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Speaker 1: So we all are very excited. So Or made the

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Speaker 1: announcement that he's going to be having a bite, very

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Speaker 1: excited about that. Has there been a talk of like

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Speaker 1: are we going to do one and done or we

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Speaker 1: may you know.

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Speaker 2: Obviously we want to get through this and we want

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Speaker 2: to get through this first to make sure everything's okay.

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Speaker 2: But the plan is two Oh really, plan is two

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Speaker 2: kids because I've seen what happens with solo single kids.

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Speaker 1: They don't what a great example to go.

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Speaker 2: Okay, I'm seeing I don't think i've seen what happen.

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Speaker 1: You're an only child, only child, there's some wild things

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Speaker 1: that can happen.

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Speaker 2: Yeah, I've seen. I've just seen fifteen year old and

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Speaker 2: you know baby Bjorn's.

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Speaker 3: No you have you just say that.

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Speaker 2: I just and me and my sorry guy, Me and

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Speaker 2: my wife both come from we both have She has

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Speaker 2: four just three brothers.

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Speaker 1: And I have a sister.

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Speaker 3: Does gender matter? Like if say you had two girls,

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Speaker 3: would you go for a third or two boys would

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Speaker 3: you go for a third.

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Speaker 2: So obviously we don't know yet. But if we have

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Speaker 2: a girl, then I want to have another baby to

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Speaker 2: have a If it's a girl again, then that's gonna

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Speaker 2: be a risky decision. But hopefully the dream is boy girl.

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Speaker 2: That's the dream. Because we have our boy and then

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Speaker 2: he protects our girl's dream. That's the dream.

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Speaker 1: That's what happened with us. We got very lucky that

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Speaker 1: you know, we started off and we had a girl

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Speaker 1: first and I was like, all right, we're gonna give

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Speaker 1: it one more shot, and then got the boy and

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Speaker 1: so we got very lucky. And having two kids. When

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Speaker 1: you have multiple kids, then you know, having one kid,

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Speaker 1: you're going to have all kinds of sets of you know,

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Speaker 1: things that happened and problems and issues and all that stuff.

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Speaker 1: And then we have too honestly to get double it,

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Speaker 1: but then you kind of triple it because it's like

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Speaker 1: it becomes even more. So it's a lot.

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Speaker 2: My uncle had three girls hoping to have a and

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Speaker 2: then his daughter just had a girl, so he just

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Speaker 2: can't runs.

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Speaker 1: The family great goods. So yeah, so when you have

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Speaker 1: multiple kids, then you have multiple things going on, and

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Speaker 1: especially if they're sort of somewhat close inning. So my

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Speaker 1: kids are three years apart, and so we got stuff

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Speaker 1: going on all the time, and a lot of times, uh,

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Speaker 1: you know, we have to divide and conquer yeah, and

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Speaker 1: this is the way it goes. All right, you go

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Speaker 1: pick up our daughter and I'll deal with my son

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Speaker 1: and whatever happens happens and figure it out. And like

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Speaker 1: people that have like five kids, it's it's impressive to

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Speaker 1: be honest with you, do you know you have to

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Speaker 1: try and figure out all right, prioritize I'll go to

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Speaker 1: you know, two you know innings of your baseball game,

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Speaker 1: and then I'm going to the second half of the

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Speaker 1: soccer game, and then I'll do that. It's wild.

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Speaker 2: I can't I know people that can handle one.

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Speaker 4: You're right. Tried Aubrey as three boys and they're all

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Speaker 4: like a year apart, and they all play sports, and

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Speaker 4: some of them play multiple sports and like during the

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Speaker 4: same season, and I like, my head explodes watching it.

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Speaker 2: How do you do that?

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Speaker 1: You're like that with one? I get stressed up for one.

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Speaker 1: It's crazy. And so, you know, it hasn't really been

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Speaker 1: that big of an issue. We figure it out. It's

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Speaker 1: not that big of a deal. It is what it is.

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Speaker 1: But I do have a kind of tricky situation that

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Speaker 1: has popped up, and it is all based around what's

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Speaker 1: going on on Friday. So on Friday, I was alerted

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Speaker 1: that my daughter Taylor has a dance showcase. He's in

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Speaker 1: dance in school and has been, you know, for a while,

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Speaker 1: and so this is I guess their end of the

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Speaker 1: program dance showcase. I don't know. And so she's in

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Speaker 1: quite a few dances. So when she started, she was

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Speaker 1: in like one or two, and now she's in like nine.

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Speaker 1: Thank god, because if you've sitten, I've had to sit

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Speaker 1: through the dance showcases. And if your kid's in one

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Speaker 1: dance and then you gotta watch thirty other dances, it's

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Speaker 1: pretty brutal. It's just tough. Good though you know, it's

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Speaker 1: high school, so they're good. But I'm like, I don't

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Speaker 1: care if it's.

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Speaker 2: Not my kid, I don't care, Like I have no problem.

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Speaker 1: Now that she's in like nine out of the thirty,

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Speaker 1: I'm like, okay, I can make it through this now,

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Speaker 1: you know whatever, not bad? But what is it? What

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Speaker 1: day of the week? So it's Friday? Now that's another

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Speaker 1: big bonus. No, that's because Friday still because if it

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Speaker 1: was on like it's been on like a Tuesday before,

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Speaker 1: well ends it.

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Speaker 2: Like god, thirty, All right, that's better. You're right, you're

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Speaker 2: so Friday. I'm like, I'll taday.

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Speaker 1: I don't got to wake up earlier next day, the

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Speaker 1: nine thirty on Tuesdays, you're gonna have to be doing

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Speaker 1: that stuff because you've got a girl. Look out, what

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Speaker 1: if she's a theater kid.

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Speaker 2: God, even worse if she's like sat he's a yeah,

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Speaker 2: oh god, or there are set kids that even in it,

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Speaker 2: and I go, why would you go?

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Speaker 5: Though?

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Speaker 2: Like, yeah, why would I go?

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Speaker 3: You want to see that?

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Speaker 2: Yeah, but I don't go once though, you'd be psychotic.

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Speaker 3: To well, because the final show is when they get

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Speaker 3: to I have.

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Speaker 1: More more than one kid, more than Okay, so I've

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Speaker 1: I've alerted that I, you know, have to stand thrill

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Speaker 1: thrill look at them thrill thrilled. Absolutely absolutely one problem though,

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Speaker 1: you know, I'm little coaching and our Tournament of Champions,

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Speaker 1: which is the playoffs begin on Saturday. So on my schedule,

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Speaker 1: you know, my wife tells me all of the Taylor's

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Speaker 1: dance showcases on Friday. Okay, look at my baseball schedule

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Speaker 1: and realize I have scheduled a pretty cool batting practice

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Speaker 1: that I've put on there for a while now. My

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Speaker 1: team earned a gift card to the cages at a

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Speaker 1: pretty high end batting cage place. It's the day before

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Speaker 1: the playoffs begin, and so that's why I scheduled it there.

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Speaker 2: So well, you're like, I mean, I don't know what

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Speaker 2: the issue is, your coach, you have obligation, what excuse

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Speaker 2: me up for something? You sign up for something, you

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Speaker 2: got to do that. I said, oh, you got that

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Speaker 2: batting case. You always look, you got all these kids

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Speaker 2: relying on the coach.

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Speaker 1: Manager.

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Speaker 3: Please don't pay attention to the child of your own

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Speaker 3: relying on you.

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Speaker 2: But when you do, when you have an obligation, you

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Speaker 2: sign up for something, having a child I have to sky? Yeah,

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Speaker 2: is too what my other child I am going to

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Speaker 2: be with at the batting case?

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Speaker 3: So this would be a different discussion if this was

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Speaker 3: your other child's actual final game, right, But it's a

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Speaker 3: batting case the tournament.

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Speaker 2: That's extra. It's not fun. It is funny.

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Speaker 1: You don't know what you're talking about. One you got

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Speaker 1: to lock this team in before our tournament run. Okay,

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Speaker 1: you don't understand. I have obligations.

