WEBVTT - 1973: Marlon Brando Cannot Accept This Very Generous Award

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<v Speaker 1>this year. Obviously people are talking about the will smith

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<v Speaker 1>slap and they have been referring back to your speech.

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<v Speaker 1>Well, I have one thing to say about that.

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<v Speaker 1>I didn't do it.

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<v Speaker 1>Glad you made that clear. This is Sacheen little feather

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<v Speaker 1>whose appearance at the 1973 Academy Awards on behalf of

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<v Speaker 1>Marlon Brando recently went viral in reaction to will smith

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<v Speaker 1>slapping chris rock at the 2022 Academy Awards ceremony.

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<v Speaker 1>But there was a threat of violence that you faced

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<v Speaker 1>that evening

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<v Speaker 1>and I wonder if you're open to talking about that

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<v Speaker 1>backstage, behind me,

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<v Speaker 1>John Wayne

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<v Speaker 1>was very incensed, he attempted to assault me on stage.

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<v Speaker 1>He had to be restrained by six security men in

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<v Speaker 1>order to prevent him from doing exactly that

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<v Speaker 1>there is no footage of john Wayne, the Hollywood actor

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<v Speaker 1>famous for playing cowboys reacting to session speech. But several people,

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<v Speaker 1>including the Director of that evening's awards, have confirmed these

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<v Speaker 1>accounts

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<v Speaker 1>that night Marlon Brando was nominated for Best Actor for

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<v Speaker 1>his role as Don Corleone in The Godfather. He had

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<v Speaker 1>asked Sachin to attend the ceremony in his place and

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<v Speaker 1>if he won to refuse the award on his behalf

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<v Speaker 1>accepting the award for Marlon Brando in The Godfather

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<v Speaker 1>Before session went on stage that night, the producer of

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<v Speaker 1>the ceremony told her that she would be arrested if

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<v Speaker 1>she did not keep her speech to under a minute.

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<v Speaker 1>The standard speech time.

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<v Speaker 1>I knew I had to do everything in 60 seconds

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<v Speaker 1>or less. I saw the police officers waiting in the

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<v Speaker 1>wings to take me in handcuffs off the stage.

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<v Speaker 1>Here is the speech that made john Wayne so angry

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<v Speaker 1>that he needed to be restrained from charging the stage. Hello,

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<v Speaker 1>my name is Sacheen little feather. I'm Apache and I'm

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<v Speaker 1>president of the National Native American Affirmative Image committee. I'm

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<v Speaker 1>representing Marlon Brando this evening. He very regretfully cannot accept

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<v Speaker 1>this very generous award.

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<v Speaker 1>And the reasons for this being are the treatment of

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<v Speaker 1>american indians today by the film industry,

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<v Speaker 1>excuse me

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<v Speaker 1>and on television, in movie reruns

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<v Speaker 1>and also with recent happenings at wounded knee.

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<v Speaker 1>I beg at this time that I have not intruded

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<v Speaker 1>upon this evening and that we will in the future.

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<v Speaker 1>Our hearts and our understandings will meet with love and generosity.

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<v Speaker 1>Thank you On behalf of Marlon Brando.

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<v Speaker 1>I carried myself as a dignified indian woman would carry herself.

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<v Speaker 1>I spoke with courage with dignity with honor. I did

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<v Speaker 1>not use my fist. I did not use profanity and

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<v Speaker 1>I did not use a loud and egregious voice. I

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<v Speaker 1>spoke from my heart because the heart and the heartbeat

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<v Speaker 1>is the voice of all indigenous people everywhere. And that

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<v Speaker 1>is exactly what happened

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<v Speaker 1>In 60 seconds or less

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<v Speaker 1>in this week's episode. We are going to tell the

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<v Speaker 1>behind the scenes story of Sachin speech and break down

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<v Speaker 1>the political and cultural forces at play. That led to

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<v Speaker 1>that moment

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<v Speaker 1>And later in the episode, we'll hear from singer songwriter

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<v Speaker 1>and the first indigenous person to win an Oscar Buffy

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<v Speaker 1>Sainte Marie. She tells us about her reaction to Sachin

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<v Speaker 1>speech as well as what she believes the academy's role

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<v Speaker 1>should be in relation to social justice movements.

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<v Speaker 1>In 1973, Sacheen Little Feather was both an activist and

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<v Speaker 1>an actress. She says what inspired her to begin acting

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<v Speaker 1>in part was the fact that her father was deaf.

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<v Speaker 1>I couldn't communicate with him in sign language like my

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<v Speaker 1>mother did. So I had to communicate through

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<v Speaker 1>other ways and basically had to act out for him

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<v Speaker 1>the messages. So you you were performing out of a

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<v Speaker 1>kind of necessity. Family necessity. Yes, absolutely. And when I

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<v Speaker 1>was in grade school

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<v Speaker 1>I got to play several parts in several different plays

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<v Speaker 1>and enjoyed the experience. Of course there was a lot

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<v Speaker 1>of racially, you know, prejudice back then as well.

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<v Speaker 1>We were called the N word in grade school

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<v Speaker 1>and when I went to visit Mississippi Alabama and the

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<v Speaker 1>Southern states, I was made to drink out of the

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<v Speaker 1>black drinking faucet

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<v Speaker 1>and use the black bathrooms and I felt heard saw

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<v Speaker 1>and knew that there were great injustices going on

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<v Speaker 1>not only as an indian person

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<v Speaker 1>but with all people of color. Were you thinking that

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<v Speaker 1>acting could be a way that you could

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<v Speaker 1>make a difference in terms of these issues. I think

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<v Speaker 1>in terms of acting,

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<v Speaker 1>I felt that there should be

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<v Speaker 1>native people. Black people asian people, chicano people.

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<v Speaker 1>I felt that there should be an inclusion of everyone,

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<v Speaker 1>a rainbow of people that should be involved in creating

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<v Speaker 1>their own image.

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<v Speaker 1>I want to ask you about some of the ways

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<v Speaker 1>that you

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<v Speaker 1>you know, encountered images of indigenous people on screen. I mean,

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<v Speaker 1>did you have strong feelings about the western when you

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<v Speaker 1>were growing up? Did you immediately see this as a problem?

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<v Speaker 1>I think that everybody who saw Westerns who was native

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<v Speaker 1>wanted to be a cowboy.

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<v Speaker 1>I think that there is

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<v Speaker 1>a desire to be identifying with the winner. You know,

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<v Speaker 1>who wants to identify with the loser?

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<v Speaker 1>Well, I saw native people as being stereotyped. There was

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<v Speaker 1>a Hollywood indian, the movie indian and then the real indian,

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<v Speaker 1>there were two indians, one that was not real and

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<v Speaker 1>one that was real

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<v Speaker 1>and I knew the one that was real, that had

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<v Speaker 1>nothing to do with the screen. Indian with the Hollywood

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<v Speaker 1>indian

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<v Speaker 1>and under the domination of that stereotype. We couldn't get

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<v Speaker 1>jobs in the industry and represent ourselves as we really are.

