1 00:00:00,160 --> 00:00:06,720 Speaker 1: You're listening to Mark emotion only you are well. Alan's 2 00:00:06,760 --> 00:00:11,080 Speaker 1: why Belle, the great writer, producer, a comedian, best selling author. 3 00:00:11,119 --> 00:00:12,920 Speaker 1: He has written a great book about his life and 4 00:00:12,960 --> 00:00:15,880 Speaker 1: his career. You should get it. It's called Laughlines, Laughlines, 5 00:00:15,920 --> 00:00:17,959 Speaker 1: Great Book by Alan's White Belle. Also follow him on 6 00:00:18,000 --> 00:00:21,599 Speaker 1: Instagram and Twitter and all that stuff. Alan's Why Belle. 7 00:00:21,640 --> 00:00:23,720 Speaker 1: How you doing, I'm great? 8 00:00:23,760 --> 00:00:24,599 Speaker 2: Mark, How you doing? 9 00:00:25,000 --> 00:00:25,959 Speaker 1: I'm good? I'm good. 10 00:00:25,960 --> 00:00:26,120 Speaker 2: Hey. 11 00:00:26,160 --> 00:00:29,440 Speaker 1: You were very very close to Rob Reiner and you've 12 00:00:29,480 --> 00:00:31,640 Speaker 1: been with the family. How they doing, How's everything going 13 00:00:31,640 --> 00:00:31,960 Speaker 1: for them? 14 00:00:33,000 --> 00:00:35,960 Speaker 2: Well, you know, it's my wife is more in touch 15 00:00:36,040 --> 00:00:40,200 Speaker 2: with the two kids than I am. You know, we've 16 00:00:40,240 --> 00:00:44,080 Speaker 2: shanged some texts now and then, but he's actually spoken 17 00:00:44,159 --> 00:00:48,839 Speaker 2: with them. And you can only imagine. You can only imagine. 18 00:00:48,880 --> 00:00:53,040 Speaker 2: You get two kids whose parents were taken away by 19 00:00:53,479 --> 00:00:57,760 Speaker 2: their brother, and you know, as far as we're concerned, 20 00:00:58,720 --> 00:01:00,360 Speaker 2: I did a lot of movies with Rob. 21 00:01:00,440 --> 00:01:01,560 Speaker 1: We was very. 22 00:01:01,440 --> 00:01:06,320 Speaker 2: Very close the two families, and we were at their 23 00:01:06,400 --> 00:01:10,240 Speaker 2: house when they brought their children home from the hospital 24 00:01:10,280 --> 00:01:13,440 Speaker 2: after they were born. So it goes back a long way. 25 00:01:13,520 --> 00:01:17,720 Speaker 2: And I think that those of us who were closest 26 00:01:17,760 --> 00:01:21,360 Speaker 2: with them are still traumatized to be frank. 27 00:01:21,520 --> 00:01:24,119 Speaker 1: You know, well, well let's get off there, let's get 28 00:01:24,120 --> 00:01:27,520 Speaker 1: onto something happy. Let's talk about something else. But thanks 29 00:01:27,520 --> 00:01:30,960 Speaker 1: for the update. But hey, what's the National Comedy Center? 30 00:01:31,000 --> 00:01:33,440 Speaker 1: I see it on your Instagram? The National Comedy Center? 31 00:01:33,440 --> 00:01:33,880 Speaker 1: What is that? 32 00:01:34,480 --> 00:01:39,360 Speaker 2: Yeah, it's it's it's this great place. It's in Jamestown, 33 00:01:39,440 --> 00:01:44,240 Speaker 2: New York. So you fly into Buffalo, you make a left, 34 00:01:44,400 --> 00:01:46,240 Speaker 2: and then go for a couple of hours. 35 00:01:46,480 --> 00:01:49,560 Speaker 1: Okay, well there's a great location. Who picked this location? 36 00:01:50,640 --> 00:01:53,680 Speaker 2: Well I think they picked it because Lucille Bull was 37 00:01:53,720 --> 00:01:54,440 Speaker 2: born there. 38 00:01:54,720 --> 00:01:56,280 Speaker 1: Oh okay, Jamestown. 