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Speaker 1: What's going on?

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Speaker 2: Family, you'll tune in the Realize Real Radio one or

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Speaker 2: four point one your night cap of company. My name

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Speaker 2: is Kim Miller and the big chure of to night.

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Speaker 2: James is out. Man, it's his anniversary.

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Speaker 1: Miguel.

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Speaker 2: I don't know where to hell Miguel is at. But

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Speaker 2: joined the Versusy Studio with my comedy brother Jeff the Batman,

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Speaker 2: Call from from the Law Office, Call from the Land,

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Speaker 2: and our official sponsor and my homeboy DJ Collie, one

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Speaker 2: third of the Crown Royal Boys. But we got a

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Speaker 2: special guest tonight, so I ain't got time for them

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Speaker 2: to talk. November fourteenth, this man would be at the

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Speaker 2: Doctor Phillips Orlando, Florida, and November fifteenth, the Stress Center, Tampa, Florida,

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Speaker 2: the very funny mister, I least sadik.

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Speaker 1: What's going on, my man?

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Speaker 3: What's going on?

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Speaker 1: Filth? Flooring? Filth?

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Speaker 4: I did two million interviews. Ain't man, watch your mouth.

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Speaker 4: I know how to do it.

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Speaker 2: I know, man, it's my bad. It's a habit. Man,

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Speaker 2: I'm so used to saying it to people.

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Speaker 1: Brother.

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Speaker 2: I know you've been on radio, you done everything. But

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Speaker 2: before we start this, I owe you an apology.

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Speaker 3: Well, damn.

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Speaker 2: So I worked with you years ago. I've known how

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Speaker 2: they probably seven eight years now. I worked with you

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Speaker 2: in the Land Dog, got to work with you in

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Speaker 2: Virginia Beach and I did it. I headlined Thursday, you

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Speaker 2: popped in for a guest spot. Then I featured for

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Speaker 2: you the rest of the weekend, and I went up

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Speaker 2: to the green room and you kept the door shut

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Speaker 2: all weekend and not until I just recently saw you

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Speaker 2: the Breakfast Club, I didn't know I couldn't be up

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Speaker 2: in the green room like that. So my apologies, man,

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Speaker 2: because I was all up in your green room. I

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Speaker 2: was like, my bad dog.

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Speaker 1: I didn't know. And I've been years waiting to see months.

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Speaker 1: I've been waiting to see you them say my bad dog.

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Speaker 4: Yeah, man, I'm I'm a stickler for that, man. It's

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Speaker 4: one of them things. If because that's how I came up.

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Speaker 4: So I came up with the green room is for

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Speaker 4: the headliner, because you don't never know what the headliner

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Speaker 4: is doing, what he got going on, And I plan

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Speaker 4: with the simple thing. You have Dick Gregory, he used

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Speaker 4: to take a nap in between shows. You have Damion Williams.

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Speaker 4: It takes a nap in between shows, So why would

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Speaker 4: I be in their green room going in and out

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Speaker 4: of the green room while they while they sleeping. And

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Speaker 4: then when Ron White Ron White, it was the craziest thing.

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Speaker 4: Ron They the Orlando improv called me and said, hey, Ron,

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Speaker 4: Ron White wants to feature for you.

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Speaker 3: I was like, what, like, I don't know know young

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Speaker 3: Ron right, and he was like, nah, the real Ron White.

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Speaker 3: I was like, feature for me? What?

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Speaker 4: So when he came, he he he sent the lady

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Speaker 4: in said asked him can I come in the green room?

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Speaker 3: And I said, yeah, you Ron White?

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Speaker 4: And he said, man, I understand, I got my trailer outside.

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Speaker 4: I'm not gonna be in your space because you know,

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Speaker 4: everything comes full circle with me, you know. And when

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Speaker 4: I tell people, they think that it's a slight to them.

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Speaker 4: You got to earn your way to that room, you know.

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Speaker 4: And if you didn't come with me, you know what

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Speaker 4: I'm saying. If I'm if you're traveling with me cold,

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Speaker 4: you know that you that's your space too because we

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Speaker 4: together for somebody who I don't know. Man, I don't

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Speaker 4: I don't know your habits, what you got going on.

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Speaker 4: And then I don't like people that smacked. You may

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Speaker 4: have smacked, and I'm.

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Speaker 3: Like, I've been like this, Hey, bro, you want to

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Speaker 3: get out here with that smacking. Man?

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Speaker 4: You never know what people got going on. What what

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Speaker 4: about one of them dudes that did Heroin? You're gonna

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Speaker 4: be in there while I'm tying off and I'm like.

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Speaker 5: Yes, sir, let me hold that for you.

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Speaker 1: Let me help you get for you.

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Speaker 4: You know, been in the green going into everybody's snoring cocaine.

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Speaker 4: You're like, Oh, I guess this is not the room

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Speaker 4: for me.

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Speaker 1: Let me clean the mirror, sir.

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Speaker 2: That's obviously Orlando. I know even fourteen Doctor Phillips from

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Speaker 2: Tampa strass in a November fifteen. Bro, if you ever

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Speaker 2: check your notifications, you will know that I am your

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Speaker 2: top fan.

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Speaker 1: I like and lavat everything you post.

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Speaker 2: I research you, I check you out because you are

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Speaker 2: one of my favorite comedians of all time.

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Speaker 1: Man, I watched the interview you did.

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Speaker 2: You were talking about moving from the Chitlin circuit to mainstream.

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Speaker 2: Are you still in that headspace to where you're more

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Speaker 2: of a mainstream or You're like, like, what are your

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Speaker 2: audiences like now? With the amount of subscribers you got

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Speaker 2: in the views you got, what is your audience like now.

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Speaker 4: Man with this many followers, I don't think it's possible

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Speaker 4: to be Chitlin circuit, you know, doing theater. I don't

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Speaker 4: think no theaters is Chipling circuit. It's you know, we

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Speaker 4: on the second third year of theater tools. You know,

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Speaker 4: it's I don't know if the beacon and selling out

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Speaker 4: all these forty forty six hundred seats and I don't

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Speaker 4: know if you can be Childing circuit with that.

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Speaker 2: Do you I think it's Do you think it's disrespectful

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Speaker 2: to call it that or it just because that's what

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Speaker 2: we've It was called back in the day, like black

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Speaker 2: comedy is chitling.

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Speaker 4: No, I don't. I don't subscribe to black what they

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Speaker 4: call black comedy. I don't know what that is, because

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Speaker 4: that is you could be white and be on a

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Speaker 4: Childing circuit. You know, it's that. I don't think the

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Speaker 4: color makes it. The chilling circuit is stuff the room.

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Speaker 4: You know, the Childing circuit is basically underground. It's another

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Speaker 4: name for underground. So these diad these these small rooms

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Speaker 4: that people play, it's small theaters that people that they

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Speaker 4: called is like six hundred seats It's like when if

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Speaker 4: you go to Montreal. The theater scene in Montreal's maybe

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Speaker 4: like five hundred seats, you know that, but they just

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Speaker 4: called it the theaters. The first time I went to Montreal,

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Speaker 4: they was like, oh, you're doing all theaters. So I

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Speaker 4: did like six shows all theaters, and I don't think

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Speaker 4: it was more than five hundred people at any of them.

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Speaker 3: You know, but I thought I was going to do.

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Speaker 4: I thinking of theaters being big places that the that's

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Speaker 4: not the that's not the case. So the chiling circuit

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Speaker 4: is basically the b rooms because the improvs are not

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Speaker 4: chilling circuit. You didn't move you didn't move up to

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Speaker 4: mainstream when you when you were in like the Funny

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Speaker 4: Bones and the Hilarities and the comedy Zones and all that.

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Speaker 4: That's a that's a more mainstream situation than Allen's comedy Shock.

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Speaker 3: You know, that's too. That's two different.

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Speaker 5: But you're talking about money, how much people are willing

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Speaker 5: to pay to see the comedy. You know, there's a

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Speaker 5: five dollars ticket or a free ticket, and you know,

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Speaker 5: paid forty to one hundred dollars.

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Speaker 3: That's that's another thing.

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Speaker 4: You know, I've been in places where people say, man,

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Speaker 4: I paid four hundred dollars. It was me and my lady,

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Speaker 4: And I was like, okay, because I don't really know

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Speaker 4: what the ticket prices are. I just know that they

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Speaker 4: are a little more expensive than you know, normal, you know.

