WEBVTT - The Power House that Percy Sutton Built

0:00:02.670 --> 0:00:05.490
<v Audio: Speaker 1>Whatever  journey  we're  on,  whether  it's  a  5K  or  starting 

0:00:05.490 --> 0:00:09.060
<v Audio: Speaker 1>a  new  career  or  putting  out  an  album  or  running 

0:00:09.060 --> 0:00:11.789
<v Audio: Speaker 1>the  marathon,  if  you  can  see  it,  you  can  be 

0:00:11.789 --> 0:00:14.100
<v Audio: Speaker 1>in...  If  we  look  for  them,  we  can  find  the 

0:00:14.100 --> 0:00:17.939
<v Audio: Speaker 1>Percy Suttons  who  raised  the  money  for  the  first  New  York 

0:00:17.940 --> 0:00:20.250
<v Audio: Speaker 1>City  Marathon,  set  the  route  for  the  first  New  York 

0:00:20.250 --> 0:00:22.680
<v Audio: Speaker 1>City  Marathon,  was  the  chair  of  the  first  New  York 

0:00:22.680 --> 0:00:24.988
<v Audio: Speaker 1>City  Marathon,  and  got  the  city  to  shut  down.  Things 

0:00:24.989 --> 0:00:25.890
<v Audio: Speaker 1>that  were  crazy.

0:00:28.440 --> 0:00:31.139
<v Rob Simmelkjaer>Hey,  everybody,  and  welcome  to  Set  the  Pace,  the  official 

0:00:31.140 --> 0:00:34.710
<v Rob Simmelkjaer>podcast  of  New  York  Road  Runners  presented  by  Peloton.  I'm 

0:00:34.710 --> 0:00:37.680
<v Rob Simmelkjaer>the  CEO  of  New  York  Road  Runners,  Rob Simmelkjaer,  and  we 

0:00:37.680 --> 0:00:41.909
<v Rob Simmelkjaer>are  recording  this  episode  called  The  Powerhouse  that  Percy  Sutton 

0:00:41.909 --> 0:00:46.080
<v Rob Simmelkjaer>built  live  from  the  Apollo  stages  at  the  Victoria  Theater 

0:00:46.200 --> 0:00:50.909
<v Rob Simmelkjaer>in  the  middle  of  Harlem  Week.  We  got  an  amazing 

0:00:50.909 --> 0:00:56.550
<v Rob Simmelkjaer>audience  here  just  a  few  hours  after  a  record  5,

0:00:56.550 --> 0:01:00.600
<v Rob Simmelkjaer>492  runners,  including  my  co- host  who  I'm  about  to 

0:01:00.600 --> 0:01:06.120
<v Rob Simmelkjaer>introduce,  crossed  the  finish  line  of the  2026  Percy  Sutton  Harlem 

0:01:06.150 --> 0:01:08.730
<v Rob Simmelkjaer>5K.  So  welcome  to  all  of  you.  Thank  you  for 

0:01:08.730 --> 0:01:14.040
<v Rob Simmelkjaer>being  here.
 Now,  my  usual  co- host, Peloton's  Becs  Gentry  is 

0:01:14.040 --> 0:01:16.590
<v Rob Simmelkjaer>not  with  us  today.  She's  in  London.  So  in  her 

0:01:16.590 --> 0:01:21.240
<v Rob Simmelkjaer>place,  we  have  an  incredibly  special  co- host,  Keisha  Sutton-

0:01:21.240 --> 0:01:25.200
<v Rob Simmelkjaer>James,  who  knew  Percy  Sutton  pretty  well,  I  would  say, 

0:01:25.200 --> 0:01:27.660
<v Rob Simmelkjaer>in  a  way  that  probably  nobody  else  really  could.  She 

0:01:27.660 --> 0:01:30.930
<v Rob Simmelkjaer>was  his  only  grandchild  for  25  years,  grew  up  in 

0:01:30.930 --> 0:01:34.170
<v Rob Simmelkjaer>the  same  building  as  he  did,  and in  an  apartment  right 

0:01:34.170 --> 0:01:37.589
<v Rob Simmelkjaer>up  on 135th and  5th  Avenue  that  of  course  sat  right  on 

0:01:37.590 --> 0:01:40.050
<v Rob Simmelkjaer>the  root  of  the  New  York  City  Marathon  as  a 

0:01:40.050 --> 0:01:43.290
<v Rob Simmelkjaer>girl.  She  watched  the  race  that  he  helped  build  come 

0:01:43.470 --> 0:01:47.520
<v Rob Simmelkjaer>around  the  corner  and  past  her  own  front  door.  Welcome, 

0:01:47.520 --> 0:01:48.870
<v Rob Simmelkjaer>Keisha,  to  set  the  pace.

0:01:48.870 --> 0:01:50.430
<v Keisha Sutton-James>Thank  you.  I'm  delighted  to  be here.

0:01:50.790 --> 0:01:52.770
<v Rob Simmelkjaer>Let's  hear  it  for  Keisha  Sutton- James.

0:01:57.090 --> 0:01:58.710
<v Keisha Sutton-James>I  love  it.  The  whistles.  I  got  a  whistle.

0:01:58.740 --> 0:02:02.850
<v Rob Simmelkjaer>Yeah,  absolutely.  You  deserve  some  whistles.  Keisha  has  spent  her 

0:02:02.850 --> 0:02:08.370
<v Rob Simmelkjaer>life  carrying  Percy  Sutton's  example  forward,  including  serving  as  deputy 

0:02:08.370 --> 0:02:11.430
<v Rob Simmelkjaer>Manhattan  Borough  president,  the  same  office  that  Percy  held  from 

0:02:11.430 --> 0:02:16.139
<v Rob Simmelkjaer>1966  to  '77, and  in  this  very  special  year  when  we 

0:02:16.139 --> 0:02:20.639
<v Rob Simmelkjaer>are  celebrating  the  trailblazers  who  built  the  Five- Borough  New 

0:02:20.639 --> 0:02:24.419
<v Rob Simmelkjaer>York  City  Marathon  that  is  celebrating  its  50th  anniversary  this 

0:02:24.450 --> 0:02:27.870
<v Rob Simmelkjaer>year,  Keisha  is  honoring  her  grandfather  as  a  run  for 

0:02:27.870 --> 0:02:30.989
<v Rob Simmelkjaer>the  future  ambassador.  We're  going  to  talk  about  that,  and 

0:02:30.990 --> 0:02:35.100
<v Rob Simmelkjaer>an  honorary  grand  marshal  for  this  year's  TCS  New  York 

0:02:35.100 --> 0:02:37.290
<v Rob Simmelkjaer>City  Marathon.  So  welcome  again.

0:02:37.290 --> 0:02:37.769
<v Keisha Sutton-James>Thank  you.

0:02:38.700 --> 0:02:40.200
<v Rob Simmelkjaer>It's  great  to  have  you,  and  it  was  great  to 

0:02:40.200 --> 0:02:44.400
<v Rob Simmelkjaer>see  you  out  there  working  hard  like  everybody  else  on 

0:02:44.400 --> 0:02:48.900
<v Rob Simmelkjaer>a  hot,  steamy  morning  in  Harlem  for  the  annual  Harlem 

0:02:48.900 --> 0:02:52.500
<v Rob Simmelkjaer>Percy  Sutton  5K.  And  not  only  did  you  run,  but 

0:02:52.500 --> 0:02:55.860
<v Rob Simmelkjaer>you  ran  with  a  very  special  runner,  a  young  lady 

0:02:55.860 --> 0:02:56.970
<v Rob Simmelkjaer>who  we're  going  to  meet a little bit  later  on.

0:02:56.970 --> 0:02:57.840
<v Keisha Sutton-James>Indeed.  I  can't  wait.

0:02:58.050 --> 0:03:00.270
<v Rob Simmelkjaer>Yes.  How  was  it  running  today?

0:03:00.330 --> 0:03:03.090
<v Keisha Sutton-James>It  was  fantastic.  I  mean,  the  Percy  Sutton  5K  is 

0:03:03.090 --> 0:03:07.380
<v Keisha Sutton-James>a  tough  route.  It  is  a  very  hilly  5K,  so 

0:03:07.380 --> 0:03:10.260
<v Keisha Sutton-James>it's  not  a  breeze,  but  running  with  Katherine,  who  you 

0:03:10.260 --> 0:03:13.080
<v Keisha Sutton-James>will  meet  later  on,  was  a  joy.  And  it  wasn't 

0:03:13.080 --> 0:03:15.990
<v Keisha Sutton-James>just  me.  I  had  my  brother,  sister,  cousin  M  and 

0:03:15.990 --> 0:03:17.940
<v Keisha Sutton-James>his  little  son.  So  it  was  a  tribe  of  Suttons 

0:03:18.180 --> 0:03:20.251
<v Keisha Sutton-James>out  there  supporting  Katherine.

0:03:20.251 --> 0:03:22.710
<v Rob Simmelkjaer>Doesn't get better.  Anybody  else  run  this  morning?  Raise  your  hand.  Let's 

0:03:22.710 --> 0:03:27.060
<v Rob Simmelkjaer>hear  it.  Oh,  whoa. Okay.  The  audience  was  running  this  morning. 

0:03:27.060 --> 0:03:29.820
<v Rob Simmelkjaer>I  like  it.  So  you've  all  obviously  recovered.  Hopefully  you've 

0:03:29.820 --> 0:03:32.130
<v Rob Simmelkjaer>taken  a  nap.  I  took  a  nap  after  running  this 

0:03:32.130 --> 0:03:35.340
<v Rob Simmelkjaer>morning.  You  needed  one.  It  was  hot.  Well,  thank  you 

0:03:35.340 --> 0:03:37.200
<v Rob Simmelkjaer>for  running  and  thanks  for  joining  us.  I  want  to 

0:03:37.200 --> 0:03:41.880
<v Rob Simmelkjaer>talk  to  you  about  Percy  Sutton.  It's  a  name  that 

0:03:41.880 --> 0:03:46.440
<v Rob Simmelkjaer>is  obviously  so  fundamental  to  Harlem,  to  Black  New  York, 

0:03:46.590 --> 0:03:49.140
<v Rob Simmelkjaer>but  still  it's  been  some  years.  A  lot  of  younger 

0:03:49.140 --> 0:03:53.580
<v Rob Simmelkjaer>people  don't  know  who  Percy  Sutton  was.  So  who  was  he?

0:03:54.510 --> 0:03:56.520
<v Keisha Sutton-James>That  is  a  very  big  question.  I  will  try  to 

0:03:56.520 --> 0:04:01.440
<v Keisha Sutton-James>make  it  succinct.  Percy  Sutton  was  the  youngest  of  15 

0:04:01.440 --> 0:04:04.440
<v Keisha Sutton-James>children,  grew  up  in  the  Jim  Crow  South,  came  up 

0:04:04.440 --> 0:04:07.110
<v Keisha Sutton-James>to  New  York.  Actually,  before  that,  he  became  a  Tuskegee 

0:04:07.110 --> 0:04:10.890
<v Keisha Sutton-James>airman.  He  was  a  Freedom  Rider.  He  became  an  attorney. 

0:04:11.250 --> 0:04:13.920
<v Keisha Sutton-James>For  those  who  remember  the  television  show  Jag,  he  was 

0:04:13.920 --> 0:04:16.650
<v Keisha Sutton-James>the  first  Black  Jag.  Those  are  the  attorneys  in  the 

0:04:16.650 --> 0:04:19.950
<v Keisha Sutton-James>military.  He  was  Malcolm  X's  attorney.  He  was  New  York 

0:04:20.910 --> 0:04:24.810
<v Keisha Sutton-James>State's  assembly  member  for  this  here  district,  and  then  became 

0:04:24.810 --> 0:04:28.349
<v Keisha Sutton-James>Manhattan  Borough  president  where  he  had  a  tremendous  impact  on 

0:04:28.350 --> 0:04:30.390
<v Keisha Sutton-James>this  race,  which  we  will  talk  a  little  bit  about. 

0:04:31.470 --> 0:04:35.250
<v Keisha Sutton-James>I'm  just  taking  you  through  who  he  was.  And  then 

0:04:35.310 --> 0:04:38.159
<v Keisha Sutton-James>went  on  also...  So  he's  Manhattan  Borough  president,  the  first 

0:04:38.160 --> 0:04:43.410
<v Keisha Sutton-James>Black man to  run  for  mayor  of  New  York  City.  So  built 

0:04:43.410 --> 0:04:45.690
<v Keisha Sutton-James>a  business  along  with  my  dad  and  many  others  called 

0:04:45.690 --> 0:04:50.190
<v Keisha Sutton-James>Inner  City  Broadcasting.
 We  owned  the  first  Black- owned  FM 

0:04:50.190 --> 0:04:53.820
<v Keisha Sutton-James>radio  stations  in  the  nation,  the  biggest  one  being  WBLS 

0:04:54.480 --> 0:04:57.930
<v Keisha Sutton-James>here,  of  course.  And  then  finally,  as  it  ties  into 

0:04:57.930 --> 0:05:00.600
<v Keisha Sutton-James>where  we  are  in  terms  of  where  we're  physically  situated, 

0:05:01.500 --> 0:05:04.680
<v Keisha Sutton-James>when  the  Apollo  Theater  was  dark  for  several  years  because 

0:05:05.010 --> 0:05:09.120
<v Keisha Sutton-James>Harlem  was  really  struggling...  It  was  always  a  wonderful  place 

0:05:09.120 --> 0:05:11.760
<v Keisha Sutton-James>for  me  to  grow  up,  but  it  was  struggling  economically. 

0:05:11.850 --> 0:05:13.830
<v Keisha Sutton-James>The  Apollo  was  dark.  It  was  on  the  verge  of 

0:05:13.830 --> 0:05:16.020
<v Keisha Sutton-James>being  sold  to  a  church.  So  let's  think  the  Apollo 

0:05:16.020 --> 0:05:18.990
<v Keisha Sutton-James>Theater  was  about  to  become  a  church,  and  he  bought 

0:05:18.990 --> 0:05:22.920
<v Keisha Sutton-James>it,  renovated  it,  restored  it,  landmarked  it,  brought  in  all 

0:05:22.920 --> 0:05:28.980
<v Keisha Sutton-James>kinds  of  amazing  Italian  and  Mexican  marble  and  Austrian  chandeliers. 

0:05:29.760 --> 0:05:32.880
<v Keisha Sutton-James>And  then  because  he  was  so  far  ahead  of  the 

0:05:32.880 --> 0:05:35.640
<v Keisha Sutton-James>curve,  because  he  was  a  visionary  who  always  thought  the 

0:05:35.640 --> 0:05:38.609
<v Keisha Sutton-James>craziest  things  were  possible,  like  doing  the  New  York  City 

0:05:38.610 --> 0:05:43.589
<v Keisha Sutton-James>Marathon,  he  created  a  television  show  called  Its  Showtime  at 

0:05:43.589 --> 0:05:46.440
<v Keisha Sutton-James>the  Apollo.  He  was  the  creator  and  executive  producer  of 

0:05:46.440 --> 0:05:48.450
<v Keisha Sutton-James>Its  Showtime  at  the  Apollo,  which  became  a  huge  hit 

0:05:48.450 --> 0:05:51.599
<v Keisha Sutton-James>in  the  '90s,  despite  the  fact  that  it  was  on 

0:05:51.720 --> 0:05:52.710
<v Keisha Sutton-James>at  1: 00  in  the  morning after SNL.

0:05:52.710 --> 0:05:56.279
<v Rob Simmelkjaer>But  you  know  what? It was funny because  I  remember  seeing  that  show.  I 

0:05:56.279 --> 0:05:57.930
<v Rob Simmelkjaer>was  younger,  so  I  could  stay  up  till  the  end 

0:05:57.930 --> 0:06:01.140
<v Rob Simmelkjaer>of  SNL  and  you  had  to  see  it  and... And  this 

0:06:01.140 --> 0:06:04.650
<v Rob Simmelkjaer>was before  the  days  of  TiVo,  right?  So  you couldn't TiVo.  You  had 

0:06:04.650 --> 0:06:08.339
<v Rob Simmelkjaer>to  actually  be  there  watching  at 1: 00  AM  and  people 

0:06:08.339 --> 0:06:08.940
<v Rob Simmelkjaer>would  watch.

0:06:08.940 --> 0:06:12.960
<v Keisha Sutton-James>Absolutely.  You  didn't  miss  it.  And  everybody  still  knows...  Everybody 

0:06:13.110 --> 0:06:16.620
<v Keisha Sutton-James>from  our  age.  We're  putting  our...  I  got  a  full 

0:06:16.620 --> 0:06:21.719
<v Keisha Sutton-James>head  of  gray  hair.  Knows  the  opening  music  and  so 

0:06:21.720 --> 0:06:26.789
<v Keisha Sutton-James>much  more.  So  he  put  his  stamp  on  politics,  media, 

0:06:27.450 --> 0:06:30.839
<v Keisha Sutton-James>advocacy,  helped...  Oh,  he  nominated  Shirley  Chisholm  when  she  ran 

0:06:30.839 --> 0:06:34.290
<v Keisha Sutton-James>for  president  in  '72.  There's  so  many  other  little  tidbits 

0:06:35.670 --> 0:06:36.870
<v Keisha Sutton-James>that  a lot of people don't know. That's a  little  quick  rundown  on who he was.

0:06:36.870 --> 0:06:38.970
<v Rob Simmelkjaer>And  I've  told  you  this  before,  but  this  is  kind 

0:06:38.970 --> 0:06:42.510
<v Rob Simmelkjaer>of  full  circle  for  me  because  when  I  was  in 

0:06:42.510 --> 0:06:46.830
<v Rob Simmelkjaer>about  seventh  grade  or  eighth  grade,  I  wrote  Percy  Sutton 

0:06:46.830 --> 0:06:51.000
<v Rob Simmelkjaer>a  letter  at  Inner  City  Broadcasting  Corporation  and  asked  if 

0:06:51.000 --> 0:06:54.720
<v Rob Simmelkjaer>I  could  interview  him  for  a  school  project  because  he 

0:06:54.720 --> 0:06:58.410
<v Rob Simmelkjaer>was  an  idol  to  me,  I  was  interested  in  broadcasting, 

0:06:58.589 --> 0:07:01.560
<v Rob Simmelkjaer>I  was  interested  in  business  and  politics.  And I was  like, " Can 

0:07:01.560 --> 0:07:04.349
<v Rob Simmelkjaer>I  interview  you?"  And  sure  enough,  his  office  calls  me 

0:07:04.650 --> 0:07:07.860
<v Rob Simmelkjaer>and  I  went  into  his  offices  in  Harlem, as  I  recall, 

0:07:08.220 --> 0:07:10.950
<v Rob Simmelkjaer>and  sat  down  and  interviewed  Percy  Sutton. And  now  I'm  interviewing 

0:07:10.950 --> 0:07:12.240
<v Rob Simmelkjaer>his  granddaughter.  So  how  about  that?

0:07:13.110 --> 0:07:13.950
<v Keisha Sutton-James>Full  circle  moment.

0:07:14.040 --> 0:07:14.550
<v Rob Simmelkjaer>It  really is.

0:07:15.030 --> 0:07:17.190
<v Keisha Sutton-James>A  space  that  is  now  branded  with  the  Apollo and  the 

0:07:17.190 --> 0:07:19.800
<v Keisha Sutton-James>Victoria  Theater,  two  doors  down  from  the  actual  Apollo  Theater.

0:07:20.160 --> 0:07:21.150
<v Rob Simmelkjaer>Yeah,  it's  incredible.

0:07:21.150 --> 0:07:22.320
<v Keisha Sutton-James>Harlem  is  tight.

