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Speaker 1: What is it? Due to the graphic nature of this program,

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Speaker 1: listener discretion is advised.

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Speaker 2: The Woody Show.

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Speaker 1: This is the Woody Show.

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Speaker 3: Insensitivity Training.

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Speaker 1: Class is now in session.

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Speaker 3: Hey, what's good? Everybody up? And today is Friday?

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Speaker 1: Yep, it is Friday, April, the third twenty twenty six

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Speaker 1: year of our lord. We are the Woody Show. Yeah, Woodie,

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Speaker 1: that's great gory all right. We got Venice, Gina grad right,

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Speaker 1: Sea Bass is here. We've got Sammy she's our executive producer.

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Speaker 1: We got Morgan, our associate producer. Van is a video producer,

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Speaker 1: and then we got Borton mentioning the Woody Show production

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Speaker 1: partner dumbass.

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Speaker 3: Tyler is here.

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Speaker 1: Thank you for being here and giving us some of

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Speaker 1: your valuable time today. Many ways to be a part

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Speaker 1: of the Woody Show. You can call in eight seven

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Speaker 1: seven forty four Woodie, which after the show becomes the

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Speaker 1: after hours voicemail. You could text us check in over

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Speaker 1: to two two nine eight seven. You can find us

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Speaker 1: and follow us on all the social media platforms. Look

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Speaker 1: for us there at the Woody Show, and of course

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Speaker 1: good old fashioned email, which is email at the Woodieshow

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Speaker 1: dot com.

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Speaker 3: Hey, Misa, Takayama.

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Speaker 1: Did you know that China and Japana actually a different country.

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Speaker 1: So I have a little game here is it China

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Speaker 1: or is it Japan?

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Speaker 4: Oh?

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Speaker 1: Okay, because there are two different countries.

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Speaker 3: You got really all right?

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Speaker 1: So this first story, this company is selling its human

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Speaker 1: washing machine that became popular at this expo. The machine

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Speaker 1: is a capsule. This is like something that Menace would want.

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Speaker 1: Remember he wanted that chair so he would like stand

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Speaker 1: him up. Yeah, you know for old people.

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Speaker 5: Uh huh, people who.

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Speaker 1: You've never seen one of them. Now every furniture you

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Speaker 1: haven't seen that for Yeah, you just stand up. It's

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Speaker 1: just like but he wanted this as an able bodied person.

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Speaker 5: And a place called Living Spaces offered me one, but

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Speaker 5: I just didn't have the space for it.

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Speaker 3: So anyway, this.

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Speaker 1: Machine, it's a capsule that people you lie down in

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Speaker 1: it and you get washed by tiny bubbles in a

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Speaker 1: misshower for about fifteen minutes. So it's like a it's

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Speaker 1: a it's like a dishwasher, but for a person that

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Speaker 1: it costs around four hundred thousand dollars. This this one

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Speaker 1: hotel already bought one to offer to guess it's this

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Speaker 1: China or Japan.

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Speaker 5: I'm guessing it's Japan.

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Speaker 1: Yeah, this Japan sounds very japan like Japan. Well, you

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Speaker 1: guys are right, it's Japan. I think I could. I

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Speaker 1: can offer them a lower price.

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Speaker 3: Yeah right, half a million dollars.

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Speaker 5: Yeah, dude, I'll scrub somebody first, right.

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Speaker 1: Is it? Is it China or is it Japan? This

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Speaker 1: woman she won this metal for a wilderness survival competition,

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Speaker 1: and she lost weight along the way. She not only

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Speaker 1: ate high protein food like carbs and sea urchin, she

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Speaker 1: also skinned and ate about fifty rats.

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Speaker 6: Wow.

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Speaker 1: She endured heat over one hundred degrees, suffered from sunburned skin,

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Speaker 1: rough hands, and feet covered in scars from the insect bites.

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Speaker 1: And I guess there are two people who are still

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Speaker 1: competing the win. But yeah, she she she ate fifty

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Speaker 1: rats in this wilderness survival challenge and lost thirty pounds lucky.

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Speaker 3: Is it?

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Speaker 1: Is it China or is it Japan?

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Speaker 7: Doesn't have to be a world in his challenge? If

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Speaker 7: it's China, Wow, not cool.

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Speaker 3: I'm gonna say Japan Japan because they have very very

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Speaker 3: interesting competitions, that's.

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Speaker 1: True, but I think they're more like the TV shows

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Speaker 1: and stuff. Yeah, those competitions are more funny, which is

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Speaker 1: the one that's still Hotsa, the one where they had

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Speaker 1: the twe but the cockroaches in between their each side.

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Speaker 1: There's people on each side trying to blow the cockroach

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Speaker 1: into the mouth of the other person.

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Speaker 3: That was that was China. Pick enough prize for that.

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Speaker 5: You gotta do that on the show.

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Speaker 1: Yeah, we could put in China. I think this is

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Speaker 1: this lacks whimsy that Japan would have. All right, so China, Japan, China, China, China, China,

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Speaker 1: nuclear China, nuclear China, China. The answer is China.

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Speaker 3: Yeah, there you go.

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Speaker 1: Is it China or is it really gets in our

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Speaker 1: our daily mentions of Japan?

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Speaker 8: Yeah?

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Speaker 1: Quite well, yeah, people just again, you know that's a

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Speaker 1: there's there's a difference. Oh really yeah, all right, oh yeah,

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Speaker 1: all right, more, all right, more Woodies Show's comet up next.

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Speaker 1: Hang on right back. Attention Woody Show podcast listeners. We

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Speaker 1: now bring you this special bulletin.

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Speaker 9: It's jentlemen, I am Woody, we are the Woody Show,

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Speaker 9: and we would like to announce that next Friday, that

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Speaker 9: would be April tenth, The Woody Show, myself.

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Speaker 3: Greg Menace, Gina, Sammy A.

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Speaker 1: Bunch of us. We're all going to be at the

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Speaker 1: Albertons in Fullerton from two to four pm. That's on

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Speaker 1: Friday April tenth. It's the final Woody Show ticket blast

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Speaker 1: for the after hours takeover, so it'll be your chance

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Speaker 1: to come on by say hi and win tickets to

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Speaker 1: the takeover, which of course.

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Speaker 3: Coming up on April twentieth.

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Speaker 1: So again, that is next Friday, April tenth, two to

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Speaker 1: four pm, The Woody Show. We're all going to be

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Speaker 1: at Albertson's in Fullerton. Get the address. All the details

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Speaker 1: click on the events tab of our website, The Woodi

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Speaker 1: Show dot com. We now return you to your regular

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Speaker 1: scheduled mediocre garbage already in progress. I don't care why

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Speaker 1: you listen, because you love it.

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Speaker 3: Listen as long as you're listening, this is the show.

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Speaker 1: Eight seven four text over to two two nine eight seven.

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Speaker 1: Got an after hours voicemail to UH to share with you.

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Speaker 3: I'd mentioned on the show.

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Speaker 1: We were talking about dugans, and you know Greg's got

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Speaker 1: a dog, Menaces a couple of dogs, and Sammy's got

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Speaker 1: her dog. You've got your dog. Morgan, big boy tongue

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Speaker 1: hanging out his mouth all the time, my little baby.

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Speaker 1: Cash He did do weed a baby, I said, Man,

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Speaker 1: she almost has like this, like, uh, what do they

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Speaker 1: call it?

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Speaker 3: Not not detachment?

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Speaker 1: Is it a detachment synd abandonment? No, they call it

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Speaker 1: separation anxiety. Oh yeah, you've heard that where you know

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Speaker 1: the pets, their their life just kind of freezes until

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Speaker 1: you come back, right, you know. And my wife tells

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Speaker 1: me all the time, like she'll feed her breakfast in

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Speaker 1: the morning and she won't eat. It doesn't matter what

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Speaker 1: time I get home, whether I get home at eleven am,

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Speaker 1: one pm, later in the day, four pm, she won't

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Speaker 1: touch it until I get back to the house. My god,

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Speaker 1: And I'm like, dude, and my wife's like, yeah, it's

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Speaker 1: really weird trauma, you know, like she just wants to

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Speaker 1: make sure that you're okay. And we don't know what

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Speaker 1: it is. Anyway, this guy left a message, he said,

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Speaker 1: the real reason that the dog waits for me to eat?

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Speaker 10: Here we go, Hey what he full disclosure. I'm not

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Speaker 10: saying Cashie doesn't like you very much, but the reason

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Speaker 10: why she doesn't eat all day is I think you're

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Speaker 10: gonna give her a dog enough credit. She's a little

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Speaker 10: smarter and you think My dog's the same way.

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Speaker 8: Actually, the last two dogs I've had, Blueticks, have been

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Speaker 8: the same way. They won't you put food in your bowl.

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Speaker 8: They know you're scheduled. They won't eat if they're at

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Speaker 8: home all day. As soon as you come home, they'll

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Speaker 8: chow down. Because usually right after a dog eats within

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Speaker 8: you know a certain amount of time frame that's reasonable,

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Speaker 8: day got to go to take a poo. So I

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Speaker 8: bet you that's why she's smart enough, and that's why

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Speaker 8: she don't need all day.

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Speaker 3: It's not just because she's waiting for dinner to come home.

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Speaker 5: Balls.

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Speaker 3: But that's that all right.

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Speaker 1: Well, here's here's the thing though. At my house, someone's

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Speaker 1: always home. That's what I was going to say. Yeah,

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Speaker 1: it's not a survival technique. Yeah, very very rarely is

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Speaker 1: there somebody not home. Yeah, my wife said, you know,

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Speaker 1: she's a stay at home mom, right, So somebody somebody

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Speaker 1: is for the most part, always home.

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Speaker 8: Yeah.

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Speaker 3: And as much as I love dogs, I don't think

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Speaker 3: they're thinking like I might have to poop after I

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Speaker 3: eat it away. I mean, I get it.

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Speaker 5: I don't not care she's there. They're going to eat it.

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Speaker 7: I'll trap on his point but all the Internet says

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Speaker 7: is that their social animals pack animals.

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Speaker 1: This is how they developed, you know over Yeah.

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Speaker 2: She might have an eating disorder.

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Speaker 1: Yeah, she is a lady.

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Speaker 3: She's seven.

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Speaker 1: Yeah.

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Speaker 3: If I give my dog a cook before we leave,

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Speaker 3: she waits we get home to eat it.

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Speaker 8: Yeah.

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Speaker 3: Yeah, because she doesn't want to have to go and poop.

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Speaker 3: She's thinking about yeah, exactly. In other animal.

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Speaker 1: News, you guys, Oh yeah, we got some raccoon news menace.

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Speaker 7: There has been a you know, there's been a photo

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Speaker 7: that's actually broken the internet. That phrase gets thrown around

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Speaker 7: a lot. But a raccoon passed out on the floor

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Speaker 7: of a bathrooms big store.

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Speaker 1: A lot of people have been sending this one to us.

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Speaker 5: I got tagged nine times.

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Speaker 7: Oh yeah, this is uh just north of Richmond. Actually,

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Speaker 7: like the song says a drunk liquor store raccoon.

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Speaker 1: This is from W A. V. Y. Yeah, a raccoon

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Speaker 1: broke into the store the night of Friday and ransacked

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Speaker 1: several shelves.

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Speaker 3: They have masks, don't they. The animal became.

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Speaker 7: Intoxicon and then passed out.

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Speaker 1: Sleeping raccoon was discovered Saturday morning, head right near the toilet.

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Speaker 11: We've all been there probably at some point in our lives, right,

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Speaker 11: a little too much.

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Speaker 1: An officer brought the.

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Speaker 11: Masked bandit back to the County Animal shelter to recover. So, yeah,

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Speaker 11: that's a lot of liqueur for a little raccoon there.

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Speaker 11: The raccoon slept it off for a few hours and

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Speaker 11: showed no signs of injury. Bounce back officers released the

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Speaker 11: raccoon back into the wild.

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Speaker 5: No alcoholic though, yeah, just be breaking him everywhere with

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Speaker 5: his mask to get his next fixed.

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Speaker 1: Are you going to know which ones which they have masks?

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Speaker 7: But much like menace, they love getting drunk and pass

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Speaker 7: that on the floor pathroom. Are your literal spirit animal?

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Speaker 1: So many times medicine animal form as you.

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Speaker 7: Have heard this raccoon and the liquor story, bathroom story.

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Speaker 7: Uh oh boy? Do TV people love these kinds of

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Speaker 7: stories because they love you know, they love flex their

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Speaker 7: comedy muscle. Yeah, ad it going on a worldwide story.

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Speaker 9: Uh.

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Speaker 1: ABC Richmond covered it as well.

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Speaker 9: Pime Alerts night with a particularly furry suspect who is

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Speaker 9: apparently not old enough to drink.

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Speaker 12: On Saturday, animal control officers caught a raccoon red handed

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Speaker 12: or red pod bock out inside an ABC store.

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Speaker 11: After helping itself to bottles of alcohol.

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Speaker 6: Na na.

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Speaker 3: Rac stupid kids.

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Speaker 7: Yeah, and of course this is their big story of

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Speaker 7: the week, the big kicker story. So after the story's over,

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Speaker 7: they're going to chop it up some more. Yeah, of course,

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Speaker 7: more local TV comedy.

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Speaker 1: I love it when the news anchor because they're really

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Speaker 1: good at just reading teleprompter, but they're not so good

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Speaker 1: at that living off the well.

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Speaker 12: In all seriousness, the ABC store did have to file

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Speaker 12: a report for the loss of product, and the workers

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Speaker 12: at the ABC store, we're telling me people have been

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Speaker 12: coming in all day just to see the store and

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Speaker 12: ask if that's where it happened.

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Speaker 9: Certainly not the type of thing you would like to

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Speaker 9: see happen, or that expect to see happening.

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Speaker 1: Situation, And I hope the raccoon's okay.

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Speaker 11: Now, I lost a lot of bottles, but bringing in

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Speaker 11: a lot more customers.

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Speaker 3: Something sober and okay at this point is okay.

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Speaker 1: We can rest. We can rest easy tonight, you know

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Speaker 1: what I mean?

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Speaker 7: Like what the effort you talked about. He's wishing well

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Speaker 7: to the raccoons. You wouldn't want people to think you're

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Speaker 7: on You're untearing you wouldn't.

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Speaker 3: Want to see a blitzed raccoon, and then you go

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Speaker 3: to the store because you want to see the floor it.

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Speaker 1: Happened, also knowing that the raccoons perfectly fine, Like so

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Speaker 1: you know how the story ends, the fine.

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Speaker 3: It got drunk.

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Speaker 5: You don't want the free marketing for the location.

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Speaker 1: Okay, so what did you say that? Greg?

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Speaker 7: And I had the exact same thought. Oh, okay, it's

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Speaker 7: all cleaned up, knowing it's a liquor store in Nowhereville.

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Speaker 3: I want to see where it happened.

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Speaker 7: This is the sort of thing. If I lived in Hanover, Virginia,

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Speaker 7: my mom would have taken us to go see.

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Speaker 5: The somebody that was smart enough to like start starting

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Speaker 5: selling merch like right away.

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Speaker 2: On the street.

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Speaker 1: He would have.

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Speaker 3: The wh alright. So not not everybody?

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Speaker 1: Uh not everybody loves the show. Some people, some people

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Speaker 1: are in fans. Well here this one, this one, this

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Speaker 1: one is a fan.

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Speaker 6: Okay, what do you show, Sarah. I drive a tow

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Speaker 6: truck for a living, and so I listen to your

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Speaker 6: show every single day. I usually catch it on the

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Speaker 6: podcast them in and out of the truck, and so

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Speaker 6: that's better.

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Speaker 10: I can pause the.

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Speaker 6: Podcast as I can't pause the live radio. But I

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Speaker 6: was just going through and listening to some of your

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Speaker 6: older podcasts and people just call in and they just

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Speaker 6: like to complain about you guys. A lot of men's hate,

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Speaker 6: a lot of just like some crap.

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Speaker 13: And it's like, I love all of you. I love

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Speaker 13: all of you individually for a few hours of person

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Speaker 13: Woody the glue that holds everybody together, Greg with.

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Speaker 6: The bougie side of things, with his wine and his

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Speaker 6: caviare and his empty crackers.

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Speaker 3: And then Gina.

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Speaker 6: Oh I love Gina.

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Speaker 14: Gina.

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Speaker 13: It is such a good chef.

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Speaker 6: Hits addition to the show. She's wonderful, She's hilarious. She's

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Speaker 6: a little loud, but hey, who cares, that's fine, Uh Sammy,

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Speaker 6: I love her. She's adorable with her crocheting and her

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Speaker 6: wanting to to a home and watch the Hallmark Channel.

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Speaker 6: I love her. She's so so, so stinking cute.

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Speaker 13: I put her in my pocket, you know what I mean?

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Speaker 6: Menace, hilarious, You're so dumb, and it's so great, poor

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Speaker 6: thing I get.

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Speaker 13: I get such a good laugh out of you just

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Speaker 13: trying to talk. Or he's probably to be Sea Bass obviously.

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Speaker 6: You're an a hole, but you're You're a funny a hole,

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Speaker 6: and you know what, you bring good content to the show,

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Speaker 6: So even you, I love you just.

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Speaker 1: For being you.

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Speaker 6: And then all the behind the scenes guys, the sports,

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Speaker 6: the Mangies, the Morgans, Ugh, I love Morgan. Oh my God,

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Speaker 6: come to punch me in the face. Girl, I love you,

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Speaker 6: vond can't forget Vond. I just I love all of you,

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Speaker 6: And honestly, listening to the older episodes, it's kind of

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Speaker 6: kind of a bummer because I'm listening to shows from

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Speaker 6: like twenty two, so it's pre Sammy, pre Morgan, pre Dina,

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Speaker 6: pre a lot of you, honestly, and it just doesn't

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Speaker 6: hit the thing. So I just want to say, I.

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Speaker 15: Love you, guys.

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Speaker 6: The show is going in an awesome direction. I love

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Speaker 6: all the stuff you guys have been putting out, and

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Speaker 6: I love all of you as people anyways, all in love.

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Speaker 3: Which is funny.

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Speaker 1: Because I heard that voicemail and then within a couple

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Speaker 1: of minutes I saw this text. Y'all sound like a

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Speaker 1: bunch of sorority susies. This is what happens when you

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Speaker 1: put more chicks in the mix. The Woody show has

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Speaker 1: gone lame. I hope it picks up. I sense the

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Speaker 1: show is going for a younger, possibly stupider audience.

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Speaker 3: Too bad.

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Speaker 1: You're turning off a lot of listeners. I'm not a

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Speaker 1: fan of the rehearsed segments. I don't know what that means,

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Speaker 1: building to everybody talking over each other. Your longtime listeners

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Speaker 1: are a lot smarter than you know. There are too

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Speaker 1: many females chiming in. It spoils the broth. The guys

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Speaker 1: are more interesting and funny. Well, I dismissed the old show.

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Speaker 1: It was spontaneous and real, without a lot of tampon talk.

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Speaker 1: A lot of that comes from you, guys, f Y. I, well.

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Speaker 3: It's curiosity.

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Speaker 1: All the guys, very funny. Menace and Woody let out

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Speaker 1: some great comments. Side splitting anyway, good luck with it all.

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Speaker 5: Thank you, thank you.

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Speaker 15: Why is it whenever somebody has a negative comment, they

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Speaker 15: have to pretend that they speak for the masses. But

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Speaker 15: if somebody says something nice, it's like, I really like this.

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Speaker 1: Someone doesn't everybody? Friends, Thank you, guys rule exactly. It's

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Speaker 1: never that all right, Well, we get good, we get bad.

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Speaker 1: Greg likes to have fun with these these piffy I mean,

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Speaker 1: that's the hope, right, the hope the ones I don't

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Speaker 1: I don't know what s because it's just something. Sometimes

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Speaker 1: one just hits Greg a certain way, and these are

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Speaker 1: the ones that he selects for around um, Greg Gory's

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Speaker 1: imature replies to text messages, real text messages sent into

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Speaker 1: the Woodie Show and now real replies right.

