1
00:00:03,760 --> 00:00:08,480
Speaker 1: And now it's time for Joe Escalante Live from Hollywood.

2
00:00:08,840 --> 00:00:12,240
Speaker 1: If by Hollywood you mean Burbank across the street promo

3
00:00:12,320 --> 00:00:14,520
Speaker 1: meaners and it's a little that served beer.

4
00:00:25,440 --> 00:00:29,640
Speaker 2: Joe Escalante Live from Hollywood. If by Hollywood you meet Burbank, Yeah,

5
00:00:29,640 --> 00:00:33,000
Speaker 2: I think that guy just said that, didn't he Maybe

6
00:00:33,040 --> 00:00:37,199
Speaker 2: I don't need that guy. Sam. All right, this is

7
00:00:37,240 --> 00:00:39,280
Speaker 2: two hours of the business end of show business. We

8
00:00:39,400 --> 00:00:44,159
Speaker 2: do it every Sunday here on k EIB eleven fifty

9
00:00:44,240 --> 00:00:47,440
Speaker 2: on your AM dial. And then later on Sam turns

10
00:00:47,440 --> 00:00:50,199
Speaker 2: it into what the kids are calling a podcast and

11
00:00:50,240 --> 00:00:52,800
Speaker 2: you can listen to it anytime you want on iHeartMedia,

12
00:00:53,320 --> 00:00:58,240
Speaker 2: iHeartRadio app, Apple whatever, and you can actually listen live

13
00:00:58,640 --> 00:01:00,960
Speaker 2: to this program and anywhere in the world. I think Sam,

14
00:01:01,000 --> 00:01:02,560
Speaker 2: if you have the iHeartRadio app.

15
00:01:02,840 --> 00:01:05,240
Speaker 3: Yeah, as long as your government still allows you to

16
00:01:05,240 --> 00:01:07,520
Speaker 3: connect to the Internet, you should be able to hear us.

17
00:01:08,160 --> 00:01:10,040
Speaker 2: And if you and if your government doesn't, you should

18
00:01:10,040 --> 00:01:15,720
Speaker 2: get one of those Starlink satellite dishes that that the

19
00:01:15,840 --> 00:01:18,120
Speaker 2: United States government smuggles into your country.

20
00:01:18,959 --> 00:01:19,199
Speaker 4: Yeah.

21
00:01:19,440 --> 00:01:22,720
Speaker 3: That's a lot of countries that don't have Internet access

22
00:01:22,800 --> 00:01:25,080
Speaker 3: because of the government have found ways to get some

23
00:01:25,120 --> 00:01:26,280
Speaker 3: of those up in there for sure.

24
00:01:26,800 --> 00:01:30,280
Speaker 2: I heard that the government, although they deny it, SAM

25
00:01:30,480 --> 00:01:37,319
Speaker 2: is like jumping thousands and thousands of starlink kits into Iran. Yep,

26
00:01:38,640 --> 00:01:40,440
Speaker 2: and a starlink kit is like about it was like

27
00:01:40,520 --> 00:01:42,600
Speaker 2: two hundred dollars at home depot or something. You aim

28
00:01:42,600 --> 00:01:46,399
Speaker 2: it at the sky and you're on the internet. We

29
00:01:46,520 --> 00:01:48,080
Speaker 2: use them on the road with sublime.

30
00:01:48,880 --> 00:01:52,080
Speaker 4: Excellent. How how's the functionality on them? Are they good?

31
00:01:52,960 --> 00:01:53,279
Speaker 2: Yes?

32
00:01:53,800 --> 00:01:54,200
Speaker 4: Excellent?

33
00:01:54,280 --> 00:01:56,560
Speaker 2: Yeah, it could. I mean if everybody in your you

34
00:01:56,640 --> 00:01:58,600
Speaker 2: kind of here's what you do. If you're a manager

35
00:01:58,600 --> 00:02:00,480
Speaker 2: of a band, if you're tour manager, you hook it

36
00:02:00,560 --> 00:02:04,320
Speaker 2: up and you start working, and then pretty soon someone

37
00:02:04,360 --> 00:02:07,280
Speaker 2: in the band goes, hey, is there internet here? Yeah?

38
00:02:07,320 --> 00:02:12,799
Speaker 2: I was Internet the passwords written on the thing on

39
00:02:12,840 --> 00:02:18,359
Speaker 2: the bus. Okay, it's not really working. Okay, try this

40
00:02:18,760 --> 00:02:20,880
Speaker 2: special code. Then you give them the special code for

41
00:02:20,919 --> 00:02:25,280
Speaker 2: the satellite. Then you just then pretty soon it starts

42
00:02:25,280 --> 00:02:29,160
Speaker 2: trickling down like maybe a roadie says, my Internet doesn't

43
00:02:29,160 --> 00:02:31,800
Speaker 2: work very good, And then if that band member feels

44
00:02:31,800 --> 00:02:34,560
Speaker 2: sorry for him, he'll give him the code. And then

45
00:02:34,960 --> 00:02:37,200
Speaker 2: by the end of the day most people have the

46
00:02:37,240 --> 00:02:39,920
Speaker 2: code and all the real work that needed to get done,

47
00:02:39,960 --> 00:02:43,040
Speaker 2: got done, and by the time everybody's clogging it up.

48
00:02:43,560 --> 00:02:46,040
Speaker 2: You know, that's how you do it. You don't give

49
00:02:46,080 --> 00:02:49,200
Speaker 2: everybody your your startling password from the and say hey,

50
00:02:49,200 --> 00:02:52,040
Speaker 2: we have internet. You kind of wait till people ask

51
00:02:52,120 --> 00:02:56,440
Speaker 2: for it, and then if it's like a punisher that's

52
00:02:56,440 --> 00:03:02,400
Speaker 2: hanging around, you just ignore. You don't get into conversations

53
00:03:02,440 --> 00:03:04,320
Speaker 2: with people that might ask you for a password if

54
00:03:04,360 --> 00:03:06,000
Speaker 2: they're not working.

55
00:03:06,440 --> 00:03:07,040
Speaker 4: Yeah.

56
00:03:07,240 --> 00:03:09,760
Speaker 3: Yeah, sounds so that sounds like an effective way to

57
00:03:09,880 --> 00:03:11,399
Speaker 3: limit the traffic on your starlink.

58
00:03:12,080 --> 00:03:14,160
Speaker 2: Yeah, if you have a starlink, you know, there's a

59
00:03:14,200 --> 00:03:17,640
Speaker 2: way to do it, in a way to just be like, oh,

60
00:03:17,680 --> 00:03:21,240
Speaker 2: it doesn't work that great. Slow, Yeah, it's slow. People

61
00:03:21,240 --> 00:03:24,640
Speaker 2: are watching YouTube on it. Off twenty people are watching

62
00:03:24,680 --> 00:03:29,800
Speaker 2: YouTube on it. But that's not what you want. So anyway,

63
00:03:32,200 --> 00:03:35,120
Speaker 2: after that digression, let's go into Bad Bunny. Bad Bunny's

64
00:03:35,200 --> 00:03:37,360
Speaker 2: very popular. Sam. I don't know if you saw him

65
00:03:37,800 --> 00:03:39,360
Speaker 2: on the Super Bowl.

66
00:03:39,880 --> 00:03:42,920
Speaker 3: Yeah, yeah, I caught the performance. Actually watch more of

67
00:03:42,920 --> 00:03:44,040
Speaker 3: the performance than the game.

68
00:03:46,680 --> 00:03:53,880
Speaker 2: Well, let's just let's not talk about that. Yeah, the

69
00:03:53,920 --> 00:03:56,080
Speaker 2: game wasn't very exciting until the fourth quarter. Then it

70
00:03:56,120 --> 00:04:00,520
Speaker 2: got pretty exciting, But until then it was wow a

71
00:04:00,520 --> 00:04:05,360
Speaker 2: fail and then Bad Bunny super Bowl. It's just very polarizing.

72
00:04:05,400 --> 00:04:08,520
Speaker 2: I would say the most polarizing of all Super Bowl halftimes.

73
00:04:08,800 --> 00:04:11,160
Speaker 4: Yeah, yeah, absolutely.

74
00:04:11,480 --> 00:04:16,400
Speaker 3: I mean I thought last year, I'm really the Kendrick

75
00:04:16,480 --> 00:04:20,200
Speaker 3: Lamar performance, I thought that was somewhat polarizing.

76
00:04:20,880 --> 00:04:22,479
Speaker 2: I don't remember anything about it.

77
00:04:22,720 --> 00:04:27,440
Speaker 3: Yeah, but this one definitely like there were sides to

78
00:04:27,560 --> 00:04:28,080
Speaker 3: be picked.

79
00:04:28,720 --> 00:04:30,960
Speaker 2: Yes, I watched the Super Bowl, as you know, with

80
00:04:31,080 --> 00:04:34,839
Speaker 2: just another couple, and I would have to say that

81
00:04:34,960 --> 00:04:40,680
Speaker 2: other couple was offended and the lovely missus Eskalantova as

82
00:04:40,680 --> 00:04:43,320
Speaker 2: she's known in the radio world, and we enjoyed the

83
00:04:43,320 --> 00:04:46,440
Speaker 2: super Bowl because we are used to. I mean, we've

84
00:04:46,480 --> 00:04:49,760
Speaker 2: seen that Bunny at Coachella a few times. We go

85
00:04:49,839 --> 00:04:56,200
Speaker 2: to a lot of Spanish language concerts and that's just

86
00:04:57,240 --> 00:04:59,840
Speaker 2: what we do. And I don't know, I'm kind of

87
00:04:59,839 --> 00:05:02,120
Speaker 2: in trenched in the Mexican culture and then the Colombian

88
00:05:02,120 --> 00:05:06,760
Speaker 2: culture by via my wife's family. So when and we

89
00:05:06,839 --> 00:05:11,880
Speaker 2: had our honeymoon in Puerto Rico. So we're sitting there going, hey,

90
00:05:12,080 --> 00:05:14,680
Speaker 2: bad Bunny's just killing it here. That buddy doesn't have

91
00:05:14,720 --> 00:05:16,919
Speaker 2: a lot of talent, but he's he's figured out a

92
00:05:16,920 --> 00:05:19,560
Speaker 2: way to maximize the talent that he does have by

93
00:05:19,640 --> 00:05:23,680
Speaker 2: spectacle and by you know, scandal and sallaciousness and all

94
00:05:23,720 --> 00:05:25,960
Speaker 2: that kind of stuff. Okay, he's he's successful.