0:07:22.380 --> 0:07:25.320
<v Rob Simmelkjaer>It  is.  So  you  mentioned  that  he  was  born  the 

0:07:25.320 --> 0:07:29.010
<v Rob Simmelkjaer>youngest  of  15  in  the  Jim  Crow  South.  This  was 

0:07:29.010 --> 0:07:33.690
<v Rob Simmelkjaer>1920.  So  the  height  of  Jim  Crow,  right?  I  mean, 

0:07:33.690 --> 0:07:38.610
<v Rob Simmelkjaer>it  was  a  very  scary  time  for  Black  people,  especially 

0:07:38.610 --> 0:07:42.810
<v Rob Simmelkjaer>in  the  South.  And  he  talked  about,  despite  all  that, 

0:07:42.810 --> 0:07:47.040
<v Rob Simmelkjaer>being  born  into  privilege.  What  did  he  mean  by  that?

0:07:47.100 --> 0:07:53.400
<v Keisha Sutton-James>So  his  parents  were  educators  and  entrepreneurs  and  activists,  and 

0:07:53.400 --> 0:07:55.440
<v Keisha Sutton-James>for  Black  folks  in  the  Jim  Crow  South,  if  you 

0:07:55.500 --> 0:07:59.700
<v Keisha Sutton-James>were  able  to  get  into  education  and  also  able  to 

0:07:59.700 --> 0:08:02.730
<v Keisha Sutton-James>own  a  business,  and  they  had  multiple  businesses,  you  were 

0:08:02.730 --> 0:08:05.670
<v Keisha Sutton-James>essentially  the  creme  de  la  creme,  if  you  will.  And 

0:08:05.670 --> 0:08:09.660
<v Keisha Sutton-James>I  say  that  not  to  brag,  but  because  what  he 

0:08:09.660 --> 0:08:12.840
<v Keisha Sutton-James>learned  from  his  father  and  made  sure  I  understood  and 

0:08:12.840 --> 0:08:17.160
<v Keisha Sutton-James>is  really  a  core  value  of  ours  is  that  as 

0:08:17.160 --> 0:08:18.720
<v Keisha Sutton-James>to  the  phrase  goes...  He  didn't  say  it  to  me 

0:08:18.720 --> 0:08:21.030
<v Keisha Sutton-James>like  this,  but  as  the  phrase  goes,  too  much  is 

0:08:21.030 --> 0:08:24.120
<v Keisha Sutton-James>given,  much  is  expected,  much  is  demanded.  That  is  a 

0:08:24.120 --> 0:08:27.960
<v Keisha Sutton-James>responsibility.  If  you  have  an  opportunity  that  the  rest  of 

0:08:27.960 --> 0:08:31.320
<v Keisha Sutton-James>your  folks  don't  have,  the  people  who look  like  you,  from 

0:08:31.320 --> 0:08:35.429
<v Keisha Sutton-James>your  neighborhood,  even  if  it's  not  that,  we  have  an 

0:08:36.840 --> 0:08:41.550
<v Keisha Sutton-James>obligation  to  ensure  that  every  door  that  we  walk  through, 

0:08:41.550 --> 0:08:44.219
<v Keisha Sutton-James>we're  holding  it  open  and  bringing  other  people  through.  That 

0:08:44.220 --> 0:08:48.360
<v Keisha Sutton-James>every  obstacle  that  you,  for  whatever  reason...  He  was  born 

0:08:48.360 --> 0:08:52.530
<v Keisha Sutton-James>into  a  family  of  educators.
 His  dad  was  the  principal 

0:08:52.530 --> 0:08:55.080
<v Keisha Sutton-James>of  the  only  fully  appointed  high  school  in  San  Antonio. 

0:08:55.080 --> 0:08:57.510
<v Keisha Sutton-James>And  what  that  meant  was that  it  had  all  the  same 

0:08:58.320 --> 0:09:01.020
<v Keisha Sutton-James>gym  equipment  and  science  labs  and  all  the  things  that 

0:09:01.230 --> 0:09:04.229
<v Keisha Sutton-James>the  white  schools  had  that  Black  schools  typically,  I  mean 

0:09:04.290 --> 0:09:07.260
<v Keisha Sutton-James>almost  never  had.  His  dad  was  able  to  secure  the 

0:09:07.260 --> 0:09:10.800
<v Keisha Sutton-James>funds  and  be  able  to  provide  those  resources  for  the 

0:09:10.800 --> 0:09:14.250
<v Keisha Sutton-James>kids  in  the  schools  that  he  headed  up,  middle  school 

0:09:14.250 --> 0:09:18.960
<v Keisha Sutton-James>and  high  school.  Phillis  Wheatley  High  School.  But  anyhow,  that 

0:09:19.380 --> 0:09:21.359
<v Keisha Sutton-James>it  was  not  just  the  fact  that  he  went  to 

0:09:21.360 --> 0:09:24.480
<v Keisha Sutton-James>this  school,  but  that  he  had  such  strong  educator  parents. 

0:09:24.480 --> 0:09:26.910
<v Keisha Sutton-James>He  was  the  youngest  of  15.  His  older  siblings  taught 

0:09:26.910 --> 0:09:30.510
<v Keisha Sutton-James>him,  his  mother  taught  him.  His  father  was a  very  strict 

0:09:30.510 --> 0:09:37.650
<v Keisha Sutton-James>disciplinarian,  really  scary  strict  disciplinarian.  Grandfather  would  always  say, " My 

0:09:37.650 --> 0:09:39.690
<v Keisha Sutton-James>dad,  my  father  made  sure  that  if  you  didn't  learn 

0:09:39.690 --> 0:09:43.140
<v Keisha Sutton-James>it  through  here,  you  learned  it  through  here."  For  those 

0:09:43.140 --> 0:09:46.770
<v Keisha Sutton-James>who  are  just  hearing  this,  the  head  versus  the  rear 

0:09:46.770 --> 0:09:47.820
<v Keisha Sutton-James>end,  the  tush.

0:09:47.880 --> 0:09:49.170
<v Rob Simmelkjaer>Sometimes  with  a  little  strap,  yeah.

0:09:49.170 --> 0:09:55.860
<v Keisha Sutton-James>Perhaps, or  a  switch  from  the  tree.  But  that  they  all 

0:09:56.010 --> 0:10:02.550
<v Keisha Sutton-James>got  their  education.  And  so  he  really...  That  was  his 

0:10:02.550 --> 0:10:05.970
<v Keisha Sutton-James>guiding  principle  in  life,  one  of  them,  and  he  instilled 

0:10:05.970 --> 0:10:11.220
<v Keisha Sutton-James>that  in  me  as  well.  Life  isn't  just  lovely  because 

0:10:11.220 --> 0:10:13.740
<v Keisha Sutton-James>you  were  born  into  this  kind  of  privilege.  You  don't 

0:10:14.010 --> 0:10:16.620
<v Keisha Sutton-James>just  roll  on  because  of  that,  you  ensure  that  every 

0:10:16.620 --> 0:10:19.920
<v Keisha Sutton-James>single  person  you  can  help  to  ensure  that  those  barriers 

0:10:19.920 --> 0:10:24.240
<v Keisha Sutton-James>that  are  there,  societal  barriers  that  are  there,  are  broken 

0:10:24.240 --> 0:10:26.130
<v Keisha Sutton-James>down.  One  last  thing  I  will  say  about  this,  if 

0:10:26.130 --> 0:10:29.640
<v Keisha Sutton-James>I  may,  is  that  my  great- grandfather,  his  dad,  Samuel 

0:10:29.640 --> 0:10:33.750
<v Keisha Sutton-James>Johnson  Sutton,  would  talk  about  the  injured  of  society.
 And 

0:10:33.750 --> 0:10:36.390
<v Keisha Sutton-James>I  like  the  framing  of  the  injured  of  society  because 

0:10:36.390 --> 0:10:39.360
<v Keisha Sutton-James>it  makes  it  clear  that  it's  not  the  people  who 

0:10:39.360 --> 0:10:42.330
<v Keisha Sutton-James>are  being  lazy  or  who  didn't  try  hard  enough  or 

0:10:42.330 --> 0:10:45.209
<v Keisha Sutton-James>who are  not  bootstrappers,  because  that's  the  most  ridiculous  thing  in 

0:10:45.210 --> 0:10:49.080
<v Keisha Sutton-James>the  world,  it  is  the  systems  that  have  been  created 

0:10:49.290 --> 0:10:53.610
<v Keisha Sutton-James>to  ensure  that  these  people  don't  have  an  opportunity,  that 

0:10:53.610 --> 0:10:56.429
<v Keisha Sutton-James>these  people  don't...  Whatever  the  people  might  be.  For  us, 

0:10:56.429 --> 0:10:59.700
<v Keisha Sutton-James>this  is  Black  folks  in  the  Jim  Crow  South.  It 

0:10:59.700 --> 0:11:02.370
<v Keisha Sutton-James>can  be  women,  it  can  be  immigrant  populations,  it can  be 

0:11:02.370 --> 0:11:06.900
<v Keisha Sutton-James>whatever  it  is,  but  the  understanding  that  systems  themselves  are 

0:11:06.900 --> 0:11:10.260
<v Keisha Sutton-James>the  things  that  are  injuring  them  and  that  it's  not 

0:11:10.260 --> 0:11:12.450
<v Keisha Sutton-James>you  have  to  ensure  that  they  are  no  longer  injured, 

0:11:12.600 --> 0:11:15.480
<v Keisha Sutton-James>that  they  are  healthy  and  able  to  compete  and  work 

0:11:15.480 --> 0:11:18.120
<v Keisha Sutton-James>to  fulfill  their  dreams  just  like  everybody  else.  So it was  that 

0:11:18.120 --> 0:11:24.300
<v Keisha Sutton-James>concept  of  understanding  that  systems  had  created  their  circumstance,  if 

0:11:24.300 --> 0:11:24.600
<v Keisha Sutton-James>you  will.

0:11:24.630 --> 0:11:28.890
<v Rob Simmelkjaer>Absolutely.  Absolutely.  Well,  he  was  incredible.  He's  a  legend.  We've 

0:11:28.890 --> 0:11:32.760
<v Rob Simmelkjaer>been  talking  about  his  role  in  creating  the  Five- Borough 

0:11:32.760 --> 0:11:35.670
<v Rob Simmelkjaer>New  York  City  Marathon  all  year  long,  and  we'll  be 

0:11:35.670 --> 0:11:38.160
<v Rob Simmelkjaer>talking  about  that  a  little  bit  more  and  the  role 

0:11:38.160 --> 0:11:40.410
<v Rob Simmelkjaer>you're  going  to  be  playing  as  an  honorary  grand  marshal 

0:11:40.410 --> 0:11:43.349
<v Rob Simmelkjaer>for  this  year's  marathon  to  honor  him.  So  we'll  get 

0:11:43.350 --> 0:11:45.720
<v Rob Simmelkjaer>to  all  that.  But  right  now  we're  going  to  invite 

0:11:45.720 --> 0:11:49.559
<v Rob Simmelkjaer>our  next  two  panelists  to  this  stage  and we're  going  to 

0:11:49.679 --> 0:11:52.980
<v Rob Simmelkjaer>continue  this  conversation  about  Black  history  and  political  power,  and then 

0:11:53.460 --> 0:11:56.790
<v Rob Simmelkjaer>a  little  bit  about  the  connection  with  music  as  well. 

0:11:57.059 --> 0:12:01.800
<v Rob Simmelkjaer>Dr.  Basil  Smikle  Jr.  is  a  scholar  of  Black  political 

0:12:01.800 --> 0:12:05.069
<v Rob Simmelkjaer>power  in  New  York  and  a  Harlemite  himself.  He's  a 

0:12:05.070 --> 0:12:09.540
<v Rob Simmelkjaer>political  analyst  on MS  NOW and  a  program  director  of  Columbia's  MS 

0:12:09.540 --> 0:12:13.410
<v Rob Simmelkjaer>in  nonprofit  management.  He  ran the  New  York  State  Democratic  Party 

0:12:13.410 --> 0:12:16.949
<v Rob Simmelkjaer>and  has  written  directly  about  Percy  Sutton  and  the  arc 

0:12:16.950 --> 0:12:20.760
<v Rob Simmelkjaer>of  Black  political  power  that  Percy  helped  build.  He  is 

0:12:20.760 --> 0:12:22.559
<v Rob Simmelkjaer>here  to  take  us  back  to  the  New  York  of 

0:12:22.559 --> 0:12:26.790
<v Rob Simmelkjaer>1976  and  the  rooms  where  the  city's  future  was  decided. 

0:12:26.790 --> 0:12:29.670
<v Rob Simmelkjaer>So  come  on  out,  Dr.  Smikle.  Hello.  Nice  to  have 

0:12:29.670 --> 0:12:35.700
<v Rob Simmelkjaer>you  here.
 Welcome  to  Set  the  Pace.  Great  to  have 

0:12:35.700 --> 0:12:41.940
<v Rob Simmelkjaer>you  here.  And  multi- platinum  recording  artist,  Ferg,  will  join 

0:12:41.940 --> 0:12:45.390
<v Rob Simmelkjaer>us.  He  was  raised  uptown  in  Hamilton  Heights.  Ferg  came 

0:12:45.390 --> 0:12:50.490
<v Rob Simmelkjaer>up  inside  Harlem's  creative  machine.  His  father  designed  a  visual 

0:12:50.490 --> 0:12:54.630
<v Rob Simmelkjaer>identity  for  record  labels  that  defined  an  era  of  Black 

0:12:54.630 --> 0:12:58.740
<v Rob Simmelkjaer>music,  and  Ferg  carried  that  Harlem  creativity  into  his  own 

0:12:58.740 --> 0:13:02.850
<v Rob Simmelkjaer>music.  He's  here  to  connect  the  Harlem  Percy  Sutton  built 

0:13:02.970 --> 0:13:05.130
<v Rob Simmelkjaer>to  the  Harlem  of  right  now,  and  by  the  way, 

0:13:05.160 --> 0:13:08.160
<v Rob Simmelkjaer>he's  also  one  of  the  finishers  of  today's  Percy  Sutton 

0:13:08.160 --> 0:13:17.910
<v Rob Simmelkjaer>Harlem  5K. So Ferg,  come  on  out.  Great  job  today.  Welcome,  welcome. 

0:13:17.910 --> 0:13:21.329
<v Rob Simmelkjaer>Thanks  so  much.  All  right.  So Ferg,  I  got  to  ask 

0:13:21.330 --> 0:13:24.480
<v Rob Simmelkjaer>you  real  fast,  how  was  it  this  morning?  I  saw 

0:13:24.480 --> 0:13:27.420
<v Rob Simmelkjaer>you  cross  the  finish  line  with  your  crew.  You  were 

0:13:27.420 --> 0:13:29.310
<v Rob Simmelkjaer>looking  good.  It  was  hot  out  there,  but  how'd  it  feel?

0:13:29.490 --> 0:13:33.840
<v A$AP Ferg>It  was great,  man.  Thank  you  for  having  us.  And  that 

0:13:33.840 --> 0:13:38.520
<v A$AP Ferg>hill.  Did anybody  run  up  that  hill  this  morning?  Anybody  in  here?

0:13:38.580 --> 0:13:41.490
<v Rob Simmelkjaer>A  bunch  of  them  did,  yeah.  Raise  your  hands  again.  Absolutely.

0:13:41.490 --> 0:13:42.510
<v A$AP Ferg>That  was  lovely.  That  was lovely.

0:13:44.309 --> 0:13:47.251
<v Rob Simmelkjaer>Yeah.  We're  sorry.  We're  so  sorry.

0:13:47.251 --> 0:13:50.580
<v A$AP Ferg>No, I  really  appreciate  it.  I  enjoyed  it  so  much  that 

0:13:50.910 --> 0:13:53.040
<v A$AP Ferg>I  did  the  walk  with  my  grandmother  and  my  aunt 

0:13:53.130 --> 0:13:57.809
<v A$AP Ferg>after  the  5K.  We  had  a  good  day  in  Harlem.

0:13:58.140 --> 0:14:00.660
<v Rob Simmelkjaer>I  want  to  learn  more  about  your  running  journey  as 

0:14:00.660 --> 0:14:03.059
<v Rob Simmelkjaer>well,  but  let's  start  going  back  to  what  we  were 

0:14:03.059 --> 0:14:09.120
<v Rob Simmelkjaer>talking  about.  And  Dr.  Smikle,  the  story  of  Harlem  in 

0:14:09.120 --> 0:14:13.380
<v Rob Simmelkjaer>1976.  Set  the  scene  for  us.  What  did  Harlem  feel 

0:14:13.380 --> 0:14:15.240
<v Rob Simmelkjaer>like  in  1976?

0:14:15.240 --> 0:14:17.280
<v Dr. Basil Smikle Jr.>Well,  let  me  zoom  out  a  little  bit  because  it's 

0:14:17.280 --> 0:14:21.150
<v Dr. Basil Smikle Jr.>important  to  note  that  in  1975,  the  city  was  near 

0:14:21.150 --> 0:14:25.140
<v Dr. Basil Smikle Jr.>bankrupt.  And  if  you've  been  around  for  a  while,  you 

0:14:25.140 --> 0:14:29.490
<v Dr. Basil Smikle Jr.>remember  the  famous...  It  was  a  daily  news  headline,  Ford 

0:14:29.490 --> 0:14:32.970
<v Dr. Basil Smikle Jr.>to  City:  Drop  Dead,  because  the  mayor had  asked  the  federal 

0:14:32.970 --> 0:14:37.500
<v Dr. Basil Smikle Jr.>government,  President  Ford,  for  support,  and  the  president  was  like, "

0:14:37.500 --> 0:14:40.290
<v Dr. Basil Smikle Jr.>No,  we're  not  doing  that."  So  I  grew  up  in 

0:14:40.290 --> 0:14:44.250
<v Dr. Basil Smikle Jr.>the  Bronx and I think  Harlem  was  undergoing  something  very  similar.  This is  10 

0:14:44.250 --> 0:14:48.360
<v Dr. Basil Smikle Jr.>years  before  crack  heroin  was  becoming  really  big.  A  lot 

0:14:48.360 --> 0:14:51.390
<v Dr. Basil Smikle Jr.>of  the  housing  stock  was  deteriorating.
 We  saw  a  lot 

0:14:51.390 --> 0:14:53.460
<v Dr. Basil Smikle Jr.>of  that  in  the  Bronx, we  saw  that  in  Harlem  as 

0:14:53.460 --> 0:14:56.400
<v Dr. Basil Smikle Jr.>well,  and  if  I  remember  correctly,  towards  the end of the  '70s,  early 

0:14:56.400 --> 0:15:01.800
<v Dr. Basil Smikle Jr.>'80s,  a  majority  of  the  residential  housing  was  actually  owned 

0:15:01.800 --> 0:15:06.690
<v Dr. Basil Smikle Jr.>by  the  city  because  of  property  tax  default.  Crime  was 

0:15:06.690 --> 0:15:09.810
<v Dr. Basil Smikle Jr.>starting  to  go  up.  And  we  also  started  to  see 

0:15:09.810 --> 0:15:12.600
<v Dr. Basil Smikle Jr.>fewer  city  workers  on  the  street  because  the  city  didn't 

0:15:12.600 --> 0:15:15.540
<v Dr. Basil Smikle Jr.>have  any  money.  So  for  example,  you  had  thousands  of 

0:15:15.540 --> 0:15:20.520
<v Dr. Basil Smikle Jr.>police  officers  furlough,  thousands  of  firefighters  and  almost  7, 000 

0:15:20.520 --> 0:15:25.890
<v Dr. Basil Smikle Jr.>teachers.  So  the  city's  institutions  were  struggling  and  the  people 

0:15:25.890 --> 0:15:28.920
<v Dr. Basil Smikle Jr.>were  struggling  because  joblessness  started  to  go  up  and  crime 

0:15:28.920 --> 0:15:30.000
<v Dr. Basil Smikle Jr.>was  going  up,  as  I  mentioned.

