WEBVTT - Ep116 " What is Color? Part 2: Why royals wear purple"

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<v Speaker 1>Today's episode is part two about color and the brain.

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<v Speaker 1>Why did royals wear purple? It's not accidental And if

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<v Speaker 1>you rewound history ten thousand years and ran it again,

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<v Speaker 1>you'd find exactly the same outcome. So what's going on?

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<v Speaker 1>And how do we see colors that our recent ancestors

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<v Speaker 1>never saw in their lives? Why can't you imagine a

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<v Speaker 1>new color? Are there, in fact new colors that you

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<v Speaker 1>could see? Yes, and I'm going to show you how

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<v Speaker 1>to do that. Can you lose your color vision? And

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<v Speaker 1>what does any of this have to do with language

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<v Speaker 1>or culture? Or why the military likes color blind people

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<v Speaker 1>for a particular task, and why I suggest that the

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<v Speaker 1>cultural history of Thailand was influenced by one single, unknown neurodivergent.

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<v Speaker 1>Welcome to Dinner Cosmos with me David Eagleman. I'm a

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<v Speaker 1>neuroscientist and author at Stanford and in these episodes we

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<v Speaker 1>look at the world inside us and around us to

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<v Speaker 1>understand why and how our lives look the way they do.

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<v Speaker 1>Today's episode is part two about the absolutely amazing and

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<v Speaker 1>often underappreciated topic of color. And if I do my

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<v Speaker 1>job right, this is going to allow you to see

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<v Speaker 1>the world with totally fresh eyes. So we're going to

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<v Speaker 1>start with a quick catch up from last week so

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<v Speaker 1>we can continue this incredible story about color and the brain.

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<v Speaker 1>Last week, we talked about the fact that color is

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<v Speaker 1>not a property of the physical world, but it's a

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<v Speaker 1>creation of the brain. Color doesn't exist in light itself.

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<v Speaker 1>Light is just electromagnetic radiation of various wavelengths, and our

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<v Speaker 1>brains interpret those wavelengths by constructing the experience of color.

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<v Speaker 1>This private interpretation of color begins in the retina with

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<v Speaker 1>a special type of photoreceptor cones, which detect wavelengths and

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<v Speaker 1>come in three flavors sensitive to short, medium, and long wavelengths,

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<v Speaker 1>which corresponds approximately to red, green, and blue. The brain

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<v Speaker 1>then processes patterns of activation across these cells to produce

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<v Speaker 1>the experience of color, and last week we talked about

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<v Speaker 1>color constancy, which allows us to perceive colors as stable

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<v Speaker 1>despite the changing lighting conditions, something that we see all

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<v Speaker 1>the time in visual illusions. We also talked about evolution.

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<v Speaker 1>For example, we humans have three types of giving us

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<v Speaker 1>trichromatic vision, but this is a rare trait among mammals,

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<v Speaker 1>most of whom are dichromatic, meaning they have two types

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<v Speaker 1>of cones, and this is likely because of a nocturnal

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<v Speaker 1>bottleneck where during the age of dinosaurs, the ancestors of

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<v Speaker 1>mammals how to avoid getting stomped on and eaten, and

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<v Speaker 1>so they scampered around at night and got better night vision,

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<v Speaker 1>but lost some of their color vision. Now humans and

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<v Speaker 1>some other primates reevolved trichromatic vision, possibly not just for

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<v Speaker 1>spotting ripe fruit, but for social reasons, detecting subtle changes

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<v Speaker 1>in skin coloration due to emotions. But in any case,

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<v Speaker 1>lots of our neighbors in the mammalian kingdom can't see

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<v Speaker 1>red and orange, which is why deer hunters wear orange vests,

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<v Speaker 1>because that allows the hunters to see each other clearly,

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<v Speaker 1>but the deer just can't see them. And finally we

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<v Speaker 1>saw how other species like bees and snakes and manta

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<v Speaker 1>shrimp they presumably perceive the world very differently because their

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<v Speaker 1>eyes pick up on ultraviolet light or infrared light or

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<v Speaker 1>polarized light. And if you tune into last week's episode,

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<v Speaker 1>you'll hear lots of other stories about how color serves

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<v Speaker 1>many functions like camouflage or warning or mating signals or

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<v Speaker 1>deception or emotional communication. Now we're ready to continue our

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<v Speaker 1>story this week. So let's start with something that I

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<v Speaker 1>think is amazing, which is that we see so many

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<v Speaker 1>more colors than even our recent ancestors did. This is

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<v Speaker 1>not because of a change in our biology. It's because

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<v Speaker 1>our current collection of technologies can generate so much more.

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<v Speaker 1>For example, your great great grandparents never saw a lot

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<v Speaker 1>of neon, or the bright ultra red of attack esla,

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<v Speaker 1>or the blaze orange of a caution sign on the road.

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<v Speaker 1>But we see these colors all the time. Now I

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<v Speaker 1>want you to try this. Imagine a new color. Go ahead, Okay,

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<v Speaker 1>you can't do it. The fact that you can't do

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<v Speaker 1>it is very revealing, and it's very important because it

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<v Speaker 1>illustrates for us the fence lines of our perceptions, beyond

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<v Speaker 1>which we just can't walk. And by the way, if

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<v Speaker 1>you could envision a new color, you wouldn't be able

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<v Speaker 1>to explain the sensation of it to another person. For example,

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<v Speaker 1>you have to experience purple to know what purple is.

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<v Speaker 1>There's no amount of description on a podcast or in

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<v Speaker 1>a textbook that's ever going to allow a totally color

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<v Speaker 1>blind person to understand purpleness. Here's an analogy, just to

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<v Speaker 1>make this clear, try explaining vision to a friend of

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<v Speaker 1>yours who is born blind. You can try all you want,

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<v Speaker 1>and your blind friend might even pretend to understan what

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<v Speaker 1>you're talking about, but it is a fruitless attempt because

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<v Speaker 1>to understand vision requires experiencing vision. And that's the same

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<v Speaker 1>with experiencing purple or canary yellow or cobalt blue. You

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<v Speaker 1>have to experience it to know it. There's no way

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<v Speaker 1>to describe it. Language is just a way of tagging

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<v Speaker 1>shared experiences, and if it's not shared in some way,

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<v Speaker 1>no amount of language will do the trick. Okay, so

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<v Speaker 1>let's come back to the idea of whether you will

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<v Speaker 1>ever have the chance to see a new color. Well,

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<v Speaker 1>it seems pretty clear that the answer is no, because

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<v Speaker 1>the space of possible colors that humans can see are

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<v Speaker 1>pretty well represented in our world, but under special circumstances

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<v Speaker 1>you can see new ones. So first, let's start with

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<v Speaker 1>what are known as impossible colors. These are colors that

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<v Speaker 1>are outside what our cones can put together. For example,

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<v Speaker 1>you can't have a reddish green or a yellowish blue.

