1
00:00:00,080 --> 00:00:11,600
Speaker 1: Man, we got another Wild Wednesday on the fan. We're

2
00:00:11,640 --> 00:00:14,240
Speaker 1: running it back from last week with tickets to Wild

3
00:00:14,560 --> 00:00:18,439
Speaker 1: Canucks April second. Juse iHeartRadio app sentence a talkback tells

4
00:00:18,440 --> 00:00:21,720
Speaker 1: who scores first for the Wild against the Panthers Tomorrow night.

5
00:00:22,079 --> 00:00:24,760
Speaker 1: Full details KFA dot com. Key We're contested.

6
00:00:46,159 --> 00:00:48,879
Speaker 2: Top of the hour, four o'clock hour of the program

7
00:00:48,920 --> 00:00:51,960
Speaker 2: that will include a visit with John Bream in little

8
00:00:52,040 --> 00:00:55,200
Speaker 2: less than thirty minutes. Top five at five yet to come.

9
00:00:55,520 --> 00:01:00,840
Speaker 2: Kessler will join beginning at about five thirty tonight. I'll

10
00:01:00,840 --> 00:01:05,800
Speaker 2: throw this out to the text line, if you have

11
00:01:05,959 --> 00:01:10,120
Speaker 2: been at our airport, of course, the greatest airport in

12
00:01:10,160 --> 00:01:15,600
Speaker 2: the world, highly decorated, and I'm not being sarcastic about

13
00:01:15,640 --> 00:01:20,480
Speaker 2: that at all. It merits much of the acclaim that

14
00:01:20,560 --> 00:01:25,280
Speaker 2: it has tended to receive the last oh so many years.

15
00:01:25,520 --> 00:01:30,319
Speaker 2: What has your experience getting to the gate been like

16
00:01:30,680 --> 00:01:37,360
Speaker 2: getting through security? The perception that is persisting is that

17
00:01:38,760 --> 00:01:46,120
Speaker 2: if national news outlets are looking for video for visual

18
00:01:46,160 --> 00:01:53,840
Speaker 2: representation of the madness during the shutdown, that the unwritten

19
00:01:53,920 --> 00:01:59,000
Speaker 2: rule is don't bother looking for live video out of

20
00:02:00,160 --> 00:02:04,000
Speaker 2: Minneapoli Saint Paul, because it just doesn't exist to the

21
00:02:04,040 --> 00:02:08,120
Speaker 2: extent that it does in many many other airports around

22
00:02:09,200 --> 00:02:12,880
Speaker 2: the country. Is that still the case? We have a

23
00:02:12,880 --> 00:02:14,960
Speaker 2: lot of travelers. I know we have a very mobile

24
00:02:15,320 --> 00:02:20,000
Speaker 2: listenership six four six eighty six about what your travel

25
00:02:20,080 --> 00:02:26,440
Speaker 2: experience just here has been like, because there are number

26
00:02:26,440 --> 00:02:29,919
Speaker 2: of places nationally where it looks night marrish at times. Now,

27
00:02:29,960 --> 00:02:32,320
Speaker 2: I thought I read a story this morning, or maybe

28
00:02:32,360 --> 00:02:35,880
Speaker 2: heard a report indicating but it was just a tease

29
00:02:35,919 --> 00:02:38,440
Speaker 2: of a headline, So I don't know what the I

30
00:02:38,440 --> 00:02:41,960
Speaker 2: didn't stick around for the payoff suggesting that we might

31
00:02:42,240 --> 00:02:47,120
Speaker 2: be closer to finally a deal on the Senate side,

32
00:02:47,919 --> 00:02:53,360
Speaker 2: which might ease the pain for those who, of course

33
00:02:53,760 --> 00:02:57,320
Speaker 2: work the lines. So it may be even a subject

34
00:02:57,360 --> 00:03:00,440
Speaker 2: that we will explore a little bit with Kessler as well.

35
00:03:00,440 --> 00:03:05,200
Speaker 2: But let me know what that's been like, because our

36
00:03:05,240 --> 00:03:09,000
Speaker 2: guy Kyle Potter had I think it was yesterday a

37
00:03:09,040 --> 00:03:16,280
Speaker 2: tweet that seemed to indicate all quiet on the Western Front,

38
00:03:17,520 --> 00:03:21,679
Speaker 2: at least relatively speaking compared to other places. So how

39
00:03:21,680 --> 00:03:26,280
Speaker 2: are we pulling that off exactly? Are we just better

40
00:03:26,360 --> 00:03:28,280
Speaker 2: at it? We like to think we are in every

41
00:03:28,320 --> 00:03:34,200
Speaker 2: area except for fraud, But what do we know what's

42
00:03:34,240 --> 00:03:39,920
Speaker 2: our secret? Are fewer people you know, not working going

43
00:03:39,920 --> 00:03:43,160
Speaker 2: ahead and working regardless of what their conditions are, and

44
00:03:43,200 --> 00:03:51,880
Speaker 2: with the paycheck situation is I mean, I'm not disparaging it.

45
00:03:53,040 --> 00:03:56,240
Speaker 2: Believe me. If somehow we're getting it done in a

46
00:03:56,280 --> 00:03:59,480
Speaker 2: way that it's not being done elsewhere, I have no

47
00:03:59,520 --> 00:04:01,840
Speaker 2: problem with us patting ourselves on the back for that.

48
00:04:01,880 --> 00:04:06,000
Speaker 2: I'm just curious to find out what experience people have

49
00:04:07,360 --> 00:04:09,760
Speaker 2: have had, and you know, part of them is leading

50
00:04:11,360 --> 00:04:15,240
Speaker 2: images nationally. Sometimes when you see some of the lines,

51
00:04:15,280 --> 00:04:17,560
Speaker 2: you go, well, there would be lines like these this

52
00:04:17,640 --> 00:04:20,960
Speaker 2: time of year, around spring break regardless, so you got

53
00:04:20,960 --> 00:04:27,640
Speaker 2: to have I think better reporting to attempt to underscore well,

54
00:04:27,680 --> 00:04:33,320
Speaker 2: this is about the shutdown, this is about cutbacks, because

55
00:04:33,360 --> 00:04:36,360
Speaker 2: in some cases I think we're learning. I saw a

56
00:04:36,400 --> 00:04:40,520
Speaker 2: line that was like out the airport door through a

57
00:04:40,640 --> 00:04:43,480
Speaker 2: Marriott near the I think it was the Philadelphia Airport,

58
00:04:44,480 --> 00:04:49,560
Speaker 2: and somebody pointed out that, well, that airport historically has

59
00:04:49,600 --> 00:04:53,120
Speaker 2: been notorious for long lines, no matter what the working

60
00:04:53,160 --> 00:04:56,120
Speaker 2: conditions might be, so that might be some of it

61
00:04:56,200 --> 00:04:59,960
Speaker 2: as as well. Six four six eighty six b Shawn

62
00:05:00,080 --> 00:05:03,960
Speaker 2: Brian Kfan text line. A lot of people have speculated well,

63
00:05:03,960 --> 00:05:06,400
Speaker 2: but if it, if it goes on too long, it'll

64
00:05:06,480 --> 00:05:11,880
Speaker 2: end up inevitably getting worse here as well. Maybe we've

65
00:05:11,920 --> 00:05:16,520
Speaker 2: got we've figured something out. I I don't know. I'm

66
00:05:16,560 --> 00:05:18,599
Speaker 2: not sure. A lot of good texts are coming in

67
00:05:18,680 --> 00:05:22,159
Speaker 2: on this very controversial subject. Dan, I flew out of

68
00:05:22,240 --> 00:05:25,560
Speaker 2: MSP yesterday at seven in the morning. I was through

69
00:05:25,600 --> 00:05:31,520
Speaker 2: standard TSA. Let me scroll down here. I was through

70
00:05:31,600 --> 00:05:35,080
Speaker 2: standard TSA in less than ten minutes. When it came

71
00:05:35,120 --> 00:05:38,200
Speaker 2: back at eight pm last night, only the South security

72
00:05:38,279 --> 00:05:40,799
Speaker 2: checkpoint was open and it was ten minutes on the board.

73
00:05:41,240 --> 00:05:43,240
Speaker 2: I was in Atlanta on Sunday and it was over

74
00:05:43,480 --> 00:05:48,600
Speaker 2: four hours to get through six one two.

75
00:05:48,680 --> 00:05:48,840
Speaker 3: Guy.

76
00:05:48,920 --> 00:05:51,400
Speaker 2: My daughter flew out of Terminal one yesterday at noon,

77
00:05:52,480 --> 00:05:55,039
Speaker 2: got there about nine to thirty am and got through

78
00:05:55,080 --> 00:06:01,400
Speaker 2: security in five to ten minutes. I got a lot

79
00:06:01,400 --> 00:06:06,120
Speaker 2: of them coming in here quickly. Dan leaving on a

80
00:06:06,120 --> 00:06:09,440
Speaker 2: trip to the Kancun area tomorrow. Some members in our

81
00:06:09,480 --> 00:06:12,440
Speaker 2: group left today and said it took forty five minutes

82
00:06:12,480 --> 00:06:14,080
Speaker 2: to check it back at sun Country, but only ten

83
00:06:14,080 --> 00:06:18,320
Speaker 2: minutes to get through security. This was at Terminal two

84
00:06:20,160 --> 00:06:26,839
Speaker 2: mo from Wrigleyville in Chicago, formerly of Uptown Minneapolis. Interesting

85
00:06:26,960 --> 00:06:29,840
Speaker 2: that he brings up Uptown. There's a story start commute

86
00:06:29,880 --> 00:06:34,720
Speaker 2: dot com on the continuing effort to revitalize what has

87
00:06:34,760 --> 00:06:40,200
Speaker 2: become a disaster uptown Minneapolis or way way too long.

