1 00:00:05,720 --> 00:00:08,240 S1: The program you are about to hear took more than 2 00:00:08,240 --> 00:00:12,799 S1: 50 years to record. And today at the radio backyard fence, 3 00:00:12,800 --> 00:00:15,440 S1: we go back to August, when I was joined by 4 00:00:15,440 --> 00:00:19,080 S1: Tim and Steve and Janice for a musical tour of 5 00:00:19,120 --> 00:00:22,880 S1: their lives. It all started in their local church. Their 6 00:00:22,880 --> 00:00:27,040 S1: dad was a pastor. It led to audiences around the world. 7 00:00:27,280 --> 00:00:30,680 S1: It led to the Grammy stage and back in August, 8 00:00:30,720 --> 00:00:35,040 S1: we took a look back at the history of The Archers, 9 00:00:35,400 --> 00:00:37,680 S1: and we heard from a new album that came out 10 00:00:37,680 --> 00:00:42,000 S1: shortly after we had them with us. Legacy live is out. 11 00:00:42,520 --> 00:00:44,400 S1: So in the program today, you're going to hear some 12 00:00:44,400 --> 00:00:48,199 S1: dated information. Disregard that. Any phone number you hear, we 13 00:00:48,200 --> 00:00:51,280 S1: aren't live with you today. Happy New Year's Eve, by 14 00:00:51,280 --> 00:00:53,920 S1: the way, and thank you for joining us for this 15 00:00:53,920 --> 00:00:57,960 S1: final program of 2025. I can't wait. Here's what one 16 00:00:57,960 --> 00:01:00,820 S1: listener said. If you have The Archers on your program. 17 00:01:01,020 --> 00:01:04,140 S1: You're having all the people behind them through the years, 18 00:01:04,140 --> 00:01:07,380 S1: the people who've listened and supported them, as well as 19 00:01:07,380 --> 00:01:10,300 S1: the musicians who have contributed to their music, and those 20 00:01:10,300 --> 00:01:14,580 S1: songwriters and singers who were at the very start of C.c.m. 21 00:01:15,020 --> 00:01:18,100 S1: So if you are a longtime C.c.m fan, don't miss 22 00:01:18,100 --> 00:01:21,100 S1: the conversation. Let me thank our team. Ryan McConaughey doing 23 00:01:21,100 --> 00:01:24,220 S1: all things technical. Trish is our producer. No one's on 24 00:01:24,220 --> 00:01:27,300 S1: the phones today because we're not live. But do go 25 00:01:27,300 --> 00:01:30,500 S1: to the website because today is the final day of 26 00:01:30,500 --> 00:01:35,660 S1: our offer of David and Barbara Lehman's book, Hosanna in Excelsis. 27 00:01:35,700 --> 00:01:39,220 S1: All through December, we have been joyfully giving this hardcover 28 00:01:39,260 --> 00:01:42,940 S1: gorgeous book as our. Thank you for your support. And 29 00:01:42,940 --> 00:01:47,060 S1: today's the Last day 43 Hymns and Carols of Christmas 30 00:01:47,260 --> 00:01:50,940 S1: and the stories behind them. You say Chris, Christmas has 31 00:01:50,940 --> 00:01:53,700 S1: been over for over a week now. Or about a week. 32 00:01:53,740 --> 00:01:56,020 S1: I know, but this is a book that you can 33 00:01:56,020 --> 00:01:58,760 S1: read all year round. Or pack it with the ornaments 34 00:01:58,760 --> 00:02:00,880 S1: and the lights. Get it out next year. It's a 35 00:02:00,880 --> 00:02:03,680 S1: legacy gift. Let me send you a copy. Here's how 36 00:02:03,680 --> 00:02:12,880 S1: to get one. Call 866958669532279 or go to Chris Fabry. 37 00:02:14,000 --> 00:02:16,640 S1: Scroll down. You'll see how you can give a year 38 00:02:16,639 --> 00:02:19,359 S1: end gift. Oh, this would be a great day to 39 00:02:19,400 --> 00:02:24,880 S1: call or click through 86695 or go to Chris. Favorite 40 00:02:26,600 --> 00:02:29,560 S1: and thanks for your support of the radio backyard fence 41 00:02:31,120 --> 00:02:36,000 S1: I found this online. The archers were an American past tense. 42 00:02:36,360 --> 00:02:40,160 S1: The archers were an American contemporary Christian group. They were 43 00:02:40,160 --> 00:02:44,320 S1: originally brothers Tim and Steve Archer, and they still are 44 00:02:44,560 --> 00:02:49,320 S1: Fred Satterfield, Nancy Short, and Billy Rush Masters. After Masters 45 00:02:49,320 --> 00:02:54,480 S1: and Short departed sister Janice joined, she was 16. They 46 00:02:54,480 --> 00:03:00,380 S1: enjoyed greater longevity than most of the pioneering artists recording 47 00:03:00,380 --> 00:03:03,380 S1: chart hits in the decades of the 70s, 80s and 90s, 48 00:03:03,380 --> 00:03:07,940 S1: including Jesus Is the Answer, Little Flowers, It Wouldn't Be Enough, 49 00:03:07,940 --> 00:03:11,980 S1: Fresh Surrender, Stand Up and Heaven in Your Eyes. Eric 50 00:03:11,980 --> 00:03:15,139 S1: Nelson of Maranatha! Music, who is another one of those pioneers, 51 00:03:15,139 --> 00:03:19,859 S1: defined The archers role in the development of contemporary Christian 52 00:03:19,860 --> 00:03:24,940 S1: music as representing one half of a convergence of traditional 53 00:03:24,940 --> 00:03:29,380 S1: vocal groups like The Archers got hipper while the Hippie 54 00:03:30,020 --> 00:03:32,859 S1: while the hippie rock groups like Maranatha! Bands got more 55 00:03:32,860 --> 00:03:38,620 S1: mellow and eventually both evinced the polished commercial sound that 56 00:03:38,620 --> 00:03:43,900 S1: would be identified as stereotypical contemporary Christian music. Ladies and 57 00:03:43,900 --> 00:03:47,700 S1: gentlemen from Nashville, here they are. Janis, Steve and Tim. 58 00:03:47,740 --> 00:03:50,660 S1: The archers. Welcome the archers! 59 00:03:51,180 --> 00:03:53,060 S2: Hey, y'all. Hey, everybody. 60 00:03:54,500 --> 00:03:56,770 S1: I love it. I love that we have you in 61 00:03:56,770 --> 00:04:00,170 S1: one room around one microphone. We might get some harmony 62 00:04:00,210 --> 00:04:01,370 S1: going here. Don't you think? 63 00:04:03,650 --> 00:04:04,610 S3: It's possible. 64 00:04:04,930 --> 00:04:08,850 S1: Yeah. Uh, so that were in there. The past tense? 65 00:04:08,970 --> 00:04:12,010 S1: We can't say that you are. Uh, so why did 66 00:04:12,010 --> 00:04:15,369 S1: you come together to do this, Steve? Let me start 67 00:04:15,370 --> 00:04:15,850 S1: with you. 68 00:04:16,970 --> 00:04:20,410 S4: Well, um, you know, it was one of those things 69 00:04:20,410 --> 00:04:26,450 S4: that really happened, um, through my brother Tim and his wife, Cynthia. Um, 70 00:04:26,450 --> 00:04:29,290 S4: and I think Tim could probably cover this better than 71 00:04:29,290 --> 00:04:33,929 S4: me because, uh, through an experience that Cynthia had many, 72 00:04:33,930 --> 00:04:37,170 S4: many years ago. Uh, I want to let Tim speak 73 00:04:37,170 --> 00:04:39,130 S4: about this because that's his wife. 74 00:04:39,850 --> 00:04:45,770 S2: Yeah. My wife, Cynthia. Chris. Um, when she was 15, she, uh, 75 00:04:46,210 --> 00:04:51,130 S2: was going through a difficult situation. Um, and, uh, she 76 00:04:51,130 --> 00:04:54,410 S2: put on a Chuck Girard album, his first solo album, 77 00:04:55,310 --> 00:04:58,430 S2: and a song called Lay Your Burden Down, was a 78 00:04:58,430 --> 00:05:02,430 S2: source that reached her deep inside and changed her life. 79 00:05:03,270 --> 00:05:06,470 S2: So this music has been very important to her. So 80 00:05:06,470 --> 00:05:08,469 S2: when her and I a few years back were trying 81 00:05:08,470 --> 00:05:11,550 S2: to figure out what to do, she says, why don't 82 00:05:11,550 --> 00:05:16,750 S2: we do a live reunion album? Jesus music reunion album. 83 00:05:17,470 --> 00:05:19,349 S2: And so that's what we did. 84 00:05:19,390 --> 00:05:20,029 S3: Concert. 85 00:05:20,230 --> 00:05:23,510 S2: Concert. I mean, I know album. Excuse me, a concert. Yeah. 86 00:05:23,550 --> 00:05:27,470 S2: And then we decided we would tape it or record it, 87 00:05:27,470 --> 00:05:31,110 S2: I should say. Yeah. And, uh. Uh, thanks to the 88 00:05:31,110 --> 00:05:33,710 S2: great Michael Morgan, he put me on to a gentleman 89 00:05:33,710 --> 00:05:37,789 S2: named Tim. Tim Akers, who arranged the record. And we 90 00:05:37,790 --> 00:05:42,750 S2: had a ten piece band and four background singers. All 91 00:05:42,750 --> 00:05:46,190 S2: the best players and people in Nashville. And they just 92 00:05:46,190 --> 00:05:48,950 S2: knocked it out of the park. And Tim Akers, I 93 00:05:48,990 --> 00:05:51,750 S2: found out when we met him that he had come 94 00:05:51,750 --> 00:05:54,730 S2: up with our music and learn how to play piano 95 00:05:55,050 --> 00:05:57,130 S2: with our music and other people like us. 96 00:05:57,170 --> 00:06:00,169 S1: Okay, so here's what you're doing. You did just there. 