0:15:31.860 --> 0:15:37.890
<v Keisha Sutton-James>Yeah.  I  will  say...  By  the  way,  you doing  the  walk 

0:15:37.890 --> 0:15:40.170
<v Keisha Sutton-James>after  the  run,  that's  young  knees  and  you  don't  remember 

0:15:40.170 --> 0:15:43.859
<v Keisha Sutton-James>the  Harlem  of  these  days.  These  were  tough  times,  but 

0:15:44.520 --> 0:15:49.860
<v Keisha Sutton-James>we  still  always  had  just  such  a  beautiful  community.  But 

0:15:49.860 --> 0:15:53.580
<v Keisha Sutton-James>I  wanted  to  ask  also,  from  your  perspective...  I  have 

0:15:53.580 --> 0:15:58.470
<v Keisha Sutton-James>my  own  perspective,  but  given  your  perspective,  he,  Percy  Sutton, 

0:15:58.500 --> 0:16:03.150
<v Keisha Sutton-James>my  grandfather,  always  believed  in  this  city  even  when  the 

0:16:03.150 --> 0:16:06.900
<v Keisha Sutton-James>headlines  were  not  there,  even  when  all  the  things  that 

0:16:06.900 --> 0:16:12.300
<v Keisha Sutton-James>you  just  said  were  not  driving  that  belief.  Where's  your 

0:16:12.300 --> 0:16:14.430
<v Keisha Sutton-James>sense  as  to  where  that  kind  of  faith  came  from?

0:16:14.700 --> 0:16:16.740
<v Dr. Basil Smikle Jr.>Well,  I  think  there  are  a  couple  of  things.  One, 

0:16:16.920 --> 0:16:20.550
<v Dr. Basil Smikle Jr.>the  community  always  supported  itself.  When  no  one  else  would, 

0:16:20.550 --> 0:16:23.460
<v Dr. Basil Smikle Jr.>the  community  supported  itself.  You  started  to  see  a  lot 

0:16:23.460 --> 0:16:26.010
<v Dr. Basil Smikle Jr.>of  that  in  the  Bronx,  as  it  said  where  I 

0:16:26.010 --> 0:16:29.910
<v Dr. Basil Smikle Jr.>am,  organizations  like  Mid- Bronx  Desperados,  Banana  Kelly  and  others. 

0:16:30.120 --> 0:16:33.540
<v Dr. Basil Smikle Jr.>The  community  said, " If  the  government's  not  going  to  help 

0:16:33.540 --> 0:16:35.940
<v Dr. Basil Smikle Jr.>us,  we're  going  to  help  ourselves,"  and  Percy,  in  my 

0:16:35.940 --> 0:16:41.489
<v Dr. Basil Smikle Jr.>view,  was  one  of  the  principles  of  that  mindset,  in 

0:16:41.490 --> 0:16:45.600
<v Dr. Basil Smikle Jr.>part  because  he  had  a  religious  tradition  or  believed  in 

0:16:45.600 --> 0:16:51.060
<v Dr. Basil Smikle Jr.>a  religious  tradition  that  was  about  the  gospels  being  lessons 

0:16:51.060 --> 0:16:56.250
<v Dr. Basil Smikle Jr.>in  social  justice.  And  so there  was  always  this  movement  to 

0:16:56.280 --> 0:17:01.140
<v Dr. Basil Smikle Jr.>blend  faith  and  political  and  economic  power.  But  he  was 

0:17:01.140 --> 0:17:03.780
<v Dr. Basil Smikle Jr.>a  Kappa,  which  we've  talked  about.  Remember  Kappa  Alpha  Psi 

0:17:03.780 --> 0:17:06.930
<v Dr. Basil Smikle Jr.>Fraternity  Incorporated?  I  am  not,  as  you  can  probably  see 

0:17:06.930 --> 0:17:09.960
<v Dr. Basil Smikle Jr.>from  the  black  and  old  gold  on  my  feet.  Alpha 

0:17:09.960 --> 0:17:15.000
<v Dr. Basil Smikle Jr.>Phi  Alpha.
 But  all  of  the  D9  organizations  were  created 

0:17:15.000 --> 0:17:20.159
<v Dr. Basil Smikle Jr.>for  the  purpose  of  lifelong  service  to  community,  and  so 

0:17:22.230 --> 0:17:26.580
<v Dr. Basil Smikle Jr.>I'm  sure  that  that  grounded  him  as  well.  And  being 

0:17:27.420 --> 0:17:31.830
<v Dr. Basil Smikle Jr.>so  adjacent  to  and  embraced  by  Malcolm  X.  I  mean, 

0:17:31.830 --> 0:17:35.340
<v Dr. Basil Smikle Jr.>this  is  a  lot  coming  into  his  head  and  his 

0:17:35.340 --> 0:17:40.710
<v Dr. Basil Smikle Jr.>heart  and  then  pushing  that  into  community,  that  empowerment  and 

0:17:40.710 --> 0:17:46.350
<v Dr. Basil Smikle Jr.>the  importance  of  building  institutions  was  first  and  foremost.

0:17:46.709 --> 0:17:48.480
<v Keisha Sutton-James>Yeah.  You  want  to  say  something?

0:17:49.080 --> 0:17:50.340
<v Rob Simmelkjaer>Yeah,  I  was  going  to  talk  a  little  bit  about 

0:17:50.400 --> 0:17:56.130
<v Rob Simmelkjaer>some  of  the  themes  of  family  and  family  progress  within 

0:17:56.130 --> 0:18:00.480
<v Rob Simmelkjaer>families  that  you  see  in  Harlem.  Your  family  story  certainly 

0:18:00.480 --> 0:18:03.960
<v Rob Simmelkjaer>is  one  of  those.  Even  my  family,  my  great- grandfather 

0:18:03.960 --> 0:18:07.350
<v Rob Simmelkjaer>came  to  Harlem  from  St.  Croix  as  a  young  boy, 

0:18:07.350 --> 0:18:10.560
<v Rob Simmelkjaer>and  then  my  grandfather  and  my  father  all  lived  in 

0:18:10.560 --> 0:18:15.869
<v Rob Simmelkjaer>Harlem  to  me  and  now  my  kids.  So  you  have 

0:18:15.869 --> 0:18:18.119
<v Rob Simmelkjaer>that  story  to  a  degree  as  well.  You  grew  up 

0:18:18.390 --> 0:18:22.350
<v Rob Simmelkjaer>a  little  bit  uptown,  but  your  father  really,  as  we 

0:18:22.350 --> 0:18:25.980
<v Rob Simmelkjaer>said  before,  was  a  designer.  That  was  the  entree  into 

0:18:25.980 --> 0:18:30.119
<v Rob Simmelkjaer>this  world  of  creativity.  Designed  the  Bad  Boy  logo  and-

0:18:30.300 --> 0:18:34.020
<v A$AP Ferg>The  Uptown  Cat  logo  for  Andre  Harrell.  He  did  stuff 

0:18:34.020 --> 0:18:38.550
<v A$AP Ferg>for  Bill  Cosby,  stuff  for  Russell  Simmons,  stuff  for  Teddy 

0:18:38.550 --> 0:18:44.220
<v A$AP Ferg>Riley.  You  name  him,  he  knew  them  and  did  stuff 

0:18:44.220 --> 0:18:44.640
<v A$AP Ferg>for  him.

0:18:45.150 --> 0:18:48.720
<v Rob Simmelkjaer>What  was  that  for  you?  What  kind  of  an  entree 

0:18:48.720 --> 0:18:52.470
<v Rob Simmelkjaer>was  that  for  you  into  this  world?  Because  we  always 

0:18:52.470 --> 0:18:54.689
<v Rob Simmelkjaer>talk  about  how  it's  hard  to  be  it  if  you 

0:18:54.690 --> 0:18:57.840
<v Rob Simmelkjaer>can't  see  it,  and  you,  because  of  your  father,  had 

0:18:57.840 --> 0:19:01.560
<v Rob Simmelkjaer>a  chance  to  see  some  of  this  creative  genius.  What 

0:19:01.560 --> 0:19:03.210
<v Rob Simmelkjaer>kind  of  impact  did  that  have  on  you  as  a 

0:19:03.210 --> 0:19:03.840
<v Rob Simmelkjaer>young  person?

0:19:04.530 --> 0:19:06.810
<v A$AP Ferg>I  was  just  talking  about  this  yesterday.  It  gave  me 

0:19:06.810 --> 0:19:09.630
<v A$AP Ferg>a  head  start,  like  a  great  head  start.  A  lot 

0:19:09.630 --> 0:19:12.630
<v A$AP Ferg>of  people  in  this  industry  are  men,  some  of  them 

0:19:12.630 --> 0:19:16.649
<v A$AP Ferg>are  misguided  because  they  don't  have  leaders  in  their  life 

0:19:16.740 --> 0:19:22.470
<v A$AP Ferg>to  breed  them  into  being  a  leader  or  following  their 

0:19:22.470 --> 0:19:26.100
<v A$AP Ferg>own  thoughts  or  just  being  an  individual  even.  So  my 

0:19:26.100 --> 0:19:30.150
<v A$AP Ferg>father,  he  instilled  a  lot  of  different  things  in  me 

0:19:30.150 --> 0:19:34.470
<v A$AP Ferg>that  led  me  to  becoming  who  I  am  today.  So 

0:19:34.530 --> 0:19:37.560
<v A$AP Ferg>yeah,  I  got  a  head  start.  So  I  give  it 

0:19:37.560 --> 0:19:40.470
<v A$AP Ferg>up  to  my  family,  not  just  my  father,  my  mom, 

0:19:41.910 --> 0:19:46.619
<v A$AP Ferg>my  uncles,  my  aunts,  because  I  had  a  great  household. 

0:19:46.680 --> 0:19:50.730
<v A$AP Ferg>So  when  people  see  the  product  of  what's  happening  now, 

0:19:51.390 --> 0:19:53.700
<v A$AP Ferg>it's  not  like  I'm  doing  all of  this  by  myself.  I 

0:19:53.700 --> 0:19:56.460
<v A$AP Ferg>got  a  great  community  and  family  behind  me.

0:19:57.210 --> 0:19:59.040
<v Keisha Sutton-James>I  want  to  pick  up,  if  I can, on  what  you  just 

0:19:59.040 --> 0:20:03.210
<v Keisha Sutton-James>said,  that  last  word,  that  community,  because  tying  together  what 

0:20:03.210 --> 0:20:05.250
<v Keisha Sutton-James>the  both  of  you  just  said,  one  of  the  things 

0:20:05.250 --> 0:20:09.600
<v Keisha Sutton-James>that  I  know  to  be  true  is  that  what  you 

0:20:09.600 --> 0:20:13.980
<v Keisha Sutton-James>described,  Basil,  in  terms  of  the  community  taking  care  of 

0:20:13.980 --> 0:20:16.649
<v Keisha Sutton-James>one  another,  that  was  one  of  the  core  kind  of 

0:20:16.650 --> 0:20:19.530
<v Keisha Sutton-James>operating  principles  of  being  Black  in  the  Jim  Crow  South, 

0:20:20.490 --> 0:20:23.010
<v Keisha Sutton-James>is  that  despite  the  fact  that  we  weren't  going  to 

0:20:23.010 --> 0:20:26.100
<v Keisha Sutton-James>get  any  parody,  any  equality  from  any  kind  of  system 

0:20:26.100 --> 0:20:29.310
<v Keisha Sutton-James>that  was  built  and  owned  by  the  white  world,  we 

0:20:29.310 --> 0:20:33.330
<v Keisha Sutton-James>were  providing  for  ourselves.  And  that  is  what  your  father 

0:20:33.330 --> 0:20:36.210
<v Keisha Sutton-James>did  for  you, and  I'm  sure  many  others.  I  mean,  the 

0:20:36.210 --> 0:20:39.990
<v Keisha Sutton-James>whole  crew,  but  I'm  sure  people  that  we  don't  know 

0:20:40.500 --> 0:20:45.900
<v Keisha Sutton-James>who  are  also  famous  and  who  have  come  along  behind 

0:20:45.900 --> 0:20:48.990
<v Keisha Sutton-James>him. And you,  by  the  way,  I  will  say,  were  being  very 

0:20:51.330 --> 0:20:56.399
<v Keisha Sutton-James>coy,  if  you  will.  Coy  or  what's  the  word?  Somebody else, somebody  give-

0:20:56.400 --> 0:20:56.580
<v Rob Simmelkjaer>I  don't  know.

0:20:58.920 --> 0:21:03.450
<v Keisha Sutton-James>I  read  about  your  family  in  James  Weldon  Johnson's  Black 

0:21:03.450 --> 0:21:07.260
<v Keisha Sutton-James>Manhattan.  I  was  like, "Simmelkjaer.  There's  only  so  many  Black  Simmelkjaers 

0:21:07.260 --> 0:21:07.800
<v Keisha Sutton-James>out  there."

0:21:08.100 --> 0:21:13.230
<v Rob Simmelkjaer>That's  true.  That  is  true. That's true.  My  great- grandfather  was  an 

0:21:13.230 --> 0:21:17.730
<v Rob Simmelkjaer>interesting  guy,  an  actor,  a  political  figure,  Harold  Simmelkjaer.  Yes,  absolutely.

0:21:17.850 --> 0:21:24.090
<v Keisha Sutton-James>Yeah. Okay,  I  will  get  back  on  script.  I  apologize.  So 

0:21:24.090 --> 0:21:28.530
<v Keisha Sutton-James>just  kind  of  taking  us  back  to  what  the  time 

0:21:28.530 --> 0:21:31.380
<v Keisha Sutton-James>was  like.  So  my  grandfather  was  the  Manhattan  Borough  president 

0:21:31.380 --> 0:21:34.830
<v Keisha Sutton-James>through  this  period,  and  through  it,  he  was  able  to 

0:21:34.830 --> 0:21:38.820
<v Keisha Sutton-James>build  some  relationships  with  some  interesting  people.  And  I  thought 

0:21:38.820 --> 0:21:44.160
<v Keisha Sutton-James>I'd  ask  you,  Basil,  as  the  studied,  the  academic  on 

0:21:44.160 --> 0:21:44.700
<v Keisha Sutton-James>the  panel.

0:21:44.700 --> 0:21:46.710
<v Dr. Basil Smikle Jr.>Just  trying  to make  my  mama  proud.

0:21:47.790 --> 0:21:51.119
<v Keisha Sutton-James>I  love  it.  Tell  us  more  about  the  Regency  Power 

0:21:51.119 --> 0:21:57.389
<v Keisha Sutton-James>Breakfast  and  what  you know about  the  Regency  Power  Breakfast  and  also 

0:21:57.390 --> 0:22:01.140
<v Keisha Sutton-James>Percy  Sutton's  part  of  that  and  things  along  those  lines.

0:22:01.140 --> 0:22:06.810
<v Dr. Basil Smikle Jr.>Well,  it  was  interesting.  The  Regency  down  on  Park  Avenue, 

0:22:07.109 --> 0:22:10.800
<v Dr. Basil Smikle Jr.>still  a  good  power  breakfast  spot,  by  the  way,  and 

0:22:11.280 --> 0:22:17.699
<v Dr. Basil Smikle Jr.>it  has  been  for  decades  a  location  where  business  leaders, 

0:22:18.060 --> 0:22:21.480
<v Dr. Basil Smikle Jr.>governors,  members  of  Congress,  all  kinds  of  elected  officials  would 

0:22:21.480 --> 0:22:25.470
<v Dr. Basil Smikle Jr.>come  and  have  their  sort  of  private  power  breakfast.

0:22:25.980 --> 0:22:25.981
<v A$AP Ferg>Can I go there?

0:22:25.981 --> 0:22:25.982
<v Dr. Basil Smikle Jr.>Absolutely.

0:22:25.982 --> 0:22:25.983
<v A$AP Ferg>I just walk in there?

0:22:25.983 --> 0:22:25.984
<v Dr. Basil Smikle Jr.>Yeah.

0:22:25.984 --> 0:22:25.984
<v A$AP Ferg>Or I got to call you to get the...

0:22:25.984 --> 0:22:35.040
<v Dr. Basil Smikle Jr.>No, not me.  I  got  to  call  somebody.  No,  actually,  you  could 

0:22:35.040 --> 0:22:38.250
<v Dr. Basil Smikle Jr.>just  go.  The  food's  actually  not  bad,  and  you  could 

0:22:38.250 --> 0:22:40.980
<v Dr. Basil Smikle Jr.>just  go and  there  are  a  lot  of  folks  wheeling  and 

0:22:40.980 --> 0:22:44.340
<v Dr. Basil Smikle Jr.>dealing  in  there.  And  these  are  the  relationships  that...  And 

0:22:44.340 --> 0:22:46.530
<v Dr. Basil Smikle Jr.>this  is  why  I always talk  about,  I  wrote  a  piece  about 

0:22:46.530 --> 0:22:49.949
<v Dr. Basil Smikle Jr.>this  just  two  days  ago.  Inside  and  outside  game.  This 

0:22:49.950 --> 0:22:52.469
<v Dr. Basil Smikle Jr.>is  what's  really  important.  And  one  of  the  things  that 

0:22:52.470 --> 0:22:57.810
<v Dr. Basil Smikle Jr.>Percy  Sutton  did  extraordinarily  well  was  understand  that  protest  is 

0:22:57.960 --> 0:23:03.300
<v Dr. Basil Smikle Jr.>one  strategy,  but  knowing  how  to  maneuver  through  the  bureaucracy 

0:23:03.300 --> 0:23:05.220
<v Dr. Basil Smikle Jr.>and  pull  the  levers  of  power  to  get  what  you 

0:23:05.220 --> 0:23:09.420
<v Dr. Basil Smikle Jr.>want  through  government  or  the  private  sector  in  partnership  was 

0:23:09.420 --> 0:23:12.660
<v Dr. Basil Smikle Jr.>something  that  he  excelled  at.  And  that's  how  the  relationship 

0:23:12.660 --> 0:23:16.889
<v Dr. Basil Smikle Jr.>with the  Rudins  came  into  play,  which  is  how  all  of 

0:23:16.890 --> 0:23:17.490
<v Dr. Basil Smikle Jr.>this  developed.

0:23:17.580 --> 0:23:22.109
<v Rob Simmelkjaer>That's  right,  the  Rudin  family,  and  they  were  key  parts 

0:23:22.109 --> 0:23:25.740
<v Rob Simmelkjaer>of  what  would  become  the  Five- Borough  New  York  City 

0:23:25.740 --> 0:23:29.790
<v Rob Simmelkjaer>Marathon.  And we  were  talking  before  about,  and  this  has  been 

0:23:29.790 --> 0:23:32.310
<v Rob Simmelkjaer>a  part  of  the  theme  of  the  storytelling,  it  was 

0:23:32.310 --> 0:23:35.940
<v Rob Simmelkjaer>Percy  Sutton  who  really  got  with  this  group  of  people. 

0:23:35.940 --> 0:23:40.770
<v Rob Simmelkjaer>You  had  Fred  Lebow,  you  had  George  Hirsch,  our  recent 

0:23:40.770 --> 0:23:44.100
<v Rob Simmelkjaer>chairman,  and  they're  all  talking  about  this  idea.  Of  course, 

0:23:44.100 --> 0:23:48.150
<v Rob Simmelkjaer>Ted  Corbett  originally  had  the  idea  of  running  the  five 

0:23:48.150 --> 0:23:50.189
<v Rob Simmelkjaer>boroughs  of  New  York  City  in  the  Marathon.  He  was  like, "

0:23:50.190 --> 0:23:52.560
<v Rob Simmelkjaer>Well,  wait,  we  got  to  be  able  to  cross  from 

0:23:52.560 --> 0:23:56.130
<v Rob Simmelkjaer>Staten  Island  to  Brooklyn  over  the  Verrazzano- Narrows  Bridge."  None 

0:23:56.130 --> 0:23:57.210
<v Rob Simmelkjaer>of  them  thought  it  could  be  done.

