1 00:00:00,320 --> 00:00:03,720 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:05,120 --> 00:00:08,880 Speaker 2: The manager for the doors my next door neighbors, the 3 00:00:08,920 --> 00:00:13,280 Speaker 2: old doors with the Jim Morrison. Yeah, it was like 4 00:00:13,360 --> 00:00:15,880 Speaker 2: all I could do the first couple of months not 5 00:00:15,880 --> 00:00:17,440 Speaker 2: to go. Can you tell me a couple of stories 6 00:00:17,440 --> 00:00:21,840 Speaker 2: about the doors and you managing them? Man, I would 7 00:00:21,880 --> 00:00:24,160 Speaker 2: have done the same thing. I just have so many 8 00:00:24,239 --> 00:00:26,800 Speaker 2: of those moments. I've had to kind of check out 9 00:00:27,840 --> 00:00:30,400 Speaker 2: of so many different situations because I want to dude, dude, 10 00:00:30,400 --> 00:00:32,320 Speaker 2: can you tell me some stories from from the movie 11 00:00:32,360 --> 00:00:36,320 Speaker 2: set k IF I am six forty. We're live everywhere 12 00:00:36,320 --> 00:00:40,159 Speaker 2: on the iHeartRadio app. Mark Thompson here, and yeah, it's uh, 13 00:00:40,280 --> 00:00:42,440 Speaker 2: it's just cool, you know, and you swim in the 14 00:00:42,920 --> 00:00:45,400 Speaker 2: entertainment business world and you just don't want to be 15 00:00:45,479 --> 00:00:47,199 Speaker 2: that guy, but you still are. 16 00:00:47,240 --> 00:00:48,599 Speaker 3: At least I am still. 17 00:00:48,440 --> 00:00:53,680 Speaker 4: That permissible you You are allowed to ask permission to 18 00:00:53,720 --> 00:00:55,560 Speaker 4: ask questions about the Lizard King. 19 00:00:56,040 --> 00:01:01,840 Speaker 2: Yeah, so, uh, here's one for you. When I moved 20 00:01:02,360 --> 00:01:07,520 Speaker 2: to LA I lived first in West Hollywood, just up 21 00:01:07,560 --> 00:01:10,080 Speaker 2: the road from actually across the street from Johnny Depp. 22 00:01:10,400 --> 00:01:13,760 Speaker 2: You know, Johnny Depp lives in this huge castle that 23 00:01:13,840 --> 00:01:16,520 Speaker 2: was talked about in the Johnny Depp trial. And I 24 00:01:16,560 --> 00:01:19,080 Speaker 2: lived right across the street, and I didn't have any 25 00:01:19,080 --> 00:01:20,120 Speaker 2: interaction with Johnny Depp. 26 00:01:20,160 --> 00:01:20,679 Speaker 3: We had one. 27 00:01:21,440 --> 00:01:24,640 Speaker 2: We crossed each other in the street, like you know. 28 00:01:24,760 --> 00:01:26,560 Speaker 2: I was driving down the street, he was driving up 29 00:01:26,560 --> 00:01:28,880 Speaker 2: the street and it's a really tight street, windy street, 30 00:01:29,200 --> 00:01:31,920 Speaker 2: and he did the coolest thing, which is he and 31 00:01:32,000 --> 00:01:35,880 Speaker 2: he was in a Porsche, and he backed down the 32 00:01:35,880 --> 00:01:38,400 Speaker 2: street so that I could come down the street because 33 00:01:38,400 --> 00:01:40,880 Speaker 2: there wasn't room for us both too. And so I thought, 34 00:01:41,040 --> 00:01:44,200 Speaker 2: based on that, and only that I've had no other 35 00:01:44,240 --> 00:01:46,679 Speaker 2: interaction with him, I thought, well, he seems like a 36 00:01:46,680 --> 00:01:47,640 Speaker 2: reasonably cool guy. 37 00:01:47,840 --> 00:01:49,520 Speaker 3: You're siding with him against Amberhard. 38 00:01:49,680 --> 00:01:51,520 Speaker 2: I don't know about that. I don't know, you know. 39 00:01:51,600 --> 00:01:54,800 Speaker 2: I'm just saying that was a generous moment that he 40 00:01:54,880 --> 00:02:03,160 Speaker 2: offered me. But when I moved Brentwood, which I did 41 00:02:03,200 --> 00:02:09,120 Speaker 2: after the West Hollywood thing, I met and played tennis 42 00:02:09,160 --> 00:02:13,079 Speaker 2: regularly with a guy named Harve Bennett. Not yeah, Harve 43 00:02:13,120 --> 00:02:15,399 Speaker 2: Bennett became like a really good friend of mine. 44 00:02:15,520 --> 00:02:19,399 Speaker 4: Oh my god, I'm on the Star Trek three Blu 45 00:02:19,520 --> 00:02:23,000 Speaker 4: Ray interviewing Harve Bennett. Bless his soul's he's been gone 46 00:02:23,040 --> 00:02:23,720 Speaker 4: for a while now. 47 00:02:23,680 --> 00:02:26,240 Speaker 2: Yeah, and had no idea and a wonderful guy, I mean, 48 00:02:26,320 --> 00:02:28,920 Speaker 2: just a wonderful guy. And we played tennis at like 49 00:02:29,080 --> 00:02:30,760 Speaker 2: roughly the same level. And of course he had a 50 00:02:30,760 --> 00:02:32,560 Speaker 2: tennis court in his house and we used to play 51 00:02:32,560 --> 00:02:35,639 Speaker 2: at his house. He played doubles, you played singles. And 52 00:02:36,800 --> 00:02:40,320 Speaker 2: Harve Bennett, this is what Mark's saying. He was behind 53 00:02:40,400 --> 00:02:43,919 Speaker 2: Star Trek and the Mod Squad and The Mod Squad. 54 00:02:43,600 --> 00:02:46,680 Speaker 3: Which was one of my favorite shows. Yes, and six 55 00:02:46,760 --> 00:02:50,959 Speaker 3: Million Dollar Man. I had no idea. This is really impressive. Yeah. 56 00:02:50,960 --> 00:02:54,200 Speaker 2: So so Harve Bennett is behind some of these shows 57 00:02:54,200 --> 00:02:55,840 Speaker 2: that were formative. 58 00:02:55,600 --> 00:02:57,840 Speaker 3: You know, in Who I Am. 59 00:02:59,120 --> 00:03:04,120 Speaker 2: And rather than pump Harve Bennett for information like hey, 60 00:03:04,200 --> 00:03:07,400 Speaker 2: can you tell me a story about Pete Lincoln Julie 61 00:03:07,440 --> 00:03:11,080 Speaker 2: from the Mod Squad? Or can you tell me about 62 00:03:11,240 --> 00:03:13,880 Speaker 2: you know, what was William Shatner like or whatever? 63 00:03:14,040 --> 00:03:14,440 Speaker 3: Whatever. 64 00:03:14,720 --> 00:03:17,080 Speaker 2: I didn't ask any of those questions because I didn't 65 00:03:17,120 --> 00:03:24,399 Speaker 2: want to be, you know that guy. So Harv told 66 00:03:24,440 --> 00:03:26,440 Speaker 2: me one story from The Six Million Dollar Man, which 67 00:03:26,560 --> 00:03:28,880 Speaker 2: I you know, was unsolicited, but it was great. He 68 00:03:28,919 --> 00:03:34,239 Speaker 2: did tell me some stuff along the way, and as 69 00:03:34,280 --> 00:03:38,240 Speaker 2: I've seen little clips from Hart Bennett and interviews from 70 00:03:38,240 --> 00:03:39,840 Speaker 2: HARB Bennett, and some of the stuff I think that 71 00:03:39,840 --> 00:03:42,440 Speaker 2: you're talking about has been excerpted and now it's on YouTube. 72 00:03:43,000 --> 00:03:47,000 Speaker 2: Some of these stories actually were in some of those interviews. 