95
00:05:26,279 --> 00:05:27,240
Speaker 4: I agree, I'm not.

96
00:05:27,400 --> 00:05:30,760
Speaker 3: I honest to god, never heard any of his songs

97
00:05:31,279 --> 00:05:33,360
Speaker 3: up until then, and I was like, I was hoping

98
00:05:33,400 --> 00:05:36,480
Speaker 3: it would be like something of a like a good vocalist,

99
00:05:36,520 --> 00:05:37,120
Speaker 3: a good singer.

100
00:05:37,120 --> 00:05:40,440
Speaker 4: But he's not a good singer. He's a great performer.

101
00:05:41,000 --> 00:05:44,120
Speaker 3: And that's the thing when you it's the kind of

102
00:05:44,120 --> 00:05:46,880
Speaker 3: performance that I could get because I you know, I'm

103
00:05:46,920 --> 00:05:49,640
Speaker 3: not a Spanish speaker and I'm not familiar with his music,

104
00:05:50,000 --> 00:05:52,880
Speaker 3: but I could enjoy the spectacle of it, even if

105
00:05:52,920 --> 00:05:54,720
Speaker 3: it was on mute. I could be at a loud

106
00:05:54,839 --> 00:05:58,400
Speaker 3: bar watching that and I can enjoy and appreciate what

107
00:05:58,480 --> 00:06:01,120
Speaker 3: was happening, because it was really awesome watching it.

108
00:06:01,680 --> 00:06:05,080
Speaker 2: Yeah, it was pretty cool, I would say. And then

109
00:06:05,720 --> 00:06:08,960
Speaker 2: you know, when I see the read the follow up,

110
00:06:09,040 --> 00:06:11,560
Speaker 2: and then people are mad about it, you know, at

111
00:06:11,600 --> 00:06:13,320
Speaker 2: first time like I don't get over it, but then

112
00:06:13,360 --> 00:06:16,080
Speaker 2: I you know, I listen, I go, Okay, I guess

113
00:06:16,160 --> 00:06:19,320
Speaker 2: a whole super Bowl in Spanish with the Little Lady

114
00:06:19,320 --> 00:06:24,960
Speaker 2: Gaga English is offensive to some people who are you know,

115
00:06:25,720 --> 00:06:29,839
Speaker 2: they have a lot of anxiety about their country changing

116
00:06:29,880 --> 00:06:32,440
Speaker 2: so much and so fast, which I think everybody in

117
00:06:32,480 --> 00:06:36,480
Speaker 2: this country doesn't mind the country evolving, changing and sharing

118
00:06:36,560 --> 00:06:40,599
Speaker 2: things with other cultures. But when they see the videos

119
00:06:40,640 --> 00:06:45,919
Speaker 2: which we don't have anymore, of hundreds of thousands and

120
00:06:45,960 --> 00:06:48,599
Speaker 2: millions of people storming the gates in their minds because

121
00:06:48,600 --> 00:06:53,280
Speaker 2: that's what they see, you know, and caravans coming, and

122
00:06:53,320 --> 00:06:56,760
Speaker 2: then they're they're like, this country's going to be taken over.

123
00:06:57,520 --> 00:07:00,240
Speaker 2: And then now the Super Bowls in Spanish. So I

124
00:07:00,279 --> 00:07:04,919
Speaker 2: think that's their side. That's understandable. But now that the

125
00:07:05,040 --> 00:07:06,760
Speaker 2: borders are closed, we can kind of it. To me,

126
00:07:06,880 --> 00:07:08,760
Speaker 2: it's like, hey, the borders are closed, let's enjoy these

127
00:07:10,000 --> 00:07:13,880
Speaker 2: cultures that are here, and let's not freak out. But

128
00:07:14,360 --> 00:07:16,720
Speaker 2: if you watch that stuff at the border and then

129
00:07:16,760 --> 00:07:21,520
Speaker 2: your whole Super Bowls in Spanish, I get it, you're upset.

130
00:07:21,760 --> 00:07:24,800
Speaker 2: And maybe Roger Goodell should have someone besides Jay Z

131
00:07:25,720 --> 00:07:31,520
Speaker 2: picking the talent to be less polarizing, because why isn't

132
00:07:31,560 --> 00:07:33,280
Speaker 2: there a big country star. I mean, when was the

133
00:07:33,360 --> 00:07:35,720
Speaker 2: last time they had one of those in the Super Bowl?

134
00:07:36,440 --> 00:07:38,240
Speaker 2: I mean what kind of music does the NFL like?

135
00:07:38,280 --> 00:07:40,400
Speaker 2: But however, I say that, let me answer my own question.

136
00:07:40,720 --> 00:07:42,720
Speaker 2: The NFL wants to expand in Latin America.

137
00:07:42,800 --> 00:07:44,240
Speaker 4: That's a big thing right now.

138
00:07:44,240 --> 00:07:47,400
Speaker 3: They had games in They've had games in Mexico for

139
00:07:47,520 --> 00:07:50,720
Speaker 3: the last fifteen years or so, they've had games. The

140
00:07:50,840 --> 00:07:55,880
Speaker 3: Chargers played in Brazil and their halftime show had one

141
00:07:55,920 --> 00:07:58,880
Speaker 3: of the more famous Brazilian performers in the world play

142
00:07:58,920 --> 00:07:59,880
Speaker 3: at it.

143
00:08:00,320 --> 00:08:04,920
Speaker 2: The lead played in people saying in English. I think

144
00:08:04,960 --> 00:08:07,280
Speaker 2: that's what really offended people was it was one hundred

145
00:08:07,280 --> 00:08:10,360
Speaker 2: percent Spanish. But I got to tell you, I can

146
00:08:10,360 --> 00:08:14,720
Speaker 2: speak Spanish, my wife is fluent. And even when we're

147
00:08:14,760 --> 00:08:17,760
Speaker 2: reading bad Bunny lyrics, it's just it's so much slang.

148
00:08:18,360 --> 00:08:20,160
Speaker 2: You don't you know what's going on? And is there

149
00:08:20,160 --> 00:08:23,800
Speaker 2: a bunch of bad words and bad things and and

150
00:08:24,480 --> 00:08:27,920
Speaker 2: uh selacious dancing? Yes? Should the Super Bowl have that

151
00:08:28,080 --> 00:08:31,440
Speaker 2: in their halftime? No? But if you've jay Z's book

152
00:08:31,440 --> 00:08:35,800
Speaker 2: and the stuff, you know this is it's not going

153
00:08:35,840 --> 00:08:39,800
Speaker 2: to be family friendly. Roger Goodell might want to get

154
00:08:39,840 --> 00:08:42,880
Speaker 2: a different book, and I think that would go a

155
00:08:42,920 --> 00:08:45,880
Speaker 2: long way. Just say, okay, no more, jay Z. We're

156
00:08:45,920 --> 00:08:49,520
Speaker 2: going to try to be a little more family friendly,

157
00:08:49,559 --> 00:08:52,120
Speaker 2: and there's a way to be family friendly and still

158
00:08:52,160 --> 00:08:55,880
Speaker 2: involve Latin America or the cultures. So I think it

159
00:08:56,000 --> 00:09:00,280
Speaker 2: just it was like kind of too much, too much Spanish,

160
00:09:00,720 --> 00:09:06,480
Speaker 2: too much dirty dancing, and then you don't need this,

161
00:09:07,320 --> 00:09:09,160
Speaker 2: Like why are we talking about it? But let's talk

162
00:09:09,200 --> 00:09:12,240
Speaker 2: about other Bad Bunny stuff, like the fact that he's

163
00:09:12,280 --> 00:09:14,920
Speaker 2: being sued by this eighty four year old homeowner who

164
00:09:14,920 --> 00:09:18,240
Speaker 2: claims that the salmon colored house featured in Bad Bunny's

165
00:09:18,280 --> 00:09:23,080
Speaker 2: short film and later recreated as La Casita for his

166
00:09:23,160 --> 00:09:25,600
Speaker 2: San Juan residency where he was like thirty days in

167
00:09:25,600 --> 00:09:28,160
Speaker 2: a row, sixty days in a row, and I don't know,

168
00:09:28,440 --> 00:09:32,800
Speaker 2: playing at this stadium, and he built this replica of

169
00:09:32,840 --> 00:09:36,520
Speaker 2: some guy's house, and this guy wants a million dollars,

170
00:09:36,679 --> 00:09:37,880
Speaker 2: one million dollars.

171
00:09:37,559 --> 00:09:41,320
Speaker 3: Sam, Let's talk about it in the next segment.