97 00:06:00,529 --> 00:06:03,529 S1: You mentioned these. And Chuck Girard, I think I saw 98 00:06:03,570 --> 00:06:06,450 S1: a post about Chuck not long ago from someone who 99 00:06:06,450 --> 00:06:08,930 S1: said he's not doing well physically. You know, pray pray 100 00:06:08,930 --> 00:06:12,130 S1: for Chuck. I might be getting that that wrong. But 101 00:06:12,130 --> 00:06:15,690 S1: you're going to drop all of these names because Andre Crouch, 102 00:06:15,810 --> 00:06:18,050 S1: I want you to tell the story about Andre Crouch. 103 00:06:18,330 --> 00:06:20,290 S1: But let me let me take you back. Get in 104 00:06:20,290 --> 00:06:24,050 S1: the Wayback Machine. Let's go all the way back to 1975. 105 00:06:24,089 --> 00:06:27,210 S1: This is what it sounded like in 1975 on that 106 00:06:27,210 --> 00:06:28,330 S1: first album. 107 00:06:28,810 --> 00:06:35,010 S5: If I had all the riches this world has to 108 00:06:35,050 --> 00:06:43,050 S5: give all the comfort that it brings. Never needing anything. 109 00:06:44,170 --> 00:06:49,050 S5: I could search the whole earth over far and wide. 110 00:06:51,250 --> 00:06:56,630 S5: Trying to buy this precious love that was sent from 111 00:06:56,630 --> 00:06:57,830 S5: God above. 112 00:06:59,310 --> 00:07:04,750 S1: Wouldn't be enough. Okay, so that's 1975. And that is 113 00:07:04,750 --> 00:07:08,589 S1: Nancy singing the lead. That wasn't your first album, but 114 00:07:08,589 --> 00:07:13,310 S1: that's the album. That song is redone on the Legacy live. 115 00:07:13,710 --> 00:07:18,310 S1: When I hear that, when I hear Nancy's voice, the 116 00:07:18,350 --> 00:07:21,870 S1: first thing I thought of was Karen Carpenter. And I 117 00:07:21,870 --> 00:07:24,750 S1: don't like to compare people's voices, but there was just 118 00:07:24,790 --> 00:07:30,070 S1: a tone that she had that reminded me of Karen Carpenter. Janice, 119 00:07:30,070 --> 00:07:31,190 S1: what do you think about that? 120 00:07:31,670 --> 00:07:34,110 S3: Oh, yeah. Oh, Tim, Steve and I would all agree 121 00:07:34,110 --> 00:07:36,710 S3: with you. She very much had the most beautiful voice. 122 00:07:36,710 --> 00:07:40,110 S3: And she was a beautiful person, just a sweetheart. And 123 00:07:40,110 --> 00:07:41,950 S3: when I would come out on the road as a 124 00:07:41,950 --> 00:07:44,950 S3: young teenager, 13, 14 years old, my parents would let 125 00:07:44,950 --> 00:07:47,070 S3: me tour with my brothers a little bit in the 126 00:07:47,110 --> 00:07:49,830 S3: summertime when I was out of school, learned to sing 127 00:07:49,830 --> 00:07:53,090 S3: back Background. Background a little bit. She was the sweetest mentor. 128 00:07:53,290 --> 00:07:55,250 S3: Little did I know that she was going to leave. 129 00:07:55,290 --> 00:07:59,130 S3: A few years later. She did three projects actually with archers, 130 00:07:59,450 --> 00:08:02,489 S3: and then eventually she left to get married. And that's 131 00:08:02,490 --> 00:08:05,090 S3: when my brothers came to my mom and dad and said, hey, 132 00:08:06,090 --> 00:08:08,250 S3: because I'd sung with them some a little bit anyway, 133 00:08:08,250 --> 00:08:10,290 S3: and I was singing in my local church and a 134 00:08:10,290 --> 00:08:12,970 S3: local trio and kind of getting my feet wet in 135 00:08:12,970 --> 00:08:15,210 S3: music and loving it. And of course, I was the 136 00:08:15,210 --> 00:08:17,370 S3: biggest Archer fan in the world because they were my 137 00:08:17,370 --> 00:08:19,809 S3: big brothers out on the road, and I was just 138 00:08:19,810 --> 00:08:23,170 S3: in love with them and their music. And so, uh, yeah. 139 00:08:23,170 --> 00:08:26,410 S3: So that's when my parents said yes. And, um, mom 140 00:08:26,410 --> 00:08:30,930 S3: said no. Dad said yes, but dad won. Dad won. 141 00:08:30,930 --> 00:08:34,610 S3: And so, uh, then I joined The Archers in 1976. 142 00:08:34,610 --> 00:08:38,850 S1: Okay. Tim and Steve, then that decision to bring Janice along, 143 00:08:39,290 --> 00:08:42,890 S1: this was not nepotism. I'm sensing it was like, she's 144 00:08:42,890 --> 00:08:45,569 S1: really talented. She's the best one here. Tell me how 145 00:08:45,570 --> 00:08:46,330 S1: that happened. 146 00:08:46,850 --> 00:08:51,190 S4: Well, that happens because, you know, we're we're singing as 147 00:08:51,190 --> 00:08:55,589 S4: The Archers, but also around home. We're singing as a family. 148 00:08:56,030 --> 00:08:58,910 S4: And as she traveled with us a little bit and 149 00:08:58,910 --> 00:09:02,230 S4: she's blending in with us, we're like, man, there's there's 150 00:09:02,270 --> 00:09:05,710 S4: a thing going on with our sibling Harmony here that 151 00:09:05,710 --> 00:09:08,950 S4: is really cool. So when she stepped in on that 152 00:09:08,950 --> 00:09:12,670 S4: first recording, the first surrender album, it was just a 153 00:09:12,670 --> 00:09:17,470 S4: natural blend. I mean, it was so special for us. 154 00:09:17,470 --> 00:09:21,710 S4: And that's that's when we became the Archer family. Yes. 155 00:09:22,270 --> 00:09:23,990 S1: And and I want to talk to you, to you 156 00:09:23,990 --> 00:09:29,630 S1: about harmonies, family harmonies, because there's nothing like that. But 157 00:09:29,630 --> 00:09:34,710 S1: this New legacy live album has the updated version 50 158 00:09:34,750 --> 00:09:37,830 S1: years later. And here's a little bit of what that 159 00:09:37,830 --> 00:09:38,590 S1: sounds like. 160 00:09:39,150 --> 00:09:39,750 S3: If I. 161 00:09:39,790 --> 00:09:40,270 S5: Had. 162 00:09:41,190 --> 00:09:47,829 S6: All the riches this world has to give all the 163 00:09:47,929 --> 00:09:56,449 S6: comfort that it brings, never needing anything. I could search 164 00:09:56,450 --> 00:10:04,650 S6: the whole world over. Far and wide. Trying to buy 165 00:10:04,690 --> 00:10:11,410 S6: this precious love. That was sent from God above. But 166 00:10:11,410 --> 00:10:14,010 S6: it wouldn't be enough. 167 00:10:14,330 --> 00:10:20,770 S7: No, it wouldn't be enough to buy one splinter of 168 00:10:20,770 --> 00:10:28,250 S7: the tree that Jesus died on. And I couldn't pay 169 00:10:28,290 --> 00:10:34,450 S7: the price for one single drop of blood that was 170 00:10:34,450 --> 00:10:48,439 S7: shed for my salvation. Oh. 171 00:10:49,920 --> 00:10:56,520 S6: If I had all the riches this world has to give. 172 00:10:57,080 --> 00:11:03,400 S6: And I gave it all away. Every penny to my name. 173 00:11:04,160 --> 00:11:12,360 S6: To some beggar on life's dark and lonely street. All 174 00:11:12,400 --> 00:11:18,880 S6: this kindness found in me. Could not win it to me. 175 00:11:19,520 --> 00:11:26,280 S7: And it wouldn't be enough. No, it wouldn't be enough 176 00:11:26,640 --> 00:11:27,640 S7: to buy one. 177 00:11:27,640 --> 00:11:30,840 S1: Tim, Steve and Janice, the archers are with us today. 178 00:11:30,840 --> 00:11:33,839 S1: That's from Legacy Live. It is coming soon. You can 179 00:11:33,840 --> 00:11:37,200 S1: find it at Chris. Org, we got a link right there. 180 00:11:37,200 --> 00:11:42,240 S1: Chris Fabry lives more with The Archers coming up straight 181 00:11:42,240 --> 00:11:45,360 S1: ahead on Moody Radio for my. 182 00:11:45,980 --> 00:11:48,060 S7: Salvation. 183 00:11:51,860 --> 00:11:53,300 S6: Come on, sing it with us. 184 00:11:53,620 --> 00:11:57,900 S7: Oh, it wouldn't be enough, love. 185 00:12:05,340 --> 00:12:07,620 S1: I love it when we get to have musical artists 186 00:12:07,620 --> 00:12:11,660 S1: with us. Tim, Steve and Janice, the archers are here. Legacy. 187 00:12:11,660 --> 00:12:14,500 S1: Live here is fresh surrender. 