0:23:57.210 --> 0:23:57.390
<v Keisha Sutton-James>He  who?

0:23:58.380 --> 0:23:59.010
<v Rob Simmelkjaer>Percy  Sutton.

0:23:59.010 --> 0:24:00.002
<v Keisha Sutton-James>Thank  you.  I  just  thought  we'd make  (inaudible) .

0:24:00.002 --> 0:24:00.003
<v Dr. Basil Smikle Jr.>Say his name, Percy Sutton.

0:24:00.003 --> 0:24:05.940
<v Rob Simmelkjaer>It was  Percy  Sutton  who  said, " We  got  to  get  over 

0:24:05.940 --> 0:24:08.700
<v Rob Simmelkjaer>that  bridge  and  we  can  do  it."  And  to  your 

0:24:08.700 --> 0:24:12.510
<v Rob Simmelkjaer>point,  Dr.  Smikle,  he  figured  out  how  to  get  the 

0:24:12.510 --> 0:24:15.780
<v Rob Simmelkjaer>right  people  in  the  room  and  get  in  the  mayor's 

0:24:15.780 --> 0:24:19.410
<v Rob Simmelkjaer>office  ultimately  to  make  that  happen.  That's  why  we're  all 

0:24:19.410 --> 0:24:22.800
<v Rob Simmelkjaer>getting  together  on  Staten  Island  every  first  Sunday  in  November.

0:24:22.859 --> 0:24:24.929
<v Dr. Basil Smikle Jr.>And I  just  add  a  very  quick  point  because  since  you 

0:24:24.930 --> 0:24:27.660
<v Dr. Basil Smikle Jr.>talked  about  family,  I  had  to  talk  about  family.  One 

0:24:27.660 --> 0:24:30.060
<v Dr. Basil Smikle Jr.>of  my  relatives,  Thomas  Michael,  was  a  co- founder  of 

0:24:30.060 --> 0:24:34.470
<v Dr. Basil Smikle Jr.>Marcus  Garvey's  UNIA.  It's  on  the  letterhead.  So  my  family 

0:24:34.470 --> 0:24:36.810
<v Dr. Basil Smikle Jr.>has  been  in  Harlem,  from  Jamaica...  My  family's  Jamaican.  So 

0:24:36.810 --> 0:24:42.869
<v Dr. Basil Smikle Jr.>I've  had  family  in  Harlem  since  the  '20s,  and  growing 

0:24:42.869 --> 0:24:45.629
<v Dr. Basil Smikle Jr.>up  in  our  home,  it  was  always  about  all  of 

0:24:45.630 --> 0:24:52.199
<v Dr. Basil Smikle Jr.>us,  all  of  us  and  community.  And  so  when  I 

0:24:52.200 --> 0:24:54.419
<v Dr. Basil Smikle Jr.>think  about  Percy,  when  I  think  about  Malcolm,  when  I 

0:24:54.420 --> 0:24:57.540
<v Dr. Basil Smikle Jr.>think  about  in  your family and  all  of  you,  in  the  work 

0:24:57.540 --> 0:25:02.010
<v Dr. Basil Smikle Jr.>that  all  of  you  have  done,  it's  always  about  us 

0:25:02.070 --> 0:25:06.240
<v Dr. Basil Smikle Jr.>and  community  and  how  we  are  stronger  together,  and  it's 

0:25:06.240 --> 0:25:11.159
<v Dr. Basil Smikle Jr.>that  sense  of...  I  think  that  power  dynamic,  and  understanding 

0:25:11.160 --> 0:25:14.310
<v Dr. Basil Smikle Jr.>how  to  leverage  that  in  the  city  of  New  York 

0:25:14.310 --> 0:25:17.670
<v Dr. Basil Smikle Jr.>is  where  he,  Percy  Sutton...  I'm  going  to  say his name.  He, 

0:25:17.670 --> 0:25:19.170
<v Dr. Basil Smikle Jr.>Percy  Sutton,  excelled.

0:25:20.580 --> 0:25:24.720
<v Keisha Sutton-James>Indeed,  indeed.  I  want  to,  if  I  can,  shift  gears 

0:25:25.320 --> 0:25:28.469
<v Keisha Sutton-James>a  little  bit.  I  want  to  ask  Ferg  question.  By 

0:25:28.470 --> 0:25:29.909
<v Keisha Sutton-James>the  way,  Ferg, it's  so  exciting  to  sit  here  on  this 

0:25:29.910 --> 0:25:34.080
<v Keisha Sutton-James>panel  with  you.  I  was  like, "Is it Ferg-Ferg  who's  going  to  be 

0:25:34.080 --> 0:25:36.390
<v Keisha Sutton-James>doing  this? It's  Ferg."  So  Ferg-

0:25:36.750 --> 0:25:37.350
<v Rob Simmelkjaer>One  and  only.

0:25:37.800 --> 0:25:37.921
<v Keisha Sutton-James>I  know.

0:25:37.921 --> 0:25:38.221
<v A$AP Ferg>Appreciate you.

0:25:40.680 --> 0:25:44.760
<v Keisha Sutton-James>My  grandfather  fought  for  Harlem  inside  rooms  of  power,  as 

0:25:44.760 --> 0:25:48.570
<v Keisha Sutton-James>Basil  said.  When  you  think  about  the  platform  that  he 

0:25:48.570 --> 0:25:52.410
<v Keisha Sutton-James>created  through  the  television  show,  Its  Showtime  at  the  Apollo, 

0:25:52.410 --> 0:25:58.260
<v Keisha Sutton-James>which  really  made  the  Apollo  an  international  destination,  cultural  destination, 

0:25:58.260 --> 0:26:02.250
<v Keisha Sutton-James>but  also  was  the  launching  pad,  both  WBLS,  the  radio 

0:26:02.250 --> 0:26:05.760
<v Keisha Sutton-James>station,  and  the  Apollo,  were  the  only  places  where  hip-

0:26:05.760 --> 0:26:11.820
<v Keisha Sutton-James>hop  was  being  brought  to  larger  mainstream  audiences.  Meaning  WBLS 

0:26:11.820 --> 0:26:15.540
<v Keisha Sutton-James>was  the  only  FM  radio  station  that  had a  strong  signal 

0:26:15.540 --> 0:26:17.850
<v Keisha Sutton-James>that  was  doing it. And  the  Apollo  stage  was  the  only  real 

0:26:17.850 --> 0:26:22.619
<v Keisha Sutton-James>theater  that  would  allow  rap  artists.  When  you  think  about 

0:26:22.619 --> 0:26:28.500
<v Keisha Sutton-James>that  and  the  fact  that  your  generation  inherited  that,  what 

0:26:28.500 --> 0:26:31.410
<v Keisha Sutton-James>did  Harlem  build  that  made  your  career  possible  in  addition 

0:26:31.410 --> 0:26:33.960
<v Keisha Sutton-James>to  that?  I  think  obviously  there's  that,  but  what  else 

0:26:33.960 --> 0:26:36.990
<v Keisha Sutton-James>is  there  about  Harlem  that  made  your  career  possible?

0:26:38.220 --> 0:26:42.899
<v A$AP Ferg>Just to  add  on  to what  Percy  did  is  super  amazing,  and 

0:26:43.320 --> 0:26:46.680
<v A$AP Ferg>he  was  an  alien  to  even  be  thinking  in  that 

0:26:46.680 --> 0:26:54.960
<v A$AP Ferg>way.  He  really  was  a  futurist.  And  to  buy  Apollo  at $250,

0:26:54.990 --> 0:26:59.640
<v A$AP Ferg>000  and  put  20  million  into  it  and  start  these 

0:26:59.700 --> 0:27:03.750
<v A$AP Ferg>different  programs.  And  he  ran  a  system  that  we  still 

0:27:03.750 --> 0:27:07.109
<v A$AP Ferg>use  today  where  we  still  have  to  say  his  name 

0:27:07.560 --> 0:27:11.640
<v A$AP Ferg>is  wild,  and  I  aspire  to  do  that.  So  that's  one.

0:27:11.640 --> 0:27:16.260
<v Keisha Sutton-James>Amen.  Everybody  should  aspire  that,  right?

0:27:19.109 --> 0:27:25.200
<v A$AP Ferg>Two,  just  the  energy  of  Harlem  alone,  just  all of the  history. 

0:27:25.200 --> 0:27:28.170
<v A$AP Ferg>We  have  so  much  great  things  to  look  at.  Everything 

0:27:28.170 --> 0:27:33.359
<v A$AP Ferg>from  Josephine  Baker.  She  refused  to  perform  in  front  of 

0:27:33.359 --> 0:27:35.880
<v A$AP Ferg>just  Black  people  or  just  white  people.  She  said, " We 

0:27:35.880 --> 0:27:40.980
<v A$AP Ferg>have  to  integrate.  If  I'm  going  to  perform  here,  because 

0:27:40.980 --> 0:27:43.679
<v A$AP Ferg>they  treating  me  like  a  queen  in  Paris,  if  I'm 

0:27:43.680 --> 0:27:45.810
<v A$AP Ferg>going  to  be in  Harlem,  then  it's  going  to  be  integrated." 

0:27:46.890 --> 0:27:55.320
<v A$AP Ferg>That  is  crazy.  Miles  Davis.  You  think  about  all  of 

0:27:55.320 --> 0:27:59.879
<v A$AP Ferg>these  different...  It's  just  so  many.  Malcolm  X  walking  the 

0:27:59.880 --> 0:28:05.250
<v A$AP Ferg>streets.  It's  just  so  many  that come  to  my  mind.
 And 

0:28:05.250 --> 0:28:08.609
<v A$AP Ferg>then  you  have  the  neighborhood  heroes  as  well  that  I 

0:28:08.609 --> 0:28:14.730
<v A$AP Ferg>see  these  guys,  basketball  players  and  these  different  guys  that 

0:28:14.730 --> 0:28:18.420
<v A$AP Ferg>inspire  me  coming  up.  So  Harlem  is  a  very  magical 

0:28:18.420 --> 0:28:22.470
<v A$AP Ferg>place.  I  do  believe  we  live  on  top  of  pyramids 

0:28:22.470 --> 0:28:26.250
<v A$AP Ferg>or  something  like  that.  It's  a  portal  around  here  that 

0:28:26.670 --> 0:28:29.580
<v A$AP Ferg>just  dishes  off  a  lot  of  magic  on  us.  And 

0:28:29.580 --> 0:28:33.900
<v A$AP Ferg>we're  very  small,  so  we're  very  competitive  and  I  think 

0:28:33.900 --> 0:28:37.020
<v A$AP Ferg>that's  what  allows  us  to  excel  around  the  world  because 

0:28:37.020 --> 0:28:39.930
<v A$AP Ferg>we  battle  each  other  so  much  to  the  point  where 

0:28:39.930 --> 0:28:41.820
<v A$AP Ferg>we're  ready  for  the  world  by  the  time  we  hit 

0:28:41.820 --> 0:28:42.300
<v A$AP Ferg>the  world.

0:28:43.170 --> 0:28:49.770
<v Keisha Sutton-James>Beautiful  insight.  Beautiful  insight.  Harlem  against  the  world.  Those T-shirts are...  It's 

0:28:49.770 --> 0:28:50.490
<v Keisha Sutton-James>all  about  Harlem.

0:28:50.490 --> 0:28:51.661
<v A$AP Ferg>We  can't  wait.  Harlem  against  the  world.

0:28:51.661 --> 0:28:59.670
<v Keisha Sutton-James>That part. Thank you so much for that. That was beautiful.  So  I'm  excited  to  introduce,  we  have  another  guest 

0:28:59.670 --> 0:29:02.489
<v Keisha Sutton-James>here  with  us.  Our  next  guest  has  been  part  of 

0:29:02.490 --> 0:29:06.270
<v Keisha Sutton-James>the  Apollo  longer  than  almost  anyone  up  here  has  been 

0:29:06.300 --> 0:29:08.910
<v Keisha Sutton-James>alive.  He  was  actually  my  manager  way,  way,  way  long 

0:29:08.910 --> 0:29:14.670
<v Keisha Sutton-James>ago.  Billy  Mitchell  first  walked  through  these  doors  in  1965, a 15- year-

0:29:14.670 --> 0:29:18.570
<v Keisha Sutton-James>old  boy  running  errands,  and  he  never  left.  Today,  they 

0:29:18.570 --> 0:29:22.200
<v Keisha Sutton-James>call  him  Mr.  Apollo.  He  is  the  theater's  historian  and 

0:29:22.200 --> 0:29:25.110
<v Keisha Sutton-James>its  storyteller,  and  he  was  here  through  the  lean  years 

0:29:25.110 --> 0:29:27.870
<v Keisha Sutton-James>and  through  the  day  Percy  Sutton  stepped  in  to  save 

0:29:27.870 --> 0:29:30.780
<v Keisha Sutton-James>this  place.  So  no  one  can  take  us  inside  the 

0:29:30.780 --> 0:29:34.410
<v Keisha Sutton-James>Apollo  the  way  he  can.  So  please  welcome  my  former 

0:29:34.410 --> 0:29:37.650
<v Keisha Sutton-James>manager  and  Mr.  Apollo,  Mr.  Billy  Mitchell.

0:29:50.939 --> 0:29:51.121
<v Billy Mitchell>All  right.  So let's get to it, everybody.

0:29:51.121 --> 0:29:51.122
<v Keisha Sutton-James>Let's get to it.

0:29:51.122 --> 0:29:51.181
<v Billy Mitchell>All right.

0:29:51.240 --> 0:29:53.250
<v Keisha Sutton-James>So  Billy  Mitchell.

0:29:53.310 --> 0:29:53.790
<v Billy Mitchell>Yes.

0:29:54.030 --> 0:29:56.910
<v Keisha Sutton-James>Let's  take  us  back.  How  did a  15- year- old  kid 

0:29:56.910 --> 0:30:00.030
<v Keisha Sutton-James>end  up  at  the  Apollo?  And  I almost said  1865.  I'm  sorry. 

0:30:00.030 --> 0:30:05.310
<v Keisha Sutton-James>It  wasn't  that long ago in 1965.  And  what  was  it  like  the  first 

0:30:05.310 --> 0:30:06.270
<v Keisha Sutton-James>time  you  walked  through the  doors?

0:30:06.270 --> 0:30:08.610
<v Billy Mitchell>Well,  actually  I  was  born  and  raised  in  Mount  Vernon, 

0:30:08.610 --> 0:30:12.510
<v Billy Mitchell>New  York,  and  I  am  also  one  of  14  children. 

0:30:13.170 --> 0:30:15.600
<v Billy Mitchell>Never  met  my  parents.  I  was  in  foster  homes,  et 

0:30:15.600 --> 0:30:19.440
<v Billy Mitchell>cetera.  We  got  evicted  from  our  place  in  Mount  Vernon 

0:30:19.500 --> 0:30:25.050
<v Billy Mitchell>and  we  moved  to  the  South  Bronx  in  1964.  1965, 

0:30:25.050 --> 0:30:28.620
<v Billy Mitchell>I'm  watching  TV,  watching  the  news,  and  I  see  this 

0:30:28.620 --> 0:30:34.080
<v Billy Mitchell>very  articulate  man,  this  brother,  very  articulate,  suited  down.  His 

0:30:34.080 --> 0:30:37.500
<v Billy Mitchell>name  was  Percy  Sutton.  He  was  running  for  Manhattan  Borough 

0:30:37.500 --> 0:30:40.260
<v Billy Mitchell>president,  and  I  said, " Man,  I  like  that  brother,  man. 

0:30:41.010 --> 0:30:43.350
<v Billy Mitchell>He's  very,  very  the  type  of  guy  I  want  to 

0:30:43.350 --> 0:30:46.950
<v Billy Mitchell>be."  And  then  they  said  he  was  running  for  Manhattan 

0:30:46.950 --> 0:30:49.950
<v Billy Mitchell>Borough  president.  Although  I  was  living  in  the  Bronx,  I 

0:30:49.950 --> 0:30:53.910
<v Billy Mitchell>started  campaigning  for  him  as  a  young  15- year- old, 16-year-old 

0:30:53.910 --> 0:30:59.310
<v Billy Mitchell>kid.  Time  went  by.  The  Schiffmans,  who  I  had  known 

0:30:59.310 --> 0:31:02.370
<v Billy Mitchell>since  I  was  a  kid,  Frank  Schiffman  started  letting  me 

0:31:02.370 --> 0:31:06.360
<v Billy Mitchell>run  an  errands  for  the  Apollo  in  1965.
 So  when 

0:31:06.360 --> 0:31:10.560
<v Billy Mitchell>they  shut  the  place  down  in  '77,  Mr.  Sutton  bought 

0:31:10.560 --> 0:31:14.250
<v Billy Mitchell>in  '81,  and  I  came  and  applied  for  a  job 

0:31:14.520 --> 0:31:17.940
<v Billy Mitchell>and  Mr.  Sutton  hired  me  as  an  usher.  And  then 

0:31:17.940 --> 0:31:22.620
<v Billy Mitchell>they  gave  me  opportunities,  opening  up  stores,  co- producing  amateur 

0:31:22.620 --> 0:31:27.510
<v Billy Mitchell>night,  being  the  stage  handle,  creating  tours,  group  sales,  all 

0:31:27.510 --> 0:31:32.070
<v Billy Mitchell>that.  And  Harlem  gave  me  a  title.  Harlem  started  calling 

0:31:32.070 --> 0:31:35.250
<v Billy Mitchell>me  Mr.  Apollo.  That's  where  I  got  that  name  from. 

0:31:35.250 --> 0:31:37.920
<v Billy Mitchell>I've  never  introduced  myself, " How  you  doing?  I'm  Mr.  Apollo." 

0:31:38.160 --> 0:31:40.170
<v Billy Mitchell>It's  a  name  that  I  carry  with  a  lot  of 

0:31:40.170 --> 0:31:43.800
<v Billy Mitchell>pride  because  my  mother  was  born  in  the  original  Harlem 

0:31:43.800 --> 0:31:48.150
<v Billy Mitchell>Hospital  in  1923.  That's  why  Harlem  is  so  deep  in 

0:31:48.150 --> 0:31:52.260
<v Billy Mitchell>my  soul  and  my  spirit,  because  my  mother  is  part 

0:31:52.260 --> 0:31:56.250
<v Billy Mitchell>of  Harlem.  I  live  in  Brooklyn,  but  I'm  Harlem.  See, 

0:31:56.250 --> 0:31:59.280
<v Billy Mitchell>Harlem  is  not  just  a  location.  It  is  a  state 

0:31:59.280 --> 0:32:06.660
<v Billy Mitchell>of  mind.  It's  culture.  It's  fashion.  It's  everything  that  you 

0:32:06.660 --> 0:32:09.270
<v Billy Mitchell>can  imagine  that  you  want.  That  is  Harlem.  There  are 

0:32:09.270 --> 0:32:13.050
<v Billy Mitchell>so  many  Harlems  all  over  the  United  States.  But  just 

0:32:13.050 --> 0:32:15.780
<v Billy Mitchell>this  location,  New  York  is  just  a  Harlem.
 But  Harlem 

0:32:15.780 --> 0:32:19.860
<v Billy Mitchell>is  like...  You  know  you're  from  Harlem.  It's  just  something 

0:32:19.860 --> 0:32:23.280
<v Billy Mitchell>where  you  carry  yourself.  This  brother  and  I  go  work... 