88
00:06:41,200 --> 00:06:43,440
Speaker 2: I flew out of MSP this past Sunday. Was worried,

89
00:06:43,440 --> 00:06:45,200
Speaker 2: got to the airport two hours early. It took me

90
00:06:45,240 --> 00:06:48,440
Speaker 2: literally five minutes through security, so I sat up my

91
00:06:48,480 --> 00:06:53,800
Speaker 2: gate for two hours before my flight. Regarding airport travel,

92
00:06:53,800 --> 00:06:55,800
Speaker 2: I flew today very long line. When I arrived at

93
00:06:55,880 --> 00:06:58,760
Speaker 2: LaGuardia at five am. Took twenty minutes to get through

94
00:06:58,800 --> 00:07:02,679
Speaker 2: TSA pre check with touchless Idea arrived at MSP about

95
00:07:02,720 --> 00:07:05,320
Speaker 2: ten am. When I was leaving, I noticed the TSA

96
00:07:05,360 --> 00:07:10,800
Speaker 2: wait time sign said less than five minutes. Five sixty three. Guy,

97
00:07:10,800 --> 00:07:12,440
Speaker 2: I've been to MSP with the line reaching out to

98
00:07:12,520 --> 00:07:16,480
Speaker 2: check in, but it only took fifteen minutes max to

99
00:07:16,560 --> 00:07:21,440
Speaker 2: get through. This is not a scientific poll, but this

100
00:07:21,600 --> 00:07:25,040
Speaker 2: is all very encouraging. It all seems to offer up

101
00:07:25,080 --> 00:07:29,720
Speaker 2: the same message that were better than anyplace else. Shick

102
00:07:29,760 --> 00:07:35,480
Speaker 2: call rate at MSP six percent, Atlanta and Houston gun

103
00:07:35,520 --> 00:07:41,320
Speaker 2: belt tight forty five percent. We're just more dedicated. Flew

104
00:07:41,320 --> 00:07:44,040
Speaker 2: out of MSP. On Monday morning, dropped off at five

105
00:07:44,200 --> 00:07:46,920
Speaker 2: forty five am, checked a bag, and I was through

106
00:07:46,920 --> 00:07:51,200
Speaker 2: pre check security by six oh five, flying home from Houston. Today,

107
00:07:51,360 --> 00:07:54,240
Speaker 2: local and national news had me worried reports of four

108
00:07:54,240 --> 00:07:57,720
Speaker 2: hour waits, but under two hours this morning at six

109
00:07:58,560 --> 00:08:02,720
Speaker 2: thirty that's still considerably more. We just took a trip

110
00:08:02,720 --> 00:08:07,040
Speaker 2: to San Diego fifteen twenty minutes to get through security

111
00:08:07,120 --> 00:08:11,440
Speaker 2: terminal two to about forty minutes in California, flew out

112
00:08:11,480 --> 00:08:14,600
Speaker 2: a week ago Saturday. Took me five minutes twenty eight seconds. Yeah,

113
00:08:14,600 --> 00:08:23,760
Speaker 2: I timed it. That's all good. That seems to confirm

114
00:08:24,160 --> 00:08:28,480
Speaker 2: what online because online's a dangerous place, right we all.

115
00:08:28,600 --> 00:08:31,040
Speaker 2: I think you figure that out the hard way. The

116
00:08:31,120 --> 00:08:34,800
Speaker 2: assumption that because we see certain things online and visuals online,

117
00:08:35,240 --> 00:08:39,319
Speaker 2: are the pictures accurate? Are they AI generated? Do they

118
00:08:39,320 --> 00:08:43,600
Speaker 2: tell an incomplete a picture? Six' one to, Two Guy.

119
00:08:43,679 --> 00:08:47,240
Speaker 2: WRIGHTS i went through security at seven Am. Saturday the.

120
00:08:47,320 --> 00:08:51,600
Speaker 2: Fourteenth airport was very busy with spring, breakers lots of

121
00:08:51,600 --> 00:08:54,000
Speaker 2: families with kids that clearly did not know how to

122
00:08:54,080 --> 00:08:57,040
Speaker 2: navigate the, airport understandable for this time of. Year BUT

123
00:08:57,120 --> 00:08:59,719
Speaker 2: i was through the pre check line in less than ten.

124
00:08:59,720 --> 00:09:04,840
Speaker 2: Minutes looks like regular security security then would be less than.

125
00:09:06,320 --> 00:09:12,720
Speaker 1: FIFTEEN i, think if we've learned anything through these, texts

126
00:09:12,880 --> 00:09:14,240
Speaker 1: pre check seems to be the way to.

127
00:09:14,280 --> 00:09:16,720
Speaker 2: Come pre. Check that's. True but what they're they're also

128
00:09:16,960 --> 00:09:21,280
Speaker 2: attempting to do is look at the what the scoreboard

129
00:09:21,320 --> 00:09:25,760
Speaker 2: says regarding even normal travel to get through, security and

130
00:09:25,800 --> 00:09:29,320
Speaker 2: it Doesn't it didn't sound like that those numbers were,

131
00:09:29,360 --> 00:09:31,800
Speaker 2: daunting and it didn't sound like you could just visually

132
00:09:31,880 --> 00:09:36,679
Speaker 2: see an endless line of. People my daughter flew out

133
00:09:36,679 --> 00:09:39,040
Speaker 2: of termal one yesterday at, noon got there about nine thirty,

134
00:09:39,040 --> 00:09:44,600
Speaker 2: am got through security in about five to ten. Minutes

135
00:09:44,640 --> 00:09:48,959
Speaker 2: so that's all. Good, DAN i Left atlanta after the,

136
00:09:48,960 --> 00:09:50,839
Speaker 2: tsnonami was an hour forty five minutes to get THROUGH

137
00:09:50,840 --> 00:09:56,200
Speaker 2: tsa at four thirty a. M so it feels so

138
00:09:56,320 --> 00:10:00,440
Speaker 2: far as if it has been relatively. Normal here another

139
00:10:00,600 --> 00:10:04,240
Speaker 2: feather in the cap of an airport that continues to

140
00:10:05,920 --> 00:10:10,720
Speaker 2: very deservedly get raves for, service get raves for options to,

141
00:10:10,800 --> 00:10:16,120
Speaker 2: eat options to, shop the whole. Bit very. Understandable all,

142
00:10:16,200 --> 00:10:18,439
Speaker 2: right let's get a quick pause in. HERE i got

143
00:10:18,480 --> 00:10:23,359
Speaker 2: a couple of other ITEMS i want to, discuss not particularly,

144
00:10:23,360 --> 00:10:26,240
Speaker 2: controversial BUT i think interesting ones as, well and then

145
00:10:26,280 --> 00:10:31,800
Speaker 2: we'll prepare to talk, music Primarily dylan And, springsteen two

146
00:10:32,360 --> 00:10:34,959
Speaker 2: heavyweights that our four to thirty, Guest John, breem has

147
00:10:35,000 --> 00:10:37,960
Speaker 2: been covering for basically half a. Century he joins at

148
00:10:37,960 --> 00:10:43,559
Speaker 2: the bottom of the arm never ms a chance to

149
00:10:43,600 --> 00:10:43,880
Speaker 2: know what.

150
00:10:43,840 --> 00:10:45,960
Speaker 1: The latest sports news is in. Town chances to win

151
00:10:46,000 --> 00:10:47,800
Speaker 1: tickets are just want to know what's going on with

152
00:10:47,840 --> 00:10:50,760
Speaker 1: all your FAVORITE kfa and. Shows you can Follow kfan

153
00:10:50,840 --> 00:10:54,000
Speaker 1: one zero zero three on all of our social channels Like, instagram,

154
00:10:54,080 --> 00:10:57,200
Speaker 1: TikTok and X stay connected and follow the leader for

155
00:10:57,240 --> 00:10:58,320
Speaker 1: all sports that matter the.

156
00:10:58,400 --> 00:11:02,760
Speaker 2: Family how does your Guy Gus buss screw up That

157
00:11:02,960 --> 00:11:06,360
Speaker 2: karen last? Night that? Annoyed that's not supposed to happen

158
00:11:06,400 --> 00:11:07,600
Speaker 2: at the professional, level is.

159
00:11:07,640 --> 00:11:11,800
Speaker 1: It you score a goalie goal one, year you mess

160
00:11:11,880 --> 00:11:13,320
Speaker 1: up a routine play the, next.

161
00:11:13,520 --> 00:11:16,680
Speaker 2: And again the final score looked like it was this massive.

162
00:11:16,920 --> 00:11:19,640
Speaker 2: Blowout it was at That it was at that point

163
00:11:19,679 --> 00:11:21,440
Speaker 2: after that, goal that's what made it four to. Three

164
00:11:21,480 --> 00:11:24,160
Speaker 2: and then it's two open, netters right empty, NETTERS i should,

165
00:11:24,200 --> 00:11:26,000
Speaker 2: say and after.

166
00:11:25,840 --> 00:11:27,600
Speaker 1: A really dumb hertman penalty down one.

167
00:11:27,760 --> 00:11:30,160
Speaker 2: Goal that's a good point. Too, yeah that's that's fair to. Say,

168
00:11:30,880 --> 00:11:34,040
Speaker 2: YEAH i did not like. THAT i, MEAN i, MEAN

169
00:11:34,120 --> 00:11:36,880
Speaker 2: i see that kind of play when you're seeing like

170
00:11:39,240 --> 00:11:42,200
Speaker 2: twelve year olds play hockey in the goal where you go.

171
00:11:42,240 --> 00:11:44,280
Speaker 2: Out you are, young yet they're still figuring out they

172
00:11:44,280 --> 00:11:46,200
Speaker 2: can barely know how to move with the. Pads. Whatever

173
00:11:46,880 --> 00:11:49,960
Speaker 2: that part surprised. Me beyond, that anything else catch your

174
00:11:50,000 --> 00:11:52,480
Speaker 2: eye in last night's setback.

175
00:11:52,160 --> 00:11:55,120
Speaker 1: To, me if you're a box score, reader it's they

176
00:11:55,120 --> 00:11:57,440
Speaker 1: got blown? Out what are they even doing down right?

177
00:11:57,480 --> 00:12:00,000
Speaker 1: Where it really wasn't that. Way in, fact the first

178
00:12:00,000 --> 00:12:03,000
Speaker 1: period was all. WILD i mean they dominated on the,

179
00:12:03,000 --> 00:12:05,760
Speaker 1: scoreboard they dominated with the, FISTICUFFS i, mean it was

180
00:12:05,920 --> 00:12:09,720
Speaker 1: All christmas. Colors and then it slowly starts to get.

181
00:12:09,760 --> 00:12:12,240
Speaker 1: Away they get a really easy power play goal where

182
00:12:12,240 --> 00:12:14,800
Speaker 1: there's a gen soul is kind of one of us

183
00:12:15,000 --> 00:12:17,600
Speaker 1: Screening gus for free on the power, play no one

184
00:12:17,679 --> 00:12:21,600
Speaker 1: getting and then, yeah The gus bust thing. Happens but

185
00:12:23,000 --> 00:12:26,040
Speaker 1: and it just drives me. Crazy where you're down a,

186
00:12:26,080 --> 00:12:28,600
Speaker 1: goal you're still in. It there's a few minutes left to, play,

187
00:12:28,720 --> 00:12:33,520
Speaker 1: yes and you just take if There's if there's ever a, stupid,

188
00:12:33,600 --> 00:12:39,240
Speaker 1: frustration dumb avoidable, penalty it's either thirty eight or seventeen

189
00:12:39,840 --> 00:12:41,720
Speaker 1: free time and it happens.

190
00:12:41,760 --> 00:12:43,000
Speaker 2: Again what was with all the?

191
00:12:43,000 --> 00:12:46,440
Speaker 1: FISTICUFFS i don't, Know to be, HONEST i have no,

192
00:12:46,559 --> 00:12:50,520
Speaker 1: idea BUT i mean they start going it is. Bored

193
00:12:50,679 --> 00:12:54,240
Speaker 1: that's what they got him. For that's what mccaren screwed.

194
00:12:54,320 --> 00:12:56,640
Speaker 1: Up Corey perry probably the most he's ever been in

195
00:12:56,640 --> 00:12:59,640
Speaker 1: his career with his. Face and there's another guy that

196
00:12:59,640 --> 00:13:04,640
Speaker 1: went off repairs to the only TIME i really went

197
00:13:05,120 --> 00:13:07,839
Speaker 1: yeah was when The Ka chuck brothers fought The. Canadians

198
00:13:08,600 --> 00:13:11,040
Speaker 1: that got me on my. Feet it's it's it's, fine

199
00:13:11,120 --> 00:13:12,960
Speaker 1: but it doesn't really do it for. ME a great

200
00:13:12,960 --> 00:13:13,679
Speaker 1: goal doesn't make all.

