1 00:00:03,760 --> 00:00:08,520 Speaker 1: And now it's time for Joe Escalante Live from Hollywood. 2 00:00:08,840 --> 00:00:12,280 Speaker 1: If by Hollywood you mean Burbank across the street, promo 3 00:00:12,360 --> 00:00:14,560 Speaker 1: meaners and it's at That's serves beer. 4 00:00:26,040 --> 00:00:30,440 Speaker 2: Joe Escalante right here, live from Hollywood. This is the 5 00:00:30,480 --> 00:00:33,200 Speaker 2: business end of show business, Business Affairs of Hollywood, two 6 00:00:33,240 --> 00:00:36,680 Speaker 2: hours every Sunday, right here on k e IB eleven 7 00:00:36,800 --> 00:00:38,839 Speaker 2: fifty on your AM dial. If you're on your way 8 00:00:38,840 --> 00:00:42,080 Speaker 2: to the Oscars, you're maybe a little late. I don't know. 9 00:00:42,320 --> 00:00:44,599 Speaker 2: But if you got kicked out and you got back 10 00:00:44,600 --> 00:00:46,280 Speaker 2: in your car and you're listening to M Radio and 11 00:00:46,880 --> 00:00:52,200 Speaker 2: LA Welcome, you couldn't have landed in a better place. 12 00:00:52,680 --> 00:00:54,960 Speaker 2: We're going to get to the Oscar my Oscar feelings, 13 00:00:56,400 --> 00:00:59,440 Speaker 2: and even though it's going on right now, I think we'll. Yeah. 14 00:00:59,600 --> 00:01:01,800 Speaker 2: I made it lists of everything I saw, saw all 15 00:01:01,840 --> 00:01:06,480 Speaker 2: the Best Picture nominees and almost all of the Major 16 00:01:06,520 --> 00:01:11,920 Speaker 2: Actor Awards nominated nominated films. So, Sam, how are you doing? 17 00:01:12,240 --> 00:01:14,520 Speaker 3: I am good. It's good to hear you, man. 18 00:01:14,560 --> 00:01:19,399 Speaker 4: It's it's definitely we've got what's it called Wiener Schnitzel 19 00:01:19,600 --> 00:01:23,000 Speaker 4: and the red carpet affair that we have going on 20 00:01:23,040 --> 00:01:25,840 Speaker 4: over there. I know that we are doing our best 21 00:01:25,840 --> 00:01:26,880 Speaker 4: to keep it afloat. 22 00:01:27,360 --> 00:01:29,640 Speaker 2: It's so about so that's why I didn't mention it 23 00:01:29,680 --> 00:01:31,000 Speaker 2: at the top of the show. But we do have 24 00:01:31,040 --> 00:01:35,000 Speaker 2: our annual oscar party at the Wiener Schnitzel across the 25 00:01:35,120 --> 00:01:39,560 Speaker 2: street from the studio here in Burbank, and tonight will 26 00:01:39,560 --> 00:01:42,440 Speaker 2: be no different. The red carpet will start at about 27 00:01:42,560 --> 00:01:44,840 Speaker 2: seven fifteen when I head over there after the show, 28 00:01:45,440 --> 00:01:48,640 Speaker 2: and they'll have the usual North Korean fusion. 29 00:01:48,280 --> 00:01:52,200 Speaker 4: Dogs, yeah, and weiner Browdy's favorite pick. 30 00:01:53,160 --> 00:01:57,160 Speaker 2: They got Wiener beer there, So if you like Wiener beer, 31 00:01:57,320 --> 00:01:59,360 Speaker 2: you know, come on down, you know. Or if you like celebrities, 32 00:02:00,200 --> 00:02:07,120 Speaker 2: Uh okay, So yeah, we'll get to that. I'm gonna 33 00:02:07,600 --> 00:02:11,120 Speaker 2: start a little bit with the movies, the movies of 34 00:02:11,120 --> 00:02:12,440 Speaker 2: this week, because we got it, you know, we gotta, 35 00:02:12,480 --> 00:02:14,360 Speaker 2: we got to deal with that movies of this week. 36 00:02:14,840 --> 00:02:16,799 Speaker 2: Hopper is still going to one screen seven number two. 37 00:02:17,120 --> 00:02:19,560 Speaker 2: Probably these are all, you know, predictions based on what 38 00:02:19,600 --> 00:02:20,920 Speaker 2: they think they're going to add up to by the 39 00:02:20,960 --> 00:02:24,480 Speaker 2: end of the weekend. Is the only new movie that's 40 00:02:24,639 --> 00:02:27,880 Speaker 2: somewhat interesting on this list you've heard them all before, 41 00:02:28,600 --> 00:02:32,920 Speaker 2: is Reminders of Him. This is a young mother recently 42 00:02:32,960 --> 00:02:36,040 Speaker 2: released from prison, returning to her small town hoping to 43 00:02:36,080 --> 00:02:39,520 Speaker 2: reunite with the daughter she lost custody of after a 44 00:02:39,600 --> 00:02:43,520 Speaker 2: tragic accident. But the community sam that blames her for 45 00:02:43,639 --> 00:02:47,680 Speaker 2: the past, refuses to forgive, and the only person willing 46 00:02:47,720 --> 00:02:51,160 Speaker 2: to give her a chance may risk everything by doing so. 47 00:02:52,160 --> 00:02:56,760 Speaker 2: Uh yeah, whatever you know on I don't know, it's 48 00:02:57,960 --> 00:03:00,000 Speaker 2: it's number three, like it's going to do about it? 49 00:03:00,000 --> 00:03:02,440 Speaker 2: Ten or twelve million at the box office this week. 50 00:03:02,880 --> 00:03:08,360 Speaker 2: Goat is doing okay, weathering heights, hanging in there the Bride, 51 00:03:08,680 --> 00:03:12,119 Speaker 2: I mean, making another three to four million this week. 52 00:03:12,160 --> 00:03:14,320 Speaker 2: Too bad, It's not a bigger hit. I really liked it. 53 00:03:14,480 --> 00:03:16,839 Speaker 2: I thought Maggie Chillenhal did a great job on that, 54 00:03:17,080 --> 00:03:20,480 Speaker 2: much better than the Frankenstein Guiermo del Toro movie that 55 00:03:20,520 --> 00:03:22,480 Speaker 2: I saw this week in the theaters. I waited and 56 00:03:22,560 --> 00:03:26,440 Speaker 2: watched it in the theaters. We'll talk about it. Crime 57 00:03:26,480 --> 00:03:28,640 Speaker 2: one and one. Send Help is word of mouth. I 58 00:03:28,639 --> 00:03:31,480 Speaker 2: think send it up a word of mouth making more 59 00:03:31,880 --> 00:03:34,040 Speaker 2: money every weekend. And that's one of the best movies 60 00:03:34,320 --> 00:03:35,839 Speaker 2: that's out there in the theaters that you can see 61 00:03:35,920 --> 00:03:38,760 Speaker 2: is Send Help. Make sure you see it. Okay, let's 62 00:03:38,760 --> 00:03:44,320 Speaker 2: go to Frankenstein. I saw that a couple of days 63 00:03:44,320 --> 00:03:47,320 Speaker 2: ago at the Bellata in Honeycoon