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Speaker 3: Understand, I understand there's one that you would probably find

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Speaker 3: a lot more fun.

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Speaker 1: No, no, no, it's not a fun I'm the coach.

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Speaker 1: I'm the coach.

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Speaker 3: You don't understand that I know, but this is something

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Speaker 3: fundsy extra that you play.

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Speaker 1: I stop saying that. Please stop saying that it's not

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Speaker 1: funsie extra because it's different.

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Speaker 4: Yes, because I think I know where you're going and

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Speaker 4: it's a pretty.

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Speaker 3: And it's not a regularly scheduled practice. It was an

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Speaker 3: extra funzie incorrect.

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Speaker 1: It was a practice time, my practice time that I

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Speaker 1: changed to be this batting practice because we had earned

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Speaker 1: this thing, and I knew it was right before the tournament.

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Speaker 1: So it's not extra.

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Speaker 3: Do you have assistant coaches?

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Speaker 1: Yes?

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Speaker 3: Too, done and done?

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Speaker 1: What's done?

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Speaker 2: And done?

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Speaker 1: What's done?

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Speaker 3: And it's a practice. Your daughter is in her final performance.

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Speaker 2: I have a question.

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Speaker 1: Well, like.

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Speaker 2: She's acting like this is it, but Jackson.

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Speaker 1: To you know what I mean?

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Speaker 2: I mean, she's gonna dance next year.

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Speaker 1: She's only a sophone.

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Speaker 3: She's not dancing next year.

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Speaker 5: Kid?

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Speaker 1: Can stop? Can you even listen to my words? I

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Speaker 1: haven't even got to say anything yet. I mean I

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Speaker 1: didn't say what I'm doing. I haven't said work she'll

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Speaker 1: never do. Once again, well, I just got very.

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Speaker 3: Triggered with when Door said that this is like a

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Speaker 3: no brainer. It's very clear.

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Speaker 2: The manager if he was, if he was an assistant coach,

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Speaker 2: then then yeah, obviously, but you have the obligation I understand.

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Speaker 4: I have a question. How much are you coaching them

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Speaker 4: up at the cages or do they just go in

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Speaker 4: and they have their time in the cage and then

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Speaker 4: they get out.

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Speaker 2: You're coaching obviously, Okay, yeah, so I've ended the cages.

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Speaker 1: One where it's going to be the machine, one where

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Speaker 1: it's going to be pitch me pitching. Oh so or

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Speaker 1: one of my assistants, Eddie, what are your.

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Speaker 2: Four things in baseball out? I just want to know

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Speaker 2: what that my managing principles, YEA principles coaching principles.

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Speaker 1: Well, number one begins and ends with attitude.

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Speaker 2: Attitude.

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Speaker 1: I mean, I'm dealing with some bad guys, guys.

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Speaker 3: Got and who are we applying these two are?

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Speaker 1: I just have a question.

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Speaker 2: I just have a question about the dance question.

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Speaker 3: It is very important.

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Speaker 2: I just have a very important effort.

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Speaker 1: You have to bring no matter what, so the final

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Speaker 1: performance focus focus, It'll always be focused and you got

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Speaker 1: to bring that energy.

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Speaker 2: Now, I don't know about this fifth one that I

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Speaker 2: just thought of of not showing up when you have

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Speaker 2: an obligation till.

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Speaker 3: Your child you're talking about again, you're missing, but you're

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Speaker 3: also missing the point between a final end of the

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Speaker 3: year performance versus.

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Speaker 2: This is the batting cages, but this is the playoffs.

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Speaker 3: It's not a game.

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Speaker 1: Why is batting cages not matter?

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Speaker 3: Because it's not. It's not the final thing. If the

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Speaker 3: game if whatever t oc what if that game was

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Speaker 3: at the same time, Now we have an actual discussion,

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Speaker 3: like conflict, like an actual conflict the batting cages, where

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Speaker 3: your assistant coaches can.

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Speaker 1: I'm sure you.

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Speaker 3: This is say no brain.

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Speaker 1: Sorry said it was a no brainer and you got triggered. Yeah,

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Speaker 1: so where's the no brainer? I'm sure.

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Speaker 2: Listen when you sign this is a great teaching moment.

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Speaker 2: You tell your daughter, listen, I love you. Mom's gonna

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Speaker 2: videotape it. And but you sign up. I signed up,

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Speaker 2: I signed up. I have an obligation. This is gonna

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Speaker 2: tell you in life, you can't always get things. You

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Speaker 2: sign up for an obligation you need to do.

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Speaker 3: He's with Jack because all of.

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Speaker 2: His signed to be a dance coach. If Eddie signed

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Speaker 2: up to be okay, so next year, Eddie was to

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Speaker 2: be a dance manager to the same thing.

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Speaker 1: My daughter is also in golf, and there you go.

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Speaker 1: Golfing is a trickier one because I can't really get

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Speaker 1: that involved other than taking her out every once in

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Speaker 1: a while, because it's not like a spectator sport. And

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Speaker 1: so I if I could, I would go to every

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Speaker 1: one of her golf matches, but it's not. You can't

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Speaker 1: follow them around the course. It's actually not allowed.

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Speaker 3: So you be there when you can, and this is

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Speaker 3: an opportunity to be there for her.

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Speaker 1: But see the thing that that I don't think you

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Speaker 1: understand because you only have one child, as I have to,

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Speaker 1: you have to, and so for two. You know, sometimes

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Speaker 1: you make it so hard, Oh Sophie, sometimes you just

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Speaker 1: got to go. I got to pick one or the other.

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Speaker 3: But here's the thing, you don't have to do that.

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Speaker 1: Well, luckily your world, But in me and Thor's world,

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Speaker 1: war over here saying.

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Speaker 2: Well luckily the other way, Well, luckily you have two parents,

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Speaker 2: so one parent could go to one thing and the

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Speaker 2: other parents go to the obligation, not the manager.

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Speaker 1: You've heard both sides of this argument. You're you're a

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Speaker 1: great baseball mom.

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Speaker 2: I've heard she's a great baseball a couple of years.

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Speaker 1: Look at that. What should I do here? Because because

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Speaker 1: by the way, my wife it isn't as insane as

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Speaker 1: sky Sky is acting.

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Speaker 2: Like she's going to kill you if you don't go

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Speaker 2: to your daughter's He might last dance recycles.

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Speaker 1: But she's not happy about it. I haven't said one

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Speaker 1: way or the other yet.

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Speaker 3: See, my dad would go to my soccer games, but

258
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Speaker 3: not really my dancee not my dance. And he showed

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Speaker 3: up to one of my final dance recitals and it's

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Speaker 3: one of my best memories.

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Speaker 1: I have been to every one of them, every one

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Speaker 1: of my daughters.

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Speaker 3: This is this is the end of the year.

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Speaker 2: Here we go.

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Speaker 3: Let's go final one here, every one, final one?

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Speaker 4: Will your daughter? My son read if one of us

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Speaker 4: isn't there. He's the kind of kid that doesn't get

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Speaker 4: like so upset about it. It's he obviously, Can.

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Speaker 1: You shut up? I think.

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Speaker 2: He probably.

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Speaker 1: Bring me.

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Speaker 6: Voice?

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Speaker 4: Can you shut up?

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Speaker 2: Is your daughter going to be if you aren't there?

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Speaker 1: She at me on the mom shut up?

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Speaker 4: Is your da going to be like super distraught if

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Speaker 4: you're not there? Do you think she wants you there?

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Speaker 1: She would want me there, right, yeah, and I would

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Speaker 1: love to be there.

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Speaker 3: And have there been.

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Speaker 2: Obligations?

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Speaker 3: Have there been any comments in the house about because clearly,

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Speaker 3: because of the fact that you're a manager, you're present

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Speaker 3: a lot more with Jack multiple times a week than

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Speaker 3: at Taylor's activities. Has she ever brought up that that

286
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Speaker 3: bums her out or anything? Okay, well, let's let's be

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Speaker 3: good before she brings that up.