73 00:03:47,000 --> 00:03:48,400 Speaker 2: So it's cool that some of the stuff that he 74 00:03:48,480 --> 00:03:50,880 Speaker 2: told me you're now hearing also because I'm going, oh yeah, 75 00:03:50,960 --> 00:03:53,200 Speaker 2: Harf told me about that. And the thing he told 76 00:03:53,240 --> 00:03:55,160 Speaker 2: me about with six million dollar Man, which was cool, 77 00:03:55,800 --> 00:03:59,960 Speaker 2: was they needed a way with six million dollar man. 78 00:04:00,080 --> 00:04:01,760 Speaker 2: And for those who don't know the premise of six 79 00:04:01,800 --> 00:04:05,280 Speaker 2: million dollar Man, you'll help me mark a little bit. 80 00:04:05,280 --> 00:04:07,160 Speaker 2: But you know, guy's in a big accident. He was 81 00:04:07,240 --> 00:04:10,600 Speaker 2: like some super astronaut type dude, and you know he 82 00:04:10,640 --> 00:04:14,400 Speaker 2: was just you know, in the accident, just wrecked right physically, 83 00:04:14,600 --> 00:04:16,720 Speaker 2: so they had to rebuild him. And back back then, 84 00:04:16,800 --> 00:04:18,800 Speaker 2: you for the six million dollars, you could rebuild a 85 00:04:18,839 --> 00:04:21,200 Speaker 2: lot of people. Now six million dollars probablyouldn't you know, Yeah, 86 00:04:21,240 --> 00:04:23,080 Speaker 2: six million doesn't buy what it used to. Yeah, you 87 00:04:23,120 --> 00:04:25,640 Speaker 2: know maybe maybe you know a couple of months at cedars. 88 00:04:25,240 --> 00:04:27,960 Speaker 4: You couldn't even cover Richard Anderson's hair piece for six 89 00:04:28,000 --> 00:04:29,960 Speaker 4: million at this thank you that Richard Anderson was the 90 00:04:30,000 --> 00:04:31,400 Speaker 4: guy in the show and he did wear a hair 91 00:04:31,440 --> 00:04:32,400 Speaker 4: piece Oscar Goldman. 92 00:04:32,520 --> 00:04:36,400 Speaker 2: Yeah, so very good knowledge. Again, So so Harve Bennett 93 00:04:36,720 --> 00:04:40,280 Speaker 2: said we needed a and Harve created it with the 94 00:04:40,720 --> 00:04:44,479 Speaker 2: probably with somebody else, I don't know, but anyway, we 95 00:04:44,560 --> 00:04:47,120 Speaker 2: needed a way to show that the six million dollar man, 96 00:04:47,360 --> 00:04:51,880 Speaker 2: now with all of these you know parts, you know, 97 00:04:52,360 --> 00:04:55,159 Speaker 2: man made parts, right, he's now got all this stuff. 98 00:04:55,160 --> 00:04:57,760 Speaker 2: He can jump higher, he can run faster, he can 99 00:04:57,800 --> 00:04:59,839 Speaker 2: he's stronger because he got all this stuff in him. 100 00:05:00,839 --> 00:05:03,560 Speaker 2: Lee Majors is the actor who played him. We need 101 00:05:03,600 --> 00:05:06,080 Speaker 2: a way to show that he can run faster. Like 102 00:05:06,200 --> 00:05:10,400 Speaker 2: everything else, we pretty well can cheat one way or another. 103 00:05:10,839 --> 00:05:13,760 Speaker 3: But the running we really were challenged with. 104 00:05:13,800 --> 00:05:16,120 Speaker 2: And we're he was telling me, and we're really like 105 00:05:16,480 --> 00:05:18,960 Speaker 2: going through all the different options if we make if 106 00:05:18,960 --> 00:05:21,840 Speaker 2: we speed it up, it looks like many hill, you know, 107 00:05:21,880 --> 00:05:22,599 Speaker 2: like he's running. 108 00:05:22,640 --> 00:05:23,920 Speaker 3: It looks comical, you know. 109 00:05:24,480 --> 00:05:26,640 Speaker 2: And he said, so we're sitting around and he said, 110 00:05:26,680 --> 00:05:31,320 Speaker 2: I was watching NFL films one day and NFL films 111 00:05:31,400 --> 00:05:36,640 Speaker 2: had highlights of a running back named Gail Sayers, one 112 00:05:36,680 --> 00:05:39,680 Speaker 2: of the great running backs in the NFL from the 113 00:05:39,760 --> 00:05:43,839 Speaker 2: Chicago Bears. Yeah, Brian song was the story that really, 114 00:05:43,880 --> 00:05:49,719 Speaker 2: you know, chronicled the the life of was it Brian Piccolo? 115 00:05:50,480 --> 00:05:55,360 Speaker 2: Brian Piccolough who was his good friend, and so Gail sayers, 116 00:05:55,360 --> 00:05:57,800 Speaker 2: they're showing all these highlights of him running as a 117 00:05:57,880 --> 00:06:01,960 Speaker 2: running back, and it's in slow motion, and Harve said, 118 00:06:02,560 --> 00:06:04,560 Speaker 2: and it just occurred to me, wait a minute, we 119 00:06:04,600 --> 00:06:06,960 Speaker 2: don't need to speed him up. We need to slow 120 00:06:07,040 --> 00:06:11,440 Speaker 2: him down. And we'll show him running, but we'll show 121 00:06:11,520 --> 00:06:15,680 Speaker 2: him running in slow motion with some sound effects or 122 00:06:15,720 --> 00:06:20,039 Speaker 2: some kind of way to indicate he's running at a 123 00:06:20,200 --> 00:06:24,320 Speaker 2: super high speed. But we're just depicting it in slow motion. 124 00:06:25,040 --> 00:06:28,520 Speaker 2: And that's the cheat that they used throughout the series. 125 00:06:28,560 --> 00:06:31,239 Speaker 2: So when even when he jumped, he jumped in slow 126 00:06:31,279 --> 00:06:34,640 Speaker 2: motion and they had that special sound of him jumping 127 00:06:34,720 --> 00:06:37,160 Speaker 2: or whatever it was that you know, blah blah blah 128 00:06:37,160 --> 00:06:39,960 Speaker 2: bla blah bah bah blah bump type thing, and I 129 00:06:40,000 --> 00:06:43,800 Speaker 2: thought that was so clever. And that's the closest I 130 00:06:43,839 --> 00:06:47,280 Speaker 2: ever came with Harv to you know, feeling like, oh wow, 131 00:06:47,360 --> 00:06:49,400 Speaker 2: that's a cool thing, Like you've told me that the 132 00:06:49,400 --> 00:06:55,000 Speaker 2: genesis of that story came that way. But Harv last thing, 133 00:06:55,040 --> 00:06:56,960 Speaker 2: and this is how I felt special because I knew 134 00:06:57,000 --> 00:06:59,120 Speaker 2: how special Hart Bennett was. Don't get me wrong, I 135 00:06:59,160 --> 00:07:01,880 Speaker 2: just didn't want to ask many questions that would make me, 136 00:07:02,000 --> 00:07:04,359 Speaker 2: you know, seem like that guy, you know, like Harv 137 00:07:04,560 --> 00:07:08,159 Speaker 2: tell me, you know in season three, episode eleven of 138 00:07:08,279 --> 00:07:12,520 Speaker 2: Star Trek when they beamed down to the planet, I mean, 139 00:07:12,560 --> 00:07:17,000 Speaker 2: how did Spock survive in that alien environment? 140 00:07:17,040 --> 00:07:21,840 Speaker 3: The atmosphere was so thin? So killing me. 141 00:07:22,520 --> 00:07:27,280 Speaker 2: So I had a subscription, I guess through Direct TV 142 00:07:27,560 --> 00:07:31,080 Speaker 2: to the UCLA games. And Harv was a UCLA grat 143 00:07:31,240 --> 00:07:32,920 Speaker 2: or at least a fan. I think his daughter went 144 00:07:32,960 --> 00:07:37,600 Speaker 2: to UCLA as well, or whatever, big UCLA booster, and 145 00:07:37,640 --> 00:07:40,160 Speaker 2: he said, I can't get the UCLA games at my house. 