Speaker 1: All right, Mojo and the Morning Show.
Speaker 2: So we just recently went to a wedding and Chelsea
Speaker 2: and I were on the dance floor the entire night.
Speaker 3: Oh, that's so fun.
Speaker 1: I love that. Actually, not for Chelsea. It wasn't fun.
Speaker 2: So you guys know that my son Joe is getting married.
Speaker 2: So Joe from the Joe Show is getting married. And
Speaker 2: Chelsea and I went to this wedding with Jacob and
Speaker 2: his boyfriend Chris and It was for Kara and Fiona.
Speaker 1: I talked about this on the air.
Speaker 2: And while we were at the wedding, they played, like,
Speaker 2: the best music. First off, you know what every 25,
Speaker 2: because Jacob is 27 or 28, every 28 to, like,
Speaker 2: or 25 to, like, maybe 30-year-old likes to listen to?
Speaker 4: Drake.
Speaker 5: No.
Speaker 1: No.
Speaker 2: They all want to listen to the music that their
Speaker 2: parents listened to. Like they were all, they, they were
Speaker 2: dancing to Stevie wonder. They were dancing to Bon Jovi.
Speaker 2: Like they were dancing to stuff like that. So the
Speaker 2: whole night, every single song was a good song. It
Speaker 2: was actually pretty cool. Actually the most current song was
Speaker 2: at midnight. They played Zara Larson, which I thought was appropriate.
Speaker 2: Midnight song, which made me kind of actually at that
Speaker 2: moment go, Oh, this is actually song is not bad. Um,
Speaker 2: so we're Chelsea and I are dancing. And at one point,
Speaker 2: and you can call Chelsea, by the way, if you
Speaker 2: want to for this one, cause I'd like to get
Speaker 2: her perspective on this. Um, Chelsea at one point leaned
Speaker 2: into me and she goes before Joe's wedding, you have
Speaker 2: got to take dance lessons. And I said to her,
Speaker 2: I go, are you serious? And she goes, yeah. And
Speaker 2: she says, you are you, all you do is you
Speaker 2: do your mojo dance. Like you basically go back and
Speaker 2: forth and move your arms a little bit.
Speaker 1: And it's, it's horrible.
Speaker 2: And I, Thought to myself, I'm like going, I don't
Speaker 2: know anybody that's ever taken dance lessons other than that Fred,
Speaker 2: what's the place called?
Speaker 3: Well, there's Arthur Murray.
Speaker 1: Arthur Murray. Arthur Murray. Yeah.
Speaker 3: That place is packed all the time.
Speaker 1: How old are the people that are taking dance lessons?
Speaker 3: If I'm stopped at that light right there, no.
Speaker 1: What?
Speaker 6: Because I think that they're, I mean, yeah, some of
Speaker 6: the people are older. Actually, my mom is taking classes
Speaker 6: right now, but you also see a lot of, um,
Speaker 6: like younger people probably who are getting married.
Speaker 2: They're not doing those dance lessons of dancing. Like we're
Speaker 2: going to do though.
Speaker 1: Right. What kind of dance?
Speaker 6: Yeah.
Speaker 3: Cause they want to learn how to dance for their
Speaker 3: first dance.
Speaker 2: Like I want to be like, there was first off,
Speaker 2: you see the, like the people that are on a
Speaker 2: dance floor and they're dancing. There was one guy that
Speaker 2: was there. He was, I'm guessing he's got to be
Speaker 2: like 55 or something. He was dancing like, the whole
Speaker 2: night and every one of the younger people were like
Speaker 2: surrounding him because he was such a good dancer.
Speaker 1: It's too old.
Speaker 7: People who be at all the parties that I've been to.
Speaker 7: I don't go out a lot, but they be at everything.
Speaker 7: And they like, they dance and they look nice.
Speaker 1: But it's organized. It's like tango or like ballroom. Like,
Speaker 1: are you trying to learn? No, I don't want that.
Speaker 1: That type of stuff? No, popular music dancing.
Speaker 3: Okay, I've got a great instructor for you.
Speaker 1: Yeah?
Speaker 6: Sarah from the Drop Everything and Dance Studio in Chesterfield,
Speaker 6: I think is where it is.
Speaker 3: She's the one that helped me learn tango. the dance for, um,
Speaker 3: the lip sync. She's, um, she is amazing.
Speaker 1: Can I say something though, without offending? What? I've seen
Speaker 1: you dance. Yeah.
Speaker 3: And guess what?
Speaker 1: And guess what?
Speaker 2: You did a great job with that organized dance, but
Speaker 2: you're kind of a little Elaine from Seinfeld.
Speaker 1: Okay.
Speaker 3: Pot calling the kettle.
Speaker 2: I understand, but I'm saying, did she teach you any
Speaker 2: more rhythm that stayed with you?