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Speaker 3: And for me, it's what it's just the idea of

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Speaker 3: it that crack me up. Yeah, if you make a

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Speaker 3: complaint to let's say a company or a store, or

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Speaker 3: you know, some sort of sales type. Can you imagine

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Speaker 3: if you bought something at Macy's you had some feedback

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Speaker 3: and then you got something like this about your mom's box, right,

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Speaker 3: And I think about that, That's what I find funny.

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Speaker 1: Yeah, So gregs he'll read the text that that came in,

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Speaker 1: and then he's got a couple of different replies that

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Speaker 1: he's considering, and then we can all make a decision

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Speaker 1: together which one ruins the person's day.

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Speaker 3: Right today, we have three options for each of the

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Speaker 3: two texts. So the first one is from the four

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Speaker 3: one two. I think maybe Seabas sent this in. It

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Speaker 3: says that segment Friday, okifing sucks, you need to leave

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Speaker 3: the singing two professionals stop singing songs. You're not a band.

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Speaker 1: But I thought that's what karaoke is. Apparently I did

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Speaker 1: not send that in mostly right.

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Speaker 3: And she mostly that's true that segment Friday, Okie, evan sucks.

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00:18:03,080 --> 00:18:05,879
Speaker 3: You need to leave the singing two professionals stop singing songs.

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Speaker 3: You're not a band. How about tell your mom to

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Speaker 3: stop shining poles, she's not a sailor. Or how about

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Speaker 3: friday Oki has nothing to do with you being conceived

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Speaker 3: by a mom who charges by the hour and a

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Speaker 3: daddy got invoice. Or how about right, just so we're clear, bitch,

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Speaker 3: you want our lis just so we're clear, Bitch, you

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Speaker 3: want our mouths to be what your mom's legs never

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Speaker 3: are clothes.

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Speaker 1: Oh damn, that's three.

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Speaker 3: Give me one again. One was tell your mom to

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Speaker 3: stop shining poles. She's not a sailor. Yeah three. Yeah,

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Speaker 3: that one didn't hit me at all either. I was

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Speaker 3: very upset about that one. This is good, Okay, so.

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Speaker 1: Get from North.

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Speaker 3: You're not happy with something talking about your mom?

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Speaker 1: Okay, so that's another day room, Great, Thank you, Greg,

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Speaker 1: Gore's inmatory has a text message. Yeah okay, and now

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Speaker 1: back to The Woodie Show, and we are into another

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Speaker 1: new hour intensitivity training, trade, politically correct the world. We

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Speaker 1: out here, do you know g Woodie Show, Boody, Greg

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Speaker 1: Manet's Gina Grant. We've got Sea Bass, We've got Sammy

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Speaker 1: Morgan is here. Hey, socks available. She went sock shopping us.

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Speaker 3: Dude, I had to get twenty four more pairs.

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Speaker 1: Hell yeah, it's really kind of taking off. It's it's

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Speaker 1: crazy how much I've heard about it. So good for you,

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Speaker 1: Thank you so much.

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Speaker 3: Good empire.

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Speaker 2: I'll say it again, shout out of foot freaks. I'm

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Speaker 2: a new fan of the community.

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00:19:43,000 --> 00:19:45,600
Speaker 1: Yeah, I can put you in touch with our friend

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00:19:46,160 --> 00:19:51,600
Speaker 1: John Jay. Oh right, a good client. Yeah, he's got

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Speaker 1: promote you. He's got this Instagram account. I forget what

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00:19:56,640 --> 00:19:59,199
Speaker 1: it is. I'll look at it. I'll text him. We

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Speaker 1: had him on Remember to try to get an understanding

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Speaker 1: of freaks and they can never answer. And he he's

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Speaker 1: the host of another syndicated radio show, the John Jay

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Speaker 1: and Rich Show. They're based out of Arizona, and he's

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Speaker 1: a total foot freak.

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Speaker 3: Unashamed. What about your actual feet. Morgan like, would you

402
00:20:13,640 --> 00:20:14,520
Speaker 3: say you have nice feet?

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00:20:14,560 --> 00:20:14,760
Speaker 1: Yeah?

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00:20:14,760 --> 00:20:15,119
Speaker 3: You want to?

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Speaker 15: I want to see.

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00:20:16,600 --> 00:20:18,600
Speaker 3: Yeah, let's see. And do they get jacked up from?

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Speaker 1: Yeah?

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00:20:20,280 --> 00:20:22,280
Speaker 2: And I gotta when I go get a pedicure every

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Speaker 2: once in a while, she.

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Speaker 1: Has to get out the cheese grater.

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Speaker 2: Oh, because I'm on my feet too much.

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Speaker 1: I think John Jay's account is unfugged. That's right, that's it,

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00:20:31,880 --> 00:20:32,760
Speaker 1: unfugged feet.

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Speaker 3: Okay, so I think a freak. We love that. Yeah,

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00:20:36,040 --> 00:20:39,719
Speaker 3: like nice whitish toe polish kind of kind of off white,

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00:20:40,000 --> 00:20:40,880
Speaker 3: very very nice.

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Speaker 1: Thank you so much. Yeah, good fee. Hey, uh, this

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Speaker 1: is this is fun.

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Speaker 3: I like this.

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Speaker 1: Everybody knows Groove Is in the Heart by d Light.

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Speaker 8: In the.

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Speaker 3: Right.

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Speaker 1: Everybody knows this song. Well, one of the accounts that

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00:20:58,800 --> 00:21:01,879
Speaker 1: I follow on Instant Graham and then a bunch of

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00:21:01,920 --> 00:21:05,280
Speaker 1: these pop up. It kind of dives into songs and

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00:21:05,760 --> 00:21:08,719
Speaker 1: where all the different samples come from in the songs,

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Speaker 1: And this particular one for Groove Is in the Heart

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00:21:12,840 --> 00:21:15,440
Speaker 1: was on this account music Dot Daily Dot Pill and

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Speaker 1: they broke down how it all happened. So here's what

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Speaker 1: I learned about Groove Is in the Heart. You know

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Speaker 1: where it goes, uh uh good, do you know what

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Speaker 1: that is? I do? I'm going to recuse myself.

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Speaker 3: Oh you already know what it is. That's okay, I couldn't. Okay.

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Speaker 3: So that's from something I thought that was just an

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00:21:35,720 --> 00:21:38,000
Speaker 3: original song. No, I don't know.

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Speaker 1: It's from this.

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Speaker 3: Stupid for me.

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Speaker 16: Wait for it, let's spread out. Happened to just give

439
00:21:52,080 --> 00:22:02,920
Speaker 16: me that country side right here?

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00:22:03,520 --> 00:22:06,960
Speaker 1: I would never know? Yeah, that's it.

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Speaker 3: Right, wow?

442
00:22:09,160 --> 00:22:13,080
Speaker 1: And then you process it out right and then it

443
00:22:13,119 --> 00:22:17,560
Speaker 1: goes into the song right now, I'll put I'll put

444
00:22:17,560 --> 00:22:22,360
Speaker 1: there where it doesn't necessarily belong I mean it belonged.

445
00:22:22,359 --> 00:22:26,000
Speaker 3: But what a great song dig.

446
00:22:27,920 --> 00:22:30,320
Speaker 1: Like eighty nine maybe maybe ninety.

447
00:22:34,720 --> 00:22:34,840
Speaker 5: Right.

448
00:22:36,480 --> 00:22:45,960
Speaker 3: I don't have to pitch on that correction. But that's it.

449
00:22:47,720 --> 00:22:48,600
Speaker 1: That's that's not correct.

450
00:22:48,600 --> 00:22:49,160
Speaker 3: That's what it is.

451
00:22:49,680 --> 00:22:51,639
Speaker 1: It's from It's from Green Acres.

452
00:22:52,560 --> 00:22:54,359
Speaker 3: Yeah. I always got the bores mixed up.

453
00:22:54,400 --> 00:22:56,439
Speaker 15: Who was in green Ache Ava and who was the

454
00:22:57,280 --> 00:22:59,720
Speaker 15: I think Ava was in green ak Okaya.

455
00:23:00,560 --> 00:23:03,680
Speaker 1: Oh, I mean I blew Gina's mind when I gave

456
00:23:03,680 --> 00:23:07,040
Speaker 1: her that whole thing with andrewdied Clay being sampled an

457
00:23:07,040 --> 00:23:08,240
Speaker 1: e m F unbelievable.

458
00:23:08,359 --> 00:23:09,480
Speaker 3: It's unbelievable.

459
00:23:09,640 --> 00:23:15,640
Speaker 1: Oh believe that he don't know. Now you'll go, you'll

460
00:23:15,640 --> 00:23:20,679
Speaker 1: hear you go. It's unbelievable. That's it's unbelievable because we

461
00:23:20,720 --> 00:23:23,760
Speaker 1: played this part of time who nice. So we had

462
00:23:23,760 --> 00:23:26,959
Speaker 1: a little rim shot in the audience stuff to the who.

463
00:23:28,000 --> 00:23:28,600
Speaker 1: That's the same.

464
00:23:28,680 --> 00:23:31,840
Speaker 3: Oh it's and Clay once you know.

465
00:23:33,960 --> 00:23:35,959
Speaker 1: Yeah, oh I put the little rimshot.

466
00:23:37,920 --> 00:23:38,480
Speaker 12: That's it's the.

467
00:23:38,400 --> 00:23:40,879
Speaker 1: Same rim shot.

468
00:23:42,240 --> 00:23:44,600
Speaker 5: Yeah, my head almost blow it in rimshot.

469
00:23:49,240 --> 00:23:52,520
Speaker 3: I know you don't think it's him because you don't

470
00:23:52,520 --> 00:23:54,879
Speaker 3: think of it like a band. You know, we should

471
00:23:54,960 --> 00:23:59,040
Speaker 3: use Why would they random from Andrew dice F and

472
00:23:59,119 --> 00:24:00,760
Speaker 3: Clay Hey.

473
00:24:00,600 --> 00:24:03,080
Speaker 15: You guys remember Green Acres.

474
00:24:03,359 --> 00:24:05,119
Speaker 1: That's the thing they saw in these like really crazy

475
00:24:05,359 --> 00:24:09,639
Speaker 1: I saw one about just like in part the beginning

476
00:24:09,640 --> 00:24:11,040
Speaker 1: of Faint. You know, it's like the kind of like

477
00:24:11,200 --> 00:24:17,359
Speaker 1: high pitch string part. Oh that was like from like

478
00:24:17,400 --> 00:24:20,120
Speaker 1: a Bond or something like that, like that like where

479
00:24:20,119 --> 00:24:21,639
Speaker 1: they're like kind of running from something, and it was

480
00:24:21,640 --> 00:24:25,800
Speaker 1: like there's really suspenseful, like uh, you know, under music

481
00:24:25,840 --> 00:24:28,639
Speaker 1: underneath the scene, and it was like they just took it,

482
00:24:28,680 --> 00:24:30,560
Speaker 1: pitched it up, kind of stretched it out a little

483
00:24:30,560 --> 00:24:33,520
Speaker 1: bit and it made that crazier sound or another one

484
00:24:33,520 --> 00:24:34,360
Speaker 1: with Justin Bieber.

485
00:24:34,480 --> 00:24:38,679
Speaker 5: Yeah, there's a really big breakdown right now that's going viral.

486
00:24:38,840 --> 00:24:43,479
Speaker 5: Is the one where they do daft punk where they

487
00:24:43,520 --> 00:24:46,399
Speaker 5: do the breakdown of the song, which one.

488
00:24:46,280 --> 00:24:50,400
Speaker 1: Around the world, No, daft punk defunk one more time?

489
00:24:51,119 --> 00:24:53,400
Speaker 5: H yeah, yeah, one more time, one more time.

490
00:24:53,400 --> 00:24:54,159
Speaker 3: That's it. Yeah.

491
00:24:54,320 --> 00:24:56,480
Speaker 15: The other big one is you know the Violence and

492
00:24:56,560 --> 00:24:59,119
Speaker 15: Toxic that dude, dude. Oh yeah, that's from like A

493
00:24:59,200 --> 00:25:02,880
Speaker 15: sixteen hundred. It's Italian opera is yeah.

494
00:25:02,920 --> 00:25:04,280
Speaker 3: And then also there's this one.

495
00:25:04,280 --> 00:25:07,000
Speaker 1: There was a really cool story behind it, going back

496
00:25:07,040 --> 00:25:10,520
Speaker 1: even further Information Society. Their song What's on Your Mind

497
00:25:11,040 --> 00:25:15,280
Speaker 1: Pure Energy, they sampled Spock from Star Trek, so this

498
00:25:15,440 --> 00:25:23,320
Speaker 1: is this is a spot here on energy thought from

499
00:25:23,359 --> 00:25:31,800
Speaker 1: an episode of like Star Trek. Put then they used

500
00:25:31,800 --> 00:25:35,320
Speaker 1: a pure Recordy, that's cool.

501
00:25:35,480 --> 00:25:36,800
Speaker 8: I love this song.

502
00:25:37,680 --> 00:25:44,080
Speaker 1: There you go, pure energy Energy, that's where that's where

503
00:25:44,119 --> 00:25:47,040
Speaker 1: that came from. So there was a problem, you know,

504
00:25:47,040 --> 00:25:48,960
Speaker 1: because permission to use the clip didn't come in, So

505
00:25:49,040 --> 00:25:52,639
Speaker 1: the record label initially like refused to release the album,

506
00:25:52,760 --> 00:25:57,000
Speaker 1: and so this executive from the label contacted Leonard Nimoy's

507
00:25:57,000 --> 00:25:59,920
Speaker 1: son Adam, who then stepped in so his dad would

508
00:26:00,000 --> 00:26:02,520
Speaker 1: personally kind of helped push things along so the album

509
00:26:02,520 --> 00:26:04,520
Speaker 1: could come out. It was released in June of nineteen

510
00:26:04,520 --> 00:26:07,800
Speaker 1: eighty eight, but that was like six months after they

511
00:26:07,800 --> 00:26:11,760
Speaker 1: had planned the release. And then but this, yeah, this

512
00:26:11,880 --> 00:26:15,399
Speaker 1: song went on to be their biggest hit. Yeah, it

513
00:26:15,440 --> 00:26:17,399
Speaker 1: took just a little longer, but hey, there you go.

514
00:26:20,000 --> 00:26:22,639
Speaker 3: I was wondering what the legality of it is to

515
00:26:22,800 --> 00:26:25,520
Speaker 3: just take a random.

516
00:26:24,400 --> 00:26:27,199
Speaker 1: I'm not sure because I've always been confused about a

517
00:26:27,200 --> 00:26:29,159
Speaker 1: lot of times they just release it and then they

518
00:26:29,200 --> 00:26:31,480
Speaker 1: deal with it later. Yeah, I thought there was like

519
00:26:31,600 --> 00:26:33,959
Speaker 1: some kind of like thing where it had to be

520
00:26:34,000 --> 00:26:37,320
Speaker 1: a certain length or certain whatever, and then what's the

521
00:26:37,400 --> 00:26:38,359
Speaker 1: application of it.

522
00:26:38,760 --> 00:26:42,280
Speaker 2: Yeah, wasn't there drama recently with Kanye using Kevin Smith's

523
00:26:42,640 --> 00:26:46,040
Speaker 2: Dogma clip Oh yeah, permission or something?

524
00:26:46,200 --> 00:26:46,480
Speaker 1: Well?

525
00:26:46,480 --> 00:26:49,480
Speaker 5: Also they just like people who don't want to be

526
00:26:49,520 --> 00:26:52,879
Speaker 5: associated with like Kanye, they'll just say I didn't authorize

527
00:26:52,880 --> 00:26:53,800
Speaker 5: that same Yeah.

528
00:26:53,720 --> 00:27:02,159
Speaker 14: But it's not like they.

529
00:26:58,840 --> 00:27:01,280
Speaker 3: Now I'm going to hear it differently. And then there

530
00:27:01,320 --> 00:27:03,800
Speaker 3: was a song by Data called Disneyland and they had

531
00:27:03,800 --> 00:27:07,359
Speaker 3: to respell the name of the song. Dz z k

532
00:27:07,640 --> 00:27:08,440
Speaker 3: n e E.

533
00:27:10,440 --> 00:27:14,239
Speaker 1: Would be considered a preservative, genetically.

534
00:27:14,200 --> 00:27:20,160
Speaker 15: Modified, genetically modified Menace origin maybe yes, exactly right.

535
00:27:20,880 --> 00:27:21,720
Speaker 1: The Woodie Show.

536
00:27:23,400 --> 00:27:27,080
Speaker 3: You like that, don't you? The Woodie Show?

537
00:27:28,160 --> 00:27:32,120
Speaker 1: And moving right along here for you, we got today's

538
00:27:32,240 --> 00:27:35,720
Speaker 1: dumb ass contest and today's dumbmass contest is.

539
00:27:35,720 --> 00:27:37,480
Speaker 15: The du i Q.

540
00:27:38,520 --> 00:27:39,600
Speaker 3: Answer that's right?

541
00:27:41,400 --> 00:27:44,560
Speaker 1: I Q eight seven seven forty four would if you'd

542
00:27:44,560 --> 00:27:45,640
Speaker 1: like to be our contestant?

543
00:27:46,000 --> 00:27:47,879
Speaker 3: Sea basks playing the game to everybody please.

544
00:27:48,240 --> 00:27:51,240
Speaker 7: The game is I ask a drunk person easy trivia

545
00:27:51,359 --> 00:27:54,800
Speaker 7: questions and you guess whether they get the answer.

546
00:27:54,440 --> 00:27:56,639
Speaker 1: Correct, so you don't need to know the answer of it.

547
00:27:56,640 --> 00:27:58,320
Speaker 1: If you already know the answer, you'd be like, what the.

548
00:27:58,240 --> 00:27:58,960
Speaker 3: Hell am I doing this for?

549
00:27:59,160 --> 00:28:01,280
Speaker 7: You're guessing what the drunk person knows the answer, and

550
00:28:01,280 --> 00:28:03,280
Speaker 7: if you do that correctly twice out of three times

551
00:28:03,320 --> 00:28:03,680
Speaker 7: you win.

552
00:28:03,920 --> 00:28:06,840
Speaker 1: All right, and let's get our contests on the phone.

553
00:28:06,880 --> 00:28:09,480
Speaker 1: We'll have a menace and Sammy guests they are stone

554
00:28:09,480 --> 00:28:10,960
Speaker 1: cold sober, and who do we go here?

555
00:28:11,320 --> 00:28:12,440
Speaker 3: Sammy? What do you think?

556
00:28:12,880 --> 00:28:14,240
Speaker 1: I think we should go to line too?

557
00:28:14,480 --> 00:28:15,440
Speaker 3: On his nick?

558
00:28:16,040 --> 00:28:16,280
Speaker 1: Hey?

559
00:28:16,400 --> 00:28:17,000
Speaker 8: What's going on?

560
00:28:17,400 --> 00:28:17,760
Speaker 3: All right?

561
00:28:17,800 --> 00:28:19,920
Speaker 1: So we're gonna play the duy q? Are you ready

562
00:28:19,960 --> 00:28:21,320
Speaker 1: to win something? I hope so?

563
00:28:21,680 --> 00:28:22,120
Speaker 3: Oh yeah.

564
00:28:23,640 --> 00:28:27,879
Speaker 1: It's not very often that somebody doesn't win generous. I mean,

565
00:28:27,880 --> 00:28:30,360
Speaker 1: I have my strategy. We'll see how you do. Now, Nick,

566
00:28:30,359 --> 00:28:32,200
Speaker 1: Before we get to the questions that matter, we're gonna

567
00:28:32,200 --> 00:28:34,080
Speaker 1: get to know this drunk a little bit better. See

568
00:28:34,119 --> 00:28:36,040
Speaker 1: how with it or not? Whither they are see about?

