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Speaker 1: Now back to Dirty Work Adam Copeland and Derek Papa

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Speaker 1: on K and b R one O four five and

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Speaker 1: six eighty Am the sports Leader. Dirty Work is sponsored

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Speaker 1: by Jack's Restaurant and Bar and all Day, any day

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Speaker 1: kind of place.

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Speaker 2: Well, Jake Pryor missing that three bongol comes down with

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Speaker 2: the rebound, so make it this very so dangerous in

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Speaker 2: full flight, putting it up.

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Speaker 3: In the end, he is a menace in the open

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Speaker 3: forties kind of limping after that attack.

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Speaker 2: That's his first buckets tonight, I want to make shooting

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Speaker 2: but after Jk's.

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Speaker 3: At his best, Dirty Work with you on a Monday.

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Speaker 3: I love songs with a oh yeah to make it

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Speaker 3: radio appropriate, dude.

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Speaker 4: That's how I grew up on hip hop because my

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Speaker 4: mom would refuse to get the explicit version for a

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Speaker 4: while there, so I get the clean version.

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Speaker 3: What was at can be on what's the first album

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Speaker 3: your parents founded yours that they were really upset about? Okay,

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Speaker 3: I know mine because back in the day, dude. Also,

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Speaker 3: like like when I say back in the day, I

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Speaker 3: say like the nineties for me, uh the like they

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Speaker 3: have this Like I wasn't allowed to get anything with

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Speaker 3: a parental advisory sticker on it. Yeah, my parents were

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Speaker 3: pretty pretty strict until they got divorced. Then they just

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Speaker 3: started competing for who was cooler. Uh they were, they were,

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Speaker 3: They're there, My friend pretty strict about like like I

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Speaker 3: couldn't watch rated our movies and like, I don't think

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Speaker 3: I think the first rated our movie I remember seeing

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Speaker 3: was like that I wanted to see was American Pie,

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Speaker 3: and I was probably like, let's stand Downe's favorite. It's

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Speaker 3: a great holds up, dan holds up to the next step,

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Speaker 3: you know. I was quoting it last week to Derek.

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Speaker 3: Do you when we were talking about about The Little

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Speaker 3: Mermaid and Ariel When ostraker Oz is talking to Stiffler

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Speaker 3: and he's talking about which is the hottest Disney princess

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Speaker 3: and he says, uh, yeah, I totally get with Ariel. Dude,

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Speaker 3: he is bro she's half fish, she goes not when

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Speaker 3: she's on land bro.

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Speaker 5: It all changes.

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Speaker 2: Man.

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Speaker 3: I was gonna say, such a dumb argument, except we

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Speaker 3: did like an hour on it last week slip or anything.

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Speaker 3: But like, like my parents were pretty strict about, like

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Speaker 3: you can't see rated OAR movies. Seventeen is kind of old,

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Speaker 3: I think to see her first read in our movie,

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Speaker 3: I think so when I get to like it, it

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Speaker 3: varies and whatever. It is also weird watching a what's

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Speaker 3: her name Shannon Elizabeth and take her top off with

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Speaker 3: my mom, Like, that was weird.

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Speaker 5: What's the weirdest movie you've seen with your parents?

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Speaker 3: That's my weirdest memory of having like having seen a

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Speaker 3: movie with my my parents, because I was like the

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Speaker 3: first time I saw a woman like topless on a

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Speaker 3: movie on TV and I'm with my mom sitting next

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Speaker 3: to me. I was like, this is weird.

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Speaker 5: I remember taking my across my legs. Yeah, like not

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Speaker 5: not with my parents.

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Speaker 3: Twelve years old.

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Speaker 5: I'm like, oh yeah, it's like, Mom, you gotta leave

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Speaker 5: the room here.

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Speaker 3: I'm gonna need like forty five seconds.

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Speaker 4: I remember taking my little sister to go see uh

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Speaker 4: Wolf of Wall.

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Speaker 5: Street in a theater.

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Speaker 3: Yeah, that's a weird.

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Speaker 4: That's I was a big mistake with the opening scene

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Speaker 4: where he's snorting coke.

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Speaker 3: Well, there's a lot going on in that opening scene.

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Speaker 5: Yeah, there's a whole lot go.

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Speaker 3: When I was getting at those I used to go

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Speaker 3: to like Warehouse Music, Yeah every weekend for me. Yeah,

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Speaker 3: I think it was in technically San Lorenzo on Llewellyn

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Speaker 3: and then then rasputin. Yep, would you still have the

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Speaker 3: big like CD up on top of it?

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Speaker 4: Oh, dude, giant c I have a gigantic CD collection

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Speaker 4: that my mom still has.

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Speaker 5: But like the wow, she she she's hung on to

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Speaker 5: all of them.

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Speaker 3: Your mom moved from Florida. Oh yeah, Texas.

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Speaker 5: Ye, she has all my CDs and.

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Speaker 3: You made her move all your crap.

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Speaker 5: They're collecting their collector, why do you?

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Speaker 3: Yeah, I know tangible media is coming back. Physical media

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Speaker 3: is back, dude, man, so wait are you? I think

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Speaker 3: that is a thing though, because like if you've seen,

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Speaker 3: like it's gotten really popular. A lot of kids are

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Speaker 3: buying disposable cameras, kids like gen z rs, Like it's

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Speaker 3: becoming a popular thing to take photos. I was somewhere

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Speaker 3: somewhere last week and somebody did that. It was in Australia.

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Speaker 3: Somebody was like taking a photo on digital cameras. I

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Speaker 3: was like, wow, they're going to get those developed.

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Speaker 5: Huh yeah, retros in so.

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Speaker 3: That that physical media, and I know people are buying CDs.

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Speaker 3: Records are like record players have gotten bigger again, like vinyl.

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Speaker 3: You're saying vinyl buying records you have.

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Speaker 5: It's been that way for a little while now.

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Speaker 3: Sound and vinyl so good. But I like, I just

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Speaker 3: first of all, a lot of things going on here.

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Speaker 3: Your mom moved with on your CDs?

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Speaker 5: Yeah, oh yeah.

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Speaker 3: Are you gonna go get them and bring them back

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Speaker 3: or ship them at some point?

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Speaker 2: When?

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Speaker 5: What do you When I get my own house and

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Speaker 5: I have room for all that?

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Speaker 3: When I get my own house, yeah, one of that.

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Speaker 4: One of these days when I land the lot when

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Speaker 4: I win the lottery and buy a house for my mom.

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Speaker 3: Are you saying are you saying when you plant roots

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Speaker 3: and you're like, no, you're gonna be somewhere for a while,

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Speaker 3: So you're trying to minimize how much stuff you have.

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Speaker 4: I don't have a lot of space in my current apartment.

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Speaker 4: You know, I had the treadmill in all, so it's

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Speaker 4: it's hard to start having Yeah, of course I do.

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Speaker 3: If they're close hanging on it right now, yes, absolutely,

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Speaker 3: But to take the first when I was getting out

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Speaker 3: with the CD, they used to put that little parental

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Speaker 3: advisory still remember, and it would be on the front,

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Speaker 3: and my buddy was really really good at peeling those off,

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Speaker 3: like cleanly.

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Speaker 4: Okay, But for my generation and probably yours too, it

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Speaker 4: was part of the CD cover.

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Speaker 5: You could not peel that up time.

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Speaker 3: No, no, I'm saying. When I first started buying CDs in

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Speaker 3: like maybe ninety nine, two thousand and I was like

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Speaker 3: ten or eleven, first time I got really into into

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Speaker 3: like trying to buy albums and stuff like that. The

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Speaker 3: they were still on the cover, right. I had a

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Speaker 3: buddy who was really good at ripping them off. One

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Speaker 3: time he said he got ratted out too by the

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Speaker 3: guy at the counter, was like, are you sure you

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Speaker 3: want your son? It was like a little pink on

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Speaker 3: the cover with her legs open. Mmm, you should you

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Speaker 3: want your son listening to this?

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Speaker 5: A little Kim or pig.

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Speaker 3: Just give me a little Kim, Yeah, a little pink. No,

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Speaker 3: little Kim's fat, she's wearing pH It's like that that

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Speaker 3: fuzzy yeah, exactly.

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Speaker 6: Like we need one of those stickers in the lower

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Speaker 6: third here on Dirty Work, Yeah, we get one.

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Speaker 3: Advisers.

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Speaker 4: My my first album that I bought that, my mom

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Speaker 4: was like, oh my god. It was D twelve's Devil's Night.

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Speaker 4: It was Eminem's hip hop group, and I was gonna

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Speaker 4: see them at concert in Houston, and she I guess

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Speaker 4: she bought the album for me or something heard like

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Speaker 4: some of the first tracks and was appalled and ripped

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Speaker 4: up my tickets to go see that show.

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Speaker 3: Later that we She's like, no way you're seeing She was.

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Speaker 4: Like, not on my watch. That with that is just

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Speaker 4: way too much. I don't even know why I bought

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Speaker 4: this album for you, my dad.

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Speaker 3: They gave me. It was like for my birthday, maybe

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Speaker 3: the eleventh or twelfth birthday. I got Green Day Dookie.

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Speaker 5: Yeah, that's not.

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Speaker 3: Bad, No, that was fine, And then I got My

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Speaker 3: parents weren't really like I didn't stress that hard on

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Speaker 3: the cursing. It was more about like messaging or like

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Speaker 3: what like. I wasn't super into like rapper hip hop

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Speaker 3: as a little kid anyway, and neither were my parents.

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Speaker 3: I wasn't super into that and didn't have anything that

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Speaker 3: they thought was was too suggestive. I guess, uh, the

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Speaker 3: one that got them, which is hilarious to me. And

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Speaker 3: this is so up my dad's alley for like overreaction

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Speaker 3: on things that he shouldn't be upset about. The cake.

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Speaker 3: I forget which album it is, maybe a Utero anyway,

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Speaker 3: it's the songs, I just like the one song like

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Speaker 3: Sheep Go to Heaven, Goats Go to Hell. I didn't

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Speaker 3: have them, and I didn't even know that many cake

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Speaker 3: songs as a kid at that point.

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Speaker 5: And a problem with the hell No.

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Speaker 3: The song was called there's a different song on there

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Speaker 3: called Satan is My Motor and it's like a super

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Speaker 3: chill like cake song. Yeah, and my dad heard, He's like,

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Speaker 3: Satan's your motor and he's like and then and then

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Speaker 3: he went like full like it's just like a Marilyn

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Speaker 3: Manson type thing, like he thought it was like a

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Speaker 3: devil worshiping like yeah, yeah, yeah, I like like a

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Speaker 3: dad in a small town where they where they band

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Speaker 3: dancing dancing, Yeah, somebody like it's like he't twist and

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Speaker 3: shake in this room, can't have Satan as your motor.

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Speaker 3: I was like, Dad, we're all having sent yeah, shout

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Speaker 3: out the Russell anyway. So uh so he took it

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Speaker 3: away from me. And then later on when I was

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Speaker 3: a teenager, he got really mad because we were in

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Speaker 3: the car and I put on a Weezer album and

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Speaker 3: I think the song Hashpipe came on and my brother

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Speaker 3: was singing it. My dad was like that very row brother,

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Speaker 3: You're singing about a hash pipe, and I'm like, in hindsight,

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Speaker 3: that's pretty funny. Also like River's Quomo and Wheezer became

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Speaker 3: his favorite band.

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Speaker 4: Yeah, but that song was on like MTV like that

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Speaker 4: that much buck exactly.

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Speaker 3: My dad freaked out.

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Speaker 5: The same thing with my mom.

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Speaker 3: She either the way my dad a stand up comedian

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Speaker 3: in the eighties. I got the hashpipe reference in a

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Speaker 3: rock song.

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Speaker 5: So offended by everything. The same thing with my mom.

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Speaker 4: She didn't take the CDU away, but she was appalled

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Speaker 4: by Blankwineddye two's take Your Pants Off in Jacket and

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Speaker 4: I got.

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Speaker 3: In trouble for an album and that it was mostly

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Speaker 3: like letting my cousin listen to it, or like.

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Speaker 4: Well, she heard the song Happy Holidays, you bastard, and

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Speaker 4: she was like, oh my god, what the hell is this?

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Speaker 3: Yeah, but so do you think she's gone through and

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Speaker 3: tossed in any your CDs? I hope not. I had

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Speaker 3: a lot of I had a lot of mob deep

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Speaker 3: in that everything with a prile advisory sticker dere like honestly,

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Speaker 3: like think about the history of that.

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Speaker 4: The parental advisory sticker was put on albums for songs

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Speaker 4: that we didn't even evolve cursing like Twisted Sister in

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Speaker 4: the eighties was going up against Tupper Gore. It was

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Speaker 4: d Snyder and the songs like We're not gonna take it.

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Speaker 4: It's like, oh my god, we can have children listening

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Speaker 4: to that.

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Speaker 3: Come on, dude, No, we ain't gonna tag kid.

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Speaker 4: We gotta slap a pet parental advisory sticker on that

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Speaker 4: five one out checks in it's our guy van on

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Speaker 4: the Golden State Lumber and showroom text on an eight

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Speaker 4: away Cambre and he says.

