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Speaker 1: So it's me, and it's the FBI and the CIA

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Speaker 1: and the Sheriff's Department and the police and the President

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Speaker 1: and the Supreme Court and uh, chips chips and the

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Speaker 1: forest rangers and the federalies are with us as well,

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Speaker 1: and Interpol is there.

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Speaker 2: Uh and we are.

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Speaker 1: With the oyster guys, and we are knocking on the

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Speaker 1: doors of people who are leeching but not seating, okay,

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Speaker 1: and we and we are you know, It's like it's

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Speaker 1: one of these things where obviously they don't the law

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Speaker 1: enforcement agencies don't like the oyster guys very much, and

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Speaker 1: they don't like me because we're both responsible for some

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Speaker 1: pretty shady activity. But there is an even greater evil,

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Speaker 1: which is Oyster's gonna oink, Like there's going to be

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Speaker 1: this pink piggy palace where you can get all of

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Speaker 1: your favorite audio files that's going to exist. As long

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Speaker 1: as that's true. You have to seed. You cannot just leach,

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Speaker 1: and even doing the minimum just to hit the limit

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Speaker 1: so that your account doesn't get shut down is not

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Speaker 1: enough in the eyes of myself or the law.

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Speaker 2: We you have got.

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Speaker 3: Recording, not people that are leeching but not seeding. Oh,

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Speaker 3: or at least not very much so the required ratio.

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Speaker 3: Do you want to talk about some of the the.

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Speaker 2: Content you've been seeding lately?

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Speaker 1: Yeah, sure, I'm seating the entire catalog of one mister Iraglass.

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Speaker 2: Wow, that's a very law on seed.

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Speaker 1: Yes, and and then and there obviously that is a

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Speaker 1: tree trunk off of which many branches exist. Uh, Partly

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Speaker 1: Cloudy Patriot is going to be an audio file that

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Speaker 1: you can see.

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Speaker 2: Okay, what you can from me?

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Speaker 1: That partly Cloudy Patriot, the Sarah val essay collection. Do

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Speaker 1: you do you know her better? From her?

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Speaker 3: I know the wordy shipmates is that the wordy shipmates.

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Speaker 1: Was ryer and assassins was after. But it's a you know, uh,

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Speaker 1: the sort of neither here nor there. But yes, uh,

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Speaker 1: you know, some of Jonathan Goldstein's uh you know work

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Speaker 1: will be up there Wiretap and some other and then

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Speaker 1: of course we've got me talk pretty one days there

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Speaker 1: and yes, when you are in Golden that's flame When

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Speaker 1: people say going to see Dave. Yeah, but man, I

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Speaker 1: just I got the cooler packed up and I'm hitting

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Speaker 1: the parking lot to tailgate hard before Dave. I'm gonna

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Speaker 1: be fucking hippie flipping man, I'm gonna eat a eat

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Speaker 1: a quarter of mushrooms and drop two fucking molly stacks

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Speaker 1: parachute him straight to my gut. And they go, oh shit,

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Speaker 1: all right, what do you hopeing he plays? And I'm like,

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Speaker 1: I'm hoping he does some stuff from barrel Fever.

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Speaker 2: You know he's gotta do the alf stop for yeah, I.

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Speaker 1: Go, oh yeah, gotta do sandal Land man. If he does,

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Speaker 1: oh gosh, if he does truck Buddy, trucker Buddy about

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Speaker 1: the urine bag that you can tape inside your leg,

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Speaker 1: I just about die and go to heaven at that point, man,

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Speaker 1: I'd be ascending into the rafters.

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Speaker 3: Hey, welcome to Hollywood, Hamluk insiders to kicking butt and

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Speaker 3: dropping names of the red carpet lineback always of this

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Speaker 3: industry we call show business. It is so nice to

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Speaker 3: see friends, so nice to see repeat guests that we

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Speaker 3: haven't seen for a little while and catch up with

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Speaker 3: what they are up to. These are famous guests on

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Speaker 3: the show and friends of ours. They've been on the

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Speaker 3: show before, but they.

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Speaker 1: Exist off the show as well. Sometimes people they listen

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Speaker 1: to the show, yes, and they hear guests like you guys,

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Speaker 1: and they think that when they turn off their little

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Speaker 1: box or they stop their episode, often before the episode

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Speaker 1: is finished and they try something else that you stop,

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Speaker 1: you know, doing what you do.

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Speaker 2: But it's existing.

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Speaker 1: Yeah, it's not true. You're in the world and you're

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Speaker 1: trying to affect a positive change.

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Speaker 3: That is actually really helpful for you two to let's

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Speaker 3: start with this. They're like, once the show's over, that

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Speaker 3: you're still alive, You're still out there doing stuff. And

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Speaker 3: because that would help, I think a lot of our

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Speaker 3: listeners not be as upset, not cry, not freak out.

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Speaker 4: Yeah, yeah, I'm sorry. Yeah, man, I think the last

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Speaker 4: time we spoke, we were in a different place, you

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Speaker 4: know what I mean, Like mentally, physically, we were in

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Speaker 4: a completely different place. But we definitely exist outside of

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Speaker 4: the pod. That is, I can reassure you.

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Speaker 1: Oh yeah, I exist, baby, Maybe a little too much.

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Speaker 5: Yeah, you know what I'm talking about, brother, a little

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Speaker 5: too much. There's a lot of skusman to go around, man,

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Speaker 5: you know, people, people can handle it or they can't,

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Speaker 5: you know what I'm saying.

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Speaker 4: Very polarizing outcomes with the scus man.

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Speaker 2: Yeah.

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Speaker 5: Yeah, I'm hot, I'm cold, I'm up, I'm down, I'm

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Speaker 5: all around.

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Speaker 1: You know, talk a little bit about your temperature because

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Speaker 1: you have been you you were telling us before we

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Speaker 1: started recording that you have been breaking out into like

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Speaker 1: a you know, a huge sweat and you'll just be

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Speaker 1: like completely drenched and feel like you're burning up. And

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Speaker 1: minutes later you will need to put on like a

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Speaker 1: big park up because you're so so cold.

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Speaker 5: Oh yeah, oh yeah, it has not. It has not

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Speaker 5: been going away for a couple of months now. I

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Speaker 5: will just uh, you know, get really hot and sweaty

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Speaker 5: uh cough. I almost that.

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Speaker 3: That doesn't seem that doesn't seem related at all for

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Speaker 3: most people.

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Speaker 2: I don't know. Maybe this is just me being hot

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Speaker 2: doesn't make me cough.

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Speaker 1: Oh I disagree, Okay, I disagree when you get that

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Speaker 1: heat cough that like.

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Speaker 5: Okay, is it hot in here? Yeah? Man, are you

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Speaker 5: doing it? Are you doing it right? Because a lot of.

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Speaker 4: This guy's been kind of coughs to release the hot

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Speaker 4: air like it's a way of cooling himself off, like

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Speaker 4: almost like a smokestack kind of.

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Speaker 1: If it does, it's like dogs panting. When you know,

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Speaker 1: when you see a dog panting and they got their

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Speaker 1: that's them cooling themselves down exact.

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Speaker 4: Because dogs don't. Dogs don't sweat. We we checked, they

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Speaker 4: don't sweat in their fur and their body at all.

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Speaker 4: That's just how they have to cool themselves down. And

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Speaker 4: the scutsman is the same way.

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Speaker 1: Well he does sweat, he's talking about.

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Speaker 4: Sorry he doesn't, but the way he calls sweat, I

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Speaker 4: don't think it is. It's people.

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Speaker 2: It's different.

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Speaker 1: I just think he's unlocked something where it's like, okay,

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Speaker 1: so we see these animals, these incredibly intelligent animals, the

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Speaker 1: dog who has found a method of cooling themselves down,

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Speaker 1: and we go, well, we sweat, so we won't also

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Speaker 1: take advantage of this other thing that exists that we've

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Speaker 1: seen it be effective. So like, why because you sweat,

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Speaker 1: don't you also pant and ultimately cough a lot hard

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Speaker 1: and laugh out in order to help cool yourself down

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Speaker 1: quicker And with scusman, I think we found you know,

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Speaker 1: maybe the reason is it's almost too effective because then

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Speaker 1: you do get so cold that you fall asleep.

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Speaker 5: Yeah, yeah, that's right. I'm I'm asleep a lot a

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Speaker 5: lot of the times, like every every waking hour of

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Speaker 5: the day. I'm kind of.

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Speaker 4: Okay, don't call them waking hours.

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Speaker 2: We've talked about me.

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Speaker 5: What you just call it. That's what you call it,

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Speaker 5: waking hours.

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Speaker 2: You know, you know know what, when you sleep.

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Speaker 5: You're up for waking hours and you're just out for

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Speaker 5: the count.

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Speaker 3: When you're sleep, you're not up, You're you're sleep.

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Speaker 4: They're going to go round and round with the scus

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Speaker 4: Man about this. I've tried. I've tried to get him

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Speaker 4: to see this this.

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Speaker 1: Hayes saw the bull today and said, I'll have one

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Speaker 1: order of the horns please.

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Speaker 2: I mean, you just you're for what like.

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Speaker 3: Just to help help new listeners, Dom and the Sguy's

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Speaker 3: man had been on the show many times. What I

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Speaker 3: think would actually be helpful is to kind of like

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Speaker 3: explain some of the lore behind your appearances on the show.

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Speaker 3: I would actually love to hear scus Man recount just

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Speaker 3: like as much of his kind of personal backstory and

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Speaker 3: the kind of stories that you've told and experience on

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Speaker 3: the shows as you can, Like, I would just love

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Speaker 3: to hear your kind of summary of it.

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Speaker 1: And am I seeing a PEPSI can behind you as well?

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Speaker 1: Scus Man, It was like a die at PEPSI.

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Speaker 5: Yeah, diet PEPSI.

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Speaker 1: Feel free to talk about that as well.

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Speaker 4: Okay, it's full, unopened.

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Speaker 2: It does not look cold.

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Speaker 4: He's been saving that pepsi for a special occasion.

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Speaker 5: It is getting hot. It is heated up. It was

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Speaker 5: cold earlier. What happened was is that I went to

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Speaker 5: a vending machine and I found out that this is expired.

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Speaker 5: Don't know if you could see right there? Okay, April

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Speaker 5: twenty twenty, and you know me, I don't like to

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Speaker 5: drink expired drinks. That's the one thing that scus Man

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Speaker 5: does not like to do it.

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Speaker 3: Okay, so this is you do it, but you don't

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Speaker 3: like it.

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Speaker 2: Do it?

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Speaker 5: Doesn't like I do it if I do it if

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Speaker 5: I have to, like if I'm forced to, but I

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Speaker 5: don't like to do.

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Speaker 1: It for like a radio show or something.

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Speaker 5: Like radio show on a doctor's appointment, or sometimes people

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Speaker 5: come up to the street, like fans of mine, and

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Speaker 5: they're like, you have to drink this. It's expired and

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Speaker 5: I have to do it, but I don't like it.