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<v Speaker 1>These are combinations that the visual system just isn't wired

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<v Speaker 1>to perceive simultaneously. But under certain conditions. Using tricks in

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<v Speaker 1>the laboratory, some people do report glimpsing these colors. These

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<v Speaker 1>perceptions are fleeting, but they hint at the boundaries and

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<v Speaker 1>the flexibility of color perception. So here's something that you

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<v Speaker 1>can try easily. Let's say that you stare at a

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<v Speaker 1>square that is cyan in color, and you just stare

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<v Speaker 1>at that for twenty or thirty seconds. Then if you

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<v Speaker 1>look over to a white piece of paper, you'll see

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<v Speaker 1>an orange after image. Okay, fine, but now after staring

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<v Speaker 1>at the cyan, try looking over at an orange piece

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<v Speaker 1>of paper, and you will see what we call hyperbolic orange,

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<v Speaker 1>which is an orange so orange that you never can

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<v Speaker 1>normally see that. Now, there are a bunch of ways

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<v Speaker 1>to see impossible colors. Here's one. Stare at a yellow

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<v Speaker 1>square for a while, and then look at a piece

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<v Speaker 1>of paper that's black. You'll see what is called stygian blue,

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<v Speaker 1>which is a blue that is darker than black. Or

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<v Speaker 1>stare at a green square for a while and then

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<v Speaker 1>look at a white background and you'll see what's called

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<v Speaker 1>self luminous red, a red that is brighter than white.

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<v Speaker 1>These are some ways to see outside the normal fence

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<v Speaker 1>lines of color, and I'll put demos of these on

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<v Speaker 1>the show notes at Eagleman dot com. Now, there are

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<v Speaker 1>other ways to see new colors that require doing so

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<v Speaker 1>in the laboratory, and I'm going to come back to

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<v Speaker 1>that near the end of the episode when I'm going

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<v Speaker 1>to talk about the future of seeing color. But for now,

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<v Speaker 1>I want to mention something else, which is the issue

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<v Speaker 1>of seeing data outside the normal visual spectrum that we

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<v Speaker 1>can see. For example, it might sound impossible to see

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<v Speaker 1>in the altar for violet range, but it turns out

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<v Speaker 1>your photoreceptors can do that. It's just that the lens

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<v Speaker 1>of your eye blocks out UV light. But then something

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<v Speaker 1>was accidentally discovered in the last couple of decades. A

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<v Speaker 1>lot of people go in for cataract surgery and they

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<v Speaker 1>get their lens exchanged for a synthetic replacement. Your natural

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<v Speaker 1>lens blocks UV, but the replacement lens does not, So

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<v Speaker 1>patients found themselves tapping into ranges of the electromagnetic spectrum

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<v Speaker 1>that they couldn't see before. I wrote about one guy

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<v Speaker 1>in my book Live Wire. His name is Alec, and

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<v Speaker 1>he got a lens replacement for his cataracts, and he

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<v Speaker 1>now describes a lot of things that he looks at

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<v Speaker 1>as having a blue violet glow that other people just

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<v Speaker 1>don't see. He noticed this the day after his cataract

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<v Speaker 1>surgery when he was looking at his son's Colorado Rockies shorts.

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<v Speaker 1>Everyone else saw the shorts as black, but he saw

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<v Speaker 1>them with a blue violet sheen. When he put a

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<v Speaker 1>UV filter over his eye to block out the UV,

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<v Speaker 1>he saw them like everyone else. Here's another example. When

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<v Speaker 1>you look at what's called a black light that's turned on,

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<v Speaker 1>you don't see anything, but Alec sees a bright purple glow.

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<v Speaker 1>So this gives him a new superpower, seeing past the

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<v Speaker 1>normal spectrum of colors. Alec has different kinds of experiences

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<v Speaker 1>than we do when he looks at sunsets, or gas

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<v Speaker 1>stoves or flowers. Now I want to flip the question

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<v Speaker 1>to examine the other side. Could you lose your color vision. Yes,

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<v Speaker 1>it's rare, but it happens, and it's called a chromatopsia.

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<v Speaker 1>People with this condition see the world entirely in shades

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<v Speaker 1>of gray, as if life were filmed through the lens

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<v Speaker 1>of an old black and white movie. It's not just

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<v Speaker 1>muted color or red green confusion. It's the complete absence

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<v Speaker 1>of color perception. Just imagine this, The vibrant world that

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<v Speaker 1>we all take for granted gets rendered by your brain

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<v Speaker 1>in a perpetual gray scale, where even a rainbow is

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<v Speaker 1>just a smooth gradient of light and dark. Now, the

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<v Speaker 1>thing I want to note is that achromatopsia results from

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<v Speaker 1>brain damage, specifically to a region called area V four

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<v Speaker 1>in the visual cortex. Because color vision doesn't happen in

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<v Speaker 1>your eyes alone. While the cone cells in your retina

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<v Speaker 1>detects different wavelengths of light, the experience of color is

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<v Speaker 1>assembled in the brain, and one of the key regions

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<v Speaker 1>responsible for putting those wavelengths together into color perception is

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<v Speaker 1>this area of V four, located in what's known as

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<v Speaker 1>the ventral visual pathway in the brain. The point is,

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<v Speaker 1>if this area is damaged from a stroke, from head trauma,

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<v Speaker 1>from a brain tumor, the person gets this cortical color blindness.

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<v Speaker 1>The eyes are perfectly healthy, but the brain can't interpret

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<v Speaker 1>color signals anymore, so the person experiences the world in grayscale.

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<v Speaker 1>So this once again illustrates the simple but critical point

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<v Speaker 1>that color is a construction of the brain, and you

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<v Speaker 1>have to have all the right pieces and parts running

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<v Speaker 1>or else. You can see just fine, but you can't

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<v Speaker 1>see color. Now. Some people, of course, are born color blind,

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<v Speaker 1>but not because of brain damage, but instead because they

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<v Speaker 1>don't have some of the types of cones in their eye.

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<v Speaker 1>As a reminder, most people are born with three different

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<v Speaker 1>types of cones color photo receptors, but some people are

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<v Speaker 1>born with only two types, or one type or none,

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<v Speaker 1>giving them a diminished or no ability to distinguish between colors. Now,

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<v Speaker 1>the military excludes colorblind soldiers from certain jobs, but they

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<v Speaker 1>have come to realize that colorblind people do have a

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<v Speaker 1>secret superpower. They can spot enemy camouflage better than people

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<v Speaker 1>with normal color vision. Why because they're better at distinguishing

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<v Speaker 1>between shades of gray. This is because they have the

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<v Speaker 1>same amount of visual cortex at the back of their brain,

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<v Speaker 1>but fewer color dimensions to worry about. So they're using

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<v Speaker 1>the same cortical territory, but for a simpler task, just

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<v Speaker 1>gray scale instead of color, and this gives them improved

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<v Speaker 1>performance in distinguishing very subtle differences in brightness. So although

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<v Speaker 1>it would be a real bummer to be colorblind, there

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<v Speaker 1>are some advantages as well. So now let's return to color.