146 00:07:40,200 --> 00:07:43,600 Speaker 2: I'm thinking, are you kidding me? This house, this palatial estate, 147 00:07:43,920 --> 00:07:46,360 Speaker 2: I mean, it's unbelievable. The gate opens and you go 148 00:07:46,520 --> 00:07:48,800 Speaker 2: up and it's a big circular driveway and there's this 149 00:07:49,160 --> 00:07:53,160 Speaker 2: American flag out front, and you walk into. There's a quality, 150 00:07:53,240 --> 00:07:58,040 Speaker 2: a grandeur, a command of Harve Bennett's home that it just, 151 00:07:58,200 --> 00:08:00,680 Speaker 2: you know, really impressive. And somehow though he didn't get 152 00:08:00,680 --> 00:08:04,520 Speaker 2: the UCLA games on television. So he said, well, listen, 153 00:08:05,160 --> 00:08:09,000 Speaker 2: I'm doing the news at Fox. You go ahead and 154 00:08:09,920 --> 00:08:12,120 Speaker 2: I'll leave the house unlocked. You're gonna just go ahead 155 00:08:12,120 --> 00:08:13,880 Speaker 2: and watch it on. I get him, I get all 156 00:08:13,880 --> 00:08:17,000 Speaker 2: the UCLA games. So he watched all the UCLA basketball 157 00:08:17,040 --> 00:08:21,680 Speaker 2: games at my home, and you'd have people join him 158 00:08:21,680 --> 00:08:23,920 Speaker 2: from time to time up there. It was very funny. 159 00:08:24,280 --> 00:08:26,560 Speaker 2: But I always felt like that was so special, that 160 00:08:26,680 --> 00:08:30,600 Speaker 2: I have something that this great guy, legendary producer Harve 161 00:08:30,600 --> 00:08:31,560 Speaker 2: Bennett doesn't have. 162 00:08:31,640 --> 00:08:35,120 Speaker 3: He just invited friends over to your pad a couple 163 00:08:35,160 --> 00:08:36,800 Speaker 3: of times. I don't think he did. He probably ran 164 00:08:36,840 --> 00:08:42,240 Speaker 3: over and it sounded like this, that's it, that's the 165 00:08:42,320 --> 00:08:43,960 Speaker 3: sixth minion running. 166 00:08:44,080 --> 00:08:45,760 Speaker 4: You beat me too at Foosh. I just had that 167 00:08:45,840 --> 00:08:49,480 Speaker 4: teed up. You're allowed to ask people like that questions. 168 00:08:49,520 --> 00:08:53,640 Speaker 4: They don't. They don't expect to be completely untouchable if 169 00:08:53,679 --> 00:08:55,720 Speaker 4: they've done something that has that big an impact on 170 00:08:55,760 --> 00:08:56,200 Speaker 4: the culture. 171 00:08:56,559 --> 00:08:57,720 Speaker 3: Yeah, I guess you're right. 172 00:08:57,800 --> 00:09:00,760 Speaker 2: But I've always sort of just held back on that, 173 00:09:01,000 --> 00:09:02,320 Speaker 2: And you're right, I shouldn't. 174 00:09:02,520 --> 00:09:03,360 Speaker 3: I really shouldn't. 175 00:09:03,440 --> 00:09:06,040 Speaker 4: I think it shows some respect and appreciation for what 176 00:09:06,080 --> 00:09:08,439 Speaker 4: they've achieved if you show an interest in it, I mean, 177 00:09:08,480 --> 00:09:11,360 Speaker 4: without being just a slavering fanboy. No, you're right, it 178 00:09:11,400 --> 00:09:12,880 Speaker 4: has to be done the right way, and I think 179 00:09:12,920 --> 00:09:15,800 Speaker 4: I realized that now, But even as I realized it, 180 00:09:16,200 --> 00:09:17,920 Speaker 4: I don't think I can do it. I'm just not 181 00:09:18,120 --> 00:09:21,079 Speaker 4: good with But now I will say, hey, I'm such 182 00:09:21,080 --> 00:09:23,480 Speaker 4: a fan of what you do, and blah blah blah blah. 183 00:09:23,600 --> 00:09:26,560 Speaker 2: You know, unfortunately I literally say blah blah blah blah, 184 00:09:26,600 --> 00:09:29,240 Speaker 2: so it takes a little something off the compliment. 185 00:09:29,360 --> 00:09:31,840 Speaker 4: He was a sharp guy and he was not a 186 00:09:31,840 --> 00:09:35,440 Speaker 4: fan of Star Trek, which makes his involvement in the 187 00:09:35,480 --> 00:09:37,600 Speaker 4: biggest success they had up to that point I think 188 00:09:37,640 --> 00:09:39,680 Speaker 4: even more interesting because he was able to put a 189 00:09:39,679 --> 00:09:40,640 Speaker 4: fresh set eyes on it. 190 00:09:40,840 --> 00:09:42,240 Speaker 3: That's such a good point. 191 00:09:42,320 --> 00:09:46,199 Speaker 2: In fact, Wrath of Khan, which was their hugely successful 192 00:09:46,200 --> 00:09:51,120 Speaker 2: Star Trek, was born of a moment that Harv Bennett found. 193 00:09:51,280 --> 00:09:54,439 Speaker 2: It was born of an episode that Harv Bennett at Paramount. 194 00:09:54,480 --> 00:09:57,079 Speaker 2: He sat in a dark room and watched all the 195 00:09:57,120 --> 00:10:01,200 Speaker 2: Star Trek episodes and he found one that you could 196 00:10:01,280 --> 00:10:06,880 Speaker 2: continue and in some way amplify in a feature film way, 197 00:10:06,920 --> 00:10:08,920 Speaker 2: and that was the Wrath of Khan Space Seed. 198 00:10:08,960 --> 00:10:12,640 Speaker 3: It was an inspired choice. Love it and now you 199 00:10:12,800 --> 00:10:15,400 Speaker 3: know the rest of the story. 200 00:10:16,280 --> 00:10:19,679 Speaker 1: You're listening to KFI AM six forty on demand. 201 00:10:20,880 --> 00:10:23,599 Speaker 2: We have a talkback feature on that iHeartRadio app. You know, 202 00:10:23,640 --> 00:10:25,440 Speaker 2: when you're on the iHeart Radio app and the upper 203 00:10:25,480 --> 00:10:29,400 Speaker 2: right hand part of the screen on your device there's 204 00:10:29,400 --> 00:10:31,800 Speaker 2: a microphone. Why do they give you thirty seconds, foosh? 205 00:10:31,800 --> 00:10:34,520 Speaker 2: I think it's thirty seconds that you have to leave 206 00:10:34,559 --> 00:10:35,240 Speaker 2: your message. 