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Speaker 1: It looked like that can you have actually expired?

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Speaker 5: On four? It did apparently, but.

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Speaker 1: You gotta drink it, man, there is a drink. Yeah,

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Speaker 1: But to be fun to drink it on the show.

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Speaker 4: Wow, this is important.

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Speaker 1: All right, Well, let's give me a good episode.

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Speaker 5: You challenged me, so here bottoms up.

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Speaker 1: Oh, I can hear how thick it is. It sounds thick.

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Speaker 5: It tastes expired, that's for sure. Hey, I'm drinking it though.

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Speaker 5: Show your listeners, viewers, it's going down all right.

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Speaker 1: But yeah, get into your lore because we already have

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Speaker 1: a little bit that.

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Speaker 3: Okay, what let's talk about?

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Speaker 2: Yeah, some of your backstory?

201
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Speaker 5: All right? Well, well the scus man, as you know,

202
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Speaker 5: I live on the beach. I live in a school bus. Uh,

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Speaker 5: you know, writing movies with this guy down here making movies,

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Speaker 5: doing movies. What else did I do?

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Speaker 2: That's four episodes I think worth of.

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Speaker 4: Well there's two big movies.

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Speaker 5: We did for poor damn. Wow, time flies.

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Speaker 2: You're just now you're just drinking it recreationally.

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Speaker 4: Well, yeah, the first SIPs always really important, and then

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Speaker 4: after that it just the SIPs become less. It becomes

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Speaker 4: more casual.

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Speaker 5: Put a can of liquid in front of me and

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Speaker 5: I'll start drinking.

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Speaker 3: Okay, you I mean I think it what like dom

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Speaker 3: maybe you can fill some of this stuff. And the

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Speaker 3: last time we talked to you was closer to the

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Speaker 3: beginning of the pandemic, which was affecting you in different ways.

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Speaker 4: We had just locked down in the scus bus we had.

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Speaker 4: We were just on the cusp of shooting what wound

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Speaker 4: up becoming. It's an incomplete film. Beach blanket, bingo romp

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Speaker 4: was what we and we read a part of the

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Speaker 4: script here on the show, and we got some great

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Speaker 4: feedback from you guys, but unfortunately it just didn't wind

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Speaker 4: up kind of coming together the way we thought. Pre

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Speaker 4: production was awesome, but the production kind of.

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Speaker 1: Podcast yes, I.

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Speaker 4: Yah yah, really successful. Pre production everything was teed up

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Speaker 4: like just so we were teed up for success with

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Speaker 4: just a great crew that scus Man kind of reamed

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Speaker 4: out at the rap party, the pre production rat party,

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Speaker 4: and so when we went to shoot, there just wasn't

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Speaker 4: the crew, there wasn't the infrastructure, and that just the

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Speaker 4: a lot of the kind of clarity issues that you

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Speaker 4: guys brought to light in the story were just frankly insurmountable.

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Speaker 4: So we kind of took a step back a little

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Speaker 4: bit and said, like, Okay, we've written movies, we've kind

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Speaker 4: of conquered that we have this one step back maybe

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Speaker 4: we try to figure out where Hollywood's headed instead of

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Speaker 4: like trying to play catch up, you know. And that's

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Speaker 4: when I really Scusman kind of he has a great

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Speaker 4: investment mind, if if you don't mind mind saying that,

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Speaker 4: scus Man, No.

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Speaker 5: No, no, please do I've been making lots of investments

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Speaker 5: fucking stock mark Okay, okay.

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Speaker 4: When he discovered the stock market, that was like a

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Speaker 4: real like that.

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Speaker 1: That took him into hyper drive. Yeah, from where he

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Speaker 1: had been obviously already a very good investor, and then

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Speaker 1: the stock market was like pouring gasoline on a roaring flame,

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Speaker 1: because that allowed him to invest so much more efficiently

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Speaker 1: and effectively. The thing I was curious about, Scusman, is

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Speaker 1: I know that you obviously COVID created a lot of tragedy,

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Speaker 1: but there also was, as you mentioned to me, a

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Speaker 1: lot of opportunity. Particularly there was a great need for testing,

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Speaker 1: and you devised a rapid test. I think you called

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Speaker 1: it a super rapid test because it was even faster

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Speaker 1: than the ten minute one and a lot of people

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Speaker 1: who didn't want the nasal option or even the saliva swab,

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Speaker 1: you were willing to stick it up their butt.

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Speaker 5: Yeah, Yeah, I was well, it up there. But because

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Speaker 5: you know, UH had a previous life. I have been

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Speaker 5: a nurse and I am used to administering tests like this.

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Speaker 5: I don't know, you know, I don't know if you

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Speaker 5: guys knew that about me, but I was a nurse

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Speaker 5: in a previous life, and uh, I yeah, I developed

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Speaker 5: a test because I had COVID a bunch like you.

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Speaker 2: Know, yeah six.

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Speaker 3: By the time we saw you, you had already had

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Speaker 3: it multiple times.

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Speaker 4: Yeah, when we were recording, he was in a little

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Speaker 4: bit of denial about like the last part, but I

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Speaker 4: mean he definitely we wound up kind of taking one

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Speaker 4: of the regular rapid tests.

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Speaker 1: But what better opportunity. I mean, like it's you know,

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Speaker 1: obviously you weren't endangering any sort of like lab rat

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Speaker 1: or anything. You you knew that you had it and

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Speaker 1: you were able to test, and when that test came

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Speaker 1: back positive, you said, Okay, this works because I know

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Speaker 1: I definitely have it right now. And I believe you

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Speaker 1: were able to then get even more involved in the

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Speaker 1: film industry because there were a lot of sets that

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Speaker 1: started using your testing company. It sounded like you were

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Speaker 1: making money hand over fist.

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Speaker 5: Oh yeah, man, I was doing the COVID protocols and everything,

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Speaker 5: and getting all these big big names to get let

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Speaker 5: me fucking stick it up their ass baby and test

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Speaker 5: them before the COVID. Yeah, I was raking it in

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Speaker 5: Mission impossible? Was you?

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Speaker 1: I believe you were the person Cruise was yelling at.

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Speaker 1: Is this right?

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Speaker 5: Yeah, he was yelling at me because I was taking

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Speaker 5: a little break, uh you know, a mass break I

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Speaker 5: was taking them. Yeah, I was taking a mass break

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Speaker 5: because I can't breathe. I needed to. I need you know,

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Speaker 5: I needed a I needed a moment that you.

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Speaker 2: Were wearing a T shirt that said that. I remember.

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Speaker 5: On set, I had T shirts, I had shorts and

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Speaker 5: all that stuff.

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Speaker 2: Yeah, I can't. I was trying.

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Speaker 5: I was. I was trying to, like, you know, give

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Speaker 5: them a message and show them what you know, what

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Speaker 5: I'm all about.

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Speaker 1: Well, it's i'd be. I've spoken to you a little

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Speaker 1: bit about don't know how much you want to say,

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Speaker 1: but I know that like when when you talk to me,

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Speaker 1: you said that you need a lot of MAX breaks

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Speaker 1: because it was very hard for you to breathe through

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Speaker 1: the mask, particularly because you had COVID. Yeah, and so

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Speaker 1: that you know that already was making it really hard

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Speaker 1: to breathe. But I suppose Tom is not going to

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Speaker 1: take that as a valid explanation. In fact, he probably

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Speaker 1: would not want to hear that at all.

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Speaker 5: No, he did not like that. He he did not

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Speaker 5: like that, and and he was like, how how do you?

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Speaker 5: How do you have COVID too? And I was like, hey, man,

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Speaker 5: I guess.

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Speaker 1: I feel like Tom was in the room.

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Speaker 5: Tom.

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Speaker 1: Did Tom just come in? I mean, honestly, Scu's ben

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Speaker 1: the mimic.

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Speaker 5: I've been working on that one.

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Speaker 1: Mister everything.

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Speaker 4: I said that to him, and Tom said that to

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Speaker 4: him in front of everyone. He said, how do you

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Speaker 4: have it too? And I was just like mortifying.

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Speaker 3: Yes, and what was that? Was that in reference to?

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Speaker 3: Like that he also had why did he say too?

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Speaker 1: In addition to having his mask off and being lazy tester?

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Speaker 2: Yeah? Yeah, oh, I say.

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Speaker 4: He's like, you're testing and you have it too? Like

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Speaker 4: that was what he was saying. But he even admitted

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Speaker 4: afterwards that he phrased it awkwardly, like he apologized everybody.

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Speaker 1: Yeah, he said, I'm usually so articulate, And I think

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Speaker 1: that he actually wanted that edited out of the sound

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Speaker 1: clip that was released of him yelling at scus Man

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Speaker 1: because it really didn't fit with some of the other

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Speaker 1: points that he made.

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Speaker 5: I have the recording, I have the original, and I'm

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Speaker 5: thinking about releasing it again to make money off of that. Well,

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Speaker 5: I'm just I just I just have so many income

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Speaker 5: streams right now. It's just like it's it's all coming up,

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Speaker 5: scuzz I'll tell you that much.

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Speaker 1: But I've heard the original recording, and I actually would

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Speaker 1: advise against you releasing it because the the stuff that

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Speaker 1: you're interjecting in between Tom where you're saying, like, why

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Speaker 1: are you so stressed out?

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Speaker 2: Man?

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Speaker 1: The test doesn't even fucking work anyway.

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Speaker 4: Let me put it up your butt.

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Speaker 1: Yeah, yeah, I'll stick it up your butt. It's gonna

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Speaker 1: turn green or blue. And they honestly look kind of

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Speaker 1: the same. I just kind of feel it out whether

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Speaker 1: I think the person is positive and then and then

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Speaker 1: I hit them with the stamp if they are. And

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Speaker 1: I and you also were talk about stuff that was

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Speaker 1: just unrelated, like opinions you had that. I don't think

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Speaker 1: it would be to your benefit to share that that

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Speaker 1: unedited audio.

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Speaker 5: Oh oh no, I disagree, man, I disagree. I mean,

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Speaker 5: people gotta hear what I gotta say, you know, people

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Speaker 5: gotta I'm sorry, sorry, my old lady's coming in.

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Speaker 1: Discuss another one.

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Speaker 5: Scus Many, Hey, man, you know that's the that's is

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Speaker 5: that hurt? Yeah, yeah, that's she's a dog.

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Speaker 2: Yeah.

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Speaker 4: I'm telling you when you use the word old, when

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Speaker 4: you say old lady, yeah, it leads people to believe

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Speaker 4: that it's it's a woman. This happens at restaurants. This

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Speaker 4: happens all he said, hold on, my old lady's park

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Speaker 4: in the car, and then the dog comes in and

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Speaker 4: everyone's shocked.

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Speaker 1: Yeah, hands to its own leash and says, no, well,

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Speaker 1: let's have some steak. I mean in barks it says that.