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Speaker 3: Hey, coax uh. He says, au uh did drive helping

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Speaker 3: that apple pie make it awkward with you and your mom?

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Speaker 3: Come come on, man, I wasn't doing that.

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Speaker 5: I'll just tell your mom we hate it.

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Speaker 3: We'll just tell your mom that we hated it all.

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Speaker 3: In that movie, yes, Full and I watching She and Elizabeth. Yeah,

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Speaker 3: none of that commute is legal. No Full and five

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Speaker 3: Chicks in it says I definitely got busted for that too.

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Speaker 3: Can you imagine working at a record store and being

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Speaker 3: that square, like telling the parent I've seen I used

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Speaker 3: to happen to me all the time, when like Game

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Speaker 3: Stop was way bigger. Like in previous video game system iterations.

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Speaker 3: I would go to buy a video game and there

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Speaker 3: be times where a kid was like getting a game

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Speaker 3: and the guy at this at the counter would be like,

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Speaker 3: you know, this is a for teens and older. You

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Speaker 3: know this is or this is a mature rating video game.

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Speaker 3: And I'm like, you do it man, kids, Mom, kids,

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Speaker 3: mom's holding it already. You gotta cause she might not

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Speaker 3: have noticed.

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Speaker 5: Come on, I just want you to have a glass.

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Speaker 3: I want to take a bubble bath where our kid,

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Speaker 3: well our kid takes down Liberty City, you know what

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Speaker 3: I mean, and grand theft that.

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Speaker 4: Would give me all the time at Blockbuster where some

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Speaker 4: guy had it out for me, they're like some guy

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Speaker 4: I had it out for Are you aware that this

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Speaker 4: game is emirated? My mom's like, yeah, whatever, it's a

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Speaker 4: video game, like relax, yeah.

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Speaker 3: Yeah, it's I don't know. It's the the the person

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Speaker 3: who tells on the kid to the parent when they're

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Speaker 3: trying to check out, no good.

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Speaker 5: No if if you're at the checkout line and they

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Speaker 5: are in.

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Speaker 3: A movie theater too, are you sure you want to

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Speaker 3: take your kid to see this? And I'm like, what

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Speaker 3: do you are you cps, what do you get the

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Speaker 3: hell out of it?

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Speaker 5: Are you like that? Uh that that team from South

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Speaker 5: Park big or larger?

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Speaker 4: Because like, are you you sure that this this this

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Speaker 4: this movie suitable for your young children?

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Speaker 3: Uh? Four instance. I was raised in a fairly Christian household.

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Speaker 3: My mom was not happy when she found out I

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Speaker 3: bought eminem Slim Shady back in ninety six. I was

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Speaker 3: a eleven needless the station made me return it. So

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Speaker 3: once I found out my dad would get mad about

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Speaker 3: music or certain things, I then just wouldn't ever break

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Speaker 3: anything out at a buddy to Victor, what up Victor?

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Speaker 3: I went to Uh, played played baseball with him. Yeah,

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Speaker 3: like Babe, Ruth, we're thirteen twelve and thirteen fourteen. He

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Speaker 3: uh he figured out how to burn CDs, yeah, and

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Speaker 3: would burns full CDs and he would put like the

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Speaker 3: sticker on top of the CD so it looked like

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Speaker 3: the CD and he would like print out a label

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Speaker 3: and put in a case. So he was like selling them,

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Speaker 3: Oh that's you could get anything. Pro Or he'd be

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Speaker 3: like he'd be like, hey, do you want me to

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Speaker 3: print you get you a you want this this whatever

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Speaker 3: it is, whatever album it was with a Slim Shady

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Speaker 3: LP ninety six. Yeah, we wanted to print you the

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Speaker 3: the album without the parental advisory on it, so he'd like,

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Speaker 3: print you the CD that caused out for a sticker.

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Speaker 3: You gotta pay a few exus for me to remove this.

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Speaker 4: I hated that, Like, yes, I had the sames wanted

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Speaker 4: it because you're like, look what I got a parental advice.

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Speaker 4: I had the same hookup in like middle school in

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Speaker 4: high school where someone's like, get your mom, will get

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Speaker 4: you that CD.

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Speaker 5: I'll burn it for you.

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Speaker 4: It's like yeah, but also like the album artwork, like

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Speaker 4: I was big on that, but yeah, if you need

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Speaker 4: to get the CD, just burn it from one of

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Speaker 4: your friends.

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Speaker 3: Eighty three one says, yeah, dude, thanks Tipper Gore.

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Speaker 5: For the Tipper Gore was so lame.

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Speaker 3: Still is I'm sure sure she still is. We're not

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Speaker 3: gonna take it Tipper Gore. Bro oh man, uh nine

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Speaker 3: one six they don't make our first ladies like they

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Speaker 3: used to. Nine one six in says now they're making

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Speaker 3: documentary says Napster didn't rat you out to your parents for.

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Speaker 5: They definitely had the hook up.

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Speaker 4: But now that I'm an older man, I realized that

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Speaker 4: Napster was totally a rip.

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Speaker 3: Off naps I was, I was, I was past Napster.

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Speaker 3: I was a LimeWire guy. Yeah, yeah, yeah, and all

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Speaker 3: LimeWire dude was uh. It was like, I don't know,

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Speaker 3: give you give your uh give your computer leprosy. Yeah,

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Speaker 3: that definitely was the the best way to do it.

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Speaker 3: But all follow up.

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Speaker 4: I'll also say with Napster, that whole thing Lars Lurk,

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Speaker 4: the drummer of Metallica, I mean Metallica, great band, Bay

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Speaker 4: Area Zone, but.

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Speaker 5: Like he was kind of annoying with that whole situation.

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Speaker 3: I don't know. It wasn't my product, So I get there,

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Speaker 3: I get there being upset it was. It was my

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Speaker 3: whole thing is it was the wild wild West. And

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Speaker 3: here's the thing too, is artists have been screwed. They

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Speaker 3: have been into oblivion for eternity. They definitely continue to

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Speaker 3: be you know, seven oh seven chicks In says I

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Speaker 3: heard a Steely dance on the other day. It was

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Speaker 3: about making out with your cousin. I thought that was

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Speaker 3: strange for their time. Yeah, don't look up, but don't

328
00:12:08,679 --> 00:12:11,920
Speaker 3: look up A Christine six what is it? Christine sixteen

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Speaker 3: oh Jeene Simmons.

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Speaker 5: Yea yea yea yeah, yeah, yeah yeah, yep, pulling up.

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Speaker 3: To our school and like, what are you doing Gene.

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Speaker 5: Or my my Sharona come on?

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00:12:20,720 --> 00:12:24,080
Speaker 3: Yeah? Uh seven to one nine chicks In says my

334
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Speaker 3: dad hated led Zeppelin one album specifically, I he confused me,

335
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Speaker 3: which made I don't know. This is a poorly phrased tax.

336
00:12:34,240 --> 00:12:37,200
Speaker 3: They're all saying, yeah, Napstrad and light. Uh right, rat

337
00:12:37,240 --> 00:12:39,000
Speaker 3: you out? Four four oh eight says I had to

338
00:12:39,040 --> 00:12:42,120
Speaker 3: go into LimeWire for some adult content too. Really damn

339
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Speaker 3: if I.

340
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Speaker 5: Had only known, but only known, it gets you a

341
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Speaker 5: lot of viruses with that.

342
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Speaker 3: It's some on Ebom's world. Adam Copeland pop didn't done

343
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Speaker 3: with you. We'll get back into some more of your talk.

344
00:12:50,160 --> 00:12:51,600
Speaker 3: I wen get more on this too. Eight O wa

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Speaker 3: camb are most awkward movie you've ever watched with a

346
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Speaker 3: parent or family member? What was it?

347
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Speaker 6: Like?

348
00:12:56,600 --> 00:12:58,800
Speaker 3: What was the movie the scene? I said American Pie.

349
00:12:58,800 --> 00:13:01,680
Speaker 3: I was like twelve or thirteen, probably twelve eleven like

350
00:13:01,679 --> 00:13:03,000
Speaker 3: when it came out, Yeah.

351
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Speaker 5: When it come out like ninety nine. I was really young, Yeah.

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Speaker 3: Yeah it was yeah, I probably just like eleven ten

353
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Speaker 3: or eleven when that movie came, probably eleven. The first

354
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Speaker 3: time I watched My Mom, can you leave the room?

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Speaker 3: They're Shannon?

356
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Speaker 4: Yeah, the first time I watched it. Of course, it

357
00:13:14,200 --> 00:13:15,880
Speaker 4: was like the TBS versions, so it was all roomed

358
00:13:15,880 --> 00:13:18,040
Speaker 4: for me. Especially, it's like, oh, yeah, man, she's a

359
00:13:18,080 --> 00:13:19,360
Speaker 4: milf milf mom.

360
00:13:19,400 --> 00:13:22,160
Speaker 5: I like to feel the TV version.

361
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Speaker 3: By the way, that's the creator and that's the origin

362
00:13:24,400 --> 00:13:27,400
Speaker 3: of that. Of that word. Is that an acronym, the origin.

363
00:13:27,160 --> 00:13:28,720
Speaker 5: Of that, it's initialism.

364
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Speaker 3: You lose a lot of good Stiffler when you watch

365
00:13:30,320 --> 00:13:32,240
Speaker 3: on the cable over. I mean, that's the thing that

366
00:13:32,360 --> 00:13:35,920
Speaker 3: he knows. Stiffler's Danny Stiffler the best character probably, Yeah,

367
00:13:35,920 --> 00:13:38,439
Speaker 3: he's he's a riot, dude, because he's that's Danny's rollod.

368
00:13:38,520 --> 00:13:40,040
Speaker 3: He's a guy who I never want to hang out

369
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Speaker 3: with her, spend a minute, but I need more of

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Speaker 3: him on screen.

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Speaker 6: Yeah, exactly what you that guy wanted to easy easy.

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Speaker 3: Damn dude, when you got Stiffler's mom out here whinning

373
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Speaker 3: winning Emmy's now yeah, white lotus, No, she's great. We'll

374
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Speaker 3: take a quick break, Adam Copland, deep pop and done

375
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Speaker 3: with you. What was the movie the most awkward movie

376
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Speaker 3: moment you watched with a parent or family And what

377
00:14:00,840 --> 00:14:02,720
Speaker 3: was the first there? Did you ever have a parental.

378
00:14:02,360 --> 00:14:04,760
Speaker 5: And it was Toony Tang with Bob Costa taking Away.

379
00:14:04,760 --> 00:14:07,400
Speaker 3: Bob Costas joined us at about fifteen. At three fifteen,

380
00:14:07,400 --> 00:14:09,600
Speaker 3: you're excited, Phil, These nipple will come on back. What

381
00:14:09,679 --> 00:14:12,040
Speaker 3: does the Giants being part of the season opener for

382
00:14:12,160 --> 00:14:15,520
Speaker 3: Major League Baseball on National TV say about the team's

383
00:14:15,600 --> 00:14:18,040
Speaker 3: national interest. We'll get into that next. Dirty Work rolls

384
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Speaker 3: on on a Monday on The Sports Leader.

385
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Speaker 1: Hey did you see the Little Mermaid on TV the

386
00:14:22,200 --> 00:14:26,600
Speaker 1: other night? No burial man, she's so high she's a mermaid.

387
00:14:26,920 --> 00:14:29,680
Speaker 6: Sorry, yeah, but not when she's on land.

388
00:14:31,320 --> 00:14:34,680
Speaker 1: You found Dirty Work with Adam Copeland and Derek Poppa

389
00:14:35,600 --> 00:14:41,280
Speaker 1: where no job is too dirty on KNBR The Sports Leader.

390
00:14:41,760 --> 00:14:45,240
Speaker 1: Dirty Work is sponsored by Jack's Restaurant and Bar and

391
00:14:45,480 --> 00:14:47,360
Speaker 1: all day, any day kind of plays.

392
00:14:48,600 --> 00:14:50,040
Speaker 5: Dude, are you're coming to party to night?

393
00:14:50,080 --> 00:14:51,040
Speaker 1: Ozzie face?

394
00:14:51,400 --> 00:14:54,200
Speaker 3: How about you guys actually locate your books, remove the

395
00:14:54,240 --> 00:14:57,720
Speaker 3: shrink wrap and foase them. All right, I'll.

396
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Speaker 1: See you guys tonight.

397
00:14:58,840 --> 00:15:04,520
Speaker 3: No section, Jesus. How about Danny? How about Danny having

398
00:15:04,560 --> 00:15:08,680
Speaker 3: like a Stiffler Montage ready to go clips like off

399
00:15:08,760 --> 00:15:09,200
Speaker 3: the cuff.

400
00:15:09,560 --> 00:15:10,520
Speaker 5: He's a big stiffler guy.

401
00:15:10,560 --> 00:15:12,160
Speaker 3: D I didn't know you were done. We gotta go

402
00:15:12,200 --> 00:15:14,200
Speaker 3: in on American Pie together. You know what's funny, Toad

403
00:15:14,280 --> 00:15:16,880
Speaker 3: is I'm down with two? Also, I rock too? Are

404
00:15:16,920 --> 00:15:17,480
Speaker 3: you downe with two?