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<v Speaker 1>There was job discrimination and the movie industry basically looked

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<v Speaker 1>like Clorox factory. I mean, it was so white, it

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<v Speaker 1>was ridiculous. What sorts of opportunities were there for you

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<v Speaker 1>when you were starting your acting career? Well, very few

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<v Speaker 1>except I got a few jobs with italian film crews

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<v Speaker 1>because in those days I was considered exotic and that

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<v Speaker 1>meant that you didn't get employment very often because you

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<v Speaker 1>were too exotic for mainstream. You heard that rather than

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<v Speaker 1>we won't hire you because you're a person of color,

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<v Speaker 1>no matter what your credentials were,

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<v Speaker 1>no matter how good you were. Period, especially in ads

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<v Speaker 1>and advertising, you didn't use a bar of soap, you

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<v Speaker 1>didn't use laundry detergent,

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<v Speaker 1>you didn't drink coca cola. We were just non existent

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<v Speaker 1>and no one ever questioned that.

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<v Speaker 1>I questioned it.

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<v Speaker 1>I questioned it when I refused the Academy Award for

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<v Speaker 1>Marlon Brando in 1973.

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<v Speaker 1>I want to talk a lot about what happened that night.

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<v Speaker 1>But I think part of the important context is your

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<v Speaker 1>work as an activist and your interest as an activist.

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<v Speaker 1>You had participated in the Alcatraz occupation

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<v Speaker 1>And you brought awareness to what was happening at wounded knee,

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<v Speaker 1>the occupation there. And it would be really helpful I

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<v Speaker 1>think to hear you talk about what that moment was

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<v Speaker 1>like in the early 1970s in terms of native struggle

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<v Speaker 1>and organizing

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<v Speaker 1>many native americans have parents who went to american indian

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<v Speaker 1>boarding schools, whether they were run by the government or

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<v Speaker 1>run by the churches because the churches were instrumental in

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<v Speaker 1>grabbing indian land from indians and keeping that land for themselves.

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<v Speaker 1>And this is a way

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<v Speaker 1>That making child napping legal was taking Children away at

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<v Speaker 1>the age of four and 5 from the parents

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<v Speaker 1>and keeping them in boarding schools

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<v Speaker 1>In the US there were over 400 boarding schools operating

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<v Speaker 1>from the late 1800s up until as recently as the

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<v Speaker 1>1960s with the express intention to assimilate indigenous Children by

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<v Speaker 1>removing them from their families,

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<v Speaker 1>keep the child but destroy everything about the indian, destroy

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<v Speaker 1>everything about the culture, destroy the language, destroy the native

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<v Speaker 1>american spiritual belief system and turn the native american into

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<v Speaker 1>a dominant society, person with dominant society values.

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<v Speaker 1>So in the late 60s, in the early 1970s

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<v Speaker 1>was there a particular way in which folks were coming

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<v Speaker 1>to consciousness that they were organizing in a way that

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<v Speaker 1>was especially important at that time.

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<v Speaker 1>There was the american indian movement

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<v Speaker 1>and its followers

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<v Speaker 1>and they were the ones that were wounded knee. In

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<v Speaker 1>South Dakota. The american indian movement was a militant civil

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<v Speaker 1>rights group similar to the black panthers or militia that

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<v Speaker 1>was raising consciousness and fighting for indigenous issues. A month

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<v Speaker 1>before solutions appearance at the Academy Awards members of the

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<v Speaker 1>American Indian movement along with 200 oglala Lakota activists seized

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<v Speaker 1>control of the small town of wounded knee. South Dakota

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<v Speaker 1>taking citizens hostage

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<v Speaker 1>and demanded the U. S. Government make good on treaties

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<v Speaker 1>respecting indigenous land ownership.

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<v Speaker 1>The american indian movement wanted to bring attention to the

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<v Speaker 1>broken promises of the US government and the impoverished living conditions.

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<v Speaker 1>Indigenous peoples were forced to endure.

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<v Speaker 1>Here's russell means one of the leaders of the occupation

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<v Speaker 1>talking about those conditions from wounded knee at the time,

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<v Speaker 2>we are suffering starvation, hunger, inadequate shelter, inadequate warmth in

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<v Speaker 2>climate type of weather,

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<v Speaker 1>there was a great injustice there

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<v Speaker 1>the way that native american indian people were treated.

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<v Speaker 1>And so the american indian movement came there within hours

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<v Speaker 1>of the occupation police had surrounded the town

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<v Speaker 1>and as a result the FBI came in and there

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<v Speaker 1>was a media blackout at wounded knee. Federal officials were

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<v Speaker 1>blocking press from speaking to the indigenous activists as part

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<v Speaker 1>of their military tactic to squash the occupation. Now when

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<v Speaker 1>I came up on the podium to represent Marlon Brando,

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<v Speaker 1>I mentioned in my speech, wounded knee,

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<v Speaker 1>Let's talk about how you um arrived at that moment

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<v Speaker 1>of going on stage and giving this speech.

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<v Speaker 1>When did you meet Marlon Brando? How did how did

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<v Speaker 1>you connect with him and how did this plan develop

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<v Speaker 1>that you would stand in for him at the Academy Awards.

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<v Speaker 1>I lived in san Francisco not far from Francis ford

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<v Speaker 1>Coppola Francis ford Coppola is of course the director of

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<v Speaker 1>the Godfather trilogy. And I used to walk the hills

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<v Speaker 1>of san Francisco

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<v Speaker 1>which is quite a feat because they're very steep. But

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<v Speaker 1>that was my exercise and I used to walk by

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<v Speaker 1>Francis ford Coppola's house every day and he used to

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<v Speaker 1>sit out on his porch. I had read many articles

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<v Speaker 1>about Marlon Brando being interested in native american indian people

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<v Speaker 1>but I had wondered if Marlon Brando was very sincere

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<v Speaker 1>in his interest in native american indian people

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<v Speaker 1>or was he just studying up for a film role.

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<v Speaker 1>So I wrote a letter to him but I didn't

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<v Speaker 1>know where to send it.

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<v Speaker 1>And it was a very sincere letter and I knew

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<v Speaker 1>that Francis ford Coppola had directed him and The Godfather.

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<v Speaker 1>So I asked Francis ford Coppola when I was walking

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<v Speaker 1>by one day

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<v Speaker 1>as an attractive young woman,

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<v Speaker 1>I called out to him and I said hello and

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<v Speaker 1>I introduced myself and he asked me to come up

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<v Speaker 1>on his porch. And I did and I began a

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<v Speaker 1>conversation with him

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<v Speaker 1>and eventually I told him I had this letter from

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<v Speaker 1>Marlon Brando

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<v Speaker 1>and I said but I don't know where to send it.

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<v Speaker 1>So he helped me to send that letter.

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<v Speaker 1>I waited a year. I was working at the radio

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<v Speaker 1>station K. F. R. C. Finally one day a year

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<v Speaker 1>later at the radio station

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<v Speaker 1>I got this very mysterious call.

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<v Speaker 1>So they put the call through

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<v Speaker 1>and he said to me

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<v Speaker 1>in his voices that he had

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<v Speaker 1>oh I bet you don't know who this is.

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<v Speaker 1>And I said sure I do. And he said well

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<v Speaker 1>who is it?

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<v Speaker 1>And I said it's Marlon Brando.