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<v Speaker 1>Everything we've talked about so far as a reminder that

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<v Speaker 1>color is not just about the electromagnetic radiation hitting the eye,

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<v Speaker 1>but about what happens in the brain. And one very

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<v Speaker 1>good example of that is something I've talked about before, synesthesia.

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<v Speaker 1>This is a brain phenomenon in which color blurs with

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<v Speaker 1>different concept a typical citisteit will perceive letters or numbers

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<v Speaker 1>as having fixed colors, like a is always red, or

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<v Speaker 1>the number seven is ce foam green, and it can

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<v Speaker 1>commonly be with weekdays or months like Wednesday is indigo

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<v Speaker 1>blue or August is yellow. Now it's not a hallucination,

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<v Speaker 1>but to the person, it's just self evidently true that

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<v Speaker 1>that's what that letter or number or weekday or month is.

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<v Speaker 1>Of course it's purple or yellow or green. So I've

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<v Speaker 1>studied synesthesia in my lab for many years because it's

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<v Speaker 1>such a good inroad into conscious experience and also the

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<v Speaker 1>differences between one person's experience and another's, and the difference

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<v Speaker 1>is between people's experiences on the inside when they're perceiving

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<v Speaker 1>the world. If you're interested in synesthesia, please listen to

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<v Speaker 1>episode four. But for now, I want to zoom in

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<v Speaker 1>on the issue of colored weekdays, which is a common form.

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<v Speaker 1>The thing I want to emphasize is that the color

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<v Speaker 1>palette ends up being different for each cynisthees. So one

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<v Speaker 1>person might say, oh, Monday is clearly green and Tuesday

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<v Speaker 1>is purple, and Wednesday is yellow, and a different cinisthee

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<v Speaker 1>has a different color palette. Now, I've studied literally thousands

0:15:21.480 --> 0:15:24.800
<v Speaker 1>of such cynthtes, but here's something I just learned that

0:15:25.000 --> 0:15:28.920
<v Speaker 1>really surprised me. I learned that in Thailand there's an

0:15:29.000 --> 0:15:32.440
<v Speaker 1>ancient tradition in which each day of the week has

0:15:32.480 --> 0:15:38.280
<v Speaker 1>a corresponding color, rooted in Hindu based astrology. So Monday

0:15:38.480 --> 0:15:43.080
<v Speaker 1>is yellow, Tuesday is pink, Wednesday is green, and so on.

0:15:43.520 --> 0:15:48.120
<v Speaker 1>Apparently these colors are tied to planetary deities like Mars,

0:15:48.120 --> 0:15:53.360
<v Speaker 1>for Tuesday is associated with pink, Mercury, for Wednesday is green,

0:15:53.800 --> 0:15:57.320
<v Speaker 1>and so on, and traditionally it was believed to bring

0:15:57.520 --> 0:16:00.640
<v Speaker 1>luck if you wore that color or use color on

0:16:00.760 --> 0:16:03.680
<v Speaker 1>the corresponding day. This apparently used to be very common

0:16:03.680 --> 0:16:06.880
<v Speaker 1>in Thailand to wear the right color every single day.

0:16:06.920 --> 0:16:09.280
<v Speaker 1>Today it's a little less common. Now. You can probably

0:16:09.280 --> 0:16:11.440
<v Speaker 1>guess what I'm wondering about, which is where did this

0:16:11.600 --> 0:16:15.440
<v Speaker 1>colored weekday idea come from Well, if you consult any

0:16:15.560 --> 0:16:17.720
<v Speaker 1>Taie book on this, they'll say it comes from the

0:16:18.080 --> 0:16:22.600
<v Speaker 1>colors of their deities. But of course gods don't really exist,

0:16:22.680 --> 0:16:26.239
<v Speaker 1>and if they did, it's not obvious they would have colors,

0:16:26.360 --> 0:16:29.280
<v Speaker 1>or that anyone would have seen those colors. So my

0:16:29.360 --> 0:16:32.240
<v Speaker 1>suspicion is that if we really did get to the

0:16:32.280 --> 0:16:36.360
<v Speaker 1>bottom of this very ancient history, we'd find a very

0:16:36.440 --> 0:16:41.400
<v Speaker 1>influential Cinistheite at bottom, someone who said, well, of course

0:16:41.400 --> 0:16:44.440
<v Speaker 1>Tuesday is pink and Wednesday is green and so on,

0:16:44.680 --> 0:16:49.200
<v Speaker 1>and because of some cult of personality, it stuck, and

0:16:49.280 --> 0:16:53.040
<v Speaker 1>millennia later, kids are still told that this deity is

0:16:53.080 --> 0:16:55.040
<v Speaker 1>this color, so that day is the color and you

0:16:55.040 --> 0:16:58.560
<v Speaker 1>should wear that shirt. And so, like all stories with

0:16:58.640 --> 0:17:03.320
<v Speaker 1>cultural momentum, people accept it. Why because everyone else accepts

0:17:03.360 --> 0:17:05.879
<v Speaker 1>it and for thousands of years, So there must be

0:17:05.920 --> 0:17:09.400
<v Speaker 1>something to it. But that's something I suggest is a

0:17:09.560 --> 0:17:16.639
<v Speaker 1>single influential Cynistheide whose quirky neural network determined what everyone

0:17:16.760 --> 0:17:20.359
<v Speaker 1>wore for hundreds of generations. So if you ever think

0:17:20.480 --> 0:17:24.880
<v Speaker 1>neuroscience doesn't affect culture, take that. And on that topic

0:17:24.960 --> 0:17:27.440
<v Speaker 1>of the intersection between neuroscience and culture, I want to

0:17:27.520 --> 0:17:30.919
<v Speaker 1>zoom the camera out to see what happens when lots

0:17:30.920 --> 0:17:34.800
<v Speaker 1>of humans start talking together about color. So we're going

0:17:34.880 --> 0:17:39.240
<v Speaker 1>to turn now to language. For most listeners of this podcast,

0:17:39.320 --> 0:17:44.200
<v Speaker 1>we look at a rainbow and divide it into red, orange, yellow, green, blue, indigo, violet.

0:17:44.480 --> 0:17:47.680
<v Speaker 1>But not every culture divides the spectrum the same way

0:17:47.880 --> 0:17:51.720
<v Speaker 1>or sees the same number of colors. In some languages,

0:17:51.800 --> 0:17:56.080
<v Speaker 1>there is no distinct word for blue. In other languages,

0:17:56.200 --> 0:17:59.359
<v Speaker 1>green and blue are considered shades of the same color.