405
00:15:18,400 --> 00:15:18,600
Speaker 2: Yeah?

406
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Speaker 5: I like all the ones with the original cast.

407
00:15:20,160 --> 00:15:22,400
Speaker 3: Yeah, but you go You'll go one, You'll go Pie two,

408
00:15:22,440 --> 00:15:25,560
Speaker 3: and you'll go wedding and reunion. Oh reunion is you

409
00:15:25,560 --> 00:15:27,480
Speaker 3: know what? I don't think I've seen reunion. Dude, it's

410
00:15:27,480 --> 00:15:27,760
Speaker 3: not bad.

411
00:15:27,880 --> 00:15:28,880
Speaker 5: You're not only in the first two.

412
00:15:28,880 --> 00:15:30,600
Speaker 3: You're not a big right that Naked Mile guy or

413
00:15:30,640 --> 00:15:31,120
Speaker 3: band Camp?

414
00:15:31,200 --> 00:15:34,160
Speaker 6: No, band Camp was all right. That was that was

415
00:15:34,160 --> 00:15:36,640
Speaker 6: like the closest humor to the original ones. But no,

416
00:15:36,760 --> 00:15:39,119
Speaker 6: not Naked Mile or Beta House.

417
00:15:39,880 --> 00:15:43,200
Speaker 4: Or all of those were like, you know those are

418
00:15:43,640 --> 00:15:46,800
Speaker 4: TV I like porn, like DVDs were just like.

419
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Speaker 5: You want you love American Pie.

420
00:15:48,120 --> 00:15:50,720
Speaker 4: He also like you know, stuff you can't see and

421
00:15:50,800 --> 00:15:52,360
Speaker 4: r rady movies where it goes a little you know

422
00:15:52,440 --> 00:15:52,840
Speaker 4: over that.

423
00:15:53,160 --> 00:15:55,240
Speaker 5: Yeah, go go get the Naked Mile or band Camp.

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00:15:55,280 --> 00:15:55,480
Speaker 2: Yeah.

425
00:15:55,520 --> 00:15:58,400
Speaker 3: Yeah, American Pie that was where we got us go

426
00:15:58,440 --> 00:16:00,920
Speaker 3: in the first Uh, we're talking first about what album

427
00:16:01,040 --> 00:16:03,480
Speaker 3: or what what CD got taken away from you. Your

428
00:16:03,480 --> 00:16:06,080
Speaker 3: parents got upset with you for like having parental advisory

429
00:16:06,080 --> 00:16:08,480
Speaker 3: on it or something like that. And usually I think

430
00:16:08,480 --> 00:16:10,800
Speaker 3: they're just startled, you know what I mean. They hear it, like,

431
00:16:10,800 --> 00:16:13,160
Speaker 3: what what are you listening to? Yeah? Exactly startled by it.

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00:16:13,200 --> 00:16:15,840
Speaker 5: The cover of Winy two's Edement of the State, my

433
00:16:15,840 --> 00:16:16,400
Speaker 5: mom was like.

434
00:16:16,320 --> 00:16:18,560
Speaker 3: What is this with the the nurse put in the Yeah,

435
00:16:18,600 --> 00:16:19,280
Speaker 3: at a level I.

436
00:16:19,200 --> 00:16:22,480
Speaker 4: Want to say it was again, I'm not being funny here.

437
00:16:22,480 --> 00:16:24,200
Speaker 4: It was Jenna Jamison was on the cover of some

438
00:16:24,240 --> 00:16:24,680
Speaker 4: porn star.

439
00:16:24,800 --> 00:16:25,160
Speaker 3: Is that her?

440
00:16:25,280 --> 00:16:25,640
Speaker 5: I think so.

441
00:16:25,680 --> 00:16:26,480
Speaker 3: I don't think I was hurt.

442
00:16:26,640 --> 00:16:27,480
Speaker 5: No, it wasn't her.

443
00:16:27,960 --> 00:16:28,360
Speaker 3: I don't know.

444
00:16:28,680 --> 00:16:29,280
Speaker 5: It could be wrong.

445
00:16:29,840 --> 00:16:35,480
Speaker 3: I had one, but as I forget, I'm on on air.

446
00:16:35,520 --> 00:16:37,080
Speaker 3: You know what I mean, You know me, I'll just

447
00:16:37,160 --> 00:16:39,080
Speaker 3: riff off the copy six six one checks out on

448
00:16:39,120 --> 00:16:40,680
Speaker 3: the Golden State Lumber and show room text on it.

449
00:16:40,720 --> 00:16:42,040
Speaker 3: Eight O A km b R says, I saw good

450
00:16:42,080 --> 00:16:44,000
Speaker 3: Luck Check with my mom in theaters. I'm still not

451
00:16:44,080 --> 00:16:45,360
Speaker 3: allowed to pick movies.

452
00:16:45,400 --> 00:16:46,840
Speaker 5: That's what I missed. That's when I missed.

453
00:16:46,880 --> 00:16:47,800
Speaker 3: You didn't see good Luck Check?

454
00:16:47,800 --> 00:16:49,440
Speaker 5: No, I haven't seen a lot of Dane Cook's. Uh

455
00:16:49,520 --> 00:16:50,880
Speaker 5: you know it's solo projects.

456
00:16:50,920 --> 00:16:52,520
Speaker 3: Yeah, well he did that. Man, he did an Employee

457
00:16:52,520 --> 00:16:52,920
Speaker 3: of a Month.

458
00:16:53,040 --> 00:16:53,960
Speaker 5: Yeah again, never seen that.

459
00:16:54,080 --> 00:16:55,400
Speaker 3: The other movie Quarter to You last week.

460
00:16:55,400 --> 00:16:58,000
Speaker 5: I'm not a big Dane Cook guy. I got high school.

461
00:16:58,040 --> 00:17:00,160
Speaker 5: He was huge. People loved him. I never was that.

462
00:17:00,480 --> 00:17:01,840
Speaker 3: I don't think you're supposed to be anymore.

463
00:17:02,360 --> 00:17:03,160
Speaker 5: Oh something happened.

464
00:17:03,480 --> 00:17:05,160
Speaker 3: I just think he I think he's got to Yeah.

465
00:17:05,200 --> 00:17:07,639
Speaker 3: I think like, I don't think anything concrete, but I

466
00:17:07,640 --> 00:17:09,919
Speaker 3: just don't think he's like, Yeah, I saw he's the

467
00:17:09,920 --> 00:17:10,400
Speaker 3: best dude.

468
00:17:10,400 --> 00:17:12,640
Speaker 4: I saw him in the comedy Store years ago and

469
00:17:12,720 --> 00:17:15,280
Speaker 4: he was just going off, like, you know, last year

470
00:17:15,320 --> 00:17:16,800
Speaker 4: was the was the worst year for me. They say

471
00:17:16,800 --> 00:17:18,240
Speaker 4: he's not even like he doesn't have any material. He

472
00:17:18,280 --> 00:17:19,639
Speaker 4: was like, last year was the worst, worst year for

473
00:17:19,680 --> 00:17:22,480
Speaker 4: me in my career. Louis c k calls me out.

474
00:17:22,600 --> 00:17:24,199
Speaker 5: I'm like, dude, get off the stage.

475
00:17:25,600 --> 00:17:28,760
Speaker 3: Seven or seven Jack sentence. There's nothing like having LimeWire download,

476
00:17:28,920 --> 00:17:32,560
Speaker 3: having your LimeWire download fail at eighty seven percent completely. Yeah,

477
00:17:32,640 --> 00:17:35,080
Speaker 3: two oh nine, says a LimeWire. You can physically hear

478
00:17:35,119 --> 00:17:38,359
Speaker 3: it eating up your computer. Yeah. Five one oh says,

479
00:17:38,400 --> 00:17:40,960
Speaker 3: my parents freaked out over Sublime saw Red.

480
00:17:41,359 --> 00:17:43,280
Speaker 5: Oh come on, yeah, I mean.

481
00:17:43,400 --> 00:17:45,240
Speaker 3: Things, just whatever will trigger them.

482
00:17:45,320 --> 00:17:47,480
Speaker 5: They curse in that song six or five.

483
00:17:47,480 --> 00:17:48,040
Speaker 3: Oh, I don't know.

484
00:17:48,560 --> 00:17:50,080
Speaker 5: That's the only Stefani Yeah yeah.

485
00:17:50,080 --> 00:17:51,639
Speaker 3: Sixty five US says I grew up in a very

486
00:17:51,640 --> 00:17:54,119
Speaker 3: religious household growing up. When I was growing up, I

487
00:17:54,119 --> 00:17:56,400
Speaker 3: was nine years old. I was gifted the Offsprings album

488
00:17:56,440 --> 00:17:59,480
Speaker 3: Conspiracy of one great album. My mom freaked out and

489
00:17:59,520 --> 00:18:00,960
Speaker 3: made me give it out to my aunt because she

490
00:18:01,040 --> 00:18:03,919
Speaker 3: was trying to culture me. I ended up getting the

491
00:18:04,040 --> 00:18:08,000
Speaker 3: Hansen's album this time around. Man, I was so mad. Dude.

492
00:18:08,240 --> 00:18:09,600
Speaker 3: She went from Offspring to umbop.

493
00:18:09,760 --> 00:18:10,800
Speaker 5: Yeah, I know that's that's a down.

494
00:18:10,800 --> 00:18:10,960
Speaker 1: Great.

495
00:18:10,960 --> 00:18:12,720
Speaker 3: It's a tough deal. Nine two five. So my mom

496
00:18:12,760 --> 00:18:15,159
Speaker 3: bought me the Ludicrous album word of Mouth. Popped it

497
00:18:15,200 --> 00:18:16,840
Speaker 3: into the car right after we got out of the store.

498
00:18:16,960 --> 00:18:18,879
Speaker 3: Oh man, if you started that album, you know it

499
00:18:19,200 --> 00:18:21,399
Speaker 3: now the first track starts. She was not happy.

500
00:18:21,480 --> 00:18:23,280
Speaker 4: Yeah, they do a whole thing of coming to America.

501
00:18:23,320 --> 00:18:25,680
Speaker 4: Excuse me, your highness, the Royal penis is clean. Well,

502
00:18:25,720 --> 00:18:29,879
Speaker 4: thank you, Oh man, that's that's pretty good stuff. Away

503
00:18:29,920 --> 00:18:31,960
Speaker 4: KMBR four one five eight eight five sixty seven is

504
00:18:32,000 --> 00:18:33,560
Speaker 4: the number to call and text if you want to

505
00:18:33,560 --> 00:18:35,359
Speaker 4: get involved in any of this conversation.

506
00:18:35,560 --> 00:18:37,680
Speaker 3: Let's go out to the phone lines. Let's go to Joe,

507
00:18:37,680 --> 00:18:40,320
Speaker 3: who's in Menlo Park. Joe is in Menlo Park, wants

508
00:18:40,359 --> 00:18:43,160
Speaker 3: to talk about an awkward movie experience with a family member. Joe,

509
00:18:43,160 --> 00:18:44,080
Speaker 3: You're on the Sports Leader.

510
00:18:45,880 --> 00:18:48,600
Speaker 7: Good afternoon, gentlemen. I feel like I need to use

511
00:18:48,640 --> 00:18:51,520
Speaker 7: a fake, fake name for this one, because for I

512
00:18:51,560 --> 00:18:54,520
Speaker 7: think it was my son's thirteenth or perhaps fourteenth birthday,

513
00:18:54,960 --> 00:18:56,720
Speaker 7: said hey, you can have a few of your buddies over.

514
00:18:57,160 --> 00:19:00,800
Speaker 7: We ended rending one of those outdoor movie screens, and

515
00:19:00,960 --> 00:19:02,800
Speaker 7: my wife had picked out a movie he was looking for,

516
00:19:02,840 --> 00:19:04,879
Speaker 7: you know, a comedy or something like that, and obviously

517
00:19:04,960 --> 00:19:08,480
Speaker 7: didn't look too closely at the titles, and she rented

518
00:19:08,800 --> 00:19:14,120
Speaker 7: the change up with Jason Bateman. Gentleman, familiar with this film.

519
00:19:14,520 --> 00:19:16,240
Speaker 3: I've never seen it, but I know of it, probably

520
00:19:16,359 --> 00:19:17,080
Speaker 3: fifteen years old.

521
00:19:17,160 --> 00:19:20,080
Speaker 7: Yeah, yeah, you know, it's a slightly akin to the

522
00:19:20,119 --> 00:19:22,359
Speaker 7: Freaky Friday movie where you know they.

523
00:19:22,440 --> 00:19:24,240
Speaker 5: They switched boy exactly.

524
00:19:24,600 --> 00:19:27,880
Speaker 7: The Jason Bateman character is quite straight laced family man.

525
00:19:28,520 --> 00:19:32,240
Speaker 7: The Ryan Linnold's characters a bit younger, racy. I think

526
00:19:32,280 --> 00:19:35,359
Speaker 7: he actually may because we didn't watch the entire film.

