1 00:00:00,200 --> 00:00:02,000 Speaker 1: Chastin. Maybe this will cheer you up. 2 00:00:02,040 --> 00:00:06,200 Speaker 2: And with everything going on in the news, I try 3 00:00:06,240 --> 00:00:08,640 Speaker 2: and look for something that's a little more cheery today. 4 00:00:09,240 --> 00:00:12,360 Speaker 2: And that's why we're gonna use the Newsmaker line today 5 00:00:12,400 --> 00:00:14,840 Speaker 2: to bring you big news out of Hollywood. 6 00:00:15,440 --> 00:00:19,120 Speaker 1: We have this is and I love when we do this. 7 00:00:20,040 --> 00:00:24,760 Speaker 2: Arnold Schwarzenegger has revealed that he will be starring in 8 00:00:24,960 --> 00:00:30,200 Speaker 2: legacy sequels to three of his biggest action movies that 9 00:00:30,240 --> 00:00:34,120 Speaker 2: came out yesterday. So I thought it was very appropriate 10 00:00:34,240 --> 00:00:37,639 Speaker 2: on the Newsmaker Line to talk about all this and 11 00:00:37,680 --> 00:00:41,000 Speaker 2: this big announcement is Arnold Schwarzenegger. 12 00:00:41,080 --> 00:00:43,519 Speaker 1: Mister Schwarzenegger, how are you this morning? 13 00:00:44,400 --> 00:00:47,599 Speaker 3: Yes, hello, and all of these yes with the Chanston, 14 00:00:47,720 --> 00:00:50,680 Speaker 3: the Lemont and other pants pooping men of his nature. 15 00:00:51,120 --> 00:00:54,920 Speaker 2: Yeah, hey, your crap your pets once, Arnold, do you 16 00:00:54,960 --> 00:00:56,880 Speaker 2: think anyone will forget it? 17 00:00:58,000 --> 00:01:02,320 Speaker 3: Never? Never? I'm excited to be here. Yes, well, you 18 00:01:02,400 --> 00:01:03,480 Speaker 3: feel my excitement. 19 00:01:03,680 --> 00:01:05,960 Speaker 1: I can feel your excitement over the phone lines. 20 00:01:06,480 --> 00:01:10,200 Speaker 3: My Poland stuffle is bouncing around inside my great sweatpants. 21 00:01:10,240 --> 00:01:12,520 Speaker 1: Oh that ain't good. 22 00:01:13,280 --> 00:01:16,880 Speaker 3: Like I'm ringing the lunch bell or something. Right right, 23 00:01:17,760 --> 00:01:25,240 Speaker 3: I'm gonna call it Millie because it's very medy and tasty. 24 00:01:25,480 --> 00:01:28,480 Speaker 1: If you know, you know inside Jokers, the rock music. 25 00:01:28,520 --> 00:01:31,319 Speaker 3: You're playing the rock music of this nature with the 26 00:01:31,400 --> 00:01:34,120 Speaker 3: head banging and the devil horns and all of this. Yeah, 27 00:01:34,120 --> 00:01:36,680 Speaker 3: I'm so excited that I'm about to do a devil 28 00:01:36,720 --> 00:01:37,280 Speaker 3: horn with. 29 00:01:37,200 --> 00:01:39,480 Speaker 1: My maid, your mate. 30 00:01:40,120 --> 00:01:42,839 Speaker 3: It's like a sexier version of the Shaker. 31 00:01:42,600 --> 00:01:47,200 Speaker 2: Right, I don't know, I'd never really thought of that before. 32 00:01:50,880 --> 00:01:55,160 Speaker 1: Oh, your donkey. Lulu is there with us today as well. 33 00:01:56,040 --> 00:01:59,040 Speaker 3: Yes, Oh man, Lulu just scared away the maid. 34 00:01:59,240 --> 00:02:00,760 Speaker 1: Oh no, that ain't good. 35 00:02:01,520 --> 00:02:09,360 Speaker 3: Well, Lulu wanted to be here to talk to Chasta casa. 36 00:02:09,880 --> 00:02:12,560 Speaker 3: Lulu wants to know how you're doing today. She told 37 00:02:12,600 --> 00:02:15,080 Speaker 3: me to tell you happy women's history months. 