WEBVTT - Jose Iterbi Tribute

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<v Speaker 1>Welcome to Hollywoods Hidden Treasures. I'm Denel Dadigan. This evening,

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<v Speaker 1>we're going to talk about the fabled life an extraordinary

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<v Speaker 1>career of jose Ah Turby, the world famous concert pianist

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<v Speaker 1>and conductor, the Golden era Hollywood actor and composer. You know,

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<v Speaker 1>jose Ahturby. What can I say? There's so much to

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<v Speaker 1>talk about. I mean, old Hollywood, sold out concerts around

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<v Speaker 1>the world, flying his own plane from concert to concert,

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<v Speaker 1>riding is Harley Davidson motorcycle complete with a sidecar through

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<v Speaker 1>the streets of Beverly Hills. You know, jose Ah Turby

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<v Speaker 1>was a rock star in his time. Joseah Turby had

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<v Speaker 1>two dozen, twenty four gold and platinum records to his name,

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<v Speaker 1>numerous international awards, and even his own star on the

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<v Speaker 1>Hollywood Walk of Fame. His phenomenal music career spanned more

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<v Speaker 1>than seven decades. And whose stuff dreams are made out?

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<v Speaker 2>You know?

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<v Speaker 1>Everyone always asks why did a world famous concert artist

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<v Speaker 1>is so successful as a pianist and conductor decide to

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<v Speaker 1>appear in film? Well, the story goes back to nineteen

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<v Speaker 1>thirty three. A movie producer handed jose a check for

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<v Speaker 1>thirty five thousand dollars. Now that's a lot of money

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<v Speaker 1>in nineteen thirty three, and they asked him to appear

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<v Speaker 1>in a picture, but would you believe, Joseah Turby tore

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<v Speaker 1>up the check, declaring that kissing girls on screen was

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<v Speaker 1>just too much foolishness. So this was actually the start

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<v Speaker 1>of the negotiations for jose Ah Turby to appear in films,

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<v Speaker 1>and twelve years later, in the nineteen forties, a Turby

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<v Speaker 1>did start in popular postwar MGM movie musicals on his

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<v Speaker 1>own terms. He was always a good guy. He always

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<v Speaker 1>played the piano and conducted an orchestra, and parents around

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<v Speaker 1>the world would tell their children, you could be just

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<v Speaker 1>like him. You could be just like jose Aturby. Now,

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<v Speaker 1>practice practice, practice, as they say. The rest was history.

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<v Speaker 1>I know many of our listeners have enjoyed watching jose

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<v Speaker 1>Ah Turby and his co stars in these wonderful nineteen

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<v Speaker 1>forties MGM musicals, and jose enjoyed gay new fans through

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<v Speaker 1>his appearances in Anchors, Away That Midnight Kiss, Music for Millions,

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<v Speaker 1>Three Daring Daughters, Holiday in Mexico, and Moore. You know,

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<v Speaker 1>Joseah Turby appeared on screen with many of the popular

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<v Speaker 1>stars of Hollywood's Golden Era, including Gene Kelly, Frank Sinatra,

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<v Speaker 1>Katherine Grayson, Mickey Rooney, Judy Garland, June Allison, Jane Powell,

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<v Speaker 1>Ethel Barrymore, Jimmy Duranty, Jeanette MacDonald, Roddy McDowell, Van Johnson, Mariolanza,

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<v Speaker 1>Harry James and his Orchestra, Xavier Cougart and the Child

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<v Speaker 1>Star Margaret O'Brien, and so many more.

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<v Speaker 3>Did you know?

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<v Speaker 1>In addition to the Hollywood movies and concerts, jose Ah

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<v Speaker 1>Turby was the first musician to sell one million copies

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<v Speaker 1>of a record.

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<v Speaker 3>You would have.

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<v Speaker 1>Thought it was Elvis Presley or the Beatles, but it

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<v Speaker 1>was Joseah Turby in nineteen forty five, playing the solo

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<v Speaker 1>piano piece Chopin's Military Polonaise. Looking back in nineteen forty five,

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<v Speaker 1>that's when selling a million copies of a record was

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<v Speaker 1>really a big dal bill. To commemorate this major accomplishment,

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<v Speaker 1>jose Atterby received his own star on the Hollywood Walk

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<v Speaker 1>of Fame, right in front of Disney's El Capitan Theater

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<v Speaker 1>on Hollywood Boulevard, across from the Dolby Theater where Blockbuster

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<v Speaker 1>concerts live Theater and Academy Awards are held today, and

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<v Speaker 1>I'm sure many of our listeners have enjoyed listening to

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<v Speaker 1>many of Eterbe's gold and platinum selling recordings. It is

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<v Speaker 1>estimated that Jose Atturby was heard in concert by more

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<v Speaker 1>than fifty million people over the course of his career

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<v Speaker 1>from the nineteen twenties through the nineteen seventies, all at

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<v Speaker 1>a time when concert halls were very elegant and formal,

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<v Speaker 1>with probably a maximum audience of about thirty five hundred

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<v Speaker 1>to five thousand people, depending on the concert hall. Atterby

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<v Speaker 1>routinely performed to sold out audiences, with an extra additional

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<v Speaker 1>one hundred two hundred seats placed on the stage to

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<v Speaker 1>accommodate mass ticket sales and audiences for the overflow of

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<v Speaker 1>his performance. I'm sure many of our listeners have even

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<v Speaker 1>seen or heard stories of Etterby's sold out performances and

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<v Speaker 1>have enjoyed listening to his gold and platinum recordings. Sony

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<v Speaker 1>Classical Recordings honored this music superstar by releasing the sixteen

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<v Speaker 1>CD Collector's Box Set with digitally remastered recordings from the

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<v Speaker 1>RCA vault from Hollywood to the world. The rediscovered recordings

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<v Speaker 1>by pianist and conductor Joseah Turby, along with the one

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<v Speaker 1>hundred and eighty page book penned by the Ambassador of

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<v Speaker 1>the American Songbook Michael Feinstein and filled with historic photos,

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<v Speaker 1>they are sure to evoke fond memories of Joseah Turby

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<v Speaker 1>are classical music favorites and a bygone era. You know,

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<v Speaker 1>Joseah Turby was truly an entertainer in every way, and

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<v Speaker 1>he captivated Hollywood and the world through his exciting, enthralling

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<v Speaker 1>performances on screen and on the concert stage. Terby was

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<v Speaker 1>considered the consummate performer. We only have to listen to

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<v Speaker 1>jose Aturby's passionate and fiery recordings of Chopin's military Polonaise

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<v Speaker 1>or his revolutionary Atude, or Wc's Claidalone, or Manuel de

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<v Speaker 1>Faye's ritual fire Dance, and of course Rachmaninoff's popular Prelude

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<v Speaker 1>in C sharp minor. I got to just interrupt right

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<v Speaker 1>here because I'm going to ask Steve, did you ever

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<v Speaker 1>play Rochmanoff's Prelude and C sharp miner?

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<v Speaker 4>I tempted, Yes, I did.

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<v Speaker 1>All right, That's what I needed to know. Of course,

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<v Speaker 1>Steve and I have so much in common. It is

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<v Speaker 1>great well, you know, to hear these pieces. This is

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<v Speaker 1>why you can understand why Etterby had legions of fans

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<v Speaker 1>with his groupies, the Bobby socksers of the time, swarming

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<v Speaker 1>the stage at the end of his concerts as he

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<v Speaker 1>took his final bows on stage, with fans throwing their

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<v Speaker 1>scented handkerchiefs and flowers at jose Aturbi the maestro with

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<v Speaker 1>looks of adoration accompanied by thunderous applause. At the end

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<v Speaker 1>of his concerts, Atturby performed encore after encore, and after

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<v Speaker 1>his concerts there were long lines of fans waiting at

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<v Speaker 1>the stage shore and outside his dressing room for an autograph,

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<v Speaker 1>which jose happily gave. You know, jose Ah Turby his

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<v Speaker 1>talents touched many millions of music lovers from the big

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<v Speaker 1>cities on the coasts to the Midwest States to the world,

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<v Speaker 1>and he even flew his own plane from concert to concert.

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<v Speaker 1>Etturby was a rock star. And this makes me think

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<v Speaker 1>what would these adoring fans today do to show their

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<v Speaker 1>love for josea Ah Turby. What would they throw up

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<v Speaker 1>on stage at the end of a performance. Well, I'll

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<v Speaker 1>just let you the listeners fill in the blank with us.

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<v Speaker 1>Today in studio is our Hollywood Museum's Director of Operations,

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<v Speaker 1>Steve Nickelmo and our Hollywood Museum's publicist, Roger Neil Well. Hi, Roger, Hi, Steve.

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<v Speaker 4>Great to be here music.

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<v Speaker 3>Oh well, I just.

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<v Speaker 1>Got to ask you both, So what do you think

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<v Speaker 1>jose Atturby's adoring fans today would throw up on stage

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<v Speaker 1>to show their love and appreciation.

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<v Speaker 4>Well, I don't know if they'd throw it, but I

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<v Speaker 4>think they might present maybe a small gift, or they've

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<v Speaker 4>probably written a letter, just tell him to see how

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<v Speaker 4>much his music is meant to them.

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<v Speaker 5>Oh.

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<v Speaker 3>I like that.

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<v Speaker 4>It helps that he receives it, of course.

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<v Speaker 3>I like that.

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<v Speaker 1>And I have to tell you in his home we

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<v Speaker 1>had so many different letters and small trinkets that adoring

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<v Speaker 1>fans gave him. So I think you're right on. You're

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<v Speaker 1>just right on spot on. That's wonderful. And Roger, Oh, I'm.

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<v Speaker 6>Just going to keep it real. I think it'd be

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<v Speaker 6>throwing up hotel room keys.

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<v Speaker 1>Well, I got to tell you that's true too. We

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<v Speaker 1>had several of those, and my godmother was, you know,

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<v Speaker 1>beside herself, but she tolerated it. Well, you know, I

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<v Speaker 1>have to say, Jose Aturbi inspired generations of young people

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<v Speaker 1>to embrace the piano, classical music, and pursue music in general,

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<v Speaker 1>whether it was classical or music of the day, with

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<v Speaker 1>songs performed by the popular grades of the era, you know,

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<v Speaker 1>Frank Sinatra, Judy Garland, just to name a few. Jose

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<v Speaker 1>Aturb enjoyed accompanying them all in special performances. Jose enjoyed

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<v Speaker 1>gaining new fans through his disappearances on the concert stage,

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<v Speaker 1>on television that new invention, and in Hollywood films. And

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<v Speaker 1>we are thrilled to have with us several well known

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<v Speaker 1>and beloved actress and musicians and even a guest who

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<v Speaker 1>starred in several MGM films with Joseah Turby, and they

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<v Speaker 1>are all very good friends of the Hollywood Museum. Joining

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<v Speaker 1>us is the Academy Award winning child actress who starred

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<v Speaker 1>with Joseah Turby in the nineteen forties MGM musicals Thousands,

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<v Speaker 1>Cheer and Music, Vermilions, with her own star on the

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<v Speaker 1>world famous Hollywood Walk of Fame, Margaret O'Brien. And with

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<v Speaker 1>us is the award winning legendary actress of stage, film,

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<v Speaker 1>and television and philanthropist with her own star on the

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<v Speaker 1>world famous Hollywood Walk of Fame, rude A Lee and

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<v Speaker 1>the well known Grammy and Emmy nominated ambassador to the

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<v Speaker 1>American Songbook, the popular singer and pianist Michael Feinstein. And

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<v Speaker 1>with us is the Grammy nominated recording artist, singer, stage

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<v Speaker 1>and screen and television actress Eileen Graf, best known to

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<v Speaker 1>audiences as Marsha Owens, the mom on the long running

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<v Speaker 1>eighties ABC comedy Mister Belvidere, and with us as the

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<v Speaker 1>veteran of stage, film, television and recording arts. Rex Smith,

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<v Speaker 1>my favorite teen idol heart throb with a platinum album

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<v Speaker 1>hit from the nineteen seventy nine Let's See You Take

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<v Speaker 1>My Breath Away. So how many of you remember that song?

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<v Speaker 1>I certainly do and I can still see Rex with

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<v Speaker 1>his long blonde locks.

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<v Speaker 3>Wow.

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<v Speaker 1>Well, Roger list tell everyone how to visit and learn

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<v Speaker 1>more about the Hollywood Museum.

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<v Speaker 6>Come on down in person to sixteen sixty North Highland

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<v Speaker 6>Avenue in Hollywood, in the heart of Hollywood, California, or

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<v Speaker 6>you could go to the website Hollywood Museum dot com

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<v Speaker 6>or visit us on Instagram at Hollywood Museum.

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<v Speaker 1>Well it sounds like we're going to have another great evening,

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<v Speaker 1>and well it's time to take a break. I'm de

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<v Speaker 1>Neel Daddigan. You're listening to Hollywood's Hidden Treasures. When we

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<v Speaker 1>return the critically acclaimed Hollywood legend of Stage, screen and

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<v Speaker 1>Television rut of Lye with Grammy nominated recording artists singer,

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<v Speaker 1>stage and screen and television actress Eileen Graft. I wonder

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<v Speaker 1>what stories Rude Lee and Aileen Graft will share with us,

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<v Speaker 1>and we'll tell about jose and his well known Latin charm. Well,

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<v Speaker 1>stay tuned, We've got lots to talk about.

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<v Speaker 3>Welcome back.

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<v Speaker 1>You're listening to Hollywoods Hidden Treasures. I'm Daniel Daddigan, and

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<v Speaker 1>tonight we're celebrating one of the greatest classical musicians of

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<v Speaker 1>the twentieth century, Joseah Turby, and joining us is Rutal

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<v Speaker 1>Lee and Ruda Can you name that song?

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<v Speaker 7>I certainly can. It's Bless your beautiful Hide wherever it

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<v Speaker 7>may be, and it was sung by the wonderful Howard Keel.

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<v Speaker 7>Oh my goodness, oh what a lovely, lovely man. And

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<v Speaker 7>of course that was my very first job in the movies.

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<v Speaker 7>And it was such a lovely, auspicious beginning, and it

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<v Speaker 7>brought me to MGM.

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<v Speaker 3>We were there for a.

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<v Speaker 7>Very long time making this movie.

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<v Speaker 3>To start with.

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<v Speaker 7>It was done in two processes, which really made it

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<v Speaker 7>a long movie. It was done in widescreen and in CinemaScope,

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<v Speaker 7>so that every scene that we shot had to be

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<v Speaker 7>shot twice.

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<v Speaker 3>That I did not know, interesting poss.

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<v Speaker 7>Of information for everybody, so sure, but it introduced me

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<v Speaker 7>to MGM, and MGM introduced me to all of the

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<v Speaker 7>fabulous talented people that lived and thrived at MGM, And

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<v Speaker 7>of course that was my introduction to jose eterbe Wow.

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<v Speaker 7>Because you have to understand, I was born in Montreal, Canada,

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<v Speaker 7>where you had to be sixteen years old to go

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<v Speaker 7>to the movies. They had had a terrible fire and

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<v Speaker 7>children were lost in the fire, and therefore you had

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<v Speaker 7>to be sixteen. So I didn't get to see any

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<v Speaker 7>of those fabulous movies that jose Eterby made until I

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<v Speaker 7>got to California and in the process of growing up,

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<v Speaker 7>was able to go to see these wonderful movies.

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<v Speaker 1>Now, if I remember correctly, you were working at the

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<v Speaker 1>Chinese Theater and MGM show to all those movies.

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<v Speaker 7>They surely did. And what was so beautiful was that I,

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<v Speaker 7>as a baby kins growing up, you know, nine, ten, eleven, twelve,

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<v Speaker 7>thirteen years of age, was finally introduced to music that

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<v Speaker 7>wasn't pop music.

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<v Speaker 3>Really.

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<v Speaker 7>I mean, jose E Turby sitting at that beautiful grand

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<v Speaker 7>piano or conducting a magnificent orchestra with fifty violins was

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<v Speaker 7>a beautiful introduction, not just to me, but I think

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<v Speaker 7>to all young people in America.

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<v Speaker 8>We wouldn't have.

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<v Speaker 7>Known about anything about classical music without the movies presenting

0:12:40.640 --> 0:12:44.079
<v Speaker 7>the way they did so beautifully and so colorfully, and

0:12:44.160 --> 0:12:47.400
<v Speaker 7>with someone like him as our master teacher.

0:12:47.880 --> 0:12:50.960
<v Speaker 3>Wow, wow, Well that just warms my heart. Thank you

0:12:51.080 --> 0:12:53.480
<v Speaker 3>so much. He was a great man. I have to say,

0:12:53.520 --> 0:12:56.080
<v Speaker 3>he truly was, and he took his role of being

0:12:56.080 --> 0:12:59.920
<v Speaker 3>godfather to me extremely serious. I must say.

0:13:00.440 --> 0:13:03.280
<v Speaker 1>When he was in town, I visited him several days

0:13:03.320 --> 0:13:05.840
<v Speaker 1>a week, and he always listened to me play piano.

0:13:06.080 --> 0:13:10.000
<v Speaker 1>It was wonderful. I wouldn't trade those experiences for anything,

0:13:10.120 --> 0:13:12.560
<v Speaker 1>you know. But I just want to say, talking about

0:13:12.600 --> 0:13:16.640
<v Speaker 1>performing and whatnot, you recently appeared Ruda at your solo

0:13:16.840 --> 0:13:20.680
<v Speaker 1>cabaret show. Of course, it's aptly called consider Your Ass Kiss,

0:13:21.240 --> 0:13:24.000
<v Speaker 1>because that is the name of your memoir, which talks

0:13:24.040 --> 0:13:27.920
<v Speaker 1>about you and every famous name you can imagine from

0:13:28.000 --> 0:13:31.200
<v Speaker 1>classic Hollywood. And I have to say we enjoyed it

0:13:31.240 --> 0:13:35.080
<v Speaker 1>because what was at the Vibrado room Herb Albert's Vibrato grill.

0:13:35.640 --> 0:13:38.760
<v Speaker 1>All of our friends had so much fun watching you perform.

0:13:38.800 --> 0:13:40.760
<v Speaker 1>I mean there was Ronnie Miller. I mean, Ronnie is

0:13:40.760 --> 0:13:46.800
<v Speaker 1>here in the studio, Say hi, Ronnie. And George Pinocchio

0:13:46.880 --> 0:13:49.560
<v Speaker 1>and his wife Erin, and the Emmy and Grammy Award

0:13:49.559 --> 0:13:53.400
<v Speaker 1>winning songwriter Diane Warren and the award winning singer and

0:13:53.440 --> 0:13:56.880
<v Speaker 1>pianist Michael Feinstein, and Harlan and Steve were there.

0:13:56.920 --> 0:13:57.440
<v Speaker 3>It was fun.

0:13:57.480 --> 0:14:01.120
<v Speaker 1>We all had the best time watching you up on stage.

0:14:01.160 --> 0:14:02.400
<v Speaker 1>What a great evening.

0:14:02.720 --> 0:14:05.839
<v Speaker 7>Well, let me tell you that I'm going to duplicate

0:14:05.880 --> 0:14:09.600
<v Speaker 7>it if I can, only more so. That was my

0:14:09.760 --> 0:14:15.160
<v Speaker 7>eighty ninth birthday. Now I'm planning my ninetieth birthday, oh

0:14:15.640 --> 0:14:20.560
<v Speaker 7>El Portal, and I'm going to have people like Joanne Worley,

0:14:20.800 --> 0:14:24.920
<v Speaker 7>and of course every fabulous star in town is going

0:14:24.960 --> 0:14:28.160
<v Speaker 7>to come and do five minutes or ten minutes or

0:14:28.200 --> 0:14:29.320
<v Speaker 7>whatever I asked them to.