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Speaker 5: Yeah, yeah, no, she doesn't speak English, not yet drive

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Speaker 5: a car.

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Speaker 4: The only financial setback I feel like you've had scus

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Speaker 4: Man was when because with all those tests, right, like

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Speaker 4: everything that he was kind of putting up people's butts,

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Speaker 4: he was sending that off to a lab, and the

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Speaker 4: lab we had never really corresponded with before that, Like

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Speaker 4: they're kind of first knowledge that scus Man existed was

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Speaker 4: when these.

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Speaker 2: These they started slobs.

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Speaker 4: Started showing up and they all were marked urgent, they

385
00:21:04,760 --> 00:21:09,080
Speaker 4: were all marked super rapid need immediately friends of Tom

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Speaker 4: and and they they obviously were like, we're not going

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Speaker 4: to test this, and they had a whole it was

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Speaker 4: a whole kind of drawn out thing, Tom Cruise, Tom Cruise, Yes, sorry,

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Speaker 4: friends of Tom Cruise. So that that case was thrown out.

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Speaker 1: So the lab, Yeah, the lab didn't exactly know how

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Speaker 1: to handle it. That must have been disconcerting for them.

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Speaker 1: Also at a time when most labs were overworked already,

393
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Speaker 1: they got a sounds like a huge crate of butt

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Speaker 1: swabs every day.

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Speaker 3: Yeah, I guess you figured this out that these tests

396
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Speaker 3: were basically like one hundred percent effective because if you

397
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Speaker 3: are administering them and you're just like in proximity of

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Speaker 3: the person getting the test, then they.

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Speaker 4: Yeah, oh yeah, it raises the chances of the test

400
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Speaker 4: being accurate, to have the test happen around the scus

401
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Speaker 4: man who has COVID, because the test will be positive.

402
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Speaker 4: Did you have one negative test that you gave scus man.

403
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Speaker 5: Yeah, we had one negative test.

404
00:22:14,440 --> 00:22:16,439
Speaker 1: But that was the one that you had spilled an

405
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Speaker 1: entire dietpepsi on. Is that right?

406
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Speaker 5: I believe. So, I believe. So, you know, the diapepsy

407
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Speaker 5: just they it just turns it turns the test around

408
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Speaker 5: and it becomes negative. Well, it's I mean inspired.

409
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Speaker 1: And you that led you to believe that diapepsi cured COVID.

410
00:22:36,920 --> 00:22:42,120
Speaker 4: Yeah, yeah, which led him to him and he invested

411
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Speaker 4: heavily in that stock. Like that's what led him to

412
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Speaker 4: go really hard into diapepsy because he said, when other

413
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Speaker 4: people figure this shit out, like, we are gonna make

414
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Speaker 4: some serious money. And so he bought like what I

415
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Speaker 4: think a million shares of diapepsi and.

416
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Speaker 5: A million shares of diapepsi I have. You know, I'm just.

417
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Speaker 1: Diet pepsi, not in the Pepsi Cola company.

418
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Speaker 5: I called them up and I said, make sure this

419
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Speaker 5: is just for the diet. And they were able to

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Speaker 5: They were able to fulfill that.

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Speaker 2: We could do that.

422
00:23:13,200 --> 00:23:16,840
Speaker 5: Okay, Yeah, Well when you got the connections that I got,

423
00:23:16,960 --> 00:23:19,200
Speaker 5: you know, it's pretty easy.

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Speaker 1: Talk about some of your connections.

425
00:23:23,640 --> 00:23:28,399
Speaker 5: Well, in a previous life, I worked on Wall Street.

426
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Speaker 5: You know what, But this nurse you.

427
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Speaker 2: Just found out about the stock market.

428
00:23:35,080 --> 00:23:38,800
Speaker 4: In this life, in a previous life, okay, before he

429
00:23:38,840 --> 00:23:41,600
Speaker 4: was a nurse right before you, before your life nurse life.

430
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Speaker 3: So this is all literally you're saying that in actual

431
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Speaker 3: like previous lives that you've had, not like previous careers.

432
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Speaker 5: Yeah, have you heard of like the past life regression

433
00:23:51,800 --> 00:23:52,240
Speaker 5: and all that.

434
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Speaker 2: Yeah, But also I'm like, I've.

435
00:23:55,200 --> 00:23:57,320
Speaker 5: Done that a lot, Okay, you know what I mean.

436
00:23:57,400 --> 00:23:59,920
Speaker 5: And I've had live after live after live.

437
00:24:02,400 --> 00:24:05,760
Speaker 4: Him. Yeah, he's done so many. He's had life after life.

438
00:24:07,400 --> 00:24:11,199
Speaker 4: Scus Man had me hypnotize him and regress into his

439
00:24:11,240 --> 00:24:12,720
Speaker 4: past lives. He said, he said, all right, I'm going

440
00:24:12,760 --> 00:24:15,000
Speaker 4: to close my eyes now hypnotize me. I want to

441
00:24:15,040 --> 00:24:17,000
Speaker 4: go back to my nurse life. And so then I

442
00:24:17,040 --> 00:24:20,000
Speaker 4: would kind of hypnotize him. He would do that, and

443
00:24:20,040 --> 00:24:21,320
Speaker 4: he would be a nurse and we kind of have

444
00:24:21,320 --> 00:24:24,240
Speaker 4: a little chat and then we do we do that, what.

445
00:24:24,280 --> 00:24:24,960
Speaker 2: Did you learn?

446
00:24:25,040 --> 00:24:28,480
Speaker 3: And like what like what time period was he was

447
00:24:28,520 --> 00:24:31,840
Speaker 3: he a nurse in I mean, I'm just curious about it.

448
00:24:32,000 --> 00:24:34,760
Speaker 3: Just seems like the least interesting detail of these conversations

449
00:24:34,960 --> 00:24:36,080
Speaker 3: just that he was a nurse.

450
00:24:37,880 --> 00:24:39,800
Speaker 4: He was just a mediocre nurse and I think the

451
00:24:39,840 --> 00:24:41,239
Speaker 4: mid seventies.

452
00:24:40,840 --> 00:24:43,200
Speaker 2: So that is actually the most interesting part.

453
00:24:44,320 --> 00:24:48,439
Speaker 4: He's just a just a nurse, did it for like

454
00:24:48,520 --> 00:24:51,520
Speaker 4: four years and then retired and kind of moved on

455
00:24:51,560 --> 00:24:52,200
Speaker 4: to something else.

456
00:24:52,240 --> 00:24:55,320
Speaker 2: Wow, the conversation sounds like it was very boring.

457
00:24:56,320 --> 00:24:58,919
Speaker 1: Yeah, I mean I remember talking to you guys around

458
00:24:58,920 --> 00:25:01,160
Speaker 1: this time, and it was a interesting that you were

459
00:25:01,160 --> 00:25:06,480
Speaker 1: a nurse who ate cigarettes, like that was your favorite

460
00:25:06,520 --> 00:25:10,680
Speaker 1: meal was like a pack of cigarettes and you would eat.

461
00:25:12,560 --> 00:25:14,680
Speaker 3: Okay, yeah, I could see why that wouldn't come up

462
00:25:15,520 --> 00:25:16,119
Speaker 3: right away.

463
00:25:16,880 --> 00:25:19,000
Speaker 1: Well, you have it like a questionnaire where it's like

464
00:25:19,040 --> 00:25:21,480
Speaker 1: what's your favorite color? Like what kind of music do

465
00:25:21,560 --> 00:25:23,760
Speaker 1: you like? And then one of that question was like

466
00:25:23,840 --> 00:25:26,480
Speaker 1: you know, uh, dream dinner.

467
00:25:27,440 --> 00:25:29,800
Speaker 2: Cigarette, dream dinner was one of the questions.

468
00:25:29,880 --> 00:25:33,960
Speaker 4: Dream dinner, Yes, fork knife, plate of cigarettes is what

469
00:25:34,000 --> 00:25:35,720
Speaker 4: he's what the nurse said.

470
00:25:36,040 --> 00:25:38,760
Speaker 1: I think it was dream dinner party. So it was

471
00:25:38,880 --> 00:25:41,200
Speaker 1: sort of that like any three people living your dead.

472
00:25:41,240 --> 00:25:44,000
Speaker 1: But this gusman as the nurse, just took it to

473
00:25:44,040 --> 00:25:45,840
Speaker 1: me like what would you be eating and the answer

474
00:25:45,920 --> 00:25:49,960
Speaker 1: was cigarettes forking knife included smoked cigarette.

475
00:25:49,960 --> 00:25:51,360
Speaker 5: They have to be smoked, they have.

476
00:25:51,359 --> 00:25:52,639
Speaker 2: To be pre smoked.

477
00:25:52,680 --> 00:25:55,520
Speaker 4: Okay, he loves that smoky flavor.

478
00:25:55,640 --> 00:26:01,639
Speaker 5: Yeah yeah, oohs taking me back, Oh, take maybe to

479
00:26:01,760 --> 00:26:05,120
Speaker 5: the seventies when I was eating those cigarettes.

480
00:26:05,760 --> 00:26:14,119
Speaker 3: Were you alive in.

481
00:26:12,359 --> 00:26:12,520
Speaker 2: No?

482
00:26:12,880 --> 00:26:15,600
Speaker 3: But like we're in this current life where you alive.

483
00:26:15,720 --> 00:26:17,679
Speaker 3: Did some of these lives like over a week.

484
00:26:17,520 --> 00:26:19,800
Speaker 4: We've done the time, we've done the timeline. Yeah, there's

485
00:26:19,920 --> 00:26:22,600
Speaker 4: one of his past lives overlaps by like three years

486
00:26:22,600 --> 00:26:25,520
Speaker 4: with his current life, and he had.

487
00:26:25,359 --> 00:26:28,720
Speaker 1: Another past life that's starting I think next week.

488
00:26:29,359 --> 00:26:31,560
Speaker 3: And working on Wall Street. It sounds a little like

489
00:26:31,600 --> 00:26:35,000
Speaker 3: that was like maybe during like the eighties. Oh yeah,

490
00:26:35,119 --> 00:26:39,920
Speaker 3: so you so your current life was happening during all

491
00:26:39,960 --> 00:26:43,280
Speaker 3: of these past lives as well, right.

492
00:26:43,240 --> 00:26:48,200
Speaker 5: Right, right? Yeah, scus Man two was working in Wall

493
00:26:48,240 --> 00:26:50,240
Speaker 5: Street and then scus Man three.

494
00:26:50,080 --> 00:26:52,840
Speaker 2: Your past life maybe Gusband two.

495
00:26:55,119 --> 00:26:59,520
Speaker 5: Yeah, well's yeah, that's that. That's the that's that's what.

496
00:26:59,440 --> 00:27:02,760
Speaker 4: I was named Scusman two. Money never sleeps, right, that's

497
00:27:02,760 --> 00:27:03,360
Speaker 4: what you said.