201
00:13:13,760 --> 00:13:16,439
Speaker 2: Right you have a notebook in front of you in a, pen,

202
00:13:16,679 --> 00:13:26,120
Speaker 2: sure all, RIGHT i want you to take down these. Numbers, okay, okay, zero, one,

203
00:13:28,240 --> 00:13:38,680
Speaker 2: zero zero and. One what do all those zeros and

204
00:13:38,720 --> 00:13:44,760
Speaker 2: ones add up? To? Total? Two so that's the total

205
00:13:44,880 --> 00:13:54,160
Speaker 2: number of points for your Guy caprisov in the last six, games,

206
00:13:54,640 --> 00:13:56,200
Speaker 2: ACTUALLY i guess it would be the last, one, two, three,

207
00:13:56,200 --> 00:13:59,960
Speaker 2: four five. Games the one before that he had one

208
00:14:00,160 --> 00:14:05,000
Speaker 2: of each Against utah that was a five nothing, out

209
00:14:05,520 --> 00:14:11,719
Speaker 2: but before that a goal before, that, nothing no goals or.

210
00:14:11,760 --> 00:14:17,000
Speaker 2: Assists so are we is that too small a sample

211
00:14:17,040 --> 00:14:18,679
Speaker 2: size to be a little bit worried about whether we're

212
00:14:18,720 --> 00:14:21,080
Speaker 2: seeing the best of what we think career has to

213
00:14:21,120 --> 00:14:23,240
Speaker 2: be for us to be the team we want to.

214
00:14:23,280 --> 00:14:24,200
Speaker 2: BE i think.

215
00:14:24,240 --> 00:14:27,960
Speaker 1: SO i think IT'S i, mean there are guys that

216
00:14:28,000 --> 00:14:30,000
Speaker 1: aren't producing on this team as much as they should. Be,

217
00:14:30,880 --> 00:14:34,240
Speaker 1: yeah that, sure in that five we got worried about

218
00:14:34,280 --> 00:14:37,120
Speaker 1: the five game losing striker skid that they had at.

219
00:14:37,120 --> 00:14:39,800
Speaker 1: Home so if that's not too small of a sample,

220
00:14:39,840 --> 00:14:42,640
Speaker 1: size and you would think this wouldn't be, Forging i'm just.

221
00:14:42,720 --> 00:14:45,240
Speaker 1: NOT i just know where he's how good of a

222
00:14:45,280 --> 00:14:47,200
Speaker 1: player he, is and he's got a lot of equity

223
00:14:47,240 --> 00:14:48,400
Speaker 1: with the point total this year.

224
00:14:48,280 --> 00:14:49,800
Speaker 2: That i'll let it, Slide, Okay i'm just.

225
00:14:49,840 --> 00:14:52,440
Speaker 1: Asking but, YEAH i, Mean i'm sure there are people

226
00:14:52,480 --> 00:14:54,080
Speaker 1: out there that are not thrilled with.

227
00:14:54,120 --> 00:14:57,480
Speaker 2: THAT i, mean for the for the month Of, march

228
00:14:57,520 --> 00:15:01,800
Speaker 2: what's the date, today twenty, Fifth so for the month Of,

229
00:15:01,840 --> 00:15:07,200
Speaker 2: march he's got five goals and two, assists seven. Points

230
00:15:08,360 --> 00:15:12,680
Speaker 2: that seems light to. Me, Yeah i'm just thinking he missed.

231
00:15:13,240 --> 00:15:17,160
Speaker 2: Three yeah that's. True, yeah but even, so that's still

232
00:15:17,160 --> 00:15:18,760
Speaker 2: a little seems a little on the. Light so IT'S

233
00:15:19,160 --> 00:15:20,960
Speaker 2: i would say it's not anything to panic, over BUT

234
00:15:21,000 --> 00:15:23,800
Speaker 2: i think it's something to watch and pay attention to and, say,

235
00:15:23,840 --> 00:15:26,520
Speaker 2: well we know we're going to have to get even

236
00:15:26,560 --> 00:15:28,240
Speaker 2: even THOUGH i know we're deeper than we were before

237
00:15:28,240 --> 00:15:29,680
Speaker 2: and we got a, lot you, know in, general we

238
00:15:29,720 --> 00:15:35,240
Speaker 2: score more, easily have a great power. Play now it's

239
00:15:35,240 --> 00:15:37,520
Speaker 2: STILL i Think bear's worth watching.

240
00:15:37,560 --> 00:15:40,200
Speaker 1: Him maybe maybe it's time To we've been shuffling the

241
00:15:40,240 --> 00:15:43,600
Speaker 1: lines and we've Separated hughes And. Faber maybe it's time

242
00:15:43,600 --> 00:15:46,200
Speaker 1: we start giving him a little. Help that's NOT i,

243
00:15:46,200 --> 00:15:49,640
Speaker 1: MEAN i know we Love, zucarello But Ryan hartman's not you,

244
00:15:49,680 --> 00:15:52,000
Speaker 1: know that number one center that's going to carry the

245
00:15:52,040 --> 00:15:52,600
Speaker 1: team into the.

246
00:15:52,600 --> 00:15:56,240
Speaker 2: Future The caprice off apologists are, coming Including. Matt i'm

247
00:15:56,280 --> 00:15:58,600
Speaker 2: sure you realize That kaprisov has been playing hurt for two.

248
00:15:58,600 --> 00:16:01,240
Speaker 2: WEEKS i don't how to break it to. You first of,

249
00:16:01,240 --> 00:16:05,000
Speaker 2: all that's rich coming from the hockey, community which does

250
00:16:05,040 --> 00:16:08,960
Speaker 2: nothing but whine about any excuses ever being offered to

251
00:16:09,000 --> 00:16:13,200
Speaker 2: basketball players when they're. Hurt he may be, hurt but

252
00:16:13,400 --> 00:16:15,920
Speaker 2: if that's part of what is going, on, now is

253
00:16:15,960 --> 00:16:18,720
Speaker 2: he going to get better All i'm saying Is i'm

254
00:16:18,720 --> 00:16:21,760
Speaker 2: not here to cast dispersions on his manhood or his,

255
00:16:21,920 --> 00:16:25,440
Speaker 2: character But i'm saying that the production is going to

256
00:16:25,520 --> 00:16:28,000
Speaker 2: have to have to get, better whatever the reasons that

257
00:16:28,040 --> 00:16:31,200
Speaker 2: are contributing to this, situation because let's be honest about.

258
00:16:31,240 --> 00:16:35,040
Speaker 2: Something he was hurt a lot last, year and you

259
00:16:35,080 --> 00:16:37,840
Speaker 2: can again, say, well it wasn't like he was faking the,

260
00:16:37,880 --> 00:16:40,520
Speaker 2: injury AND i would SAY i, Agree but the cliche

261
00:16:40,560 --> 00:16:43,320
Speaker 2: applies in hockey just like it is other. Sport the

262
00:16:43,320 --> 00:16:46,480
Speaker 2: most important ability is. Availability and so if we're just

263
00:16:46,480 --> 00:16:47,920
Speaker 2: going to write it off as what he's been kind of,

264
00:16:47,960 --> 00:16:51,320
Speaker 2: hurt so therefore that's where he's, at that isn't doesn't

265
00:16:51,400 --> 00:16:53,800
Speaker 2: then have to be a criticism of, him but it

266
00:16:53,840 --> 00:16:57,680
Speaker 2: has to be an observation worth paying attention. To if

267
00:16:57,760 --> 00:17:01,000
Speaker 2: we have a diminished player in part because he's because

268
00:17:01,000 --> 00:17:03,120
Speaker 2: he's not not, healthy and how long will that go?

269
00:17:03,240 --> 00:17:04,439
Speaker 2: On we're getting to the end.

270
00:17:04,440 --> 00:17:07,359
Speaker 1: Here in that, case then they if that were to be,

271
00:17:07,400 --> 00:17:09,520
Speaker 1: true and it's very possible it, is then you need

272
00:17:09,560 --> 00:17:11,879
Speaker 1: to be sitting them like they were because these games

273
00:17:11,920 --> 00:17:16,040
Speaker 1: are border line one hundred percent. Right if they would

274
00:17:16,080 --> 00:17:20,720
Speaker 1: have won those three bottom feeder. Games we could be

275
00:17:20,960 --> 00:17:22,840
Speaker 1: in a battle for home. Ice it's, true it's not

276
00:17:22,880 --> 00:17:25,199
Speaker 1: really looking like the. Case sure it could happen and

277
00:17:25,240 --> 00:17:27,760
Speaker 1: Maybe dallas falls off a cliff and we get home.

278
00:17:27,800 --> 00:17:30,200
Speaker 1: Ice but It's dallas in the first round no matter.

279
00:17:30,240 --> 00:17:32,879
Speaker 1: What SO i actually think they should be cycling some

280
00:17:32,920 --> 00:17:33,439
Speaker 1: guys in and.

281
00:17:33,440 --> 00:17:37,400
Speaker 2: Out but we talked about this. Yesterday you're you're you're

282
00:17:37,440 --> 00:17:40,119
Speaker 2: not going anywhere at this, point you could call it

283
00:17:40,119 --> 00:17:42,920
Speaker 2: a former load. Management i'd say this would be permissible

284
00:17:43,240 --> 00:17:48,520
Speaker 2: load management under these. Conditions even if the ticket buyer

285
00:17:48,560 --> 00:17:50,560
Speaker 2: again it was going to the See caprice off that, night,

286
00:17:50,600 --> 00:17:52,280
Speaker 2: Goes wait AT i want to see a price. Off you, go,

287
00:17:52,359 --> 00:17:54,359
Speaker 2: well we're at the point of the year WHERE i

288
00:17:54,359 --> 00:17:57,560
Speaker 2: think most fans will accept that trade. Off and the

289
00:17:57,600 --> 00:18:01,119
Speaker 2: trade off is have your best play as healthy as

290
00:18:01,240 --> 00:18:05,159
Speaker 2: humanly possible once the games really matter again in the

291
00:18:05,480 --> 00:18:09,120
Speaker 2: in the, postseason and if indeed he's, hurt this isn't

292
00:18:09,119 --> 00:18:11,080
Speaker 2: the time to be a. Hero this is the, time

293
00:18:11,160 --> 00:18:13,719
Speaker 2: as you, say to sit him and to give him

294
00:18:13,760 --> 00:18:15,080
Speaker 2: the best chance to be as healthy as.

295
00:18:15,080 --> 00:18:18,240
Speaker 1: Possible, Agreed not that. Difficult NOW i will to be

296
00:18:18,440 --> 00:18:21,399
Speaker 1: A caprice ap. Apologist nnkis and. Bunnies do you like?

297
00:18:21,480 --> 00:18:24,920
Speaker 1: Parades he has seventh and goals in THE, Nhl he's

298
00:18:24,960 --> 00:18:28,720
Speaker 1: thirteenth in. Points this season has been, Great it has Been,

299
00:18:28,960 --> 00:18:31,720
Speaker 1: Yeah but as of, LATE I i would start looking

300
00:18:31,720 --> 00:18:32,160
Speaker 1: at different.

301
00:18:32,200 --> 00:18:34,679
Speaker 2: Linematees IF i Were, John hin's gonna mix it up

302
00:18:34,680 --> 00:18:34,920
Speaker 2: a little.