39 00:01:56,440 --> 00:02:01,080 Speaker 2: Yeah, yeah, Jamestown. But but we in there a handful 40 00:02:01,120 --> 00:02:05,560 Speaker 2: of times. And it's it's not a hall of fame 41 00:02:06,760 --> 00:02:11,079 Speaker 2: as much as it is it's a center for all 42 00:02:11,160 --> 00:02:13,959 Speaker 2: kinds of comedy. And it's high tech. So if you 43 00:02:14,120 --> 00:02:17,160 Speaker 2: put in somebody's name in the computer when you walk in, 44 00:02:17,960 --> 00:02:21,160 Speaker 2: it will tell you everything they did, everything they worked with, 45 00:02:21,440 --> 00:02:25,400 Speaker 2: the films of Lucy and ethel on the on the 46 00:02:25,440 --> 00:02:29,760 Speaker 2: conveyor conveyor belt, you know, all times of these great 47 00:02:29,840 --> 00:02:35,440 Speaker 2: sort of They have Harper Marx's Celts, the Bottle, it's 48 00:02:35,520 --> 00:02:41,119 Speaker 2: got George Colin's notes, Carl Reiner. Uh he gave them 49 00:02:41,240 --> 00:02:45,359 Speaker 2: all of his uh, his papers. So it's quite it's 50 00:02:45,360 --> 00:02:50,120 Speaker 2: more like a high tech library, but with a lot 51 00:02:50,200 --> 00:02:53,680 Speaker 2: of visuals. And what's really fun, Oh, Mark, you all 52 00:02:53,760 --> 00:02:57,320 Speaker 2: love this. They have a bench that if you sit 53 00:02:57,440 --> 00:03:02,320 Speaker 2: on the bench, a fart sound comes back. Okay. And 54 00:03:04,120 --> 00:03:06,280 Speaker 2: so I was up there with Lorraine Newman. We were 55 00:03:06,320 --> 00:03:09,080 Speaker 2: doing something up there, and we were sitting on the 56 00:03:09,080 --> 00:03:12,240 Speaker 2: couch and there's ten different kinds of farts and I 57 00:03:12,280 --> 00:03:16,680 Speaker 2: was trying to figure out. I asked the director. I said, okay, 58 00:03:16,840 --> 00:03:20,960 Speaker 2: so you had this idea for a far couch. Fine, 59 00:03:21,320 --> 00:03:23,360 Speaker 2: was there more than one draft of it? Did a 60 00:03:23,400 --> 00:03:25,560 Speaker 2: couple of them come in and say, yes, those eight 61 00:03:25,600 --> 00:03:27,200 Speaker 2: of those are good, but you're got to work on 62 00:03:27,280 --> 00:03:31,919 Speaker 2: the other two. But it's that's not exactly the high 63 00:03:32,040 --> 00:03:34,840 Speaker 2: Row part of it. There is a room upstairs that 64 00:03:34,920 --> 00:03:39,120 Speaker 2: they call the Blue Room, where they have footage of 65 00:03:39,240 --> 00:03:43,760 Speaker 2: Lenny Bruce and Richard Pryor and people who were considered, 66 00:03:44,160 --> 00:03:48,160 Speaker 2: you know, off collar or revolutionary at the time. It's 67 00:03:48,200 --> 00:03:51,480 Speaker 2: really if you happen to be in Jamestown, like if 68 00:03:51,520 --> 00:03:54,600 Speaker 2: you lose a bet and you happen to be in Jamestown, 69 00:03:55,840 --> 00:03:58,760 Speaker 2: you should go there. It's a really great place and 70 00:03:58,800 --> 00:04:03,840 Speaker 2: I think it was just one museum of the year, 71 00:04:04,280 --> 00:04:07,360 Speaker 2: you know what I mean. So it's it's really quite terrific. 72 00:04:07,680 --> 00:04:10,120 Speaker 1: That sounds great except for the location. It sounds perfect. 73 00:04:10,160 --> 00:04:13,440 Speaker 2: But yeah, it's not around the corner, you know what 74 00:04:13,480 --> 00:04:16,360 Speaker 2: I mean. But it's it's if you find yourself and 75 00:04:16,480 --> 00:04:18,560 Speaker 2: Jamestown us stop in. 76 00:04:18,880 --> 00:04:22,520 Speaker 1: Yeah. Hey, everything is documentaries now, I guess because it's 77 00:04:22,560 --> 00:04:24,920 Speaker 1: it's cheaper to make a documentary than to do a series. 78 00:04:24,960 --> 00:04:28,160 Speaker 1: But that's the most popular thing on streaming is documentaries. 