0:14:29.840 --> 0:14:31.760
<v Speaker 1>I can imagine, I'm sure they're going to be standing

0:14:31.800 --> 0:14:34.560
<v Speaker 1>in line to do this. I mean, this sounds so exciting,

0:14:34.680 --> 0:14:37.600
<v Speaker 1>and you know, I just have to say it to

0:14:37.640 --> 0:14:40.680
<v Speaker 1>be brought to the movies. As we were talking about this,

0:14:41.360 --> 0:14:45.360
<v Speaker 1>he brought to them a whole different element because in

0:14:45.400 --> 0:14:49.680
<v Speaker 1>the forties he had neighbors such as if you can imagine,

0:14:49.680 --> 0:14:54.400
<v Speaker 1>Harry Cone from Columbia Studios and Jean Negalasco, who was

0:14:54.480 --> 0:14:58.640
<v Speaker 1>a great producer, and they tried to talk Josea Turby

0:14:58.680 --> 0:15:02.120
<v Speaker 1>into appearing in films. It was because they had received

0:15:02.160 --> 0:15:06.800
<v Speaker 1>letters from Middle America religious groups and they wanted to

0:15:07.520 --> 0:15:12.040
<v Speaker 1>bring a better quality family fair and overall make the

0:15:12.080 --> 0:15:15.400
<v Speaker 1>films more classy. And it was so interesting because Iturbi

0:15:15.840 --> 0:15:20.840
<v Speaker 1>was contacted, as were several other great classical musicians and artists,

0:15:21.240 --> 0:15:24.160
<v Speaker 1>so that they could class up these movies. And you

0:15:24.200 --> 0:15:27.120
<v Speaker 1>know what it Turby rose to that occasion, and it

0:15:27.240 --> 0:15:29.720
<v Speaker 1>helped that he had two neighbors that would push him

0:15:29.840 --> 0:15:32.720
<v Speaker 1>daily that you have to do it. And his first

0:15:32.720 --> 0:15:35.360
<v Speaker 1>film was at Columbia Studios and then after that he

0:15:35.480 --> 0:15:40.440
<v Speaker 1>was with Jean Olga LESCo doing movies with MGM. But

0:15:40.640 --> 0:15:44.440
<v Speaker 1>it's interesting how it all gets started and what happened

0:15:44.600 --> 0:15:50.320
<v Speaker 1>was that Etterby's fame landed up tripling, quadrupling because of

0:15:50.440 --> 0:15:53.280
<v Speaker 1>being in the motion pictures in additional to being on

0:15:53.360 --> 0:15:56.440
<v Speaker 1>the stage, of course. So now I do want to

0:15:56.480 --> 0:15:59.720
<v Speaker 1>say joining us now is the Emmy nominated recording artist

0:15:59.760 --> 0:16:04.160
<v Speaker 1>in singer, Stage, screen and television actress Eileen Graff.

0:16:04.320 --> 0:16:06.720
<v Speaker 3>Now, Eileen, you have been on stage.

0:16:06.760 --> 0:16:09.160
<v Speaker 1>You have done it all, and I think it's kind

0:16:09.160 --> 0:16:12.160
<v Speaker 1>of fun when I talk to you about this. Both

0:16:12.240 --> 0:16:16.960
<v Speaker 1>you and Ruda have devoted so many years to all

0:16:17.160 --> 0:16:20.840
<v Speaker 1>sorts of events and activities that are philanthropic and charitable.

0:16:21.240 --> 0:16:24.360
<v Speaker 1>And Eileen, you have been involved with your husband and

0:16:24.440 --> 0:16:28.640
<v Speaker 1>work together creating make that song your Own. You're doing

0:16:28.680 --> 0:16:32.840
<v Speaker 1>more than just a masterclass. You are giving so many people,

0:16:33.120 --> 0:16:35.800
<v Speaker 1>whether they already be professionals, and many of them are

0:16:35.880 --> 0:16:39.880
<v Speaker 1>professionals in different fields. From what I understand, you're giving

0:16:39.920 --> 0:16:43.640
<v Speaker 1>that opportunity to hear their own voice and be who

0:16:43.680 --> 0:16:46.160
<v Speaker 1>they are. How has that helped well?

0:16:46.320 --> 0:16:49.720
<v Speaker 3>Making a song your own was an idea that my

0:16:49.840 --> 0:16:53.600
<v Speaker 3>late husband and I hatched years ago. We saw that

0:16:54.240 --> 0:16:57.640
<v Speaker 3>there was a need for older people. I don't teach

0:16:57.920 --> 0:17:02.080
<v Speaker 3>teenagers or children. I teach people from their thirties pretty

0:17:02.160 --> 0:17:05.400
<v Speaker 3>much on up. I've had a student who was ninety, Ruda.

0:17:05.800 --> 0:17:06.280
<v Speaker 5>And.

0:17:07.680 --> 0:17:10.280
<v Speaker 7>Are you suggesting I get in there and take your class.

0:17:11.080 --> 0:17:13.480
<v Speaker 8>You know you couldn't possibly learn anything from me.

0:17:13.920 --> 0:17:15.800
<v Speaker 3>Oh yes, I could, Darling.

0:17:15.840 --> 0:17:17.040
<v Speaker 8>We all have something to.

0:17:17.000 --> 0:17:22.120
<v Speaker 3>Learn every day. It's true, it's true. But we saw

0:17:22.200 --> 0:17:25.920
<v Speaker 3>that there were so many people who studied music when

0:17:25.960 --> 0:17:30.040
<v Speaker 3>they were young, or did all the school plays, or

0:17:30.119 --> 0:17:33.840
<v Speaker 3>were music majors whose lives took them in different directions,

0:17:33.880 --> 0:17:38.080
<v Speaker 3>but they missed singing so much. And I believe that

0:17:38.240 --> 0:17:41.560
<v Speaker 3>everybody has their own voice, and everybody should be able

0:17:41.600 --> 0:17:45.720
<v Speaker 3>to experience that physical high that you get from singing

0:17:45.760 --> 0:17:48.520
<v Speaker 3>and be able to tell a story. And I believe

0:17:48.640 --> 0:17:52.160
<v Speaker 3>very strongly as you do, because you're an educator, that

0:17:52.680 --> 0:17:56.000
<v Speaker 3>we need to share our expertise for want of a

0:17:56.000 --> 0:17:58.320
<v Speaker 3>better word, and we have to make a community of

0:17:58.359 --> 0:18:01.040
<v Speaker 3>people who want to learn that community. Yeah. But you

0:18:01.119 --> 0:18:03.879
<v Speaker 3>know what, Danelle, one of the things that always impressed

0:18:03.880 --> 0:18:07.240
<v Speaker 3>me the most about JOSEI Turby was that he was

0:18:07.280 --> 0:18:10.560
<v Speaker 3>an educator, which is something that you touched upon, Ruda.

0:18:10.680 --> 0:18:13.120
<v Speaker 3>That he made it one of the priorities of his

0:18:13.160 --> 0:18:16.679
<v Speaker 3>life in his career to bring classical music to the

0:18:16.720 --> 0:18:20.240
<v Speaker 3>country to people who may have never heard a symphony

0:18:20.600 --> 0:18:24.400
<v Speaker 3>or a solo artist. And I have so much respect

0:18:24.440 --> 0:18:28.479
<v Speaker 3>because he not only talked the game, he did it.

0:18:29.160 --> 0:18:32.240
<v Speaker 3>He wish you're saying, yeah, I do in doing reading

0:18:32.240 --> 0:18:34.879
<v Speaker 3>about him. It was always a high priority of his.

0:18:34.960 --> 0:18:37.760
<v Speaker 3>He didn't want classical music to be this high brow

0:18:37.920 --> 0:18:40.200
<v Speaker 3>thing that only fendsy people could.

0:18:40.359 --> 0:18:42.399
<v Speaker 1>In his time, they called it long hair music.

0:18:42.800 --> 0:18:44.840
<v Speaker 3>Long hair music for sure, and you think about it,

0:18:44.880 --> 0:18:47.400
<v Speaker 3>and today it's the rock stars have the long hair.

0:18:48.000 --> 0:18:48.800
<v Speaker 3>I have a question.

0:18:49.240 --> 0:18:54.879
<v Speaker 7>Yeah, you talked about the high that singers can get

0:18:55.160 --> 0:18:59.840
<v Speaker 7>and have and experience. Is that high from singing or

0:19:00.080 --> 0:19:03.879
<v Speaker 7>I'm sharing it with somebody who listens and is an audience.

0:19:04.480 --> 0:19:07.520
<v Speaker 3>That's such a good question, and I think the answer

0:19:07.680 --> 0:19:10.399
<v Speaker 3>is not a cop out. I think it's both. I

0:19:10.440 --> 0:19:14.280
<v Speaker 3>think there's something about the physicality of singing which gets

0:19:14.320 --> 0:19:17.120
<v Speaker 3>your body going. You have to breathe deeply, you have

0:19:17.240 --> 0:19:22.240
<v Speaker 3>to be connected physically in order to produce a successful sound.

0:19:22.600 --> 0:19:24.800
<v Speaker 3>And then you have to add in the story. And

0:19:24.920 --> 0:19:27.919
<v Speaker 3>then when you can share it with people, that's so

0:19:28.280 --> 0:19:32.280
<v Speaker 3>you know. I mean, you've done so many musicals. Oh yeah,

0:19:32.320 --> 0:19:34.879
<v Speaker 3>that feeling that you get. I'm taking that big breath.

0:19:34.920 --> 0:19:37.880
<v Speaker 3>I'm singing a great note and all these people, we're

0:19:37.920 --> 0:19:39.680
<v Speaker 3>all getting to enjoy it together.

0:19:39.440 --> 0:19:42.000
<v Speaker 7>And to get applause and then a check at the end.

0:19:41.960 --> 0:19:45.440
<v Speaker 8>Of the week. I'm still working on getting the check.

0:19:45.480 --> 0:19:48.879
<v Speaker 3>I don't know about you know, Ruda. In one minute,

0:19:48.920 --> 0:19:51.960
<v Speaker 3>can you give us a quick overview about your charity,

0:19:52.160 --> 0:19:55.080
<v Speaker 3>the Fliens. You've been with it more than sixty years.

0:19:55.240 --> 0:19:58.720
<v Speaker 7>Yes, of course, we're going to celebrate our seventieth birthday

0:19:58.760 --> 0:20:01.879
<v Speaker 7>this coming year. And when I stop and think that,

0:20:01.960 --> 0:20:05.240
<v Speaker 7>it was a group of young actors who got tired

0:20:05.280 --> 0:20:09.120
<v Speaker 7>of being called pot smoking, sex minded idiots who had

0:20:09.200 --> 0:20:13.240
<v Speaker 7>nothing to contribute to society, and they said, let's do something,

0:20:13.359 --> 0:20:14.960
<v Speaker 7>and they did it for mental health.

0:20:15.000 --> 0:20:16.639
<v Speaker 3>Started out with children.

0:20:16.640 --> 0:20:21.240
<v Speaker 7>And then developed into the Thaliens Community Mental Health Center,

0:20:21.280 --> 0:20:25.120
<v Speaker 7>which went from pediatric through geriatric care when it came

0:20:25.160 --> 0:20:29.399
<v Speaker 7>to mental health. And now we are focusing mainly on

0:20:29.520 --> 0:20:34.240
<v Speaker 7>our returning veterans, those beautiful young people that put their

0:20:34.280 --> 0:20:37.359
<v Speaker 7>lives on the line for us wherever we send them across.

0:20:37.280 --> 0:20:39.399
<v Speaker 3>And we should be doing that. And how can they

0:20:39.440 --> 0:20:39.800
<v Speaker 3>reach you?

0:20:40.359 --> 0:20:42.159
<v Speaker 7>Oh well, all they have to do is look up

0:20:42.200 --> 0:20:47.679
<v Speaker 7>the Thaliens dot org. Fabulous t h A L I

0:20:47.840 --> 0:20:49.560
<v Speaker 7>A N S Dot.

0:20:49.359 --> 0:20:52.240
<v Speaker 1>Org Facus Well, stay tuned to hear more of Hollywood's

0:20:52.280 --> 0:20:55.439
<v Speaker 1>hidden treasures. I'm Daniel Dadigan and tonight we're celebrating the

0:20:55.520 --> 0:21:01.720
<v Speaker 1>award winning pianist, conductor, actor, and composer Josey Welcome back.

0:21:01.760 --> 0:21:04.800
<v Speaker 1>You're listening to Hollywood's Hidden Treasures. I'm Danell Daddigan, and

0:21:04.800 --> 0:21:07.919
<v Speaker 1>tonight we're celebrating one of the greatest classical musicians of

0:21:07.960 --> 0:21:11.560
<v Speaker 1>the twentieth century, Josea Turby. And with us again is

0:21:11.600 --> 0:21:14.720
<v Speaker 1>the award winning actress of stage, film, and television and

0:21:14.760 --> 0:21:17.720
<v Speaker 1>the philanthropist with her own star on the world famous

0:21:17.760 --> 0:21:18.440
<v Speaker 1>Walk of Fame.

0:21:18.800 --> 0:21:19.080
<v Speaker 3>Rude A.

0:21:19.160 --> 0:21:23.840
<v Speaker 1>Lee and with us in Studio is the Grammy nominated

0:21:24.119 --> 0:21:28.760
<v Speaker 1>recording artist, singer, stage, screen and television actress Eileen Graff.

0:21:28.840 --> 0:21:31.399
<v Speaker 1>You know, Eileen, that's a mouthful, and you are best

0:21:31.440 --> 0:21:35.520
<v Speaker 1>known to the audiences who have enjoyed the eighties ABC

0:21:35.680 --> 0:21:39.600
<v Speaker 1>comedy Mister Velbertie when you played the mom Marcia Owens.

0:21:39.960 --> 0:21:40.880
<v Speaker 3>Hello, ladies.

0:21:41.200 --> 0:21:43.480
<v Speaker 7>Oh, we're so happy to be with you, darling.

0:21:44.200 --> 0:21:44.439
<v Speaker 3>You know.

0:21:44.560 --> 0:21:48.560
<v Speaker 1>And joining Ruda and Eileen is the veteran of stage, film,

0:21:48.600 --> 0:21:52.520
<v Speaker 1>television and recording arts. Rex Smith, Rex, you were my

0:21:52.720 --> 0:21:54.879
<v Speaker 1>favorite teen idol and heart throb.

0:21:54.920 --> 0:21:55.680
<v Speaker 3>I have to tell you.

0:21:55.800 --> 0:21:59.080
<v Speaker 1>With your platinum album hit from nineteen seventy nine, you

0:21:59.160 --> 0:22:00.399
<v Speaker 1>take my breath away way.

0:22:00.680 --> 0:22:01.080
<v Speaker 3>Welcome.

0:22:01.680 --> 0:22:04.600
<v Speaker 2>What a triple bill. I'm just glad to be on

0:22:04.720 --> 0:22:07.359
<v Speaker 2>the marquee with these elections, all of you.

0:22:08.560 --> 0:22:09.480
<v Speaker 3>I feel the same.

0:22:09.720 --> 0:22:13.080
<v Speaker 2>It's wonderful to be here, you know, it's always fun visiting.

0:22:14.280 --> 0:22:15.280
<v Speaker 3>Oh you're so sweet.

0:22:15.440 --> 0:22:18.320
<v Speaker 1>Let me start off by asking you all what was

0:22:18.359 --> 0:22:21.760
<v Speaker 1>your favorite jose A tribute film or concert or recording.

0:22:22.359 --> 0:22:26.280
<v Speaker 1>You know, I will tell you a mine was Anchors Away,

0:22:26.280 --> 0:22:28.040
<v Speaker 1>And I know a lot of people agree with me

0:22:28.160 --> 0:22:29.840
<v Speaker 1>on that they all have the same film.

0:22:30.280 --> 0:22:32.320
<v Speaker 3>But Rex, did you have anything special?

0:22:33.480 --> 0:22:38.199
<v Speaker 2>You know, three diaring daughters with Jenn McDonald, you know,

0:22:39.440 --> 0:22:42.680
<v Speaker 2>one of the great vocalists, you know, all of those

0:22:43.119 --> 0:22:49.160
<v Speaker 2>Royal Canadian Mounties, King question all that that wonderful word

0:22:49.440 --> 0:22:52.000
<v Speaker 2>you know, those were those were heady times, you know,

0:22:52.119 --> 0:22:55.920
<v Speaker 2>and Those's life reads like a Humphrey Bogart film. It's

0:22:56.080 --> 0:22:58.320
<v Speaker 2>really around the world adventure.

0:22:58.560 --> 0:23:00.359
<v Speaker 1>Well it's kind of like you too, you know.

0:23:02.640 --> 0:23:05.720
<v Speaker 2>Yes, Well, I mean, you know my brother Webster, he

0:23:05.800 --> 0:23:09.840
<v Speaker 2>had a full scholarship Manhattan School Music concert pianist. And

0:23:09.960 --> 0:23:15.000
<v Speaker 2>my uncle who was the judge, the Fellot judge Alabama. Anyway,

0:23:15.080 --> 0:23:17.399
<v Speaker 2>he was a concert penis this thing I grew up

0:23:17.440 --> 0:23:21.200
<v Speaker 2>around at the family home at Steinway Concert Grand like

0:23:21.320 --> 0:23:23.359
<v Speaker 2>ten foot that was I think it was one hundred

0:23:23.480 --> 0:23:24.680
<v Speaker 2>years old back then when I.

0:23:24.640 --> 0:23:28.280
<v Speaker 1>Was a nine footer nine foot concert nine foot yeah.

0:23:28.560 --> 0:23:32.160
<v Speaker 2>And my brother Webster at seventeen full ride Manhattan school

0:23:32.320 --> 0:23:36.480
<v Speaker 2>music and I don't read music, you know, and it

0:23:36.520 --> 0:23:38.399
<v Speaker 2>used to drive him crazy because he was steeped in

0:23:38.440 --> 0:23:41.560
<v Speaker 2>theory and everything. And Leonard Bernstein wanted me to do

0:23:41.680 --> 0:23:46.000
<v Speaker 2>his math and he was. I was singing for him

0:23:46.040 --> 0:23:48.520
<v Speaker 2>at the Dakota and He's going, can.

0:23:48.359 --> 0:23:49.080
<v Speaker 5>He sing like this?

0:23:49.240 --> 0:23:52.040
<v Speaker 2>He's a musical literate. And I'm going like, well, okay,

0:23:52.200 --> 0:23:55.800
<v Speaker 2>hit it, And well, you know you're talking about.

0:23:55.480 --> 0:23:57.800
<v Speaker 1>This, you're talking about this, And so let me ask

0:23:57.840 --> 0:24:01.080
<v Speaker 1>the question to each of you, what was your first

0:24:01.119 --> 0:24:05.600
<v Speaker 1>professional gig, paying gig in the entertainment industry? And tell

0:24:05.680 --> 0:24:08.480
<v Speaker 1>us everything, don't leave anything out, okay, Ruda.

0:24:08.960 --> 0:24:14.360
<v Speaker 7>Mine was believe it or not, Superman on television really

0:24:14.520 --> 0:24:19.520
<v Speaker 7>and I got to dance Jitterbug, which was the big

0:24:19.560 --> 0:24:23.320
<v Speaker 7>deal in this particular scene with this young man, and

0:24:24.040 --> 0:24:28.200
<v Speaker 7>at the lunch break, I said, why don't we practice

0:24:28.280 --> 0:24:30.920
<v Speaker 7>what we're going to do for the scene that's coming up.

0:24:31.160 --> 0:24:33.760
<v Speaker 7>And I reached down and started to plug in a

0:24:33.800 --> 0:24:38.080
<v Speaker 7>record player and I got yelled at by one of

0:24:38.119 --> 0:24:41.080
<v Speaker 7>the grips, saying, you don't put your fingers on that.

0:24:41.200 --> 0:24:43.959
<v Speaker 7>It takes an electrician to do that. And I almost

0:24:43.960 --> 0:24:47.080
<v Speaker 7>got out of the business before I even got started

0:24:47.119 --> 0:24:47.760
<v Speaker 7>in the business.