Beach. They started showing 64 00:03:47,720 --> 00:03:51,280 Speaker 2: you know, Oscar movies, and that was on Netflix, you know, 65 00:03:51,360 --> 00:03:52,960 Speaker 2: so you're not gonna able to see it in the theater, 66 00:03:53,320 --> 00:03:57,080 Speaker 2: but I did, and I'm glad I saw it in 67 00:03:57,120 --> 00:03:59,440 Speaker 2: the theater. Why because there's you know, special effects that 68 00:03:59,480 --> 00:04:01,920 Speaker 2: people told me a terrible I wanted to see him 69 00:04:01,920 --> 00:04:03,760 Speaker 2: on a big theater, on a big screen to see 70 00:04:03,920 --> 00:04:05,760 Speaker 2: if they were really terrible. And I don't think they 71 00:04:05,800 --> 00:04:10,800 Speaker 2: were terrible, but they weren't. You know, they were impressive, 72 00:04:11,000 --> 00:04:14,160 Speaker 2: really considering. I mean, they're better than I can do 73 00:04:14,320 --> 00:04:16,960 Speaker 2: my iPhone, you know, compared to what else is out there. 74 00:04:18,000 --> 00:04:22,680 Speaker 2: I didn't. I don't like it. You know what. The 75 00:04:22,720 --> 00:04:24,719 Speaker 2: movie Romo is one of the best movies ever made. 76 00:04:25,360 --> 00:04:28,800 Speaker 2: That's from Germo Platorial, and I think I would give 77 00:04:28,800 --> 00:04:30,320 Speaker 2: anything to see that in a big screen right now, 78 00:04:30,360 --> 00:04:35,120 Speaker 2: being nice screen. But Frankenstein, it's just like we are. 79 00:04:35,240 --> 00:04:37,880 Speaker 2: We already know the story, So who cares. Jacob Alordi's 80 00:04:37,880 --> 00:04:44,480 Speaker 2: pretty cool. Christophe Faltz comes and does the same character 81 00:04:44,560 --> 00:04:48,159 Speaker 2: that he's done every time he's on the on the movie. 82 00:04:48,080 --> 00:04:50,000 Speaker 3: He is really good at that character. 83 00:04:50,080 --> 00:04:51,440 Speaker 2: Though he's very good at the characters. 84 00:04:51,440 --> 00:04:52,359 Speaker 3: It's a good character. 85 00:04:53,440 --> 00:04:57,520 Speaker 2: It's the uh, you know, the uh that Tarantino Nazi one, 86 00:04:57,560 --> 00:05:00,960 Speaker 2: the Glorious Bastards. It's one of the neatest characters ever 87 00:05:01,200 --> 00:05:05,520 Speaker 2: to hit the cinema. But nothing new here. You know, 88 00:05:06,839 --> 00:05:10,480 Speaker 2: what else did I see? I saw the very last 89 00:05:10,600 --> 00:05:12,720 Speaker 2: movie that was nominated for an Oscar that I hadn't seen. 90 00:05:13,560 --> 00:05:15,080 Speaker 2: It's kind of what happened to me last year. There's 91 00:05:15,080 --> 00:05:18,680 Speaker 2: always this like, you know, Scandinavian movie that's not playing anywhere. 92 00:05:19,200 --> 00:05:22,039 Speaker 2: So last year it was the worst person in the world. 93 00:05:22,080 --> 00:05:24,839 Speaker 2: I slipped it in right before the deadline. And this 94 00:05:25,000 --> 00:05:31,080 Speaker 2: year it's sentimental value. Coincidentally, directed by the same person, 95 00:05:31,520 --> 00:05:39,720 Speaker 2: Hawking Treer. Okay, now he got two Oscar nominations last 96 00:05:39,839 --> 00:05:44,000 Speaker 2: year and then this one. He's got the Best Picture 97 00:05:44,040 --> 00:05:49,200 Speaker 2: nomination in Renatee Rainsveay. I believe she's nominated for Best Actress. 98 00:05:49,760 --> 00:05:52,840 Speaker 2: She's the lead. It's like a Okay, if you want 99 00:05:52,880 --> 00:05:55,760 Speaker 2: to sit in a theater and or in your house 100 00:05:55,839 --> 00:05:59,640 Speaker 2: and watch two hours and thirteen minutes of Norwegian despair, 101 00:06:00,279 --> 00:06:07,400 Speaker 2: this is the movie for you. Everybody's good looking. I 102 00:06:07,480 --> 00:06:07,719 Speaker 2: like that. 103 00:06:07,960 --> 00:06:12,520 Speaker 4: So that's actually the genre I search on Netflix, Norwegian 104 00:06:13,279 --> 00:06:17,040 Speaker 4: drama and despair angst Norwegian style. 105 00:06:17,560 --> 00:06:22,240 Speaker 2: Yeah, so this is this is They nailed it. It 106 00:06:22,360 --> 00:06:25,400 Speaker 2: centers on this film director as an old guy named 107 00:06:25,440 --> 00:06:28,880 Speaker 2: still in Scars. Gordon might remember him from other movies 108 00:06:28,920 --> 00:06:31,919 Speaker 2: he's been in, like you know, Mama Me or a 109 00:06:31,960 --> 00:06:35,120 Speaker 2: Dune or something. But he's got a strange daughter, of course, 110 00:06:35,160 --> 00:06:37,520 Speaker 2: and he wants to cast her in a deeply personal 111 00:06:37,640 --> 00:06:39,360 Speaker 2: movie Sam. So it's like kind of kind of a 112 00:06:39,440 --> 00:06:41,960 Speaker 2: it's kind of a long, boring movie about another boring movie. 113 00:06:42,480 --> 00:06:47,880 Speaker 2: But but don't take that like as a reason not 114 00:06:47,960 --> 00:06:49,919 Speaker 2: to see it, because I loved it and gave it 115 00:06:49,960 --> 00:06:53,159 Speaker 2: four stars on my letterbox. So he wants to cast 116 00:06:53,200 --> 00:06:55,559 Speaker 2: her in this deeply personal movie about the family's past, 117 00:06:55,600 --> 00:07:00,720 Speaker 2: but she refuses, so she forces them to both confront 118 00:07:00,760 --> 00:07:07,440 Speaker 2: these old wounds of their family, unresolved conflicts and uncomfortable questions. 