38 00:02:15,880 --> 00:02:17,680 Speaker 1: Oh that's so nice. 39 00:02:17,840 --> 00:02:20,480 Speaker 4: Tell Lulu, thank you very much, very sweet. 40 00:02:20,639 --> 00:02:23,480 Speaker 3: It's Jester. Lulu can understand English. I don't need to 41 00:02:23,520 --> 00:02:23,920 Speaker 3: tell her. 42 00:02:25,120 --> 00:02:27,440 Speaker 4: Okay, okay, bad, my bad. 43 00:02:27,840 --> 00:02:30,600 Speaker 3: I know. Lulu jes to just thinks you're a dumb donkey. 44 00:02:31,120 --> 00:02:34,720 Speaker 3: I'm sorry, I don't. I thought she would know better 45 00:02:34,760 --> 00:02:36,480 Speaker 3: after her time with Slick Willie. 46 00:02:42,040 --> 00:02:44,920 Speaker 1: Story boy, Lulu, even you Slick Willie. 47 00:02:45,080 --> 00:02:47,560 Speaker 3: That is, she knows all about it, don't you. 48 00:02:47,639 --> 00:02:55,200 Speaker 2: Yeah, Arnold, let's steer this back to why you're here. Okay, 49 00:02:55,639 --> 00:02:58,919 Speaker 2: you've been nice to return to some of your biggest 50 00:02:59,000 --> 00:03:03,799 Speaker 2: roles in your career, legacy sequels to Conan, the Barbarian, 51 00:03:04,200 --> 00:03:10,320 Speaker 2: Commando and Predator. This is amazing considering you're almost seventy 52 00:03:10,400 --> 00:03:12,040 Speaker 2: nine years of age, Arnold. 53 00:03:12,360 --> 00:03:16,640 Speaker 3: Yeah, it's truly amazing, Lamontis. These will all be original 54 00:03:16,720 --> 00:03:21,440 Speaker 3: scripts too. No popular catchphrases, right right, which is a 55 00:03:21,480 --> 00:03:24,240 Speaker 3: big acting stretch for me, not to say haste la 56 00:03:24,320 --> 00:03:28,880 Speaker 3: vista every thirty minute. Catchphrases are all I know. 57 00:03:29,280 --> 00:03:32,360 Speaker 1: You won't be doing that now, you got anymore? 58 00:03:32,720 --> 00:03:32,919 Speaker 3: Right? 59 00:03:33,040 --> 00:03:38,240 Speaker 2: So, well, let's touch on King Conan. Then, what's going 60 00:03:38,280 --> 00:03:39,240 Speaker 2: on with this story? 61 00:03:40,160 --> 00:03:43,840 Speaker 3: Well, Conan is an older, complacent king who will be 62 00:03:43,960 --> 00:03:49,920 Speaker 3: forced back into action. So expecting tense sword sequences, bloody fighting, 63 00:03:50,360 --> 00:03:54,280 Speaker 3: heavily graphic scenes with the ugly, squatty chambermaid using my 64 00:03:54,400 --> 00:04:01,000 Speaker 3: pink steel sore. Yes that's true, Lulu, but I can't 65 00:04:01,000 --> 00:04:03,560 Speaker 3: tell them it wasn't simulated. Let's move on. 66 00:04:03,760 --> 00:04:05,760 Speaker 2: Okay, So now what can you tell us about your 67 00:04:05,800 --> 00:04:07,080 Speaker 2: role in Commando two? 68 00:04:08,120 --> 00:04:11,280 Speaker 3: Well, I will reprise my role as a retired Special 69 00:04:11,360 --> 00:04:15,520 Speaker 3: Forces soldier peaceful life of banging his squatty housemaid, is 70 00:04:15,560 --> 00:04:19,000 Speaker 3: disturbed when past enemies come back to hunt him down 71 00:04:19,240 --> 00:04:23,480 Speaker 3: right right, unfortunately are led by his own illegitimate Latin 72 00:04:23,560 --> 