498
00:27:03,200 --> 00:27:06,960
Speaker 5: Your wow, Yes, yeah, I was doing a lot of

499
00:27:07,000 --> 00:27:11,760
Speaker 5: cocaine in those days and making money almost on those days.

500
00:27:12,200 --> 00:27:22,040
Speaker 3: Okay, yeah, let's tale. So it seems like you're you're

501
00:27:22,440 --> 00:27:25,600
Speaker 3: I guess you're in this nice room. You've settled down,

502
00:27:26,040 --> 00:27:30,439
Speaker 3: you're patronizing old vending machines, like your financial situation has

503
00:27:30,520 --> 00:27:33,320
Speaker 3: kind of changed. You want to talk about any new

504
00:27:33,800 --> 00:27:37,960
Speaker 3: projects that you all are working at, like as writing partners.

505
00:27:37,960 --> 00:27:41,159
Speaker 3: That's what we've tended to kind of get into in

506
00:27:41,200 --> 00:27:42,399
Speaker 3: the past with the two of you.

507
00:27:43,600 --> 00:27:46,760
Speaker 4: What's nice is that with the money Scusman is kind

508
00:27:46,800 --> 00:27:49,600
Speaker 4: of accumulated, we're able to self fund.

509
00:27:49,680 --> 00:27:49,840
Speaker 5: Right.

510
00:27:49,960 --> 00:27:53,120
Speaker 4: So this whole process with the studios and notes and

511
00:27:53,440 --> 00:27:56,320
Speaker 4: trying to make our vision palatable to other people or

512
00:27:56,359 --> 00:27:58,879
Speaker 4: explain it is just kind of over. I mean, the

513
00:27:58,920 --> 00:28:02,360
Speaker 4: Scusman is kind of like, what the way the way

514
00:28:02,359 --> 00:28:04,399
Speaker 4: it works now is we pitch it to ourselves and

515
00:28:04,440 --> 00:28:07,119
Speaker 4: then Scusman goes green light. And then he flips on

516
00:28:07,200 --> 00:28:11,320
Speaker 4: this this light that he thinks is green. But I

517
00:28:11,359 --> 00:28:12,880
Speaker 4: don't think I don't think it's like.

518
00:28:13,400 --> 00:28:15,760
Speaker 1: It's because of his sunglasses, right, it kind of makes

519
00:28:15,760 --> 00:28:19,000
Speaker 1: certain things look green through the shades.

520
00:28:19,040 --> 00:28:22,280
Speaker 5: They look green. Baby, I mean, I gotta I gotta

521
00:28:22,280 --> 00:28:24,879
Speaker 5: have the shades making me see everything green, you know,

522
00:28:24,920 --> 00:28:25,399
Speaker 5: in order to.

523
00:28:25,400 --> 00:28:28,399
Speaker 2: Get all look greed.

524
00:28:28,640 --> 00:28:32,120
Speaker 4: Okay, he walks around, he goes green light, green light.

525
00:28:32,200 --> 00:28:32,840
Speaker 2: He's excited.

526
00:28:32,960 --> 00:28:35,560
Speaker 3: Yeah, well, I guess it's good that you have you're

527
00:28:35,880 --> 00:28:37,919
Speaker 3: in a relationship with someone who could drive.

528
00:28:40,040 --> 00:28:42,560
Speaker 2: Yeah, like in those situations.

529
00:28:42,080 --> 00:28:44,800
Speaker 3: Yeah, I've gotten a lot of spar they also, I

530
00:28:44,800 --> 00:28:48,600
Speaker 3: guess the dogs are specifically red green.

531
00:28:49,960 --> 00:28:50,840
Speaker 4: Got the same problem.

532
00:28:51,440 --> 00:28:54,200
Speaker 2: You also have something for you have a comment, so

533
00:28:54,240 --> 00:28:54,720
Speaker 2: that's nice.

534
00:28:55,120 --> 00:28:57,880
Speaker 1: There is also a bit of a windfall when you

535
00:28:57,960 --> 00:29:02,400
Speaker 1: sued Matthew McConaughey over his memoir title, right because green

536
00:29:02,480 --> 00:29:03,640
Speaker 1: Lights you owned that.

537
00:29:04,760 --> 00:29:08,240
Speaker 5: Yeah, yeah, I can sue the pants off of that guy.

538
00:29:09,320 --> 00:29:13,080
Speaker 1: Yeah, and the shirt off him he never wears one.

539
00:29:12,560 --> 00:29:17,400
Speaker 5: Never Yeah yeah, yeah, so proud of thankscus Man for that, right,

540
00:29:18,320 --> 00:29:19,720
Speaker 5: I get no thanks for that.

541
00:29:20,840 --> 00:29:23,880
Speaker 4: Scus Man has will not be the next governor of Texas.

542
00:29:24,160 --> 00:29:26,840
Speaker 4: Scus Man is gonna make sure that that doesn't happen.

543
00:29:27,480 --> 00:29:29,680
Speaker 5: Yeah, I'm going. I'm going to Texas and I'm gonna

544
00:29:29,720 --> 00:29:33,000
Speaker 5: stop him, and I'm gonna I might run a campaign

545
00:29:33,040 --> 00:29:35,600
Speaker 5: against him. You know, in my past life I was

546
00:29:35,880 --> 00:29:41,480
Speaker 5: I was a governor as well, Okay, campaign runners, any

547
00:29:41,560 --> 00:29:48,040
Speaker 5: specific governor, Like they're all like, they must.

548
00:29:48,360 --> 00:29:51,320
Speaker 4: Give me a state when we get the past life regression,

549
00:29:51,360 --> 00:29:53,240
Speaker 4: He wouldn't say what state he was Cagy. He goes up,

550
00:29:53,280 --> 00:29:55,280
Speaker 4: My people didn't elect me to wrap them out, is

551
00:29:55,320 --> 00:29:59,120
Speaker 4: what he said, them out, just to say what's state there?

552
00:29:59,120 --> 00:29:59,200
Speaker 1: For?

553
00:29:59,280 --> 00:30:02,720
Speaker 3: What state you're currently the governor of? Can I ask

554
00:30:02,880 --> 00:30:05,760
Speaker 3: do you know like as you're as dom is talking

555
00:30:05,760 --> 00:30:09,560
Speaker 3: to you and your like past life regression. Ye are

556
00:30:09,600 --> 00:30:13,280
Speaker 3: they like just kind of going through their day in

557
00:30:13,360 --> 00:30:16,880
Speaker 3: the eighties or whatever that like suddenly Dom is talking

558
00:30:16,920 --> 00:30:20,160
Speaker 3: to them from the future, Like, how does that work?

559
00:30:21,800 --> 00:30:24,479
Speaker 2: What could that just happened to? Could that happen to

560
00:30:24,520 --> 00:30:26,840
Speaker 2: any of us? Oh?

561
00:30:26,960 --> 00:30:29,080
Speaker 5: Of course, I don't know. Dom's got to do it.

562
00:30:29,560 --> 00:30:33,760
Speaker 5: I guess I'm talking to Dom right now. Yeah, Okay,

563
00:30:34,920 --> 00:30:36,160
Speaker 5: it's only an interruption.

564
00:30:36,360 --> 00:30:38,760
Speaker 4: It's an interruption, like the first kind of five minutes

565
00:30:38,800 --> 00:30:41,240
Speaker 4: of the past life regression is calming them down, is

566
00:30:41,240 --> 00:30:45,120
Speaker 4: calming either scus Man three four to two, scus Man prime,

567
00:30:45,200 --> 00:30:48,120
Speaker 4: whatever it is that we whichever scus Man it is

568
00:30:48,120 --> 00:30:50,920
Speaker 4: we're talking to and just kind of being like, it's okay,

569
00:30:50,960 --> 00:30:52,840
Speaker 4: I know you're not in the elevator anymore. You're here

570
00:30:52,920 --> 00:30:55,640
Speaker 4: with me. And if he gets too scared, he'll kind

571
00:30:55,680 --> 00:30:58,080
Speaker 4: of say time out and and then take a time

572
00:30:58,080 --> 00:30:59,920
Speaker 4: out and then he'll be or he'll be like, don't

573
00:31:00,000 --> 00:31:01,880
Speaker 4: ask me that, or you know stuff okay.

574
00:31:03,080 --> 00:31:05,400
Speaker 3: But once they find out that what I mean that

575
00:31:05,640 --> 00:31:08,440
Speaker 3: really you you just are curious about this stuff that

576
00:31:08,520 --> 00:31:10,400
Speaker 3: it wasn't even for like any.

577
00:31:11,760 --> 00:31:13,840
Speaker 2: Anything that important. It sounds like.

578
00:31:14,520 --> 00:31:16,720
Speaker 4: I wish I had something more urgent to kind of

579
00:31:16,720 --> 00:31:18,240
Speaker 4: ask them about or convey to them.

580
00:31:18,440 --> 00:31:22,880
Speaker 3: You're asking pulling them out of their present day life

581
00:31:22,960 --> 00:31:26,520
Speaker 3: to ask them about their dream dinner party, for example.

582
00:31:27,400 --> 00:31:32,960
Speaker 1: Yeah, I'm asking basically, yeah, wow, his favorite color should

583
00:31:32,960 --> 00:31:36,680
Speaker 1: be off the questionnaire. I've said this because it never

584
00:31:36,760 --> 00:31:40,840
Speaker 1: really gets all versions of scus Man. That's one thing

585
00:31:40,880 --> 00:31:43,840
Speaker 1: they have in common is they all like the same color.

586
00:31:43,920 --> 00:31:46,240
Speaker 2: It is green. Okay, it is green.

587
00:31:47,600 --> 00:31:52,840
Speaker 3: But your sunglasses are not actually green. I know you

588
00:31:52,880 --> 00:31:55,320
Speaker 3: don't know that, but they but they are. They're like

589
00:31:55,520 --> 00:31:58,040
Speaker 3: kind of bluish greed. But no one would look at

590
00:31:58,080 --> 00:31:59,200
Speaker 3: that and say that's greed.

591
00:32:01,280 --> 00:32:04,400
Speaker 5: I've been told that they don't look green, but I

592
00:32:04,440 --> 00:32:05,520
Speaker 5: see green out of them.

593
00:32:05,840 --> 00:32:06,240
Speaker 2: Okay.

594
00:32:07,120 --> 00:32:09,800
Speaker 4: But with this anyway, you were asking about future projects

595
00:32:09,800 --> 00:32:12,240
Speaker 4: we have, and with this kind of nest egg, the

596
00:32:12,240 --> 00:32:16,640
Speaker 4: Scusman as greenlit our latest project, which is a little

597
00:32:16,640 --> 00:32:19,960
Speaker 4: more high concept kind of in execution. It's a location

598
00:32:20,120 --> 00:32:22,080
Speaker 4: based movie, like we want to do a kind of

599
00:32:22,560 --> 00:32:24,440
Speaker 4: last movie we did was all we wanted to do,

600
00:32:24,560 --> 00:32:26,040
Speaker 4: was all at the Beach, and we still kind of

601
00:32:26,080 --> 00:32:30,600
Speaker 4: like this idea, and so this year we're making a

602
00:32:30,640 --> 00:32:36,040
Speaker 4: movie at the Tokyo Olympics. We had full story mapped up.