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Speaker 3: So, and with black comedy, yes, that is that is a.

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Speaker 4: Title that I definitely run from because that puts you

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Speaker 4: in a box. So that means if you ask anybody,

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Speaker 4: you're like, oh, he does black comedy. That means and

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Speaker 4: it's gonna be a lot of cursing, There's gonna be

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Speaker 4: a lot of sexual INDI windows, it's gonna be a

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Speaker 4: lot of physical more like that's more like slapstick, you

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Speaker 4: know what I'm saying. So I don't think I'm a

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Speaker 4: black person that happens to do comedy, but that Rodney

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Speaker 4: Rodney Perry loves the title black comedy.

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Speaker 3: You know.

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Speaker 4: So when you think of death jam right, that's that's

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Speaker 4: that was basically black comedy.

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Speaker 3: And then you look.

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Speaker 4: At the chair, every last one of those people with

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Speaker 4: no I ain't gonna say.

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Speaker 3: Every last one of them.

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Speaker 4: The seventy of those individuals have grown to that's not

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Speaker 4: their stick anymore. You know what I'm saying, so would

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Speaker 4: d L be considered black comedy or could be sider

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Speaker 4: a black person to do comedy comedy, it's some more

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Speaker 4: be considered black comedy or a black woman who does comedy.

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Speaker 4: The Sykes was on there to Dave Chappelle was on there,

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Speaker 4: Steve Harvey was on there.

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Speaker 3: You know.

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Speaker 4: But what they catered to at that time was different

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Speaker 4: than what where they were growing where they grew to

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Speaker 4: what I'm saying.

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Speaker 1: Yeah, yeah, man, I appreciate that.

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Speaker 2: An's November fourteen, Orlando, Florida, Doctor Phillips November fifteen, Tempa

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Speaker 2: Fall Strass Center.

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Speaker 1: Go get your tickets right now.

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Speaker 4: You are Gary Owens is black comedy now. Damn that's

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Speaker 4: my that's my man.

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Speaker 1: Yeah, that's another dude. I'm a big fan of bro.

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Speaker 2: You you have special after special after specially.

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Speaker 1: I tell people.

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Speaker 2: I know people are gonna say, Bill Cosby, I think

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Speaker 2: you're the greatest storytelling comedian of all time, and that's

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Speaker 2: just my opinion.

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Speaker 1: I truly believe that. What's one. Go ahead, bro, that's

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Speaker 1: my opinion. You you my top five story storyteller.

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Speaker 3: Because that's nice to hear.

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Speaker 1: But Cosby, Okay, Cosby's that guy.

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Speaker 2: Who's better right now? Who's better right now? Telling the story?

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Speaker 2: I still I still think your better story than Cosby,

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Speaker 2: and I love Cosby.

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Speaker 5: This is he goes three hours. That's a tough one.

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Speaker 5: He does three hours. Cosby used to do three and

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Speaker 5: he not even feel it.

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Speaker 1: Yeah, three hours, way too damn much, too much.

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Speaker 3: I watched, I watched. I watched Cosby for two.

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Speaker 4: He did three, but I watched him for two and

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Speaker 4: I only left because I thought I was gonna die.

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Speaker 4: So I was like, yo, if I laugh one more time,

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Speaker 4: I closed my ears. I put my hand on my

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Speaker 4: ears while I was walking out because I didn't even

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Speaker 4: want to hear another thing to where I could faint

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Speaker 4: while I was walking out.

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Speaker 3: It was insane.

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Speaker 4: So if he's talking about now, I don't think it's

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Speaker 4: nobody who can who can deal with me now, Because

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Speaker 4: the average comic longest story is about what seven minutes, My.

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Speaker 3: Shortest one is thirty.

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Speaker 4: So just one thing and then I just recorded, specially

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Speaker 4: in Detroit, that story.

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Speaker 3: I'm doing one story for.

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Speaker 4: An hour and twenty and it's probably one of my

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Speaker 4: best pieces of work because of the story.

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Speaker 3: But then you have the next one.

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Speaker 4: I'm getting ready to shoot is when I broke my classical.

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Speaker 4: That's an hour by the hour thirty.

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Speaker 3: But it's the I don't know man.

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Speaker 4: When it comes to, you know, telling a story, that's

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Speaker 4: just how I grew up, so I don't see it

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Speaker 4: as It's like everything I've ever learned was based on

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Speaker 4: somebody telling me a story about why something was important,

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Speaker 4: you know. And the style comes from my family. It's

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Speaker 4: you know, I tell some stories I tell like my grandmother,

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Speaker 4: which is this going back in history type thing, what

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Speaker 4: my grandma would always do. Some stories I tell like

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Speaker 4: my mom, which is very technical, when she would tell

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Speaker 4: me why I shouldn't be doing something.

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Speaker 3: Let me tell let me, let me tell you why,

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Speaker 3: and then it's very technical.

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Speaker 4: Then my uncle, sometimes I can tell a story that

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Speaker 4: is so outlandish because of my uncle. My uncle would

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Speaker 4: tell these stories and I just saved the man's life.

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Speaker 4: I just pulled him out of a fire, and he'll

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Speaker 4: tell his crazy story.

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Speaker 3: And then.

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Speaker 4: My uncle, my other uncle will walk in and be like,

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Speaker 4: the man dropped a cigarette on the ground and it

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Speaker 4: just smoked a little bit.

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Speaker 3: He said, that wouldn't have been that wouldn't have been

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Speaker 3: a good one.

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Speaker 4: Though, But his his the way he embellished and told

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Speaker 4: the man to say this man cat.

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Speaker 3: It was like it's like, yo, now what man?

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Speaker 4: What where was this? What did this happen at? So

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Speaker 4: then you have the people old school catch that I

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Speaker 4: grew up around, would tell these very informational stories.

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Speaker 3: That was, you know, like Anthony Covid. Man.

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Speaker 4: I would be mad about something and I would come

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Speaker 4: tell Covid, and Covid would lean back and say, man,

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Speaker 4: so I bought a goat one time, and he would

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Speaker 4: tell a ten minute story about a goat. And I'd

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Speaker 4: be sitting there like what does that have to do

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Speaker 4: with what I was just man about? And he like,

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Speaker 4: are you still mad? I'm like, nah, that was But

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Speaker 4: that was the point of people telling that story. It's

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Speaker 4: just to calm you down, say he can talk to

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Speaker 4: you about what you say because he said he said, man,

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Speaker 4: people can't really listen well when they're angry.

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Speaker 3: So and anything, I'll get mad and telling the story

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Speaker 3: here lean back nineteen seventy three. Did this happened to

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Speaker 3: you in seventy three? That's not what the story about.

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Speaker 4: This story is about this this thick legged woman nineteen

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Speaker 4: seventy But so I just draw from the inspirations of.

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Speaker 3: How I grew up and what I what I listened to.

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Speaker 4: And I am very you know, I do this thing

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Speaker 4: when I talk, when I tell people, I don't ever

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Speaker 4: tell people not to get angry, because anger is an energy,

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Speaker 4: and misplaced anger is a problem, but well placed anger

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Speaker 4: is fuel. So when people would say I couldn't achieve something,

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Speaker 4: it would anger me and it would just give me

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Speaker 4: more fuel to.

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Speaker 3: What I couldn't do.

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Speaker 4: When when I tell a story, it's a victory every

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Speaker 4: time because people say, well, man, people don't listen. People

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Speaker 4: attention span is short, and I always be like, well,

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Speaker 4: how do they watch movies? Why was the Game of

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Speaker 4: Thrones so successful that people attention span is short? And

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Speaker 4: it's like I'm always trying to prove or disprove what

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Speaker 4: people's logic is about things.

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Speaker 3: It's like, I never moved. I live in Houston.

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Speaker 4: I never moved because people told me I couldn't make

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Speaker 4: it out of Houston. You would have to move to

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Speaker 4: la or New York in order to be in the

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Speaker 4: comedy world.

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Speaker 3: And I just thought that was ridiculous.

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Speaker 4: And the whole thing was the prophet is not welcome

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Speaker 4: in his own home and I'll still be like, why though,

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Speaker 4: that doesn't make good sense.

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Speaker 3: Why wouldn't you be honored in your own home.