79 00:04:28,720 --> 00:04:32,200 Speaker 1: Everybody's raving about that mel Brooks documentary. So isn't that great? 80 00:04:32,240 --> 00:04:35,400 Speaker 2: Well, you've got Apa tow Is a good tal and 81 00:04:36,400 --> 00:04:41,800 Speaker 2: he sent me it both parts of it before he edited. 82 00:04:42,440 --> 00:04:46,479 Speaker 2: And these are great you know what they are there 83 00:04:46,560 --> 00:04:51,080 Speaker 2: time capsule things there when you look at Rob Ryan 84 00:04:51,160 --> 00:04:54,600 Speaker 2: as who you mentioned earlier, did a really good one 85 00:04:54,600 --> 00:04:59,159 Speaker 2: about Albert Brooks. You've got all of these documentaries that 86 00:04:59,560 --> 00:05:07,719 Speaker 2: based it shows a oh, an objective kind of tribute 87 00:05:08,200 --> 00:05:11,280 Speaker 2: to people. Yeah, it's subjective because you're doing a documentary 88 00:05:11,320 --> 00:05:14,400 Speaker 2: about them. There was one on Chevy, there was one. 89 00:05:14,600 --> 00:05:18,760 Speaker 2: You know, they're doing one on me. Because of all 90 00:05:18,800 --> 00:05:23,240 Speaker 2: the people I worked with, so they can get all 91 00:05:23,360 --> 00:05:26,760 Speaker 2: they got, all those people giving testimony. It's not me 92 00:05:26,880 --> 00:05:30,120 Speaker 2: that they're selling, but all these people endorsing me, and 93 00:05:30,160 --> 00:05:32,320 Speaker 2: they've been working on it for a couple of years now. 94 00:05:32,440 --> 00:05:35,240 Speaker 2: But I like them. I like them. As a matter 95 00:05:35,279 --> 00:05:39,400 Speaker 2: of fact, Judd at the House sent me a rough 96 00:05:39,520 --> 00:05:43,120 Speaker 2: hut of one that he did. It hasn't been released 97 00:05:43,200 --> 00:05:46,520 Speaker 2: yet on Norm McDonald and if you were a fan 98 00:05:46,600 --> 00:05:49,200 Speaker 2: of Norms, you'll eat up every second of this. It's 99 00:05:49,320 --> 00:05:51,640 Speaker 2: really good. So I like them. 100 00:05:51,839 --> 00:05:54,960 Speaker 1: Yeah, now that's great, Souff. As long as we're pluging documentaries, 101 00:05:54,960 --> 00:05:58,360 Speaker 1: there's a new Sinatra documentary. It's called Echoes of an Icon. 102 00:05:59,040 --> 00:06:02,680 Speaker 1: It was on Fox Nation. It's also on Amazon. It's great. 103 00:06:02,760 --> 00:06:06,360 Speaker 1: You should go look at that. What else, Hey, you're 104 00:06:06,400 --> 00:06:08,760 Speaker 1: working on the Rodney Dangerfield Broadway show. 105 00:06:09,680 --> 00:06:11,760 Speaker 2: Yeah, as a matter of fact, I put it aside 106 00:06:11,800 --> 00:06:16,680 Speaker 2: to be on the phone with you right now, and 107 00:06:15,839 --> 00:06:22,080 Speaker 2: I know that's okay. I needed to break mark. It's 108 00:06:22,240 --> 00:06:25,600 Speaker 2: really fun. I've been working on it a very long time. 109 00:06:25,680 --> 00:06:29,200 Speaker 2: It's not an easy thing to do. It's easy for 110 00:06:29,240 --> 00:06:31,680 Speaker 2: me to capture his voice. But what way do you 111 00:06:31,760 --> 00:06:34,080 Speaker 2: take it? How do you do it? We had a 112 00:06:34,160 --> 00:06:37,360 Speaker 2: reading of it all a few months ago. It went 113 00:06:37,600 --> 00:06:41,160 Speaker 2: very well, but then the producers wanted to go another 114 00:06:41,240 --> 00:06:44,400 Speaker 2: way with it, and I resisted at first. But now 115 00:06:44,440 --> 00:06:46,800 Speaker 2: that I'm writing it, I'm going, yeah, they were right. 