188 00:12:16,620 --> 00:12:25,140 S7: Fresh surrender. I humble myself before you. You are the 189 00:12:25,140 --> 00:12:44,359 S7: Lord of my life. Tender. With compassion. Fresh. Surrender All 190 00:12:44,360 --> 00:12:48,800 S7: of your love is in my life. You are the 191 00:12:48,800 --> 00:12:56,640 S7: one who makes me free. Tender. With compassion. 192 00:12:57,440 --> 00:12:59,960 S1: That's going to bring back some memories. That's from the 193 00:12:59,960 --> 00:13:03,600 S1: New Legacy live album. We've got a link right there 194 00:13:03,600 --> 00:13:07,800 S1: at Chris favorite. Tim. Steve and Janice are in the studio. 195 00:13:07,840 --> 00:13:10,240 S1: The thing that gets me about I saw this retrospective 196 00:13:10,240 --> 00:13:14,200 S1: over all the albums through the years, starting more than 197 00:13:14,200 --> 00:13:19,320 S1: 50 years ago now, and that one fresh surrender you do, 198 00:13:19,360 --> 00:13:23,559 S1: all three of you the hair all right there, Janice, 199 00:13:23,559 --> 00:13:26,160 S1: tell me a little bit about that photo shoot that 200 00:13:26,160 --> 00:13:27,440 S1: you did for that album. 201 00:13:28,600 --> 00:13:32,040 S3: Uh, well, first of all, um, I had that haircut 202 00:13:32,040 --> 00:13:34,160 S3: before Farrah Fawcett did. I just want to go public 203 00:13:34,160 --> 00:13:38,360 S3: with that. Uh, um, but anyway, it's just my sister 204 00:13:38,360 --> 00:13:40,160 S3: in law was a hairstylist, and she cut my hair 205 00:13:40,200 --> 00:13:42,980 S3: like that one day, and my kids think I stole 206 00:13:42,980 --> 00:13:44,820 S3: it from Farrah Fawcett. And I said, no, she stole 207 00:13:44,820 --> 00:13:47,700 S3: it from me anyway. But actually, we got to the 208 00:13:47,700 --> 00:13:50,300 S3: studio that day to shoot the cover, and we had 209 00:13:50,340 --> 00:13:53,060 S3: booked this guy. We paid for half of that album 210 00:13:53,059 --> 00:13:55,740 S3: cover personally, our radio, I mean, our record label gave 211 00:13:55,740 --> 00:13:58,540 S3: us a certain amount and we just wanted as excellent 212 00:13:58,540 --> 00:14:01,020 S3: a photographer as we could get, and we wanted something 213 00:14:01,059 --> 00:14:03,700 S3: a little fresh and unique that we hadn't seen as 214 00:14:03,700 --> 00:14:06,300 S3: much on Christian album covers. And so we booked this guy. 215 00:14:06,660 --> 00:14:08,820 S3: He's seeing us for the first time when we actually 216 00:14:08,820 --> 00:14:11,579 S3: arrived for the studio, and he kept staring at us 217 00:14:11,580 --> 00:14:14,220 S3: and staring at us, and finally he goes, I know 218 00:14:14,220 --> 00:14:16,819 S3: what we're going to do. We all left the studio. 219 00:14:16,820 --> 00:14:19,620 S3: He took us down to a store, bought turtlenecks, came 220 00:14:19,620 --> 00:14:22,140 S3: back into the studio and put us in black turtlenecks 221 00:14:22,140 --> 00:14:25,340 S3: so that everything would disappear except a face and all 222 00:14:25,340 --> 00:14:28,260 S3: this thick hair that all three of us were blessed with. 223 00:14:28,260 --> 00:14:31,180 S3: Thanks to our parents. They had great hair and so. 224 00:14:31,220 --> 00:14:32,860 S3: And it was a black and white cover, and we 225 00:14:32,860 --> 00:14:35,060 S3: had never seen anything quite like that at the time. 226 00:14:35,060 --> 00:14:37,300 S3: So we were, we, uh, we thought it was kind 227 00:14:37,300 --> 00:14:39,980 S3: of a fresh, fun idea. And, um, and it's actually 228 00:14:39,980 --> 00:14:42,520 S3: the first project I ever got to record with my 229 00:14:42,520 --> 00:14:45,120 S3: brothers after I joined the band. So that is a 230 00:14:45,120 --> 00:14:47,240 S3: very special album to all of us, and it was 231 00:14:47,240 --> 00:14:50,239 S3: very well received. The cover and the project? 232 00:14:50,280 --> 00:14:50,640 S2: Yes. 233 00:14:51,600 --> 00:14:55,080 S1: And that song then is on the New Legacy live 234 00:14:55,080 --> 00:15:00,280 S1: album that comes out August 22nd. Talk about the the harmonies, 235 00:15:00,320 --> 00:15:04,280 S1: the vocals of a family group, because everybody knows second 236 00:15:04,280 --> 00:15:08,440 S1: chapter of acts and the harmony that they have there. 237 00:15:08,440 --> 00:15:11,360 S1: You hear that? You're singing in Fresh Surrender. You're singing 238 00:15:11,360 --> 00:15:15,440 S1: in unison, and then you break off into the harmonies. Tamara, Steve, 239 00:15:15,520 --> 00:15:18,160 S1: tell me about what it sounded like when you first 240 00:15:18,160 --> 00:15:20,040 S1: were were singing together. 241 00:15:21,000 --> 00:15:25,680 S2: Well, Steve and I, uh, have been singing together since 242 00:15:26,040 --> 00:15:31,880 S2: he was 13, and I was 16, 16. And, uh, 243 00:15:33,120 --> 00:15:36,640 S2: and we always did a duet or something on each 244 00:15:36,640 --> 00:15:39,520 S2: of our records. Just something with he and I. And 245 00:15:39,520 --> 00:15:42,660 S2: so this song kind of features she and I doing 246 00:15:42,660 --> 00:15:46,980 S2: the unison and then some harmony stuff with Janice. And, uh, 247 00:15:47,220 --> 00:15:49,860 S2: the gentleman who wrote this song was the guy you 248 00:15:49,860 --> 00:15:54,220 S2: mentioned earlier, Billy Rush Masters. He was our guitar player 249 00:15:54,220 --> 00:15:58,100 S2: that wrote this song. And when we were doing outreaches, 250 00:15:58,100 --> 00:16:00,940 S2: when we began The Archers out of our dad's church, 251 00:16:01,260 --> 00:16:03,500 S2: one of our Monday night rallies that we were doing 252 00:16:03,500 --> 00:16:06,660 S2: for the youth, uh, to reach out and tell them 253 00:16:06,660 --> 00:16:11,940 S2: about Jesus. He was a drug addicted rock player, and 254 00:16:11,940 --> 00:16:14,900 S2: his sister brought him. And that night, his life was 255 00:16:14,900 --> 00:16:18,580 S2: completely changed. And the next thing we know, he's playing 256 00:16:18,580 --> 00:16:22,660 S2: with Steve and I on stage. And that writing great songs. 257 00:16:22,660 --> 00:16:26,380 S2: And that's how he began with us. And in that song, 258 00:16:26,580 --> 00:16:29,900 S2: you can hear the gospel that touched his heart. 259 00:16:29,940 --> 00:16:30,540 S4: Yes. 260 00:16:31,900 --> 00:16:35,700 S1: How important is that? That it is. It comes from 261 00:16:35,700 --> 00:16:39,600 S1: the organic in the church. It was something that you 262 00:16:39,600 --> 00:16:43,200 S1: didn't go out and seek fame and fortune and the 263 00:16:43,200 --> 00:16:47,320 S1: lights and the stage. It started in the church and 264 00:16:47,320 --> 00:16:49,600 S1: it built from there. How important was that? 265 00:16:50,080 --> 00:16:54,160 S4: That was very important because, um, you know, you need 266 00:16:54,160 --> 00:16:57,640 S4: that foundation. You need that grounding. Uh, if you're going 267 00:16:57,680 --> 00:17:00,360 S4: to go out and kind of face the world, uh, 268 00:17:00,400 --> 00:17:03,960 S4: with your music and, uh, we kind of went from 269 00:17:03,960 --> 00:17:08,240 S4: the church into the into the local junior high school 270 00:17:08,240 --> 00:17:12,639 S4: and high school auditoriums, uh, even the, the city auditoriums, 271 00:17:12,640 --> 00:17:14,600 S4: we would go in there and of course, we were 272 00:17:14,600 --> 00:17:21,200 S4: in California, so we would have these concerts called Youth quakes. And, uh, 273 00:17:21,480 --> 00:17:24,120 S4: all the community kids, uh, you know, we'd hand out 274 00:17:24,119 --> 00:17:26,560 S4: flyers and everything and let everybody know we were going 275 00:17:26,600 --> 00:17:29,560 S4: to be doing a Jesus music concert, and the kids 276 00:17:29,560 --> 00:17:32,240 S4: would just show up and we would jam. We would 277 00:17:32,240 --> 00:17:34,399 S4: just get up with our bass and our drums and 278 00:17:34,400 --> 00:17:38,470 S4: electric guitar and our hair and all of that. 279 00:17:38,510 --> 00:17:41,270 S3: Long haired dad let him grow long hair. He was sing. 280 00:17:41,310 --> 00:17:45,550 S4: Sing music that they could relate to with lyrics that 281 00:17:45,550 --> 00:17:49,590 S4: just had them going, wow, they're singing about Jesus. But 282 00:17:49,590 --> 00:17:53,870 S4: listen to the music, you know? And, uh, that that really, 283 00:17:53,869 --> 00:17:58,030 S4: that combination really touched kids lives. And we, we just 284 00:17:58,030 --> 00:18:02,230 S4: had an awesome revival going on in our hometown and 285 00:18:02,230 --> 00:18:05,750 S4: our parents, because of the lives that were being changed. 