0:24:50.480 --> 0:24:51.120
<v Speaker 2>Ecian.

0:24:52.480 --> 0:24:54.520
<v Speaker 1>Well, Eileen, what was your first paying gig?

0:24:54.680 --> 0:24:59.439
<v Speaker 3>My first paying gig was I think I was between

0:24:59.440 --> 0:25:02.840
<v Speaker 3>twelve and four I don't remember exactly the ripe old

0:25:03.040 --> 0:25:06.320
<v Speaker 3>age of twelve and fourteen. My dad was a studio

0:25:06.359 --> 0:25:09.960
<v Speaker 3>singer in New York and a vocal contractor, and there

0:25:10.040 --> 0:25:12.960
<v Speaker 3>was this big Harry Belafontie session that was happening, and

0:25:13.000 --> 0:25:17.040
<v Speaker 3>he wanted a children's choir. So I was lucky enough

0:25:17.200 --> 0:25:22.400
<v Speaker 3>to sing on the Harry Bellefonti album Streets I Have Walked.

0:25:22.960 --> 0:25:25.200
<v Speaker 8>And it was overwhelming.

0:25:25.400 --> 0:25:28.480
<v Speaker 3>It was so I mean, it was Harry Belafonti, give

0:25:28.520 --> 0:25:32.240
<v Speaker 3>me a break, and all these kids who could also sing, and.

0:25:32.160 --> 0:25:34.879
<v Speaker 8>It was it was a wonderful, wonderful experience.

0:25:35.119 --> 0:25:38.359
<v Speaker 1>I bet it was. I bet it was Okay, now, Rex,

0:25:38.720 --> 0:25:41.520
<v Speaker 1>give me the condensed version. What was your first page?

0:25:41.680 --> 0:25:44.520
<v Speaker 1>Because I want to share with you, but I want

0:25:44.520 --> 0:25:47.080
<v Speaker 1>to share with you at Turvey's, So tell me yours first.

0:25:47.640 --> 0:25:50.200
<v Speaker 2>That's a tough one. I mean, it's a lifetime of singing,

0:25:50.320 --> 0:25:52.959
<v Speaker 2>I do. I mean in terms of what was the

0:25:52.960 --> 0:25:56.720
<v Speaker 2>real milestone and the turning point. When I was seventeen,

0:25:56.880 --> 0:25:58.760
<v Speaker 2>I had a fake ID so I could work in.

0:25:58.760 --> 0:26:00.360
<v Speaker 1>The club, of course did.

0:26:02.320 --> 0:26:02.639
<v Speaker 7>I was.

0:26:04.240 --> 0:26:06.359
<v Speaker 2>With one of the biggest bands in Atlanta, you know,

0:26:06.400 --> 0:26:09.840
<v Speaker 2>a local band, and I'm senior year in high school

0:26:10.000 --> 0:26:13.119
<v Speaker 2>and the James Gang, which Joe Walsh it became the

0:26:13.160 --> 0:26:16.760
<v Speaker 2>guitarist for the Eagles. They were huge, and this was

0:26:16.800 --> 0:26:20.320
<v Speaker 2>in Atlanta, and the Civic Center was the thing. It

0:26:20.480 --> 0:26:23.280
<v Speaker 2>wasn't a big stadium kind of thing for concerts. But

0:26:23.320 --> 0:26:25.840
<v Speaker 2>I'm in high school and my band opened for them.

0:26:25.920 --> 0:26:28.320
<v Speaker 2>So here I am on a Saturday night, all the

0:26:28.400 --> 0:26:31.080
<v Speaker 2>kids at school and stuff going like and I'm up there.

0:26:31.480 --> 0:26:33.919
<v Speaker 2>You know, it was screaming, you know, it was probably

0:26:34.119 --> 0:26:37.200
<v Speaker 2>four thousand, five thousand people. And I remember coming home

0:26:37.240 --> 0:26:39.639
<v Speaker 2>from that and I had a soccer scholarship at the

0:26:39.840 --> 0:26:43.160
<v Speaker 2>University of Georgia, and I remember telling my father. I said,

0:26:43.160 --> 0:26:44.840
<v Speaker 2>I'm not taking that thing. I'm going to New York

0:26:44.840 --> 0:26:47.560
<v Speaker 2>from be a rough star. There you go, Philip Swallow.

0:26:47.680 --> 0:26:50.919
<v Speaker 3>But that changed you, my goodness, your whole trajectory of

0:26:50.960 --> 0:26:51.440
<v Speaker 3>your life.

0:26:51.640 --> 0:26:53.840
<v Speaker 2>My goodness, that was the crack of the whip. But

0:26:53.880 --> 0:26:55.720
<v Speaker 2>I got a taste of that, and I said, I

0:26:55.800 --> 0:26:56.399
<v Speaker 2>bet you did that.

0:26:56.600 --> 0:26:59.040
<v Speaker 1>You know, everyone has always asked me, well, how did

0:26:59.080 --> 0:27:01.359
<v Speaker 1>Jose A. Turby at his start? You know, what was

0:27:01.359 --> 0:27:04.520
<v Speaker 1>his first paying job? Well, you know, my godfather, he

0:27:04.680 --> 0:27:08.439
<v Speaker 1>was a child prodigy, and he began concertizing playing piano

0:27:08.680 --> 0:27:12.000
<v Speaker 1>at I think about age seven. But his first regular

0:27:12.119 --> 0:27:15.240
<v Speaker 1>paying job was at the ripe old age of nine

0:27:15.320 --> 0:27:18.320
<v Speaker 1>years old, and it was five nights a week before

0:27:18.400 --> 0:27:22.080
<v Speaker 1>child labor loss. If you can imagine, he played piano

0:27:22.480 --> 0:27:26.000
<v Speaker 1>to accompany the silent films that flickered up on the

0:27:26.040 --> 0:27:30.199
<v Speaker 1>screen in the local silent movie theater in Valencia, Spain.

0:27:30.600 --> 0:27:33.240
<v Speaker 1>And I want to share with you that Jose's father

0:27:33.320 --> 0:27:35.399
<v Speaker 1>would take him to work every night, obviously because he

0:27:35.440 --> 0:27:38.119
<v Speaker 1>couldn't drive, you know, at nine years old, and he

0:27:38.119 --> 0:27:40.760
<v Speaker 1>would sit next to him up on the bench while

0:27:40.800 --> 0:27:45.040
<v Speaker 1>little Jose played piano and they shared a cold supper together.

0:27:45.320 --> 0:27:47.520
<v Speaker 1>That Jose's mom would pack in a pail for her

0:27:47.600 --> 0:27:50.639
<v Speaker 1>husband and son, and each night they went through this

0:27:50.760 --> 0:27:54.160
<v Speaker 1>ritual while there were quiet moments where there was no

0:27:54.560 --> 0:27:59.040
<v Speaker 1>piano or music accompanyt to the feature film, or between

0:27:59.119 --> 0:28:02.359
<v Speaker 1>the films, when they would have twenty minutes to clear

0:28:02.400 --> 0:28:05.639
<v Speaker 1>out the auditorium and then bring in the next set

0:28:05.800 --> 0:28:08.679
<v Speaker 1>of paying customers. I think this is one of the

0:28:08.680 --> 0:28:11.520
<v Speaker 1>reasons that josea turb was nocturnal, because he was a

0:28:11.560 --> 0:28:14.960
<v Speaker 1>nocturnal man. They can't start too early and you can't

0:28:15.040 --> 0:28:18.720
<v Speaker 1>stay up late enough.

0:28:18.840 --> 0:28:20.040
<v Speaker 3>That was his thing, you know.

0:28:20.320 --> 0:28:21.480
<v Speaker 2>So let's in there.

0:28:22.440 --> 0:28:25.000
<v Speaker 1>You off have been there so very quickly. Let me

0:28:25.040 --> 0:28:27.600
<v Speaker 1>ask each of you when you were young, did you

0:28:27.680 --> 0:28:28.960
<v Speaker 1>take music lessons?

0:28:29.359 --> 0:28:32.600
<v Speaker 3>Rex? Did you take guitar lessons? Andybody else?

0:28:33.200 --> 0:28:33.240
<v Speaker 8>No?

0:28:33.400 --> 0:28:35.680
<v Speaker 2>I learned to play guitar just in the back of

0:28:35.720 --> 0:28:40.080
<v Speaker 2>the station, man. I mean, I have the full down

0:28:40.120 --> 0:28:43.239
<v Speaker 2>thing and we'd be the family doing a thing, and

0:28:43.280 --> 0:28:46.520
<v Speaker 2>I was learning chords. But my brother Webster was practicing

0:28:46.600 --> 0:28:49.400
<v Speaker 2>five hours a day, so I know every classical piece.

0:28:49.720 --> 0:28:52.560
<v Speaker 2>I can't name that tune, but I can hum along

0:28:52.600 --> 0:28:56.320
<v Speaker 2>with it, you know. I recognize so much music because

0:28:56.600 --> 0:28:59.080
<v Speaker 2>he rehearsed five hours a day. I mean, it was

0:28:59.120 --> 0:29:02.200
<v Speaker 2>his life and it was a great influence to have

0:29:02.320 --> 0:29:05.080
<v Speaker 2>that kind of bassis just kind of dna into me.

0:29:05.240 --> 0:29:07.360
<v Speaker 3>Just the discipline was dnaight into you.

0:29:07.480 --> 0:29:12.200
<v Speaker 2>Yes, it was well, my discipline, but his discipline.

0:29:11.720 --> 0:29:17.960
<v Speaker 3>He's discipline, definitely, definitely, And Eileen, I had absolutely no

0:29:18.080 --> 0:29:22.000
<v Speaker 3>ability to play the piano, which was a big question

0:29:22.200 --> 0:29:24.520
<v Speaker 3>mark in my life because my mom was a piano

0:29:24.560 --> 0:29:26.840
<v Speaker 3>teacher and my dad was a piano player, and my

0:29:26.880 --> 0:29:30.920
<v Speaker 3>youngest brother plays, and my cousins play, and I came

0:29:30.960 --> 0:29:32.200
<v Speaker 3>along and it just.

0:29:32.320 --> 0:29:34.800
<v Speaker 8>Made no sense to me. It was terrible.

0:29:34.840 --> 0:29:36.840
<v Speaker 3>I'd played the guitar when I was a kid, you know,

0:29:36.880 --> 0:29:40.680
<v Speaker 3>and that I took classical guitar lessons that I can't

0:29:40.720 --> 0:29:41.320
<v Speaker 3>play anymore.

0:29:41.800 --> 0:29:44.240
<v Speaker 8>My fingers just can't take the pain.

0:29:44.640 --> 0:29:49.480
<v Speaker 3>And in terms of singing, I didn't start studying singing seriously,

0:29:49.640 --> 0:29:51.800
<v Speaker 3>oddly enough, until I was out in the world. When

0:29:51.840 --> 0:29:53.920
<v Speaker 3>I was doing I don't remember it was my first

0:29:53.960 --> 0:29:56.200
<v Speaker 3>second show, I don't remember. But I was already out

0:29:56.240 --> 0:29:59.280
<v Speaker 3>of college when I first started studying seriously. But you know,

0:29:59.320 --> 0:30:03.560
<v Speaker 3>with my dad, a singer, I learned by osmosis. I

0:30:03.600 --> 0:30:06.800
<v Speaker 3>went to so many sessions and sat by the piano

0:30:06.800 --> 0:30:08.040
<v Speaker 3>while he was writing.

0:30:07.760 --> 0:30:11.000
<v Speaker 8>Arrangements, and he trained me as a singer.

0:30:11.200 --> 0:30:12.960
<v Speaker 3>Wow, well, RUDEI.

0:30:12.880 --> 0:30:16.160
<v Speaker 7>Tell us I took at least three years of piano

0:30:16.240 --> 0:30:20.840
<v Speaker 7>lessons and hated every single minute of You know.

0:30:20.800 --> 0:30:23.480
<v Speaker 1>Why, I say, rudif for last, this is just fabulous.

0:30:24.000 --> 0:30:26.640
<v Speaker 7>To this day, the only thing that I can play

0:30:26.680 --> 0:30:30.000
<v Speaker 7>on the piano is the Parade of the Little Wooden Ducks.

0:30:30.200 --> 0:30:34.400
<v Speaker 1>Oh, how abdorable. Oh my goodness, you.

0:30:34.360 --> 0:30:36.280
<v Speaker 8>And I we should do a piano duo.

0:30:39.960 --> 0:30:42.240
<v Speaker 7>Oh we can sing our way through guitar.

0:30:42.520 --> 0:30:44.239
<v Speaker 3>We'll do that, both of you.

0:30:44.320 --> 0:30:47.479
<v Speaker 1>With your charisma and talent, you can just make your

0:30:47.520 --> 0:30:48.840
<v Speaker 1>way through any performance.

0:30:48.880 --> 0:30:50.200
<v Speaker 3>I think that's so exciting.

0:30:52.200 --> 0:30:55.600
<v Speaker 7>The strange thing is that even though the lessons didn't

0:30:55.680 --> 0:30:58.360
<v Speaker 7>take I don't think for you or for me, there's

0:30:58.400 --> 0:31:02.200
<v Speaker 7>a musicality that is a ingrained in you. And therefore

0:31:02.240 --> 0:31:04.400
<v Speaker 7>we can get up and listen to a score and

0:31:04.840 --> 0:31:07.480
<v Speaker 7>know what we have to do. And I don't read music,

0:31:07.560 --> 0:31:10.800
<v Speaker 7>but I do it all by ear, and I know

0:31:10.920 --> 0:31:13.360
<v Speaker 7>that you can just pick up and do whatever you're

0:31:13.720 --> 0:31:14.800
<v Speaker 7>called upon to do.

0:31:17.680 --> 0:31:17.920
<v Speaker 3>Well.

0:31:18.440 --> 0:31:20.920
<v Speaker 1>Stay tuned to hear more of Hollywood's sidden treasures. When

0:31:20.920 --> 0:31:23.920
<v Speaker 1>we return. We'll be speaking with Ruda Lee, Eileen Graff

0:31:24.040 --> 0:31:24.959
<v Speaker 1>and Rex Smith.

0:31:25.720 --> 0:31:26.240
<v Speaker 3>Welcome back.

0:31:26.280 --> 0:31:29.160
<v Speaker 1>You're listening to Hollywoods Hidden Treasures. I'm Denell Daddigan, and

0:31:29.200 --> 0:31:32.760
<v Speaker 1>tonight we're celebrating the award winning pianist, conductor, actor, and

0:31:32.880 --> 0:31:35.760
<v Speaker 1>composer jose Ah Turby. And before we get started, who

0:31:35.840 --> 0:31:36.920
<v Speaker 1>can name that tune?

0:31:37.360 --> 0:31:39.040
<v Speaker 3>I can't?

0:31:39.720 --> 0:31:40.120
<v Speaker 5>Is it?

0:31:40.760 --> 0:31:44.000
<v Speaker 3>That was the theme to Mister Belvedere, sung by Leon

0:31:44.360 --> 0:31:49.400
<v Speaker 3>Redbone And yeah, you do a show, you don't know

0:31:49.400 --> 0:31:50.920
<v Speaker 3>what it's really going to be like, you don't know

0:31:50.960 --> 0:31:53.360
<v Speaker 3>what's happening. And they played us this theme song and

0:31:53.400 --> 0:31:58.680
<v Speaker 3>we said okay, and then it just grows on you

0:31:58.760 --> 0:32:00.920
<v Speaker 3>and grows on you, and I can imagine the show

0:32:00.960 --> 0:32:01.560
<v Speaker 3>with alid it.

0:32:01.560 --> 0:32:03.760
<v Speaker 1>Oh, I love it. I love it well. Welcome back

0:32:03.760 --> 0:32:06.640
<v Speaker 1>to Rudi Lee, Eileen Graff and Rex Smith. You know,

0:32:06.880 --> 0:32:09.520
<v Speaker 1>I just find myself all the time thinking about the

0:32:09.600 --> 0:32:12.880
<v Speaker 1>fact that all three of you have starred in musicals,

0:32:13.280 --> 0:32:15.800
<v Speaker 1>some of you have been in film on stage. Was

0:32:15.840 --> 0:32:18.800
<v Speaker 1>there a particular song that you performed that was a

0:32:18.840 --> 0:32:19.920
<v Speaker 1>favorite of yours?

0:32:20.080 --> 0:32:23.240
<v Speaker 3>Eileen, I had the honor of being in a musical

0:32:23.240 --> 0:32:26.400
<v Speaker 3>that was written by cy Coleman and Michael Stewart, called

0:32:26.440 --> 0:32:28.720
<v Speaker 3>I Love my Wife, and I got to originate my

0:32:28.840 --> 0:32:33.360
<v Speaker 3>role and to have a song that was tailored for

0:32:33.400 --> 0:32:39.959
<v Speaker 3>you by a songwriting genius like cy Coleman was so exciting.

0:32:40.480 --> 0:32:42.720
<v Speaker 8>And to get to sing it on stage and no,

0:32:43.160 --> 0:32:46.440
<v Speaker 8>that's my song. Wow, and I still love to sing it.

0:32:46.600 --> 0:32:50.280
<v Speaker 3>Oh, I love that. Yeah, Oh my goodness. And Ruda, well,

0:32:50.680 --> 0:32:52.000
<v Speaker 3>I have to tell you that.

0:32:52.120 --> 0:32:54.240
<v Speaker 1>In all, I just have to say, you have been

0:32:54.360 --> 0:32:57.000
<v Speaker 1>in so many theater productions I don't know which.

0:32:56.800 --> 0:33:01.080
<v Speaker 7>You're never on Broadway. All over the country, but never

0:33:01.680 --> 0:33:06.360
<v Speaker 7>on Broadway, and so I'm very jealous of you. But nevertheless,

0:33:06.760 --> 0:33:10.400
<v Speaker 7>it wasn't a song that I sang. That are my

0:33:10.480 --> 0:33:14.160
<v Speaker 7>two favorites. It's because they were sung to me. And

0:33:14.400 --> 0:33:17.880
<v Speaker 7>of course it's Hello, Dolly, Yes and mame.

0:33:18.520 --> 0:33:18.760
<v Speaker 2>Oh.

0:33:19.200 --> 0:33:22.680
<v Speaker 7>Those are two numbers that you are in. You are

0:33:22.800 --> 0:33:25.800
<v Speaker 7>part of you, dance, you do the kicks, you do whatever.

0:33:25.920 --> 0:33:28.600
<v Speaker 3>But chorus boys, thirty.

0:33:28.240 --> 0:33:30.040
<v Speaker 7>Of them are singing it to you, and I have

0:33:30.160 --> 0:33:33.960
<v Speaker 7>chills just thinking about it. It's the loveliest feeling.

0:33:34.200 --> 0:33:35.600
<v Speaker 3>Oh my goodness, how exciting.

0:33:35.640 --> 0:33:39.800
<v Speaker 1>Well, and you've performed these great plays and these great characters.

0:33:39.840 --> 0:33:41.280
<v Speaker 1>Oh my goodness, Oh my goodness.

0:33:41.520 --> 0:33:42.560
<v Speaker 8>She was Peter Pan.

0:33:42.920 --> 0:33:46.440
<v Speaker 3>Oh, yes, she flew around. You know the story? Do

0:33:46.480 --> 0:33:47.120
<v Speaker 3>you know the story?

0:33:47.240 --> 0:33:49.680
<v Speaker 8>Got the job? No, no, no, no no.

0:33:49.760 --> 0:33:52.760
<v Speaker 7>I was playing in Kansas City in the Great Big

0:33:53.080 --> 0:33:57.400
<v Speaker 7>their version of the Hollywood Bowl, and I flew there

0:33:57.920 --> 0:34:00.520
<v Speaker 7>on a stage that was just in enormous.

0:34:01.120 --> 0:34:03.040
<v Speaker 1>Well, you have to see that you flew because you

0:34:03.120 --> 0:34:04.120
<v Speaker 1>were cooked up.

0:34:04.400 --> 0:34:05.920
<v Speaker 3>Oh, of course, of course.

