1 00:00:00,440 --> 00:00:04,400 Speaker 1: Now back got Dirty Work Adam Copeland and Derek Papa 2 00:00:04,840 --> 00:00:10,639 Speaker 1: in the KNBR Casino Matrix, Progressive Jackpots Studios Casino Matrix 3 00:00:10,840 --> 00:00:12,559 Speaker 1: Progressive Jackpots are here. 4 00:00:12,800 --> 00:00:14,920 Speaker 2: Where are you just drop in? 5 00:00:15,280 --> 00:00:19,720 Speaker 1: Please play responsibly Call one eight hundred Gambler Perty. 6 00:00:19,480 --> 00:00:22,639 Speaker 3: Work on a Tuesday afternoon. Adam Copland Deep pop with you. 7 00:00:22,880 --> 00:00:26,040 Speaker 3: Join now on the Uma Guest Line by Frank Caliendo, 8 00:00:26,120 --> 00:00:27,920 Speaker 3: comedian is gonna be in the Bay Area. He's actually 9 00:00:27,960 --> 00:00:30,200 Speaker 3: a Cops comedy club in San Francisco tomorrow. He's in 10 00:00:30,240 --> 00:00:33,680 Speaker 3: Sacramento at the Punchline tonight. Get your tickets now and 11 00:00:33,680 --> 00:00:36,479 Speaker 3: find more information at Frank on stage dot com. We 12 00:00:36,520 --> 00:00:39,360 Speaker 3: talked to Frank back at Super Bowl Radio Row Frank, what's. 13 00:00:39,200 --> 00:00:40,600 Speaker 4: Going on man? Good to have you back on. 14 00:00:41,840 --> 00:00:43,479 Speaker 5: Yeah, it's great to be back on with you guys. 15 00:00:43,520 --> 00:00:47,960 Speaker 5: And it's pretty awesome to experience the traffic out of 16 00:00:48,159 --> 00:00:53,279 Speaker 5: San Francisco going to Sacramento. That was pretty awesome. It's 17 00:00:53,280 --> 00:00:55,639 Speaker 5: a lot of fun, and it's just it's beautiful out here. 18 00:00:55,640 --> 00:00:59,800 Speaker 5: We're driving through. We're about probably like ten minutes out 19 00:00:59,800 --> 00:01:03,400 Speaker 5: soide of where the club is, and we are just 20 00:01:03,760 --> 00:01:06,640 Speaker 5: going through a warehouse. It's not even warehouse district. It's 21 00:01:06,720 --> 00:01:09,959 Speaker 5: just a district of warehouses, so it's beautiful. 22 00:01:10,560 --> 00:01:12,760 Speaker 4: Yeah, the warehouse district is a popular one. It's it's 23 00:01:12,800 --> 00:01:14,640 Speaker 4: one of the sites of sat Coramento. I'm sure you 24 00:01:14,640 --> 00:01:15,479 Speaker 4: don't get more time there. 25 00:01:16,480 --> 00:01:19,760 Speaker 5: Yeah, I almost went. I almost went Norm McDonald for 26 00:01:19,800 --> 00:01:20,120 Speaker 5: the show. 27 00:01:20,200 --> 00:01:25,039 Speaker 6: Yeah, yeah, yeah, yeah, that's a great idea. Man, Just 28 00:01:25,160 --> 00:01:29,000 Speaker 6: enjoy some time at the you know, the the warehouses 29 00:01:29,040 --> 00:01:32,080 Speaker 6: over there. You know, maybe there's a giant sewer. 30 00:01:31,800 --> 00:01:33,920 Speaker 5: System over here. I could enjoy that a little bit, 31 00:01:34,040 --> 00:01:36,039 Speaker 5: or some type of combine. 32 00:01:36,080 --> 00:01:39,080 Speaker 6: You guys got the the the NFL combine. This is 33 00:01:39,120 --> 00:01:44,119 Speaker 6: the worst kind of combine because it's driving through maneure. 34 00:01:47,040 --> 00:01:49,960 Speaker 2: Talking to Frank Kelly Endo on the Yuma guest line. 35 00:01:50,080 --> 00:01:54,760 Speaker 7: So when it comes to impressionists, I like esparsally the 36 00:01:54,760 --> 00:01:55,120 Speaker 7: top three. 37 00:01:55,480 --> 00:01:57,400 Speaker 2: I think of you, I think of Dana Carvey. I 38 00:01:57,400 --> 00:01:58,200 Speaker 2: think of Bill Hayder. 39 00:01:58,680 --> 00:02:01,160 Speaker 7: How much was was Dana a big influence for you 40 00:02:01,200 --> 00:02:03,920 Speaker 7: growing up as far as learning how to be an impressionist? 