WEBVTT - Dance Lessons

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<v Speaker 1>All right, Mojo and the Morning Show.

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<v Speaker 2>So we just recently went to a wedding and Chelsea

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<v Speaker 2>and I were on the dance floor the entire night.

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<v Speaker 3>Oh, that's so fun.

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<v Speaker 1>I love that. Actually, not for Chelsea. It wasn't fun.

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<v Speaker 2>So you guys know that my son Joe is getting married.

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<v Speaker 2>So Joe from the Joe Show is getting married. And

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<v Speaker 2>Chelsea and I went to this wedding with Jacob and

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<v Speaker 2>his boyfriend Chris and It was for Kara and Fiona.

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<v Speaker 1>I talked about this on the air.

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<v Speaker 2>And while we were at the wedding, they played, like,

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<v Speaker 2>the best music. First off, you know what every 25,

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<v Speaker 2>because Jacob is 27 or 28, every 28 to, like,

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<v Speaker 2>or 25 to, like, maybe 30-year-old likes to listen to?

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<v Speaker 4>Drake.

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<v Speaker 5>No.

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<v Speaker 1>No.

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<v Speaker 2>They all want to listen to the music that their

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<v Speaker 2>parents listened to. Like they were all, they, they were

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<v Speaker 2>dancing to Stevie wonder. They were dancing to Bon Jovi.

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<v Speaker 2>Like they were dancing to stuff like that. So the

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<v Speaker 2>whole night, every single song was a good song. It

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<v Speaker 2>was actually pretty cool. Actually the most current song was

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<v Speaker 2>at midnight. They played Zara Larson, which I thought was appropriate.

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<v Speaker 2>Midnight song, which made me kind of actually at that

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<v Speaker 2>moment go, Oh, this is actually song is not bad. Um,

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<v Speaker 2>so we're Chelsea and I are dancing. And at one point,

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<v Speaker 2>and you can call Chelsea, by the way, if you

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<v Speaker 2>want to for this one, cause I'd like to get

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<v Speaker 2>her perspective on this. Um, Chelsea at one point leaned

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<v Speaker 2>into me and she goes before Joe's wedding, you have

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<v Speaker 2>got to take dance lessons. And I said to her,

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<v Speaker 2>I go, are you serious? And she goes, yeah. And

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<v Speaker 2>she says, you are you, all you do is you

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<v Speaker 2>do your mojo dance. Like you basically go back and

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<v Speaker 2>forth and move your arms a little bit.

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<v Speaker 1>And it's, it's horrible.

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<v Speaker 2>And I, Thought to myself, I'm like going, I don't

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<v Speaker 2>know anybody that's ever taken dance lessons other than that Fred,

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<v Speaker 2>what's the place called?

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<v Speaker 3>Well, there's Arthur Murray.

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<v Speaker 1>Arthur Murray. Arthur Murray. Yeah.

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<v Speaker 3>That place is packed all the time.

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<v Speaker 1>How old are the people that are taking dance lessons?

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<v Speaker 3>If I'm stopped at that light right there, no.

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<v Speaker 1>What?

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<v Speaker 6>Because I think that they're, I mean, yeah, some of

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<v Speaker 6>the people are older. Actually, my mom is taking classes

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<v Speaker 6>right now, but you also see a lot of, um,

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<v Speaker 6>like younger people probably who are getting married.

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<v Speaker 2>They're not doing those dance lessons of dancing. Like we're

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<v Speaker 2>going to do though.

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<v Speaker 1>Right. What kind of dance?

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<v Speaker 6>Yeah.

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<v Speaker 3>Cause they want to learn how to dance for their

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<v Speaker 3>first dance.

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<v Speaker 2>Like I want to be like, there was first off,

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<v Speaker 2>you see the, like the people that are on a

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<v Speaker 2>dance floor and they're dancing. There was one guy that

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<v Speaker 2>was there. He was, I'm guessing he's got to be

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<v Speaker 2>like 55 or something. He was dancing like, the whole

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<v Speaker 2>night and every one of the younger people were like

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<v Speaker 2>surrounding him because he was such a good dancer.

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<v Speaker 1>It's too old.

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<v Speaker 7>People who be at all the parties that I've been to.

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<v Speaker 7>I don't go out a lot, but they be at everything.

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<v Speaker 7>And they like, they dance and they look nice.