172
00:09:41,400 --> 00:09:45,360
Speaker 2: All right, because you're not going to believe the twist

173
00:09:45,559 --> 00:09:50,079
Speaker 2: in this one. Bump bump um, all right, Joe'scalante Live

174
00:09:50,120 --> 00:09:53,959
Speaker 2: from Hollywood back after we check the traffic. Joe'scalante Live

175
00:09:54,000 --> 00:09:58,480
Speaker 2: from Hollywood by Hollywood? Do you mean Burbank? Hey, So

176
00:09:58,559 --> 00:10:02,600
Speaker 2: Bad Bunny has this house that he recreated for his

177
00:10:04,480 --> 00:10:09,600
Speaker 2: Puerto Rican residency and in this film. And now there's

178
00:10:09,600 --> 00:10:11,800
Speaker 2: like pop up bars I think that or at least

179
00:10:11,840 --> 00:10:15,000
Speaker 2: one in Texas that or where they just build the

180
00:10:15,040 --> 00:10:18,360
Speaker 2: house and everyone's going to drink in it. Now, okay,

181
00:10:18,880 --> 00:10:24,120
Speaker 2: it's cool. It's a super cool looking like classic, you know,

182
00:10:24,760 --> 00:10:31,440
Speaker 2: like a homemade Puerto Rican house. Ah, and he uses it.

183
00:10:34,360 --> 00:10:38,680
Speaker 2: But however, the guy who owns the house that he's

184
00:10:38,679 --> 00:10:44,040
Speaker 2: recreated and that he used in videos, Roman Carasco Delgado,

185
00:10:45,880 --> 00:10:51,839
Speaker 2: he's an unemployed widower. He wants a million dollars. He

186
00:10:52,160 --> 00:10:57,240
Speaker 2: says he has damages and emotional distress. Now, okay, if

187
00:10:57,440 --> 00:11:01,040
Speaker 2: I mean, what if you if you want to launch

188
00:11:01,160 --> 00:11:03,640
Speaker 2: a losson to get someone, you have to have certain

189
00:11:03,720 --> 00:11:10,160
Speaker 2: and provable damages to prevail. So what are his damages?

190
00:11:12,679 --> 00:11:15,040
Speaker 2: He says a large number of people visit his home

191
00:11:15,120 --> 00:11:20,840
Speaker 2: daily in his coastal town of Omacau to take pictures

192
00:11:20,840 --> 00:11:27,440
Speaker 2: and videos, stripping him of his privacy. Now, what is

193
00:11:27,480 --> 00:11:30,440
Speaker 2: the law against privacy invading your privacy? Sam? Do you

194
00:11:30,480 --> 00:11:30,760
Speaker 2: know it?

195
00:11:31,840 --> 00:11:35,080
Speaker 3: No, we haven't really gone into privacy law too much.

196
00:11:35,760 --> 00:11:38,920
Speaker 2: No, it really isn't any any laws against like, you know,

197
00:11:39,400 --> 00:11:43,920
Speaker 2: invading someone's privacy. He tried to establish one with Roe

198
00:11:44,000 --> 00:11:48,959
Speaker 2: versus Wade, and then so they put together one and

199
00:11:48,960 --> 00:11:51,079
Speaker 2: that and now that one has been overturned. So now

200
00:11:52,040 --> 00:11:54,040
Speaker 2: now we're back to do you have a right to privacy?

201
00:11:56,960 --> 00:11:59,600
Speaker 2: So his lawyer says, La Casita has been the subject

202
00:11:59,600 --> 00:12:03,600
Speaker 2: of dozens or hundreds of social media posts and product

203
00:12:03,640 --> 00:12:11,960
Speaker 2: sales featuring his property from which he generally receives no benefit. Generally. Okay,

204
00:12:12,040 --> 00:12:15,680
Speaker 2: that's the key here. I think the contrary to Don Roman,

205
00:12:16,840 --> 00:12:20,200
Speaker 2: is the subject of malicious comments and insinuations that did

206
00:12:20,240 --> 00:12:23,199
Speaker 2: not occur prior to the publication of the aforementioned video.

207
00:12:23,920 --> 00:12:26,400
Speaker 2: The semi colored home with a yellow trim and a

208
00:12:26,440 --> 00:12:29,240
Speaker 2: wrap around porch was featured in Bad Bunny, short film

209
00:12:29,880 --> 00:12:36,960
Speaker 2: that launched his his you know hit, a certain campaign

210
00:12:36,960 --> 00:12:40,439
Speaker 2: of his career, and you know, celebrities are involved. It's

211
00:12:40,480 --> 00:12:43,960
Speaker 2: just a big deal. And he's like, I'm getting nothing.

212
00:12:44,000 --> 00:12:45,400
Speaker 2: Now this is the headline, and this is what you

213
00:12:45,440 --> 00:12:47,480
Speaker 2: read and go out. Bad Bunny. Is this terrible person

214
00:12:47,520 --> 00:12:53,839
Speaker 2: exploiting this guy. And then there's all these stories about

215
00:12:53,920 --> 00:12:57,600
Speaker 2: how him he never had a home, and then he says,

216
00:12:57,760 --> 00:13:00,560
Speaker 2: I saw the home in my mind. My brother began doodle.

217
00:13:01,320 --> 00:13:07,079
Speaker 2: The home has three bedrooms, two bathrooms, a house without

218
00:13:07,120 --> 00:13:11,160
Speaker 2: a porch. It's not feasible, he says. But the butch

219
00:13:11,240 --> 00:13:13,200
Speaker 2: is the perfect man. He's just you know, all this

220
00:13:13,240 --> 00:13:15,439
Speaker 2: stuff about his house. And you find out he got paid.

221
00:13:15,760 --> 00:13:17,920
Speaker 2: Someone came and had him signed a contract and give

222
00:13:18,000 --> 00:13:19,320
Speaker 2: him five thousand, two hundred dollars.

223
00:13:22,240 --> 00:13:23,199
Speaker 4: So he did get paid.

224
00:13:23,760 --> 00:13:24,520
Speaker 2: Yeah, he got paid.

225
00:13:24,520 --> 00:13:27,920
Speaker 3: They said, not very much, but I mean a decent

226
00:13:27,960 --> 00:13:30,560
Speaker 3: amount of whoa whoa what decent?

227
00:13:30,760 --> 00:13:33,360
Speaker 2: Not inside the house. They're not filming in the house,

228
00:13:33,360 --> 00:13:35,080
Speaker 2: they're saying. They're not saying, hey, we're gonna film inside

229
00:13:35,080 --> 00:13:38,319
Speaker 2: your house. We're gonna bring in the camera crews, we're

230
00:13:38,320 --> 00:13:40,199
Speaker 2: gonna bring in production. You're gonna have to leave for

231
00:13:40,200 --> 00:13:42,560
Speaker 2: a while. Blah blah blah blah blah. What's the rate,

232
00:13:42,720 --> 00:13:44,080
Speaker 2: you know the rate and something like that might be

233
00:13:44,120 --> 00:13:46,679
Speaker 2: like ten thousand dollars a day for a mansion. This

234
00:13:46,720 --> 00:13:48,560
Speaker 2: guy gets fifty two hundred dollars a day just because

235
00:13:48,559 --> 00:13:49,800
Speaker 2: they want to take a picture of his house and

236
00:13:49,880 --> 00:13:54,880
Speaker 2: use it as an inspiration for their bad bunny thing. However,

237
00:13:55,200 --> 00:13:57,800
Speaker 2: now on the other side, he's saying, ah, they gave

238
00:13:57,880 --> 00:14:01,400
Speaker 2: him like a phone, like a waiver on a phone,

239
00:14:01,800 --> 00:14:04,400
Speaker 2: and they had he had to like, you know, write

240
00:14:04,400 --> 00:14:08,080
Speaker 2: with his finger on the phone to sign it, and

241
00:14:08,640 --> 00:14:11,080
Speaker 2: they said he can't read. And then they said they

242
00:14:11,080 --> 00:14:13,840
Speaker 2: took that signature and put it on other documents, and

243
00:14:13,880 --> 00:14:16,320
Speaker 2: by the time it was on the actual contract, you know,

244
00:14:16,760 --> 00:14:20,800
Speaker 2: had no it just wasn't a very He didn't have

245
00:14:21,280 --> 00:14:25,000
Speaker 2: an adequate knowledge of what he signed. So you could say, look,

246
00:14:26,960 --> 00:14:31,680
Speaker 2: you got to get like, if he can't read, you

247
00:14:31,760 --> 00:14:34,120
Speaker 2: have to have that explained to him or someone, and

248
00:14:34,120 --> 00:14:35,840
Speaker 2: you gotta have a record. You might want to videotape

249
00:14:35,880 --> 00:14:38,080
Speaker 2: something like that. Next time you do it, make sure

250
00:14:38,120 --> 00:14:41,640
Speaker 2: he understands. But he did. He did get some money.

251
00:14:41,720 --> 00:14:47,560
Speaker 2: And and I would say, if it was fully explained

252
00:14:47,560 --> 00:14:52,600
Speaker 2: to him for a month straight in the language of

253
00:14:52,640 --> 00:14:55,160
Speaker 2: his choice, he still would have signed this contract and

254
00:14:55,200 --> 00:14:56,960
Speaker 2: taken that five two hundred dollars.

255
00:14:57,320 --> 00:14:58,560
Speaker 4: Oh yeah.

256
00:14:58,720 --> 00:15:02,040
Speaker 2: So it just it just the fact that bud bug

257
00:15:02,760 --> 00:15:11,080
Speaker 2: that bugs bunny blew up, you know, so big, and

258
00:15:11,120 --> 00:15:13,960
Speaker 2: this became like an international, worldwide thing, you know, things

259
00:15:14,000 --> 00:15:16,360
Speaker 2: like that happen, and he's like, ah, rats, I would

260
00:15:16,400 --> 00:15:18,960
Speaker 2: have I would ask for ten thousand if I would

261
00:15:19,000 --> 00:15:19,920
Speaker 2: have known this was going to happen.

262
00:15:20,080 --> 00:15:22,280
Speaker 3: I mean, do there people who own the goony's house

263
00:15:22,320 --> 00:15:25,880
Speaker 3: complain about people going up to their neighborhood and taking pictures.