0:17:59.560 --> 0:18:02.760
<v Speaker 1>As an example of the kinds of differences here, the

0:18:02.960 --> 0:18:07.680
<v Speaker 1>Himba people of Namibia group colors differently from English speakers.

0:18:07.720 --> 0:18:11.000
<v Speaker 1>They have multiple words for what we call green and

0:18:11.240 --> 0:18:15.080
<v Speaker 1>none for what we call blue. Even ancient texts reveal

0:18:15.240 --> 0:18:20.439
<v Speaker 1>this difference in color vocabularies, So in Homer's Odyssey, the

0:18:20.520 --> 0:18:23.480
<v Speaker 1>sea is never described as blue, but it's described as

0:18:23.680 --> 0:18:28.080
<v Speaker 1>wine dark. Scholars have long puzzled over this poetic phrase.

0:18:28.480 --> 0:18:30.720
<v Speaker 1>Was it a metaphor or was it that the ancient

0:18:30.800 --> 0:18:35.119
<v Speaker 1>Greeks didn't categorize blue the way that we do. Blue

0:18:35.160 --> 0:18:38.879
<v Speaker 1>appears almost nowhere in ancient Greek language, and where it

0:18:38.960 --> 0:18:43.280
<v Speaker 1>does is often ambiguous. Why while in ancient Greece there

0:18:43.280 --> 0:18:46.840
<v Speaker 1>were few blue dyes or paints, and by the way,

0:18:46.880 --> 0:18:50.679
<v Speaker 1>blue animals are extraordinarily rare in nature. So while the

0:18:50.880 --> 0:18:55.119
<v Speaker 1>Egyptians used a synthetic pigment, which we call Egyptian blue,

0:18:55.480 --> 0:18:59.000
<v Speaker 1>the Greeks didn't use or produce blue. So it meant

0:18:59.040 --> 0:19:02.280
<v Speaker 1>that blue was less present in their daily life, or

0:19:02.320 --> 0:19:04.840
<v Speaker 1>in their clothing or in their art, and the thought

0:19:04.920 --> 0:19:08.520
<v Speaker 1>goes that it was therefore less common in the language,

0:19:08.600 --> 0:19:10.919
<v Speaker 1>in the same way that cultures on the equator have

0:19:11.119 --> 0:19:16.000
<v Speaker 1>fewer words for distinguishing types of snow than do northern cultures.

0:19:16.359 --> 0:19:19.480
<v Speaker 1>Now zooming out a moment, there were two researchers, Berlin

0:19:19.640 --> 0:19:23.560
<v Speaker 1>and k who proposed that even though language might have

0:19:23.720 --> 0:19:27.560
<v Speaker 1>different color terms, they all follow a predictable order in

0:19:27.600 --> 0:19:30.680
<v Speaker 1>the development of these terms. In other words, the first

0:19:30.680 --> 0:19:34.160
<v Speaker 1>two terms to appear historically in any language are always

0:19:34.359 --> 0:19:38.560
<v Speaker 1>black and white or dark and light. Then comes red.

0:19:39.359 --> 0:19:42.399
<v Speaker 1>Then when cultures get more culture as they introduce green

0:19:42.600 --> 0:19:45.800
<v Speaker 1>or yellow. Only later do you get things like blue

0:19:46.160 --> 0:19:50.080
<v Speaker 1>and brown and more nuanced shades like pink or orange.

0:19:50.640 --> 0:19:55.199
<v Speaker 1>The hypothesis is that this progression matches the salience of

0:19:55.280 --> 0:19:58.840
<v Speaker 1>colors in the environment. The contrast of light and dark

0:19:59.160 --> 0:20:02.919
<v Speaker 1>is really important, the presence of blood, the ripeness of fruit,

0:20:03.320 --> 0:20:06.600
<v Speaker 1>the necessity of distinguishing between plants. So it's only when

0:20:06.640 --> 0:20:10.679
<v Speaker 1>society has become more complex and encounter more dyes and

0:20:10.840 --> 0:20:16.000
<v Speaker 1>materials and artistic traditions then you get new color terms emerging.

0:20:16.280 --> 0:20:19.680
<v Speaker 1>So different languages have different color terms, and one idea

0:20:19.760 --> 0:20:23.560
<v Speaker 1>that has emerged is called linguistic relativity, which is this

0:20:23.680 --> 0:20:27.560
<v Speaker 1>notion that the language that you speak shapes how you

0:20:27.680 --> 0:20:31.119
<v Speaker 1>perceive the world. The idea is that although all people

0:20:31.160 --> 0:20:35.679
<v Speaker 1>can see blue, if your language doesn't label it distinctly,

0:20:36.080 --> 0:20:38.399
<v Speaker 1>you might not really pay attention to it as a

0:20:38.440 --> 0:20:42.480
<v Speaker 1>separate category. And this is indeed what a lot of

0:20:42.720 --> 0:20:46.680
<v Speaker 1>cognitive science studies have found. Your language shapes at least

0:20:46.720 --> 0:20:50.920
<v Speaker 1>a little bit your color distinctions. For example, the Russian

0:20:51.000 --> 0:20:54.879
<v Speaker 1>language has distinct words for light blue and dark blue,

0:20:55.160 --> 0:20:59.159
<v Speaker 1>and when Russians are tested on their ability to distinguish

0:20:59.400 --> 0:21:03.320
<v Speaker 1>shades of blue, they're faster at spotting the difference between

0:21:03.440 --> 0:21:06.880
<v Speaker 1>light and dark blues than English speakers, who use one

0:21:06.880 --> 0:21:11.159
<v Speaker 1>word for both blue. In other words, Russian speaking brains

0:21:11.640 --> 0:21:16.080
<v Speaker 1>process the difference more quickly, suggesting that having a word

0:21:16.200 --> 0:21:19.640
<v Speaker 1>for something helps you see it. If your language has

0:21:19.640 --> 0:21:23.440
<v Speaker 1>more precise blue terms, like Russian, you can distinguish shades

0:21:23.480 --> 0:21:27.080
<v Speaker 1>faster than languages that don't, like English, and you can

0:21:27.119 --> 0:21:30.240
<v Speaker 1>see the same story in babies. Infants can see color

0:21:30.320 --> 0:21:33.560
<v Speaker 1>long before they learn to speak, but once they acquire

0:21:33.640 --> 0:21:39.600
<v Speaker 1>the words for specific colors, their ability to distinguish them improves.