0:34:07.040 --> 0:34:10.840
<v Speaker 7>I went to see the Kern Peter Pan at the Pantages,

0:34:11.160 --> 0:34:14.640
<v Speaker 7>and I noticed that he was hooked in two places,

0:34:15.000 --> 0:34:17.719
<v Speaker 7>which made it a lot easier, because let me tell

0:34:17.760 --> 0:34:21.799
<v Speaker 7>you that keeping your shoulders back and your chest out

0:34:21.840 --> 0:34:27.120
<v Speaker 7>to fly on one pin behind you is very, very difficult.

0:34:27.840 --> 0:34:31.640
<v Speaker 7>But what a great experience it was to fly on

0:34:31.680 --> 0:34:34.080
<v Speaker 7>the night that the guys were landing on the.

0:34:34.080 --> 0:34:35.640
<v Speaker 8>Moon get out of town.

0:34:36.600 --> 0:34:38.840
<v Speaker 7>Every time I would fly into the wings, I would

0:34:38.840 --> 0:34:42.440
<v Speaker 7>look down into the television sets that were on either side,

0:34:43.400 --> 0:34:46.560
<v Speaker 7>and it was an amazing experience.

0:34:46.760 --> 0:34:48.720
<v Speaker 3>Oh my goodness.

0:34:49.080 --> 0:34:51.880
<v Speaker 1>Okay, Rex, we have to ask you, was there a

0:34:51.920 --> 0:34:54.840
<v Speaker 1>particular song that you performed or that was a favorite

0:34:54.880 --> 0:34:55.320
<v Speaker 1>of yours.

0:34:55.800 --> 0:35:00.640
<v Speaker 2>Well, it was the most challenging and thereby the greatest

0:35:00.960 --> 0:35:05.800
<v Speaker 2>accomplishment is the B flat in Parkspenzance singing made of breast,

0:35:06.560 --> 0:35:09.960
<v Speaker 2>which led up to, you know, however, playing you'd be

0:35:10.080 --> 0:35:13.560
<v Speaker 2>oh no, and you're just alone in the biggest see

0:35:13.600 --> 0:35:16.480
<v Speaker 2>it on Broadway orchestra out and you're holding that note,

0:35:16.520 --> 0:35:18.880
<v Speaker 2>and it became the bane of my existence. So I

0:35:19.480 --> 0:35:22.759
<v Speaker 2>just started, I started focusing. I just couldn't get it

0:35:22.760 --> 0:35:24.840
<v Speaker 2>out of my mind. And I was reading a book

0:35:24.840 --> 0:35:28.200
<v Speaker 2>about baseball, and I started thinking of that note as

0:35:28.239 --> 0:35:31.520
<v Speaker 2>a fastball, and I changed my mind into when I

0:35:31.560 --> 0:35:33.839
<v Speaker 2>was winding up for it. In my mind, I was

0:35:33.880 --> 0:35:36.759
<v Speaker 2>throwing a fastball and I could see the scenes on

0:35:36.800 --> 0:35:39.239
<v Speaker 2>the ball as it was going hitting that note. I

0:35:39.280 --> 0:35:41.360
<v Speaker 2>was letting go of the baseball, and it got my

0:35:41.440 --> 0:35:43.960
<v Speaker 2>mind off the note and into another. And then when

0:35:43.960 --> 0:35:46.200
<v Speaker 2>I started referring to I'm doing a double head of

0:35:46.200 --> 0:35:54.279
<v Speaker 2>the day on Mattine Day, that was that, you know,

0:35:54.400 --> 0:35:58.439
<v Speaker 2>twenty I sang twenty songs, you know, in total with

0:35:58.520 --> 0:36:01.960
<v Speaker 2>my solos, but between the core work and stuff, it

0:36:02.040 --> 0:36:07.520
<v Speaker 2>was a huge, huge, huge responsibility.

0:36:07.719 --> 0:36:07.960
<v Speaker 9>You know.

0:36:08.200 --> 0:36:11.439
<v Speaker 1>Well again, you know, you've all starred in musicals, both

0:36:11.480 --> 0:36:14.920
<v Speaker 1>in film and on stage and on popular TV shows

0:36:14.920 --> 0:36:18.919
<v Speaker 1>of the day. Many times you would not have had

0:36:18.960 --> 0:36:23.160
<v Speaker 1>the opportunity to hear the music the soundtrack while rehearsing

0:36:23.320 --> 0:36:26.200
<v Speaker 1>or filming, as the music would be added to the

0:36:26.239 --> 0:36:30.359
<v Speaker 1>final cut well after filming. So tell us, was there

0:36:30.400 --> 0:36:33.799
<v Speaker 1>ever a show or film you worked on that when

0:36:33.920 --> 0:36:38.400
<v Speaker 1>the music score was added the music made a big

0:36:38.440 --> 0:36:42.520
<v Speaker 1>difference and heightened your response to your performance and to

0:36:42.640 --> 0:36:45.520
<v Speaker 1>the project. So, I mean, I guess the question is

0:36:45.600 --> 0:36:49.560
<v Speaker 1>does the addition of a music score really make a difference.

0:36:50.200 --> 0:36:53.920
<v Speaker 2>It's fifty I think, so, you think fifty percent. You

0:36:54.000 --> 0:36:56.480
<v Speaker 2>pull the music out of a static scene almost of

0:36:56.520 --> 0:36:59.239
<v Speaker 2>a someone contemplating looking out a window, and then you

0:36:59.280 --> 0:37:01.920
<v Speaker 2>add that music and knit the whole, the plot and

0:37:02.000 --> 0:37:06.280
<v Speaker 2>everything is within it, and it carries. It really does carry.

0:37:06.520 --> 0:37:09.120
<v Speaker 2>I've been in places when you're doing fully work, you're

0:37:09.120 --> 0:37:12.080
<v Speaker 2>adding dialogue that there was a plane flying over whatever,

0:37:12.360 --> 0:37:14.480
<v Speaker 2>and when you see it just static and dry, when

0:37:14.520 --> 0:37:18.040
<v Speaker 2>you're you know, working posts in a film and then

0:37:18.080 --> 0:37:20.040
<v Speaker 2>you see it done and when the music's folded in.

0:37:20.440 --> 0:37:23.440
<v Speaker 2>And also like in Pirates, when you're just lip syncing

0:37:23.719 --> 0:37:26.440
<v Speaker 2>and you're getting your vibravo, the vibrato and everything out,

0:37:26.520 --> 0:37:28.640
<v Speaker 2>you just sing along with it when they did it

0:37:28.840 --> 0:37:31.440
<v Speaker 2>so that you looked authentic doing it, you know, and

0:37:31.480 --> 0:37:33.520
<v Speaker 2>not like like I flip.

0:37:33.280 --> 0:37:39.560
<v Speaker 3>Syncing and Eileen Well, my husband Ben Lanzeroni was a

0:37:39.640 --> 0:37:43.520
<v Speaker 3>composer for film and television, lots and lots of television,

0:37:43.880 --> 0:37:46.040
<v Speaker 3>and people would say, so, what is it that you

0:37:46.200 --> 0:37:49.120
<v Speaker 3>do really, and he would take them into his studio

0:37:49.560 --> 0:37:53.880
<v Speaker 3>and play a scene from Love Boat or Dynasty before

0:37:53.960 --> 0:37:56.600
<v Speaker 3>he wrote the music. You want to talk about. Oh,

0:37:56.680 --> 0:37:59.280
<v Speaker 3>there's the boat going across the water again. Oh wow,

0:37:59.400 --> 0:38:03.560
<v Speaker 3>there's Brystal Carrington thinking, you know, as Rex said, the thinking.

0:38:04.040 --> 0:38:08.319
<v Speaker 3>And then he would play them the show with the

0:38:08.400 --> 0:38:10.839
<v Speaker 3>music in and they go, oh, oh.

0:38:13.120 --> 0:38:16.640
<v Speaker 1>Good. So the addition of a music score makes a

0:38:16.640 --> 0:38:17.400
<v Speaker 1>big difference.

0:38:17.640 --> 0:38:20.080
<v Speaker 3>It's as far as I'm concerned, it's everything.

0:38:20.200 --> 0:38:21.560
<v Speaker 8>I mean, everybody thinks their.

0:38:21.480 --> 0:38:24.520
<v Speaker 3>Job is everything, which is appropriate, which is why everybody's

0:38:24.560 --> 0:38:27.120
<v Speaker 3>so good in Hollywood because they take their jobs so

0:38:27.600 --> 0:38:30.800
<v Speaker 3>seriously and everybody is such a master at their craft.

0:38:30.880 --> 0:38:34.439
<v Speaker 3>But I've been to many, many recording sessions where it's

0:38:34.520 --> 0:38:38.120
<v Speaker 3>the most exciting thing as being in a Hollywood soundstage

0:38:38.440 --> 0:38:43.160
<v Speaker 3>recording stage and having that big orchestra playing and the

0:38:43.320 --> 0:38:47.520
<v Speaker 3>movie up on a screen because everything is timed perfectly.

0:38:47.560 --> 0:38:51.560
<v Speaker 3>All that timing happens before you start composing a note.

0:38:51.680 --> 0:38:55.680
<v Speaker 3>And I remember once being at MGM, on the scoring

0:38:55.719 --> 0:38:58.720
<v Speaker 3>stage at MGM and looking up at that screen and thinking,

0:38:59.200 --> 0:39:01.240
<v Speaker 3>you know, talk about Hollywood.

0:39:00.800 --> 0:39:04.000
<v Speaker 8>History or just have to pinch myself and say this is.

0:39:03.920 --> 0:39:08.960
<v Speaker 3>Where they recorded all those Hollywood musicals, and just getting

0:39:09.440 --> 0:39:10.359
<v Speaker 3>so excited.

0:39:10.840 --> 0:39:13.600
<v Speaker 8>It's thrilling. I think the music just adds.

0:39:13.400 --> 0:39:20.359
<v Speaker 2>Everything I do too, Indiana Jones without being chased by

0:39:20.400 --> 0:39:21.919
<v Speaker 2>a ball in a cave.

0:39:28.440 --> 0:39:32.680
<v Speaker 7>Yeah, I totally agree with Rex and of course with Iving.

0:39:33.040 --> 0:39:36.400
<v Speaker 7>I just think that the music is everything. What I

0:39:36.520 --> 0:39:39.480
<v Speaker 7>find a little frightening is that when you are doing

0:39:39.520 --> 0:39:42.520
<v Speaker 7>the recording and you've got the orchestra and you've got everything,

0:39:42.560 --> 0:39:46.240
<v Speaker 7>and you say, this itty bitty sound that I'm making

0:39:46.440 --> 0:39:48.719
<v Speaker 7>is going to be part of this. Oh my god,

0:39:48.800 --> 0:39:52.680
<v Speaker 7>this is scary as hell. But I think all three

0:39:52.760 --> 0:39:56.239
<v Speaker 7>of our musical people here would all say that there

0:39:56.320 --> 0:40:02.759
<v Speaker 7>is nothing nothing more wonderful then hearing the overture when

0:40:02.840 --> 0:40:05.640
<v Speaker 7>you have to go on stage and no matter how

0:40:05.760 --> 0:40:10.160
<v Speaker 7>crappy you feel, you come to life and you come

0:40:10.360 --> 0:40:13.640
<v Speaker 7>to that, come to Jesus and the music.

0:40:15.440 --> 0:40:18.760
<v Speaker 3>Oh, there's nothing nothing like an overture. When you're sitting

0:40:18.760 --> 0:40:19.240
<v Speaker 3>in the audio.

0:40:19.239 --> 0:40:21.040
<v Speaker 8>Well, there are so many overtures.

0:40:20.520 --> 0:40:24.560
<v Speaker 3>Nowadays more Yeah, but you're sitting there or you're you're

0:40:24.640 --> 0:40:29.920
<v Speaker 3>playing a role and you hear you know, and you

0:40:29.960 --> 0:40:31.560
<v Speaker 3>know it's going to be funny girl. You know, it's

0:40:31.640 --> 0:40:34.520
<v Speaker 3>just like, oh my god, it's so it's happening, and

0:40:34.560 --> 0:40:37.720
<v Speaker 3>you know, just off topic a little. My favorite moment

0:40:38.320 --> 0:40:40.400
<v Speaker 3>when I go to see a show is when the

0:40:40.520 --> 0:40:47.160
<v Speaker 3>orchestra is tuning up. Oh yes, that exciting is anticipation, anticipation.

0:40:47.600 --> 0:40:48.680
<v Speaker 8>It's so great, you know.

0:40:48.719 --> 0:40:50.319
<v Speaker 1>I have to say, well, I want to thank each

0:40:50.360 --> 0:40:53.960
<v Speaker 1>of you, Ruda, Eileen, and Rex for sharing your thoughts

0:40:54.160 --> 0:40:59.160
<v Speaker 1>about the concerts, the movies, stage and even the competition.

0:40:59.400 --> 0:41:02.560
<v Speaker 1>My goodness, and I know our listeners enjoyed hearing these stories.

0:41:02.640 --> 0:41:05.240
<v Speaker 1>I cannot believe our segment is coming to a close.

0:41:05.560 --> 0:41:08.360
<v Speaker 1>Will you join us again to help close? Our show

0:41:08.719 --> 0:41:15.160
<v Speaker 1>is tomorrow too soon? Perfect, perfect, Well, and I have

0:41:15.239 --> 0:41:17.600
<v Speaker 1>to say, you know, stay tuned to hear more of

0:41:17.680 --> 0:41:22.520
<v Speaker 1>Hollywood's hidden treasures. Joining the Academy Award winning child actress

0:41:22.560 --> 0:41:25.320
<v Speaker 1>who starred with jose At Turby in the nineteen forty

0:41:25.320 --> 0:41:29.560
<v Speaker 1>four MGM musical Thousands, Cheer and Music for Millions, and

0:41:29.600 --> 0:41:32.280
<v Speaker 1>she has her own star on the world famous Hollywood

0:41:32.280 --> 0:41:36.560
<v Speaker 1>Walk of Fame. Margaret O'Brien, So again, thank you. Tarruda Lee,

0:41:36.640 --> 0:41:39.799
<v Speaker 1>Eileen Graff and Rex Smith will be speaking with you

0:41:40.000 --> 0:41:43.080
<v Speaker 1>in the next few segments, and when we return, we'll

0:41:43.120 --> 0:41:46.880
<v Speaker 1>be speaking with Michael Feinstein. Welcome back. You're listening to

0:41:46.920 --> 0:41:50.280
<v Speaker 1>Hollywood Hidden Treasures. I'm Denel Daddigan, and tonight we're celebrating

0:41:50.320 --> 0:41:53.560
<v Speaker 1>one of the greatest classical musicians of the twentieth century,

0:41:53.640 --> 0:41:57.520
<v Speaker 1>jose Ah Turby. Please welcome the Academy Award winning child

0:41:57.560 --> 0:42:00.400
<v Speaker 1>actress who starred with jose Ah Turby in the nineteen

0:42:00.480 --> 0:42:05.000
<v Speaker 1>forty three MGM musical Thousands Cheer and the nineteen forty

0:42:05.000 --> 0:42:09.760
<v Speaker 1>four MGM musical Music for Millions, with her own star

0:42:10.040 --> 0:42:13.239
<v Speaker 1>on the world famous Hollywood Walk of Fame. Please say

0:42:13.239 --> 0:42:15.000
<v Speaker 1>hello to Margaret O'Brien.

0:42:15.560 --> 0:42:18.960
<v Speaker 5>Hi, Margaret, Hello, everybody. Thank you to be talking with you.

0:42:19.360 --> 0:42:23.440
<v Speaker 1>Absolutely well. Welcome to Hollywood's Hidden Treasures. You know, Margaret,

0:42:23.480 --> 0:42:26.280
<v Speaker 1>I want to say you start in the classical films,

0:42:26.560 --> 0:42:31.440
<v Speaker 1>the Canderville Ghost, Babes of Hollywood, Thousands Cheer, Little Women,

0:42:31.920 --> 0:42:35.359
<v Speaker 1>The Secret Games, and Many War And you know, I

0:42:35.480 --> 0:42:38.200
<v Speaker 1>just want to say that we will always remember your

0:42:38.320 --> 0:42:42.319
<v Speaker 1>Academy Award winning role as too D Smith in MGMs

0:42:42.440 --> 0:42:44.960
<v Speaker 1>Meet Me and Saint Louis or is it Saint Louis?

0:42:45.000 --> 0:42:47.640
<v Speaker 1>I say Saint Louis from nineteen forty four?

0:42:49.000 --> 0:42:49.400
<v Speaker 9>Margaret?

0:42:49.400 --> 0:42:52.000
<v Speaker 1>How old were you when you won your Academy Award?

0:42:52.080 --> 0:42:53.520
<v Speaker 1>And what film was it for?

0:42:54.239 --> 0:42:57.080
<v Speaker 5>That was Samy Me and Saint Louis with the Academy

0:42:57.080 --> 0:43:01.520
<v Speaker 5>award was for my party in Medius Lewis, Yes, and

0:43:01.560 --> 0:43:05.520
<v Speaker 5>it was a special child award like Judy got for

0:43:06.719 --> 0:43:10.680
<v Speaker 5>the wonderful of Course film that she did. And that's

0:43:10.719 --> 0:43:13.839
<v Speaker 5>when I got the award and that was.

0:43:14.120 --> 0:43:14.960
<v Speaker 3>Something I loved.

0:43:15.120 --> 0:43:19.320
<v Speaker 5>That it was lost for about twenty years, so I

0:43:19.360 --> 0:43:20.240
<v Speaker 5>did get it back.

0:43:20.440 --> 0:43:22.520
<v Speaker 1>Do you want to share that story with us? Because

0:43:22.520 --> 0:43:24.040
<v Speaker 1>that is just amazing.

0:43:23.640 --> 0:43:26.080
<v Speaker 5>A lot of adventures, I must say, yes.

0:43:26.480 --> 0:43:26.680
<v Speaker 2>Yes.

0:43:28.320 --> 0:43:30.960
<v Speaker 5>The other lady that was going to polish it up

0:43:31.000 --> 0:43:33.920
<v Speaker 5>a little bit for us, and somehow, I don't know

0:43:33.920 --> 0:43:36.839
<v Speaker 5>what happened, but she and my mother lost contact and

0:43:36.960 --> 0:43:40.120
<v Speaker 5>she took the award home and we never I never

0:43:40.160 --> 0:43:44.280
<v Speaker 5>saw it again. Then many years later, her children, after

0:43:44.360 --> 0:43:47.440
<v Speaker 5>she had passed away, found this award in her attic

0:43:47.800 --> 0:43:51.680
<v Speaker 5>and they sold it to a little vendor. After swap meet.

0:43:52.160 --> 0:43:56.239
<v Speaker 5>They was both swap meet in Los Angeles, and she

0:43:56.400 --> 0:43:59.359
<v Speaker 5>thought it was just, you know, a fake award, and

0:44:00.440 --> 0:44:04.800
<v Speaker 5>he wasn't asking very much for it. But these auctioneers

0:44:05.120 --> 0:44:08.600
<v Speaker 5>kept going back to looking at it, and then they said, oh,

0:44:09.320 --> 0:44:12.279
<v Speaker 5>this is real. So they bought it, and then they

0:44:12.280 --> 0:44:15.839
<v Speaker 5>were going to auction it off for many, many thousands

0:44:15.840 --> 0:44:20.360
<v Speaker 5>of dollars. The Academy is always looking for lost awards,

0:44:20.560 --> 0:44:22.960
<v Speaker 5>so they said no, no, you can't do that, and

0:44:23.040 --> 0:44:25.359
<v Speaker 5>they had to give it back, and they'd already had

0:44:25.360 --> 0:44:28.279
<v Speaker 5>a buyer, so they gave it back to the Academy.