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<v Speaker 1>And he he laughed and I said well you sure

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<v Speaker 1>beat indian time all the hell I told them

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<v Speaker 1>And he laughed again and we laughed

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<v Speaker 1>and we just talk like we're old friends

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<v Speaker 1>about everything that was native, if he was playing a

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<v Speaker 1>part of the native or if he was really interested

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<v Speaker 1>in native american indian people

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<v Speaker 1>and we had a great conversation

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<v Speaker 1>and from then on we just became phone buddies,

0:16:26.600 --> 0:16:29.970
<v Speaker 1>he used to call me at home and then I

0:16:29.970 --> 0:16:33.450
<v Speaker 1>would fly down and spend time with he and his

0:16:33.450 --> 0:16:35.670
<v Speaker 1>family as a house guest.

0:16:36.660 --> 0:16:40.200
<v Speaker 1>And uh, I just knew him as a human being.

0:16:40.880 --> 0:16:42.840
<v Speaker 1>I was interested in him

0:16:43.530 --> 0:16:50.140
<v Speaker 1>as a fellow activist and also as just a person period.

0:16:50.150 --> 0:16:52.020
<v Speaker 1>It sounds like you got to a place where you

0:16:52.020 --> 0:16:54.720
<v Speaker 1>did feel that he was sincere in the interest that

0:16:54.720 --> 0:16:58.860
<v Speaker 1>he was showing. Absolutely yes, I did. So when did

0:16:58.860 --> 0:17:02.640
<v Speaker 1>he start to talk to you about the plan? The

0:17:02.640 --> 0:17:07.000
<v Speaker 1>possibility that you would accept the Oscar on his behalf

0:17:07.000 --> 0:17:09.040
<v Speaker 1>if he were to win. And he was clearly a

0:17:09.040 --> 0:17:11.780
<v Speaker 1>frontrunner for winning the academy Award that year.

0:17:12.320 --> 0:17:17.090
<v Speaker 1>So he called me on a saturday

0:17:18.310 --> 0:17:20.740
<v Speaker 1>and the academy awards was the next day,

0:17:21.920 --> 0:17:23.700
<v Speaker 1>That's how fast it happened.

0:17:24.320 --> 0:17:27.990
<v Speaker 1>And he swore me to secrecy not to tell anybody

0:17:28.420 --> 0:17:29.629
<v Speaker 1>which I did not.

0:17:30.910 --> 0:17:34.600
<v Speaker 1>And I flew down to his house

0:17:35.350 --> 0:17:39.940
<v Speaker 1>and I asked him about my wardrobe because I really

0:17:39.940 --> 0:17:43.429
<v Speaker 1>didn't have anything to wear except for my pow wow dress,

0:17:43.500 --> 0:17:46.540
<v Speaker 1>a northern style buckskin dress

0:17:47.550 --> 0:17:51.959
<v Speaker 1>and moccasins and hair ties. So you could say basically

0:17:51.960 --> 0:17:55.010
<v Speaker 1>he chose my wardrobe for me because he did,

0:17:55.590 --> 0:18:00.340
<v Speaker 1>I didn't have any evening gown or evening where? And

0:18:00.340 --> 0:18:03.560
<v Speaker 1>I went down to his house and he was very

0:18:03.560 --> 0:18:10.520
<v Speaker 1>busy and his secretary typing up this acceptance speech should

0:18:10.520 --> 0:18:11.280
<v Speaker 1>he win.

0:18:12.230 --> 0:18:14.859
<v Speaker 1>And I was kept basically in the dark.

0:18:15.650 --> 0:18:21.070
<v Speaker 1>So it was really late in the day when his

0:18:21.070 --> 0:18:28.660
<v Speaker 1>secretary gave me this long speech to read like eight pages, right, eight, Yeah.

0:18:29.250 --> 0:18:34.260
<v Speaker 1>And so I I said to myself, wow, this is

0:18:34.260 --> 0:18:36.869
<v Speaker 1>pretty long, I don't think I could do this.

0:18:37.690 --> 0:18:42.179
<v Speaker 1>And when I got to the Academy Awards, Howard Koch,

0:18:42.180 --> 0:18:46.709
<v Speaker 1>who was the producer of the Academy Awards Show itself,

0:18:46.780 --> 0:18:47.970
<v Speaker 1>said to me,

0:18:48.640 --> 0:18:55.150
<v Speaker 1>If you read that speech or go over 60 seconds,

0:18:55.210 --> 0:19:00.510
<v Speaker 1>I'm going to have you arrested. That's when Sachin knew

0:19:00.510 --> 0:19:03.460
<v Speaker 1>that she would have to improvise and not read off

0:19:03.460 --> 0:19:06.790
<v Speaker 1>of the statement Marlon Brando and his secretary had written

0:19:06.810 --> 0:19:11.429
<v Speaker 1>and his name was called as best actor.

0:19:12.130 --> 0:19:14.869
<v Speaker 1>And so I knew what I had to do

0:19:15.890 --> 0:19:21.290
<v Speaker 1>and I was praying beforehand the whole time for the

0:19:21.290 --> 0:19:23.170
<v Speaker 1>strength and the courage

0:19:23.790 --> 0:19:25.740
<v Speaker 1>to do what I needed to do.

0:19:27.859 --> 0:19:30.250
<v Speaker 1>And my ancestors were with me,

0:19:33.060 --> 0:19:36.340
<v Speaker 1>50 million people were watching the broadcast that night.

0:19:37.200 --> 0:19:40.790
<v Speaker 1>The immediate reaction in the room was mixed as we noted,

0:19:40.800 --> 0:19:44.590
<v Speaker 1>john Wayne was furious and people reacted with a mixture

0:19:44.590 --> 0:19:46.330
<v Speaker 1>of booing and applause

0:19:46.840 --> 0:19:51.340
<v Speaker 1>According to Sachin, there were consequences. You have said that

0:19:51.350 --> 0:19:55.030
<v Speaker 1>after giving your speech that you were red listed

0:19:55.570 --> 0:19:57.740
<v Speaker 1>and could you talk about what you mean by that,

0:19:57.740 --> 0:20:01.000
<v Speaker 1>what that meant in terms of your career

0:20:02.109 --> 0:20:08.300
<v Speaker 1>in the industry, the FBI, I found out, went around

0:20:08.310 --> 0:20:12.830
<v Speaker 1>to studios, I have a friend who was with a

0:20:12.830 --> 0:20:17.820
<v Speaker 1>particular studio and she told me Sachin the FBI were

0:20:17.820 --> 0:20:21.850
<v Speaker 1>just here and they told us that if we would

0:20:21.859 --> 0:20:25.090
<v Speaker 1>ever hire you they would shut us down. Shut our

0:20:25.090 --> 0:20:27.070
<v Speaker 1>production down. So

0:20:27.340 --> 0:20:30.460
<v Speaker 1>there were lies that were printed about me in the press.

0:20:30.490 --> 0:20:34.300
<v Speaker 1>There were lies going around about me altogether. Said I

0:20:34.300 --> 0:20:37.330
<v Speaker 1>rented my buckskin dress that I was an indian. I

0:20:37.330 --> 0:20:41.490
<v Speaker 1>was a mexican actress that it was all a publicity

0:20:41.490 --> 0:20:47.350
<v Speaker 1>stunt etcetera etcetera etcetera. Nothing could be further from the truth.