207 00:10:35,320 --> 00:10:35,840 Speaker 3: I believe so. 208 00:10:36,160 --> 00:10:39,840 Speaker 2: Yeah, And so we were talking. These messages are in 209 00:10:39,880 --> 00:10:43,280 Speaker 2: relation to what I've forgotten on Nicky, I'm so sorry, 210 00:10:44,160 --> 00:10:47,960 Speaker 2: Mickey Rourke. Thank you're talking about Mickey Rourke and the 211 00:10:48,000 --> 00:10:52,160 Speaker 2: fact that you know he's out of money. He's going 212 00:10:52,160 --> 00:10:54,880 Speaker 2: to be evicted, and they started this gofundmet campaign for 213 00:10:55,000 --> 00:10:58,280 Speaker 2: him and he needs sixty thousand bucks to get out 214 00:10:58,320 --> 00:11:01,080 Speaker 2: from underpast rent. They've raised fifty five thousand so far. 215 00:11:01,600 --> 00:11:05,000 Speaker 2: And then the word comes out from Mickey Rourke. I 216 00:11:05,000 --> 00:11:06,440 Speaker 2: had nothing to do with this. I don't know what 217 00:11:06,480 --> 00:11:09,120 Speaker 2: this is. This is humiliating, this is embarrassing. Sure, I've 218 00:11:09,160 --> 00:11:11,160 Speaker 2: got money problems, but I'll find a way out of them. 219 00:11:11,880 --> 00:11:12,280 Speaker 3: And so. 220 00:11:14,200 --> 00:11:18,440 Speaker 2: These are all in relation to that. On the talk 221 00:11:18,520 --> 00:11:19,800 Speaker 2: back man, I don't know. 222 00:11:19,880 --> 00:11:24,120 Speaker 5: Something doesn't make sense here, Something doesn't mat Mark Thompson, 223 00:11:24,160 --> 00:11:28,720 Speaker 5: something doesn't fit. Mickey Rourke has sad retirement much and 224 00:11:28,760 --> 00:11:32,480 Speaker 5: then he's got some security and I. 225 00:11:32,440 --> 00:11:33,000 Speaker 4: Just don't get it. 226 00:11:33,160 --> 00:11:34,560 Speaker 3: Yeah, that's true. I mean, you're right. 227 00:11:34,640 --> 00:11:38,160 Speaker 2: I mean it's not just residuals, and it's not just 228 00:11:38,280 --> 00:11:39,920 Speaker 2: money from his movies. 229 00:11:40,679 --> 00:11:42,960 Speaker 3: He does have those. 230 00:11:44,440 --> 00:11:49,040 Speaker 2: Pensions associated with the fact that he was an actor 231 00:11:49,360 --> 00:11:52,920 Speaker 2: who paid into those pension funds for decades, and he's 232 00:11:52,920 --> 00:11:53,800 Speaker 2: got social security. 233 00:11:53,800 --> 00:11:54,120 Speaker 3: You're right. 234 00:11:54,160 --> 00:11:58,600 Speaker 2: I mean this again may have to do. And these 235 00:11:58,640 --> 00:12:01,839 Speaker 2: are really things that Mickey work is admitted to to 236 00:12:03,360 --> 00:12:05,760 Speaker 2: ways in which he has mismanaged money to the point 237 00:12:05,760 --> 00:12:08,680 Speaker 2: that he may just be in serious debt. And so 238 00:12:09,400 --> 00:12:11,760 Speaker 2: while you're right that he might have revenue sources, they 239 00:12:11,760 --> 00:12:14,440 Speaker 2: may not just be sufficient to cure his debt. 240 00:12:14,480 --> 00:12:17,960 Speaker 6: Here was another one, Hey, Mark, Mark is right. Let's 241 00:12:18,080 --> 00:12:21,839 Speaker 6: let's get Mickey caught up. And then it is mandatory 242 00:12:22,400 --> 00:12:25,920 Speaker 6: for him to receive that money for him to move 243 00:12:26,320 --> 00:12:29,120 Speaker 6: into a fifteen hundred dollars a month apartment. I don't 244 00:12:29,120 --> 00:12:31,719 Speaker 6: care if it's a studio or a one bedroom and 245 00:12:31,840 --> 00:12:35,560 Speaker 6: van eyes whatever, but dude, you know what, you gotta 246 00:12:35,600 --> 00:12:39,560 Speaker 6: wise up, you gotta be real. Anyways, then he can 247 00:12:39,600 --> 00:12:41,079 Speaker 6: pay for more plastic surgery. 248 00:12:41,960 --> 00:12:43,040 Speaker 3: Some tough love to them. 249 00:12:43,200 --> 00:12:46,760 Speaker 2: Wow wow, Yeah, don't let the door hit you on 250 00:12:46,800 --> 00:12:50,600 Speaker 2: the way out. That guy's saying, I love it. That's 251 00:12:50,679 --> 00:12:55,920 Speaker 2: good tough love. Yeah, yeah, here's the money. I'm glad 252 00:12:55,960 --> 00:12:57,000 Speaker 2: we could help you out now. 253 00:12:57,360 --> 00:13:00,000 Speaker 6: Anyways, then he can pay for more plastics. 254 00:13:00,520 --> 00:13:04,680 Speaker 2: Wow, it's true. Yeah, that's our Mickey. He's had some 255 00:13:04,800 --> 00:13:07,160 Speaker 2: work done, no question about. I don't need to be 256 00:13:07,320 --> 00:13:10,640 Speaker 2: mean about it. Eating them out. Yeah, well, to be 257 00:13:10,720 --> 00:13:15,840 Speaker 2: fair to the fair of the talkback person, it's considerable. 258 00:13:15,960 --> 00:13:17,920 Speaker 2: I mean, you know, he's really had a lot of 259 00:13:18,360 --> 00:13:23,520 Speaker 2: work done. But you're right, I mean, you know, kick 260 00:13:23,520 --> 00:13:25,280 Speaker 2: a guy while he's down. No, it's true. 261 00:13:25,880 --> 00:13:26,120 Speaker 3: Yeah. 262 00:13:26,720 --> 00:13:31,800 Speaker 2: Yeah, anyway, that was that Mickey work comment. And then 263 00:13:32,080 --> 00:13:34,880 Speaker 2: uh there was uh this one as well. If I 264 00:13:34,880 --> 00:13:35,640 Speaker 2: think these were in. 265 00:13:35,640 --> 00:13:39,559 Speaker 7: Order of good evening's Kimmy B. Levey, Mark and Kimmy Be. 266 00:13:39,880 --> 00:13:42,240 Speaker 2: Everybody come on on your feet for Kimmy B. 267 00:13:42,920 --> 00:13:46,480 Speaker 7: Good evenings, Kimmy B. Levey Mark and KFI family. 268 00:13:46,720 --> 00:13:49,400 Speaker 3: I want to start with that every time I'm here, 269 00:13:51,559 --> 00:13:52,199 Speaker 3: I'm Kimmy B. 270 00:13:52,640 --> 00:13:53,760 Speaker 7: Good evenings, Kimmy B. 271 00:13:54,360 --> 00:13:56,880 Speaker 3: Yeah, I just like that, as in kim basing Er. 272 00:13:57,360 --> 00:14:00,640 Speaker 2: Yes, as in Kim Basinger. And so you let's let's 273 00:14:00,800 --> 00:14:04,360 Speaker 2: let's start. Thank you, Kim. I'm sorry to blow your cover, 274 00:14:04,480 --> 00:14:08,080 Speaker 2: but Kimmy Be is Kim Basinger, regular listener on the 275 00:14:08,120 --> 00:14:12,120 Speaker 2: iHeart radio app. Yes, exactly, which is why we should 276 00:14:12,120 --> 00:14:12,560 Speaker 2: listen to this. 277 00:14:12,640 --> 00:14:13,200 Speaker 3: So here we go. 278 00:14:15,320 --> 00:14:18,040 Speaker 8: Hey, good Evening's Kimmy b Love you, Mark and on 279 00:14:18,200 --> 00:14:21,440 Speaker 8: KFI Family. I just had a suggestion for Mickey work, 280 00:14:23,560 --> 00:14:25,360 Speaker 8: try on fans. I mean, that's a lot of went 281 00:14:25,400 --> 00:14:30,080 Speaker 8: to pay a month, so if he's a negative shape, 282 00:14:30,160 --> 00:14:32,920 Speaker 8: you know, yeah, just a suggestion. 283 00:14:32,720 --> 00:14:35,120 Speaker 3: Sure, Jimmy good. 284 00:14:35,640 --> 00:14:37,880 Speaker 2: Yes, have you new year to you, Kimmy Be? And 285 00:14:37,960 --> 00:14:41,280 Speaker 2: that is not a bad idea. You know, hey, look 286 00:14:41,400 --> 00:14:44,000 Speaker 2: in the wrestler he kind of had that kind of body, right. 287 00:14:44,720 --> 00:14:47,400 Speaker 4: Does your only fans generate much income? 288 00:14:47,480 --> 00:14:47,720 Speaker 3: Mark? 289 00:14:47,840 --> 00:14:50,560 Speaker 2: Well, not yet, but I'm really hoping for a late 290 00:14:50,560 --> 00:14:54,000 Speaker 2: inning rally once that uh pretty much personal trainer really 291 00:14:54,000 --> 00:14:59,960 Speaker 2: starts kicking it. Yeah, really haven't considered the only fans revenue? 