116 00:06:46,880 --> 00:06:49,840 Speaker 2: It's more intimate. It's more intimate if I make it 117 00:06:49,880 --> 00:06:53,159 Speaker 2: more of a monologue, you know, where he tells jokes, 118 00:06:53,160 --> 00:06:56,679 Speaker 2: but he also tells about his life and it gets 119 00:06:56,760 --> 00:06:59,479 Speaker 2: very very touching at points. So I'm having a really 120 00:06:59,520 --> 00:07:02,040 Speaker 2: good time doing it. I can't wait for the next step. 121 00:07:02,640 --> 00:07:05,919 Speaker 1: Yeah, the off stage Rodney was quite different from the 122 00:07:06,000 --> 00:07:11,160 Speaker 1: on stage Rodney. And his private story is pretty complex 123 00:07:11,240 --> 00:07:12,680 Speaker 1: and interesting, sus So it's. 124 00:07:12,600 --> 00:07:15,760 Speaker 2: Very complex, you know. If you read his book, he 125 00:07:16,200 --> 00:07:19,840 Speaker 2: was very very open about a childhood where mom never 126 00:07:19,920 --> 00:07:23,880 Speaker 2: hugged him, Dad was never around. He was out there 127 00:07:23,920 --> 00:07:26,600 Speaker 2: as a little kid, you know, on the streets. And 128 00:07:27,800 --> 00:07:31,960 Speaker 2: when he ultimately created this character, I don't get no respect. 129 00:07:32,960 --> 00:07:36,400 Speaker 2: I think that there was for him. I think it 130 00:07:36,480 --> 00:07:39,720 Speaker 2: was cathartic. I think it tapped into a part of 131 00:07:39,840 --> 00:07:42,880 Speaker 2: him that was true, and it was part of his therapy, 132 00:07:43,480 --> 00:07:46,360 Speaker 2: and I think that that's why he resonated. He just 133 00:07:46,480 --> 00:07:49,239 Speaker 2: wasn't a guy telling jokes, which he had the best 134 00:07:49,320 --> 00:07:52,120 Speaker 2: jokes in the world. But I think that you believe 135 00:07:52,200 --> 00:07:57,000 Speaker 2: that there was a part of him that was believed it, 136 00:07:57,600 --> 00:07:59,800 Speaker 2: you know, and he's and actually he says, you know, 137 00:08:00,200 --> 00:08:02,760 Speaker 2: he says in his book that the reason that he 138 00:08:02,920 --> 00:08:06,760 Speaker 2: told those jokes one right after another and did them 139 00:08:06,800 --> 00:08:09,800 Speaker 2: so rapidly that he was afraid he was going to 140 00:08:09,880 --> 00:08:12,400 Speaker 2: lose the audience between jokes, that he didn't get to 141 00:08:12,480 --> 00:08:17,760 Speaker 2: the next punchline. So you're talking about an emotional deprivation there, 142 00:08:18,200 --> 00:08:20,000 Speaker 2: you know underneath. You know, I don't want to get 143 00:08:20,000 --> 00:08:22,960 Speaker 2: at the psychobabble about it, but he was a real 144 00:08:23,040 --> 00:08:25,080 Speaker 2: guy and he did have his demons. 145 00:08:25,320 --> 00:08:27,080 Speaker 1: Yeah, now is this show going to get into it 146 00:08:27,080 --> 00:08:29,080 Speaker 1: in real life? The drugs, the women. 147 00:08:30,080 --> 00:08:33,280 Speaker 2: Oh, the drugs, the women. Listen, you know. And I've 148 00:08:33,280 --> 00:08:35,480 Speaker 2: been asking people who knew him better than me. I 149 00:08:35,559 --> 00:08:39,480 Speaker 2: knew him pretty well. But you know, I've heard that 150 00:08:39,559 --> 00:08:44,120 Speaker 2: you remember a Catcherizing star of course, Yeah, okay, Catchurizing 151 00:08:44,160 --> 00:08:48,480 Speaker 2: Star was a showcase up and coming comedians. Rodney would 152 00:08:48,480 --> 00:08:51,440 Speaker 2: stop in there, you know, let's say ten o'clock at night, 153 00:08:51,679 --> 00:08:55,720 Speaker 2: wearing his