0:20:47.869 --> 0:20:52.320
<v Speaker 1>But ultimately Sachin was not concerned about what Hollywood or

0:20:52.320 --> 0:20:56.350
<v Speaker 1>the government thought about her or her speech. People who

0:20:56.350 --> 0:21:01.890
<v Speaker 1>sent me notes of congratulations were Coretta scott King, the

0:21:01.890 --> 0:21:07.510
<v Speaker 1>widow of martin Luther king and also cesar Chavez also

0:21:07.510 --> 0:21:08.600
<v Speaker 1>my own people

0:21:09.240 --> 0:21:10.290
<v Speaker 1>and others

0:21:11.010 --> 0:21:14.659
<v Speaker 1>who counted in my life who I admired and I

0:21:14.660 --> 0:21:19.460
<v Speaker 1>knew that I had done the right thing irregardless of

0:21:19.460 --> 0:21:23.100
<v Speaker 1>what other people had said or did to me.

0:21:23.869 --> 0:21:26.320
<v Speaker 1>I knew I had done the right thing

0:21:35.910 --> 0:21:40.820
<v Speaker 1>coming up, legendary folk singer, songwriter Buffy Sainte Marie,

0:21:51.180 --> 0:21:54.150
<v Speaker 1>Buffy Sainte Marie was the first indigenous person to win

0:21:54.150 --> 0:21:56.730
<v Speaker 1>an Oscar.

0:22:00.200 --> 0:22:02.430
<v Speaker 1>The winner is Jack Cichy Buffy Sainte Marie,

0:22:04.980 --> 0:22:09.540
<v Speaker 1>She won for Best Original Song in 1983. She co

0:22:09.540 --> 0:22:12.510
<v Speaker 1>wrote up where we belong for the movie and officer

0:22:12.510 --> 0:22:16.030
<v Speaker 1>and a gentleman. It was performed by Joe Cocker and

0:22:16.030 --> 0:22:16.980
<v Speaker 1>Jennifer Warrants.

0:22:32.590 --> 0:22:34.280
<v Speaker 1>Thank you for me too,

0:22:35.920 --> 0:22:42.629
<v Speaker 1>marty Stuart Levin joe conquer jennifer warren's kurtz over my mom,

0:22:42.640 --> 0:22:43.990
<v Speaker 1>my little boy Cody

0:22:44.950 --> 0:22:47.429
<v Speaker 1>and most of all, my husband Jack nature gave me

0:22:47.430 --> 0:22:49.660
<v Speaker 1>the chance to be a part of opportunity. Gentlemen, thank

0:22:49.660 --> 0:22:50.510
<v Speaker 1>you very much.

0:22:53.080 --> 0:22:57.360
<v Speaker 1>Buffy Sainte Marie. It's wonderful to see you always. Thanks

0:22:57.359 --> 0:23:01.830
<v Speaker 1>jackal and you two in 1983 you became the first

0:23:01.830 --> 0:23:05.090
<v Speaker 1>indigenous person to win an Oscar. Could you talk about

0:23:05.090 --> 0:23:09.690
<v Speaker 1>that experience? Did it really uh, strike you that you

0:23:09.690 --> 0:23:12.260
<v Speaker 1>were making history at that moment when your name was

0:23:12.260 --> 0:23:15.639
<v Speaker 1>called and you went up on stage. Oh no, I

0:23:15.640 --> 0:23:19.240
<v Speaker 1>never know. I never thought about that until recently when

0:23:19.240 --> 0:23:22.030
<v Speaker 1>people have been phrasing it like that. No,

0:23:22.240 --> 0:23:25.700
<v Speaker 1>yes. I was the first indigenous person to win an

0:23:25.700 --> 0:23:28.340
<v Speaker 1>Oscar and it was up where we belong from an

0:23:28.340 --> 0:23:30.670
<v Speaker 1>officer and a gentleman. I wrote the melody for them.

0:23:30.670 --> 0:23:35.100
<v Speaker 1>So when it came to be that we had been

0:23:35.100 --> 0:23:37.750
<v Speaker 1>nominated and we knew we were going to go to

0:23:37.750 --> 0:23:42.430
<v Speaker 1>the Oscar ceremony. Oh, I had this pink sparkly sequined dress.

0:23:42.430 --> 0:23:45.050
<v Speaker 1>I mean it was so wonderful but we didn't really

0:23:45.050 --> 0:23:50.350
<v Speaker 1>expect to win. And then we did. And it was just,

0:23:50.359 --> 0:23:52.000
<v Speaker 1>it was just astounding

0:23:52.400 --> 0:23:55.530
<v Speaker 1>the previous time an indigenous person was on the Academy

0:23:55.530 --> 0:24:00.109
<v Speaker 1>awards stage with Sacheen little feather. 10 years earlier, Buffy

0:24:00.109 --> 0:24:03.119
<v Speaker 1>had caught it on tv at the time. She didn't

0:24:03.119 --> 0:24:08.850
<v Speaker 1>know session personally. What was your reaction to her speech?

0:24:09.080 --> 0:24:12.180
<v Speaker 1>Of course I knew marlin And this was 1973 for

0:24:12.180 --> 0:24:17.580
<v Speaker 1>Pete's sakes, 1973 there was a war against indigenous people

0:24:17.590 --> 0:24:21.590
<v Speaker 1>in south Dakota wounded name was going on.

0:24:21.869 --> 0:24:23.859
<v Speaker 1>So what we had to deal with was a little

0:24:23.859 --> 0:24:27.389
<v Speaker 1>bit different from everybody else in that studio audience or

0:24:27.390 --> 0:24:30.830
<v Speaker 1>most of the people watching television. And I was very

0:24:30.830 --> 0:24:33.770
<v Speaker 1>proud of Sachin and I was totally surprised of course.

0:24:33.780 --> 0:24:36.000
<v Speaker 1>And he was proud of marlin too because let me

0:24:36.000 --> 0:24:39.360
<v Speaker 1>tell you how it is. Sometimes the american indian movement

0:24:39.359 --> 0:24:42.959
<v Speaker 1>or some of the group would invite a celebrity, you know,

0:24:42.970 --> 0:24:45.850
<v Speaker 1>someone of the level of jane fonda or Marlon brando

0:24:45.850 --> 0:24:48.730
<v Speaker 1>and they would show up all heart, you know, they

0:24:48.730 --> 0:24:51.690
<v Speaker 1>would really, really want to help and all.

0:24:52.000 --> 0:24:54.300
<v Speaker 1>But what do you think the dog on media is

0:24:54.300 --> 0:24:57.440
<v Speaker 1>going to do? They're not there to see our issue

0:24:57.490 --> 0:25:00.179
<v Speaker 1>and we wind up with a great big story about

0:25:00.180 --> 0:25:03.930
<v Speaker 1>our celebrity who was there to help the indians and

0:25:03.930 --> 0:25:08.350
<v Speaker 1>the issue isn't even portrayed accurately, which kind of was

0:25:08.350 --> 0:25:08.860
<v Speaker 1>the point.