292 00:15:00,040 --> 00:15:04,560 Speaker 3: Do you only feet? Uh? Is that a site? Is 293 00:15:04,560 --> 00:15:05,600 Speaker 3: that an app? Only feet? 294 00:15:05,680 --> 00:15:05,960 Speaker 4: It is? 295 00:15:06,000 --> 00:15:09,040 Speaker 3: Now? I wouldn't be surprised if it exists. 296 00:15:09,520 --> 00:15:12,320 Speaker 2: Yeah, well, look I think within only fans, they're probably 297 00:15:12,440 --> 00:15:14,920 Speaker 2: is every kind of kink that you want. Oh yeah, yeah, 298 00:15:14,960 --> 00:15:17,440 Speaker 2: so if you if that's your jam, I'm sure you 299 00:15:17,440 --> 00:15:19,680 Speaker 2: can find it in only fans. I mean, if you 300 00:15:19,760 --> 00:15:22,360 Speaker 2: pay enough money, I'm sure they'll do whatever you want. 301 00:15:22,720 --> 00:15:25,520 Speaker 2: You know, so you can, you know, wrap all of 302 00:15:25,560 --> 00:15:31,480 Speaker 2: your kink into one request. It's that kind of society, Nick, 303 00:15:32,120 --> 00:15:35,320 Speaker 2: It's that kind of society. So you can get on it, 304 00:15:35,760 --> 00:15:39,920 Speaker 2: do it, figure it out. I got Keimmy b you 305 00:15:40,000 --> 00:15:45,320 Speaker 2: got your stuff. Yeah, come on, you'll be MARKI t 306 00:15:46,240 --> 00:15:51,120 Speaker 2: like Marky Mark. I like that it could work. That 307 00:15:51,280 --> 00:15:54,360 Speaker 2: was some very good stuff from the talkback Family. 308 00:15:54,640 --> 00:15:54,960 Speaker 3: Thank you. 309 00:15:55,480 --> 00:15:57,560 Speaker 2: Anything you have, you can leave it on the iHeartRadio app. 310 00:15:57,640 --> 00:16:00,960 Speaker 2: Upper right hand part of the screen is a mike 311 00:16:01,080 --> 00:16:05,480 Speaker 2: and we will share your comments when we come back. 312 00:16:05,640 --> 00:16:10,440 Speaker 2: A major lawsuit and you may be part of it. 313 00:16:11,080 --> 00:16:14,960 Speaker 1: You're listening to KFI AM six forty on demand. 314 00:16:16,280 --> 00:16:19,760 Speaker 2: There's been a pretty wild incident at Disneyland. 315 00:16:19,880 --> 00:16:21,440 Speaker 3: This is brutal. 316 00:16:21,480 --> 00:16:24,760 Speaker 2: I mean literally, it's one of these situations in which 317 00:16:25,400 --> 00:16:27,760 Speaker 2: there is a confrontation. I'm kind of surprised this stuff 318 00:16:27,760 --> 00:16:32,320 Speaker 2: doesn't happen more frequently, where somebody cuts line and there's 319 00:16:32,320 --> 00:16:36,360 Speaker 2: a confrontation and then there was a beatdown. This is 320 00:16:36,960 --> 00:16:39,720 Speaker 2: last week. I mean imagine you know you're in line. 321 00:16:39,760 --> 00:16:44,400 Speaker 2: It's the holidays for the Indiana Jones Adventure ride. It's 322 00:16:44,440 --> 00:16:51,000 Speaker 2: one of the marquee rides at Disneyland. And according to cops, 323 00:16:51,440 --> 00:16:53,320 Speaker 2: a group of people who are waiting in line at 324 00:16:53,320 --> 00:16:56,680 Speaker 2: this ride and another group cut through the line to 325 00:16:56,720 --> 00:16:58,840 Speaker 2: catch up with other family members just again at this 326 00:16:58,920 --> 00:17:03,680 Speaker 2: Indiana Jones ride, and it turned into a confrontation thirty 327 00:17:03,760 --> 00:17:10,000 Speaker 2: second fight between two guys, and it was brutal. The 328 00:17:10,080 --> 00:17:15,760 Speaker 2: man whose family cut into the line brutally beat the 329 00:17:15,800 --> 00:17:19,080 Speaker 2: other man, who was visiting the part from Washington State 330 00:17:19,119 --> 00:17:23,320 Speaker 2: with his family. There were several people intervening to stop 331 00:17:23,320 --> 00:17:29,520 Speaker 2: the guy. This is a quote from a witness. He 332 00:17:29,600 --> 00:17:32,800 Speaker 2: managed to get some hits in even with people blocking. 333 00:17:33,960 --> 00:17:36,399 Speaker 2: Then he stepped back a bit, so others did also, 334 00:17:36,440 --> 00:17:41,160 Speaker 2: and that's when the guy who cut line and who 335 00:17:41,200 --> 00:17:45,160 Speaker 2: got the initial blows in jumped in again for one 336 00:17:45,240 --> 00:17:49,720 Speaker 2: last sucker punch that drew blood, and then that guy 337 00:17:49,880 --> 00:17:51,080 Speaker 2: ran off with his family. 338 00:17:54,119 --> 00:17:57,600 Speaker 3: Imagine being in that family. You know this can't be 339 00:17:57,680 --> 00:17:59,359 Speaker 3: the first confrontation this dude's had. 340 00:18:00,400 --> 00:18:04,959 Speaker 2: You know, Dad, you do this? We you know, honey, 341 00:18:04,960 --> 00:18:08,440 Speaker 2: why do you do this? Everywhere we go? Oh my god, 342 00:18:08,480 --> 00:18:13,320 Speaker 2: he's lost it again. Whatever, So the kids and the 343 00:18:13,359 --> 00:18:17,240 Speaker 2: family run off with this guy. They run out of 344 00:18:17,280 --> 00:18:21,520 Speaker 2: the park and they don't have a suspect in custody 345 00:18:22,480 --> 00:18:24,760 Speaker 2: fled Disneyland remains at large. And you say, well, it's 346 00:18:24,760 --> 00:18:27,240 Speaker 2: suspecting custody mark. Is it really that bad yet? It's 347 00:18:28,440 --> 00:18:33,960 Speaker 2: guy had his face busted open, he has stitches. The victim, 348 00:18:33,960 --> 00:18:37,120 Speaker 2: whose name was not released, treated by Disneyland's first aid 349 00:18:37,119 --> 00:18:39,760 Speaker 2: staff for injuries, including this large gash on his face 350 00:18:39,760 --> 00:18:43,120 Speaker 2: that did require stitches. By the way, when you want 351 00:18:43,160 --> 00:18:46,000 Speaker 2: stitches on your face, you don't want to get him 352 00:18:46,000 --> 00:18:48,959 Speaker 2: at Disneyland. I mean, no offense. I'm sure they've got 353 00:18:48,960 --> 00:18:50,920 Speaker 2: really good medical people that I am not being facetious. 354 00:18:50,920 --> 00:18:52,840 Speaker 2: I'm sure they really do have good They have good 355 00:18:52,880 --> 00:18:54,040 Speaker 2: everything at Disneyland. 356 00:18:54,520 --> 00:18:56,800 Speaker 3: But I mean, it's not where it's your face. 357 00:18:58,720 --> 00:19:02,600 Speaker 2: I'm saying you need to get to a plastic surgeon 358 00:19:02,760 --> 00:19:06,000 Speaker 2: or someone who you know has some sense of But 359 00:19:06,080 --> 00:19:08,159 Speaker 2: by the same token, I'm sure they're saying, hey, look, 360 00:19:08,200 --> 00:19:09,719 Speaker 2: we just needed to show it up. Then he can 361 00:19:09,760 --> 00:19:13,359 Speaker 2: go to a plastic surgeon. You know that's in Tomorrowland. 