119 00:07:08,800 --> 00:07:13,720 Speaker 2: So it's kind of a father daughter battle, and you know, 120 00:07:14,600 --> 00:07:18,800 Speaker 2: it's a couple of ikia jokes. I kind of saved 121 00:07:18,840 --> 00:07:21,080 Speaker 2: it for the first ikia joke. I go, okay, all right, 122 00:07:21,120 --> 00:07:25,680 Speaker 2: all right, I worked up here, and then it's just 123 00:07:25,720 --> 00:07:33,320 Speaker 2: different enough and then you know, a surprising, heartwarming ending 124 00:07:33,560 --> 00:07:38,000 Speaker 2: to make you think like, wow, did these people grow? Now? 125 00:07:38,040 --> 00:07:41,760 Speaker 2: If you're seeing seeing characters change from beginning to end 126 00:07:41,840 --> 00:07:46,320 Speaker 2: and growing and you can see there they're better for it, 127 00:07:46,920 --> 00:07:50,720 Speaker 2: that's a good plot for a movie. And if you 128 00:07:50,760 --> 00:07:53,840 Speaker 2: have to sit through a fair amount of Norwegian despair, 129 00:07:54,000 --> 00:07:56,360 Speaker 2: I say, so be it. Just you know, eat your 130 00:07:56,360 --> 00:07:59,360 Speaker 2: peas and watch this movie. Subtitles of course make even 131 00:07:59,360 --> 00:08:02,120 Speaker 2: more difficult. But maybe I liked it also because with 132 00:08:02,240 --> 00:08:05,480 Speaker 2: two years of Swedish in college and a year or 133 00:08:05,560 --> 00:08:08,400 Speaker 2: so a couple of years of modern Icelandic and old Norse, 134 00:08:09,280 --> 00:08:14,320 Speaker 2: I'm like, Scandinavian languages are you know, familiar to me? 135 00:08:14,360 --> 00:08:16,480 Speaker 2: And I can't, you know, I pick up on things 136 00:08:16,480 --> 00:08:18,840 Speaker 2: and that reminds me of my college days. And I 137 00:08:18,920 --> 00:08:23,840 Speaker 2: spent a lot of time in Scandinavian Iceland studying and 138 00:08:24,640 --> 00:08:30,840 Speaker 2: lurking around. So I like Scandinavian movies. You know. I 139 00:08:30,840 --> 00:08:33,040 Speaker 2: didn't major in that because I like Scandinavian movies. I 140 00:08:33,080 --> 00:08:36,520 Speaker 2: majored in that because I liked the sagas of Iceland 141 00:08:37,240 --> 00:08:39,880 Speaker 2: and the Viking tales and stuff like that. It's vikings 142 00:08:39,880 --> 00:08:40,280 Speaker 2: in general. 143 00:08:40,400 --> 00:08:41,640 Speaker 3: It's rich with despair. 144 00:08:42,400 --> 00:08:44,760 Speaker 2: Yes, well, I don't know where the despair came in. 145 00:08:44,800 --> 00:08:47,280 Speaker 2: It used to be just rape and pillage. Uh, and 146 00:08:47,320 --> 00:08:47,960 Speaker 2: then despair. 147 00:08:49,120 --> 00:08:51,640 Speaker 4: It's the it's the cold weather. The raping and pillaging 148 00:08:51,760 --> 00:08:53,199 Speaker 4: was all in search of warmer weather. 149 00:08:54,400 --> 00:08:56,600 Speaker 2: Perhaps it just hot women too. I mean, this is 150 00:08:56,800 --> 00:09:00,920 Speaker 2: the story like you're you're looking for you know, gold 151 00:09:01,120 --> 00:09:04,600 Speaker 2: and or whatever, you know, just pillaging, and then you 152 00:09:04,679 --> 00:09:07,920 Speaker 2: go to this you know town, and you take all 153 00:09:07,920 --> 00:09:10,760 Speaker 2: the good looking women and you and you bring them 154 00:09:10,760 --> 00:09:14,080 Speaker 2: back with you and they end up on Iceland. That's 155 00:09:14,120 --> 00:09:15,599 Speaker 2: when you go Iceland, You're like, why are there so 156 00:09:15,640 --> 00:09:18,640 Speaker 2: many good looking women here? And that's the conventional wisdom 157 00:09:18,720 --> 00:09:21,600 Speaker 2: is that these guys only kept Hey look at this one. 158 00:09:21,720 --> 00:09:23,760 Speaker 2: Oh throw it on the boat. Hey look at this one. 159 00:09:23,800 --> 00:09:25,720 Speaker 2: Oh yeah, keeper look at this one. Oh not so much, 160 00:09:26,160 --> 00:09:28,080 Speaker 2: you know. I mean, I'm know I'm being callous, but 161 00:09:28,320 --> 00:09:31,559 Speaker 2: it's kind of the way I went, according to some historians. 162 00:09:32,600 --> 00:09:39,040 Speaker 2: So I probably like this movie sentimental value more than 163 00:09:39,080 --> 00:09:42,000 Speaker 2: most people will, so I'm not I recommend it if 164 00:09:42,080 --> 00:09:45,120 Speaker 2: if after what I said, you still feel like seeing 165 00:09:46,920 --> 00:09:50,720 Speaker 2: how about you, Sam? After recommending after hearing what I said, 166 00:09:50,960 --> 00:09:52,600 Speaker 2: do you feel still feel like seeing? It. 167 00:09:53,040 --> 00:09:58,000 Speaker 3: I'm okay with Icelandic and Norwegian despair, So yeah, why not? 168 00:09:58,559 --> 00:10:01,280 Speaker 2: All right? Okay, do you want to get to your 169 00:10:01,320 --> 00:10:02,440 Speaker 2: question now or do we know? 170 00:10:02,559 --> 00:10:04,160 Speaker 3: Let we don't. Let's go and take a break and 171 00:10:04,200 --> 00:10:05,360 Speaker 3: we can get right back to it. 172 00:10:06,080 --> 00:10:09,360 Speaker 2: Okay. Joe's Galante Live from Hollywood. We're gonna get to 173 00:10:09,400 --> 00:10:15,079 Speaker 2: my oscar stuff pretty soon. And Sam's question, they cannot wait. 174 00:10:15,679 --> 00:10:17,479 Speaker 2: Joe's Galante Live from Hollywood. 175 00:10:25,640 --> 00:10:27,240 Speaker 4: You find you'll find out. 176 00:10:31,440 --> 00:10:37,280 Speaker 2: You really Okay, Joe's Golante Live from Hollywood. By Hollywood, 177 00:10:37,320 --> 00:10:40,000 Speaker 2: you mean Burbank two hours of the business Affairs of 178 00:10:40,040 --> 00:10:43,120 Speaker 2: Hollywood every Sunday right here on k E I B 179 00:10:43,240 --> 00:10:47,800 Speaker 2: eleven fifty am dial now in the show's twentieth year. 180 00:10:48,000 --> 00:10:53,200 Speaker 4: Sam outstanding, that's okay, that's legacy right there. 181 00:10:53,520 --> 00:10:56,760 Speaker 2: It started out as a call in show when people 182 00:10:56,800 --> 00:11:00,160 Speaker 2: used to call into the radio days of your But 183 00:11:00,280 --> 00:11:02,679 Speaker 2: let's pretend it's call in again and you just call 184 00:11:03,360 --> 00:11:07,200 Speaker 2: and I said, Joe scot live from Hollywood. Who am 185 00:11:07,200 --> 00:11:07,719 Speaker 2: I speaking with? 186 00:11:10,240 --> 00:11:12,760 Speaker 3: H I can imagine that, I. 187 00:11:12,720 --> 00:11:14,880 Speaker 2: Know, But you're supposed to ask you a question with me? 188 00:11:15,040 --> 00:11:18,120 Speaker 3: Okay, Yeah, I'm here's my question for you. 189 00:11:18,160 --> 00:11:21,720 Speaker 4: I'm actually a bit conflicted at this moment because I 190 00:11:21,760 --> 00:11:24,640 Speaker 4: know that there's a lot of you know stuff, a 191 00:11:24,640 --> 00:11:29,840 Speaker 4: lot of controversy about AI and music, and I mean 192 00:11:29,920 --> 00:11:31,800 Speaker 4: AI and the arts in general. 