303
00:18:34,960 --> 00:18:37,280
Speaker 1: Bit if not now, When, yeah that would be my.

304
00:18:37,359 --> 00:18:39,560
Speaker 2: Quiney we got time to do that. Too all, right

305
00:18:39,640 --> 00:18:44,600
Speaker 2: let's talk popular. Music how about? That John breem has

306
00:18:44,640 --> 00:18:47,920
Speaker 2: been covering music To Start debune forever half a, century

307
00:18:47,920 --> 00:18:51,760
Speaker 2: if not. Longer AND i was saying about him today

308
00:18:51,760 --> 00:18:56,439
Speaker 2: BECAUSE i noted he had a concert review of A

309
00:18:56,480 --> 00:19:00,399
Speaker 2: Bob dylan event In, DULUTH i, believe and then he

310
00:19:00,400 --> 00:19:04,119
Speaker 2: also got an exclusive interview With Bruce, springsteen who is

311
00:19:04,160 --> 00:19:05,960
Speaker 2: coming back to town as. Well so we'll get into

312
00:19:06,000 --> 00:19:08,359
Speaker 2: both of those, subjects and who knows what. Else if

313
00:19:08,440 --> 00:19:11,560
Speaker 2: you have questions for Mister bream of The Start, Debune

314
00:19:12,119 --> 00:19:14,920
Speaker 2: bratshaw On Brian caffe and text line is as always

315
00:19:15,000 --> 00:19:20,320
Speaker 2: available to you at six four six eight six six

316
00:19:20,560 --> 00:19:22,560
Speaker 2: four six eighty. Six back in.

317
00:19:22,640 --> 00:19:33,560
Speaker 1: There the tournament is. Underway don't miss a second of the.

318
00:19:33,600 --> 00:19:36,320
Speaker 1: Action you can tune in ninety six point SEVEN kfn

319
00:19:36,440 --> 00:19:39,600
Speaker 1: plus and on the Free iHeartRadio happ for all the hoops.

320
00:19:39,680 --> 00:19:41,480
Speaker 1: Coverage it's driven By Dave Smith.

321
00:19:41,520 --> 00:19:55,480
Speaker 4: MOTORS i mentioned anybody has questions or observations for started

322
00:19:55,520 --> 00:19:58,680
Speaker 4: being music Critic John bream hit The bratch On brian

323
00:19:58,760 --> 00:19:59,840
Speaker 4: caffe in text line at.

324
00:19:59,760 --> 00:20:06,800
Speaker 2: Six for six eight, six don't. Forget kessler will join

325
00:20:07,000 --> 00:20:10,080
Speaker 2: in about one Hour top five at five yet to

326
00:20:10,119 --> 00:20:15,800
Speaker 2: come as, Well, john can you explain what your beef

327
00:20:16,040 --> 00:20:18,280
Speaker 2: is With Bob?

328
00:20:18,359 --> 00:20:21,879
Speaker 3: DYLAN i don't have a beef with. HIM i have

329
00:20:21,880 --> 00:20:25,679
Speaker 3: a beef with the way he handles last night's performance

330
00:20:25,680 --> 00:20:29,920
Speaker 3: In rochester kind of maybe unprofessionally is the. Word he

331
00:20:30,320 --> 00:20:33,880
Speaker 3: didn't consistently sing into the two microphones that he, had

332
00:20:34,560 --> 00:20:36,760
Speaker 3: and this is a. Problem this is a third night

333
00:20:36,800 --> 00:20:41,760
Speaker 3: of the. Tour fans were complaining on fan websites on

334
00:20:41,840 --> 00:20:44,879
Speaker 3: social media the first two. Nights you would think his

335
00:20:45,160 --> 00:20:47,000
Speaker 3: crew would pick up on this and address this.

336
00:20:47,080 --> 00:20:52,480
Speaker 2: Issue do you think it's as simple as intimidation? Factor

337
00:20:52,520 --> 00:20:56,919
Speaker 2: do you think there are individuals simply afraid to state

338
00:20:56,960 --> 00:21:00,520
Speaker 2: the obvious because you can't get any more fundamental than

339
00:21:00,600 --> 00:21:04,760
Speaker 2: what you were talking. About, NO i.

340
00:21:04,720 --> 00:21:07,960
Speaker 3: Don't think his crew is intimidated by. HIM i think

341
00:21:08,000 --> 00:21:09,959
Speaker 3: he probably doesn't see it as a.

342
00:21:10,000 --> 00:21:14,159
Speaker 2: Problem well that's a. Problem you, know he.

343
00:21:14,000 --> 00:21:17,320
Speaker 3: Can hear what he's, singing but maybe the you, know

344
00:21:17,359 --> 00:21:20,160
Speaker 3: the audience. CAN'T i, mean when your mouth is more,

345
00:21:20,200 --> 00:21:23,000
Speaker 3: than you, know more than ten inches away from the,

346
00:21:23,040 --> 00:21:26,639
Speaker 3: microphone it's pretty difficult to hear hear you're singing unless

347
00:21:26,680 --> 00:21:29,320
Speaker 3: you've got a really loud. Voice, yeah and you know

348
00:21:29,320 --> 00:21:31,480
Speaker 3: at this point he doesn't have a really loud. Voice

349
00:21:31,880 --> 00:21:34,040
Speaker 3: although when you heard, him his singing was very.

350
00:21:34,080 --> 00:21:35,520
Speaker 2: Good it was good when you could hear.

351
00:21:35,560 --> 00:21:39,919
Speaker 3: Him, yeah, yeah it was, nuanced it was, forceful he was.

352
00:21:39,960 --> 00:21:45,040
Speaker 3: Engaged no complaints except for the fact, that you, know

353
00:21:45,119 --> 00:21:46,919
Speaker 3: on four of the songs you could barely hear. Him

354
00:21:46,920 --> 00:21:49,239
Speaker 3: and that was one fourth of the evening right.

355
00:21:49,280 --> 00:21:50,160
Speaker 2: There that's that's.

356
00:21:50,200 --> 00:21:50,280
Speaker 5: It.

357
00:21:50,560 --> 00:21:54,080
Speaker 2: Now was it apparent enough that that people around you

358
00:21:54,160 --> 00:21:56,560
Speaker 2: were muttering about him he? Was was there an undercurrent

359
00:21:56,640 --> 00:22:01,720
Speaker 2: of frustration that was easily? DETECTED i don't think.

360
00:22:01,760 --> 00:22:04,000
Speaker 3: So. THAT i was sitting on the main floor AND

361
00:22:04,040 --> 00:22:07,159
Speaker 3: i was. Close you, KNOW i bought my tickets the

362
00:22:07,240 --> 00:22:08,920
Speaker 3: day they went on, sales SO i had pretty good.

363
00:22:08,920 --> 00:22:12,320
Speaker 3: SEATS i talked to one person who was in the

364
00:22:12,960 --> 00:22:16,359
Speaker 3: in the balcony for the concert, afterwards and he said

365
00:22:17,080 --> 00:22:20,040
Speaker 3: it was, Quiet, bob and that it was you, know

366
00:22:20,119 --> 00:22:23,040
Speaker 3: it was an acoustics show except for his electric. Piano

367
00:22:25,080 --> 00:22:27,879
Speaker 3: i'm trying to, screw which is unusual For, bob you,

368
00:22:27,920 --> 00:22:32,160
Speaker 3: know to To usually he plays a baby grand piano

369
00:22:32,640 --> 00:22:35,520
Speaker 3: and the guitarists play electric. Guitar, well the guitarist played

370
00:22:35,560 --> 00:22:39,080
Speaker 3: acrostic guitar and he played electric. Piano and on the

371
00:22:39,119 --> 00:22:41,840
Speaker 3: previous tours when he played the grand, piano there was

372
00:22:41,880 --> 00:22:42,600
Speaker 3: no problem with the.

373
00:22:42,640 --> 00:22:49,240
Speaker 2: Microphone, interesting now you, wrote he did, also like you,

374
00:22:49,280 --> 00:22:54,199
Speaker 2: say he apparently refreshed things, right there was not the

375
00:22:54,520 --> 00:22:58,399
Speaker 2: as you, write the seemingly set in concrete set list

376
00:22:59,160 --> 00:23:01,320
Speaker 2: for the last that well for the last three.

377
00:23:01,359 --> 00:23:05,000
Speaker 3: YEARS i, mean, yeah he'd been playing basically the same

378
00:23:05,200 --> 00:23:08,919
Speaker 3: sixteen or seventeen songs for the last three. Years and

379
00:23:08,920 --> 00:23:11,800
Speaker 3: he was Doing it's The rough And Rowdy ways, tour

380
00:23:11,840 --> 00:23:15,280
Speaker 3: which started In november of twenty twenty one In, milwaukee

381
00:23:16,160 --> 00:23:19,040
Speaker 3: and he's been doing nine of the ten songs from that.

382
00:23:19,200 --> 00:23:21,520
Speaker 3: Album it's a great, album but you, know it's the

383
00:23:21,560 --> 00:23:24,439
Speaker 3: same thing over and, over and he's, got you, know

384
00:23:25,000 --> 00:23:28,880
Speaker 3: an immensely deep. Catalog, well this, time he only did

385
00:23:28,960 --> 00:23:31,679
Speaker 3: six songs From rough And Rowdy, ways so he added

386
00:23:31,720 --> 00:23:33,520
Speaker 3: a couple more oldies and a couple of.

387
00:23:33,520 --> 00:23:36,640
Speaker 2: Covers when is the last time you Interviewed Bob?

388
00:23:36,720 --> 00:23:42,959
Speaker 3: Dylan the last TIME i talked To Bob dylan was

389
00:23:46,640 --> 00:23:49,919
Speaker 3: in the late, eighties and say in nineties.

390
00:23:49,960 --> 00:23:50,840
Speaker 2: Maybe what was that?

391
00:23:50,880 --> 00:23:58,919
Speaker 3: Circumstance, WELL i when he was going to play The.

392
00:23:59,000 --> 00:24:03,960
Speaker 3: METRODOME i went out to crash backstage at one of

393
00:24:04,000 --> 00:24:08,880
Speaker 3: his shows In. Berkeley he was playing two. NIGHTS i, thought,

394
00:24:08,960 --> 00:24:11,439
Speaker 3: Okay i'll go the first night and see IF i

395
00:24:11,440 --> 00:24:15,520
Speaker 3: can connect with. Him AND i ran into a guy

396
00:24:15,560 --> 00:24:19,479
Speaker 3: backstage WHO i knew everything is, networking a guy who'd

397
00:24:19,480 --> 00:24:22,680
Speaker 3: worked With Morris, day AND i ran into. HIM i, said,

398
00:24:22,680 --> 00:24:24,200
Speaker 3: hey what are you doing? Here he, Says I'm Bob

399
00:24:24,280 --> 00:24:27,800
Speaker 3: dylan's tour. Accountant AND i, said can you take me To?