0:25:09.590 --> 0:25:12.629
<v Speaker 1>So for Sachin to get up there in front of

0:25:12.630 --> 0:25:17.070
<v Speaker 1>the whole wide world and to represent marlin in that way,

0:25:17.080 --> 0:25:19.440
<v Speaker 1>I thought, I thought it was great. But you know,

0:25:19.440 --> 0:25:23.169
<v Speaker 1>there's a lot to say. We should probably give people

0:25:23.180 --> 0:25:26.090
<v Speaker 1>kind of a feeling about how it was in Hollywood

0:25:26.090 --> 0:25:30.369
<v Speaker 1>for indigenous people, you know? Yeah, yeah. Because that's the

0:25:30.369 --> 0:25:32.869
<v Speaker 1>first thing she said, she talks about the treatment of

0:25:32.869 --> 0:25:35.390
<v Speaker 1>the american indian, maybe you could help us to sort

0:25:35.390 --> 0:25:38.630
<v Speaker 1>of get a sense of the picture that she was describing.

0:25:39.260 --> 0:25:41.320
<v Speaker 1>Well, it's kind of weird. If you, if you look

0:25:41.320 --> 0:25:44.890
<v Speaker 1>at movie history, I guess probably the first thing that

0:25:44.890 --> 0:25:50.070
<v Speaker 1>you would come up with involving indigenous people would pay thomas. Edison,

0:25:50.080 --> 0:25:52.080
<v Speaker 1>I mean he made, he made one of the first

0:25:52.080 --> 0:25:55.660
<v Speaker 1>movies and you know, they were colorful things and interesting things.

0:25:55.670 --> 0:26:00.470
<v Speaker 1>So we started showing up and being portrayed by other

0:26:00.470 --> 0:26:04.010
<v Speaker 1>people in the movies right out of the gate

0:26:04.580 --> 0:26:07.730
<v Speaker 1>too Short. Edison films made in the late 18 hundreds,

0:26:07.740 --> 0:26:12.570
<v Speaker 1>Buffalo dance and Sue ghost dance featuring Sioux tribes members

0:26:12.580 --> 0:26:16.450
<v Speaker 1>are considered to be the first instances of indigenous peoples

0:26:16.460 --> 0:26:17.450
<v Speaker 1>caught on film

0:26:18.109 --> 0:26:21.740
<v Speaker 1>From Robert Flaherty's Nanook of the north in 1922 to

0:26:21.750 --> 0:26:26.370
<v Speaker 1>educational films from the mid-20th century. Indigenous communities have long

0:26:26.369 --> 0:26:29.820
<v Speaker 1>been of interest to documentarians, but the films were almost

0:26:29.820 --> 0:26:32.200
<v Speaker 1>never told from indigenous points of view.

0:26:33.240 --> 0:26:37.709
<v Speaker 1>The University of Arizona's American Indian Film Gallery includes nearly

0:26:37.710 --> 0:26:42.960
<v Speaker 1>500 documentaries. They featured narration that the project's archivists described

0:26:42.970 --> 0:26:47.260
<v Speaker 1>as condescending at best and racist and inaccurate at worst.

0:26:47.270 --> 0:26:51.970
<v Speaker 1>So Buffy was naturally skeptical of projects aimed to capture

0:26:51.970 --> 0:26:59.160
<v Speaker 1>indigenous history. But anyway, in 1967 or 68, I was

0:26:59.160 --> 0:27:02.460
<v Speaker 1>invited to take a role in the Virginia.

0:27:02.890 --> 0:27:06.340
<v Speaker 1>The Virginian was a television series set in late 1800s

0:27:06.340 --> 0:27:10.480
<v Speaker 1>Wyoming and I was offered a role in an episode.

0:27:10.600 --> 0:27:13.590
<v Speaker 1>But I said if you want me Buffy Sainte Marie

0:27:13.600 --> 0:27:16.010
<v Speaker 1>who got hit records and is known as an indigenous

0:27:16.010 --> 0:27:18.600
<v Speaker 1>person to show up in your movie. What I want

0:27:18.609 --> 0:27:22.380
<v Speaker 1>is real easy. All the indigenous parts are to be

0:27:22.380 --> 0:27:24.790
<v Speaker 1>played by indigenous people

0:27:25.130 --> 0:27:28.430
<v Speaker 1>and of course they said oh no that uh we've got,

0:27:28.440 --> 0:27:32.250
<v Speaker 1>I forget what the number was 32 extras or something

0:27:32.260 --> 0:27:34.980
<v Speaker 1>and we've got some leading parts to they can't all

0:27:34.980 --> 0:27:37.300
<v Speaker 1>the indians and I said well then I'm not gonna

0:27:37.300 --> 0:27:38.899
<v Speaker 1>do it because I know they can

0:27:39.550 --> 0:27:43.210
<v Speaker 1>so they were going to use makeup right to make

0:27:43.210 --> 0:27:47.870
<v Speaker 1>people look like indians. Huh? Yeah they said they said

0:27:47.880 --> 0:27:51.369
<v Speaker 1>don't worry about it. We've got Filipinos, we've got Italians,

0:27:51.380 --> 0:27:55.710
<v Speaker 1>we've got jews, we've got Koreans and besides that we've

0:27:55.710 --> 0:27:58.020
<v Speaker 1>got makeup artists that can turn a dog into a

0:27:58.020 --> 0:28:03.810
<v Speaker 1>cat And my reaction to that was you know it's

0:28:03.810 --> 0:28:06.660
<v Speaker 1>more important than just fooling white people.

0:28:07.800 --> 0:28:09.690
<v Speaker 1>We're giving you a gift here.

0:28:10.369 --> 0:28:13.290
<v Speaker 1>We had so much to bring to the table and

0:28:13.290 --> 0:28:16.750
<v Speaker 1>see Marlon had been in indian country. He knew that

0:28:16.760 --> 0:28:19.050
<v Speaker 1>he knew we weren't just one little two little three

0:28:19.050 --> 0:28:21.790
<v Speaker 1>little indians to be exploited when somebody needed something in

0:28:21.790 --> 0:28:24.260
<v Speaker 1>feathers to act like a villain or a victim he

0:28:24.260 --> 0:28:28.430
<v Speaker 1>knew so we appreciated marlin. So Sachin you know she

0:28:28.430 --> 0:28:33.130
<v Speaker 1>looked so beautiful. She was wearing her traditional clothes and

0:28:33.130 --> 0:28:35.390
<v Speaker 1>yet we're all quite you know any anybody that I've

0:28:35.390 --> 0:28:38.340
<v Speaker 1>ever talked to about that evening. You know we were

0:28:38.340 --> 0:28:40.190
<v Speaker 1>all totally surprised of course

0:28:40.670 --> 0:28:43.640
<v Speaker 1>but bravo to both of them, you know, they they

0:28:43.640 --> 0:28:44.370
<v Speaker 1>did something

0:28:45.030 --> 0:28:47.070
<v Speaker 1>and I was hoping that you could also talk about

0:28:47.070 --> 0:28:50.459
<v Speaker 1>some of your activism during that period, part of the

0:28:50.460 --> 0:28:54.690
<v Speaker 1>Alcatraz occupation for example, because that period

0:28:54.950 --> 0:28:59.400
<v Speaker 1>is so critical in terms of the american indian movement

0:28:59.410 --> 0:29:02.580
<v Speaker 1>and uh do you have some, you know, any reflections

0:29:02.580 --> 0:29:07.640
<v Speaker 1>on the legacy of that movement today? Well, Alcatraz was

0:29:07.640 --> 0:29:09.830
<v Speaker 1>very important at the time and I still think that

0:29:09.830 --> 0:29:13.590
<v Speaker 1>Alcatraz is important because Alcatraz was not done just by

0:29:13.590 --> 0:29:16.520
<v Speaker 1>a bunch of people who were ticked off because their

0:29:16.520 --> 0:29:18.490
<v Speaker 1>rights are being denied. It wasn't, there was a lot

0:29:18.490 --> 0:29:19.580
<v Speaker 1>more to it than that.