603
00:32:36,640 --> 00:32:41,400
Speaker 1: You both look like you're in hotel rooms. Possibly Scusband

604
00:32:41,640 --> 00:32:45,240
Speaker 1: looks a little more upscale. Are you in Tokyo currently?

605
00:32:46,480 --> 00:32:46,920
Speaker 5: That's right?

606
00:32:48,400 --> 00:32:53,680
Speaker 4: Oh yeah, you're big time, majorly in Tokyo. And I

607
00:32:53,680 --> 00:32:55,840
Speaker 4: don't want to hear too much of the specifics of it,

608
00:32:55,880 --> 00:33:00,440
Speaker 4: because getting into the Olympic Village itself to film is

609
00:33:00,840 --> 00:33:03,280
Speaker 4: no easy feat, especially you know, and so we have

610
00:33:03,400 --> 00:33:06,640
Speaker 4: to a lot of the resources the money has gone

611
00:33:06,640 --> 00:33:09,360
Speaker 4: into just kind of getting in the door, so to speak.

612
00:33:09,440 --> 00:33:13,560
Speaker 3: Okay, so this these Olympics, from what I understand, are

613
00:33:14,080 --> 00:33:18,240
Speaker 3: there are there are no audience members allowed because of

614
00:33:18,920 --> 00:33:25,680
Speaker 3: rising COVID cases. It's like a total disaster. So I

615
00:33:25,680 --> 00:33:29,120
Speaker 3: would think that like more than usually, like the presence

616
00:33:29,160 --> 00:33:32,200
Speaker 3: of the two of you just like showing.

617
00:33:31,880 --> 00:33:34,440
Speaker 2: Up what kind of stand out.

618
00:33:34,560 --> 00:33:37,640
Speaker 3: Also, I want to just point out that this maybe

619
00:33:37,680 --> 00:33:40,600
Speaker 3: you know this, that this has been done before. Nick

620
00:33:40,680 --> 00:33:43,960
Speaker 3: Kroll made a movie at the Winter Olympics in twenty

621
00:33:44,000 --> 00:33:46,080
Speaker 3: eighteen that came out last year that was sold as

622
00:33:46,160 --> 00:33:49,080
Speaker 3: the first movie ever made.

623
00:33:49,080 --> 00:33:52,120
Speaker 2: At the Olympic Village. It was called Olympic Dreams. So

624
00:33:52,400 --> 00:33:54,560
Speaker 2: is this are you going to sell this as this

625
00:33:55,000 --> 00:33:56,320
Speaker 2: the second movie ever.

626
00:33:56,520 --> 00:33:58,480
Speaker 1: Oh uh yeah, I think you say it's the second one.

627
00:33:58,560 --> 00:34:01,520
Speaker 1: You say, Hey, you've tried the rest, now try the best.

628
00:34:02,560 --> 00:34:04,360
Speaker 1: You know, we're not the first to do it, but

629
00:34:04,440 --> 00:34:07,959
Speaker 1: we have improved on the formula. I'm curious does it

630
00:34:08,080 --> 00:34:10,840
Speaker 1: help or hurt that in a past life Spelman was

631
00:34:10,960 --> 00:34:15,120
Speaker 1: Richard Jewel, because I guess you'd know your way around

632
00:34:15,160 --> 00:34:20,200
Speaker 1: some of the Olympics stuff. But yeah, take a sip

633
00:34:20,200 --> 00:34:26,560
Speaker 1: of that ye PEPSI yeah, to be coagulating inside your.

634
00:34:28,320 --> 00:34:33,399
Speaker 5: Sorry, my throat is closing up real bad. Yeah it helps, man.

635
00:34:33,480 --> 00:34:36,920
Speaker 5: You know, all every every Olympics is the same pretty much.

636
00:34:37,080 --> 00:34:41,560
Speaker 5: They pretty much have the same maps, you know, the

637
00:34:41,640 --> 00:34:45,360
Speaker 5: same sort of thing maps, the same you know, you

638
00:34:45,480 --> 00:34:50,640
Speaker 5: got the same events and the same things like, oh,

639
00:34:50,680 --> 00:34:52,719
Speaker 5: this is where the village is. You walk a couple

640
00:34:52,760 --> 00:34:55,040
Speaker 5: of steps, you're gonna go here, you're gonna see swimming.

641
00:34:55,600 --> 00:34:59,080
Speaker 3: Now that if there's one thing that I would not

642
00:34:59,320 --> 00:35:04,400
Speaker 3: expect for Richard Jewel to say, it's that every Olympics

643
00:35:04,400 --> 00:35:05,080
Speaker 3: are the same.

644
00:35:06,600 --> 00:35:10,759
Speaker 5: He well, you know, I mean shit, I mean, but

645
00:35:11,000 --> 00:35:12,200
Speaker 5: that's what the guy thinks.

646
00:35:12,239 --> 00:35:13,480
Speaker 2: So you know that guy.

647
00:35:13,480 --> 00:35:16,080
Speaker 5: Hey, I'm gonna trust the guy that was there.

648
00:35:16,200 --> 00:35:19,720
Speaker 2: You know he was there and that you you were

649
00:35:19,719 --> 00:35:22,480
Speaker 2: and you were there. This was in the nineties.

650
00:35:23,920 --> 00:35:24,000
Speaker 1: Me.

651
00:35:24,760 --> 00:35:29,320
Speaker 5: Yeah, this Discusman, this is three three and a half Disgusman.

652
00:35:29,400 --> 00:35:32,680
Speaker 6: And h three and a half scuzz Did you say

653
00:35:32,719 --> 00:35:33,640
Speaker 6: he bombed it?

654
00:35:34,960 --> 00:35:35,919
Speaker 5: He bombed it.

655
00:35:36,640 --> 00:35:38,680
Speaker 2: He was guilt, so you you So.

656
00:35:39,760 --> 00:35:42,760
Speaker 4: This was the most confusing past life regression we did.

657
00:35:42,920 --> 00:35:44,920
Speaker 4: This was the one that was the most because it

658
00:35:44,960 --> 00:35:47,880
Speaker 4: didn't come up until we saw the movie. When we

659
00:35:47,920 --> 00:35:51,120
Speaker 4: watched the movie together, then we did a past life regression.

660
00:35:51,120 --> 00:35:54,200
Speaker 4: Scus Man remembered he was Richard Jewel. But then I

661
00:35:54,239 --> 00:35:56,080
Speaker 4: also don't think he watched the whole movie because I

662
00:35:56,560 --> 00:35:58,400
Speaker 4: know it was during his waking hours, so he was

663
00:35:58,440 --> 00:36:01,759
Speaker 4: asleep for some of it, and he I don't think

664
00:36:01,800 --> 00:36:06,839
Speaker 4: he knew the kind of second half and so yes,

665
00:36:06,880 --> 00:36:08,719
Speaker 4: I mean, in the kind of past life progression he was.

666
00:36:08,760 --> 00:36:10,680
Speaker 4: It was like a big confession. It was like, I

667
00:36:10,719 --> 00:36:13,600
Speaker 4: did it. I fucking hated those Olympians, Like, I mean,

668
00:36:13,600 --> 00:36:14,880
Speaker 4: there's a lot of really kind.

669
00:36:14,760 --> 00:36:21,279
Speaker 3: Of wool okay, and now you're making a movie at

670
00:36:21,320 --> 00:36:27,440
Speaker 3: the Olympics. What is I mean, it's the summer Olympics.

671
00:36:27,960 --> 00:36:33,120
Speaker 3: You like, you love the beach is it like is

672
00:36:33,160 --> 00:36:36,279
Speaker 3: it a beach volleyball like Olympic Like is that like

673
00:36:36,400 --> 00:36:38,239
Speaker 3: part of it or are you sort of moving on

674
00:36:38,360 --> 00:36:39,080
Speaker 3: from that stuff?

675
00:36:41,920 --> 00:36:42,240
Speaker 4: Oh?

676
00:36:42,520 --> 00:36:45,919
Speaker 5: Yeah, we gotta have the beach for sure. We gotta

677
00:36:45,960 --> 00:36:51,120
Speaker 5: have We're gonna have beach for sure, but we also

678
00:36:51,320 --> 00:36:54,440
Speaker 5: but we also have other things. You know, because I

679
00:36:54,520 --> 00:36:57,120
Speaker 5: realized that I gotta be more well rounded. I can't

680
00:36:57,160 --> 00:36:58,040
Speaker 5: just stick to the beach.

681
00:36:58,440 --> 00:37:00,239
Speaker 4: We've started to see the beach as a bit of

682
00:37:00,239 --> 00:37:03,879
Speaker 4: a crutch for scus Man, and we want to kind

683
00:37:03,880 --> 00:37:05,520
Speaker 4: of branch out, but we want to not give a

684
00:37:05,560 --> 00:37:06,360
Speaker 4: nod to the beach.

685
00:37:06,480 --> 00:37:11,120
Speaker 3: So do you want to like that's already like pretty specific,

686
00:37:11,200 --> 00:37:14,520
Speaker 3: but do you want to like dig into that anymore?

687
00:37:14,560 --> 00:37:15,440
Speaker 2: Scus Man Like.

688
00:37:15,480 --> 00:37:17,480
Speaker 3: You're saying that you will have the beach, but you'll

689
00:37:17,520 --> 00:37:21,560
Speaker 3: also have other things. Are there any work or details?

690
00:37:22,360 --> 00:37:25,400
Speaker 5: Oh yeah, well we're gonna go into the village.

691
00:37:25,160 --> 00:37:30,320
Speaker 2: Right, Okay, we have that, We do have. That was said, Yeah.

692
00:37:30,000 --> 00:37:32,480
Speaker 4: The number one move to go into the Olympic village.

693
00:37:34,360 --> 00:37:37,200
Speaker 4: And we hope people interpret that as many ways as possible.

694
00:37:38,640 --> 00:37:42,160
Speaker 5: And then you guys know what, like what they got

695
00:37:42,200 --> 00:37:45,640
Speaker 5: in Tokyo, right, they got a lot of come on.

696
00:37:46,320 --> 00:37:49,360
Speaker 5: They got a lot of those, like zen gardens and stuff.

697
00:37:49,880 --> 00:37:51,960
Speaker 5: Okay have you seen those?

698
00:37:52,640 --> 00:38:00,919
Speaker 3: Yeah that I'm so believed that they I can't tell you. Yeah, Okay, sand.

699
00:38:00,680 --> 00:38:01,600
Speaker 4: It's not always that.