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Speaker 1: Understood?

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Speaker 5: Man the Mountain, go to Mohamaday right.

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Speaker 3: So. And the other thing is I'm one of the

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Speaker 3: few comics in the world that can I can stay

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Speaker 3: at home for a year and make a ton of

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Speaker 3: money in my own hometown just headlining at the comedy club.

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Speaker 4: Like, I don't really have to go anywhere. I have

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Speaker 4: a huge fan base here, not like people who moved

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Speaker 4: away from their home town and then they had a

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Speaker 4: hard time selling tickets in their hometime because you didn't

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Speaker 4: make your bones in your hometown. You made your bone

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Speaker 4: somewhere else, and you have a hard time selling tickets

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Speaker 4: there too, because it's so you know, clustered with other people.

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Speaker 3: Man, I didn't want to go to la and have

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Speaker 3: that story. I slept in my car and car story, Yeah,

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Speaker 3: I'm cool. I'm cool with my car is cool. Well,

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Speaker 3: at that time, it wouldn't have been comfortable. Hey man,

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Speaker 3: a ninety Toyota sleeping in it? Naw, I'm cool.

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Speaker 2: So yeah, cramp up man, Well, hey man, scoliosis, I'm fourteen, Orlando.

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Speaker 2: Doctor Phillis November fifteen, Tampa, Florida, Strats Center checking my

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Speaker 2: Alli man, brother, thank you so much for kicking it

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Speaker 2: with us tonight. Man, I truly truly appreciate it.

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Speaker 3: I would say, ye was fourteen minutes.

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Speaker 2: No, the whole show is what we do three segments

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Speaker 2: and you can stay if you want to do the

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Speaker 2: other two.

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Speaker 1: I didn't know if you had something else to do.

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Speaker 2: You up, say, we've got to take a commercial break.

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Speaker 3: I do one more commercial break.

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Speaker 2: Okay, well we gotta take a you got commercials, boy,

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Speaker 2: y'all big time.

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Speaker 1: We gotta take a commercial break.

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Speaker 6: We'll be right back real last her Radio one or

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Speaker 6: four point one.

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Speaker 7: Get Ready My People was on Sunday, November twenty third.

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Speaker 7: It's the straight foolish Florida classic weekend clean comedy show

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00:18:31,000 --> 00:18:32,639
Speaker 7: that's right brought to you by the good people at

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00:18:32,680 --> 00:18:36,640
Speaker 7: Majestic Life of Church. Showtime at three pm, show goes

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00:18:36,680 --> 00:18:41,160
Speaker 7: down at four. We have great comedians Curtis Bateman, Tez Brooks,

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00:18:41,440 --> 00:18:45,560
Speaker 7: Jada funny Man, Tanja d Lolita Roe and melodic funk

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00:18:45,880 --> 00:18:49,440
Speaker 7: music provided by the one the only DJ g B.

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Speaker 7: Food and drink will be available November twenty third. That's

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Speaker 7: a Sunday people, it's the Straight Foolishin's Florida Classic weekend

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Speaker 7: clean comedy Show.

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Speaker 3: For more information, go ahead and go to.

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Speaker 7: Straightfulishness dot com. That's st R number eight Foolishness dot Com.

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00:19:05,640 --> 00:19:07,800
Speaker 7: Get them tickets and let us put some comedy in

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Speaker 7: your life.

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Speaker 2: We're back, We're last, We're rady a wonder four point

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Speaker 2: on your night. Capital Comedy guys, go out there. I

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Speaker 2: heard us up on social media. We appreciate it. Got

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Speaker 2: to get a shout out to our sponsor to Orlando

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00:19:23,040 --> 00:19:26,399
Speaker 2: Funnybone Orlando dot Funnybone dot com. Make sure this weekend

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00:19:26,400 --> 00:19:29,360
Speaker 2: you go check out mister or excuse me, Doctor George

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00:19:29,359 --> 00:19:32,199
Speaker 2: Wallace will be at the Orlando Funnybone this weekend and

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00:19:32,240 --> 00:19:35,480
Speaker 2: also our other fusier sponsor, Jeff Kaufman from the Law

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00:19:35,560 --> 00:19:38,800
Speaker 2: office of Kaufman and Lynn and the Under Oath podcast

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00:19:38,880 --> 00:19:41,639
Speaker 2: joined the Virtual Studio where Ali Ali would be at

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00:19:41,680 --> 00:19:46,399
Speaker 2: their Doctor Phillips this weekend November fourteenth, Orlando, Florida and

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Speaker 2: the Strass Center November fifteen, Tampa, Florida. James popped in.

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Speaker 2: James doesn't ask you all the questions I was gonna

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Speaker 2: ask you already, but but but that's the thing.

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Speaker 1: Though, I saw you pull your note book out. What

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Speaker 1: is that? What is the thought process of memorizing?

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Speaker 2: Because you don't, Mike right, because dog dog you on

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Speaker 2: what special number one?

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Speaker 1: Fifteen? Brother, that's fifteen hours.

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Speaker 2: Fifteen plus hours of stand up to memorize.

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Speaker 3: None comedy albums, fifteen specials.

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Speaker 1: But what what? What is the memorization process? Man?

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Speaker 4: I know this is the this is the thing, you know.

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Speaker 4: I know this is gonna sound crazy to comics. And

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Speaker 4: then I'll explained that after I said, I'm insulted, and

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Speaker 4: I and I and I shouldn't be, but I am.

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Speaker 4: I'm insulted when somebody refers to my stuff as a bit. Hey, man,

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Speaker 4: remember that bit you did? Remember that bit?

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Speaker 3: You? They're like, no, I don't. I don't have any bits.

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Speaker 4: I have the story, but I don't have any bits

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Speaker 4: because when I was writing bits, they were surrounded with

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Speaker 4: things that.

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Speaker 3: Didn't happen, you know to me per se or I.

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Speaker 4: Would read the paper and then I would take something

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Speaker 4: from the paper and create.

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Speaker 3: A bit. That's how I saw it. But D. L.

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Speaker 4: Hugley me and him talking one day, and he said, Man,

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Speaker 4: the funny is you going to ever be in life

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Speaker 4: is based on how honest you want to be. So

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Speaker 4: then I just start giving the true stories of what

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Speaker 4: has happened to me. So if you haven't in these

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Speaker 4: last six joints, is all me. It's no current events,

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Speaker 4: it's no other things added. It's just my life from

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Speaker 4: ten to twenty five, which the domino effects. And then

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Speaker 4: it's my two sons, and Rugged is me and my

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Speaker 4: two sons, and then me and me and my home

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Speaker 4: life with Rugged. So I don't have to remember anything

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Speaker 4: but the story. The story comes to my head. I

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Speaker 4: can just tell the story. It's nothing for me to remember.

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00:22:32,480 --> 00:22:36,359
Speaker 4: And it's not a superpower. It's just what happened. You

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Speaker 4: know what happened to you in the fourth grade because

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Speaker 4: you were there, you know what I'm saying.

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Speaker 3: So I remember in the fourth grade.

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Speaker 4: I became a flag bearer in the fourth grade, right,

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Speaker 4: I would go and put the flag up in the morning,

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Speaker 4: and then got put up both flags, the Texas flag

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Speaker 4: in the American flag, and then we would get out

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Speaker 4: of class fifteen and it's early to go get the flags.

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Speaker 4: The only reason I did it is because it was

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Speaker 4: this cute white girl name Ta Mika. Never met a

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Speaker 4: white girl named Tamika before, but never I.

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Speaker 3: Met her in the fourth in the fourth grade, right,

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Speaker 3: and she was from Tampa. She literal our family moved

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Speaker 3: to Houston. She was from Tampa.

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Speaker 4: And this was the first person that never told me

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Speaker 4: about yellow rice. She was like, Yo, we don't eat

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Speaker 4: white rice in Tampa. We eat yellow rice.

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Speaker 3: And I can tell this story about how many times

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Speaker 3: me and this girl walked to the Saint because it

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Speaker 3: was my fourth grade experience. And I remember this black

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Speaker 3: girl named Delisha was like you just like that little

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Speaker 3: white girl.

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Speaker 4: I'm like, man, But I remember when I went home

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Speaker 4: and told my dad, I said, hey, man, got me

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Speaker 4: a little girlfriend.

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Speaker 3: She's white.

