --> 00:26:24,199
Speaker 7: Whose passport is this?

483
00:26:24,560 --> 00:26:24,840
Speaker 2: Wait?

484
00:26:25,920 --> 00:26:26,960
Speaker 3: This is your father?

485
00:26:27,160 --> 00:26:30,480
Speaker 1: But he's dead? So why it turns out he might

486
00:26:30,520 --> 00:26:34,200
Speaker 1: still be alive? And the Soviets might have him. Now,

487
00:26:34,240 --> 00:26:39,560
Speaker 1: after some digging, I finally might know where to find him. Oh,

488
00:26:39,600 --> 00:26:43,840
Speaker 1: I see. I know it sounds crazy, but what I'm

489
00:26:43,880 --> 00:26:46,760
Speaker 1: doing with Martin might help save my father. It might

490
00:26:46,800 --> 00:26:49,840
Speaker 1: save a lot of people. In fact, I think we've

491
00:26:49,840 --> 00:26:53,879
Speaker 1: saved a lot of people already. The real truth is

492
00:26:54,640 --> 00:26:58,800
Speaker 1: this is more important than just me. But nothing is

493
00:26:58,800 --> 00:26:59,639
Speaker 1: more important to me.

494
00:27:00,480 --> 00:27:00,880
Speaker 9: And you.

495
00:27:04,800 --> 00:27:09,000
Speaker 2: Then never lie to me again. I won't.

496
00:27:10,200 --> 00:27:12,720
Speaker 7: Ever good.

497
00:27:13,359 --> 00:27:17,320
Speaker 2: Now, sit down and tell me everything starting from the beginning.

498
00:27:18,359 --> 00:27:19,240
Speaker 2: I'm ready to help.

499
00:27:27,200 --> 00:27:31,560
Speaker 11: Phodor's Guide to Espionage is created by Lars Jacobson, written

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00:27:31,560 --> 00:27:35,960
Speaker 11: by Lars Jacobson and Sabrina Jagulin, and directed by Sabrina Jacklin,

501
00:27:36,560 --> 00:27:40,479
Speaker 11: produced by Lars Jacobson and Sabrina Jaguline, and executive produced

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00:27:40,480 --> 00:27:45,040
Speaker 11: by Noel Brown for iHeartRadio. Fodor's Guide to Espionage stars

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00:27:45,080 --> 00:27:49,320
Speaker 11: Ethan Korn as Eugene Fodor, Wilia Symington as vlost to Phodor,

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00:27:49,680 --> 00:27:54,040
Speaker 11: and Jackie Emerson as Rebecca Ralston, with additional performances by

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00:27:54,560 --> 00:27:59,800
Speaker 11: Chase Mullins, George Rivera, Matt Linton, Dylan McCollum, Gade Greenspan,

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00:28:00,119 --> 00:28:05,639
Speaker 11: Chris Capple, Duncan Kaladine, Dana, Melanie, Alex Gombadi, Noam Thomaschoff,

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00:28:05,880 --> 00:28:09,960
Speaker 11: Katrina Aaron, and Simon Jagulin. Sound design and editing by

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00:28:10,119 --> 00:28:14,080
Speaker 11: Chris Childs. Original theme song by Jack Blavelt and Chris

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00:28:14,160 --> 00:28:18,600
Speaker 11: Childs with additional scoring by Chris Childs. Sound engineering by

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00:28:18,840 --> 00:28:23,120
Speaker 11: Chris sek Sodor's Guide to Espionage is an iHeartRadio production.

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00:28:23,800 --> 00:28:28,800
Speaker 11: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

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00:28:28,920 --> 00:28:30,440
Speaker 11: or wherever you get your podcasts