569
00:28:36,119 --> 00:28:36,680
Speaker 1: Who is this?

570
00:28:36,680 --> 00:28:39,240
Speaker 7: This is Joseph and he's going to try to tell

571
00:28:39,280 --> 00:28:40,880
Speaker 7: us how many drinks he has to see if you

572
00:28:40,960 --> 00:28:41,440
Speaker 7: believe him?

573
00:28:41,480 --> 00:28:42,400
Speaker 3: All right, what have.

574
00:28:42,400 --> 00:28:44,840
Speaker 1: You had to drink this evening? For this evening?

575
00:28:45,040 --> 00:28:49,520
Speaker 17: I have currently had a long asty along with.

576
00:28:49,720 --> 00:28:51,160
Speaker 3: A Jack and Morgan.

577
00:28:52,160 --> 00:28:53,200
Speaker 1: Just those two drinks.

578
00:28:53,320 --> 00:28:53,720
Speaker 3: That's it.

579
00:28:54,200 --> 00:28:56,040
Speaker 1: Wow, that seems like very little drink. Because you're a

580
00:28:56,040 --> 00:28:57,760
Speaker 1: big dude. You can handle your liquor, right.

581
00:28:57,640 --> 00:29:02,040
Speaker 17: I've had currently previously before. However, once that hit the strip,

582
00:29:02,800 --> 00:29:04,800
Speaker 17: it's been a continuously different story.

583
00:29:05,000 --> 00:29:06,480
Speaker 1: Oh what has that story been about?

584
00:29:06,880 --> 00:29:10,000
Speaker 17: That story has been continuously regarding, you know, a couple

585
00:29:10,080 --> 00:29:14,600
Speaker 17: of single women. However, everything else has been available.

586
00:29:15,080 --> 00:29:15,480
Speaker 1: What was that?

587
00:29:15,560 --> 00:29:17,240
Speaker 3: What was the little kid who was like at the fair?

588
00:29:18,000 --> 00:29:23,640
Speaker 1: Apparently really fast? Apparently apparently.

589
00:29:26,040 --> 00:29:27,800
Speaker 7: That's you know, you can't have that, I guess sure,

590
00:29:27,840 --> 00:29:28,560
Speaker 7: But if you.

591
00:29:28,440 --> 00:29:32,120
Speaker 5: Get the right Long Island it hits the slap is

592
00:29:32,560 --> 00:29:34,960
Speaker 5: slap litting fire and no like. If you get a

593
00:29:34,960 --> 00:29:37,320
Speaker 5: heavy pour on a long island, you can get messed up.

594
00:29:37,360 --> 00:29:39,880
Speaker 5: That's that's followed by that drink as well.

595
00:29:40,000 --> 00:29:41,720
Speaker 14: And if you didn't eat that much that day.

596
00:29:41,680 --> 00:29:42,680
Speaker 5: Yeah, oh he ate a lot.

597
00:29:42,680 --> 00:29:44,440
Speaker 3: I'm sure all right.

598
00:29:44,480 --> 00:29:48,400
Speaker 1: So anyway, that is that's Joseph, and we're going into

599
00:29:48,400 --> 00:29:51,360
Speaker 1: the questions here. Question number one for the d u

600
00:29:51,400 --> 00:29:54,360
Speaker 1: i Q. How many days are there in a leap year?

601
00:29:55,000 --> 00:29:55,360
Speaker 3: All right?

602
00:29:55,760 --> 00:29:59,320
Speaker 1: How many days are there in a leap year? Will

603
00:29:59,440 --> 00:30:03,640
Speaker 1: Joseph know it? I will say for Joseph, No, it's

604
00:30:03,640 --> 00:30:08,080
Speaker 1: always the safe bet, especially early on. Menace will not,

605
00:30:09,400 --> 00:30:10,160
Speaker 1: Sammy will?

606
00:30:10,240 --> 00:30:11,680
Speaker 7: Do you think they'll know that we're in a leap

607
00:30:11,760 --> 00:30:12,400
Speaker 7: year right now?

608
00:30:12,840 --> 00:30:13,160
Speaker 1: Wink?

609
00:30:13,600 --> 00:30:14,160
Speaker 3: No, wonder.

610
00:30:14,320 --> 00:30:17,400
Speaker 15: I'm gonna say. I'm gonna go crazy and say Joseph

611
00:30:17,480 --> 00:30:19,880
Speaker 15: will and Sammy and Mesas won't.

612
00:30:19,760 --> 00:30:26,360
Speaker 3: Ah, babe, I'm gonna go crazy er and go triple yes,

613
00:30:26,920 --> 00:30:27,680
Speaker 3: triple yes.

614
00:30:28,040 --> 00:30:32,840
Speaker 1: I know all right, Greg for dimension, Yeah all right, hi, uh, Menace, Sammy,

615
00:30:32,880 --> 00:30:34,320
Speaker 1: do you think that Joseph will get it?

616
00:30:34,400 --> 00:30:35,000
Speaker 3: No?

617
00:30:34,720 --> 00:30:36,560
Speaker 1: No, Nick, what do you say?

618
00:30:37,240 --> 00:30:37,720
Speaker 11: No?

619
00:30:37,840 --> 00:30:38,600
Speaker 3: Definitely enough?

620
00:30:38,720 --> 00:30:39,480
Speaker 1: Definitely enough?

621
00:30:39,600 --> 00:30:39,880
Speaker 3: All right?

622
00:30:40,000 --> 00:30:43,000
Speaker 1: Question number one for the duy Q, how many days

623
00:30:43,040 --> 00:30:47,360
Speaker 1: are there in a leap year, Menace, three hundred and

624
00:30:47,440 --> 00:30:49,920
Speaker 1: sixty six, Sammy.

625
00:30:49,720 --> 00:30:50,920
Speaker 14: Three hundred and sixty six.

626
00:30:51,120 --> 00:30:58,280
Speaker 1: There are three hundred and sixty six so far days. Yeah,

627
00:30:59,000 --> 00:31:00,520
Speaker 1: all right, will Joseph get it right?

628
00:31:00,560 --> 00:31:03,080
Speaker 7: Let's find out how many days are there in a

629
00:31:03,200 --> 00:31:03,760
Speaker 7: leap year.

630
00:31:04,720 --> 00:31:08,640
Speaker 17: So three hundred and sixty five. No, however, I apologize

631
00:31:08,840 --> 00:31:14,640
Speaker 17: three hundred and sixty four, you know, I apologize for inconvenienced. However,

632
00:31:14,680 --> 00:31:18,440
Speaker 17: it is about two years separate from the year that

633
00:31:18,640 --> 00:31:19,280
Speaker 17: is evolved.

634
00:31:19,280 --> 00:31:23,800
Speaker 1: Oh wow, all right.

635
00:31:23,840 --> 00:31:25,320
Speaker 15: I thought you guys were gonna get it wrong because

636
00:31:25,320 --> 00:31:26,760
Speaker 15: I thought you were going to say how many are

637
00:31:26,760 --> 00:31:27,280
Speaker 15: in a month?

638
00:31:27,560 --> 00:31:31,400
Speaker 1: Eleape month? I thought that was going to trip you out. Okay, Nick,

639
00:31:31,760 --> 00:31:34,160
Speaker 1: you were on the board. You've got yourself a point.

640
00:31:34,400 --> 00:31:38,640
Speaker 1: You're in good shape. Here on the duy Q, we

641
00:31:38,760 --> 00:31:43,200
Speaker 1: got the question number two. In a solar eclipse? What

642
00:31:43,320 --> 00:31:43,880
Speaker 1: is blocking?

643
00:31:43,920 --> 00:31:44,000
Speaker 16: What?

644
00:31:44,720 --> 00:31:45,080
Speaker 3: All right?

645
00:31:45,160 --> 00:31:48,840
Speaker 1: In the solar eclipse? What is blocking? What?

646
00:31:50,200 --> 00:31:51,400
Speaker 3: It's so easy, I'll start.

647
00:31:51,960 --> 00:31:54,480
Speaker 1: I'll start with a triple no, you didn't go triple no. Yeah,

648
00:31:54,680 --> 00:32:00,320
Speaker 1: I think somebody will get to look into it, you know, Joseph, Joseph,

649
00:32:00,360 --> 00:32:05,000
Speaker 1: Sammy no, Menace.

650
00:32:04,880 --> 00:32:09,200
Speaker 15: Yes, I think Sammy and Menace Yes, and Joseph.

651
00:32:08,800 --> 00:32:11,800
Speaker 1: No, all right, Sammy and Menace. Do you think that

652
00:32:12,080 --> 00:32:12,880
Speaker 1: Joseph gets this?

653
00:32:13,720 --> 00:32:14,000
Speaker 3: All right?

654
00:32:14,160 --> 00:32:15,080
Speaker 1: Nick, what do you say?

655
00:32:15,480 --> 00:32:18,280
Speaker 3: I'm gonna say yes because you know it's pretty close. Yes,

656
00:32:18,400 --> 00:32:18,720
Speaker 3: all right?

657
00:32:19,320 --> 00:32:22,640
Speaker 1: Question number two for the d u i Q and

658
00:32:22,720 --> 00:32:24,960
Speaker 1: a solar eclipse? What is blocking?

659
00:32:25,000 --> 00:32:25,080
Speaker 8: What?

660
00:32:25,880 --> 00:32:30,840
Speaker 1: Sammy? The Moon blocks the sun? Menace, The Moon blocks

661
00:32:30,880 --> 00:32:35,479
Speaker 1: the Sun. The Moon blocks the Sun. Now that's if

662
00:32:35,480 --> 00:32:40,440
Speaker 1: you're on Earth. Yeah, because if you're on the Sun,

663
00:32:40,520 --> 00:32:47,720
Speaker 1: nothing's blocking in just the last history. Yeah, all right, Uh,

664
00:32:48,080 --> 00:32:50,719
Speaker 1: they've both got to right. You guys are killing it

665
00:32:50,760 --> 00:32:54,520
Speaker 1: so far today. Now if Joseph doesn't get this right,

666
00:32:54,720 --> 00:32:56,720
Speaker 1: I know if he Nick said, you said you said

667
00:32:56,720 --> 00:32:58,040
Speaker 1: he would get it right. I just want to clarify

668
00:32:58,120 --> 00:33:01,080
Speaker 1: yes he said yes, right, okay, So you think even

669
00:33:01,160 --> 00:33:03,160
Speaker 1: Joseph will get this right. And if that is the case,

670
00:33:03,160 --> 00:33:04,480
Speaker 1: you'll be the winner of the d u i Q

671
00:33:04,720 --> 00:33:07,040
Speaker 1: and a solar eclipse. What is blocking?

672
00:33:07,080 --> 00:33:10,440
Speaker 3: What they're coming it?

673
00:33:10,600 --> 00:33:18,040
Speaker 17: Plicks Plicks revolves around the Sun, converting over the phone

674
00:33:18,840 --> 00:33:19,560
Speaker 17: the moon.

675
00:33:20,240 --> 00:33:24,600
Speaker 1: So the Sun blocks the moon? Drunk, right, I do

676
00:33:24,720 --> 00:33:32,440
Speaker 1: It's fun just to be clear that clip over the phone, Yeah,

677
00:33:32,520 --> 00:33:45,080
Speaker 1: they can it plicks plick and apples. Yes, all right,

678
00:33:45,120 --> 00:33:47,080
Speaker 1: all right, Nick, that's why we have the third question

679
00:33:47,240 --> 00:33:50,240
Speaker 1: to make her a break. Question number three for the d.

680
00:33:50,400 --> 00:33:51,000
Speaker 3: U i Q.

681
00:33:51,320 --> 00:33:53,320
Speaker 1: What type of teeth are wisdom teeth?

682
00:33:54,080 --> 00:33:54,440
Speaker 3: All right?

683
00:33:54,520 --> 00:33:58,520
Speaker 1: What type of teeth are wisdom teeth? We'll start with

684
00:33:58,800 --> 00:33:59,920
Speaker 1: Gina grad this time.

685
00:34:00,080 --> 00:34:04,000
Speaker 15: Hmmmm, well that's a weird question. What type of teeth

686
00:34:04,080 --> 00:34:09,160
Speaker 15: or wisdom teeth? Okay, I'm gonna say triple.

687
00:34:08,840 --> 00:34:18,280
Speaker 1: No, triple no, Greg gorym yes to Sammy, no to menace,

688
00:34:18,719 --> 00:34:23,000
Speaker 1: and absolutely no to Joseph. I would say Joseph no

689
00:34:23,800 --> 00:34:26,919
Speaker 1: medicine Sammy, Yes, Okay, Yeah, I mean they are really

690
00:34:26,960 --> 00:34:28,560
Speaker 1: showing me something today, and I'm curious why that's a

691
00:34:28,560 --> 00:34:32,200
Speaker 1: weird question. Okay, Well go do the answer medicine, Sammy.

692
00:34:32,280 --> 00:34:34,040
Speaker 1: Do you think that Joseph will know it?

693
00:34:35,040 --> 00:34:38,160
Speaker 3: All right? Nick, what do you say?

694
00:34:37,760 --> 00:34:37,800
Speaker 1: No?

695
00:34:39,000 --> 00:34:45,160
Speaker 3: Dog? Al alright? Question number three d u i Q.

696
00:34:45,560 --> 00:34:51,720
Speaker 1: What type of teeth are wisdom teeth? Menace, molars? Sammy?

697
00:34:52,920 --> 00:34:55,200
Speaker 1: I think that's what he's going for, right, you could

698
00:34:55,200 --> 00:34:58,520
Speaker 1: say adult teeth. I guess that's the answer that we're

699
00:34:58,560 --> 00:34:58,920
Speaker 1: looking for.

700
00:34:59,080 --> 00:34:59,759
Speaker 5: Is a question weird?

701
00:34:59,760 --> 00:35:01,360
Speaker 15: That's a I'm saying, Yeah, I don't know, it just

702
00:35:01,440 --> 00:35:04,840
Speaker 15: hit me weird, Like what you mean, like what.

703
00:35:04,719 --> 00:35:07,399
Speaker 1: Kind of teeth or wisdom teeth? Like what we're kinds

704
00:35:07,400 --> 00:35:09,080
Speaker 1: of teeth teeth? I don't know.

705
00:35:09,160 --> 00:35:11,839
Speaker 15: I just it wasn't bone. Yeah, I'm glad.

706
00:35:11,880 --> 00:35:14,520
Speaker 1: I would think you would know. Just buy wisdom teeth.

707
00:35:14,840 --> 00:35:16,319
Speaker 1: They were talking about humans. They got it.

708
00:35:17,120 --> 00:35:19,239
Speaker 3: Yeah, they nailed it. They swept it.

709
00:35:20,920 --> 00:35:24,880
Speaker 1: Wow. Cake, Oh that was a really good job, totally

710
00:35:25,440 --> 00:35:28,520
Speaker 1: the heart, Nick, good one. You say that he won't

711
00:35:28,560 --> 00:35:30,680
Speaker 1: get it. That's what we're pulling for, pulling for him

712
00:35:30,719 --> 00:35:32,080
Speaker 1: to mess this up and you'll be the winner on

713
00:35:32,120 --> 00:35:32,279
Speaker 1: the d.

714
00:35:32,400 --> 00:35:32,759
Speaker 3: U y Q.

715
00:35:33,000 --> 00:35:35,000
Speaker 1: What type of teeth are wisdom teeth?

716
00:35:36,800 --> 00:35:41,200
Speaker 17: The back wisdom teeth? Out of all that recalled the

717
00:35:41,239 --> 00:35:42,279
Speaker 17: remains of.

718
00:35:42,840 --> 00:35:44,640
Speaker 3: The move right?

719
00:35:44,640 --> 00:35:45,680
Speaker 1: But what do they also call this?

720
00:35:45,960 --> 00:35:46,680
Speaker 8: The muh?

721
00:35:48,680 --> 00:35:53,000
Speaker 17: I'm not gonna lie. You're gonna have to tell me. Manchego, manchego.

722
00:35:54,280 --> 00:35:58,520
Speaker 17: See now that's news to me, that's news to me.

723
00:36:01,520 --> 00:36:04,319
Speaker 3: Did you are the winner on the b u i q.

724
00:36:06,640 --> 00:36:08,560
Speaker 1: The drunk philibuster? Well that's such as.

725
00:36:12,520 --> 00:36:17,080
Speaker 3: News to me. That is news to him. All right?

726
00:36:17,120 --> 00:36:22,360
Speaker 1: Well, Nick, congratulations, big win today and my friend, good

727
00:36:23,920 --> 00:36:36,760
Speaker 1: look at it, dude, did you see uh the video.

728
00:36:37,080 --> 00:36:40,320
Speaker 1: The news story out of Philly where they were egging

729
00:36:40,400 --> 00:36:44,040
Speaker 1: the house of the offensive coordinator of the Eagles for

730
00:36:44,440 --> 00:36:46,880
Speaker 1: the Eagles performance and they lost the game and so

731
00:36:46,880 --> 00:36:50,160
Speaker 1: they were all pissed until Eagles fans Eagles fans egging

732
00:36:50,200 --> 00:36:54,960
Speaker 1: the house. That's so Philly. There's another story out of Philly.

733
00:36:55,000 --> 00:36:56,759
Speaker 1: A group of firefighters. They were called to it was

734
00:36:56,760 --> 00:37:00,359
Speaker 1: a deadly house fire, and uh, they're putting the fire

735
00:37:00,400 --> 00:37:02,480
Speaker 1: out and while they're doing that, they you know, help

736
00:37:02,560 --> 00:37:04,200
Speaker 1: two people escape the house and survive.

737
00:37:04,239 --> 00:37:05,120
Speaker 3: That s that's good news.

738
00:37:05,600 --> 00:37:09,719
Speaker 1: Well, some people while they were fighting the fire, because

739
00:37:09,719 --> 00:37:11,600
Speaker 1: they got back to the fire truck and they realized that.

740
00:37:11,480 --> 00:37:12,280
Speaker 3: They had been robbed.

741
00:37:12,719 --> 00:37:17,920
Speaker 1: Oh my god. Yeah, stuff was missing, personal items, firefighting equipment, medication,

742
00:37:18,000 --> 00:37:20,040
Speaker 1: a set of house keys from one of the firefighters,

743
00:37:20,480 --> 00:37:22,160
Speaker 1: a set of car keys from another. And then on

744
00:37:22,200 --> 00:37:25,239
Speaker 1: top of that, when they got back to the station, Uh,

745
00:37:25,400 --> 00:37:27,160
Speaker 1: the one who had his car keys stolen rose and

746
00:37:27,239 --> 00:37:29,680
Speaker 1: his jeep had been stolen from the station. So they

747
00:37:29,760 --> 00:37:32,080
Speaker 1: went back to the firehouse with the keys they just

748
00:37:32,080 --> 00:37:34,560
Speaker 1: stole from the fire truck from the scene where they

749
00:37:34,560 --> 00:37:39,040
Speaker 1: were fighting this fire and stole the car. Guys, the

750
00:37:39,040 --> 00:37:41,640
Speaker 1: guys jeep yeah, get rid of so please try on

751
00:37:41,640 --> 00:37:44,560
Speaker 1: the lookout. But they haven't caught the person yet.

752
00:37:44,600 --> 00:37:47,560
Speaker 15: It's pretty disgusting as far as things go, fre as

753
00:37:47,560 --> 00:37:48,120
Speaker 15: criminals go.

754
00:37:48,560 --> 00:37:52,080
Speaker 3: Dumbasses, How did these thieves look in the mirror at night? Yeah?

755
00:37:52,120 --> 00:37:53,640
Speaker 5: I don't get it, jeep.

756
00:37:53,920 --> 00:37:56,560
Speaker 1: That's the thing that it's not normal thinking, so they

757
00:37:56,560 --> 00:37:59,879
Speaker 1: don't like we we are people who will think through

758
00:38:00,120 --> 00:38:01,600
Speaker 1: me and go, you know what, that's that's just not right.