193 00:11:32,760 --> 00:11:33,760 Speaker 2: Coler, what is your question? 194 00:11:34,400 --> 00:11:38,679 Speaker 4: The question is is it okay for me to enjoy 195 00:11:39,440 --> 00:11:42,760 Speaker 4: a song that, even though it was written the actual 196 00:11:42,840 --> 00:11:49,040 Speaker 4: lyrics by a human, if it was arranged musically by AI. 197 00:11:50,440 --> 00:11:52,440 Speaker 2: That doesn't sound like a legal question. That sounds like 198 00:11:52,600 --> 00:11:56,199 Speaker 2: a question you ask yourself, like you should you be 199 00:11:56,240 --> 00:11:57,800 Speaker 2: able to enjoy it? And the answer is yes, you 200 00:11:57,800 --> 00:11:58,680 Speaker 2: should be able to enjoy that. 201 00:11:59,040 --> 00:12:01,040 Speaker 4: Yeah, Well, because there's so many people that are like 202 00:12:01,400 --> 00:12:04,840 Speaker 4: poopooing everything that has to do with AI. And I 203 00:12:04,880 --> 00:12:09,200 Speaker 4: heard a song that it was a song called It 204 00:12:09,240 --> 00:12:12,040 Speaker 4: was a French song and I'm not usually one for 205 00:12:12,120 --> 00:12:15,360 Speaker 4: songs that I can't understand, but this is one that 206 00:12:15,920 --> 00:12:20,199 Speaker 4: the actual the texture of the voice used was one 207 00:12:20,520 --> 00:12:23,840 Speaker 4: that was modeled off of another singer, so it had 208 00:12:23,920 --> 00:12:26,320 Speaker 4: a good, strong rasp to it it had. 209 00:12:26,600 --> 00:12:32,440 Speaker 3: It was a programmed, well produced song that was highly enjoyable. 210 00:12:32,640 --> 00:12:36,360 Speaker 4: But I felt conflicted because it was literally all AI 211 00:12:36,520 --> 00:12:38,080 Speaker 4: except for the lyrics written. 212 00:12:39,120 --> 00:12:43,120 Speaker 2: Well, I mean, let's say someone called you and said Hey, 213 00:12:43,160 --> 00:12:46,079 Speaker 2: can you listen to a song from my kids band? 214 00:12:46,920 --> 00:12:48,959 Speaker 2: They wrote it. They write all their own songs and 215 00:12:49,000 --> 00:12:53,520 Speaker 2: they play all their own instruments, and you're supposed to 216 00:12:53,520 --> 00:12:56,360 Speaker 2: be impressed like that, and it's terrible. So that would 217 00:12:56,360 --> 00:13:00,240 Speaker 2: be really organic and punishment. So I think you're got 218 00:13:00,240 --> 00:13:03,760 Speaker 2: off easy with your AI. I'd rather listen to an 219 00:13:03,760 --> 00:13:05,400 Speaker 2: AI song than somebody's kids band. 220 00:13:05,480 --> 00:13:07,480 Speaker 4: Oh yeah, well, I mean, there's always going to be 221 00:13:07,559 --> 00:13:10,000 Speaker 4: bad songs that we would all like to avoid. But 222 00:13:10,400 --> 00:13:14,320 Speaker 4: when it comes to like actual quality, high quality music, 223 00:13:14,840 --> 00:13:19,800 Speaker 4: is it okay to appreciate and to be embracing of 224 00:13:20,360 --> 00:13:23,440 Speaker 4: a song that is not created by a human. 225 00:13:24,360 --> 00:13:26,920 Speaker 2: I don't care. Okay, that's the answer to that question. 226 00:13:28,200 --> 00:13:36,680 Speaker 2: The host doesn't care. But let's go to Let's go 227 00:13:36,720 --> 00:13:41,560 Speaker 2: to the Oscars. Okay, you got to get No, we 228 00:13:41,640 --> 00:13:43,720 Speaker 2: have to do the show. Sam five to seven's right 229 00:13:43,760 --> 00:13:45,000 Speaker 2: in the middle of the Oscars. 230 00:13:45,080 --> 00:13:46,880 Speaker 3: I was like, you know, like, let's go to the Oscars. 231 00:13:46,920 --> 00:13:49,160 Speaker 3: I was like, now we can. 232 00:13:49,200 --> 00:13:53,920 Speaker 2: We can not go to the Oscars, so let's go 233 00:13:54,080 --> 00:13:56,959 Speaker 2: to the nominations. And I did, and I got a 234 00:13:57,000 --> 00:14:02,319 Speaker 2: couple of year end well a year end lists and 235 00:14:02,360 --> 00:14:06,320 Speaker 2: stuff like that. Okay, Okay, so here's my the ten 236 00:14:06,400 --> 00:14:09,560 Speaker 2: movies that are that have that I've seen this year. 237 00:14:10,920 --> 00:14:13,480 Speaker 2: Here's my top ones that I've seen of the whole 238 00:14:13,559 --> 00:14:15,680 Speaker 2: year that are not These have nothing to do with Oscars. 239 00:14:15,720 --> 00:14:17,840 Speaker 2: Then we'll go to the Oscars. My favorite movie this 240 00:14:17,840 --> 00:14:22,360 Speaker 2: whole year was Nirvana, the Band, the Show, the movie 241 00:14:22,600 --> 00:14:26,400 Speaker 2: number two, three and four, kind of a tie between 242 00:14:26,480 --> 00:14:29,720 Speaker 2: Train Dreams, Blue Moon, and Marty Supreme and One Battle 243 00:14:30,600 --> 00:14:34,240 Speaker 2: after Another. These are kind of all tied. The movie 244 00:14:34,280 --> 00:14:35,960 Speaker 2: early in the year called Companion that I really loved, 245 00:14:36,240 --> 00:14:40,680 Speaker 2: sentimental value, I really loved a testament of Ann Lee 246 00:14:41,040 --> 00:14:43,200 Speaker 2: thought was great. These are all movies that if you 247 00:14:43,440 --> 00:14:46,520 Speaker 2: saw this week on streamers, you're gonna you're not gonna 248 00:14:46,520 --> 00:14:52,000 Speaker 2: be disappointed. Song Sung Blue, great movie, The Secret Agent. 