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<v Speaker 1>But it's organized. It's like tango or like ballroom. Like,

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<v Speaker 1>are you trying to learn? No, I don't want that.

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<v Speaker 1>That type of stuff? No, popular music dancing.

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<v Speaker 3>Okay, I've got a great instructor for you.

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<v Speaker 1>Yeah?

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<v Speaker 6>Sarah from the Drop Everything and Dance Studio in Chesterfield,

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<v Speaker 6>I think is where it is.

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<v Speaker 3>She's the one that helped me learn tango. the dance for, um,

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<v Speaker 3>the lip sync. She's, um, she is amazing.

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<v Speaker 1>Can I say something though, without offending? What? I've seen

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<v Speaker 1>you dance. Yeah.

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<v Speaker 3>And guess what?

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<v Speaker 1>And guess what?

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<v Speaker 2>You did a great job with that organized dance, but

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<v Speaker 2>you're kind of a little Elaine from Seinfeld.

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<v Speaker 1>Okay.

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<v Speaker 3>Pot calling the kettle.

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<v Speaker 2>I understand, but I'm saying, did she teach you any

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<v Speaker 2>more rhythm that stayed with you?

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<v Speaker 4>Yeah.

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<v Speaker 1>Really? I mean, I, cause every couple has the good dancer.

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<v Speaker 3>Wes is an insane dancer.

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<v Speaker 2>Every couple. Chelsea's a great dancer. Every couple has the

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<v Speaker 2>great dancer. And then the Elaine from Seinfeld or the,

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<v Speaker 2>The bad dancer. If you've never seen Elaine from Seinfeld dance,

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<v Speaker 2>Google Elaine from Seinfeld dancing and watch how she dances.

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<v Speaker 1>What kind of things are they doing to be a

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<v Speaker 1>good dancer? Because I don't know the last time I

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<v Speaker 1>was just like on a dance floor.

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<v Speaker 6>I think some people just have rhythm and some people don't.

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<v Speaker 6>I don't naturally have rhythm. So they're just moving to

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<v Speaker 6>the beat.

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<v Speaker 1>Hold on. Chelsea. Chelsea, was I really that bad?

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<v Speaker 4>Well, I think the problem, yes.

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<v Speaker 3>But I think the problem is.

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<v Speaker 4>That Someone commented one time, oh, my gosh, this is

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<v Speaker 4>how you dance. And when you get attention for anything,

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<v Speaker 4>it gets exemplified a million. So you just immediately think

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<v Speaker 4>that this is what I have to do, push my

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<v Speaker 4>arms out in front of you, and it's weird.

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<v Speaker 1>The problem, though, is you won't let me grind on you. Like,

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<v Speaker 1>I want to grind on you.

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<v Speaker 4>That's not dancing. That is not dancing. Did you notice

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<v Speaker 4>when that... Guy came and grabbed me and danced with me.

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<v Speaker 4>He was not grinding on me. He was just taking

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<v Speaker 4>me out there and dancing on the dance floor.

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<v Speaker 2>Well, he knew that if he grinded on you that

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<v Speaker 2>I would kill him or something, you know?

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<v Speaker 1>Don't take my wife to the dance floor. I highly

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<v Speaker 1>doubt it.

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<v Speaker 5>I don't like that.

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<v Speaker 4>He was afraid of you.

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<v Speaker 1>But it was... How do you dance, Kevin? Kevin, you

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<v Speaker 1>know how to dance. Every black guy knows how to dance.

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<v Speaker 7>We're born with rhythm. I don't know what to tell you.

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<v Speaker 7>It's not something you have to actively learn. You're just

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<v Speaker 7>born with it.

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<v Speaker 2>Are there any guys or girls that are black that

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<v Speaker 2>don't know how to dance?

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<v Speaker 1>Absolutely.

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<v Speaker 4>Really?

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<v Speaker 3>I don't believe it.

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<v Speaker 1>I'll tell you, they sit down. They're not on the floor.

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<v Speaker 1>They are here. They sit down playing cards.

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<v Speaker 2>They did the Cupid shuffle or whatever it was. They

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<v Speaker 2>did the line dancing thing. When Chelsea does it, it

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<v Speaker 2>turns me on, but I can't do it. What's your

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<v Speaker 2>favorite part? I like when she bends over.