527
00:19:35,640 --> 00:19:38,359
Speaker 7: You know, may actually act in some adult films. So

528
00:19:38,960 --> 00:19:40,760
Speaker 7: we get all the kids out there, and you know,

529
00:19:40,960 --> 00:19:42,919
Speaker 7: I wanted to watch it, and and a neighbor who

530
00:19:42,960 --> 00:19:45,639
Speaker 7: had lent us the large screen, you know, said he

531
00:19:45,680 --> 00:19:47,480
Speaker 7: didn't need to come down to watch it. We get

532
00:19:47,480 --> 00:19:50,439
Speaker 7: this thing cued up. They do a little switcheroo and

533
00:19:50,480 --> 00:19:53,320
Speaker 7: then the first scene where Jason Bateman, now is the

534
00:19:53,359 --> 00:19:57,480
Speaker 7: adult star, has got to gotta, you know, play in

535
00:19:57,600 --> 00:20:00,520
Speaker 7: this scene with this older gal who's who's wearing any

536
00:20:00,520 --> 00:20:04,359
Speaker 7: clothes and mix some commented it and and we just

537
00:20:04,600 --> 00:20:09,120
Speaker 7: the adults cringed, the boys cringed. We kind of bitched

538
00:20:09,160 --> 00:20:11,320
Speaker 7: and said, holy cow, maybe they can watch it for

539
00:20:11,359 --> 00:20:13,520
Speaker 7: a little while longer. They ended up turning it off.

540
00:20:13,560 --> 00:20:14,760
Speaker 7: It was it was quite.

541
00:20:14,560 --> 00:20:16,880
Speaker 3: The how old How old are they rated? Our movie?

542
00:20:16,920 --> 00:20:17,560
Speaker 3: How old were now?

543
00:20:17,640 --> 00:20:19,760
Speaker 7: I think they were thirteen and fourteen? It was a

544
00:20:19,840 --> 00:20:22,960
Speaker 7: rated our movie for sure, and uh and just completely

545
00:20:23,040 --> 00:20:26,320
Speaker 7: inappropriate and and and apparent faux paw for sure.

546
00:20:26,720 --> 00:20:28,200
Speaker 5: So you got learn young.

547
00:20:28,200 --> 00:20:29,879
Speaker 3: We call them because we want to go face name

548
00:20:30,119 --> 00:20:34,080
Speaker 3: red mo so uh so mo U thirteen year old

549
00:20:34,080 --> 00:20:36,879
Speaker 3: birthday party, and they all wanted to turn off the

550
00:20:36,920 --> 00:20:38,160
Speaker 3: adult sort of racing movie.

551
00:20:38,200 --> 00:20:41,639
Speaker 7: Huh I, you know. I think it's because because we

552
00:20:41,760 --> 00:20:43,720
Speaker 7: started out, Hey, well, we'll come out and watch with

553
00:20:43,760 --> 00:20:45,919
Speaker 7: you guys. You know, we're cool parents. You know, we'll

554
00:20:45,960 --> 00:20:48,119
Speaker 7: set up the tables out there, you know, the chairs

555
00:20:48,119 --> 00:20:50,320
Speaker 7: out there. We're kind of in the background. It's you know,

556
00:20:50,480 --> 00:20:56,679
Speaker 7: dusk has happened. This thing's on the big screen. We

557
00:20:56,720 --> 00:20:59,960
Speaker 7: finally needed to get in and I think that they realized, gee,

558
00:21:00,080 --> 00:21:02,200
Speaker 7: this is perhaps the movie we want to watch, but

559
00:21:02,280 --> 00:21:03,280
Speaker 7: not in this situation.

560
00:21:03,359 --> 00:21:05,560
Speaker 3: Yeah, Joe, I appreciate the call man, thanks so much.

561
00:21:05,560 --> 00:21:06,720
Speaker 3: We got more of these calls on the line, but

562
00:21:06,800 --> 00:21:08,479
Speaker 3: we got Bob Costas waiting, so we will get to

563
00:21:08,480 --> 00:21:08,880
Speaker 3: we'll get.

564
00:21:08,800 --> 00:21:10,040
Speaker 5: Back to some of the last stuff. This joint for

565
00:21:10,040 --> 00:21:10,880
Speaker 5: a little bit of tissuf.

566
00:21:10,960 --> 00:21:12,719
Speaker 3: This is joint, by the way man, thirteen year old

567
00:21:12,720 --> 00:21:14,680
Speaker 3: birthday party. They're show us something a little racio. Come on,

568
00:21:14,800 --> 00:21:17,119
Speaker 3: you want to turn it off? Leave it on, nerds,

569
00:21:17,240 --> 00:21:19,000
Speaker 3: All right, let me come on back. The Great Bob

570
00:21:19,080 --> 00:21:21,240
Speaker 3: Costas classes up to the joint on Dirty Work. Next

571
00:21:21,320 --> 00:21:22,080
Speaker 3: on the Sports Leader.

572
00:21:22,880 --> 00:21:26,840
Speaker 1: Now back to Dirty Work. Adam Copeland and Derek Papa

573
00:21:27,320 --> 00:21:31,440
Speaker 1: in the k nb R Casino Matrix. Progressive Jackpots Studios

574
00:21:31,960 --> 00:21:36,800
Speaker 1: Casino Matrix Progressive Jackpots are here. Where are you just

575
00:21:36,920 --> 00:21:41,440
Speaker 1: drop in? Please play responsibly? Called one eight hundred gambler.

576
00:21:43,840 --> 00:21:47,440
Speaker 3: Dirty Work on a Monday afternoon. Major League Baseball opens

577
00:21:47,480 --> 00:21:50,640
Speaker 3: the season on Wednesday, and they open it at Oracle Park.

578
00:21:50,680 --> 00:21:52,440
Speaker 3: The Giants and the Yankees in here to talk about

579
00:21:52,440 --> 00:21:54,920
Speaker 3: and joining us on the UMA guest line. The Man,

580
00:21:54,960 --> 00:21:56,960
Speaker 3: the myth, the legend. Friend of the show. It's Bob

581
00:21:57,000 --> 00:21:59,639
Speaker 3: Costas Bob. Great to have you all again. Man, how

582
00:21:59,680 --> 00:21:59,960
Speaker 3: you doing?

583
00:22:01,160 --> 00:22:06,280
Speaker 2: I'm just fine. But Dirty Work, agressive jackpots? This sounds

584
00:22:06,520 --> 00:22:08,480
Speaker 2: this sounds like a little over the top. Are you

585
00:22:08,520 --> 00:22:10,280
Speaker 2: sure you guys are under control here?

586
00:22:10,640 --> 00:22:15,720
Speaker 3: Well, we're control. Yeah, that's wait till Wednesday. Till Wednesday.

587
00:22:16,560 --> 00:22:19,440
Speaker 3: That won't be out of control Wednesday. Should have the

588
00:22:19,480 --> 00:22:21,320
Speaker 3: last segment too, That would have been would have been fun.

589
00:22:22,640 --> 00:22:23,560
Speaker 2: Sorry I missed it.

590
00:22:23,960 --> 00:22:25,800
Speaker 3: You know we're named after it. We named our show

591
00:22:25,840 --> 00:22:28,720
Speaker 3: after the We bonded over the movie Dirty Work by

592
00:22:28,760 --> 00:22:30,520
Speaker 3: Norm McDonald and Artie Lane. Did you ever have any

593
00:22:30,560 --> 00:22:33,200
Speaker 3: run ins with with Norm?

594
00:22:33,320 --> 00:22:36,920
Speaker 2: With Norm? Yes, As a matter of fact, Norm was

595
00:22:36,960 --> 00:22:39,959
Speaker 2: a bit of a gambler, I called. You may remember

596
00:22:39,960 --> 00:22:43,800
Speaker 2: this game, a fifteen inning game that ended on Robin

597
00:22:43,880 --> 00:22:48,360
Speaker 2: Ventura's grand Slam single in the l in nineteen ninety nine.

598
00:22:48,520 --> 00:22:50,360
Speaker 2: All Right, so the game has tied three to three

599
00:22:50,359 --> 00:22:52,720
Speaker 2: in the fifteenth it looks like a grand slam, and

600
00:22:52,760 --> 00:22:54,760
Speaker 2: the Mets then would have won the game seven to three,

601
00:22:55,160 --> 00:22:57,840
Speaker 2: but Ventura was mobbed by his teammates through team first

602
00:22:57,920 --> 00:23:01,240
Speaker 2: and second and he never rounded the bay, so technically

603
00:23:01,320 --> 00:23:05,160
Speaker 2: the final score becomes four to three. Now I knew

604
00:23:05,240 --> 00:23:08,639
Speaker 2: because my father was an inveterate gambler, and I'm not

605
00:23:08,760 --> 00:23:11,560
Speaker 2: encouraging your listeners to follow his path, but he was

606
00:23:11,640 --> 00:23:13,840
Speaker 2: a colorful guy. So I knew from the time when

607
00:23:13,840 --> 00:23:16,040
Speaker 2: I was ten or eleven years old what all the lines were,

608
00:23:16,680 --> 00:23:20,080
Speaker 2: and I knew the way Al Michaels sometimes would slip

609
00:23:20,119 --> 00:23:22,200
Speaker 2: that stuff in on football games, but the line that

610
00:23:22,359 --> 00:23:24,480
Speaker 2: kind of moved one way or the other. I knew

611
00:23:24,520 --> 00:23:27,680
Speaker 2: that this was important to some people beyond the fact

612
00:23:27,720 --> 00:23:29,840
Speaker 2: that the Mets won the game, and I kind of

613
00:23:29,960 --> 00:23:32,800
Speaker 2: hinted at that. And I had never met Norm MacDonald

614
00:23:32,960 --> 00:23:36,600
Speaker 2: until shortly after that, and the first thing he says

615
00:23:36,640 --> 00:23:41,480
Speaker 2: to me was, you knew that I was dying right,

616
00:23:41,640 --> 00:23:45,800
Speaker 2: because he bet the over apparently on the runs. And

617
00:23:45,840 --> 00:23:48,879
Speaker 2: the only way, the only way you can win on

618
00:23:48,920 --> 00:23:51,119
Speaker 2: the over in an extra inning game is if the

619
00:23:51,240 --> 00:23:53,520
Speaker 2: visiting team goes nuts in the top half or in

620
00:23:53,560 --> 00:23:56,480
Speaker 2: the bottom half, the home team wins. I got a

621
00:23:56,480 --> 00:23:58,800
Speaker 2: grand Slam or something that produces more than one run

622
00:23:59,040 --> 00:24:01,159
Speaker 2: in a situation like that. So he thinks for a

623
00:24:01,240 --> 00:24:05,520
Speaker 2: split second, bingo, I win. As unlikely as it is,

624
00:24:05,600 --> 00:24:08,440
Speaker 2: I win, and then Ventura stops between first and second

625
00:24:08,480 --> 00:24:11,000
Speaker 2: and he's pulling his hair out. So that was my

626
00:24:11,080 --> 00:24:16,080
Speaker 2: first encounter with with with Norm MacDonald, who was one

627
00:24:16,119 --> 00:24:19,000
Speaker 2: of the funniest people I have ever known in a

628
00:24:19,119 --> 00:24:22,240
Speaker 2: unique way. I didn't know Artie Lang really at all.

629
00:24:22,280 --> 00:24:25,280
Speaker 2: I don't think our pets acrossed and maybe this isn't

630
00:24:25,280 --> 00:24:28,439
Speaker 2: where you thought this would go. But ARTI and Norm

631
00:24:29,200 --> 00:24:33,320
Speaker 2: infuriated my good close friend, the late great.

632
00:24:33,119 --> 00:24:36,120
Speaker 5: Bob uch Oh yeah, we've heard stories, yeah yeah.

633
00:24:35,920 --> 00:24:38,960
Speaker 2: Because they didn't observe what Bob thought was a given,

634
00:24:39,080 --> 00:24:43,560
Speaker 2: which was the Baseball code where certain things you just

635
00:24:43,600 --> 00:24:47,600
Speaker 2: don't talk about publicly. And Yuke was so funny and

636
00:24:47,640 --> 00:24:49,880
Speaker 2: if he liked you and you were in the booth

637
00:24:49,960 --> 00:24:53,840
Speaker 2: with him. Sometimes he would do a parallel broadcast using

638
00:24:53,880 --> 00:24:56,640
Speaker 2: the cough button, so he'd say something like, you know,

639
00:24:57,000 --> 00:25:01,399
Speaker 2: so here's what be Adamus hitting two, but he's about

640
00:25:01,480 --> 00:25:03,760
Speaker 2: to go. This guy has it on a basic since May.

641
00:25:03,800 --> 00:25:06,320
Speaker 2: I'm sick of him, so I'm gonna foul back the street.