249 00:14:52,320 --> 00:14:55,000 Speaker 2: It's a Brazilian film nominated for Best Picture. Good One 250 00:14:55,440 --> 00:14:57,480 Speaker 2: Boogo and you have Good One roof Man about the 251 00:14:57,480 --> 00:14:59,600 Speaker 2: guy who lived in the toys rs for like a 252 00:14:59,640 --> 00:15:03,080 Speaker 2: month or something like that. Or a great movie. Yeah, 253 00:15:03,120 --> 00:15:05,520 Speaker 2: A big, bold, Beautiful Journey is a movie that I 254 00:15:05,600 --> 00:15:08,000 Speaker 2: rated very highly. But guess what, Sam, as they go 255 00:15:08,040 --> 00:15:12,800 Speaker 2: through this list, can't remember what it was about. Spinal 256 00:15:12,880 --> 00:15:16,760 Speaker 2: Tap two. The end continues It was okay, Warfare, Minecraft 257 00:15:16,840 --> 00:15:19,920 Speaker 2: Movie Arcades and Love Songs, The Ballad of Walter Day 258 00:15:20,040 --> 00:15:23,960 Speaker 2: that was about the Donkey Kong Champs and then and 259 00:15:24,000 --> 00:15:27,880 Speaker 2: then becoming led Zeppelin. Those are on my lists the 260 00:15:27,960 --> 00:15:31,320 Speaker 2: worst movies of the year. Let's go Here, Die My Love. 261 00:15:31,640 --> 00:15:34,840 Speaker 2: I think that's what it was called. It's a piece 262 00:15:34,840 --> 00:15:38,480 Speaker 2: of crap. The Roses that was modeled after the War 263 00:15:38,520 --> 00:15:43,720 Speaker 2: of the Roses with Benedict cumber Patch and h Coleman 264 00:15:43,760 --> 00:15:49,840 Speaker 2: Olivia Coleman. Just so disappointing Hamnet. It's nominated for Best Picture, 265 00:15:50,680 --> 00:15:52,240 Speaker 2: but I nominated for the worst picture. 266 00:15:52,680 --> 00:15:56,680 Speaker 3: You are not a fan, no, just like h. 267 00:15:57,440 --> 00:16:00,640 Speaker 2: No, nothing that's good about Shakespeare is in this movie, 268 00:16:00,960 --> 00:16:03,440 Speaker 2: so nothing nothing is good. 269 00:16:04,600 --> 00:16:07,680 Speaker 3: Ham Let you Down, ham Let Me Down. 270 00:16:08,560 --> 00:16:12,040 Speaker 2: Cott Stealing, pretty good move, a pretty terrible movie, I mean. 271 00:16:12,760 --> 00:16:18,600 Speaker 2: And then The Surfer with I'm not even gonna say 272 00:16:18,600 --> 00:16:24,640 Speaker 2: his name. The movie is called The Surfer and Disappointment. Okay, 273 00:16:24,800 --> 00:16:30,160 Speaker 2: So now here's how I rated the ten Best Picture nominees. Okay, 274 00:16:32,120 --> 00:16:35,960 Speaker 2: I got Trained Dreams, Marty Supreme, and One Battle after another. 275 00:16:36,480 --> 00:16:40,840 Speaker 2: As a tie. I have a tie kind of favoring. 276 00:16:41,200 --> 00:16:43,800 Speaker 2: The one that sticks with me the most is usually 277 00:16:43,800 --> 00:16:45,640 Speaker 2: the one I just say, well, then that must be 278 00:16:45,680 --> 00:16:50,280 Speaker 2: the best is Trained Dreams. I think about that movie 279 00:16:50,280 --> 00:16:50,720 Speaker 2: every day. 280 00:16:51,640 --> 00:16:51,960 Speaker 3: Wow. 281 00:16:52,680 --> 00:16:56,200 Speaker 2: Yeah, it's just from a personal story that the guy's 282 00:16:56,200 --> 00:17:00,800 Speaker 2: going through, his personal journey kind of thing to the 283 00:17:00,880 --> 00:17:04,960 Speaker 2: history of the American West. It's okay, put it this way. 284 00:17:05,000 --> 00:17:11,960 Speaker 2: The guy he is a he's like in nineteen ten, 285 00:17:12,160 --> 00:17:14,280 Speaker 2: he's like a logger. He lives in the woods. He's like, 286 00:17:14,280 --> 00:17:18,000 Speaker 2: builds his own cabin. He's working on the railroad trains 287 00:17:18,840 --> 00:17:21,479 Speaker 2: that part of America, opening up the old the West 288 00:17:22,880 --> 00:17:26,640 Speaker 2: by nineteen fifties. In the nineteen fifties or nineteen sixties, 289 00:17:27,160 --> 00:17:33,199 Speaker 2: he's taking a train into town and walks by a 290 00:17:33,240 --> 00:17:37,240 Speaker 2: television set display that when they're showing an astronaut and 291 00:17:37,280 --> 00:17:38,919 Speaker 2: he asks somebody, what is that guy? They oh, he's 292 00:17:38,920 --> 00:17:42,119 Speaker 2: an astronaut. So this all happened in the span of 293 00:17:42,160 --> 00:17:45,960 Speaker 2: one lifetime, and it's kind of the theme of the 294 00:17:45,960 --> 00:17:49,640 Speaker 2: movie is what what are we doing here? And why 295 00:17:49,680 --> 00:17:52,680 Speaker 2: are we here at this time in our lives because 296 00:17:52,680 --> 00:17:54,119 Speaker 2: we only have a certain amount of time. Why are 297 00:17:54,119 --> 00:17:56,359 Speaker 2: we here now? What does it all mean? And this 298 00:17:56,400 --> 00:18:00,400 Speaker 2: guy A lot of movies try to ignore religion, and 299 00:18:00,520 --> 00:18:03,840 Speaker 2: this this movie didn't it faced religion head on. He 300 00:18:03,880 --> 00:18:05,680 Speaker 2: started in church. He met his wife in a church, 301 00:18:05,920 --> 00:18:08,000 Speaker 2: and that's where his happiness came. He might his wife 302 00:18:08,000 --> 00:18:09,480 Speaker 2: in a church. And if you meet your wife in 303 00:18:09,520 --> 00:18:14,480 Speaker 2: a church, your chances of being happy, uh, increase exponentially, 304 00:18:15,400 --> 00:18:21,679 Speaker 2: according to the host of this radio program. But it didn't. 305 00:18:21,840 --> 00:18:23,600 Speaker 2: Some of these movies are like, well they just ignore, 306 00:18:23,600 --> 00:18:26,440 Speaker 2: Like wait, what how come nobody here is is either 307 00:18:26,800 --> 00:18:29,720 Speaker 2: for or against the church. Everybody's just predamning it doesn't exist, 308 00:18:29,720 --> 00:18:33,439 Speaker 2: and now it's not real. So that's one another. I 309 00:18:33,440 --> 00:18:36,480 Speaker 2: mean many things about about Train Dreams that I like. 310 00:18:36,600 --> 00:18:42,160 Speaker 2: So the acting from the schedule Edgerton man, I mean, 311 00:18:42,200 --> 00:18:44,600 Speaker 2: I'm just like, here's what, here's the thing that's going 312 00:18:44,640 --> 00:18:47,600 Speaker 2: on right now in these movies. Movies might not be 313 00:18:47,680 --> 00:18:56,080 Speaker 2: getting better. You got woke culture, you've got a superhero itis, 314 00:18:56,480 --> 00:19:00,480 Speaker 2: you know, but the acting, the quality of acting in 315 00:19:00,560 --> 00:19:05,920 Speaker 2: all these movies is objectively better than it's ever been 316 00:19:06,440 --> 00:19:09,480 Speaker 2: right now. The actors are better, they're training better, they're 317 00:19:09,560 --> 00:19:13,160 Speaker 2: doing more research, they're just getting better. So you see 318 00:19:13,160 --> 00:19:15,680 Speaker 2: it in Marty Supreme, you see it in Train Dreams, 319 00:19:17,160 --> 00:19:21,240 Speaker 2: you see it in all these Oscar nominated movies. Songs 320 00:19:21,280 --> 00:19:23,919 Speaker 2: on Blue Kate Hudson, you should get an Oscar. That's 321 00:19:24,000 --> 00:19:27,040 Speaker 2: kind of a silly movie. But the acting is amazing. Okay, 322 00:19:27,440 --> 00:19:30,320 Speaker 2: So Bogonia was one of my top of the top 323 00:19:30,480 --> 00:19:34,480 Speaker 2: of the Oscar nominations. It's in my top half. Sentimental 324 00:19:34,560 --> 00:19:38,600 Speaker 2: value definitely high, my top half top half secret Agent. 