264
00:15:26,360 --> 00:15:28,680
Speaker 2: Well, people, you know, this happens all over the place.

265
00:15:28,720 --> 00:15:33,440
Speaker 2: You know, Peter Bradley and Noll from Sublimes, his family home.

266
00:15:33,480 --> 00:15:35,240
Speaker 2: People come, we were going to change the name of

267
00:15:35,240 --> 00:15:39,080
Speaker 2: the street to Sublime Place, and then it just was

268
00:15:39,120 --> 00:15:41,880
Speaker 2: decided that, like, there's too many people there anyway, so

269
00:15:42,720 --> 00:15:45,880
Speaker 2: let's change the name of another street and not you know,

270
00:15:46,000 --> 00:15:50,080
Speaker 2: invade their privacy. But that's like courtesy, and it's just

271
00:15:50,120 --> 00:15:52,400
Speaker 2: like a kind of like a celebrity saying, hey, I'm famous,

272
00:15:52,440 --> 00:15:54,960
Speaker 2: don't take my picture. Yeah, all right now, now he

273
00:15:54,960 --> 00:15:57,440
Speaker 2: can probably sell this house right now for more than

274
00:15:57,480 --> 00:16:01,520
Speaker 2: he paid for it, oh easily, but he doesn't want to.

275
00:16:01,560 --> 00:16:03,680
Speaker 2: He loves this house, so okay, I get it. So

276
00:16:03,720 --> 00:16:06,760
Speaker 2: his destribed, his privacy has been disturbed. Is it worth

277
00:16:06,800 --> 00:16:09,760
Speaker 2: one million dollars? You know, I think bad bunnies people

278
00:16:09,800 --> 00:16:12,560
Speaker 2: could come in there and say you want one million dollars.

279
00:16:13,760 --> 00:16:16,480
Speaker 2: Here's one million dollars. Yeah, you know, and then that's

280
00:16:16,480 --> 00:16:19,480
Speaker 2: a better story. That's one million dollars worth of the publicity.

281
00:16:21,960 --> 00:16:24,520
Speaker 2: And then get him to sign something else that Bunny

282
00:16:24,520 --> 00:16:26,760
Speaker 2: can certainly afford it. But it's interesting, now do we

283
00:16:26,800 --> 00:16:29,840
Speaker 2: get to the law in general US copyright and the

284
00:16:29,920 --> 00:16:34,680
Speaker 2: privacy practice. You can legally photograph buildings that are vis

285
00:16:35,040 --> 00:16:38,760
Speaker 2: visible from public spaces, and we've talked about this a lot,

286
00:16:39,160 --> 00:16:41,720
Speaker 2: and you can use those photos even commercially. You can

287
00:16:41,800 --> 00:16:44,720
Speaker 2: make a cart, you could make a calendar out of

288
00:16:46,000 --> 00:16:52,520
Speaker 2: Roman's built house and sell it. It's called some people

289
00:16:52,520 --> 00:16:57,760
Speaker 2: call this the freedom of panorama notion, but they're limitations

290
00:16:58,200 --> 00:17:00,320
Speaker 2: if the image of the building is us in a

291
00:17:00,320 --> 00:17:04,239
Speaker 2: way that implies an endorsement or violates trademark rights, like

292
00:17:04,440 --> 00:17:06,480
Speaker 2: if you have the mutual of Omaha building, like their

293
00:17:06,480 --> 00:17:10,480
Speaker 2: building is the trademark. Okay, you can't use that because

294
00:17:10,640 --> 00:17:13,160
Speaker 2: if somebody if you trademark your building, people cannot come

295
00:17:13,200 --> 00:17:15,320
Speaker 2: and take pictures of it and exploit it commercially. But

296
00:17:15,400 --> 00:17:20,200
Speaker 2: if if you don't, people take pictures anything that's visible

297
00:17:20,240 --> 00:17:23,200
Speaker 2: from the street, just take pictures, use it even for

298
00:17:23,240 --> 00:17:26,080
Speaker 2: commercial use. However, but if you're if you were doing

299
00:17:26,119 --> 00:17:30,320
Speaker 2: something like saying Roman is a child molester and this

300
00:17:30,359 --> 00:17:33,520
Speaker 2: is his house, you know, obviously you have other laws

301
00:17:33,520 --> 00:17:38,439
Speaker 2: that are coming into play. You can't defame him, but

302
00:17:38,640 --> 00:17:41,760
Speaker 2: in general he has a very very weak case. But

303
00:17:41,840 --> 00:17:46,240
Speaker 2: I don't think it's in bad bunnies, bugs bunny or

304
00:17:46,280 --> 00:17:50,280
Speaker 2: whatever they call him. This guy, I don't think it's

305
00:17:50,320 --> 00:17:51,800
Speaker 2: in his interest to fight it. He just give him

306
00:17:51,800 --> 00:17:52,720
Speaker 2: some money, you know.

307
00:17:53,040 --> 00:17:53,320
Speaker 4: Yeah.

308
00:17:53,640 --> 00:17:56,520
Speaker 3: For the amount of money that that bad bunny brings

309
00:17:56,560 --> 00:18:00,639
Speaker 3: in annually, the guy can afford to part with a

310
00:18:00,720 --> 00:18:04,560
Speaker 3: million dollars of very good publicity. You're taking care of

311
00:18:04,600 --> 00:18:07,920
Speaker 3: a guy who's I mean, yeah, it's a limited amount,

312
00:18:08,440 --> 00:18:10,560
Speaker 3: like his his case isn't that strong, and it's a

313
00:18:10,560 --> 00:18:15,880
Speaker 3: limited amount of like like the damages, Yeah, the damages

314
00:18:15,920 --> 00:18:16,800
Speaker 3: are limited, but.

315
00:18:16,760 --> 00:18:18,520
Speaker 2: You couldn't prove these damages in court.

316
00:18:18,680 --> 00:18:22,200
Speaker 3: But you you buy great publicity, not just here but

317
00:18:22,560 --> 00:18:24,679
Speaker 3: on the island with all the people there that you

318
00:18:24,720 --> 00:18:26,960
Speaker 3: took care of this one dude that you put.

319
00:18:26,800 --> 00:18:32,040
Speaker 2: Out, you know, yeah, buy him a fence and a

320
00:18:32,119 --> 00:18:34,359
Speaker 2: ring and a ring camera and is on his doorbell.

321
00:18:37,440 --> 00:18:40,520
Speaker 2: So I don't Yeah, I this this has been going

322
00:18:40,560 --> 00:18:42,359
Speaker 2: on for a few months and they haven't settled it yet.

323
00:18:43,200 --> 00:18:48,639
Speaker 2: There's other bad bunny lawsuits going on, like the beats

324
00:18:48,680 --> 00:18:52,520
Speaker 2: that he uses. Somebody's claiming there's like it gets uh

325
00:18:53,560 --> 00:18:57,800
Speaker 2: it gets traced down to these one or two guys

326
00:18:57,800 --> 00:19:00,080
Speaker 2: that create beats and they sell beats, and all the

327
00:19:00,119 --> 00:19:04,080
Speaker 2: reggae town people are using their beats and nobody's paying.

328
00:19:04,680 --> 00:19:07,920
Speaker 2: So that is like an industry wide scandal that is

329
00:19:07,960 --> 00:19:09,119
Speaker 2: either true or false.

330
00:19:09,440 --> 00:19:11,919
Speaker 3: Wait, so only two guys make all of the beats

331
00:19:11,960 --> 00:19:13,600
Speaker 3: for all of reggaeton.

332
00:19:14,400 --> 00:19:15,080
Speaker 2: And something like that.

333
00:19:15,160 --> 00:19:17,800
Speaker 4: Wow, that's why all of the beats sound the same.

334
00:19:18,160 --> 00:19:21,000
Speaker 2: Yeah, I mean it's everybody's like, yeah, everybody's in the

335
00:19:21,000 --> 00:19:25,320
Speaker 2: same beats. And then and then they start drinking these

336
00:19:25,320 --> 00:19:27,080
Speaker 2: beats and then they get blood in their stool and

337
00:19:27,119 --> 00:19:30,520
Speaker 2: then they think they're sick. That's what also is going

338
00:19:30,560 --> 00:19:32,639
Speaker 2: on to metal. I mean, Sam, I don't know if

339
00:19:32,680 --> 00:19:33,000
Speaker 2: you know that.

340
00:19:33,920 --> 00:19:35,679
Speaker 4: Well, thank you, and now I am not aware.

341
00:19:36,880 --> 00:19:40,080
Speaker 2: All right, let's take another break. We'll come back with

342
00:19:40,119 --> 00:19:43,840
Speaker 2: more of the box office. Joe's Scalante Live from Hollywood.

343
00:19:44,880 --> 00:19:50,080
Speaker 2: Joe Escalante live from Hollywood. Hey, the box office this

344
00:19:50,160 --> 00:19:54,760
Speaker 2: weekend Valentine's Weekend. What a big Valentine's Day landing on

345
00:19:54,800 --> 00:19:58,040
Speaker 2: a Saturday. I think it created more commerce, I would say,

346
00:19:58,040 --> 00:20:01,200
Speaker 2: than any Valentine's Day in the history of the freaking world.

347
00:20:01,640 --> 00:20:04,240
Speaker 2: I was at Disneyland. I first I went to breakfast

348
00:20:04,280 --> 00:20:07,080
Speaker 2: at the Beach House here at Seal Beach and that

349
00:20:07,200 --> 00:20:09,280
Speaker 2: was packed. Had to wait for a table. Can you

350
00:20:09,320 --> 00:20:10,880
Speaker 2: imagine that's?

351
00:20:11,240 --> 00:20:13,919
Speaker 4: Yeah, that on a Valentine Terry on the weekend. I

352
00:20:13,960 --> 00:20:16,160
Speaker 4: can Yeah, even you would have.