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Speaker 1: What do you mean, because.

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Speaker 3: Let's get mine happens.

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Speaker 1: I'll figure something out. I'll figure something out.

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Speaker 6: We know.

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Speaker 1: Okay, what do you do?

293
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Speaker 3: Both cages?

294
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Speaker 4: Then race there, catch, middle of the catch, the tail end.

295
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Speaker 1: All of her dances are sort of in the beginning.

296
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Speaker 2: Are the cages from the school for drive right, Yeah,

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Speaker 2: you'll never You'll never make I'm gonna.

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Speaker 1: I'll figure something. So Scott and her husband Zaboo, I

299
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Speaker 1: guess just recently got into a big disagreement all over

300
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Speaker 1: a present that he thinks he got you. I'm so

301
00:14:11,559 --> 00:14:14,280
Speaker 1: confused by this. What could possibly be this issue?

302
00:14:14,400 --> 00:14:17,240
Speaker 3: I was very confused too. And this is like one

303
00:14:17,280 --> 00:14:21,400
Speaker 3: of those stupid things that it's stupid, it means nothing,

304
00:14:21,960 --> 00:14:26,520
Speaker 3: but once you dig in, it's like battle to the death. Oh,

305
00:14:26,560 --> 00:14:29,640
Speaker 3: like it turned so fast and I got so hot

306
00:14:29,840 --> 00:14:35,000
Speaker 3: so quick. It was crazy. So fight, no, no, And

307
00:14:35,040 --> 00:14:37,960
Speaker 3: this wasn't a fight, but it was like a one

308
00:14:38,120 --> 00:14:42,080
Speaker 3: up of who's gonna win, and whoever wins is like

309
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Speaker 3: clearly the king or queen of this house. Oh god,

310
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Speaker 3: you know what I mean, Like this is that important.

311
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Speaker 3: So it all started with Thor's story, which I believe

312
00:14:52,320 --> 00:14:56,720
Speaker 3: was last week, talking about how his wife liked my

313
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Speaker 3: dress and how she then went out and bought it.

314
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Speaker 3: And then it made Thor weird because it reminded him

315
00:15:02,400 --> 00:15:06,520
Speaker 3: of me. Yeah, it was, you know, like backhanded compliment,

316
00:15:08,760 --> 00:15:12,920
Speaker 3: maybe just backhanded. So we talked about that, right, and

317
00:15:13,840 --> 00:15:17,400
Speaker 3: the picture of the dress, you know, was online, and

318
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Speaker 3: I had mentioned where I got the dress when Thor

319
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Speaker 3: was telling the story, because since his wife went to

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Speaker 3: buy it, and I had mentioned that I got the

321
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Speaker 3: dress from rent the runway and it was one of

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Speaker 3: those things where you rent and then they give you

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Speaker 3: the option to buy, and I did. And so I

324
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Speaker 3: got home that day and I'm in bed and I'm

325
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Speaker 3: getting ready for my nap. And as we've chronicled on

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Speaker 3: the show, my husband's a stay at home father. He

327
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Speaker 3: doesn't go out much, so When I get home from work,

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Speaker 3: he basically follows me around and God talks talks about

329
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Speaker 3: whatever's on his mind that he hasn't got to share

330
00:15:52,240 --> 00:15:55,360
Speaker 3: with the world yet today that day, and so as

331
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Speaker 3: I'm like literally in bed pulling the covers, He's still

332
00:15:59,720 --> 00:16:04,680
Speaker 3: talking to me about stuff, right, and he says, Hey,

333
00:16:04,800 --> 00:16:08,920
Speaker 3: I'm just wondering why today on the radio did you

334
00:16:09,000 --> 00:16:12,160
Speaker 3: say you got that dress from Rent the Runway. Are

335
00:16:12,200 --> 00:16:15,000
Speaker 3: you like trying to do commercials for them or something?

336
00:16:15,040 --> 00:16:18,440
Speaker 3: Why why did you say that? And I go, well,

337
00:16:18,680 --> 00:16:21,720
Speaker 3: because I did get the dress from Rent the Runway,

338
00:16:21,760 --> 00:16:24,840
Speaker 3: That's why I said that. And he goes, oh, well,

339
00:16:25,240 --> 00:16:28,200
Speaker 3: that's not true. I said, what do you mean that's

340
00:16:28,240 --> 00:16:31,840
Speaker 3: not true? And he's like, I bought you that dress

341
00:16:32,520 --> 00:16:33,200
Speaker 3: as a gift.

342
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Speaker 1: Oh in Hawaii.

343
00:16:35,160 --> 00:16:38,320
Speaker 2: Oh oh, scot he finally does something for you come

344
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Speaker 2: on and my.

345
00:16:39,440 --> 00:16:43,640
Speaker 3: Heart like drops like and I go, oh, my God,

346
00:16:43,760 --> 00:16:46,240
Speaker 3: like what you know, because I mean I've smoked one

347
00:16:46,360 --> 00:16:51,960
Speaker 3: or two you know, joint and so I'm like thinking,

348
00:16:52,000 --> 00:16:54,400
Speaker 3: oh God, did I like mess that up that bad huh?

349
00:16:54,800 --> 00:16:59,280
Speaker 3: And then immediately I go no, no, sir, no. In

350
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Speaker 3: my head, I'm like, no, I did get that from

351
00:17:01,200 --> 00:17:04,080
Speaker 3: Rent the runway. I know a million percent I got

352
00:17:04,119 --> 00:17:08,040
Speaker 3: that from rent the Runway. So I then tell him no, babe,

353
00:17:08,160 --> 00:17:10,200
Speaker 3: I did, and he goes no, and I go, yeah,

354
00:17:10,240 --> 00:17:12,479
Speaker 3: that was a gala dress and he goes no. And

355
00:17:12,520 --> 00:17:15,240
Speaker 3: then I start like talking showing and pictures. She goes, no,

356
00:17:15,400 --> 00:17:19,199
Speaker 3: that's the dress I bought you in Hawaii, and so

357
00:17:19,440 --> 00:17:22,080
Speaker 3: I'm now so hot at this point.

358
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Speaker 2: This is tough because you have two people that can

359
00:17:23,760 --> 00:17:27,800
Speaker 2: never be wrong, and we'll both do They'll both go huh,

360
00:17:27,840 --> 00:17:30,399
Speaker 2: and then they'll both go about their way to research

361
00:17:30,440 --> 00:17:31,159
Speaker 2: how they're right. Y.

362
00:17:31,400 --> 00:17:33,920
Speaker 3: Yeah, challenge to challenge, you to challenge each other.

363
00:17:33,960 --> 00:17:35,960
Speaker 2: So this is this is crazy street fight.

364
00:17:36,240 --> 00:17:39,080
Speaker 3: Yeah, but I go no, I go that is not

365
00:17:39,200 --> 00:17:41,320
Speaker 3: the dress. And I go, I go, do you want

366
00:17:41,359 --> 00:17:43,240
Speaker 3: me to show you the dress you bought me? And

367
00:17:43,280 --> 00:17:45,360
Speaker 3: he goes, well, no, it's the dress that you were

368
00:17:45,400 --> 00:17:47,879
Speaker 3: talking about. And I go, no, I will show you,

369
00:17:47,920 --> 00:17:51,640
Speaker 3: and I'm I'm fully in bed, covers up and this

370
00:17:51,720 --> 00:17:56,440
Speaker 3: is when I jump out of bed. Oh it's on

371
00:17:55,720 --> 00:18:00,159
Speaker 3: It's okay, And so I jump out of bed, go

372
00:18:00,280 --> 00:18:02,920
Speaker 3: into the closet, dig dig dig dig dig the dress

373
00:18:02,960 --> 00:18:05,160
Speaker 3: he bought me to the back. Haven't been to It's

374
00:18:05,200 --> 00:18:07,159
Speaker 3: like a dress I only wear in Hawaii, you know,

375
00:18:07,320 --> 00:18:10,840
Speaker 3: or like if I'm going to a lu hour or something. Well, no, no,

376
00:18:10,920 --> 00:18:14,440
Speaker 3: it's cute, but it's very it's it's very tropical.