325 00:19:38,840 --> 00:19:41,880 Speaker 2: It's good. Wouldn't really necessarily want to watch it again. 326 00:19:41,920 --> 00:19:45,240 Speaker 2: It doesn't stick with me. F one. It's like, I 327 00:19:45,280 --> 00:19:48,359 Speaker 2: gave it three stars. It's okay for versus far it 328 00:19:48,400 --> 00:19:53,600 Speaker 2: was better. I thought Frankenstein it's a turn and Sinners 329 00:19:53,760 --> 00:19:55,159 Speaker 2: it's one of the worst. Sinners is one of the 330 00:19:55,160 --> 00:19:57,280 Speaker 2: worst movies of the year. It's for people who have 331 00:19:57,359 --> 00:20:01,720 Speaker 2: never seen a vampire movie and I've never heard of one. Now. 332 00:20:01,760 --> 00:20:04,720 Speaker 2: For those people who are dopes, by the way, that's 333 00:20:04,720 --> 00:20:06,400 Speaker 2: a movie for them, Like you find those people, Hey, 334 00:20:06,400 --> 00:20:08,840 Speaker 2: look at this this you bite people and you become 335 00:20:08,840 --> 00:20:11,720 Speaker 2: affected and they're like, wow, that's amazing, it's original. Wow, 336 00:20:11,800 --> 00:20:14,520 Speaker 2: what a cool movie. But for people who aren't dopes, 337 00:20:14,720 --> 00:20:17,040 Speaker 2: it's like, yeah, I've seen it before, I know how 338 00:20:17,040 --> 00:20:21,119 Speaker 2: it ends, sick of it? Goodbye? All right, Sorry for 339 00:20:21,160 --> 00:20:23,880 Speaker 2: the negative ending there, But Joe Scalante Live from Hollywood. 340 00:20:23,880 --> 00:20:26,280 Speaker 2: We got more of this coming up after these messages 341 00:20:26,280 --> 00:20:56,920 Speaker 2: in the track Joe's Galante Live from Hollywood. If by 342 00:20:56,920 --> 00:21:01,160 Speaker 2: Hollywood you mean Burbank? Okay, The Account Award Special continues. 343 00:21:01,240 --> 00:21:05,800 Speaker 2: Don't forget about the awards gala after party at the 344 00:21:06,800 --> 00:21:10,720 Speaker 2: A Wiener Hitsel across from the studio here Red Carpet 345 00:21:10,760 --> 00:21:14,480 Speaker 2: Kids at seven fifteen, I think I've got a little 346 00:21:14,480 --> 00:21:17,720 Speaker 2: carried away, Sam, The Sinners. A lot of people love 347 00:21:17,720 --> 00:21:19,480 Speaker 2: that movie, and it's probably gonna win Best Picture. 348 00:21:20,200 --> 00:21:24,200 Speaker 4: Yeah, maybe, But that's the thing is that everybody The 349 00:21:25,000 --> 00:21:27,880 Speaker 4: beauty of film is that it is subjective and everybody 350 00:21:27,880 --> 00:21:29,880 Speaker 4: who has their own taste can find something. 351 00:21:30,440 --> 00:21:31,560 Speaker 2: Is that what you think, Sam? 352 00:21:31,880 --> 00:21:32,160 Speaker 3: Yep? 353 00:21:34,720 --> 00:21:38,520 Speaker 2: Well, so I'm not saying that everybody who likes Sinners 354 00:21:38,600 --> 00:21:41,040 Speaker 2: is a dope, but I don't know. 355 00:21:41,160 --> 00:21:42,520 Speaker 3: That's actually kind of what you said. 356 00:21:43,080 --> 00:21:44,760 Speaker 2: Think it is. But I really don't, you know, they 357 00:21:44,800 --> 00:21:49,119 Speaker 2: can't they can't be true Sinners, like but like, I 358 00:21:49,160 --> 00:21:51,480 Speaker 2: don't know if you already know what's gonna happen. They're 359 00:21:51,480 --> 00:21:54,040 Speaker 2: going to bite people and they're gonna become infected, and 360 00:21:54,040 --> 00:21:56,199 Speaker 2: then you're gonna have these scenes where like, but I 361 00:21:56,240 --> 00:22:01,680 Speaker 2: love that person yes, but they're infected. Uh no, don't don't. 362 00:22:01,760 --> 00:22:05,919 Speaker 2: That's a that's a vampire. No, it's it's my love. No, 363 00:22:06,000 --> 00:22:18,640 Speaker 2: it's a vampire. Yeah. Anyway, now that's ten movies. Did 364 00:22:18,680 --> 00:22:24,679 Speaker 2: you did you which ones have you not seen? I 365 00:22:24,680 --> 00:22:26,040 Speaker 2: can tell you which ones you didn't see? 366 00:22:26,560 --> 00:22:27,440 Speaker 3: Okay, go for it. 367 00:22:29,040 --> 00:22:32,440 Speaker 2: Of the ten, you did not see sentimental value, that's 368 00:22:32,440 --> 00:22:38,320 Speaker 2: for sure. True, you did not see Trained Dreams. True, 369 00:22:38,560 --> 00:22:44,159 Speaker 2: you did not see True, you did not see f 370 00:22:44,240 --> 00:22:49,320 Speaker 2: one fact. You did not see No pre an Agent man. 371 00:22:49,480 --> 00:22:49,680 Speaker 1: No. 372 00:22:50,600 --> 00:22:55,720 Speaker 2: And but you did see Marty Supreme. Yes, okay, see 373 00:22:56,000 --> 00:22:57,040 Speaker 2: I'm so far, I'm pretty good. 374 00:22:57,240 --> 00:22:57,440 Speaker 1: Yeah. 375 00:22:58,640 --> 00:23:02,879 Speaker 2: Yeah, so I think Marty Cream I would not be 376 00:23:02,920 --> 00:23:05,080 Speaker 2: disappointed if Marty Supreme one. I think it might be 377 00:23:05,119 --> 00:23:07,160 Speaker 2: the best picture of the year. I'm just haunted by 378 00:23:07,160 --> 00:23:12,000 Speaker 2: Training Dreams. So if other people are haunted, I sometimes 379 00:23:12,000 --> 00:23:14,720 Speaker 2: get haunted by a movie one battle after another. When 380 00:23:14,720 --> 00:23:16,720 Speaker 2: I saw it, I thought, well, it was a great movie. 