642
00:25:07,600 --> 00:25:11,480
Speaker 2: And sometimes it was funnier than that. Sometimes it was

643
00:25:11,640 --> 00:25:14,320
Speaker 2: so off color it was ridiculous, right, and it was

644
00:25:14,440 --> 00:25:17,719
Speaker 2: hysterically funny. And he did it only for a select

645
00:25:17,720 --> 00:25:20,399
Speaker 2: few people. So he did it for Norman Artie, and

646
00:25:20,440 --> 00:25:22,800
Speaker 2: then Ardi goes on Howard Stern, and Norman goes on

647
00:25:22,920 --> 00:25:26,680
Speaker 2: David Letterman and spills the beams. And Yuku was one

648
00:25:26,720 --> 00:25:29,440
Speaker 2: of the best people I've ever known, not just talented

649
00:25:29,480 --> 00:25:31,520
Speaker 2: and funny, but just a good guy. If you were

650
00:25:31,560 --> 00:25:33,840
Speaker 2: his friend, you were his friend for life. But they

651
00:25:33,880 --> 00:25:36,720
Speaker 2: broke the code and he wrote them off for life

652
00:25:36,760 --> 00:25:37,200
Speaker 2: after that.

653
00:25:37,640 --> 00:25:37,680
Speaker 6: No.

654
00:25:37,840 --> 00:25:40,000
Speaker 4: I mean, they've told great stories over the years, but

655
00:25:40,280 --> 00:25:43,480
Speaker 4: you know, dirty work are very well, Bob, because you're

656
00:25:43,480 --> 00:25:46,000
Speaker 4: battling for box office supremacy. In the summer of nineteen

657
00:25:46,040 --> 00:25:48,040
Speaker 4: ninety eight, when Basetball came out.

658
00:25:48,440 --> 00:25:52,040
Speaker 2: No Question, No Question was all part of our who

659
00:25:52,080 --> 00:25:53,680
Speaker 2: gives a rap fast Tuesday.

660
00:25:56,280 --> 00:25:58,280
Speaker 3: One of the great lines, one of the great lines

661
00:25:58,520 --> 00:26:01,119
Speaker 3: from that movie, Bob Costas. You can catch him by

662
00:26:01,119 --> 00:26:03,760
Speaker 3: the way on NVC and Peacock's pregame show for the

663
00:26:03,800 --> 00:26:06,240
Speaker 3: new Sunday Night Baseball. Great to have you back on

664
00:26:06,440 --> 00:26:09,320
Speaker 3: some pregame for baseball, Bob. So we're excited, I mean,

665
00:26:09,359 --> 00:26:11,760
Speaker 3: obviously the start of the season is exciting for everybody.

666
00:26:11,760 --> 00:26:13,800
Speaker 3: And it's a really beautiful time of year right now

667
00:26:14,000 --> 00:26:15,760
Speaker 3: in San Francisco, in the Bay Area, we've had some

668
00:26:15,800 --> 00:26:18,080
Speaker 3: awesome weather. It's going to hold all this week for

669
00:26:18,119 --> 00:26:20,080
Speaker 3: the start of baseball season. But when you think about

670
00:26:20,080 --> 00:26:23,560
Speaker 3: the Giants historically, May's Bonds, the dynasty, what do they

671
00:26:23,600 --> 00:26:26,720
Speaker 3: mean to the fabric of baseball?

672
00:26:27,040 --> 00:26:29,399
Speaker 2: Historically they mean a great deal, going back to the

673
00:26:29,440 --> 00:26:32,040
Speaker 2: New York Giants, going back to way before my time,

674
00:26:32,080 --> 00:26:34,520
Speaker 2: you know, the turn of the century. John McGraw's Giants

675
00:26:34,880 --> 00:26:38,080
Speaker 2: are a big, big deal and in the nineteen thirties

676
00:26:38,119 --> 00:26:39,800
Speaker 2: they had a Pennant winning team. I think they lost

677
00:26:39,800 --> 00:26:42,160
Speaker 2: the World Series a couple of times to the Yankees.

678
00:26:42,200 --> 00:26:44,959
Speaker 2: And then there's Willie Mays as a New York Giant

679
00:26:44,960 --> 00:26:47,000
Speaker 2: and that team, and then when they get out to

680
00:26:47,040 --> 00:26:49,680
Speaker 2: San Francisco. You got five Hall of Famers gay Lord, Perry,

681
00:26:49,720 --> 00:26:53,240
Speaker 2: Jan Maraschelle, Willie McCovey, Willie Mays, and who am I forgetting?

682
00:26:53,240 --> 00:26:53,960
Speaker 2: Who's the fifth one?

683
00:26:54,200 --> 00:26:54,440
Speaker 3: Beta?

684
00:26:55,080 --> 00:26:58,399
Speaker 2: So Orlando Cepeda. There you go. So they're part of

685
00:26:58,600 --> 00:27:01,280
Speaker 2: texture of the National League. That great Pennant races with

686
00:27:01,320 --> 00:27:03,960
Speaker 2: the Dodgers both in New York and in the nineteen

687
00:27:04,080 --> 00:27:07,480
Speaker 2: sixties out in California. And of course you've got the

688
00:27:07,520 --> 00:27:13,280
Speaker 2: three World championships under Bruce Bochie in alternate years. You know,

689
00:27:13,480 --> 00:27:17,760
Speaker 2: the Buster Posey teams, the Madison Bumgarner teams. So they're

690
00:27:17,760 --> 00:27:21,480
Speaker 2: definitely part of the fabric of baseball history. And any

691
00:27:21,520 --> 00:27:24,560
Speaker 2: baseball fan that gets to San Francisco during the baseball

692
00:27:24,560 --> 00:27:27,680
Speaker 2: season and doesn't at least stop by Oracle Park once

693
00:27:28,119 --> 00:27:30,040
Speaker 2: is really missing. Now that is one of the great

694
00:27:30,080 --> 00:27:31,080
Speaker 2: ballparks ever.

695
00:27:32,119 --> 00:27:34,680
Speaker 4: Talking to the great Bob Costas on the UMA guest line, So, Bob,

696
00:27:34,760 --> 00:27:36,720
Speaker 4: I'm curious to get your thoughts on the hiring of

697
00:27:36,760 --> 00:27:40,000
Speaker 4: new Giants manager Tony Vitello. It's a very unique and

698
00:27:40,000 --> 00:27:42,640
Speaker 4: possibly innovative hire for Buster Posey. To get a coach

699
00:27:42,680 --> 00:27:45,760
Speaker 4: from college was zero experience at the professional level and

700
00:27:45,840 --> 00:27:48,399
Speaker 4: you see many coaches in basketball and football come from

701
00:27:48,440 --> 00:27:49,280
Speaker 4: the college ranks.

702
00:27:49,600 --> 00:27:50,520
Speaker 5: Why do you think it takes it?

703
00:27:50,960 --> 00:27:52,840
Speaker 4: Why do you think it's taken this long for this

704
00:27:52,920 --> 00:27:55,680
Speaker 4: type of hire in baseball Because.

705
00:27:55,400 --> 00:27:59,080
Speaker 2: The culture of baseball is different at even the terminology.

706
00:27:59,440 --> 00:28:03,119
Speaker 2: You're not ahead coach in baseball, you're the manager in baseball.

707
00:28:03,400 --> 00:28:07,119
Speaker 2: So there have been many baseball managers with college backgrounds.

708
00:28:07,119 --> 00:28:10,280
Speaker 2: A prominent one now is Pat Murphy, very successful with

709
00:28:10,359 --> 00:28:13,800
Speaker 2: the Milwaukee Brewers. But no one before by Tello, has

710
00:28:13,840 --> 00:28:17,159
Speaker 2: ever made the jump directly from the college ranks, not

711
00:28:17,280 --> 00:28:19,800
Speaker 2: into the coaching staff of a big league team, but

712
00:28:19,840 --> 00:28:21,920
Speaker 2: to become the manager of the big league team. And

713
00:28:21,920 --> 00:28:24,919
Speaker 2: it's an interesting roll of the dice by Buster Posey.

714
00:28:25,000 --> 00:28:28,119
Speaker 2: But of late, the Giants have been stuck, you know,

715
00:28:28,320 --> 00:28:30,880
Speaker 2: in a mediocre slot, kind of a five hundred team

716
00:28:30,880 --> 00:28:33,280
Speaker 2: for the last few years. And Buster comes in and

717
00:28:33,320 --> 00:28:35,680
Speaker 2: shakes things up. And as I look at their roster,

718
00:28:35,760 --> 00:28:38,040
Speaker 2: and you guys have followed this much more closely than I.

719
00:28:38,040 --> 00:28:39,880
Speaker 7: Have, being right there, they've got.

720
00:28:39,800 --> 00:28:42,600
Speaker 2: A lot of guys who, if they play even close

721
00:28:43,240 --> 00:28:47,240
Speaker 2: to their career norm gives the Giants a good team,

722
00:28:47,760 --> 00:28:51,480
Speaker 2: a team good enough to catch the Dodgers. No, but

723
00:28:51,560 --> 00:28:55,400
Speaker 2: there's three wildcards, and the Padres and Diamondbacks out of

724
00:28:55,400 --> 00:28:59,040
Speaker 2: the same division in recent history have knocked the Dodgers

725
00:28:59,080 --> 00:29:02,800
Speaker 2: off in the postseason. Once you get into that baseball tournament,

726
00:29:03,080 --> 00:29:03,920
Speaker 2: anything can happen.

727
00:29:04,680 --> 00:29:07,920
Speaker 3: Another big change this year, Bob, is the ABS system,

728
00:29:07,960 --> 00:29:10,520
Speaker 3: the automatic balls and strikes challenge system. Did you say

729
00:29:10,520 --> 00:29:13,200
Speaker 3: this is something that was coming inevitably or is there's

730
00:29:13,200 --> 00:29:15,160
Speaker 3: still a case you think to preserve the human element

731
00:29:15,200 --> 00:29:15,960
Speaker 3: behind the plane.

732
00:29:16,800 --> 00:29:19,560
Speaker 2: I saw it as coming inevitably because they were testing

733
00:29:19,600 --> 00:29:21,600
Speaker 2: it in the minor leagues. Lots of talk about it,

734
00:29:21,800 --> 00:29:24,920
Speaker 2: and I think they're using it judiciously. If I've got

735
00:29:24,960 --> 00:29:28,600
Speaker 2: the number right, it's only three challenges per team per game.

736
00:29:28,640 --> 00:29:30,280
Speaker 2: But if you get it right, I guess you retain

737
00:29:30,880 --> 00:29:35,160
Speaker 2: the challenge and it's only the batter, the pitcher or

738
00:29:35,200 --> 00:29:38,360
Speaker 2: the catcher who can initiate a challenge. You can't do

739
00:29:38,440 --> 00:29:41,400
Speaker 2: it from the dugout. So I think that that's reasonable

740
00:29:41,440 --> 00:29:45,040
Speaker 2: and they're not overdoing it, and it has to be

741
00:29:45,120 --> 00:29:47,320
Speaker 2: used strategically. There's going to be a time when the

742
00:29:47,360 --> 00:29:50,200
Speaker 2: batter is going to be up there, count is zero

743
00:29:50,240 --> 00:29:52,400
Speaker 2: to two and he thinks it's ball one. And said

744
00:29:52,400 --> 00:29:54,200
Speaker 2: it's strike three, but it's the bottom of a second

745
00:29:54,200 --> 00:29:55,880
Speaker 2: with two out of nobody on and you're to at

746
00:29:55,880 --> 00:29:57,600
Speaker 2: the bottom of the batty motor, and he's going to

747
00:29:57,640 --> 00:30:00,240
Speaker 2: want to challenge, and the manager doesn't want him to chat. Well,

748
00:30:00,240 --> 00:30:02,480
Speaker 2: she wants to save it for a more crucial situation,

749
00:30:02,920 --> 00:30:05,200
Speaker 2: or wants to save it when his best hitter is

750
00:30:05,200 --> 00:30:07,040
Speaker 2: at the plate rather than somebody who's likely to make

751
00:30:07,040 --> 00:30:07,320
Speaker 2: it out.

752
00:30:07,360 --> 00:30:08,120
Speaker 7: Anyway, you're to be.

753
00:30:08,120 --> 00:30:10,160
Speaker 2: Given another crack at it, So this's going to have

754
00:30:10,200 --> 00:30:12,080
Speaker 2: to be a little bit of strategy involved in this.

755
00:30:13,080 --> 00:30:15,440
Speaker 4: Talking to Bob Cassis on the UMA guest line, So

756
00:30:15,640 --> 00:30:17,800
Speaker 4: I am very excited to see you hosting the pregame

757
00:30:17,840 --> 00:30:19,880
Speaker 4: for Sinday Night Baseball and NBC. When I think of

758
00:30:19,960 --> 00:30:23,560
Speaker 4: sports and NBC, I think your voice, whether it was baseball, football,

759
00:30:23,640 --> 00:30:26,080
Speaker 4: or basketball. And it's really a blast from the past

760
00:30:26,120 --> 00:30:28,960
Speaker 4: to have the NBA and MLB on NBC once again.

761
00:30:29,240 --> 00:30:30,440
Speaker 5: And it wouldn't be the same without you.

762
00:30:30,480 --> 00:30:31,840
Speaker 4: So how does it feel for you to go back

763
00:30:31,840 --> 00:30:34,600
Speaker 4: to that network that you called home for nearly four decades?