41 00:02:04,640 --> 00:02:06,960 Speaker 5: Yeah, Carvey was huge because he is the guy who 42 00:02:07,160 --> 00:02:12,359 Speaker 5: did the over the top caricature type of impressions and 43 00:02:12,400 --> 00:02:14,360 Speaker 5: he would he I mean, he that's what that's what 44 00:02:14,400 --> 00:02:17,799 Speaker 5: he liked. Theres something somebody like Darryl Hammond who tries 45 00:02:17,880 --> 00:02:22,120 Speaker 5: to do the painting of the person a portrait, uh, 46 00:02:22,400 --> 00:02:26,480 Speaker 5: you know, more directly exact of the person. And Dana 47 00:02:26,560 --> 00:02:29,000 Speaker 5: is the type of person who would go way over 48 00:02:29,000 --> 00:02:31,280 Speaker 5: the top. Maybe not I would have thought he was 49 00:02:31,280 --> 00:02:32,560 Speaker 5: the most over the time of all time, but I 50 00:02:32,639 --> 00:02:36,880 Speaker 5: think Jim Carrey probably gets that. But in terms of 51 00:02:37,240 --> 00:02:40,240 Speaker 5: in terms of people growing up yet, Dana Carvey, who's 52 00:02:40,280 --> 00:02:43,840 Speaker 5: from the Bay Area, he Robin Williams. I love the 53 00:02:43,880 --> 00:02:47,640 Speaker 5: speed of Robin Williams. Uh. I'm trying to think of 54 00:02:47,639 --> 00:02:49,640 Speaker 5: some of the others, but the but as far as 55 00:02:49,800 --> 00:02:52,080 Speaker 5: you know newer people, Jay Pharaoh's way up there. I mean, 56 00:02:52,120 --> 00:02:55,360 Speaker 5: he's incredible Airy Spears. There's quite a few people now 57 00:02:55,400 --> 00:02:58,079 Speaker 5: that that do lots of impressions. When I first started 58 00:02:58,080 --> 00:03:01,480 Speaker 5: doing almost nobody was doing impressions. In fact, if you 59 00:03:01,520 --> 00:03:04,520 Speaker 5: did impressions, people would complain about it. They're like, well, 60 00:03:04,560 --> 00:03:06,280 Speaker 5: you don't have an act, so you do impressions. And 61 00:03:06,320 --> 00:03:10,600 Speaker 5: they now with social media, everybody gets there like big 62 00:03:10,720 --> 00:03:14,600 Speaker 5: views from uh and viral videos from impressions all the time. 63 00:03:15,040 --> 00:03:17,120 Speaker 3: Friend, Kelly under the voice, you hear Frank on stage 64 00:03:17,160 --> 00:03:19,320 Speaker 3: dot com. He's in sacrament out with the punchline to 65 00:03:19,360 --> 00:03:20,919 Speaker 3: Night Cobbs comed Club. I think I'm gonna see you 66 00:03:20,919 --> 00:03:23,400 Speaker 3: tomorrow night down the street from from where I'm at. 67 00:03:23,400 --> 00:03:25,320 Speaker 3: So I think I'll come see you tomorrow friends. It's 68 00:03:25,360 --> 00:03:27,520 Speaker 3: interesting you said that about like they used to say, well, 69 00:03:27,520 --> 00:03:29,920 Speaker 3: you don't have an act, you're doing impressions. How important 70 00:03:29,960 --> 00:03:34,440 Speaker 3: and significant is the content of the impression of what 71 00:03:34,480 --> 00:03:35,600 Speaker 3: you're actually talking about. 72 00:03:35,760 --> 00:03:38,360 Speaker 5: If you don't have it after the first three or 73 00:03:38,400 --> 00:03:42,200 Speaker 5: four seconds, I'll say ten seconds, it's boring, right, So 74 00:03:43,080 --> 00:03:45,760 Speaker 5: it's it's about having what's your take on the person. 75 00:03:45,880 --> 00:03:50,320 Speaker 5: So for example, watching Barkley on the you know the 76 00:03:50,360 --> 00:03:55,920 Speaker 5: college basketball stuff, he does zero studying ahead of time, right, 77 00:03:56,560 --> 00:03:58,880 Speaker 5: He's just he's just winging it. And that's kind of 78 00:03:58,880 --> 00:04:01,640 Speaker 5: what we want from Charles Barkley, but he takes it 79 00:04:01,640 --> 00:04:03,200 Speaker 5: to the next level. So did you see in the 80 00:04:03,200 --> 00:04:05,680 Speaker 5: first four when he was doing games with Dick Vitale 81 00:04:06,280 --> 00:04:09,200 Speaker 5: and or the game with Vin Dick vi towel and 82 00:04:09,240 --> 00:04:11,240 Speaker 5: Dick's doing his thing. You know, it's a real. 83 00:04:11,480 --> 00:04:12,360 Speaker 8: Good it's incredible. 