0:29:19.870 --> 0:29:23.760
<v Speaker 1>Um the history of Alcatraz itself, I mean Alcatraz should

0:29:23.760 --> 0:29:27.210
<v Speaker 1>have come to indigenous people, it should have come back

0:29:27.210 --> 0:29:29.300
<v Speaker 1>to us when they were finished using it for what

0:29:29.300 --> 0:29:32.460
<v Speaker 1>they were using it for at the time, Alcatraz sat

0:29:32.470 --> 0:29:36.660
<v Speaker 1>on public land. And so when the infamous Alcatraz prison

0:29:36.660 --> 0:29:39.900
<v Speaker 1>was shut down and a development plan for a casino

0:29:39.900 --> 0:29:44.140
<v Speaker 1>was announced, indigenous activists decided to occupy the island and

0:29:44.140 --> 0:29:44.860
<v Speaker 1>reclaim it.

0:29:45.600 --> 0:29:48.180
<v Speaker 1>Buffy never lived on the island, but she helped bring

0:29:48.180 --> 0:29:50.370
<v Speaker 1>clean drinking water to the occupiers.

0:29:50.680 --> 0:29:53.720
<v Speaker 1>We wanted to turn it into cultural centers and you know,

0:29:53.730 --> 0:29:57.380
<v Speaker 1>we had, we had done our homework, but I mean we,

0:29:57.380 --> 0:30:00.650
<v Speaker 1>I don't mean me particularly, but it was john Trudell

0:30:00.650 --> 0:30:02.990
<v Speaker 1>and a lot of other people who are in the

0:30:02.990 --> 0:30:05.590
<v Speaker 1>next world now who really did that work. But the

0:30:05.590 --> 0:30:08.930
<v Speaker 1>reason why it was important. Alcatraz was one of many,

0:30:08.930 --> 0:30:16.870
<v Speaker 1>many building complexes campuses that were created on indigenous land

0:30:16.870 --> 0:30:20.160
<v Speaker 1>with the blessing of indigenous people

0:30:20.310 --> 0:30:24.410
<v Speaker 1>with contracts and when they were no longer going to

0:30:24.410 --> 0:30:27.030
<v Speaker 1>be used for that specific purpose, they were supposed to

0:30:27.030 --> 0:30:28.020
<v Speaker 1>come back to us.

0:30:28.730 --> 0:30:32.510
<v Speaker 1>I mean I wound up ducking bullets. I'm running running

0:30:32.510 --> 0:30:37.250
<v Speaker 1>through the woods in Russian Wisconsin over this medical facility

0:30:37.260 --> 0:30:41.870
<v Speaker 1>built on MMA nominee land and it was supposed to

0:30:41.870 --> 0:30:44.500
<v Speaker 1>be returned to the people. I mean it was built

0:30:44.500 --> 0:30:45.800
<v Speaker 1>by the catholic church

0:30:46.030 --> 0:30:48.490
<v Speaker 1>with the agreement of the Menominee people and then it

0:30:48.490 --> 0:30:50.960
<v Speaker 1>was supposed to revert back to the tribe and the

0:30:50.960 --> 0:30:53.570
<v Speaker 1>local vigilantes were not having any of it. They wanted

0:30:53.570 --> 0:30:57.230
<v Speaker 1>it for themselves and they were shooting at us. So

0:30:57.340 --> 0:31:01.570
<v Speaker 1>there were things going on before and after Alcatraz, Although

0:31:01.570 --> 0:31:03.100
<v Speaker 1>I'm glad you bring it up.

0:31:03.570 --> 0:31:05.870
<v Speaker 1>What kind of bothers me a little bit is that

0:31:05.880 --> 0:31:08.730
<v Speaker 1>it's like every 25 years there's an Indian uprising and

0:31:08.730 --> 0:31:10.500
<v Speaker 1>we get our names in the paper and then everybody

0:31:10.500 --> 0:31:15.490
<v Speaker 1>forgets about us because you know, just the way of

0:31:15.490 --> 0:31:21.390
<v Speaker 1>the world in Canada indigenous people are quite prominently represented

0:31:21.400 --> 0:31:25.380
<v Speaker 1>in just about any field or profession you can think of.

0:31:25.390 --> 0:31:29.520
<v Speaker 1>I mean, you know, from, from, from television broadcasters and lawyers.

0:31:29.740 --> 0:31:34.820
<v Speaker 1>There's a huge, huge mix of professions and there are

0:31:34.820 --> 0:31:37.190
<v Speaker 1>a few people, you know in the academy, there are

0:31:37.190 --> 0:31:39.840
<v Speaker 1>a few indigenous, I'm not the only indigenous person in

0:31:39.840 --> 0:31:43.420
<v Speaker 1>the academy, there are other indigenous people, but it's tricky

0:31:43.420 --> 0:31:46.360
<v Speaker 1>right now, you know, with the academy because just our

0:31:46.360 --> 0:31:50.890
<v Speaker 1>way of voting, you vote in your own field, like

0:31:50.900 --> 0:31:53.500
<v Speaker 1>I only vote, I'm in the music branch,

0:31:54.380 --> 0:31:57.200
<v Speaker 1>but and I'm the only indigenous person in the music

0:31:57.210 --> 0:31:57.860
<v Speaker 1>branch

0:31:58.670 --> 0:32:02.560
<v Speaker 1>and you have to have two people in your branch

0:32:02.580 --> 0:32:04.310
<v Speaker 1>to nominate somebody.

0:32:05.100 --> 0:32:10.510
<v Speaker 1>And so although we have directors and producers and actors

0:32:10.510 --> 0:32:13.530
<v Speaker 1>and actresses and we have people in, in, you know,

0:32:13.530 --> 0:32:18.020
<v Speaker 1>a lot of the professions, there are not two indigenous

0:32:18.020 --> 0:32:18.750
<v Speaker 1>people

0:32:19.430 --> 0:32:21.090
<v Speaker 1>in any profession

0:32:21.630 --> 0:32:25.430
<v Speaker 1>familiar enough with what the indigenous talent scene is in

0:32:25.430 --> 0:32:30.020
<v Speaker 1>film to be able to properly bring those people forward.

0:32:30.030 --> 0:32:33.090
<v Speaker 1>We have to discuss that it is a lot of

0:32:33.090 --> 0:32:36.980
<v Speaker 1>talented people, structural issue that you're pointing to, You might

0:32:36.980 --> 0:32:40.340
<v Speaker 1>have bigger numbers, but if people are isolated in their branches,

0:32:40.340 --> 0:32:44.709
<v Speaker 1>then what's the impact that they can have? Yeah, Yeah, Yeah, Right.

0:32:44.720 --> 0:32:48.700
<v Speaker 1>Do you think the Academy can or should have a

0:32:48.710 --> 0:32:50.840
<v Speaker 1>stronger presence in terms of

0:32:51.190 --> 0:32:55.120
<v Speaker 1>weighing in on social political issues, activists work?