353
00:20:16,119 --> 00:20:20,239
Speaker 2: To wait, Even I had to wait. Then I went

354
00:20:20,280 --> 00:20:28,000
Speaker 2: to Disneyland, packed, long lines at every jewelry store, like

355
00:20:28,040 --> 00:20:30,840
Speaker 2: the Pandora jewelry stores they have there, long long lines.

356
00:20:30,880 --> 00:20:33,439
Speaker 2: Everybody's got to buy a little necklace, little ring or

357
00:20:33,440 --> 00:20:39,920
Speaker 2: something for the Valentine. And then the restaurants packed. Good luck.

358
00:20:41,200 --> 00:20:45,399
Speaker 2: I took her that in advance, but wow, what a

359
00:20:45,440 --> 00:20:51,879
Speaker 2: big Valentine's Day. And then some genius released another version

360
00:20:52,160 --> 00:21:00,960
Speaker 2: of Weathering Heights and starring Margot robi and made thirty

361
00:21:01,000 --> 00:21:04,160
Speaker 2: four zero point eight million dollars at the box office.

362
00:21:04,240 --> 00:21:05,960
Speaker 4: Is that the number one movie right now?

363
00:21:06,280 --> 00:21:08,040
Speaker 2: Number one Weathering Heights of.

364
00:21:08,000 --> 00:21:11,919
Speaker 3: All movies, Wuthering Heights takes the number one slot this week?

365
00:21:12,320 --> 00:21:18,520
Speaker 2: Yeah, Margot Robbie, Jacob Elordi thirty four point eight million

366
00:21:19,480 --> 00:21:22,639
Speaker 2: and probably over forty million by the time we get

367
00:21:22,680 --> 00:21:24,879
Speaker 2: these Monday numbers. In got President's Day too, and they

368
00:21:25,119 --> 00:21:29,600
Speaker 2: add that onto the Valentine's Day thing. Oh and you

369
00:21:29,640 --> 00:21:34,040
Speaker 2: know it's okay, let's be honest. This is a chick movie. Yeah,

370
00:21:34,080 --> 00:21:37,399
Speaker 2: but what if you can't get your husband and her

371
00:21:37,440 --> 00:21:40,680
Speaker 2: boyfriend to take you to a chick movie on Valentine's Day?

372
00:21:41,440 --> 00:21:44,199
Speaker 2: You got to get rid of them. So there's no

373
00:21:45,200 --> 00:21:49,440
Speaker 2: there's no exit strategy for any man trying to get

374
00:21:49,480 --> 00:21:50,479
Speaker 2: out of this. He's got to go.

375
00:21:50,600 --> 00:21:53,640
Speaker 3: Yeah. I'm willing to bet like maybe forty five percent

376
00:21:53,720 --> 00:21:56,080
Speaker 3: of those ticket sales were guys who were just trying

377
00:21:56,080 --> 00:21:57,399
Speaker 3: to get some action that night.

378
00:21:57,640 --> 00:22:01,240
Speaker 2: Yes, exactly, and then they fell asleep bike at the

379
00:22:01,320 --> 00:22:04,800
Speaker 2: one hour and twenty two minute mark, and you know,

380
00:22:05,000 --> 00:22:07,440
Speaker 2: and who knows where it went from there. But number

381
00:22:07,480 --> 00:22:12,560
Speaker 2: two was Goat, Sony's animated sports comedy, Yes, produced by

382
00:22:12,600 --> 00:22:19,159
Speaker 2: Stephen Curry. Second place. They were twenty six million, and

383
00:22:19,160 --> 00:22:22,720
Speaker 2: that's pretty successful, Like all these animal animated things, that's

384
00:22:22,720 --> 00:22:24,520
Speaker 2: going to burn out though pretty soon, kids are going

385
00:22:24,600 --> 00:22:26,960
Speaker 2: to go enough, mom, I don't need to see another

386
00:22:27,040 --> 00:22:31,480
Speaker 2: talking animal. But not yet. Crime one oh one with

387
00:22:31,560 --> 00:22:38,159
Speaker 2: Chris Hemsworth and Mark Ruffalo third fifteen million, well below

388
00:22:38,320 --> 00:22:41,680
Speaker 2: studio expectations. But I got to tell you every single

389
00:22:41,680 --> 00:22:48,520
Speaker 2: person that goes to a Millenia movie and a Christian movie,

390
00:22:48,640 --> 00:22:51,440
Speaker 2: or you know, one of these Angel Studios movies. They're

391
00:22:51,480 --> 00:22:53,480
Speaker 2: not going to go see a Mark Ruffalo movie because

392
00:22:53,480 --> 00:22:59,560
Speaker 2: he's too politically toxic. So I think that hurts him, Sam,

393
00:22:59,600 --> 00:23:01,080
Speaker 2: Do you believe me or do you think I'm just

394
00:23:02,359 --> 00:23:04,280
Speaker 2: creating hyper believe or something.

395
00:23:05,359 --> 00:23:08,439
Speaker 3: A lot of stuff coming out of Hollywood typically is

396
00:23:08,440 --> 00:23:11,000
Speaker 3: considered woke, and he is kind of on the vanguard

397
00:23:11,080 --> 00:23:14,920
Speaker 3: of outs being outspoken on the wokeness. So I could

398
00:23:14,920 --> 00:23:16,800
Speaker 3: see a lot of people being turned off by that.

399
00:23:16,920 --> 00:23:18,320
Speaker 3: But I also think he doesn't.

400
00:23:18,040 --> 00:23:24,520
Speaker 2: Care absolutely, right, Sam, this guy is punk rock and

401
00:23:24,960 --> 00:23:28,000
Speaker 2: does what he wants, and he's so punk rock. He

402
00:23:28,040 --> 00:23:29,280
Speaker 2: came to a vandal show once.

403
00:23:29,840 --> 00:23:32,320
Speaker 4: Really yeah, Hulk Smash.

404
00:23:32,760 --> 00:23:36,800
Speaker 2: He came with Timothy Elephant Mark Ruffalo just out of

405
00:23:36,800 --> 00:23:39,960
Speaker 2: the town at a punk rock show, the House of

406
00:23:40,000 --> 00:23:44,760
Speaker 2: Bluest the Old House Blues when it was in La Okay.

407
00:23:44,920 --> 00:23:47,360
Speaker 4: I saw a couple shows there. It was a nice venu.

408
00:23:47,760 --> 00:23:49,600
Speaker 2: Oh it's a great venue. It's a great venue. So

409
00:23:49,800 --> 00:23:51,920
Speaker 2: tragic when they tore that down so they could build

410
00:23:51,960 --> 00:23:59,400
Speaker 2: more density in Hollywood's just gross. Anyway, I moved out

411
00:23:59,520 --> 00:24:05,560
Speaker 2: right about what that thing that was happening. Okay, Number

412
00:24:05,560 --> 00:24:11,000
Speaker 2: four Send Help. This is Sam Raimi's horror comedy, so

413
00:24:11,119 --> 00:24:14,880
Speaker 2: holdover from earlier weeks, but it's coming forth because it's

414
00:24:14,920 --> 00:24:19,400
Speaker 2: still doing well because of word of mouth, because it's

415
00:24:19,400 --> 00:24:22,760
Speaker 2: a freaking great movie. Okay, you're gonna talk about that

416
00:24:22,800 --> 00:24:26,199
Speaker 2: a little bit. I saw it. Number five Solomeo with

417
00:24:26,359 --> 00:24:29,399
Speaker 2: Kevin James, another guy who's not going to be in

418
00:24:29,400 --> 00:24:33,679
Speaker 2: a film with Mark Bruffalo. Z Utopia two an Avatar

419
00:24:33,840 --> 00:24:37,480
Speaker 2: still there. Z Utopia two is I had to wrestle

420
00:24:37,520 --> 00:24:40,960
Speaker 2: with myself this morning trying to remember if I saw

421
00:24:41,000 --> 00:24:44,400
Speaker 2: it or not, and I did, But it's just had

422
00:24:44,560 --> 00:24:46,800
Speaker 2: it was that had that much of an effect on me.

423
00:24:48,400 --> 00:24:51,240
Speaker 2: Let's go to Send Help. Send Help is a movie

424
00:24:51,480 --> 00:24:55,080
Speaker 2: with Do we already talk about this send because we

425
00:24:55,119 --> 00:24:57,479
Speaker 2: talked about it a little bit because Send Help was

426
00:24:58,640 --> 00:25:02,560
Speaker 2: starring Rachel McAdams and my oh yeah, we didn't talk

427
00:25:02,560 --> 00:25:04,439
Speaker 2: about We only talked about it before I saw it.

428
00:25:04,600 --> 00:25:08,000
Speaker 3: No, we mentioned it because you couldn't remember who Rachel

429
00:25:08,080 --> 00:25:10,159
Speaker 3: McAdams was, but you know, she's been in a lot

430
00:25:10,200 --> 00:25:10,639
Speaker 3: of stuff.

431
00:25:10,760 --> 00:25:14,480
Speaker 2: Yeah, but my chat JPT thing told me that Florence

432
00:25:14,520 --> 00:25:15,160
Speaker 2: Pugh was in it.

433
00:25:15,240 --> 00:25:16,280
Speaker 4: Yeah, that was the thing.

434
00:25:16,320 --> 00:25:19,000
Speaker 3: We used it as the example of why AI should

435
00:25:19,000 --> 00:25:19,800
Speaker 3: never be trusted.

436
00:25:20,240 --> 00:25:21,920
Speaker 2: Yeah, and I have more stories about that.

437
00:25:22,280 --> 00:25:24,840
Speaker 3: I think the AI is intentionally trying to make you

438
00:25:24,880 --> 00:25:26,280
Speaker 3: look bad and discredit you.