381 00:23:16,760 --> 00:23:19,280 Speaker 2: It should definitely be nominated. But I've met so many 382 00:23:19,320 --> 00:23:21,600 Speaker 2: people that hate it. I've met more people that hate 383 00:23:21,600 --> 00:23:25,639 Speaker 2: one battle after another than like it. Have you seen it? 384 00:23:25,920 --> 00:23:27,960 Speaker 3: No, I haven't, But it's interesting. 385 00:23:28,080 --> 00:23:32,040 Speaker 4: How do you feel like other people's, you know, perspective 386 00:23:32,080 --> 00:23:34,200 Speaker 4: on the film skews yours at all. 387 00:23:35,440 --> 00:23:38,840 Speaker 2: If someone tells me a movie is terrible, and then 388 00:23:38,880 --> 00:23:40,960 Speaker 2: I'm more likely to like it, that's for sure. But 389 00:23:41,000 --> 00:23:44,320 Speaker 2: I see these movies before everybody, so I usually don't 390 00:23:44,359 --> 00:23:48,160 Speaker 2: know anybody that has seen them, and I don't watch trailers. 391 00:23:50,160 --> 00:23:52,920 Speaker 2: I don't ask people about I just go see them. 392 00:23:53,160 --> 00:23:54,680 Speaker 2: My wife is the same way. She just wants to 393 00:23:54,680 --> 00:23:58,959 Speaker 2: see them, not to be clouded by the people's perceptions. 394 00:24:00,320 --> 00:24:03,840 Speaker 2: I went to see Bogonia while we're on the road 395 00:24:03,880 --> 00:24:09,040 Speaker 2: with Sublime, and I brought Eric the a bass player 396 00:24:09,040 --> 00:24:11,760 Speaker 2: and the drummer, and after it was done, they just 397 00:24:11,800 --> 00:24:13,040 Speaker 2: told me I was a very sick man. 398 00:24:16,800 --> 00:24:21,280 Speaker 3: I thought they already knew that. Hey, is this our 399 00:24:21,280 --> 00:24:23,960 Speaker 3: fourth segment or is this our this is segment three. 400 00:24:24,320 --> 00:24:27,320 Speaker 2: Segment three, Okay, I just want to make sure. I'm 401 00:24:27,320 --> 00:24:29,680 Speaker 2: going to talk a little bit about the how the 402 00:24:29,720 --> 00:24:33,439 Speaker 2: oscars are chosen to see if that gives you an 403 00:24:33,480 --> 00:24:35,680 Speaker 2: idea of who's going to win Best Picture. It's called 404 00:24:35,680 --> 00:24:38,960 Speaker 2: the preferential ballot, which means voters rank the movies instead 405 00:24:38,960 --> 00:24:42,920 Speaker 2: of choosing just one. Okay, if no movie gets fifty 406 00:24:42,960 --> 00:24:45,639 Speaker 2: percent of the first place votes, the movie with the 407 00:24:45,680 --> 00:24:49,480 Speaker 2: fewest votes is eliminated. Those ballots are redistributed to voters 408 00:24:49,520 --> 00:24:53,440 Speaker 2: second to voter second choices. This continues until one film 409 00:24:53,520 --> 00:25:00,760 Speaker 2: crosses fifty percent. Okay, it's it's so that means it's complicated, 410 00:25:00,840 --> 00:25:02,920 Speaker 2: a way of saying, the winner is often the movie 411 00:25:02,920 --> 00:25:06,560 Speaker 2: that most voters like, not necessarily the one that people 412 00:25:06,680 --> 00:25:09,879 Speaker 2: love the most. It's just the one that got the 413 00:25:09,920 --> 00:25:17,000 Speaker 2: most second place votes. Maybe so a movie like everybody 414 00:25:17,040 --> 00:25:20,720 Speaker 2: could pick Train Dreams as their second one, and then 415 00:25:20,760 --> 00:25:22,399 Speaker 2: a lot of people, a couple of people said I 416 00:25:22,440 --> 00:25:24,800 Speaker 2: love Sinners, and maybe a lot of people said it's 417 00:25:24,840 --> 00:25:29,120 Speaker 2: the worst. So I don't know how that affects things, 418 00:25:29,119 --> 00:25:32,120 Speaker 2: but I think it helps Train Dreams. I have never 419 00:25:32,160 --> 00:25:34,640 Speaker 2: met anyone that doesn't like Marty Supreme, So I think 420 00:25:34,680 --> 00:25:38,560 Speaker 2: to make the most uncontroversial pick, they should pick Marty 421 00:25:38,600 --> 00:25:42,479 Speaker 2: Supreme because it's objectively a fantastic movie for people of 422 00:25:42,520 --> 00:25:46,879 Speaker 2: all ages. Sam, Now, let's get to the actors. Already 423 00:25:46,960 --> 00:25:51,240 Speaker 2: got Timothy Adam, Ay, Leonardo DiCaprio, Ethan Hawk, Michael Jordan, 424 00:25:51,560 --> 00:25:58,080 Speaker 2: and Wagner Mora. We got from Secret Agent The Ward 425 00:25:58,119 --> 00:25:58,560 Speaker 2: goes to. 426 00:26:01,080 --> 00:26:05,600 Speaker 4: I really I was gonna say Timothy sports Chalet. 427 00:26:05,840 --> 00:26:08,520 Speaker 2: It's got a good Well, I'll tell you what, Timothy. 428 00:26:08,840 --> 00:26:10,800 Speaker 2: You know why, it's probably gonna go to Timothy's sports 429 00:26:10,840 --> 00:26:14,320 Speaker 2: Kelley because he does the most work. He's out there. 430 00:26:15,200 --> 00:26:17,440 Speaker 2: I saw him do a Q and A after after 431 00:26:17,480 --> 00:26:19,800 Speaker 2: a screening, and then the next day he's like doing 432 00:26:19,840 --> 00:26:22,320 Speaker 2: another one and then another one, and he's he's he's 433 00:26:22,320 --> 00:26:24,879 Speaker 2: doing more for movies right now, and he's speaking freely. 434 00:26:25,000 --> 00:26:29,000 Speaker 2: Sometimes you see headlines and see he said something offensive 435 00:26:30,240 --> 00:26:33,240 Speaker 2: about opera, saying opera, you know people in my opera. 436 00:26:33,359 --> 00:26:37,399 Speaker 2: It's true, you know. So I think he did the 437 00:26:37,400 --> 00:26:41,320 Speaker 2: most work, the most campaigning, you might call it, and 438 00:26:41,400 --> 00:26:45,160 Speaker 2: I think he'd like this, So he'll probably win Best Actress. 