377
00:18:14,520 --> 00:18:14,919
Speaker 1: I don't know.

378
00:18:15,119 --> 00:18:17,320
Speaker 3: So dig dig dig dig dig. I'm finding it back there.

379
00:18:17,640 --> 00:18:21,280
Speaker 3: I pull it out and then I'm holding up the

380
00:18:21,320 --> 00:18:24,680
Speaker 3: two dresses and I then, you know, kind of snotty

381
00:18:24,720 --> 00:18:28,680
Speaker 3: and a little bitchy. This is Rent the Runway. This

382
00:18:28,840 --> 00:18:32,200
Speaker 3: is the dress you bought me. Oh so, And then

383
00:18:32,240 --> 00:18:37,240
Speaker 3: he looks at me and he goes, they're almost identical. Oh,

384
00:18:37,280 --> 00:18:40,320
Speaker 3: he goes, He goes, he goes, you're technically right, he goes.

385
00:18:40,440 --> 00:18:44,280
Speaker 3: But I get why I did that, because those dresses

386
00:18:44,480 --> 00:18:46,720
Speaker 3: are basically identical, like the same.

387
00:18:47,119 --> 00:18:48,800
Speaker 1: Why would you get the Rent the Runway one if

388
00:18:48,840 --> 00:18:49,640
Speaker 1: you already had the other one?

389
00:18:49,880 --> 00:18:51,639
Speaker 3: And that's when I look at the two dresses and

390
00:18:51,680 --> 00:18:54,439
Speaker 3: I go, these two dresses are nothing alike. Oh what

391
00:18:54,600 --> 00:18:57,240
Speaker 3: is this man talking about? And then a new fight

392
00:18:57,400 --> 00:19:01,160
Speaker 3: kicks in of are these dresses the same?

393
00:19:01,280 --> 00:19:04,080
Speaker 1: And he basically have one of those? Is it gold?

394
00:19:04,320 --> 00:19:05,000
Speaker 1: Is it white?

395
00:19:05,200 --> 00:19:06,760
Speaker 3: Yes? What color do you see?

396
00:19:06,880 --> 00:19:07,720
Speaker 1: What color do you see?

397
00:19:07,920 --> 00:19:13,080
Speaker 3: And he is digging in that my shoulders are exposed

398
00:19:13,080 --> 00:19:17,600
Speaker 3: in both. They both have a dark background, they both

399
00:19:17,640 --> 00:19:22,000
Speaker 3: have a floral print on top of the dark background.

400
00:19:22,400 --> 00:19:27,919
Speaker 3: So to him, those are identical dresses, and anyone would

401
00:19:28,000 --> 00:19:32,119
Speaker 3: make the same mistake and confuse the two for the

402
00:19:32,160 --> 00:19:32,960
Speaker 3: exact same dress.

403
00:19:33,119 --> 00:19:38,280
Speaker 1: The picture of the two dresses evidence is this is

404
00:19:38,320 --> 00:19:41,280
Speaker 1: getting crazy. By the way, oh yeah, is on our

405
00:19:41,440 --> 00:19:45,200
Speaker 1: Instagram and you can go vote and see if they

406
00:19:45,240 --> 00:19:49,720
Speaker 1: are basically the same dress. We all have eyes in here, though,

407
00:19:50,000 --> 00:19:52,440
Speaker 1: and are looking at these dresses.

408
00:19:52,080 --> 00:19:53,680
Speaker 3: Because I thought, for a second, is this a guy

409
00:19:53,720 --> 00:19:54,200
Speaker 3: girl thing?

410
00:19:54,640 --> 00:19:57,240
Speaker 1: I mean, sky, oh, I don't know, I have eyes.

411
00:19:57,560 --> 00:19:58,800
Speaker 3: He's digging well.

412
00:19:59,040 --> 00:20:03,280
Speaker 1: I think there were more in an embarrassment situation, where like,

413
00:20:03,560 --> 00:20:06,119
Speaker 1: how did I not know that's not the dress?

414
00:20:06,200 --> 00:20:08,439
Speaker 3: Honestly, I didn't get that vibe from him, because he

415
00:20:08,480 --> 00:20:10,760
Speaker 3: would do that with a laugh. This was him one

416
00:20:10,840 --> 00:20:11,919
Speaker 3: hundred percent serious.

417
00:20:12,040 --> 00:20:13,800
Speaker 1: These dresses look nothing alike.

418
00:20:14,040 --> 00:20:14,399
Speaker 3: Thank you.

419
00:20:14,800 --> 00:20:18,000
Speaker 2: As somebody who doesn't know fashion though, and doesn't I

420
00:20:18,480 --> 00:20:20,560
Speaker 2: look at this with a quick glance. If I'm not

421
00:20:20,600 --> 00:20:25,280
Speaker 2: really paying attention, if I'm not, can I finish? Can

422
00:20:25,320 --> 00:20:27,520
Speaker 2: I finish? If I'm not really paying attention?

423
00:20:27,560 --> 00:20:29,120
Speaker 1: What do you often do? Thank you?

424
00:20:29,480 --> 00:20:31,360
Speaker 2: And I bought this women least one. Did he buy

425
00:20:31,400 --> 00:20:32,840
Speaker 2: this dress for you, this lovely dress.

426
00:20:33,040 --> 00:20:35,360
Speaker 3: I believe it was when we went to Alanie right

427
00:20:35,480 --> 00:20:37,840
Speaker 3: out nineteen.

428
00:20:38,320 --> 00:20:42,320
Speaker 2: Six years Yes, I could see because because the floral thing,

429
00:20:42,600 --> 00:20:45,280
Speaker 2: I could see him thinking, Oh, that's the dress I

430
00:20:45,280 --> 00:20:47,760
Speaker 2: bought you. But then once you showed me it would click.

431
00:20:47,560 --> 00:20:49,000
Speaker 1: In my mind. I'd be like, oh, I don't know.

432
00:20:48,960 --> 00:20:50,840
Speaker 2: If I would dig in like he has, but I

433
00:20:50,880 --> 00:20:54,240
Speaker 2: could see myself making the same mistake. They are different,

434
00:20:54,840 --> 00:20:58,120
Speaker 2: but but there's but the fact that they're both floral

435
00:20:58,320 --> 00:20:58,840
Speaker 2: makes it.

436
00:20:58,840 --> 00:21:03,679
Speaker 1: Kind of similar. The whole wine dress is green. I

437
00:21:03,720 --> 00:21:07,200
Speaker 1: mean it's it's got the black background. The flowers are

438
00:21:07,400 --> 00:21:11,720
Speaker 1: bright green and white, and I mean it's it's, you know,

439
00:21:12,280 --> 00:21:17,359
Speaker 1: pretty distinct. Is very distinct. Yes, and does the is

440
00:21:17,400 --> 00:21:19,639
Speaker 1: the neck thing? Is it the dress?

441
00:21:19,760 --> 00:21:21,680
Speaker 3: Yeah? And that's the thing I think is the most

442
00:21:21,760 --> 00:21:24,400
Speaker 3: wild to confuse the chicken. Wooden beads.

443
00:21:24,400 --> 00:21:28,360
Speaker 6: The neck is wooden beads that goes up the hair,

444
00:21:29,480 --> 00:21:32,520
Speaker 6: thick wooden beads that go around the neck, whereas the

445
00:21:32,560 --> 00:21:35,679
Speaker 6: other dress is just completely off the shoulder and doesn't

446
00:21:35,680 --> 00:21:36,800
Speaker 6: go up around the neck at all.

447
00:21:36,840 --> 00:21:39,120
Speaker 4: The other dress has sleeves.

448
00:21:38,720 --> 00:21:40,400
Speaker 3: That is another point.