700
00:38:01,840 --> 00:38:05,440
Speaker 5: Yeah, hey, I got to stick to my brand. And

701
00:38:05,480 --> 00:38:07,680
Speaker 5: it's sand, you know what I'm saying. I mean, I'm

702
00:38:07,760 --> 00:38:08,480
Speaker 5: all so.

703
00:38:08,440 --> 00:38:11,200
Speaker 1: It's a different kind of sand. So it's not the beach,

704
00:38:11,280 --> 00:38:17,080
Speaker 1: but it is like a rock garden or something. You

705
00:38:17,160 --> 00:38:21,040
Speaker 1: rake the sand. Yeah, okay, break the sand.

706
00:38:21,440 --> 00:38:26,440
Speaker 5: So we're gonna we're gonna check that out. Do they do?

707
00:38:26,520 --> 00:38:28,719
Speaker 5: They got soccer in the Olympics.

708
00:38:30,200 --> 00:38:31,759
Speaker 2: Yeah, I think yeah, I think so.

709
00:38:32,200 --> 00:38:34,600
Speaker 3: Okay maybe, I mean, I you're the one. You're at

710
00:38:34,640 --> 00:38:35,160
Speaker 3: the Olympic.

711
00:38:35,239 --> 00:38:37,480
Speaker 1: You're the one who told me all Olympics are the same,

712
00:38:37,640 --> 00:38:39,160
Speaker 1: and you've been.

713
00:38:39,000 --> 00:38:41,200
Speaker 4: We saw the national team with the soccer balls yesterday,

714
00:38:41,239 --> 00:38:44,160
Speaker 4: scuz Man. Remember, oh right, you stole their ball. You

715
00:38:44,200 --> 00:38:46,600
Speaker 4: stole their ball, and they got pissed. You punted it

716
00:38:46,640 --> 00:38:48,120
Speaker 4: onto the roof of the gym.

717
00:38:48,280 --> 00:38:49,560
Speaker 5: Idiots, those idiots.

718
00:38:49,880 --> 00:38:53,879
Speaker 2: There was a gym, the Olympic gym.

719
00:38:53,920 --> 00:38:54,400
Speaker 5: He kicked it.

720
00:38:54,440 --> 00:38:56,360
Speaker 4: He kicked the ball on the roof of the gym,

721
00:38:56,840 --> 00:38:58,560
Speaker 4: and uh, and then they made us go up and

722
00:38:58,560 --> 00:38:59,880
Speaker 4: get it down. And we were up there, there was some

723
00:39:00,040 --> 00:39:00,640
Speaker 4: many balls.

724
00:39:00,840 --> 00:39:02,480
Speaker 1: Come on, dude, of course there's a gym.

725
00:39:03,360 --> 00:39:05,000
Speaker 2: Okay, they have to work out.

726
00:39:05,320 --> 00:39:06,760
Speaker 1: No gym at the Olympic village.

727
00:39:06,760 --> 00:39:10,040
Speaker 3: Well, just like the gym is just I don't know. Again,

728
00:39:10,160 --> 00:39:11,400
Speaker 3: I'm not at the Olympics.

729
00:39:11,800 --> 00:39:14,480
Speaker 1: I'm not either, but I'm not surprised to hear that

730
00:39:14,520 --> 00:39:17,520
Speaker 1: there's a gym there. I'm surprised that Scusman stole the

731
00:39:17,600 --> 00:39:19,919
Speaker 1: national team soccer ball and kicked it onto the roof

732
00:39:19,960 --> 00:39:21,400
Speaker 1: and that then they went up there and got it

733
00:39:21,440 --> 00:39:23,759
Speaker 1: and there were other balls on top of the gym.

734
00:39:24,120 --> 00:39:25,560
Speaker 1: That surprises me a little bit.

735
00:39:25,800 --> 00:39:29,080
Speaker 2: That makes me wonder if like just how many.

736
00:39:30,320 --> 00:39:36,359
Speaker 3: Coexistent past lives that there are for scus Man he's

737
00:39:36,400 --> 00:39:39,960
Speaker 3: at all, maybe all these different personas kind of doing

738
00:39:40,000 --> 00:39:42,560
Speaker 3: the same thing like over and over again.

739
00:39:43,440 --> 00:39:46,319
Speaker 4: Well, he sleeps so much that we've started wondering if

740
00:39:46,320 --> 00:39:51,000
Speaker 4: that's when he's inhabiting these other lives and that's when

741
00:39:51,040 --> 00:39:53,560
Speaker 4: he kind of like like a movie we just saw recently,

742
00:39:53,600 --> 00:39:56,480
Speaker 4: Fight Club, we just kind of dug into that one

743
00:39:56,920 --> 00:39:59,799
Speaker 4: and that was like a blew our minds a little

744
00:39:59,800 --> 00:40:00,799
Speaker 4: bit with the kind of.

745
00:40:00,719 --> 00:40:04,400
Speaker 3: Structure Okay, so you watch a lot of movies together

746
00:40:05,239 --> 00:40:06,520
Speaker 3: to kind.

747
00:40:06,360 --> 00:40:10,040
Speaker 1: Of inspire your movies, and you're saying that you actually

748
00:40:10,040 --> 00:40:12,120
Speaker 1: are using some of the stuff from Fight Club in

749
00:40:12,160 --> 00:40:12,760
Speaker 1: your movie.

750
00:40:12,840 --> 00:40:15,600
Speaker 5: Now, Yeah, a.

751
00:40:15,480 --> 00:40:18,439
Speaker 4: Lot of the kind of like anti materialism is making

752
00:40:18,480 --> 00:40:23,920
Speaker 4: its way in Scusman's character has a huge monologue about

753
00:40:24,000 --> 00:40:26,359
Speaker 4: just like how he's not a fucking Khaki's and he's

754
00:40:26,360 --> 00:40:28,400
Speaker 4: not his shirt either, and he's not his hat, and

755
00:40:29,120 --> 00:40:30,960
Speaker 4: you are not your clothes.

756
00:40:31,280 --> 00:40:34,040
Speaker 1: So a lot of Scusmans, you are not your sunglasses,

757
00:40:34,040 --> 00:40:38,160
Speaker 1: you are not your bus. You know you're not you

758
00:40:38,200 --> 00:40:41,799
Speaker 1: are not your diet PEPSI. Yeah, it's like, you know,

759
00:40:41,840 --> 00:40:43,640
Speaker 1: it made it feel a little more personal to me

760
00:40:43,800 --> 00:40:45,760
Speaker 1: on it. I found it, you know, in the pages

761
00:40:45,800 --> 00:40:47,879
Speaker 1: you said, I found it a lot more effective even

762
00:40:47,920 --> 00:40:49,000
Speaker 1: than the Fight Club one.

763
00:40:50,239 --> 00:40:52,720
Speaker 4: But it's heart. The movie's kind of a romantic comedy,

764
00:40:52,880 --> 00:40:55,720
Speaker 4: I think is how we're starting to see it. It's

765
00:40:55,760 --> 00:40:57,560
Speaker 4: it's the Skusman movie.

766
00:40:57,840 --> 00:41:01,440
Speaker 3: Was that as well? That Nick Croll movie was that

767
00:41:01,560 --> 00:41:03,720
Speaker 3: was also the genre. I don't know if that's intentional

768
00:41:04,120 --> 00:41:05,359
Speaker 3: or not, but that's what it was.

769
00:41:05,600 --> 00:41:08,200
Speaker 4: No, that one's really not on our radar, I guess,

770
00:41:08,800 --> 00:41:09,320
Speaker 4: I mean.

771
00:41:09,840 --> 00:41:11,839
Speaker 5: Yeah, I never even heard of it. I never even

772
00:41:11,880 --> 00:41:12,560
Speaker 5: heard of that guy.

773
00:41:14,200 --> 00:41:14,880
Speaker 1: You've never heard of it?

774
00:41:15,760 --> 00:41:20,840
Speaker 4: Okay, no, never heard of him, No disrespect, but scus

775
00:41:20,840 --> 00:41:22,560
Speaker 4: Man hasn't. It's just not in his orbit.

776
00:41:23,000 --> 00:41:25,240
Speaker 3: Okay, Well, dis Gusman, do you want to talk about

777
00:41:25,320 --> 00:41:27,840
Speaker 3: kind of what like some of what happens in this movie?

778
00:41:28,000 --> 00:41:32,520
Speaker 3: Like what just a basic a basic plot summary would

779
00:41:32,520 --> 00:41:33,120
Speaker 3: be amazing.

780
00:41:33,840 --> 00:41:39,160
Speaker 5: All right, Well, basically we're going into the village and.

781
00:41:39,560 --> 00:41:43,839
Speaker 6: Okay, with that that that we know, first of all,

782
00:41:44,400 --> 00:41:49,400
Speaker 6: you should say it's you play multiple characters in this right,

783
00:41:50,080 --> 00:41:51,560
Speaker 6: play multiple characters?

784
00:41:51,800 --> 00:41:55,600
Speaker 5: So, uh, I play a runner. I'm a I'm an

785
00:41:55,640 --> 00:42:05,680
Speaker 5: Olympic runner, Olympic runner from America, and I'm trying to

786
00:42:05,719 --> 00:42:09,600
Speaker 5: find this other runner. I think they're I think they're

787
00:42:09,640 --> 00:42:15,200
Speaker 5: from Japan. And we met at the trial. We met

788
00:42:15,239 --> 00:42:17,760
Speaker 5: at the trials and we just had a blast.

789
00:42:18,280 --> 00:42:19,600
Speaker 4: We were just like a friend of his.

790
00:42:20,680 --> 00:42:22,879
Speaker 5: Yeah, yeah, it was a friend friend of mine.

791
00:42:23,560 --> 00:42:26,600
Speaker 2: And had you had a really good time at the trials.

792
00:42:27,560 --> 00:42:30,879
Speaker 5: Yeah we could just like we're just like talking about

793
00:42:30,920 --> 00:42:33,640
Speaker 5: how these losers are running and like we're like we're

794
00:42:33,640 --> 00:42:37,919
Speaker 5: gonna beat them, and it's like no big deal. And sorry, yeah,

795
00:42:38,120 --> 00:42:41,480
Speaker 5: I can't find them in the Olympic Village. They're lost.

796
00:42:42,440 --> 00:42:45,719
Speaker 5: So a lot of it this is me trying to

797
00:42:45,719 --> 00:42:49,200
Speaker 5: find them, going through tents, going through like you know,

798
00:42:51,560 --> 00:42:55,440
Speaker 5: cabins and stuff. Uh, just trying to find my friend.