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Speaker 4: And he was like, say, man, how you going to

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Speaker 4: explain that to your civil rights grandmother? And then and

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Speaker 4: then I then I read in the Civil Rights I

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Speaker 4: remember I told my grandmother, I said, Graham, before you

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Speaker 4: say anything, you know it's white people that helped out

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Speaker 4: with the Civil rights right.

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Speaker 3: N double A, CP, all this stuff. And she was like,

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Speaker 3: where is this going, sad guy? Their girlfriend she's white.

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Speaker 3: And I remember my grandmother was on one. She was

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Speaker 3: still on one. It's like, do you know how many

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Speaker 3: black I.

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Speaker 4: Was like, man, but I had already read, I had

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Speaker 4: my defense and everything.

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Speaker 3: I think it was all of white people fout right

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Speaker 3: next to black people.

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Speaker 4: Like she wasn't trying to hear it from she from Louisiana.

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Speaker 4: She ain't trying to hit nothing. But you marrying a

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Speaker 4: black girl, Well, I end up marrying a little brown,

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Speaker 4: Senttimon Brown when she you know I got close.

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Speaker 1: What's crazy is I ain't even know I live in Orlando, Leive,

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Speaker 1: you know Tampa eight Yellow Rice like that right, kipping Rice?

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Speaker 1: Even know that?

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Speaker 3: Yo?

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Speaker 1: But I think that's a dope thing about your stories.

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Speaker 2: You you got a perspective of things in life and

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00:25:16,240 --> 00:25:19,359
Speaker 2: what you've been through that somebody here be like dog,

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00:25:20,000 --> 00:25:23,600
Speaker 2: I ain't even like today Chris will tell you. I

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00:25:23,640 --> 00:25:26,359
Speaker 2: don't nobody take care of their yard the way I

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00:25:26,400 --> 00:25:29,040
Speaker 2: take care of my yard. And I was watching your

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00:25:29,160 --> 00:25:31,800
Speaker 2: video about you going at Chris every week every week,

440
00:25:31,880 --> 00:25:34,560
Speaker 2: but you're going to my lawnmower and having to get

441
00:25:34,560 --> 00:25:37,040
Speaker 2: a hat, and you out there with the Gucci slides on,

442
00:25:37,880 --> 00:25:40,480
Speaker 2: and I'm dying laughing because I'm out there, I got

443
00:25:40,480 --> 00:25:44,639
Speaker 2: the sweatpants, my shoes on. I'm like, you know, I

444
00:25:44,640 --> 00:25:47,199
Speaker 2: got the best lawn in my neighborhood. But when you

445
00:25:47,240 --> 00:25:50,000
Speaker 2: get to listen to your perspective of things, people sitting

446
00:25:50,000 --> 00:25:52,639
Speaker 2: there and be like, yo, I did that too, but

447
00:25:52,760 --> 00:25:54,520
Speaker 2: it happened to me too. And I think that's what's

448
00:25:54,560 --> 00:25:57,199
Speaker 2: so dope about the storyteller aspect of standing up.

449
00:25:57,920 --> 00:26:00,880
Speaker 3: You know the craziest thing. I don't know why. I'm

450
00:26:00,920 --> 00:26:03,679
Speaker 3: not good with my yard, but I have a whole

451
00:26:03,800 --> 00:26:10,360
Speaker 3: garden that I grow stuff in Okra, tomatoes, cabbage, cucumbers.

452
00:26:10,640 --> 00:26:13,560
Speaker 4: Yeah, I grow I can grow stuff. It's just cutting

453
00:26:13,600 --> 00:26:16,760
Speaker 4: that grass. It's just crazy to me. I don't know why.

454
00:26:17,400 --> 00:26:19,679
Speaker 3: And it's supposed to be like on the same line,

455
00:26:19,920 --> 00:26:20,520
Speaker 3: but it's not.

456
00:26:23,720 --> 00:26:24,800
Speaker 1: It's not because I with you.

457
00:26:24,840 --> 00:26:27,040
Speaker 2: I don't think I could do a garden, but I

458
00:26:27,080 --> 00:26:28,360
Speaker 2: can take care of my grass.

459
00:26:28,520 --> 00:26:29,440
Speaker 1: I can line it up.

460
00:26:29,520 --> 00:26:32,560
Speaker 2: I can do these bushes, the tree I got all that.

461
00:26:32,720 --> 00:26:35,000
Speaker 2: I don't think if I had to plant something, if

462
00:26:35,000 --> 00:26:37,639
Speaker 2: I had to plant some collars and tomatoes and stuff,

463
00:26:37,680 --> 00:26:39,320
Speaker 2: oh they're gonna be dead.

464
00:26:39,480 --> 00:26:39,760
Speaker 3: See.

465
00:26:40,200 --> 00:26:42,840
Speaker 4: And that's where I come in at Hey, man, you

466
00:26:43,040 --> 00:26:45,359
Speaker 4: cut the grass, I grow the food.

467
00:26:45,800 --> 00:26:46,359
Speaker 1: You know what I'm saying.

468
00:26:48,080 --> 00:26:50,359
Speaker 3: I thought they were the same, but they are totally different.

469
00:26:50,400 --> 00:26:53,800
Speaker 2: Things got the same man, don't be be fourteenth, Orlando, Florida,

470
00:26:53,840 --> 00:26:57,240
Speaker 2: Doctor Phillips, November fifteen, Tampa, Fad Distress Center.

471
00:26:58,520 --> 00:27:00,679
Speaker 1: Nobody besides one person.

472
00:27:00,800 --> 00:27:02,800
Speaker 2: I ain't gonna say his name, but nobody has ever

473
00:27:02,880 --> 00:27:04,119
Speaker 2: had a bad thing to say about you.

474
00:27:04,160 --> 00:27:04,360
Speaker 3: Man.

475
00:27:04,720 --> 00:27:07,560
Speaker 2: You helped so many comics, and I see you got

476
00:27:07,640 --> 00:27:11,600
Speaker 2: specials out for Marcus and Hiley, any specially for Ryan Davis.

477
00:27:11,840 --> 00:27:14,879
Speaker 2: You got any other comics that you got lined up

478
00:27:14,920 --> 00:27:17,360
Speaker 2: with specials that you can talk about or is it

479
00:27:17,920 --> 00:27:19,160
Speaker 2: you know in the work?

480
00:27:19,240 --> 00:27:21,760
Speaker 1: I want to know who that one person is. Everybody knows.

481
00:27:29,040 --> 00:27:33,160
Speaker 4: And you know what's the weirdest thing about that that.

482
00:27:35,119 --> 00:27:36,480
Speaker 3: I am.

483
00:27:36,800 --> 00:27:40,919
Speaker 4: I'm still taken aback by the whole thing because I

484
00:27:41,000 --> 00:27:50,960
Speaker 4: think about how people, because they like somebody's movies, that

485
00:27:51,119 --> 00:27:57,160
Speaker 4: they think that these people are perfect and they think

486
00:27:57,200 --> 00:28:03,120
Speaker 4: that they don't they don't have any flaws. And it's

487
00:28:03,160 --> 00:28:09,280
Speaker 4: a weird thing for somebody to say, I'm gonna have

488
00:28:09,480 --> 00:28:12,680
Speaker 4: a strong opinion about somebody that they actually don't know,

489
00:28:13,200 --> 00:28:17,359
Speaker 4: they have no connection with the outside of the entertainment,

490
00:28:17,720 --> 00:28:20,440
Speaker 4: but then say something or say.

491
00:28:20,320 --> 00:28:25,400
Speaker 3: Things about a person that they actually don't don't know. Hey, man,

492
00:28:25,560 --> 00:28:29,320
Speaker 3: I'm not. I remember this comic. This other comic came on.

493
00:28:30,200 --> 00:28:32,600
Speaker 3: It was like, Yo, you brother, I'm gonna be I'm

494
00:28:32,600 --> 00:28:34,440
Speaker 3: gonna be very respectful of this. You know, I don't

495
00:28:34,440 --> 00:28:36,800
Speaker 3: want to smoke with you, but I'm gonna be very pregan, man,

496
00:28:36,840 --> 00:28:42,040
Speaker 3: you cop chasing, And I was like, it dawned on me,

497
00:28:42,200 --> 00:28:45,920
Speaker 3: hey man, you may need to drop your album that

498
00:28:46,000 --> 00:28:50,480
Speaker 3: you recorded probably about nine years ago, and for some reason,

499
00:28:50,480 --> 00:28:52,440
Speaker 3: I just haven't dropped it.