0:32:23.280 --> 0:32:25.140
<v Billy Mitchell>I  interviewed  him  years  ago.  I  don't  know  if  you 

0:32:25.140 --> 0:32:30.600
<v Billy Mitchell>remember. Ferg, I interviewed  you  years  ago.  You  went  to  a  comics  or 

0:32:30.600 --> 0:32:36.300
<v Billy Mitchell>something  or  superheroes  or  something like that. And see,  the  Apollo  had  me  doing 

0:32:36.300 --> 0:32:42.030
<v Billy Mitchell>so  many  things.  When  I  hear  about  his  career,  it 

0:32:42.030 --> 0:32:44.310
<v Billy Mitchell>puts  a  smile  on  my  face  because  I  know  he's 

0:32:44.700 --> 0:32:49.740
<v Billy Mitchell>a  Harlem  dude.  Rocky  and  I  were  honored  a  few 

0:32:49.740 --> 0:32:56.190
<v Billy Mitchell>years  ago.  We  received  the  Harlem  Honors.  Harlem is  just  special.


0:32:56.190 --> 0:33:02.280
<v Billy Mitchell>But  going  back  to  Mr.  Sutton  though.  Mr.  Sutton,  I've 

0:33:02.280 --> 0:33:05.940
<v Billy Mitchell>learned  so  many  life  skills  and  things.  I  was  sharing 

0:33:05.940 --> 0:33:09.210
<v Billy Mitchell>this  with  Keisha  last  night.  Even  when  it  gets  down 

0:33:09.210 --> 0:33:14.280
<v Billy Mitchell>to  loaning  somebody  money  or  having  somebody  borrow  from  you, 

0:33:14.790 --> 0:33:18.420
<v Billy Mitchell>there  is  a  difference.  I  was  going  through  a  time 

0:33:18.510 --> 0:33:21.150
<v Billy Mitchell>and  I  went  to  Mr.  Sutton  and  I  said, " Mr. 

0:33:21.150 --> 0:33:25.620
<v Billy Mitchell>Sutton,  I  need  some  money."  He  says, " Mr.  Mitchell,  we're 

0:33:25.620 --> 0:33:29.370
<v Billy Mitchell>friends  and  I  don't  want  to  loan  you  money  because 

0:33:29.370 --> 0:33:30.750
<v Billy Mitchell>if  you  don't  pay  it  back,  there's  going  to  be 

0:33:30.750 --> 0:33:36.840
<v Billy Mitchell>a  problem."  I don't  want  no  smoke  from  Percy  Sutton.  So 

0:33:37.140 --> 0:33:39.900
<v Billy Mitchell>I  said, " No,  sir.  I  want  to  borrow  it  from 

0:33:39.900 --> 0:33:43.980
<v Billy Mitchell>you."  And  he  says, " Well,  you  sure?"  He  says, " I'll 

0:33:43.980 --> 0:33:45.900
<v Billy Mitchell>give  it  to  you."  I  says, " No,  sir.  I  want 

0:33:45.900 --> 0:33:48.300
<v Billy Mitchell>to  borrow  it."  And  he  made  me  sit  down  and 

0:33:48.300 --> 0:33:51.959
<v Billy Mitchell>write  a  promissory  note  saying  when  I  would  pay  it 

0:33:51.960 --> 0:33:54.870
<v Billy Mitchell>back,  how  much  I  would  pay  it  back.  I  do 

0:33:54.870 --> 0:34:00.180
<v Billy Mitchell>that  now even with  my  kids.
 That  is  something  I've  learned  from... 

0:34:00.390 --> 0:34:03.330
<v Billy Mitchell>If  you  want,  and  I  have,  I'm  going  to  give 

0:34:03.330 --> 0:34:06.150
<v Billy Mitchell>it  to  you,  not  expecting  it  back.  But  if  you 

0:34:06.150 --> 0:34:09.810
<v Billy Mitchell>say  I  want  to  borrow  it,  I  want  every  bit 

0:34:09.810 --> 0:34:13.620
<v Billy Mitchell>of  that  back.  I  don't  care  where  you  get  it 

0:34:13.620 --> 0:34:17.910
<v Billy Mitchell>from,  how  you get it.  I  want  it  back.  And  those  type 

0:34:17.910 --> 0:34:21.239
<v Billy Mitchell>of  things  I  learned  from  Percy  Sutton.  Up  until  the 

0:34:21.239 --> 0:34:27.690
<v Billy Mitchell>pandemic,  I  was  wearing  suits  and  ties.  That  was  a Suttonism. 

0:34:29.969 --> 0:34:34.469
<v Billy Mitchell>Now  they  got  us  coming  to  do  Apollo  shorts  on,  t-

0:34:34.469 --> 0:34:39.870
<v Billy Mitchell>shirts  on,  all  kinds  of  sneakers.  Mr.  Sutton  influenced  me 

0:34:39.870 --> 0:34:44.280
<v Billy Mitchell>so  much  that  you  can't  even  imagine.  I  was  sharing 

0:34:44.280 --> 0:34:47.010
<v Billy Mitchell>with Keisha,  one  reason  why  I  still  work  at  the  Apollo, 

0:34:47.010 --> 0:34:50.460
<v Billy Mitchell>because  I want  to  keep  up  what  Mr.  Sutton  taught  me 

0:34:50.580 --> 0:34:54.239
<v Billy Mitchell>because  I  don't  want  it  to  change  because  things  change 

0:34:54.239 --> 0:34:55.529
<v Billy Mitchell>right  before  your  eyes.  Go  ahead.

0:34:55.529 --> 0:34:57.029
<v Keisha Sutton-James>I  was  just  going  to  ask,  the  suit  and  tie, 

0:34:57.029 --> 0:35:00.660
<v Keisha Sutton-James>what  was  that  representative  of  for  you?  What  was  it 

0:35:00.660 --> 0:35:01.200
<v Keisha Sutton-James>that  you  were-

0:35:01.560 --> 0:35:05.850
<v Billy Mitchell>It  made  me  feel  like  I  was  important.  Where  everybody 

0:35:05.850 --> 0:35:09.300
<v Billy Mitchell>else  was  walking  around  wearing  whatever.  I  felt  important.  Most 

0:35:09.300 --> 0:35:12.090
<v Billy Mitchell>people  though  I  used  to  run  the  Apollo  Theater,  and 

0:35:12.090 --> 0:35:16.259
<v Billy Mitchell>still  to  this  day,  people  think  I'm  the  president of  the 

0:35:16.260 --> 0:35:19.200
<v Billy Mitchell>Apollo  Theater  because  I've  been  here  so  long  and  held 

0:35:19.200 --> 0:35:22.590
<v Billy Mitchell>so  many  positions.  But  Mr.  Sutton  used  to  wear  the 

0:35:22.590 --> 0:35:25.260
<v Billy Mitchell>suit  and  ties  and  I  used  to  walk  around  like 

0:35:25.260 --> 0:35:28.050
<v Billy Mitchell>Mr.  Sutton  did.  After  he  left,  if  there  was  a 

0:35:28.050 --> 0:35:31.468
<v Billy Mitchell>little  scrap  of  paper  on  the  floor,  he  would  pick 

0:35:31.469 --> 0:35:35.430
<v Billy Mitchell>it  up.  And  I  started  doing  that.  And  people  started 

0:35:35.430 --> 0:35:40.739
<v Billy Mitchell>calling  me  Mr.  Sutton. I said, " I'm  Billy  Mitchell."  But  I used to  carry 

0:35:40.739 --> 0:35:44.610
<v Billy Mitchell>those  manners  because  he  was  so  proud  of  that  theater 

0:35:45.150 --> 0:35:49.500
<v Billy Mitchell>and  our  culture  and  this  community.  As  they  all  know, 

0:35:49.530 --> 0:35:53.190
<v Billy Mitchell>Mr.  Sutton  will  walk  through  Harlem  and  speak  to  any 

0:35:53.190 --> 0:35:57.840
<v Billy Mitchell>and  everybody.  I  don't  care  who  you  were.
 There  was 

0:35:57.840 --> 0:36:02.520
<v Billy Mitchell>a  glow  and  aura  about  Mr.  Sutton  that  he  would 

0:36:02.520 --> 0:36:06.000
<v Billy Mitchell>make  you  feel  all  right  even  when  you  were  going 

0:36:06.000 --> 0:36:09.570
<v Billy Mitchell>through...  Your  spirit  was  low,  Mr.  Sutton would  hit  you  with 

0:36:09.570 --> 0:36:12.899
<v Billy Mitchell>some  jewels  that  would  lift  your  spirit  up.  He  was 

0:36:14.100 --> 0:36:17.520
<v Billy Mitchell>one of  the  most  influential...  I've  been  so  fortunate  to  have 

0:36:17.760 --> 0:36:23.489
<v Billy Mitchell>mentors  in  my  life.  Percy  Sutton,  Hal  Jackson,  Lloyd  Williams, 

0:36:23.700 --> 0:36:29.760
<v Billy Mitchell>David  Dinkins,  Charlie  Rangel.  These  guys  helped  me  out  through 

0:36:29.760 --> 0:36:33.690
<v Billy Mitchell>my  life  as  an  adult,  and  I've  been  so  fortunate. 

0:36:34.590 --> 0:36:38.939
<v Billy Mitchell>And  then  still  trying  to  maintain  what  we're  doing  at 

0:36:38.940 --> 0:36:39.810
<v Billy Mitchell>the  Apollo  Theater.

0:36:40.320 --> 0:36:43.770
<v Rob Simmelkjaer>Yes.  Speaking  of  the  Apollo  Theater,  you've  seen  a  lot 

0:36:43.770 --> 0:36:47.190
<v Rob Simmelkjaer>of  history,  more  than  anybody  at  the  Apollo Theater. I  can  only 

0:36:47.190 --> 0:36:50.760
<v Rob Simmelkjaer>imagine  some  of  the  nights  you've  seen,  some  of  the 

0:36:50.760 --> 0:36:54.210
<v Rob Simmelkjaer>acts  you've  seen.  Can  you  take  us  to  one,  one 

0:36:54.270 --> 0:36:58.170
<v Rob Simmelkjaer>moment,  one  night,  one  performance  that  really...  If  you  had 

0:36:58.170 --> 0:37:00.989
<v Rob Simmelkjaer>to  go  back  and  see  it  one  more  time,  which 

0:37:00.989 --> 0:37:01.589
<v Rob Simmelkjaer>one  would  you  pick?

0:37:01.830 --> 0:37:05.040
<v Billy Mitchell>I'm  going  to  go  way  back.  I  was  there  and 

0:37:05.040 --> 0:37:08.520
<v Billy Mitchell>saw  with  my  own  eyes  when  Michael  Jackson's  brothers  first 

0:37:08.520 --> 0:37:14.520
<v Billy Mitchell>did  Amateur  Night.  That  was  like  1968  or...  I  was 

0:37:14.520 --> 0:37:17.790
<v Billy Mitchell>living  up  in  the  Bronx  and  running  errands  for  the 

0:37:17.790 --> 0:37:22.290
<v Billy Mitchell>Apollo,  and  I  saw  that.  Another  time  I  gave  a 

0:37:22.350 --> 0:37:27.330
<v Billy Mitchell>tour  to  Michelle  Obama,  a  private  tour,  and  she  was 

0:37:27.330 --> 0:37:30.690
<v Billy Mitchell>the  one  that  convinced  me  to  write  my  autobiography  called 

0:37:30.690 --> 0:37:35.640
<v Billy Mitchell>They  Call  Me  Mr.  Apollo. It  was  Michelle  Obama.  Another  thing, 

0:37:36.390 --> 0:37:39.029
<v Billy Mitchell>my  childhood  friend  growing  up  in  Mount  Vernon,  my  best 

0:37:39.030 --> 0:37:43.649
<v Billy Mitchell>friend  was  Denzel  Washington  and  still  to  this  day.  And 

0:37:43.860 --> 0:37:47.250
<v Billy Mitchell>I  remember  us  coming  to  see  a  show  at  the 

0:37:47.250 --> 0:37:49.680
<v Billy Mitchell>Apollo and  (inaudible)  said, " Billy,  take  the  day  off,  man,  because 

0:37:49.680 --> 0:37:52.410
<v Billy Mitchell>your  boy's  coming  with  Pauletta  and  we  want  you  to 

0:37:52.410 --> 0:37:54.360
<v Billy Mitchell>have  your  wife.  I'm  going  to  put you up in  the  box  seat." 

0:37:54.360 --> 0:37:58.140
<v Billy Mitchell>I said, "I don't  do  box  seats.  I'll  stand  backstage."  They  said, " No, 

0:37:58.140 --> 0:38:00.450
<v Billy Mitchell>we  want  to  have  you  hang  out  with  your  boy."


0:38:00.900 --> 0:38:04.920
<v Billy Mitchell>And  that  moment  was  special  because  what  it  did  for 

0:38:04.920 --> 0:38:09.299
<v Billy Mitchell>me  was  to  reflect  on  where  Denzel  and  I  came 

0:38:09.300 --> 0:38:13.560
<v Billy Mitchell>from.  His  mother  owning  the  beauty  shop  in  Mount  Vernon. 

0:38:13.620 --> 0:38:15.810
<v Billy Mitchell>My  mother  used  to  go over  there and  get  her  hair  done 

0:38:15.810 --> 0:38:18.330
<v Billy Mitchell>free  because  my  mother  couldn't  afford  to  get  her  hair 

0:38:18.330 --> 0:38:21.660
<v Billy Mitchell>done  back  in  the day.  I'm  running  errands.  Denzel  and  I 

0:38:21.660 --> 0:38:23.670
<v Billy Mitchell>grown  up  at  the  Boys  Club  in  Mount  Vernon.  Now 

0:38:23.670 --> 0:38:25.560
<v Billy Mitchell>I'm  on  the  board  of  the  Boys  Club  in  Mount 

0:38:25.560 --> 0:38:29.880
<v Billy Mitchell>Vernon.  It's  things  like  that,  that  it  reflecting.  Those  are 

0:38:29.880 --> 0:38:34.230
<v Billy Mitchell>special  moments.  I  have  so  many.
 That  James  Brown  and 

0:38:34.230 --> 0:38:37.860
<v Billy Mitchell>Marvin  Gaye  paid  for  me  to  further  my  education  after 

0:38:37.860 --> 0:38:43.560
<v Billy Mitchell>high  school.  I'm  not  lying  because  when  I  used  to 

0:38:43.560 --> 0:38:47.850
<v Billy Mitchell>run  errands,  that's  all  they  talked  about  was  education,  and 

0:38:47.850 --> 0:38:50.969
<v Billy Mitchell>I  was  trying  to  eat  and  help  my  mother  feed 

0:38:50.969 --> 0:38:53.879
<v Billy Mitchell>my  brothers  and  sisters  because  my  dad  left  us  when 

0:38:53.880 --> 0:38:55.800
<v Billy Mitchell>we  were  a  kid.  He  left  with  three  of  my 

0:38:55.800 --> 0:38:59.910
<v Billy Mitchell>sisters  and  never  came  back.  So  at  the  age  of 

0:39:00.030 --> 0:39:02.969
<v Billy Mitchell>16,  I  was  the man of  the  house  helping  my  mother  raise 

0:39:02.969 --> 0:39:06.989
<v Billy Mitchell>my  little  brothers  and  sisters.  But  the  Apollo  was  the 

0:39:06.989 --> 0:39:09.450
<v Billy Mitchell>place  that  I  could  make  money.  Mr.  Schiffman  let  me 

0:39:09.450 --> 0:39:10.410
<v Billy Mitchell>come  here  all  the  time.

0:39:10.739 --> 0:39:14.190
<v Keisha Sutton-James>So  let  me  ask  you, you  remember  it  was  dark  for 

0:39:14.190 --> 0:39:19.110
<v Keisha Sutton-James>several  years.  So  you  knew  the  Apollo  before,  you  knew 

0:39:19.110 --> 0:39:22.200
<v Keisha Sutton-James>the  dark  years.  And  then  my  grandfather  and  our  business, 

0:39:22.200 --> 0:39:27.090
<v Keisha Sutton-James>Inner  City  Broadcasting,  formed  Apollo  Theater  Investor  Group  and  bought 

0:39:27.090 --> 0:39:30.540
<v Keisha Sutton-James>the  Apollo.  What  do  you  recall  about  that,  the  impact 

0:39:30.989 --> 0:39:34.140
<v Keisha Sutton-James>and  just  what  changed  in  the  Apollo  when  he  saved 

0:39:34.140 --> 0:39:36.570
<v Keisha Sutton-James>it?  Saved  it  from  becoming  a  church?  I  always  have 

0:39:36.570 --> 0:39:37.049
<v Keisha Sutton-James>to  say  this.

0:39:37.230 --> 0:39:43.469
<v Billy Mitchell>Yeah, and he did  because  Mr.  Sutton,  he  was  a  visionary.  He  knew 

0:39:43.469 --> 0:39:47.940
<v Billy Mitchell>the  possibilities  if  given  the  opportunity  and  the  resources  and 

0:39:47.940 --> 0:39:53.280
<v Billy Mitchell>whatnot.  So  when  we  did  started  doing  amateur  night,  he 

0:39:53.340 --> 0:39:58.020
<v Billy Mitchell>had  stopped  in  1977.  Ralph  Cooper,  who  created...  A  Harlemite 

0:39:58.080 --> 0:40:01.739
<v Billy Mitchell>created  Amateur  Night at  the  Apollo  from  a  radio  show  that 

0:40:01.739 --> 0:40:05.340
<v Billy Mitchell>was  called  the  Harlem  Amateur  Hour  Radio  Show.  The  reason 

0:40:05.340 --> 0:40:07.560
<v Billy Mitchell>why  he  got  that  show,  because  he  helped  the  Schiffmans 

0:40:07.560 --> 0:40:11.400
<v Billy Mitchell>who  opened  up  the  Apollo  Theater  in  1934,  he  helped 

0:40:11.400 --> 0:40:15.840
<v Billy Mitchell>them  bring  programming  because  Harlem  wasn't  always  a  Black  community 

0:40:15.840 --> 0:40:18.690
<v Billy Mitchell>as  we  see  it  right  now.  Harlem  was  Irish,  Italian, 

0:40:18.690 --> 0:40:22.410
<v Billy Mitchell>Latino,  Dutch  and  Jewish.  So  when  those  others  moved  out, 

0:40:23.070 --> 0:40:27.360
<v Billy Mitchell>Blacks  started  moving  in  during  the  great  migration  and  after 

0:40:27.360 --> 0:40:30.630
<v Billy Mitchell>the  Harlem  Renaissance,  Blacks  were  moving  to  Harlem.  So  Mr. 

0:40:30.630 --> 0:40:32.580
<v Billy Mitchell>Schiffman  says, " I  got  to  find  a  way  to  make 

0:40:32.580 --> 0:40:35.610
<v Billy Mitchell>me  some  paper,"  him and  his  business  partners.  So  they  bought 

0:40:35.610 --> 0:40:39.180
<v Billy Mitchell>the  building,  which  was  originally  not  called  the  Apollo.
 The 

0:40:39.180 --> 0:40:43.950
<v Billy Mitchell>building  was  originally  called  Hurtig  and  Seamon's  New  Burlesque  Theater. 