449
00:21:39,920 --> 00:21:44,760
Speaker 2: Big bell sleeves, got them. There's sleeves on one.

450
00:21:44,640 --> 00:21:48,000
Speaker 3: Sleeves one my arm completely exposed, no sleeves at all.

451
00:21:48,240 --> 00:21:53,080
Speaker 1: The other dress has white and kind of orange flowers. Flowers,

452
00:21:53,880 --> 00:21:55,040
Speaker 1: both flowers.

453
00:21:55,240 --> 00:21:58,680
Speaker 2: That's the only thing really you got as a guy

454
00:21:58,840 --> 00:22:00,560
Speaker 2: that they're just can't see you make this mistake.

455
00:22:00,920 --> 00:22:03,240
Speaker 1: Really okay. But then when you hold up the two

456
00:22:03,320 --> 00:22:06,200
Speaker 1: dresses side by side, they don't look anything. You go

457
00:22:06,840 --> 00:22:11,280
Speaker 1: all right, like I thought, but he's saying they're basically

458
00:22:11,320 --> 00:22:11,800
Speaker 1: the same.

459
00:22:12,320 --> 00:22:14,680
Speaker 2: My thing was if you hold what you just side,

460
00:22:14,680 --> 00:22:16,600
Speaker 2: I'm like, oh my bad. But why don't you wear

461
00:22:16,600 --> 00:22:20,320
Speaker 2: my dress? Turned on her gas gas lighter, gas light?

462
00:22:21,200 --> 00:22:23,240
Speaker 2: Why didn't you wear that? Why didn't you wear that

463
00:22:23,440 --> 00:22:27,920
Speaker 2: great dress? Clear you don't like it? Well, I won't

464
00:22:27,920 --> 00:22:31,280
Speaker 2: get your dresses anymore. Okay, I it was a jerk move.

465
00:22:32,280 --> 00:22:35,119
Speaker 3: That wasn't a jerk move. I feel so vindicated right

466
00:22:35,119 --> 00:22:37,480
Speaker 3: now because part of me was thinking, well, kind of now,

467
00:22:37,560 --> 00:22:40,399
Speaker 3: thor is this a guy girl thing? But no, this

468
00:22:40,560 --> 00:22:42,720
Speaker 3: is just him, not the bibles.

469
00:22:43,160 --> 00:22:43,720
Speaker 1: I can see that.

470
00:22:44,560 --> 00:22:45,200
Speaker 3: I have a blind time.

471
00:22:45,840 --> 00:22:46,600
Speaker 1: How are you voting?

472
00:22:47,119 --> 00:22:49,480
Speaker 3: What do you think? One has one has.

473
00:22:49,440 --> 00:22:52,320
Speaker 4: Sleeves, the other one has a big wooden beads on

474
00:22:52,359 --> 00:22:55,560
Speaker 4: the neck. One is completely sleeveless like sun dress, the

475
00:22:55,720 --> 00:22:57,240
Speaker 4: coloring and.

476
00:22:57,200 --> 00:22:59,960
Speaker 3: Do you support my reaction to this insane state?

477
00:23:00,160 --> 00:23:04,040
Speaker 1: Man? Of course it would be way worse.

478
00:23:03,440 --> 00:23:06,320
Speaker 3: Emily okay, because normally I let things go, but this

479
00:23:06,560 --> 00:23:09,040
Speaker 3: was one I just couldn't let go and I had

480
00:23:09,080 --> 00:23:11,000
Speaker 3: to literally get out of.

481
00:23:11,000 --> 00:23:14,879
Speaker 1: Bed and prove, Hey, listen, it may go against you.

482
00:23:14,920 --> 00:23:17,439
Speaker 1: The vote may go against you. Again. You can vote

483
00:23:17,800 --> 00:23:19,160
Speaker 1: on our Instagram there is a.

484
00:23:19,080 --> 00:23:20,800
Speaker 2: Poll voting nonstyle.

485
00:23:22,119 --> 00:23:24,040
Speaker 1: Which one do you think that the same dress or not?

486
00:23:24,160 --> 00:23:26,399
Speaker 1: You can go see the picture online right now and

487
00:23:26,480 --> 00:23:30,080
Speaker 1: vote and we'll see if you are vindicated. Do this

488
00:23:30,160 --> 00:23:32,040
Speaker 1: vote Sky, But I mean.

489
00:23:31,960 --> 00:23:32,800
Speaker 2: You know I'm voting.

490
00:23:32,840 --> 00:23:33,960
Speaker 1: It's pretty clear.

491
00:23:34,040 --> 00:23:34,760
Speaker 2: I don't thank you.

492
00:23:36,240 --> 00:23:36,400
Speaker 3: Well.

493
00:23:36,480 --> 00:23:39,960
Speaker 1: I gotta tell you, this couldn't be more perfect for

494
00:23:40,280 --> 00:23:44,040
Speaker 1: Throwback Thursday. We have a guest coming up that his

495
00:23:44,240 --> 00:23:48,719
Speaker 1: career is really remarkable when you look at it, because

496
00:23:48,760 --> 00:23:51,080
Speaker 1: you know, a lot of the eighties stars they kind

497
00:23:51,080 --> 00:23:53,640
Speaker 1: of have dissipated into the ether and you know, gone

498
00:23:53,680 --> 00:23:57,520
Speaker 1: away or whatever. Not Anthony Michael Hall, Anthony Michael Hall

499
00:23:57,840 --> 00:24:00,920
Speaker 1: is still making great stuff. Oh, we're all big fans

500
00:24:00,960 --> 00:24:02,840
Speaker 1: of Reacher. He was just in the last season of

501
00:24:02,880 --> 00:24:06,840
Speaker 1: Reacher and all kinds of great stuff, including Roswell delirium

502
00:24:06,840 --> 00:24:08,919
Speaker 1: that we're going to talk to him about right now. Anthony.

503
00:24:09,000 --> 00:24:10,520
Speaker 1: Mike Hall joins the show this morning.

504
00:24:10,560 --> 00:24:14,679
Speaker 5: How's it going, Anthony, Hey, guys, good morning to you.

505
00:24:14,760 --> 00:24:16,000
Speaker 5: Thank you for that more and welcome.

506
00:24:16,240 --> 00:24:20,199
Speaker 1: Absolutely. Man, I'm telling you your your career has been really,

507
00:24:20,240 --> 00:24:22,679
Speaker 1: really remarkable. When I was sitting there thinking about it,

508
00:24:22,760 --> 00:24:25,560
Speaker 1: I'm like, man, obviously you were kind of the king

509
00:24:25,600 --> 00:24:27,399
Speaker 1: of the eighties. I mean the amount of movies you

510
00:24:27,440 --> 00:24:29,280
Speaker 1: were in in the eighties and you know, all that

511
00:24:29,320 --> 00:24:32,040
Speaker 1: stuff and then but still still to this day, you're

512
00:24:32,080 --> 00:24:33,120
Speaker 1: making great stuff. Man.

513
00:24:34,760 --> 00:24:36,800
Speaker 5: I appreciate that. I'm glad I didn't disappear into the

514
00:24:36,800 --> 00:24:38,320
Speaker 5: ether like a lot of other people you make.

515
00:24:38,359 --> 00:24:41,520
Speaker 1: It can't happen. It can't happen, you know, no doubt

516
00:24:41,520 --> 00:24:41,840
Speaker 1: about it.

517
00:24:43,200 --> 00:24:45,080
Speaker 5: I thank god, guys. You know I was interesting. I

518
00:24:45,119 --> 00:24:47,320
Speaker 5: was in New York in February with my wife and

519
00:24:47,320 --> 00:24:49,360
Speaker 5: I was there to take part in the SNL fiftieth

520
00:24:49,400 --> 00:24:51,800
Speaker 5: and then, you know, while I was doing interviews for that,

521
00:24:51,880 --> 00:24:54,080
Speaker 5: I realized, wow, man, I started nineteen seventy six. I

522
00:24:54,080 --> 00:24:55,880
Speaker 5: actually started one year later when I was an eight

523
00:24:55,920 --> 00:24:58,720
Speaker 5: year old kid all those years ago. So I feel grateful,

524
00:24:58,880 --> 00:25:01,040
Speaker 5: you know, and I'm just blessed had such a long

525
00:25:01,040 --> 00:25:02,920
Speaker 5: career and still chipping away at it.