0:32:55.710 --> 0:32:59.100
<v Speaker 1>Oh Gosh, that's that's so hard. You know, I try

0:32:59.100 --> 0:33:02.230
<v Speaker 1>very hard not to tell anybody else what to do.

0:33:02.240 --> 0:33:04.760
<v Speaker 1>And when it comes to a question like that, I

0:33:04.760 --> 0:33:07.160
<v Speaker 1>would I would certainly be willing to be part of

0:33:07.160 --> 0:33:11.790
<v Speaker 1>a discussion, but I do see many sides of many

0:33:11.790 --> 0:33:15.090
<v Speaker 1>questions I told you as a philosophy major. So I

0:33:15.090 --> 0:33:17.420
<v Speaker 1>can look, I can look at things from six or

0:33:17.420 --> 0:33:19.210
<v Speaker 1>10 points of view at the same time and have

0:33:19.210 --> 0:33:20.040
<v Speaker 1>fun with that.

0:33:20.320 --> 0:33:22.190
<v Speaker 1>I don't know the way I look at it. Jacqueline

0:33:22.190 --> 0:33:24.120
<v Speaker 1>is that there's a whole lot of good work left

0:33:24.120 --> 0:33:26.750
<v Speaker 1>to be done in the world, including in the movie industry.

0:33:26.750 --> 0:33:30.160
<v Speaker 1>And that's why we're here. Yeah. So I don't take

0:33:30.160 --> 0:33:33.050
<v Speaker 1>your your question about you know, whether the academy ought

0:33:33.050 --> 0:33:34.270
<v Speaker 1>to be doing more,

0:33:34.780 --> 0:33:38.670
<v Speaker 1>everybody ought to be doing more. Everybody's ripening and growing

0:33:38.670 --> 0:33:42.550
<v Speaker 1>and understanding and learning at the same time. So just

0:33:42.640 --> 0:33:46.070
<v Speaker 1>as for myself, I'm just gonna keep on producing good stuff.

0:33:46.080 --> 0:33:48.160
<v Speaker 1>And if somebody sees it great and if they don't

0:33:48.160 --> 0:33:51.150
<v Speaker 1>see it, not as great, but still great because I'm

0:33:51.150 --> 0:33:52.260
<v Speaker 1>a creative

0:33:52.450 --> 0:33:55.330
<v Speaker 1>the movie industry is one of the places that I've

0:33:55.340 --> 0:33:58.230
<v Speaker 1>been allowed to, you know, do My little dance is,

0:33:58.240 --> 0:34:02.360
<v Speaker 1>you know, scoring movies and being in things and encouraging

0:34:02.360 --> 0:34:05.840
<v Speaker 1>people and just being involved with the academy is it's

0:34:05.850 --> 0:34:10.400
<v Speaker 1>it's a great privilege and we can make good change

0:34:10.410 --> 0:34:13.520
<v Speaker 1>and we should and it shouldn't be a chore and

0:34:13.520 --> 0:34:17.170
<v Speaker 1>it shouldn't hurt. It shouldn't hurt. We can do this enjoy.

0:34:17.170 --> 0:34:20.980
<v Speaker 1>I mean, we're creative people and we certainly have the resources.

0:34:21.250 --> 0:34:26.219
<v Speaker 1>Yes, absolutely. Yes. I have 11 more question for you

0:34:27.060 --> 0:34:31.200
<v Speaker 1>take a little step back when you hear the term

0:34:31.210 --> 0:34:35.819
<v Speaker 1>indigenous representation Buffy, what does that mean to you?

0:34:36.930 --> 0:34:40.000
<v Speaker 1>I would have to say I would have to ask

0:34:40.000 --> 0:34:41.210
<v Speaker 1>for details.

0:34:42.500 --> 0:34:45.690
<v Speaker 1>I'm not exactly sure what you're going out but I'll

0:34:45.690 --> 0:34:48.250
<v Speaker 1>take a stab at it. But I've gotten out of

0:34:48.260 --> 0:34:52.090
<v Speaker 1>being a concert artist and you know, folk singer songwriter,

0:34:52.090 --> 0:34:55.299
<v Speaker 1>however you want to describe has been airplane tickets and

0:34:55.300 --> 0:34:58.030
<v Speaker 1>those airplane tickets not only have taken me to London

0:34:58.030 --> 0:35:00.480
<v Speaker 1>and paris and Hong kong and Sydney, you know, but

0:35:00.489 --> 0:35:03.590
<v Speaker 1>also to the indigenous corners of the world where Michael,

0:35:03.590 --> 0:35:06.810
<v Speaker 1>Jackson and Madonna would not want to go and

0:35:06.820 --> 0:35:10.160
<v Speaker 1>I would not even be invited to go. It's just

0:35:10.160 --> 0:35:13.330
<v Speaker 1>a different world. So the world of indigenous people, whether

0:35:13.330 --> 0:35:16.690
<v Speaker 1>you're talking about indigenous people like Maoris in new Zealand

0:35:16.690 --> 0:35:19.780
<v Speaker 1>or aboriginal people in Australia and all the different kinds

0:35:19.780 --> 0:35:23.580
<v Speaker 1>of people in africa. Whether you're talking about the Sami people,

0:35:23.590 --> 0:35:27.390
<v Speaker 1>the indigenous people of Scandinavia. I mean I've spent lots

0:35:27.390 --> 0:35:30.009
<v Speaker 1>of time with other indigenous people.

0:35:30.190 --> 0:35:33.190
<v Speaker 1>So when I hear the word indigenous, I don't just

0:35:33.190 --> 0:35:37.990
<v Speaker 1>think of Canadian indians or american indians. I don't, I

0:35:37.989 --> 0:35:42.259
<v Speaker 1>think about first, I know this is actual. When you

0:35:42.260 --> 0:35:45.410
<v Speaker 1>say the word indigenous first, my brain takes a trip

0:35:45.420 --> 0:35:49.690
<v Speaker 1>from the arctic circle all the way to to the

0:35:49.690 --> 0:35:54.489
<v Speaker 1>bottom of south America, all those different people, they're all indigenous.

0:35:54.980 --> 0:36:00.029
<v Speaker 1>And I've traveled enough in both the glamorous world of

0:36:00.040 --> 0:36:04.130
<v Speaker 1>show business but also a lot with indigenous people and

0:36:04.130 --> 0:36:06.799
<v Speaker 1>I know I know how it, I know how it

0:36:06.800 --> 0:36:10.960
<v Speaker 1>is and indigenous people in the world, what we have

0:36:10.960 --> 0:36:16.010
<v Speaker 1>in common is a lot of really, really good stuff.

0:36:16.540 --> 0:36:22.640
<v Speaker 1>Indigenous people had different systems. Indigenous people sometimes still but

0:36:22.640 --> 0:36:25.430
<v Speaker 1>not as much as we wish had languages that were

0:36:25.430 --> 0:36:29.259
<v Speaker 1>quite different from the concept of language is that most

0:36:29.260 --> 0:36:30.100
<v Speaker 1>people have.

0:36:30.670 --> 0:36:33.239
<v Speaker 1>I mean if you talk about spanish and italian and

0:36:33.239 --> 0:36:35.660
<v Speaker 1>Portuguese and french, you know they're all kind of related

0:36:35.670 --> 0:36:37.569
<v Speaker 1>and if you look at your hand, each one of

0:36:37.580 --> 0:36:40.960
<v Speaker 1>those is like a finger. But an indigenous language doesn't

0:36:40.960 --> 0:36:45.029
<v Speaker 1>come from that part of exercising the brain doesn't come

0:36:45.030 --> 0:36:48.850
<v Speaker 1>from there. It's like a thumb, it has a different function.