439
00:25:27,240 --> 00:25:29,160
Speaker 2: It's trying to waste my time. That's what it's trying

440
00:25:29,160 --> 00:25:33,760
Speaker 2: to do. It hates me. But Florence p was not

441
00:25:33,760 --> 00:25:35,439
Speaker 2: in it, but Rachel McAdams isn't it. So I went

442
00:25:35,520 --> 00:25:39,600
Speaker 2: to see it and it was great. It's about a

443
00:25:39,720 --> 00:25:43,720
Speaker 2: woman who is abused in the workplace and her older

444
00:25:43,840 --> 00:25:47,919
Speaker 2: you know, white bro bosses don't care about her. They

445
00:25:48,040 --> 00:25:51,480
Speaker 2: use her. She's the smart one, she's they depend on

446
00:25:51,480 --> 00:25:53,720
Speaker 2: her work, but she's kind of gross. She brings tun

447
00:25:53,760 --> 00:25:56,880
Speaker 2: of sandwiches to the office, all this stuff. But they

448
00:25:56,920 --> 00:25:59,480
Speaker 2: need her so they're forced to take her own a

449
00:25:59,480 --> 00:26:03,879
Speaker 2: business trip to Thailand something like that. When the plane

450
00:26:03,880 --> 00:26:05,879
Speaker 2: crash is not giving anything away. And this is a

451
00:26:05,880 --> 00:26:08,480
Speaker 2: plane crash movie. One of the best plane crash scenes

452
00:26:08,480 --> 00:26:11,040
Speaker 2: I've ever seen. I have never seen a better plane

453
00:26:11,080 --> 00:26:14,720
Speaker 2: crash depicted in a film than this. This is number one.

454
00:26:14,800 --> 00:26:16,280
Speaker 2: If you want to just see it for the plane

455
00:26:16,320 --> 00:26:19,120
Speaker 2: crash scene, it's worth it.

456
00:26:19,000 --> 00:26:22,040
Speaker 3: Okay in comparison because The best one I remember seeing

457
00:26:22,160 --> 00:26:23,280
Speaker 3: was from a live.

458
00:26:25,040 --> 00:26:26,280
Speaker 4: How does this rate? Like?

459
00:26:26,320 --> 00:26:26,760
Speaker 2: What? Like?

460
00:26:26,960 --> 00:26:27,480
Speaker 4: Visually?

461
00:26:27,600 --> 00:26:31,159
Speaker 3: What was different because Alive was pretty dramatic of a scene.

462
00:26:31,560 --> 00:26:34,879
Speaker 2: It's very dramatic, but it's also kind of funny, and

463
00:26:34,920 --> 00:26:38,199
Speaker 2: because they're exploiting o their like you see the personalities

464
00:26:38,200 --> 00:26:41,359
Speaker 2: of these people when a plane crash happens, like they're

465
00:26:41,440 --> 00:26:44,520
Speaker 2: just like one of them is just like hanging on

466
00:26:44,560 --> 00:26:48,200
Speaker 2: to the Rachel mcadam's legs and saying, well, he's about

467
00:26:48,440 --> 00:26:52,040
Speaker 2: halfway out the door. They're out the broken plane. He's

468
00:26:52,080 --> 00:26:54,720
Speaker 2: halfway out and he's hanging on to her legs and saying,

469
00:26:54,720 --> 00:26:57,760
Speaker 2: give me your seat, give me your seat. Damn it.

470
00:27:00,960 --> 00:27:03,600
Speaker 2: Even on the brink of death, he can command this

471
00:27:03,680 --> 00:27:05,960
Speaker 2: woman to just like Okay, I'll jump out the thing

472
00:27:06,000 --> 00:27:08,000
Speaker 2: and you can, you know, And it's just like it's

473
00:27:08,040 --> 00:27:10,199
Speaker 2: just in his head. But then the special effects are

474
00:27:10,280 --> 00:27:12,720
Speaker 2: top not there today, specially this is Sam Raimi. This

475
00:27:12,840 --> 00:27:15,639
Speaker 2: is not like, oh, cheap ass TV movie or something.

476
00:27:17,680 --> 00:27:19,800
Speaker 2: I wouldn't be surprised for half the movie, half the

477
00:27:19,800 --> 00:27:22,840
Speaker 2: budget was spent on this one. One scene only lasted

478
00:27:22,880 --> 00:27:25,680
Speaker 2: a few minutes. Okay, then starts the movie, So I

479
00:27:25,720 --> 00:27:27,479
Speaker 2: didn't really give away too much for you, because then

480
00:27:27,560 --> 00:27:30,479
Speaker 2: the movie starts. The only two survivors are and this

481
00:27:30,520 --> 00:27:34,760
Speaker 2: is in the trailer, Rachel McAdams and her a whole boss.

482
00:27:36,960 --> 00:27:41,320
Speaker 2: Rachel McAdams. Her backstory is she was auditioning for Survivor

483
00:27:41,480 --> 00:27:45,720
Speaker 2: before this happened, because she's a survivalist and and and

484
00:27:45,720 --> 00:27:48,320
Speaker 2: and can make fire and all that kind of stuff.

485
00:27:48,720 --> 00:27:54,840
Speaker 2: And then this, you know, we'issy executive son of the

486
00:27:54,880 --> 00:27:58,280
Speaker 2: previous owner of the company, NEPO. Baby can't do crap.

487
00:27:59,200 --> 00:28:02,960
Speaker 2: So the and it starts, and it's it's it's it's

488
00:28:03,000 --> 00:28:06,920
Speaker 2: definitely worth seeing. Uh, And it's moving up in the

489
00:28:06,920 --> 00:28:08,880
Speaker 2: box office or it's doing really well because everybody knows

490
00:28:08,880 --> 00:28:11,280
Speaker 2: it's really good because people like me tell you go

491
00:28:11,320 --> 00:28:18,679
Speaker 2: see it. Now, we have another film, the Testament of

492
00:28:18,720 --> 00:28:21,640
Speaker 2: Anne Lee. Should we should we take a break first

493
00:28:21,680 --> 00:28:24,040
Speaker 2: before we go into the Testament of Ann Lee? Sam?

494
00:28:24,119 --> 00:28:26,200
Speaker 3: Yeah, yeah, let's take the break here, and yeah, let's

495
00:28:26,240 --> 00:28:27,120
Speaker 3: go further into that one.

496
00:28:27,600 --> 00:28:51,000
Speaker 2: Okay, Joe Scalante live from Hollywood, h m H Joe Ashanti,

497
00:28:54,080 --> 00:28:56,120
Speaker 2: Joe Scalante right here. You know, it's been a long time,

498
00:28:56,160 --> 00:28:58,720
Speaker 2: Sam since someone wrote a song about me, So you

499
00:28:58,840 --> 00:28:59,920
Speaker 2: get busy people.

500
00:29:00,200 --> 00:29:01,960
Speaker 4: I might have. Okay, get cracking on one for you.

501
00:29:02,320 --> 00:29:03,920
Speaker 2: Yeah, you're you're a mister pardy man.

502
00:29:04,160 --> 00:29:05,200
Speaker 4: Yeah, I can handle it.

503
00:29:05,720 --> 00:29:09,120
Speaker 2: Oh okay. Actually, I don't want you to write one

504
00:29:09,120 --> 00:29:11,000
Speaker 2: because then if it sucks, I'll be afraid to tell you.

505
00:29:12,520 --> 00:29:13,840
Speaker 2: Let's just avoid that.

506
00:29:14,000 --> 00:29:16,240
Speaker 3: Don't ever be afraid to tell me when I suck.

507
00:29:16,800 --> 00:29:19,200
Speaker 3: I need to know and I can adjust.

508
00:29:20,040 --> 00:29:22,920
Speaker 2: Okay. Well. The movie Testament of Anne Lee is another

509
00:29:22,920 --> 00:29:27,320
Speaker 2: movie I can recommend. It is a historical religious drama

510
00:29:27,920 --> 00:29:31,920
Speaker 2: about Ann Lee, the eighteenth century founder of the Shaker movement,

511
00:29:33,080 --> 00:29:36,520
Speaker 2: tracing her person Have you heard of the Shakers. Yes,

512
00:29:36,960 --> 00:29:41,040
Speaker 2: it's like a Protestant, you know, Quaker kind of a thing.

513
00:29:41,040 --> 00:29:46,000
Speaker 2: But they're Shakers. They move. Yeah, they've got the fever, Sam,

514
00:29:46,480 --> 00:29:48,720
Speaker 2: they got the fever, and their.

515
00:29:49,360 --> 00:29:55,120
Speaker 4: The is more shaken. Pardon the only prescription is more shaken.

516
00:29:55,480 --> 00:30:01,600
Speaker 2: There's only one prescription. It's more shaking. Tracing her persecution

517
00:30:01,680 --> 00:30:06,480
Speaker 2: in England, this movie follows her migration to colonial America.

518
00:30:06,560 --> 00:30:08,360
Speaker 2: So it's a period piece. So if your wife likes

519
00:30:08,400 --> 00:30:13,640
Speaker 2: period pieces, like my wife, you gotta take her. She

520
00:30:13,760 --> 00:30:17,040
Speaker 2: loved it. And then they form in America. One of

521
00:30:17,080 --> 00:30:24,680
Speaker 2: the most radical communal sets sects in American history, and

522
00:30:24,720 --> 00:30:28,000
Speaker 2: they're freaky, but you know, they just they're just like

523
00:30:28,040 --> 00:30:31,800
Speaker 2: you know, Quakers or Amish basically, just think of them

524
00:30:31,800 --> 00:30:34,920
Speaker 2: as Amish. But they do some liturgical dancing. That's what

525
00:30:34,960 --> 00:30:38,280
Speaker 2: the Catholics would probably call it, some liturgical dancing, and

526
00:30:38,320 --> 00:30:41,560
Speaker 2: they get the fever and then they start moving and

527
00:30:41,600 --> 00:30:43,640
Speaker 2: then they stylize it in this movie. So I don't

528
00:30:43,640 --> 00:30:45,760
Speaker 2: think it's accurate. These aren't the dances they were doing

529
00:30:46,160 --> 00:30:51,280
Speaker 2: because these are choreographed by you know, somebody, Ann Lee.