400
00:24:27,840 --> 00:24:31,480
Speaker 3: Bob you know he knows, Me and he said. Oh he,

401
00:24:31,480 --> 00:24:33,399
Speaker 3: Said i'll tell you. What i'll walk you by the

402
00:24:33,520 --> 00:24:35,199
Speaker 3: dressing room and then you're on your. OWN i go,

403
00:24:35,320 --> 00:24:38,399
Speaker 3: Fine so he watch me by the dressing room AND

404
00:24:38,400 --> 00:24:41,640
Speaker 3: i stand in an open doorway and the bodyguard comes,

405
00:24:41,640 --> 00:24:44,479
Speaker 3: Out CAN i help? You AND i, said, Yeah I'm

406
00:24:44,520 --> 00:24:47,040
Speaker 3: John breen from The Minneapolis Start tribute And bob looks

407
00:24:47,119 --> 00:24:50,639
Speaker 3: up and, Goes, john come on. In, so you, know

408
00:24:51,160 --> 00:24:57,200
Speaker 3: we hung out for two days, really and, yeah.

409
00:24:56,000 --> 00:24:56,600
Speaker 2: Well did he give?

410
00:24:56,640 --> 00:24:56,720
Speaker 3: You?

411
00:24:56,760 --> 00:24:58,160
Speaker 2: What do you remember? Me did he give you all

412
00:24:58,200 --> 00:25:01,000
Speaker 2: kinds of, good free flowing? Stuff what was that?

413
00:25:01,240 --> 00:25:04,760
Speaker 3: Like, no we just hung. Out WHEN i pulled out

414
00:25:04,800 --> 00:25:07,040
Speaker 3: the paper, recorder he, said put away the tape. RECORDER

415
00:25:07,200 --> 00:25:09,520
Speaker 3: i don't want to do. That so we just talked

416
00:25:09,560 --> 00:25:12,920
Speaker 3: and hung out and talked music and talk. Sports and

417
00:25:13,119 --> 00:25:15,720
Speaker 3: you know the next DAY i wrote to the gig with,

418
00:25:15,840 --> 00:25:20,280
Speaker 3: him and we're getting in a van to ride over,

419
00:25:20,320 --> 00:25:23,240
Speaker 3: there and he, says you got your tape recorder AND

420
00:25:23,840 --> 00:25:26,240
Speaker 3: i said. Yeah he, said WELL i WANT i want

421
00:25:26,280 --> 00:25:30,120
Speaker 3: to play my. Cassette listen to the. Cassette i'm recording

422
00:25:30,160 --> 00:25:32,200
Speaker 3: my new. Album AND i, said, well my headphones are

423
00:25:32,400 --> 00:25:35,680
Speaker 3: up in the in my. Room so he said we'll

424
00:25:35,680 --> 00:25:38,160
Speaker 3: go up and get. Him So i'm, thinking, like, wait

425
00:25:38,359 --> 00:25:41,439
Speaker 3: yesterday your manager said you don't have time for, Me

426
00:25:41,560 --> 00:25:43,879
Speaker 3: and Now bob's waiting for me WHILE i go get my.

427
00:25:43,920 --> 00:25:49,080
Speaker 3: Headphones and you, know when we went to the, gig

428
00:25:49,359 --> 00:25:51,560
Speaker 3: we were talking about the album And i'm standing there

429
00:25:51,560 --> 00:25:56,080
Speaker 3: talking to, him and he's walking on, stage AND i

430
00:25:56,119 --> 00:25:59,399
Speaker 3: know where the line of demarcation is, here you don't cross,

431
00:25:59,400 --> 00:26:01,840
Speaker 3: it let and go on. Stage he didn't tell me

432
00:26:01,880 --> 00:26:05,040
Speaker 3: where to go. Stand SO i stood by the. Soundboard

433
00:26:05,680 --> 00:26:07,880
Speaker 3: and this Was San. Francisco So i'm on the side

434
00:26:07,880 --> 00:26:11,600
Speaker 3: of the stage listening at the. Soundboard who's standing next to,

435
00:26:11,640 --> 00:26:15,720
Speaker 3: Me Jerry, garcia grateful, dead give me a running, Commentary I'm.

436
00:26:15,800 --> 00:26:19,520
Speaker 3: Dylan SO i got a sidebar With garcia talking About

437
00:26:19,560 --> 00:26:22,960
Speaker 3: dylan and a day and a half hanging out With.

438
00:26:23,080 --> 00:26:25,960
Speaker 2: Dylan that's a good night and a half at the newspaper,

439
00:26:25,960 --> 00:26:31,040
Speaker 2: office that's for. Sure so when you say for much of,

440
00:26:31,040 --> 00:26:34,080
Speaker 2: it he, says put the tape recorder. Away does that

441
00:26:34,280 --> 00:26:38,439
Speaker 2: mean everything is off the record and you don't go

442
00:26:38,600 --> 00:26:41,959
Speaker 2: back to your room and furiously try to piece together

443
00:26:42,119 --> 00:26:44,320
Speaker 2: some of the. Conversation is that off? Limits or how

444
00:26:44,320 --> 00:26:46,520
Speaker 2: do you how do you do that in that, SITUATION.

445
00:26:47,920 --> 00:26:54,399
Speaker 3: I just assumed everything was on the. Record he just

446
00:26:54,400 --> 00:26:57,280
Speaker 3: didn't want to, recorded and he didn't want to be,

447
00:26:57,320 --> 00:27:02,800
Speaker 3: interviewed you, know he wanted a. Conversation my lining About

448
00:27:02,840 --> 00:27:06,000
Speaker 3: dylan for years is he wants to be put on a,

449
00:27:06,040 --> 00:27:08,440
Speaker 3: pedestal but don't treat him like he's on the. Pedestal

450
00:27:08,880 --> 00:27:13,320
Speaker 3: he doesn't want to explain his songs or that sort of,

451
00:27:13,359 --> 00:27:17,320
Speaker 3: thing you. KNOW i, MEAN i THINK i asked him questions, like,

452
00:27:18,560 --> 00:27:21,240
Speaker 3: uh you, know we WEREN'T i wasn't taking notes or.

453
00:27:21,240 --> 00:27:23,080
Speaker 3: Anything BUT i think one of the THINGS i asked,

454
00:27:23,160 --> 00:27:27,280
Speaker 3: HIM i, said you, know your songs are are, long they're,

455
00:27:27,320 --> 00:27:30,199
Speaker 3: wordy they don't all. Rhyme how do you remember all the?

456
00:27:30,240 --> 00:27:32,679
Speaker 3: Words to? Him and he just looked at me with

457
00:27:32,720 --> 00:27:36,520
Speaker 3: That Bob dylan almost side eyed, thing and he, GOES

458
00:27:36,760 --> 00:27:40,080
Speaker 3: i wrote, him DIDN'T I you, know if you would

459
00:27:40,119 --> 00:27:42,760
Speaker 3: have seen him last. Night he's got laminated pages of

460
00:27:42,880 --> 00:27:46,280
Speaker 3: lyrics in a notebook that he's flipping through. Seriously so

461
00:27:46,359 --> 00:27:48,240
Speaker 3: maybe he wrote him back then when he was younger

462
00:27:48,280 --> 00:27:51,199
Speaker 3: he could remember. Him but, nowadays like most, singers he

463
00:27:51,280 --> 00:27:52,359
Speaker 3: needs his cheat.

464
00:27:52,359 --> 00:27:53,639
Speaker 2: Sheets how old Is?

465
00:27:53,720 --> 00:27:58,000
Speaker 3: Dylan eighty, four eighty eighty, five In may.

466
00:27:58,000 --> 00:28:01,520
Speaker 2: Eighty, Four i'll see. Five so what would you, Say

467
00:28:01,720 --> 00:28:13,920
Speaker 2: obviously you've covered him. Forever what's the biggest misconception About? Dylan, well.

468
00:28:15,600 --> 00:28:18,480
Speaker 3: There's there's a lot of different characters in. There definitely

469
00:28:21,960 --> 00:28:24,680
Speaker 3: a lot of it is self. Protection but if he

470
00:28:24,800 --> 00:28:27,960
Speaker 3: gets him to take down the. Walls you, know he's

471
00:28:28,119 --> 00:28:30,880
Speaker 3: a funny. Guy he's a smart. Guy he's obviously well,

472
00:28:30,960 --> 00:28:33,840
Speaker 3: read he's well. Versed if you just talk to him

473
00:28:33,880 --> 00:28:37,760
Speaker 3: like he's quote unquote, normal you can have a good

474
00:28:37,800 --> 00:28:38,520
Speaker 3: conversation with.

475
00:28:38,640 --> 00:28:39,720
Speaker 5: Him it's when.

476
00:28:39,600 --> 00:28:42,280
Speaker 3: You, start you, know getting into interview mode and asking.

477
00:28:42,360 --> 00:28:46,200
Speaker 3: Questions AND i remember the first TIME i interviewed him

478
00:28:46,600 --> 00:28:49,120
Speaker 3: in the late, seventies and it was just a town,

479
00:28:49,240 --> 00:28:52,280
Speaker 3: interview AND i felt LIKE i was in a freshman philosophy.

480
00:28:52,320 --> 00:28:54,920
Speaker 3: Class you'd ask a question and he'd answer it with a,

481
00:28:55,000 --> 00:28:57,040
Speaker 3: question one of those kinds.

482
00:28:56,920 --> 00:28:57,800
Speaker 2: Of one of those. Deals.

483
00:28:57,840 --> 00:29:01,320
Speaker 3: Yeah. Yeah, SO i, mean he doesn't like being interviewed

484
00:29:01,320 --> 00:29:06,120
Speaker 3: in ever, half but he can be a very, engaging,

485
00:29:06,720 --> 00:29:08,160
Speaker 3: normal charismatic.

486
00:29:08,240 --> 00:29:12,640
Speaker 2: Person one of the things over the years has amused

487
00:29:12,640 --> 00:29:17,000
Speaker 2: me about him, is AND i don't know When i've

488
00:29:17,040 --> 00:29:19,280
Speaker 2: read these, THINGS i guess in some of those, interviews

489
00:29:19,360 --> 00:29:23,120
Speaker 2: or at least some stories that are done occasionally over the,

490
00:29:23,160 --> 00:29:27,440
Speaker 2: decades there'd be A dylan proclamation for whatever, reason in

491
00:29:27,480 --> 00:29:34,760
Speaker 2: which he would basically mock and ridicule whatever. MEANING a

492
00:29:34,880 --> 00:29:37,160
Speaker 2: given you, know could be a music, critic could be

493
00:29:37,200 --> 00:29:41,360
Speaker 2: A rube could be anybody had attached to a specific

494
00:29:41,480 --> 00:29:44,280
Speaker 2: song and the meaning of a song because those individuals

495
00:29:44,440 --> 00:29:47,160
Speaker 2: wanted to believe that this is what it has to.

496
00:29:47,240 --> 00:29:50,920
Speaker 2: Mean and he could occasionally be pretty, vicious right and

497
00:29:50,960 --> 00:29:54,400
Speaker 2: basically saying that's got nothing to do with WHAT i

498
00:29:54,480 --> 00:29:56,080
Speaker 2: was saying or WHAT i was attempting to. SAY i

499
00:29:56,120 --> 00:29:58,040
Speaker 2: don't want any part of. IT i don't want to

500
00:29:58,080 --> 00:30:00,480
Speaker 2: be a part necessarily of the movement that you Think

501
00:30:00,520 --> 00:30:01,320
Speaker 2: i'm obligating to.