0:36:49.410 --> 0:36:52.520
<v Speaker 1>And people who are interested in this subject will tell

0:36:52.520 --> 0:36:56.010
<v Speaker 1>you that indigenous languages are sometimes exercising a different part

0:36:56.010 --> 0:36:58.900
<v Speaker 1>of the brain. Coming up with different ways of thinking

0:36:58.910 --> 0:37:01.810
<v Speaker 1>different ideas. And when you think of the things that

0:37:01.820 --> 0:37:05.950
<v Speaker 1>indigenous people, just indigenous people of the Americas have given

0:37:05.950 --> 0:37:08.100
<v Speaker 1>the rest of the world, you might say, oh they

0:37:08.100 --> 0:37:10.650
<v Speaker 1>look different or they have different music or different, oh

0:37:10.650 --> 0:37:13.920
<v Speaker 1>boy we can think differently. We have contributions that have

0:37:13.920 --> 0:37:15.450
<v Speaker 1>yet to be made to the world and people want

0:37:15.450 --> 0:37:16.620
<v Speaker 1>to start paying attention.

0:37:16.790 --> 0:37:19.550
<v Speaker 1>It's not only survival stuff, it's all kinds of other stuff,

0:37:19.560 --> 0:37:23.950
<v Speaker 1>artsy stuff stories, ways of telling stories. I spent some

0:37:23.950 --> 0:37:28.410
<v Speaker 1>time with an indigenous woman from Mexico who came from

0:37:28.410 --> 0:37:30.640
<v Speaker 1>a small rural group

0:37:31.360 --> 0:37:35.350
<v Speaker 1>discovered the spanish language and fell in love with it,

0:37:35.690 --> 0:37:38.610
<v Speaker 1>went to university and when she went home she had

0:37:38.610 --> 0:37:42.460
<v Speaker 1>the darndest time explaining to her friends what it was

0:37:42.460 --> 0:37:46.300
<v Speaker 1>that she did because in her language there's no metaphor.

0:37:46.460 --> 0:37:49.580
<v Speaker 1>So everything the only thing you talk about is what

0:37:49.590 --> 0:37:51.629
<v Speaker 1>is therefore there's no lying.

0:37:52.210 --> 0:37:56.510
<v Speaker 1>But she could not explain what poetry was.

0:37:57.150 --> 0:37:59.239
<v Speaker 1>And she became a poet. So now she's a poet

0:37:59.250 --> 0:38:00.920
<v Speaker 1>who writes in her own language

0:38:01.680 --> 0:38:06.219
<v Speaker 1>for the first time ever and in spanish. So indigenous

0:38:06.219 --> 0:38:10.350
<v Speaker 1>people all over the world are a page that most

0:38:10.350 --> 0:38:14.940
<v Speaker 1>of you have not turned yet. And it is exciting,

0:38:14.950 --> 0:38:17.960
<v Speaker 1>like a library is exciting. It's about everything and we're

0:38:17.960 --> 0:38:21.570
<v Speaker 1>about everything, including our stories and how we can portray them.

0:38:21.580 --> 0:38:24.740
<v Speaker 1>It's all good. You know, it's just all good. Yeah.

0:38:25.210 --> 0:38:29.190
<v Speaker 1>When you talk the way you're describing this incredible wealth

0:38:29.200 --> 0:38:34.060
<v Speaker 1>of cultural heritage and thinking, think about that. And then

0:38:34.060 --> 0:38:38.960
<v Speaker 1>you think about the tiny range of representations of indigenous

0:38:38.960 --> 0:38:43.330
<v Speaker 1>people on screen. I mean the gap is uh is staggering.

0:38:43.330 --> 0:38:46.900
<v Speaker 1>There just how limited the representations have been.

0:38:47.350 --> 0:38:51.000
<v Speaker 1>It's staggering. You know, And um, you know, there's one

0:38:51.000 --> 0:38:53.070
<v Speaker 1>way of looking at it would be to say poor

0:38:53.070 --> 0:38:55.510
<v Speaker 1>us were not represented. But the other way of looking

0:38:55.510 --> 0:38:57.870
<v Speaker 1>at it is poor. You you don't know what you're missing.

0:38:58.910 --> 0:39:02.000
<v Speaker 1>So that's always the way I've thought about it.

0:39:02.739 --> 0:39:07.020
<v Speaker 1>Well, thank you Buffy, thank you so much for these insights.

0:39:08.340 --> 0:39:12.480
<v Speaker 1>I always enjoy talking with you so much. Thank you

0:39:19.710 --> 0:39:23.040
<v Speaker 1>now that your big eyes are finally open,

0:39:26.080 --> 0:39:29.640
<v Speaker 1>how that you're wondering how must they feel

0:39:30.340 --> 0:39:34.710
<v Speaker 1>meaning them? That you've chased across America's movie screens.

0:39:36.390 --> 0:39:36.629
<v Speaker 1>No,

0:39:37.450 --> 0:39:38.260
<v Speaker 1>that you're wondering

0:39:39.260 --> 0:39:41.000
<v Speaker 1>how can it be real?

0:39:42.080 --> 0:39:43.830
<v Speaker 1>But the ones you've called

0:39:48.480 --> 0:39:49.190
<v Speaker 1>propaganda,

0:39:51.230 --> 0:39:53.620
<v Speaker 1>they starve in their splendor.

0:39:55.450 --> 0:39:59.529
<v Speaker 1>You've asked for my comment. I simply will render

0:40:02.420 --> 0:40:04.240
<v Speaker 1>my country.

0:40:17.870 --> 0:40:21.340
<v Speaker 1>The Academy Museum podcast is written and hosted by me

0:40:21.350 --> 0:40:22.810
<v Speaker 1>Jacqueline Stewart.

0:40:23.480 --> 0:40:27.739
<v Speaker 1>This episode was produced by antonia sarah ito. The Academy

0:40:27.739 --> 0:40:33.040
<v Speaker 1>Museum podcast team includes Kimberly stevens, victoria Alejandro and antonia

0:40:33.040 --> 0:40:36.180
<v Speaker 1>sarah ito. The show is a production of the Academy

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0:40:44.360 --> 0:40:48.980
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<v Speaker 1>Edo and Leo G are the executive producers for Elia Studios.

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<v Speaker 1>Elliot's Studios, the Academy Museum Marketing team created our branding

0:41:08.710 --> 0:41:12.290
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0:41:17.260 --> 0:41:20.960
<v Speaker 1>and to our Academy colleagues, randy Haber camp and Clare Lockhart.

0:41:22.090 --> 0:41:26.250
<v Speaker 1>Thanks also to the team at Elliot's Studios, including Taylor

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0:41:37.940 --> 0:41:43.080
<v Speaker 1>Academy Museum Digital engagement platforms including this podcast are sponsored

0:41:43.080 --> 0:41:44.890
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0:41:46.200 --> 0:41:49.779
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0:41:49.780 --> 0:41:53.910
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<v Speaker 1>for Public Broadcasting, a private corporation funded by the american People.