0:40:44.219 --> 0:40:48.690
<v Billy Mitchell>It  was  a  segregated  burlesque  house.  Then  in  1932  when 

0:40:48.690 --> 0:40:52.830
<v Billy Mitchell>then  Mayor  Fiorella  La  Guardia  became  mayor,  he  closed  every 

0:40:52.830 --> 0:40:55.830
<v Billy Mitchell>burlesque  theater  in  the  city  of  New  York.  And  that 

0:40:55.830 --> 0:41:00.090
<v Billy Mitchell>building  next  door  was  for  sale.  Frank  Schiffman  and  his 

0:41:00.090 --> 0:41:03.600
<v Billy Mitchell>business  partner  bought  it  and  they  reopened  as  the  integrated 

0:41:03.780 --> 0:41:07.230
<v Billy Mitchell>125th  Street  Apollo  Theater,  but  they  needed  to  get  some 

0:41:07.230 --> 0:41:11.730
<v Billy Mitchell>programs.  So  they  reached  out  to  Ralph  Cooper  and  Ralph 

0:41:11.730 --> 0:41:14.669
<v Billy Mitchell>Cooper  gave him  a  suggestion,  and  to  pay  him  back,  they  said, "

0:41:14.670 --> 0:41:17.760
<v Billy Mitchell>You  can  bring  your  talent  show  from  the  radio  to 

0:41:17.760 --> 0:41:20.700
<v Billy Mitchell>the  stage,  the  Apollo  Theater."  And  that's  how  Amateur  Night 

0:41:20.700 --> 0:41:24.090
<v Billy Mitchell>was  created  in  1934  by  Ralph  Cooper  and  brought  to 

0:41:24.090 --> 0:41:27.870
<v Billy Mitchell>the  stage.  And  the  first  person,  female,  to  win  Amateur 

0:41:27.870 --> 0:41:31.529
<v Billy Mitchell>Night  the  first  year  started  in  1934  was  Ella  Fitzgerald. 

0:41:33.480 --> 0:41:37.410
<v Billy Mitchell>She  was the  very  first.  She  was  about 17,  18  years  old. 

0:41:37.800 --> 0:41:41.190
<v Billy Mitchell>And  then  as  time  goes  by,  you hear  about  the  Jacksons 

0:41:41.190 --> 0:41:45.839
<v Billy Mitchell>and  Gladys  Knight  and  everybody  who's  anybody  got  their  start 

0:41:45.840 --> 0:41:47.790
<v Billy Mitchell>on  Amateur  Night  at  the  Apollo.

0:41:47.969 --> 0:41:48.359
<v Rob Simmelkjaer>Wow.

0:41:48.719 --> 0:41:52.259
<v Keisha Sutton-James>And  really  quickly,  he  not  just  created,  he  was  executive 

0:41:52.260 --> 0:41:54.870
<v Keisha Sutton-James>producer  and  host  of  it,  and  he  was  the  person 

0:41:54.870 --> 0:41:57.719
<v Keisha Sutton-James>who  came  to  my  grandfather to  say, " Mr.  Sutton,  we  have 

0:41:57.719 --> 0:42:00.390
<v Keisha Sutton-James>to  save  the  Apollo.  It's  going  to  become  a  church." 

0:42:00.390 --> 0:42:04.530
<v Keisha Sutton-James>So  Ralph  Cooper's  name really, really,  really  needs  to  be  lifted  up. 

0:42:04.770 --> 0:42:07.739
<v Keisha Sutton-James>He  is  a  hero,  a  Black  Harlem  hero,  as  far 

0:42:07.739 --> 0:42:08.460
<v Keisha Sutton-James>as  I'm  concerned.

0:42:08.520 --> 0:42:12.210
<v Rob Simmelkjaer>Just  incredible.  It's  funny,  this  is  probably  the  least  running 

0:42:12.210 --> 0:42:17.879
<v Rob Simmelkjaer>talk  we've  ever  had  on  this  podcast,  but  I  love 

0:42:17.879 --> 0:42:20.311
<v Rob Simmelkjaer>it.  Absolutely.  It's  amazing.  And  we're  going  to-

0:42:20.311 --> 0:42:20.401
<v Keisha Sutton-James>Education.

0:42:21.120 --> 0:42:24.210
<v Rob Simmelkjaer>100%.  No,  whoever's  out  there,  I  know  you're  out  there, 

0:42:24.210 --> 0:42:26.580
<v Rob Simmelkjaer>you're  running,  you're  listening  to  this  podcast,  and  you're  like, "

0:42:26.580 --> 0:42:28.290
<v Rob Simmelkjaer>When  are  they going to talk  about  running?"  Well,  you  know  what?  You've 

0:42:28.290 --> 0:42:32.100
<v Rob Simmelkjaer>learned  a  few  things  about  Harlem,  about  New  York  history 

0:42:32.370 --> 0:42:35.640
<v Rob Simmelkjaer>on  this  podcast.  But  our  final  two  guests  are  going 

0:42:35.640 --> 0:42:38.940
<v Rob Simmelkjaer>to  tie  things  back  to  running  a  little  bit.  Kristina 

0:42:38.940 --> 0:42:42.149
<v Rob Simmelkjaer>Lopez  works  in  marketing  actually  right  here  at  New  York 

0:42:42.150 --> 0:42:45.540
<v Rob Simmelkjaer>Road  Runners.  She's  a  third  generation  Caribbean  American,  born  and 

0:42:45.540 --> 0:42:48.420
<v Rob Simmelkjaer>raised  in  New  York  City,  and  a  volunteer  leader  with 

0:42:48.420 --> 0:42:51.420
<v Rob Simmelkjaer>her  run  club,  Harlem  Run.  Shout  out  to  Harlem  Run, 

0:42:51.420 --> 0:42:53.940
<v Rob Simmelkjaer>who  does  a  great  job  getting  people  moving  up  here 

0:42:53.940 --> 0:42:57.330
<v Rob Simmelkjaer>in  Harlem.  So  Kristina  knows  these  streets  and  this  running 

0:42:57.330 --> 0:43:01.589
<v Rob Simmelkjaer>community  very,  very  well.  Come  on  up,  Kristina.  There  she 

0:43:01.590 --> 0:43:07.020
<v Rob Simmelkjaer>is. There she is.  Hello.  Nice  to  see  you.  And  joining  us  also 

0:43:07.020 --> 0:43:09.419
<v Rob Simmelkjaer>is... I want  to  make  sure  I  get  this  name  right.  Katherine 

0:43:09.600 --> 0:43:12.750
<v Rob Simmelkjaer>Yerolemu.  How'd  I  do?  You'll  tell  me  when  you  come  up.

0:43:13.050 --> 0:43:13.589
<v Keisha Sutton-James>You  can  correct.

0:43:13.620 --> 0:43:16.170
<v Rob Simmelkjaer>You  can  correct.  Oh,  there.  She's  over  there.  The  young 

0:43:16.170 --> 0:43:21.570
<v Rob Simmelkjaer>runner  that  Keisha  has  been  mentoring  as  part  of  the 

0:43:21.570 --> 0:43:26.070
<v Rob Simmelkjaer>New  York  Road  Runners  Run  for  the  Future  program.  And 

0:43:26.400 --> 0:43:31.080
<v Rob Simmelkjaer>Katherine,  you " graduated"  from  that  program  this  morning  with  your 

0:43:31.080 --> 0:43:33.840
<v Rob Simmelkjaer>run  at  the  Percy  Sutton  Harlem  5K.  Congratulations.

0:43:33.870 --> 0:43:34.259
<v Dr. Basil Smikle Jr.>Yeah.

0:43:34.680 --> 0:43:35.489
<v Keisha Sutton-James>High  five. High five.

0:43:37.830 --> 0:43:40.799
<v Rob Simmelkjaer>How'd  I  do  on  your  last  name?  Let's  hear  it. 

0:43:41.670 --> 0:43:43.110
<v Rob Simmelkjaer>Okay,  close  enough.

0:43:43.500 --> 0:43:44.460
<v Katherine Yerolemu>All  right.  Well, Yerolemu.

0:43:45.600 --> 0:43:47.821
<v Rob Simmelkjaer>Thank  you.  I  could  never  have  done  that.  Perfect. Yes. So how was the run this morning?

0:43:47.821 --> 0:43:47.822
<v Katherine Yerolemu>It was really great. I really did enjoy it. It was one of my first times being in Harlem and just being in that area, and it was honestly just amazing. It was honestly one of the most fun times I had really this year.

0:43:47.821 --> 0:43:47.823
<v Rob Simmelkjaer>And how was it running with Keisha? How was the dynamic? How was the teamwork?

0:43:47.822 --> 0:43:47.823
<v Keisha Sutton-James>I had fun. I don't know, Katherine, did you have fun?

0:43:47.823 --> 0:43:47.824
<v Katherine Yerolemu>Yes, I did have fun.

0:43:47.824 --> 0:44:19.620
<v Keisha Sutton-James>Yes. We did a practice  5K  two  weeks  ago  approximately,  and  I  was  just  like, "

0:44:19.620 --> 0:44:22.140
<v Keisha Sutton-James>This  one  is  so  special."  She's  such  a  bright  light, 

0:44:23.100 --> 0:44:25.020
<v Keisha Sutton-James>just  an  incredible  smile.  And  we  had  a  whole  bunch 

0:44:25.020 --> 0:44:28.530
<v Keisha Sutton-James>of  things  in  common.  Everything  except  for  the  fact  that 

0:44:28.530 --> 0:44:31.230
<v Keisha Sutton-James>she  is  a  STEM  brain  and  I  am  not  at 

0:44:31.230 --> 0:44:34.800
<v Keisha Sutton-James>all,  but  I  love  that  about  her  and  she's  amazing.

0:44:35.100 --> 0:44:39.330
<v Rob Simmelkjaer>Fantastic.  Well,  we're  very  proud  of  that  program,  Run  for 

0:44:39.330 --> 0:44:43.680
<v Rob Simmelkjaer>the  Future.  We  had  60  young  ladies  like  yourself  run 

0:44:43.680 --> 0:44:45.689
<v Rob Simmelkjaer>this  morning  and  graduate.  I  think  it's  the  biggest  class 

0:44:45.690 --> 0:44:48.239
<v Rob Simmelkjaer>we've  had  in  some  years,  and  it  was  really  special 

0:44:48.239 --> 0:44:50.940
<v Rob Simmelkjaer>to  see  you  all  cross  the  finish  line  today.  And 

0:44:51.150 --> 0:44:55.320
<v Rob Simmelkjaer>that  program's  not  about  creating  Olympians,  that's  about  getting  people 

0:44:55.320 --> 0:44:59.850
<v Rob Simmelkjaer>who  really  haven't  been  running  before  active  and  moving  and 

0:45:00.150 --> 0:45:02.250
<v Rob Simmelkjaer>hopefully  moving  your  bodies  for  a  long  time. Do  you  think 

0:45:02.250 --> 0:45:03.029
<v Rob Simmelkjaer>you'll  keep  running?

0:45:03.210 --> 0:45:07.500
<v Katherine Yerolemu>Yes,  I  definitely  will  keep  running.  I  really  enjoyed  running, and 

0:45:07.680 --> 0:45:10.710
<v Katherine Yerolemu>it's  honestly  been  one  of  my  most  favorite  hobbies  that 

0:45:10.920 --> 0:45:12.000
<v Katherine Yerolemu>I'm  going  to  continue.

0:45:12.239 --> 0:45:15.900
<v Rob Simmelkjaer>That's  what  we like  to  hear.  Fantastic.  Now,  Kristina,  let's  turn 

0:45:15.900 --> 0:45:18.870
<v Rob Simmelkjaer>to  you,  my  colleague  from  New  York  Road  Runners.  You 

0:45:19.170 --> 0:45:21.239
<v Rob Simmelkjaer>are  not  only  a  member  of  Harlem  Run  and  a 

0:45:21.239 --> 0:45:23.880
<v Rob Simmelkjaer>dedicated  runner,  but  you  also  are  a  pacer,  right?  You 

0:45:23.880 --> 0:45:27.930
<v Rob Simmelkjaer>do  some  pacing  for  other  runners.  Talk  about  that  and 

0:45:28.260 --> 0:45:31.110
<v Rob Simmelkjaer>what  it  means  both  as  a  runner  up  here in  Harlem 

0:45:31.110 --> 0:45:33.989
<v Rob Simmelkjaer>and  as  someone  who  helps  people  get  to  finish  lines. 

0:45:34.140 --> 0:45:35.759
<v Rob Simmelkjaer>You're  kind  of  passing  the  baton  in  a  lot  of 

0:45:35.760 --> 0:45:38.430
<v Rob Simmelkjaer>ways  on  to  others  who  aspire to do things  in  running.

0:45:38.969 --> 0:45:41.700
<v Kristina Lopez>Sure.  So  I'll  start  off  with  how  I  ended  up 

0:45:41.700 --> 0:45:45.509
<v Kristina Lopez>with  Harlem  Run.  They  were  founded  back  in  2013  by 

0:45:45.510 --> 0:45:50.250
<v Kristina Lopez>Alison  Mariella Désir  and  Amir  Figueroa,  and  once  I  kind  of 

0:45:50.250 --> 0:45:52.529
<v Kristina Lopez>started  working  at  New  York  Road  Runners,  I  was  one 

0:45:52.530 --> 0:45:55.649
<v Kristina Lopez>of  the  non- runner  people,  and  I  knew  I  wanted 

0:45:55.650 --> 0:45:58.440
<v Kristina Lopez>a  home  run  club.  I  saw  Harlem  Run  out  there 

0:45:58.710 --> 0:46:01.469
<v Kristina Lopez>and  I  started  doing  little  runs  here and  there,  but  I 

0:46:01.469 --> 0:46:05.400
<v Kristina Lopez>was  terrified.  I'm  into  marketing,  so  I'm  into  merch.  I 

0:46:05.400 --> 0:46:07.890
<v Kristina Lopez>had  my  little  Harlem  Run  hat.  I  would  tag  them 

0:46:07.890 --> 0:46:10.230
<v Kristina Lopez>on  social  media,  but  I  wouldn't  go  to  any  runs 

0:46:10.230 --> 0:46:14.100
<v Kristina Lopez>in  person.  And  eventually  I  did  go  to  a  run 

0:46:14.100 --> 0:46:17.070
<v Kristina Lopez>and  I  saw  how  welcoming  the  community  is,  and  then 

0:46:17.400 --> 0:46:21.299
<v Kristina Lopez>I  began  pacing  and  then  I  became  a  co- captain 

0:46:21.300 --> 0:46:26.968
<v Kristina Lopez>of  Harlem  Run.  And  one  thing  that  comes  to  mind 

0:46:26.969 --> 0:46:30.090
<v Kristina Lopez>from  my  journey  with  them  is  just  how  scared  I 

0:46:30.090 --> 0:46:33.359
<v Kristina Lopez>was  and  then  how  much  I've  progressed.
 So  now  I've 

0:46:33.360 --> 0:46:37.500
<v Kristina Lopez>done  eight  marathons  and  one  ultra  marathon,  and  I  know 

0:46:37.500 --> 0:46:40.410
<v Kristina Lopez>what  it's  like  to  not  want  to  be  seen  running 

0:46:40.410 --> 0:46:43.860
<v Kristina Lopez>and  then  to  cross  a  finish  line  with  everyone  cheering 

0:46:43.860 --> 0:46:46.080
<v Kristina Lopez>and  you're  like  hands  in  the  air,  smiling  at  the 

0:46:46.080 --> 0:46:50.100
<v Kristina Lopez>camera,  making  it  look  easy.  And  Harlem  Run  really  helps 

0:46:50.100 --> 0:46:54.390
<v Kristina Lopez>me  with  accountability  too.  So  there's  times  when  I  might 

0:46:54.390 --> 0:46:56.550
<v Kristina Lopez>not  want  to  show  up  for  myself,  but  I  know 

0:46:56.550 --> 0:46:59.520
<v Kristina Lopez>I  have  run  club  Monday  night,  7: 00  PM  at 

0:46:59.520 --> 0:47:02.730
<v Kristina Lopez>Marcus  Garvey  Park,  not  by  accident  by  design.  We  meet 

0:47:02.730 --> 0:47:07.320
<v Kristina Lopez>at  this  historic  park  here  in  Harlem  and I  do it for  my  community.

0:47:08.190 --> 0:47:08.460
<v Rob Simmelkjaer>Nice.

0:47:08.670 --> 0:47:12.810
<v Keisha Sutton-James>Amen.  She  has  inspired  me.  I  don't  know  about  anybody 

0:47:12.810 --> 0:47:18.779
<v Keisha Sutton-James>else  out  there,  but  eight  marathons.  Wow.  Wow.  Okay.  Now, 

0:47:18.780 --> 0:47:21.600
<v Keisha Sutton-James>so  the  finish  line  though  is  obviously  a  really  exciting 

0:47:21.600 --> 0:47:23.700
<v Keisha Sutton-James>time, and  I  just  wanted  to  ask  you,  Katherine,  we  were 

0:47:23.700 --> 0:47:26.580
<v Keisha Sutton-James>together, but  what  did  it  feel  like  to  cross  this  finish 

0:47:26.580 --> 0:47:29.790
<v Keisha Sutton-James>line,  your  official  first?  Because  we  did  our  practice  5K, 

0:47:29.790 --> 0:47:33.180
<v Keisha Sutton-James>but  for  your  official  first  5K,  what  did  that  feel 

0:47:33.180 --> 0:47:33.750
<v Keisha Sutton-James>like  for  you?

0:47:34.230 --> 0:47:37.529
<v Katherine Yerolemu>Honestly,  it  really  is  indescribable.  It  was  honestly  just  an 

0:47:37.530 --> 0:47:42.060
<v Katherine Yerolemu>amazing  feeling  and  just  rush  of  just  happiness  that  I 

0:47:42.060 --> 0:47:46.469
<v Katherine Yerolemu>felt,  because  it  was  one of the most,  I  guess,  official  things  that 

0:47:46.469 --> 0:47:49.860
<v Katherine Yerolemu>I've  done  so  far,  and  it  honestly  just  made  me 

0:47:49.860 --> 0:47:53.071
<v Katherine Yerolemu>really  happy.  It was amazing.

0:47:53.071 --> 0:47:54.601
<v Keisha Sutton-James>You should  feel  proud.  I  feel  like  it's  a  big  achievement.

0:47:54.601 --> 0:47:54.602
<v Katherine Yerolemu>I feel very proud, yes.

0:47:54.602 --> 0:48:00.810
<v Keisha Sutton-James>Yeah,  I  remember  my  first  5K,  which  for  some  runners, 

0:48:00.810 --> 0:48:04.109
<v Keisha Sutton-James>for  many  runners,  that  sounds  like  nothing,  but  especially  this 

0:48:04.110 --> 0:48:05.581
<v Keisha Sutton-James>particular  one,  because  again,  it's  so  hilly, to get that done, it feels good.

0:48:05.581 --> 0:48:13.110
<v Rob Simmelkjaer>I want to ask the same question actually to  Ferg,  who  I  watched  cross  the  finish  line  this 

0:48:13.110 --> 0:48:16.680
<v Rob Simmelkjaer>morning. And I don't  know  much  about  your  running  history.  So  I  want 

0:48:16.680 --> 0:48:19.950
<v Rob Simmelkjaer>to  talk  about  that.  This  wasn't  a  first  5K  for 

0:48:19.950 --> 0:48:22.950
<v Rob Simmelkjaer>you,  was  it?  Talk  about  you,  Ferg,  as  a  runner.

