1 00:00:00,120 --> 00:00:03,440 Speaker 1: Welcome to Hollywoods Hidden Treasures. I'm Danelle Dadigan. Thank you 2 00:00:03,520 --> 00:00:06,640 Speaker 1: all for joining us as we celebrate the contributions of 3 00:00:06,760 --> 00:00:10,800 Speaker 1: well known entertainment professionals who've been recognized with more awards 4 00:00:10,800 --> 00:00:15,480 Speaker 1: than you can imagine, including nineteen time Emmy winning newscaster Wow, 5 00:00:15,640 --> 00:00:18,680 Speaker 1: one of our favorite number one Billboard chart and Grammy 6 00:00:18,760 --> 00:00:23,240 Speaker 1: Award winning singers, Emmy Award, Antony Award winning actors, an 7 00:00:23,320 --> 00:00:27,000 Speaker 1: award winning historian, including being inducted into the Rock and 8 00:00:27,080 --> 00:00:29,920 Speaker 1: Roll Hall of Fame, and having their stars on Hollywood 9 00:00:29,960 --> 00:00:33,560 Speaker 1: Boulevard's Walk of Fame. Well Tonight's guests are an important 10 00:00:33,600 --> 00:00:37,240 Speaker 1: part of one of our newest special exhibitions. This joint 11 00:00:37,320 --> 00:00:41,479 Speaker 1: is Jumpin', a celebration of Black entertainers from film, TV 12 00:00:41,840 --> 00:00:44,839 Speaker 1: and song. It's on display at the Hollywood Museum in 13 00:00:44,880 --> 00:00:48,080 Speaker 1: the historic Max Factor Building and among the many well 14 00:00:48,120 --> 00:00:52,040 Speaker 1: known stars in the special exhibit, you'll see costumes, props, 15 00:00:52,040 --> 00:00:56,320 Speaker 1: and memorabilia from Well, Denzel Washington, freed To Paying, Queen Latifa, 16 00:00:56,480 --> 00:01:01,040 Speaker 1: Marla Gibbs, Michael Jackson, Ted Langevil, La Day, Davis, Idrise, Elba, 17 00:01:01,240 --> 00:01:05,760 Speaker 1: Will Smith, Phil Morris, Greg Morris, Todd Bridges, Christine Devine, 18 00:01:05,920 --> 00:01:09,679 Speaker 1: Laverne Cox, Whitney Houston, the Pointer Sisters, Eartha Kid, Sammy 19 00:01:09,800 --> 00:01:14,080 Speaker 1: Davis Junior, Diana Russ, Natalie Cole, Lena horn Nell Carter, 20 00:01:14,520 --> 00:01:18,640 Speaker 1: and joining us momentarily will be Heywood Nelson and Ernest Thomas, 21 00:01:18,840 --> 00:01:21,440 Speaker 1: and we will be seeing the costumes from Ernest Thomas 22 00:01:21,600 --> 00:01:25,800 Speaker 1: and Heywood Nelson from their show What's Happening. Oh my goodness, 23 00:01:25,840 --> 00:01:29,320 Speaker 1: it takes me back. This amazing exhibit showcases more than 24 00:01:29,400 --> 00:01:33,440 Speaker 1: fifty costumes and wardrobe warn during public appearances in their 25 00:01:33,560 --> 00:01:37,080 Speaker 1: films and TV shows, live performances, and at award shows. 26 00:01:37,240 --> 00:01:39,280 Speaker 1: You know, tonight we're talking with several friends of the 27 00:01:39,360 --> 00:01:42,520 Speaker 1: Hollywood Museum. You've all seen them on TV and in 28 00:01:42,680 --> 00:01:45,160 Speaker 1: film and on stage, and you've heard their hit songs. 29 00:01:45,319 --> 00:01:49,040 Speaker 1: They are all part of this entertaining and educational exhibition. 30 00:01:49,360 --> 00:01:53,520 Speaker 1: This joint is jumping, a celebration of black entertainers in film, 31 00:01:53,720 --> 00:01:56,280 Speaker 1: TV and song. You know, our guests are going to 32 00:01:56,320 --> 00:01:59,880 Speaker 1: share their personal stories, some never before heard about how 33 00:02:00,040 --> 00:02:03,400 Speaker 1: they got started in the biz show business, sharing their 34 00:02:03,520 --> 00:02:07,080 Speaker 1: joys and hardships and the detours they took along the way, 35 00:02:07,320 --> 00:02:10,440 Speaker 1: their accomplishments, and some words of wisdom passed down from 36 00:02:10,560 --> 00:02:14,760 Speaker 1: generation to generation for many black entertainers represented in this 37 00:02:15,000 --> 00:02:18,959 Speaker 1: year's exhibition and on our show today. We're thrilled to 38 00:02:19,000 --> 00:02:21,520 Speaker 1: have with us here on Hollywoods Hidden Treasures several well 39 00:02:21,600 --> 00:02:25,120 Speaker 1: known actors and entertainment professionals joining us throughout the show. 40 00:02:25,360 --> 00:02:28,520 Speaker 1: Winner of nineteen Emmys, the Governor's Award from the National 41 00:02:28,600 --> 00:02:32,880 Speaker 1: Academy of Television, Arts and Sciences Lifetime Achievement Award, and 42 00:02:33,160 --> 00:02:37,359 Speaker 1: from the Radio and Television News Association the President's Award 43 00:02:37,560 --> 00:02:40,720 Speaker 1: for Impact on Media. A wondering who this is, well, 44 00:02:40,840 --> 00:02:43,760 Speaker 1: let me just tell you it is Christine Devine. You know, 45 00:02:43,919 --> 00:02:47,519 Speaker 1: she's on Fox eleven, on the news. She even won 46 00:02:47,720 --> 00:02:51,079 Speaker 1: a Los Angeles Press Club Award and so many prestigious 47 00:02:51,120 --> 00:02:53,639 Speaker 1: awards here in Hollywood and on the national scene. And 48 00:02:53,720 --> 00:02:55,799 Speaker 1: you know, I have to say Christine is active in 49 00:02:55,880 --> 00:02:58,840 Speaker 1: the Los Angeles community and in Hollywood. You know she 50 00:02:58,960 --> 00:03:01,519 Speaker 1: has been honored before the Los Angeles City Council, of 51 00:03:01,560 --> 00:03:05,040 Speaker 1: the LA County Board of Supervisors, the Los Angeles Police Department, 52 00:03:05,160 --> 00:03:07,919 Speaker 1: and the LA County Sheriff's Department. We better be nice 53 00:03:07,960 --> 00:03:10,280 Speaker 1: to Christine, let me just tell you that. And also 54 00:03:10,440 --> 00:03:14,360 Speaker 1: joining us is Award winning singer and actress Freda Payne. 55 00:03:14,560 --> 00:03:17,840 Speaker 1: She's best known for her nineteen seventy single Band of Gold, 56 00:03:17,960 --> 00:03:21,240 Speaker 1: the number one smash hit that earned Freda her first 57 00:03:21,320 --> 00:03:24,160 Speaker 1: Gold record and Grammy nomination, and of course it went 58 00:03:24,200 --> 00:03:27,359 Speaker 1: on to be an international hit. Now Freda has expanded 59 00:03:27,400 --> 00:03:30,959 Speaker 1: her career into acting, appearing in films, television shows on 60 00:03:31,040 --> 00:03:35,000 Speaker 1: Broadway productions, and in their early nineteen eighties, Frida even 61 00:03:35,080 --> 00:03:38,880 Speaker 1: hosted her own talk show, Today's Black Woman. In twenty 62 00:03:39,160 --> 00:03:42,840 Speaker 1: twenty three, This Woman's Songwriter Hall of Fame awarded Freda 63 00:03:42,920 --> 00:03:47,480 Speaker 1: Payne a Lifetime Achievement and Legacy Award. Now, this gentleman's 64 00:03:47,760 --> 00:03:51,000 Speaker 1: first role on television was on Star Trek and I 65 00:03:51,080 --> 00:03:53,760 Speaker 1: Think he was a child in nineteen sixty six. Well, 66 00:03:53,840 --> 00:03:57,440 Speaker 1: for Phil Morris, acting is definitely in his blood. Phil 67 00:03:57,560 --> 00:04:01,120 Speaker 1: co starred in the remake Mission Impossible, playing the son 68 00:04:01,520 --> 00:04:06,520 Speaker 1: of Barney Collier, who played in the original Mission Impossible series. 69 00:04:06,680 --> 00:04:10,280 Speaker 1: And you know that's really Phil Morris's real life father, 70 00:04:10,680 --> 00:04:13,120 Speaker 1: Greg Morris. I mean, it's kind of impressive when you 71 00:04:13,200 --> 00:04:17,040 Speaker 1: think about it, two generations performing in the same television show. 72 00:04:17,320 --> 00:04:20,440 Speaker 1: The reboot incredible, But we've all loved Phil when he 73 00:04:20,520 --> 00:04:24,560 Speaker 1: played his recurring character law student turned attorney Tyrone Jackson 74 00:04:24,680 --> 00:04:27,160 Speaker 1: in the ever popular soap The Young and the Restless. 75 00:04:27,360 --> 00:04:31,200 Speaker 1: And I can still see Phil as Johnny Cochrane's inspired 76 00:04:31,240 --> 00:04:34,240 Speaker 1: defense attorney Jackie Chiles in Seinfeld. 77 00:04:34,400 --> 00:04:34,520 Speaker 2: You know. 78 00:04:34,600 --> 00:04:38,159 Speaker 1: Phil enjoys voice acting and becoming known for providing voices 79 00:04:38,240 --> 00:04:42,680 Speaker 1: in numerous animated series, video games, and superhero projects. And 80 00:04:42,839 --> 00:04:46,440 Speaker 1: joining us also this evening is Tyrone Dubois. He is 81 00:04:46,480 --> 00:04:51,040 Speaker 1: an award winning radio host, actor, voice artist, author, television 82 00:04:51,200 --> 00:04:55,120 Speaker 1: contributor and continues to rain as America's premier R and 83 00:04:55,240 --> 00:04:58,880 Speaker 1: B historian. Dubois celebrates more than ten years of being 84 00:04:58,960 --> 00:05:03,800 Speaker 1: the television music contributor to TV Once Unsung, Tyrone released 85 00:05:03,839 --> 00:05:07,360 Speaker 1: the Amazon bestseller book Four Seasons of R and B 86 00:05:07,720 --> 00:05:10,760 Speaker 1: Top ten picks of the greatest singers and groups from 87 00:05:10,880 --> 00:05:14,159 Speaker 1: nineteen sixty to nineteen ninety. You know this book reached 88 00:05:14,200 --> 00:05:17,920 Speaker 1: the top ten on Amazon not once, but twice and 89 00:05:18,120 --> 00:05:20,680 Speaker 1: continues to rate in the top five of best selling 90 00:05:20,760 --> 00:05:24,840 Speaker 1: books on Amazon. Wow. Tyrone was inducted into the California 91 00:05:24,960 --> 00:05:27,680 Speaker 1: Music Hall of Fame, and he made history becoming a 92 00:05:27,960 --> 00:05:32,680 Speaker 1: four time Hollywood African Prestigious Award winner. And is recognized 93 00:05:32,720 --> 00:05:36,039 Speaker 1: for his contributions to preserving R and B heritage through 94 00:05:36,160 --> 00:05:39,880 Speaker 1: radio and television and joining us now my buddies, friends 95 00:05:39,880 --> 00:05:43,160 Speaker 1: of the Hollywood Museum. Ernest Lee Thomas, best known for 96 00:05:43,240 --> 00:05:48,080 Speaker 1: his role as Roger ROJ Thomas, and Heywood Nelson, best 97 00:05:48,160 --> 00:05:51,279 Speaker 1: known for his role as Dwayne Nelson. You were so cute. 98 00:05:51,320 --> 00:05:53,160 Speaker 1: I gotta tell you both of you. You know, you 99 00:05:53,279 --> 00:05:56,960 Speaker 1: have starred in the original seventies ABC TV sitcom What's 100 00:05:57,040 --> 00:06:00,400 Speaker 1: Happening and the TV spinoff series What's Happening Now, And 101 00:06:00,560 --> 00:06:04,520 Speaker 1: both Haywood and Ernest, between them have appeared in film 102 00:06:04,680 --> 00:06:07,840 Speaker 1: from the seventies till today. You enjoy voice work. You've 103 00:06:07,880 --> 00:06:11,200 Speaker 1: performed on stage, on Broadway, in commercials and more. And 104 00:06:11,720 --> 00:06:16,480 Speaker 1: this is the fiftieth anniversary of What's Happening, Hey, Ernest, Hey, Heywood. 105 00:06:16,520 --> 00:06:23,720 Speaker 1: Welcome to Hollywood Hidden Treasures. Oh my goodness, where you 106 00:06:23,800 --> 00:06:25,560 Speaker 1: guys sound just the same? I miss like I can 107 00:06:25,600 --> 00:06:31,039 Speaker 1: almost see you. What can I say? We had such 108 00:06:31,080 --> 00:06:33,320 Speaker 1: fun the other evening at the Hollywood Museum. I have 109 00:06:33,480 --> 00:06:35,320 Speaker 1: to say it was so much fun. Well, let me 110 00:06:35,480 --> 00:06:37,720 Speaker 1: just ask you both. You know, your stars of the 111 00:06:37,839 --> 00:06:41,560 Speaker 1: seventies TV hit comedy what's happening? And then the show 112 00:06:41,680 --> 00:06:44,800 Speaker 1: spin off? What's it like being on a hit TV 113 00:06:45,000 --> 00:06:47,840 Speaker 1: network series in the seventies, What was that like for 114 00:06:47,960 --> 00:06:49,680 Speaker 1: you guys Earth? 115 00:06:51,600 --> 00:06:55,640 Speaker 3: Yeah, espe Actually when you struggle and you know, that's 116 00:06:55,680 --> 00:06:57,960 Speaker 3: what the audience and our fans on though, is that 117 00:06:58,240 --> 00:07:01,560 Speaker 3: struggle to get there, and it's the likelihood you know, 118 00:07:01,880 --> 00:07:04,680 Speaker 3: of getting there because most actors don't make it like that. 119 00:07:05,040 --> 00:07:08,760 Speaker 3: So I felt, of course blessed, you know, tremendously blessed. 120 00:07:08,800 --> 00:07:10,120 Speaker 4: But it was heaven on Earth. 121 00:07:10,200 --> 00:07:12,280 Speaker 1: Okay, let me let me finish with you, hey would 122 00:07:12,440 --> 00:07:14,840 Speaker 1: So what was it like for you when you were 123 00:07:14,920 --> 00:07:16,640 Speaker 1: on the show, because I mean, you guys were young, 124 00:07:16,840 --> 00:07:19,440 Speaker 1: you were growing up. It was that time where everyone 125 00:07:19,640 --> 00:07:21,800 Speaker 1: was having fun. You know, what did you do? 126 00:07:22,320 --> 00:07:22,480 Speaker 2: Yeah? 127 00:07:22,520 --> 00:07:26,520 Speaker 5: I mean Erniest really touched on the the greatest point then. 128 00:07:27,040 --> 00:07:29,840 Speaker 5: I mean, it's a lot of work. You work really 129 00:07:29,920 --> 00:07:32,320 Speaker 5: hard to get there. You never really know for a 130 00:07:32,400 --> 00:07:35,480 Speaker 5: fact it's going to be on a hit show. In fact, 131 00:07:35,720 --> 00:07:38,640 Speaker 5: to the best of my recollection, it wasn't even an objective. 132 00:07:38,880 --> 00:07:42,200 Speaker 5: It's just busy doing the things that the actors, you know, 133 00:07:42,600 --> 00:07:45,760 Speaker 5: and one job to another, and it's hard. It's a 134 00:07:45,800 --> 00:07:49,840 Speaker 5: struggle but then you get these these God blessed opportunities, 135 00:07:50,080 --> 00:07:52,200 Speaker 5: and then when you get there to find out it's 136 00:07:52,240 --> 00:07:54,560 Speaker 5: so beautiful and you're having such a good time. I mean, 137 00:07:54,560 --> 00:08:02,280 Speaker 5: it was like skydiving, but there's no ground, no whoa whoa. 138 00:08:02,880 --> 00:08:06,240 Speaker 5: That makes your journey that much even more relevant because 139 00:08:06,280 --> 00:08:07,840 Speaker 5: you know what you went through and the hard work 140 00:08:07,880 --> 00:08:09,800 Speaker 5: it took to actually get to it, and then to 141 00:08:09,880 --> 00:08:12,760 Speaker 5: be reported in that way, you realize, Wow, there is 142 00:08:12,840 --> 00:08:13,160 Speaker 5: a God. 143 00:08:14,120 --> 00:08:16,400 Speaker 1: Well listen, I know our listeners will want to hear more, 144 00:08:16,600 --> 00:08:18,720 Speaker 1: and we all will in the next segment, but I 145 00:08:18,800 --> 00:08:21,160 Speaker 1: must say that also joining us now in studio is 146 00:08:21,200 --> 00:08:25,640 Speaker 1: our Hollywood Museum's publicist, Roger Neil Hey Roger, good Evening, 147 00:08:25,720 --> 00:08:30,640 Speaker 1: Danelle whoa good evening, Roger, So tell us before we 148 00:08:31,080 --> 00:08:33,559 Speaker 1: hear more from our evening's guests, tell everyone how to 149 00:08:33,679 --> 00:08:35,760 Speaker 1: visit and learn more about the Hollywood Museum. 150 00:08:36,080 --> 00:08:38,440 Speaker 6: We can come visit us in person at sixteen sixteen 151 00:08:38,440 --> 00:08:41,520 Speaker 6: North Highland Avenue in Hollywood, or on our website, the 152 00:08:41,520 --> 00:08:44,959 Speaker 6: Hollywood Museum dot com, or on social media at Hollywood Museum. 153 00:08:45,200 --> 00:08:48,080 Speaker 1: Well, you know, we look forward to helping you, our listeners, 154 00:08:48,480 --> 00:08:52,600 Speaker 1: for a enjoyable day celebrating your favorite films and TV 155 00:08:52,720 --> 00:08:56,679 Speaker 1: shows at the Hollywood Official Museum. The Hollywood Museum, we 156 00:08:56,840 --> 00:09:01,000 Speaker 1: showcase more than ten thousand real showbiz treasures, spotlighting more 157 00:09:01,040 --> 00:09:04,640 Speaker 1: than one hundred years of Hollywood's entertainment history, from its 158 00:09:04,760 --> 00:09:07,400 Speaker 1: humble beginnings till today. Well, you know, I've just got 159 00:09:07,480 --> 00:09:08,920 Speaker 1: to say, it sounds like it's going to be a 160 00:09:09,000 --> 00:09:09,760 Speaker 1: great evening. 161 00:09:10,000 --> 00:09:11,760 Speaker 6: It's going to be an awesome evening. We've got a 162 00:09:11,800 --> 00:09:12,760 Speaker 6: great show here, I. 163 00:09:12,840 --> 00:09:13,199 Speaker 7: Know we do. 164 00:09:13,440 --> 00:09:16,240 Speaker 1: And we're going to be hearing more from Ernest Thomas 165 00:09:16,440 --> 00:09:20,199 Speaker 1: and Heywood Nelson coming up in our next segment. So 166 00:09:20,480 --> 00:09:23,319 Speaker 1: you're listening to Hollywoods Hidden Treasures. I'm Denel Daddigan. And 167 00:09:23,360 --> 00:09:25,360 Speaker 1: when we returned, like I just said, we're going to 168 00:09:25,400 --> 00:09:30,160 Speaker 1: continue our conversation with Ernest Thomas, Roge and Heywood Nelson 169 00:09:30,240 --> 00:09:34,559 Speaker 1: Dwayne from the seventies ABC TV comedy What's Happening and 170 00:09:34,880 --> 00:09:37,959 Speaker 1: on the eighties sequel What's Happening Now? Can you believe 171 00:09:37,960 --> 00:09:40,120 Speaker 1: it's been fifty years since they first were on TV? 172 00:09:40,520 --> 00:09:42,960 Speaker 6: Unbelievable. Yeah, I remember watching it as a teenager. 173 00:09:43,120 --> 00:09:45,840 Speaker 1: Listen, I can still see Roge and Dwayne. You remember 174 00:09:45,920 --> 00:09:49,560 Speaker 1: they played the typical teenagers dealing with school life, love, 175 00:09:50,080 --> 00:09:52,960 Speaker 1: and the regular antics of growing up, hanging out after 176 00:09:53,040 --> 00:09:56,680 Speaker 1: school at the local Burger train Rob's Place in Watts, 177 00:09:56,800 --> 00:09:59,040 Speaker 1: Los Angeles. I mean, I cannot believe it when I 178 00:09:59,080 --> 00:10:01,760 Speaker 1: think about that. Don't you wonder what these guys have been. 179 00:10:01,720 --> 00:10:02,440 Speaker 8: Up to since then? 180 00:10:03,200 --> 00:10:06,320 Speaker 1: Well, stay tuned to hear more from Hollywoods Hidden Treasures. 181 00:10:06,600 --> 00:10:09,640 Speaker 1: We've got lots to talk about. Welcome back, you're listening 182 00:10:09,679 --> 00:10:12,600 Speaker 1: to Hollywood Hidden Treasures. I'm Dennel Daddigan and joining us 183 00:10:12,640 --> 00:10:17,040 Speaker 1: once again is Ernest Lee, Thomas Roger and Heywood Nelson Dwayne, 184 00:10:17,440 --> 00:10:22,080 Speaker 1: the stars of the original seventies ABC TV sitcom What's Happening, 185 00:10:22,240 --> 00:10:25,040 Speaker 1: and then again in the eighties with the spinoff series 186 00:10:25,200 --> 00:10:28,360 Speaker 1: What's Happening Now. I can't believe the show is celebrating 187 00:10:28,400 --> 00:10:30,120 Speaker 1: its fiftieth anniversary this year. 188 00:10:30,240 --> 00:10:33,880 Speaker 4: Well, hi, guys, Hey, what's happening? 189 00:10:36,200 --> 00:10:41,440 Speaker 1: Right? That's very good. That's very good. Hey, listen, let 190 00:10:41,480 --> 00:10:43,839 Speaker 1: me ask you, guys, teach you have to audition for 191 00:10:43,960 --> 00:10:45,600 Speaker 1: your roles on What's Happening? 192 00:10:45,840 --> 00:10:50,800 Speaker 3: Ernest, oh, absolutely, and with over two hundred actors well 193 00:10:51,000 --> 00:10:53,800 Speaker 3: meaning for that role because they wanted an unknown they 194 00:10:53,880 --> 00:10:57,880 Speaker 3: were going to all Philadelpha, Chicago, all the major cities 195 00:10:58,080 --> 00:10:59,480 Speaker 3: and thank god, I. 196 00:10:59,600 --> 00:11:02,800 Speaker 1: Was so how many times did you have to audition? 197 00:11:03,240 --> 00:11:03,959 Speaker 2: It was a lot. 198 00:11:04,280 --> 00:11:07,120 Speaker 3: And then I had there was screen tests as well, 199 00:11:07,720 --> 00:11:11,600 Speaker 3: you know. And then a friend, well a hater friend, 200 00:11:11,960 --> 00:11:14,080 Speaker 3: he called and told me after I got. 201 00:11:16,000 --> 00:11:17,839 Speaker 8: A friend of me, that's it. You got it. 202 00:11:17,960 --> 00:11:18,719 Speaker 2: It was a friend of me. 203 00:11:19,040 --> 00:11:20,200 Speaker 8: I throwed on Friday. 