526
00:25:03,000 --> 00:25:05,919
Speaker 1: Man, that's fantastic. So tell me about that Saturday Night

527
00:25:05,960 --> 00:25:08,520
Speaker 1: Live show, because we all watched it, you you know,

528
00:25:08,640 --> 00:25:13,240
Speaker 1: were in that interesting year and time for Saturday Night Live.

529
00:25:13,760 --> 00:25:15,040
Speaker 1: What was it like being a dog?

530
00:25:15,320 --> 00:25:18,119
Speaker 5: I know, I know, well, you know what's interesting it

531
00:25:18,160 --> 00:25:22,159
Speaker 5: was it was actually a very shaky situation. Then the

532
00:25:22,200 --> 00:25:24,600
Speaker 5: eleventh season, it was Lorne Michael's first year back. And

533
00:25:25,160 --> 00:25:26,800
Speaker 5: you know when if you saw the documentary, it was

534
00:25:26,800 --> 00:25:28,680
Speaker 5: on Peacock that I took part and it really kind

535
00:25:28,680 --> 00:25:30,000
Speaker 5: of spelled it all out.

536
00:25:30,040 --> 00:25:30,199
Speaker 3: You know.

537
00:25:30,280 --> 00:25:32,560
Speaker 5: It was after ten year run of the show doing well,

538
00:25:32,560 --> 00:25:34,240
Speaker 5: but they weren't sure where it was going, you know.

539
00:25:34,359 --> 00:25:37,480
Speaker 5: So and in that season we were on was not

540
00:25:37,640 --> 00:25:40,240
Speaker 5: the best as it were, but you know, in the

541
00:25:40,240 --> 00:25:42,280
Speaker 5: context of things fifty years later, you know, you can

542
00:25:42,320 --> 00:25:44,040
Speaker 5: look back and go, wow, I don't worry about it.

543
00:25:44,040 --> 00:25:46,440
Speaker 5: It was pivotal and here we are. We were there,

544
00:25:46,520 --> 00:25:48,160
Speaker 5: you know, we were part of it. So I'm grateful.

545
00:25:48,320 --> 00:25:51,080
Speaker 1: But you were so young, yeah, and to be part

546
00:25:51,160 --> 00:25:53,920
Speaker 1: of something so big What did it ever just hit

547
00:25:54,000 --> 00:25:57,000
Speaker 1: you or were you just too young to realize?

548
00:25:57,760 --> 00:25:59,400
Speaker 5: I think both. I think yeah, I don't know if

549
00:25:59,400 --> 00:26:01,000
Speaker 5: it hit me in a was also maybe too young

550
00:26:01,040 --> 00:26:02,760
Speaker 5: to realize that I was a kid, you know. So

551
00:26:02,800 --> 00:26:05,359
Speaker 5: it was just an incredible experience. It was far beyond

552
00:26:05,400 --> 00:26:07,240
Speaker 5: thirty Rock, which was also a great show, but it

553
00:26:07,320 --> 00:26:09,320
Speaker 5: was it was that kind of you know, six day

554
00:26:09,359 --> 00:26:11,240
Speaker 5: a week job. You'd come in and everybody would be

555
00:26:11,240 --> 00:26:13,720
Speaker 5: writing and then the second half of the week is

556
00:26:13,760 --> 00:26:16,960
Speaker 5: rehearsing and doing all that and just an incredible show,

557
00:26:17,080 --> 00:26:19,199
Speaker 5: you know, to be a part of. Just the energy levels,

558
00:26:19,240 --> 00:26:21,440
Speaker 5: kind of rock and roll, theater, stand up, everything rolled

559
00:26:21,440 --> 00:26:21,800
Speaker 5: into one.

560
00:26:21,880 --> 00:26:24,800
Speaker 1: You don't even imagine that. Well, speaking of the eighties,

561
00:26:24,840 --> 00:26:27,920
Speaker 1: talk to me about the Roswell Delirium, which is streaming

562
00:26:27,960 --> 00:26:31,160
Speaker 1: on Prime Video and Apple TV, because I believe it's

563
00:26:31,200 --> 00:26:32,560
Speaker 1: set in the eighties, right.

564
00:26:34,520 --> 00:26:36,080
Speaker 5: It is, Well, it's actually set in the modern day

565
00:26:36,080 --> 00:26:37,679
Speaker 5: and then kind of flashes back to the eighties and

566
00:26:37,720 --> 00:26:40,080
Speaker 5: they tells the story of this young girl who has

567
00:26:40,119 --> 00:26:43,800
Speaker 5: a challenging relationship with her mother and so ultimately what happens.

568
00:26:43,800 --> 00:26:46,080
Speaker 5: Even though they're these sort of sci fi themes, it's

569
00:26:46,119 --> 00:26:48,400
Speaker 5: ultimately about the mother and the daughter, and it's kind

570
00:26:48,400 --> 00:26:51,280
Speaker 5: of an exploration of mental health in a way because

571
00:26:51,280 --> 00:26:55,000
Speaker 5: it's really about her relationship with her mother. And so

572
00:26:55,119 --> 00:26:57,439
Speaker 5: we have a bunch of really talented young actors that

573
00:26:57,480 --> 00:26:59,960
Speaker 5: were really great in the film, a bunch of child actors.

574
00:27:00,040 --> 00:27:01,920
Speaker 5: But we also have some great cameos from people like

575
00:27:02,000 --> 00:27:04,600
Speaker 5: d Wallace Stone, people remember from Et and a lot

576
00:27:04,600 --> 00:27:08,560
Speaker 5: of other great movies, Reginald Bell Johnson from Family Matters,

577
00:27:08,600 --> 00:27:11,520
Speaker 5: and Lisa Welch ol Sam Jones. So we kind of

578
00:27:11,520 --> 00:27:14,399
Speaker 5: sprinkled it with some really cool people that were supportive

579
00:27:14,400 --> 00:27:16,399
Speaker 5: of what we're doing here. And this is a co

580
00:27:16,440 --> 00:27:19,240
Speaker 5: production between my company, Manhattan Films, and the writer director

581
00:27:19,280 --> 00:27:21,520
Speaker 5: of Rick Bakewell and his company Like Force. So it's

582
00:27:21,520 --> 00:27:23,320
Speaker 5: some MOE we're really proud of. And it's available on

583
00:27:23,359 --> 00:27:25,080
Speaker 5: Amazon and also on Apple right now.

584
00:27:25,160 --> 00:27:27,000
Speaker 1: That's very cool. Yeah, we'll definitely have to check it

585
00:27:27,040 --> 00:27:29,800
Speaker 1: out now. You know, you were in so many amazing

586
00:27:29,880 --> 00:27:33,320
Speaker 1: eighties movies, Sixteen Candles, Breakfast Club Vacation, which I mean,

587
00:27:33,359 --> 00:27:36,480
Speaker 1: I can keep going and going. Which one gets brought

588
00:27:36,560 --> 00:27:40,639
Speaker 1: up the most to you?