764
00:30:35,400 --> 00:30:38,200
Speaker 2: Thank you for saying that. It feels great for me,

765
00:30:39,040 --> 00:30:42,880
Speaker 2: Like you say, four decades and involved in everything sports wise,

766
00:30:42,920 --> 00:30:45,600
Speaker 2: and also a lot of stuff outside sports with NBC

767
00:30:45,720 --> 00:30:48,400
Speaker 2: News and a late late night show I did after

768
00:30:48,520 --> 00:30:52,160
Speaker 2: David Letterman, so you know, all the appearances with Carson

769
00:30:52,200 --> 00:30:54,880
Speaker 2: and Leno and Conan and Letterman and all that sort

770
00:30:54,960 --> 00:30:58,280
Speaker 2: of thing. I think I was, in some small way

771
00:30:58,360 --> 00:31:01,240
Speaker 2: part of the fabric of n and that's where my

772
00:31:01,320 --> 00:31:03,680
Speaker 2: whole career should have played out. And then we got

773
00:31:03,680 --> 00:31:06,000
Speaker 2: a little sideways with each other a few years back,

774
00:31:06,360 --> 00:31:08,760
Speaker 2: but it was very gratifying. They reached out to me

775
00:31:09,200 --> 00:31:12,000
Speaker 2: two three years ago and said, you need to come

776
00:31:12,040 --> 00:31:15,520
Speaker 2: back here and write the last chapters of your career

777
00:31:15,680 --> 00:31:18,280
Speaker 2: where most of it played out. But let's wait until

778
00:31:18,360 --> 00:31:21,040
Speaker 2: everything's lined up. And they knew they had a shot

779
00:31:21,080 --> 00:31:23,520
Speaker 2: at the NBA, they hoped they had a shot at MLB.

780
00:31:23,960 --> 00:31:26,320
Speaker 2: They got them both, and of course they have the

781
00:31:26,360 --> 00:31:30,840
Speaker 2: Olympics for many Olympic cycles running, including twenty eight in

782
00:31:30,920 --> 00:31:33,800
Speaker 2: Los Angeles at domestic Olympics. So to have me be

783
00:31:33,880 --> 00:31:37,160
Speaker 2: a contributor, not the main guy anymore, but making sort

784
00:31:37,160 --> 00:31:39,760
Speaker 2: of cameo appearances and doing some of the things that

785
00:31:40,080 --> 00:31:43,400
Speaker 2: people associated me with over the years, not getting in

786
00:31:43,400 --> 00:31:46,280
Speaker 2: anybody else's way, not doing anything that anyone else would

787
00:31:46,360 --> 00:31:49,280
Speaker 2: be doing if I wasn't there. It seems like a

788
00:31:49,280 --> 00:31:51,320
Speaker 2: perfect fit. And the way they've done it so far

789
00:31:51,640 --> 00:31:54,200
Speaker 2: with the basketball has been great, and I expect that

790
00:31:54,240 --> 00:31:55,600
Speaker 2: it'll be the same with the baseball.

791
00:31:55,840 --> 00:31:58,280
Speaker 4: Yeah, I want to discuss the NBA throwback broadcast you

792
00:31:58,280 --> 00:32:00,720
Speaker 4: did earlier this month with Doug Collin of Mike Furtello

793
00:32:00,840 --> 00:32:02,800
Speaker 4: for the Spurs and seventy six Ers. You did an

794
00:32:02,800 --> 00:32:04,920
Speaker 4: interview with our friend Brody Brazil about a year ago,

795
00:32:05,000 --> 00:32:06,280
Speaker 4: and you talked about how you didn't want to do

796
00:32:06,320 --> 00:32:09,000
Speaker 4: play by play anymore because, in your words, you didn't

797
00:32:09,000 --> 00:32:10,800
Speaker 4: feel like you were on your a game. And I

798
00:32:10,800 --> 00:32:12,680
Speaker 4: believe the last time you did play by play for

799
00:32:12,720 --> 00:32:15,480
Speaker 4: basketball on NBC was two thousand, So did it take

800
00:32:15,520 --> 00:32:17,880
Speaker 4: some convincing to call that game or and did it

801
00:32:17,920 --> 00:32:19,600
Speaker 4: feel like old times once again when you did it?

802
00:32:20,440 --> 00:32:22,840
Speaker 2: Well, I knew that game would be different, and then

803
00:32:22,880 --> 00:32:25,360
Speaker 2: it became even more different because the Spurs wanted by

804
00:32:25,400 --> 00:32:28,760
Speaker 2: forty points over a depleted seventy six Ers team, So

805
00:32:28,800 --> 00:32:31,480
Speaker 2: that gave us even more way to just teple stories

806
00:32:31,520 --> 00:32:34,160
Speaker 2: and we didn't have that edital thing that was happening

807
00:32:34,480 --> 00:32:37,720
Speaker 2: on the floor. But it actually came back to me,

808
00:32:38,000 --> 00:32:41,320
Speaker 2: generally speaking, a little quicker than what it would but

809
00:32:41,520 --> 00:32:45,080
Speaker 2: not at the same level. You got Tom honest with yourself,

810
00:32:45,360 --> 00:32:47,640
Speaker 2: and it was painful for me to be honest with you.

811
00:32:48,720 --> 00:32:51,480
Speaker 2: A couple of years that I did the postseason with TBS,

812
00:32:51,840 --> 00:32:54,080
Speaker 2: and I only did it because a very close friend

813
00:32:54,080 --> 00:32:56,760
Speaker 2: of mine, Jeff Zucker, who would run the NBC Universal

814
00:32:56,880 --> 00:33:00,160
Speaker 2: whole network for many years then, was a Turner and

815
00:33:00,200 --> 00:33:03,680
Speaker 2: briefly running Turner Sports, and he almost pleaded with me

816
00:33:03,720 --> 00:33:05,680
Speaker 2: to come back and be part of the baosetball coverage.

817
00:33:05,720 --> 00:33:08,240
Speaker 2: So I did, and I thought that I still was

818
00:33:08,280 --> 00:33:10,920
Speaker 2: probably ninety percent of it, as I ever did. But

819
00:33:10,960 --> 00:33:13,160
Speaker 2: the bottom fell out on me, if not completely, it

820
00:33:13,360 --> 00:33:18,320
Speaker 2: noticeably over those two years, and it bothered me in

821
00:33:18,520 --> 00:33:21,040
Speaker 2: two senses. No matter what you do, if you care

822
00:33:21,080 --> 00:33:23,920
Speaker 2: about your craft, even if it's in a relatively small stage,

823
00:33:24,560 --> 00:33:26,480
Speaker 2: you want to be as good as you possibly can be.

824
00:33:26,880 --> 00:33:30,160
Speaker 2: You owe it to yourself as a professional. But especially

825
00:33:30,640 --> 00:33:33,160
Speaker 2: because it was baseball. Of all the things I've done,

826
00:33:33,160 --> 00:33:34,719
Speaker 2: and I've been very lucky to do a lot of

827
00:33:34,960 --> 00:33:37,680
Speaker 2: things through the years, and I appreciate all of them,

828
00:33:37,720 --> 00:33:40,400
Speaker 2: but baseball was always number one with me, and whatever

829
00:33:40,520 --> 00:33:42,600
Speaker 2: standing I had within the game. The things I used

830
00:33:42,600 --> 00:33:45,400
Speaker 2: to hear not just from fans but from players and

831
00:33:45,480 --> 00:33:49,560
Speaker 2: managers and other broadcasters and executives over the years, that

832
00:33:49,600 --> 00:33:51,800
Speaker 2: meant a lot to me. And when I wasn't able

833
00:33:51,840 --> 00:33:58,000
Speaker 2: to meet that standard, it really was a personal a

834
00:33:58,040 --> 00:34:01,920
Speaker 2: personal heartache for me. It's not overstating it too much,

835
00:34:02,360 --> 00:34:04,880
Speaker 2: and I just feel like I should apologize to everybody

836
00:34:04,880 --> 00:34:07,760
Speaker 2: who expected better of me, and I certainly wasn't going

837
00:34:07,840 --> 00:34:10,200
Speaker 2: to come back for more even though they were inviting

838
00:34:10,239 --> 00:34:13,040
Speaker 2: me to and further lower my LIFEI batting average. So

839
00:34:14,160 --> 00:34:17,120
Speaker 2: now I'm in roles that are appropriate for me and

840
00:34:17,160 --> 00:34:18,920
Speaker 2: that I can still do just about as well as

841
00:34:18,960 --> 00:34:20,040
Speaker 2: I ever did, at least I hope.

842
00:34:20,040 --> 00:34:23,840
Speaker 3: So any it's a genuine and honest dans Er, I

843
00:34:23,880 --> 00:34:25,600
Speaker 3: think it's really I mean, it's a great scope into

844
00:34:25,760 --> 00:34:27,040
Speaker 3: the way you thought about that. I think a lot

845
00:34:27,080 --> 00:34:29,040
Speaker 3: of people deal with that in different phases of their life.

846
00:34:29,080 --> 00:34:31,040
Speaker 3: It's very relatable. But the decision you made and to

847
00:34:31,080 --> 00:34:32,800
Speaker 3: stay on and we love still having your round, is

848
00:34:33,440 --> 00:34:35,719
Speaker 3: it really honest and genuine. When Bob Costas, of course,

849
00:34:35,719 --> 00:34:38,200
Speaker 3: you can see him on NBC and Peacocks pregame show

850
00:34:38,200 --> 00:34:41,719
Speaker 3: for the new Sunday Night Baseball. So just on another

851
00:34:41,800 --> 00:34:44,719
Speaker 3: baseball tip here, you've covered this for a long time. There's,

852
00:34:44,920 --> 00:34:47,440
Speaker 3: I mean, not even quiet concern. There's concern about a

853
00:34:47,440 --> 00:34:50,560
Speaker 3: potential labor battle in twenty twenty seven. How real do

854
00:34:50,600 --> 00:34:53,000
Speaker 3: you think it is? And do you think in the past,

855
00:34:53,280 --> 00:34:54,640
Speaker 3: I mean, we just had the lockout, we had the

856
00:34:54,719 --> 00:34:57,120
Speaker 3: ninety four strike and eighty one and whatnot. Have players

857
00:34:57,200 --> 00:35:01,160
Speaker 3: learned generation to generation? Are we doomed to repeat history?

858
00:35:03,040 --> 00:35:06,680
Speaker 2: Well, they'll almost certainly be a labor battle, And I

859
00:35:06,760 --> 00:35:09,480
Speaker 2: think both parties are aware that baseball is in a

860
00:35:09,520 --> 00:35:11,759
Speaker 2: good place right now in terms of popularity. There's a

861
00:35:11,800 --> 00:35:14,879
Speaker 2: lot of things happening in and around baseball that are

862
00:35:14,960 --> 00:35:18,759
Speaker 2: very appealing to fans. But a good portion of the

863
00:35:18,840 --> 00:35:23,960
Speaker 2: owners are dead set on establishing some sort of new template.

864
00:35:24,600 --> 00:35:27,400
Speaker 2: They want to expand to thirty two teams from thirty,

865
00:35:27,760 --> 00:35:31,200
Speaker 2: which will be better for scheduling and possibly digital realignment,

866
00:35:31,600 --> 00:35:33,520
Speaker 2: but they're not going to expand until they feel like

867
00:35:33,600 --> 00:35:38,360
Speaker 2: they have extended labor peace and a collective bargaining agreement

868
00:35:38,400 --> 00:35:41,399
Speaker 2: that makes sense for new owners to want to buy in,

869
00:35:41,480 --> 00:35:44,640
Speaker 2: and the existing owners of course sharing those expansion views,

870
00:35:44,680 --> 00:35:47,040
Speaker 2: which are now into the billions, so there's a lot

871
00:35:47,080 --> 00:35:51,160
Speaker 2: at stake for them, and so if a lockout takes place,

872
00:35:51,200 --> 00:35:54,560
Speaker 2: as it almost certainly will in early December, that gives them,

873
00:35:54,560 --> 00:35:58,680
Speaker 2: in theory, a few months for some hard nosed negotiations.

874
00:35:59,080 --> 00:36:02,279
Speaker 2: And what I hope for from the players Association standpoint,

875
00:36:02,719 --> 00:36:05,160
Speaker 2: and going all the way back to Marvin Miller, I've

876
00:36:05,200 --> 00:36:08,319
Speaker 2: basically been on the player's side, but they have won

877
00:36:08,560 --> 00:36:13,400
Speaker 2: all the important principle. Now, this should just be a tough,

878
00:36:13,640 --> 00:36:18,040
Speaker 2: hard nosed business negotiation, but they think a salary cap

879
00:36:18,440 --> 00:36:21,240
Speaker 2: is still a moral issue. It's a line that cannot

880
00:36:21,239 --> 00:36:24,080
Speaker 2: be crossed. So maybe baseball has to come up with

881
00:36:24,120 --> 00:36:29,160
Speaker 2: some different terminology. Every other sport, every other except the NHL,

882
00:36:29,239 --> 00:36:32,560
Speaker 2: is a hard cap, and the NBA and NFL have

883
00:36:32,760 --> 00:36:35,719
Speaker 2: versions of it, because it was never a holy war

884
00:36:35,880 --> 00:36:39,480
Speaker 2: over that issue in those sports, and players are not

885
00:36:39,560 --> 00:36:41,920
Speaker 2: exactly standing on a street corner with a tin cup

886
00:36:42,239 --> 00:36:45,000
Speaker 2: looking for handouts in any of those sports, So you

887
00:36:45,160 --> 00:36:48,440
Speaker 2: can have some kind of structure that allows for that.