500
00:28:52,440 --> 00:28:57,440
Speaker 4: It's called dope without Association. And so it's all the

501
00:28:57,520 --> 00:29:00,280
Speaker 4: people on the on the artwork, it's all all the

502
00:29:00,320 --> 00:29:03,640
Speaker 4: people who I actually have pictures with, all the people

503
00:29:03,640 --> 00:29:11,720
Speaker 4: who I admire, and I've never posted these pictures because

504
00:29:12,120 --> 00:29:14,480
Speaker 4: I don't think that you standing next to somebody in

505
00:29:14,480 --> 00:29:19,280
Speaker 4: a picture equates to you being talented. You know what

506
00:29:19,280 --> 00:29:22,040
Speaker 4: I'm saying. I got a picture of Smokey Robinson. I

507
00:29:22,040 --> 00:29:26,960
Speaker 4: can't sing, So how does that? How did me being

508
00:29:27,000 --> 00:29:31,840
Speaker 4: in a picture associate myself with this person makes me talented?

509
00:29:32,360 --> 00:29:35,040
Speaker 3: You know, it's an autograph, it's a graph.

510
00:29:35,240 --> 00:29:38,040
Speaker 5: You have an autograph with him. You know, you have

511
00:29:38,120 --> 00:29:40,120
Speaker 5: basic seconds of his life. You know, all the people

512
00:29:40,120 --> 00:29:42,960
Speaker 5: who come ask you for your autograph, they want to

513
00:29:43,000 --> 00:29:46,080
Speaker 5: say I had five minutes of his life. You're coming,

514
00:29:46,080 --> 00:29:47,400
Speaker 5: you're coming close to brilliance.

515
00:29:47,800 --> 00:29:48,840
Speaker 3: That's what it is.

516
00:29:48,880 --> 00:29:50,920
Speaker 5: More than hey, I'm going to say I'm on his level.

517
00:29:51,440 --> 00:29:53,800
Speaker 5: You know, it's I got a base of his life

518
00:29:53,800 --> 00:29:54,640
Speaker 5: for five seconds.

519
00:29:54,680 --> 00:29:57,000
Speaker 3: I mean that it doesn't make you funny because you

520
00:29:57,040 --> 00:29:59,760
Speaker 3: take a picture with Chappelle. It doesn't make you funny

521
00:29:59,800 --> 00:30:02,440
Speaker 3: that you get at the picture with Chappelle.

522
00:30:02,680 --> 00:30:09,800
Speaker 4: So if you don't, if you acclimate yourself to one

523
00:30:09,920 --> 00:30:12,680
Speaker 4: to one thing, It's kind of like when people said,

524
00:30:13,240 --> 00:30:19,720
Speaker 4: well Robert Glasper won the Grammy over Chris Brown, who

525
00:30:19,800 --> 00:30:25,800
Speaker 4: is Robert Glasberg. Well, he is a very talented artist

526
00:30:26,920 --> 00:30:31,000
Speaker 4: that produced a lot of people and then he produced

527
00:30:31,040 --> 00:30:35,320
Speaker 4: his own album and he won a Grammy. Because you know,

528
00:30:35,800 --> 00:30:39,240
Speaker 4: because you are Chris Brown fan, that means that you

529
00:30:39,280 --> 00:30:42,120
Speaker 4: were supposed to know Robert Glasper too. You don't how

530
00:30:42,160 --> 00:30:46,160
Speaker 4: many movies that won Oscars, Like when Nick King Speaks

531
00:30:46,560 --> 00:30:47,320
Speaker 4: won an Oscar.

532
00:30:49,040 --> 00:30:53,600
Speaker 3: I was like, yeah, man, while you agree with that

533
00:30:53,640 --> 00:30:54,600
Speaker 3: because I saw.

534
00:30:54,400 --> 00:30:57,400
Speaker 1: The movie movie. Yeah, yeah, I saw the movie.

535
00:30:58,360 --> 00:31:00,720
Speaker 4: You don't watch these type of movie if you only

536
00:31:00,840 --> 00:31:04,640
Speaker 4: watch one thing. Like if somebody had a conversation with

537
00:31:04,680 --> 00:31:07,959
Speaker 4: me about like I've never seen, and I know it's

538
00:31:08,000 --> 00:31:11,160
Speaker 4: gonna trip people out. I've never seen that one episode

539
00:31:11,240 --> 00:31:14,640
Speaker 4: of Snowfall. I've not seen that one episode of Power.

540
00:31:15,040 --> 00:31:17,560
Speaker 4: I ever seen one episode of any of them, of

541
00:31:17,720 --> 00:31:20,520
Speaker 4: any of the shows. But if you asked me about

542
00:31:20,560 --> 00:31:24,720
Speaker 4: the Crown, you asked me, you asked me about.

543
00:31:26,040 --> 00:31:31,760
Speaker 2: I never watched what's the popular show? I mentioned it earlier,

544
00:31:33,960 --> 00:31:44,240
Speaker 2: Uh with the Winter is Coming? John Snow Yeah, No,

545
00:31:44,440 --> 00:31:45,959
Speaker 2: the Dragons.

546
00:31:46,040 --> 00:31:48,040
Speaker 1: Man.

547
00:31:50,200 --> 00:31:53,720
Speaker 4: I never watched Game of Thrones when it was out,

548
00:31:54,480 --> 00:32:00,920
Speaker 4: but then I watched the show before that dragon know

549
00:32:00,960 --> 00:32:03,000
Speaker 4: what I'm saying, And then I.

550
00:32:02,960 --> 00:32:06,440
Speaker 3: Went back and watched Game of Thrones. And so.

551
00:32:07,960 --> 00:32:11,920
Speaker 4: I think that when people minded is in one box,

552
00:32:12,680 --> 00:32:15,160
Speaker 4: that you don't know that I've been out for twenty

553
00:32:15,240 --> 00:32:21,600
Speaker 4: eight years. Oh he just now, So how does the

554
00:32:21,640 --> 00:32:26,040
Speaker 4: person now in two years trying to chase clout when

555
00:32:26,080 --> 00:32:34,240
Speaker 4: I've been out since nineteen ninety seven and not just out.

556
00:32:34,640 --> 00:32:38,280
Speaker 4: Comic View two thousand, two thousand and one, two thousand, two,

557
00:32:38,320 --> 00:32:41,520
Speaker 4: two thousand and three, Who's Got Jokes?

558
00:32:42,960 --> 00:32:43,800
Speaker 3: Bring the funny?

559
00:32:44,280 --> 00:32:49,160
Speaker 4: Last comic standing the season finale on Death Jam when

560
00:32:49,160 --> 00:32:51,560
Speaker 4: it came back in eight Because I remember that because

561
00:32:51,680 --> 00:32:54,400
Speaker 4: the season finale It was a season finale of The

562
00:32:54,440 --> 00:32:57,800
Speaker 4: Wire and season finale of Death Jam. At the same time,

563
00:32:57,960 --> 00:33:01,040
Speaker 4: I was a season fan to be on Last Comic Standing,

564
00:33:01,120 --> 00:33:04,640
Speaker 4: to be Grammy nominated for an album, and then also

565
00:33:05,200 --> 00:33:09,560
Speaker 4: to be Comedy Central's Comic to Watch in twenty thirteen,

566
00:33:09,680 --> 00:33:13,240
Speaker 4: have a special, a half hour special in sixteen, and

567
00:33:13,280 --> 00:33:16,400
Speaker 4: then a full hour special in eighteen. Why would I

568
00:33:16,520 --> 00:33:19,160
Speaker 4: just all of a suddenly chasing somebody else's cloud. I

569
00:33:19,240 --> 00:33:23,400
Speaker 4: was already a work in comic that was successful, So

570
00:33:24,320 --> 00:33:26,400
Speaker 4: I don't know what type of car they thought I drove.

571
00:33:26,840 --> 00:33:29,120
Speaker 3: You know what I'm saying. Ever ever really looked at

572
00:33:29,160 --> 00:33:31,080
Speaker 3: me and thought I.