84 00:04:12,520 --> 00:04:14,880 Speaker 9: It's a busy and then all. 85 00:04:15,680 --> 00:04:18,040 Speaker 5: Barkley hadn't looked at anything about the players. 86 00:04:18,080 --> 00:04:22,040 Speaker 8: He's like, yep, but Dick the transfer portal, and then 87 00:04:22,040 --> 00:04:26,359 Speaker 8: I own destroying the NBA and it's really bad, and 88 00:04:26,400 --> 00:04:28,840 Speaker 8: we gotta try and figure this stuff out because these kids, 89 00:04:29,040 --> 00:04:30,800 Speaker 8: they deserve to be paid. I'm not saying they don't 90 00:04:30,800 --> 00:04:33,400 Speaker 8: deserve to be paid, but they gotta. They gotta figure 91 00:04:33,440 --> 00:04:37,400 Speaker 8: this out and get some trouble structure. That's incredible, that's amazing. 92 00:04:37,839 --> 00:04:38,719 Speaker 4: A little what the. 93 00:04:40,080 --> 00:04:41,599 Speaker 8: Yep with the transfer portal? 94 00:04:42,160 --> 00:04:45,800 Speaker 5: He just kept going back to right, and I've done 95 00:04:45,920 --> 00:04:48,159 Speaker 5: I've done basket. I've done a game with Bill Walton 96 00:04:48,920 --> 00:04:51,000 Speaker 5: years ago. I did a couple of games with Bill 97 00:04:51,040 --> 00:04:53,920 Speaker 5: Walton's and Dave Pash was the play by play guy, 98 00:04:54,400 --> 00:04:56,640 Speaker 5: and we would only do it for about twenty minutes 99 00:04:57,320 --> 00:05:00,640 Speaker 5: because it would you just start from peting kind of 100 00:05:00,680 --> 00:05:02,360 Speaker 5: what you're doing. Well, that's when they hit a full 101 00:05:02,400 --> 00:05:05,919 Speaker 5: game Dick by Tal and Barkley. It was pretty awesome, 102 00:05:06,200 --> 00:05:08,320 Speaker 5: but at the same time it was like, Okay, they're 103 00:05:08,360 --> 00:05:11,440 Speaker 5: still kind of doing the same thing, and then Vike 104 00:05:11,520 --> 00:05:12,200 Speaker 5: Tal would kind. 105 00:05:12,120 --> 00:05:12,600 Speaker 4: Of defer them. 106 00:05:12,640 --> 00:05:14,400 Speaker 9: What do you think, Charles, what do you think. 107 00:05:17,279 --> 00:05:18,479 Speaker 8: The transfer portal? 108 00:05:18,680 --> 00:05:19,680 Speaker 9: You already said that. 109 00:05:19,720 --> 00:05:21,839 Speaker 8: Come on, what are we talking about here. 110 00:05:23,839 --> 00:05:24,680 Speaker 2: Talking to Frank Kelly. 111 00:05:24,680 --> 00:05:27,000 Speaker 7: I do catch him at Cops Comedy Club tomorrow at 112 00:05:27,040 --> 00:05:29,840 Speaker 7: seven point thirty. So, Frank, you're obviously well known for 113 00:05:29,880 --> 00:05:33,520 Speaker 7: your impressions of John Cruden and John Madden and as 114 00:05:33,520 --> 00:05:36,240 Speaker 7: far as broadcasters day in the NFL, is it really 115 00:05:36,320 --> 00:05:38,200 Speaker 7: like only like as far as the guys you can 116 00:05:38,279 --> 00:05:41,920 Speaker 7: personate as like Chris Collinsworth and Toni Roma because they 117 00:05:41,920 --> 00:05:45,080 Speaker 7: have catchphrases like with with their commentating where Chris collins 118 00:05:45,080 --> 00:05:47,880 Speaker 7: Worth is now here's the guy, or Tony Rome was like, ah, 119 00:05:47,920 --> 00:05:49,680 Speaker 7: here we go, Jim, Like you really can't do an 120 00:05:49,680 --> 00:05:51,920 Speaker 7: impression of Troy Aikman when there's really nothing there as 121 00:05:51,920 --> 00:05:53,760 Speaker 7: far as like a go to in line with him. 122 00:05:54,320 --> 00:05:58,760 Speaker 5: Yeah, Aikman and Buck are are pretty difficult to try 123 00:05:58,760 --> 00:06:00,560 Speaker 5: and figure out something to do because they're pretty straight 124 00:06:00,640 --> 00:06:06,440 Speaker 5: late even though Joe is very very funny, He's incredibly 125 00:06:06,560 --> 00:06:11,000 Speaker 5: dry and funny. But yeah, I think you know the 126 00:06:11,040 --> 00:06:13,479 Speaker 5: funny thing about Collinsworth and Romo, and I discovered this, 127 00:06:13,560 --> 00:06:15,880 Speaker 5: I think at the super Bowl It might even have 128 00:06:15,920 --> 00:06:18,600 Speaker 5: told you guys, it's almost they're almost the same when 129 00:06:18,640 --> 00:06:24,840 Speaker 5: they rep up the Tony Romobile is. Oh and if 130 00:06:24,880 --> 00:06:25,600 Speaker 5: you go higher. 