589
00:27:40,640 --> 00:27:42,399
Speaker 5: You know, I think the breakfast comans, I think the

590
00:27:42,480 --> 00:27:45,240
Speaker 5: message kind of endures. I mean, look, all the three

591
00:27:45,280 --> 00:27:48,040
Speaker 5: films I did with John were really great experiences. But

592
00:27:48,359 --> 00:27:50,280
Speaker 5: I think with The Breakfast Cup, it's interesting because it's

593
00:27:50,320 --> 00:27:52,639
Speaker 5: a story that people can relate to, and I think

594
00:27:53,040 --> 00:27:54,800
Speaker 5: I joke with people when they watch it. It's almost

595
00:27:54,840 --> 00:27:56,399
Speaker 5: like group therapy in a way, even though it's a

596
00:27:56,480 --> 00:27:59,280
Speaker 5: forty year old film now. But I think the message

597
00:27:59,280 --> 00:28:01,600
Speaker 5: really holds up. Its has got a really interesting message

598
00:28:01,600 --> 00:28:03,560
Speaker 5: that we're all kind of more like than we are different,

599
00:28:03,640 --> 00:28:06,360
Speaker 5: you know, and I think as we leave our childhood

600
00:28:06,400 --> 00:28:08,600
Speaker 5: years and school and all that, we think life is

601
00:28:08,640 --> 00:28:12,160
Speaker 5: going to be so much different, and ultimately I think

602
00:28:12,240 --> 00:28:14,119
Speaker 5: life is very much like high school on some levels.

603
00:28:15,280 --> 00:28:17,720
Speaker 5: But you know, it's a film that holds up and

604
00:28:17,760 --> 00:28:19,520
Speaker 5: stands the test of time. So for that reason, I

605
00:28:19,520 --> 00:28:22,199
Speaker 5: think that film, you know, and it's interesting too that

606
00:28:22,240 --> 00:28:24,280
Speaker 5: over the years it has kind of an anti bullying

607
00:28:24,320 --> 00:28:27,400
Speaker 5: message too. It wasn't really intended, but I think that

608
00:28:27,400 --> 00:28:29,080
Speaker 5: that comes through as well. So I think of the

609
00:28:29,119 --> 00:28:32,159
Speaker 5: three John Hughes films that I did, that one I

610
00:28:32,160 --> 00:28:35,080
Speaker 5: think kind of lists in people's hearts. But the comedies

611
00:28:35,080 --> 00:28:37,480
Speaker 5: were great too, like Sixteen Channels and Weird at Science.

612
00:28:37,480 --> 00:28:39,280
Speaker 5: They were all great films to be a part of,

613
00:28:39,320 --> 00:28:41,800
Speaker 5: and working with John was an incredible experience. He was

614
00:28:41,800 --> 00:28:44,640
Speaker 5: just very generous and very open minded and very cool

615
00:28:44,680 --> 00:28:45,320
Speaker 5: guy to work for.

616
00:28:45,640 --> 00:28:48,600
Speaker 1: Well, and everything you said is so accurate about Breakfast Club,

617
00:28:48,640 --> 00:28:52,520
Speaker 1: because high school doesn't really change now. It is the

618
00:28:52,600 --> 00:28:56,760
Speaker 1: same for everybody. And your character specifically did go through

619
00:28:57,040 --> 00:28:59,920
Speaker 1: some tough stuff and I think kids can relate.

620
00:28:59,760 --> 00:29:04,760
Speaker 5: To that even now, right right, And I appreciate that. Yeah,

621
00:29:04,800 --> 00:29:07,840
Speaker 5: I mean it holds up for me too, I mean

622
00:29:07,840 --> 00:29:11,160
Speaker 5: it really does. It's an interesting film, you know, and

623
00:29:11,560 --> 00:29:13,680
Speaker 5: interesting doing all these In the last couple of years.

624
00:29:13,680 --> 00:29:15,280
Speaker 5: I do a lot of signings across the country, and

625
00:29:15,280 --> 00:29:17,360
Speaker 5: we did win in Chicago a couple of months ago,

626
00:29:17,440 --> 00:29:19,640
Speaker 5: and it was actually the first time Emilio joined us

627
00:29:19,640 --> 00:29:21,720
Speaker 5: and it was really fun to have us all that's

628
00:29:21,760 --> 00:29:23,800
Speaker 5: awesome here again, you know, it's it's surreal. I'm fifty

629
00:29:23,840 --> 00:29:25,880
Speaker 5: seven now, so it's a trip. In the last couple

630
00:29:25,880 --> 00:29:27,560
Speaker 5: of years. A lot of my early films all turned

631
00:29:27,560 --> 00:29:31,400
Speaker 5: forty in the last couple Yeah, I feel it, oh lately.

632
00:29:31,480 --> 00:29:33,960
Speaker 5: But it's all good, man. I'm grateful and again I

633
00:29:33,960 --> 00:29:36,640
Speaker 5: thank God for everything. And it's you know, after such

634
00:29:36,680 --> 00:29:39,719
Speaker 5: a long career. This success is the longevity as well.

635
00:29:39,760 --> 00:29:41,800
Speaker 5: I'm grateful to that primarily.

636
00:29:41,880 --> 00:29:44,000
Speaker 1: Yeah, we're talking to Anthony Michael Hall this morning.

637
00:29:44,280 --> 00:29:47,680
Speaker 2: Yeah, and I was thinking about Christmas, but not Christmas Vacation.

638
00:29:47,800 --> 00:29:50,280
Speaker 2: National and Pun's Vacations are my favorite movies. I love it.

639
00:29:50,280 --> 00:29:53,080
Speaker 2: It's hysterical. I watched my dad growing up, Were you

640
00:29:53,280 --> 00:29:55,520
Speaker 2: asked to do Christmas Vacation? Because I always thought it

641
00:29:55,560 --> 00:29:57,920
Speaker 2: was so odd that the original Rusty wasn't in Christmas

642
00:29:58,000 --> 00:29:59,920
Speaker 2: Vacation and it's only six years apart.

643
00:30:00,120 --> 00:30:02,960
Speaker 5: What, Yeah, No, I was. And you know what's so

644
00:30:02,960 --> 00:30:05,120
Speaker 5: funny about that? It was actually it was John Hughes's

645
00:30:05,120 --> 00:30:07,440
Speaker 5: fault because you know, he'd given me these opportunities and

646
00:30:07,520 --> 00:30:09,640
Speaker 5: I was actually doing Weird Science. So the facts I

647
00:30:09,640 --> 00:30:12,640
Speaker 5: couldn't do the sequelification because I was in La shooting

648
00:30:12,640 --> 00:30:14,240
Speaker 5: Weird Science all those years ago with John.

649
00:30:14,360 --> 00:30:16,360
Speaker 2: You know what a bummer.

650
00:30:16,720 --> 00:30:19,360
Speaker 3: Well, well, speaking of Weird Science. So out of all

651
00:30:19,440 --> 00:30:23,400
Speaker 3: your films, that one is my personal favorite. Everybody's got

652
00:30:23,440 --> 00:30:26,400
Speaker 3: a favorite. That one. I've seen like eight the billion times,

653
00:30:26,920 --> 00:30:29,880
Speaker 3: but it always looks like you're having well not all

654
00:30:29,920 --> 00:30:32,320
Speaker 3: of them, but so much fun, like especially in Weird

655
00:30:32,360 --> 00:30:35,640
Speaker 3: Science so, out of all those amazing movies you did

656
00:30:35,680 --> 00:30:38,120
Speaker 3: when you were younger, which one would you say was

657
00:30:38,200 --> 00:30:41,600
Speaker 3: the most fun to actually film.

658
00:30:42,400 --> 00:30:44,400
Speaker 5: That's a great question. Yeah, well, no, it's a good

659
00:30:44,400 --> 00:30:46,200
Speaker 5: point because I think Breakfas Club was almost like filming

660
00:30:46,200 --> 00:30:48,240
Speaker 5: a play. So I think in terms of the stuff

661
00:30:48,280 --> 00:30:51,000
Speaker 5: I did with John, Yeah, Vacation, which was directed by

662
00:30:51,040 --> 00:30:53,400
Speaker 5: Harold Ramis was was a great trip, you know, And

663
00:30:53,440 --> 00:30:55,600
Speaker 5: again John wrote that script. But then sixteen Channels and

664
00:30:55,640 --> 00:30:57,000
Speaker 5: Weird Science were a blast too.

665
00:30:57,080 --> 00:30:57,280
Speaker 3: You know.