0:44:28.520 --> 0:44:32.160
<v Speaker 5>So I'm one of the few actresses that had presented

0:44:32.480 --> 0:44:38.640
<v Speaker 5>an Academy Award for the same movie twice, and they

0:44:38.680 --> 0:44:43.440
<v Speaker 5>gave me a wonderful ceremony, and so I really really

0:44:43.600 --> 0:44:46.160
<v Speaker 5>was so grateful to get it back and never thought

0:44:46.200 --> 0:44:47.080
<v Speaker 5>I would see it again.

0:44:47.200 --> 0:44:49.239
<v Speaker 3>Of course, well, you know, we were thrilled at the

0:44:49.239 --> 0:44:52.600
<v Speaker 3>Hollywood Museum to be able to display your juveniles.

0:44:54.120 --> 0:44:56.919
<v Speaker 5>It was very special, very good care of it too,

0:44:57.360 --> 0:45:00.440
<v Speaker 5>So I thank you so much for that welcome in.

0:45:00.520 --> 0:45:04.040
<v Speaker 1>We did not polish it, but we did return.

0:45:03.640 --> 0:45:07.200
<v Speaker 5>It couldn't have really been polished. It has to stay

0:45:07.680 --> 0:45:12.400
<v Speaker 5>antique clocking and no, no polishing. I don't do anything

0:45:12.440 --> 0:45:14.719
<v Speaker 5>to it. Now, it does have a dend in his

0:45:14.880 --> 0:45:19.840
<v Speaker 5>head because I took to doing the chill for Oprah

0:45:19.880 --> 0:45:22.600
<v Speaker 5>and she was doing a show a Lost Treasures, and

0:45:22.800 --> 0:45:26.080
<v Speaker 5>when we were handing it to her, it dropped. Oh,

0:45:26.200 --> 0:45:28.759
<v Speaker 5>got a den in his head. So it's spined through

0:45:28.800 --> 0:45:31.799
<v Speaker 5>a lot, so I really keep it that way.

0:45:32.480 --> 0:45:36.240
<v Speaker 1>Well, you know, Margaret, let me ask. In MGM's nineteen

0:45:36.320 --> 0:45:40.960
<v Speaker 1>thirty seven film Music for Millions, in addition to yourself

0:45:41.040 --> 0:45:45.080
<v Speaker 1>and jose A Turby, there were stars such as June Allison,

0:45:45.480 --> 0:45:49.759
<v Speaker 1>Jimmy Duranty, Marcia Hunt. But you know, I think about this,

0:45:49.880 --> 0:45:53.640
<v Speaker 1>the film, in its story was created and centered around

0:45:53.760 --> 0:45:55.240
<v Speaker 1>you and your character.

0:45:55.480 --> 0:45:55.760
<v Speaker 2>Mike.

0:45:56.440 --> 0:45:59.520
<v Speaker 5>Well, I didn't really have any scenes with mister Atterby

0:46:00.120 --> 0:46:04.239
<v Speaker 5>that movie. Mine was all with Red Skelton, Yes, but

0:46:04.440 --> 0:46:08.640
<v Speaker 5>I had a lot of scenes of course in music familiars.

0:46:08.880 --> 0:46:13.120
<v Speaker 5>And my family and the spir Turby's family knew each

0:46:13.160 --> 0:46:16.799
<v Speaker 5>other very well because my mother was Spanish and they

0:46:16.800 --> 0:46:19.319
<v Speaker 5>had a lot in common. And my mother go to

0:46:19.400 --> 0:46:23.160
<v Speaker 5>their house for dinner and you have wonderful Spanish food

0:46:23.560 --> 0:46:26.680
<v Speaker 5>and they come to our house. So I knew them

0:46:26.960 --> 0:46:30.200
<v Speaker 5>the family personally, and the sir Derby had a daughter

0:46:31.120 --> 0:46:34.879
<v Speaker 5>much older than I was. Yes, but we were very,

0:46:35.000 --> 0:46:36.280
<v Speaker 5>very dear friends.

0:46:36.560 --> 0:46:38.880
<v Speaker 1>Oh that is so nice to hear, you know, because

0:46:38.880 --> 0:46:43.120
<v Speaker 1>Hollywood really, behind all the glitz and glamour, it's just

0:46:43.200 --> 0:46:46.319
<v Speaker 1>a big family, you know. Everyone knew each other. It

0:46:46.400 --> 0:46:49.360
<v Speaker 1>was kind of exciting when you think about that. So

0:46:49.920 --> 0:46:52.319
<v Speaker 1>I was thinking about this when you did these two

0:46:52.520 --> 0:46:56.200
<v Speaker 1>MGM films in nineteen forty three and nineteen forty four.

0:46:56.640 --> 0:46:58.760
<v Speaker 3>How old were you, I mean you were so young.

0:47:00.040 --> 0:47:01.040
<v Speaker 5>Well I was very young.

0:47:01.160 --> 0:47:02.319
<v Speaker 3>Yes, I was.

0:47:02.320 --> 0:47:05.000
<v Speaker 5>Only like, you know, six years old.

0:47:05.120 --> 0:47:08.520
<v Speaker 1>Oh my goodness, all of us our mouths are hanging open.

0:47:08.600 --> 0:47:13.440
<v Speaker 1>It's amazing what you did. Oh my goodness, Oh thank you.

0:47:13.840 --> 0:47:16.160
<v Speaker 5>But yes, so now, just because you were at the

0:47:16.160 --> 0:47:19.560
<v Speaker 5>studio didn't mean that you knew everybody personally, or you

0:47:19.600 --> 0:47:21.440
<v Speaker 5>could do a movie and then you didn't see each

0:47:21.480 --> 0:47:24.719
<v Speaker 5>other again. But I did know mister Turvey and his

0:47:24.840 --> 0:47:29.319
<v Speaker 5>family because of the Spanish connection. And of course when

0:47:29.320 --> 0:47:32.640
<v Speaker 5>I did Little Women with Julie and Elizabeth and Janet,

0:47:32.760 --> 0:47:36.080
<v Speaker 5>we all stayed friends because we thought of ourselves as

0:47:36.080 --> 0:47:36.760
<v Speaker 5>the little women.

0:47:36.960 --> 0:47:37.200
<v Speaker 3>You know.

0:47:37.560 --> 0:47:40.279
<v Speaker 1>Oh yes, so let me ask you a question. Did

0:47:40.320 --> 0:47:43.880
<v Speaker 1>you ever take music lessons? Did you play a musical instrument?

0:47:44.440 --> 0:47:46.000
<v Speaker 1>Did you ever have to do that in one of

0:47:46.000 --> 0:47:46.919
<v Speaker 1>your films.

0:47:47.200 --> 0:47:50.480
<v Speaker 5>No. I have a dancing talent because my mother was

0:47:50.480 --> 0:47:55.520
<v Speaker 5>a dancer, and I learned many different dances from the

0:47:55.560 --> 0:47:58.400
<v Speaker 5>time I was two years old. My mother had me

0:47:58.480 --> 0:48:01.680
<v Speaker 5>in the little ballet she did. It was the whole thing.

0:48:02.160 --> 0:48:06.439
<v Speaker 5>But I did not I was not able to sing.

0:48:07.320 --> 0:48:09.880
<v Speaker 5>I did not have a talent for singing, and I

0:48:09.920 --> 0:48:13.960
<v Speaker 5>did not have a talent for definitely not playing the piano.

0:48:16.960 --> 0:48:21.560
<v Speaker 5>When I was doing Three Wise Fools with Ryan o'baramore,

0:48:22.840 --> 0:48:25.440
<v Speaker 5>they had a piano on the set and I loved

0:48:25.480 --> 0:48:29.120
<v Speaker 5>to sit down and pretend I could play doing the

0:48:29.200 --> 0:48:33.720
<v Speaker 5>bring and I went from the piano and mister Oberl

0:48:33.800 --> 0:48:36.799
<v Speaker 5>Moore was trying to take a nap, and he said,

0:48:36.880 --> 0:48:39.200
<v Speaker 5>I can't stand it. I don't want to hurt the feelings,

0:48:39.640 --> 0:48:42.040
<v Speaker 5>but I can't stand it. So we had the prop

0:48:42.120 --> 0:48:46.480
<v Speaker 5>mand tape it up, and I was devastated when I

0:48:46.520 --> 0:48:50.200
<v Speaker 5>came and there was no sound on the piano. So

0:48:50.440 --> 0:48:54.640
<v Speaker 5>bad about it that he liked to do rag dolls,

0:48:54.960 --> 0:48:57.640
<v Speaker 5>and he made these beautiful, kind of different kind of

0:48:57.760 --> 0:49:01.480
<v Speaker 5>character rag dolls and so he giving me a lot

0:49:01.480 --> 0:49:04.600
<v Speaker 5>of rag dolls, and I was not normally a doll person,

0:49:04.640 --> 0:49:07.400
<v Speaker 5>but I love the rag dolls, so that made up

0:49:07.440 --> 0:49:12.440
<v Speaker 5>for everything. And my debut as a pianist, that was

0:49:12.680 --> 0:49:13.840
<v Speaker 5>the end of my debut.

0:49:14.719 --> 0:49:17.680
<v Speaker 1>Well, you know, Margaret, you have worked with so many actors,

0:49:17.680 --> 0:49:22.320
<v Speaker 1>I mean, including Mickey Rooney, Judy Garland, Greer Garson, Charles Lawton,

0:49:22.719 --> 0:49:27.719
<v Speaker 1>Angela Lansbury and Joseah Turvey and more during your MGM careers.

0:49:28.200 --> 0:49:30.960
<v Speaker 1>I just want to ask you, what was your first

0:49:31.040 --> 0:49:33.040
<v Speaker 1>paying job as an actress?

0:49:33.400 --> 0:49:39.360
<v Speaker 5>My first paying job, yes, will I think the first

0:49:39.400 --> 0:49:42.160
<v Speaker 5>paying job was when my mother went to have some

0:49:42.239 --> 0:49:47.880
<v Speaker 5>pictures taken and a famous photographer named Paul Hessey. Oh

0:49:48.080 --> 0:49:52.279
<v Speaker 5>we all remember that mart of the theater she was

0:49:52.360 --> 0:49:55.960
<v Speaker 5>dancing in and she didn't have a babysitter, so she

0:49:56.080 --> 0:50:00.760
<v Speaker 5>brought me and my little dog and my it also

0:50:00.960 --> 0:50:04.760
<v Speaker 5>was her co dancer, and when they walked in, she said,

0:50:05.480 --> 0:50:09.160
<v Speaker 5>that's the face I'm looking for. My mother father was her.

0:50:10.040 --> 0:50:10.800
<v Speaker 5>It was the dog.

0:50:11.239 --> 0:50:12.800
<v Speaker 3>Do you just find this so humorous?

0:50:12.840 --> 0:50:13.000
<v Speaker 5>Then?

0:50:13.040 --> 0:50:13.960
<v Speaker 3>So what happened?

0:50:14.840 --> 0:50:16.840
<v Speaker 5>Well, he said, can I have a picture with the

0:50:16.920 --> 0:50:21.080
<v Speaker 5>dog because I'm doing a dog picture for Saturday. Evening posts,

0:50:21.200 --> 0:50:23.200
<v Speaker 5>and he said, well, the baby's kind of cute too,

0:50:24.000 --> 0:50:25.920
<v Speaker 5>let's put the baby in what that would be you?

0:50:26.120 --> 0:50:27.920
<v Speaker 5>And he did pay my mother for that.

0:50:28.280 --> 0:50:28.600
<v Speaker 9>Wow.

0:50:28.640 --> 0:50:31.880
<v Speaker 5>And after that we made the cover and then we

0:50:31.960 --> 0:50:36.200
<v Speaker 5>made about oh ten covers for Paul Hassey, so my

0:50:36.320 --> 0:50:39.400
<v Speaker 5>dog and I both got paid for that. And then

0:50:39.600 --> 0:50:42.480
<v Speaker 5>when MGM was looking for a little girl to be

0:50:42.520 --> 0:50:47.000
<v Speaker 5>in a small little movie, well, Ashley was a Judy

0:50:47.080 --> 0:50:51.880
<v Speaker 5>Garland movie, but no scenes for me. This was just

0:50:51.960 --> 0:50:54.360
<v Speaker 5>a very small part of a mother bringing you a

0:50:54.400 --> 0:50:58.319
<v Speaker 5>two year old three year old for an audition. And

0:50:59.320 --> 0:51:02.120
<v Speaker 5>my mother said, let's go out for that. And that

0:51:02.280 --> 0:51:06.160
<v Speaker 5>was Babes One Broadway, Oh my goodness, and my mother

0:51:06.239 --> 0:51:08.560
<v Speaker 5>bought me out for that, and I got the part

0:51:09.080 --> 0:51:12.480
<v Speaker 5>and from that little film, when they were casting Journey

0:51:12.520 --> 0:51:15.840
<v Speaker 5>from Margaret, they were looking all children all over the

0:51:15.880 --> 0:51:19.360
<v Speaker 5>world and found my picture on the magazine cover and

0:51:19.480 --> 0:51:23.560
<v Speaker 5>also the little teeny role I did in Babe Zone Broadway,

0:51:23.920 --> 0:51:26.680
<v Speaker 5>and that's how I got started in and I happened

0:51:26.719 --> 0:51:29.040
<v Speaker 5>to get the part and Journey from Margaret and then

0:51:29.160 --> 0:51:30.680
<v Speaker 5>put under contract.

0:51:30.360 --> 0:51:33.480
<v Speaker 3>And as they say, the rest is history. You know, Margaret,

0:51:33.480 --> 0:51:35.880
<v Speaker 3>this is so exciting and I think about your time

0:51:36.280 --> 0:51:40.319
<v Speaker 3>spent in all these great MGM films, your career and

0:51:40.360 --> 0:51:43.799
<v Speaker 3>your history. And to think that you actually did even

0:51:43.880 --> 0:51:47.560
<v Speaker 3>two movies with Hosea Turby. That's so wonderful and I

0:51:47.600 --> 0:51:50.600
<v Speaker 3>look forward to seeing you very very soon. Now, Margaret,

0:51:50.680 --> 0:51:54.600
<v Speaker 3>please share with all of our listeners if they want

0:51:54.640 --> 0:51:57.640
<v Speaker 3>to find out more about you or follow you. Do

0:51:57.719 --> 0:52:01.080
<v Speaker 3>you have a social handle a website side Facebook?

0:52:01.400 --> 0:52:06.360
<v Speaker 5>Well, and there are websites, but I don't do social media.

0:52:06.719 --> 0:52:08.320
<v Speaker 5>I don't even have a computer.

0:52:09.440 --> 0:52:11.040
<v Speaker 3>I was just not into all that.

0:52:12.080 --> 0:52:13.719
<v Speaker 5>They're all web stikes out there.

0:52:13.840 --> 0:52:16.480
<v Speaker 1>Of course, yes there are, and everyone is saying, good girl,

0:52:16.640 --> 0:52:19.759
<v Speaker 1>good girl, this is great, But there I go.

0:52:19.920 --> 0:52:22.839
<v Speaker 5>I do want to mention that miss Year Chirby and

0:52:22.960 --> 0:52:26.360
<v Speaker 5>his family. He was a very gentle person. Yes, he

0:52:26.480 --> 0:52:30.920
<v Speaker 5>was a very quiet, very gentle person and very very sweet.

0:52:31.360 --> 0:52:35.680
<v Speaker 5>Didn't look like he had a temperament. He just went

0:52:35.840 --> 0:52:36.880
<v Speaker 5>along with the flow.

0:52:37.400 --> 0:52:39.880
<v Speaker 1>Yes he did, Yes he did. He was very professional

0:52:39.920 --> 0:52:42.600
<v Speaker 1>in that way, and I so appreciate you saying that personal.

0:52:42.960 --> 0:52:45.600
<v Speaker 5>And they were a very quiet family, you know. Yes,

0:52:46.000 --> 0:52:49.239
<v Speaker 5>they weren't really into a lot of I have to

0:52:49.280 --> 0:52:52.480
<v Speaker 5>be on this cover or that cover. He just wanted

0:52:52.520 --> 0:52:55.200
<v Speaker 5>to do his job, a music meant more to him

0:52:55.200 --> 0:52:58.440
<v Speaker 5>than anything, and they just lived a quiet life.

0:52:58.680 --> 0:53:01.000
<v Speaker 3>I agree, I agree. I agree.

0:53:01.040 --> 0:53:04.560
<v Speaker 1>Growing up with my godfather and being with him until

0:53:04.600 --> 0:53:07.799
<v Speaker 1>his last days, in fact, until his last day. You

0:53:07.880 --> 0:53:11.120
<v Speaker 1>are one hundred percent correct. Thank you, Thank you.

0:53:11.120 --> 0:53:13.960
<v Speaker 5>Margaret, because he's a wonderful person and so is his

0:53:14.080 --> 0:53:15.719
<v Speaker 5>wife and daughter also.

0:53:15.680 --> 0:53:16.279
<v Speaker 3>Thank you.

0:53:16.320 --> 0:53:18.160
<v Speaker 5>Please here and I hope to see.

0:53:18.000 --> 0:53:21.480
<v Speaker 3>You soon and you will. Thank you, Margaret O'Brien. Wow,

0:53:22.000 --> 0:53:22.440
<v Speaker 3>thank you.

0:53:23.400 --> 0:53:26.200
<v Speaker 1>Stay tuned to hear more of Hollywood's Sidden Treasures. We're

0:53:26.239 --> 0:53:29.200
<v Speaker 1>celebrating one of the greatest musicians of the twentieth century,

0:53:29.360 --> 0:53:32.600
<v Speaker 1>jose Ah Turby, and when we return, we'll be speaking

0:53:32.719 --> 0:53:34.080
<v Speaker 1>with Michael Feinstein.

0:53:35.040 --> 0:53:35.560
<v Speaker 3>Welcome back.

0:53:35.600 --> 0:53:38.319
<v Speaker 1>You're listening to Hollywood Sidden Treasures. I'm Denel Daddigan, and

0:53:38.360 --> 0:53:41.719
<v Speaker 1>tonight we're celebrating one of the greatest classical musicians of

0:53:41.760 --> 0:53:45.960
<v Speaker 1>the twentieth century, Joseah Turby. Please welcome the Academy Award

0:53:45.960 --> 0:53:49.000
<v Speaker 1>winning child actress who starred with jose Ah Turby in

0:53:49.040 --> 0:53:53.279
<v Speaker 1>the nineteen forty three MGM musical Thousands Cheer and the

0:53:53.440 --> 0:53:58.239
<v Speaker 1>nineteen forty four MGM musical Music for Millions, with her

0:53:58.320 --> 0:54:01.759
<v Speaker 1>own star on the world famous Hollywood Walk of Fame.

0:54:01.880 --> 0:54:04.200
<v Speaker 1>Please say hello to Margaret O'Brien.

0:54:04.760 --> 0:54:08.160
<v Speaker 5>Hi, Margaret, Hello, everybody, Thank you to be talking with you.

0:54:08.560 --> 0:54:12.640
<v Speaker 1>Absolutely well. Welcome to Hollywoods hidden treasures. You know, Margaret,

0:54:12.680 --> 0:54:15.480
<v Speaker 1>I want to say you start in the classical films,

0:54:15.760 --> 0:54:20.640
<v Speaker 1>the Canterville Ghost, Babes of Hollywood, Thousands Cheer Little Women,

0:54:21.120 --> 0:54:24.600
<v Speaker 1>the Secret Games and many war and you know, I

0:54:24.680 --> 0:54:28.040
<v Speaker 1>just want to say we will always remember your Academy

0:54:28.080 --> 0:54:32.000
<v Speaker 1>Award winning role as Toody Smith in MGMs Meet Me

0:54:32.120 --> 0:54:34.560
<v Speaker 1>and Saint Louis or is it Saint Louis? I say

0:54:34.600 --> 0:54:39.319
<v Speaker 1>Saint Louis from nineteen forty four. Margaret, How old were

0:54:39.360 --> 0:54:42.000
<v Speaker 1>you when you won your Academy Award and what film

0:54:42.120 --> 0:54:42.720
<v Speaker 1>was it for?