362 00:19:14,160 --> 00:19:17,960 Speaker 2: That's not here. They don't have tomorrow Land anymore, do they? 363 00:19:18,160 --> 00:19:20,960 Speaker 2: Tomorrow Land used to be. Now it's like yesterday Land. 364 00:19:21,119 --> 00:19:24,000 Speaker 2: Then no, that's right, it's like frontier Land. 365 00:19:24,119 --> 00:19:27,119 Speaker 9: Yeah right, well no, because tomorrow Land is basically referencing 366 00:19:27,480 --> 00:19:28,840 Speaker 9: now essentially. 367 00:19:28,920 --> 00:19:31,360 Speaker 3: Yeah, you know the all electric household. 368 00:19:31,480 --> 00:19:43,080 Speaker 2: Yeah right, that's exactly right. Anyway, they need, yeah, they 369 00:19:43,119 --> 00:19:45,479 Speaker 2: need some kind of professional help for this guy, and 370 00:19:45,520 --> 00:19:49,480 Speaker 2: he'll get it, I'm sure in any case. Apparently, and 371 00:19:49,480 --> 00:19:52,400 Speaker 2: this is the last sort of detail that again makes 372 00:19:52,400 --> 00:19:55,399 Speaker 2: this victim even more of the victim. He refused to 373 00:19:55,480 --> 00:19:59,440 Speaker 2: hit back, apparently because he didn't want the rest of 374 00:19:59,480 --> 00:20:03,400 Speaker 2: the family to get kicked out or to get blacklisted, 375 00:20:04,160 --> 00:20:08,200 Speaker 2: so he kind of let this guy whoop him this way, 376 00:20:09,160 --> 00:20:11,919 Speaker 2: and as a result, he's. 377 00:20:12,200 --> 00:20:13,199 Speaker 3: In pretty bad shape. 378 00:20:14,320 --> 00:20:19,520 Speaker 2: This was the second incident they note that day. That 379 00:20:19,720 --> 00:20:24,159 Speaker 2: same day, at the Indiana Jones attraction, a four hundred 380 00:20:24,200 --> 00:20:26,720 Speaker 2: pound inflatable boulder prop. I don't know how many of 381 00:20:26,760 --> 00:20:31,399 Speaker 2: you've been to the Disneyland attraction Indiana Jones Ride, but 382 00:20:31,440 --> 00:20:34,240 Speaker 2: it is pretty cool. They have this huge boulder from 383 00:20:34,240 --> 00:20:39,200 Speaker 2: the movie. It recreates that moment and this huge boulder 384 00:20:39,359 --> 00:20:43,719 Speaker 2: rolls down onto you and then I forget what stops 385 00:20:43,720 --> 00:20:45,760 Speaker 2: at the last second, obviously or whatever it is. But 386 00:20:45,840 --> 00:20:49,959 Speaker 2: it's a pretty cool illusion. I mean it's literally a boulder. 387 00:20:50,000 --> 00:20:55,480 Speaker 2: This isn't you know, some kind of CGI. But that 388 00:20:55,640 --> 00:20:58,200 Speaker 2: same day that this beatdown happened, this four hundred pounds 389 00:20:58,160 --> 00:21:05,760 Speaker 2: inflatable boulder rolled off its track and a park employee 390 00:21:05,880 --> 00:21:08,080 Speaker 2: stepped in front of it to keep it from bouncing 391 00:21:08,119 --> 00:21:12,199 Speaker 2: into the crowd, and that employee was injured. So some 392 00:21:12,359 --> 00:21:15,840 Speaker 2: bad mojo around the Indiana Jones Ride, That's all I'm saying. 393 00:21:17,640 --> 00:21:18,600 Speaker 2: Very very tricky. 394 00:21:18,640 --> 00:21:18,880 Speaker 3: Now. 395 00:21:20,440 --> 00:21:24,880 Speaker 2: I know you're saying, Mark, you must have an Indiana 396 00:21:24,960 --> 00:21:28,320 Speaker 2: Jones ride story, and I don't really accept for the 397 00:21:28,400 --> 00:21:31,879 Speaker 2: fact that I was there and what was one of 398 00:21:31,880 --> 00:21:35,639 Speaker 2: the first people to ride the Indiana Jones ride because 399 00:21:35,680 --> 00:21:38,720 Speaker 2: it was open to who the press when they were 400 00:21:38,720 --> 00:21:41,960 Speaker 2: trying to give it a push when it first opened. Cool, 401 00:21:42,280 --> 00:21:44,439 Speaker 2: So they invite you down to the park. It was 402 00:21:44,480 --> 00:21:46,320 Speaker 2: on the morning show at that point. I was doing 403 00:21:46,320 --> 00:21:49,960 Speaker 2: Good Day La and they invite you down there. And 404 00:21:50,880 --> 00:21:53,199 Speaker 2: the cool thing was that it's a cool ride and 405 00:21:53,240 --> 00:21:54,720 Speaker 2: you can ride it as many times as you want. 406 00:21:54,760 --> 00:21:56,840 Speaker 2: There's nobody else there. You just go out and ride 407 00:21:56,840 --> 00:21:58,520 Speaker 2: it again. I'm gonna ride again. I'm gonna ride it again. 408 00:21:58,880 --> 00:22:01,680 Speaker 2: I must have been and Danna Jones ride six times. 409 00:22:02,400 --> 00:22:04,480 Speaker 2: It was just great. Yeah, let's ride it again. Let's 410 00:22:04,560 --> 00:22:07,320 Speaker 2: ride it again. It was me and the producer and 411 00:22:07,359 --> 00:22:11,240 Speaker 2: you know, and you know all that. And by the way, 412 00:22:11,280 --> 00:22:13,080 Speaker 2: that's the only time I've been on the ride was 413 00:22:13,119 --> 00:22:15,240 Speaker 2: those six times. And that was whenever it was when 414 00:22:15,280 --> 00:22:17,800 Speaker 2: itever Is opened and you were never in any danger 415 00:22:17,840 --> 00:22:18,480 Speaker 2: from the boulder. 416 00:22:19,160 --> 00:22:22,040 Speaker 3: There was the illusion. And that's all you need is 417 00:22:22,080 --> 00:22:22,680 Speaker 3: the illusion. 418 00:22:22,720 --> 00:22:26,760 Speaker 9: I will say, it's still it still has quite a 419 00:22:26,840 --> 00:22:29,120 Speaker 9: grip on you because it's like, like you said, it's 420 00:22:29,119 --> 00:22:32,600 Speaker 9: no CGI, it's not a screen, it's an actual something there. 421 00:22:32,760 --> 00:22:35,600 Speaker 3: Yeah, goes right under it. It's it's still pretty cool. 422 00:22:35,760 --> 00:22:35,800 Speaker 7: No. 423 00:22:36,000 --> 00:22:38,600 Speaker 2: And and by the way, as we learned from the story, 424 00:22:38,920 --> 00:22:41,639 Speaker 2: it literally can hurt you if it hits you. It 425 00:22:41,760 --> 00:22:45,439 Speaker 2: injured it park employee, you know, stopped it from hitting 426 00:22:45,680 --> 00:22:53,480 Speaker 2: some some theme park goers. So, uh, that's your Disneyland rep. 427 00:22:53,640 --> 00:22:55,280 Speaker 2: I like to give you a Disneyland rep when we 428 00:22:55,320 --> 00:22:59,480 Speaker 2: come back. We'll check in with Nori, who follows this show, 429 00:23:00,200 --> 00:23:03,560 Speaker 2: and I will fill you in on the McDonald's lawsuit 430 00:23:03,800 --> 00:23:07,800 Speaker 2: that you may benefit from as we continue. 431 00:23:07,880 --> 00:23:11,280 Speaker 1: You're listening to KFI AM six forty on demand. 