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<v Speaker 1>I like that. Get low. I don't know. Hold on

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<v Speaker 1>a second. Jen wants to make... Jen, what's going on?

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<v Speaker 6>Mojo....

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<v Speaker 5>Kelsey is so right.

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<v Speaker 4>I've seen you dance at a daddy-daughter dance, and you're

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<v Speaker 4>like the stereotypical when Harry met Sally doing that white

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<v Speaker 4>man's overbite.

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<v Speaker 1>Oh, come on. Come on. Is it that bad, Jen? Yes.

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<v Speaker 7>You know what?

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<v Speaker 1>Don't feel bad, though.

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<v Speaker 4>I'm just as bad, but I see.

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<v Speaker 5>We notice others that are like us.

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<v Speaker 1>I don't know if your legs move. They don't. It's

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<v Speaker 1>all upper body.

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<v Speaker 5>He marches. Yeah.

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<v Speaker 1>He marches his way. He marches his.

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<v Speaker 4>Way and then, like, puts his, bends his elbows, bites

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<v Speaker 4>his lip, and then, like.

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<v Speaker 3>Your eyes get really big. Punch. Make your eyes like buggy.

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<v Speaker 1>But you don't think that... But then that's.

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<v Speaker 4>How he slow dances, too. Like, he'll pull you in,

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<v Speaker 4>and he marches. I'm like, stop marching.

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<v Speaker 1>Just slow.

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<v Speaker 4>And I'm trying to count. I'm like, one, two... And

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<v Speaker 4>they go to the left. And then he gets in

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<v Speaker 4>his own head and we're marching again. It's like, I

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<v Speaker 4>don't want to march. We are not in the military.

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<v Speaker 2>All right, so why don't we do this then? If

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<v Speaker 2>I take dance lessons, would you take them with me?

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<v Speaker 2>Because I'm going to need a partner.

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<v Speaker 4>I've got plenty of partners coming up.

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<v Speaker 1>Are you kidding me? Come on.

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<v Speaker 4>I will take dancing lessons with you if you're open

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<v Speaker 4>to it to learn. I think we're going to get

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<v Speaker 4>back into the marching.

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<v Speaker 2>But I want to take popular music dancing or hip-hop

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<v Speaker 2>dancing or whatever.

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<v Speaker 1>Here we go. I don't want to take ballroom dancing.

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<v Speaker 7>You don't need to take a hip-hop dance class.

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<v Speaker 4>It's not ballroom. We're not ballroom dancing. It's just about

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<v Speaker 4>deprogramming the march.

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<v Speaker 1>Jamie, what's going on?

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<v Speaker 5>Mojo, listen, it is a wedding, not a freak-off.

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<v Speaker 1>You don't need to grind on Chelsea.

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<v Speaker 2>Okay?

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<v Speaker 4>Poor Chelsea.

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<v Speaker 1>There's nothing wrong with it. I'm just trying, seriously. What's up, Fred?

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<v Speaker 4>Hi.

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<v Speaker 1>Good, Fred. What's going on? Not much, but yeah, I'm

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<v Speaker 1>that black guy. No rhythm, but I'm on that dance floor.

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<v Speaker 6>Stop it.

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<v Speaker 3>I don't believe it.

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<v Speaker 1>Wait a second. Really?

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<v Speaker 5>I swear, until I see somebody on the dance floor

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<v Speaker 5>killing me, that's.

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<v Speaker 1>When I leave off the floor.

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<v Speaker 5>Until then, I'm supermanning and everything.

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<v Speaker 1>Supermanning.

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<v Speaker 2>Do they look at you and think you're just putting

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<v Speaker 2>them on like that? Oh, this guy's just playing with us.

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<v Speaker 5>I used to see me at the tin roof all week.

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<v Speaker 4>They love me.

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<v Speaker 1>They love you. That is great. Brad, what's up, Brad?

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<v Speaker 5>Hi.

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<v Speaker 1>Yo, what up, Mojo? What's good? Nothing much, man. What's

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<v Speaker 1>going on?

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<v Speaker 5>So I've been with my wife for 16 years, and

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<v Speaker 5>she is a woman of color, but I can probably

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<v Speaker 5>say she is a strong black woman. And her mother-in-law,

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<v Speaker 5>we go to family, they're all from Virginia, Powhatan, Virginia.

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<v Speaker 5>So we visit out there, we go to family reunions, and...