286 00:18:05,790 --> 00:18:08,590 S4: They were they were 100% in support of what we 287 00:18:08,630 --> 00:18:09,030 S4: were doing. 288 00:18:09,070 --> 00:18:09,510 S2: Yeah. 289 00:18:09,550 --> 00:18:14,670 S1: Yeah. But that whole area and era then of Southern California, 290 00:18:14,750 --> 00:18:18,150 S1: I saw the picture of the two of you and it's, 291 00:18:18,190 --> 00:18:20,909 S1: you know, the Archer brothers, but it looks like the 292 00:18:20,950 --> 00:18:25,470 S1: Everly Brothers to me. You you're probably singing Bye Bye, Love. 293 00:18:25,510 --> 00:18:28,230 S1: You know, not in the church, but, uh, you've got 294 00:18:28,270 --> 00:18:32,830 S1: the Eagles, J.D. Souther, you've got all of these Southern 295 00:18:32,830 --> 00:18:37,330 S1: California rock bands that are coming up. You've also got Peter, 296 00:18:37,330 --> 00:18:40,090 S1: Paul and Mary and the harmonies there. You've got Bob 297 00:18:40,090 --> 00:18:43,649 S1: Dylan writing his songs. So all of that is converging 298 00:18:44,010 --> 00:18:46,770 S1: with this new thing that we didn't know what, what 299 00:18:46,810 --> 00:18:50,490 S1: to call it, and eventually became contemporary Christian music. Talk 300 00:18:50,530 --> 00:18:51,369 S1: about that. 301 00:18:53,410 --> 00:18:57,369 S2: Um, well, Steve, go ahead and take it. 302 00:18:57,410 --> 00:19:00,770 S3: Well, they they called it Jesus people. Music in the beginning. Yeah. 303 00:19:00,810 --> 00:19:03,969 S3: And I actually went to lived in Costa mesa. We 304 00:19:03,970 --> 00:19:06,730 S3: all lived in California, obviously, we're a West Coast band. 305 00:19:06,730 --> 00:19:08,649 S3: And and I was living in Costa mesa, and I 306 00:19:08,650 --> 00:19:13,330 S3: was actually attending, uh, Chuck Smith's church, where. 307 00:19:13,369 --> 00:19:13,689 S4: Calvary. 308 00:19:13,690 --> 00:19:17,370 S3: Chapel, Calvary Chapel, where so much of the young artists 309 00:19:17,369 --> 00:19:20,210 S3: were being invited to come and perform. And I mean, 310 00:19:20,250 --> 00:19:23,250 S3: from Keith Green to love song to and by the way, 311 00:19:23,290 --> 00:19:26,730 S3: I'll just take a quick moment and just pay honor 312 00:19:26,730 --> 00:19:29,690 S3: to Chuck Girard, who you may not have heard yet, 313 00:19:29,690 --> 00:19:33,490 S3: but did pass a few days ago. And, um, he's 314 00:19:33,490 --> 00:19:35,910 S3: in he's celebrating in heaven. I know with the one 315 00:19:35,910 --> 00:19:38,910 S3: he sang about for so many years of his life, 316 00:19:38,910 --> 00:19:40,950 S3: and we send our love and our prayers to his 317 00:19:40,950 --> 00:19:43,870 S3: wife and his family during this time. But what an 318 00:19:43,869 --> 00:19:47,830 S3: impact he had on so many lives. Mine included. Ours included. 319 00:19:47,830 --> 00:19:50,670 S3: But um, but they would do like these concerts at 320 00:19:50,670 --> 00:19:53,510 S3: Calvary Chapel as well. So things were going on at 321 00:19:53,510 --> 00:19:55,510 S3: our church. But when I moved, we moved into the 322 00:19:55,510 --> 00:19:57,830 S3: Orange County area than it was the same thing was 323 00:19:57,830 --> 00:20:01,230 S3: going on at Calvary Chapel on even a larger scale. 324 00:20:01,230 --> 00:20:03,670 S3: And so he was just having all these bands come through. 325 00:20:03,710 --> 00:20:05,790 S3: He didn't care about their hair, he didn't care about 326 00:20:05,790 --> 00:20:08,470 S3: any of that. They just played cool music that these 327 00:20:08,470 --> 00:20:10,310 S3: young kids wanted to hear, and they'd show up in 328 00:20:10,310 --> 00:20:13,430 S3: their their, like, surfing shorts and their surfboards on top 329 00:20:13,430 --> 00:20:15,949 S3: of their vehicles and come in and they do all 330 00:20:15,950 --> 00:20:19,070 S3: this great music. But the message of the music was 331 00:20:19,070 --> 00:20:22,710 S3: just like literally hitting the souls of these kids looking 332 00:20:22,710 --> 00:20:25,150 S3: for something to fill that void. Yeah. And they were 333 00:20:25,150 --> 00:20:27,389 S3: finding it in Jesus and it just began to blow up. 334 00:20:27,390 --> 00:20:30,470 S3: And it obviously it spread all over America because then 335 00:20:30,510 --> 00:20:33,310 S3: the next thing we know is The Archers. We're we're 336 00:20:33,310 --> 00:20:37,810 S3: moving into doing these festivals where there's 60,000 young people or, 337 00:20:38,090 --> 00:20:42,250 S3: you know, Expo 72, or there's like 200,000 young people. 338 00:20:42,250 --> 00:20:44,890 S3: It's just it was a real move of God. And 339 00:20:44,890 --> 00:20:47,370 S3: what a privilege. And of course, Tim and Steve were 340 00:20:47,369 --> 00:20:51,850 S3: really grasp built a grassroots ministry, music ministry and career 341 00:20:51,850 --> 00:20:54,410 S3: before I even joined them. So they were already out 342 00:20:54,410 --> 00:20:57,930 S3: there sharing the music and the message. And then when 343 00:20:57,930 --> 00:21:00,010 S3: I came along, it was just kind of what God 344 00:21:00,010 --> 00:21:02,570 S3: was doing in the earth, in the culture and in 345 00:21:02,570 --> 00:21:05,409 S3: the earth, as he was establishing his kingdom in the 346 00:21:05,410 --> 00:21:08,330 S3: lives of these young kids. And many went on to become. 347 00:21:08,330 --> 00:21:11,050 S3: I remember Tim was telling a story today that Steven 348 00:21:11,050 --> 00:21:14,330 S3: Curtis Chapman was sitting on the front row, um, of 349 00:21:14,330 --> 00:21:17,450 S3: one of their concerts, and Tim brought him on the bus, 350 00:21:17,490 --> 00:21:19,810 S3: you know, after one of the concerts. Yeah. He think 351 00:21:19,810 --> 00:21:22,330 S3: he was just in high school or something. And so 352 00:21:22,369 --> 00:21:25,369 S3: many went on to become artists. But what a privilege 353 00:21:25,369 --> 00:21:29,130 S3: it was to be a small part of that move 354 00:21:29,130 --> 00:21:31,850 S3: of God. That was just amazing. 355 00:21:31,850 --> 00:21:34,350 S2: Yeah. We got we became friends with a lot of 356 00:21:34,350 --> 00:21:34,950 S2: those people. 357 00:21:34,950 --> 00:21:35,430 S3: Yeah. 358 00:21:35,950 --> 00:21:39,270 S2: And, uh. But we were Steve and I, uh, at 359 00:21:39,270 --> 00:21:43,750 S2: that time, we were connected with Andre Crouch. Yes. And 360 00:21:43,750 --> 00:21:50,630 S2: he was our initial mentor. Yeah. Him and Pat Boone and, um, uh, Andre, uh, 361 00:21:50,910 --> 00:21:55,030 S2: played a huge role in our beginning. He, he, Sondra 362 00:21:55,030 --> 00:21:57,390 S2: and Perry and some of the disciples took us to 363 00:21:57,430 --> 00:22:01,710 S2: Whitney Studios in Glendale and helped us make a 45. Chris. 364 00:22:02,230 --> 00:22:02,710 S3: Yeah. 365 00:22:03,310 --> 00:22:05,510 S2: Yeah. Yeah. And then he said, you guys need to 366 00:22:05,510 --> 00:22:08,750 S2: do an album. He just took a liking to us. And, uh, 367 00:22:08,750 --> 00:22:12,910 S2: that's when Nancy had joined us. And so, uh, we 368 00:22:12,950 --> 00:22:16,070 S2: got some songs together for an album and raised some 369 00:22:16,070 --> 00:22:19,229 S2: money in the church. That church. And to pay for it, 370 00:22:19,270 --> 00:22:22,429 S2: he got a studio. Andre did. And then Steve and 371 00:22:22,430 --> 00:22:26,270 S2: I were in a booking agency room. That one day 372 00:22:26,270 --> 00:22:28,550 S2: was him, and there was a piano in one of 373 00:22:28,550 --> 00:22:32,210 S2: the rooms, and he was working on some songs, and 374 00:22:32,210 --> 00:22:36,490 S2: we needed a couple songs to finish that. That first 375 00:22:36,490 --> 00:22:41,050 S2: album or independent record that later became Benson record called 376 00:22:41,050 --> 00:22:44,330 S2: The Archers. But, uh, so Steve and I said, hey, 377 00:22:44,369 --> 00:22:47,370 S2: you have any songs? Maybe a couple songs we can record? 