0:21:40.440 --> 0:21:46.160
<v Speaker 1>Language tunes the brain to attend to specific aspects of

0:21:46.200 --> 0:21:49.399
<v Speaker 1>the scene. So if the Greeks didn't have a strong

0:21:49.440 --> 0:21:52.520
<v Speaker 1>word for blue, they might have grouped it with other

0:21:52.600 --> 0:21:56.200
<v Speaker 1>colors like green or gray and not really noticed it

0:21:56.240 --> 0:21:59.919
<v Speaker 1>as blue. The Greeks didn't lack the ability to see blue,

0:22:00.480 --> 0:22:03.280
<v Speaker 1>but in their culture they didn't isolate it with language,

0:22:03.760 --> 0:22:07.480
<v Speaker 1>likely because blue was rare in their environment and their

0:22:07.560 --> 0:22:11.719
<v Speaker 1>language hadn't evolved to distinguish it clearly. So when Homer

0:22:11.840 --> 0:22:15.560
<v Speaker 1>describes the sea as wine dark, it's not because he

0:22:15.640 --> 0:22:19.199
<v Speaker 1>was colorblind. It's because the way his culture saw and

0:22:19.320 --> 0:22:22.480
<v Speaker 1>named colors was a little different from ours. And by

0:22:22.520 --> 0:22:24.560
<v Speaker 1>the way this issue about the Greeks and blue, the

0:22:24.560 --> 0:22:28.359
<v Speaker 1>same is true of many ancient languages, including Hebrew and

0:22:28.480 --> 0:22:31.800
<v Speaker 1>Chinese and Japanese, and in modern studies we can look

0:22:31.840 --> 0:22:34.680
<v Speaker 1>at the Himba people who as I mentioned have multiple

0:22:34.680 --> 0:22:39.000
<v Speaker 1>words for green and none for blue. In experiments, they

0:22:39.000 --> 0:22:43.639
<v Speaker 1>can easily distinguish green shades that we Westerners struggle to

0:22:43.680 --> 0:22:46.640
<v Speaker 1>tell apart, but they find it difficult to pick out

0:22:46.680 --> 0:22:50.480
<v Speaker 1>a blue square from a field of green. Now we've

0:22:50.520 --> 0:22:54.639
<v Speaker 1>been talking about biology and language, but what's fascinating is

0:22:54.680 --> 0:22:59.439
<v Speaker 1>how this private phenomenon of color takes on cultural meaning.

0:22:59.800 --> 0:23:03.520
<v Speaker 1>A million examples of this. I'll just do a quick whistlestop, TORP.

0:23:03.600 --> 0:23:06.000
<v Speaker 1>So just look at the way we organize our world

0:23:06.119 --> 0:23:08.600
<v Speaker 1>through color. We have red states and blue states. We

0:23:08.680 --> 0:23:12.159
<v Speaker 1>have green energy, we have black markets, we have white lies.

0:23:12.680 --> 0:23:18.320
<v Speaker 1>Color becomes shorthand for complex social and political ideas. Even

0:23:18.359 --> 0:23:22.480
<v Speaker 1>our moral frameworks become color coded. You've got the white

0:23:22.480 --> 0:23:24.760
<v Speaker 1>hat and the black hat, and the old Westerns. You've

0:23:24.760 --> 0:23:27.160
<v Speaker 1>got the white dove of peace, you have the red

0:23:27.280 --> 0:23:30.880
<v Speaker 1>devil of temptation. And colors very commonly come to signal

0:23:31.000 --> 0:23:35.560
<v Speaker 1>identity and allegiance. You have teams and uniforms that define

0:23:35.720 --> 0:23:40.520
<v Speaker 1>us versus them by color. Movements adopt symbolic palettes. So

0:23:40.560 --> 0:23:44.600
<v Speaker 1>the Suffragettes wore white and green and violet. AIDS awareness

0:23:44.680 --> 0:23:49.560
<v Speaker 1>uses red, environmental causes green. You see rainbow flags and

0:23:49.680 --> 0:23:54.159
<v Speaker 1>pride parades. You see orange worn by anti gun violence advocates.

0:23:54.440 --> 0:23:57.119
<v Speaker 1>So in this way, when we look around, we see

0:23:57.160 --> 0:24:01.640
<v Speaker 1>that color comes to serve as a quick symbol flag. Now,

0:24:01.680 --> 0:24:06.240
<v Speaker 1>not surprisingly, there's nothing fundamental about these associations and therefore

0:24:06.600 --> 0:24:10.960
<v Speaker 1>they aren't static. So in the eighteen hundreds, pink was

0:24:11.000 --> 0:24:16.080
<v Speaker 1>considered a strong masculine color related to red. Blue was

0:24:16.119 --> 0:24:20.199
<v Speaker 1>seen as delicate and feminine. These meanings flipped in the

0:24:20.240 --> 0:24:22.879
<v Speaker 1>twentieth century, and it had to do with shifts in

0:24:22.960 --> 0:24:28.360
<v Speaker 1>fashion and marketing and cultural signaling. Color, like language, evolves

0:24:28.560 --> 0:24:32.040
<v Speaker 1>and political colors vary. So you've got red for the

0:24:32.200 --> 0:24:35.679
<v Speaker 1>left in Europe, blue for conservatives in the UK, and

0:24:35.760 --> 0:24:38.440
<v Speaker 1>it's reversed in the United States. What I recently read

0:24:38.480 --> 0:24:40.919
<v Speaker 1>is that the colors in the United States blue for

0:24:41.040 --> 0:24:45.000
<v Speaker 1>liberals and red for conservatives. This got nailed down just

0:24:45.119 --> 0:24:48.520
<v Speaker 1>around the year two thousand, when the major television networks

0:24:48.560 --> 0:24:52.600
<v Speaker 1>started using this as a visual shorthand for liberal and conservative,

0:24:52.880 --> 0:24:56.800
<v Speaker 1>and that's how it got crystallized into public consciousness. I

0:24:56.800 --> 0:24:59.000
<v Speaker 1>don't really know the history of this, but I suspect

0:24:59.359 --> 0:25:02.359
<v Speaker 1>then in the day decades of black and white newspapers,

0:25:02.720 --> 0:25:05.560
<v Speaker 1>it was easier to use a donkey and an elephant

0:25:05.640 --> 0:25:09.320
<v Speaker 1>to distinguish the parties. And only when color television became

0:25:09.440 --> 0:25:14.520
<v Speaker 1>ubiquitous did it make sense to introduce a quick color flag. Okay, So,

0:25:14.560 --> 0:25:18.320
<v Speaker 1>now coming back to cultural messages, what is conveyed by

0:25:18.359 --> 0:25:23.400
<v Speaker 1>a color depends on your local context. In Western traditions,

0:25:23.760 --> 0:25:27.679
<v Speaker 1>white is associated with purity and innocence and weddings, but

0:25:27.760 --> 0:25:31.880
<v Speaker 1>in many Eastern cultures, white symbolizes death and is worn

0:25:31.960 --> 0:25:36.119
<v Speaker 1>by mourners. In South Africa, red can be a color

0:25:36.160 --> 0:25:40.760
<v Speaker 1>of mourning. In Brazil, purple is reserved for funerals. I'll

0:25:40.760 --> 0:25:44.040
<v Speaker 1>give you another example. Red, which in the West can