530
00:30:51,520 --> 00:30:55,120
Speaker 2: She was known as Mother Anne. She preached celibacy, gender

531
00:30:55,160 --> 00:31:00,560
Speaker 2: equality in leadership, and communal property and ecstatic worship. That

532
00:31:00,640 --> 00:31:03,920
Speaker 2: makes this like it's like a less it's less of

533
00:31:03,920 --> 00:31:08,239
Speaker 2: a like additional like faith biopic. You know, although you can,

534
00:31:08,320 --> 00:31:10,800
Speaker 2: if you're like a Christian, you could get something out

535
00:31:10,800 --> 00:31:12,800
Speaker 2: of it, but it's more it's a story about like

536
00:31:13,000 --> 00:31:18,400
Speaker 2: rebellion and control and sexuality and power in early America

537
00:31:18,480 --> 00:31:20,120
Speaker 2: and who had the power in earth America and a

538
00:31:20,160 --> 00:31:22,840
Speaker 2: lot of it was these you know, religious leaders, and

539
00:31:22,920 --> 00:31:27,719
Speaker 2: she's like a prophet. It's like a religion religious origin

540
00:31:27,840 --> 00:31:36,840
Speaker 2: story and then part cult founder character study. So is

541
00:31:36,840 --> 00:31:38,560
Speaker 2: it gonna make any money. You know, it's already not

542
00:31:38,600 --> 00:31:41,320
Speaker 2: making any money. Maybe maybe I should have got on

543
00:31:41,360 --> 00:31:44,000
Speaker 2: the mic earlier about this movie and try to encourage

544
00:31:44,000 --> 00:31:46,520
Speaker 2: more people to see it. There's a couple of sex

545
00:31:46,520 --> 00:31:49,400
Speaker 2: scenes in it that are maybe not family friendly, but

546
00:31:49,800 --> 00:31:53,360
Speaker 2: in general, uh, you know that you take the when

547
00:31:53,400 --> 00:31:55,720
Speaker 2: you start thinking like this is true.

548
00:31:55,600 --> 00:31:58,160
Speaker 4: People had sex in the seventeen hundreds.

549
00:31:58,720 --> 00:32:01,560
Speaker 2: Evidently, Wow, she thought.

550
00:32:01,720 --> 00:32:04,680
Speaker 3: She thought that the death of her four infant children

551
00:32:04,800 --> 00:32:07,880
Speaker 3: was God punishing her for having sex with her husband.

552
00:32:08,560 --> 00:32:11,440
Speaker 2: And that might have been true. None of us know, really,

553
00:32:11,560 --> 00:32:12,280
Speaker 2: you know, we don't know.

554
00:32:12,400 --> 00:32:14,200
Speaker 4: God works in mysterious ways.

555
00:32:14,280 --> 00:32:17,560
Speaker 2: Yes, yes, but the problem in the downfall with this sector,

556
00:32:17,600 --> 00:32:19,560
Speaker 2: which still exists today. There's like a couple there's like

557
00:32:19,600 --> 00:32:24,880
Speaker 2: one one colonies still around back east somewhere. They she

558
00:32:24,960 --> 00:32:28,760
Speaker 2: preached celibacy for everybody, so sir, later he ran out

559
00:32:28,800 --> 00:32:34,680
Speaker 2: of shakers. Yeah, it's like they didn't have like uh,

560
00:32:36,080 --> 00:32:38,880
Speaker 2: I guess they could have adopted just they should have

561
00:32:38,960 --> 00:32:40,760
Speaker 2: leaned more into that, and maybe they did. But anyways,

562
00:32:40,760 --> 00:32:44,680
Speaker 2: there's no more. There's a couple more there. So you know,

563
00:32:44,880 --> 00:32:46,680
Speaker 2: you go down a rabbit hole when you get home

564
00:32:46,720 --> 00:32:49,240
Speaker 2: and start, you know, googling them and it becomes interesting.

565
00:32:50,800 --> 00:32:55,600
Speaker 2: The next film I saw this week was the new Dracula. Sam.

566
00:32:55,640 --> 00:32:59,120
Speaker 2: I saw the new Luke Besson Dracula film. Have you

567
00:32:59,200 --> 00:32:59,640
Speaker 2: seen this?

568
00:32:59,800 --> 00:33:02,680
Speaker 4: No? Oh no, I don't think I've heard much about it.

569
00:33:04,040 --> 00:33:08,320
Speaker 2: Yeah, it's I mean, Luke Beson is a famous director.

570
00:33:08,400 --> 00:33:11,560
Speaker 2: He made the movie that I'm sure you saw and

571
00:33:11,760 --> 00:33:15,560
Speaker 2: liked if you're anything like me, Leon the Professional.

572
00:33:15,760 --> 00:33:18,520
Speaker 4: Yes, yes, one of the best movies I've ever seen.

573
00:33:18,680 --> 00:33:19,520
Speaker 4: Love that movie.

574
00:33:19,760 --> 00:33:23,400
Speaker 2: Yeah, it's that has a cult following, Like my brother

575
00:33:23,880 --> 00:33:26,920
Speaker 2: has a t shirt of it that he wears around.

576
00:33:27,080 --> 00:33:32,000
Speaker 2: You know, it's probably twenty years old. Dracula is played

577
00:33:32,000 --> 00:33:35,760
Speaker 2: by this guy named Caleb Landry Jones. He was in

578
00:33:35,880 --> 00:33:40,240
Speaker 2: get Out, and this film is like, it's not a

579
00:33:40,280 --> 00:33:42,680
Speaker 2: horror film, really like a jump scare horror film. This

580
00:33:42,720 --> 00:33:45,360
Speaker 2: is what the kids are saying, now, jump scare Sam, Right.

581
00:33:45,360 --> 00:33:48,720
Speaker 3: Yeah, yeah, like you know those movies that are intentionally

582
00:33:48,760 --> 00:33:50,280
Speaker 3: try to scare you those Yeah.

583
00:33:50,320 --> 00:33:50,560
Speaker 4: Yeah.

584
00:33:50,920 --> 00:33:54,240
Speaker 2: I had dinner at last night with a few people

585
00:33:54,480 --> 00:33:56,800
Speaker 2: and some of them were like, you know, twenty year

586
00:33:56,800 --> 00:34:00,200
Speaker 2: old girls and they just throw jump scare out as

587
00:34:00,240 --> 00:34:04,040
Speaker 2: part of their vernacular, Like that's just a word kids

588
00:34:04,040 --> 00:34:07,080
Speaker 2: are using. They jump scare. Is it a jump scare movie? No,

589
00:34:07,160 --> 00:34:07,440
Speaker 2: it's not.

590
00:34:07,920 --> 00:34:09,399
Speaker 4: They just randomly yell it out.

591
00:34:10,480 --> 00:34:12,120
Speaker 2: Yeah, they were just I mean, we're talking about movies

592
00:34:12,160 --> 00:34:13,720
Speaker 2: and they're going, yeah, it's kind of jump scary.

593
00:34:13,719 --> 00:34:17,200
Speaker 3: You know, it's like yelling sneak attack before actually sneak

594
00:34:17,200 --> 00:34:18,000
Speaker 3: attacking someone.

595
00:34:18,400 --> 00:34:19,719
Speaker 4: You don't call your shot like that.

596
00:34:20,640 --> 00:34:22,160
Speaker 2: Well, they're just describing stuff.

597
00:34:22,320 --> 00:34:23,400
Speaker 4: Oh, okay, okay.

598
00:34:24,000 --> 00:34:27,799
Speaker 2: Uh. The but the Draculas is it's like it's a

599
00:34:27,800 --> 00:34:34,000
Speaker 2: gothic romance. It's a psychological horror. It's not. It's not

600
00:34:34,120 --> 00:34:40,280
Speaker 2: that scary, but it's beautiful, heavy on atmosphere, like sensuality,

601
00:34:40,920 --> 00:34:44,680
Speaker 2: doomed love, these kinds of things. They call it operatic dread,

602
00:34:44,800 --> 00:34:49,480
Speaker 2: which I think is a good term. But the guy

603
00:34:49,520 --> 00:34:52,319
Speaker 2: that stars at Caleb Andry Jones, I get it. They

604
00:34:52,880 --> 00:34:56,640
Speaker 2: cast him because he was interesting looking. But to me,

605
00:34:56,840 --> 00:35:00,040
Speaker 2: just this is an ugly guy. Really was in the

606
00:35:00,080 --> 00:35:05,239
Speaker 2: movie get Out if you saw that. But I you know,

607
00:35:06,800 --> 00:35:09,040
Speaker 2: I need good looking people on the screen, Sam all

608
00:35:09,040 --> 00:35:12,080
Speaker 2: the time. I don't need I don't need ugly people.

609
00:35:12,920 --> 00:35:13,319
Speaker 3: I don't know.

610
00:35:13,400 --> 00:35:13,719
Speaker 4: I don't know.

611
00:35:13,760 --> 00:35:15,400
Speaker 3: I think there's something to be said about when you

612
00:35:15,480 --> 00:35:19,560
Speaker 3: have ugly people on the screen. That's like kind of

613
00:35:19,600 --> 00:35:22,960
Speaker 3: you need to have something like visually unsettling to look at.