0:54:43.440 --> 0:54:46.280
<v Speaker 5>That was sam Me and Saint Louis with the Academy

0:54:46.280 --> 0:54:50.520
<v Speaker 5>Award was for my party in Melian Saint Louis. Yes,

0:54:50.640 --> 0:54:54.479
<v Speaker 5>and it was a special child award like Judy God

0:54:54.640 --> 0:54:58.359
<v Speaker 5>for the Wonderful Love of Course film that she did.

0:55:00.040 --> 0:55:03.839
<v Speaker 5>And I got the award and that was something I

0:55:03.880 --> 0:55:06.760
<v Speaker 5>loved it that it was lost for about twenty years,

0:55:07.239 --> 0:55:09.440
<v Speaker 5>so I did get it back.

0:55:09.640 --> 0:55:11.719
<v Speaker 1>Do you want to share that story with us, because

0:55:11.719 --> 0:55:13.200
<v Speaker 1>that is just amazing.

0:55:12.840 --> 0:55:17.600
<v Speaker 5>A lot of adventures, I must say, yes, yes, the

0:55:17.680 --> 0:55:20.279
<v Speaker 5>other lady that was going to polish it up a

0:55:20.280 --> 0:55:23.760
<v Speaker 5>little bit for us, and somehow, I don't know what happened,

0:55:23.760 --> 0:55:26.600
<v Speaker 5>but she and my mother lost contact and she took

0:55:26.600 --> 0:55:30.520
<v Speaker 5>the award home and I never saw it again. Then

0:55:30.960 --> 0:55:34.560
<v Speaker 5>many years later, her children, after she had passed away,

0:55:34.960 --> 0:55:38.359
<v Speaker 5>found this award in her attic and they sold it

0:55:38.400 --> 0:55:42.560
<v Speaker 5>to a little vendor after swap meet the supposed swap

0:55:42.600 --> 0:55:46.319
<v Speaker 5>meet in Los Angeles, and he thought it was just,

0:55:46.800 --> 0:55:50.960
<v Speaker 5>you know, a fake award, and he wasn't asking very

0:55:51.080 --> 0:55:55.200
<v Speaker 5>much for it. But these auctioneers kept going back and

0:55:55.320 --> 0:55:59.240
<v Speaker 5>looking at it, and then they said, oh, this is real,

0:55:59.680 --> 0:56:01.960
<v Speaker 5>so they bought it, and then they were going to

0:56:02.000 --> 0:56:06.560
<v Speaker 5>auction it off for many, many thousands of dollars. The

0:56:06.640 --> 0:56:10.680
<v Speaker 5>Academy is always looking for lost awards. So they said, no, no,

0:56:10.760 --> 0:56:13.440
<v Speaker 5>you can't do that, and they had to give it back,

0:56:13.640 --> 0:56:16.440
<v Speaker 5>and they'd already had a buyer, so they gave it

0:56:16.520 --> 0:56:18.719
<v Speaker 5>back to the Academy. So I'm one of the few

0:56:19.400 --> 0:56:23.439
<v Speaker 5>actresses that had presented an Academy Award for the same

0:56:23.560 --> 0:56:30.319
<v Speaker 5>movie twice, and they gave me a wonderful ceremony, and

0:56:30.719 --> 0:56:34.480
<v Speaker 5>so I really really was so grateful to get it

0:56:34.520 --> 0:56:37.480
<v Speaker 5>back and never thought I would see it again. Of course, Well.

0:56:37.320 --> 0:56:39.400
<v Speaker 1>You know, we were thrilled at the Hollywood Museum to

0:56:39.440 --> 0:56:42.279
<v Speaker 1>be able to display your juvenile.

0:56:43.320 --> 0:56:45.080
<v Speaker 3>It was very special, very.

0:56:44.920 --> 0:56:48.040
<v Speaker 5>Good care of it too, So I thank you so

0:56:48.200 --> 0:56:48.839
<v Speaker 5>much for that.

0:56:49.040 --> 0:56:49.520
<v Speaker 3>You're welcome.

0:56:49.560 --> 0:56:52.960
<v Speaker 1>And we did not polish it, but we did return it.

0:56:53.360 --> 0:56:57.480
<v Speaker 5>They couldn't have really been polished. It has to stay antique,

0:56:57.520 --> 0:57:01.600
<v Speaker 5>c looking, and no, no polishing. I don't do anything

0:57:01.640 --> 0:57:03.920
<v Speaker 5>to it now. It does have a dend in his

0:57:04.080 --> 0:57:09.160
<v Speaker 5>head because I took to doing Chill for Oprah and

0:57:09.280 --> 0:57:12.160
<v Speaker 5>she was doing a show a Lost Treasures, and when

0:57:12.239 --> 0:57:15.600
<v Speaker 5>we were handing it to her, it dropped. Oh got

0:57:15.640 --> 0:57:18.360
<v Speaker 5>a den in his head. So it spinned for a lot.

0:57:18.800 --> 0:57:21.040
<v Speaker 5>So I want to keep it that way.

0:57:21.680 --> 0:57:25.480
<v Speaker 1>Well, you know, Margaret, let me ask. In MGM's nineteen

0:57:25.520 --> 0:57:30.160
<v Speaker 1>thirty seven film Music for Millions, in addition to yourself

0:57:30.240 --> 0:57:35.680
<v Speaker 1>and Joseaterurby, there were stars such as June Allison, Jimmy Duranty,

0:57:36.080 --> 0:57:39.560
<v Speaker 1>Marcia Hunt. But you know, I think about this, The film,

0:57:39.600 --> 0:57:43.640
<v Speaker 1>in its story was created and centered around you and

0:57:43.720 --> 0:57:45.240
<v Speaker 1>your character Mike.

0:57:45.640 --> 0:57:48.720
<v Speaker 5>Well, I didn't really have any scenes with mister Atterby

0:57:49.120 --> 0:57:52.959
<v Speaker 5>in that movie. Mine was all with Red Skelton. Yes,

0:57:53.360 --> 0:57:56.400
<v Speaker 5>but I had a lot of scenes of course in

0:57:56.560 --> 0:58:01.400
<v Speaker 5>Music for Millions. And my family and through Turby's family

0:58:01.840 --> 0:58:05.080
<v Speaker 5>knew each other very well because my mother was Spanish

0:58:05.640 --> 0:58:08.120
<v Speaker 5>and they had a lot in common. And my mother

0:58:08.280 --> 0:58:11.160
<v Speaker 5>go to their house for dinner and you have wonderful

0:58:11.200 --> 0:58:15.320
<v Speaker 5>Spanish food and they come to our house. So I

0:58:15.360 --> 0:58:18.920
<v Speaker 5>knew them the family personally, and the sir Derby had

0:58:18.920 --> 0:58:22.520
<v Speaker 5>a daughter, yes, much older than I was. Yes, but

0:58:23.440 --> 0:58:25.480
<v Speaker 5>we were very, very dear friends.

0:58:25.760 --> 0:58:28.080
<v Speaker 1>Oh that is so nice to hear, you know, because

0:58:28.120 --> 0:58:32.400
<v Speaker 1>Hollywood really, behind all the glitz and glamour, it's just.

0:58:32.400 --> 0:58:33.320
<v Speaker 3>A big family.

0:58:33.440 --> 0:58:33.680
<v Speaker 9>You know.

0:58:33.880 --> 0:58:36.920
<v Speaker 1>Everyone knew each other. It was kind of exciting when

0:58:36.960 --> 0:58:40.280
<v Speaker 1>you think about that. So I was thinking about this

0:58:40.360 --> 0:58:43.920
<v Speaker 1>when you did these two MGM films in nineteen forty

0:58:43.960 --> 0:58:45.400
<v Speaker 1>three and nineteen forty four.

0:58:45.840 --> 0:58:47.960
<v Speaker 3>How old were you, I mean you were so young?

0:58:49.240 --> 0:58:52.080
<v Speaker 5>Well, I was very young. Yes, I was only like,

0:58:52.680 --> 0:58:54.200
<v Speaker 5>you know, six years old.

0:58:54.320 --> 0:58:57.720
<v Speaker 1>Oh my goodness, all of us our mouths are hanging open.

0:58:57.800 --> 0:59:02.640
<v Speaker 1>It's amazing what you did. Oh my goodness, Oh thank you.

0:59:03.040 --> 0:59:05.800
<v Speaker 1>But yes, so just because you were at the studio

0:59:06.080 --> 0:59:09.000
<v Speaker 1>didn't mean that you knew everybody personally, or you could

0:59:09.040 --> 0:59:11.320
<v Speaker 1>do a movie and then you didn't see each other again.

0:59:11.560 --> 0:59:15.200
<v Speaker 1>But I did know mister Turvey and his family because

0:59:15.200 --> 0:59:18.840
<v Speaker 1>of the Spanish connection. And of course when I did

0:59:18.880 --> 0:59:19.880
<v Speaker 1>Little Women with.

0:59:20.040 --> 0:59:23.680
<v Speaker 5>Julie and Elizabeth and Janet, we all stayed friends because

0:59:23.720 --> 0:59:26.400
<v Speaker 5>we phone of ourselves as the Little Women. You know.

0:59:26.760 --> 0:59:29.480
<v Speaker 1>Oh yes, So let me ask you a question. Did

0:59:29.520 --> 0:59:33.080
<v Speaker 1>you ever take music lessons? Did you play a musical instrument?

0:59:33.640 --> 0:59:35.200
<v Speaker 1>Did you ever have to do that in one of

0:59:35.200 --> 0:59:36.120
<v Speaker 1>your films.

0:59:36.400 --> 0:59:39.680
<v Speaker 5>No. I have a dancing talent because my mother was

0:59:39.680 --> 0:59:44.760
<v Speaker 5>a dancer, and I learned many different dances from the

0:59:44.800 --> 0:59:47.600
<v Speaker 5>time I was two years old. My mother had me

0:59:47.680 --> 0:59:50.880
<v Speaker 5>in the little ballet or she did the whole thing.

0:59:51.360 --> 0:59:56.919
<v Speaker 5>But I I was not able to sing. I did

0:59:56.920 --> 0:59:59.400
<v Speaker 5>not have a talent for singing, and I did not

0:59:59.560 --> 1:00:03.160
<v Speaker 5>have a talent and so definitely not playing the piano.

1:00:06.160 --> 1:00:10.760
<v Speaker 5>When I was doing Three Wise Schools with Ryan o'baramore,

1:00:12.040 --> 1:00:14.640
<v Speaker 5>they had a piano on the set, and I loved

1:00:14.680 --> 1:00:18.360
<v Speaker 5>to sit down and pretend I could play, doing the

1:00:18.400 --> 1:00:22.960
<v Speaker 5>bring and I bunt on the piano and mister BARRYL.

1:00:23.000 --> 1:00:26.000
<v Speaker 5>Moore was trying to take a nap and he said,

1:00:26.080 --> 1:00:28.400
<v Speaker 5>I can't stand it. I don't want to hurt a feelings,

1:00:28.840 --> 1:00:31.240
<v Speaker 5>but I can't stand it. So they had the prop

1:00:31.320 --> 1:00:35.680
<v Speaker 5>band tape it up, and I was devastated when I

1:00:35.720 --> 1:00:39.400
<v Speaker 5>came and there was no sound on the piano. So

1:00:39.640 --> 1:00:43.840
<v Speaker 5>bad about it that he liked to do rag dolls,

1:00:44.160 --> 1:00:46.840
<v Speaker 5>and he made these beautiful, kind of different kind of

1:00:46.960 --> 1:00:50.480
<v Speaker 5>character rag dolls, and so he kept giving me a

1:00:50.480 --> 1:00:53.120
<v Speaker 5>lot of rag dolls. And I was not normally a

1:00:53.160 --> 1:00:56.000
<v Speaker 5>doll person, but I loved the rag dolls. So that

1:00:56.160 --> 1:01:00.440
<v Speaker 5>made up for everything. And my debut as a honest

1:01:01.280 --> 1:01:03.080
<v Speaker 5>that was the end of my debut.

1:01:03.960 --> 1:01:06.840
<v Speaker 1>Well, you know, Margaret, you have worked with so many actors,

1:01:06.880 --> 1:01:11.520
<v Speaker 1>I mean, including Mickey Rooney, Judy Garland, Greer Garson, Charles Lawton,

1:01:11.960 --> 1:01:16.920
<v Speaker 1>Angela Lansbury and Joseah Turby and more during your MGM careers.

1:01:17.440 --> 1:01:20.160
<v Speaker 1>I just want to ask you what was your first

1:01:20.240 --> 1:01:22.240
<v Speaker 1>paying job as an actress?

1:01:22.600 --> 1:01:28.560
<v Speaker 5>My first paying job, yes, will I think the first

1:01:28.600 --> 1:01:31.360
<v Speaker 5>paying job was when my mother went to have some

1:01:31.440 --> 1:01:37.080
<v Speaker 5>pictures taken and a famous photographer named Paul Hessey. Oh,

1:01:37.280 --> 1:01:41.480
<v Speaker 5>we all remember that made of the theater she was

1:01:41.560 --> 1:01:45.200
<v Speaker 5>dancing in, and she didn't have a babysitter, so she

1:01:45.280 --> 1:01:49.960
<v Speaker 5>brought me and my little dog, and my aunt also

1:01:50.160 --> 1:01:53.960
<v Speaker 5>was her co dancer. And when they walked in, she said,

1:01:54.680 --> 1:01:58.360
<v Speaker 5>that's the face I'm looking for. My mother father was her.

1:01:59.200 --> 1:02:02.200
<v Speaker 3>It was the dog. Do you just find this so humorous? Then?

1:02:02.240 --> 1:02:04.000
<v Speaker 3>So what happened then?

1:02:04.040 --> 1:02:06.040
<v Speaker 5>Well, he said, can I have a picture with the

1:02:06.120 --> 1:02:10.400
<v Speaker 5>dog because I'm doing a dog picture for Saturday Evening posts.

1:02:10.440 --> 1:02:12.400
<v Speaker 5>And he said, well, the baby's kind of cute too,

1:02:13.200 --> 1:02:13.840
<v Speaker 5>Let's put the.

1:02:13.800 --> 1:02:15.120
<v Speaker 3>Baby in with that would be you.

1:02:15.320 --> 1:02:17.000
<v Speaker 5>And he did pay my mother for that.

1:02:17.480 --> 1:02:17.720
<v Speaker 3>Wow.

1:02:17.840 --> 1:02:21.080
<v Speaker 5>And after that we made the cover, and then we

1:02:21.160 --> 1:02:25.400
<v Speaker 5>made about oh ten covers for Paul Hassey, so my

1:02:25.520 --> 1:02:28.640
<v Speaker 5>dog and I both got paid for that. And then

1:02:28.800 --> 1:02:31.680
<v Speaker 5>when MGM was looking for a little girl to be

1:02:31.720 --> 1:02:36.240
<v Speaker 5>in a small little movie, well, Ashley was a Judy

1:02:36.320 --> 1:02:41.080
<v Speaker 5>Garland movie, but no scenes for me. This was just

1:02:41.160 --> 1:02:43.560
<v Speaker 5>a very small part of a mother bringing you a

1:02:43.600 --> 1:02:48.480
<v Speaker 5>two year old three year old for an audition. And

1:02:48.520 --> 1:02:51.320
<v Speaker 5>my mother said, let's go out for that. And that

1:02:51.480 --> 1:02:55.360
<v Speaker 5>was Babes on Broadway, Oh my goodness. And my mother

1:02:55.400 --> 1:02:58.200
<v Speaker 5>brought me out for that and I got the part

1:02:58.280 --> 1:03:01.720
<v Speaker 5>and from that little film. When they were casting Journey

1:03:01.720 --> 1:03:05.040
<v Speaker 5>from Margaret, they were looking all children all over the

1:03:05.080 --> 1:03:08.560
<v Speaker 5>world and found my picture on the magazine cover and

1:03:08.680 --> 1:03:12.760
<v Speaker 5>also the little teeny role I did in Bain's Own Broadway,

1:03:13.120 --> 1:03:15.840
<v Speaker 5>and that's how I got started in and I happen

1:03:15.920 --> 1:03:18.560
<v Speaker 5>to get the part and Journey from Margaret and put

1:03:18.640 --> 1:03:19.880
<v Speaker 5>under contract.

1:03:19.560 --> 1:03:22.680
<v Speaker 1>And as they say, the rest is history. You know, Margaret,

1:03:22.720 --> 1:03:25.080
<v Speaker 1>this is so exciting. And I think about your time

1:03:25.480 --> 1:03:29.520
<v Speaker 1>spent in all these great MGM films, your career and

1:03:29.560 --> 1:03:33.000
<v Speaker 1>your history, and to think that you actually did even

1:03:33.080 --> 1:03:36.760
<v Speaker 1>two movies with Hosea Turby, that's so wonderful and I

1:03:36.800 --> 1:03:39.800
<v Speaker 1>look forward to seeing you very very soon. Now, Margaret,

1:03:39.880 --> 1:03:43.800
<v Speaker 1>please share with all of our listeners if they want

1:03:43.840 --> 1:03:46.840
<v Speaker 1>to find out more about you or follow you. Do

1:03:46.920 --> 1:03:50.280
<v Speaker 1>you have a social handle, a website Facebook?

1:03:50.600 --> 1:03:55.560
<v Speaker 5>Well, and there are websites, but I don't do social media.

1:03:55.920 --> 1:03:59.240
<v Speaker 5>I don't even have a computer. I was just not

1:03:59.480 --> 1:04:02.919
<v Speaker 5>into that they're all websties out there.

1:04:03.160 --> 1:04:05.720
<v Speaker 1>Cool, Yes there are, and everyone is saying good girl,

1:04:05.840 --> 1:04:08.960
<v Speaker 1>good girl, this is great, But there I go.

1:04:09.120 --> 1:04:12.080
<v Speaker 5>I do want to mention that miss year Chirby and

1:04:12.160 --> 1:04:15.560
<v Speaker 5>his family he was a very gentle person. Yes, he

1:04:15.680 --> 1:04:20.120
<v Speaker 5>was a very quiet, very gentle person, and very very sweet.

1:04:20.560 --> 1:04:24.880
<v Speaker 5>Didn't look like he had a temperament. He just went

1:04:25.040 --> 1:04:26.080
<v Speaker 5>along with the flow.

1:04:26.640 --> 1:04:29.120
<v Speaker 1>Yes he did, Yes he did. He was very professional

1:04:29.120 --> 1:04:31.800
<v Speaker 1>in that way. And I so appreciate you saying that personal.

1:04:32.160 --> 1:04:34.840
<v Speaker 5>And they were a very quiet family, you know. Yes,

1:04:35.200 --> 1:04:38.440
<v Speaker 5>they weren't really into a lot of I have to

1:04:38.480 --> 1:04:41.680
<v Speaker 5>be on this cover or that cover. He just wanted

1:04:41.720 --> 1:04:44.400
<v Speaker 5>to do his job. A music meant more to him

1:04:44.400 --> 1:04:47.640
<v Speaker 5>than anything, and they just lived a quiet life.

1:04:47.920 --> 1:04:51.000
<v Speaker 1>I agree, I agree, I agree. Growing up with my

1:04:51.080 --> 1:04:55.320
<v Speaker 1>godfather and being with him until his last days, in fact,

1:04:55.400 --> 1:04:58.880
<v Speaker 1>until his last day. You are one hundred percent correct.

1:04:59.320 --> 1:04:59.880
<v Speaker 1>Thank you, sir.

1:05:00.000 --> 1:05:02.760
<v Speaker 5>Thank you Margaret, because he's a wonderful person, and so

1:05:03.000 --> 1:05:06.080
<v Speaker 5>is his wife and daughter. Also, Thank you. Please here

1:05:06.320 --> 1:05:07.120
<v Speaker 5>and I hope.