666
00:30:58,360 --> 00:31:00,560
Speaker 5: I almost feel like farmer Ted became Gary, you know,

667
00:31:00,600 --> 00:31:02,480
Speaker 5: the character and words science. He got a little hipper

668
00:31:02,520 --> 00:31:04,880
Speaker 5: and hey, John was taking us on this evolution.

669
00:31:05,320 --> 00:31:05,440
Speaker 1: You know.

670
00:31:05,440 --> 00:31:07,200
Speaker 5: It's funny. We were shooting Breakfast Clup when we were

671
00:31:07,200 --> 00:31:09,040
Speaker 5: about three weeks into it. One day John pulled me

672
00:31:09,080 --> 00:31:10,720
Speaker 5: aside in the hallway and he goes, I just started

673
00:31:10,720 --> 00:31:12,800
Speaker 5: working on our next one, and I'm like, I'm baffled.

674
00:31:12,800 --> 00:31:14,320
Speaker 5: I'm a kid at the time. I'm going with this

675
00:31:14,400 --> 00:31:16,240
Speaker 5: Guy's like I'm making a second movie with him, and

676
00:31:16,240 --> 00:31:19,360
Speaker 5: he's telling me about a third one out the night

677
00:31:19,360 --> 00:31:22,280
Speaker 5: before he had written. Yeah, he was, he was incredible.

678
00:31:22,520 --> 00:31:24,440
Speaker 5: But it turns out the night before he had written

679
00:31:24,480 --> 00:31:26,800
Speaker 5: thirty pages of what became Weird's Science. He goes, it's

680
00:31:26,800 --> 00:31:28,000
Speaker 5: going to be you and this other kid. You're going

681
00:31:28,040 --> 00:31:29,560
Speaker 5: to make a girl on a computer. And I was like,

682
00:31:29,680 --> 00:31:31,480
Speaker 5: this is nineteen eighty four. I'm standing in a hallway.

683
00:31:31,520 --> 00:31:33,880
Speaker 5: We're shooting in the breakfast club. You know, well this

684
00:31:33,920 --> 00:31:36,560
Speaker 5: guy's wild, you know. But sure enough, next thing you know,

685
00:31:36,600 --> 00:31:38,400
Speaker 5: we were on that set. We were shooting that film

686
00:31:38,440 --> 00:31:40,080
Speaker 5: less than a year later, you know. So he was

687
00:31:40,120 --> 00:31:41,960
Speaker 5: just a He was a magical guy. He was really

688
00:31:41,960 --> 00:31:44,040
Speaker 5: a great guy. He was humble, he was down to earth.

689
00:31:44,640 --> 00:31:46,920
Speaker 5: He was such a great writer and director and just

690
00:31:47,000 --> 00:31:48,520
Speaker 5: fun to be with. You know. He was really a

691
00:31:48,560 --> 00:31:49,280
Speaker 5: wonderful person.

692
00:31:50,160 --> 00:31:53,960
Speaker 1: And the fast forward to today. We are massive fans

693
00:31:54,000 --> 00:31:57,840
Speaker 1: of the show Reacher Out and in the last season

694
00:31:58,160 --> 00:32:01,160
Speaker 1: you had a pretty pivotal role in it where you

695
00:32:01,240 --> 00:32:04,160
Speaker 1: were kind of a bad guy, but yet were you

696
00:32:04,520 --> 00:32:06,880
Speaker 1: like you eventually kind of saw the lights. How was

697
00:32:06,920 --> 00:32:07,680
Speaker 1: that role for you?

698
00:32:10,200 --> 00:32:12,040
Speaker 5: Well, it was a lot of fun, you know when

699
00:32:12,080 --> 00:32:14,040
Speaker 5: I it was just a great show to be a

700
00:32:14,080 --> 00:32:16,640
Speaker 5: part of it. You know, it was interesting because I'm

701
00:32:16,640 --> 00:32:18,440
Speaker 5: playing a guy who's an arms dealer, but like you said,

702
00:32:18,440 --> 00:32:20,240
Speaker 5: he's kind of a strange from his son, and he

703
00:32:20,240 --> 00:32:24,720
Speaker 5: has this challenging relationship with him. And that's what was

704
00:32:24,720 --> 00:32:26,440
Speaker 5: cool about it for me, that he was a very

705
00:32:26,520 --> 00:32:29,640
Speaker 5: dynamic character, you know, and he's a criminal in one hand.

706
00:32:29,680 --> 00:32:32,320
Speaker 5: At the same time, he's kind of a sad dad

707
00:32:32,320 --> 00:32:34,360
Speaker 5: who's trying to make peace with his son, you know.

708
00:32:34,400 --> 00:32:36,160
Speaker 5: So it was a great role for all those reasons.

709
00:32:36,160 --> 00:32:38,840
Speaker 5: And we shot up in Toronto last year, and what happens.

710
00:32:38,880 --> 00:32:40,640
Speaker 5: We started at the beginning of the summer, and then

711
00:32:40,640 --> 00:32:43,000
Speaker 5: the actors strike happened, so we kind of resumed four

712
00:32:43,000 --> 00:32:46,160
Speaker 5: months later and we shot all through the year. And yeah, look,

713
00:32:46,200 --> 00:32:48,080
Speaker 5: that's a big, huge hit. I'm really happy to be

714
00:32:48,080 --> 00:32:49,440
Speaker 5: a part of it. And it was a lot of fun,

715
00:32:49,840 --> 00:32:51,880
Speaker 5: especially if I was watching the lead actor and the

716
00:32:51,880 --> 00:32:53,920
Speaker 5: big giant eat all day. These guys. They were feeding

717
00:32:53,960 --> 00:32:55,680
Speaker 5: these guys meals. I think they ate about eight or

718
00:32:55,680 --> 00:32:58,160
Speaker 5: ten times a day to two of them. I was

719
00:32:58,200 --> 00:32:59,920
Speaker 5: just glad they didn't need any of us on set.

720
00:33:00,560 --> 00:33:03,000
Speaker 1: I mean, those are huge dudes, man. Yeah, I was

721
00:33:03,000 --> 00:33:05,680
Speaker 1: thinking about that. Was that camera work or are they

722
00:33:05,680 --> 00:33:06,560
Speaker 1: actually that big?

723
00:33:08,360 --> 00:33:09,240
Speaker 5: No, it's just steroids.

724
00:33:09,280 --> 00:33:13,320
Speaker 1: Actually, I kind of was thinking it, but I didn't

725
00:33:13,320 --> 00:33:13,840
Speaker 1: want to say it.

726
00:33:13,960 --> 00:33:16,320
Speaker 5: No, no, no, I think Allan copped to it though

727
00:33:16,320 --> 00:33:18,120
Speaker 5: he's a big boy as it is, but he works

728
00:33:18,200 --> 00:33:20,520
Speaker 5: out hard. You know. The giant it was a guy

729
00:33:20,560 --> 00:33:22,920
Speaker 5: named Olivia Richters from Holland. He was a fun guy.

730
00:33:23,240 --> 00:33:25,880
Speaker 5: He's actually a professional bodybuilder, so he you know that guy.

731
00:33:26,080 --> 00:33:27,640
Speaker 5: You know, they were big guys.

732
00:33:28,040 --> 00:33:32,840
Speaker 1: Guy, awesome talking to you, man. We were excited to

733
00:33:32,840 --> 00:33:35,720
Speaker 1: see Roswell Delirium, which is streaming right now on Prime

734
00:33:35,800 --> 00:33:38,640
Speaker 1: Video and Apple TV. Thanks so much for your time

735
00:33:38,720 --> 00:33:40,560
Speaker 1: this morning. We really appreciate it.

736
00:33:40,800 --> 00:33:42,640
Speaker 5: I appreciate it. Guys, same to you. Thank you for

737
00:33:42,680 --> 00:33:44,160
Speaker 5: your time and for supporting the movie.

738
00:33:44,280 --> 00:33:47,480
Speaker 1: Really there you go. You bet Anthony Michael Hall to it.

739
00:33:47,480 --> 00:33:49,880
Speaker 1: It's very cool, unbelievab