204 00:11:20,400 --> 00:11:24,960 Speaker 3: Let me on Friday. So Saturday he calls me and says, hey, 205 00:11:25,240 --> 00:11:28,920 Speaker 3: Glenn Turman, who did the original role, because it's based 206 00:11:28,960 --> 00:11:32,480 Speaker 3: on Coolie Eye, he decided to do it. And I went, huh. 207 00:11:32,880 --> 00:11:37,160 Speaker 3: And at that time you couldn't call the agent the studio. 208 00:11:37,600 --> 00:11:43,040 Speaker 3: So I'm like, I'm just I am depressed. Yeah, so 209 00:11:43,200 --> 00:11:45,400 Speaker 3: that was that's the only bad part. So I for 210 00:11:45,520 --> 00:11:48,840 Speaker 3: the whole weekend I thought, oh wow, I didn't get it. Yeah, 211 00:11:48,920 --> 00:11:50,400 Speaker 3: but anyway, that was though. 212 00:11:50,840 --> 00:11:51,600 Speaker 2: That was yeah. 213 00:11:51,800 --> 00:11:53,640 Speaker 1: Now have you kept in touch with that? Front of 214 00:11:53,720 --> 00:11:57,040 Speaker 1: me left too hard? 215 00:12:00,880 --> 00:12:02,280 Speaker 8: Oh my lord? 216 00:12:04,040 --> 00:12:06,240 Speaker 1: So, Heywood, what was it like. Did you have the 217 00:12:06,320 --> 00:12:10,559 Speaker 1: same multiple numerous auditions and then a screen test? 218 00:12:11,440 --> 00:12:11,480 Speaker 8: No? 219 00:12:12,040 --> 00:12:14,959 Speaker 5: I actually was on the spin off of Sampar and 220 00:12:15,040 --> 00:12:17,400 Speaker 5: Son on Grady, Yes you were, and I was playing 221 00:12:18,000 --> 00:12:21,240 Speaker 5: Whitman Mayo's grandson, and so when that was canceled, they 222 00:12:21,320 --> 00:12:23,839 Speaker 5: had me fly to New York and like Ernest, it 223 00:12:24,000 --> 00:12:26,920 Speaker 5: was a room full of people, I mean well over 224 00:12:27,000 --> 00:12:30,240 Speaker 5: two people that were auditioning. Wow, and you didn't know 225 00:12:30,280 --> 00:12:31,559 Speaker 5: if you were going to get it or not. But 226 00:12:31,720 --> 00:12:33,839 Speaker 5: you know, I just went up and I loved the 227 00:12:33,920 --> 00:12:36,079 Speaker 5: movie Cooly High, so I knew the whole really well. 228 00:12:36,320 --> 00:12:38,440 Speaker 5: And I went up and did you know my best 229 00:12:38,559 --> 00:12:42,360 Speaker 5: and saw Mabel King on stage, so Daniel Spencer is 230 00:12:42,520 --> 00:12:45,040 Speaker 5: d on stage. I was really in the back of 231 00:12:45,120 --> 00:12:47,480 Speaker 5: the room, just enjoying, and then they called me up. 232 00:12:47,559 --> 00:12:50,360 Speaker 5: I did my part a couple of times, and then 233 00:12:50,640 --> 00:12:52,560 Speaker 5: they flew back to California, and that's when I got 234 00:12:52,600 --> 00:12:53,760 Speaker 5: to meet Ernest and the rest. 235 00:12:53,559 --> 00:12:54,000 Speaker 2: Of the cast. 236 00:12:54,160 --> 00:12:57,520 Speaker 1: Oh wow, oh wow. So Ernest, were you cast earlier? 237 00:12:57,760 --> 00:12:59,640 Speaker 1: So it wasn't like a group casting even though you 238 00:12:59,679 --> 00:13:00,520 Speaker 1: thought you didn't get it. 239 00:13:00,800 --> 00:13:01,000 Speaker 7: Yeah. 240 00:13:01,240 --> 00:13:03,760 Speaker 3: Well, the first pilot was called Cooley High, so it 241 00:13:03,840 --> 00:13:07,640 Speaker 3: was a whole different cast actually, and ABC said it 242 00:13:07,760 --> 00:13:10,040 Speaker 3: wasn't funny, so they said we're gonna get rid of 243 00:13:10,120 --> 00:13:13,640 Speaker 3: that cast, heap you and then build another cast around you. 244 00:13:13,840 --> 00:13:18,199 Speaker 3: And that's when Heywood and Fredbury and Mabel and all that, 245 00:13:18,559 --> 00:13:22,319 Speaker 3: and it was night and day. It was otherworldly when 246 00:13:22,400 --> 00:13:24,839 Speaker 3: we met. It's like I've always known them. When I 247 00:13:24,960 --> 00:13:29,440 Speaker 3: touched their hand, it was like heavenly electricity going through 248 00:13:29,520 --> 00:13:33,320 Speaker 3: my entire body. The only God can make that happen. 249 00:13:33,559 --> 00:13:39,280 Speaker 3: That chemistry, that family thing, that familiarity. Yeah, I can't 250 00:13:39,360 --> 00:13:41,839 Speaker 3: explain it other than what I just said, but it's 251 00:13:41,960 --> 00:13:43,280 Speaker 3: beyond even what I'm saying. 252 00:13:43,840 --> 00:13:44,360 Speaker 7: I hear you. 253 00:13:44,640 --> 00:13:48,160 Speaker 1: So when did you both realize that your show This 254 00:13:48,360 --> 00:13:51,599 Speaker 1: Time Out was a big hit? Was it early on 255 00:13:52,040 --> 00:13:54,800 Speaker 1: when you first started together. Was it by the end 256 00:13:54,840 --> 00:13:58,120 Speaker 1: of the first season or in the second season? Ernest? 257 00:13:58,559 --> 00:14:01,840 Speaker 3: Yeah, they did four episodes and it was a replacement. 258 00:14:01,920 --> 00:14:04,079 Speaker 3: They wanted to see how we would bear out and 259 00:14:04,360 --> 00:14:07,160 Speaker 3: was in the top ten. All four shows were in 260 00:14:07,160 --> 00:14:09,959 Speaker 3: the top ten. So we knew, right, that's unheard of 261 00:14:10,320 --> 00:14:12,280 Speaker 3: for summer replacement. 262 00:14:11,960 --> 00:14:14,800 Speaker 1: You know, some of these summer racial shows. Yes, because 263 00:14:14,840 --> 00:14:17,199 Speaker 1: some of these summer replacements have turned out to be 264 00:14:17,880 --> 00:14:23,400 Speaker 1: just fabulous, just fantastic firecrackers. Everyone starts following them. Oh 265 00:14:23,480 --> 00:14:24,040 Speaker 1: my goodness. 266 00:14:24,560 --> 00:14:25,680 Speaker 7: Yeah. Yeah. 267 00:14:26,120 --> 00:14:28,440 Speaker 1: So, Dwayne, did you have any idea that you were 268 00:14:28,720 --> 00:14:31,120 Speaker 1: on a hit show? When did it strike you, like 269 00:14:31,280 --> 00:14:32,720 Speaker 1: lightning like a thunderclap. 270 00:14:33,000 --> 00:14:36,600 Speaker 5: Well, I mean just the relationship, Like Ernest said, when 271 00:14:36,680 --> 00:14:39,640 Speaker 5: we all met and touched each other and felt so close, 272 00:14:40,120 --> 00:14:43,120 Speaker 5: I knew then, like, wow, this really this can be 273 00:14:43,320 --> 00:14:47,400 Speaker 5: something great for you too. See all the other indicators. Yeah, sure, 274 00:14:47,440 --> 00:14:49,560 Speaker 5: and all the indicators were there that that, you know, 275 00:14:49,640 --> 00:14:52,040 Speaker 5: the statistics were in the show was performing. But I 276 00:14:52,160 --> 00:14:54,040 Speaker 5: got to say, once I went out and went to 277 00:14:54,160 --> 00:14:58,200 Speaker 5: the mall and the fan reaction, I knew the show 278 00:14:58,320 --> 00:15:01,520 Speaker 5: was hot because the fans just really responded to us. 279 00:15:01,720 --> 00:15:04,600 Speaker 1: Well, you know, I just got to say. I wanted 280 00:15:04,640 --> 00:15:08,240 Speaker 1: to ask you, like, how did what's happening change your life? 281 00:15:08,440 --> 00:15:10,320 Speaker 1: And I guess my question to you is what's it 282 00:15:10,520 --> 00:15:11,960 Speaker 1: like for you? You know, when you were doing the 283 00:15:12,080 --> 00:15:13,840 Speaker 1: show and all of a sudden you'd go out to 284 00:15:13,920 --> 00:15:16,200 Speaker 1: the mall, you go out to dinner, and all of 285 00:15:16,200 --> 00:15:18,600 Speaker 1: a sudden you'd be surrounded by fans. I mean, do 286 00:15:18,600 --> 00:15:20,600 Speaker 1: you guys, You guys must have a couple of crazy 287 00:15:20,640 --> 00:15:21,920 Speaker 1: stories you can share with us. 288 00:15:23,320 --> 00:15:28,200 Speaker 3: Ernest remember well, I remember being in the bathroom. 289 00:15:28,320 --> 00:15:32,160 Speaker 1: Oh hello, and you the tall and they got. 290 00:15:33,720 --> 00:15:37,160 Speaker 3: He wants he recognized you want to shake your hands 291 00:15:37,520 --> 00:15:45,200 Speaker 3: like okay, okay, that, and you know just again, you know, 292 00:15:45,840 --> 00:15:49,320 Speaker 3: going into like Denny's before no one knew and then 293 00:15:49,360 --> 00:15:53,160 Speaker 3: they all around you. And you know I went to Gary, Indiana. 294 00:15:53,400 --> 00:15:56,800 Speaker 3: The mayor had Thomas Ay and you had Jesse Jackson 295 00:15:56,960 --> 00:15:59,880 Speaker 3: there and you know Coreta Scott Cain did but no 296 00:16:00,040 --> 00:16:05,720 Speaker 3: one care about anybody but Roger. It was amazing. You know, 297 00:16:05,760 --> 00:16:08,680 Speaker 3: I'm at awe of all these people. You know, Gretel came, 298 00:16:09,000 --> 00:16:12,800 Speaker 3: but the people they don't know. Nobody but Roger. 299 00:16:12,560 --> 00:16:15,920 Speaker 1: To Oh my god, that is so funny. Well, Heywood, 300 00:16:15,960 --> 00:16:18,520 Speaker 1: what's your crazy story with fans mopping you? 301 00:16:18,760 --> 00:16:21,920 Speaker 5: There's so many moments that that were like earn the sable, 302 00:16:22,000 --> 00:16:24,560 Speaker 5: somebody recognizing you in an inappropriate time and they don't 303 00:16:24,560 --> 00:16:26,920 Speaker 5: want to shake the hand, but I would try to. 304 00:16:27,120 --> 00:16:29,520 Speaker 5: When I went back to New York, ride the subway, 305 00:16:29,800 --> 00:16:32,760 Speaker 5: oh and you know, try to slip in and you know, 306 00:16:32,880 --> 00:16:34,880 Speaker 5: stand by the door and just get down and do 307 00:16:35,000 --> 00:16:37,400 Speaker 5: what I do in New York. And this one guy 308 00:16:37,560 --> 00:16:40,320 Speaker 5: came walking down the aisle. He sees me and he 309 00:16:40,440 --> 00:16:45,120 Speaker 5: starts going crazy loud. He's carrying on, and everybody else 310 00:16:45,200 --> 00:16:47,640 Speaker 5: looks up, like where And that did it? 311 00:16:47,800 --> 00:16:49,440 Speaker 3: I I literally had to get out of the car. 312 00:16:49,640 --> 00:16:52,080 Speaker 5: But it was a really fun and great feeling. 313 00:16:52,120 --> 00:16:53,200 Speaker 2: Everybody was so loving. 314 00:16:53,920 --> 00:16:56,240 Speaker 1: I bet, I bet you know I know that, you know, 315 00:16:56,480 --> 00:16:59,440 Speaker 1: playing Roger and playing Dwayne on What's Happening, I know 316 00:16:59,600 --> 00:17:01,360 Speaker 1: it had to change your life. 317 00:17:01,880 --> 00:17:04,240 Speaker 2: Yeah, it definitely did. Ask no question about it. 318 00:17:04,600 --> 00:17:07,080 Speaker 3: Well, just the people we admired all of a sudden 319 00:17:07,119 --> 00:17:09,399 Speaker 3: they are admiring. That was like like Muhammad A Lee 320 00:17:09,520 --> 00:17:13,720 Speaker 3: and doctor Angeloua and Oprah one Free and Bert Rumbled. 321 00:17:13,800 --> 00:17:17,720 Speaker 3: You know that's mind blowing people I admired, and. 322 00:17:17,720 --> 00:17:21,280 Speaker 2: Then us and the other the public. 323 00:17:21,520 --> 00:17:23,200 Speaker 3: You know that they have no notoriety. 324 00:17:23,240 --> 00:17:26,639 Speaker 5: Really they are America and to hear the stories so 325 00:17:26,760 --> 00:17:28,639 Speaker 5: many of them of the attact the show has had 326 00:17:28,720 --> 00:17:32,200 Speaker 5: on them and their health in a positive way, question 327 00:17:32,520 --> 00:17:35,680 Speaker 5: or whatever it might be, their need to Yeah, I 328 00:17:35,760 --> 00:17:38,399 Speaker 5: mean the show has really been there for them, especially 329 00:17:38,440 --> 00:17:41,920 Speaker 5: a veteran. Yeah, speak highly of the use of what's happing. 330 00:17:42,080 --> 00:17:45,800 Speaker 3: To their ability to Veterans are in tears. Yeah, it 331 00:17:45,880 --> 00:17:49,159 Speaker 3: would they're literally in tears. Yeah yeah, yeah when they 332 00:17:49,359 --> 00:17:51,399 Speaker 3: over there in harm's way and when they have that 333 00:17:51,680 --> 00:17:55,679 Speaker 3: that downtime they're watching our show on VD for for comfort. 334 00:17:55,960 --> 00:18:00,159 Speaker 3: But yes, that's yeah to hear that just you know, 335 00:18:00,359 --> 00:18:03,080 Speaker 3: because I'm saying we're not worthy of you, and they're saying, no, 336 00:18:03,280 --> 00:18:04,720 Speaker 3: you don't know what you've done for me. 337 00:18:05,440 --> 00:18:07,520 Speaker 1: Oh yeah, you're giving me chills. 338 00:18:07,760 --> 00:18:10,680 Speaker 2: Yeah, or you gave us chills, you know. 339 00:18:10,800 --> 00:18:14,680 Speaker 1: At the Hollywood Museum with our annual entertainment exhibition saluting 340 00:18:14,760 --> 00:18:17,119 Speaker 1: Black History Month, tell us what does it mean to 341 00:18:17,400 --> 00:18:20,600 Speaker 1: you two to have your costumes and artifacts on display 342 00:18:20,800 --> 00:18:23,480 Speaker 1: as part of the Hollywood Museums. This joint is jumping 343 00:18:23,640 --> 00:18:28,200 Speaker 1: a celebration of black entertainers from film, TV and song Heywood. 344 00:18:28,480 --> 00:18:33,600 Speaker 5: I think it's an for us are and something I loved. Really, 345 00:18:33,880 --> 00:18:35,760 Speaker 5: I had not been to the museum, so I got 346 00:18:35,800 --> 00:18:38,560 Speaker 5: to experience it myself as a general public fan. 347 00:18:38,720 --> 00:18:39,240 Speaker 3: I loved. 348 00:18:39,280 --> 00:18:41,200 Speaker 5: I mean, many of the people that look up to 349 00:18:41,320 --> 00:18:44,200 Speaker 5: are there and all their memorabilia. I think I'm most 350 00:18:44,240 --> 00:18:47,680 Speaker 5: happy about the fact that fans can come there and 351 00:18:48,080 --> 00:18:51,960 Speaker 5: share in the whole Hollywood experience, which includes the African 352 00:18:52,000 --> 00:18:54,160 Speaker 5: American contribution in a great way. 353 00:18:54,320 --> 00:18:55,760 Speaker 2: So to be a part of that is an. 354 00:18:55,680 --> 00:18:58,280 Speaker 5: Incredible honor, and I know it'd be really a lot 355 00:18:58,359 --> 00:19:00,520 Speaker 5: of fun for fans, So it really makes very happy 356 00:19:00,560 --> 00:19:01,000 Speaker 5: to be a part. 357 00:19:01,320 --> 00:19:01,480 Speaker 2: Well. 358 00:19:01,560 --> 00:19:03,560 Speaker 1: Thank you so much for saying that we had such 359 00:19:03,640 --> 00:19:06,480 Speaker 1: fun putting this exhibit together. Let me tell you and Ernest, 360 00:19:06,520 --> 00:19:08,399 Speaker 1: what did you think when you when you took a 361 00:19:08,440 --> 00:19:10,640 Speaker 1: good look at everything in your glass? 362 00:19:10,760 --> 00:19:13,439 Speaker 3: All right, you know it didn't hit me. I mean 363 00:19:13,480 --> 00:19:16,119 Speaker 3: I knew, but when you get there and see you 364 00:19:16,240 --> 00:19:19,080 Speaker 3: know the hundred years you know of all the big 365 00:19:19,200 --> 00:19:23,480 Speaker 3: stars and Sinatra and all the you know, Vivian Lee, 366 00:19:23,720 --> 00:19:26,639 Speaker 3: and it's just that you're among that. You know that 367 00:19:26,800 --> 00:19:30,320 Speaker 3: you've been included, and that Thank Roger Neil. 368 00:19:31,880 --> 00:19:32,240 Speaker 7: Right here. 369 00:19:34,359 --> 00:19:38,680 Speaker 3: Thank you Roger and Tyrone Duvar for suggesting us as well. 370 00:19:39,640 --> 00:19:44,440 Speaker 3: I had so many friends, my fraternity brothers went, everybody 371 00:19:44,680 --> 00:19:48,760 Speaker 3: was I'm like, good lord. People were sharing the photo 372 00:19:48,920 --> 00:19:51,560 Speaker 3: of us and a lot of friends. I mean, I 373 00:19:51,640 --> 00:19:56,800 Speaker 3: couldnot believe the reaction from the fans. Who yeah, they 374 00:19:56,840 --> 00:19:59,760 Speaker 3: were saying, what an honor, Oh my goodness, oh wow, 375 00:20:00,080 --> 00:20:02,240 Speaker 3: you at the Hollywood be there so that. 376 00:20:02,680 --> 00:20:02,920 Speaker 2: Yeah. 377 00:20:03,200 --> 00:20:07,080 Speaker 1: Yeah, well, we just love putting this exhibit together. It 378 00:20:07,280 --> 00:20:10,080 Speaker 1: was so much fun doing it, and actually it put 379 00:20:10,119 --> 00:20:12,840 Speaker 1: a smile on our face when we were doing your exhibits. 380 00:20:12,880 --> 00:20:14,320 Speaker 1: I have to say, because all of a sudden it 381 00:20:14,359 --> 00:20:16,560 Speaker 1: took us back in time with you guys, sitting a 382 00:20:16,640 --> 00:20:19,600 Speaker 1: route one of those tables you know in the diner. 383 00:20:19,680 --> 00:20:22,480 Speaker 1: It was just great. Yeah, and then of course getting 384 00:20:22,480 --> 00:20:26,479 Speaker 1: into trouble, but we won't go there, of course. Well, 385 00:20:26,520 --> 00:20:28,600 Speaker 1: I have to say this segment has just gone by 386 00:20:28,760 --> 00:20:32,560 Speaker 1: so quick. It's been a real pleasure having you both, 387 00:20:32,960 --> 00:20:37,080 Speaker 1: Ernest Thomas and Heywood Nelson on Hollywood's Hidden Treasures in 388 00:20:37,160 --> 00:20:39,840 Speaker 1: our final moments together. Please tell our listeners how they 389 00:20:39,920 --> 00:20:40,560 Speaker 1: can follow you. 390 00:20:41,040 --> 00:20:46,679 Speaker 3: So, Ernest, I'm on Instagram, Facebook, Ernest Lee Thomas, Okay, 391 00:20:46,760 --> 00:20:47,400 Speaker 3: that's perfect. 392 00:20:47,520 --> 00:20:48,880 Speaker 1: And Heywood Yeah same. 393 00:20:48,960 --> 00:20:52,560 Speaker 5: I mean I'm on Instagram is Heywlson Official? And then 394 00:20:52,640 --> 00:20:54,959 Speaker 5: I'm on Facebook as Heywood Nelson. 395 00:20:55,119 --> 00:20:55,480 Speaker 2: I love it. 396 00:20:55,560 --> 00:20:59,000 Speaker 1: Well, thank you both Ernest Thomas and Heywood Nelson for 397 00:20:59,200 --> 00:21:02,400 Speaker 1: joining us today. We all loved your stories and thank 398 00:21:02,440 --> 00:21:03,159 Speaker 1: you for sharing. 399 00:21:03,520 --> 00:21:03,760 Speaker 7: Wow. 400 00:21:04,080 --> 00:21:06,600 Speaker 4: Thanks guys, thank you, thank you for having us so right. 401 00:21:06,640 --> 00:21:07,560 Speaker 2: Thank you so much. 402 00:21:07,840 --> 00:21:10,159 Speaker 1: Oh it's been a great day, great day. Thank you 403 00:21:10,280 --> 00:21:13,680 Speaker 1: so much. Wow. Well, our time with Ernest Thomas and 404 00:21:13,760 --> 00:21:17,520 Speaker 1: Heywood Nelson recounting their time on the ABC TV sitcoms 405 00:21:17,720 --> 00:21:21,000 Speaker 1: What's Happening and What's Happening Now has just gone by 406 00:21:21,119 --> 00:21:23,280 Speaker 1: too quick. We have to take a break. But when 407 00:21:23,359 --> 00:21:26,359 Speaker 1: we return, we'll be speaking with the award winning singer 408 00:21:26,480 --> 00:21:30,040 Speaker 1: and actress Free to Pain, known for her nineteen seventy 409 00:21:30,200 --> 00:21:33,479 Speaker 1: single band of Gold. You remember that number one smash hit. 410 00:21:33,880 --> 00:21:37,359 Speaker 1: Stay tuned to Hollywood's Hidden Treasures. I'm Danell Daddigan and 411 00:21:37,480 --> 00:21:40,520 Speaker 1: We've got lots to talk about. Welcome back. You're listening 412 00:21:40,560 --> 00:21:43,720 Speaker 1: to Hollywoods Hidden Treasures. I'm Danel Daddigan and joining us 413 00:21:43,880 --> 00:21:46,760 Speaker 1: is the award winning singer and actress Free to Pain, 414 00:21:47,000 --> 00:21:49,920 Speaker 1: best known for her nineteen seventy single band of Gold, 415 00:21:50,080 --> 00:21:53,000 Speaker 1: the number one smash hit that earned freeda Pain her 416 00:21:53,200 --> 00:21:56,760 Speaker 1: first of many Gold records, a Grammy nomination, and this 417 00:21:57,160 --> 00:21:59,399 Speaker 1: song went on to be an international hit, and I 418 00:21:59,480 --> 00:22:01,280 Speaker 1: mean we hear it all over the world today. 