1:05:06.880 --> 1:05:10.680
<v Speaker 3>To see you soon and you will. Thank you, Margaret O'Brien. Wow,

1:05:11.200 --> 1:05:11.640
<v Speaker 3>Thank you.

1:05:12.600 --> 1:05:15.400
<v Speaker 1>Stay tuned to hear more of Hollywood's hidden treasures. We're

1:05:15.440 --> 1:05:18.440
<v Speaker 1>celebrating one of the greatest musicians of the twentieth century,

1:05:18.560 --> 1:05:21.800
<v Speaker 1>jose Ah Turby, and when we return, we'll be speaking

1:05:21.920 --> 1:05:26.480
<v Speaker 1>with Michael Feinstein. Welcome back. You're listening to Hollywoods hidden treasures,

1:05:26.480 --> 1:05:28.919
<v Speaker 1>i'mder no dadding in it. And tonight we're celebrating jose

1:05:29.000 --> 1:05:33.600
<v Speaker 1>Ahturby's extraordinary career and the release of Sony Classics from

1:05:33.640 --> 1:05:37.280
<v Speaker 1>Hollywood to the world, the rediscovered recordings of pianist and

1:05:37.320 --> 1:05:41.960
<v Speaker 1>conductor jose Ah Turby with the extraordinary compilation of sixteen

1:05:41.960 --> 1:05:45.800
<v Speaker 1>CDs that have been digitally remastered, and I must say

1:05:46.120 --> 1:05:49.640
<v Speaker 1>more than extraordinary, one hundred and eighty page book documenting

1:05:49.640 --> 1:05:52.400
<v Speaker 1>a Turby's life and career, written by Michael I'm going

1:05:52.480 --> 1:05:55.640
<v Speaker 1>to say it, the ambassador of the American songbook, the

1:05:55.880 --> 1:06:01.040
<v Speaker 1>award winning Grammy and Emmy nominated artist, Michael Feinstein. So, Michael,

1:06:01.080 --> 1:06:03.800
<v Speaker 1>you know, it's really been something. As we've gotten to

1:06:03.840 --> 1:06:06.240
<v Speaker 1>know each other, I realize that there are quite a

1:06:06.240 --> 1:06:10.480
<v Speaker 1>few similarities between you and jose Atturby. You know, in

1:06:10.520 --> 1:06:13.800
<v Speaker 1>addition to your performance at the piano where you sing

1:06:13.840 --> 1:06:17.040
<v Speaker 1>and you do your regular shows, you have also conducted

1:06:17.160 --> 1:06:21.720
<v Speaker 1>orchestras accompanying yourself like Atturby did. I mean, it's kind

1:06:21.720 --> 1:06:26.200
<v Speaker 1>of amazing, and you've accompanied many legendary greats. When I

1:06:26.240 --> 1:06:29.640
<v Speaker 1>think about it, all of the very famous musicians you

1:06:29.680 --> 1:06:31.120
<v Speaker 1>have accompanied.

1:06:30.840 --> 1:06:33.760
<v Speaker 9>It's wonderful Dnnell for me to have become a conductor

1:06:34.160 --> 1:06:36.960
<v Speaker 9>later in my musical career, because it's something that I

1:06:36.960 --> 1:06:39.760
<v Speaker 9>never thought I could do, and it is a different discipline.

1:06:39.800 --> 1:06:42.200
<v Speaker 9>And when I started doing it, I thought, damn, why

1:06:42.240 --> 1:06:44.800
<v Speaker 9>didn't I pay attention to all those conductors behind me

1:06:44.840 --> 1:06:47.280
<v Speaker 9>when I was singing and playing the piano. I could

1:06:47.320 --> 1:06:52.480
<v Speaker 9>have learned something along the way, So I started late. Jose,

1:06:52.640 --> 1:06:56.320
<v Speaker 9>of course, was as well known as a conductor as

1:06:56.360 --> 1:06:58.640
<v Speaker 9>a pianist at one point in his career, because he

1:06:58.720 --> 1:07:01.360
<v Speaker 9>was so gifted, so much so that he was even

1:07:01.400 --> 1:07:05.120
<v Speaker 9>offered the post of the Philadelphia Orchestra to succeed Leopolds

1:07:05.160 --> 1:07:08.040
<v Speaker 9>Dakowski when he retired from that position.

1:07:08.320 --> 1:07:10.480
<v Speaker 1>Well, I know that you know all about Jose, if

1:07:10.520 --> 1:07:13.280
<v Speaker 1>you can tell us that, my goodness, my goodness, this

1:07:13.360 --> 1:07:15.240
<v Speaker 1>is so true. But you know, I do want to

1:07:15.280 --> 1:07:18.120
<v Speaker 1>say that you were named principal Pop's conductor for the

1:07:18.160 --> 1:07:22.480
<v Speaker 1>Pasadena Symphony in twenty twelve, And you know, it's kind

1:07:22.480 --> 1:07:26.480
<v Speaker 1>of amazing because I understand this has been so successful

1:07:26.520 --> 1:07:30.560
<v Speaker 1>in such a popular fixture that you've launched additional pop series.

1:07:31.200 --> 1:07:33.360
<v Speaker 9>Yes, it's true, I launched one in Florida, and I've

1:07:33.360 --> 1:07:37.000
<v Speaker 9>conducted other orchestras, and it's amazing to me to be

1:07:37.040 --> 1:07:40.840
<v Speaker 9>able to do that because I'm not a great reader,

1:07:41.440 --> 1:07:44.120
<v Speaker 9>a music reader, that is, I don't read music well,

1:07:44.280 --> 1:07:47.120
<v Speaker 9>and so I have to work very very hard to

1:07:47.320 --> 1:07:51.040
<v Speaker 9>prepare for these concerts, and I do, and the best

1:07:51.080 --> 1:07:54.080
<v Speaker 9>part of it is being able to program music that

1:07:54.600 --> 1:07:56.680
<v Speaker 9>not only I want to hear, but I want to

1:07:56.720 --> 1:07:59.280
<v Speaker 9>share with audiences that I think or feel might have

1:07:59.320 --> 1:08:03.200
<v Speaker 9>fallen through the racks, be it an obscure, a lesser

1:08:03.240 --> 1:08:07.120
<v Speaker 9>known composition by a well known composer, or something that

1:08:07.360 --> 1:08:09.920
<v Speaker 9>has never been heard, or an arrangement by Nelson Riddle,

1:08:10.480 --> 1:08:13.080
<v Speaker 9>an instrumental arrangement of something that he did in the

1:08:13.120 --> 1:08:16.040
<v Speaker 9>fifties that was recorded by him once but never played publicly,

1:08:16.120 --> 1:08:18.439
<v Speaker 9>or Alfred Newman, or you can go down the line.

1:08:19.240 --> 1:08:24.080
<v Speaker 9>There's an extraordinary cache of music, of scores created for

1:08:24.160 --> 1:08:27.439
<v Speaker 9>Hollywood to film and television projects and recording projects that

1:08:27.880 --> 1:08:30.000
<v Speaker 9>are never heard again. They're used once and they disappear.

1:08:30.320 --> 1:08:33.040
<v Speaker 9>And to be able to play these things live brings

1:08:33.040 --> 1:08:36.880
<v Speaker 9>the audiences to a frenzy. I premiered the overture for

1:08:36.960 --> 1:08:39.759
<v Speaker 9>the film Poorgian Best that was arranged by Andre Previn,

1:08:39.840 --> 1:08:42.439
<v Speaker 9>for which he won an Academy Award, and it had

1:08:42.479 --> 1:08:45.960
<v Speaker 9>never been played publicly. I had to reconstruct it, but

1:08:46.640 --> 1:08:50.880
<v Speaker 9>it was spectacular. And now I'm loaning into the Boston Pops.

1:08:50.880 --> 1:08:52.840
<v Speaker 9>They're going to play it. So I've been able to

1:08:52.880 --> 1:08:55.240
<v Speaker 9>help bring back a piece that's now going into the

1:08:55.280 --> 1:08:58.360
<v Speaker 9>repertoire for other orchestras. And that's a great feeling.

1:08:58.760 --> 1:09:01.200
<v Speaker 1>Yes it is, Yes, it is. Well, tell us about

1:09:01.280 --> 1:09:04.120
<v Speaker 1>your two piano show. This is extraordinary.

1:09:04.520 --> 1:09:09.040
<v Speaker 9>Well, that's something else that has happened later in my career.

1:09:09.080 --> 1:09:12.640
<v Speaker 9>Because I've never considered myself a serious pianist in the

1:09:12.680 --> 1:09:16.920
<v Speaker 9>sense that I've always played popular music. Knowing to stay

1:09:16.920 --> 1:09:20.600
<v Speaker 9>in one's lane is a gift in itself. Yet I

1:09:20.640 --> 1:09:24.519
<v Speaker 9>had become friends over the last many years with exceedingly gifted,

1:09:25.200 --> 1:09:29.040
<v Speaker 9>brilliant manned Jean Eve Tubodet and a very.

1:09:28.880 --> 1:09:30.440
<v Speaker 1>Famous classical pianist.

1:09:30.880 --> 1:09:34.400
<v Speaker 9>He's one of the greatest in the world, and I

1:09:34.439 --> 1:09:36.639
<v Speaker 9>have been a fan of his from Afar for many years,

1:09:36.640 --> 1:09:41.240
<v Speaker 9>and we met and became friends over the years. Among

1:09:41.280 --> 1:09:44.920
<v Speaker 9>other things, discovering we have the same birthday September seventh,

1:09:44.960 --> 1:09:47.240
<v Speaker 9>not the same year. I'm five years older than Johnny.

1:09:47.520 --> 1:09:49.680
<v Speaker 3>Now don't see that we're in Hollywood. Don't see that much.

1:09:53.040 --> 1:09:58.240
<v Speaker 9>Well, I have no issue with age. But anyway, we

1:09:58.439 --> 1:10:01.440
<v Speaker 9>decided to put together a program, a two piano program

1:10:01.520 --> 1:10:04.280
<v Speaker 9>that included some singing for me, but it's mainly centered

1:10:04.280 --> 1:10:08.040
<v Speaker 9>around the two pianos because he as as a young

1:10:08.160 --> 1:10:12.759
<v Speaker 9>boy growing up in Leon, France studying classical music, discovered Gershwin,

1:10:13.240 --> 1:10:18.679
<v Speaker 9>which was much more accepted, much easier. There was much

1:10:18.720 --> 1:10:20.960
<v Speaker 9>more acceptance of Gershwin in Europe than there was in

1:10:21.000 --> 1:10:24.320
<v Speaker 9>the United States. In the classical field, Gershwin was considered

1:10:24.360 --> 1:10:29.400
<v Speaker 9>a lowbrow, even though as a sidebar, Jose Atterby played

1:10:29.400 --> 1:10:32.400
<v Speaker 9>the Rapsody in Blue at the first Gershwin Memorial concert

1:10:32.439 --> 1:10:36.439
<v Speaker 9>at the Hollywood Bulls eighth nineteen thirty seven, So Jose

1:10:36.600 --> 1:10:39.559
<v Speaker 9>had no snobism about that as we know. But Jehan

1:10:39.600 --> 1:10:42.120
<v Speaker 9>Eve and I are now doing a program that will

1:10:42.160 --> 1:10:46.600
<v Speaker 9>be with the Boston Pops, The Tangle, would the Blossom,

1:10:47.120 --> 1:10:49.080
<v Speaker 9>a Cleveland Symphony, and other orchestras.

1:10:49.160 --> 1:10:52.800
<v Speaker 1>See this is just another This is just another part

1:10:52.960 --> 1:10:58.240
<v Speaker 1>and facet that both you and Jose Atterby your thoughts

1:10:58.240 --> 1:11:02.160
<v Speaker 1>and your actions overlap, whether it's from popular to classical,

1:11:02.280 --> 1:11:05.559
<v Speaker 1>or classical to popular. You both are able to delve

1:11:05.920 --> 1:11:09.680
<v Speaker 1>equally agilely in each of these genres.

1:11:10.240 --> 1:11:14.639
<v Speaker 9>Well, it's a tremendous gift to be able to make music.

1:11:14.800 --> 1:11:19.720
<v Speaker 9>And I've discovered that if I feel something deeply in

1:11:19.760 --> 1:11:25.439
<v Speaker 9>my heart and love something musically speaking that deeply, not

1:11:25.560 --> 1:11:28.360
<v Speaker 9>to be afraid to share it with people. Because for

1:11:28.479 --> 1:11:33.120
<v Speaker 9>many years people considered the music that I performed passe

1:11:33.360 --> 1:11:36.760
<v Speaker 9>and that it's older music. But the audience continues to

1:11:36.840 --> 1:11:41.120
<v Speaker 9>grow and grow for classic music because it is so

1:11:41.400 --> 1:11:44.519
<v Speaker 9>needed and desired in this time. And it's a unique

1:11:44.560 --> 1:11:47.920
<v Speaker 9>expression that does not supplant anything happening today, but is

1:11:47.960 --> 1:11:51.759
<v Speaker 9>another choice that helps to soothe the soul.

1:11:52.840 --> 1:11:55.120
<v Speaker 1>So true, So true. And I hear you have a

1:11:55.160 --> 1:11:58.960
<v Speaker 1>show with Judy Garland which is touring nationally and at

1:11:59.000 --> 1:11:59.800
<v Speaker 1>Carnegie Hall.

1:12:00.520 --> 1:12:03.639
<v Speaker 9>Yes, I'm performing that program at the end of March.

1:12:03.960 --> 1:12:07.479
<v Speaker 9>And that's a multimedia tribute to Garland that includes private

1:12:07.560 --> 1:12:11.959
<v Speaker 9>photographs supplied by her family because her children are blessedly

1:12:12.000 --> 1:12:16.200
<v Speaker 9>friends of mine, yes, and home movies and a recording

1:12:16.240 --> 1:12:18.479
<v Speaker 9>I found, which is a weird story of how I

1:12:18.479 --> 1:12:22.640
<v Speaker 9>found an unreleased recording of Judy Garland singing without accompaniment,

1:12:22.840 --> 1:12:25.800
<v Speaker 9>so I accompany her singing I'll be seeing you.

1:12:26.240 --> 1:12:31.800
<v Speaker 1>Oh how wonderful, Oh my goodness. So it's touring nationally.

1:12:32.720 --> 1:12:35.080
<v Speaker 9>Yes, in between the other concerts that I'm doing, I'm

1:12:35.080 --> 1:12:39.240
<v Speaker 9>doing the Garland shows and I'm doing the appearances with

1:12:39.520 --> 1:12:41.880
<v Speaker 9>Jean Eve at t Boudet. That show is called that

1:12:42.120 --> 1:12:44.759
<v Speaker 9>I shouldn't say show. That concert is called two Pianos,

1:12:44.800 --> 1:12:47.280
<v Speaker 9>Who could ask for anything more? And then I'm doing

1:12:47.760 --> 1:12:52.280
<v Speaker 9>evening with programs. Then I'm doing the Pathleena Pops summer season,

1:12:53.360 --> 1:12:58.200
<v Speaker 9>which will include tributes to various divas and different themes.

1:12:58.200 --> 1:13:00.640
<v Speaker 9>And then I'll be doing I conduct those shows and

1:13:00.680 --> 1:13:02.560
<v Speaker 9>I sing one of them where I'll be doing a

1:13:02.600 --> 1:13:06.400
<v Speaker 9>whole evening singing the music of Broadway, which is a

1:13:06.439 --> 1:13:08.439
<v Speaker 9>lot of music to cover.

1:13:09.160 --> 1:13:11.200
<v Speaker 1>Well, you know, let me say that, in keeping with

1:13:11.240 --> 1:13:15.080
<v Speaker 1>what was very important to jose a tribute philanthropy, you

1:13:15.240 --> 1:13:18.800
<v Speaker 1>founded the Great American Songbook Foundation. Now tell us a

1:13:18.800 --> 1:13:19.680
<v Speaker 1>little bit about this.

1:13:20.520 --> 1:13:25.160
<v Speaker 9>It's occurred to me that sometimes for something to survive,

1:13:25.600 --> 1:13:28.200
<v Speaker 9>as I alluded to earlier, one has to be led

1:13:28.280 --> 1:13:32.000
<v Speaker 9>to it or made aware of it. And the bulk

1:13:32.040 --> 1:13:34.960
<v Speaker 9>of the music that I love is called the Great

1:13:34.960 --> 1:13:39.479
<v Speaker 9>American Songbook, and that is a body of American popular

1:13:39.560 --> 1:13:42.960
<v Speaker 9>music that was created first in the twentieth century by

1:13:43.400 --> 1:13:46.800
<v Speaker 9>Gershwin Culport or Hogey Carmichael, Duke Ellington, Fat Swaller or

1:13:46.800 --> 1:13:51.639
<v Speaker 9>Hogey Carmichael. It what names, Oh my goodness, Irving Berlin.

1:13:52.080 --> 1:13:53.960
<v Speaker 9>I mean, you go down the list of all these writers.

1:13:54.120 --> 1:13:59.160
<v Speaker 9>But the songs are inextinguishable. You know, they are forever.

1:13:59.680 --> 1:14:03.120
<v Speaker 9>But like anything, they're in danger of getting lost unless

1:14:03.120 --> 1:14:06.479
<v Speaker 9>somebody champions them, helps to keep them alive. So I

1:14:06.520 --> 1:14:10.240
<v Speaker 9>started the Great American Songbook Foundation as a place to

1:14:11.040 --> 1:14:17.280
<v Speaker 9>house my huge collection of musical memorabilia orchestration's material relating

1:14:17.320 --> 1:14:23.240
<v Speaker 9>to American popular music, and equally importantly, to have started

1:14:23.280 --> 1:14:26.960
<v Speaker 9>a program called the Songbook Academy where high school kids

1:14:27.000 --> 1:14:29.479
<v Speaker 9>from all over the United States come and participate in

1:14:29.520 --> 1:14:33.160
<v Speaker 9>a week long Songbook Academy where they learn how to

1:14:33.200 --> 1:14:39.759
<v Speaker 9>interpret these songs and become ambassadors for these songs. Because

1:14:39.840 --> 1:14:42.120
<v Speaker 9>they're young people, but they just fall in love with

1:14:42.160 --> 1:14:44.519
<v Speaker 9>the music. Pick because they like it well, and this

1:14:44.640 --> 1:14:45.439
<v Speaker 9>and this the trick.

1:14:45.600 --> 1:14:48.120
<v Speaker 1>Isn't this what it's all about? To be able to

1:14:48.520 --> 1:14:53.840
<v Speaker 1>give an atmosphere and play melodies and sing lyrics that

1:14:54.040 --> 1:14:58.200
<v Speaker 1>everyone can recognize. Well, Michael, our time, this evening has

1:14:58.280 --> 1:15:00.960
<v Speaker 1>gone by quickly, in fact two fast. We could talk

1:15:01.000 --> 1:15:07.240
<v Speaker 1>for hours and we have so er find a moment scared,

1:15:07.280 --> 1:15:09.840
<v Speaker 1>why don't you just share with our listeners your website

1:15:09.880 --> 1:15:10.839
<v Speaker 1>and social handle.

1:15:11.280 --> 1:15:14.679
<v Speaker 9>You know, I know my website Michael Feinstein dot com.

1:15:15.200 --> 1:15:17.640
<v Speaker 9>I know I'm on Facebook and Instagram, but I have

1:15:17.720 --> 1:15:18.679
<v Speaker 9>no idea what they are.

1:15:18.920 --> 1:15:21.519
<v Speaker 1>Well, that's good Enoughpule. Let everyone figure it out. So

1:15:21.920 --> 1:15:24.759
<v Speaker 1>thank you Michael for sharing your stories about the creation

1:15:24.960 --> 1:15:29.200
<v Speaker 1>of the amazing Sony Classical, a true collector's edition from

1:15:29.280 --> 1:15:33.599
<v Speaker 1>Hollywood to the world, the rediscovered recordings by pianist and

1:15:33.640 --> 1:15:37.680
<v Speaker 1>conductor Joseah Turby. I know our listeners enjoyed hearing so

1:15:37.840 --> 1:15:41.160
<v Speaker 1>much more about this and your wonderful and endearing stories.