0:48:23.610 --> 0:48:27.000
<v A$AP Ferg>Yeah.  So  this  wasn't  my  first  5K.  And  whenever  I 

0:48:27.000 --> 0:48:29.670
<v A$AP Ferg>don't  get  a  chance  to  hit  the  gym,  that's  the 

0:48:29.670 --> 0:48:33.390
<v A$AP Ferg>least  I  try  to  do  is  a  5K.  So  yeah, I 

0:48:33.960 --> 0:48:37.410
<v A$AP Ferg>started  running  with  my  boy  Kwasi Kessie,  or  some  people  will 

0:48:37.410 --> 0:48:44.910
<v A$AP Ferg>say  Kwesi,  and  he  did  about  14  marathons.  Yeah,  so 

0:48:44.910 --> 0:48:47.550
<v A$AP Ferg>I  grew  up  looking  up  to  him.  He's  also  a 

0:48:47.550 --> 0:48:51.450
<v A$AP Ferg>stylist  and  we work  together.  And  yeah,  he  was  just  always 

0:48:51.450 --> 0:48:54.480
<v A$AP Ferg>running  and  running and  running. And  I  didn't  really  know  much  about 

0:48:54.480 --> 0:48:57.630
<v A$AP Ferg>the  world,  and  like  you,  it  was  very  intimidating  to 

0:48:57.630 --> 0:49:03.510
<v A$AP Ferg>me.  And  even  the  thought  of  the  marathon,  I'm  leaning 

0:49:03.540 --> 0:49:06.660
<v A$AP Ferg>into  it  more  now  because  I  feel  like  I'm  in 

0:49:06.660 --> 0:49:11.850
<v A$AP Ferg>it  now.  The  workout  practices  I've  been  doing,  I've  been 

0:49:11.850 --> 0:49:15.120
<v A$AP Ferg>doing  bootcamps  and  cycle  classes  and  stuff.  It  allows  me 

0:49:15.120 --> 0:49:17.219
<v A$AP Ferg>to  have  more  endurance  and  stuff  so  I  feel  more 

0:49:17.219 --> 0:49:19.650
<v A$AP Ferg>confident  when  I'm  running.

0:49:19.680 --> 0:49:23.670
<v Rob Simmelkjaer>So  am  I  hearing  you  say  there's  a  marathon  in 

0:49:23.670 --> 0:49:26.340
<v Rob Simmelkjaer>your  future?  I  think  that's  what  I'm  hearing.

0:49:26.340 --> 0:49:28.500
<v Keisha Sutton-James>I  heard  it.  I  heard  it.  I  heard  it.

0:49:28.560 --> 0:49:32.370
<v A$AP Ferg>Yes. But I'm going to  need  my  community  to  help  me  get  there.

0:49:32.460 --> 0:49:36.391
<v Rob Simmelkjaer>Amen.  Amen.  We  got you right here.

0:49:36.390 --> 0:49:37.980
<v A$AP Ferg>Make sure I cross that finish line even if you got  to  grab  two  legs.

0:49:37.980 --> 0:49:42.001
<v Billy Mitchell>I  ran  in 1978.

0:49:42.000 --> 0:49:42.060
<v A$AP Ferg>Yeah?

0:49:42.150 --> 0:49:42.871
<v Billy Mitchell>But  I'll  never  do  it  again.

0:49:42.870 --> 0:49:49.081
<v A$AP Ferg>You did it though. You did it.  You did it.

0:49:49.080 --> 0:49:49.082
<v Billy Mitchell>Never ever.

0:49:49.081 --> 0:49:50.100
<v A$AP Ferg>Wait, how did you feel after? How did you  feel  after?

0:49:50.940 --> 0:49:53.969
<v Billy Mitchell>I  hurt  myself  because  I  was  training  the  wrong  way. You 

0:49:54.690 --> 0:49:57.989
<v Billy Mitchell>just  can't  go  out  there.  I  was  doing  5Ks and 10Ks  and 

0:49:57.989 --> 0:50:03.779
<v Billy Mitchell>all  of  a  sudden, " Yeah, I'm going to do  the  marathon."  And  then  so 

0:50:03.780 --> 0:50:06.450
<v Billy Mitchell>many  injuries  that...  You  just  can't  go  out  and  do 

0:50:06.510 --> 0:50:09.540
<v Billy Mitchell>it.  You  really  have  to  train  properly,  you  have  to 

0:50:09.540 --> 0:50:13.110
<v Billy Mitchell>wear the  right  shoes  and  all  these  different  things,  that  you 

0:50:13.110 --> 0:50:16.890
<v Billy Mitchell>got  to  eat  properly.  You  just  can't  go  out  there because I was doing it 

0:50:17.969 --> 0:50:21.299
<v Billy Mitchell>because  guys  done  my  job  at  the  time, " Come  on..." 

0:50:21.660 --> 0:50:24.180
<v Billy Mitchell>And  we  wanted to wear  t- shirts.  I  ran  the  10K  in 

0:50:24.180 --> 0:50:27.930
<v Billy Mitchell>New  Jersey, I ran  this  in  Philadelphia.  We  were  fronting  like  that. 

0:50:29.969 --> 0:50:34.020
<v Billy Mitchell>And  then  we came down to  the  actual  marathon,  like  you  said,  it's 

0:50:34.020 --> 0:50:37.290
<v Billy Mitchell>the  people  on  the  side  that  keep  you  going,  because 

0:50:37.290 --> 0:50:43.380
<v Billy Mitchell>I  ran  about  18  total,  but  I  walked 6.2  because  I 

0:50:43.380 --> 0:50:47.850
<v Billy Mitchell>couldn't  run  the  whole  26.  I  was  Bleeding.  All  kinds 

0:50:47.850 --> 0:50:47.911
<v Billy Mitchell>of  things was happening.

0:50:47.911 --> 0:50:48.120
<v Keisha Sutton-James>You're scaring people, Billy. You're scaring Ferg. Don't scare Ferg.

0:50:48.120 --> 0:50:54.901
<v A$AP Ferg>No, I'm not scared.  I'm built for this.

0:50:54.901 --> 0:50:54.902
<v Keisha Sutton-James>Boom. Boom.

0:50:54.901 --> 0:50:55.680
<v Billy Mitchell>He definitely  built  for  this.

0:50:58.440 --> 0:50:59.339
<v A$AP Ferg>I  have  to  do  it.

0:51:00.150 --> 0:51:01.439
<v Rob Simmelkjaer>Let's  go.  All  right.

0:51:01.710 --> 0:51:03.419
<v A$AP Ferg>But  what  I  was  going  to  say  is,  at  what 

0:51:03.419 --> 0:51:05.099
<v A$AP Ferg>point  did  it  start  feeling  like  hell?

0:51:08.489 --> 0:51:17.461
<v Billy Mitchell>Actually,  it  started,  but  when  I  got  into  Queens  and then-

0:51:17.461 --> 0:51:17.462
<v A$AP Ferg>That sounds so crazy to me.

0:51:17.462 --> 0:51:19.020
<v Billy Mitchell>Yeah. Yeah. When  I  got  into  Queens,  that's  when  I  said, "Oh, I don't know if I can do this, man."

0:51:20.489 --> 0:51:23.790
<v Rob Simmelkjaer>Oh,  boy.  You  got  a  long  way  to  go  in  Queens.

0:51:25.140 --> 0:51:25.321
<v A$AP Ferg>Was  you listening to music or like-

0:51:25.321 --> 0:51:31.560
<v Billy Mitchell>No,  the  people  on  the  side,  they  were cheering you on because I had a  T- shirt-

0:51:34.469 --> 0:51:35.250
<v Keisha Sutton-James>We didn't  have headphones, we didn't have iPhones,  we  didn't  have  Walkman.

0:51:35.250 --> 0:51:40.890
<v Billy Mitchell>I had  a  T- shirt  that  said  Alaska,  and  people  were  saying, "

0:51:40.890 --> 0:51:43.110
<v Billy Mitchell>Yo,  I  didn't  know  they  had  brothers  in  Alaska,  man." 

0:51:44.880 --> 0:51:50.640
<v Billy Mitchell>I'm  not  lying.  And  they  were cheering  me  on.  And  then 

0:51:50.670 --> 0:51:52.950
<v Billy Mitchell>I  was,  at  the  time,  was  dating  my  wife,  which 

0:51:53.700 --> 0:51:56.339
<v Billy Mitchell>Monday  will  be  41  years.  I  get  married  to  my 

0:51:56.340 --> 0:52:00.390
<v Billy Mitchell>queen.  Yeah.  But  I  was  dating  her,  and at  the  end 

0:52:00.480 --> 0:52:02.879
<v Billy Mitchell>we  got  to  Central  Park,  she  was  waiting  for  me 

0:52:02.880 --> 0:52:05.040
<v Billy Mitchell>with  that  silver  thing  they  wrapped  around.

0:52:06.810 --> 0:52:07.680
<v Rob Simmelkjaer>The  blanket,  yeah.

0:52:07.680 --> 0:52:08.430
<v Billy Mitchell>The  blanket,  yeah.

0:52:08.430 --> 0:52:08.970
<v Keisha Sutton-James>They  had  those  back  then?

0:52:08.969 --> 0:52:09.629
<v Billy Mitchell>Yeah. Oh,  yeah.

0:52:11.100 --> 0:52:11.759
<v A$AP Ferg>Come  on,  Keisha.

0:52:14.069 --> 0:52:16.890
<v Rob Simmelkjaer>I  was  thinking of  the  same  thing.  I was  like, " Wow.  They 

0:52:16.890 --> 0:52:18.660
<v Rob Simmelkjaer>had  that  in  '78?  Impressive."

0:52:18.780 --> 0:52:21.839
<v Billy Mitchell>They  had  those  silver  things  when  you  finish.  And  I 

0:52:21.840 --> 0:52:25.560
<v Billy Mitchell>received  the  medal  saying  that  I  finished.  I  probably  finished... 

0:52:26.130 --> 0:52:30.419
<v Billy Mitchell>I  think the race,  there  was  9, 000, 10,000  runners,  and I was  like 4, 000, 

0:52:30.450 --> 0:52:33.779
<v Billy Mitchell>something  like  that.  That's  great.  But  it's  an  experience  that 

0:52:33.780 --> 0:52:42.750
<v Billy Mitchell>you  will  never  forget,  Rock.  You got to go for it, bro. I mean, why'd I call you  Rocky.  Ferg.  One,  two,  two is three.

0:52:43.170 --> 0:52:45.780
<v Rob Simmelkjaer>Well,  there's  a  hip  hop  running  thing  going  on  right 

0:52:45.780 --> 0:52:47.640
<v Rob Simmelkjaer>now.  We  got  N. O. R. E.,  who  I  don't 

0:52:47.640 --> 0:52:49.170
<v Rob Simmelkjaer>know  if  you  know,  but  N. O. R.E.  is  a 

0:52:49.170 --> 0:52:52.980
<v Rob Simmelkjaer>big  runner.  He  started  a  run  club,  Run  Champs.  We've 

0:52:52.980 --> 0:52:56.460
<v Rob Simmelkjaer>had  him  on  the  podcast.  So  is  running  becoming  a 

0:52:56.460 --> 0:52:57.840
<v Rob Simmelkjaer>thing  in  hip  hop  right  now?

0:52:58.050 --> 0:52:59.820
<v A$AP Ferg>Me  and  N. O. R. E.  did  a  run  together. 

0:53:01.050 --> 0:53:05.820
<v A$AP Ferg>So  yeah,  we're  in  cahoots.  But  I  do  feel  like 

0:53:06.150 --> 0:53:09.780
<v A$AP Ferg>fitness  in  general,  not  just  running,  but  fitness,  I  feel 

0:53:09.780 --> 0:53:13.080
<v A$AP Ferg>like,  I  don't  know,  it's  a  shift  happening  for  sure. 

0:53:13.500 --> 0:53:17.489
<v A$AP Ferg>I  see  younger  guys  posting  their  workout  videos  outside  running and 

0:53:18.090 --> 0:53:22.230
<v A$AP Ferg>they  happy  to  do  it.  Before  it  wasn't  cool  to 

0:53:22.230 --> 0:53:29.069
<v A$AP Ferg>do  in a way. But  I  think  really  the  energy  is  changing.  People 

0:53:29.070 --> 0:53:32.430
<v A$AP Ferg>are  really  bored.
 If  you  would've  went  to  a  hip-

0:53:32.430 --> 0:53:36.210
<v A$AP Ferg>hop  show  probably  a  year  ago  or  two  years  ago, 

0:53:37.080 --> 0:53:39.690
<v A$AP Ferg>it  would  just  be  mad  boring,  but  now  it's  just 

0:53:39.690 --> 0:53:44.549
<v A$AP Ferg>like...  And  then  that's  the  reason  why  Amapiano and  all of  these 

0:53:44.550 --> 0:53:49.049
<v A$AP Ferg>other  genres  is  going  up.  Baile  Funk,  Brazilian  music  is 

0:53:49.050 --> 0:53:52.590
<v A$AP Ferg>going  up  because  they're  actually  in  the  party  having  fun 

0:53:52.590 --> 0:53:55.290
<v A$AP Ferg>and  moving  their  bodies.  We  want  to  move  our  body 

0:53:55.290 --> 0:53:58.830
<v A$AP Ferg>again.  We  want  to  push  up  the  BPM.  So  now 

0:53:58.860 --> 0:54:03.450
<v A$AP Ferg>we are  getting  a  lot  of  '80s  retro- sounding  beats  because 

0:54:03.450 --> 0:54:07.050
<v A$AP Ferg>of  the  vibration  is  putting  out.  So  now  it's  forcing 

0:54:07.050 --> 0:54:09.120
<v A$AP Ferg>us  to  move  our  body.  We  want  to  do  something 

0:54:09.120 --> 0:54:12.300
<v A$AP Ferg>with  all  of  that  energy  that's  coming  into  us.  So 

0:54:12.570 --> 0:54:16.440
<v A$AP Ferg>it's  definitely  going  to  be  more  running  and  more  fitness 

0:54:16.469 --> 0:54:19.200
<v A$AP Ferg>and  healthier  thoughts  within  hip  hop.

0:54:21.570 --> 0:54:25.140
<v Keisha Sutton-James>I  got  some  words  for  you  calling  '80s  retro.  We're 

0:54:25.140 --> 0:54:28.709
<v Keisha Sutton-James>not  going  to cover that part. I got some words for you.  I'm  turning  my  back  to  you  right 

0:54:28.709 --> 0:54:32.280
<v Keisha Sutton-James>now,  Ferg.

0:54:32.280 --> 0:54:32.669
<v A$AP Ferg>Well, I was born in the '80s. I'm an '80s  baby.

0:54:32.669 --> 0:54:34.259
<v Rob Simmelkjaer>That's  not  helping,  yeah.

0:54:36.570 --> 0:54:43.890
<v Keisha Sutton-James>Yeah.  I  mean,  just  a  decade or so ahead  or  so.  But  Kristina, 

0:54:43.890 --> 0:54:47.580
<v Keisha Sutton-James>I  wanted  to  ask,  you  started  running  during  a  hard 

0:54:47.580 --> 0:54:50.850
<v Keisha Sutton-James>stretch  in  your  family's  life.  What  did  it  give  you 

0:54:51.780 --> 0:54:54.780
<v Keisha Sutton-James>that  you'd  want  for  Katherine  to  know  it  can  give 

0:54:54.780 --> 0:54:56.790
<v Keisha Sutton-James>her  at  this  point  in  her  life?  Not  that  this 

0:54:56.790 --> 0:54:58.169
<v Keisha Sutton-James>is  a  bad  stretch  in  her  life,  but...

0:54:58.620 --> 0:55:01.290
<v Kristina Lopez>Sure.  So  running  has  really  been  with  me  through  a 

0:55:01.290 --> 0:55:04.710
<v Kristina Lopez>lot  of  tumultuous  moments  in  my  life.  I  did  my 

0:55:04.710 --> 0:55:08.250
<v Kristina Lopez>first  New  York  City  Marathon  back  in  2015  when  my 

0:55:08.250 --> 0:55:10.859
<v Kristina Lopez>mother  was  dealing  with  a  rare  cancer  that  she's  now 

0:55:10.860 --> 0:55:14.700
<v Kristina Lopez>beaten  twice,  and  I  landed...  Yep,  thank  you.  Shout  out 

0:55:14.700 --> 0:55:17.640
<v Kristina Lopez>to  my  mom.  And  I  landed  at  the  marathon  because 

0:55:17.640 --> 0:55:20.850
<v Kristina Lopez>I  just  thought, " Oh,  people  do  this  for  cancer  awareness. 

0:55:21.420 --> 0:55:23.940
<v Kristina Lopez>I'm  in  my  despair  moment.  Let  me  try  that  out." 

0:55:24.480 --> 0:55:26.910
<v Kristina Lopez>But  I  too  was  like, " I'm  never  running  again."  And 

0:55:26.910 --> 0:55:32.190
<v Kristina Lopez>I  never  did  for  about  seven  more  years.  I  returned 

0:55:32.190 --> 0:55:36.150
<v Kristina Lopez>to  running  mainly  because  of  my  role  as  a  caregiver 

0:55:36.180 --> 0:55:39.719
<v Kristina Lopez>in  my  family  to  my  grandma.  I  saw  the  importance 

0:55:39.719 --> 0:55:43.650
<v Kristina Lopez>of  movement  as  we  age,  and  as  my  running  journey 

0:55:43.650 --> 0:55:46.770
<v Kristina Lopez>has  continued,  I've  just  been  able  to  tie  it  into 

0:55:46.770 --> 0:55:49.890
<v Kristina Lopez>all  my  other  interests.  So  that's  what  I  would  encourage 

0:55:50.340 --> 0:55:54.989
<v Kristina Lopez>for  you,  Katherine,  thinking  about  how  your  experience  running  and 

0:55:54.989 --> 0:55:58.440
<v Kristina Lopez>everything  that  you've  learned  about  yourself  through  your  training,  through 

0:55:58.440 --> 0:56:01.500
<v Kristina Lopez>race  day  is  something  that  you  could  bring  with  you 

0:56:01.500 --> 0:56:03.360
<v Kristina Lopez>across  everything  else  that  you  do.

0:56:04.260 --> 0:56:07.319
<v Rob Simmelkjaer>What  do  you  think  you've  learned  about  yourself,  Katherine,  through 

0:56:07.440 --> 0:56:09.390
<v Rob Simmelkjaer>this  program  and  running  this 5K  today?

0:56:10.380 --> 0:56:13.200
<v Katherine Yerolemu>Honestly,  I  really  did...  I  heard  this  throughout  the  whole 

0:56:13.200 --> 0:56:16.710
<v Katherine Yerolemu>six  weeks  of  training  that  I  could  do  hard  things. 

0:56:18.510 --> 0:56:21.870
<v Katherine Yerolemu>I  want  to keep  that  motto  within  my  life.  I  could 

0:56:21.870 --> 0:56:25.950
<v Katherine Yerolemu>do  hard  things.  And  whether  it's  running  a  5K,  being 

0:56:25.950 --> 0:56:28.859
<v Katherine Yerolemu>something  in  my  career,  in  college,  or  just  even  running 

0:56:28.860 --> 0:56:33.960
<v Katherine Yerolemu>the  marathon  one  day, I know that I could do hard things and that  I  will  continue  to  push  on, 

0:56:33.960 --> 0:56:36.180
<v Katherine Yerolemu>keep  running  and  keep  trying  to  reach  my  goal.