888
00:36:48,719 --> 00:36:51,280
Speaker 2: But probably in baseball, I'll have to call it something

889
00:36:51,360 --> 00:36:53,719
Speaker 2: other than a salary cap. But at the same time,

890
00:36:53,800 --> 00:36:58,000
Speaker 2: almost everybody needs to be a salary floor you can't

891
00:36:58,000 --> 00:37:01,160
Speaker 2: have the Pitberg gosh, just pocketing all revenue sharing money

892
00:37:01,440 --> 00:37:03,720
Speaker 2: and not putting a competitive team on the field around

893
00:37:03,719 --> 00:37:06,560
Speaker 2: Paul Skins and worst yet having all their fans who

894
00:37:06,880 --> 00:37:09,040
Speaker 2: to a beautiful park, but knowing that their team is

895
00:37:09,080 --> 00:37:11,520
Speaker 2: best in the finish. Last ye also knowing that Paul

896
00:37:11,560 --> 00:37:13,759
Speaker 2: Skins is going to be gone to get a COO

897
00:37:13,760 --> 00:37:16,480
Speaker 2: collect bargaining agreement. He's going to be the part of Souse.

898
00:37:16,480 --> 00:37:18,960
Speaker 4: He can get up out of there talking to the

899
00:37:18,960 --> 00:37:21,680
Speaker 4: great Bob Costas on the UMA guest line. So sports

900
00:37:21,719 --> 00:37:24,160
Speaker 4: media has changed drastically over the years. We're now streaming

901
00:37:24,200 --> 00:37:27,360
Speaker 4: platforms are broadcasting games, and in two days the Giants

902
00:37:27,360 --> 00:37:30,520
Speaker 4: will take on the Yankees live on Netflix. Baseball wants

903
00:37:30,560 --> 00:37:32,600
Speaker 4: to have a kind of an NFL like kickoff of

904
00:37:32,640 --> 00:37:36,000
Speaker 4: the season, but baseball is a very regional sport. Giants

905
00:37:36,000 --> 00:37:38,759
Speaker 4: fans want to hear Dwayne Kuiper and Mikruco on opening Day.

906
00:37:39,080 --> 00:37:41,880
Speaker 4: I've heard you propose the idea where national broadcast should

907
00:37:41,880 --> 00:37:44,960
Speaker 4: have the local announcers. Streaming baseball games has hit or

908
00:37:44,960 --> 00:37:46,960
Speaker 4: miss with fans, But do you think more fans would

909
00:37:46,960 --> 00:37:49,960
Speaker 4: be receptive if there were more alternative feeds?

910
00:37:49,960 --> 00:37:51,000
Speaker 5: But the local announcers.

911
00:37:51,560 --> 00:37:54,040
Speaker 2: See, I think it's only practical, and even then that

912
00:37:54,040 --> 00:37:56,759
Speaker 2: it might be some obstacles in the postseason. I'm talking

913
00:37:56,800 --> 00:38:00,000
Speaker 2: about in the postseason, your team makes it to October,

914
00:38:00,719 --> 00:38:07,000
Speaker 2: the announcers, you've games, what team sounds like, no matter

915
00:38:07,040 --> 00:38:10,239
Speaker 2: how good the national announcers are. And it's different in

916
00:38:10,280 --> 00:38:12,560
Speaker 2: baseball than any other sport because of the day in,

917
00:38:12,680 --> 00:38:15,160
Speaker 2: day out nature of it. And in football, not only

918
00:38:15,200 --> 00:38:17,840
Speaker 2: is it only once a week, but every game is

919
00:38:17,880 --> 00:38:21,040
Speaker 2: in some sense a network game. The radio announcer still matters,

920
00:38:21,040 --> 00:38:23,319
Speaker 2: but not nearly as much as the radio and TV

921
00:38:23,400 --> 00:38:28,120
Speaker 2: announcers locally matter. In baseball, the problem would be, on

922
00:38:28,200 --> 00:38:31,520
Speaker 2: the one hand, if you could just cobble the ratings together,

923
00:38:31,719 --> 00:38:34,880
Speaker 2: so if people watch their local guy in Cleveland or wherever,

924
00:38:35,200 --> 00:38:37,640
Speaker 2: that rating would be just the same as if they

925
00:38:37,640 --> 00:38:40,759
Speaker 2: were watching the national broadcast, and it would count toward

926
00:38:40,840 --> 00:38:43,360
Speaker 2: the rating of the national broadcast.

927
00:38:43,440 --> 00:38:44,920
Speaker 7: And they'd have to play all.

928
00:38:44,840 --> 00:38:48,759
Speaker 2: The same commercials. After all, the networks, as much as

929
00:38:48,800 --> 00:38:51,400
Speaker 2: people may get angry at them with their coverage of

930
00:38:51,440 --> 00:38:54,319
Speaker 2: this sport, or that they've paid billions of dollars for

931
00:38:54,360 --> 00:38:57,319
Speaker 2: the rights and for the production costs, so you have

932
00:38:57,440 --> 00:39:01,440
Speaker 2: to take their concerns into account. But if there was

933
00:39:01,480 --> 00:39:04,600
Speaker 2: some way to aggregate the rating in a way that

934
00:39:04,680 --> 00:39:07,560
Speaker 2: wouldn't hurt the network and would give local fans what

935
00:39:07,600 --> 00:39:10,839
Speaker 2: they want, I'd be in favor of that. But it's

936
00:39:10,880 --> 00:39:13,520
Speaker 2: a little more complicated than that, because if you're just

937
00:39:13,680 --> 00:39:18,080
Speaker 2: overlaying Dwayne Kuiper and Mike Krutko, let's say over the

938
00:39:18,120 --> 00:39:20,719
Speaker 2: broadcast that everyone else is listening to Joe Davis and

939
00:39:20,800 --> 00:39:25,280
Speaker 2: John Smoltz on for example, Well, they're reading promos, yes

940
00:39:25,320 --> 00:39:28,440
Speaker 2: and there, and their director is taking a shot of

941
00:39:28,480 --> 00:39:31,120
Speaker 2: what Smoltz is talking about. Well, Dwayne and Mike are

942
00:39:31,160 --> 00:39:36,080
Speaker 2: talking about something else, so and there's there are aspects

943
00:39:36,080 --> 00:39:39,839
Speaker 2: of it that would be kind of disjointed. So well,

944
00:39:40,200 --> 00:39:42,280
Speaker 2: I don't know. I don't know that would work out perfectly.

945
00:39:42,320 --> 00:39:45,319
Speaker 2: But I understand the local fans' concerns. They want to

946
00:39:45,360 --> 00:39:48,120
Speaker 2: hear their guys, and a lot of people will turn

947
00:39:48,200 --> 00:39:51,160
Speaker 2: down the TV sound and put on the radio. But

948
00:39:51,600 --> 00:39:55,400
Speaker 2: it's that sound is often not perfectly synced up, and

949
00:39:55,440 --> 00:39:58,000
Speaker 2: that's annoying to watch, you know, when you're two seconds behind,

950
00:39:58,120 --> 00:40:02,279
Speaker 2: two seconds ahead. That don't work. So the concept I

951
00:40:02,320 --> 00:40:06,120
Speaker 2: think that I was driving at is a worthwhile concept,

952
00:40:06,160 --> 00:40:07,520
Speaker 2: but the execution is tricky.

953
00:40:08,400 --> 00:40:09,960
Speaker 3: Bob cost is the voice you hear just before we

954
00:40:10,040 --> 00:40:11,560
Speaker 3: let you go, because you mentioned the three names. And

955
00:40:11,719 --> 00:40:14,719
Speaker 3: I'm a late night talk show fanatic, and you know,

956
00:40:14,760 --> 00:40:16,279
Speaker 3: I hate that so many of them have gone away.

957
00:40:16,320 --> 00:40:19,600
Speaker 3: But I watched most of them still most nights. Carson, Letterman,

958
00:40:19,680 --> 00:40:22,680
Speaker 3: and Conan. I mean I wasn't old enough to watch Carson.

959
00:40:22,760 --> 00:40:25,480
Speaker 3: My dad was a big student of Carson. I love

960
00:40:25,560 --> 00:40:26,680
Speaker 3: Letterman and I love Conan.

961
00:40:26,880 --> 00:40:27,080
Speaker 2: Yeah.

962
00:40:27,200 --> 00:40:28,640
Speaker 3: Well, like, I don't want to ask you to pick one,

963
00:40:28,680 --> 00:40:30,520
Speaker 3: but is there one that provides you some really fun

964
00:40:30,560 --> 00:40:31,280
Speaker 3: and fond memories?

965
00:40:33,239 --> 00:40:36,359
Speaker 2: Well up watching Johnny Arson, and I was only on

966
00:40:36,400 --> 00:40:38,840
Speaker 2: with him one time, and the one that was on

967
00:40:38,960 --> 00:40:40,880
Speaker 2: with them, he could not have been nicer to me,

968
00:40:40,920 --> 00:40:43,920
Speaker 2: and it was part of his genius. He made me,

969
00:40:44,360 --> 00:40:47,240
Speaker 2: just a kid at that point, relatively new at NBC,

970
00:40:47,520 --> 00:40:50,160
Speaker 2: feel like I was the most interesting guest he'd ever had.

971
00:40:50,200 --> 00:40:53,480
Speaker 2: And I certainly didn't crack the top thousand over all

972
00:40:53,520 --> 00:40:55,719
Speaker 2: those years, but you know, when you looked out at

973
00:40:55,760 --> 00:40:57,759
Speaker 2: the audience and then came back and looked at him,

974
00:40:58,160 --> 00:41:00,520
Speaker 2: his eyes were locked right into you, and he was

975
00:41:00,520 --> 00:41:03,400
Speaker 2: doing all those Johnny Carson things wrapping the pencil on

976
00:41:03,440 --> 00:41:06,319
Speaker 2: the desk, and I told the funny story and it

977
00:41:06,360 --> 00:41:08,239
Speaker 2: went over well, and I wish I could a bit

978
00:41:08,280 --> 00:41:11,600
Speaker 2: day Carson. That's wild, that's crazy, that's great, you know,

979
00:41:12,000 --> 00:41:14,800
Speaker 2: Johnny Carson, for God's sake, Jhnny Carson thinks I'm funny.

980
00:41:14,840 --> 00:41:17,080
Speaker 2: Oh my god, I could die tomorrow on the Happy

981
00:41:18,520 --> 00:41:22,560
Speaker 2: Letterman revolutionized what late Night was, and he's really he's

982
00:41:22,600 --> 00:41:26,279
Speaker 2: really my generation from day one with Letterman, and he

983
00:41:26,400 --> 00:41:28,000
Speaker 2: was so great to me and he had me on

984
00:41:28,120 --> 00:41:32,280
Speaker 2: doing crazy things like elevator races, dogs, lind races and stuff,

985
00:41:32,280 --> 00:41:34,879
Speaker 2: and then sometimes just as a guest. So he really

986
00:41:34,920 --> 00:41:37,080
Speaker 2: helped my career by bringing a certain part of my

987
00:41:37,120 --> 00:41:42,839
Speaker 2: personality out early on at NBC. And Conan is distinctive

988
00:41:42,960 --> 00:41:46,960
Speaker 2: and he was influenced by Letterman but didn't copy Letterman.

989
00:41:47,880 --> 00:41:50,480
Speaker 2: He does such a great job now hosting the Oscars,

990
00:41:50,800 --> 00:41:54,800
Speaker 2: and there's something very good natured about Conan. Conan doesn't

991
00:41:54,800 --> 00:41:57,960
Speaker 2: get political very often, but he tries crazy stuff and

992
00:41:58,080 --> 00:42:00,520
Speaker 2: even even as he moves to middle eight, he sort

993
00:42:00,520 --> 00:42:02,440
Speaker 2: of has that look in his face like I'm just

994
00:42:02,719 --> 00:42:05,239
Speaker 2: a mischievous kid. And he was a cranky Frank guy

995
00:42:05,239 --> 00:42:08,080
Speaker 2: who just thought of five minutes.

996
00:42:07,800 --> 00:42:11,120
Speaker 3: Ago well said he's a kid in like an eight

997
00:42:11,160 --> 00:42:16,560
Speaker 3: footer body exactly.