799
00:42:56,000 --> 00:43:00,880
Speaker 1: Sorry to go back on this, but you it just

800
00:43:00,920 --> 00:43:03,520
Speaker 1: surprises me that you've never heard of Nick Kroll because

801
00:43:03,560 --> 00:43:05,320
Speaker 1: you do play a bunch of characters and some of

802
00:43:05,320 --> 00:43:08,760
Speaker 1: the one of them is named like Buddy the Bottle Server,

803
00:43:09,400 --> 00:43:12,960
Speaker 1: and one of them is named like Gilfu Fon. And

804
00:43:13,000 --> 00:43:16,480
Speaker 1: there was another one that you said, this one I'm

805
00:43:16,520 --> 00:43:19,160
Speaker 1: probably not allowed to do anymore, was in the stage

806
00:43:19,200 --> 00:43:28,200
Speaker 1: directions and it was named like Fabes Fabees or something like.

807
00:43:30,280 --> 00:43:35,120
Speaker 1: So these it's so, I don't know. I actually thought

808
00:43:35,920 --> 00:43:38,319
Speaker 1: maybe you were a big fan or something, just because like,

809
00:43:38,840 --> 00:43:41,920
Speaker 1: you're doing this romantic comedy at the Olympic Village and

810
00:43:42,040 --> 00:43:44,520
Speaker 1: you are playing characters that are, whether you know it

811
00:43:44,640 --> 00:43:48,480
Speaker 1: or not, sound pretty similar to some stuff that he

812
00:43:48,560 --> 00:43:51,319
Speaker 1: has done. And I and it's not. It's not what

813
00:43:51,360 --> 00:43:53,400
Speaker 1: you're describing the movie. Obviously, you're talking about this runner

814
00:43:53,400 --> 00:43:56,000
Speaker 1: who can't find the other runners, which that sounds like

815
00:43:57,040 --> 00:44:01,000
Speaker 1: a really clean story. You know, you have a very

816
00:44:01,040 --> 00:44:04,000
Speaker 1: clear intention and obstacle. Obviously, the intention is to find

817
00:44:04,000 --> 00:44:07,080
Speaker 1: the runners. The obstacle is that you can't find them.

818
00:44:07,680 --> 00:44:08,440
Speaker 4: He doesn't know where they are.

819
00:44:08,560 --> 00:44:10,440
Speaker 1: Yeah, and it gives you a great opportunity to do

820
00:44:11,040 --> 00:44:13,759
Speaker 1: sort of your character superpower, which is to run and

821
00:44:13,800 --> 00:44:19,359
Speaker 1: look for them. But you know, you have these other

822
00:44:19,480 --> 00:44:21,920
Speaker 1: characters as well, and I'm wondering how they fit in

823
00:44:22,840 --> 00:44:25,399
Speaker 1: and maybe if I could even meet one or two

824
00:44:25,440 --> 00:44:29,319
Speaker 1: of them, because it seems like, uh, they are going

825
00:44:29,360 --> 00:44:32,040
Speaker 1: to be more fresh and more original than I originally,

826
00:44:32,360 --> 00:44:33,920
Speaker 1: you know, than I had thought.

827
00:44:34,239 --> 00:44:36,520
Speaker 4: Well, you this man plays this fun Italian Oh oh

828
00:44:36,520 --> 00:44:37,160
Speaker 4: go ahead.

829
00:44:36,880 --> 00:44:39,040
Speaker 5: Sorry, no, no, you go ahead.

830
00:44:40,280 --> 00:44:43,640
Speaker 4: I just say you. I mean you play that that one.

831
00:44:44,520 --> 00:44:50,239
Speaker 4: You play that one Italian runner? Uh, the spaghetti spaghetti

832
00:44:50,280 --> 00:44:51,320
Speaker 4: long legs.

833
00:44:51,960 --> 00:44:59,160
Speaker 5: Yeah, spaghetti is spaghetti elung legs. Heah, hello spaghetti long legs.

834
00:44:59,640 --> 00:45:02,120
Speaker 5: And I'm going around to all the tents and I'm

835
00:45:02,160 --> 00:45:05,400
Speaker 5: doing this for them because also I want to entertain

836
00:45:05,480 --> 00:45:08,200
Speaker 5: them as well as well as find that other runner

837
00:45:08,200 --> 00:45:15,560
Speaker 5: that I'm looking for. My friend, I have fabees fabiese. Okay,

838
00:45:17,080 --> 00:45:24,760
Speaker 5: fabiste paffe fabiese, fabiese. He don't like this, he talked, Yeah, hey, hey,

839
00:45:24,800 --> 00:45:29,160
Speaker 5: hey you hey, what you're doing with my shoes like that?

840
00:45:29,640 --> 00:45:32,960
Speaker 4: I might think some of the vocal choices shoes.

841
00:45:33,120 --> 00:45:35,879
Speaker 1: Yeah, wait, what's happening in that seed?

842
00:45:36,680 --> 00:45:37,800
Speaker 4: Okay, yeah, let's back.

843
00:45:37,680 --> 00:45:42,520
Speaker 5: Up all these Well there's just a bunch of teenagers

844
00:45:42,560 --> 00:45:45,480
Speaker 5: and they're just like stomping on his shoes, and he's like, hey,

845
00:45:45,520 --> 00:45:47,719
Speaker 5: don't you do that to my shoes. Don't you do

846
00:45:47,760 --> 00:45:50,960
Speaker 5: that to my shoes. I do this in the movie.

847
00:45:51,320 --> 00:45:53,960
Speaker 1: Yeah, it sounds similar to spaghetti long legs, little like

848
00:45:54,080 --> 00:45:55,760
Speaker 1: less of an accent, but it's close.

849
00:45:57,000 --> 00:46:01,200
Speaker 5: Yeah, all these characters have issues with their shoes. Bobby,

850
00:46:01,360 --> 00:46:04,160
Speaker 5: Bobby Bone, Bobby Bonel service.

851
00:46:05,680 --> 00:46:08,080
Speaker 1: Okay, that's changed since the script I read, but I

852
00:46:08,120 --> 00:46:10,799
Speaker 1: know it was an old draft. Bobby Bonel Service. Yeah,

853
00:46:10,840 --> 00:46:14,640
Speaker 1: what's he what's he saying?

854
00:46:15,480 --> 00:46:20,719
Speaker 5: He's like, uh, he get the fuck off my fucking property.

855
00:46:20,960 --> 00:46:26,120
Speaker 1: Okay, by property, he means his shoes from what I recall.

856
00:46:26,520 --> 00:46:29,200
Speaker 5: Yeah, yeah, yeah, well you know he can't just like

857
00:46:29,239 --> 00:46:31,080
Speaker 5: you gotta change it up. You can't just keep calling

858
00:46:31,120 --> 00:46:37,719
Speaker 5: his shoes, get the fuck off my property. So uh yeah,

859
00:46:37,760 --> 00:46:43,080
Speaker 5: I go to I go to another ten do that. Yeah,

860
00:46:43,120 --> 00:46:44,920
Speaker 5: So this fucking guy.

861
00:46:44,840 --> 00:46:46,880
Speaker 3: So this is I mean, you're at the Olympics. So

862
00:46:46,960 --> 00:46:51,120
Speaker 3: it sounds like you've taken the opportunity to play characters

863
00:46:51,120 --> 00:46:55,880
Speaker 3: of basically every race in order to like kind of

864
00:46:55,920 --> 00:46:59,320
Speaker 3: address some of like you know.

865
00:46:59,280 --> 00:47:02,800
Speaker 1: You're hoping for international sales, and also, yeah, you obviously

866
00:47:02,840 --> 00:47:06,000
Speaker 1: want to kind of settle some of the tensions that

867
00:47:06,040 --> 00:47:09,440
Speaker 1: have been rising over the past year or two, especially

868
00:47:09,880 --> 00:47:12,719
Speaker 1: like reaching almost a fever pitch. And I think it's

869
00:47:12,719 --> 00:47:16,000
Speaker 1: a it's noble that you believe that this movie could

870
00:47:16,640 --> 00:47:18,880
Speaker 1: solve it in your words, m h.

871
00:47:20,360 --> 00:47:22,680
Speaker 4: There's the there's one scene where all these all the

872
00:47:22,680 --> 00:47:25,879
Speaker 4: Scusman's characters are having one kind of big dinner and

873
00:47:25,920 --> 00:47:29,120
Speaker 4: they're kind of having this this, uh, really kind of

874
00:47:29,160 --> 00:47:30,920
Speaker 4: deep debate about some of this stuff. It's like a

875
00:47:31,000 --> 00:47:34,239
Speaker 4: nice moment and a kind of otherwise funny, heartfelt, you know,

876
00:47:34,400 --> 00:47:37,279
Speaker 4: romantic comedy. But then like all the various kind of

877
00:47:37,360 --> 00:47:42,040
Speaker 4: nationalities the Skusman is playing really break bread together.

878
00:47:42,400 --> 00:47:46,880
Speaker 1: I think when Olympic weightlifter starts flexing his muscles and

879
00:47:46,920 --> 00:47:53,120
Speaker 1: then his mom starts saying herculese, hercules, and I thought,

880
00:47:53,160 --> 00:47:58,160
Speaker 1: all these you know, different sort of moments of levity

881
00:47:58,200 --> 00:48:01,200
Speaker 1: that you can find in the midst of a pretty

882
00:48:01,239 --> 00:48:06,400
Speaker 1: impactful discussion about you know, some of the harms that

883
00:48:06,440 --> 00:48:09,719
Speaker 1: have been done. I did like that you also tried

884
00:48:09,760 --> 00:48:12,320
Speaker 1: to build in whether from another movie or not. I

885
00:48:12,360 --> 00:48:13,320
Speaker 1: don't know if they are.

886
00:48:14,280 --> 00:48:19,239
Speaker 5: Uh, that's all original, Okay, Okay, great, I just say

887
00:48:19,280 --> 00:48:23,000
Speaker 5: like the one now go ahead, as to say, the

888
00:48:23,040 --> 00:48:24,799
Speaker 5: one kind of common ground that they find they all

889
00:48:24,840 --> 00:48:28,080
Speaker 5: have is that none of them want people stepping on

890
00:48:28,120 --> 00:48:28,720
Speaker 5: their shoes.

891
00:48:28,800 --> 00:48:29,399
Speaker 2: You know what I mean?

892
00:48:29,440 --> 00:48:32,920
Speaker 4: Like, that's just like, no matter what race, no matter

893
00:48:33,000 --> 00:48:35,920
Speaker 4: how much money you have, no matter how fast you

894
00:48:35,960 --> 00:48:38,560
Speaker 4: can run, you don't want people steping on your shoes.

895
00:48:39,000 --> 00:48:39,400
Speaker 2: Okay.

896
00:48:39,640 --> 00:48:43,239
Speaker 3: And the fact that he's running in a race as

897
00:48:43,280 --> 00:48:48,399
Speaker 3: well is like it seems like their opportunities to like play.

898
00:48:48,480 --> 00:48:51,400
Speaker 3: I'm sure that that's like territory that that you explored.

899
00:48:51,440 --> 00:48:54,840
Speaker 3: What's the discuss man, what's the event that that the

900
00:48:55,280 --> 00:48:58,200
Speaker 3: runner for America is running in.