00:04:31,279 Speaker 3: doppelganger son. It's pretty intense. Well what one does, does she? 73 00:04:31,279 --> 00:04:31,960 Speaker 3: She can't wait? 74 00:04:32,120 --> 00:04:34,760 Speaker 2: Well, I will tell you this, Arnold. I'm kind of 75 00:04:34,800 --> 00:04:37,400 Speaker 2: sensing a theme here though. Now what can you tell me? 76 00:04:38,640 --> 00:04:41,880 Speaker 2: And let's touch on revisiting the iconic role of Dutch 77 00:04:42,440 --> 00:04:43,840 Speaker 2: for the Predator sequel. 78 00:04:44,640 --> 00:04:47,720 Speaker 3: Oh, yes, well, this time, when Dutch, who's still a 79 00:04:47,800 --> 00:04:51,520 Speaker 3: sojio of fortune, leads a rescue for forces trapped in 80 00:04:51,560 --> 00:04:55,799 Speaker 3: the jungles of South America, he instead befriends the Predator, 81 00:04:56,279 --> 00:05:01,920 Speaker 3: who just happens to be an ugly, squatty alien right 82 00:05:02,320 --> 00:05:06,440 Speaker 3: right right, perfect sense. Yes, it turns the story on 83 00:05:06,480 --> 00:05:11,240 Speaker 3: its head with heavily graphic love scenes. Wow. Yes, there's 84 00:05:11,240 --> 00:05:14,000 Speaker 3: been nothing like this in alien movies before. 85 00:05:13,960 --> 00:05:15,440 Speaker 1: Never, never before. 86 00:05:16,320 --> 00:05:19,320 Speaker 3: That's right, Lulu. The writing in this film is tight, 87 00:05:20,000 --> 00:05:22,760 Speaker 3: like tighter than the sports bra holding in the backfat 88 00:05:22,760 --> 00:05:25,200 Speaker 3: on the chubby maid. 89 00:05:24,680 --> 00:05:28,040 Speaker 2: You know, you know, Arnold, I gotta tell you I 90 00:05:28,080 --> 00:05:29,800 Speaker 2: see a theme with all these movies. 91 00:05:30,040 --> 00:05:32,359 Speaker 1: Are you contributing to the writing yourself. 92 00:05:33,240 --> 00:05:37,679 Speaker 3: Maybe a little bit, then'll laugh. 93 00:05:38,120 --> 00:05:41,039 Speaker 4: I mean these films, they all sound is super great, Arnold, 94 00:05:41,120 --> 00:05:43,120 Speaker 4: but oh the wonderful. 95 00:05:42,880 --> 00:05:43,880 Speaker 1: For just a second. 96 00:05:44,200 --> 00:05:47,080 Speaker 4: Yes, I'm sure I wanted to ask you actually a 97 00:05:47,160 --> 00:05:48,320 Speaker 4: question about AI. 98 00:05:48,480 --> 00:05:49,039 Speaker 1: Can we do that? 99 00:05:50,000 --> 00:05:55,960 Speaker 3: Oh no, here comes and gotcha from Jazz? Yes, trying 100 00:05:55,960 --> 00:05:58,919 Speaker 3: to get me just because my terminated movies predicted the 101 00:05:58,960 --> 00:05:59,920 Speaker 3: future and all of the. 102 00:06:00,960 --> 00:06:03,840 Speaker 1: Well, I mean, you're not wrong in just the path 103 00:06:03,920 --> 00:06:04,720 Speaker 1: you got for me. 104 00:06:05,920 --> 00:06:10,600 Speaker 4: We have seen a scary advancement of AI. The latest 105 00:06:10,720 --> 00:06:13,680 Speaker 4: is the ability of a bot to perfectly recreate the 106 00:06:13,760 --> 00:06:16,480 Speaker 4: voice of a celebrity, dead or alive. 