419 00:22:01,480 --> 00:22:01,639 Speaker 2: You know. 420 00:22:01,800 --> 00:22:06,359 Speaker 1: Freda expanded her career into acting, appearing in films, television shows, 421 00:22:06,440 --> 00:22:10,200 Speaker 1: and Broadway productions. In the early nineteen eighties. Freda even 422 00:22:10,320 --> 00:22:14,480 Speaker 1: hosted her own television talk show, Today's Black Woman, and 423 00:22:14,760 --> 00:22:18,360 Speaker 1: in twenty twenty three, the Women's Songwriters Hall of Fame 424 00:22:18,440 --> 00:22:22,920 Speaker 1: awarded Freda Payne a Lifetime Achievement and Legacy Award. And 425 00:22:23,000 --> 00:22:25,400 Speaker 1: there's so so much more to talk about, but let's 426 00:22:25,400 --> 00:22:28,040 Speaker 1: say hi to Frida, so Freda can talk about herself 427 00:22:28,080 --> 00:22:30,280 Speaker 1: a little bit. Hey, Freda King. 428 00:22:30,240 --> 00:22:31,960 Speaker 4: Dunnella, Hi, I saw you. 429 00:22:32,280 --> 00:22:34,320 Speaker 1: I'm fine. So let me ask you a question. Can 430 00:22:34,400 --> 00:22:36,919 Speaker 1: you name that tune we just played them? 431 00:22:37,000 --> 00:22:38,640 Speaker 3: Go Ding ding ding? 432 00:22:38,720 --> 00:22:42,040 Speaker 1: You're right, perfect, perfect, well, you know for our listeners. 433 00:22:42,160 --> 00:22:44,639 Speaker 1: During the commercial break, Freda and I were chatting and 434 00:22:44,760 --> 00:22:49,160 Speaker 1: she mentioned Las Vegas, her mom, and seventeen years old. 435 00:22:49,600 --> 00:22:50,439 Speaker 1: Tell us a story. 436 00:22:50,840 --> 00:22:52,359 Speaker 4: Okay, since this is. 437 00:22:52,680 --> 00:22:58,320 Speaker 7: In a celebration of Breakfastory month, right, yes, my history 438 00:22:58,840 --> 00:23:01,480 Speaker 7: is sort of like they said, say my, how have 439 00:23:01,760 --> 00:23:06,440 Speaker 7: things changed. It's like we've come a long way, you know, 440 00:23:06,680 --> 00:23:09,639 Speaker 7: like as far as the racial you know, getting along 441 00:23:09,720 --> 00:23:13,880 Speaker 7: with one another is concerned, racial disparity, it still exists 442 00:23:14,680 --> 00:23:18,080 Speaker 7: when I was seventeen years old, which was wow. It 443 00:23:18,280 --> 00:23:22,280 Speaker 7: was like sweet, I've got yeah right right, oh wow, 444 00:23:22,600 --> 00:23:25,680 Speaker 7: I'm eighty three, y'all, Oh my god, you know what 445 00:23:25,760 --> 00:23:29,760 Speaker 7: I So, it's sort of like this was like late fifties, 446 00:23:30,000 --> 00:23:34,280 Speaker 7: early sixties in Vegas and we're driving down the strip 447 00:23:34,520 --> 00:23:37,520 Speaker 7: in our car. It was me, my mom and the 448 00:23:37,600 --> 00:23:42,000 Speaker 7: guy who was my mentor and my pianist. His name 449 00:23:42,280 --> 00:23:45,240 Speaker 7: was Mac Ferguson. And oh my god, when I think 450 00:23:45,280 --> 00:23:47,680 Speaker 7: about Mac, I have to you know, I have to 451 00:23:47,800 --> 00:23:50,960 Speaker 7: say he was the one that really taught me a 452 00:23:51,119 --> 00:23:54,399 Speaker 7: lot about show business and the fundamentals. 453 00:23:54,720 --> 00:23:58,120 Speaker 4: And as a young female, you know, well I guess 454 00:23:58,160 --> 00:23:58,440 Speaker 4: I was. 455 00:23:58,440 --> 00:24:00,720 Speaker 7: I guess I was kind of attractive back then, you know, 456 00:24:00,920 --> 00:24:04,520 Speaker 7: like you know what you are, you are, what to 457 00:24:04,640 --> 00:24:07,879 Speaker 7: watch out for, what schemes you know, men will you 458 00:24:07,960 --> 00:24:09,200 Speaker 7: know play on you? 459 00:24:09,520 --> 00:24:10,880 Speaker 1: He told you to watch out. 460 00:24:11,000 --> 00:24:12,359 Speaker 3: Oh yeah, yeah, yeah, you know. 461 00:24:12,440 --> 00:24:15,480 Speaker 7: He was just a good guy and he taught me. 462 00:24:15,640 --> 00:24:16,480 Speaker 4: I'll put it this way. 463 00:24:16,520 --> 00:24:19,879 Speaker 7: He taught me a lot, and so I appreciate that. 464 00:24:20,040 --> 00:24:23,040 Speaker 7: And this was in Vegas. We were driving down the strip. 465 00:24:23,160 --> 00:24:27,200 Speaker 7: I was seventeen. My mother was with me, and Mac 466 00:24:27,440 --> 00:24:30,000 Speaker 7: was in the car with us, and we kept going 467 00:24:30,480 --> 00:24:33,639 Speaker 7: from motel, you know, because I wanted to get a 468 00:24:33,680 --> 00:24:35,560 Speaker 7: couple of row one for my mother and I in 469 00:24:35,640 --> 00:24:38,840 Speaker 7: a room for Matt. And we kept driving down and 470 00:24:39,000 --> 00:24:42,920 Speaker 7: stopping at different motels on the strip, and outside it 471 00:24:43,000 --> 00:24:46,720 Speaker 7: would say vacancy, you know, like blame blame Blaine, vacancy. 472 00:24:47,119 --> 00:24:50,000 Speaker 7: Mac would go in and come back out, and like, 473 00:24:50,160 --> 00:24:54,160 Speaker 7: after three times, I said to myself, doesn't it seem 474 00:24:54,320 --> 00:24:57,359 Speaker 7: like they maybe they just don't want us here, you know, 475 00:24:57,520 --> 00:25:01,359 Speaker 7: staying in their motel. And so we finally saw a 476 00:25:01,480 --> 00:25:05,160 Speaker 7: guy walking down the street. He was the African American guy, 477 00:25:05,320 --> 00:25:07,480 Speaker 7: and it looked like he might have been a janitor 478 00:25:07,600 --> 00:25:10,240 Speaker 7: or something the way he was addressed, and we stopped 479 00:25:10,320 --> 00:25:13,600 Speaker 7: him and my mother said, listen, I'm with my daughter. 480 00:25:13,960 --> 00:25:17,400 Speaker 7: And we drove all the way from Detroit. It took 481 00:25:17,520 --> 00:25:19,840 Speaker 7: us two days, by the way, I forgot to mention it. 482 00:25:20,160 --> 00:25:22,520 Speaker 7: It was in the evening, like nine o'clock and we 483 00:25:22,640 --> 00:25:25,760 Speaker 7: were tired, so we were ready to like find a 484 00:25:25,920 --> 00:25:29,359 Speaker 7: motel and so we could like unpack our stuff and 485 00:25:30,680 --> 00:25:34,280 Speaker 7: go to bed. So anyway, we saw this guy and 486 00:25:34,400 --> 00:25:38,520 Speaker 7: we explained to him the situation and see my mother. 487 00:25:38,640 --> 00:25:41,240 Speaker 7: We were driving to Vegas for me to join the 488 00:25:41,320 --> 00:25:45,760 Speaker 7: Duke Ellington, who I had already auditioned for him, and 489 00:25:45,880 --> 00:25:49,119 Speaker 7: he already said, if you come to Vegas, you can 490 00:25:49,240 --> 00:25:52,040 Speaker 7: come up and we can take it from there and 491 00:25:52,200 --> 00:25:56,440 Speaker 7: you're with us, you know that kind of thing. So anyway, 492 00:25:56,960 --> 00:25:59,680 Speaker 7: what happened was the guy said, and this is a 493 00:25:59,720 --> 00:26:03,520 Speaker 7: black man, he said, ma'am, don't you all know they 494 00:26:03,600 --> 00:26:08,160 Speaker 7: don't allow us folks, meaning people of color, to stay 495 00:26:08,400 --> 00:26:11,479 Speaker 7: on the Strip. Wow, can you believe that? I mean, 496 00:26:11,520 --> 00:26:14,399 Speaker 7: when we think about it now, it's like it was 497 00:26:14,640 --> 00:26:18,760 Speaker 7: pure Jim Crow. And we thought that Vegas, the state 498 00:26:18,800 --> 00:26:21,879 Speaker 7: of Nevada, or at least Vegas like Sin City, you know, 499 00:26:22,119 --> 00:26:25,560 Speaker 7: wasn't like that. So my mother said, well, where can 500 00:26:25,680 --> 00:26:28,640 Speaker 7: we go? We need to find a place. He said, 501 00:26:28,680 --> 00:26:31,440 Speaker 7: you all will have to go to the West Side. 502 00:26:31,760 --> 00:26:34,879 Speaker 7: He said, that's where all of the African American people 503 00:26:35,000 --> 00:26:37,760 Speaker 7: are staying. My mother said, well, my daughter is here 504 00:26:37,840 --> 00:26:41,280 Speaker 7: to join this Duke Ellington orchestra and they're performing at 505 00:26:41,320 --> 00:26:45,119 Speaker 7: the Riviera Hotel on the Strip in the lounge. And 506 00:26:45,560 --> 00:26:49,440 Speaker 7: the guy said, well, ma'am, I guarantee you the band 507 00:26:49,560 --> 00:26:54,000 Speaker 7: and Duke Ellington aren't staying at the Riviera And she said, well, 508 00:26:54,000 --> 00:26:57,360 Speaker 7: where would they be. He said, they're probably staying over 509 00:26:57,480 --> 00:26:58,919 Speaker 7: on the West side at the. 510 00:26:59,080 --> 00:27:00,480 Speaker 4: West Most Hotel. 511 00:27:00,760 --> 00:27:03,480 Speaker 7: There was a motel that was owned by a dentist 512 00:27:03,920 --> 00:27:08,320 Speaker 7: named doctor West and that's where all the black people 513 00:27:08,400 --> 00:27:11,359 Speaker 7: who came to Vegas would go to stay. I also 514 00:27:11,520 --> 00:27:14,720 Speaker 7: remember there was a casino right next to. 515 00:27:14,880 --> 00:27:15,320 Speaker 4: It of. 516 00:27:17,160 --> 00:27:17,600 Speaker 1: Vegas. 517 00:27:18,119 --> 00:27:21,359 Speaker 4: Yeah, the Mulin Rouge. I'll never forget. 518 00:27:21,640 --> 00:27:24,639 Speaker 7: It was right next door to this motel. And I 519 00:27:24,760 --> 00:27:34,399 Speaker 7: remember also at that hotel Harold and fair Nicholas. Wow, 520 00:27:35,119 --> 00:27:38,880 Speaker 7: they were staying at the same motel. So I saw 521 00:27:39,040 --> 00:27:39,960 Speaker 7: them and I said. 522 00:27:39,800 --> 00:27:41,439 Speaker 4: Well, I guess we have no choice. 523 00:27:41,480 --> 00:27:44,800 Speaker 7: We gotta stay at least we got rooms here. So 524 00:27:45,160 --> 00:27:48,320 Speaker 7: we we stayed there, and I wound up we wound 525 00:27:48,440 --> 00:27:51,359 Speaker 7: up staying like about four months, but we only stayed 526 00:27:51,359 --> 00:27:54,119 Speaker 7: at the motel for like maybe a couple of weeks, 527 00:27:54,520 --> 00:27:56,720 Speaker 7: a couple of weeks, and then we found that we 528 00:27:56,840 --> 00:28:00,159 Speaker 7: could rent a house, you know, for less than what 529 00:28:00,240 --> 00:28:03,320 Speaker 7: the motel was gonna was gonna charge. So we wound 530 00:28:03,440 --> 00:28:06,080 Speaker 7: up running a house, like a two bedroom house. And 531 00:28:06,359 --> 00:28:08,800 Speaker 7: of course we already had our car because we drove, 532 00:28:09,160 --> 00:28:10,960 Speaker 7: you know, from Detroit to there. 533 00:28:11,080 --> 00:28:13,280 Speaker 4: Anyway, So that's my story. 534 00:28:13,760 --> 00:28:16,560 Speaker 1: Well I love your story. Well I got to tell you, 535 00:28:16,560 --> 00:28:18,680 Speaker 1: you know, and there is a fabulous movie it was 536 00:28:18,760 --> 00:28:21,600 Speaker 1: called Green Book that came out several years ago, quite 537 00:28:21,680 --> 00:28:26,560 Speaker 1: extraordinary that actually discusses this exact situation. It was a 538 00:28:26,680 --> 00:28:27,520 Speaker 1: vacuum development. 539 00:28:27,600 --> 00:28:30,399 Speaker 4: And I saw that movie. I saw that movie. 540 00:28:30,840 --> 00:28:31,760 Speaker 1: Yeah, it was great. 541 00:28:32,359 --> 00:28:35,200 Speaker 7: It was a good movie. And what's the guy that 542 00:28:35,400 --> 00:28:38,200 Speaker 7: starred in it who played the his part was he 543 00:28:38,360 --> 00:28:40,600 Speaker 7: was a gay man. But at the same time he 544 00:28:40,920 --> 00:28:45,600 Speaker 7: was what's his name, He's an Oscar winning actor. 545 00:28:45,840 --> 00:28:49,520 Speaker 1: So that's my story, Marshalla Ali yes. 546 00:28:49,440 --> 00:28:52,480 Speaker 7: Marcilla yeah, Ali, Yeah, you got it, You got it, 547 00:28:52,640 --> 00:28:54,440 Speaker 7: Marsilla Ali. Wow. 548 00:28:54,560 --> 00:28:56,840 Speaker 1: Well let me ask the question because you know, we're 549 00:28:56,920 --> 00:28:59,920 Speaker 1: chatting and everyone is listening, and I want everyone to know. 550 00:29:00,680 --> 00:29:04,200 Speaker 1: You have got a fabulous display at the museum. So 551 00:29:04,600 --> 00:29:08,920 Speaker 1: with the museum's annual entertainment exhibition saluting Black History Month, 552 00:29:09,120 --> 00:29:11,560 Speaker 1: tell our listeners what does it mean to you to 553 00:29:11,680 --> 00:29:15,000 Speaker 1: have your live performance dress it's in a fabulous shade 554 00:29:15,040 --> 00:29:19,160 Speaker 1: of amethyst purple on display as part of the museums 555 00:29:19,480 --> 00:29:22,920 Speaker 1: This joint is jump in a celebration of black entertainers 556 00:29:23,000 --> 00:29:25,800 Speaker 1: from film, TV and song. What does it mean to 557 00:29:25,840 --> 00:29:29,000 Speaker 1: you to see your performance dress on display? And I 558 00:29:29,040 --> 00:29:31,640 Speaker 1: think it's on a cover of one of your albums too. 559 00:29:32,160 --> 00:29:32,760 Speaker 4: It is. 560 00:29:34,400 --> 00:29:37,680 Speaker 7: That purple amethyst gown and it's, by the way, the 561 00:29:37,800 --> 00:29:39,280 Speaker 7: designer is Halston. 562 00:29:39,640 --> 00:29:44,160 Speaker 1: Oh my goodness, oh for all of our listeners real Halston. Wow. 563 00:29:44,960 --> 00:29:48,880 Speaker 7: Yeah, he doesn't exist anymore, but his name does and 564 00:29:49,360 --> 00:29:50,040 Speaker 7: his brand. 565 00:29:50,480 --> 00:29:53,200 Speaker 1: Oh and there's perfume. I bet that Perfumes still out 566 00:29:53,240 --> 00:29:54,200 Speaker 1: there to Halston. 567 00:29:54,440 --> 00:29:58,960 Speaker 7: Oh, it's on the cover of Come See About Me. Yes, 568 00:29:59,480 --> 00:30:03,040 Speaker 7: I think that came out on Capitol Records, and I 569 00:30:03,160 --> 00:30:04,640 Speaker 7: wore that gown as the cover. 570 00:30:05,240 --> 00:30:07,920 Speaker 1: Well, Frida, can you share with us and our listeners, 571 00:30:08,080 --> 00:30:10,880 Speaker 1: how important is Black History Month to you? I mean 572 00:30:11,240 --> 00:30:14,040 Speaker 1: tell us because I'm thinking, how can young people benefit 573 00:30:14,280 --> 00:30:15,680 Speaker 1: from Black History Month? 574 00:30:16,160 --> 00:30:19,280 Speaker 7: Well, some of these young people they don't really, to 575 00:30:19,400 --> 00:30:21,640 Speaker 7: tell you, the truth is kind of sad because a 576 00:30:21,720 --> 00:30:26,200 Speaker 7: lot of young people they don't really appreciate the real, 577 00:30:26,760 --> 00:30:31,040 Speaker 7: deep significance of Black history because right now. 578 00:30:31,360 --> 00:30:33,440 Speaker 4: They've never experienced discrimination. 579 00:30:34,200 --> 00:30:39,280 Speaker 7: Yeah, they've never experienced hatred other than just you know, 580 00:30:39,480 --> 00:30:43,600 Speaker 7: somebody bullies you or whatever. You know, but nowadays, you know, 581 00:30:43,960 --> 00:30:46,800 Speaker 7: you don't hear much about that nowadays, of course you 582 00:30:46,920 --> 00:30:49,920 Speaker 7: do now and then, like if some kids want to 583 00:30:50,000 --> 00:30:53,640 Speaker 7: be nasty or bully and you're in a like a 584 00:30:53,800 --> 00:30:58,000 Speaker 7: really white neighborhood and they want to bully you because 585 00:30:58,040 --> 00:31:01,240 Speaker 7: they're thinking, well, what is this block doing in our block? 586 00:31:01,400 --> 00:31:04,000 Speaker 7: You know that kind of thing, and that still exists. 587 00:31:04,120 --> 00:31:05,960 Speaker 7: You know, It's funny thing I live in where I 588 00:31:06,080 --> 00:31:09,560 Speaker 7: live in Encino, I don't think there's a black family 589 00:31:09,760 --> 00:31:10,720 Speaker 7: on the whole block. 590 00:31:11,080 --> 00:31:14,000 Speaker 1: You know Michael Jackson and his family lived in Encino 591 00:31:14,320 --> 00:31:15,240 Speaker 1: for decades. 592 00:31:15,360 --> 00:31:18,160 Speaker 7: Well around the block. I live around the block from there, 593 00:31:18,720 --> 00:31:20,280 Speaker 7: from the Jackson compound. 594 00:31:21,080 --> 00:31:23,520 Speaker 1: Yeah, well then you knew, no. So let me ask 595 00:31:23,600 --> 00:31:26,760 Speaker 1: this one question, this one last question to you. I mean, 596 00:31:26,800 --> 00:31:30,320 Speaker 1: you are so positive and upbeat as an entertainer. What 597 00:31:30,880 --> 00:31:34,320 Speaker 1: is the best advice someone gave you, maybe early on 598 00:31:34,720 --> 00:31:37,200 Speaker 1: or in your mid career, that you carry with you 599 00:31:37,680 --> 00:31:40,320 Speaker 1: to this day? And why does it mean so much 600 00:31:40,480 --> 00:31:42,600 Speaker 1: to you? Share it with our listeners because it may 601 00:31:42,680 --> 00:31:43,640 Speaker 1: help all of us too. 602 00:31:44,080 --> 00:31:50,840 Speaker 7: Oh wow, that's you know, it sounds like an easy question. 603 00:31:50,880 --> 00:31:52,440 Speaker 8: But it's not provoking. 604 00:31:52,760 --> 00:31:56,440 Speaker 7: Yes, yes, it is not provoking, you know, instead of 605 00:31:56,640 --> 00:31:59,400 Speaker 7: like it's not just one person, it's just maybe a 606 00:31:59,480 --> 00:32:03,360 Speaker 7: couple of people. My mother's one because she always felt like, 607 00:32:03,800 --> 00:32:05,320 Speaker 7: you know, she was old fashioned. 608 00:32:05,720 --> 00:32:07,160 Speaker 8: She came from the old school. 609 00:32:07,840 --> 00:32:10,480 Speaker 7: Always be a lady, never lower. 610 00:32:10,320 --> 00:32:12,760 Speaker 4: Your standards or anything like that. 611 00:32:13,280 --> 00:32:15,560 Speaker 7: And it's so funny thing I remember once I had 612 00:32:15,600 --> 00:32:18,640 Speaker 7: an aunt. She's long gone now, you know, but she 613 00:32:18,880 --> 00:32:21,440 Speaker 7: was of course older. She was an older aunt on 614 00:32:21,600 --> 00:32:25,240 Speaker 7: my mother's side, and she was one of those no nonsense, 615 00:32:25,320 --> 00:32:28,600 Speaker 7: I'm not taking any any mess, you know what, I 616 00:32:28,720 --> 00:32:32,560 Speaker 7: mean she was tough, and she said, you know, never 617 00:32:32,760 --> 00:32:36,200 Speaker 7: ever let anybody talk you into doing something that you 618 00:32:36,280 --> 00:32:38,160 Speaker 7: don't feel is right in your gut. 619 00:32:38,400 --> 00:32:41,440 Speaker 4: I like it, like sometimes you know it's wrong. 620 00:32:41,640 --> 00:32:44,320 Speaker 7: But you do it anyway because you feel like if 621 00:32:44,360 --> 00:32:46,560 Speaker 7: I don't, I'm going to lose the friendship. 622 00:32:46,200 --> 00:32:46,920 Speaker 8: Of this person. 623 00:32:47,480 --> 00:32:48,160 Speaker 4: You know what I'm saying. 624 00:32:48,400 --> 00:32:50,840 Speaker 1: I hear you loud and Clara, you know free. I 625 00:32:50,920 --> 00:32:54,360 Speaker 1: cannot believe how quickly our time has passed together. It's 626 00:32:54,680 --> 00:32:57,160 Speaker 1: just been a real pleasure having you once again here 627 00:32:57,320 --> 00:33:00,479 Speaker 1: on Hollywoods Hidden Treasures in her final moments together. Can 628 00:33:00,520 --> 00:33:02,760 Speaker 1: you tell our listeners how they can follow you on 629 00:33:02,960 --> 00:33:04,320 Speaker 1: Facebook or Instagram? 630 00:33:04,880 --> 00:33:10,160 Speaker 7: You can follow me on I amfreeapaying dot net and 631 00:33:10,600 --> 00:33:12,360 Speaker 7: also free topain dot com. 632 00:33:12,720 --> 00:33:16,080 Speaker 1: Okay, well, Freda Payin. Thank you so much for joining 633 00:33:16,200 --> 00:33:19,400 Speaker 1: us today. We've all loved your stories. Thanks for sharing. 634 00:33:19,720 --> 00:33:20,360 Speaker 7: You're welcome. 