131 00:06:25,640 --> 00:06:29,520 Speaker 10: It's Collins are like, you know, you know, like whoever 132 00:06:29,560 --> 00:06:32,200 Speaker 10: I'm working with, here's a guy. 133 00:06:32,520 --> 00:06:35,279 Speaker 5: Now, here's a guy. Madden used to say, here's the 134 00:06:35,320 --> 00:06:37,080 Speaker 5: guy too. I mean that was one of my bits 135 00:06:37,120 --> 00:06:38,120 Speaker 5: with Maddon's. 136 00:06:37,680 --> 00:06:38,200 Speaker 4: Here's a guy. 137 00:06:38,320 --> 00:06:40,680 Speaker 5: When he runs, he goes faster, and. 138 00:06:43,560 --> 00:06:46,640 Speaker 10: So here's the guys, here's a guy that reminds me 139 00:06:46,720 --> 00:06:48,000 Speaker 10: of Patrick Mahomes. 140 00:06:48,440 --> 00:06:51,320 Speaker 5: And you're going, well, he doesn't really remind you of 141 00:06:51,320 --> 00:06:55,840 Speaker 5: Patrick Mahomes. You just love Patrick. I love when he 142 00:06:55,920 --> 00:06:59,000 Speaker 5: started acknowledging that though that he's been hit so hard 143 00:06:59,080 --> 00:07:02,320 Speaker 5: on the Mahome stuff. My my Mahomes. I don't know 144 00:07:02,640 --> 00:07:04,280 Speaker 5: if I've done it for you guys before, but my 145 00:07:04,440 --> 00:07:07,599 Speaker 5: Mahomes has become. I figured out what the take is 146 00:07:07,640 --> 00:07:10,040 Speaker 5: with him when he does an interview. It's like he's 147 00:07:10,080 --> 00:07:12,840 Speaker 5: a little kid that was hanging out with another kid 148 00:07:13,080 --> 00:07:14,880 Speaker 5: and they were just out in the woods and the 149 00:07:14,920 --> 00:07:18,480 Speaker 5: other kid got hurt and Mahomes has to report back 150 00:07:18,520 --> 00:07:20,600 Speaker 5: to the adults like, yeah, we were just you know, 151 00:07:20,640 --> 00:07:22,560 Speaker 5: we were out and uh, we were just out. 152 00:07:22,600 --> 00:07:25,880 Speaker 9: In the break uh and Bill he fell down, Billy 153 00:07:26,040 --> 00:07:27,880 Speaker 9: and he fell down skin his knee and I thought, 154 00:07:27,880 --> 00:07:29,200 Speaker 9: I thought for sure he's gonna. 155 00:07:29,000 --> 00:07:30,960 Speaker 5: Die, but he didn't say, you goes something. 156 00:07:31,080 --> 00:07:33,640 Speaker 9: I think it was a salmon or something to swram. 157 00:07:33,360 --> 00:07:36,440 Speaker 5: Up alongside of him and came and it covered out 158 00:07:36,520 --> 00:07:39,080 Speaker 5: and uh, we're gonna need a tourniquet. 159 00:07:39,280 --> 00:07:44,960 Speaker 3: The back the team, So have I We still got 160 00:07:45,000 --> 00:07:48,640 Speaker 3: your Frank, Yeah, got. 161 00:07:48,520 --> 00:07:48,920 Speaker 4: Up for a bit. 162 00:07:48,920 --> 00:07:50,360 Speaker 3: We got you there, Frank Kelly And to George just 163 00:07:50,480 --> 00:07:52,520 Speaker 3: here on the eumadj justin No, I'm with you on that. 164 00:07:52,600 --> 00:07:54,680 Speaker 3: I like the if you put it in the context 165 00:07:54,680 --> 00:07:56,840 Speaker 3: of like what the character's doing. So that's the first 166 00:07:56,840 --> 00:07:58,560 Speaker 3: one I've heard. That's the first time I've heard you 167 00:07:58,600 --> 00:08:00,880 Speaker 3: knew that one you were telling us at the Super Bowl. 168 00:08:01,000 --> 00:08:02,880 Speaker 3: Then yeah, I mean obviously you work on them, and 169 00:08:03,040 --> 00:08:04,600 Speaker 3: you say you rehearsed a bunch and you trying to 170 00:08:04,600 --> 00:08:06,960 Speaker 3: get comfortable with it until it's it's ready to unveil. 