107 00:06:16,720 --> 00:06:17,480 Speaker 1: Your thoughts on. 108 00:06:17,440 --> 00:06:21,520 Speaker 3: That, well, Yes, I heard about this chest to Bear, 109 00:06:22,000 --> 00:06:25,360 Speaker 3: and I'm not going to lie. AI is not all 110 00:06:25,440 --> 00:06:29,520 Speaker 3: evil though. I actually copied your show's Chest about Death 111 00:06:29,600 --> 00:06:33,640 Speaker 3: generator four thousand. Oh god, what I did is I 112 00:06:33,720 --> 00:06:37,760 Speaker 3: loaded it into my ugly, squatty made sex robot. That 113 00:06:40,400 --> 00:06:43,160 Speaker 3: what No, it's true. It's a game changer in all 114 00:06:43,200 --> 00:06:47,600 Speaker 3: of this. Yes, it sounds just like you. It's uncanny, Jesus. 115 00:06:48,160 --> 00:06:53,320 Speaker 3: Oh no, it's basically chest on command with the voice. Wow, 116 00:06:53,600 --> 00:06:55,880 Speaker 3: you must be flattered, you must be. 117 00:06:57,839 --> 00:06:58,840 Speaker 1: Play it for us. 118 00:06:58,839 --> 00:07:02,640 Speaker 3: Please let me play it for you. Hold on you ready, yes. 119 00:07:03,839 --> 00:07:05,640 Speaker 1: Yes, I can't wait to hear. 120 00:07:05,800 --> 00:07:10,040 Speaker 3: Arnold chest About wants to know if you are ready 121 00:07:10,040 --> 00:07:11,640 Speaker 3: for me to buff your banister. 122 00:07:12,000 --> 00:07:18,600 Speaker 4: That is oh my god, I am not a fast. 123 00:07:18,320 --> 00:07:19,040 Speaker 1: See, Chesta. 124 00:07:19,360 --> 00:07:24,320 Speaker 2: Not only did the chest of Death generator benefit you 125 00:07:24,440 --> 00:07:27,520 Speaker 2: for the death pool, but now Arnold is using it 126 00:07:27,600 --> 00:07:30,480 Speaker 2: on his his made robot at home. 127 00:07:34,160 --> 00:07:35,560 Speaker 1: Yeah boo popping. 128 00:07:36,280 --> 00:07:39,280 Speaker 2: Well, thank you for taking the time to call in today, Arnold, 129 00:07:39,320 --> 00:07:42,600 Speaker 2: to talk about your upcoming roles. And of course, Ai 130 00:07:42,880 --> 00:07:44,560 Speaker 2: chest I'm so glad you brought up Ai. 131 00:07:44,720 --> 00:07:49,240 Speaker 3: That is one. Yes, of course, it's all contributing to 132 00:07:49,320 --> 00:07:52,400 Speaker 3: the future. Yes, all right, uh huh, I'm out to 133 00:07:52,440 --> 00:07:55,160 Speaker 3: play with my donkey, Lulu all right, so long and 134 00:07:55,280 --> 00:07:57,200 Speaker 3: other salutations of this nature. 135 00:07:57,560 --> 00:08:01,400 Speaker 2: Yes, okay, Lulu. 136 00:08:01,200 --> 00:08:04,239 Speaker 3: Okay, but Lulu says Metallica rules. 137 00:08:04,280 --> 00:08:06,400 Speaker 1: Okay, that is wonderful. 138 00:08:06,920 --> 00:08:09,760 Speaker 3: She's right later, okay, I Mark to do some devil 139 00:08:09,800 --> 00:08:10,720 Speaker 3: horns with the maid. 140 00:08:10,920 --> 00:08:14,920 Speaker 1: Okay, back to that again, are we okay? Well, now 141 00:08:15,080 --> 00:08:17,600 Speaker 1: I'll never see double horns the same. And how do 142 00:08:17,640 --> 00:08:18,280 Speaker 1: you like that? 143 00:08:18,440 --> 00:08:24,320 Speaker 2: Chasta even uh even uh, Lulu remembered slick Willie that that. 144 00:08:24,600 --> 00:08:27,600 Speaker 1: Yeah, I know that was impressive that pet dog. 145 00:08:28,920 --> 00:08:31,280 Speaker 2: That pet dog g of yours really made an impression 146 00:08:31,320 --> 00:08:31,840 Speaker 2: on people. 147 00:08:32,600 --> 00:08:33,120 Speaker 4: Apparently,