635 00:33:20,520 --> 00:33:22,680 Speaker 1: Okay, Well, we have to take a quick break. You're 636 00:33:22,720 --> 00:33:25,800 Speaker 1: listening to Hollywood's Hidden Treasures. I'm Denel Daddigan, and when 637 00:33:25,840 --> 00:33:28,440 Speaker 1: we return, we'll be speaking with Tyrone du Bois. He 638 00:33:28,640 --> 00:33:32,760 Speaker 1: is America's premier R and B historian. You're listening to 639 00:33:32,800 --> 00:33:36,560 Speaker 1: Hollywood's Hidden Treasures. We've got lots to talk about. Welcome back. 640 00:33:36,560 --> 00:33:39,480 Speaker 1: You're listening to Hollywoods Hidden Treasures. I'm Denel Daddigan and 641 00:33:39,640 --> 00:33:42,920 Speaker 1: joining us now is Tyrone de Bois, the award winning 642 00:33:43,040 --> 00:33:47,880 Speaker 1: radio show host, actor, voice artist, television contributor who continues 643 00:33:48,000 --> 00:33:51,920 Speaker 1: to rain as America's premier R and B historian and 644 00:33:52,120 --> 00:33:55,600 Speaker 1: author of the Four Seasons of R and B top 645 00:33:55,760 --> 00:33:59,240 Speaker 1: ten picks of the greatest singers and groups of nineteen 646 00:33:59,360 --> 00:34:02,920 Speaker 1: sixties through nineteen nineties. You know, Tyrone's book is an 647 00:34:03,080 --> 00:34:05,720 Speaker 1: Amazon best selling book, and it has reached the top 648 00:34:05,800 --> 00:34:10,000 Speaker 1: ten on Amazon not once, but twice, and it continues 649 00:34:10,080 --> 00:34:12,640 Speaker 1: to rate in the top five of best selling books 650 00:34:12,719 --> 00:34:17,400 Speaker 1: on Amazon. Well, congratulations, hey, Tyrone, Welcome to Hollywoods Hidden Treasures. 651 00:34:17,760 --> 00:34:20,400 Speaker 2: Donelle readings and alliutations to you. Just let me make 652 00:34:20,440 --> 00:34:22,520 Speaker 2: it clear to you as well as all those people 653 00:34:22,600 --> 00:34:24,880 Speaker 2: out there, if I have a choice to make between 654 00:34:25,040 --> 00:34:28,800 Speaker 2: speaking to you or speaking to Beyonce, Beyonce will have 655 00:34:28,960 --> 00:34:30,680 Speaker 2: to wait. We'll always come fard. 656 00:34:31,760 --> 00:34:33,600 Speaker 1: Oh well, thank you, Tyrone. I mean, we had a 657 00:34:33,640 --> 00:34:35,600 Speaker 1: great time the other evening, I have to say, at 658 00:34:35,640 --> 00:34:37,880 Speaker 1: the museum, So I'm just thrilled you said that and 659 00:34:38,000 --> 00:34:40,840 Speaker 1: you have made Well, it's not just my day. I 660 00:34:40,880 --> 00:34:43,479 Speaker 1: don't think it's my week. I think it's my month 661 00:34:43,560 --> 00:34:46,919 Speaker 1: or year. Wow. What a statement. Thanks Wow. 662 00:34:48,200 --> 00:34:49,640 Speaker 2: I just want to tell you real quick to be here. 663 00:34:49,719 --> 00:34:52,200 Speaker 2: We get started. I'd say to you, I cannot thank 664 00:34:52,280 --> 00:34:55,480 Speaker 2: you enough for having all of us there at the 665 00:34:55,520 --> 00:35:00,239 Speaker 2: Hollywood Museum. What you do, not only for all people 666 00:35:00,320 --> 00:35:03,080 Speaker 2: in the energyman aspect, so particularly for Black History Month, 667 00:35:03,239 --> 00:35:06,840 Speaker 2: was something that was rare and so well done. I 668 00:35:07,000 --> 00:35:09,200 Speaker 2: just can't thank you enough. I was honored to be there, 669 00:35:09,360 --> 00:35:11,440 Speaker 2: as well as many of the other stars that were there. 670 00:35:11,680 --> 00:35:13,440 Speaker 1: Well, thank you Tyrone for saying that. I got to 671 00:35:13,480 --> 00:35:15,680 Speaker 1: tell you, the exhibit is so popular. I mean with 672 00:35:15,920 --> 00:35:18,680 Speaker 1: so many different folks involved. I mean whether it's Michael 673 00:35:18,760 --> 00:35:22,360 Speaker 1: Jackson or Whitney Houston, or Diana Ross or Sammy Davis Junior, 674 00:35:22,560 --> 00:35:25,319 Speaker 1: your point of view, the Pointer Sisters, Natalie Cole, Earth, 675 00:35:25,320 --> 00:35:27,880 Speaker 1: the kit we go down the list, you know, Denzel Washington, 676 00:35:28,000 --> 00:35:30,839 Speaker 1: everyone in Queen Latifah. This exhibit has been held over 677 00:35:31,000 --> 00:35:33,680 Speaker 1: and it will be held over till summertime. I believe 678 00:35:33,760 --> 00:35:36,680 Speaker 1: it's really quite something. It was a fun exhibit and 679 00:35:36,760 --> 00:35:40,040 Speaker 1: a fabulous evening. So let me just ask you the question. 680 00:35:40,520 --> 00:35:44,239 Speaker 1: We had these performance costumes on display, as we were saying, 681 00:35:44,360 --> 00:35:48,400 Speaker 1: worn by Michael Jackson, the Pointer Sisters, Whitney Houston, Sammy 682 00:35:48,520 --> 00:35:52,120 Speaker 1: Davis Junior, Diana Ross, Natalie Cole, and Eartha kit You know, 683 00:35:52,320 --> 00:35:55,640 Speaker 1: as America's premier R and B historian, how would you 684 00:35:55,800 --> 00:36:00,160 Speaker 1: describe the styles and sounds of these amazing performers? Are 685 00:36:00,200 --> 00:36:03,640 Speaker 1: there any similarities? Was there a certain style or sound 686 00:36:03,719 --> 00:36:06,040 Speaker 1: that these megastars especially liked? 687 00:36:06,480 --> 00:36:10,000 Speaker 2: What was unique about all of these people in which 688 00:36:10,040 --> 00:36:13,040 Speaker 2: you named, particularly with their costumes and the things in 689 00:36:13,120 --> 00:36:15,480 Speaker 2: which they dressed. What they did was they didn't make 690 00:36:15,520 --> 00:36:19,680 Speaker 2: their dressing of themselves relevant. They reinvented the addressing of 691 00:36:19,800 --> 00:36:22,680 Speaker 2: what they saw in years past. That's what made it 692 00:36:22,840 --> 00:36:25,320 Speaker 2: unique to me. It was a little bit of dowgia 693 00:36:25,440 --> 00:36:28,400 Speaker 2: in everyone's costumes that you saw, no matter whether it 694 00:36:28,520 --> 00:36:31,080 Speaker 2: was Fleet of Pane and Pointer Sisters or Diana Ross 695 00:36:31,160 --> 00:36:34,480 Speaker 2: as you mentioned, all of these costumes are all the 696 00:36:34,560 --> 00:36:37,160 Speaker 2: things in which I saw were in large part a 697 00:36:37,280 --> 00:36:40,640 Speaker 2: bit of nostalgia from years past and created a trend 698 00:36:40,800 --> 00:36:41,760 Speaker 2: for the present. 699 00:36:42,000 --> 00:36:44,000 Speaker 1: Well, I appreciate you saying that we know we try 700 00:36:44,040 --> 00:36:46,320 Speaker 1: our hardest and we love what we do at the museum. 701 00:36:46,440 --> 00:36:49,080 Speaker 1: It's so much fun curating these exhibits, you know, and 702 00:36:49,280 --> 00:36:52,719 Speaker 1: our goal is not only to entertain our visitors, but 703 00:36:52,880 --> 00:36:55,080 Speaker 1: for them to walk away with having some knowledge. 704 00:36:55,480 --> 00:36:59,040 Speaker 2: They now walked away with knowledge, they walked away with appreciation. 705 00:36:59,239 --> 00:37:02,680 Speaker 2: Don Elle. It is rare that we see some collective 706 00:37:03,000 --> 00:37:07,080 Speaker 2: memory of such nostalgic shows that were a very important 707 00:37:07,120 --> 00:37:09,800 Speaker 2: part of all of our lives, particularly the one with 708 00:37:10,040 --> 00:37:13,560 Speaker 2: Ernest and Heywood and Fred Barry from Oh Yes, Yes, 709 00:37:14,360 --> 00:37:17,480 Speaker 2: that was major. And these people aren't forgotten. A lot 710 00:37:17,520 --> 00:37:19,759 Speaker 2: of times people would think that these people of the 711 00:37:19,840 --> 00:37:23,120 Speaker 2: past are forgotten or have moved on. They really haven't. 712 00:37:23,280 --> 00:37:25,800 Speaker 2: And thanks to you, you once again brought back the 713 00:37:25,920 --> 00:37:29,759 Speaker 2: importance of what it takes to celebrate these people and 714 00:37:29,880 --> 00:37:31,800 Speaker 2: it means a lot, and it's been a lots of 715 00:37:31,840 --> 00:37:32,680 Speaker 2: them as well. 716 00:37:32,760 --> 00:37:35,520 Speaker 1: I appreciate that. I appreciate that so much. And as 717 00:37:35,600 --> 00:37:38,320 Speaker 1: I said, we just love what we do, so nothing's 718 00:37:38,320 --> 00:37:40,800 Speaker 1: too much for us to do and accomplish. So thank you, 719 00:37:40,960 --> 00:37:43,040 Speaker 1: thank you, Thank you on all the kids from the 720 00:37:43,080 --> 00:37:45,879 Speaker 1: Hollywood Museum, thank you too. You know, Tyrone, I want 721 00:37:45,920 --> 00:37:48,120 Speaker 1: to ask you a question about your book, The Four 722 00:37:48,200 --> 00:37:50,640 Speaker 1: Seasons of r and B. You know, top ten picks 723 00:37:50,719 --> 00:37:54,080 Speaker 1: the greatest singers and groups from nineteen sixty to nineteen ninety. 724 00:37:54,200 --> 00:37:56,960 Speaker 1: It's like an encyclopedia of R and B. I mean, 725 00:37:57,280 --> 00:38:01,000 Speaker 1: how long did it take you to create this? My goodness, 726 00:38:01,120 --> 00:38:02,360 Speaker 1: it's so comprehensive. 727 00:38:02,560 --> 00:38:04,479 Speaker 2: Thank you for that. One of the things that helped 728 00:38:04,520 --> 00:38:07,040 Speaker 2: me a great deal was I was right when COVID began, 729 00:38:07,120 --> 00:38:09,680 Speaker 2: and I remember talking to a publicist and was asking 730 00:38:09,760 --> 00:38:13,560 Speaker 2: her for advice, and she said, to Ern, you're legitimized 731 00:38:13,760 --> 00:38:16,520 Speaker 2: as an R and B historian on television and around 732 00:38:16,560 --> 00:38:19,840 Speaker 2: the country. She said, outiver, but a book would solidify you, 733 00:38:20,280 --> 00:38:22,759 Speaker 2: and you know, people would have something to go to. 734 00:38:23,320 --> 00:38:25,400 Speaker 2: And so, you know, during COVID, of course, we were 735 00:38:25,440 --> 00:38:28,080 Speaker 2: all trying to find our way, and I thought that, 736 00:38:28,360 --> 00:38:30,960 Speaker 2: you know, I was preparing myself for when COVID was 737 00:38:31,040 --> 00:38:34,280 Speaker 2: over by writing the book. And that's how it began 738 00:38:34,440 --> 00:38:37,279 Speaker 2: for me. And every day I just kept saying, I'm 739 00:38:37,360 --> 00:38:39,680 Speaker 2: going to do a page a day, and then I 740 00:38:39,800 --> 00:38:42,600 Speaker 2: just needed to figure out how, you know, to be different. 741 00:38:42,760 --> 00:38:44,920 Speaker 2: That was the number one thing. And I could hear 742 00:38:45,160 --> 00:38:49,280 Speaker 2: my mentor of mister K. G. Kasem in my my saying, 743 00:38:49,680 --> 00:38:52,120 Speaker 2: you know, to do it a certain way, and it 744 00:38:52,200 --> 00:38:53,719 Speaker 2: kind of helped me a great deal. Being in the 745 00:38:53,760 --> 00:38:55,920 Speaker 2: Hall of Fame just meant so much to me in 746 00:38:56,000 --> 00:38:58,719 Speaker 2: that regard, and knowing that he would have loved to 747 00:38:58,760 --> 00:38:59,160 Speaker 2: have been there. 748 00:38:59,239 --> 00:39:02,960 Speaker 1: I got to share with you Casey Cassem's wife, Jeanie Casem, 749 00:39:03,000 --> 00:39:05,479 Speaker 1: if she were in the studio today, she'd be saying 750 00:39:05,520 --> 00:39:07,759 Speaker 1: hello to you. Let me just tell you, she really 751 00:39:07,960 --> 00:39:10,160 Speaker 1: enjoys you. So this is just wonderful. I mean, it's 752 00:39:10,200 --> 00:39:13,640 Speaker 1: so exciting because again, this is all about history going backwards, 753 00:39:13,719 --> 00:39:16,520 Speaker 1: going forwards, and you know, these great groups, you know, 754 00:39:16,600 --> 00:39:18,640 Speaker 1: they just didn't come on the scene. They all were 755 00:39:18,760 --> 00:39:22,160 Speaker 1: inspired with something that happened before them. And that's what 756 00:39:22,320 --> 00:39:24,279 Speaker 1: I really liked about your book because all of a 757 00:39:24,320 --> 00:39:27,600 Speaker 1: sudden I could start seeing similarities between the different groups 758 00:39:27,800 --> 00:39:28,920 Speaker 1: that I never thought about. 759 00:39:29,480 --> 00:39:33,480 Speaker 2: Yeah, ironically, you know, someone had to develop they had 760 00:39:33,520 --> 00:39:35,920 Speaker 2: to develop a certain sound, and they had to figure 761 00:39:35,960 --> 00:39:38,400 Speaker 2: out a reason it made them different as well. And 762 00:39:38,520 --> 00:39:40,640 Speaker 2: remember in the sixties and seventies, it was based upon 763 00:39:40,800 --> 00:39:44,000 Speaker 2: radio airplay, not based on While sales was played with 764 00:39:44,120 --> 00:39:46,719 Speaker 2: somewhat of a role in it, it was really based 765 00:39:46,800 --> 00:39:49,600 Speaker 2: upon you know, radio airplay for a lot of these places, 766 00:39:49,680 --> 00:39:52,600 Speaker 2: and it was very important for people to find themselves. 767 00:39:52,600 --> 00:39:55,279 Speaker 2: Whether it was flying the family Stone, whether it was 768 00:39:55,440 --> 00:39:58,560 Speaker 2: James Brown in seventies, whether it was Diana Ross. There's 769 00:39:58,600 --> 00:40:01,480 Speaker 2: so much trivia and so many of these memories that 770 00:40:01,520 --> 00:40:04,400 Speaker 2: are a vital part of not just African American history, 771 00:40:04,520 --> 00:40:05,920 Speaker 2: but American music history. 772 00:40:06,160 --> 00:40:09,120 Speaker 1: Oh for sure. Well, you know you are America's leading 773 00:40:09,280 --> 00:40:11,600 Speaker 1: R and B history And let's be honest, can you 774 00:40:11,719 --> 00:40:16,239 Speaker 1: share with us what obstacles did black entertainers face over 775 00:40:16,320 --> 00:40:19,560 Speaker 1: the years and how has it changed? Is it better now? 776 00:40:20,120 --> 00:40:23,040 Speaker 2: The obstacles in which they faced was if you begin 777 00:40:23,320 --> 00:40:25,880 Speaker 2: in the nineteen forties, it was called raceut and a 778 00:40:25,960 --> 00:40:28,480 Speaker 2: lot of times there were many stations that simply wouldn't 779 00:40:28,480 --> 00:40:31,719 Speaker 2: play you know, African American music. As time went on, 780 00:40:32,160 --> 00:40:34,120 Speaker 2: and just to give you a perfect example, in the 781 00:40:34,320 --> 00:40:37,400 Speaker 2: nineteen fifties, R and B music began to, you know, 782 00:40:37,560 --> 00:40:39,960 Speaker 2: take a bit of form. And on the R and 783 00:40:40,080 --> 00:40:42,440 Speaker 2: B charts of the nineteen the number one R and 784 00:40:42,560 --> 00:40:46,640 Speaker 2: B act was Bad Domino by a mile, well believe 785 00:40:46,680 --> 00:40:49,480 Speaker 2: it or number second biggest act on the R and 786 00:40:49,600 --> 00:40:52,920 Speaker 2: B charts was none other than Elvis Presley, who reached 787 00:40:52,960 --> 00:40:55,480 Speaker 2: number one several times on the R and B charts 788 00:40:55,480 --> 00:40:59,400 Speaker 2: as well. So the beginning of the invention of R 789 00:40:59,440 --> 00:41:01,960 Speaker 2: and B music was the importance of crossing over to 790 00:41:02,080 --> 00:41:04,759 Speaker 2: the pop charts. That was the most important thing, which 791 00:41:04,800 --> 00:41:07,120 Speaker 2: meant that both white and blacks were buying your music 792 00:41:07,200 --> 00:41:10,279 Speaker 2: and it didn't become race music anymore. This became intertwined 793 00:41:10,640 --> 00:41:13,320 Speaker 2: and some of the biggest artists in R and B history, 794 00:41:13,400 --> 00:41:15,800 Speaker 2: believe it or not, competed with the Beatles. For example, 795 00:41:15,920 --> 00:41:19,320 Speaker 2: three times the Beatles reached number one, and three times 796 00:41:19,400 --> 00:41:21,799 Speaker 2: Diana Ross and the Supremes knocked them off. 797 00:41:22,120 --> 00:41:27,480 Speaker 1: Of course they did. We love Diana Ross and the Supremes. Wow, indeed, wow. 798 00:41:27,880 --> 00:41:30,400 Speaker 2: I think makes it was so important. You know, R 799 00:41:30,400 --> 00:41:33,640 Speaker 2: and B music had to find its footing into mainstream 800 00:41:33,960 --> 00:41:35,920 Speaker 2: and the only way that was going to happen is 801 00:41:36,040 --> 00:41:38,080 Speaker 2: if it crossed over to the pop charts. 802 00:41:38,360 --> 00:41:41,920 Speaker 1: Well, you know, in February, we've been celebrating Black History 803 00:41:41,960 --> 00:41:44,320 Speaker 1: Month and at the Hollywood Museum with our exhibit this 804 00:41:44,440 --> 00:41:47,160 Speaker 1: joint is Jumping. We're going to keep it over due 805 00:41:47,160 --> 00:41:50,560 Speaker 1: to popular demand until the end of May. You know, 806 00:41:50,680 --> 00:41:53,320 Speaker 1: we've been celebrating Black History Month with this exhibit. What 807 00:41:53,560 --> 00:41:54,759 Speaker 1: does this mean to you? 808 00:41:55,360 --> 00:41:57,640 Speaker 2: I'll tell you, Donnelle, and I really named this from 809 00:41:57,719 --> 00:41:59,279 Speaker 2: the bottom of my heart. I know we've been friends 810 00:41:59,320 --> 00:42:01,520 Speaker 2: for years, but I had a sense of pride like 811 00:42:01,760 --> 00:42:04,520 Speaker 2: so many other people there. But it wasn't just a 812 00:42:04,640 --> 00:42:06,920 Speaker 2: race of people, It was a world of people who 813 00:42:07,000 --> 00:42:09,560 Speaker 2: were all there to celebrate a very important part of 814 00:42:10,120 --> 00:42:13,480 Speaker 2: not just Black history, but American history. And being able 815 00:42:13,560 --> 00:42:16,120 Speaker 2: to see all of us come together in one place 816 00:42:16,200 --> 00:42:19,960 Speaker 2: and of course recognize the importance of this music and 817 00:42:20,280 --> 00:42:23,480 Speaker 2: the genre of not just music, but the films, you know, 818 00:42:23,719 --> 00:42:27,839 Speaker 2: the movies, the television shows, all of these these were 819 00:42:27,960 --> 00:42:31,800 Speaker 2: very important. And thanks to you with this absolute awesome 820 00:42:32,080 --> 00:42:34,920 Speaker 2: thing in which you did. I mean, you reminded full 821 00:42:34,960 --> 00:42:37,080 Speaker 2: of us not only about a part of our past, 822 00:42:37,200 --> 00:42:40,200 Speaker 2: but what could very well come again hopefully in our future. 823 00:42:40,440 --> 00:42:43,279 Speaker 1: Oh absolutely, in our final moments together. Let me just 824 00:42:43,400 --> 00:42:45,920 Speaker 1: ask you a question. Tell me briefly, what do you 825 00:42:46,040 --> 00:42:47,640 Speaker 1: consider your greatest moment. 826 00:42:48,120 --> 00:42:52,400 Speaker 2: I would say my greatest moment was being inducted into 827 00:42:52,600 --> 00:42:57,160 Speaker 2: the California Music Hall of Fame. Yes, it didn't validate me, 828 00:42:57,360 --> 00:42:59,640 Speaker 2: it vindicated me so all of the hard work in 829 00:42:59,719 --> 00:43:02,719 Speaker 2: which done for so long, and that meant more to 830 00:43:02,840 --> 00:43:07,160 Speaker 2: me than anything, and I cannot thank so many people 831 00:43:07,320 --> 00:43:10,279 Speaker 2: enough of you know, using me and choosing me as 832 00:43:10,400 --> 00:43:13,800 Speaker 2: one of those people who study and preserve R and 833 00:43:13,920 --> 00:43:16,320 Speaker 2: B history. I did exactly what mister Kasum told me. 834 00:43:16,360 --> 00:43:19,600 Speaker 2: I never called him kapy, always domistic, casey, but it 835 00:43:19,800 --> 00:43:23,040 Speaker 2: was so important for me to preserve that. He was 836 00:43:23,120 --> 00:43:26,480 Speaker 2: the one who actually told me to switch over to 837 00:43:26,840 --> 00:43:29,000 Speaker 2: R and B music. I knew the pop charts because 838 00:43:29,040 --> 00:43:30,520 Speaker 2: as a child I used to listen to him as 839 00:43:30,560 --> 00:43:33,560 Speaker 2: a teenager, and so he told me to make the switch, 840 00:43:33,640 --> 00:43:34,160 Speaker 2: and I did. 841 00:43:34,640 --> 00:43:35,080 Speaker 7: I love it. 842 00:43:35,200 --> 00:43:37,360 Speaker 2: I love it. Well, what belongs to me belongs to 843 00:43:37,440 --> 00:43:37,920 Speaker 2: him as well. 844 00:43:38,239 --> 00:43:41,799 Speaker 1: Oh my goodness, Well, Tyrone, it's been a pleasure having 845 00:43:41,840 --> 00:43:44,480 Speaker 1: you once again here on Hollywood Hidden Treasures in our 846 00:43:44,560 --> 00:43:47,160 Speaker 1: final moments together. Please tell our listeners how they can 847 00:43:47,239 --> 00:43:47,680 Speaker 1: follow you. 848 00:43:48,080 --> 00:43:50,880 Speaker 2: Yes, indeed, they can follow me on all social media 849 00:43:50,960 --> 00:43:54,480 Speaker 2: platforms at Tyrone du bosc or they can go to 850 00:43:54,560 --> 00:43:57,040 Speaker 2: my website at R andbistorian dot com. 851 00:43:57,280 --> 00:44:00,440 Speaker 1: Well, thank you, Tyrone, it's been a pleasure having today 852 00:44:00,480 --> 00:44:03,279 Speaker 1: here on Hollywood Hidden Treasures. I'm so thankful that you 853 00:44:03,360 --> 00:44:06,240 Speaker 1: were able to join us and we all loved your stories. 