378 00:22:47,490 --> 00:22:51,170 S2: We were like, you know, real humbly begging him. And 379 00:22:51,170 --> 00:22:54,129 S2: he said, well, I've got one, I finished, it's called 380 00:22:54,130 --> 00:22:58,050 S2: It Won't Be Long. That's on the legacy medley. Uh, 381 00:22:58,130 --> 00:23:01,369 S2: and then he said, I've got one. Uh, tell him 382 00:23:01,369 --> 00:23:02,490 S2: about that. That other one. 383 00:23:02,730 --> 00:23:04,570 S4: Well, he was he was working on the other one, 384 00:23:04,570 --> 00:23:07,490 S4: he and Sandra. And he said that they had a 385 00:23:07,530 --> 00:23:10,649 S4: chorus and one verse, and they were working on the 386 00:23:10,650 --> 00:23:14,850 S4: second verse. Uh, while we were there and, uh, and 387 00:23:14,850 --> 00:23:16,290 S4: we said, oh, can we hear it? You know, of 388 00:23:16,290 --> 00:23:18,530 S4: course we, we need songs. And he goes, well, this 389 00:23:18,530 --> 00:23:22,050 S4: one kind of starts out like this. And Jesus is 390 00:23:22,090 --> 00:23:26,570 S4: the answer for the world. And of course, we were like, okay, 391 00:23:26,570 --> 00:23:32,160 S4: we'll take it. Thank you. So. So it won't be long. 392 00:23:32,200 --> 00:23:36,359 S4: Thank you. You know. So what a what a wonderful 393 00:23:36,359 --> 00:23:40,240 S4: man he was. He sowed into so many young groups 394 00:23:40,240 --> 00:23:43,720 S4: and young lives, and was always so generous and loving 395 00:23:44,080 --> 00:23:46,320 S4: and had a tremendous impact on Steve. 396 00:23:46,320 --> 00:23:48,280 S2: And I sit right there with him while he finished 397 00:23:48,280 --> 00:23:49,000 S2: the second verse. 398 00:23:49,000 --> 00:23:51,040 S3: Yeah, yeah. A lot of people don't know the archers 399 00:23:51,040 --> 00:23:53,000 S3: were the first people to ever record. It won't be 400 00:23:53,000 --> 00:23:54,960 S3: long and Jesus is the answer. 401 00:23:55,000 --> 00:23:56,200 S2: That's how generous he was. 402 00:23:56,200 --> 00:23:58,560 S1: Yeah, yeah. Okay. I want you to hear that this 403 00:23:58,560 --> 00:24:01,840 S1: is from the new album Legacy Live. This is a 404 00:24:01,840 --> 00:24:05,240 S1: little bit of that song that Andre wrote the first 405 00:24:05,240 --> 00:24:08,640 S1: verse to, and then finished it as The archers were 406 00:24:08,640 --> 00:24:10,720 S1: around him at the piano. Here we go. 407 00:24:12,800 --> 00:24:21,600 S7: Jesus is the answer for the world today. Above him 408 00:24:21,600 --> 00:24:30,260 S7: there's no other other. Jesus is the way. Jesus is 409 00:24:30,300 --> 00:24:37,939 S7: the answer for the world today. Above him there is 410 00:24:37,940 --> 00:24:42,220 S7: no other. Jesus is the way. 411 00:24:50,580 --> 00:24:56,140 S6: I know that you've got questions and the corners of 412 00:24:56,140 --> 00:25:04,380 S6: your mind trails of discouragement and peace you cannot find. 413 00:25:05,420 --> 00:25:10,820 S6: Reflections of your old past. They seem to fail you 414 00:25:10,820 --> 00:25:16,260 S6: every day. But this one thing I know for sure 415 00:25:17,060 --> 00:25:25,740 S6: Jesus is the way. Jesus is. For world. 416 00:25:25,780 --> 00:25:30,240 S7: Today. Above him. There's no way. 417 00:25:30,280 --> 00:25:33,119 S1: From the heart of Andre Crouch and the voices of 418 00:25:33,119 --> 00:25:37,080 S1: The Archers that's from the new album Legacy Live. We 419 00:25:37,080 --> 00:25:39,879 S1: have a link right there at the website. Chris Fabriclive 420 00:25:41,000 --> 00:25:46,080 S1: Chris Fabriclive more with The Archers coming up straight ahead 421 00:25:46,080 --> 00:25:47,160 S1: on Moody Radio. 422 00:25:47,520 --> 00:25:59,399 S7: Jesus is away. And I know we've all got some. 423 00:26:06,200 --> 00:26:09,600 S1: This is like a family reunion. Tim. Steve, Janice, the 424 00:26:09,600 --> 00:26:13,440 S1: archers are here. They had older siblings as well. We'll 425 00:26:13,440 --> 00:26:15,239 S1: talk a little bit about them. They have a new 426 00:26:15,240 --> 00:26:18,160 S1: album called Legacy Live. I wanted you to hear about it, 427 00:26:18,160 --> 00:26:20,600 S1: and I wanted you to hear some music from it. 428 00:26:21,080 --> 00:26:23,600 S1: And that's what we're doing. We just played Jesus as 429 00:26:23,640 --> 00:26:28,060 S1: the answer and the the voice that you heard singing 430 00:26:28,260 --> 00:26:33,420 S1: that verse. There was not Janis. It was someone named 431 00:26:33,420 --> 00:26:37,580 S1: Tabitha Fair. And I love this, Tim, that you you 432 00:26:37,619 --> 00:26:40,100 S1: were listening and you said, she's got to sing that. 433 00:26:40,100 --> 00:26:42,300 S1: And you had her tell me that story. 434 00:26:42,900 --> 00:26:47,020 S2: Well, uh, Tata Vega, who's a famous background singer that 435 00:26:47,020 --> 00:26:53,419 S2: Andre discovered. Uh, she reminded me of her because I 436 00:26:53,420 --> 00:26:58,100 S2: used to sing with Andre, and, um. And so when when, uh, 437 00:26:58,100 --> 00:27:00,980 S2: we I just said we gotta put her on that first. 438 00:27:01,020 --> 00:27:06,140 S2: Steve does the second verse, but, uh, she just we 439 00:27:06,140 --> 00:27:09,180 S2: just she's so good that we. I just knew she 440 00:27:09,180 --> 00:27:10,219 S2: would nail it. Yeah. 441 00:27:10,260 --> 00:27:12,300 S3: She's one of our background singers and. 442 00:27:12,700 --> 00:27:15,460 S2: She's one of the background singers on the album. Yeah. 443 00:27:15,980 --> 00:27:19,780 S1: That's fantastic. I love it and see what Andre did 444 00:27:19,780 --> 00:27:24,580 S1: for her. You for Tata. You guys are doing. You did. 445 00:27:25,000 --> 00:27:27,919 S1: That's that's what I think about your music. It's very 446 00:27:27,920 --> 00:27:32,160 S1: inclusive and very, uh, life giving to others. You don't 447 00:27:32,160 --> 00:27:36,320 S1: hold this tightly. You open your hands and you allow 448 00:27:36,359 --> 00:27:39,120 S1: others to come along and be mentored and to grow 449 00:27:39,119 --> 00:27:42,440 S1: and to fly in a lot of ways. Um, let 450 00:27:42,440 --> 00:27:45,760 S1: me let me go to Marty in Cleveland, Ohio. Marty, 451 00:27:45,960 --> 00:27:48,119 S1: you have a question or comment for The Archers? 452 00:27:50,119 --> 00:27:54,840 S8: Sure. Hi. You all there? Uh, I came into the 453 00:27:55,240 --> 00:27:59,320 S8: to this program a little late. I heard you guys talking. Uh, 454 00:27:59,520 --> 00:28:02,880 S8: somehow in the context, uh, second chapter of acts were 455 00:28:02,880 --> 00:28:07,360 S8: related to something. I wanted to know if somehow they 456 00:28:07,359 --> 00:28:09,600 S8: influenced you or what you guys were talking about. I 457 00:28:09,600 --> 00:28:12,919 S8: missed that, and I got pretty excited because there's a 458 00:28:12,920 --> 00:28:17,480 S8: time in my life when it was second chapter of acts, 459 00:28:17,480 --> 00:28:20,119 S8: Phil Keaggy, Keith Green, and probably you guys were in 460 00:28:20,119 --> 00:28:23,580 S8: there because in 1979, I was praying for a new 461 00:28:23,580 --> 00:28:27,300 S8: kind of music instead of rock and roll, you know. Awesome. 462 00:28:27,380 --> 00:28:27,980 S8: A little bit. 463 00:28:28,820 --> 00:28:32,420 S4: Yeah, we we were right there at the same time 464 00:28:32,780 --> 00:28:38,500 S4: as Matthew and Nelly and Annie, uh, second chapter of acts. And, um, 465 00:28:38,740 --> 00:28:41,580 S4: we fell in love with them as well, because they 466 00:28:41,580 --> 00:28:45,100 S4: are family, just like we are. They have that sibling blend. 467 00:28:45,460 --> 00:28:47,660 S4: Powerful singers. We became. 468 00:28:47,660 --> 00:28:48,220 S3: Friends. 469 00:28:48,260 --> 00:28:52,340 S4: We became friends. Uh, we recorded. I've recorded with Matthew 470 00:28:52,340 --> 00:28:55,900 S4: a couple of times on some musicals. Tim and I, um, 471 00:28:56,220 --> 00:28:59,700 S4: they're just wonderful people, and. But we we both came 472 00:28:59,700 --> 00:29:01,340 S4: along right at the same time. 473 00:29:01,380 --> 00:29:01,820 S3: Yeah. 474 00:29:02,220 --> 00:29:02,660 S2: Yeah. 475 00:29:03,340 --> 00:29:05,140 S1: What do you remember about Keith Green? 