Speaker 4: Yeah.
Speaker 1: Really? I mean, I, cause every couple has the good dancer.
Speaker 3: Wes is an insane dancer.
Speaker 2: Every couple. Chelsea's a great dancer. Every couple has the
Speaker 2: great dancer. And then the Elaine from Seinfeld or the,
Speaker 2: The bad dancer. If you've never seen Elaine from Seinfeld dance,
Speaker 2: Google Elaine from Seinfeld dancing and watch how she dances.
Speaker 1: What kind of things are they doing to be a
Speaker 1: good dancer? Because I don't know the last time I
Speaker 1: was just like on a dance floor.
Speaker 6: I think some people just have rhythm and some people don't.
Speaker 6: I don't naturally have rhythm. So they're just moving to
Speaker 6: the beat.
Speaker 1: Hold on. Chelsea. Chelsea, was I really that bad?
Speaker 4: Well, I think the problem, yes.
Speaker 3: But I think the problem is.
Speaker 4: That Someone commented one time, oh, my gosh, this is
Speaker 4: how you dance. And when you get attention for anything,
Speaker 4: it gets exemplified a million. So you just immediately think
Speaker 4: that this is what I have to do, push my
Speaker 4: arms out in front of you, and it's weird.
Speaker 1: The problem, though, is you won't let me grind on you. Like,
Speaker 1: I want to grind on you.
Speaker 4: That's not dancing. That is not dancing. Did you notice
Speaker 4: when that... Guy came and grabbed me and danced with me.
Speaker 4: He was not grinding on me. He was just taking
Speaker 4: me out there and dancing on the dance floor.
Speaker 2: Well, he knew that if he grinded on you that
Speaker 2: I would kill him or something, you know?
Speaker 1: Don't take my wife to the dance floor. I highly
Speaker 1: doubt it.
Speaker 5: I don't like that.
Speaker 4: He was afraid of you.
Speaker 1: But it was... How do you dance, Kevin? Kevin, you
Speaker 1: know how to dance. Every black guy knows how to dance.
Speaker 7: We're born with rhythm. I don't know what to tell you.
Speaker 7: It's not something you have to actively learn. You're just
Speaker 7: born with it.
Speaker 2: Are there any guys or girls that are black that
Speaker 2: don't know how to dance?
Speaker 1: Absolutely.
Speaker 4: Really?
Speaker 3: I don't believe it.
Speaker 1: I'll tell you, they sit down. They're not on the floor.
Speaker 1: They are here. They sit down playing cards.
Speaker 2: They did the Cupid shuffle or whatever it was. They
Speaker 2: did the line dancing thing. When Chelsea does it, it
Speaker 2: turns me on, but I can't do it. What's your
Speaker 2: favorite part? I like when she bends over.
Speaker 1: I like that. Get low. I don't know. Hold on
Speaker 1: a second. Jen wants to make... Jen, what's going on?
Speaker 6: Mojo....
Speaker 5: Kelsey is so right.
Speaker 4: I've seen you dance at a daddy-daughter dance, and you're
Speaker 4: like the stereotypical when Harry met Sally doing that white
Speaker 4: man's overbite.
Speaker 1: Oh, come on. Come on. Is it that bad, Jen? Yes.
Speaker 7: You know what?
Speaker 1: Don't feel bad, though.
Speaker 4: I'm just as bad, but I see.
Speaker 5: We notice others that are like us.
Speaker 1: I don't know if your legs move. They don't. It's
Speaker 1: all upper body.
Speaker 5: He marches. Yeah.
Speaker 1: He marches his way. He marches his.
Speaker 4: Way and then, like, puts his, bends his elbows, bites
Speaker 4: his lip, and then, like.
Speaker 3: Your eyes get really big. Punch. Make your eyes like buggy.
Speaker 1: But you don't think that... But then that's.
Speaker 4: How he slow dances, too. Like, he'll pull you in,
Speaker 4: and he marches. I'm like, stop marching.
Speaker 1: Just slow.
Speaker 4: And I'm trying to count. I'm like, one, two... And
Speaker 4: they go to the left. And then he gets in
Speaker 4: his own head and we're marching again. It's like, I
Speaker 4: don't want to march. We are not in the military.
Speaker 2: All right, so why don't we do this then? If
Speaker 2: I take dance lessons, would you take them with me?
Speaker 2: Because I'm going to need a partner.
Speaker 4: I've got plenty of partners coming up.
Speaker 1: Are you kidding me? Come on.
Speaker 4: I will take dancing lessons with you if you're open
Speaker 4: to it to learn. I think we're going to get
Speaker 4: back into the marching.
Speaker 2: But I want to take popular music dancing or hip-hop
Speaker 2: dancing or whatever.