614
00:35:23,000 --> 00:35:23,480
Speaker 4: Sometimes.

615
00:35:23,680 --> 00:35:26,600
Speaker 2: Okay, if Steve Buscemi walks in the door as a

616
00:35:26,640 --> 00:35:30,440
Speaker 2: secondary character, I'm in love it. But the lead, the

617
00:35:30,520 --> 00:35:33,200
Speaker 2: romantic lead, even in a Dracula film, I think you

618
00:35:33,239 --> 00:35:37,160
Speaker 2: can do better. Bella Lugosi was a good looking man.

619
00:35:40,239 --> 00:35:47,000
Speaker 2: I don't need a dracquly that. It looks like he's

620
00:35:47,239 --> 00:35:49,920
Speaker 2: you know, got a birth effects. Not because there's anything

621
00:35:49,960 --> 00:35:50,880
Speaker 2: wrong with birth effects.

622
00:35:52,880 --> 00:35:54,920
Speaker 3: I don't know. That sounds a little harsh, but seriously,

623
00:35:54,960 --> 00:35:58,200
Speaker 3: sometimes it's almost like when you have a really good soundtrack,

624
00:35:58,280 --> 00:36:01,440
Speaker 3: it amplifies it and adds to the intensity of a

625
00:36:01,480 --> 00:36:02,560
Speaker 3: scene of a movie.

626
00:36:02,840 --> 00:36:03,719
Speaker 4: A lot of times in.

627
00:36:03,640 --> 00:36:05,840
Speaker 2: General, why don't you put a bad soundtrack in it

628
00:36:05,920 --> 00:36:08,400
Speaker 2: just to be interesting? No, you're not going to so anyway.

629
00:36:08,520 --> 00:36:10,239
Speaker 2: To me, the movies are where we put the good

630
00:36:10,239 --> 00:36:12,960
Speaker 2: looking people. So that was a little off. And then

631
00:36:13,000 --> 00:36:16,080
Speaker 2: maybe I'm wrong. A lot of people might like this guy,

632
00:36:16,920 --> 00:36:18,839
Speaker 2: but I just don't know as a lead. He looked

633
00:36:18,880 --> 00:36:22,839
Speaker 2: like he'd be a good hillbilly villain or something like that. Okay, maybe,

634
00:36:23,920 --> 00:36:26,799
Speaker 2: but anyways, a big star, up and coming star who

635
00:36:26,840 --> 00:36:30,560
Speaker 2: was in it and was very good. Is Chloe Blue?

636
00:36:31,239 --> 00:36:34,759
Speaker 2: She is, she's brand new, kind of a breakout star

637
00:36:34,800 --> 00:36:37,799
Speaker 2: in this film. Absolutely number one breakout star is Chloe Blue.

638
00:36:37,840 --> 00:36:40,160
Speaker 2: I can actually say that she is the daughter of

639
00:36:40,400 --> 00:36:42,880
Speaker 2: Rosanna Arquette, so very interesting.

640
00:36:43,040 --> 00:36:44,680
Speaker 4: Oh of the Klan Arquette.

641
00:36:45,320 --> 00:36:49,280
Speaker 2: Yes, they are awesome, awesome family, all of them are cool.

642
00:36:49,520 --> 00:36:53,239
Speaker 2: Rip Alexis Arkette. David Arquette had a nice conversation with

643
00:36:53,280 --> 00:36:58,320
Speaker 2: me about Bozo the clown at Coachella recently. He's a gem,

644
00:36:59,400 --> 00:37:05,480
Speaker 2: but also starring in this movie. Matilda to Angelus, she

645
00:37:05,680 --> 00:37:08,400
Speaker 2: was good. But then when I put it into CHATCHYBT,

646
00:37:08,560 --> 00:37:12,040
Speaker 2: they told me that Lily Lily Depp Rose was in

647
00:37:13,160 --> 00:37:15,960
Speaker 2: Lily Rose Depp. I went, like Johnny Depp's daughter. Okay,

648
00:37:16,040 --> 00:37:19,200
Speaker 2: CHATTYBT actually told me that really CHATCHYBT is a.

649
00:37:19,120 --> 00:37:21,879
Speaker 4: Liar, so she's not actually in it.

650
00:37:22,280 --> 00:37:25,160
Speaker 2: No, Matilda to Angelus.

651
00:37:25,640 --> 00:37:28,840
Speaker 3: I mean, I think AI seriously is trying to discredit you.

652
00:37:28,880 --> 00:37:30,759
Speaker 4: But I give you credit for going back to a

653
00:37:30,800 --> 00:37:31,760
Speaker 4: poisoned well.

654
00:37:32,360 --> 00:37:34,839
Speaker 2: Yeah, no, So anyways, there's what else it did. Then

655
00:37:34,880 --> 00:37:39,239
Speaker 2: I said, uh, you know, rewrite that summary with and

656
00:37:39,360 --> 00:37:43,040
Speaker 2: put a little bit more about who Chloe Blue, Zoe Blues,

657
00:37:44,480 --> 00:37:46,960
Speaker 2: Zoe Blue, Chloe Blue. I call her Zoe. I saw

658
00:37:47,120 --> 00:37:49,319
Speaker 2: Chloe Blue, but her name is really Zoe Blue. What

659
00:37:49,360 --> 00:37:52,319
Speaker 2: do I know? So Zoe Blue and chatchy BT didn't

660
00:37:52,320 --> 00:37:52,680
Speaker 2: correct me.

661
00:37:53,400 --> 00:37:56,280
Speaker 4: Yeah, yeah, it steers you right into that gutter.

662
00:37:57,080 --> 00:38:02,080
Speaker 2: Yeah. No, anyway, Zoe Blue is uh star of the

663
00:38:02,120 --> 00:38:04,279
Speaker 2: film and she is very good and so is that

664
00:38:04,280 --> 00:38:08,840
Speaker 2: Matilda girl. Uh. They were good. Definitely worth seeing. Dracula.

665
00:38:08,920 --> 00:38:12,160
Speaker 2: If if you're if your if your wife or your

666
00:38:12,160 --> 00:38:16,960
Speaker 2: girlfriend is a little bit goffe or what edgy Dracula

667
00:38:17,040 --> 00:38:19,640
Speaker 2: if not Weathering Knights, you know, those are your choices.

668
00:38:19,960 --> 00:38:23,600
Speaker 2: But speaking of chat GBT being wrong, they're the This

669
00:38:23,719 --> 00:38:28,440
Speaker 2: legal case came down where the lawyer and people, I

670
00:38:28,440 --> 00:38:29,600
Speaker 2: don't know if you heard about this, A lot of

671
00:38:29,680 --> 00:38:32,759
Speaker 2: lawyers are talking about it. This guy got admonished in

672
00:38:32,920 --> 00:38:36,960
Speaker 2: court for using chat GBT to write his summaries and

673
00:38:37,040 --> 00:38:44,240
Speaker 2: he was even warned, and then he continued to file

674
00:38:44,600 --> 00:38:49,279
Speaker 2: papers using chat GBT, which is citing, you know, as

675
00:38:49,320 --> 00:38:53,600
Speaker 2: as his argument cases that don't exist and judgments that

676
00:38:53,640 --> 00:38:59,240
Speaker 2: were never entered. So this guy, his name is Stephen Feldman.

677
00:38:59,800 --> 00:39:04,799
Speaker 2: He's been sanctioned default judgment against this client. This just

678
00:39:04,800 --> 00:39:08,520
Speaker 2: happened in New York on February fifth, and he's screwed

679
00:39:08,600 --> 00:39:13,080
Speaker 2: and he's humiliated and he should get out of the business.

680
00:39:13,520 --> 00:39:16,960
Speaker 2: So that's your AI update. There's just so much wrong

681
00:39:17,120 --> 00:39:20,479
Speaker 2: with it. The groc in my Tesla is pretty fun,

682
00:39:21,480 --> 00:39:24,680
Speaker 2: but it's just a joke, you know. I don't know.

683
00:39:25,000 --> 00:39:27,719
Speaker 3: Yeah, there's so many different ways it can steer you

684
00:39:27,800 --> 00:39:30,120
Speaker 3: down the wrong path, and a lot of times could

685
00:39:30,160 --> 00:39:32,360
Speaker 3: come down to whoever's the company or a person that

686
00:39:32,440 --> 00:39:34,839
Speaker 3: owns it and whatever they want to spread out there.

687
00:39:35,360 --> 00:39:38,799
Speaker 2: Yeah, no, they really, it really has biases. I think

688
00:39:38,840 --> 00:39:41,240
Speaker 2: I might switch to groc am I, you know, because

689
00:39:41,239 --> 00:39:44,719
Speaker 2: I usually I pay for one, but you can't pay

690
00:39:44,719 --> 00:39:46,640
Speaker 2: for all of them, because then what are you doing?

691
00:39:47,880 --> 00:39:49,799
Speaker 2: So I pay for one and then I switch, and

692
00:39:49,800 --> 00:39:51,360
Speaker 2: then I pay for another one. They're all going to

693
00:39:51,360 --> 00:39:55,120
Speaker 2: get better, but for now, you know, what is it?

694
00:39:55,280 --> 00:39:59,240
Speaker 2: February fifteenth, twenty twenty six. I can't rely on this stuff,

695
00:40:00,800 --> 00:40:03,000
Speaker 2: but you can rely on your local movie theater. So

696
00:40:03,040 --> 00:40:07,640
Speaker 2: make sure you visit it and see a movie this week,

697
00:40:07,680 --> 00:40:09,279
Speaker 2: and we'll talk about it next week. How's that, sayd

698
00:40:09,440 --> 00:40:14,640
Speaker 2: Absolutely and we will, okay, And I now leave you

699
00:40:14,680 --> 00:40:17,800
Speaker 2: with just a taste of the greatest song ever written,