476 00:29:07,060 --> 00:29:11,580 S4: Oh, I remember, um, Christian artist retreat up in, uh, 477 00:29:12,220 --> 00:29:19,459 S4: Estes Park, Colorado. Uh, seeing Keith perform and just, you know, 478 00:29:19,500 --> 00:29:25,000 S4: Keith Green being Keith Green. Just amazing. Uh, very, uh, 479 00:29:25,440 --> 00:29:33,520 S4: matter of fact. Jesus. Music artist. And but after that evening, we, uh, 480 00:29:33,520 --> 00:29:35,720 S4: some of us went back to his cabin where he 481 00:29:35,720 --> 00:29:38,800 S4: was staying, and we all sat and sang a little 482 00:29:38,840 --> 00:29:41,600 S4: bit and talked about the Lord, and it was just 483 00:29:41,600 --> 00:29:43,200 S4: so cool. Very cool. 484 00:29:43,240 --> 00:29:46,800 S3: First time I heard him was at Calvary Chapel, where 485 00:29:46,800 --> 00:29:48,800 S3: a great move of God was going on, where Chuck 486 00:29:48,800 --> 00:29:51,360 S3: Smith was the pastor, and it was a Saturday night 487 00:29:51,360 --> 00:29:55,560 S3: like outreach concert, and it was jam packed, and he 488 00:29:56,160 --> 00:29:58,680 S3: walked over to this upright piano and began to play, 489 00:29:58,880 --> 00:30:02,640 S3: and the whole piano was vibrating. He had such. 490 00:30:02,680 --> 00:30:04,720 S2: He had a lot of energy and. 491 00:30:04,840 --> 00:30:05,840 S3: Passion. 492 00:30:05,880 --> 00:30:09,160 S2: He and I had the same accountant and I. 493 00:30:09,200 --> 00:30:09,720 S1: Really. 494 00:30:10,040 --> 00:30:14,480 S2: And. Yeah. And I went to, uh, the accountant house 495 00:30:14,480 --> 00:30:17,440 S2: one day, and that's the only time I met Keith. 496 00:30:17,960 --> 00:30:20,870 S2: And he was all over. He was jumping up on 497 00:30:20,870 --> 00:30:21,670 S2: the couch. 498 00:30:21,710 --> 00:30:21,870 S3: And. 499 00:30:22,670 --> 00:30:26,750 S2: He was very animated and fun. But he saw the message. 500 00:30:26,790 --> 00:30:29,550 S3: The message of his songs was so unique and fresh. 501 00:30:29,750 --> 00:30:30,630 S3: Didn't you think? 502 00:30:30,670 --> 00:30:31,550 S2: Real gospel. 503 00:30:31,710 --> 00:30:33,390 S3: Yeah, man, it was powerful. 504 00:30:33,670 --> 00:30:36,150 S1: Well, there's somebody else with some hair, too. Because when 505 00:30:36,190 --> 00:30:40,190 S1: you when you played that piano, you'd see the hair moving. Okay, 506 00:30:40,230 --> 00:30:43,070 S1: so here's the main question I wanted to ask you three, 507 00:30:43,270 --> 00:30:46,790 S1: especially as it, as it relates to this legacy project, 508 00:30:46,790 --> 00:30:52,270 S1: what song today means more than when you first sang it? Tim, 509 00:30:52,310 --> 00:30:53,430 S1: answer that question. 510 00:30:53,830 --> 00:30:57,030 S2: I, I will tell you this. In 2013, I was 511 00:30:57,310 --> 00:31:01,990 S2: diagnosed with stage three oral cancer. Uh, only 30% of 512 00:31:01,990 --> 00:31:07,070 S2: people survive stage three oral cancer. And, uh, I had 513 00:31:07,070 --> 00:31:12,470 S2: a doctor. I got to a doctor in Vanderbilt, in Nashville, and, uh, uh, 514 00:31:12,710 --> 00:31:15,310 S2: he said, if we have to do a trick, if 515 00:31:15,350 --> 00:31:18,950 S2: the normal way that they would take get my cancer would, 516 00:31:18,950 --> 00:31:22,330 S2: I would never sing again. And so he said he 517 00:31:22,330 --> 00:31:24,810 S2: knew I was a singer. And I just think it 518 00:31:24,810 --> 00:31:26,810 S2: was a God thing. He just looked at my wife 519 00:31:26,810 --> 00:31:29,450 S2: and he said, Tim, if you'll trust me, I'm just 520 00:31:29,450 --> 00:31:31,210 S2: going to go in and get it so you can 521 00:31:31,210 --> 00:31:34,650 S2: still sing. And I lost a little bit of my tongue, 522 00:31:34,770 --> 00:31:37,890 S2: probably tell it with my speech and the floor of 523 00:31:37,890 --> 00:31:40,410 S2: my mouth on the left side, and all my lymph 524 00:31:40,450 --> 00:31:43,450 S2: nodes came out on the left side. You wouldn't know 525 00:31:43,450 --> 00:31:46,170 S2: it if you were looking at me. It's just a miracle. 526 00:31:46,690 --> 00:31:51,610 S2: And the first time I sang live again was was 527 00:31:51,650 --> 00:31:53,290 S2: on this record. Well. 528 00:31:53,330 --> 00:31:54,170 S3: And at the concert. 529 00:31:54,210 --> 00:31:56,810 S2: At the concert? I mean, really, when we taped the 530 00:31:56,810 --> 00:32:01,450 S2: concert and. And I was living that song. When I sing, 531 00:32:02,010 --> 00:32:05,090 S2: sing that night, it's a song I wrote in 1979, 532 00:32:05,090 --> 00:32:07,810 S2: in the middle of the night when I needed God's 533 00:32:07,810 --> 00:32:11,010 S2: intervention in my life. And and you know what? I 534 00:32:11,010 --> 00:32:15,130 S2: was standing there on this record that night, singing that song, 535 00:32:15,330 --> 00:32:16,370 S2: reliving it. 536 00:32:17,450 --> 00:32:17,970 S3: All over again. 537 00:32:17,990 --> 00:32:18,390 S4: Picking up. 538 00:32:18,390 --> 00:32:20,910 S2: The picking up the pieces of my life. And boy, 539 00:32:20,950 --> 00:32:22,350 S2: has he done it all. 540 00:32:22,510 --> 00:32:23,390 S3: Over and over, right? 541 00:32:23,390 --> 00:32:23,710 S2: Yeah. 542 00:32:23,750 --> 00:32:24,310 S4: Amen. 543 00:32:24,670 --> 00:32:27,709 S1: This is part of the the medley. There's a medley 544 00:32:27,710 --> 00:32:29,950 S1: on this album, and I hope we get the right 545 00:32:29,950 --> 00:32:33,950 S1: one here for you. But this is the song. There's 546 00:32:33,950 --> 00:32:37,270 S1: somebody who needs to hear the message of this song today. 547 00:32:37,270 --> 00:32:37,910 S1: I'm sure. 548 00:32:39,470 --> 00:32:46,030 S7: Picking up the pieces of my life. 549 00:32:49,710 --> 00:33:00,750 S9: And bringing new releases just in time. And just when 550 00:33:00,750 --> 00:33:07,270 S9: I'm exhausted. All the ways to bring it all together. 551 00:33:08,790 --> 00:33:11,190 S9: You know he's right there. 552 00:33:11,190 --> 00:33:21,290 S7: Picking up the pieces of my life. Looking back on 553 00:33:21,570 --> 00:33:27,850 S7: my yesterday, my life was scattered in so many ways 554 00:33:29,490 --> 00:33:35,170 S7: and tried so very, very hard to feel the purpose 555 00:33:35,930 --> 00:33:41,970 S7: in to place. But then I saw your loving hand 556 00:33:43,330 --> 00:33:52,170 S7: reaching out to me, still picking up the pieces of 557 00:33:52,170 --> 00:34:03,090 S7: my life. Yeah. Oh, picking up the pieces of my love. 558 00:34:07,930 --> 00:34:18,990 S7: Bringing new releases just in time. I. Just when I 559 00:34:19,550 --> 00:34:27,630 S7: exhausted all the ways to bring it all together. He's 560 00:34:27,630 --> 00:34:32,430 S7: picking up the pieces of my life. 561 00:34:34,710 --> 00:34:35,110 S6: Oh. 562 00:34:35,790 --> 00:34:36,750 S7: Boy. Yeah. 563 00:34:37,510 --> 00:34:37,990 S6: Hey! 564 00:34:38,590 --> 00:34:46,350 S7: Come on. Say it now. Picking up the pieces. Say again. 565 00:34:46,790 --> 00:34:57,989 S7: Bringing new releases. He's picking up the pieces. Bringing new 566 00:34:58,030 --> 00:35:06,430 S7: releases right there. Picking up the pieces of my life. 567 00:35:11,750 --> 00:35:24,850 S7: Bringing new Releases just in time. Just when I exhausted 568 00:35:25,890 --> 00:35:32,770 S7: all the ways to bring it all together. He's picking 569 00:35:32,770 --> 00:35:44,690 S7: up the pieces of my life. He's picking up the pieces. 570 00:35:47,330 --> 00:35:59,530 S7: Picking up the pieces. He'll do it. Oh, my. Love. 571 00:36:08,810 --> 00:36:12,250 S1: That's from the new album legacy live by the Archers. Tim, 572 00:36:12,250 --> 00:36:15,069 S1: Steve and Janice are with us. Okay, so I've got 573 00:36:15,070 --> 00:36:16,750 S1: to get you to respond to that because I can't 574 00:36:16,750 --> 00:36:18,669 S1: just then go to a break. I gotta hear what 575 00:36:18,670 --> 00:36:21,230 S1: your what is rolling through your soul. Tim, as you 576 00:36:21,230 --> 00:36:25,390 S1: listen to yourself sing that uh, on that live album. 