171 00:08:07,000 --> 00:08:08,520 Speaker 3: Do you have is that one of your newest ones? 172 00:08:08,560 --> 00:08:10,400 Speaker 3: Do you have anything else that you been working on 173 00:08:10,440 --> 00:08:11,160 Speaker 3: that is ready. 174 00:08:10,960 --> 00:08:14,440 Speaker 5: For the world that's been around for a bit. It 175 00:08:14,600 --> 00:08:17,680 Speaker 5: just it gets better. But I would say I keep 176 00:08:17,680 --> 00:08:19,600 Speaker 5: working on as Billy Bob Thornton, but I don't have 177 00:08:19,720 --> 00:08:21,560 Speaker 5: you know, the rest the way to get into it 178 00:08:21,600 --> 00:08:23,760 Speaker 5: with him is the thing and the thing with Billy 179 00:08:23,760 --> 00:08:25,800 Speaker 5: Bob that that's to find it because they don't have 180 00:08:25,840 --> 00:08:29,080 Speaker 5: it committed to like uh you know, to to to 181 00:08:29,560 --> 00:08:32,560 Speaker 5: not to almost muscle memory, because they don't have it 182 00:08:32,600 --> 00:08:34,960 Speaker 5: there yet. It's I go to a I go to 183 00:08:35,000 --> 00:08:37,280 Speaker 5: an interview I heard him do where he's talking about 184 00:08:38,600 --> 00:08:41,040 Speaker 5: my kids. My kids think I sound like Hike Hill 185 00:08:41,440 --> 00:08:41,920 Speaker 5: and I don't. 186 00:08:42,000 --> 00:08:42,640 Speaker 4: I don't hear it. 187 00:08:43,320 --> 00:08:43,680 Speaker 9: I don't. 188 00:08:43,920 --> 00:08:46,320 Speaker 5: So if I do that, if I do that, I 189 00:08:46,360 --> 00:08:48,280 Speaker 5: can start to get it and then I have to 190 00:08:48,280 --> 00:08:50,600 Speaker 5: rev it to it. But uh, you know, other than that, 191 00:08:50,800 --> 00:08:53,480 Speaker 5: he's kind of like a viatriloquist because he doesn't move 192 00:08:53,480 --> 00:08:56,000 Speaker 5: his feet the whole time. And it's a little Southern 193 00:08:56,360 --> 00:08:58,880 Speaker 5: and sometimes what you have to do is just stick 194 00:08:58,920 --> 00:09:05,920 Speaker 5: something in there and do a little X MEX compreendite. 195 00:09:06,280 --> 00:09:08,160 Speaker 3: I can hear the tip of the hand kind he 196 00:09:08,600 --> 00:09:10,559 Speaker 3: might judge a little bit, but I totally get to 197 00:09:10,840 --> 00:09:11,720 Speaker 3: the Billy Bob boor. 198 00:09:11,920 --> 00:09:15,800 Speaker 5: Yeah, but he as he says in the in the interview, Bobby, Bobby, 199 00:09:15,920 --> 00:09:16,760 Speaker 5: what are you doing with Bobby? 200 00:09:16,840 --> 00:09:22,240 Speaker 11: Grab Bob right, Bobby, you gotta break it down, Yeah, 201 00:09:22,240 --> 00:09:24,160 Speaker 11: you gotta break it That a little bit and starts 202 00:09:24,160 --> 00:09:26,000 Speaker 11: to get in there, and as soon as you don't 203 00:09:26,280 --> 00:09:28,160 Speaker 11: move your teeth while you're talking, then you start to 204 00:09:28,200 --> 00:09:28,760 Speaker 11: figure it out. 205 00:09:30,679 --> 00:09:33,840 Speaker 2: Talking Frey Kellyando on the Yuma Guest Line. Catch him at. 206 00:09:33,720 --> 00:09:36,439 Speaker 7: Cops Comedy Club tomorrow at seven thirty in San Francisco. 207 00:09:36,640 --> 00:09:37,640 Speaker 2: So I've heard in the past you. 208 00:09:37,600 --> 00:09:40,640 Speaker 7: Did interviews where you said that John Matt initially didn't 209 00:09:40,679 --> 00:09:42,680 Speaker 7: like the impression until his kids laughed and then he 210 00:09:42,720 --> 00:09:44,559 Speaker 7: got it. And Jehan Grun's always been a fan of 211 00:09:44,559 --> 00:09:46,439 Speaker 7: your impression of him. Has there ever been an the 212 00:09:46,520 --> 00:09:48,680 Speaker 7: counter with you with a celebrity that wasn't fond of 213 00:09:48,679 --> 00:09:49,280 Speaker 7: your impression? 