573
00:33:30,920 --> 00:33:35,240
Speaker 4: Was I don't think that sells tickets. Nobody's coming to

574
00:33:36,840 --> 00:33:41,400
Speaker 4: see me because of this person. But if we both

575
00:33:41,440 --> 00:33:44,600
Speaker 4: pull up, we both pull up, I'm I'm guaranteeing that.

576
00:33:45,600 --> 00:33:51,440
Speaker 4: Hey man, my car is pretty substantial as well.

577
00:33:51,640 --> 00:33:53,640
Speaker 3: Let people know where I'm at. You know, I don't drive.

578
00:33:53,680 --> 00:33:58,640
Speaker 3: I don't drive. I drive a Bentley And I didn't

579
00:33:58,720 --> 00:34:05,960
Speaker 3: just get it any saying he could sleep in this.

580
00:34:06,320 --> 00:34:08,960
Speaker 2: Hey, Hey, real quick, Ali, we got one more segment.

581
00:34:09,000 --> 00:34:11,160
Speaker 2: It's like it's like ten minutes. I'm gonna hit the

582
00:34:11,160 --> 00:34:13,000
Speaker 2: commercial break, come back, because I really want to ask

583
00:34:13,040 --> 00:34:14,960
Speaker 2: you about these specials that you got coming up with

584
00:34:15,000 --> 00:34:15,960
Speaker 2: these other comedians.

585
00:34:16,000 --> 00:34:18,000
Speaker 1: But we're gonna be taking a quick corrective break. Guys,

586
00:34:18,160 --> 00:34:20,959
Speaker 1: we'll be right back. We'll be right back, real lads, we're.

587
00:34:20,960 --> 00:34:36,680
Speaker 2: Radio one oh four point one.

588
00:34:38,000 --> 00:34:38,520
Speaker 1: We're back.

589
00:34:38,560 --> 00:34:40,480
Speaker 2: We'll last. We're Radio one or four point one. Your

590
00:34:40,560 --> 00:34:42,840
Speaker 2: night cap of comedy and the big Cheff cam Miller.

591
00:34:42,880 --> 00:34:46,200
Speaker 2: We got Ali's man Oli will be at Doctor Phillips

592
00:34:46,239 --> 00:34:49,720
Speaker 2: this Friday, November fourteenth, and then Tampa November fifteenth Distress

593
00:34:49,800 --> 00:34:51,440
Speaker 2: and to make sure y'all check them out. We were

594
00:34:51,480 --> 00:34:53,839
Speaker 2: talking about specials, Like I said, I know you got

595
00:34:53,840 --> 00:34:56,640
Speaker 2: Marcus Wiley, You got Ryan Davis, which is a good

596
00:34:56,640 --> 00:34:58,399
Speaker 2: friend of man straight out of North Carolina. From North

597
00:34:58,440 --> 00:35:01,120
Speaker 2: Carolina too? Who else she got coming up? If you

598
00:35:01,160 --> 00:35:01,920
Speaker 2: can talk about it.

599
00:35:03,960 --> 00:35:08,680
Speaker 4: Man, We were getting ready to produce a Wonderful Lady special.

600
00:35:09,200 --> 00:35:14,919
Speaker 4: We redistributing one of my friends special. We recorded Mark

601
00:35:14,920 --> 00:35:19,600
Speaker 4: as his second special. In January, we'll be dropping somebody

602
00:35:19,600 --> 00:35:22,640
Speaker 4: else's special and then I'll be coming out with mine.

603
00:35:23,200 --> 00:35:26,919
Speaker 4: I like to lead an element of surprise on who

604
00:35:26,920 --> 00:35:31,560
Speaker 4: we're putting out, and once the ink dries, we'll start

605
00:35:31,600 --> 00:35:34,840
Speaker 4: the promotion and people will see, oh he went and

606
00:35:34,880 --> 00:35:37,080
Speaker 4: got his boy, you know, because people didn't know I

607
00:35:37,120 --> 00:35:43,439
Speaker 4: was gonna do Patrise O'Neil man. And what's crazy is

608
00:35:44,640 --> 00:35:50,480
Speaker 4: Patrees was a was a love distribution. It wasn't to

609
00:35:50,560 --> 00:35:54,600
Speaker 4: make any money. I was I just was like, yo,

610
00:35:54,880 --> 00:35:59,399
Speaker 4: I still want people to room trees. And what he

611
00:35:59,440 --> 00:36:02,359
Speaker 4: was doing and was an older special. We didn't even

612
00:36:02,440 --> 00:36:06,600
Speaker 4: think that it was gonna do any numbers because how

613
00:36:06,600 --> 00:36:09,120
Speaker 4: old it was. And then it was short okay, and

614
00:36:09,160 --> 00:36:12,360
Speaker 4: that's that's actually something that he did with Showtime and

615
00:36:13,280 --> 00:36:17,480
Speaker 4: that's that's a love thing. So with these with these

616
00:36:17,680 --> 00:36:22,520
Speaker 4: new guys that's coming, this is a my friends. I

617
00:36:22,560 --> 00:36:24,640
Speaker 4: want to promote my friends. I want to make sure

618
00:36:24,719 --> 00:36:27,719
Speaker 4: my friends are selling tickets. I want to make sure

619
00:36:27,719 --> 00:36:30,920
Speaker 4: that people see their stuff. And I think that with

620
00:36:31,120 --> 00:36:34,320
Speaker 4: networks that gets swept up under. But we're really holding

621
00:36:35,360 --> 00:36:38,000
Speaker 4: close to the vest on who we who were dropping

622
00:36:38,280 --> 00:36:41,000
Speaker 4: until we get ready because I announced, you know, I

623
00:36:41,040 --> 00:36:44,919
Speaker 4: just did a Christmas movie because my own girl shot

624
00:36:45,000 --> 00:36:48,480
Speaker 4: up Christmas movie and we wanted to we wanted to

625
00:36:48,480 --> 00:36:52,359
Speaker 4: get my balls on it for to see if even if,

626
00:36:52,640 --> 00:36:55,960
Speaker 4: because my little network is just not growing. So We're

627
00:36:56,000 --> 00:36:59,160
Speaker 4: just trying to see what we can, how hard we

628
00:36:59,160 --> 00:37:02,480
Speaker 4: can push people out. But with comedy and I want

629
00:37:02,480 --> 00:37:04,880
Speaker 4: to be a place where when people see that they

630
00:37:05,000 --> 00:37:09,120
Speaker 4: own my channel, they automatically know that they that they funny,

631
00:37:09,200 --> 00:37:14,320
Speaker 4: They automatically know that they talented and to go see them.

632
00:37:14,520 --> 00:37:20,920
Speaker 4: Because the special is the commercial. It's just a commercial

633
00:37:20,960 --> 00:37:24,600
Speaker 4: for you. You know that you can a long standing commercial.

634
00:37:25,120 --> 00:37:29,640
Speaker 4: The cavet the caveat to that is people coming to

635
00:37:30,040 --> 00:37:33,279
Speaker 4: your shows, putting bodies in your seat, and that's what

636
00:37:33,440 --> 00:37:37,800
Speaker 4: you're making your actual money. It's not with the special.

637
00:37:37,840 --> 00:37:41,640
Speaker 4: Nobody gets rich with the special. You know, unless you

638
00:37:41,800 --> 00:37:46,640
Speaker 4: already big. You know a lot of these people they

639
00:37:46,719 --> 00:37:49,400
Speaker 4: get they gonna get paid more with me in the

640
00:37:49,480 --> 00:37:51,800
Speaker 4: long run than being with a network.

641
00:37:52,840 --> 00:37:54,800
Speaker 3: You see what you did with Ryan.

642
00:37:55,280 --> 00:37:58,000
Speaker 5: You had mentioned earlier about people taking pictures and that's

643
00:37:58,040 --> 00:38:00,719
Speaker 5: not about you know, that doesn't mean they're good. But

644
00:38:00,840 --> 00:38:02,560
Speaker 5: you you I mean, you've been doing this for a

645
00:38:02,600 --> 00:38:04,840
Speaker 5: couple of decades. People come at you, probably on a

646
00:38:04,920 --> 00:38:09,040
Speaker 5: daily basis, asking for help, asking for and earn. How

647
00:38:09,080 --> 00:38:11,160
Speaker 5: tough is it for you to try to give advice?