759
00:38:01,640 --> 00:38:02,120
Speaker 1: You shouldn't.

760
00:38:02,160 --> 00:38:04,000
Speaker 3: But even if it's something they don't have that that

761
00:38:04,080 --> 00:38:05,960
Speaker 3: you want and you stole it, are you going to

762
00:38:06,000 --> 00:38:07,040
Speaker 3: be happy with that item?

763
00:38:07,400 --> 00:38:10,000
Speaker 18: Those people are They are because they think it's not

764
00:38:10,120 --> 00:38:12,160
Speaker 18: fair that they have that and I don't, and then

765
00:38:12,160 --> 00:38:13,960
Speaker 18: they'll just take it because they want it and think

766
00:38:14,000 --> 00:38:15,239
Speaker 18: that they deserve it.

767
00:38:15,320 --> 00:38:18,799
Speaker 5: I'm I don't get it, but zero paranoia of like yeah,

768
00:38:20,080 --> 00:38:21,319
Speaker 5: and there's so much of that.

769
00:38:21,800 --> 00:38:23,719
Speaker 1: There's so much that hole like if somebody had you

770
00:38:23,719 --> 00:38:25,879
Speaker 1: know that I've heard this long time ago. Like that's

771
00:38:25,880 --> 00:38:28,200
Speaker 1: an interesting way to look at it. You know, people's

772
00:38:28,200 --> 00:38:31,239
Speaker 1: definition of riches. Someone's got a dollar more than you do.

773
00:38:31,400 --> 00:38:34,560
Speaker 1: It's true, you know, because it's not fair they you

774
00:38:34,640 --> 00:38:37,239
Speaker 1: have something that they don't, right, you know, and it

775
00:38:37,239 --> 00:38:41,440
Speaker 1: doesn't stop. It just goes to infinity. Fighters have had

776
00:38:41,480 --> 00:38:43,320
Speaker 1: it too good for too long. They have you know

777
00:38:44,239 --> 00:38:46,959
Speaker 1: street They just think they can just leave their doors open,

778
00:38:47,000 --> 00:38:48,400
Speaker 1: will you know like that, like the rest of us

779
00:38:48,400 --> 00:38:49,839
Speaker 1: have to lock the doors. What makes you think you're

780
00:38:49,880 --> 00:38:53,480
Speaker 1: so special firefighters? Oh, look at me, I'm here saving

781
00:38:53,600 --> 00:38:58,400
Speaker 1: lines from this fire. Dix like, try locking the doors. Yeah,

782
00:38:58,680 --> 00:38:59,320
Speaker 1: your fault.

783
00:38:59,440 --> 00:39:03,160
Speaker 3: Yeah, you basically asked you did what were wearing?

784
00:39:03,239 --> 00:39:05,640
Speaker 1: They say, don't victim shame, But guys, you left the

785
00:39:05,680 --> 00:39:09,280
Speaker 1: car keys just sitting there. He left fire fighting equipment

786
00:39:09,360 --> 00:39:11,160
Speaker 1: just out in the open while you're fighting a fire

787
00:39:11,719 --> 00:39:12,520
Speaker 1: on the fire truck.

788
00:39:13,560 --> 00:39:15,680
Speaker 3: Because I see that and I think free acts.

789
00:39:16,560 --> 00:39:17,800
Speaker 1: That is so Philly.

790
00:39:17,840 --> 00:39:17,960
Speaker 3: Now.

791
00:39:18,000 --> 00:39:20,480
Speaker 1: One thing is, uh, I brought this up before that

792
00:39:20,760 --> 00:39:23,680
Speaker 1: it's one of my favorite Philadelphia stories. You know, in

793
00:39:23,760 --> 00:39:25,960
Speaker 1: a lot of places, you'll see a car chase and

794
00:39:26,040 --> 00:39:28,560
Speaker 1: the cops are, you know, following whoever they're they're chasing,

795
00:39:29,120 --> 00:39:32,440
Speaker 1: and they give him so much leeway. They eventually maybe

796
00:39:32,480 --> 00:39:35,160
Speaker 1: try to pit them, you know, and they almost like

797
00:39:35,200 --> 00:39:37,760
Speaker 1: they're helping them, right, but they stay so far behind

798
00:39:37,760 --> 00:39:39,239
Speaker 1: and it's like, why why are you letting them go?

799
00:39:39,400 --> 00:39:42,000
Speaker 1: Like pull in front, you let them off the hook.

800
00:39:42,520 --> 00:39:44,160
Speaker 3: Not in Philly, dog, not in Philly.

801
00:39:44,200 --> 00:39:45,960
Speaker 1: My favorite one ever it was this and you can

802
00:39:46,040 --> 00:39:49,400
Speaker 1: you can find it online. This guy was running from

803
00:39:49,440 --> 00:39:51,760
Speaker 1: the cops and it's it's like right in the center,

804
00:39:51,840 --> 00:39:54,440
Speaker 1: right in center city Philadelphia, right downtown, right in the

805
00:39:54,440 --> 00:39:56,640
Speaker 1: heart of all the big you know, skyscrapers and stuff.

806
00:39:56,840 --> 00:40:00,000
Speaker 1: The cops are chasing this guy. They pit his ass.

807
00:40:00,040 --> 00:40:03,600
Speaker 1: It's enduring the day. There's all those kinds of people around, cars, pedestrians,

808
00:40:03,640 --> 00:40:04,000
Speaker 1: whole thing.

809
00:40:04,360 --> 00:40:06,120
Speaker 3: They pit this mother effort right into.

810
00:40:05,960 --> 00:40:09,920
Speaker 1: A bank, like they just came up the side and boom,

811
00:40:10,200 --> 00:40:11,879
Speaker 1: threw it because the bank was sitting on the corner

812
00:40:11,960 --> 00:40:14,120
Speaker 1: of like the intersection right there in the city streets.

813
00:40:14,280 --> 00:40:16,839
Speaker 1: Boom right in the front doors of this bank. When

814
00:40:16,840 --> 00:40:19,719
Speaker 1: it was over, and you know what, nobody complained. They

815
00:40:19,719 --> 00:40:21,960
Speaker 1: got their guy. It was great. Like now that is

816
00:40:22,000 --> 00:40:25,120
Speaker 1: all that is also so filling, right, and that I'm

817
00:40:25,160 --> 00:40:28,919
Speaker 1: fine with eight seven forty four Wooding text us over

818
00:40:28,920 --> 00:40:35,879
Speaker 1: to two two nine eighty seven a Woody Show. We're

819
00:40:35,920 --> 00:40:41,640
Speaker 1: into another new hour insensitivity training for a politically correct world. Woody,

820
00:40:42,200 --> 00:40:46,319
Speaker 1: Greg h Menace, Hi, Gina, there's a sea bank. We

821
00:40:46,360 --> 00:40:50,960
Speaker 1: are out here, Sammy Morgan is here. Did you ever

822
00:40:50,960 --> 00:40:53,279
Speaker 1: get the I don't know what they call it. It's

823
00:40:53,440 --> 00:40:58,359
Speaker 1: like a it's like a harm harmonica. You use it

824
00:40:58,400 --> 00:41:01,439
Speaker 1: for you know when you have a barbershop quartec? Greg,

825
00:41:04,040 --> 00:41:08,239
Speaker 1: pitch pipe, that's what it is. Pitch pipe? Is that

826
00:41:08,239 --> 00:41:08,759
Speaker 1: what it's called.

827
00:41:10,760 --> 00:41:14,040
Speaker 3: I have to do? You have it?

828
00:41:14,680 --> 00:41:17,160
Speaker 7: I have the digit I have a digital version. I

829
00:41:17,200 --> 00:41:18,160
Speaker 7: have a piano version.

830
00:41:18,360 --> 00:41:23,000
Speaker 1: Okay, because uh, we're gonna we're gonna test Sammy. We're

831
00:41:23,040 --> 00:41:25,319
Speaker 1: talking about we had those videos. Sammy was at the

832
00:41:25,360 --> 00:41:28,480
Speaker 1: Atlantis Moore set show and like it's like she's deaf.

833
00:41:28,480 --> 00:41:32,000
Speaker 1: She can't I don't know if she can hear to

834
00:41:32,640 --> 00:41:35,239
Speaker 1: or have the ability like when when somebody goes, hey,

835
00:41:35,400 --> 00:41:38,360
Speaker 1: do an impression of what you just heard it? And

836
00:41:38,440 --> 00:41:40,400
Speaker 1: yet it's it's not even in the ballpark.

837
00:41:41,080 --> 00:41:42,960
Speaker 3: Did you hear what the example was?

838
00:41:43,200 --> 00:41:46,120
Speaker 1: Or like, okay, so here here, here's how the song sounds,

839
00:41:46,520 --> 00:41:48,040
Speaker 1: and she's just way off.

840
00:41:48,560 --> 00:41:50,680
Speaker 3: The utter opposite of Yeah.

841
00:41:52,160 --> 00:41:55,319
Speaker 7: Tone is what he's question is, are you actually even

842
00:41:55,360 --> 00:41:58,680
Speaker 7: hearing different tones or are physically able to produce that?

843
00:41:58,760 --> 00:42:01,040
Speaker 5: I think it's just like the oct the level is

844
00:42:01,080 --> 00:42:03,680
Speaker 5: an issue. It's like you you brought it up before.

845
00:42:03,719 --> 00:42:06,399
Speaker 5: It's either really really low where you can't even hear

846
00:42:06,640 --> 00:42:09,680
Speaker 5: yourself speak, or you're just like Superman.

847
00:42:10,239 --> 00:42:11,160
Speaker 1: That's the volumes.

848
00:42:11,280 --> 00:42:12,520
Speaker 3: Volume, that's a volume.

849
00:42:12,560 --> 00:42:15,200
Speaker 5: That's that the volume is crazy.

850
00:42:15,239 --> 00:42:17,600
Speaker 1: The volume is different than than the picture.

851
00:42:17,960 --> 00:42:18,440
Speaker 3: The tone.

852
00:42:19,000 --> 00:42:21,600
Speaker 1: Yeah, yeah, and so bass has one of these things

853
00:42:21,640 --> 00:42:23,080
Speaker 1: that we're going to see if you can replicate it.

854
00:42:23,080 --> 00:42:26,839
Speaker 1: We're gonna try. This is a medical test. So not

855
00:42:26,880 --> 00:42:29,000
Speaker 1: only will we hear what the tone is supposed to be.

856
00:42:29,000 --> 00:42:31,280
Speaker 7: So let's say you know, a high C or whatever,

857
00:42:31,600 --> 00:42:33,439
Speaker 7: but I have a I have a pitch, A pitch

858
00:42:33,520 --> 00:42:36,080
Speaker 7: things that you can see the little you know, moves

859
00:42:36,080 --> 00:42:39,760
Speaker 7: around make and I was going to see how close

860
00:42:39,840 --> 00:42:42,360
Speaker 7: that Sammy can get to what the supposed pitch is

861
00:42:42,400 --> 00:42:42,799
Speaker 7: going to be.

862
00:42:43,040 --> 00:42:43,920
Speaker 3: Okay, so we have a.

863
00:42:44,080 --> 00:42:47,440
Speaker 1: We have a we can actually see on the screen

864
00:42:47,520 --> 00:42:48,319
Speaker 1: how close you are.

865
00:42:49,000 --> 00:42:51,680
Speaker 15: Okay of doing what of matching that note?

866
00:42:51,840 --> 00:43:01,000
Speaker 1: Like, I have to like what you are directly on

867
00:43:01,160 --> 00:43:02,160
Speaker 1: C four, which is what.

868
00:43:02,040 --> 00:43:07,600
Speaker 3: That is great energy to. Okay, so you have to

869
00:43:07,640 --> 00:43:08,200
Speaker 3: put this by you.

870
00:43:08,520 --> 00:43:10,520
Speaker 1: Okay, Now you have to match that.

871
00:43:10,640 --> 00:43:11,160
Speaker 6: You can do either.

872
00:43:11,320 --> 00:43:13,040
Speaker 18: I don't even know what we're talking about. I mean,

873
00:43:13,239 --> 00:43:15,600
Speaker 18: I understand that people do this. I've never had to

874
00:43:15,600 --> 00:43:17,640
Speaker 18: match a pitch before, and I don't even I don't

875
00:43:17,640 --> 00:43:19,600
Speaker 18: even understand I would do that.

876
00:43:19,640 --> 00:43:20,120
Speaker 3: So do you hear?

877
00:43:20,160 --> 00:43:20,239
Speaker 4: Like?

878
00:43:20,239 --> 00:43:23,080
Speaker 1: How do you hear what I just did? Give me

879
00:43:23,120 --> 00:43:25,319
Speaker 1: another one? He's just one D.

880
00:43:29,560 --> 00:43:29,879
Speaker 3: You are?

881
00:43:30,239 --> 00:43:31,839
Speaker 1: You're on D four, a little flat dog, but you're

882
00:43:31,880 --> 00:43:38,400
Speaker 1: on D four, La, See how I match it?

883
00:43:39,120 --> 00:43:41,680
Speaker 18: I don't see how you're matching. I've never understood how

884
00:43:41,680 --> 00:43:42,880
Speaker 18: people did this, and I don't.

885
00:43:43,239 --> 00:43:45,560
Speaker 1: So do you hear crying?

886
00:43:45,600 --> 00:43:46,720
Speaker 14: Because I don't hear difference?

887
00:43:53,840 --> 00:43:54,759
Speaker 1: We're probably not helping.

888
00:43:57,480 --> 00:43:58,319
Speaker 3: Oh, that one's tough.

889
00:44:01,120 --> 00:44:06,799
Speaker 1: To you hear that?

890
00:44:06,920 --> 00:44:07,080
Speaker 3: Right?

891
00:44:07,880 --> 00:44:12,239
Speaker 5: It's not. Okay, we're talking all over it. Do the

892
00:44:12,239 --> 00:44:14,560
Speaker 5: first one first, the last one?

893
00:44:14,680 --> 00:44:15,520
Speaker 1: Regular see.

894
00:44:17,719 --> 00:44:21,239
Speaker 5: Do ones that are drastically different from each other back

895
00:44:21,239 --> 00:44:23,880
Speaker 5: to back without anybody talking, so you can hear the difference?

896
00:44:27,160 --> 00:44:30,440
Speaker 1: Okay, do you hear the difference in those two? No,

897
00:44:31,320 --> 00:44:32,840
Speaker 1: there's no difference.

898
00:44:32,600 --> 00:44:34,640
Speaker 14: Not really. It sounds a way that you're making it

899
00:44:34,680 --> 00:44:35,440
Speaker 14: sound like it should be.

900
00:44:36,160 --> 00:44:42,440
Speaker 1: That's see down to it. See is this like kind

901
00:44:42,440 --> 00:44:45,319
Speaker 1: of being colorblind? I'm just gonna say that that's what

902
00:44:45,320 --> 00:44:47,880
Speaker 1: it sounds like. It's like I'll see purple and you're like,

903
00:44:48,000 --> 00:44:48,719
Speaker 1: I don't get it.

904
00:44:48,800 --> 00:44:50,719
Speaker 14: So you know, I don't know what's going on right now.

905
00:44:52,080 --> 00:44:54,319
Speaker 7: Now, Wow, outside of the tone, have you ever had

906
00:44:54,400 --> 00:44:58,640
Speaker 7: regular hearing tests like where they play the until you yeah, okay.

907
00:44:58,560 --> 00:45:00,760
Speaker 15: So you know there's a note, but you just can't

908
00:45:00,840 --> 00:45:02,759
Speaker 15: find it right.

909
00:45:02,800 --> 00:45:05,520
Speaker 14: But they don't sound that different to I'm gonna.

910
00:45:05,320 --> 00:45:07,160
Speaker 7: Play I'm gonna play two, so I'm gonna play four

911
00:45:07,200 --> 00:45:10,839
Speaker 7: into low right.

912
00:45:10,239 --> 00:45:14,839
Speaker 14: But hi, okay that one?

913
00:45:14,920 --> 00:45:22,920
Speaker 1: Yeah, it's really far apart difference. Lah, Okay, she was

914
00:45:23,160 --> 00:45:24,920
Speaker 1: she was for she was a f four okay, and

915
00:45:24,960 --> 00:45:26,440
Speaker 1: then what about what about the low one? All right,

916
00:45:26,480 --> 00:45:26,879
Speaker 1: well she.

917
00:45:26,840 --> 00:45:28,799
Speaker 7: Probably can't hit that, but I'll try just for just

918
00:45:28,800 --> 00:45:33,280
Speaker 7: for fun, law.

919
00:45:34,120 --> 00:45:35,640
Speaker 14: I mean, that's all. That's all the range that I

920
00:45:35,640 --> 00:45:36,120
Speaker 14: can tell.

921
00:45:36,000 --> 00:45:38,560
Speaker 1: Anyways to do something high. I'm sorry, you're not gonna

922
00:45:38,560 --> 00:45:41,520
Speaker 1: make the wood Show acquired this way. It's just not

923
00:45:41,920 --> 00:45:42,600
Speaker 1: that's fascinating.

924
00:45:42,640 --> 00:45:45,000
Speaker 7: And again, we don't we don't blame you, Sandy, because clearly,

925
00:45:45,040 --> 00:45:46,560
Speaker 7: if you can't hear that difference, that's something.

926
00:45:46,680 --> 00:45:48,160
Speaker 14: It felt like I was being blamed, Truman.

927
00:45:54,520 --> 00:45:57,319
Speaker 3: I wasn't understanding. Nobody was yelling.

928
00:45:57,560 --> 00:45:59,319
Speaker 1: No one's yelling like it's just not getting the.

929
00:45:59,360 --> 00:46:03,000
Speaker 3: Confusion was about your confusion when you said I don't

930
00:46:03,040 --> 00:46:05,239
Speaker 3: get it. We said, okay, watch Woody, and then it

931
00:46:05,320 --> 00:46:12,680
Speaker 3: was like, the confusion is what is making you confuse.

932
00:46:12,920 --> 00:46:16,480
Speaker 15: The confusion is we're not getting Now we have an

933
00:46:16,560 --> 00:46:18,360
Speaker 15: audible example of what you.

934
00:46:18,239 --> 00:46:21,000
Speaker 3: Hear confusions on our side, like how.

935
00:46:21,000 --> 00:46:24,360
Speaker 15: Like it's literally like you like you said, like being colorblind,

936
00:46:24,360 --> 00:46:25,239
Speaker 15: like we all see green.

937
00:46:25,280 --> 00:46:26,600
Speaker 1: You're like, I'm not seeing green.

938
00:46:26,640 --> 00:46:27,480
Speaker 7: I don't know what to tell you.

939
00:46:27,640 --> 00:46:30,200
Speaker 1: That looks the same as that color right there. I

940
00:46:30,239 --> 00:46:31,480
Speaker 1: think it looks the same to me.

941
00:46:31,600 --> 00:46:33,400
Speaker 5: The first two examples that are just too close to

942
00:46:33,440 --> 00:46:36,200
Speaker 5: each other, you had to do like full lockt of down.

943
00:46:36,320 --> 00:46:42,359
Speaker 15: Yeah, okay, yeah, I can hear so that's the same note.

944
00:46:42,400 --> 00:46:46,640
Speaker 3: Butts, So we're wondering if you could match that.

945
00:46:47,080 --> 00:46:48,640
Speaker 1: Try to match Try to watch that lower one, please

946
00:46:48,680 --> 00:46:50,600
Speaker 1: if you can.

947
00:46:51,840 --> 00:46:55,160
Speaker 7: Wah, she's hitting f's when she should be hitting c

948
00:46:55,320 --> 00:46:57,720
Speaker 7: is she's having three steps either too high or something

949
00:46:57,760 --> 00:46:58,440
Speaker 7: like a medical night.