pajamas. He walked from his apartment through the 154 00:08:55,760 --> 00:08:59,840 Speaker 2: streets and his pajamas, so that I have no explanation 155 00:09:00,040 --> 00:09:02,120 Speaker 2: for no one's to tell me why. 156 00:09:02,320 --> 00:09:04,240 Speaker 1: You know, he actually lived like a block from Catch 157 00:09:04,360 --> 00:09:05,000 Speaker 1: a rising star. 158 00:09:05,880 --> 00:09:09,199 Speaker 2: Yeah, and yes, he did live very very close to Catch, 159 00:09:09,720 --> 00:09:13,640 Speaker 2: and he from everything that I've learned, he opened up 160 00:09:13,760 --> 00:09:17,640 Speaker 2: Danger Fields because he wanted to be near the kids. Yeah, okay, 161 00:09:17,679 --> 00:09:20,480 Speaker 2: he lived it was like a few blocks away, so 162 00:09:20,520 --> 00:09:23,199 Speaker 2: he didn't want to be on the road as much. 163 00:09:23,880 --> 00:09:25,920 Speaker 2: You know, he wanted to sleep home at night and 164 00:09:26,200 --> 00:09:29,560 Speaker 2: be a father. So you know, there were really good 165 00:09:29,559 --> 00:09:30,400 Speaker 2: intentions there. 166 00:09:30,600 --> 00:09:33,880 Speaker 1: And his partner Dangerfields, Tony Babaka, who's the guy that 167 00:09:33,960 --> 00:09:35,920 Speaker 1: really ran the club. He's still alive and well he's 168 00:09:35,920 --> 00:09:37,840 Speaker 1: living in Long Island and. 169 00:09:38,000 --> 00:09:41,400 Speaker 2: Yeah, that's my understanding as well, that's my you know, 170 00:09:41,520 --> 00:09:45,880 Speaker 2: it was the hangout, you know, they're on occasion and 171 00:09:46,160 --> 00:09:48,280 Speaker 2: uh and it was a thrill to meet him and 172 00:09:48,320 --> 00:09:52,200 Speaker 2: you go downstairs to his dressing room and you couldn't 173 00:09:52,200 --> 00:09:54,840 Speaker 2: believe you were talking to this guy, you know, in 174 00:09:54,880 --> 00:09:56,640 Speaker 2: a bathroomly genuine. 175 00:09:56,440 --> 00:10:01,000 Speaker 1: In his bathroom, Yeah exactly. 176 00:10:01,240 --> 00:10:03,640 Speaker 2: But then he would take off the bathrobe and walk 177 00:10:03,679 --> 00:10:05,200 Speaker 2: the caturizing stone at John. 178 00:10:06,320 --> 00:10:08,800 Speaker 1: Well, you were lucky because with me, the bathrobe was 179 00:10:08,800 --> 00:10:11,520 Speaker 1: there were no pajamas, just the bathroom, so you got luck. 180 00:10:11,520 --> 00:10:13,240 Speaker 2: Oh my god, frightening. 181 00:10:13,559 --> 00:10:18,880 Speaker 1: Anyway, everybody follow Alan's Wybell on Twitter and make sure 182 00:10:18,920 --> 00:10:20,920 Speaker 1: he follow his Instagram. It's very good. And get his 183 00:10:21,000 --> 00:10:23,600 Speaker 1: book is a life story and it's a funny, wonderful 184 00:10:23,679 --> 00:10:27,160 Speaker 1: book of stories. It's called Laughlines by Alan's Wibell. Just 185 00:10:27,200 --> 00:10:30,720 Speaker 1: go to Amazon and get his book, laugh Lines, Alan's Wybelle, 186 00:10:30,800 --> 00:10:31,600 Speaker 1: Thanks for being with. 187 00:10:31,600 --> 00:10:34,720 Speaker 2: Us, Thanks for having me. Mark said here, all right. 188 00:10:34,640 --> 00:10:38,440 Speaker 1: Take care. Hey, don't forget Buck and Clay Noon Today. 189 00:10:38,480 --> 00:10:41,280 Speaker 1: I love that show. And then at three o'clock Sean 190 00:10:41,320 --> 00:10:44,120 Speaker 1: Hannity most listened to radio show in America and don't 191 00:10:44,120 --> 00:10:47,040 Speaker 1: forget Jimmy Fayla tonight at nine on seven to ten 192 00:10:47,320 --> 00:10:48,160 Speaker 1: WR