214 00:09:51,160 --> 00:09:51,520 Speaker 4: Uh? 215 00:09:52,160 --> 00:09:56,320 Speaker 5: Not to my face. I don't know. I mean, I 216 00:09:56,320 --> 00:09:59,480 Speaker 5: don't know. I mean schefter who's great and a friend 217 00:10:00,040 --> 00:10:01,080 Speaker 5: always says, I just. 218 00:10:01,040 --> 00:10:01,679 Speaker 9: Don't hear it. 219 00:10:01,840 --> 00:10:04,400 Speaker 10: I try and I want to hear it. 220 00:10:04,000 --> 00:10:05,120 Speaker 5: But I just don't. 221 00:10:05,320 --> 00:10:07,480 Speaker 9: And I think he hears the essays because to be 222 00:10:07,520 --> 00:10:10,560 Speaker 9: able to form the voice, I have to cheat the 223 00:10:10,720 --> 00:10:14,480 Speaker 9: ess But for in my sources, in this particular time, 224 00:10:14,679 --> 00:10:18,559 Speaker 9: it appears that the greatest university in history of Western 225 00:10:18,600 --> 00:10:28,040 Speaker 9: civilization has just won the college basketball championship. Ademarra left 226 00:10:28,320 --> 00:10:31,520 Speaker 9: for almost for debt at UCLA with Mick cronin no 227 00:10:31,640 --> 00:10:34,040 Speaker 9: idea if he could play at all, but he believed 228 00:10:34,080 --> 00:10:37,400 Speaker 9: in himself, wrapped himself in the Spanish flag and is 229 00:10:37,480 --> 00:10:42,400 Speaker 9: now cheering for himself along with an entire country. 230 00:10:42,760 --> 00:10:43,600 Speaker 2: That's a great. 231 00:10:44,880 --> 00:10:47,800 Speaker 3: Right, Kelly and joined this. So where have you been 232 00:10:47,840 --> 00:10:49,400 Speaker 3: on this tour? How many more STAPs do you have? 233 00:10:49,440 --> 00:10:50,319 Speaker 3: Has it been going so far? 234 00:10:50,360 --> 00:10:51,559 Speaker 4: Man? Since we saw you last? 235 00:10:52,520 --> 00:10:55,319 Speaker 5: It's good. I mean I just go on and whenever 236 00:10:55,360 --> 00:10:57,400 Speaker 5: they you know, basically have enough money or I want 237 00:10:57,400 --> 00:10:59,840 Speaker 5: to work, that's when I that's kind of what I 238 00:10:59,880 --> 00:11:04,880 Speaker 5: go on. So it's, uh, it's it's been great. And 239 00:11:04,960 --> 00:11:07,880 Speaker 5: as it's just messing around. So I like the clubs 240 00:11:08,040 --> 00:11:10,400 Speaker 5: is just a messing I can. I can goof around 241 00:11:10,440 --> 00:11:13,320 Speaker 5: and get new stuff. Doing like a theater type of 242 00:11:13,320 --> 00:11:16,480 Speaker 5: thing is always a you know, you know we're going 243 00:11:16,520 --> 00:11:18,760 Speaker 5: to the set, and I feel like we're going we're 244 00:11:18,760 --> 00:11:21,560 Speaker 5: going to hit the club, man, So it's I have 245 00:11:21,679 --> 00:11:26,080 Speaker 5: fun and I my first one of my first comedy 246 00:11:26,160 --> 00:11:28,640 Speaker 5: specials I ever saw was the Robin Williams one where 247 00:11:28,679 --> 00:11:32,480 Speaker 5: he's in that club and I just there's something about 248 00:11:32,679 --> 00:11:35,000 Speaker 5: that small venue that I always liked as opposed to 249 00:11:35,080 --> 00:11:39,520 Speaker 5: a giant theater with a cavernous you know, uh ceiling 250 00:11:39,600 --> 00:11:43,160 Speaker 5: that's like, wait, a real high ceiling that I just 251 00:11:43,559 --> 00:11:47,439 Speaker 5: I just like that, you know, closed in. 252 00:11:47,480 --> 00:11:49,120 Speaker 4: Field, intimate, an intimate room. 253 00:11:49,160 --> 00:11:53,480 Speaker 5: Yeah, yeah, intimates the word I was looking for. 254 00:11:53,960 --> 00:11:55,320 Speaker 4: Fine, thank you, Toms. 255 00:11:55,400 --> 00:11:57,000 Speaker 3: Is a good room for that to so I like 256 00:11:57,080 --> 00:11:58,480 Speaker 3: now in common, I feel like and this is like 257 00:11:58,520 --> 00:11:59,880 Speaker 3: a thing you see on social media a lot you 258 00:12:00,200 --> 00:12:02,120 Speaker 3: talking about this, but when you get these rooms? 