502
00:30:01,320 --> 00:30:04,640
Speaker 3: Be a part, of, correct, Right, YEAH i mean he

503
00:30:04,720 --> 00:30:07,880
Speaker 3: never liked being called the spokesman of the, generation, right you,

504
00:30:07,920 --> 00:30:10,600
Speaker 3: know which got labeled on him in the. SIXTIES i,

505
00:30:10,600 --> 00:30:15,600
Speaker 3: mean he was speaking for. Himself and, YEAH i mean

506
00:30:15,640 --> 00:30:19,760
Speaker 3: a lot of that standoffice protectiveness is just because of

507
00:30:19,760 --> 00:30:24,200
Speaker 3: the way people treated him even nowadays in recent. YEARS i,

508
00:30:24,240 --> 00:30:27,040
Speaker 3: mean guys that knew him when there were kids can't get.

509
00:30:27,080 --> 00:30:33,120
Speaker 3: Backstage you, Know there's been TIMES i can't get. Backstage you.

510
00:30:33,160 --> 00:30:35,800
Speaker 3: Know he saw the BOOK i wrote about, him and

511
00:30:35,840 --> 00:30:38,520
Speaker 3: he knew the book BECAUSE i was told by his

512
00:30:38,600 --> 00:30:41,320
Speaker 3: art an art director that he had worked, with that

513
00:30:41,520 --> 00:30:44,680
Speaker 3: he was picking photos from the book THAT i wrote

514
00:30:44,720 --> 00:30:47,120
Speaker 3: in twenty. Fifteen he was picking saying let's use this

515
00:30:47,160 --> 00:30:50,240
Speaker 3: photo for our program that we're putting out for the next.

516
00:30:50,240 --> 00:30:51,000
Speaker 2: Tour that's a nice.

517
00:30:51,040 --> 00:30:56,600
Speaker 3: Praise so, yeah well acknowledgement, direct but, yeah, yeah. Acknowledgement

518
00:30:57,560 --> 00:31:02,000
Speaker 3: so you, know he he he's very protective and the

519
00:31:02,040 --> 00:31:06,520
Speaker 3: people around him are very protective of. Him AND i

520
00:31:06,520 --> 00:31:08,840
Speaker 3: mean it goes back to a lot of, things you,

521
00:31:08,880 --> 00:31:12,080
Speaker 3: know weird things that happened to him when he was much,

522
00:31:12,160 --> 00:31:15,280
Speaker 3: younger and then you get super protective after what happened

523
00:31:15,280 --> 00:31:18,760
Speaker 3: To John. Lennon, ye so you just have to do.

524
00:31:18,800 --> 00:31:22,360
Speaker 3: It and he's also a big family. Man you, know

525
00:31:22,440 --> 00:31:25,560
Speaker 3: he always used TO i don't know if he still does,

526
00:31:25,600 --> 00:31:30,120
Speaker 3: this but he would Host thanksgiving his farm In, minnesota

527
00:31:30,160 --> 00:31:33,240
Speaker 3: and you, know all his kids would fly in and

528
00:31:33,960 --> 00:31:35,360
Speaker 3: they have Big thanksgiving dinner.

529
00:31:35,400 --> 00:31:39,600
Speaker 2: Together music started being music Critic John breen is with

530
00:31:39,720 --> 00:31:44,760
Speaker 2: us on The. Fan Does Bruce springsteen dislike the interview

531
00:31:44,800 --> 00:31:47,160
Speaker 2: format as much as or make him as uncomfortable as

532
00:31:47,160 --> 00:31:49,160
Speaker 2: it seems to Make, Dylan.

533
00:31:51,520 --> 00:31:55,080
Speaker 3: No, bruce can you? Know When bruce decides to do an,

534
00:31:55,080 --> 00:32:01,080
Speaker 3: Interview he's very, thoughtful very. Patient he does tend to

535
00:32:01,120 --> 00:32:06,760
Speaker 3: speak slowly and weigh his, words But i've known him

536
00:32:06,760 --> 00:32:10,000
Speaker 3: for a long time talk to him many. TIMES i

537
00:32:10,040 --> 00:32:12,480
Speaker 3: didn't find him uncomfortable the other day when he called, Me.

538
00:32:13,120 --> 00:32:15,400
Speaker 2: Well that's the, transition because you did get a nice

539
00:32:15,440 --> 00:32:18,920
Speaker 2: exclusive with him talking about his song and about coming

540
00:32:18,960 --> 00:32:22,000
Speaker 2: back to The Twin cities for the. Weekend give us

541
00:32:22,000 --> 00:32:24,120
Speaker 2: some highlights of the.

542
00:32:24,160 --> 00:32:28,760
Speaker 3: Conversation, Well i've been trying to get an interview with

543
00:32:28,840 --> 00:32:32,000
Speaker 3: him ever since he released That streets To minneapolis song In,

544
00:32:32,080 --> 00:32:36,240
Speaker 3: january and then you, KNOW i kept pressing his, people you,

545
00:32:36,240 --> 00:32:40,120
Speaker 3: know with the tour opening here and then sort of

546
00:32:40,120 --> 00:32:42,560
Speaker 3: out of the blue On, MONDAY i get an email

547
00:32:42,640 --> 00:32:46,320
Speaker 3: from his publishers, Saying bruce will call you in the next.

548
00:32:46,320 --> 00:32:51,280
Speaker 3: Hour and about two hours later he, called just out

549
00:32:51,320 --> 00:32:54,880
Speaker 3: of the, blue and we. CHATTED i, mean you, know

550
00:32:54,960 --> 00:32:57,560
Speaker 3: he knows WHO i, am which is. Nice it makes it.

551
00:32:57,600 --> 00:33:02,400
Speaker 3: EASIER i, mean he's not afraid to let his hair

552
00:33:02,440 --> 00:33:05,760
Speaker 3: down with, me you, know and we can talk like normal,

553
00:33:05,800 --> 00:33:11,680
Speaker 3: people unless like an interview. Mode but you, know he

554
00:33:11,800 --> 00:33:13,880
Speaker 3: talked about writing. That he talked about what it was

555
00:33:14,000 --> 00:33:16,680
Speaker 3: like to perform that song In minneapolis and how that

556
00:33:16,760 --> 00:33:19,320
Speaker 3: was one of the most meaningful if he said that

557
00:33:19,400 --> 00:33:21,360
Speaker 3: went to the top of the list of his most

558
00:33:21,360 --> 00:33:27,160
Speaker 3: meaningful performances, ever because of the timing of. It and

559
00:33:27,640 --> 00:33:30,480
Speaker 3: he talked about coming here this weekend to sing at

560
00:33:30,480 --> 00:33:33,040
Speaker 3: The No kings and then the tour that's going to

561
00:33:33,080 --> 00:33:36,840
Speaker 3: Start tuesday At Target. Center and he's very familiar With Target,

562
00:33:36,880 --> 00:33:40,520
Speaker 3: center he's played there a couple of. Times he, promised

563
00:33:40,520 --> 00:33:42,120
Speaker 3: it'll be political and it'll be.

564
00:33:42,160 --> 00:33:46,320
Speaker 2: Topical, now you mentioned in THE q AND a you

565
00:33:46,440 --> 00:33:50,000
Speaker 2: ask him about reaching out To Tom, morello AND i

566
00:33:50,480 --> 00:33:55,000
Speaker 2: enjoyed part of his answer regarding you, know feedback about the.

567
00:33:55,080 --> 00:33:58,960
Speaker 2: Song bruce, says it was a little more directly. TOPICAL

568
00:33:59,000 --> 00:34:01,600
Speaker 2: i tend to write more nuanced even with my political

569
00:34:01,640 --> 00:34:03,680
Speaker 2: or topical. Songs in this, case it was just flat out.

570
00:34:03,720 --> 00:34:05,960
Speaker 2: THERE i never want to sound Like i'm on a.

571
00:34:05,960 --> 00:34:08,880
Speaker 2: Soapbox but As tom, said nuance is, wonderful and sometimes

572
00:34:09,239 --> 00:34:11,360
Speaker 2: you have to kick them in the, teeth and this

573
00:34:11,560 --> 00:34:14,480
Speaker 2: was one of those TIMES i. THOUGHT i thought that

574
00:34:14,480 --> 00:34:17,160
Speaker 2: was a good. Answer, YEAH i.

575
00:34:17,160 --> 00:34:20,960
Speaker 3: Mean that's he told that, story actually a, different slightly

576
00:34:20,960 --> 00:34:24,120
Speaker 3: different version of that story before he performed the song

577
00:34:24,200 --> 00:34:26,919
Speaker 3: At First. Avenue, Anywarry, oh.

578
00:34:26,840 --> 00:34:28,120
Speaker 2: That's, Right, YEAH i come to think of, IT i

579
00:34:28,120 --> 00:34:30,160
Speaker 2: think that's. RIGHT i THINK i remember it we you.

580
00:34:30,160 --> 00:34:31,560
Speaker 3: AND i was just you, know trying to get a

581
00:34:31,600 --> 00:34:33,360
Speaker 3: little little bit more out of. THEM i, MEAN i

582
00:34:33,400 --> 00:34:36,880
Speaker 3: think one of the interesting things he said was the

583
00:34:36,920 --> 00:34:39,640
Speaker 3: words came to him and then he was going to go.

584
00:34:39,719 --> 00:34:42,560
Speaker 3: Right it all just came flowing. Out the words came to,

585
00:34:42,640 --> 00:34:43,840
Speaker 3: him and then he was going to go write the,

586
00:34:43,920 --> 00:34:47,160
Speaker 3: music but his wife went to. Bed he went to

587
00:34:47,200 --> 00:34:49,360
Speaker 3: the bathroom to write The.

588
00:34:53,080 --> 00:34:55,640
Speaker 2: That. Was that. Was that was an interesting visual image for.

589
00:34:55,680 --> 00:34:58,560
Speaker 3: Sure, Yeah AND i mean that just shows you how

590
00:34:58,640 --> 00:35:02,160
Speaker 3: human he. Is maybe the fact that he knows me

591
00:35:02,760 --> 00:35:05,600
Speaker 3: he would share that mm hm with, Me maybe he

592
00:35:05,600 --> 00:35:08,239
Speaker 3: wouldn't share that with other. Interviewers he certainly didn't say

593
00:35:08,239 --> 00:35:10,560
Speaker 3: that at First. Avenue Uh, no that.

594
00:35:11,000 --> 00:35:13,160
Speaker 2: Was it was a good it. WAS i enjoyed. It it

595
00:35:13,120 --> 00:35:15,640
Speaker 2: was a very, good very good. Conversation and he you

596
00:35:15,680 --> 00:35:19,120
Speaker 2: asked him about the age old question about, blowback, right

597
00:35:19,239 --> 00:35:21,880
Speaker 2: AND i liked his, aunt you, know in terms of

598
00:35:21,920 --> 00:35:25,440
Speaker 2: reaction to taking a stand on these sorts of. Issues

599
00:35:25,440 --> 00:35:27,920
Speaker 2: AND i liked his, answer which, Was i'm gonna do

600
00:35:27,960 --> 00:35:31,000
Speaker 2: What i'm gonna. Do uh you, KNOW I i'm perfectly

601
00:35:31,040 --> 00:35:33,239
Speaker 2: comfortable with. That i'm also comfortable with the. Blowback i'm

602
00:35:33,239 --> 00:35:35,719
Speaker 2: comfortable with somebody who hates me for doing, it or

603
00:35:35,800 --> 00:35:38,600
Speaker 2: just you know, it is not interested in whatever my message.