950
00:46:58,440 --> 00:47:00,840
Speaker 18: I don't even I can't even tell what I'm doing.

951
00:47:01,000 --> 00:47:02,879
Speaker 18: I'm just trying to go low because I hear it's

952
00:47:02,880 --> 00:47:05,040
Speaker 18: a low tone. But like, I don't know if there's

953
00:47:05,080 --> 00:47:06,760
Speaker 18: a difference in low tones.

954
00:47:06,920 --> 00:47:07,960
Speaker 14: I can't tell them.

955
00:47:08,480 --> 00:47:10,080
Speaker 1: They all like sound mostly the same.

956
00:47:10,239 --> 00:47:15,840
Speaker 15: This is so interesting again, But I just I thought

957
00:47:15,840 --> 00:47:19,040
Speaker 15: like tone death meant like when someone's tone deaf.

958
00:47:19,080 --> 00:47:20,799
Speaker 3: I just kind of I kind of just thought it

959
00:47:20,880 --> 00:47:21,040
Speaker 3: was you.

960
00:47:21,280 --> 00:47:24,440
Speaker 15: You just can't put it back and replicate it, can you?

961
00:47:24,480 --> 00:47:26,879
Speaker 1: But apparently you can't even hear it? Do you ever?

962
00:47:27,000 --> 00:47:29,760
Speaker 7: Like think of Mary Poppins, like do dear female, dear

963
00:47:29,880 --> 00:47:34,480
Speaker 7: ray when you sing that myself and down do.

964
00:47:40,000 --> 00:47:41,440
Speaker 14: Rami foss lacho.

965
00:47:42,160 --> 00:47:46,719
Speaker 1: So it's not super flat, very monotone.

966
00:47:46,600 --> 00:47:49,799
Speaker 18: But to me it sounds like it's like someone like

967
00:47:49,840 --> 00:47:52,320
Speaker 18: some of the lower voice compared to a high pitched voice.

968
00:47:52,360 --> 00:47:55,120
Speaker 1: Did they all sound the same to you? Like? Can

969
00:47:55,120 --> 00:47:56,279
Speaker 1: you hear someone you know?

970
00:47:58,040 --> 00:47:58,479
Speaker 3: I think?

971
00:47:58,680 --> 00:48:01,600
Speaker 18: But I also think that like when something comes out

972
00:48:01,600 --> 00:48:06,320
Speaker 18: of my mouth, it sounds more correct, right, more correct

973
00:48:06,320 --> 00:48:10,319
Speaker 18: than it actually is. But that's because of what I'm

974
00:48:10,360 --> 00:48:11,919
Speaker 18: hearing obviously, like I don't.

975
00:48:12,200 --> 00:48:13,759
Speaker 5: It's kind of like when you hear your own voice

976
00:48:13,800 --> 00:48:15,480
Speaker 5: for the first time on a recording and you're like,

977
00:48:15,520 --> 00:48:16,319
Speaker 5: wha is that.

978
00:48:16,320 --> 00:48:17,560
Speaker 3: What I really sound like?

979
00:48:18,080 --> 00:48:18,279
Speaker 7: Yeah?

980
00:48:19,200 --> 00:48:19,719
Speaker 1: Interesting?

981
00:48:19,920 --> 00:48:22,919
Speaker 5: Remember anyswering machines are like, wait, I sound like that.

982
00:48:23,160 --> 00:48:27,040
Speaker 18: But that's typically why I my volume gets louder and

983
00:48:27,080 --> 00:48:28,880
Speaker 18: softer because to me that's pitch.

984
00:48:29,920 --> 00:48:32,719
Speaker 14: Volume is pitch, not what you guys consider pitch.

985
00:48:35,000 --> 00:48:38,440
Speaker 3: I might get louder when I do so in your

986
00:48:38,480 --> 00:48:49,000
Speaker 3: mind to hit a higher note. Yeah. Yeah.

987
00:48:49,040 --> 00:48:52,320
Speaker 1: So someone of the text said auditory processing disorder APD

988
00:48:52,920 --> 00:48:53,600
Speaker 1: and thought.

989
00:48:53,440 --> 00:48:57,000
Speaker 15: That was for like ideas, like you're not getting a concept.

990
00:48:57,680 --> 00:49:00,239
Speaker 1: Maybe it's just the way it was is processing of audio, right,

991
00:49:00,280 --> 00:49:02,839
Speaker 1: like the way that that you know, whatever the sound is,

992
00:49:02,880 --> 00:49:05,560
Speaker 1: the way that it comes in you process it and

993
00:49:06,160 --> 00:49:10,160
Speaker 1: hear it or understand whatever, like the way that you registers.

994
00:49:09,760 --> 00:49:12,279
Speaker 3: Yeah, and it's not easy to replicate the notes, but

995
00:49:13,000 --> 00:49:15,359
Speaker 3: the concept is ease. But you know when you're wrong, right,

996
00:49:15,840 --> 00:49:19,359
Speaker 3: Like if it's like law and you go, you know

997
00:49:19,440 --> 00:49:23,320
Speaker 3: you're off. It's not that you don't understand the concept.

998
00:49:23,560 --> 00:49:24,000
Speaker 1: Yeah right.

999
00:49:24,040 --> 00:49:25,719
Speaker 18: But even if even when I did it and you

1000
00:49:25,719 --> 00:49:28,000
Speaker 18: guys were like, yeah, that was that was closed, I

1001
00:49:28,080 --> 00:49:29,600
Speaker 18: was like it was like I just do a shot

1002
00:49:29,640 --> 00:49:30,920
Speaker 18: in the dark that I hope, but I have no

1003
00:49:31,000 --> 00:49:32,240
Speaker 18: idea even if it's right.

1004
00:49:32,120 --> 00:49:32,560
Speaker 1: That it's right.

1005
00:49:32,760 --> 00:49:34,520
Speaker 3: Are you able to do an impression of anybody?

1006
00:49:34,719 --> 00:49:36,680
Speaker 1: No? Okay, does that make sense? Sing?

1007
00:49:36,719 --> 00:49:38,640
Speaker 15: I wonder if this can be taught like pitch can

1008
00:49:38,680 --> 00:49:39,160
Speaker 15: be taught.

1009
00:49:39,239 --> 00:49:39,680
Speaker 3: I don't know.

1010
00:49:40,160 --> 00:49:44,920
Speaker 1: Yeah, like color blindness, the rain in Spain talls, what

1011
00:49:44,960 --> 00:49:45,160
Speaker 1: was that?

1012
00:49:45,239 --> 00:49:45,880
Speaker 5: What was that?

1013
00:49:45,880 --> 00:49:47,000
Speaker 7: That's that's annunciation.

1014
00:49:47,120 --> 00:49:49,759
Speaker 15: Yeah, that's from my fair lady. Yeah, in case you're

1015
00:49:49,760 --> 00:49:50,640
Speaker 15: wondering some.

1016
00:49:50,920 --> 00:49:52,360
Speaker 1: Definitely, I remember seeing the play and I was like, Oh,

1017
00:49:52,400 --> 00:49:54,000
Speaker 1: they're trying to teach some girls something and.

1018
00:49:54,000 --> 00:49:56,200
Speaker 15: Yeah the play versions Pick Malley and the musical.

1019
00:49:56,360 --> 00:49:57,040
Speaker 3: Oh sure, yes.

1020
00:49:57,080 --> 00:49:59,080
Speaker 1: Do you ever did you ever play an instrument of

1021
00:49:59,160 --> 00:49:59,600
Speaker 1: any kind?

1022
00:50:00,640 --> 00:50:01,120
Speaker 10: Uh?

1023
00:50:01,640 --> 00:50:04,480
Speaker 18: Yes, so I I mean I tried the flut when

1024
00:50:04,480 --> 00:50:05,799
Speaker 18: I was younger. That didn't really work out.

1025
00:50:05,800 --> 00:50:08,040
Speaker 14: And then during the pandemic for my pandemic.

1026
00:50:07,640 --> 00:50:11,200
Speaker 18: Hobby, I got keyboard and I had this little.

1027
00:50:12,520 --> 00:50:13,359
Speaker 14: Keyboard thing.

1028
00:50:13,480 --> 00:50:15,400
Speaker 18: It was an app and I would go along with

1029
00:50:15,440 --> 00:50:17,640
Speaker 18: it and it kind of taught you the keys and

1030
00:50:17,680 --> 00:50:19,960
Speaker 18: everything along with that. So I would do it and

1031
00:50:20,000 --> 00:50:22,040
Speaker 18: i'd get like one hundred percent. And my brother, who

1032
00:50:22,160 --> 00:50:25,080
Speaker 18: is i mean just very smart when it comes to music,

1033
00:50:25,160 --> 00:50:27,520
Speaker 18: he has a keyboard, two knows a bunch of instruments,

1034
00:50:27,680 --> 00:50:29,120
Speaker 18: and I played it for him. I did one hundred

1035
00:50:29,120 --> 00:50:31,439
Speaker 18: percent on this little app thing, and he just looked

1036
00:50:31,440 --> 00:50:33,600
Speaker 18: at me and he goes, yeah, but you know, none

1037
00:50:33,640 --> 00:50:36,040
Speaker 18: of that sounded right though, Like even though this app

1038
00:50:36,120 --> 00:50:37,480
Speaker 18: was telling me I got one hundred percent.

1039
00:50:37,560 --> 00:50:39,040
Speaker 14: I was still off.

1040
00:50:39,480 --> 00:50:41,960
Speaker 15: I didn't even know you're following the instructions and that's

1041
00:50:41,960 --> 00:50:42,440
Speaker 15: as far as.

1042
00:50:42,400 --> 00:50:45,040
Speaker 18: You know, right, which was very like mechanical like and

1043
00:50:45,120 --> 00:50:47,040
Speaker 18: I just thought like, oh, I'm doing this, and my

1044
00:50:47,080 --> 00:50:48,640
Speaker 18: brother was like, no, you're even.

1045
00:50:49,800 --> 00:50:52,160
Speaker 7: This is so interesting, all right, very interesting.

1046
00:50:52,200 --> 00:50:52,680
Speaker 3: Yeah.

1047
00:50:52,719 --> 00:50:54,839
Speaker 1: I mean you know, I thought the letting us study you.

1048
00:50:55,960 --> 00:50:57,000
Speaker 3: Yeah, it's fascinating.

1049
00:50:57,160 --> 00:50:59,440
Speaker 1: So like she's trying, guy, we believe her. She's h yeah,

1050
00:50:59,440 --> 00:51:00,480
Speaker 1: I musta you're trying.

1051
00:51:00,760 --> 00:51:00,920
Speaker 8: Well.

1052
00:51:00,920 --> 00:51:02,520
Speaker 18: You did say that to me at first, No.

1053
00:51:05,360 --> 00:51:09,600
Speaker 1: No, because that was my way of describing, you know,

1054
00:51:09,640 --> 00:51:12,560
Speaker 1: because when when it's like law and you go law

1055
00:51:13,000 --> 00:51:15,239
Speaker 1: like that, that's like a low that's that sounds like

1056
00:51:15,239 --> 00:51:19,360
Speaker 1: a low effort response. It's like law like like, it

1057
00:51:19,360 --> 00:51:20,360
Speaker 1: doesn't sound like you're even.

1058
00:51:20,600 --> 00:51:23,200
Speaker 3: Trying to even if the note is completely wrong, right,

1059
00:51:23,280 --> 00:51:29,200
Speaker 3: you would have expected at least like a law like law. Right.

1060
00:51:29,239 --> 00:51:32,279
Speaker 1: So it was just my way of describing they wanted

1061
00:51:32,320 --> 00:51:33,640
Speaker 1: a louder law or.

1062
00:51:34,000 --> 00:51:36,920
Speaker 3: You're not long enough well, I mean, just some sort

1063
00:51:36,960 --> 00:51:39,319
Speaker 3: of effort to make it replicate what you're hearing, right,

1064
00:51:39,600 --> 00:51:41,359
Speaker 3: and the fact that you were you said, I don't

1065
00:51:41,400 --> 00:51:44,279
Speaker 3: understand what. I'm confused. What do you mean like to

1066
00:51:44,520 --> 00:51:49,600
Speaker 3: repeat the note like you understand? Sorry? English right.

1067
00:51:51,360 --> 00:51:53,160
Speaker 1: Returns right after these messages.

1068
00:51:55,239 --> 00:51:56,439
Speaker 6: This is.

1069
00:51:59,400 --> 00:52:04,920
Speaker 1: Following up on Sammy's severe tone deafness that we we

1070
00:52:05,000 --> 00:52:07,560
Speaker 1: just learned about more after you know this last second.

1071
00:52:08,120 --> 00:52:09,600
Speaker 1: I never saw it that way.

1072
00:52:09,640 --> 00:52:10,560
Speaker 3: It's basically the.

1073
00:52:10,520 --> 00:52:13,839
Speaker 1: Audio version of being color blind, where everything just kind

1074
00:52:13,840 --> 00:52:15,680
Speaker 1: of sounds the same. I thought it was just like

1075
00:52:15,719 --> 00:52:17,600
Speaker 1: you said, like you just couldn't get to that.

1076
00:52:17,680 --> 00:52:19,919
Speaker 15: Yeah, you just can't articulate it, but yeah, she can't

1077
00:52:19,960 --> 00:52:21,160
Speaker 15: hear It's fascinating.

1078
00:52:21,600 --> 00:52:23,840
Speaker 1: Six six one. This makes me so sad for Sammy.

1079
00:52:23,880 --> 00:52:26,279
Speaker 1: I love music and listening to music, and it makes

1080
00:52:26,320 --> 00:52:28,640
Speaker 1: me wonder if she's really hearing music the same way

1081
00:52:28,680 --> 00:52:29,440
Speaker 1: the rest of us do.

1082
00:52:29,960 --> 00:52:32,320
Speaker 3: Same. I have the same thought.

1083
00:52:33,160 --> 00:52:36,160
Speaker 14: But I still love music so in that way.

1084
00:52:36,400 --> 00:52:37,960
Speaker 18: No, I'm sure that I don't hear it the same

1085
00:52:37,960 --> 00:52:39,480
Speaker 18: way that you do, but I still love it and

1086
00:52:39,600 --> 00:52:41,680
Speaker 18: enjoy it just as much as anyone else. Because I

1087
00:52:41,680 --> 00:52:44,200
Speaker 18: don't know what difference, like, if you suddenly heard music

1088
00:52:44,239 --> 00:52:46,120
Speaker 18: the way that I did, you would probably go insane.

1089
00:52:46,120 --> 00:52:49,000
Speaker 15: I feel like this is tracked difference.

1090
00:52:49,120 --> 00:52:51,960
Speaker 1: What about those videos where people get the glasses for

1091
00:52:52,120 --> 00:52:53,320
Speaker 1: their colorblind loved.

1092
00:52:53,160 --> 00:52:54,920
Speaker 3: Ones and they start crying.

1093
00:52:55,080 --> 00:52:57,920
Speaker 1: Yeah, because they'll they'll put the they'll put the glasses on,

1094
00:52:58,040 --> 00:53:01,000
Speaker 1: and they're seeing in a way they've never seen before,

1095
00:53:01,120 --> 00:53:02,240
Speaker 1: vibrant and accurate.

1096
00:53:02,680 --> 00:53:03,359
Speaker 3: Yeah.

1097
00:53:03,640 --> 00:53:06,640
Speaker 5: Well does that explain country music then? Because everyone says

1098
00:53:06,680 --> 00:53:10,920
Speaker 5: that country music is there's.

1099
00:53:09,920 --> 00:53:12,280
Speaker 14: Still plenty of people out there like me, So who.

1100
00:53:12,120 --> 00:53:14,200
Speaker 5: Can I Yeah, I mean, I see what you're saying.

1101
00:53:14,520 --> 00:53:16,200
Speaker 5: I put that more in the I'm just talking about

1102
00:53:16,200 --> 00:53:17,919
Speaker 5: the like that. I'm just trying to break it down,

1103
00:53:18,080 --> 00:53:21,240
Speaker 5: not you know, knocking country music, just with the tone

1104
00:53:21,320 --> 00:53:22,439
Speaker 5: and how it sounds the same.

1105
00:53:22,520 --> 00:53:26,479
Speaker 18: And yeah, and alternatively, I mean I have not great eyes,

1106
00:53:26,600 --> 00:53:28,480
Speaker 18: so I can't see very well. And when I but

1107
00:53:28,520 --> 00:53:30,759
Speaker 18: when I take my glasses off and I look at

1108
00:53:30,840 --> 00:53:33,319
Speaker 18: let's say a Christmas tree and all the way all

1109
00:53:33,360 --> 00:53:35,799
Speaker 18: the lights look, I think it's so pretty. And I

1110
00:53:35,840 --> 00:53:38,000
Speaker 18: can't show it to anyone because I can't take a

1111
00:53:38,000 --> 00:53:39,200
Speaker 18: picture of what I'm seeing.

1112
00:53:39,520 --> 00:53:42,759
Speaker 1: Is it almost like what do they call it? No,

1113
00:53:42,840 --> 00:53:45,280
Speaker 1: like it's glass, it's kind of blurred.

1114
00:53:45,320 --> 00:53:45,640
Speaker 3: What's that?

1115
00:53:47,320 --> 00:53:48,320
Speaker 1: No, frosted?

1116
00:53:49,239 --> 00:53:52,440
Speaker 18: No, it's not frosted. But the lights get much bigger,

1117
00:53:52,920 --> 00:53:53,880
Speaker 18: and it's.

1118
00:53:53,760 --> 00:53:56,200
Speaker 1: So kind of bad together and it's like such.

1119
00:53:55,960 --> 00:53:58,239
Speaker 18: A lonely idea to go this is so pretty and

1120
00:53:58,280 --> 00:54:00,360
Speaker 18: I can't share it with anyone.

1121
00:54:01,080 --> 00:54:04,880
Speaker 1: Another text came. In addition to consulting an audiologist, Sammy

1122
00:54:04,920 --> 00:54:06,520
Speaker 1: may also want to consult with a vocal coach and

1123
00:54:06,560 --> 00:54:09,400
Speaker 1: a music teacher. Long process, but with time and patience,

1124
00:54:09,600 --> 00:54:12,040
Speaker 1: you have the potential from going to from tone deft

1125
00:54:12,080 --> 00:54:14,960
Speaker 1: to singing like a Disney princess. I believe in you

1126
00:54:15,239 --> 00:54:18,560
Speaker 1: aim for the Tierra, but it's like, who cares?

1127
00:54:18,600 --> 00:54:18,799
Speaker 3: Sam?

1128
00:54:19,080 --> 00:54:23,280
Speaker 1: Yeah, I mean no, no, not to be a singer,

1129
00:54:23,320 --> 00:54:26,799
Speaker 1: but I would be curious about what now, Like what,

1130
00:54:26,840 --> 00:54:28,080
Speaker 1: so what have I been missing?

1131
00:54:28,480 --> 00:54:28,680
Speaker 15: Yeah?

1132
00:54:29,280 --> 00:54:32,000
Speaker 1: That we think we didn't know we were missing.

1133
00:54:31,800 --> 00:54:34,000
Speaker 7: Right, because you hear that with like color black people,

1134
00:54:34,000 --> 00:54:35,399
Speaker 7: it's like, yeah, the apple is great?

1135
00:54:35,600 --> 00:54:36,479
Speaker 3: What are you talking about?

1136
00:54:37,520 --> 00:54:38,640
Speaker 1: And I don't know enough about it?

1137
00:54:38,680 --> 00:54:39,719
Speaker 3: So maybe you guys do.

1138
00:54:39,840 --> 00:54:42,879
Speaker 1: Like somebody on the text saying those glasses for color

1139
00:54:42,880 --> 00:54:43,359
Speaker 1: blind people?

1140
00:54:43,360 --> 00:54:45,600
Speaker 3: That's fake? Is that? I mean?

1141
00:54:46,840 --> 00:54:48,560
Speaker 1: Because I didn't heard something.