577 00:36:25,790 --> 00:36:28,110 S2: Try not to lose it on your radio show. 578 00:36:29,350 --> 00:36:32,630 S3: We're actually sitting here all just weeping to that song 579 00:36:32,630 --> 00:36:33,590 S3: one more time. 580 00:36:33,950 --> 00:36:37,390 S1: Okay, so. So, Janice, when you heard him open his 581 00:36:37,390 --> 00:36:39,509 S1: mouth and sing that night because you didn't know what 582 00:36:39,510 --> 00:36:41,830 S1: it was going to sound like, what went through your 583 00:36:41,830 --> 00:36:43,750 S1: mind as you're looking at your brother? 584 00:36:45,150 --> 00:36:48,950 S3: Uh, I just saw the faithfulness of God. I just 585 00:36:48,950 --> 00:36:51,950 S3: saw the miracle working power of God, and I just 586 00:36:51,950 --> 00:36:54,870 S3: began to weep. I just stood there and cried through 587 00:36:54,870 --> 00:36:58,510 S3: the verses and did my best to sing on the choruses. Um, 588 00:36:58,550 --> 00:37:01,830 S3: that song is so personal to Tim, and it's just 589 00:37:01,830 --> 00:37:04,710 S3: been such a privilege for us as siblings to to 590 00:37:04,750 --> 00:37:07,270 S3: walk through life with each other, through the good, the bad, 591 00:37:07,310 --> 00:37:10,070 S3: the ugly. I mean, I had I had a micro-preemie 592 00:37:10,110 --> 00:37:13,700 S3: babies that weighed £1 each, and I don't know how 593 00:37:13,700 --> 00:37:16,660 S3: I would have done it without knowing Jesus and the 594 00:37:16,660 --> 00:37:19,420 S3: love and support of my brothers and my family. Steve 595 00:37:19,460 --> 00:37:23,460 S3: flew across country to come into NICU and see my babies. Yeah, 596 00:37:23,500 --> 00:37:25,740 S3: and just stand with me. And and we've walked with 597 00:37:25,739 --> 00:37:28,940 S3: Tim and and he's walked with us. It's, you know, 598 00:37:28,940 --> 00:37:32,860 S3: there's a deep connection to these songs and certainly that song, 599 00:37:32,860 --> 00:37:35,820 S3: because for each of us, he has picked up pieces 600 00:37:35,820 --> 00:37:38,180 S3: of our life. And there's still things in our lives 601 00:37:38,180 --> 00:37:41,460 S3: that we're believing God for, right? We're not, we're not 602 00:37:41,500 --> 00:37:43,340 S3: we're not at heaven's gate yet. We're not at the 603 00:37:43,340 --> 00:37:45,580 S3: door of heaven. So we're still believing God for him 604 00:37:45,580 --> 00:37:48,540 S3: to continue to pick up for me. 605 00:37:48,540 --> 00:37:53,739 S2: If that song is that the messages that we get. Um, 606 00:37:53,780 --> 00:37:58,340 S2: it's a very simple song. And, uh, I just am 607 00:37:58,340 --> 00:38:02,540 S2: proud that that God gave that through me. That. And 608 00:38:02,540 --> 00:38:06,860 S2: it's touched so many lives. And, uh, that's the really the, 609 00:38:06,860 --> 00:38:09,620 S2: the legacy of that song is just, it's just was 610 00:38:09,620 --> 00:38:14,320 S2: God given. And if he'd been picking up the pieces 611 00:38:14,320 --> 00:38:16,719 S2: of my life and a lot of other people. So 612 00:38:16,760 --> 00:38:18,759 S2: I'm just thankful for that. 613 00:38:18,840 --> 00:38:20,920 S3: It's such a song of hope, you know? There's so 614 00:38:20,920 --> 00:38:22,160 S3: much hope in that song. 615 00:38:22,760 --> 00:38:25,719 S1: I wanted to play it here and, you know, I 616 00:38:25,719 --> 00:38:29,080 S1: have no idea who is listening. God knows. But if 617 00:38:29,080 --> 00:38:31,880 S1: there's somebody driving down the road right now and your 618 00:38:31,880 --> 00:38:34,760 S1: life is in pieces and you just don't know how 619 00:38:34,760 --> 00:38:37,600 S1: it's all going to fit together and you know you've 620 00:38:37,600 --> 00:38:41,200 S1: lost hope. Listen to those words that were written a 621 00:38:41,200 --> 00:38:45,359 S1: long time ago, and then those words are lived by 622 00:38:45,360 --> 00:38:48,160 S1: the folks who sang it, the archers, who are with 623 00:38:48,160 --> 00:38:52,200 S1: us today. And they are testifying their their life speaks. 624 00:38:52,200 --> 00:38:56,440 S1: It actually sings into your soul that there is hope. 625 00:38:56,480 --> 00:38:59,960 S1: Don't give up. Listen to that voice of the Savior 626 00:38:59,960 --> 00:39:03,439 S1: who is calling you to himself, and will continue with 627 00:39:03,440 --> 00:39:04,760 S1: the archers straight ahead. 628 00:39:08,560 --> 00:39:18,900 S7: He's picking up the pieces. Picking up the pieces. He'll 629 00:39:18,900 --> 00:39:39,299 S7: do it. Oh my lord. Thank you. 630 00:39:40,780 --> 00:39:41,259 S10: Thank you. 631 00:39:48,060 --> 00:39:51,180 S1: The archers are with me today. Tim, Steve and Janice, 632 00:39:51,180 --> 00:39:54,060 S1: this is from Legacy Live. You can find out how 633 00:39:54,060 --> 00:40:00,140 S1: to get it at Chris. Chris Fabry live. I've got 634 00:40:00,140 --> 00:40:02,180 S1: some folks who want to talk with The archers before 635 00:40:02,180 --> 00:40:06,100 S1: we conclude here today. Keith is in Birmingham, Alabama. Keith. 636 00:40:06,140 --> 00:40:07,020 S1: Go right ahead. 637 00:40:07,560 --> 00:40:10,759 S11: Chris, I am so excited to be saying hello to 638 00:40:10,800 --> 00:40:11,720 S11: The Archers. 639 00:40:11,920 --> 00:40:12,799 S12: My favorite. 640 00:40:12,800 --> 00:40:14,640 S11: Group all the way from Alabama. 641 00:40:15,160 --> 00:40:15,560 S12: Oh. 642 00:40:16,120 --> 00:40:16,760 S2: How you doing? 643 00:40:16,800 --> 00:40:17,240 S3: Hey. 644 00:40:18,239 --> 00:40:21,800 S11: I posted my, uh, my albums that I've had all 645 00:40:21,800 --> 00:40:25,800 S11: my life on your site, and I tell you, The Archers, 646 00:40:25,800 --> 00:40:29,000 S11: since I was a teenager, has been my favorite group. 647 00:40:29,280 --> 00:40:32,879 S11: Thank you for loving Jesus and music that related to 648 00:40:32,920 --> 00:40:36,080 S11: teenagers back in the 70s. And you made Jesus so 649 00:40:36,080 --> 00:40:38,840 S11: real to all of us. I love you guys so much. 650 00:40:38,840 --> 00:40:41,759 S12: Thank you Keith. We love you brother. 651 00:40:41,800 --> 00:40:43,120 S3: Thank you for those kind words. 652 00:40:43,120 --> 00:40:44,000 S12: I appreciate that. 653 00:40:44,000 --> 00:40:45,080 S3: Means so much. 654 00:40:45,120 --> 00:40:45,520 S12: Thank you. 655 00:40:45,520 --> 00:40:46,840 S4: For listening to our music. 656 00:40:46,880 --> 00:40:47,120 S12: Man. 657 00:40:47,160 --> 00:40:48,800 S3: Yeah, and all the support. 658 00:40:49,440 --> 00:40:52,920 S1: Have you heard from people who've sung your songs in church? 659 00:40:52,960 --> 00:40:55,799 S1: You know, done, done special music and they've chosen one 660 00:40:55,800 --> 00:40:57,280 S1: of yours. Tell me about that. 661 00:40:57,520 --> 00:40:58,280 S2: All the time. 662 00:40:58,320 --> 00:40:59,360 S4: Oh, absolutely. 663 00:41:00,000 --> 00:41:03,239 S2: There's a big one. Yeah. Wouldn't be enough picking up 664 00:41:03,239 --> 00:41:03,960 S2: the pieces. 665 00:41:04,120 --> 00:41:07,259 S3: Actually, the girl, Tabitha Fair that sang on Jesus is 666 00:41:07,260 --> 00:41:09,700 S3: the Answer, that one verse. She was telling us when 667 00:41:09,700 --> 00:41:13,460 S3: we were listening back in the studio, uh, that she 668 00:41:13,460 --> 00:41:16,540 S3: grew up in church leading it wouldn't be enough and 669 00:41:16,540 --> 00:41:19,540 S3: singing it wouldn't be enough in her church. Wow. I mean, 670 00:41:19,540 --> 00:41:22,260 S3: I just it blows my mind. The people that are. 671 00:41:22,300 --> 00:41:26,060 S3: And then Sheri Easter, uh, she, uh, of the of 672 00:41:26,060 --> 00:41:31,020 S3: Jeff and Sheri Easter or just, you know, gospel music royalty. Uh, 673 00:41:31,060 --> 00:41:33,260 S3: they were telling us. She was telling us she became 674 00:41:33,260 --> 00:41:34,460 S3: Miss Georgia. Right, Tim? 675 00:41:34,500 --> 00:41:34,900 S2: Yup. 676 00:41:35,100 --> 00:41:38,380 S3: And she in the in the talent competition of Miss Georgia. 