259 00:12:02,120 --> 00:12:03,920 Speaker 4: Now? Is CrowdWork something that people. 260 00:12:03,679 --> 00:12:06,520 Speaker 3: Expect when you're out and about now when you're performing. 261 00:12:06,720 --> 00:12:08,839 Speaker 5: Not so much for me. I let people call stuff 262 00:12:08,840 --> 00:12:11,000 Speaker 5: out the last fifteen minutes and I mess around because 263 00:12:11,000 --> 00:12:14,559 Speaker 5: they they'll do impressions I didn't get to. But I 264 00:12:15,000 --> 00:12:18,000 Speaker 5: my crowds don't really. I know some other comedians who 265 00:12:18,040 --> 00:12:20,480 Speaker 5: put will post a lot of CrowdWork. People come to 266 00:12:20,520 --> 00:12:23,200 Speaker 5: their shows and yell stuff out, and it's there's a 267 00:12:23,200 --> 00:12:25,319 Speaker 5: lot of people that are getting kicked out now day. 268 00:12:25,960 --> 00:12:29,440 Speaker 5: But it's tough when you advertise the shows that way. 269 00:12:29,559 --> 00:12:32,720 Speaker 5: This is what I do. And then some comedians do 270 00:12:32,800 --> 00:12:36,120 Speaker 5: a thing where they will do their show and then 271 00:12:36,160 --> 00:12:38,600 Speaker 5: they will do the last twenty minutes or something afterwards 272 00:12:38,600 --> 00:12:40,679 Speaker 5: and do some CrowdWork, right, But there are the people 273 00:12:40,679 --> 00:12:45,360 Speaker 5: that have been drinking since four and they're you know, 274 00:12:45,520 --> 00:12:47,800 Speaker 5: they get out there, just start yelling stuff right away, 275 00:12:47,800 --> 00:12:49,520 Speaker 5: so it's not really an issue for me. 276 00:12:50,080 --> 00:12:52,240 Speaker 7: A couple of misses with Frank Kelly Endo catch him 277 00:12:52,240 --> 00:12:55,120 Speaker 7: at Cops Comedy Club tomorrow at seven thirty in San Francisco. 278 00:12:55,760 --> 00:12:57,439 Speaker 2: I want to go back to your Matt TV days. 279 00:12:57,280 --> 00:12:59,120 Speaker 7: Real quick, because I one of my favorite sketches of 280 00:12:59,160 --> 00:13:02,040 Speaker 7: all time is that John Matt and Popcorn Popper. But 281 00:13:02,200 --> 00:13:04,560 Speaker 7: just that time, that era where I think it's one 282 00:13:04,559 --> 00:13:06,720 Speaker 7: of the more underrated shows. It came on before Saren 283 00:13:06,760 --> 00:13:08,680 Speaker 7: Night Live. And if you were, you know, a comedy 284 00:13:08,760 --> 00:13:11,280 Speaker 7: junkie who watched that before you watched SNL. Just the 285 00:13:11,360 --> 00:13:14,080 Speaker 7: company you had with Keegle, Michael Key and you know 286 00:13:14,200 --> 00:13:17,480 Speaker 7: Jordan Peel, Will sasso Ar Spears, Mo Collins, what was 287 00:13:17,480 --> 00:13:19,040 Speaker 7: that experience like to break in. 288 00:13:18,880 --> 00:13:21,480 Speaker 2: Into comedy on a high level on MAT TV? 289 00:13:22,800 --> 00:13:24,920 Speaker 5: Well, there were so many you know, Bobby Lee was 290 00:13:24,920 --> 00:13:29,160 Speaker 5: on the show, so many Yeah, there were so many people, 291 00:13:29,960 --> 00:13:34,280 Speaker 5: Mo Collins, Uh, Stephanie where Michael McDonald's. They were so 292 00:13:34,480 --> 00:13:37,719 Speaker 5: much but but especially like Stephanie, we're Mo Collins and 293 00:13:38,880 --> 00:13:42,680 Speaker 5: Michael McDonald even sasso, we're such great actors compared to 294 00:13:42,760 --> 00:13:46,480 Speaker 5: us that came from stand up that it was almost like, uh, 295 00:13:46,760 --> 00:13:49,280 Speaker 5: you know, you're you're kind of amazed by how good 296 00:13:49,320 --> 00:13:52,160 Speaker 5: of actors and actresses they are. So it took us 297 00:13:52,160 --> 00:13:54,400 Speaker 5: a lot of time, me and Bobby and even talked 298 00:13:54,400 --> 00:13:56,880 Speaker 5: to him about that. It's it takes some time to 299 00:13:57,000 --> 00:14:00,320 Speaker 5: understand how to act with your whole body and not 300 00:14:00,520 --> 00:14:03,000 Speaker 5: just be doing a voice or something that and looking, 301 00:14:03,240 --> 00:14:05,600 Speaker 5: you know, silly. So it was pretty great to beat 302 00:14:05,640 --> 00:14:09,040 Speaker 5: around them because they were so these were some amazing people. 