998
00:42:16,800 --> 00:42:19,640
Speaker 2: You know, I probably shouldn't mention this because it's a colleague,

999
00:42:20,040 --> 00:42:23,000
Speaker 2: but it was so damn funny. Remember when Brent Musburger

1000
00:42:23,040 --> 00:42:26,320
Speaker 2: said something that he wished he hadn't about some quarterback

1001
00:42:26,360 --> 00:42:31,160
Speaker 2: at Alabama's going okay? So for like a month, like

1002
00:42:31,719 --> 00:42:34,480
Speaker 2: every other week, he'd have a guy who was supposed

1003
00:42:34,520 --> 00:42:37,920
Speaker 2: to be Musburger up in the rafters of his studio

1004
00:42:38,239 --> 00:42:40,759
Speaker 2: and he only saw one from behind, but he was shirtless.

1005
00:42:41,239 --> 00:42:44,600
Speaker 2: And then they would they panned the audience and find

1006
00:42:44,600 --> 00:42:48,239
Speaker 2: attractive girls, and then their fake Musburger would then say

1007
00:42:48,360 --> 00:42:51,800
Speaker 2: ridiculously about that girl.

1008
00:42:54,320 --> 00:42:55,560
Speaker 5: Fantastic late night.

1009
00:42:56,080 --> 00:42:58,400
Speaker 3: This is why did you journey work? Bob causes the

1010
00:42:58,400 --> 00:43:00,520
Speaker 3: boys here, Bob, we always loved toching up. We'd love

1011
00:43:00,560 --> 00:43:02,120
Speaker 3: to hear more stories about this. We'll catch up with

1012
00:43:02,160 --> 00:43:03,880
Speaker 3: you on the road, Bob. Enjoy the start of the season.

1013
00:43:03,880 --> 00:43:05,879
Speaker 2: Thank you, Bob, Thank you guys, take care of by.

1014
00:43:05,960 --> 00:43:08,200
Speaker 3: There you go, the Great Bob costas part of the

1015
00:43:08,239 --> 00:43:11,160
Speaker 3: NBC and Peacocks pregame show for the new stidate at Baseball.

1016
00:43:11,360 --> 00:43:14,959
Speaker 3: Dude like It's so funny to me that, like Bob

1017
00:43:15,000 --> 00:43:17,000
Speaker 3: Goss's comes on and he's like he on his own

1018
00:43:17,080 --> 00:43:20,960
Speaker 3: is quoting basketball, his own line from basketball. Okay, so

1019
00:43:21,320 --> 00:43:23,359
Speaker 3: just I had to do the second somebody brings up Norman,

1020
00:43:23,400 --> 00:43:26,040
Speaker 3: you're of Bob costas as. That's why I asked calling

1021
00:43:26,160 --> 00:43:27,960
Speaker 3: Endo that I just mat a chance we get we're

1022
00:43:27,960 --> 00:43:30,920
Speaker 3: gonna ask. I mean, he's got Bob's got more stories

1023
00:43:30,920 --> 00:43:33,080
Speaker 3: than we'll we'll ever have and things that he's probably

1024
00:43:33,120 --> 00:43:34,239
Speaker 3: forgotten until it comes up.

1025
00:43:34,320 --> 00:43:34,799
Speaker 2: But he was.

1026
00:43:34,800 --> 00:43:38,799
Speaker 3: Cracking himself up thinking about the Conan muf He's universally loved,

1027
00:43:39,320 --> 00:43:41,319
Speaker 3: imagine working with Musburger at the time. He's like, it's

1028
00:43:41,480 --> 00:43:44,040
Speaker 3: my colleagues and they're doing this bit every week on

1029
00:43:44,239 --> 00:43:45,360
Speaker 3: Conde No.

1030
00:43:45,480 --> 00:43:47,719
Speaker 4: I mean, yeah, like the fact that Bob can talk

1031
00:43:47,760 --> 00:43:50,799
Speaker 4: about Norm McDonald or Conan O'Brien, that's why I love him.

1032
00:43:50,800 --> 00:43:53,600
Speaker 4: And honestly, like I was just beaming during that whole

1033
00:43:53,600 --> 00:43:56,600
Speaker 4: interview like that, Like honestly, like I know that we're

1034
00:43:56,640 --> 00:43:59,000
Speaker 4: starting the show and everything and I'm brand new with this,

1035
00:43:59,040 --> 00:44:01,000
Speaker 4: but the fact that Bob this comes on with us,

1036
00:44:01,640 --> 00:44:03,520
Speaker 4: I mean, like that's the bucket list stuff and.

1037
00:44:03,640 --> 00:44:06,400
Speaker 3: With sophomore season, bro no rookie anymore, man, No, I know,

1038
00:44:06,440 --> 00:44:08,759
Speaker 3: but like Dirty Works season two, the way the way

1039
00:44:08,760 --> 00:44:10,600
Speaker 3: that he was talking about like Johnny Carson and like

1040
00:44:10,719 --> 00:44:12,120
Speaker 3: how he got on his show and what that means

1041
00:44:12,160 --> 00:44:13,600
Speaker 3: to him, Like the fact that he came on with us,

1042
00:44:13,640 --> 00:44:15,160
Speaker 3: like that means the world to that. Yeah, yeah, I

1043
00:44:15,200 --> 00:44:17,800
Speaker 3: mean you'd probably love to hear that you're compident to Carson.

1044
00:44:17,840 --> 00:44:19,439
Speaker 3: But you're I mean, you're absolutely right. It's like that's

1045
00:44:19,800 --> 00:44:21,520
Speaker 3: like we talk about the guys who still give you

1046
00:44:21,560 --> 00:44:23,200
Speaker 3: the pinch you moments and the pinch mean moments. Oh,

1047
00:44:23,360 --> 00:44:25,439
Speaker 3: Steve Young still does that for us. Whenever we talked

1048
00:44:25,440 --> 00:44:28,160
Speaker 3: to Costas, I'm like, again, wait, they're watching basketball as

1049
00:44:28,160 --> 00:44:28,520
Speaker 3: a kid.

1050
00:44:28,960 --> 00:44:32,120
Speaker 5: Oh dude, So I was watching all part of our networks.

1051
00:44:32,120 --> 00:44:33,840
Speaker 3: Who Gives a Rest? Two days?

1052
00:44:33,920 --> 00:44:36,719
Speaker 4: Bob still remembers all the lines, not his lines. He

1053
00:44:36,760 --> 00:44:39,239
Speaker 4: also knows al Michael's lines in that movie. Yes, Like

1054
00:44:39,280 --> 00:44:41,120
Speaker 4: I was watching the interview last night. Brody Brazil did

1055
00:44:41,160 --> 00:44:42,920
Speaker 4: a fantastic interview with him about a year ago, and

1056
00:44:42,920 --> 00:44:45,719
Speaker 4: then he came on again this year. But Brody asks

1057
00:44:45,800 --> 00:44:47,440
Speaker 4: him about basketball and he was like, well, a lot

1058
00:44:47,480 --> 00:44:49,360
Speaker 4: of stuff we did back then we couldn't do today.

1059
00:44:49,880 --> 00:44:52,879
Speaker 4: And then al Michaels found out that I was making

1060
00:44:52,960 --> 00:44:54,560
Speaker 4: five times more than him, and he was like, oh,

1061
00:44:54,560 --> 00:44:56,960
Speaker 4: I'm not doing this movie anymore. Screw that, and they

1062
00:44:56,960 --> 00:45:01,200
Speaker 4: reworked his contract on the spot. But Bob recites the line.

1063
00:45:01,239 --> 00:45:02,799
Speaker 4: He's like, Yeah, there's a moment in the movie where

1064
00:45:02,800 --> 00:45:06,720
Speaker 4: I'm like, could you imagine five years ago that theyways?

1065
00:45:06,760 --> 00:45:07,879
Speaker 5: And then Bob drops the line.

1066
00:45:07,920 --> 00:45:09,960
Speaker 4: He's like, and I can't believe five years ago those

1067
00:45:10,040 --> 00:45:12,000
Speaker 4: cheerleaders were great.

1068
00:45:12,800 --> 00:45:15,160
Speaker 3: The girls dancing and costas are not castas. It's a

1069
00:45:15,280 --> 00:45:16,200
Speaker 3: Michael's going.

1070
00:45:17,480 --> 00:45:19,440
Speaker 5: And then Bob, Bob looks around like what that can

1071
00:45:19,640 --> 00:45:20,080
Speaker 5: you say that?

1072
00:45:20,560 --> 00:45:21,960
Speaker 3: Like, what the hell is going on? Yeah? That's they

1073
00:45:22,040 --> 00:45:24,399
Speaker 3: played the broadcaster. That's really really funny. So we've got

1074
00:45:24,400 --> 00:45:25,640
Speaker 3: to we should make it a point to try to

1075
00:45:25,640 --> 00:45:28,160
Speaker 3: get as many of the cast of that movie on

1076
00:45:28,239 --> 00:45:30,239
Speaker 3: that we can basketball. So we still need We got

1077
00:45:30,239 --> 00:45:33,080
Speaker 3: to get Reggie Jackson, we do, Yes, we gotta get

1078
00:45:33,600 --> 00:45:36,200
Speaker 3: Dan Patrick. I gotta get Dan Patrick. We've had Kenny Maine,

1079
00:45:36,200 --> 00:45:38,120
Speaker 3: we have yes, Anny Man's that we didn't even talk

1080
00:45:38,160 --> 00:45:38,960
Speaker 3: to Baketball with me.

1081
00:45:39,080 --> 00:45:39,640
Speaker 5: I think we did.

1082
00:45:39,719 --> 00:45:41,520
Speaker 4: I think we talked about it briefly and he was like, yeah,

1083
00:45:41,640 --> 00:45:43,520
Speaker 4: you know, he was kind of serious about it.

1084
00:45:43,640 --> 00:45:45,840
Speaker 5: Yeah, but yeah, it was hilarious.

1085
00:45:45,840 --> 00:45:48,319
Speaker 4: Solicitor Bob on the Brodie Brazil interview talk about how

1086
00:45:48,680 --> 00:45:50,520
Speaker 4: when they were filming the movie, it was the last

1087
00:45:50,520 --> 00:45:51,759
Speaker 4: thing they had to do in the movie because it

1088
00:45:51,800 --> 00:45:54,799
Speaker 4: ties everything together with their play by play, and in

1089
00:45:54,840 --> 00:45:57,040
Speaker 4: the while they're filming it, Al Michael's turns to Bob

1090
00:45:57,080 --> 00:45:59,439
Speaker 4: costas it goes, this is kind of terrible, isn't it.

1091
00:45:59,560 --> 00:46:01,839
Speaker 4: This is this movie's not that funny, and they think

1092
00:46:01,840 --> 00:46:03,520
Speaker 4: they're like realizing that while they're filming it. And then

1093
00:46:03,600 --> 00:46:05,920
Speaker 4: years later Bob was talking about how his son comes

1094
00:46:05,960 --> 00:46:07,200
Speaker 4: up to him all the time it's like, oh my

1095
00:46:07,239 --> 00:46:08,080
Speaker 4: friends love that movie.

1096
00:46:08,080 --> 00:46:09,920
Speaker 3: Oh dude, it's one of my d tang and all

1097
00:46:09,960 --> 00:46:13,120
Speaker 3: the all time favorites. Yeah, he's in Pooty Tang. So

1098
00:46:13,239 --> 00:46:15,680
Speaker 3: that's the it's akin to his mister Smith, Christ to Washington,

1099
00:46:15,880 --> 00:46:18,359
Speaker 3: Adam Copelinde, Pop Dan done with you. If you missed

1100
00:46:18,360 --> 00:46:20,000
Speaker 3: any of Bob Gossa's you got to go check it out.

1101
00:46:20,080 --> 00:46:22,200
Speaker 3: Really good wide range in chat and some really funny

1102
00:46:22,200 --> 00:46:24,680
Speaker 3: stuffs all the time. For me, that Donny Carson amazing

1103
00:46:24,760 --> 00:46:28,279
Speaker 3: Conan story is running with Norm MacDonald after the Robin

1104
00:46:28,360 --> 00:46:31,879
Speaker 3: Ventura walk off Grand Slam single in the ALCS. That's

1105
00:46:31,920 --> 00:46:34,680
Speaker 3: that was a really really cool conversation. Check that out

1106
00:46:34,680 --> 00:46:37,319
Speaker 3: thesports Leader dot com and the v sports Leader app.

1107
00:46:37,360 --> 00:46:40,360
Speaker 3: When we come on back about this Jackson Smith and

1108
00:46:40,400 --> 00:46:43,040
Speaker 3: Jigbas signs a massive deal. Also, by the way, you

1109
00:46:43,080 --> 00:46:45,480
Speaker 3: see Travis Kelsey signed with the Chiefs. Will tell you

1110
00:46:45,480 --> 00:46:48,000
Speaker 3: about that weird contract three years when we come on back,

1111
00:46:48,040 --> 00:46:51,320
Speaker 3: plus Trump, Williams and the Niners apparently nowhere close.

1112
00:46:52,080 --> 00:46:52,680
Speaker 5: That's not good.

1113
00:46:52,840 --> 00:46:54,919
Speaker 3: No no, Mayoka joins us later, but we'll talk about

1114
00:46:54,920 --> 00:46:56,880
Speaker 3: this next dirty work on a Monday on the sports

1115
00:46:56,920 --> 00:46:57,160
Speaker 3: Leader