854 00:44:06,320 --> 00:44:07,120 Speaker 1: Thanks for sharing. 855 00:44:07,320 --> 00:44:09,880 Speaker 2: Thank you very much and more importantly, your class act. 856 00:44:09,960 --> 00:44:11,960 Speaker 2: You've always been great to everyone. Thank you for always 857 00:44:11,960 --> 00:44:12,440 Speaker 2: being well. 858 00:44:12,560 --> 00:44:15,879 Speaker 1: Thank you, Tyrone, and so are you. My goodness, oh my, well, 859 00:44:16,160 --> 00:44:18,080 Speaker 1: we have to take a quick break when we return. 860 00:44:18,239 --> 00:44:22,120 Speaker 1: Joining us the award winning television news anchor Christine Divine 861 00:44:22,320 --> 00:44:25,800 Speaker 1: of the five and ten pm weeknight News on Fox 862 00:44:25,880 --> 00:44:29,080 Speaker 1: eleven in Los Angeles. She's won nineteen Emmys. I won't 863 00:44:29,120 --> 00:44:31,160 Speaker 1: see any more and you won't want to miss this 864 00:44:31,320 --> 00:44:34,840 Speaker 1: next segment. I can hardly wait. Stay tuned to Hollywood's 865 00:44:34,880 --> 00:44:38,279 Speaker 1: Hidden Treasures. We've got lots to talk about. Welcome back. 866 00:44:38,320 --> 00:44:40,840 Speaker 1: You're listening to Hollywoods Hidden Treasures. I'm to no dadding 867 00:44:40,880 --> 00:44:42,560 Speaker 1: and and joining us is a great friend of the 868 00:44:42,600 --> 00:44:47,440 Speaker 1: Hollywood Museum. The award winning television news anchor Christine Divine 869 00:44:47,680 --> 00:44:51,200 Speaker 1: of the five and ten pm weeknight News on Fox 870 00:44:51,280 --> 00:44:53,760 Speaker 1: eleven in Los Angeles. You know she is the winner 871 00:44:53,880 --> 00:44:58,440 Speaker 1: of nineteen Emmys, the Governor's Award from the National Academy 872 00:44:58,480 --> 00:45:01,800 Speaker 1: of Television, Arts and Science, This is Lifetime Achievement Award 873 00:45:01,880 --> 00:45:05,800 Speaker 1: from Radio and Television News Association, and the President's Award 874 00:45:06,000 --> 00:45:09,279 Speaker 1: for Impact on Media from the Los Angeles Press Club, 875 00:45:09,480 --> 00:45:12,439 Speaker 1: and she's won so many more prestigious awards. I can't 876 00:45:12,480 --> 00:45:14,560 Speaker 1: even list them all here in Hollywood and on the 877 00:45:14,680 --> 00:45:17,359 Speaker 1: national scene. You know, Christine is active in the Los 878 00:45:17,400 --> 00:45:21,520 Speaker 1: Angeles community and in Hollywood. Christine has been honored before 879 00:45:21,760 --> 00:45:25,520 Speaker 1: the Los Angeles City Council, LA County Board of Supervisors, 880 00:45:25,680 --> 00:45:29,600 Speaker 1: the Los Angeles Police Department, and the LA County Sheriff's Department. 881 00:45:29,840 --> 00:45:31,720 Speaker 1: Believe me, this is just the tip of the iceberg. 882 00:45:31,800 --> 00:45:33,840 Speaker 1: There is so much more to Christine, and we're going 883 00:45:33,920 --> 00:45:36,840 Speaker 1: to hear all about it. Well, Hi, Christine Donell. 884 00:45:36,920 --> 00:45:39,160 Speaker 4: That just means I've been around for a long time. 885 00:45:40,600 --> 00:45:42,960 Speaker 1: Now, We've been to me, now, we've been through this before. 886 00:45:43,000 --> 00:45:45,120 Speaker 1: You You are outstanding. I mean, I got to say 887 00:45:45,280 --> 00:45:49,440 Speaker 1: you have an astonishing record breaking number of Emmys, nineteen 888 00:45:49,520 --> 00:45:51,600 Speaker 1: of them for your news coverage, and one of your 889 00:45:51,640 --> 00:45:54,200 Speaker 1: many Emmys is currently on display here at the Hollywood 890 00:45:54,239 --> 00:45:57,000 Speaker 1: Museum in our new exhibition this joined us jump in 891 00:45:57,080 --> 00:46:01,120 Speaker 1: a celebration of black entertainers from film, TV and song. 892 00:46:01,480 --> 00:46:03,160 Speaker 1: What does it mean for you to have one of 893 00:46:03,239 --> 00:46:06,400 Speaker 1: your Emmy gowns and one of your Emmys on display 894 00:46:06,520 --> 00:46:10,240 Speaker 1: in the Hollywood Museum in this special entertainment exhibition dedicated 895 00:46:10,280 --> 00:46:11,279 Speaker 1: to Black History Month. 896 00:46:12,080 --> 00:46:16,959 Speaker 4: Yes, one correction, it's sixteen Emmys, but I'll take the nineteen. Okay, okay, 897 00:46:17,000 --> 00:46:17,879 Speaker 4: you're aim and high. 898 00:46:19,960 --> 00:46:22,640 Speaker 1: Yeah, I'm giving you nineteen. It's okay. 899 00:46:22,960 --> 00:46:23,360 Speaker 7: I love it. 900 00:46:23,600 --> 00:46:26,239 Speaker 4: I love it. Actually, when I saw the display, I 901 00:46:26,520 --> 00:46:29,600 Speaker 4: was shocked that you have my gown and Emmys so 902 00:46:29,800 --> 00:46:33,640 Speaker 4: front and center, but of course fabulous display with icons 903 00:46:33,719 --> 00:46:37,440 Speaker 4: like Denzel Washington and Diana Ross. I mean, just the 904 00:46:37,560 --> 00:46:41,839 Speaker 4: people that you have garments from is incredible. Queen Latifa 905 00:46:42,239 --> 00:46:45,080 Speaker 4: and Lollo Me Hello, Los Angeles News anchor me. 906 00:46:45,760 --> 00:46:47,920 Speaker 1: Don't say that. Don't say that, because during these next 907 00:46:47,960 --> 00:46:50,000 Speaker 1: few segments, our listeners are going to learn a lot 908 00:46:50,080 --> 00:46:51,800 Speaker 1: about you, and I think that they are going to 909 00:46:51,840 --> 00:46:54,279 Speaker 1: be pleasantly pleased and a lot of it. I think 910 00:46:54,360 --> 00:46:57,120 Speaker 1: they kind of knew, but they didn't connect the dots, 911 00:46:57,320 --> 00:46:59,120 Speaker 1: you know. I mean I always think about that. What 912 00:46:59,320 --> 00:47:01,880 Speaker 1: goes through your head when you think about your years 913 00:47:02,200 --> 00:47:05,719 Speaker 1: being so much more than an award winning newscaster. I mean, 914 00:47:05,840 --> 00:47:08,120 Speaker 1: let's be honest, your story is amazing. 915 00:47:08,680 --> 00:47:13,280 Speaker 4: Well, I think we're all complex stories and different chapters 916 00:47:13,320 --> 00:47:16,919 Speaker 4: in our lifetime. So it depends which chapter you're looking 917 00:47:17,000 --> 00:47:19,759 Speaker 4: at Some have been more in the limelight than others, 918 00:47:19,800 --> 00:47:22,960 Speaker 4: some have been in service areas. And you know, my 919 00:47:23,080 --> 00:47:26,600 Speaker 4: new chapter is finding my biological father just two years ago. 920 00:47:26,800 --> 00:47:29,680 Speaker 4: So I think we're all very complex and news we 921 00:47:29,760 --> 00:47:32,080 Speaker 4: have the theory that everybody is a story. 922 00:47:32,600 --> 00:47:33,160 Speaker 8: I like that. 923 00:47:33,320 --> 00:47:35,040 Speaker 1: Can you repeat that again for our listeners? 924 00:47:36,160 --> 00:47:38,280 Speaker 4: You know, our theory is that everybody's got a story 925 00:47:38,400 --> 00:47:41,320 Speaker 4: to tell. I had somebody say to me once, Christine, 926 00:47:41,360 --> 00:47:43,319 Speaker 4: you could sit and talk to a squirrel for two 927 00:47:43,400 --> 00:47:47,360 Speaker 4: hours because everybody's lives are so interesting, you know, like 928 00:47:47,480 --> 00:47:50,399 Speaker 4: how they got to where they are, what were the obstacles, 929 00:47:50,560 --> 00:47:53,000 Speaker 4: what were the tough times, the highs and the lows. 930 00:47:53,040 --> 00:47:56,200 Speaker 4: And that's basically what we do in Los Angeles News. 931 00:47:56,440 --> 00:47:58,240 Speaker 4: We find people with a story. 932 00:47:58,640 --> 00:48:02,000 Speaker 1: Yes, you do. And thirty years, maybe more than thirty years, 933 00:48:02,280 --> 00:48:06,279 Speaker 1: you've hosted Wednesday's Child on Fox eleven News. Yes, for 934 00:48:06,400 --> 00:48:10,200 Speaker 1: your work, you received the Anna Quinlan Award for Philanthropy 935 00:48:10,360 --> 00:48:14,120 Speaker 1: Journalism from the Society of Professional Journalists, and you have 936 00:48:14,239 --> 00:48:17,879 Speaker 1: been honored by the Child Welfare League of America. Can 937 00:48:17,920 --> 00:48:21,360 Speaker 1: you explain to our listeners exactly what Wednesday's Child is 938 00:48:21,719 --> 00:48:24,680 Speaker 1: and tell us why you chose the subject and it 939 00:48:24,920 --> 00:48:27,600 Speaker 1: is just something that people look forward to week in 940 00:48:27,719 --> 00:48:28,319 Speaker 1: and week out. 941 00:48:28,719 --> 00:48:30,840 Speaker 4: Well, Wednesday's Child is for what We also got the 942 00:48:31,000 --> 00:48:33,480 Speaker 4: Governor's Award, which is the highest of the Emmys you 943 00:48:33,560 --> 00:48:35,880 Speaker 4: can get, and that was just the shining moment for us. 944 00:48:35,920 --> 00:48:39,080 Speaker 4: Because Wednesday's Child is a segment, as it's done in 945 00:48:39,320 --> 00:48:43,319 Speaker 4: many other cities. It showcases children in foster care who 946 00:48:43,440 --> 00:48:45,759 Speaker 4: need to be adopted. That's a small percentage because the 947 00:48:45,840 --> 00:48:48,719 Speaker 4: goal is to reunite with your birth family, but there 948 00:48:48,760 --> 00:48:51,400 Speaker 4: are some kids where the court has ruled adoption is 949 00:48:51,480 --> 00:48:54,440 Speaker 4: a better route from foster care to adoption. And we've 950 00:48:54,480 --> 00:48:57,920 Speaker 4: been doing it not so much weekly anymore because COVID 951 00:48:58,000 --> 00:49:00,479 Speaker 4: was a real setback for us and time had changed 952 00:49:00,520 --> 00:49:02,960 Speaker 4: a little bit, but we still focus on children and 953 00:49:03,040 --> 00:49:05,480 Speaker 4: foster care. In fact, some of the kids that I'm 954 00:49:05,520 --> 00:49:08,320 Speaker 4: still in touch with. One just had a baby and 955 00:49:08,400 --> 00:49:10,440 Speaker 4: I went to you touch of your kids. 956 00:49:10,600 --> 00:49:13,239 Speaker 1: This is kind of incredible, Yah, tell us more about this. 957 00:49:13,680 --> 00:49:16,440 Speaker 4: Well, we used to have a reunion at Magic Mountain 958 00:49:16,719 --> 00:49:19,759 Speaker 4: or not very Farm, and that really kept us engaged 959 00:49:19,800 --> 00:49:23,320 Speaker 4: with the families. We'd see them from year on nearon, 960 00:49:23,560 --> 00:49:25,399 Speaker 4: and so that's kind of an entourage where I still 961 00:49:25,440 --> 00:49:28,000 Speaker 4: hear from them. One kid is one of my dog roomers. 962 00:49:28,840 --> 00:49:31,239 Speaker 4: This other young man has stayed in touch, and it 963 00:49:31,400 --> 00:49:33,520 Speaker 4: was just rewarding to see him and all the siblings 964 00:49:33,520 --> 00:49:36,280 Speaker 4: that had been on Wednesday's Child there for his baby shower. 965 00:49:36,360 --> 00:49:37,799 Speaker 4: It was just really a cool chapter. 966 00:49:38,239 --> 00:49:40,040 Speaker 1: Oh my gosh, my gosh. Well, you know, and as 967 00:49:40,120 --> 00:49:42,560 Speaker 1: I was reading about this, I had read that more 968 00:49:42,640 --> 00:49:45,919 Speaker 1: than four hundred and fifty five children have found adoptive 969 00:49:46,000 --> 00:49:47,560 Speaker 1: families through your segment. 970 00:49:47,880 --> 00:49:50,920 Speaker 4: Yes, well, what I really love about Wednesday's Child is 971 00:49:51,000 --> 00:49:54,560 Speaker 4: that it focuses on harder to place cases, such as 972 00:49:54,920 --> 00:49:58,960 Speaker 4: large sibling groups. This young man had himself and three sisters. 973 00:49:59,120 --> 00:50:01,640 Speaker 4: Oh wow, that's a talk order to ask for a 974 00:50:01,719 --> 00:50:06,040 Speaker 4: family to adopt that many children, or special needs for example, 975 00:50:06,440 --> 00:50:09,799 Speaker 4: or older kids that might be even eighteen years old. 976 00:50:10,280 --> 00:50:13,160 Speaker 4: And so what's really cool with social media is the 977 00:50:13,280 --> 00:50:16,399 Speaker 4: kids can find me now. Otherwise before there's always legal 978 00:50:16,520 --> 00:50:19,040 Speaker 4: issues about keeping in touch with children who are wards 979 00:50:19,080 --> 00:50:21,480 Speaker 4: of the state. True, and so I would pretty much 980 00:50:21,600 --> 00:50:23,880 Speaker 4: lose touch with most of them. And now some are 981 00:50:23,960 --> 00:50:26,279 Speaker 4: reaching out on Instagram saying, hey, do you have my 982 00:50:26,440 --> 00:50:30,760 Speaker 4: segment from twenty five years ago? And that's really cool. 983 00:50:31,280 --> 00:50:34,319 Speaker 1: Oh, it certainly is. Oh my gosh, Well, I'm going 984 00:50:34,400 --> 00:50:37,040 Speaker 1: to just kind of flip to another subject. What's the 985 00:50:37,160 --> 00:50:41,239 Speaker 1: best advice that someone gave you that you carry with 986 00:50:41,360 --> 00:50:44,239 Speaker 1: you to this day And why does that advice mean 987 00:50:44,320 --> 00:50:45,640 Speaker 1: so much to you? Do you follow it? 988 00:50:46,520 --> 00:50:48,480 Speaker 4: I've read a Dale Carnegie book when I was in. 989 00:50:48,600 --> 00:50:52,160 Speaker 1: High school and how to Win Friends and Influence people. 990 00:50:52,680 --> 00:50:54,879 Speaker 4: I love that book because it really teaches you how 991 00:50:55,000 --> 00:50:59,160 Speaker 4: to care about I think, other people and engage into 992 00:50:59,200 --> 00:51:02,960 Speaker 4: what matters with them, through them, for them, by them, 993 00:51:03,160 --> 00:51:05,319 Speaker 4: and not so much about self. But I also live 994 00:51:05,360 --> 00:51:08,160 Speaker 4: by the motto to whom much is given, much is expected. 995 00:51:08,680 --> 00:51:11,919 Speaker 4: My mother and stepfather, Yeah, they both lived in third 996 00:51:11,960 --> 00:51:14,280 Speaker 4: world countries, and I feel just being in the United 997 00:51:14,320 --> 00:51:17,160 Speaker 4: States much is given to all of us, and so 998 00:51:17,239 --> 00:51:19,040 Speaker 4: I feel like we have an obligation to be of 999 00:51:19,120 --> 00:51:21,800 Speaker 4: service in some way to someone somewhere. 1000 00:51:22,400 --> 00:51:25,560 Speaker 1: So who inspired you to want to do something extraordinary 1001 00:51:25,800 --> 00:51:28,279 Speaker 1: in the entertainment business? I mean, did you always want 1002 00:51:28,320 --> 00:51:29,279 Speaker 1: to be a newscastros? 1003 00:51:29,800 --> 00:51:32,520 Speaker 4: My parents, mom and stepfather who adopted me, by the way, 1004 00:51:33,520 --> 00:51:36,080 Speaker 4: they were both educators and they've both had been in 1005 00:51:36,120 --> 00:51:38,680 Speaker 4: a peace corps. So that's where the service mind comes 1006 00:51:38,760 --> 00:51:42,440 Speaker 4: from My father was in Tanzania and Africa, and my 1007 00:51:42,600 --> 00:51:46,440 Speaker 4: mother was in Rio de Jano, Brazil, America. Yes, and 1008 00:51:46,600 --> 00:51:49,880 Speaker 4: so their stories of giving of their lives to be 1009 00:51:50,360 --> 00:51:54,080 Speaker 4: helped others really always stuck with me. And then being educated. 1010 00:51:54,080 --> 00:51:56,440 Speaker 4: I feel like in news, you're you're always telling a story. 1011 00:51:56,600 --> 00:51:59,080 Speaker 4: Every single day is like homework and doing a report. 1012 00:51:59,480 --> 00:52:02,919 Speaker 1: Well, you know, well, as an entertainment professional, you've seen 1013 00:52:03,040 --> 00:52:05,319 Speaker 1: so much just sort of touching on it little bits 1014 00:52:05,400 --> 00:52:07,680 Speaker 1: and pieces. You've had so many experiences. 1015 00:52:08,120 --> 00:52:10,000 Speaker 4: I did do a book on foster care and it's 1016 00:52:10,040 --> 00:52:12,200 Speaker 4: kind of like the Wednesday's Child storyline, kind of more 1017 00:52:12,280 --> 00:52:14,200 Speaker 4: than just complete my thoughts as to what we were doing. 1018 00:52:14,320 --> 00:52:16,720 Speaker 4: And that's called finding it for other family. 1019 00:52:16,960 --> 00:52:20,000 Speaker 1: Oh wow when you think about it, because these children 1020 00:52:20,120 --> 00:52:22,400 Speaker 1: need to have such guidance to grow up to have 1021 00:52:22,600 --> 00:52:23,240 Speaker 1: full lives. 1022 00:52:23,719 --> 00:52:26,040 Speaker 4: Yeah, what we've done is we've given voice to kids 1023 00:52:26,080 --> 00:52:29,120 Speaker 4: who might have been overseen or overlooked. And our social worker, 1024 00:52:29,200 --> 00:52:31,000 Speaker 4: doctor Will Wong, who heads at the program, has a 1025 00:52:31,080 --> 00:52:34,640 Speaker 4: theory that every child has a dream and a career 1026 00:52:34,800 --> 00:52:37,520 Speaker 4: goal and hope and light, and we wanted to capture 1027 00:52:37,560 --> 00:52:39,799 Speaker 4: that and tell them that their voice mattered, that we're 1028 00:52:39,880 --> 00:52:43,759 Speaker 4: there at their story's okay that that's their story to 1029 00:52:43,840 --> 00:52:46,360 Speaker 4: tell and allow them to advocate for themselves. 1030 00:52:46,719 --> 00:52:49,239 Speaker 1: Oh my goodness, well, let me just ask you in 1031 00:52:49,680 --> 00:52:52,800 Speaker 1: the final moments of this segment, what was your first 1032 00:52:53,000 --> 00:52:55,400 Speaker 1: big break and how long did it take for you 1033 00:52:55,920 --> 00:52:57,600 Speaker 1: to become an overnight success? 1034 00:52:58,280 --> 00:53:00,800 Speaker 4: They always say it's not overnight, right. I went to 1035 00:53:00,840 --> 00:53:05,440 Speaker 4: Arizona State University studying broadcast journalism in high school. Attended 1036 00:53:05,440 --> 00:53:08,560 Speaker 4: Arizona State University, which gave me the tool to do 1037 00:53:08,680 --> 00:53:11,160 Speaker 4: the craft you need to learn to shoot, write, edit, 1038 00:53:11,520 --> 00:53:14,279 Speaker 4: and then I got my first big on air job 1039 00:53:14,320 --> 00:53:17,960 Speaker 4: at Pay the Bills in San Angelo, Texas. And what 1040 00:53:18,040 --> 00:53:19,680 Speaker 4: we do in our bus we work our way up 1041 00:53:19,719 --> 00:53:22,719 Speaker 4: to different stations and market sizes. So I went to 1042 00:53:22,719 --> 00:53:25,880 Speaker 4: an NBC station in Tucson and then to Fox eleven 1043 00:53:25,960 --> 00:53:26,960 Speaker 4: here in Los Angeles. 1044 00:53:27,160 --> 00:53:29,840 Speaker 1: Oh my goodness. Well, I just have to say. We 1045 00:53:29,960 --> 00:53:31,759 Speaker 1: have so much more we're going to talk about, and 1046 00:53:32,120 --> 00:53:35,160 Speaker 1: when we return, we're going to continue our conversation with 1047 00:53:35,480 --> 00:53:38,560 Speaker 1: Christine Devine, sixteen time Emmy Award winner, and we're going 1048 00:53:38,600 --> 00:53:41,840 Speaker 1: to learn more about her family and her Brazilian roots 1049 00:53:41,920 --> 00:53:44,520 Speaker 1: in her background and how she met her father, and 1050 00:53:44,640 --> 00:53:49,239 Speaker 1: she has got a very very interesting relative. I mean, 1051 00:53:49,600 --> 00:53:53,600 Speaker 1: she's actually a very famous Brazilian actress. Stay tuned to 1052 00:53:53,680 --> 00:53:56,800 Speaker 1: hear more of Hollywoods Hidden treasures. We've got lots to 1053 00:53:56,920 --> 00:53:59,960 Speaker 1: talk about. Welcome back here listening to Hollywood's Hidden Treasures. 