0:25:44.080 --> 0:25:48.840
<v Speaker 1>symbolize danger or passion, is associated in China with celebration

0:25:49.000 --> 0:25:52.400
<v Speaker 1>and joy and luck. A bride in India might wear

0:25:52.480 --> 0:25:56.080
<v Speaker 1>a bright red sorry, while a Western bride walks down

0:25:56.080 --> 0:25:58.600
<v Speaker 1>the aisle in white. So the point here is that

0:25:58.840 --> 0:26:03.240
<v Speaker 1>cultural colors symbols are learned. They're not innate. They are

0:26:03.280 --> 0:26:24.680
<v Speaker 1>built from shared stories and traditions and rituals. Now, despite

0:26:24.720 --> 0:26:28.520
<v Speaker 1>this variation, as far as what color means what sometimes,

0:26:28.840 --> 0:26:31.280
<v Speaker 1>there is a logic to it. Now, one thing I've

0:26:31.280 --> 0:26:36.240
<v Speaker 1>always found fascinating is that purple is always associated with royalty.

0:26:36.640 --> 0:26:40.400
<v Speaker 1>Why purple, why not orange or yellow or something else. Well,

0:26:40.400 --> 0:26:43.600
<v Speaker 1>it turns out that started in ancient Rome with a

0:26:43.800 --> 0:26:47.240
<v Speaker 1>die called Tyrian purple. This was a deep hue and

0:26:47.280 --> 0:26:50.000
<v Speaker 1>it was unlike any other dye that was available at

0:26:50.040 --> 0:26:54.120
<v Speaker 1>the time, and the color became irreversibly associated in their

0:26:54.160 --> 0:26:59.200
<v Speaker 1>society with nobility and wealth and the divine aura of emperors.

0:26:59.400 --> 0:27:03.040
<v Speaker 1>But what was so special about it? While Tyrian purple

0:27:03.640 --> 0:27:07.360
<v Speaker 1>was made from the mucus of a specific sea snail,

0:27:07.720 --> 0:27:11.879
<v Speaker 1>so producing just one gram of dye required thousands of

0:27:11.920 --> 0:27:15.879
<v Speaker 1>snails and days of labor. In other words, the die

0:27:16.320 --> 0:27:21.800
<v Speaker 1>was extremely labor intensive and therefore very expensive. Only the

0:27:21.840 --> 0:27:25.719
<v Speaker 1>wealthiest could afford it, and so that's how a particular

0:27:25.800 --> 0:27:30.159
<v Speaker 1>color came to represent something. What's interesting is that it

0:27:30.280 --> 0:27:33.520
<v Speaker 1>started off as an economic issue, but by the Roman

0:27:33.560 --> 0:27:39.320
<v Speaker 1>imperial era, the association between purple and power was codified

0:27:39.440 --> 0:27:42.800
<v Speaker 1>in the law. So you weren't allowed to wear garments

0:27:42.960 --> 0:27:46.760
<v Speaker 1>dyed in Tyrian purple unless you were an emperor or

0:27:46.800 --> 0:27:49.960
<v Speaker 1>a high ranking official. Apparently you could be sighted with

0:27:50.160 --> 0:27:54.240
<v Speaker 1>treason if you did this. So purple started out as expensive,

0:27:54.520 --> 0:27:58.680
<v Speaker 1>but it eventually became politically exclusive and By the way,

0:27:58.680 --> 0:28:02.080
<v Speaker 1>this wasn't just Rome. In various societies you find these

0:28:02.240 --> 0:28:06.359
<v Speaker 1>laws called sumptuary laws, which are like dress codes backed

0:28:06.359 --> 0:28:10.200
<v Speaker 1>by law, and these are there to restrict which people

0:28:10.320 --> 0:28:13.240
<v Speaker 1>can wear which colors. For example, you find the same

0:28:13.320 --> 0:28:17.960
<v Speaker 1>kind of sumptuary law in Elizabethan, England, where only royalty

0:28:18.080 --> 0:28:22.400
<v Speaker 1>and nobility were allowed to wear certain dies. The idea

0:28:22.440 --> 0:28:25.720
<v Speaker 1>with these laws is that they're designed to visibly maintain

0:28:26.000 --> 0:28:30.760
<v Speaker 1>the social order. So again, colors become a shorthand label

0:28:31.200 --> 0:28:34.760
<v Speaker 1>for larger concepts. Okay, so we've talked about this terrific

0:28:34.880 --> 0:28:39.320
<v Speaker 1>history of colors where certain colors came to have particular meaning.

0:28:39.840 --> 0:28:44.360
<v Speaker 1>But then what happened was the invention of synthetic dyes

0:28:44.440 --> 0:28:48.000
<v Speaker 1>in the nineteenth century, and suddenly you had this explosion

0:28:48.080 --> 0:28:52.480
<v Speaker 1>of vibrant hues that became accessible to the masses. The

0:28:52.560 --> 0:28:56.480
<v Speaker 1>first synthetic dye was mauve, and that was discovered accidentally

0:28:56.480 --> 0:29:00.760
<v Speaker 1>in eighteen fifty six, and that sparked a fashion because

0:29:00.800 --> 0:29:05.920
<v Speaker 1>what followed was an explosion of new hues, artificial magentas

0:29:05.960 --> 0:29:10.080
<v Speaker 1>and bright greens and vivid blues and optimistic yellow and

0:29:10.120 --> 0:29:15.800
<v Speaker 1>eventually drunk tank pink and ultramarine and atomic tangerine and

0:29:16.040 --> 0:29:19.880
<v Speaker 1>Nato green and millennial pink and safety orange and on

0:29:19.960 --> 0:29:23.240
<v Speaker 1>and on. So the world in a very short period

0:29:23.280 --> 0:29:27.800
<v Speaker 1>of time became much more colorful. So that's the recent

0:29:28.000 --> 0:29:31.000
<v Speaker 1>history of color. But I'm also interested in the flip

0:29:31.040 --> 0:29:34.640
<v Speaker 1>side question, which is what is the future of color,

0:29:35.080 --> 0:29:38.560
<v Speaker 1>because we're beginning to enter an era where color doesn't

0:29:38.600 --> 0:29:41.200
<v Speaker 1>have to be limited to what the ie evolved to

0:29:41.280 --> 0:29:43.880
<v Speaker 1>see or the dyes that we're able to make. First

0:29:43.880 --> 0:29:46.959
<v Speaker 1>of all, we're well beyond dies now because our modern

0:29:46.960 --> 0:29:50.880
<v Speaker 1>technology has changed how we see color. We have digital

0:29:50.920 --> 0:29:54.960
<v Speaker 1>screens that use RGB red, green, blue, and they mix

0:29:55.160 --> 0:29:59.720
<v Speaker 1>light instead of pigment, and any typical screen now displays