604
00:35:38,640 --> 00:35:40,360
Speaker 2: Is it's just this, all you, know part of the.

605
00:35:40,360 --> 00:35:43,640
Speaker 2: Deal and he did point out, too the longer you're in,

606
00:35:43,719 --> 00:35:46,879
Speaker 2: it if you're doing it, right, obviously the thicker skin

607
00:35:47,680 --> 00:35:50,719
Speaker 2: you're almost obligated to to form in a way that

608
00:35:50,800 --> 00:35:53,880
Speaker 2: and obviously given level of that level of stardom and,

609
00:35:53,920 --> 00:35:58,319
Speaker 2: popularity you're insulated to a certain extent. Anyway BUT i

610
00:35:58,440 --> 00:36:00,759
Speaker 2: like the way he put, That, yeah people can, think you,

611
00:36:00,760 --> 00:36:02,000
Speaker 2: Know i'm going to do What i'm going to. Do

612
00:36:02,080 --> 00:36:04,920
Speaker 2: people can think what then then people can react however

613
00:36:04,960 --> 00:36:07,279
Speaker 2: that they that they want to. React he seems as

614
00:36:07,320 --> 00:36:08,919
Speaker 2: if he's already worked all of that out.

615
00:36:10,320 --> 00:36:12,560
Speaker 3: Right and then the next QUESTION i asked him is you,

616
00:36:12,600 --> 00:36:16,040
Speaker 3: know at what age did you develop this skin and

617
00:36:16,400 --> 00:36:18,240
Speaker 3: learn to deal with? It and then he talks about

618
00:36:18,239 --> 00:36:21,680
Speaker 3: how when you're young and fragile and uncertain of, yourself you,

619
00:36:21,719 --> 00:36:24,880
Speaker 3: know the's become. Difficult but as he got older and,

620
00:36:24,920 --> 00:36:27,040
Speaker 3: mature he just this.

621
00:36:27,160 --> 00:36:30,480
Speaker 2: Is the Way i'm going to roll, it sounds.

622
00:36:30,600 --> 00:36:34,160
Speaker 3: Like AND i did appreciate the fact that he, said you,

623
00:36:34,200 --> 00:36:36,319
Speaker 3: KNOW i have my say and then you have yours.

624
00:36:36,520 --> 00:36:39,840
Speaker 3: Exactly so it's, like you, know The First amendment works

625
00:36:39,840 --> 00:36:42,120
Speaker 3: for all of. Us it doesn't just work for the.

626
00:36:42,160 --> 00:36:45,360
Speaker 3: Creators it works for other people who want to comment

627
00:36:45,440 --> 00:36:45,799
Speaker 3: about it.

628
00:36:45,840 --> 00:36:51,200
Speaker 2: Too it sounds as if the only significant concession to

629
00:36:51,360 --> 00:36:54,880
Speaker 2: age he is making when it comes to performing is

630
00:36:55,800 --> 00:36:59,319
Speaker 2: that he no longer schedules back to, backs which we

631
00:36:59,640 --> 00:37:02,319
Speaker 2: talk early and often about in THE. Nba that's the

632
00:37:02,400 --> 00:37:06,279
Speaker 2: extent of The springsteen load. Management he's going to show,

633
00:37:06,360 --> 00:37:09,600
Speaker 2: Up you're going to see, him but you might not

634
00:37:09,680 --> 00:37:11,800
Speaker 2: see him on consecutive nights. Anymore. Correct.

635
00:37:13,200 --> 00:37:15,439
Speaker 3: Yeah, NO i asked him, that you, KNOW i asked,

636
00:37:15,480 --> 00:37:20,120
Speaker 3: him you, know about his workout, regimen which is that,

637
00:37:20,280 --> 00:37:24,120
Speaker 3: Answer could we cut out for space? Purposes he just,

638
00:37:24,120 --> 00:37:26,640
Speaker 3: says you, know he. Doesn't he lifts, waste but not

639
00:37:26,719 --> 00:37:28,720
Speaker 3: as heavy as he used, to and he does some aerobic.

640
00:37:28,760 --> 00:37:31,760
Speaker 3: STUFF i think he does more than who was willing

641
00:37:31,800 --> 00:37:34,279
Speaker 3: to own up to because you, know AS i told,

642
00:37:34,360 --> 00:37:36,160
Speaker 3: him you, know being a rock star is a full time.

643
00:37:36,239 --> 00:37:38,680
Speaker 3: Job what are you what are you doing to stay

644
00:37:38,719 --> 00:37:41,200
Speaker 3: in shape between all these? Things you, know you're not

645
00:37:41,640 --> 00:37:44,440
Speaker 3: always sitting at home writing a song that sort of.

646
00:37:44,480 --> 00:37:53,560
Speaker 3: Thing but he, he he did, say you know the

647
00:37:53,719 --> 00:37:56,600
Speaker 3: shows are a challenge for the. BAND i MEAN i

648
00:37:56,640 --> 00:37:59,320
Speaker 3: worry as much about the, band like the, Drummer Max, Winder,

649
00:37:59,520 --> 00:38:02,520
Speaker 3: yes Only. Toledo to be up there for three hours

650
00:38:03,000 --> 00:38:05,719
Speaker 3: doing that and you know In max at heart surgery years,

651
00:38:05,760 --> 00:38:10,480
Speaker 3: ago that to me is the big. Challenge AND i

652
00:38:10,520 --> 00:38:15,440
Speaker 3: THINK i Think bruce can go the. MARATHON i worry

653
00:38:15,480 --> 00:38:17,520
Speaker 3: sometimes about the other guys in the. Band you, know

654
00:38:17,560 --> 00:38:19,759
Speaker 3: they're all in, there and there's not all of, them

655
00:38:19,760 --> 00:38:23,759
Speaker 3: but many of them are in their mid seventies and

656
00:38:25,600 --> 00:38:30,240
Speaker 3: what they do is incredibly, physical it's, mental and to bounce,

657
00:38:30,320 --> 00:38:33,560
Speaker 3: back you, know with only one day in between, gigs

658
00:38:33,880 --> 00:38:37,600
Speaker 3: is pretty. Amazing and he said he did. That he,

659
00:38:37,680 --> 00:38:41,080
Speaker 3: SAID i do it to make sure my voice is

660
00:38:41,719 --> 00:38:45,680
Speaker 3: fully there and to make sure that the band is fully.

661
00:38:45,760 --> 00:38:49,960
Speaker 3: Recharged but they must all be incredible shape to bounce

662
00:38:50,040 --> 00:38:50,319
Speaker 3: back that.

663
00:38:50,440 --> 00:38:53,640
Speaker 2: Quickly who is in better Shape springsteen Or?

664
00:38:53,719 --> 00:39:06,160
Speaker 3: Jagger that's a. Question would we need a physiologist or

665
00:39:06,160 --> 00:39:12,160
Speaker 3: a kinesiologist or what to determine that that's. True it's

666
00:39:12,280 --> 00:39:16,359
Speaker 3: different what they. DO i, mean guitar is a lot

667
00:39:16,400 --> 00:39:19,520
Speaker 3: heavier than you. Think to run AROUND i have three,

668
00:39:19,560 --> 00:39:23,120
Speaker 3: hours that's important and the amount of steps That Mick

669
00:39:23,200 --> 00:39:26,799
Speaker 3: jagger does while he's dancing is. INCREDIBLE i, Mean i've

670
00:39:26,800 --> 00:39:31,040
Speaker 3: seen videos Of Mick jagger working, out you, know while

671
00:39:31,080 --> 00:39:33,520
Speaker 3: he's not on, tour and HE i, mean he asked

672
00:39:33,560 --> 00:39:36,799
Speaker 3: to stay in shape the whole. Time you. Know it's

673
00:39:36,840 --> 00:39:38,719
Speaker 3: LIKE i said, earlier being a rock star is a

674
00:39:38,719 --> 00:39:41,719
Speaker 3: full time. Job and not all of the guys treated that.

675
00:39:41,760 --> 00:39:44,919
Speaker 3: Way are all the. Women you, know some people, think,

676
00:39:44,920 --> 00:39:47,120
Speaker 3: OH i can just turn the switch on and. Off

677
00:39:47,360 --> 00:39:49,520
Speaker 3: it doesn't work that. Way you saw that happen with

678
00:39:50,040 --> 00:39:53,000
Speaker 3: someone Like Bob seger who TOOK i don't, know maybe

679
00:39:53,040 --> 00:39:55,880
Speaker 3: it was a decade off to raise his, kids and

680
00:39:55,920 --> 00:39:58,400
Speaker 3: then he came back and tried To he couldn't do

681
00:39:58,440 --> 00:40:00,840
Speaker 3: a full. Concert he had to take intermit and he

682
00:40:00,880 --> 00:40:03,600
Speaker 3: had to sit down for part of the. Concert part

683
00:40:03,640 --> 00:40:04,279
Speaker 3: of it was he was a.

684
00:40:04,320 --> 00:40:06,719
Speaker 2: Smoker, yeah that might Have that might have entered into, it,

685
00:40:06,840 --> 00:40:09,400
Speaker 2: yep for. Sure, yeah.

686
00:40:10,280 --> 00:40:13,800
Speaker 3: But you really need, to you, know being a, performer

687
00:40:14,000 --> 00:40:18,520
Speaker 3: it's like being. Athlete you've got to exercise those muscles

688
00:40:18,560 --> 00:40:21,680
Speaker 3: all the. Time otherwise the, atrophy no.

689
00:40:21,840 --> 00:40:24,080
Speaker 2: QUESTION a lot of text are coming. In this is

690
00:40:24,120 --> 00:40:28,200
Speaker 2: From jeff In minneapolis Regarding. Breem he talked To dylan about.

691
00:40:28,239 --> 00:40:31,160
Speaker 2: Sports can we get a snippet of What dylan is

692
00:40:31,280 --> 00:40:33,680
Speaker 2: like as a? Fan what was the sports conversation?

693
00:40:33,840 --> 00:40:38,960
Speaker 3: LIKE i mean he's been The twins games and that

694
00:40:39,040 --> 00:40:42,440
Speaker 3: sort of. Thing, well one of the things WHEN i

695
00:40:42,480 --> 00:40:46,719
Speaker 3: came into that his dressing room there In berkeley at

696
00:40:46,760 --> 00:40:50,520
Speaker 3: The Greek, theater he, said what's going on back In?

697
00:40:50,560 --> 00:40:55,040
Speaker 3: Minneapolis and the first thing that popped into my mind, was, Well,

698
00:40:55,120 --> 00:41:00,759
Speaker 3: Kevin kevin McHale had chosen his all hitting basketball. Team you,

699
00:41:00,840 --> 00:41:02,719
Speaker 3: KNOW i don't know if you remember, this one of

700
00:41:02,719 --> 00:41:07,360
Speaker 3: the one of them started doing writers ask, it you,

701
00:41:07,400 --> 00:41:10,120
Speaker 3: know so his all hitting basketball team was something like.

702
00:41:10,160 --> 00:41:15,040
Speaker 3: THAT i don't, Know Roger, Maris Rudy purple And. Dylan you,

703
00:41:15,080 --> 00:41:17,600
Speaker 3: know all these guys were From. Hibbing that's. TRUE i

704
00:41:17,600 --> 00:41:19,839
Speaker 3: mean he got to kick out of, it you, know

705
00:41:20,000 --> 00:41:24,040
Speaker 3: that's pretty. GOOD i mean it was pretty funny, actually

706
00:41:24,320 --> 00:41:27,480
Speaker 3: and it was it was like a good, icebreaker, yeah for.