1054 00:54:00,160 --> 00:54:02,680 Speaker 1: I'm Denel Daddigan and joining us once again is a 1055 00:54:02,760 --> 00:54:05,920 Speaker 1: great friend of the Hollywood Museum. The sixteen time Emmy 1056 00:54:06,040 --> 00:54:09,600 Speaker 1: Award winning television news anchor Christine Devine. We can hear 1057 00:54:09,640 --> 00:54:12,320 Speaker 1: her weeknights on the five and ten pm News on 1058 00:54:12,560 --> 00:54:16,160 Speaker 1: Fox eleven in Los Angeles. And you know, she made 1059 00:54:16,440 --> 00:54:19,160 Speaker 1: changes for so many young people in their lives through 1060 00:54:19,200 --> 00:54:22,040 Speaker 1: her segment Wednesday's Child And you know she was honored 1061 00:54:22,080 --> 00:54:24,920 Speaker 1: in Washington, d c. By the Congress as an Angel 1062 00:54:24,960 --> 00:54:28,840 Speaker 1: in Adoption as well as the Child Welfare League of America. 1063 00:54:29,080 --> 00:54:33,040 Speaker 1: And you know in Hollywood, Christine has played reporter roles 1064 00:54:33,200 --> 00:54:35,840 Speaker 1: in films and on TV. Of course, Christina, and I 1065 00:54:35,920 --> 00:54:38,480 Speaker 1: got to tell everyone this. You were a reporter on 1066 00:54:38,640 --> 00:54:42,520 Speaker 1: Independence Day, Cable Guy, Wag the Dog, American Horror Story 1067 00:54:42,640 --> 00:54:45,960 Speaker 1: twenty four, Rosewood, Beverly Hills nine O two one zero, 1068 00:54:46,239 --> 00:54:50,120 Speaker 1: Melrose Place, and prison Break. Christine, You've been a busy girl. 1069 00:54:50,239 --> 00:54:53,640 Speaker 4: Let me tell you, it's really funny because sometimes those 1070 00:54:53,719 --> 00:54:55,960 Speaker 4: reporter roles, then they're always a reporter role. We have 1071 00:54:56,160 --> 00:54:58,000 Speaker 4: restrictions from our company this to what we can do. 1072 00:54:58,280 --> 00:55:01,120 Speaker 4: Sometimes you'd be on for six seconds. My moll would 1073 00:55:01,120 --> 00:55:05,760 Speaker 4: go to theater and she'd say, that's it. I'm sorry, 1074 00:55:06,440 --> 00:55:08,440 Speaker 4: but it was me. And then you get your residual 1075 00:55:08,560 --> 00:55:10,719 Speaker 4: check and sometimes it would be for thirteen cents. But 1076 00:55:11,280 --> 00:55:13,360 Speaker 4: it's really fun. And your friend's like, oh wow, I 1077 00:55:13,480 --> 00:55:13,799 Speaker 4: saw you. 1078 00:55:15,520 --> 00:55:18,840 Speaker 1: So exciting. Well, you know, Christina, in one of our conversations, 1079 00:55:19,200 --> 00:55:22,520 Speaker 1: you shared that after a long search, you found and 1080 00:55:22,680 --> 00:55:26,400 Speaker 1: connected with your birth father. Yes, what was that like 1081 00:55:26,560 --> 00:55:28,160 Speaker 1: for you after all that time? 1082 00:55:28,400 --> 00:55:32,560 Speaker 4: My goodness, Well, I've never met my father. My mother, 1083 00:55:32,719 --> 00:55:35,280 Speaker 4: as I'd mentioned, was in the Peace Corps in Brazil 1084 00:55:35,840 --> 00:55:38,640 Speaker 4: and she opted not to stay with my father at 1085 00:55:38,680 --> 00:55:41,120 Speaker 4: the a story I will never fully understand because she's 1086 00:55:41,160 --> 00:55:44,720 Speaker 4: passed away. But as she was ill with terminal cancer, 1087 00:55:45,080 --> 00:55:47,320 Speaker 4: she said, here's your father and showed me his picture 1088 00:55:47,360 --> 00:55:50,279 Speaker 4: on Facebook. I've never seen a picture, never met him. 1089 00:55:50,320 --> 00:55:52,960 Speaker 4: The family kind of said, you know, let that storyline 1090 00:55:52,960 --> 00:55:55,360 Speaker 4: of Brazil go, let's just move on from there. And 1091 00:55:55,600 --> 00:55:58,239 Speaker 4: so several years later, a friend of hers, who was 1092 00:55:58,280 --> 00:55:59,680 Speaker 4: also in the Peace Corps, said we're going to go 1093 00:55:59,719 --> 00:56:01,680 Speaker 4: find family about. 1094 00:56:01,400 --> 00:56:06,840 Speaker 1: Oh oh wow. Yeah, and you've subsequently visited him several times. 1095 00:56:07,280 --> 00:56:09,920 Speaker 4: Well, we went through his son, and when his son 1096 00:56:10,000 --> 00:56:12,239 Speaker 4: told him, his father wanted to connect. So we did 1097 00:56:12,280 --> 00:56:15,480 Speaker 4: a zoom that he speaks only Portuguese from Brazil, so 1098 00:56:15,520 --> 00:56:17,520 Speaker 4: I had a translator come in. I had little cameras 1099 00:56:17,560 --> 00:56:20,360 Speaker 4: all over my office to capture literally every angle of 1100 00:56:20,440 --> 00:56:22,680 Speaker 4: that zoom, because you know, the first time seeing your father, 1101 00:56:22,800 --> 00:56:25,360 Speaker 4: you want to capture that excitement. And from there, the 1102 00:56:25,440 --> 00:56:27,480 Speaker 4: family invited me out. And this was two years ago 1103 00:56:27,480 --> 00:56:30,360 Speaker 4: and I've been five times, which is it's something that's 1104 00:56:30,400 --> 00:56:31,960 Speaker 4: not an easy flight to go to Brazil. It's like 1105 00:56:32,040 --> 00:56:33,080 Speaker 4: twenty hours to get there. 1106 00:56:33,280 --> 00:56:36,000 Speaker 1: Oh my goodness. And when you were there, you learned 1107 00:56:36,320 --> 00:56:40,000 Speaker 1: you are related to a black icon, the Brazilian actress 1108 00:56:40,360 --> 00:56:43,279 Speaker 1: Leah Garcia. Now I know she passed away several years 1109 00:56:43,320 --> 00:56:46,239 Speaker 1: ago at ninety years old, but she was a critically 1110 00:56:46,440 --> 00:56:51,120 Speaker 1: acclaimed and popular actress who starred in soap operas, movies, television, 1111 00:56:51,320 --> 00:56:55,239 Speaker 1: and I believe she was most recognized for her performance 1112 00:56:55,400 --> 00:56:59,920 Speaker 1: in the internationally known Oscar Award winning film Black Orphia. 1113 00:57:00,160 --> 00:57:02,040 Speaker 1: What was that from nineteen sixty. 1114 00:57:02,280 --> 00:57:06,240 Speaker 4: Yes, yes, it won the Oscar for Best International Film. 1115 00:57:06,400 --> 00:57:08,160 Speaker 4: And I remember my mother had told me that when 1116 00:57:08,200 --> 00:57:09,840 Speaker 4: she was in Brazil, we used to hang in an 1117 00:57:09,920 --> 00:57:13,000 Speaker 4: actor's crowd, so I knew of that, and Leah had 1118 00:57:13,160 --> 00:57:15,920 Speaker 4: passed the very week I found my family. 1119 00:57:16,680 --> 00:57:19,240 Speaker 1: Yeah, so what was it like when you first learned that? 1120 00:57:19,320 --> 00:57:21,640 Speaker 1: I mean, what went through you? I mean, here you 1121 00:57:21,800 --> 00:57:26,040 Speaker 1: are a very famous entertainment professional and here you are 1122 00:57:26,120 --> 00:57:29,640 Speaker 1: related to this. Well, she was an icon, a Brazilian actress. 1123 00:57:29,760 --> 00:57:31,160 Speaker 1: I mean what was that like? I mean, she was 1124 00:57:31,160 --> 00:57:32,040 Speaker 1: a icon. 1125 00:57:32,840 --> 00:57:35,280 Speaker 4: The family kept saying, do you know Leah Garcia? You 1126 00:57:35,320 --> 00:57:37,640 Speaker 4: have to know Leia Garcia. This is your aunt. I've 1127 00:57:37,760 --> 00:57:39,480 Speaker 4: never heard of her. I didn't you know in the 1128 00:57:39,640 --> 00:57:42,240 Speaker 4: United States. How many Brazilian projects are we watching on 1129 00:57:42,320 --> 00:57:43,320 Speaker 4: our TV and movies? 1130 00:57:43,800 --> 00:57:43,960 Speaker 2: Yes? 1131 00:57:44,000 --> 00:57:46,040 Speaker 4: Pretty much? Are only the few that get an Oscar 1132 00:57:46,160 --> 00:57:49,320 Speaker 4: nomination from time to time like this year. So it 1133 00:57:49,360 --> 00:57:51,600 Speaker 4: said not somebody I knew, But the family kept pushing 1134 00:57:51,720 --> 00:57:54,320 Speaker 4: the knowledge of her onto me. So I had no 1135 00:57:54,480 --> 00:57:57,480 Speaker 4: choice but to accept that this was my family. Thank 1136 00:57:57,520 --> 00:57:59,160 Speaker 4: you to them. And then when I went out there 1137 00:57:59,320 --> 00:58:01,120 Speaker 4: there was always some thing going on. There was a 1138 00:58:01,320 --> 00:58:04,440 Speaker 4: theater named after her. On my first visit, so the 1139 00:58:04,520 --> 00:58:07,040 Speaker 4: family brought me up on stage and then recognized me 1140 00:58:07,080 --> 00:58:10,000 Speaker 4: as part of the family. Then the second visit, as 1141 00:58:10,080 --> 00:58:12,400 Speaker 4: she was being honored at City Hall and there was 1142 00:58:12,440 --> 00:58:14,440 Speaker 4: a big exhibit and they brought me up to meet 1143 00:58:14,480 --> 00:58:16,320 Speaker 4: politicians and gave me a certificate. 1144 00:58:16,640 --> 00:58:16,880 Speaker 7: Wow. 1145 00:58:17,040 --> 00:58:18,840 Speaker 4: And then this last time I just got back a 1146 00:58:18,920 --> 00:58:22,640 Speaker 4: few weeks ago, she was highly honored at Carnival. Exact, 1147 00:58:22,680 --> 00:58:26,320 Speaker 4: the whole Zamba School had their theme based on Lea Garcia. 1148 00:58:26,360 --> 00:58:29,720 Speaker 4: It was floats and the song and costumes all dedicated 1149 00:58:29,760 --> 00:58:30,560 Speaker 4: to Lea Garcia. 1150 00:58:30,800 --> 00:58:30,960 Speaker 7: Wow. 1151 00:58:31,080 --> 00:58:32,760 Speaker 1: And you went to this with your birth father. 1152 00:58:33,120 --> 00:58:35,280 Speaker 4: Yeah, he wrote on the flow it's crazy. And one 1153 00:58:35,360 --> 00:58:37,880 Speaker 4: float had all the photos of her over a lifetime 1154 00:58:37,920 --> 00:58:39,920 Speaker 4: of career and it's just so great to see him 1155 00:58:39,960 --> 00:58:42,480 Speaker 4: on that float sing in a little heart out pictures 1156 00:58:42,480 --> 00:58:43,440 Speaker 4: of his sister by them. 1157 00:58:43,720 --> 00:58:46,960 Speaker 1: Christine, you really have led such a full life. And 1158 00:58:47,040 --> 00:58:49,480 Speaker 1: if you could pass on a few words of advice 1159 00:58:49,640 --> 00:58:52,880 Speaker 1: to a young boy or girl wanting to follow their dreams, 1160 00:58:53,080 --> 00:58:56,439 Speaker 1: what positive message can you share with our young people 1161 00:58:56,560 --> 00:58:58,320 Speaker 1: out there who may be listening to the show. 1162 00:58:58,800 --> 00:59:01,600 Speaker 4: I always say that life is a journey, that the 1163 00:59:01,800 --> 00:59:04,960 Speaker 4: highs and the lows, the ups and downs. They never 1164 00:59:05,160 --> 00:59:08,160 Speaker 4: really end. They're just different chapters that we have to 1165 00:59:08,280 --> 00:59:11,720 Speaker 4: process through as they happen. Right now, finding my father, 1166 00:59:11,880 --> 00:59:15,120 Speaker 4: I get to experience tremendous highs they couldn't have imagined. 1167 00:59:15,360 --> 00:59:17,480 Speaker 4: But also there's a lot of sadness because he's so 1168 00:59:17,720 --> 00:59:20,200 Speaker 4: far away and he's eighty three years old, and you know, 1169 00:59:20,280 --> 00:59:22,600 Speaker 4: I can only get out there maybe every six months, 1170 00:59:22,680 --> 00:59:25,600 Speaker 4: if I'm lucky, maybe once a year. And Father, he 1171 00:59:25,760 --> 00:59:28,240 Speaker 4: just cries, he send to me one visit. I want 1172 00:59:28,280 --> 00:59:30,760 Speaker 4: you to live in Brazil. I've got a job, I've 1173 00:59:30,800 --> 00:59:32,800 Speaker 4: got to work. So my point being is that we 1174 00:59:32,880 --> 00:59:37,479 Speaker 4: all have unexpected chapters, unexpected journeys. Some are truly high, 1175 00:59:37,800 --> 00:59:40,680 Speaker 4: others are truly sorrowful. But that's part of being a 1176 00:59:40,800 --> 00:59:43,640 Speaker 4: human and it's how we grow through the chapters. And 1177 00:59:43,760 --> 00:59:46,400 Speaker 4: you never know what next door is going to open. Wow, 1178 00:59:46,520 --> 00:59:47,600 Speaker 4: experience is going to open? 1179 00:59:48,120 --> 00:59:49,320 Speaker 1: What powerful words? 1180 00:59:49,440 --> 00:59:49,680 Speaker 8: Wow? 1181 00:59:50,080 --> 00:59:50,320 Speaker 7: Wow. 1182 00:59:50,480 --> 00:59:53,400 Speaker 1: I'm just listening to you and just almost overwhelmed by 1183 00:59:53,480 --> 00:59:55,920 Speaker 1: what you're saying. It is so true, you know, you know, 1184 00:59:56,280 --> 00:59:59,280 Speaker 1: right now we celebrating Black History Month, and this exhibit 1185 00:59:59,320 --> 01:00:01,480 Speaker 1: at the Hollywood you see him, this joint is Jumping 1186 01:00:01,760 --> 01:00:05,360 Speaker 1: is going to remain available for our viewers and our 1187 01:00:05,480 --> 01:00:09,000 Speaker 1: visitors through the end of May. Tell us how important 1188 01:00:09,200 --> 01:00:13,200 Speaker 1: is Black History Month for you? What does this month represent? 1189 01:00:13,560 --> 01:00:16,480 Speaker 1: And tell us how young people can benefit from this. 1190 01:00:17,080 --> 01:00:20,560 Speaker 4: Well, I'm truly humbled and grateful to be included because 1191 01:00:20,960 --> 01:00:24,920 Speaker 4: growing up I was not really aware of the black 1192 01:00:25,120 --> 01:00:28,160 Speaker 4: history or that side of my family, my mom being Caucasian, 1193 01:00:28,280 --> 01:00:31,880 Speaker 4: my stepdad as well. So really going to Brazil has 1194 01:00:31,920 --> 01:00:35,280 Speaker 4: helped solidify that side of me and my younger brother, 1195 01:00:35,480 --> 01:00:39,000 Speaker 4: my father's son, is very much into the ancestry and 1196 01:00:39,120 --> 01:00:42,320 Speaker 4: the history. Ala Garcia is honored so much because of 1197 01:00:42,400 --> 01:00:45,560 Speaker 4: her work to uplift the black actor. Her husband had 1198 01:00:45,640 --> 01:00:49,920 Speaker 4: founded Black Theater kind of to do away with blackface. Oh, 1199 01:00:50,320 --> 01:00:53,760 Speaker 4: uplifts the black actor. So both of them have been 1200 01:00:54,080 --> 01:00:58,520 Speaker 4: icons when it comes to uplifting the black community in Brazil, 1201 01:00:58,840 --> 01:01:01,840 Speaker 4: a history that I never knew. I knew my mother 1202 01:01:02,200 --> 01:01:05,040 Speaker 4: wanted to be of service, working enough. Avella's the very 1203 01:01:05,160 --> 01:01:07,600 Speaker 4: poor of the poor, and there are photos of her 1204 01:01:07,720 --> 01:01:10,680 Speaker 4: and magazine covers of her and brochures of her that 1205 01:01:10,920 --> 01:01:13,880 Speaker 4: illustrate that. So it's always in my conscientious but I 1206 01:01:14,000 --> 01:01:17,080 Speaker 4: never got to live it and No'm living it learning it. 1207 01:01:17,520 --> 01:01:19,959 Speaker 1: Oh my goodness, would you make me take a deep breath? 1208 01:01:20,080 --> 01:01:23,120 Speaker 1: And I'm going to just ask one more question behind. 1209 01:01:23,600 --> 01:01:25,880 Speaker 1: But you know it's true, Christine, you've been in the 1210 01:01:25,960 --> 01:01:29,760 Speaker 1: biz showbiz as a newscaster for more than thirty years. 1211 01:01:29,800 --> 01:01:33,440 Speaker 1: It's hard to imagine you've chosen a very competitive and 1212 01:01:33,680 --> 01:01:37,320 Speaker 1: difficult career. How have you been able to keep your 1213 01:01:37,400 --> 01:01:42,160 Speaker 1: career going for these years? And Christine, you're always so positive? 1214 01:01:42,320 --> 01:01:43,000 Speaker 1: How do you do this? 1215 01:01:43,480 --> 01:01:46,840 Speaker 4: I don't know if I always am. Yeah, it's coming 1216 01:01:46,960 --> 01:01:50,160 Speaker 4: up on probably forty years. I've been at Fox eleven 1217 01:01:50,200 --> 01:01:52,560 Speaker 4: at thirty five alone, and remember I was at two 1218 01:01:52,600 --> 01:01:55,880 Speaker 4: other stations before that. I'm just very grateful to get 1219 01:01:55,960 --> 01:01:59,000 Speaker 4: to tell stories still. You know, it's a changing business. 1220 01:01:59,080 --> 01:02:03,280 Speaker 4: We're much more into streaming now and our website and 1221 01:02:03,680 --> 01:02:06,959 Speaker 4: access twenty four to seven. I just believe that whether 1222 01:02:07,000 --> 01:02:09,880 Speaker 4: I'm at a TV station or not, I probably always 1223 01:02:09,880 --> 01:02:13,040 Speaker 4: will be telling some kind of story somewhere somehow, because 1224 01:02:13,160 --> 01:02:15,560 Speaker 4: I'm interested in people. I'm interested in the house and 1225 01:02:15,640 --> 01:02:19,000 Speaker 4: the whys this day and age. With our cell phones, yeah, 1226 01:02:19,080 --> 01:02:21,960 Speaker 4: we can shoot all of that ourselves. I don't need 1227 01:02:22,000 --> 01:02:24,800 Speaker 4: to hire a crew necessarily, and so there's no shortage 1228 01:02:24,800 --> 01:02:27,000 Speaker 4: of stories. There never will be. It's just how much 1229 01:02:27,040 --> 01:02:28,960 Speaker 4: effort you want to put into creating that and getting 1230 01:02:29,000 --> 01:02:29,720 Speaker 4: that content up. 1231 01:02:29,960 --> 01:02:33,480 Speaker 1: Oh wow, Well, throughout the decades, what's maybe the one 1232 01:02:33,560 --> 01:02:35,760 Speaker 1: story that you think about that just puts a smile 1233 01:02:35,840 --> 01:02:37,919 Speaker 1: on your face that you feel just joy from. 1234 01:02:38,280 --> 01:02:40,400 Speaker 4: I've covered a lot of stories. 1235 01:02:42,040 --> 01:02:45,480 Speaker 1: This may be, honest, it must be the one that 1236 01:02:45,520 --> 01:02:47,600 Speaker 1: we were together in the blondess only room at the 1237 01:02:47,640 --> 01:02:51,000 Speaker 1: Hollywood Museum, either one of us blondes. 1238 01:02:52,320 --> 01:02:54,720 Speaker 4: No, but tell us it's funny having done that story 1239 01:02:54,800 --> 01:02:56,680 Speaker 4: on the museum. As you know, I was with a 1240 01:02:56,760 --> 01:02:59,480 Speaker 4: young actor when I saw you recently, and I got 1241 01:02:59,520 --> 01:03:02,120 Speaker 4: to show him around and explain the different rooms to 1242 01:03:02,240 --> 01:03:04,800 Speaker 4: him of the museum and him being a young actor, 1243 01:03:04,880 --> 01:03:07,040 Speaker 4: he hadn't been to the Hollywood Museum yet, and I 1244 01:03:07,120 --> 01:03:10,080 Speaker 4: thought it was great for his own history and knowledge 1245 01:03:10,240 --> 01:03:12,520 Speaker 4: to realize that so many have come before him to 1246 01:03:12,600 --> 01:03:15,560 Speaker 4: pave the way and to lay the groundwork for the 1247 01:03:15,840 --> 01:03:17,320 Speaker 4: industry that we witnessed today. 1248 01:03:17,640 --> 01:03:19,800 Speaker 1: Well, that is so true, you know, And I just 1249 01:03:19,880 --> 01:03:23,120 Speaker 1: can't believe how quick our time together has gone by. 1250 01:03:23,320 --> 01:03:26,320 Speaker 1: You know, it's been a real pleasure having you Christine 1251 01:03:26,400 --> 01:03:30,200 Speaker 1: Devine here on Hollywoods hidden treasures in our final moments together. 1252 01:03:30,480 --> 01:03:33,200 Speaker 1: Please tell our listeners how they can follow you in. 1253 01:03:33,280 --> 01:03:37,080 Speaker 4: This day and age. The best way is Foxlocal, our 1254 01:03:37,240 --> 01:03:41,000 Speaker 4: app foxla dot com. We always stream, and my social 1255 01:03:41,080 --> 01:03:43,960 Speaker 4: media is Divine News and I spell it this way, 1256 01:03:44,240 --> 01:03:48,000 Speaker 4: the easy and I'm happy to take story ideas and 1257 01:03:48,360 --> 01:03:50,680 Speaker 4: happy to hear from people. And I thank you for 1258 01:03:50,760 --> 01:03:53,760 Speaker 4: including me because just you know, as newspeople, we don't 1259 01:03:53,760 --> 01:03:56,160 Speaker 4: always think of ourselves as getting to be a part 1260 01:03:56,200 --> 01:03:58,760 Speaker 4: of the rich Hollywood history. We're kind of like the 1261 01:03:58,840 --> 01:03:59,760 Speaker 4: stepchild in a way. 1262 01:04:00,160 --> 01:04:02,800 Speaker 1: Oh you're so funny, but you are part of the 1263 01:04:02,920 --> 01:04:07,040 Speaker 1: Hollywood's rich history. Absolutely. Well, thank you Christine Devine for 1264 01:04:07,280 --> 01:04:10,400 Speaker 1: joining us today. We've all loved your stories and thank 1265 01:04:10,480 --> 01:04:11,880 Speaker 1: you for sharing well. 1266 01:04:11,920 --> 01:04:14,080 Speaker 4: Thank you, and I will be in my pajamas with 1267 01:04:14,240 --> 01:04:17,080 Speaker 4: the bowl of popcorn, enjoying the oscars and the comforts 1268 01:04:17,120 --> 01:04:20,920 Speaker 4: of my home and probably social media and comments and 1269 01:04:21,160 --> 01:04:23,920 Speaker 4: celebrating our actors who bring other stories to life in 1270 01:04:24,040 --> 01:04:26,840 Speaker 4: such a different way. There is a Brazilian film. There 1271 01:04:26,920 --> 01:04:29,400 Speaker 4: is a Brazilian film Secret Agent that's up this year. 1272 01:04:29,600 --> 01:04:32,600 Speaker 1: Oh my goodness, well we'll have to watch for that, Yes, well, 1273 01:04:32,640 --> 01:04:34,840 Speaker 1: thank you, Christine, thanks for joining us today. 