303 00:14:09,040 --> 00:14:12,360 Speaker 5: And then later when Jordan Peel and Keegan Michael Key 304 00:14:12,400 --> 00:14:15,400 Speaker 5: came along, here going holy cow, Keegan should have Keegan 305 00:14:15,440 --> 00:14:20,400 Speaker 5: would have had massive characters on Saturday Night Live if 306 00:14:20,400 --> 00:14:23,040 Speaker 5: he'd have gone that route. I don't know why he didn't. 307 00:14:23,080 --> 00:14:25,440 Speaker 5: Sometimes you just take a deal and something like that 308 00:14:25,480 --> 00:14:27,440 Speaker 5: when you can get it. But he would even have 309 00:14:27,440 --> 00:14:30,160 Speaker 5: been better for that live audience feel of Saturday Live 310 00:14:30,240 --> 00:14:32,640 Speaker 5: doing the coach Coach Hines and something like that. And 311 00:14:33,400 --> 00:14:36,680 Speaker 5: Jordan was like this, you know, it's obviously this brilliant guy, 312 00:14:36,760 --> 00:14:38,960 Speaker 5: and he was over it. He was always so much 313 00:14:39,000 --> 00:14:42,200 Speaker 5: smarter than the mad TV stuff. It was you could 314 00:14:42,200 --> 00:14:44,800 Speaker 5: see it just he'd have to like, he'd just I 315 00:14:44,800 --> 00:14:47,760 Speaker 5: gotta dumb it down again for these people. So uh, 316 00:14:49,040 --> 00:14:49,840 Speaker 5: pretty amazing. 317 00:14:49,880 --> 00:14:51,200 Speaker 4: But that that it was. 318 00:14:51,400 --> 00:14:53,480 Speaker 5: It was incredible to be around people that were because 319 00:14:53,480 --> 00:14:55,560 Speaker 5: I didn't do sketch before I got on TV. I 320 00:14:55,560 --> 00:14:58,080 Speaker 5: had just done stand up and you really need some 321 00:14:58,120 --> 00:15:00,240 Speaker 5: sketch training if you want to be good. And it 322 00:15:00,280 --> 00:15:02,240 Speaker 5: took me a while to get there. But I then 323 00:15:02,280 --> 00:15:04,000 Speaker 5: got the NFL on Fox stuff and it kind of 324 00:15:04,040 --> 00:15:08,040 Speaker 5: just took me in different a different route, and you know, 325 00:15:08,080 --> 00:15:09,680 Speaker 5: brought me to a different level faster. 326 00:15:10,120 --> 00:15:10,800 Speaker 4: I loved it. Man. 327 00:15:10,840 --> 00:15:12,760 Speaker 3: That was That was formative for me and my siblings 328 00:15:12,760 --> 00:15:14,680 Speaker 3: and some of my best friends and so we loved 329 00:15:14,720 --> 00:15:17,760 Speaker 3: watching watching Mad TV and just an awesome cast of characters. 330 00:15:17,760 --> 00:15:18,760 Speaker 4: Frank Kelly Io. 331 00:15:18,720 --> 00:15:21,520 Speaker 3: Tonight at the Punchline in Sacramento, Tomorrow in San Francisco 332 00:15:21,520 --> 00:15:23,560 Speaker 3: at Cobbs Comedy Club. Frank, it's great to talk to 333 00:15:23,600 --> 00:15:25,280 Speaker 3: you and man, have a great show tonight, break a leg, 334 00:15:25,280 --> 00:15:26,600 Speaker 3: and I'll see you tomorrow on Cobbs. 335 00:15:26,600 --> 00:15:26,800 Speaker 4: Man. 336 00:15:26,920 --> 00:15:30,160 Speaker 5: Thanks Frank, awesome, appreciate it, guys, Thank you, good dear there. 337 00:15:30,200 --> 00:15:31,720 Speaker 4: Frank Kelly nd Frank on stage. 338 00:15:31,760 --> 00:15:33,720 Speaker 3: Dot Com is where you can find tickets and more 339 00:15:33,720 --> 00:15:35,440 Speaker 3: information on his upcoming shows. 340 00:15:35,440 --> 00:15:37,760 Speaker 4: Frank is a just a riot and an awesome