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<v Speaker 5>her mom is like 68 years old out there doing

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<v Speaker 5>jello shots and she's twerking on.

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<v Speaker 1>The dance floor. That's awesome.

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<v Speaker 5>You have all the, you got all the cousins there.

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<v Speaker 5>They're like seven, eight, nine, 10 years old. And they're like, Chelsea,

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<v Speaker 5>are you nervous?

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<v Speaker 2>When I asked Chelsea a quick question about dancing at

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<v Speaker 2>Joe's wedding, are you nervous for your mother son dance

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<v Speaker 2>that you're going to be doing?

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<v Speaker 4>No, I'm afraid I'll cry, but I'm not nervous.

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<v Speaker 3>Do you guys know what song you're doing yet?

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<v Speaker 4>No, we haven't really talked about that.

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<v Speaker 7>Is that something you guys have to rehearse? Or is

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<v Speaker 7>it just like.

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<v Speaker 4>I think he's a good little slow dancer, so I

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<v Speaker 4>don't think we'll have to rehearse it. I think he

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<v Speaker 4>loves the Morgan Wallen. I think it's called Hey Mama.

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<v Speaker 1>Oh, okay. All right. What song do I get to

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<v Speaker 1>dance to? I don't know. You don't.

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<v Speaker 4>This is not about you. It is our son's wedding.

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<v Speaker 1>But I am doing a toast, like... Fionn's dad did.

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<v Speaker 4>I don't know.

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<v Speaker 1>I'm doing a 15-minute toast.

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<v Speaker 4>The father of the groom does not do a toast.

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<v Speaker 1>All right, so here's the deal.

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<v Speaker 2>If you are a dance instructor or if Shannon's friend

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<v Speaker 2>is listening again, I need to take dance lessons before

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<v Speaker 2>this wedding.

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<v Speaker 1>So I'm going to come in and I'll take dance lessons.

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<v Speaker 3>It probably will.

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<v Speaker 6>Help, only to give you an idea of other moves

0:10:24.140 --> 0:10:26.490
<v Speaker 6>that you can do. Even if you're not good at them,

0:10:26.650 --> 0:10:27.910
<v Speaker 6>at least you got some options.

0:10:28.370 --> 0:10:29.250
<v Speaker 1>What if I.

0:10:29.330 --> 0:10:29.670
<v Speaker 3>You know?

0:10:29.710 --> 0:10:34.050
<v Speaker 4>Well, otherwise, when you dance with him, it's like you

0:10:34.090 --> 0:10:36.589
<v Speaker 4>look like you're training for a boxing match. When his

0:10:36.790 --> 0:10:38.720
<v Speaker 4>arm goes out, you have to duck.

0:10:38.770 --> 0:10:41.260
<v Speaker 1>Like, you're ducking his way.

0:10:41.420 --> 0:10:45.100
<v Speaker 2>Chelsea, what if I get so into dancing that I

0:10:45.179 --> 0:10:47.500
<v Speaker 2>think that that's my new hobby? Like how golf was

0:10:47.559 --> 0:10:49.459
<v Speaker 2>for me? Like, all of a sudden, I'm like, let's

0:10:49.480 --> 0:10:51.160
<v Speaker 2>go dancing this weekend. Would we do that?

0:10:52.679 --> 0:10:55.670
<v Speaker 4>Well, I can't promise I'm going to go every weekend,

0:10:55.690 --> 0:10:57.390
<v Speaker 4>but I say go for it.

0:10:57.570 --> 0:11:01.000
<v Speaker 1>All right. Watch out. Where do you dance, actually, in town?

0:11:01.040 --> 0:11:02.100
<v Speaker 4>Back out, buddy.

0:11:02.300 --> 0:11:04.479
<v Speaker 2>Where do I go? Do they dance at 220? Or

0:11:04.640 --> 0:11:07.410
<v Speaker 2>where do they dance at? The streets.

0:11:07.730 --> 0:11:11.069
<v Speaker 1>They're dancing in the streets. Dancing in the streets. All right.

0:11:11.190 --> 0:11:12.230
<v Speaker 1>I'll talk to you later. I love you.

0:11:12.250 --> 0:11:14.620
<v Speaker 3>Dancing in the streets.

0:11:14.740 --> 0:11:15.780
<v Speaker 7>Down in New Orleans.