677 00:41:38,420 --> 00:41:41,420 S3: She's saying it wouldn't be. No, she's saying picking up 678 00:41:41,420 --> 00:41:42,140 S3: the pieces. 679 00:41:42,540 --> 00:41:45,220 S2: She won the king. The talent part of Miss Georgia 680 00:41:45,260 --> 00:41:46,180 S2: doing picking up the pieces. 681 00:41:46,219 --> 00:41:47,340 S13: Yeah. She did. 682 00:41:47,980 --> 00:41:50,339 S1: Okay. So that song that we just played a little 683 00:41:50,380 --> 00:41:52,940 S1: bit of is Stand Up, that's on the new album, 684 00:41:52,940 --> 00:41:55,740 S1: the Legacy Album. Steve, you wrote that. Tell me about 685 00:41:55,739 --> 00:41:56,380 S1: that song. 686 00:41:56,700 --> 00:41:59,859 S4: Yeah, I wrote that with our, our bandmate who's gone 687 00:41:59,860 --> 00:42:03,380 S4: on to be with the Lord. His name is Phil Christianson. Uh, 688 00:42:03,380 --> 00:42:07,200 S4: he also toured with Amy Grant, Promise Keepers, just an 689 00:42:07,200 --> 00:42:11,120 S4: incredible keyboardist. And we found him in a college. Yeah, 690 00:42:11,160 --> 00:42:11,719 S4: and took him. 691 00:42:11,760 --> 00:42:15,680 S2: He left college the next day with The Archers. 692 00:42:15,719 --> 00:42:19,239 S4: Yeah, but Philip was just such a great you know, 693 00:42:19,280 --> 00:42:23,640 S4: we love Andre Crouch's piano playing, and Philip is about 694 00:42:23,640 --> 00:42:26,359 S4: as close as you can come to having that, that 695 00:42:26,360 --> 00:42:30,200 S4: soulful feel. And we were jamming after a concert one 696 00:42:30,200 --> 00:42:33,120 S4: night and he started doing that piano part, you know, 697 00:42:33,160 --> 00:42:35,280 S4: the boom, boom, boom, boom. 698 00:42:35,280 --> 00:42:35,880 S12: Boom, boom. 699 00:42:36,040 --> 00:42:38,439 S4: And so we were just jamming as a band and 700 00:42:38,440 --> 00:42:41,160 S4: they're having fun, and I start getting these lyrics in 701 00:42:41,160 --> 00:42:43,959 S4: my head. And then before you know it, we're doing like, 702 00:42:43,960 --> 00:42:49,160 S4: stand up, stand up, take a stand, y'all. And my 703 00:42:49,160 --> 00:42:51,880 S4: heart towards that was, listen, there's a lot of people 704 00:42:51,880 --> 00:42:55,800 S4: out there facing a lot of adversity, a lot of difficulty, 705 00:42:55,840 --> 00:42:58,919 S4: a lot of fear, a lot of frustration. Um, and 706 00:42:58,920 --> 00:43:02,319 S4: those of us that know the answer, those that that 707 00:43:02,320 --> 00:43:05,940 S4: know Jesus, We need to speak out. We need to 708 00:43:05,980 --> 00:43:10,219 S4: stand up and be bold and take Jesus hand and 709 00:43:10,219 --> 00:43:12,219 S4: stand up for him. And that's kind of where that 710 00:43:12,219 --> 00:43:12,980 S4: all came from. 711 00:43:13,180 --> 00:43:14,700 S1: We need to hear a little bit of that before 712 00:43:14,700 --> 00:43:16,980 S1: we end today. Here's a little bit of stand up. 713 00:43:17,420 --> 00:43:22,180 S7: Oh, we need to do is stand up, stand up. 714 00:43:22,580 --> 00:43:30,219 S7: Take a stand up. Stand up, stand up, take a 715 00:43:30,219 --> 00:43:35,460 S7: stand off. Well, you search for love and Buddha. And 716 00:43:35,460 --> 00:43:41,420 S7: you search for love and Krishna too. But for peace 717 00:43:41,420 --> 00:43:44,060 S7: of mind you're trying to find. Has blown your mind 718 00:43:44,060 --> 00:43:49,939 S7: before you through. If you really want to know what 719 00:43:49,940 --> 00:43:56,460 S7: true love is all about. Open up your heart and 720 00:43:56,460 --> 00:44:00,100 S7: mind to this message. Why don't you check it out 721 00:44:00,860 --> 00:44:03,690 S7: if you know you can't stand up. 722 00:44:04,250 --> 00:44:05,530 S6: Stand up. 723 00:44:05,890 --> 00:44:10,730 S7: Take a stand. Y'all. Stand up. 724 00:44:11,130 --> 00:44:15,370 S1: That is from the new album Legacy Live. The archers 725 00:44:15,810 --> 00:44:17,810 S1: and I wanted to get that in here. You know, 726 00:44:17,850 --> 00:44:20,529 S1: all of this music that was written a number of 727 00:44:20,530 --> 00:44:23,490 S1: years ago. The group has been together. It's now 50 728 00:44:23,489 --> 00:44:27,330 S1: years plus. All of that music that you were doing 729 00:44:27,330 --> 00:44:31,089 S1: back there and that we need Jesus, I think is 730 00:44:31,090 --> 00:44:34,170 S1: appropriate today. We need him as much, if not more, 731 00:44:34,170 --> 00:44:38,090 S1: today than you did when you were writing that song, Steve. 732 00:44:38,130 --> 00:44:39,050 S1: Do you agree with that? 733 00:44:39,530 --> 00:44:44,489 S4: Absolutely. Like you said, as much, if not more, today 734 00:44:44,730 --> 00:44:47,890 S4: than we did back then. And what a wonderful thing 735 00:44:47,890 --> 00:44:52,770 S4: that we have so many, uh, greater avenues to share 736 00:44:52,770 --> 00:44:56,650 S4: that gospel, because back when, in the 70s, as you know, 737 00:44:56,650 --> 00:45:00,129 S4: there wasn't, you know, social media, there weren't all these 738 00:45:00,130 --> 00:45:03,230 S4: incredible avenues that we have to share the gospel, the 739 00:45:03,270 --> 00:45:07,550 S4: gospel of Jesus Christ. And the other song on this record, Jesus, 740 00:45:07,590 --> 00:45:10,670 S4: is the answer for the world today. That's really what 741 00:45:10,670 --> 00:45:14,230 S4: it's all about, is we're still singing about Jesus and 742 00:45:14,230 --> 00:45:15,549 S4: he's still the answer. 743 00:45:15,590 --> 00:45:16,070 S12: Yes. 744 00:45:16,830 --> 00:45:18,989 S1: Janice, I cut you off before you had to say something. 745 00:45:18,989 --> 00:45:20,190 S1: You want to say one more thing? 746 00:45:20,510 --> 00:45:23,230 S3: No. All I was going to say I was piggybacking 747 00:45:23,230 --> 00:45:26,430 S3: on what Steve said earlier is that, uh, Stand Up 748 00:45:26,430 --> 00:45:29,590 S3: is such a timely song for where the world is today. 749 00:45:30,110 --> 00:45:32,790 S3: I mean, everybody's standing up for all kinds of things, 750 00:45:32,790 --> 00:45:35,230 S3: but if we stand up for Jesus, we could really 751 00:45:35,230 --> 00:45:36,230 S3: change this world. 752 00:45:36,790 --> 00:45:38,350 S12: Yeah, and he's there for us. 753 00:45:38,430 --> 00:45:39,109 S3: Yes. 754 00:45:39,430 --> 00:45:41,709 S1: I am so glad the three of you got back 755 00:45:41,710 --> 00:45:44,470 S1: together and are. And not that you haven't been, but 756 00:45:44,510 --> 00:45:47,950 S1: that you've come up with this legacy live album. You've 757 00:45:47,989 --> 00:45:50,670 S1: given us. Just a peek. I could talk with you 758 00:45:50,710 --> 00:45:53,950 S1: folks for three weeks and not plumb the depths of 759 00:45:53,950 --> 00:45:56,589 S1: everything that all the questions I have, but thank you 760 00:45:56,590 --> 00:45:58,910 S1: for spending the time with us today. God bless you 761 00:45:58,910 --> 00:46:01,050 S1: and thanks for coming to the back fence today. 762 00:46:01,330 --> 00:46:02,529 S12: Thank you Chris. Thank you. 763 00:46:02,570 --> 00:46:05,250 S3: Chris. Much love to you and all the listeners. 764 00:46:05,250 --> 00:46:09,570 S1: God bless Tim, Steve, Janice, The Archers, you can find 765 00:46:09,570 --> 00:46:14,330 S1: out more about them and that new project, Legacy Live. 766 00:46:14,770 --> 00:46:17,450 S1: There's a lot of life there, but there's also a 767 00:46:17,489 --> 00:46:20,850 S1: lot of struggle. And isn't life about that? Life is 768 00:46:20,850 --> 00:46:24,090 S1: about struggle. But the struggle is not a sign of failure. 769 00:46:24,130 --> 00:46:27,609 S1: Struggle is a sign of life. And it comes through 770 00:46:27,610 --> 00:46:31,290 S1: their music and the harmonies. And I hope you enjoyed 771 00:46:31,290 --> 00:46:33,850 S1: that a half as much as I did. And come 772 00:46:33,850 --> 00:46:36,290 S1: on back tomorrow for another conversation at the back fence. 773 00:46:36,330 --> 00:46:39,730 S1: Go to Chris Fabry Live. We have links right there. 774 00:46:40,130 --> 00:46:43,490 S1: And remember our program is production of Moody Radio ministry 775 00:46:43,489 --> 00:46:45,410 S1: of Moody Bible Institute.