1:15:41.400 --> 1:15:43.880
<v Speaker 1>Thank you, Michael, Thank you for joining us this evening.

1:15:44.280 --> 1:15:45.040
<v Speaker 9>Thank you Tonell.

1:15:45.800 --> 1:15:49.439
<v Speaker 1>Welcome back here listening to Hollywood's Hidden Treasures. I'm Denneled Dadding,

1:15:49.479 --> 1:15:52.759
<v Speaker 1>and tonight we're celebrating the award winning pianist, conductor, actor,

1:15:52.920 --> 1:15:56.000
<v Speaker 1>and composer jose Ah Turby, and we were just listening

1:15:56.080 --> 1:16:00.280
<v Speaker 1>to W. C. Sclai Dalone, for which jose Aturby sold

1:16:00.280 --> 1:16:02.800
<v Speaker 1>more than a million copies of a record, and this

1:16:03.000 --> 1:16:06.559
<v Speaker 1>was a platinum recording. And with us, this evening once

1:16:06.600 --> 1:16:11.080
<v Speaker 1>again is rude Lee, Eileen Graff and Rex Smith. Well,

1:16:11.160 --> 1:16:12.839
<v Speaker 1>welcome back, thank.

1:16:12.640 --> 1:16:16.400
<v Speaker 3>You, what a pleasure to be with you. Fabulous Rex.

1:16:16.640 --> 1:16:22.400
<v Speaker 2>I'm humbled by Margaret O'Brien. I feel quite small. What

1:16:22.400 --> 1:16:25.200
<v Speaker 2>what stories and what a life and so much life

1:16:25.400 --> 1:16:27.240
<v Speaker 2>in sharing them? Fantastic?

1:16:27.560 --> 1:16:30.719
<v Speaker 1>Absolutely absolutely. Well, you know we have one last question

1:16:30.800 --> 1:16:33.320
<v Speaker 1>this evening. Are you already sure?

1:16:33.760 --> 1:16:34.080
<v Speaker 4>Sure?

1:16:35.520 --> 1:16:37.439
<v Speaker 2>Tell us what question?

1:16:40.240 --> 1:16:40.439
<v Speaker 3>Well?

1:16:40.600 --> 1:16:43.920
<v Speaker 1>Tell us what advice would you give our listeners on

1:16:43.960 --> 1:16:47.719
<v Speaker 1>how to lead a successful and fulfilling life while doing

1:16:47.760 --> 1:16:54.360
<v Speaker 1>what you love to do and make it short. Everyone

1:16:54.479 --> 1:16:57.799
<v Speaker 1>is just looking in amazement. I mean it's quite something.

1:16:58.280 --> 1:17:01.479
<v Speaker 2>So well I think I answered it in the question

1:17:01.640 --> 1:17:02.599
<v Speaker 2>do what you love to do?

1:17:03.160 --> 1:17:06.320
<v Speaker 3>Okay? Well, thank you Rex. I love that that's hard.

1:17:06.400 --> 1:17:09.000
<v Speaker 7>And if you are doing what you love to do

1:17:09.400 --> 1:17:12.080
<v Speaker 7>and you're getting paid for you, drop on your knees

1:17:12.120 --> 1:17:16.040
<v Speaker 7>and be grateful for it because it's wonderful. Oh and

1:17:16.600 --> 1:17:21.800
<v Speaker 7>just remember that share your blessings with other people who

1:17:21.840 --> 1:17:23.440
<v Speaker 7>can't do it for themselves.

1:17:23.880 --> 1:17:26.080
<v Speaker 1>Oh true. Words couldn't have been said.

1:17:26.360 --> 1:17:29.920
<v Speaker 3>Thank you, thank you and Eileen, I'm sure you feel

1:17:29.920 --> 1:17:33.599
<v Speaker 3>the same way as we all do that we're very lucky.

1:17:33.720 --> 1:17:36.760
<v Speaker 3>We live in this bubble where our work is so

1:17:37.840 --> 1:17:42.400
<v Speaker 3>special and satisfying, and it's kind of our life, and

1:17:43.040 --> 1:17:46.120
<v Speaker 3>I think there are other ways to be happy. I

1:17:46.160 --> 1:17:48.280
<v Speaker 3>was talking to someone who said, yeah, you're all in

1:17:48.280 --> 1:17:48.920
<v Speaker 3>show business.

1:17:48.920 --> 1:17:49.599
<v Speaker 8>You love your job.

1:17:49.920 --> 1:17:52.439
<v Speaker 3>I hate my job, I said, but you love your life.

1:17:52.479 --> 1:17:55.280
<v Speaker 3>He said, well, I live for the weekend. I have

1:17:55.360 --> 1:17:58.280
<v Speaker 3>such a wonderful time with my family when I'm off work.

1:17:58.800 --> 1:18:01.799
<v Speaker 3>That he felt that he also had a successful life,

1:18:02.120 --> 1:18:04.200
<v Speaker 3>and we all tend to get so wrapped up in

1:18:04.280 --> 1:18:08.000
<v Speaker 3>our work we forget sometimes that it's a much bigger

1:18:08.080 --> 1:18:11.920
<v Speaker 3>question about having a happy life. And I think we

1:18:12.040 --> 1:18:15.840
<v Speaker 3>need to listen to other voices and how they feel

1:18:15.880 --> 1:18:20.280
<v Speaker 3>about their life and not dwell on our luck so much.

1:18:20.880 --> 1:18:23.840
<v Speaker 3>And I think that's so true. And you know, thank you,

1:18:24.080 --> 1:18:25.599
<v Speaker 3>isn't it? Rex, It's kind of amazing.

1:18:25.640 --> 1:18:29.200
<v Speaker 1>Well, I cannot believe it's that time where we need

1:18:29.240 --> 1:18:33.200
<v Speaker 1>to say goodbye. But before we finish this segment, in

1:18:33.240 --> 1:18:36.720
<v Speaker 1>our final moments together, tell our listeners how they can

1:18:36.760 --> 1:18:40.840
<v Speaker 1>follow you on your website or social handle. Eileen, I

1:18:40.920 --> 1:18:43.600
<v Speaker 1>do have a computer for you.

1:18:44.479 --> 1:18:47.679
<v Speaker 3>I have lots of computers, Eileen.

1:18:48.000 --> 1:18:51.200
<v Speaker 8>Graph dot com is the best way to find me.

1:18:51.600 --> 1:18:53.800
<v Speaker 1>Fabulous, fabulous, oh my goodness.

1:18:54.000 --> 1:18:58.840
<v Speaker 7>And rude us same thing, rutally dot com, same thing.

1:19:02.560 --> 1:19:05.639
<v Speaker 3>We can phone each other. It's okay, it's okay.

1:19:05.760 --> 1:19:08.160
<v Speaker 7>What a pleasure to be with you all today.

1:19:08.320 --> 1:19:11.559
<v Speaker 3>Oh, thank you so much. Thank you. And Rex tell

1:19:11.640 --> 1:19:17.080
<v Speaker 3>us how your fans and followers ken, I believe that's real.

1:19:17.640 --> 1:19:21.120
<v Speaker 2>Rex Smith. All together will lead you to Facebook or

1:19:21.600 --> 1:19:24.840
<v Speaker 2>whatever the other aspects are. You know, just one last

1:19:24.880 --> 1:19:27.080
<v Speaker 2>thing I was thinking about right to do this. The

1:19:27.120 --> 1:19:30.759
<v Speaker 2>most wonderful thing about classical music is it really, truly,

1:19:31.040 --> 1:19:33.800
<v Speaker 2>absolutely is a time machine. Because you could go to

1:19:33.920 --> 1:19:37.679
<v Speaker 2>Hollywood listen to Rock Monnoff and you can close your eyes.

1:19:37.800 --> 1:19:40.960
<v Speaker 2>You can be three hundred years ago. It's the only

1:19:41.120 --> 1:19:45.800
<v Speaker 2>element that transports. It defeats time to every time the

1:19:46.000 --> 1:19:49.920
<v Speaker 2>orchestra comes to life, that year, that day, that moment,

1:19:50.000 --> 1:19:53.719
<v Speaker 2>though the composer composed it comes to life. A book

1:19:53.760 --> 1:19:56.439
<v Speaker 2>is waiting for you, but your mind is the voice.

1:19:56.720 --> 1:19:59.719
<v Speaker 2>That is a shared experience that thousands of people around

1:19:59.720 --> 1:20:02.839
<v Speaker 2>the world. And I pray for the future of classical

1:20:02.920 --> 1:20:07.040
<v Speaker 2>music because it is It's the bone marrow of history.

1:20:07.439 --> 1:20:07.759
<v Speaker 5>Wow.

1:20:08.360 --> 1:20:09.760
<v Speaker 3>I love it. I love it.

1:20:09.760 --> 1:20:12.360
<v Speaker 1>We're applauding you and Rex. I just want to share

1:20:12.400 --> 1:20:16.360
<v Speaker 1>with you two of my favorite Josea Turbby quotes, and

1:20:16.439 --> 1:20:19.120
<v Speaker 1>one is he would say all the time, you know,

1:20:19.640 --> 1:20:24.000
<v Speaker 1>music is not just my career. Music is my life.

1:20:24.200 --> 1:20:24.920
<v Speaker 3>Huh.

1:20:24.960 --> 1:20:27.559
<v Speaker 1>And the other one, which is exactly what you were

1:20:27.600 --> 1:20:33.160
<v Speaker 1>talking about, he would say, music is the ultimate international language.

1:20:33.240 --> 1:20:38.080
<v Speaker 1>It is Music is the language that we all can understand,

1:20:38.360 --> 1:20:42.200
<v Speaker 1>and like you said, it translates through generations and transcends

1:20:42.479 --> 1:20:45.080
<v Speaker 1>through different genres of music.

1:20:45.160 --> 1:20:46.160
<v Speaker 3>It's quite extraordinary.

1:20:46.240 --> 1:20:46.439
<v Speaker 9>Well.

1:20:46.520 --> 1:20:49.080
<v Speaker 1>I have enjoyed having you all on the show, and

1:20:49.120 --> 1:20:51.280
<v Speaker 1>I want to thank you so much for joining us.

1:20:51.640 --> 1:20:53.160
<v Speaker 3>Thank you all learned.

1:20:52.840 --> 1:20:57.080
<v Speaker 7>A little more about music, and I've.

1:20:56.960 --> 1:21:01.960
<v Speaker 2>Learned about everyone here in this share experience has been great.

1:21:02.120 --> 1:21:06.080
<v Speaker 3>Oh, thank you, Thank you Rex, Rex, thank you, thank you, Eileen,

1:21:06.400 --> 1:21:09.559
<v Speaker 3>Thank you, Ruda, thank you Rex. I mean, guys, what

1:21:09.600 --> 1:21:10.120
<v Speaker 3>do you think?

1:21:10.200 --> 1:21:13.920
<v Speaker 1>I love tonight's stories our guest this evening.

1:21:14.080 --> 1:21:14.600
<v Speaker 3>Wow.

1:21:14.720 --> 1:21:18.560
<v Speaker 1>I mean the Academy Award winning child actress Margaret O'Brien,

1:21:18.600 --> 1:21:21.840
<v Speaker 1>the award winning actress of stage, film and television, and

1:21:21.840 --> 1:21:26.360
<v Speaker 1>philanthropist Ruda Lee, and the Ambassador of the American Songbook

1:21:26.520 --> 1:21:31.519
<v Speaker 1>Michael Feinstein, and the Grammy nominated recording artist, singer, stage,

1:21:31.680 --> 1:21:35.760
<v Speaker 1>screen and television actress Eileen Graff, and of course, the

1:21:35.880 --> 1:21:39.679
<v Speaker 1>veteran of stage, film, and television and recording arts Rex Smith.

1:21:40.080 --> 1:21:42.599
<v Speaker 1>I mean, it's just amazing who we've had joined us

1:21:42.600 --> 1:21:46.200
<v Speaker 1>this evening. Well, okay, Steve, what was your favorite story?

1:21:46.800 --> 1:21:49.040
<v Speaker 4>I love hearing all these stories. Margaret O'Brien was a hohot.

1:21:49.400 --> 1:21:51.920
<v Speaker 4>She's just so fun. You think that all these years

1:21:51.960 --> 1:21:54.280
<v Speaker 4>back that she lived and knew all these people, and

1:21:54.360 --> 1:21:56.800
<v Speaker 4>it is such a young girl had these great experiences

1:21:56.840 --> 1:21:59.479
<v Speaker 4>and it's really fun that she's still here to tell us.

1:22:00.000 --> 1:22:02.639
<v Speaker 1>No, it's just great, and I love that she gave

1:22:02.680 --> 1:22:05.840
<v Speaker 1>that personal touch, which is wonderful, really fun. And Roger,

1:22:05.920 --> 1:22:07.040
<v Speaker 1>what was your favorite story?

1:22:07.200 --> 1:22:10.840
<v Speaker 6>Hi had several, Eileen talking about going in the MGM

1:22:10.920 --> 1:22:13.960
<v Speaker 6>a scoring room, and Ruda had a several great stories.

1:22:14.040 --> 1:22:16.519
<v Speaker 6>So it was fun for me and I really enjoyed it.

1:22:16.640 --> 1:22:18.360
<v Speaker 1>You know, I think the fun part about the show

1:22:18.520 --> 1:22:21.160
<v Speaker 1>is that we always learned something new, and tonight we

1:22:21.240 --> 1:22:23.519
<v Speaker 1>learned quite a bit and I had no idea what

1:22:23.640 --> 1:22:26.719
<v Speaker 1>to expect. But you know, before we sign off, this evening,

1:22:26.800 --> 1:22:29.759
<v Speaker 1>let's tell our listeners how to visit the Hollywood Museum

1:22:29.760 --> 1:22:31.479
<v Speaker 1>and the historic Max Factor Building.

1:22:31.680 --> 1:22:33.840
<v Speaker 6>Well, come on down in person the sixteen sixteen North

1:22:33.880 --> 1:22:36.400
<v Speaker 6>Highland Avenue in Hollywood, or you can follow us on

1:22:36.439 --> 1:22:39.640
<v Speaker 6>social media at the Hollywood Museum or at the website

1:22:39.680 --> 1:22:42.679
<v Speaker 6>www dot Thehollywood Museum dot com.

1:22:42.880 --> 1:22:45.360
<v Speaker 1>Well, and make sure when you visit the Hollywood Museum

1:22:45.400 --> 1:22:48.160
<v Speaker 1>in the Historicmax Factor Building to check out the Josea.

1:22:48.240 --> 1:22:51.880
<v Speaker 1>Turby exhibit with his favorite piano on display, the conductor's

1:22:51.920 --> 1:22:56.320
<v Speaker 1>baton memorabilia from Golden Era celebrities and his recording equipment

1:22:56.400 --> 1:22:58.720
<v Speaker 1>and so much more. And you know, the museum has

1:22:58.760 --> 1:23:02.960
<v Speaker 1>several special summer exhibits Classic TV and the real to

1:23:03.080 --> 1:23:07.360
<v Speaker 1>real portrayals and perceptions of LGBTQ plus in Hollywood. And

1:23:07.600 --> 1:23:10.960
<v Speaker 1>of course check out the Three Stooges thee hundredth anniversary

1:23:11.040 --> 1:23:15.479
<v Speaker 1>showcating their distinctive comedic talents. And you know, take a

1:23:15.479 --> 1:23:18.440
<v Speaker 1>Sophie with the exhibit this joint is jumping the celebration

1:23:18.520 --> 1:23:22.439
<v Speaker 1>of Black entertainers in film, TV and song, and of

1:23:22.479 --> 1:23:27.479
<v Speaker 1>course the Transformers exhibition I'm the Superheroes, And don't forget

1:23:27.479 --> 1:23:31.120
<v Speaker 1>to visit Max Factor's world famous makeup rooms. Come see

1:23:31.120 --> 1:23:34.120
<v Speaker 1>where Marilyn Monroe became a blonde and Lucille Ball got

1:23:34.160 --> 1:23:36.960
<v Speaker 1>her signature red hair. And of course, take a walk

1:23:37.000 --> 1:23:40.519
<v Speaker 1>through Hannibal Lector's jail cell corridor and see Doctor Lector

1:23:40.640 --> 1:23:43.639
<v Speaker 1>cell from Silence of the Lambs. You know, you can

1:23:43.640 --> 1:23:47.839
<v Speaker 1>see ten thousand showbiz treasures showcasing more than one hundred

1:23:47.920 --> 1:23:51.960
<v Speaker 1>years of Hollywood entertainment. There's something for everyone at the

1:23:52.000 --> 1:23:55.679
<v Speaker 1>Hollywood Museum in the historic Max Factor Building. A big

1:23:55.760 --> 1:23:59.480
<v Speaker 1>thank you to this evening's guest Arruda Lee, Michael Feinstein,

1:23:59.600 --> 1:24:03.760
<v Speaker 1>Margaret Obrien, Eileen Graff and Rex Smith. Thank you all

1:24:03.840 --> 1:24:06.960
<v Speaker 1>for joining us this evening. You know, we enjoyed hearing

1:24:07.000 --> 1:24:10.840
<v Speaker 1>the wonderful and personal stories about Joseah Turby's films, his

1:24:11.000 --> 1:24:15.479
<v Speaker 1>dynamic concert performances, and listening to musical clips from Sony

1:24:15.520 --> 1:24:19.920
<v Speaker 1>Classical's release from Hollywood to the World the rediscovered recordings

1:24:19.960 --> 1:24:22.720
<v Speaker 1>of the pianist and conductor jose Ah Turby. I mean,

1:24:22.760 --> 1:24:25.519
<v Speaker 1>I have to say, it's truly the ultimate collection of

1:24:25.600 --> 1:24:29.360
<v Speaker 1>jose Ah Turby recordings. What a fantastic evening we have

1:24:29.479 --> 1:24:32.439
<v Speaker 1>had and so much fun hearing all about Joseah Turby

1:24:32.520 --> 1:24:36.679
<v Speaker 1>and recollections from Margaret O'Brien about his films, and there's

1:24:36.720 --> 1:24:40.479
<v Speaker 1>his concerts and the popularity of his recordings. I loved

1:24:40.560 --> 1:24:45.480
<v Speaker 1>our conversation. This evening show, let me just say, was amazing.

1:24:46.000 --> 1:24:48.479
<v Speaker 1>So thank you to our listeners for joining us this

1:24:48.600 --> 1:24:52.840
<v Speaker 1>evening here on Hollywood's Hidden Treasures. And once again, Wow,

1:24:53.040 --> 1:24:56.880
<v Speaker 1>this evening has just flown by. It's been a fascinating evening,

1:24:57.360 --> 1:25:01.360
<v Speaker 1>so much fun hearing all about Joseah Turby, his concerts,

1:25:01.400 --> 1:25:04.680
<v Speaker 1>the sold out concerts, the popularity of his recordings. I mean,

1:25:04.720 --> 1:25:06.640
<v Speaker 1>we all have to agree. Jose Ah Turby, he was

1:25:06.680 --> 1:25:08.280
<v Speaker 1>a rock star of his time.

1:25:08.640 --> 1:25:09.280
<v Speaker 3>I thank you.

1:25:09.200 --> 1:25:12.840
<v Speaker 1>Again because tonight's show it took me back many years.

1:25:13.720 --> 1:25:16.720
<v Speaker 1>Thank you again to my guests for your recollections of

1:25:16.800 --> 1:25:20.360
<v Speaker 1>my godfather, Joseah Turby. Be sure to tune in next

1:25:20.360 --> 1:25:24.160
<v Speaker 1>week to discover more of Hollywood's Hidden treasures with me,

1:25:24.439 --> 1:25:28.160
<v Speaker 1>Danelle Daddigan and some of Hollywood's finest right here on

1:25:28.280 --> 1:25:31.040
<v Speaker 1>Talk Radio seven ninety KABC.