707
00:41:27,400 --> 00:41:30,600
Speaker 2: Sure and just smile and, laugh lighten him up a little,

708
00:41:30,640 --> 00:41:32,919
Speaker 2: bit maybe loosen him up a little bit to get

709
00:41:32,960 --> 00:41:34,840
Speaker 2: to the for you to come in for The John bream.

710
00:41:34,960 --> 00:41:39,000
Speaker 3: Kill AND i use that never never got to Any

711
00:41:39,080 --> 00:41:41,840
Speaker 3: John bream killed questions we just.

712
00:41:41,920 --> 00:41:43,680
Speaker 2: Talked, yeah you know you.

713
00:41:43,719 --> 00:41:48,279
Speaker 3: Could you could ask some, questions you, know LIKE i

714
00:41:48,320 --> 00:41:50,680
Speaker 3: did about the lyrics or, something just because you're having

715
00:41:50,680 --> 00:41:53,400
Speaker 3: a conversation and now he's more comfortable with you hanging

716
00:41:53,440 --> 00:41:54,160
Speaker 3: out and being.

717
00:41:54,200 --> 00:42:01,440
Speaker 2: There john from Downtown minneapolis wants to know your three

718
00:42:01,880 --> 00:42:03,000
Speaker 2: Favorite dylan.

719
00:42:03,719 --> 00:42:09,080
Speaker 3: Albums But blonde on The tracks would be number, one

720
00:42:10,960 --> 00:42:14,520
Speaker 3: and then the others would probably change.

721
00:42:14,800 --> 00:42:16,120
Speaker 2: Periodically depending on your.

722
00:42:16,160 --> 00:42:18,440
Speaker 3: MOVIE i do really like The rough And Rowdy, ways

723
00:42:18,480 --> 00:42:21,560
Speaker 3: but you, know you've got to go back to and

724
00:42:21,640 --> 00:42:24,440
Speaker 3: some of those sixties classics as.

725
00:42:24,520 --> 00:42:27,560
Speaker 2: Well sixty five one guy wants to know if you

726
00:42:27,600 --> 00:42:31,799
Speaker 2: have any insight regarding Whether bob has mended ties or

727
00:42:31,880 --> 00:42:35,560
Speaker 2: his has a current functional relationship with his Son. JACOB

728
00:42:37,960 --> 00:42:38,360
Speaker 2: i do not.

729
00:42:38,560 --> 00:42:41,360
Speaker 3: KNOW i haven't talked To jacob in a few, years

730
00:42:41,400 --> 00:42:44,960
Speaker 3: in a long. Time not sure what the schism is.

731
00:42:44,960 --> 00:42:45,440
Speaker 3: There BUT.

732
00:42:47,200 --> 00:42:50,520
Speaker 2: I didn't even know there was. One is that? True

733
00:42:51,000 --> 00:42:51,560
Speaker 2: wasn't aware of.

734
00:42:51,640 --> 00:42:54,080
Speaker 3: One but you, KNOW i don't spend all my time

735
00:42:54,160 --> 00:42:59,040
Speaker 3: on social. Media you, don't, no, WELL i, MEAN i,

736
00:42:59,040 --> 00:43:00,840
Speaker 3: mean of course.

737
00:43:02,680 --> 00:43:04,920
Speaker 2: SAYING i, mean, yeah, well maybe it keeps you. Sane

738
00:43:05,000 --> 00:43:07,360
Speaker 2: maybe that's, Part maybe that's part of the bream secret

739
00:43:07,400 --> 00:43:12,320
Speaker 2: of longevity, possible, RIGHT i Don't.

740
00:43:12,520 --> 00:43:16,480
Speaker 3: YEAH i don't. Know i've never analyzed myself in that.

741
00:43:16,640 --> 00:43:20,120
Speaker 3: Regard Maybe springsteen could analyze.

742
00:43:20,120 --> 00:43:25,240
Speaker 2: That it's. Possible next big concert you will be, reviewing.

743
00:43:27,440 --> 00:43:28,560
Speaker 3: Next big ONE i will be.

744
00:43:28,640 --> 00:43:32,040
Speaker 2: REVIEWING i guess it doesn't have to Be Lady, Gaga.

745
00:43:32,120 --> 00:43:35,480
Speaker 3: Bruce, springsteen of. Course, well, yeah On tuesday after that

746
00:43:35,520 --> 00:43:36,200
Speaker 3: would Be Lady.

747
00:43:36,200 --> 00:43:38,759
Speaker 2: Gaga, okay when is?

748
00:43:38,800 --> 00:43:43,560
Speaker 3: That Lady gaga is here for two nights In april,

749
00:43:43,960 --> 00:43:44,880
Speaker 3: here the ninth and the.

750
00:43:45,000 --> 00:43:48,040
Speaker 2: Tenth all, right well maybe we'll maybe we'll talk to you.

751
00:43:48,040 --> 00:43:48,920
Speaker 2: Then who knows who's to?

752
00:43:48,960 --> 00:43:53,040
Speaker 3: Say And springsteen, is of course Next, tuesday opening the,

753
00:43:53,080 --> 00:43:58,399
Speaker 3: tour and that'll be pretty. Exciting he opened another tour,

754
00:43:58,480 --> 00:44:00,920
Speaker 3: here if you, remember AND i teen eighty, four the

755
00:44:01,040 --> 00:44:02,080
Speaker 3: famous born.

756
00:44:01,840 --> 00:44:05,600
Speaker 2: In THE usa, tour indeed the Famous.

757
00:44:05,360 --> 00:44:08,120
Speaker 3: Yeah on the first nine he filmed the video danced

758
00:44:08,160 --> 00:44:10,640
Speaker 3: and in the, dark Pulling courtney comics out of the.

759
00:44:10,960 --> 00:44:14,560
Speaker 2: Audience, YEAH i was, Naive AND i was going to

760
00:44:14,600 --> 00:44:16,400
Speaker 2: SAY i was naiven of them to think that that

761
00:44:16,480 --> 00:44:18,880
Speaker 2: was all. Spontaneous it's, sad isn't it? Yet you, know

762
00:44:19,160 --> 00:44:22,880
Speaker 2: despite being already a grizzled cynical media. GUY i fell for.

763
00:44:22,960 --> 00:44:25,239
Speaker 2: IT i was younger, then you, know.

764
00:44:27,320 --> 00:44:27,799
Speaker 3: And so was.

765
00:44:27,840 --> 00:44:33,160
Speaker 2: She, yeah that's, true very. True uh, NO i guess

766
00:44:33,200 --> 00:44:35,719
Speaker 2: that's also. True you're right relatively, speaking but sure's hell

767
00:44:35,800 --> 00:44:36,439
Speaker 2: helped her become.

768
00:44:36,480 --> 00:44:41,279
Speaker 3: Famous, yeah it was pretty. Stage it was weird because

769
00:44:41,280 --> 00:44:42,480
Speaker 3: they filmed they did the song.

770
00:44:42,600 --> 00:44:48,000
Speaker 2: Twice, WELL i think we've talked to people who this

771
00:44:48,080 --> 00:44:50,799
Speaker 2: has come up before in the show way, back AND

772
00:44:50,840 --> 00:44:52,440
Speaker 2: i think we even talked a couple of people who were.

773
00:44:52,480 --> 00:44:56,680
Speaker 3: There, YEAH i MEAN i, was BUT i know some

774
00:44:56,680 --> 00:44:59,120
Speaker 3: people that were there the day, before right when they

775
00:44:59,200 --> 00:45:03,120
Speaker 3: filmed the audience part they're filmed the people that were

776
00:45:03,160 --> 00:45:06,719
Speaker 3: behind the stage the day, before. Gotcha and then the

777
00:45:07,040 --> 00:45:10,560
Speaker 3: actual day off they did. It they did it once

778
00:45:11,840 --> 00:45:15,240
Speaker 3: and then they announced we're filming this for a, video

779
00:45:15,400 --> 00:45:17,960
Speaker 3: so we're going to do this song. Again and then

780
00:45:18,280 --> 00:45:21,600
Speaker 3: it was pretty obvious, that you, Know Courtney cox was the.

781
00:45:21,640 --> 00:45:26,000
Speaker 3: PLAN i picked up the same girl out of the

782
00:45:26,040 --> 00:45:28,240
Speaker 3: audience with young woman out of the audience to answer.

783
00:45:28,360 --> 00:45:30,800
Speaker 2: Them one last question has come in for my Buddy

784
00:45:30,840 --> 00:45:34,400
Speaker 2: bob From barnes And. Noble how what do you know

785
00:45:34,440 --> 00:45:40,000
Speaker 2: About Keith richards workout regimen that's the. Question that's the

786
00:45:40,040 --> 00:45:41,160
Speaker 2: one that we need to find out.

787
00:45:41,200 --> 00:45:49,440
Speaker 5: ABOUT i think it's just a shot of his favorite

788
00:45:49,520 --> 00:45:51,240
Speaker 5: drink and a few million.

789
00:45:51,360 --> 00:45:52,919
Speaker 3: Cigarettes that's. IT i don't.

790
00:45:52,960 --> 00:45:55,000
Speaker 2: Know and he's going to outlive all of.

791
00:45:55,080 --> 00:46:00,880
Speaker 3: Us he has more lives than anyone. Else he's dodged

792
00:46:01,280 --> 00:46:07,360
Speaker 3: so many. Bullets, yeah he's a specimen they should probably.

793
00:46:07,480 --> 00:46:11,680
Speaker 2: Study definitely worthy of medical study AT mao. Clinic i'm

794
00:46:11,719 --> 00:46:15,120
Speaker 2: hoping he has already agreed to donate his body to,

795
00:46:15,200 --> 00:46:17,040
Speaker 2: science don't you think gotta.

796
00:46:17,040 --> 00:46:21,840
Speaker 3: BE i think that would be, smart and maybe science

797
00:46:21,840 --> 00:46:24,239
Speaker 3: would pay to have his body instead of having it.

798
00:46:24,320 --> 00:46:25,040
Speaker 5: Donated very.

799
00:46:25,080 --> 00:46:29,399
Speaker 2: Possible thanks for joining. Us as, always we'll be in touch.

800
00:46:29,440 --> 00:46:35,080
Speaker 2: Soon Thanks, John, okay take. Care John, breem the music

801
00:46:35,080 --> 00:46:38,400
Speaker 2: critic forever at my former, Newspaper The Star. Tribune kessler

802
00:46:38,400 --> 00:46:41,239
Speaker 2: in about a half Hour top five at. Five i'm

803
00:46:41,280 --> 00:46:44,120
Speaker 2: assuming he's going to be hockey. Dominant will it be hockey?

804
00:46:44,160 --> 00:46:45,320
Speaker 2: EXCLUSIVE i will not be.

805
00:46:45,360 --> 00:46:49,400
Speaker 1: Exclusive it'll be wild, Review wolve's, preview and an umpire

806
00:46:49,440 --> 00:46:51,120
Speaker 1: story that proves he just got to get it.

807
00:46:51,200 --> 00:46:51,359
Speaker 4: Right