1142
00:54:48,560 --> 00:54:50,799
Speaker 5: But I didn't hear the I mean, how could we

1143
00:54:50,920 --> 00:54:52,279
Speaker 5: even know if it's actually real?

1144
00:54:52,440 --> 00:54:54,879
Speaker 1: Well, you can test them, because a person can tell

1145
00:54:54,920 --> 00:54:56,480
Speaker 1: you that if they're seeing somebody.

1146
00:54:57,120 --> 00:54:59,240
Speaker 5: But we don't know if we like, if they're truly

1147
00:54:59,320 --> 00:55:02,799
Speaker 5: seeing red. They might be seeing a different shade of

1148
00:55:02,880 --> 00:55:05,799
Speaker 5: something that you've seen before. But they're asking people, all right,

1149
00:55:06,000 --> 00:55:08,520
Speaker 5: what color is this? And they can tell you what

1150
00:55:08,560 --> 00:55:14,279
Speaker 5: it is, truly know what red Isarly, what they do

1151
00:55:14,400 --> 00:55:18,080
Speaker 5: is they filter point, They filter light to make those

1152
00:55:18,080 --> 00:55:19,800
Speaker 5: stuff they can see more vivid.

1153
00:55:19,840 --> 00:55:22,240
Speaker 7: Therefore it has more contrast with other colors.

1154
00:55:22,640 --> 00:55:23,239
Speaker 1: This is color.

1155
00:55:23,640 --> 00:55:27,880
Speaker 15: Color blind glasses aren't real. They work as specialized filters.

1156
00:55:27,560 --> 00:55:28,560
Speaker 1: Which but it's not.

1157
00:55:28,800 --> 00:55:31,640
Speaker 7: But it's not giving you the power to actually see

1158
00:55:31,680 --> 00:55:32,800
Speaker 7: the color you can't see.

1159
00:55:32,960 --> 00:55:35,239
Speaker 15: You're just filtering out the color that you're canceling out

1160
00:55:35,239 --> 00:55:37,960
Speaker 15: the color that you already you're just differentiating. You are

1161
00:55:38,000 --> 00:55:40,560
Speaker 15: on the glass or the glasses maker's website.

1162
00:55:40,600 --> 00:55:45,960
Speaker 1: So I'm on Google AI overview.

1163
00:55:46,680 --> 00:55:49,400
Speaker 7: Yeah, yes, it's yeah, they're not. They don't work like

1164
00:55:49,520 --> 00:55:51,000
Speaker 7: work as you can now see everything.

1165
00:55:51,040 --> 00:55:52,600
Speaker 1: They just make it more.

1166
00:55:55,080 --> 00:55:55,840
Speaker 5: I don't know what that is.

1167
00:55:56,360 --> 00:55:59,040
Speaker 1: Careful what you're watching? I'm not sure? All right, Well

1168
00:55:59,120 --> 00:56:01,920
Speaker 1: what do you show Friday? OK? I asked Sammy to

1169
00:56:01,960 --> 00:56:05,279
Speaker 1: pick a song because she does like she does like

1170
00:56:05,400 --> 00:56:07,240
Speaker 1: music and she does have some favorites.

1171
00:56:07,280 --> 00:56:09,400
Speaker 3: And so here's the song that you pick and you

1172
00:56:09,480 --> 00:56:11,799
Speaker 3: do sing along to songs in heroes? Yeah?

1173
00:56:11,920 --> 00:56:15,640
Speaker 14: Yeah, but can we all sing along to this one?

1174
00:56:16,080 --> 00:56:17,640
Speaker 1: We'll we'll join you to.

1175
00:56:17,600 --> 00:56:19,520
Speaker 3: Take we join in the chorus.

1176
00:56:19,600 --> 00:56:21,880
Speaker 18: Right, but like like how you and Greg sometimes do

1177
00:56:21,960 --> 00:56:22,720
Speaker 18: a duet together?

1178
00:56:22,719 --> 00:56:24,920
Speaker 1: Like can me and Gina do it? Let's start with

1179
00:56:25,120 --> 00:56:25,400
Speaker 1: just you.

1180
00:56:25,640 --> 00:56:30,200
Speaker 15: But now that we all have an understanding, we get it.

1181
00:56:30,280 --> 00:56:34,560
Speaker 1: So we're on your side. I understand. And this is

1182
00:56:34,600 --> 00:56:36,000
Speaker 1: one of your favorite songs. Do you got to pick

1183
00:56:36,040 --> 00:56:36,359
Speaker 1: the song?

1184
00:56:36,440 --> 00:56:36,640
Speaker 3: Yeah?

1185
00:56:36,640 --> 00:56:37,320
Speaker 15: The song rules.

1186
00:56:37,360 --> 00:56:41,160
Speaker 1: It's Alanis Moore Set. Ironic that we did see some

1187
00:56:41,320 --> 00:56:45,440
Speaker 1: videos of Sammy at the Alanis Moore Set concert singing along.

1188
00:56:45,200 --> 00:56:48,239
Speaker 5: And I would say that all the comments were positive.

1189
00:56:49,080 --> 00:56:51,080
Speaker 1: She was having such a great time for this room.

1190
00:56:56,560 --> 00:56:59,080
Speaker 1: All right, are we ready ready?

1191
00:56:59,160 --> 00:57:04,480
Speaker 3: What do you show? Friday? Oki? Hey, Alanis Morissett ironic?

1192
00:57:05,160 --> 00:57:07,200
Speaker 3: You're lead singer for this round of What is Show? Friday?

1193
00:57:07,239 --> 00:57:11,400
Speaker 3: Joki is Sammy Marino? Here we go and.

1194
00:57:11,560 --> 00:57:19,800
Speaker 1: Oh ma'am turned ninety eight. He won the lottery and

1195
00:57:19,920 --> 00:57:21,320
Speaker 1: died the next day.

1196
00:57:22,520 --> 00:57:23,960
Speaker 14: It's a black fly.

1197
00:57:25,640 --> 00:57:26,640
Speaker 1: Near Chardonnay.

1198
00:57:28,120 --> 00:57:32,440
Speaker 18: It's a death row part in two minutes too late,

1199
00:57:33,400 --> 00:57:34,800
Speaker 18: and isn't it I ironic?

1200
00:57:36,320 --> 00:57:37,120
Speaker 1: Don't you think.

1201
00:57:37,520 --> 00:57:39,120
Speaker 3: Everybody it's.

1202
00:57:49,800 --> 00:57:55,960
Speaker 4: It's it's such a say.

1203
00:57:58,600 --> 00:58:02,960
Speaker 18: It's here, mister, play is safe?

1204
00:58:04,520 --> 00:58:05,600
Speaker 14: What's afraid to fly?

1205
00:58:06,960 --> 00:58:12,560
Speaker 18: He packed his suit case, Yes, his kids, goodbye. He

1206
00:58:12,680 --> 00:58:18,520
Speaker 18: waited his whole damn line to take that line, and

1207
00:58:18,600 --> 00:58:20,440
Speaker 18: that's the plane crash down.

1208
00:58:20,920 --> 00:58:22,800
Speaker 1: Thought, well, it isn't it nice?

1209
00:58:23,800 --> 00:58:27,560
Speaker 14: And isn't it ironic? Such a thing?

1210
00:58:29,080 --> 00:58:55,160
Speaker 4: It's not right, it's afraid. It's like this funny way.

1211
00:58:54,600 --> 00:58:58,280
Speaker 18: Of speaking up on you when you think everything's okay and.

1212
00:58:58,480 --> 00:59:00,880
Speaker 1: Everything's gone wrong y.

1213
00:59:03,680 --> 00:59:06,919
Speaker 18: And life is a funny way of helping you out

1214
00:59:06,960 --> 00:59:11,040
Speaker 18: when you think everything's gone wrong and everything blows.

1215
00:59:10,720 --> 00:59:11,720
Speaker 2: Up in your face.

1216
00:59:13,200 --> 00:59:21,560
Speaker 18: Itam a traffic jam when you're already late and no smoke.

1217
00:59:22,160 --> 00:59:26,480
Speaker 14: Signe on your cigarette. Great, it's like.

1218
00:59:26,520 --> 00:59:30,880
Speaker 18: Ten thousand spoons when all you need isn't knife.

1219
00:59:31,880 --> 00:59:35,360
Speaker 14: It's meeting the man of my dreams and then meeting is.

1220
00:59:35,360 --> 00:59:36,439
Speaker 1: A beautiful wife.

1221
00:59:41,600 --> 00:59:47,520
Speaker 14: Don't you think I'm a little too ironic? And yeah,

1222
00:59:47,520 --> 00:59:49,560
Speaker 14: I really do say it's.

1223
00:59:53,200 --> 01:00:05,280
Speaker 1: A it's a great such a day.

1224
01:00:18,600 --> 01:00:21,600
Speaker 14: Like this is a funny way you.

1225
01:00:24,280 --> 01:00:26,600
Speaker 1: Like it is a funny, funny way.

1226
01:00:28,320 --> 01:00:33,360
Speaker 14: Of helping you out, helping you out.

1227
01:00:34,360 --> 01:00:34,880
Speaker 3: Why what.

1228
01:00:38,320 --> 01:00:44,280
Speaker 1: Show we're getting overall good reviews. Oh yeah, overall good reviews.

1229
01:00:44,280 --> 01:00:46,959
Speaker 1: On what do You Show froddy Oki, Alanis mor said,

1230
01:00:47,320 --> 01:00:49,200
Speaker 1: ironic one of her favorite songs. She got to pick

1231
01:00:49,240 --> 01:00:49,520
Speaker 1: the song.

1232
01:00:49,640 --> 01:00:50,440
Speaker 3: Did you put that.

1233
01:00:50,440 --> 01:00:51,040
Speaker 1: Song on her?

1234
01:00:52,200 --> 01:00:52,439
Speaker 3: Yeah?

1235
01:00:53,640 --> 01:00:58,000
Speaker 1: Uh okay? Now here here's one that not so much bad.

1236
01:00:58,440 --> 01:01:01,040
Speaker 1: This one says you guys. Letting Sammy be the lead

1237
01:01:01,040 --> 01:01:03,120
Speaker 1: singer is like when the football team what's the special

1238
01:01:03,120 --> 01:01:06,800
Speaker 1: needs kids suit up and score the touchdown? It is

1239
01:01:06,880 --> 01:01:09,920
Speaker 1: like that very nice?

1240
01:01:11,120 --> 01:01:12,000
Speaker 3: Why do you have the text in?

1241
01:01:12,120 --> 01:01:12,200
Speaker 1: Like?

1242
01:01:17,480 --> 01:01:18,520
Speaker 3: I hate those videos?

1243
01:01:20,080 --> 01:01:24,280
Speaker 1: It's like I mean that, you know, because the the

1244
01:01:24,320 --> 01:01:27,160
Speaker 1: idea of it's nice. It is, but like how but

1245
01:01:27,680 --> 01:01:29,960
Speaker 1: like I would I'm thinking I'm the kid. I wouldn't

1246
01:01:29,960 --> 01:01:33,600
Speaker 1: want that because you would know, Yes she would, Yes,

1247
01:01:33,640 --> 01:01:37,560
Speaker 1: she would? Would you would? Yeah, of course they don't know.

1248
01:01:37,720 --> 01:01:40,480
Speaker 1: You would know. But everybody's just falling over five yards

1249
01:01:40,480 --> 01:01:42,920
Speaker 1: away from you some sort of force.

1250
01:01:48,440 --> 01:01:51,120
Speaker 3: I'm tapping out, and but what are you tapping out on?

1251
01:01:51,560 --> 01:01:53,520
Speaker 3: Like I'm tapping out on.

1252
01:01:53,600 --> 01:01:56,360
Speaker 1: People freaking out about quote microplastics. If I hear the

1253
01:01:56,400 --> 01:01:59,760
Speaker 1: term microplastics one more time, my head's gonna explode.

1254
01:01:59,360 --> 01:02:01,480
Speaker 7: Because I has a solution and no one's even really

1255
01:02:01,480 --> 01:02:02,240
Speaker 7: tell you what's going on.

1256
01:02:02,280 --> 01:02:05,200
Speaker 1: And they're like, all those microplastics are being absorbed into

1257
01:02:05,240 --> 01:02:07,800
Speaker 1: your body and okay, so what shall we do?

1258
01:02:08,040 --> 01:02:09,480
Speaker 7: So you're wearing a starve, what are you doing?

1259
01:02:10,040 --> 01:02:12,000
Speaker 3: But it seems to be like a strainer in your throat.

1260
01:02:12,600 --> 01:02:14,760
Speaker 1: Yeah, there was like a there was there was a

1261
01:02:14,760 --> 01:02:16,600
Speaker 1: friend of ours who all of a sudden swore off

1262
01:02:16,760 --> 01:02:19,600
Speaker 1: drinking any kind of bottled water unless it was like

1263
01:02:19,640 --> 01:02:20,600
Speaker 1: they came in the glass.

1264
01:02:21,320 --> 01:02:25,280
Speaker 3: Yeah, because I was told there were, you know.

1265
01:02:25,360 --> 01:02:29,200
Speaker 1: Thirteen the equivalent of thirteen credit cards worth of plastic

1266
01:02:29,240 --> 01:02:30,320
Speaker 1: floating around my body.

1267
01:02:31,640 --> 01:02:35,400
Speaker 2: Really okay thirteen, But also the damage is done, So

1268
01:02:35,440 --> 01:02:36,640
Speaker 2: why switch to bottles now?

1269
01:02:36,800 --> 01:02:38,040
Speaker 5: Well, if you've enjoying them.

1270
01:02:38,440 --> 01:02:41,080
Speaker 1: Oh that was because that was the other thing that

1271
01:02:41,080 --> 01:02:43,040
Speaker 1: popped up. There was a thing about the guy who

1272
01:02:43,200 --> 01:02:44,480
Speaker 1: invented scrub daddy.

1273
01:02:44,640 --> 01:02:45,000
Speaker 5: Mm hmm.

1274
01:02:45,280 --> 01:02:46,600
Speaker 1: He goes, well, because I used it, because and he

1275
01:02:46,680 --> 01:02:48,480
Speaker 1: was explaining how he does it, and they were saying, hey, look,

1276
01:02:49,280 --> 01:02:53,120
Speaker 1: don't use mister clean magic erasers. Oh yeah, I saw that,

1277
01:02:53,240 --> 01:02:56,840
Speaker 1: and don't use scrub daddies because the scrub daddy is

1278
01:02:56,880 --> 01:02:58,960
Speaker 1: whatever the material is, and it breaks down and those

1279
01:02:59,000 --> 01:03:01,760
Speaker 1: little pieces of the plastic or whatever they go into

1280
01:03:01,840 --> 01:03:03,800
Speaker 1: the drain and you're sink and then down and it

1281
01:03:03,840 --> 01:03:06,320
Speaker 1: goes into the groundwater. And then the groundwater is used

1282
01:03:06,320 --> 01:03:08,360
Speaker 1: on farms and whatever, and then it's in your food.

1283
01:03:08,720 --> 01:03:12,320
Speaker 1: And so you're like, you're getting plastics through the zucchini.

1284
01:03:12,720 --> 01:03:15,720
Speaker 1: Now that it was the farm where the water from

1285
01:03:15,760 --> 01:03:17,480
Speaker 1: the mister scrub daddy thing.

1286
01:03:17,840 --> 01:03:20,960
Speaker 5: I can't scrub Daddy's destroying our food.

1287
01:03:21,040 --> 01:03:21,680
Speaker 1: Be extra cream.

1288
01:03:21,840 --> 01:03:24,160
Speaker 3: Yeah, So I'm like, still it tastes good tapping out.

1289
01:03:24,280 --> 01:03:27,600
Speaker 1: Yeah, and I any kind of talk about microplastics, you're out.

1290
01:03:27,840 --> 01:03:31,880
Speaker 3: I don't care. I think the conversation about diet sodas

1291
01:03:31,960 --> 01:03:33,840
Speaker 3: or coke zeros or whatever, don't care.

1292
01:03:34,320 --> 01:03:36,360
Speaker 1: Enjoy it turned out to be completely bs.

1293
01:03:36,680 --> 01:03:38,800
Speaker 3: Yeah, I you know, I enjoy them.

1294
01:03:38,880 --> 01:03:40,640
Speaker 1: I'll drink them, you know. Oh but what about the

1295
01:03:40,640 --> 01:03:42,479
Speaker 1: blah blah blah, I can't see best.

1296
01:03:42,520 --> 01:03:46,240
Speaker 15: If you feed one rat eighteen thousand diet cokes, it

1297
01:03:46,320 --> 01:03:46,880
Speaker 15: might die.

1298
01:03:47,000 --> 01:03:48,720
Speaker 7: Well, it was that first, and then it was the

1299
01:03:48,800 --> 01:03:52,360
Speaker 7: weill it triggers your your appetites, reflux whatever.

1300
01:03:52,440 --> 01:03:56,200
Speaker 1: Anyway. Yeah, well, anyway, because the yeah, whether whether it's

1301
01:03:56,240 --> 01:04:02,080
Speaker 1: true sugar or artificial sweetener, that sweetness you get addicted

1302
01:04:02,120 --> 01:04:03,880
Speaker 1: to the sweetness, and so it makes you crave other

1303
01:04:04,000 --> 01:04:07,000
Speaker 1: sweet things. And when you're you know, Greg, you could

1304
01:04:07,000 --> 01:04:09,400
Speaker 1: talk about a will power as I guess, can I,

1305
01:04:09,880 --> 01:04:11,240
Speaker 1: And it means it when it makes you crave these

1306
01:04:11,280 --> 01:04:13,760
Speaker 1: other things. That's when. Then, So it's not that the

1307
01:04:14,120 --> 01:04:16,480
Speaker 1: diet sod itself is making you fat with the argument

1308
01:04:16,720 --> 01:04:19,920
Speaker 1: was that it would trigger your craving for other sweet stuffer.

1309
01:04:20,400 --> 01:04:22,959
Speaker 1: You can keep yourself from the peanut butter minems stop

1310
01:04:23,080 --> 01:04:25,760
Speaker 1: because you crave what you eat. So I'm tapping out

1311
01:04:25,920 --> 01:04:29,360
Speaker 1: on any kind of chat of microplastics or mention of microplastics.

1312
01:04:29,720 --> 01:04:30,600
Speaker 3: You could stop it with that.

1313
01:04:30,760 --> 01:04:33,960
Speaker 15: I am so tapping out on just this. Seeing the

1314
01:04:34,000 --> 01:04:36,880
Speaker 15: faces of Ariana Grande and Cynthia Rivo, I'm done.

1315
01:04:37,200 --> 01:04:38,040
Speaker 1: I'm done with them.

1316
01:04:38,280 --> 01:04:39,760
Speaker 15: So I don't want to be I don't want to

1317
01:04:39,760 --> 01:04:43,480
Speaker 15: see their DEMI, pan sexual, non binary, whatever, because you

1318
01:04:43,480 --> 01:04:46,240
Speaker 15: know they're in a relationship now they are like a

1319
01:04:46,360 --> 01:04:52,400
Speaker 15: gemy non binary, non sexual pan yeah, and tempting to

1320
01:04:52,680 --> 01:04:55,720
Speaker 15: or like seeing what that might look like for then

1321
01:04:55,840 --> 01:04:56,360
Speaker 15: I don't care.

1322
01:04:56,720 --> 01:04:59,120
Speaker 1: I don't care. I'm tapped. I'm tapping out. I'm tapping

1323
01:04:59,160 --> 01:05:01,919
Speaker 1: out on the two of them. I anymore. You said

1324
01:05:01,920 --> 01:05:04,000
Speaker 1: that you weren't interested in seeing the new Wicked.

1325
01:05:04,480 --> 01:05:05,920
Speaker 15: Burnt all these bitches.

1326
01:05:06,040 --> 01:05:08,760
Speaker 1: She's supposed to go see the new Wicked with her

1327
01:05:08,920 --> 01:05:10,280
Speaker 1: husband and her step son.