0:56:36.630 --> 0:56:43.469
<v Rob Simmelkjaer>Yeah.  Beautiful.  Congratulations.  One  of  the  things  we say most about  running,  especially 

0:56:43.469 --> 0:56:46.920
<v Rob Simmelkjaer>running  a  marathon is  you  learn  about  how  to  do  hard 

0:56:46.920 --> 0:56:50.219
<v Rob Simmelkjaer>things.  I  want  to  pick  up  on  Harlem  Run  for 

0:56:50.219 --> 0:56:53.489
<v Rob Simmelkjaer>a  second.  Kristina,  you  mentioned  it.  Dr.  Smikle, I  don't  know 

0:56:53.489 --> 0:56:55.890
<v Rob Simmelkjaer>if  you  know  about  Harlem  Run,  but  she  mentioned  Alison 

0:56:55.890 --> 0:56:59.910
<v Rob Simmelkjaer>Mariella  this  year  who  started  it,  and  the  story  there 

0:56:59.910 --> 0:57:04.710
<v Rob Simmelkjaer>was  she  was  not  seeing  running  as  something  that  was 

0:57:05.100 --> 0:57:09.810
<v Rob Simmelkjaer>open  to  people  who  looked  like  her,  Black  and  Brown 

0:57:09.810 --> 0:57:13.410
<v Rob Simmelkjaer>people,  and  wanted  to  find  a  way  to  bring  people 

0:57:13.410 --> 0:57:16.920
<v Rob Simmelkjaer>like  that  into  the  sport.  I  mean,  it's  incredible  actually, 

0:57:16.920 --> 0:57:21.480
<v Rob Simmelkjaer>Billy,  when  you  ran  in  '78,  you were  really  a  rarity. 

0:57:21.480 --> 0:57:25.350
<v Rob Simmelkjaer>I  mean,  it  was  very,  very  much  a  white  male 

0:57:25.350 --> 0:57:27.030
<v Rob Simmelkjaer>thing  by  and  large.

0:57:27.660 --> 0:57:29.790
<v Billy Mitchell>The guys I worked with, they were  white  and  Latino,  and  so  I  was  just  joining 

0:57:29.790 --> 0:57:32.880
<v Billy Mitchell>because  we  worked  together.  And  that  wasn't  my  thing.  I 

0:57:32.880 --> 0:57:34.950
<v Billy Mitchell>was  playing  some  ball  on  the  block.

0:57:37.080 --> 0:57:39.870
<v Rob Simmelkjaer>You  are  truly  a  trailblazer  in  your  own  right.  But 

0:57:40.680 --> 0:57:46.620
<v Rob Simmelkjaer>this  idea  of  seeing  something  that  is  not  for  us, 

0:57:47.400 --> 0:57:53.550
<v Rob Simmelkjaer>and  then  creating  a  community  and  making  it  in  our 

0:57:53.550 --> 0:57:58.980
<v Rob Simmelkjaer>own  way  is  such  a  tradition  for  African  Americans  in 

0:57:58.980 --> 0:58:02.070
<v Rob Simmelkjaer>Harlem  and  everywhere,  and  I'm  sure  you  can  speak  to 

0:58:02.070 --> 0:58:05.400
<v Rob Simmelkjaer>that and  all  the  different  forms  that  has  taken,  whether  it's 

0:58:05.400 --> 0:58:10.380
<v Rob Simmelkjaer>music,  the  Apollo  Theater,  all  those  things  are  examples  of  that.

0:58:10.980 --> 0:58:14.640
<v Dr. Basil Smikle Jr.>No,  I  think  that's absolutely right, and  I'm  a  member  of  an  organization 

0:58:14.640 --> 0:58:17.460
<v Dr. Basil Smikle Jr.>called...  You  may  know  100  Black  Men,  and  the  motto 

0:58:17.460 --> 0:58:21.720
<v Dr. Basil Smikle Jr.>is  they  are  what  they  see,  and  so  if  we 

0:58:21.720 --> 0:58:26.250
<v Dr. Basil Smikle Jr.>can  see  our  folks  engaged  in  running  and  playing  golf 

0:58:26.250 --> 0:58:30.060
<v Dr. Basil Smikle Jr.>and doing  all  these  things  that  weren't...  And  I  say  this 

0:58:30.060 --> 0:58:32.670
<v Dr. Basil Smikle Jr.>all  the  time,  we  want  to  be  able  to  succeed 

0:58:32.670 --> 0:58:36.870
<v Dr. Basil Smikle Jr.>in  places  and  spaces  not  designed  for  us.  And  so 

0:58:37.770 --> 0:58:42.090
<v Dr. Basil Smikle Jr.>the  ability  to  see  more  folks  in  these  spaces  encourages 

0:58:42.330 --> 0:58:46.980
<v Dr. Basil Smikle Jr.>us  to  continue  to  break  the  barriers  that  have  been 

0:58:46.980 --> 0:58:50.820
<v Dr. Basil Smikle Jr.>broken.  And  I'll  just  say  this  very  quickly.  You  noticed 

0:58:50.820 --> 0:58:54.030
<v Dr. Basil Smikle Jr.>I  was  quiet  when  everybody  was  talking  about  running.  I 

0:58:54.030 --> 0:58:57.570
<v Dr. Basil Smikle Jr.>ran  one  5K,  and  this is  really  a  message  to  you 

0:58:57.570 --> 0:59:02.220
<v Dr. Basil Smikle Jr.>and  actually  ties  to  your  question  because  I  grew  up 

0:59:02.220 --> 0:59:05.610
<v Dr. Basil Smikle Jr.>with...  I  have  asthma.
 And  so  I  played  basketball  and 

0:59:05.610 --> 0:59:07.439
<v Dr. Basil Smikle Jr.>ran  track  in  high  school  and  that  was  pretty  good, 

0:59:07.440 --> 0:59:10.350
<v Dr. Basil Smikle Jr.>but  pretty  much  from  there  to  there,  that's  it.  That's 

0:59:10.350 --> 0:59:12.600
<v Dr. Basil Smikle Jr.>all  you  got  out  of  me.  That  was  the  best 

0:59:13.350 --> 0:59:16.290
<v Dr. Basil Smikle Jr.>20  yards  you  can  get,  but  you  would  get  good 

0:59:16.320 --> 0:59:20.070
<v Dr. Basil Smikle Jr.>20  yards  out  of  me.  And  it  was  interesting.  I 

0:59:21.390 --> 0:59:24.720
<v Dr. Basil Smikle Jr.>was  dating  somebody  who  encouraged  me  to  do  a  5K about 

0:59:25.770 --> 0:59:32.400
<v Dr. Basil Smikle Jr.>2011.  And  she  kept  saying, " Just  your  next  foot  forward. 

0:59:33.180 --> 0:59:35.490
<v Dr. Basil Smikle Jr.>Just  one  more  foot,  just  one  more  step."  And  I 

0:59:35.490 --> 0:59:37.770
<v Dr. Basil Smikle Jr.>went  and  got  fitted  for  sneakers.  They  were  expensive,  but 

0:59:37.770 --> 0:59:41.340
<v Dr. Basil Smikle Jr.>I  got  the  sneakers,  got  the  outfit,  got  everything.  And 

0:59:41.340 --> 0:59:46.440
<v Dr. Basil Smikle Jr.>I  did  that  5K,  and  what  was  interesting  is  the 

0:59:46.440 --> 0:59:50.970
<v Dr. Basil Smikle Jr.>asthma  went  away  and  it  was  more  about  me  just 

0:59:50.970 --> 0:59:56.130
<v Dr. Basil Smikle Jr.>putting  in  the  work.  And  what  that  taught  me  was 

0:59:57.240 --> 1:00:02.490
<v Dr. Basil Smikle Jr.>how  liberating  it is  to  be  unburdened  by  fear.
 And  my 

1:00:02.490 --> 1:00:05.400
<v Dr. Basil Smikle Jr.>point  in  saying  that  to  you,  both  of  you,  especially 

1:00:05.400 --> 1:00:08.610
<v Dr. Basil Smikle Jr.>you,  and  again,  to  get  back  to  your  question  is 

1:00:08.610 --> 1:00:12.990
<v Dr. Basil Smikle Jr.>that  sometimes  the  fear  of  starting  is  the  thing  that 

1:00:13.050 --> 1:00:17.790
<v Dr. Basil Smikle Jr.>keeps  us  from  entering,  and  if  we  can  find  ways 

1:00:17.790 --> 1:00:20.190
<v Dr. Basil Smikle Jr.>and  find  people  to  kind  of  bring  you  over  that 

1:00:20.190 --> 1:00:24.900
<v Dr. Basil Smikle Jr.>divide  and  say, " Look,  just  little  by  little,  every  step 

1:00:24.900 --> 1:00:27.810
<v Dr. Basil Smikle Jr.>you  take  is  a  step  in  the  direction  of  completing 

1:00:27.810 --> 1:00:31.890
<v Dr. Basil Smikle Jr.>your  goal,"  then  it  won't  be  mysterious  anymore,  right?  It'll 

1:00:31.890 --> 1:00:35.790
<v Dr. Basil Smikle Jr.>be  accessible  and  that's  how  we  progress.

1:00:36.480 --> 1:00:36.481
<v Rob Simmelkjaer>Wow.

1:00:36.481 --> 1:00:38.640
<v Keisha Sutton-James>Can  I  piggyback  on  that?

1:00:38.910 --> 1:00:39.390
<v Rob Simmelkjaer>Absolutely.

1:00:40.740 --> 1:00:43.230
<v Keisha Sutton-James>Yes.  So  thank  you  so  much  for  that.  By  the 

1:00:43.230 --> 1:00:48.780
<v Keisha Sutton-James>way,  you're  just  speaking  to  me,  your  peer,  and  sharing 

1:00:48.780 --> 1:00:51.660
<v Keisha Sutton-James>that.  I  thank  you  so  much  for  really  lifting  that 

1:00:51.660 --> 1:00:56.160
<v Keisha Sutton-James>up  because  it's  hard,  right?  Whatever  journey  we're  on,  whether 

1:00:56.160 --> 1:00:59.940
<v Keisha Sutton-James>it's a  5K  or  starting  a  new  career  or  putting  out 

1:00:59.940 --> 1:01:04.860
<v Keisha Sutton-James>an  album  or  whatever  it  might  be,  or  running  the 

1:01:04.860 --> 1:01:08.520
<v Keisha Sutton-James>marathon,  it's  that  each  step  in  front  of  the  next. 

1:01:08.520 --> 1:01:12.090
<v Keisha Sutton-James>And  I  will  also  build  on  that  and  say  to 

1:01:12.090 --> 1:01:17.130
<v Keisha Sutton-James>the  point  of  your  dad, Ferg,  and  my  grandfather  and  the 

1:01:17.130 --> 1:01:22.050
<v Keisha Sutton-James>people  who  mentored  you  also,  and the  100  Black  Men  and 

1:01:22.050 --> 1:01:26.160
<v Keisha Sutton-James>Alison  Désir,  and  so  many  of  us,  is  that  if 

1:01:26.160 --> 1:01:27.540
<v Keisha Sutton-James>you  can  see  it,  you  can  be in  and  we  can 

1:01:27.540 --> 1:01:31.800
<v Keisha Sutton-James>follow  the  model  of the  people  who,  if  we  look  for 

1:01:31.800 --> 1:01:34.740
<v Keisha Sutton-James>them,  we  can  find  the  Percy  Suttons,  if  you  will, 

1:01:34.770 --> 1:01:38.010
<v Keisha Sutton-James>who  raised  the  money  for  the  first  New  York  City 

1:01:38.010 --> 1:01:40.290
<v Keisha Sutton-James>Marathon,  set  the  route  for  the  first  New  York  City 

1:01:40.290 --> 1:01:42.720
<v Keisha Sutton-James>Marathon,  was  the  chair  of  the  first  New  York  City 

1:01:42.720 --> 1:01:44.940
<v Keisha Sutton-James>Marathon,  and  got  the  city  to  shut  down,  things  that 

1:01:44.940 --> 1:01:49.440
<v Keisha Sutton-James>were  crazy  and  opening  the  Apollo.
 These  are  crazy  thoughts, 

1:01:50.580 --> 1:01:55.350
<v Keisha Sutton-James>but  that  was  put  into  him  by  his  dad,  that 

1:01:55.350 --> 1:01:58.350
<v Keisha Sutton-James>you  can  do  these  impossible  things.  And  each  of  us, 

1:01:59.130 --> 1:02:00.870
<v Keisha Sutton-James>I  think  part  of  what  we're  doing  here  as  a 

1:02:00.870 --> 1:02:04.440
<v Keisha Sutton-James>conversation  is  talking  about  the  things  that  are  put  into 

1:02:04.440 --> 1:02:08.490
<v Keisha Sutton-James>us  as  people  that  give  us  inspiration,  whether  it's  through 

1:02:08.490 --> 1:02:11.130
<v Keisha Sutton-James>Harlem  Run  or  what  have  you,  that  is  like  there 

1:02:11.370 --> 1:02:13.980
<v Keisha Sutton-James>are  these  little  tidbits  out  there  that  can  show  us 

1:02:13.980 --> 1:02:15.600
<v Keisha Sutton-James>we  can  put  the  next  foot  in  front  of  the 

1:02:15.600 --> 1:02:16.741
<v Keisha Sutton-James>next  and run  the  marathon.

1:02:16.740 --> 1:02:20.190
<v Dr. Basil Smikle Jr.>Can I just say  this  very  quickly  because  it  really  does  touch  on 

1:02:20.190 --> 1:02:23.400
<v Dr. Basil Smikle Jr.>that  point.  I  teach  classes  in  communications  and  such,  and 

1:02:23.400 --> 1:02:25.260
<v Dr. Basil Smikle Jr.>I  saw  somebody  post  this  thing  and  I  thought  it 

1:02:25.260 --> 1:02:30.000
<v Dr. Basil Smikle Jr.>was  really  important  because he  was  talking  about  the  brilliance  of 

1:02:30.330 --> 1:02:35.880
<v Dr. Basil Smikle Jr.>the  Nike  Just  Do  It  campaign,  and  why  is  the 

1:02:35.880 --> 1:02:39.960
<v Dr. Basil Smikle Jr.>campaign  not  do  it?  It's  Just  Do  It.  And  that 

1:02:39.990 --> 1:02:45.960
<v Dr. Basil Smikle Jr.>just  is  important  because  it  acknowledges the  hesitation.  It  acknowledges  that 

1:02:45.960 --> 1:02:49.979
<v Dr. Basil Smikle Jr.>hesitation,  and  the  key  is  get  over  that  and  push 

1:02:49.980 --> 1:02:54.180
<v Dr. Basil Smikle Jr.>through  that. And  that's  not  marketing  for  Nike,  I'm  not  trying 

1:02:54.180 --> 1:02:59.010
<v Dr. Basil Smikle Jr.>to  sell  shoes,  get  my  commerce,  but  the  point  is 

1:02:59.010 --> 1:03:03.930
<v Dr. Basil Smikle Jr.>that  when  you're...  In  all  things  in  life,  running,  and 

1:03:03.930 --> 1:03:06.270
<v Dr. Basil Smikle Jr.>that's  why  used  to  say  ball  is  life,  running  is 

1:03:06.270 --> 1:03:12.630
<v Dr. Basil Smikle Jr.>life  too,  there's  that  hesitation  that  is  so  stifling  that 

1:03:12.630 --> 1:03:16.500
<v Dr. Basil Smikle Jr.>you  just  need  yourself  or  someone  to  help  you  pull 

1:03:16.500 --> 1:03:16.950
<v Dr. Basil Smikle Jr.>through  that.

1:03:17.790 --> 1:03:22.650
<v Rob Simmelkjaer>Despite  our  partnership  with  New  Balance,  we're  going  to  leave 

1:03:22.650 --> 1:03:25.530
<v Rob Simmelkjaer>that in the show. We're going to leave that in  the  podcast  because  it  was  so  good,  it  was 

1:03:25.530 --> 1:03:28.710
<v Rob Simmelkjaer>so  deep.  So  we're  not  editing  that  out.  It  was 

1:03:28.710 --> 1:03:29.189
<v Rob Simmelkjaer>so  good.

1:03:30.030 --> 1:03:31.140
<v Dr. Basil Smikle Jr.>I'm  going  to go buy  New  Balance.

1:03:33.240 --> 1:03:36.840
<v Rob Simmelkjaer>We  say  this  is  a  special  episode  of  our  podcast, 

1:03:36.840 --> 1:03:39.630
<v Rob Simmelkjaer>Set  the  Pace,  but  this  really  was a  special  episode  because 

1:03:39.930 --> 1:03:44.250
<v Rob Simmelkjaer>all  of  you  just  brought  such  incredible  stories  and  insights. 

1:03:44.250 --> 1:03:48.120
<v Rob Simmelkjaer>And  somehow  we  tied  it  all  back  to  running,  to 

1:03:48.120 --> 1:03:50.760
<v Rob Simmelkjaer>the  New  York  City  Marathon,  and  of  course  to  Percy 

1:03:50.760 --> 1:03:53.610
<v Rob Simmelkjaer>Sutton,  the  reason  that  we're  all  sitting  here  right  now 

1:03:55.020 --> 1:03:57.510
<v Rob Simmelkjaer>in  the  eve  of  the  race  that  bears  his  name. 

1:03:57.510 --> 1:04:00.390
<v Rob Simmelkjaer>So  I want  to  thank  all  of  you  for  joining  us, 

1:04:00.390 --> 1:04:05.040
<v Rob Simmelkjaer>Ferg,  Dr.  Basil  Smikle  Jr.,  Kristina  Lopez  from  Harlem Run  and 

1:04:05.040 --> 1:04:08.250
<v Rob Simmelkjaer>New  York  Road  Runners,  and  Run  for  the  Future  freshly 

1:04:08.250 --> 1:04:13.110
<v Rob Simmelkjaer>minted  graduate,  Katherine  Yerolemu. So  congratulations  to  you  and  to  my 

1:04:13.290 --> 1:04:16.650
<v Rob Simmelkjaer>excellent  co- host.  Keisha  Sutton- James,  this  was  fun.

1:04:16.710 --> 1:04:19.260
<v Keisha Sutton-James>Let's  do  it  again.  Next  time  I  need  my  own  walk-

1:04:19.260 --> 1:04:19.681
<v Keisha Sutton-James>on  music,  remember that?

1:04:19.681 --> 1:04:24.450
<v Rob Simmelkjaer>Well, let's work on  that.  We'll  get  that  done.  And  of  course,  I 

1:04:24.450 --> 1:04:27.510
<v Rob Simmelkjaer>really  want  to  thank  you,  Billy  Mitchell,  for  bringing  the 

1:04:27.510 --> 1:04:31.920
<v Rob Simmelkjaer>history  to  this,  bringing  the  perspective.  And  man,  I  would 

1:04:31.920 --> 1:04:34.920
<v Rob Simmelkjaer>love  to  go  back  in  time  with  you  to  that 

1:04:35.010 --> 1:04:36.780
<v Rob Simmelkjaer>Jackson  5  concert.

1:04:36.780 --> 1:04:41.820
<v Billy Mitchell>I  made  some  hiccups  in  my  life,  as  we  all  do.

1:04:41.820 --> 1:04:42.060
<v Rob Simmelkjaer>As  we  all  do.

1:04:42.060 --> 1:04:42.660
<v Billy Mitchell>I'm  good  now  though.

1:04:42.690 --> 1:04:42.691
<v Rob Simmelkjaer>Oh, beautiful.

1:04:42.691 --> 1:04:44.280
<v Billy Mitchell>That's  what  matters.

1:04:44.340 --> 1:04:46.560
<v Rob Simmelkjaer>Thank  you  all  so  much  for  joining  us.  It  was a 

1:04:46.560 --> 1:04:49.830
<v Rob Simmelkjaer>really  fantastic.  Thank  you  to  our  audience.  Thanks  for  being 

1:04:49.830 --> 1:04:53.790
<v Rob Simmelkjaer>here.  What  a  special  night  in  Harlem.

1:04:54.330 --> 1:04:54.990
<v Kristina Lopez>Thanks  for  having  us.

1:04:54.990 --> 1:04:57.630
<v Rob Simmelkjaer>If  you  like  this  episode,  make  sure  you  share  it, 

1:04:57.630 --> 1:05:01.410
<v Rob Simmelkjaer>subscribe,  leave  a  comment.  We  will  see  you  next  time. 

1:05:01.470 --> 1:05:02.580
<v Rob Simmelkjaer>Enjoy  the  miles.