Speaker 1: Here we go. I don't want to take ballroom dancing.
Speaker 7: You don't need to take a hip-hop dance class.
Speaker 4: It's not ballroom. We're not ballroom dancing. It's just about
Speaker 4: deprogramming the march.
Speaker 1: Jamie, what's going on?
Speaker 5: Mojo, listen, it is a wedding, not a freak-off.
Speaker 1: You don't need to grind on Chelsea.
Speaker 2: Okay?
Speaker 4: Poor Chelsea.
Speaker 1: There's nothing wrong with it. I'm just trying, seriously. What's up, Fred?
Speaker 4: Hi.
Speaker 1: Good, Fred. What's going on? Not much, but yeah, I'm
Speaker 1: that black guy. No rhythm, but I'm on that dance floor.
Speaker 6: Stop it.
Speaker 3: I don't believe it.
Speaker 1: Wait a second. Really?
Speaker 5: I swear, until I see somebody on the dance floor
Speaker 5: killing me, that's.
Speaker 1: When I leave off the floor.
Speaker 5: Until then, I'm supermanning and everything.
Speaker 1: Supermanning.
Speaker 2: Do they look at you and think you're just putting
Speaker 2: them on like that? Oh, this guy's just playing with us.
Speaker 5: I used to see me at the tin roof all week.
Speaker 4: They love me.
Speaker 1: They love you. That is great. Brad, what's up, Brad?
Speaker 5: Hi.
Speaker 1: Yo, what up, Mojo? What's good? Nothing much, man. What's
Speaker 1: going on?
Speaker 5: So I've been with my wife for 16 years, and
Speaker 5: she is a woman of color, but I can probably
Speaker 5: say she is a strong black woman. And her mother-in-law,
Speaker 5: we go to family, they're all from Virginia, Powhatan, Virginia.
Speaker 5: So we visit out there, we go to family reunions, and...
Speaker 5: her mom is like 68 years old out there doing
Speaker 5: jello shots and she's twerking on.
Speaker 1: The dance floor. That's awesome.
Speaker 5: You have all the, you got all the cousins there.
Speaker 5: They're like seven, eight, nine, 10 years old. And they're like, Chelsea,
Speaker 5: are you nervous?
Speaker 2: When I asked Chelsea a quick question about dancing at
Speaker 2: Joe's wedding, are you nervous for your mother son dance
Speaker 2: that you're going to be doing?
Speaker 4: No, I'm afraid I'll cry, but I'm not nervous.
Speaker 3: Do you guys know what song you're doing yet?
Speaker 4: No, we haven't really talked about that.
Speaker 7: Is that something you guys have to rehearse? Or is
Speaker 7: it just like.
Speaker 4: I think he's a good little slow dancer, so I
Speaker 4: don't think we'll have to rehearse it. I think he
Speaker 4: loves the Morgan Wallen. I think it's called Hey Mama.
Speaker 1: Oh, okay. All right. What song do I get to
Speaker 1: dance to? I don't know. You don't.
Speaker 4: This is not about you. It is our son's wedding.
Speaker 1: But I am doing a toast, like... Fionn's dad did.
Speaker 4: I don't know.
Speaker 1: I'm doing a 15-minute toast.
Speaker 4: The father of the groom does not do a toast.
Speaker 1: All right, so here's the deal.
Speaker 2: If you are a dance instructor or if Shannon's friend
Speaker 2: is listening again, I need to take dance lessons before
Speaker 2: this wedding.
Speaker 1: So I'm going to come in and I'll take dance lessons.
Speaker 3: It probably will.
Speaker 6: Help, only to give you an idea of other moves
Speaker 6: that you can do. Even if you're not good at them,
Speaker 6: at least you got some options.
Speaker 1: What if I.
Speaker 3: You know?
Speaker 4: Well, otherwise, when you dance with him, it's like you
Speaker 4: look like you're training for a boxing match. When his
Speaker 4: arm goes out, you have to duck.
Speaker 1: Like, you're ducking his way.
Speaker 2: Chelsea, what if I get so into dancing that I
Speaker 2: think that that's my new hobby? Like how golf was
Speaker 2: for me? Like, all of a sudden, I'm like, let's
Speaker 2: go dancing this weekend. Would we do that?
Speaker 4: Well, I can't promise I'm going to go every weekend,
Speaker 4: but I say go for it.
Speaker 1: All right. Watch out. Where do you dance, actually, in town?
Speaker 4: Back out, buddy.
Speaker 2: Where do I go? Do they dance at 220? Or
Speaker 2: where do they dance at? The streets.
Speaker 1: They're dancing in the streets. Dancing in the streets. All right.
Speaker 1: I'll talk to you later. I love you.
Speaker 3: Dancing in the streets.
Speaker 7: Down in New Orleans.