1328
01:05:10,440 --> 01:05:12,280
Speaker 15: Yeah, and I did not buy these tickets.

1329
01:05:12,480 --> 01:05:12,960
Speaker 3: Yeah, I know.

1330
01:05:13,120 --> 01:05:16,200
Speaker 1: We tried to convince her earlier that hey, you know what,

1331
01:05:16,280 --> 01:05:18,440
Speaker 1: it's fine for couples to get like, let them have

1332
01:05:18,520 --> 01:05:21,240
Speaker 1: some quality. I remember bonding with my father going to

1333
01:05:21,280 --> 01:05:27,640
Speaker 1: a musical. I can't imagine. I'm trying to think of, like,

1334
01:05:27,880 --> 01:05:30,400
Speaker 1: is there a world where my dad and I would

1335
01:05:30,440 --> 01:05:32,440
Speaker 1: have ever gone to Wicked together? I mean I do

1336
01:05:32,600 --> 01:05:35,960
Speaker 1: like they do go to a lot of a lot

1337
01:05:35,960 --> 01:05:37,120
Speaker 1: of sporting events without you.

1338
01:05:37,080 --> 01:05:39,600
Speaker 5: Went with your dad to go see the wiz that Yeah, yeah.

1339
01:05:40,760 --> 01:05:43,920
Speaker 3: Why were you not burnt out by the mania of the.

1340
01:05:43,760 --> 01:05:47,760
Speaker 15: First What I'm saying, I am done with these broads.

1341
01:05:47,840 --> 01:05:49,640
Speaker 15: I'm taked out.

1342
01:05:50,040 --> 01:05:50,640
Speaker 3: I can't take it.

1343
01:05:50,920 --> 01:05:52,920
Speaker 1: It was your thing, I know, but I can't.

1344
01:05:53,520 --> 01:05:56,720
Speaker 15: It didn't It was just an avalanche of non stop them.

1345
01:05:56,760 --> 01:05:59,680
Speaker 15: And like Steve I said, it's unavoidable. So if I'm

1346
01:05:59,680 --> 01:06:02,360
Speaker 15: getting targeted ads, I don't know, you know the rest of.

1347
01:06:02,320 --> 01:06:05,280
Speaker 1: You, I know, are getting whatever target for instance, without

1348
01:06:05,280 --> 01:06:06,080
Speaker 1: seeing that crap.

1349
01:06:05,880 --> 01:06:08,320
Speaker 2: Everywhere wicked Deyoda right now.

1350
01:06:08,720 --> 01:06:10,960
Speaker 1: Text coming over to two ninety seven. So much content

1351
01:06:11,040 --> 01:06:14,240
Speaker 1: nowadays is what to avoid and fear. I'm just tapped

1352
01:06:14,240 --> 01:06:16,080
Speaker 1: out on that. Yeah, yeah, I agree at that.

1353
01:06:16,240 --> 01:06:17,120
Speaker 3: I agree. I agree.

1354
01:06:17,160 --> 01:06:19,720
Speaker 1: That's why I enjoy a lot of the Instagram stuff

1355
01:06:19,720 --> 01:06:24,200
Speaker 1: because I find more just straight joy entertainment type of

1356
01:06:24,240 --> 01:06:27,120
Speaker 1: stuff on Instagram compared to like what you see or

1357
01:06:27,160 --> 01:06:29,240
Speaker 1: hear about in other places.

1358
01:06:29,560 --> 01:06:32,600
Speaker 7: From numerous people that it's it's mostly like happy like this, yeff.

1359
01:06:32,720 --> 01:06:34,959
Speaker 7: Because I don't look at instagrams other than to log

1360
01:06:35,000 --> 01:06:37,440
Speaker 7: in into to send stuff and post stuff. But what

1361
01:06:37,480 --> 01:06:40,280
Speaker 7: I do get suggested is like, oh, there's Kevin Smith

1362
01:06:40,320 --> 01:06:42,479
Speaker 7: with his mom and she and she survived and that.

1363
01:06:42,440 --> 01:06:45,240
Speaker 1: Was a lot his mom passed away. Oh well, damn it. Yah,

1364
01:06:45,720 --> 01:06:47,320
Speaker 1: you know you didn't get the update updated.

1365
01:06:48,120 --> 01:06:50,120
Speaker 7: At least he had well, he had had nice, like

1366
01:06:50,400 --> 01:06:52,080
Speaker 7: nice last couple days with her and that was really

1367
01:06:52,160 --> 01:06:52,680
Speaker 7: nice for him.

1368
01:06:52,920 --> 01:06:53,160
Speaker 3: Yeah.

1369
01:06:53,280 --> 01:06:56,200
Speaker 1: But I mean I saw a great video yesterday of

1370
01:06:56,720 --> 01:06:59,320
Speaker 1: dogs who had done something bad, like what did you do?

1371
01:06:59,600 --> 01:07:01,520
Speaker 1: And like the crazy looks and stuff that they look

1372
01:07:01,600 --> 01:07:04,560
Speaker 1: so guilty hilarious. All right, So what are you tapping

1373
01:07:04,920 --> 01:07:06,800
Speaker 1: tapping out on? You can give us a call eight

1374
01:07:06,840 --> 01:07:10,240
Speaker 1: seven seven forty four, Woodie, like, what's your TapouT?

1375
01:07:10,520 --> 01:07:10,800
Speaker 2: This?

1376
01:07:11,440 --> 01:07:16,080
Speaker 1: It's the wood Show, So what are you tapping out on?

1377
01:07:17,040 --> 01:07:22,040
Speaker 1: I'm tapping out anything, any discussion, any person that wants

1378
01:07:22,040 --> 01:07:24,720
Speaker 1: to sit there and have a conversation about just the

1379
01:07:24,800 --> 01:07:27,880
Speaker 1: term micro plastics. I've I got to put it in there.

1380
01:07:27,880 --> 01:07:30,200
Speaker 1: It's like a band term on the social media, so

1381
01:07:30,240 --> 01:07:32,680
Speaker 1: it doesn't even pop up. Don't care, don't care. I

1382
01:07:32,720 --> 01:07:33,680
Speaker 1: just can't take it any more.

1383
01:07:34,480 --> 01:07:38,480
Speaker 15: That and then you said, I'm tapping out on Ariana

1384
01:07:38,480 --> 01:07:41,400
Speaker 15: Grande and Cynthia Rivo together doing the interviews together.

1385
01:07:41,440 --> 01:07:44,200
Speaker 1: And somebody said that they're a big fan of Wicked

1386
01:07:44,800 --> 01:07:47,479
Speaker 1: and they were excited for the movie. But those two

1387
01:07:47,720 --> 01:07:52,840
Speaker 1: women are just getting shoved down everybody's throat. Yeah, we're done. Yeah,

1388
01:07:52,840 --> 01:07:54,120
Speaker 1: And I think it's I think it's been kind of

1389
01:07:54,120 --> 01:07:56,200
Speaker 1: a turn off yea for even the people who are

1390
01:07:56,200 --> 01:07:57,880
Speaker 1: into it. It's been over a year.

1391
01:07:58,240 --> 01:08:00,960
Speaker 3: Yeah, I'm the tides are turning.

1392
01:08:01,760 --> 01:08:03,080
Speaker 1: You don't have to let us know how it is.

1393
01:08:03,120 --> 01:08:05,960
Speaker 1: She's doing tonight under protest.

1394
01:08:06,000 --> 01:08:07,600
Speaker 3: She's gonna love it and be all in.

1395
01:08:07,800 --> 01:08:10,200
Speaker 1: Really, I've actually heard it that it's it is one

1396
01:08:10,200 --> 01:08:12,080
Speaker 1: of those things where they did too much with it

1397
01:08:12,120 --> 01:08:14,840
Speaker 1: because they've it's not designed to be this long, but

1398
01:08:14,880 --> 01:08:16,519
Speaker 1: they said, hey, we got a bunch of suckers out there.

1399
01:08:17,560 --> 01:08:19,240
Speaker 15: They always do that, like, oh it's part one and

1400
01:08:19,280 --> 01:08:20,759
Speaker 15: part two, you're apart.

1401
01:08:20,960 --> 01:08:23,519
Speaker 1: Well, my wife said that she read a lot of

1402
01:08:23,520 --> 01:08:26,640
Speaker 1: the criticism because she's a super fan, of course, but

1403
01:08:26,880 --> 01:08:27,840
Speaker 1: the criticism is.

1404
01:08:27,840 --> 01:08:28,920
Speaker 3: That it's just not as fun.

1405
01:08:29,240 --> 01:08:31,320
Speaker 1: Well, yeah, because if you're familiar at all with the story,

1406
01:08:31,439 --> 01:08:33,000
Speaker 1: like this is the part of the story that gets dark.

1407
01:08:33,160 --> 01:08:35,000
Speaker 15: Yeah, and in plays and stuff, the second act is

1408
01:08:35,000 --> 01:08:35,479
Speaker 15: never fun.

1409
01:08:35,880 --> 01:08:36,800
Speaker 3: Yeah, it's sure.

1410
01:08:37,360 --> 01:08:39,160
Speaker 1: Yeah, all right, So what are you tapping on on?

1411
01:08:39,200 --> 01:08:39,719
Speaker 1: Greg Gory?

1412
01:08:40,000 --> 01:08:42,960
Speaker 3: Overall? This just in general dancing?

1413
01:08:45,600 --> 01:08:47,360
Speaker 1: Ye you dance again?

1414
01:08:48,040 --> 01:08:51,759
Speaker 3: Well I never danced to begin with. But the stuff

1415
01:08:52,439 --> 01:08:56,200
Speaker 3: people used to do alone at home, behind closed doors

1416
01:08:56,280 --> 01:08:59,320
Speaker 3: while embarrassed, like now you're posting it and it's.

1417
01:08:59,160 --> 01:09:02,479
Speaker 1: Just with the caption dance like no one is watching.

1418
01:09:02,680 --> 01:09:03,559
Speaker 3: They still do exactly.

1419
01:09:03,720 --> 01:09:05,519
Speaker 5: I thought they that whole dancing on social media things.

1420
01:09:05,600 --> 01:09:06,680
Speaker 5: Oh they did die down.

1421
01:09:06,960 --> 01:09:08,640
Speaker 1: Dude. You need to come to the gym at my

1422
01:09:08,960 --> 01:09:11,400
Speaker 1: apartment because our little yoga room is now a full

1423
01:09:11,439 --> 01:09:14,880
Speaker 1: time dance studio thanks to TikTok. Because all these idiots

1424
01:09:14,880 --> 01:09:17,240
Speaker 1: suddenly think they're doing background for Britney Spears and I

1425
01:09:18,160 --> 01:09:18,639
Speaker 1: every day.

1426
01:09:18,720 --> 01:09:22,120
Speaker 5: The TikTok dance stuff has significantly died down.

1427
01:09:21,920 --> 01:09:24,840
Speaker 1: Though, Well there were two things, because you had you

1428
01:09:24,840 --> 01:09:27,200
Speaker 1: had the TikTok dance stuff when that first came out,

1429
01:09:27,320 --> 01:09:29,559
Speaker 1: and people were doing all the time, and it coincided

1430
01:09:29,600 --> 01:09:31,439
Speaker 1: with the timing of all the Fortnite dances that every

1431
01:09:31,520 --> 01:09:34,599
Speaker 1: kid was doing, So you had the TikTok dances and

1432
01:09:34,760 --> 01:09:37,680
Speaker 1: Fortnite dances all happening at the same time, and like

1433
01:09:37,720 --> 01:09:40,160
Speaker 1: everywhere you turn there's some idiot dancing. Dude.

1434
01:09:40,160 --> 01:09:42,000
Speaker 7: I still I'll give him credit because he's a six

1435
01:09:42,080 --> 01:09:44,240
Speaker 7: year old boy, But my nephew was doing every day

1436
01:09:44,640 --> 01:09:46,519
Speaker 7: we were doing bowling and he's Fortnite dancing.

1437
01:09:47,720 --> 01:09:49,160
Speaker 1: That was my son at the time because he was

1438
01:09:49,160 --> 01:09:51,479
Speaker 1: of that age. Yeah, and now he'll deny that he

1439
01:09:51,520 --> 01:09:52,760
Speaker 1: ever did it, but I'm like, dude, I was there

1440
01:09:52,800 --> 01:09:54,280
Speaker 1: for it. I'll give him a pass because he's six,

1441
01:09:54,320 --> 01:09:55,559
Speaker 1: but I'll not when you're twenty six.

1442
01:09:55,640 --> 01:09:59,040
Speaker 3: No. Yeah, correct. And also cups in general, just cups,

1443
01:09:59,240 --> 01:10:02,280
Speaker 3: it's a recept for a beverage to enter your mouth.

1444
01:10:03,160 --> 01:10:06,200
Speaker 3: So if it's a bear or a Stanley or a

1445
01:10:06,280 --> 01:10:14,120
Speaker 3: special edition. It's so cute, it's oh God, like it's

1446
01:10:14,439 --> 01:10:16,440
Speaker 3: you drink water out of it? Who cares?

1447
01:10:17,040 --> 01:10:21,719
Speaker 1: All day? I'm tapping out on the word unprecedented times.

1448
01:10:22,080 --> 01:10:22,280
Speaker 3: Yeah.

1449
01:10:23,320 --> 01:10:27,360
Speaker 1: For a while there the word like gaslighting or gasld

1450
01:10:27,439 --> 01:10:30,120
Speaker 1: like that that seemed to be everywhere for everything, and

1451
01:10:30,120 --> 01:10:31,800
Speaker 1: people not even using it correct, like.

1452
01:10:31,720 --> 01:10:33,120
Speaker 15: You're just lying, you're not gaslighting.

1453
01:10:33,320 --> 01:10:38,040
Speaker 1: Yes, I'm tapping out on the ick. Oh yeah, that

1454
01:10:38,040 --> 01:10:43,000
Speaker 1: gives me the eck. Tapping out on podcasts. Everybody's got one.

1455
01:10:43,040 --> 01:10:45,840
Speaker 1: They're no longer special. They all pretty much suck.

1456
01:10:46,000 --> 01:10:48,600
Speaker 5: Okay, you just find the ones they like.

1457
01:10:48,840 --> 01:10:50,960
Speaker 1: Yeah, that's hard to find because there's so many gets

1458
01:10:51,000 --> 01:10:54,679
Speaker 1: lost in this, like, oh, we run ads for search

1459
01:10:54,720 --> 01:10:57,120
Speaker 1: your library and they say two hundred thousand.

1460
01:10:59,160 --> 01:11:00,759
Speaker 5: I listened to may be about three.

1461
01:11:01,080 --> 01:11:03,799
Speaker 3: Yeah, I mean I have a couple, but like there's nothing.

1462
01:11:04,160 --> 01:11:06,880
Speaker 1: There's one. There's a sports guy out a set of

1463
01:11:07,560 --> 01:11:10,240
Speaker 1: out of Pittsburgh, Mark Badden. I listen to his podcast

1464
01:11:10,280 --> 01:11:12,400
Speaker 1: on a regular and that's that's pretty much it. But

1465
01:11:12,439 --> 01:11:14,960
Speaker 1: that's it, Yeah, because it's it's too difficult. There's a

1466
01:11:15,040 --> 01:11:18,880
Speaker 1: thousand of these things, thousands, and to find one that's

1467
01:11:18,920 --> 01:11:19,400
Speaker 1: any good.

1468
01:11:19,439 --> 01:11:20,920
Speaker 3: It might be a topic it hurns in, but is

1469
01:11:20,920 --> 01:11:21,479
Speaker 3: it any good?

1470
01:11:21,680 --> 01:11:24,240
Speaker 1: No? Probably not. Like how many stupid podcasts you need

1471
01:11:24,240 --> 01:11:28,720
Speaker 1: about like Marvel movies, yeah right, or about you know,

1472
01:11:29,000 --> 01:11:31,280
Speaker 1: whatever it is you're into. There's a thousand different things.

1473
01:11:31,280 --> 01:11:33,479
Speaker 1: There's a bunch of I love aviation and like the

1474
01:11:33,520 --> 01:11:35,280
Speaker 1: Pilot's License. I've been listening to a lot of that stuff.

1475
01:11:35,520 --> 01:11:38,480
Speaker 1: Some of them are awful, awful.

1476
01:11:38,840 --> 01:11:42,200
Speaker 3: I wonder if there's one about sushi or something there is.

1477
01:11:42,439 --> 01:11:45,600
Speaker 1: Eight seven seven forty four. Woody hit us up with

1478
01:11:45,600 --> 01:11:51,680
Speaker 1: the text over to two two nine eighty seven. All right,

1479
01:11:51,680 --> 01:11:56,040
Speaker 1: welcome back. It is the Woody Show. You've tapped in.

1480
01:11:56,240 --> 01:11:58,599
Speaker 1: Clearly you're here. Thank you for doing that. Phones are

1481
01:11:58,600 --> 01:12:01,120
Speaker 1: open eight seven seven in forty four. We have a

1482
01:12:01,200 --> 01:12:03,519
Speaker 1: question on the table. It also send us a text

1483
01:12:03,520 --> 01:12:06,320
Speaker 1: over to two to nine eight seven. What are you

1484
01:12:06,360 --> 01:12:10,760
Speaker 1: tapping out on? Tapped out? I can't stop it with microplastics.

1485
01:12:10,840 --> 01:12:15,480
Speaker 1: I can't get myself to care. I know, I just can't. Yeah,

1486
01:12:15,760 --> 01:12:16,439
Speaker 1: I'm over it.

1487
01:12:17,000 --> 01:12:18,559
Speaker 3: What about you, man? That's what are you tapping out on?

1488
01:12:18,640 --> 01:12:20,439
Speaker 5: I know this is kind of generic and the go to,

1489
01:12:20,760 --> 01:12:25,719
Speaker 5: but I ramped it up on the zero politics talk

1490
01:12:26,200 --> 01:12:28,720
Speaker 5: like I used to, just like if you're talking to

1491
01:12:28,760 --> 01:12:32,840
Speaker 5: me outside of like what we do and just like

1492
01:12:32,960 --> 01:12:35,360
Speaker 5: in life, and you just want to bring up politics

1493
01:12:35,360 --> 01:12:37,360
Speaker 5: and talk about it. I used to entertain it and

1494
01:12:37,439 --> 01:12:39,760
Speaker 5: let the people vent whatever they want event but I'm

1495
01:12:39,800 --> 01:12:41,360
Speaker 5: just like this over it.

1496
01:12:42,080 --> 01:12:43,120
Speaker 3: I'll stop it down.

1497
01:12:43,200 --> 01:12:44,320
Speaker 5: I'll shut it down immediately.

1498
01:12:44,360 --> 01:12:45,880
Speaker 3: And you know you don't.

1499
01:12:45,840 --> 01:12:48,599
Speaker 1: Just stay quiet or don't participate like you will shut

1500
01:12:49,240 --> 01:12:49,760
Speaker 1: What do you say?

1501
01:12:49,880 --> 01:12:52,960
Speaker 5: Oh, oh yeah, that's cool. Did you see this? Do

1502
01:12:53,000 --> 01:12:56,680
Speaker 5: you know there's like this like a toddler, Yeah, like

1503
01:12:56,720 --> 01:13:00,519
Speaker 5: in media, because I just don't care. It's just another year,

1504
01:13:01,200 --> 01:13:04,960
Speaker 5: another thing, nothing ever changes like that. Why am I

1505
01:13:05,000 --> 01:13:08,719
Speaker 5: going to waste my time, my life that and things

1506
01:13:08,720 --> 01:13:12,479
Speaker 5: that I can entertain myself with outside of that by

1507
01:13:12,600 --> 01:13:14,240
Speaker 5: just talking about it constantly.