432 00:23:12,840 --> 00:23:15,439 Speaker 2: One of my favorite guilty pleasures is listening to the 433 00:23:15,440 --> 00:23:18,960 Speaker 2: Norri Show now almost every night because I'm coming back 434 00:23:19,040 --> 00:23:22,280 Speaker 2: late from cards a broken man, having lost most of 435 00:23:22,280 --> 00:23:26,480 Speaker 2: my pension in some illegal card game. Mark Thompson here 436 00:23:26,480 --> 00:23:28,639 Speaker 2: on KFI AM six forty. We are live everywhere in 437 00:23:28,640 --> 00:23:31,200 Speaker 2: the R Radio app And I mentioned Norri because he's 438 00:23:31,240 --> 00:23:31,760 Speaker 2: on the line. 439 00:23:31,800 --> 00:23:33,960 Speaker 3: Now, what's up, George, Mark? 440 00:23:34,040 --> 00:23:36,480 Speaker 5: We got a great show tonight, one of those classic 441 00:23:36,600 --> 00:23:37,840 Speaker 5: coast to coast shows. 442 00:23:37,920 --> 00:23:39,080 Speaker 7: That's all I'm gonna say. 443 00:23:39,119 --> 00:23:40,880 Speaker 6: You gotta listen to hear the program. 444 00:23:41,080 --> 00:23:44,000 Speaker 2: I will be there, bring it home, baby, George Norri, 445 00:23:44,119 --> 00:23:47,920 Speaker 2: thank you all right, my friend. Yes, indeed, a classic 446 00:23:48,600 --> 00:23:53,600 Speaker 2: Nordy show. Well, I mentioned that there is a lawsuit underway. 447 00:23:54,000 --> 00:23:57,639 Speaker 2: Might you get something from this lawsuit? It's called the 448 00:23:57,760 --> 00:24:00,600 Speaker 2: McRib lawsuit, and I'm guessing it a couple of you 449 00:24:00,680 --> 00:24:04,440 Speaker 2: have have been involved with a McRib in your time. 450 00:24:04,560 --> 00:24:07,680 Speaker 10: Pork water, salt, dextros and rosemary extract. 451 00:24:07,840 --> 00:24:10,120 Speaker 3: Oh that's great, that sounds terrific, is that? 452 00:24:10,160 --> 00:24:10,240 Speaker 5: What? 453 00:24:11,200 --> 00:24:12,480 Speaker 3: Yeah? Yum yum yum. 454 00:24:12,520 --> 00:24:14,720 Speaker 2: But when you put the McRib name on it and 455 00:24:14,720 --> 00:24:17,240 Speaker 2: you put a jingle behind it, it just feels better. 456 00:24:17,320 --> 00:24:20,639 Speaker 10: A lawsuit is leaving McDonald's in a pretty sticky situation. 457 00:24:21,000 --> 00:24:24,560 Speaker 10: A class action lawsuit accuses the company of misleading customers 458 00:24:24,560 --> 00:24:28,720 Speaker 10: into believing that the McRib contains actual pork rib meat. 459 00:24:29,000 --> 00:24:34,280 Speaker 2: Oh my god, you can sue over that now. I 460 00:24:34,280 --> 00:24:36,920 Speaker 2: thought this was America. Of course, it doesn't have any 461 00:24:37,320 --> 00:24:39,439 Speaker 2: rib pork meat in it. 462 00:24:41,000 --> 00:24:42,080 Speaker 3: My questions. 463 00:24:42,320 --> 00:24:45,919 Speaker 2: Yeah, listen, this is the wrong country for you if 464 00:24:45,960 --> 00:24:48,880 Speaker 2: you've got an issue with that. It's a mccribb. It's 465 00:24:48,920 --> 00:24:52,200 Speaker 2: a bit's a sales thing. Who knows what's in it. 466 00:24:52,200 --> 00:24:56,520 Speaker 2: It's some pressed stuff from a factory. You enjoy it, 467 00:24:56,640 --> 00:24:57,520 Speaker 2: No harm done. 468 00:24:57,880 --> 00:25:01,480 Speaker 10: Class action lawsuit accuses the company of misleading customers into 469 00:25:01,480 --> 00:25:06,199 Speaker 10: believing that the McRib contains actual pork rib meat. Although 470 00:25:06,200 --> 00:25:08,159 Speaker 10: the meat is shaped like a slab of ribs, the 471 00:25:08,160 --> 00:25:11,520 Speaker 10: patty is boneless. The lawsuit, which was filed in Illinois, 472 00:25:11,560 --> 00:25:13,760 Speaker 10: says it is not right for the meat patty to 473 00:25:13,800 --> 00:25:16,560 Speaker 10: resemble a cooked rack of pork ribs when there's no 474 00:25:16,720 --> 00:25:20,120 Speaker 10: meaningful amount of premium cut pork there at all. 475 00:25:20,359 --> 00:25:24,640 Speaker 2: Oh my god, I mean again, I was raised in 476 00:25:24,680 --> 00:25:29,600 Speaker 2: this country on I don't know what, it was super 477 00:25:29,600 --> 00:25:34,800 Speaker 2: middle class. My mother fed us dextros and corn syrup 478 00:25:34,840 --> 00:25:39,000 Speaker 2: and pressed crap, mostly hot dogs. I mean, what are 479 00:25:39,040 --> 00:25:46,359 Speaker 2: hot dogs if not every bit of refuse from the factory. 480 00:25:46,400 --> 00:25:51,159 Speaker 2: I'll just call it the processing of these creatures. And 481 00:25:51,200 --> 00:25:53,119 Speaker 2: they throw some spices and stuff in there. And as 482 00:25:53,160 --> 00:25:58,679 Speaker 2: a kid it turned out fine. The McRib people they 483 00:25:58,840 --> 00:26:02,960 Speaker 2: found a way to press together a certain number of 484 00:26:03,040 --> 00:26:08,760 Speaker 2: substances and chemicals there at the McDonald's chemical plant. They 485 00:26:08,800 --> 00:26:11,600 Speaker 2: put some ribbish type stuff on it. They call it 486 00:26:11,600 --> 00:26:18,479 Speaker 2: the McRib. They saturate the airwaves during my football games 487 00:26:18,520 --> 00:26:25,080 Speaker 2: with ads about the McRib being available, and we buy it. 488 00:26:25,200 --> 00:26:28,640 Speaker 3: Well not we. I wouldn't eat one of those at gunpoint. 489 00:26:28,760 --> 00:26:30,800 Speaker 3: Well I don't need it. I don't need any meat. 490 00:26:30,880 --> 00:26:33,800 Speaker 2: But I'm just saying, all right, you know what, guys, 491 00:26:33,840 --> 00:26:34,680 Speaker 2: I have a premise here. 492 00:26:34,680 --> 00:26:35,920 Speaker 3: If everybody's just going to come in. 493 00:26:35,840 --> 00:26:39,960 Speaker 2: And say, I'm sorry, McRib, thank you very much. 494 00:26:40,000 --> 00:26:42,040 Speaker 4: Would you agree that that sauce does a lot of 495 00:26:42,040 --> 00:26:42,679 Speaker 4: heavy lifting. 496 00:26:42,800 --> 00:26:44,159 Speaker 3: Of course, it's all sauce. 497 00:26:44,359 --> 00:26:46,040 Speaker 2: Yeah, But when you know, when they come to you 498 00:26:46,040 --> 00:26:48,199 Speaker 2: with these fine dining restaurants and they say, yeah, we 499 00:26:48,280 --> 00:26:52,560 Speaker 2: have the Brenzeno tonight. The Brenzeno, the Brenzino, the Brenzeno. 500 00:26:52,600 --> 00:26:55,960 Speaker 2: Every restaurant's got the Brenzeno, the Chile and sea bass, 501 00:26:56,440 --> 00:27:01,600 Speaker 2: every restaurant's got that. Why, because it's a neutral fish 502 00:27:01,840 --> 00:27:02,840 Speaker 2: to take the sauce. 503 00:27:02,920 --> 00:27:04,600 Speaker 3: It's always about the sauceage. 