0:29:59.720 --> 0:30:04.080
<v Speaker 1>over sixteen million different colors. But the future of color

0:30:04.320 --> 0:30:06.320
<v Speaker 1>is going to go way further than that. As a

0:30:06.320 --> 0:30:08.960
<v Speaker 1>simple example, we've talked about how color can be used

0:30:09.120 --> 0:30:13.280
<v Speaker 1>to label information, so we can use augmented reality glasses

0:30:13.360 --> 0:30:16.640
<v Speaker 1>to map colors on the fly. Imagine that you are

0:30:16.960 --> 0:30:19.720
<v Speaker 1>in a factory where some machines are hot and some

0:30:19.840 --> 0:30:23.000
<v Speaker 1>are cold, and you just map the temperature data onto

0:30:23.400 --> 0:30:26.160
<v Speaker 1>red or blue so that you can see the temperature

0:30:26.200 --> 0:30:28.240
<v Speaker 1>at a distance. And of course it doesn't have to

0:30:28.280 --> 0:30:31.320
<v Speaker 1>be temperature. It could be anything like how full the

0:30:31.400 --> 0:30:34.360
<v Speaker 1>tanks are, or how many cycles per second are running

0:30:34.360 --> 0:30:38.280
<v Speaker 1>on the chips, or whatever information you need to carry.

0:30:38.440 --> 0:30:41.440
<v Speaker 1>You can encode that in color. But it gets better

0:30:41.480 --> 0:30:46.320
<v Speaker 1>than that, because new technologies are actually expanding the colors

0:30:46.360 --> 0:30:50.840
<v Speaker 1>that you can see. You can zap particular photoreceptors and

0:30:50.920 --> 0:30:55.640
<v Speaker 1>not others to see more saturated colors than you've ever

0:30:55.680 --> 0:30:59.120
<v Speaker 1>seen before. So at Berkeley, my colleagues have pulled off

0:30:59.120 --> 0:31:02.720
<v Speaker 1>a new project where a bypass your eyes normal machinery

0:31:03.080 --> 0:31:07.040
<v Speaker 1>and paint directly on your retina with light. And what

0:31:07.080 --> 0:31:10.160
<v Speaker 1>they can create is a brand new color, a literally

0:31:10.200 --> 0:31:15.560
<v Speaker 1>never before seen Hugh, a supersaturated blue green that the

0:31:15.600 --> 0:31:21.280
<v Speaker 1>research team calls ololo. What does olo look like? So

0:31:21.400 --> 0:31:25.080
<v Speaker 1>picture the most saturated peel that you can imagine, then

0:31:25.440 --> 0:31:29.240
<v Speaker 1>crank it up past anything nature offers. The green of

0:31:29.320 --> 0:31:33.000
<v Speaker 1>a laser pointer feels dull in comparison. Here's how it works.

0:31:33.280 --> 0:31:38.080
<v Speaker 1>Using very tiny doses of laser light, they individually target

0:31:38.160 --> 0:31:42.040
<v Speaker 1>photoreceptors in your eye. They don't just hit one photoreceptor,

0:31:42.040 --> 0:31:46.160
<v Speaker 1>but an entire constellation of about one thousand cones. It's

0:31:46.200 --> 0:31:48.840
<v Speaker 1>like they're painting on a tiny movie screen the size

0:31:48.840 --> 0:31:52.600
<v Speaker 1>of your fingernail. They're painting with light directly on your retina.

0:31:52.840 --> 0:31:56.160
<v Speaker 1>The key is that normally, each one of your cone

0:31:56.160 --> 0:31:59.719
<v Speaker 1>cells responds to different wavelengths short, medium, or long. But

0:31:59.760 --> 0:32:02.520
<v Speaker 1>there's so much overlap in the green and the red

0:32:02.560 --> 0:32:06.880
<v Speaker 1>cones that has been impossible to isolate just the green

0:32:06.960 --> 0:32:10.720
<v Speaker 1>cones the medium wavelength cones. But using this technique, that's

0:32:10.720 --> 0:32:13.840
<v Speaker 1>what they can do. So when only the medium cones

0:32:13.920 --> 0:32:17.600
<v Speaker 1>are stimulated, the result is Olo, a color that doesn't

0:32:17.680 --> 0:32:21.200
<v Speaker 1>exist anywhere in the natural world. Now, if the laser

0:32:21.360 --> 0:32:25.680
<v Speaker 1>jitters accidentally so that it activates nearby cones, the illusion

0:32:25.720 --> 0:32:28.600
<v Speaker 1>collapses in your back to just plain green, and that

0:32:28.760 --> 0:32:32.640
<v Speaker 1>shows how fragile this new color really is. So this

0:32:32.680 --> 0:32:37.160
<v Speaker 1>is how we can unlock entirely new sensory experiences. Your

0:32:37.240 --> 0:32:41.000
<v Speaker 1>brain is seeing something it never evolved to see, and

0:32:41.040 --> 0:32:43.840
<v Speaker 1>that brings us back to a deep question in neuroscience.

0:32:43.920 --> 0:32:47.400
<v Speaker 1>What happens when you feed the brain new information it's

0:32:47.440 --> 0:32:50.360
<v Speaker 1>never had before, And we see that the brain just

0:32:50.480 --> 0:32:53.360
<v Speaker 1>makes up a new color Olo, which is not born

0:32:53.440 --> 0:32:56.640
<v Speaker 1>of the saun or of nature, but of precise cellular

0:32:56.760 --> 0:33:00.160
<v Speaker 1>targeting in the lab. And so the possibility is there

0:33:00.600 --> 0:33:03.800
<v Speaker 1>that maybe we're just at the beginning of what human

0:33:03.920 --> 0:33:08.520
<v Speaker 1>perception is capable of. What amazes me is that we

0:33:08.560 --> 0:33:11.960
<v Speaker 1>can't imagine new colors, but once we've seen them, then

0:33:12.000 --> 0:33:14.720
<v Speaker 1>it's part of what we can imagine. And this tells

0:33:14.760 --> 0:33:18.800
<v Speaker 1>us that there's always more beyond the fence lines of

0:33:18.840 --> 0:33:22.239
<v Speaker 1>our internal models, which is what my next book is on,

0:33:22.280 --> 0:33:24.920
<v Speaker 1>which will hopefully come out next year. Okay, now I

0:33:24.960 --> 0:33:28.120
<v Speaker 1>want to get back to how science is going to

0:33:28.160 --> 0:33:32.840
<v Speaker 1>expand our perception. I think it's inevitable that genetic tools

0:33:32.880 --> 0:33:36.240
<v Speaker 1>are going to make it possible someday to modify our

0:33:36.440 --> 0:33:40.040
<v Speaker 1>eyes to detect new parts of the spectrum. So, for example,

0:33:40.440 --> 0:33:45.520
<v Speaker 1>will someday genetically give humans new flavors of photoreceptor cells?