1508
01:13:14,360 --> 01:13:16,360
Speaker 7: And it's to that point because it happens a lot

1509
01:13:16,400 --> 01:13:18,720
Speaker 7: where I'm in a group setting and someone will come

1510
01:13:18,760 --> 01:13:21,760
Speaker 7: in with a political take and they just assume that

1511
01:13:21,800 --> 01:13:23,599
Speaker 7: the other five or six people they're talking to think

1512
01:13:23,640 --> 01:13:25,760
Speaker 7: the exact same way they do. They say to say

1513
01:13:25,800 --> 01:13:28,920
Speaker 7: something as if it's gospel, and I like, I'm not

1514
01:13:28,920 --> 01:13:30,839
Speaker 7: going to start a debate if I agree or disagree

1515
01:13:30,840 --> 01:13:32,439
Speaker 7: with it. But it's so weird that people like you're

1516
01:13:32,479 --> 01:13:34,479
Speaker 7: so oblivious that they think everyone must think of Well.

1517
01:13:34,439 --> 01:13:36,959
Speaker 1: Those people want a debate too, because that's their entertainment.

1518
01:13:37,040 --> 01:13:40,439
Speaker 1: So I saw something, you know, I'm a collector of quotes.

1519
01:13:41,080 --> 01:13:43,880
Speaker 1: I saw a really good quote. The quote is the

1520
01:13:44,000 --> 01:13:46,680
Speaker 1: pawns hate each other, while the ones playing chess are

1521
01:13:46,720 --> 01:13:49,439
Speaker 1: actually good friends. Oh yeah, okay, So this goes to

1522
01:13:49,479 --> 01:13:51,839
Speaker 1: the whole thing, like moret you like to watch WWE

1523
01:13:51,920 --> 01:13:54,840
Speaker 1: or whatever. These guys don't hate each other, right, it's

1524
01:13:54,880 --> 01:13:57,479
Speaker 1: a it's a show. They're all making money. It's the

1525
01:13:57,479 --> 01:13:59,720
Speaker 1: same thing with the politicians. The politicians, these guys don't

1526
01:13:59,760 --> 01:14:00,439
Speaker 1: hate each other.

1527
01:14:00,640 --> 01:14:01,040
Speaker 3: They don't.

1528
01:14:01,160 --> 01:14:03,559
Speaker 1: They hang out all the time, they're friends. It's all

1529
01:14:03,680 --> 01:14:07,240
Speaker 1: theater for the game of power and money. That's what

1530
01:14:07,439 --> 01:14:10,320
Speaker 1: That's what all boys down. So they they will work

1531
01:14:10,400 --> 01:14:15,280
Speaker 1: to get the ponds. The citizens us hating each other, dividing,

1532
01:14:15,960 --> 01:14:19,000
Speaker 1: while the ones who are playing the politicians, they're actually

1533
01:14:19,000 --> 01:14:21,200
Speaker 1: good friends. They're playing they're playing all of us.

1534
01:14:21,240 --> 01:14:24,040
Speaker 5: So in the meantime, you're wasting your life, you're ruin

1535
01:14:24,160 --> 01:14:29,040
Speaker 5: relationships with friends, and you're stressing out over stuff. Like dude,

1536
01:14:29,240 --> 01:14:30,479
Speaker 5: try to figure out where are you going to but

1537
01:14:30,880 --> 01:14:31,759
Speaker 5: your next vacation.

1538
01:14:31,960 --> 01:14:34,320
Speaker 1: So you're you're cutting off family members and you're losing

1539
01:14:34,400 --> 01:14:38,880
Speaker 1: friends and stuff over two different sides of people that don't.

1540
01:14:38,680 --> 01:14:39,200
Speaker 8: Care about you.

1541
01:14:39,360 --> 01:14:39,760
Speaker 3: Don't care.

1542
01:14:40,120 --> 01:14:44,680
Speaker 7: You're also just like the jersey exchanges after football games

1543
01:14:44,760 --> 01:14:46,600
Speaker 7: or basketball games would because're supposed to hate each other.

1544
01:14:46,720 --> 01:14:50,040
Speaker 1: Jerks. I'll get a little tear.

1545
01:14:50,479 --> 01:14:50,840
Speaker 3: It's cool.

1546
01:14:50,880 --> 01:14:53,320
Speaker 1: What are you tapping out on sea best? You know

1547
01:14:53,400 --> 01:14:56,839
Speaker 1: something very specific? Uh, the show Severance.

1548
01:14:58,560 --> 01:14:59,200
Speaker 3: It's too bad.

1549
01:14:59,479 --> 01:15:02,120
Speaker 1: Wait, it's not it on exactly. So I'm on Apple.

1550
01:15:02,240 --> 01:15:04,400
Speaker 7: I have my Apple TV Plus subscription, which, by the way,

1551
01:15:04,560 --> 01:15:07,519
Speaker 7: month at a time. People rotate your subscriptions, people can play,

1552
01:15:07,520 --> 01:15:09,080
Speaker 7: and I got to spend too much. Just do one

1553
01:15:09,080 --> 01:15:11,560
Speaker 7: month at a time free subscription. I'm watching Pluribus on

1554
01:15:11,560 --> 01:15:13,640
Speaker 7: Apple TV, which is very which is very good. So

1555
01:15:13,760 --> 01:15:15,840
Speaker 7: I thought, oh, Severance, I didn't finish the second season,

1556
01:15:16,080 --> 01:15:18,600
Speaker 7: put it back on, like oh, because.

1557
01:15:18,320 --> 01:15:21,080
Speaker 1: It's it's a very weird and like cerebral show.

1558
01:15:21,479 --> 01:15:24,240
Speaker 7: But in order to keep making it more interesting, you

1559
01:15:24,320 --> 01:15:27,040
Speaker 7: gotta get more weird, you gotta get more cerebral. Suddenly

1560
01:15:27,040 --> 01:15:29,280
Speaker 7: you're teleporting to the middle of the snow in the

1561
01:15:29,320 --> 01:15:32,240
Speaker 7: woods and everybody is talking strange and everybody's and nobody

1562
01:15:32,280 --> 01:15:33,280
Speaker 7: knows what everybody else is doing.

1563
01:15:33,439 --> 01:15:35,000
Speaker 15: So you never even finished not.

1564
01:15:34,960 --> 01:15:35,639
Speaker 1: The second season.

1565
01:15:35,640 --> 01:15:38,479
Speaker 7: No, I was like, if five six episodes in, like Ellen,

1566
01:15:38,720 --> 01:15:40,920
Speaker 7: there's not there's goats and that's Look, I get it,

1567
01:15:40,920 --> 01:15:42,000
Speaker 7: you're weird, you're strange.

1568
01:15:42,040 --> 01:15:42,360
Speaker 3: I get it.

1569
01:15:42,360 --> 01:15:44,599
Speaker 1: Your Ben still are You're real artsy because he's the director.

1570
01:15:44,920 --> 01:15:47,280
Speaker 1: Uh No, Now at a certain point, you're just not

1571
01:15:47,320 --> 01:15:48,760
Speaker 1: You're just being weird for the sake of weird. You're

1572
01:15:48,800 --> 01:15:51,120
Speaker 1: not making sense, You're just you're you're eating your own tail.

1573
01:15:51,560 --> 01:15:55,240
Speaker 1: So sorry, seference you're going which particular you always have

1574
01:15:55,360 --> 01:15:57,920
Speaker 1: like usually a particular group too, that you've tapped out on,

1575
01:15:58,000 --> 01:16:01,280
Speaker 1: like whether it's like the steampunk people any given time.

1576
01:16:01,400 --> 01:16:03,800
Speaker 7: See that would that would that would imply that I

1577
01:16:03,800 --> 01:16:06,240
Speaker 7: was ever into those people, you know, yeah, yeah, but like.

1578
01:16:06,160 --> 01:16:09,240
Speaker 1: You maybe have tolerated them before. Yeah, and now it's like, okay,

1579
01:16:09,400 --> 01:16:11,400
Speaker 1: I mean I'm using that as just an example something

1580
01:16:11,439 --> 01:16:12,640
Speaker 1: I know that well.

1581
01:16:12,680 --> 01:16:14,800
Speaker 7: I would say that, like I would say streamers or

1582
01:16:14,840 --> 01:16:18,960
Speaker 7: the worship of streamers. Yes, people live streamers, and they'll say, oh,

1583
01:16:19,080 --> 01:16:20,720
Speaker 7: look at so and so was live streaming from blah

1584
01:16:20,760 --> 01:16:24,000
Speaker 7: blah blah, and I'll watch them, Okay, I'll check it out.

1585
01:16:24,040 --> 01:16:24,559
Speaker 3: See what it is.

1586
01:16:24,600 --> 01:16:27,920
Speaker 7: You be something for this weekend audio. And it's never interesting.

1587
01:16:28,040 --> 01:16:31,400
Speaker 5: Yes, it's like it's just the clips that make them popular.

1588
01:16:31,439 --> 01:16:35,479
Speaker 5: It's not the actual like stream itself because it's so boring, right,

1589
01:16:35,600 --> 01:16:38,240
Speaker 5: But they have people that will take go, sit through

1590
01:16:38,280 --> 01:16:40,960
Speaker 5: the four hours and find that fifteen seconds that was

1591
01:16:41,000 --> 01:16:43,760
Speaker 5: actually maybe entertaining or funny and then put it out there.

1592
01:16:43,880 --> 01:16:45,880
Speaker 1: Kids watch this for three four hours at a time.

1593
01:16:46,120 --> 01:16:46,439
Speaker 3: I read.

1594
01:16:46,520 --> 01:16:49,200
Speaker 1: I read a thing about like Joe Rogan for example,

1595
01:16:49,439 --> 01:16:51,720
Speaker 1: Like if you listen to a Joe Rogan show from

1596
01:16:51,800 --> 01:16:55,280
Speaker 1: start to finish, it is so long and there's so

1597
01:16:55,479 --> 01:16:58,639
Speaker 1: many big long stretches. Yeah, I mean, and I get

1598
01:16:58,680 --> 01:17:00,479
Speaker 1: it. It works for him and he's gonna do whatever he

1599
01:17:00,479 --> 01:17:02,639
Speaker 1: wants to do and God bless him, and he's killed

1600
01:17:02,680 --> 01:17:05,240
Speaker 1: it and he's made a billion dollars doing it or whatever.

1601
01:17:05,520 --> 01:17:06,599
Speaker 3: But what made him.

1602
01:17:06,439 --> 01:17:09,280
Speaker 1: Super popular is that they were taking these clips and

1603
01:17:09,360 --> 01:17:11,479
Speaker 1: like so you'll see even if you don't listen or

1604
01:17:11,520 --> 01:17:13,599
Speaker 1: what it'll it'll pop up in your feet. You'll get

1605
01:17:13,600 --> 01:17:15,439
Speaker 1: and you'll see a little clip of him talking with

1606
01:17:15,479 --> 01:17:17,080
Speaker 1: Elon or whoever the hell he had in that tag

1607
01:17:17,120 --> 01:17:21,120
Speaker 1: of their day. Yeah, like Tom Segura, whoever the hell

1608
01:17:21,200 --> 01:17:22,920
Speaker 1: was just done with him like like that that'll that'll

1609
01:17:22,920 --> 01:17:26,120
Speaker 1: pop up and you'll see that little two minutes and

1610
01:17:26,160 --> 01:17:28,799
Speaker 1: that was really funny or really interesting or really whatever.

1611
01:17:29,439 --> 01:17:31,360
Speaker 1: But man, if you go and then oh unlet's that

1612
01:17:31,360 --> 01:17:34,200
Speaker 1: whole episode, Like good God, take a whole day to hear.

1613
01:17:34,320 --> 01:17:36,559
Speaker 5: But that's what's happening with these live streamers that are

1614
01:17:36,600 --> 01:17:38,519
Speaker 5: on Kick and Switch and stuff like that.

1615
01:17:38,800 --> 01:17:40,479
Speaker 1: Yeah, Sammy, what are you tapping out on?

1616
01:17:40,720 --> 01:17:45,200
Speaker 18: I'm tapping out on other people sending me reels like

1617
01:17:45,280 --> 01:17:49,160
Speaker 18: on Instagram the videos because people will send me you know, three,

1618
01:17:49,360 --> 01:17:52,160
Speaker 18: four or five however, many from different people. And now

1619
01:17:52,160 --> 01:17:54,639
Speaker 18: it's a minute, two minutes, three minutes of my time

1620
01:17:54,800 --> 01:17:57,040
Speaker 18: added up by ten. And I'm like, I'm not sitting

1621
01:17:57,080 --> 01:17:58,160
Speaker 18: here watching all of these.

1622
01:17:58,360 --> 01:18:00,000
Speaker 15: Now, after a response, you're in a relationship.

1623
01:18:00,160 --> 01:18:03,720
Speaker 1: Now, that's how relationship works. Yeah, that is is a relationship.

1624
01:18:04,160 --> 01:18:05,800
Speaker 3: I was setting each other memes and reel.

1625
01:18:06,320 --> 01:18:08,280
Speaker 18: I'm okay with memes because it's quick and you read

1626
01:18:08,320 --> 01:18:10,120
Speaker 18: it and you're like, oh haha, that's funny or whatever.

1627
01:18:10,160 --> 01:18:11,920
Speaker 18: You can respond, But when you're sitting there, you have

1628
01:18:11,920 --> 01:18:14,840
Speaker 18: to watch a whole reel, and there's multiple and I'm

1629
01:18:14,840 --> 01:18:17,760
Speaker 18: getting them from multiple different people too, and it just

1630
01:18:17,840 --> 01:18:19,040
Speaker 18: takes up so much more of my.

1631
01:18:19,040 --> 01:18:20,240
Speaker 5: Time thinking about you.

1632
01:18:20,320 --> 01:18:21,920
Speaker 14: I'll just read be like, yeah.

1633
01:18:21,760 --> 01:18:23,760
Speaker 1: I'm not doing this, I actually enjoy this.

1634
01:18:24,080 --> 01:18:25,040
Speaker 3: I'm about senators.

1635
01:18:25,360 --> 01:18:28,000
Speaker 5: Yeah, wow, geez too much.

1636
01:18:28,040 --> 01:18:29,760
Speaker 18: There's no way that you thought I was going to

1637
01:18:29,880 --> 01:18:32,120
Speaker 18: like that many things, and that it's all urgent right now,

1638
01:18:33,560 --> 01:18:34,120
Speaker 18: very rarely.

1639
01:18:34,200 --> 01:18:36,479
Speaker 1: Well, I send Sammy something, I'll see stuff all the time.

1640
01:18:36,520 --> 01:18:38,679
Speaker 1: I go, oh, Samy might like that, but for whatever reason,

1641
01:18:38,720 --> 01:18:40,559
Speaker 1: it's weird. I kind of I feel like I kind

1642
01:18:40,560 --> 01:18:44,960
Speaker 1: of already knew that, Like she wouldn't she doesn't care,

1643
01:18:44,960 --> 01:18:47,360
Speaker 1: And I'm kind of wasting my time setting this kind

1644
01:18:47,360 --> 01:18:50,040
Speaker 1: of thing because every once in a while there'll be

1645
01:18:50,080 --> 01:18:53,840
Speaker 1: something super Christmasy or super you know, crochet or something

1646
01:18:53,880 --> 01:18:57,000
Speaker 1: like that somehow, somehow pops up. And but like when

1647
01:18:57,000 --> 01:18:59,120
Speaker 1: it comes to Greg and Gina, I see stuff and

1648
01:18:59,160 --> 01:19:02,680
Speaker 1: I know the number one that they'll love it. Never

1649
01:19:02,760 --> 01:19:04,840
Speaker 1: took the'll appreciate it all their day.

1650
01:19:05,200 --> 01:19:06,600
Speaker 3: No, we're kind of addicted to you.

1651
01:19:06,800 --> 01:19:09,240
Speaker 1: It's crazy. Yeah, we have a freesome going on there

1652
01:19:10,320 --> 01:19:14,080
Speaker 1: on the on the Real Meme Exchange that never ends it,

1653
01:19:14,160 --> 01:19:16,000
Speaker 1: does it? I can't help it. See it doesn't.

1654
01:19:16,120 --> 01:19:16,960
Speaker 14: That's why I'm tapping out.

1655
01:19:17,240 --> 01:19:19,000
Speaker 1: But never but you see it, it's like, oh this

1656
01:19:19,160 --> 01:19:22,760
Speaker 1: is perfect eight seven seven forty four. What are you

1657
01:19:22,760 --> 01:19:26,120
Speaker 1: tapping out on? Hit us up with a text over

1658
01:19:26,160 --> 01:19:28,479
Speaker 1: to two to nine eight seven and let us know

1659
01:19:28,600 --> 01:19:30,519
Speaker 1: what you think. We'll take a quick break more.

1660
01:19:30,439 --> 01:19:32,479
Speaker 3: What the show is next? Hang on, I got.

1661
01:19:36,040 --> 01:19:43,360
Speaker 1: Myself for allowing it to happen. Now, show you right back,

1662
01:19:44,880 --> 01:19:47,120
Speaker 1: Buila wouldn't approve what you show.

1663
01:19:48,320 --> 01:19:49,840
Speaker 3: Well, it's gonna do it for this hour.

1664
01:19:50,600 --> 01:19:52,160
Speaker 1: That's gonna do it for today's show.

1665
01:19:52,200 --> 01:19:52,920
Speaker 3: That's it for the week.

1666
01:19:53,000 --> 01:19:59,960
Speaker 1: Everybody two weekends. Greg Gory Full Show podcast is waiting

1667
01:20:00,000 --> 01:20:02,080
Speaker 1: before you. Just go to the woodieshow dot Com. Get

1668
01:20:02,080 --> 01:20:04,000
Speaker 1: caught up at anything you might have missed throughout the week.

1669
01:20:04,240 --> 01:20:07,040
Speaker 1: Just go to the woodieshow dot com. We are back

1670
01:20:07,200 --> 01:20:09,880
Speaker 1: on Monday in the meantime. Anything you got for it

1671
01:20:09,960 --> 01:20:11,920
Speaker 1: you can leave on the after hours voicemail eight seven

1672
01:20:12,000 --> 01:20:13,920
Speaker 1: seven forty four. Wood He is the phone number there.

1673
01:20:14,439 --> 01:20:16,880
Speaker 1: You can also find us follow us on social media,

1674
01:20:17,000 --> 01:20:20,200
Speaker 1: look for us at the Woody Show. Yeah all right,

1675
01:20:20,200 --> 01:20:22,280
Speaker 1: Greg Gory parting Words of wisdom, Please yeah.

1676
01:20:22,360 --> 01:20:24,599
Speaker 3: Remember that the worst time to have a heart attack

1677
01:20:24,680 --> 01:20:26,400
Speaker 3: is during a game of charades.

1678
01:20:28,840 --> 01:20:32,519
Speaker 1: Because everybody's trying to guess yeah time instead of getting

1679
01:20:32,520 --> 01:20:36,080
Speaker 1: your help yeah, like yeah, you're choking having a heart attack.

1680
01:20:36,360 --> 01:20:37,680
Speaker 3: Pretty bad timing.

1681
01:20:38,040 --> 01:20:40,599
Speaker 1: All right, Thank you very much, Greg Gory Duwet. Thank

1682
01:20:40,600 --> 01:20:42,240
Speaker 1: you so much for giving the Woody Show some of

1683
01:20:42,280 --> 01:20:43,439
Speaker 1: your valuable time this week.

1684
01:20:43,680 --> 01:20:44,240
Speaker 3: You know, we ave it.

1685
01:20:44,280 --> 01:20:46,640
Speaker 1: Appreciate you for that. Rest of you guys can suck it.

1686
01:20:46,720 --> 01:20:49,479
Speaker 1: Catch back here on Monday. Have a great day. SMD

1687
01:20:49,640 --> 01:20:52,120
Speaker 1: Doublem Bye, a great Friday.

1688
01:20:52,520 --> 01:20:52,760
Speaker 3: Mother,