504 00:27:05,320 --> 00:27:08,440 Speaker 2: So in a way, McDonald's is doing, really I think 505 00:27:08,520 --> 00:27:11,879 Speaker 2: some highbrow work when they put these sauces together in 506 00:27:11,960 --> 00:27:15,480 Speaker 2: their laboratories of death or whatever they're you know what, 507 00:27:16,080 --> 00:27:19,159 Speaker 2: you know, I'm just saying, i don't know what the 508 00:27:19,160 --> 00:27:20,000 Speaker 2: complaint is here. 509 00:27:20,280 --> 00:27:21,480 Speaker 3: I'm on team McDonald's. 510 00:27:21,480 --> 00:27:23,600 Speaker 10: Although the meat is shaped like a slab of ribs, 511 00:27:23,600 --> 00:27:27,040 Speaker 10: the patty is boneless. The lawsuit, which was filed in Illinois, 512 00:27:27,119 --> 00:27:29,320 Speaker 10: says it is not right for the meat patty to 513 00:27:29,359 --> 00:27:32,119 Speaker 10: resemble a cooked rack of pork ribs when there's no 514 00:27:32,280 --> 00:27:35,720 Speaker 10: meaningful amount of premium cut pork there at all. 515 00:27:36,080 --> 00:27:37,359 Speaker 3: So McDonald says it. 516 00:27:37,240 --> 00:27:41,320 Speaker 10: Does use boneless pork, water, salt, dextros, and rosemary extract. 517 00:27:41,840 --> 00:27:44,400 Speaker 10: You can still buy a McRib in Saint Louis, by 518 00:27:44,440 --> 00:27:46,400 Speaker 10: the way, for a limited time. 519 00:27:46,520 --> 00:27:51,399 Speaker 2: Yeah, that's they do cycle them in and out, they do. Yeah, well, 520 00:27:51,720 --> 00:27:54,000 Speaker 2: I know, I'm seeing it too. Do you see this? 521 00:27:55,240 --> 00:27:57,680 Speaker 2: Do you see a little alert thing? And I hope 522 00:27:57,680 --> 00:28:00,960 Speaker 2: the people are able to hear us. I'm seeing a 523 00:28:01,000 --> 00:28:04,480 Speaker 2: thing here in the studio. Yeah, say something offensive and 524 00:28:04,480 --> 00:28:06,920 Speaker 2: see if we get to talk about KFI audio fail. 525 00:28:07,359 --> 00:28:09,720 Speaker 2: I don't know what the I'm going to keep talking 526 00:28:09,760 --> 00:28:12,280 Speaker 2: as though we're actually being heard, but you may have 527 00:28:12,400 --> 00:28:21,159 Speaker 2: experienced an interruption. The the interesting thing to me about 528 00:28:21,560 --> 00:28:24,439 Speaker 2: the McDonald's situation is the way in which McDonald's has 529 00:28:24,480 --> 00:28:27,880 Speaker 2: actually gone the opposite direction of the McRib They've got Now, 530 00:28:27,920 --> 00:28:30,720 Speaker 2: you know, Salad's in there telling you how many calories 531 00:28:30,760 --> 00:28:34,399 Speaker 2: and things, and just a different McDonald's experience. You know, 532 00:28:34,880 --> 00:28:38,000 Speaker 2: I like just going in back when I did eat 533 00:28:38,040 --> 00:28:41,600 Speaker 2: that stuff and just shoving those burgers and big Macs 534 00:28:41,640 --> 00:28:46,000 Speaker 2: and you know, the the the Big Mac was probably 535 00:28:46,040 --> 00:28:51,480 Speaker 2: the true decadent play that I remember making at McDonald's, 536 00:28:51,600 --> 00:28:54,440 Speaker 2: especially late at night. I mean, that's that's the time 537 00:28:54,480 --> 00:28:59,200 Speaker 2: that you really want to just megaloade McDonald's when you've 538 00:28:59,200 --> 00:29:01,920 Speaker 2: had a couple of cocktail. Yeah exactly. You know, now 539 00:29:01,960 --> 00:29:04,520 Speaker 2: you've got more options. You know, back when I was 540 00:29:04,560 --> 00:29:09,840 Speaker 2: coming up as a late night cruiser of fast food joints, 541 00:29:09,840 --> 00:29:11,680 Speaker 2: you didn't have as many options. Now you've got you know, 542 00:29:11,760 --> 00:29:15,400 Speaker 2: Del Taco, Taco Bell, and there are all kinds of 543 00:29:15,400 --> 00:29:18,680 Speaker 2: ways in which you can you know, McDonald's is now 544 00:29:18,720 --> 00:29:21,880 Speaker 2: doing its thing. It was McDonald's and Burger King and 545 00:29:21,920 --> 00:29:24,760 Speaker 2: now you just have many more options. And to be fair, 546 00:29:24,840 --> 00:29:26,160 Speaker 2: and this is one of the things I like about 547 00:29:26,160 --> 00:29:30,520 Speaker 2: a big city. You've got just in places. You've got 548 00:29:30,560 --> 00:29:33,720 Speaker 2: some little late night place in the city that's opened 549 00:29:33,760 --> 00:29:37,400 Speaker 2: late as well. So in all of these ways you 550 00:29:37,440 --> 00:29:40,480 Speaker 2: can kind of scratch your itch. But if you are 551 00:29:40,640 --> 00:29:44,520 Speaker 2: a McRib devote and there is a group of people 552 00:29:44,600 --> 00:29:48,800 Speaker 2: that are really committed to the McRib because they complain 553 00:29:48,880 --> 00:29:51,080 Speaker 2: when mcrib's not on the menu, they complain that the 554 00:29:51,120 --> 00:29:54,240 Speaker 2: mcribs should be on longer, and mccribb is a seasonal thing, 555 00:29:54,840 --> 00:29:57,320 Speaker 2: you may be part of this. This is a class 556 00:29:57,440 --> 00:30:01,760 Speaker 2: action lawsuit. So the idea is there are people here 557 00:30:01,800 --> 00:30:05,800 Speaker 2: who feel deceived, and if you've thought there was actual 558 00:30:05,920 --> 00:30:09,680 Speaker 2: meat product there, high end meat product, you are one 559 00:30:09,720 --> 00:30:14,040 Speaker 2: of those people who may be entitled to whatever resolution 560 00:30:14,280 --> 00:30:17,680 Speaker 2: might come from this should McDonald's have to settle, But 561 00:30:18,760 --> 00:30:22,760 Speaker 2: we will see. So this is quite a night at 562 00:30:22,800 --> 00:30:27,040 Speaker 2: Kfire Radio. We've done a lot, and I'm not even 563 00:30:27,080 --> 00:30:29,000 Speaker 2: sure that the last five minutes has been heard on 564 00:30:29,040 --> 00:30:34,880 Speaker 2: the air, but we will find out soon enough. I'll 565 00:30:34,880 --> 00:30:39,480 Speaker 2: be listening and I'll be listening through the night with Nori. 566 00:30:39,760 --> 00:30:43,680 Speaker 2: Thank you all who have contributed tonight, Thank you and Nikki, 567 00:30:43,840 --> 00:30:46,880 Speaker 2: thank you, Mark, thank you, Steph. 568 00:30:46,920 --> 00:30:50,360 Speaker 3: And I will see you tomorrow with Conway. I'll be on. 569 00:30:50,680 --> 00:30:52,480 Speaker 9: And also, don't be disappointed if you didn't hear it, 570 00:30:52,520 --> 00:30:53,840 Speaker 9: because it will be on the podcast. 571 00:30:53,960 --> 00:30:55,880 Speaker 2: Oh yeah, all of this will be on the podcast. 572 00:30:55,960 --> 00:31:00,600 Speaker 2: Good cool, All right, my friends. That is it. That 573 00:31:00,800 --> 00:31:06,040 Speaker 2: is all we are. Kf I Am six forty live everywhere, 574 00:31:06,600 --> 00:31:09,280 Speaker 2: on the iHeartRadio app, k if 575 00:31:09,360 --> 00:31:11,480 Speaker 1: I Am six forty on demand,