1274 01:04:35,000 --> 01:04:36,640 Speaker 4: Thank you appreciate it always. 1275 01:04:37,080 --> 01:04:39,760 Speaker 1: Well, you're listening to Hollywood Hidden Treasures. I'm Deanel Daddik 1276 01:04:39,800 --> 01:04:42,400 Speaker 1: and when we return, we'll be speaking with the critically 1277 01:04:42,480 --> 01:04:45,760 Speaker 1: acclaimed film and television actor, son of the actor and 1278 01:04:45,840 --> 01:04:49,120 Speaker 1: director Greg Morris. You remember him from Mission Impossible and 1279 01:04:49,240 --> 01:04:53,160 Speaker 1: he's a voice actor for numerous animated projects and he's 1280 01:04:53,200 --> 01:04:57,000 Speaker 1: a very wise man, Phil Morris. So stay tuned to 1281 01:04:57,080 --> 01:05:01,120 Speaker 1: hear more as we celebrate black entertainment history. Our guests 1282 01:05:01,200 --> 01:05:03,960 Speaker 1: have been recognized with more awards than you can imagine. 1283 01:05:04,240 --> 01:05:08,120 Speaker 1: And these guests tonight, they've all showcased in our newest exhibition. 1284 01:05:08,280 --> 01:05:12,240 Speaker 1: This joint is Jumpin', a celebration of Black entertainers from film, 1285 01:05:12,480 --> 01:05:15,680 Speaker 1: TV and song on display at the Hollywood Museum in 1286 01:05:15,760 --> 01:05:18,720 Speaker 1: the historic Max Factor Building. Where you're listening to Hollywoods 1287 01:05:18,760 --> 01:05:22,240 Speaker 1: Hidden Treasures and we've got lots to talk about. Welcome back. 1288 01:05:22,280 --> 01:05:25,400 Speaker 1: You're listening to Hollywoods Hidden Treasures. I'm Danel Dadigan. Joining 1289 01:05:25,520 --> 01:05:29,000 Speaker 1: us is Phil Morris, you know, acting as in his blood. 1290 01:05:29,240 --> 01:05:31,840 Speaker 1: His first TV role was on Star Trek as a 1291 01:05:31,920 --> 01:05:34,000 Speaker 1: child in nineteen sixty six, and we got to hear 1292 01:05:34,040 --> 01:05:37,320 Speaker 1: all about this. Phil co starred in the eighties remake 1293 01:05:37,520 --> 01:05:41,600 Speaker 1: of Mission Impossible, playing the son of Barney Collier, who 1294 01:05:41,760 --> 01:05:44,680 Speaker 1: was played in the original Mission an Impossible series by 1295 01:05:44,800 --> 01:05:48,560 Speaker 1: Phil Morris's real life father, Greg Morris. You know we 1296 01:05:48,680 --> 01:05:51,440 Speaker 1: all love Phil Morris when he played his recurring character 1297 01:05:51,640 --> 01:05:56,400 Speaker 1: law school student turned attorney Tyrone Jackson in the ever 1298 01:05:56,520 --> 01:05:59,800 Speaker 1: popular soap The Young and Restless and I can still 1299 01:05:59,840 --> 01:06:04,200 Speaker 1: see Phil as the Johnny cochrane inspired defense attorney Jackie 1300 01:06:04,280 --> 01:06:08,439 Speaker 1: Chiles in Seinfeld. Phil enjoys voice acting and is known 1301 01:06:08,560 --> 01:06:13,160 Speaker 1: for providing voices to numerous animated series, video games, and 1302 01:06:13,320 --> 01:06:16,480 Speaker 1: superhero projects. What can I say about Phil? He's a 1303 01:06:16,560 --> 01:06:19,960 Speaker 1: great friend of the Hollywood Museum. So Phil, welcome to 1304 01:06:20,040 --> 01:06:21,720 Speaker 1: the Hollywood Hidden Treasures. 1305 01:06:23,640 --> 01:06:23,920 Speaker 2: Dn't no. 1306 01:06:24,240 --> 01:06:26,600 Speaker 8: It's so wonderful to hear your voice. And I just 1307 01:06:26,760 --> 01:06:29,960 Speaker 8: was laughing because whenever I hear the theme of Mission Impossible, 1308 01:06:29,960 --> 01:06:30,280 Speaker 8: it's here. 1309 01:06:30,440 --> 01:06:31,280 Speaker 1: Well, which one was that? 1310 01:06:31,520 --> 01:06:31,640 Speaker 2: Was that? 1311 01:06:31,760 --> 01:06:34,480 Speaker 1: Your Mission impossible or your dad's Mission Impossible? 1312 01:06:34,720 --> 01:06:36,920 Speaker 8: I think that was I don't know, I can't do 1313 01:06:37,080 --> 01:06:40,000 Speaker 8: the same thing. I think that was my dad's actually, 1314 01:06:41,240 --> 01:06:45,480 Speaker 8: but it's all Lallo Schifferent the Genius lawa shifferent. Definitely beautiful, 1315 01:06:45,640 --> 01:06:46,720 Speaker 8: But it's just what I was going to say. It 1316 01:06:46,880 --> 01:06:49,560 Speaker 8: just reminds me of so many magical moments in my life, 1317 01:06:49,880 --> 01:06:53,400 Speaker 8: the gratefulness that I have for my parents raising us 1318 01:06:53,440 --> 01:06:56,480 Speaker 8: the way they did. I think about Hollywood, I think 1319 01:06:56,480 --> 01:06:58,560 Speaker 8: about you, I think about the museum, and it's just 1320 01:06:58,680 --> 01:07:02,360 Speaker 8: Hollywood is a magical world, some magical place, and I've 1321 01:07:02,400 --> 01:07:04,920 Speaker 8: been very fortunate to live it. It's just amazing. 1322 01:07:05,200 --> 01:07:07,440 Speaker 1: Well, I have to agree with you on all of it, 1323 01:07:07,560 --> 01:07:09,280 Speaker 1: and you know, I would love for you to share 1324 01:07:09,320 --> 01:07:12,680 Speaker 1: with our listeners. How did you get your start and showbiz? 1325 01:07:12,960 --> 01:07:14,480 Speaker 1: I mean, tell us about your frisk gig? 1326 01:07:14,680 --> 01:07:14,840 Speaker 2: Was it? 1327 01:07:15,040 --> 01:07:16,240 Speaker 1: Star trek Oh? 1328 01:07:16,360 --> 01:07:19,240 Speaker 8: Actually, you know you've mentioned my father, Greg Morris, and 1329 01:07:19,280 --> 01:07:21,400 Speaker 8: thank you for that. He was so influential in so 1330 01:07:21,520 --> 01:07:24,440 Speaker 8: many ways in television and in the industry as one 1331 01:07:24,440 --> 01:07:27,200 Speaker 8: of the first African American actors to kind of really 1332 01:07:27,400 --> 01:07:30,760 Speaker 8: really make it on a national network television level. So 1333 01:07:31,440 --> 01:07:35,480 Speaker 8: him having that situation, we of course were pretty to 1334 01:07:35,560 --> 01:07:37,920 Speaker 8: so many things and got so many opportunities in One 1335 01:07:37,960 --> 01:07:41,560 Speaker 8: of them was to voice little projects or be involved 1336 01:07:41,600 --> 01:07:43,680 Speaker 8: in little projects when we were younger. One of the 1337 01:07:43,720 --> 01:07:45,960 Speaker 8: ones that I did as a voiceover actor. The first 1338 01:07:46,000 --> 01:07:48,720 Speaker 8: one I did was called Easter Is. It was a 1339 01:07:48,760 --> 01:07:51,280 Speaker 8: bit of a religious themed project and I played a 1340 01:07:51,280 --> 01:07:53,360 Speaker 8: little kid who was a best friend of the lead 1341 01:07:53,480 --> 01:07:55,880 Speaker 8: kid in the series or in the movie. And then 1342 01:07:55,880 --> 01:07:58,240 Speaker 8: I followed it up with another one called Christmas Is. 1343 01:07:58,520 --> 01:08:00,480 Speaker 8: They really went out of the lambor with that one, 1344 01:08:01,560 --> 01:08:04,520 Speaker 8: and that's how I really got my start. I mean, 1345 01:08:04,560 --> 01:08:06,840 Speaker 8: it was the first time I ever spoke in front 1346 01:08:06,880 --> 01:08:10,600 Speaker 8: of a microphone professionally. And then after that, I think 1347 01:08:10,680 --> 01:08:13,560 Speaker 8: the Star Trek was after that, and that was an 1348 01:08:13,600 --> 01:08:16,759 Speaker 8: amazing experience because that episode of Star Trek called Mary 1349 01:08:17,080 --> 01:08:21,200 Speaker 8: starred Michael J. Pollard and Kim Darby, and it was 1350 01:08:21,280 --> 01:08:24,519 Speaker 8: a bit of a stunt cast because they wanted kids 1351 01:08:24,680 --> 01:08:27,519 Speaker 8: in this show who weren't actors, right, who weren't polished actors, 1352 01:08:27,800 --> 01:08:30,519 Speaker 8: but really understood how to behave on a television set. 1353 01:08:30,640 --> 01:08:33,680 Speaker 8: Who better than actors, Children who know when they go 1354 01:08:33,760 --> 01:08:35,400 Speaker 8: to see mom or dad on the set that they 1355 01:08:35,439 --> 01:08:36,800 Speaker 8: have to be quiet when they have to be quiet, 1356 01:08:36,800 --> 01:08:38,400 Speaker 8: and they can do whatever when they want to be whatever. 1357 01:08:38,600 --> 01:08:42,040 Speaker 8: So my sister Iona was there, I was there, Carrie 1358 01:08:42,080 --> 01:08:47,120 Speaker 8: and John Grys. John Grys is on Lotus Something Lotus 1359 01:08:47,240 --> 01:08:49,439 Speaker 8: he's a wonderful actor I've known in my whole life. 1360 01:08:49,600 --> 01:08:51,640 Speaker 8: But that was that episode. And so those are the 1361 01:08:51,680 --> 01:08:55,679 Speaker 8: two experiences that really started me even thinking about being 1362 01:08:55,720 --> 01:08:58,160 Speaker 8: in this business, which I didn't get into until I 1363 01:08:58,280 --> 01:08:59,839 Speaker 8: was the ripe old age of seventeen. 1364 01:09:02,479 --> 01:09:04,639 Speaker 1: Well, I got to say, I mean, for our listeners, Phil, 1365 01:09:04,720 --> 01:09:07,800 Speaker 1: you made television history when you were on The Young 1366 01:09:07,880 --> 01:09:11,320 Speaker 1: and the Restless. You played two characters, one white man 1367 01:09:11,840 --> 01:09:15,120 Speaker 1: and one black man. How did The Young and Restless 1368 01:09:15,280 --> 01:09:17,960 Speaker 1: reveal it was you playing both roles? 1369 01:09:18,080 --> 01:09:20,880 Speaker 8: How did they do that right to the reveal? Well, 1370 01:09:20,920 --> 01:09:24,880 Speaker 8: the reveal happened. I played this character, this Anglo character, 1371 01:09:24,960 --> 01:09:25,559 Speaker 8: will call him. 1372 01:09:26,120 --> 01:09:28,040 Speaker 1: There was that you were both going to law schooler. 1373 01:09:29,160 --> 01:09:31,320 Speaker 8: Well, Tyron Jackson was a law student, as you said 1374 01:09:31,360 --> 01:09:34,080 Speaker 8: inter opening, and he came to Generala City, which is 1375 01:09:34,120 --> 01:09:36,839 Speaker 8: the city, that pictious city where Young and the Restless 1376 01:09:36,920 --> 01:09:40,880 Speaker 8: it takes place as the brother, the very studious law 1377 01:09:41,000 --> 01:09:45,599 Speaker 8: student brother of Jazz Jackson, who was the leg breaker 1378 01:09:45,720 --> 01:09:48,240 Speaker 8: for the local mob. I mean, it doesn't get Wowow. 1379 01:09:48,960 --> 01:09:49,960 Speaker 8: He was the yin and yang of it. 1380 01:09:50,040 --> 01:09:50,160 Speaker 7: You know. 1381 01:09:50,240 --> 01:09:51,760 Speaker 8: He was the yang and I was the yin. And 1382 01:09:51,800 --> 01:09:53,800 Speaker 8: he would send me money to go to law school, 1383 01:09:53,920 --> 01:09:56,559 Speaker 8: never telling me he made his money by breaking legs 1384 01:09:56,560 --> 01:10:01,320 Speaker 8: and murdering people for the mob. So up unannounced in 1385 01:10:01,479 --> 01:10:05,000 Speaker 8: Generous City, shocking him because now he's got to dance 1386 01:10:05,160 --> 01:10:09,439 Speaker 8: double time to cover his tracks, and ultimately I find 1387 01:10:09,479 --> 01:10:11,439 Speaker 8: out that he's a leg breaker for the Mob. It's 1388 01:10:11,479 --> 01:10:13,840 Speaker 8: a terrible scene. He and I have a horrible coming together, 1389 01:10:14,000 --> 01:10:16,360 Speaker 8: and we decide that we're going to join forces and 1390 01:10:16,520 --> 01:10:18,679 Speaker 8: go back in and I'm going to infiltrate the mob. 1391 01:10:19,760 --> 01:10:24,040 Speaker 8: Oh my goodness, it doesn't get better. So Young and 1392 01:10:24,080 --> 01:10:26,880 Speaker 8: the Restless and Bill Dell, in their their wonderful creative wisdom, 1393 01:10:27,080 --> 01:10:28,880 Speaker 8: tried me in a couple of different guys. Is I 1394 01:10:29,120 --> 01:10:32,599 Speaker 8: tried a street corner like pimp, drug dealer from Detroit, 1395 01:10:32,800 --> 01:10:35,280 Speaker 8: A low level drug dealer from Detroit. Is the first 1396 01:10:35,320 --> 01:10:37,400 Speaker 8: guys that I played under for a few months and 1397 01:10:37,520 --> 01:10:40,280 Speaker 8: then I got found out. So they figured I would 1398 01:10:40,320 --> 01:10:44,840 Speaker 8: go back undercover as a white guy. And I spent 1399 01:10:44,920 --> 01:10:47,320 Speaker 8: hours in the makeup trailer and I went on for 1400 01:10:47,400 --> 01:10:49,439 Speaker 8: a minute a long time, and they won Best Show, 1401 01:10:49,520 --> 01:10:53,559 Speaker 8: best Writing, best makeup, best best everything. And the reveal 1402 01:10:53,920 --> 01:10:55,280 Speaker 8: was that I was going to get married to the 1403 01:10:55,439 --> 01:11:00,519 Speaker 8: mob boss's daughter, and on my wedding night. I had 1404 01:11:00,560 --> 01:11:05,680 Speaker 8: to I had to reveal who I actually was. No, 1405 01:11:05,880 --> 01:11:08,479 Speaker 8: it's no, you can't really, I can't make it up. 1406 01:11:08,640 --> 01:11:09,719 Speaker 2: It was all scripted. 1407 01:11:10,120 --> 01:11:13,280 Speaker 8: It's in the annals. Roger Neil, who is our great friend, 1408 01:11:13,439 --> 01:11:16,919 Speaker 8: he knows this story well, like you're sitting. 1409 01:11:16,720 --> 01:11:19,560 Speaker 1: Here in the studio with me laughing and laughing, so 1410 01:11:20,600 --> 01:11:21,000 Speaker 1: he knows. 1411 01:11:21,280 --> 01:11:21,880 Speaker 2: It was great. 1412 01:11:22,280 --> 01:11:24,880 Speaker 8: Really, honestly, it couldn't have done. They were so good 1413 01:11:24,920 --> 01:11:27,360 Speaker 8: to me, danell I Roger will speak to it. They 1414 01:11:27,600 --> 01:11:29,920 Speaker 8: treated me beautifully. It was I was a young actor. 1415 01:11:30,240 --> 01:11:33,400 Speaker 8: These emotional shifts were mega, and it couldn't have been 1416 01:11:33,479 --> 01:11:34,759 Speaker 8: better training to be honestly. 1417 01:11:34,800 --> 01:11:36,720 Speaker 1: Did So let me ask you the question, what was 1418 01:11:36,800 --> 01:11:38,960 Speaker 1: the reaction of your fans to all of this. 1419 01:11:40,280 --> 01:11:42,320 Speaker 8: I think, on the whole, ninety percent of the people 1420 01:11:42,400 --> 01:11:44,439 Speaker 8: absolutely loved it. I mean they're ten ten percent were 1421 01:11:44,520 --> 01:11:46,760 Speaker 8: like especially you know, I mean really, but just be real. 1422 01:11:46,880 --> 01:11:48,720 Speaker 8: You know, it's like, I'm a black guy, Frina white guy. 1423 01:11:48,880 --> 01:11:51,519 Speaker 8: So some of the community, my community was like, really, bro, 1424 01:11:51,760 --> 01:11:54,479 Speaker 8: let mean, what's up with that? I couldn't care less 1425 01:11:54,800 --> 01:11:57,840 Speaker 8: quite Frankly. My father and I talked about it, and 1426 01:11:57,920 --> 01:12:00,240 Speaker 8: he was like, son, I mean a million white there's 1427 01:12:00,240 --> 01:12:03,040 Speaker 8: a Plato fellow, and you're an actor. You're not making 1428 01:12:03,120 --> 01:12:08,040 Speaker 8: a sociological statement. You're regurgitating somebody else's vision and that's 1429 01:12:08,080 --> 01:12:10,559 Speaker 8: my job. And I thought I did it really, really well, 1430 01:12:10,880 --> 01:12:12,519 Speaker 8: and I'll be proud of it forever. 1431 01:12:12,960 --> 01:12:15,760 Speaker 1: Yep, I can hear that, so whey you start now, 1432 01:12:15,800 --> 01:12:18,120 Speaker 1: I really can. And it's a kind of amazing. You know, 1433 01:12:18,360 --> 01:12:21,760 Speaker 1: all that you have done, and you're so humble and modest. Phil. 1434 01:12:21,920 --> 01:12:24,120 Speaker 1: Let me just say, when you start on the new 1435 01:12:24,240 --> 01:12:27,720 Speaker 1: Mission Impossible TV series, did you feel any kind of 1436 01:12:27,800 --> 01:12:30,519 Speaker 1: pressure that you would be compared to your dad from 1437 01:12:30,600 --> 01:12:32,960 Speaker 1: the original series the most. 1438 01:12:33,520 --> 01:12:36,479 Speaker 8: I don't know if there's more pressure really gotten in 1439 01:12:36,920 --> 01:12:40,200 Speaker 8: any industry than following your parent, whether it's a mother 1440 01:12:40,320 --> 01:12:42,240 Speaker 8: or a father. You know, and you know, because we 1441 01:12:42,360 --> 01:12:44,800 Speaker 8: all are trying to be better. You know, they want 1442 01:12:44,840 --> 01:12:46,360 Speaker 8: you to be better than they were. They want you 1443 01:12:46,439 --> 01:12:49,120 Speaker 8: to excel and acceed where they were. And how do 1444 01:12:49,200 --> 01:12:51,760 Speaker 8: you do that when that light is so bright, you know, 1445 01:12:51,920 --> 01:12:54,479 Speaker 8: when the shoulders of giants that you stand on you 1446 01:12:54,560 --> 01:12:58,400 Speaker 8: wake up and have breakfast with every morning. So yeah, 1447 01:12:58,439 --> 01:13:01,400 Speaker 8: it was incredibly daunting. But you know, as we know 1448 01:13:01,520 --> 01:13:03,920 Speaker 8: each other a little bit, you've gleaned. I'm quite certain 1449 01:13:04,160 --> 01:13:06,280 Speaker 8: in my life, and I listened to signs that are 1450 01:13:06,439 --> 01:13:09,320 Speaker 8: greater than other things in my life, and I try 1451 01:13:09,360 --> 01:13:11,519 Speaker 8: to adhere to those things, whether they're comfortable or they're not. 1452 01:13:11,880 --> 01:13:15,320 Speaker 8: This certainly was questionable. As much as I think I 1453 01:13:15,439 --> 01:13:17,360 Speaker 8: wanted to do it, my dad and I did not 1454 01:13:17,479 --> 01:13:19,400 Speaker 8: think I would get it. Actually, I know we didn't 1455 01:13:19,439 --> 01:13:20,680 Speaker 8: think i'd get it because we thought, you know, it's 1456 01:13:20,720 --> 01:13:23,679 Speaker 8: too close, it's too under those And to be honest 1457 01:13:23,680 --> 01:13:26,320 Speaker 8: with you, I got the role of Barney Callier. It 1458 01:13:26,439 --> 01:13:29,400 Speaker 8: was a writer strike, the precipitated mission, impossible coming out 1459 01:13:29,439 --> 01:13:33,080 Speaker 8: of mothballs. They could not change a word of anything, dialogue, 1460 01:13:33,320 --> 01:13:36,559 Speaker 8: plot points, characters, nothing. So when we got the roles, 1461 01:13:36,640 --> 01:13:41,040 Speaker 8: I got Barney Callier, Tayl Pengliss got roll in Hand, 1462 01:13:41,360 --> 01:13:44,400 Speaker 8: Tony Hamilton got Willie Armitage, and Peter Graves of course 1463 01:13:44,439 --> 01:13:47,040 Speaker 8: with Peter Gris. But I was the last person they saw. 1464 01:13:47,280 --> 01:13:50,400 Speaker 8: They saw just about every one of my friends prior Wow, 1465 01:13:50,560 --> 01:13:52,800 Speaker 8: and they kept calling me and say, you know, let 1466 01:13:52,840 --> 01:13:55,040 Speaker 8: me the paramount and I read for Barney's role. Are 1467 01:13:55,080 --> 01:13:56,800 Speaker 8: you good and are you going in? I was like, no, 1468 01:13:56,880 --> 01:13:59,280 Speaker 8: I haven't gotten a call and so finally, I think 1469 01:13:59,320 --> 01:14:01,760 Speaker 8: the last week they called me in, I walked in. 1470 01:14:02,160 --> 01:14:03,840 Speaker 8: I nailed it. I got it like that day a boom, 1471 01:14:03,880 --> 01:14:10,080 Speaker 8: I was Barney Collier, like overnight it was crazy, smashed up, 1472 01:14:10,280 --> 01:14:13,200 Speaker 8: damn and then the registruct finished and you know, and 1473 01:14:13,280 --> 01:14:13,720 Speaker 8: there was them. 1474 01:14:13,760 --> 01:14:16,120 Speaker 1: They made me the son of Oh wow, that is 1475 01:14:16,240 --> 01:14:18,639 Speaker 1: just amazing. So I guess gott to ask the question, 1476 01:14:18,800 --> 01:14:22,400 Speaker 1: as a film and television star, how important is Black 1477 01:14:22,560 --> 01:14:25,360 Speaker 1: History Month to you? And tell us how young people 1478 01:14:25,600 --> 01:14:26,439 Speaker 1: benefit from this? 1479 01:14:26,920 --> 01:14:28,800 Speaker 8: Oh yeah, I mentioned the shoulders of giants that we 1480 01:14:28,920 --> 01:14:32,360 Speaker 8: stand on. I mean no more gigantic or broad shoulders 1481 01:14:32,400 --> 01:14:35,360 Speaker 8: than African Americans who achieved anything in this country when 1482 01:14:35,400 --> 01:14:37,840 Speaker 8: the game was not made for them. Right, the rules 1483 01:14:37,880 --> 01:14:41,479 Speaker 8: are not written for immigrants and others. Let's say so 1484 01:14:41,600 --> 01:14:44,720 Speaker 8: people of color certainly did not have any advantage. So 1485 01:14:45,160 --> 01:14:49,519 Speaker 8: when we celebrate them, we're celebrating people who were not denied, 1486 01:14:49,600 --> 01:14:52,600 Speaker 8: who cannot be told no and had its stick. And 1487 01:14:52,680 --> 01:14:54,799 Speaker 8: those are lessons that all of this as human beings, 1488 01:14:55,160 --> 01:14:58,120 Speaker 8: can benefit from. And so the young people of today, 1489 01:14:58,200 --> 01:15:02,920 Speaker 8: when you run against certain challenges and certain obstacles, just 1490 01:15:03,040 --> 01:15:05,519 Speaker 8: put into context what the people who came before you 1491 01:15:05,840 --> 01:15:09,000 Speaker 8: went through just so that you could go through those 1492 01:15:09,040 --> 01:15:12,360 Speaker 8: obstacles and not fear your life. And when I think 1493 01:15:12,400 --> 01:15:15,000 Speaker 8: of those things months like Black History Month and people 1494 01:15:15,080 --> 01:15:18,040 Speaker 8: like you, Danelle, people who are not from my culture 1495 01:15:18,320 --> 01:15:21,280 Speaker 8: who recognize it, I realize how resonant it really is 1496 01:15:21,360 --> 01:15:23,599 Speaker 8: and how important it really is. And it does mean 1497 01:15:23,680 --> 01:15:25,480 Speaker 8: that we are all wont because. 