648
00:38:11,280 --> 00:38:13,560
Speaker 5: But you know, let them know that that's not going

649
00:38:13,600 --> 00:38:14,839
Speaker 5: to get them on stage.

650
00:38:16,040 --> 00:38:16,440
Speaker 3: Man.

651
00:38:17,560 --> 00:38:20,120
Speaker 4: When Ken said design people who say nothing bad about me,

652
00:38:20,160 --> 00:38:22,040
Speaker 4: I'm like, well, he hadn't talked to the people who

653
00:38:22,120 --> 00:38:24,400
Speaker 4: out hurt down because.

654
00:38:28,440 --> 00:38:30,400
Speaker 3: Right, oh, because this is the people who really got

655
00:38:30,480 --> 00:38:32,520
Speaker 3: some choice words for me behind my back.

656
00:38:33,200 --> 00:38:36,600
Speaker 4: But I'm and I think that with most people, I'm

657
00:38:36,719 --> 00:38:42,719
Speaker 4: very honest with them. And I'm like, hey, listen, I

658
00:38:42,880 --> 00:38:47,359
Speaker 4: understand networks headaches now too, because it's some it's some

659
00:38:47,400 --> 00:38:49,879
Speaker 4: specials man that I have received.

660
00:38:50,719 --> 00:38:59,319
Speaker 3: Jeff Brother, I wish you were the front person for it.

661
00:38:59,320 --> 00:39:02,680
Speaker 4: Look the white man said no, he said, man, but

662
00:39:03,040 --> 00:39:06,640
Speaker 4: when it's when it is me and you got my

663
00:39:06,760 --> 00:39:09,839
Speaker 4: personal phone number and you know me, and you set

664
00:39:09,920 --> 00:39:14,680
Speaker 4: me a special and I watched it, and the whole

665
00:39:14,760 --> 00:39:16,560
Speaker 4: time I watched.

666
00:39:16,239 --> 00:39:27,520
Speaker 3: It, I'm talking about hen Jeff DJ, Hey, you would

667
00:39:27,520 --> 00:39:32,080
Speaker 3: be surprised of how many specials are just said like this,

668
00:39:32,800 --> 00:39:40,879
Speaker 3: and some of them I have bolved my head. Man

669
00:39:41,640 --> 00:39:43,960
Speaker 3: was am I watching?

670
00:39:44,800 --> 00:39:51,440
Speaker 4: And hey, man, I can't give you notes on a

671
00:39:51,560 --> 00:39:53,600
Speaker 4: special that you already recorded.

672
00:39:54,080 --> 00:39:56,840
Speaker 3: You have to let me do that in the beginning.

673
00:39:56,880 --> 00:39:57,680
Speaker 3: And I get it.

674
00:39:57,960 --> 00:40:00,600
Speaker 4: And somebody want to tell me how I in ninety

675
00:40:00,640 --> 00:40:03,000
Speaker 4: thousand dollars in them and I'll be sitting there like that.

676
00:40:05,800 --> 00:40:08,080
Speaker 4: You want me to call the people and tell them

677
00:40:08,080 --> 00:40:09,080
Speaker 4: to give your money back.

678
00:40:08,960 --> 00:40:12,439
Speaker 3: Because you are crazy right now?

679
00:40:12,560 --> 00:40:18,400
Speaker 4: Like all this is crazy and man, and it's hard

680
00:40:18,560 --> 00:40:22,960
Speaker 4: for them to accept it from me because they thinking

681
00:40:23,040 --> 00:40:25,399
Speaker 4: that I'm, oh, you only saying it because you're still

682
00:40:25,400 --> 00:40:27,840
Speaker 4: doing thing up you and a competition. I told Tamar,

683
00:40:27,960 --> 00:40:32,240
Speaker 4: going shoot on the head agent and innovator. I said, Tama,

684
00:40:32,440 --> 00:40:35,160
Speaker 4: when I retire, I want you all to give me

685
00:40:35,200 --> 00:40:39,919
Speaker 4: an office what I'm saying, and this is called the

686
00:40:39,960 --> 00:40:44,799
Speaker 4: Truth Office. Send them, sent them in here, cent'em in here. Hey, man,

687
00:40:45,320 --> 00:40:48,879
Speaker 4: not doing coming, or I'll retired. Let me tell you

688
00:40:49,160 --> 00:40:54,479
Speaker 4: how terrible your special action is, Tamar, and them can't

689
00:40:54,480 --> 00:40:56,960
Speaker 4: tell you. That's why they sent you to the Truth Office,

690
00:40:57,000 --> 00:40:59,000
Speaker 4: your actors.

691
00:40:58,360 --> 00:40:59,080
Speaker 3: Because.

692
00:41:00,400 --> 00:41:06,240
Speaker 4: I'm I'm looking at specials and I'm and I'm still

693
00:41:06,280 --> 00:41:12,520
Speaker 4: going out to comedy clubs when I'm invited to watch somebody,

694
00:41:13,480 --> 00:41:15,439
Speaker 4: and so you gotta go to old Mike. You gotta

695
00:41:15,480 --> 00:41:17,719
Speaker 4: see other people go up before the person that you

696
00:41:17,800 --> 00:41:19,520
Speaker 4: came to see, right.

697
00:41:20,120 --> 00:41:20,279
Speaker 3: And.

698
00:41:21,800 --> 00:41:29,240
Speaker 4: If I tell you season comics are doing open mic

699
00:41:29,560 --> 00:41:36,360
Speaker 4: level material, I'm and I'm appalled. I'm like, yo, you

700
00:41:36,600 --> 00:41:39,240
Speaker 4: know I just watch somebody who's been doing it four

701
00:41:39,280 --> 00:41:44,040
Speaker 4: months say that same thing, like, you're not and you're

702
00:41:44,040 --> 00:41:49,640
Speaker 4: not taking me anywhere. If comics are still caught up

703
00:41:49,680 --> 00:41:54,799
Speaker 4: in nineteen ninety two, you're not going to resonate with

704
00:41:54,880 --> 00:41:59,880
Speaker 4: the people now because comedy has moved to a different plateau.

705
00:42:01,120 --> 00:42:05,960
Speaker 4: I get it, you looking at people on the internet

706
00:42:06,040 --> 00:42:08,960
Speaker 4: who came with a fan base. But if you realize

707
00:42:09,120 --> 00:42:13,879
Speaker 4: all those people came from somewhere else first with their

708
00:42:14,000 --> 00:42:14,600
Speaker 4: fan base.

709
00:42:15,200 --> 00:42:15,840
Speaker 3: You know what I'm saying.

710
00:42:16,680 --> 00:42:20,360
Speaker 4: You If I was a singer, if I was a

711
00:42:20,400 --> 00:42:24,640
Speaker 4: successful singer, I got multi platinum albums, and then I

712
00:42:24,680 --> 00:42:27,320
Speaker 4: started doing stand up and I bring my whole singing

713
00:42:27,400 --> 00:42:29,520
Speaker 4: bass with me, and they coming to the shows, and

714
00:42:29,560 --> 00:42:33,680
Speaker 4: when they're not coming because I became this great comedy

715
00:42:33,719 --> 00:42:37,280
Speaker 4: coming because hey man, I'm the one that did their

716
00:42:37,320 --> 00:42:38,520
Speaker 4: favorite love ballet.

717
00:42:38,960 --> 00:42:41,719
Speaker 3: You know what I'm saying. So that's the thing. It's

718
00:42:41,760 --> 00:42:45,640
Speaker 3: not like it's not like us, man, when we came up.

719
00:42:46,040 --> 00:42:51,560
Speaker 3: We came from the bottom. Like you learned all the

720
00:42:51,680 --> 00:42:55,239
Speaker 3: mechanics of being a stand up. You're a very seasoned

721
00:42:55,600 --> 00:42:57,440
Speaker 3: You can pivot, you can go this way, you can

722
00:42:57,480 --> 00:43:01,359
Speaker 3: go that way. You ambidextrious with your craft when you

723
00:43:01,400 --> 00:43:04,839
Speaker 3: hear like a Drew ski Man, I don't blame Drew

724
00:43:04,880 --> 00:43:07,120
Speaker 3: Skie for getting booed, you know what I'm saying. And

725
00:43:07,120 --> 00:43:09,160
Speaker 3: the comic show, he's not a comic. You know what

726
00:43:09,160 --> 00:43:09,600
Speaker 3: I'm saying.