901
00:48:59,320 --> 00:49:03,320
Speaker 5: He's the four hundred relay?

902
00:49:04,440 --> 00:49:06,600
Speaker 2: Oh wow, okay, and.

903
00:49:06,520 --> 00:49:07,719
Speaker 5: He does every part.

904
00:49:09,040 --> 00:49:10,400
Speaker 2: So he does it all himself.

905
00:49:11,440 --> 00:49:13,200
Speaker 5: He does all four parts of it.

906
00:49:13,280 --> 00:49:16,520
Speaker 1: He does the whole relay. I wasn't aware that was allowed,

907
00:49:16,560 --> 00:49:18,800
Speaker 1: but it's pretty impressive that happens.

908
00:49:20,080 --> 00:49:22,799
Speaker 5: And he does different characters while he's doing it too.

909
00:49:23,120 --> 00:49:25,439
Speaker 4: He falls behind in the relay every time he hands

910
00:49:25,440 --> 00:49:26,919
Speaker 4: off the baton because he has to do a quick

911
00:49:27,000 --> 00:49:30,800
Speaker 4: change into the kind of next outfit of the relay guy.

912
00:49:30,960 --> 00:49:33,400
Speaker 4: But he makes up for it because he's got just

913
00:49:33,520 --> 00:49:35,080
Speaker 4: blistering fast paced.

914
00:49:34,760 --> 00:49:38,040
Speaker 1: To go back to the dinner scene as well, like

915
00:49:38,239 --> 00:49:42,080
Speaker 1: I you know, because some of the characters in the

916
00:49:42,080 --> 00:49:45,319
Speaker 1: relay race are also at the dinner scene. And I

917
00:49:45,360 --> 00:49:50,520
Speaker 1: do I was curious about the reasoning just whether I

918
00:49:50,560 --> 00:49:54,560
Speaker 1: don't want to draw a direct comparison obviously to Sherman

919
00:49:54,600 --> 00:49:57,680
Speaker 1: Clump or the Clumps, but I do think of runners

920
00:49:57,760 --> 00:50:03,160
Speaker 1: as Olympic run as lean, and you did describe them

921
00:50:03,160 --> 00:50:07,719
Speaker 1: all as having like you know, big fat suits on

922
00:50:08,120 --> 00:50:12,720
Speaker 1: and and being yeah the huge, just huge and booking

923
00:50:12,719 --> 00:50:15,279
Speaker 1: down the track, which is a thrilling visual, especially if

924
00:50:15,280 --> 00:50:17,640
Speaker 1: they are as fast as you say. But I just

925
00:50:17,800 --> 00:50:19,839
Speaker 1: I'm curious what why that is.

926
00:50:21,400 --> 00:50:24,640
Speaker 5: Well, then it's just it's just much more interesting, I

927
00:50:24,719 --> 00:50:26,880
Speaker 5: mean interesting.

928
00:50:26,920 --> 00:50:30,719
Speaker 1: I see I've seen skinny runners. Yeah, I haven't seen

929
00:50:30,719 --> 00:50:33,880
Speaker 1: a Sherman Clump type runner.

930
00:50:35,000 --> 00:50:37,080
Speaker 4: Everyone's seen the runner without like a lot of weight

931
00:50:37,120 --> 00:50:39,520
Speaker 4: to carry with their kind of nimble like you know,

932
00:50:39,640 --> 00:50:43,439
Speaker 4: the muscle mass and training but what they haven't seen

933
00:50:43,520 --> 00:50:45,880
Speaker 4: is what kind of Scusman's offering, which is you know

934
00:50:46,680 --> 00:50:49,319
Speaker 4: that suit runs and and what does that look like?

935
00:50:49,680 --> 00:50:50,480
Speaker 4: And is it funny?

936
00:50:51,719 --> 00:50:56,040
Speaker 2: So does does the American runner find his friend?

937
00:50:58,320 --> 00:51:03,680
Speaker 5: Uh? Yeah, then he finds friend and and uh uh

938
00:51:03,719 --> 00:51:05,920
Speaker 5: they they make sweet love you know.

939
00:51:06,200 --> 00:51:07,400
Speaker 2: Okay, they have sex?

940
00:51:07,920 --> 00:51:12,360
Speaker 5: Yeah they do, we show it.

941
00:51:13,000 --> 00:51:15,640
Speaker 3: Yeah, Okay, that's that happens a lot of movies. You're

942
00:51:16,200 --> 00:51:17,600
Speaker 3: you're sort of acting like.

943
00:51:19,600 --> 00:51:22,680
Speaker 4: We're not afraid to show a sexual encounter in this movie,

944
00:51:22,800 --> 00:51:24,920
Speaker 4: Like we're straight up gonna do it, I think. And

945
00:51:25,360 --> 00:51:27,439
Speaker 4: they might be undercovers a little bit. But you'll also

946
00:51:27,480 --> 00:51:29,840
Speaker 4: see some kind of bare butt in there. Okay, and

947
00:51:29,880 --> 00:51:32,680
Speaker 4: there's just it. We're just going there because no.

948
00:51:34,000 --> 00:51:37,160
Speaker 1: I hope, I hope that you do not have when

949
00:51:37,200 --> 00:51:40,000
Speaker 1: we see the bare butt, one of scus Man's branded

950
00:51:40,040 --> 00:51:44,000
Speaker 1: COVID tests sticking out of the butt as like a

951
00:51:44,120 --> 00:51:49,120
Speaker 1: product placement. Of course, that to me is that's gonna

952
00:51:49,120 --> 00:51:52,600
Speaker 1: take me out of the film. It really dates it

953
00:51:52,719 --> 00:51:54,359
Speaker 1: as well, I hope.

954
00:51:54,480 --> 00:51:58,000
Speaker 2: But I guess it dates it to the the deal.

955
00:51:58,920 --> 00:52:00,799
Speaker 1: I guess. Yeah, I guess that's true. It's dated to

956
00:52:00,840 --> 00:52:02,840
Speaker 1: the Olympics. That it's taken place during.

957
00:52:02,719 --> 00:52:05,279
Speaker 5: Yeah, it's like a commentary too, you know what I mean,

958
00:52:05,360 --> 00:52:08,960
Speaker 5: It's like, oh, this is what's taking place in this world,

959
00:52:09,360 --> 00:52:11,920
Speaker 5: Like it's not let's not forget what we all just

960
00:52:11,960 --> 00:52:12,520
Speaker 5: went through.

961
00:52:13,000 --> 00:52:16,319
Speaker 2: Yeah, and you know, in what sense is it a commentary?

962
00:52:17,160 --> 00:52:20,239
Speaker 5: Well, you know, like it's a COVID test, you know.

963
00:52:20,400 --> 00:52:24,000
Speaker 3: No, yea, yeah, I know, I know, like what's being

964
00:52:24,080 --> 00:52:26,960
Speaker 3: shown on screen, But like what is the comment that, Well,

965
00:52:27,000 --> 00:52:28,120
Speaker 3: they do show it.

966
00:52:28,680 --> 00:52:32,080
Speaker 5: Okay, that we show it and we're like, hey, hey,

967
00:52:32,160 --> 00:52:35,160
Speaker 5: get hey, guys. Im I did like to remember.

968
00:52:35,520 --> 00:52:38,560
Speaker 2: We okay, I guess a lot of movies.

969
00:52:39,440 --> 00:52:41,360
Speaker 3: I never thought of it as a comment of movies

970
00:52:41,400 --> 00:52:43,560
Speaker 3: that take place in the path to say like we

971
00:52:43,680 --> 00:52:44,360
Speaker 3: remember this.

972
00:52:44,920 --> 00:52:45,520
Speaker 2: I did like.

973
00:52:45,560 --> 00:52:49,040
Speaker 1: The dialogue right before where she says do you have

974
00:52:49,200 --> 00:52:53,000
Speaker 1: protection and you say, oh yeah, and you take out

975
00:52:53,000 --> 00:52:55,280
Speaker 1: a COVID test and stick it up your own butt.

976
00:52:56,600 --> 00:53:01,680
Speaker 5: Yeah, yeah, you know, and that and that that's trying

977
00:53:01,719 --> 00:53:04,879
Speaker 5: to say, you know, we remember. And also I'm getting

978
00:53:04,920 --> 00:53:06,920
Speaker 5: to make a little bit of chi ching. I'm getting

979
00:53:06,960 --> 00:53:09,279
Speaker 5: a little make a little money off of it as well,

980
00:53:09,320 --> 00:53:10,040
Speaker 5: you know, because.

981
00:53:09,840 --> 00:53:14,279
Speaker 1: Your company from the movie budget, you you moved that money.

982
00:53:13,960 --> 00:53:17,760
Speaker 4: Over that one test and we're gonna put a QR

983
00:53:17,800 --> 00:53:20,279
Speaker 4: code up that you can scan and you can order

984
00:53:20,520 --> 00:53:22,799
Speaker 4: some of the butt tests if you want, like while

985
00:53:22,840 --> 00:53:25,400
Speaker 4: you watch the movie, uh, which I think will help

986
00:53:25,480 --> 00:53:26,319
Speaker 4: drive sales too.

987
00:53:26,520 --> 00:53:29,319
Speaker 5: Yeah, QR codes all over this movie. Is that something

988
00:53:29,360 --> 00:53:31,840
Speaker 5: that Nick Kroll did? I don't think so?

989
00:53:32,880 --> 00:53:33,279
Speaker 4: What else?

990
00:53:33,320 --> 00:53:33,640
Speaker 5: What else?

991
00:53:33,719 --> 00:53:34,400
Speaker 4: Language barrier?

992
00:53:34,480 --> 00:53:34,600
Speaker 1: Was it?

993
00:53:34,760 --> 00:53:37,160
Speaker 4: Language barrier wasn't an issue you You kind of snapped

994
00:53:37,200 --> 00:53:37,719
Speaker 4: right into that.

995
00:53:38,400 --> 00:53:40,560
Speaker 5: Oh yeah, I could speak Japanese pretty well.

996
00:53:40,920 --> 00:53:42,280
Speaker 2: You're fluento Japanese.

997
00:53:42,440 --> 00:53:45,400
Speaker 1: Okay, oh yeah, well then cyonara.

998
00:53:47,640 --> 00:53:51,960
Speaker 4: Oh oh shits guys man. You know what that means, right, yo?

999
00:53:52,920 --> 00:53:57,600
Speaker 5: It means peace by.

1000
00:53:57,040 --> 00:53:58,640
Speaker 4: Normally just by Yeah, that's right.

1001
00:53:58,719 --> 00:54:01,200
Speaker 2: Yeah, it's fine. Yeah. So that's I guess that's a

1002
00:54:01,280 --> 00:54:01,960
Speaker 2: say goodbye

1003
00:54:05,480 --> 00:54:06,600
Speaker 6: Hollywood, Hamburg