1498 01:15:25,200 --> 01:15:27,719 Speaker 1: We all yes, it's part of American history. 1499 01:15:28,160 --> 01:15:28,920 Speaker 8: Yeah, that's great. 1500 01:15:29,200 --> 01:15:32,519 Speaker 1: Well, I can't believe. We have got to jump because 1501 01:15:32,600 --> 01:15:35,240 Speaker 1: we have to have our station break. So let me 1502 01:15:35,439 --> 01:15:38,519 Speaker 1: just say, you're listening to Hollywoods Hidden Treasures. I'm Danell 1503 01:15:38,600 --> 01:15:41,720 Speaker 1: Daddigan and when we return, we'll continue our conversation with 1504 01:15:41,840 --> 01:15:45,360 Speaker 1: Phil Morris. You know, that critically acclaimed film and television 1505 01:15:45,560 --> 01:15:47,840 Speaker 1: actor and as you can tell from this last segment, 1506 01:15:47,920 --> 01:15:50,600 Speaker 1: he is a very wise man. So stay tuned to 1507 01:15:50,680 --> 01:15:54,680 Speaker 1: hear more from Phil Morris sharing his inspirational, personal and 1508 01:15:54,800 --> 01:15:58,479 Speaker 1: professional stories. You're listening to Hollywoods Hidden Treasures. We've got 1509 01:15:58,600 --> 01:16:00,880 Speaker 1: lots to talk about. What welcome back. You're listening to 1510 01:16:00,960 --> 01:16:04,200 Speaker 1: Hollywood's Hidden Treasures. I'm Danielle Daddigan and joining us once 1511 01:16:04,240 --> 01:16:08,320 Speaker 1: again the critically acclaimed film television actor Phil Morris. You 1512 01:16:08,360 --> 01:16:10,559 Speaker 1: know he's the son of the actor and director Greg Morris, 1513 01:16:10,640 --> 01:16:13,679 Speaker 1: and he is a voice actor for numerous animated series, 1514 01:16:13,840 --> 01:16:17,280 Speaker 1: video games, and superhero projects. Well, hey, Phil, thanks for 1515 01:16:17,439 --> 01:16:20,719 Speaker 1: joining us once again here on Hollywood's Hidden Treasures. 1516 01:16:21,000 --> 01:16:21,880 Speaker 8: So good to be with you. 1517 01:16:22,160 --> 01:16:24,080 Speaker 1: Thanks. Well, let's just jump right in. I mean, I 1518 01:16:24,320 --> 01:16:27,599 Speaker 1: quit ask if you could pass on a few words 1519 01:16:27,720 --> 01:16:31,439 Speaker 1: to a young boy or girl wanting to follow their dreams. 1520 01:16:31,840 --> 01:16:34,719 Speaker 1: What positive message can you share with our young people 1521 01:16:34,880 --> 01:16:37,479 Speaker 1: out there maybe listening to the show right now. 1522 01:16:38,120 --> 01:16:44,280 Speaker 8: If you're dreaming of something special, You're special, You're a 1523 01:16:44,400 --> 01:16:48,240 Speaker 8: special energy. Invest in that invest in that energy, whatever 1524 01:16:48,320 --> 01:16:48,640 Speaker 8: that is. 1525 01:16:48,840 --> 01:16:49,000 Speaker 4: You know. 1526 01:16:49,240 --> 01:16:50,880 Speaker 8: For me, as you hear, I'm an actor, but there's 1527 01:16:50,920 --> 01:16:52,599 Speaker 8: so many other things that I do. I'm very very 1528 01:16:52,640 --> 01:16:55,400 Speaker 8: passionate about and I invest in every single one of them. Yeah, 1529 01:16:55,479 --> 01:16:58,120 Speaker 8: because they can carry the day for you. What that 1530 01:16:58,240 --> 01:17:00,160 Speaker 8: means is for me is acting as an actor or 1531 01:17:00,240 --> 01:17:02,920 Speaker 8: I tell young actors find the best class. Get into 1532 01:17:02,960 --> 01:17:05,479 Speaker 8: a class that is the best suited for you. If 1533 01:17:05,479 --> 01:17:07,519 Speaker 8: your child, get into a child acting class, but get 1534 01:17:07,560 --> 01:17:10,040 Speaker 8: on stage find out if you really do have the 1535 01:17:10,160 --> 01:17:13,080 Speaker 8: sense of performing. You know, a lot of people say 1536 01:17:13,120 --> 01:17:14,439 Speaker 8: they want to do it, they have a said that 1537 01:17:14,560 --> 01:17:16,880 Speaker 8: parents go, you're so funny, You're cute as a button, 1538 01:17:17,280 --> 01:17:18,880 Speaker 8: and then you know, they get in front of an 1539 01:17:18,880 --> 01:17:21,800 Speaker 8: audience and they freeze up. So best to get the 1540 01:17:21,920 --> 01:17:24,320 Speaker 8: experience under your belt and really see if that is 1541 01:17:24,400 --> 01:17:26,320 Speaker 8: what you are and who you need to be. I mean, 1542 01:17:26,520 --> 01:17:28,800 Speaker 8: experience it first and then dive as deep as your 1543 01:17:28,920 --> 01:17:29,720 Speaker 8: passion will let you. 1544 01:17:30,160 --> 01:17:30,280 Speaker 3: You know. 1545 01:17:30,439 --> 01:17:32,160 Speaker 1: I just want to say. The other night, when we 1546 01:17:32,240 --> 01:17:34,799 Speaker 1: were at the Hollywood Museum opening up the new exhibit, 1547 01:17:34,880 --> 01:17:38,599 Speaker 1: this joint is jumping. You mentioned something about some advice 1548 01:17:38,880 --> 01:17:41,400 Speaker 1: and a comment that your dad gave you when you 1549 01:17:41,479 --> 01:17:44,880 Speaker 1: were starting in the business, or you overheard him always saying, 1550 01:17:45,160 --> 01:17:47,120 Speaker 1: do you carry that throughout your career? 1551 01:17:47,720 --> 01:17:50,759 Speaker 8: Sure, even though my father had given him so much advice, 1552 01:17:50,840 --> 01:17:53,160 Speaker 8: so much incredible advice. Could you do an entire segment 1553 01:17:53,200 --> 01:17:56,320 Speaker 8: about that? And many African Americans understand this. You had 1554 01:17:56,360 --> 01:17:58,519 Speaker 8: to work twice as hard to get half a look, right, 1555 01:17:58,920 --> 01:18:01,040 Speaker 8: you get half a chance, work at least twice as hard, 1556 01:18:01,360 --> 01:18:05,040 Speaker 8: which is difficult to understand if you had not experienced it, 1557 01:18:05,240 --> 01:18:08,880 Speaker 8: and if you've experienced it's difficult to accept. But it's 1558 01:18:08,960 --> 01:18:10,880 Speaker 8: the thing that in the paradigm that we have lived 1559 01:18:10,880 --> 01:18:14,080 Speaker 8: in as African Americans, we have to challenge ourselves to 1560 01:18:14,280 --> 01:18:16,439 Speaker 8: push through so that hopefully one day it will not 1561 01:18:16,560 --> 01:18:19,639 Speaker 8: be that way. Women go through a very similar situation. 1562 01:18:19,960 --> 01:18:22,960 Speaker 8: It's different in terms of how it's couched, but the 1563 01:18:23,040 --> 01:18:25,760 Speaker 8: obstacles and the filters are still in place. Because they 1564 01:18:25,800 --> 01:18:28,920 Speaker 8: are in place, you have to sometimes be ten times 1565 01:18:28,960 --> 01:18:30,479 Speaker 8: as strong to go half as far. 1566 01:18:30,840 --> 01:18:31,519 Speaker 1: That's very true. 1567 01:18:31,640 --> 01:18:34,000 Speaker 8: That's why I respect the people who came before me, 1568 01:18:34,080 --> 01:18:36,000 Speaker 8: because they were a million times stronger than I was. 1569 01:18:36,320 --> 01:18:38,439 Speaker 8: Don't know what I would have done, so I honor them. 1570 01:18:38,680 --> 01:18:39,519 Speaker 8: I honor their journey. 1571 01:18:39,680 --> 01:18:41,759 Speaker 1: Well, I have to say we honor your words, because 1572 01:18:42,160 --> 01:18:46,240 Speaker 1: really it's extraordinary that you can vocalize these thoughts and 1573 01:18:46,439 --> 01:18:50,560 Speaker 1: our listeners can hear them and recognize the lives that 1574 01:18:50,720 --> 01:18:54,160 Speaker 1: everyone has led. You know, they think, oh, well, you know, Phil, 1575 01:18:54,240 --> 01:18:57,439 Speaker 1: he comes from an entertainment family. But just think of 1576 01:18:57,680 --> 01:19:01,840 Speaker 1: all that knowledge and inspiration you know your father passed 1577 01:19:01,880 --> 01:19:03,799 Speaker 1: on to you. But what he did is he opened 1578 01:19:03,840 --> 01:19:08,160 Speaker 1: your eyes so that you could continue and become successful 1579 01:19:08,320 --> 01:19:11,200 Speaker 1: on your own merits in this industry. 1580 01:19:11,640 --> 01:19:15,160 Speaker 8: So true, so true, and all the time it's being 1581 01:19:15,320 --> 01:19:17,840 Speaker 8: made known to me. You know, as kids, we don't 1582 01:19:18,120 --> 01:19:21,400 Speaker 8: really light on the genius of our parents. You know, 1583 01:19:21,479 --> 01:19:24,840 Speaker 8: we're pigeonholing them as our parents are not cool. They 1584 01:19:24,920 --> 01:19:27,680 Speaker 8: couldn't know they know everything? How could they know what 1585 01:19:27,800 --> 01:19:30,120 Speaker 8: we know? And you know, even though I'm an independent 1586 01:19:30,200 --> 01:19:35,000 Speaker 8: soul and fiercely myself, ironically enough, I have had a 1587 01:19:35,120 --> 01:19:37,800 Speaker 8: long term marriage like my father did. I'm in the 1588 01:19:37,880 --> 01:19:41,080 Speaker 8: exact same business as my father, and I think his 1589 01:19:41,200 --> 01:19:45,479 Speaker 8: influence was obviously incredible on me. And in learning these 1590 01:19:45,560 --> 01:19:48,400 Speaker 8: things and kind of walking on similar walk that he did. 1591 01:19:48,600 --> 01:19:49,960 Speaker 8: A lot of the things that he said to me, 1592 01:19:50,320 --> 01:19:53,519 Speaker 8: they ring true and I have AHAs all the time. Oh, 1593 01:19:53,680 --> 01:19:56,519 Speaker 8: I love that he said to me that I'm now 1594 01:19:56,640 --> 01:19:58,599 Speaker 8: experiencing that I could have gotten. 1595 01:19:58,400 --> 01:19:58,960 Speaker 4: No other way. 1596 01:19:59,200 --> 01:20:00,920 Speaker 8: If I was in a different profession. Maybe it would 1597 01:20:00,960 --> 01:20:01,880 Speaker 8: come later or not at all. 1598 01:20:02,560 --> 01:20:06,000 Speaker 1: Can you share with us one AHA moment? 1599 01:20:06,439 --> 01:20:08,920 Speaker 8: I said it denied at the museum. The thing that 1600 01:20:09,160 --> 01:20:11,519 Speaker 8: happened for these people that we were honoring where they 1601 01:20:11,560 --> 01:20:14,799 Speaker 8: could not be denied was the art was not racist. 1602 01:20:15,040 --> 01:20:19,599 Speaker 8: The art didn't see color, the expression didn't see gender. Yes, 1603 01:20:19,720 --> 01:20:22,840 Speaker 8: to be a certain culture, you bring that to the art, 1604 01:20:23,200 --> 01:20:25,679 Speaker 8: but the art doesn't require you to be anything except 1605 01:20:25,720 --> 01:20:29,280 Speaker 8: truthful and honest, and that's why they succeeded, because you 1606 01:20:29,400 --> 01:20:32,719 Speaker 8: can't deny that and so begrudgingly or not, the universe 1607 01:20:32,800 --> 01:20:35,360 Speaker 8: opened the door and my father showed me that he 1608 01:20:35,560 --> 01:20:38,000 Speaker 8: was like as an actor, as an artist, you are 1609 01:20:38,000 --> 01:20:40,760 Speaker 8: as valuable as anybody on the planet. It's a human 1610 01:20:40,800 --> 01:20:43,200 Speaker 8: of course, but in my art, don't limit yourself to 1611 01:20:43,240 --> 01:20:48,439 Speaker 8: being a black actor. Ah, aren't. I'm exactly right? 1612 01:20:48,520 --> 01:20:48,800 Speaker 7: Awaken. 1613 01:20:50,320 --> 01:20:54,160 Speaker 8: Yeah, we bring this full circle. Yeah, it was beautiful. Wow. 1614 01:20:54,320 --> 01:20:57,200 Speaker 1: Well you know, I mean, you're so successful in your career. 1615 01:20:57,439 --> 01:21:00,400 Speaker 1: It's quite something when I think about it. If you could, 1616 01:21:00,880 --> 01:21:03,400 Speaker 1: what advice would you give your younger self? 1617 01:21:03,840 --> 01:21:05,960 Speaker 8: God, I don't know if I've said it sees, but 1618 01:21:05,960 --> 01:21:07,920 Speaker 8: I'm gonna say it again because it's so true. Don't 1619 01:21:07,960 --> 01:21:11,360 Speaker 8: take it so seriously. Brother, Well you. 1620 01:21:11,439 --> 01:21:13,560 Speaker 1: Haven't told me that, but now everyone's heard it. So 1621 01:21:13,640 --> 01:21:17,000 Speaker 1: that's great. Well, if you just ease up. 1622 01:21:16,960 --> 01:21:20,160 Speaker 8: On yourself, you know, keep playing. It's a play, it's 1623 01:21:20,200 --> 01:21:22,240 Speaker 8: a teleplay, it's a screenplay. It's a play play. 1624 01:21:22,720 --> 01:21:22,880 Speaker 7: You know. 1625 01:21:23,280 --> 01:21:25,360 Speaker 8: I love it. So that was that right there. I 1626 01:21:25,400 --> 01:21:27,240 Speaker 8: would hopefully give myself that tip. 1627 01:21:27,400 --> 01:21:30,800 Speaker 1: This evening show has gone by with lightning speed. Phil 1628 01:21:30,880 --> 01:21:32,800 Speaker 1: I can't believe we've come to our end of our 1629 01:21:32,880 --> 01:21:35,960 Speaker 1: time together this evening. It's been a pleasure having you, 1630 01:21:36,280 --> 01:21:39,840 Speaker 1: Phil Morris here on Hollywoods hidden treasures in our final 1631 01:21:39,920 --> 01:21:42,720 Speaker 1: moments together. Tell our listeners how they can follow you. 1632 01:21:42,840 --> 01:21:44,599 Speaker 1: Maybe your website, social handle. 1633 01:21:44,880 --> 01:21:49,360 Speaker 8: Sure, I'm at the Phil Morris almost everywhere, Instagram, Facebook, 1634 01:21:49,720 --> 01:21:52,920 Speaker 8: all that stuff. I know the other one of its 1635 01:21:52,960 --> 01:21:56,080 Speaker 8: acts the other or two at the Phill Morris everywhere. 1636 01:21:56,320 --> 01:21:58,720 Speaker 8: That's such a dinosaur. But yeah, that's where you can 1637 01:21:58,760 --> 01:21:59,040 Speaker 8: find me. 1638 01:21:59,400 --> 01:22:01,720 Speaker 1: Well, thank you, Phil Morris, thank you for joining us 1639 01:22:01,760 --> 01:22:04,760 Speaker 1: this evening. It's been truly a delight having you here. 1640 01:22:04,960 --> 01:22:06,920 Speaker 8: Always a pleasure to know earn so much. 1641 01:22:07,280 --> 01:22:08,240 Speaker 1: Thank you, Thank you. 1642 01:22:08,360 --> 01:22:08,559 Speaker 4: Well. 1643 01:22:08,760 --> 01:22:12,280 Speaker 1: I just have to say I love tonight's stories, Roger, 1644 01:22:12,439 --> 01:22:13,880 Speaker 1: what was your favorite story? 1645 01:22:14,120 --> 01:22:16,439 Speaker 6: Had several? I love Christine Divine's story about how she 1646 01:22:16,760 --> 01:22:18,679 Speaker 6: just pursued and found her dad. And I love Phil's 1647 01:22:18,680 --> 01:22:21,280 Speaker 6: story about the advice his dad gave him to really 1648 01:22:21,320 --> 01:22:22,160 Speaker 6: work twice as hard. 1649 01:22:22,439 --> 01:22:22,920 Speaker 8: So it was good. 1650 01:22:23,200 --> 01:22:27,400 Speaker 1: Yes, it's quite something. Christine's story is just amazing. And Phil, 1651 01:22:27,600 --> 01:22:29,960 Speaker 1: every time we chat with Phil and every time I 1652 01:22:30,040 --> 01:22:33,040 Speaker 1: see him, I learned something new. And I think that's 1653 01:22:33,080 --> 01:22:35,840 Speaker 1: one of the goals of having rich and fulfilling life 1654 01:22:35,920 --> 01:22:37,280 Speaker 1: is to learn from your friends. 1655 01:22:37,479 --> 01:22:37,759 Speaker 7: Wow. 1656 01:22:38,080 --> 01:22:40,280 Speaker 1: Well, before we sign off this evening, let's tell our 1657 01:22:40,320 --> 01:22:42,920 Speaker 1: listeners how to visit the Hollywood Museum in the historic 1658 01:22:43,080 --> 01:22:44,040 Speaker 1: Max Factory Building. 1659 01:22:44,240 --> 01:22:46,200 Speaker 6: Well, you can come on down in person to sixteen 1660 01:22:46,280 --> 01:22:49,479 Speaker 6: sixteen North Island Avenue in Hollywood, or follow us at 1661 01:22:49,520 --> 01:22:52,719 Speaker 6: the website Hollywood Museum dot com or on our social 1662 01:22:52,800 --> 01:22:54,240 Speaker 6: media at Hollywood Museum. 1663 01:22:54,560 --> 01:22:57,040 Speaker 1: Bravo, Roger, thank you, thank you. We'll come and visit 1664 01:22:57,120 --> 01:23:00,120 Speaker 1: the Hollywood Museum in the historic Max Factor Building and 1665 01:23:00,240 --> 01:23:03,800 Speaker 1: see ten thousand real Showbiz treasures showcasing more than one 1666 01:23:03,920 --> 01:23:07,720 Speaker 1: hundred years of Hollywood entertainment. There's something for everyone at 1667 01:23:07,760 --> 01:23:10,840 Speaker 1: the Hollywood Museum in the historic Max Factor Building. This 1668 01:23:11,000 --> 01:23:14,240 Speaker 1: evening here on Hollywood Hidden Treasures once again has just 1669 01:23:14,439 --> 01:23:18,360 Speaker 1: flown by. Tonight was amazing. I enjoyed hearing the personal 1670 01:23:18,400 --> 01:23:21,959 Speaker 1: stories from our friends. It was so enlightening and entertaining, 1671 01:23:22,080 --> 01:23:24,679 Speaker 1: I mean all at the same time. A big thank 1672 01:23:24,720 --> 01:23:28,200 Speaker 1: you to our guest Christine Devine, Free to Payne, Phil Morris, 1673 01:23:28,360 --> 01:23:32,240 Speaker 1: Heywood Nelson and Ernest Thomas and Tyrone du Bois. And 1674 01:23:32,840 --> 01:23:35,880 Speaker 1: thank you to our listeners for joining us. This evening 1675 01:23:36,240 --> 01:23:39,960 Speaker 1: with our guests, the award winning actors and entertainment professionals, 1676 01:23:40,120 --> 01:23:45,400 Speaker 1: celebrating Black entertainment history, sharing their inspirational and personal and 1677 01:23:45,560 --> 01:23:50,000 Speaker 1: professional stories. So what was your favorite story? Thank you 1678 01:23:50,120 --> 01:23:52,519 Speaker 1: for joining us this evening from all of us here 1679 01:23:52,680 --> 01:23:57,920 Speaker 1: at Hollywoods Hidden Treasures. Stay strong, stay safe, and stay well. 1680 01:23:58,439 --> 01:24:01,200 Speaker 1: I've enjoyed my time with you, and be sure to 1681 01:24:01,280 --> 01:24:04,639 Speaker 1: tune in next week to discover more of Hollywood's Hidden 1682 01:24:04,680 --> 01:24:08,920 Speaker 1: treasures with me, Danelle Daddigan and some of Hollywood's finest 1683 01:24:09,320 --> 01:24:13,240 Speaker 1: right here on Talk radio seven ninety k ABC