727
00:43:09,800 --> 00:43:14,120
Speaker 4: He's a comedic actor is not even a comic. It's

728
00:43:14,160 --> 00:43:18,839
Speaker 4: two different, two different muscles, what I'm saying. So it's

729
00:43:18,920 --> 00:43:21,799
Speaker 4: kind of like asking a guy who can cut your

730
00:43:21,840 --> 00:43:24,120
Speaker 4: steak good at a bunchet shop to become a surgeon.

731
00:43:24,600 --> 00:43:26,920
Speaker 3: You know what I'm saying, Hey man, you cut meat good,

732
00:43:27,080 --> 00:43:31,200
Speaker 3: maybe you could be a surgeon. No, it's it's not

733
00:43:31,280 --> 00:43:35,520
Speaker 3: the same thing. That's what you're taking off. Plumber, plumber.

734
00:43:35,760 --> 00:43:38,680
Speaker 3: Plumbers don't do electricity. They don't.

735
00:43:41,120 --> 00:43:43,960
Speaker 2: Bro I learned that I had a pipe busted by

736
00:43:44,000 --> 00:43:47,200
Speaker 2: house man. They came and reran that pipe and was like,

737
00:43:47,239 --> 00:43:48,320
Speaker 2: we don't do drywall.

738
00:43:50,080 --> 00:43:51,360
Speaker 1: You got to call somebody.

739
00:43:51,640 --> 00:43:52,200
Speaker 3: You got cart.

740
00:43:52,280 --> 00:43:54,719
Speaker 1: I said, y'all have put all these holes in my house. Yeah, dog,

741
00:43:55,320 --> 00:43:56,360
Speaker 1: we don't do drywall.

742
00:43:57,280 --> 00:44:01,960
Speaker 4: The person who saw that whole, that little pathway, cannot

743
00:44:02,000 --> 00:44:04,080
Speaker 4: put it back. He just know how to take it off.

744
00:44:05,440 --> 00:44:08,560
Speaker 4: Hey man, man, man, I had I had a plumber

745
00:44:09,440 --> 00:44:10,839
Speaker 4: put the thing back.

746
00:44:11,280 --> 00:44:13,480
Speaker 3: Somebody. Hey man, you're gonna have to spat that. I'm like,

747
00:44:13,920 --> 00:44:19,560
Speaker 3: it ain't no spacking. It's like who you talk to

748
00:44:19,640 --> 00:44:24,839
Speaker 3: that word spa. They gotta be they gotta be sealed up.

749
00:44:24,880 --> 00:44:28,719
Speaker 1: Brother, I got, I got. It's kind of like, oh

750
00:44:28,880 --> 00:44:29,399
Speaker 1: to the house.

751
00:44:29,520 --> 00:44:31,160
Speaker 4: It's kind of like it's kind of like us can

752
00:44:31,440 --> 00:44:33,919
Speaker 4: Hey man, you can cut grass, I can grow.

753
00:44:34,080 --> 00:44:37,200
Speaker 3: I can grow. I can grow grass.

754
00:44:37,400 --> 00:44:40,879
Speaker 1: Just we kind of get up out of here.

755
00:44:40,920 --> 00:44:44,680
Speaker 2: Man, don't been from fourteen Orlando Flooring Doctor Phillips, November fifteen,

756
00:44:44,719 --> 00:44:46,800
Speaker 2: Table Floyd Strass Center. First of all, I want to

757
00:44:46,840 --> 00:44:49,120
Speaker 2: thank you for letting me work with you this weekend. Man,

758
00:44:49,160 --> 00:44:51,600
Speaker 2: I truly appreciate the man. Always a good time with you.

759
00:44:51,680 --> 00:44:53,960
Speaker 2: But we gotta get ready to get up out of here. Man,

760
00:44:54,040 --> 00:44:56,400
Speaker 2: Ali go ahead. They probably already know. But tell everybody

761
00:44:56,440 --> 00:44:58,080
Speaker 2: how they can find the follow you, my friend.

762
00:44:58,440 --> 00:45:02,880
Speaker 4: Hey man, y'all can go on YouTube OLDEP comedy, or

763
00:45:02,960 --> 00:45:07,680
Speaker 4: y'all go on my website dot com. I am definitely

764
00:45:08,200 --> 00:45:11,120
Speaker 4: not hard to find. Spell my name s I D

765
00:45:11,239 --> 00:45:13,040
Speaker 4: D I Q. Want to say appreciate you all for

766
00:45:13,120 --> 00:45:16,200
Speaker 4: spelling my name correctly because I don't know what type

767
00:45:16,239 --> 00:45:20,400
Speaker 4: of name folks be spelling sometimes and the other The

768
00:45:20,440 --> 00:45:22,840
Speaker 4: other thing is, Jeff, I want to tell you this

769
00:45:23,040 --> 00:45:26,280
Speaker 4: quick story before we get out of here. Ken called

770
00:45:26,360 --> 00:45:29,040
Speaker 4: me and said, hey, man, if you're still looking for

771
00:45:29,160 --> 00:45:34,480
Speaker 4: somebody to open for you, I said, Ken, I'm not

772
00:45:34,520 --> 00:45:36,520
Speaker 4: looking for anybody.

773
00:45:36,960 --> 00:45:38,799
Speaker 1: Chris. Did I tell you that? Chris?

774
00:45:39,800 --> 00:45:43,520
Speaker 4: I said, I am extending that to you, but I'm

775
00:45:43,520 --> 00:45:50,000
Speaker 4: not looking for I don't even like like, oh my bad, no,

776
00:45:50,480 --> 00:45:53,480
Speaker 4: just know this is this is something bigger because I

777
00:45:53,520 --> 00:45:54,480
Speaker 4: respect you.

778
00:45:55,160 --> 00:45:57,200
Speaker 3: Don't send nobody else to my phone to.

779
00:45:57,360 --> 00:46:03,120
Speaker 4: Hey man, he doesn't open up on I'm like, non, Chris.

780
00:46:03,440 --> 00:46:05,319
Speaker 1: Chris, did I tell you that story? I was like,

781
00:46:05,480 --> 00:46:07,440
Speaker 1: I said, he said, he's looking.

782
00:46:07,200 --> 00:46:12,680
Speaker 3: For I'm coming to town. It's a theater. Let me

783
00:46:12,719 --> 00:46:14,520
Speaker 3: call my friend. You know what I'm saying.

784
00:46:14,520 --> 00:46:17,000
Speaker 4: I'm like, no, if you were just said when you

785
00:46:17,040 --> 00:46:18,799
Speaker 4: said when you turned it down the first time, I

786
00:46:18,840 --> 00:46:23,040
Speaker 4: was like, okay, cool, It's back to just me, more

787
00:46:23,080 --> 00:46:26,560
Speaker 4: time for me. I'm looking to do an hour and

788
00:46:26,880 --> 00:46:29,759
Speaker 4: five minutes. You know what I'm saying, he's if you're

789
00:46:29,800 --> 00:46:33,440
Speaker 4: still looking for us about I'm not and I'm not.

790
00:46:34,520 --> 00:46:34,800
Speaker 3: Brother.

791
00:46:35,280 --> 00:46:36,200
Speaker 1: I appreciate it.

792
00:46:36,200 --> 00:46:36,399
Speaker 3: Man.

793
00:46:36,440 --> 00:46:37,600
Speaker 1: We got to get up out of here.

794
00:46:37,640 --> 00:46:39,759
Speaker 2: Guys, thank y'all so much for you now, we'll see

795
00:46:39,800 --> 00:46:40,680
Speaker 2: you tomorrow night.

796
00:46:41,280 --> 00:46:42,319
Speaker 1: That is our Dick.

797
00:46:42,440 --> 00:46:44,439
Speaker 2: That is Jeff the Batman coll and that is Chris

798
00:46:44,480 --> 00:46:45,759
Speaker 2: Alexander aka d J.

799
00:46:45,920 --> 00:46:46,560
Speaker 1: Callis Chris.

800
00:46:46,600 --> 00:46:49,399
Speaker 3: Do me a favor, tell him what to do, Take

801
00:46:49,480 --> 00:46:50,640
Speaker 3: your ass to bed.

802
00:46:51,200 --> 00:46:51,640
Speaker 1: Good night,