0:33:46.000 --> 0:33:48.800
<v Speaker 1>Could you add a fourth type of cone to the retina?

0:33:49.160 --> 0:33:52.400
<v Speaker 1>I told you last week about tetrachromacy, in which a

0:33:52.480 --> 0:33:56.400
<v Speaker 1>tiny fraction of women see hundreds of millions of colors

0:33:56.480 --> 0:33:58.800
<v Speaker 1>rather than let's say a million, which is what most

0:33:58.800 --> 0:34:01.120
<v Speaker 1>of us can see. And this is because they have

0:34:01.160 --> 0:34:05.240
<v Speaker 1>a genetic mutation that gives them a fourth cone type.

0:34:05.760 --> 0:34:10.880
<v Speaker 1>So you could genetically engineer tetrachromacy like this. But you

0:34:10.920 --> 0:34:14.719
<v Speaker 1>could also engineer a fourth cone type to see beyond

0:34:14.880 --> 0:34:20.279
<v Speaker 1>the current limits of visible light. Imagine your great grandkids

0:34:20.320 --> 0:34:24.520
<v Speaker 1>being able to see magnetic fields like soft glows of color,

0:34:24.840 --> 0:34:27.279
<v Speaker 1>or to see other things that are totally invisible to you,

0:34:27.400 --> 0:34:31.520
<v Speaker 1>like infrared or ultraviolet, like snakes or bees do This

0:34:31.560 --> 0:34:34.640
<v Speaker 1>would just be an extension of the way that our

0:34:34.680 --> 0:34:38.719
<v Speaker 1>brains use colors as a way of tagging information in

0:34:38.760 --> 0:34:43.800
<v Speaker 1>the world. But now we'll be extending our perception beyond

0:34:44.080 --> 0:34:50.080
<v Speaker 1>its biological history. So let's wrap up. Color feels like

0:34:50.120 --> 0:34:53.759
<v Speaker 1>one of the most real and immediate and obvious aspects

0:34:53.920 --> 0:34:57.280
<v Speaker 1>of our experience. We fall in love with somebody's eyes,

0:34:57.680 --> 0:35:00.759
<v Speaker 1>we remember the yellow walls of a child bedroom. We

0:35:01.320 --> 0:35:05.240
<v Speaker 1>mourn in black, we celebrate in white or red or gold.

0:35:05.360 --> 0:35:07.720
<v Speaker 1>But what we've seen in this episode, in the last

0:35:07.840 --> 0:35:12.440
<v Speaker 1>is that color isn't fundamentally a property of the outside world.

0:35:12.640 --> 0:35:16.160
<v Speaker 1>It's a creation of the brain. There's no color in

0:35:16.200 --> 0:35:20.760
<v Speaker 1>a photon, there's just energy, just wavelength, and your retina

0:35:21.280 --> 0:35:25.000
<v Speaker 1>receives that input, and your brain compares and contrasts it

0:35:25.000 --> 0:35:29.200
<v Speaker 1>with other inputs, and out of this massive internal computation,

0:35:29.719 --> 0:35:33.960
<v Speaker 1>you experience something radiant and vivid, and by the way.

0:35:34.000 --> 0:35:36.799
<v Speaker 1>It's quite personal, which is why a blue and black

0:35:36.880 --> 0:35:41.040
<v Speaker 1>dress can divide the Internet. So the next time you

0:35:41.120 --> 0:35:45.560
<v Speaker 1>admire a sunset, or choose a shirt, or linger over

0:35:45.600 --> 0:35:52.200
<v Speaker 1>a painting, remember that you're translating physics into a subjective interpretation.

0:35:52.760 --> 0:35:57.200
<v Speaker 1>Color is a collaboration between the external world and your

0:35:57.320 --> 0:36:02.560
<v Speaker 1>internal model of it. It's where physics color lies with perception. Finally,

0:36:02.600 --> 0:36:05.000
<v Speaker 1>I just want to revisit how crazy I think it

0:36:05.080 --> 0:36:09.320
<v Speaker 1>is that we see colors every day that Julius Caesar

0:36:09.880 --> 0:36:14.120
<v Speaker 1>never did, and not just Caesar, but Shakespeare and Pocahontas

0:36:14.120 --> 0:36:19.640
<v Speaker 1>and Abraham Lincoln everyone. Until the proliferation of synthetic dies

0:36:19.719 --> 0:36:23.640
<v Speaker 1>and eventually digital screens, the world before us just didn't

0:36:23.640 --> 0:36:26.760
<v Speaker 1>see that many colors, colors that we get to see

0:36:27.080 --> 0:36:31.200
<v Speaker 1>every day, and typically don't even consider the size of

0:36:31.280 --> 0:36:34.279
<v Speaker 1>the palette that we get to appreciate. So spend a

0:36:34.280 --> 0:36:38.120
<v Speaker 1>few minutes today just looking around and thinking about the

0:36:38.239 --> 0:36:41.040
<v Speaker 1>millions of hues that you're looking at. Look at the

0:36:41.640 --> 0:36:45.680
<v Speaker 1>fashion around you, the clothing, the car colors, the paints,

0:36:46.080 --> 0:36:49.000
<v Speaker 1>even the annoying stuff like the advertising posters and the

0:36:49.080 --> 0:36:53.680
<v Speaker 1>road signs, even these are quite extraordinary when you look

0:36:53.719 --> 0:36:57.120
<v Speaker 1>at them. Through a new lens of appreciation, and I'm

0:36:57.160 --> 0:37:01.640
<v Speaker 1>really fascinated in thinking about how iotech will reach into

0:37:01.840 --> 0:37:06.399
<v Speaker 1>new color territories that we can't currently imagine. I told

0:37:06.400 --> 0:37:09.800
<v Speaker 1>you about the new color olo made by zapping specific

0:37:09.880 --> 0:37:13.640
<v Speaker 1>photoreceptors and not others in the lab. Just imagine what

0:37:13.680 --> 0:37:16.560
<v Speaker 1>things are going to look like in a century. Our

0:37:16.640 --> 0:37:20.520
<v Speaker 1>descendants might feel as sorry for us and our pitiful

0:37:20.560 --> 0:37:30.680
<v Speaker 1>little spectrum as we feel for our distant ancestors. Go

0:37:30.800 --> 0:37:33.759
<v Speaker 1>to eagleman dot com slash podcast for more information and

0:37:33.800 --> 0:37:37.600
<v Speaker 1>to find further reading. Join the weekly discussions on my substack,

0:37:37.680 --> 0:37:40.480
<v Speaker 1>and check out and subscribe to Inner Cosmos on YouTube

0:37:40.640 --> 0:37:45.600
<v Speaker 1>for videos of each episode and to leave comments Until

0:37:45.640 --> 0:37:52.280
<v Speaker 1>next time. I'm David Eagleman, and this is Inner Cosmos.