439 00:26:45,240 --> 00:26:49,399 Speaker 2: Jesse Buckley for him. Nett Rose BYRN if I had legs, 440 00:26:49,400 --> 00:26:52,920 Speaker 2: I kick you. I did see that. Yeah, she's good, 441 00:26:53,200 --> 00:26:55,840 Speaker 2: not gonna win. Kate Hudson songs on Blue should win. 442 00:26:56,880 --> 00:26:58,679 Speaker 2: Just gonna say she should win. She just win. Make 443 00:26:58,680 --> 00:27:04,840 Speaker 2: everybody feel happy. Renate Renzve from sentimental value. You know 444 00:27:04,920 --> 00:27:09,119 Speaker 2: that's very good acting. Maybe, but she's speaking Norwegian the 445 00:27:09,160 --> 00:27:10,520 Speaker 2: whole time, So how do we know if she's a 446 00:27:10,520 --> 00:27:12,800 Speaker 2: good actress? That's been my point on that kind of stuff. 447 00:27:14,800 --> 00:27:17,439 Speaker 2: You know, it could be really badly red lines we 448 00:27:17,520 --> 00:27:20,080 Speaker 2: just don't know, made good facial expressions, I don't know, 449 00:27:20,600 --> 00:27:23,600 Speaker 2: really beautiful though, Wow would be a foolman. Emma Stone 450 00:27:23,640 --> 00:27:26,520 Speaker 2: and Bougonia. I wouldn't be upset if she got it. 451 00:27:26,560 --> 00:27:28,920 Speaker 2: But it's so gross. Bogonia, as you remember, that's a 452 00:27:28,920 --> 00:27:30,760 Speaker 2: pretty good movie, but then the last thirty minutes was 453 00:27:30,760 --> 00:27:33,359 Speaker 2: like a teen horror flick that we didn't need. I 454 00:27:33,359 --> 00:27:37,440 Speaker 2: don't know anybody that likes the last thirty minutes of Bougonia. Okay, 455 00:27:37,480 --> 00:27:41,879 Speaker 2: so best supporting actor, Sam Benicio del Toro, One battle 456 00:27:41,880 --> 00:27:46,480 Speaker 2: after another, he's good. Jacob Alordi from Frankenstein, fantastic, del 457 00:27:46,560 --> 00:27:50,480 Speaker 2: Roy Lindo Sinners, very good actor. Sean Penn one battle 458 00:27:50,480 --> 00:27:54,960 Speaker 2: after another. If he doesn't get it, I don't know 459 00:27:55,000 --> 00:27:58,680 Speaker 2: what to say. I don't know what to say. Sean 460 00:27:58,720 --> 00:28:01,240 Speaker 2: Penn in One Battle after another, one of the greatest 461 00:28:01,720 --> 00:28:05,640 Speaker 2: acting performances of the ages. If you haven't seen that movie, 462 00:28:05,640 --> 00:28:07,639 Speaker 2: it's worth it just to see Sean Pinn do that. 463 00:28:08,119 --> 00:28:10,399 Speaker 3: It's extremely talented actor. 464 00:28:10,520 --> 00:28:12,600 Speaker 2: Yeah, but this is the best. It's a peak right 465 00:28:12,600 --> 00:28:14,280 Speaker 2: now at this age, you know, I love it when 466 00:28:14,280 --> 00:28:16,320 Speaker 2: guys like that, you know, older and they just nail it. 467 00:28:16,920 --> 00:28:20,000 Speaker 2: Supporting actress El Fanning and sentimental value, they're pretty good, 468 00:28:20,080 --> 00:28:23,000 Speaker 2: you know. It was the order on a sentimental value 469 00:28:23,160 --> 00:28:27,399 Speaker 2: pretty good. But again speaking on Norwegian, who knows Amy 470 00:28:27,480 --> 00:28:35,719 Speaker 2: Matt and weapons? Uh maybe uh? We mean Mosaku in Sinners? Yeah? Good, 471 00:28:35,520 --> 00:28:40,440 Speaker 2: could win it. Tyana Taylor One battler after another, I'm 472 00:28:40,440 --> 00:28:44,440 Speaker 2: saying the favorite. Okay, best director. I hope no one's 473 00:28:44,480 --> 00:28:49,600 Speaker 2: writing this down because I always always have the worst predictions. Uh, 474 00:28:50,120 --> 00:28:55,120 Speaker 2: best director, chloe'sau Hamdad, the movie is a turn Josh Safti, 475 00:28:55,320 --> 00:28:59,400 Speaker 2: Marty Supreme, hard to beat that, Paul Thomas Anderson, one 476 00:28:59,440 --> 00:29:03,480 Speaker 2: battle after other, He's a genius, Walking Trier. Sentimental value, 477 00:29:04,200 --> 00:29:10,360 Speaker 2: two hours and thirteen minutes of Norwegian despair. Yeah, not 478 00:29:10,360 --> 00:29:15,400 Speaker 2: not easy to do. The award goes to Ryan Kugler 479 00:29:15,520 --> 00:29:20,880 Speaker 2: of Sinners, but Marty Supreme should get it. John's je 480 00:29:21,000 --> 00:29:23,520 Speaker 2: Sefty but you heard it there. I hope no again, 481 00:29:23,560 --> 00:29:26,880 Speaker 2: hope no, it's writing this stuff down. And then the 482 00:29:27,000 --> 00:29:31,920 Speaker 2: screenplay train dreams one by after another, Hamnet Frankenstein, Bougogonna. 483 00:29:31,960 --> 00:29:36,920 Speaker 2: I don't know original screenplay Blue Moon. It was just 484 00:29:36,960 --> 00:29:41,000 Speaker 2: an accident. Who saw that? It was just an accident? 485 00:29:41,080 --> 00:29:42,080 Speaker 2: Nobody saw that movie? 486 00:29:42,280 --> 00:29:45,160 Speaker 3: Yeah, what is that movie? 487 00:29:45,640 --> 00:29:48,160 Speaker 2: Why do I have to see that movie? Now? I 488 00:29:48,240 --> 00:29:55,280 Speaker 2: guess written by some guy named ja'far. I'm scared already. Okay, 489 00:29:55,280 --> 00:29:57,080 Speaker 2: I can't this like, Okay, let's take a break and 490 00:29:57,080 --> 00:29:58,320 Speaker 2: we'll come back. I have a few more of these 491 00:29:58,680 --> 00:30:01,480 Speaker 2: kind of interesting in a couple league stories. What's going 492 00:30:01,480 --> 00:30:27,160 Speaker 2: on out there? Joe Scalante live from Hollywood. Joe Ascalante, 493 00:30:28,720 --> 00:30:34,000 Speaker 2: He's my loyal you don't want money? He does it all. 494 00:30:35,120 --> 00:30:38,840 Speaker 2: Joe's Galante here every Sunday from five to seven on 495 00:30:38,920 --> 00:30:42,280 Speaker 2: k e IB eleven fifty on your AM radio dial. 496 00:30:42,840 --> 00:30:46,760 Speaker 2: And later they turn it into a podcast somehow, and 497 00:30:46,960 --> 00:30:50,600 Speaker 2: people listen to it all week long. That's how it works. 498 00:30:50,840 --> 00:30:53,360 Speaker 2: And that's Steve Jones there. You might have recognized them. 499 00:30:53,400 --> 00:30:55,880 Speaker 2: You might be like, Hey, isn't that the guitar player 500 00:30:55,880 --> 00:30:58,760 Speaker 2: for the Sex Pistols singing that theme song to your 501 00:30:58,840 --> 00:31:03,960 Speaker 2: radio program? Joe, Yes it is. Okay. Here's the movie news, 502 00:31:04,400 --> 00:31:11,120 Speaker 2: the premiere of the movie and No Effects documentary. It's 503 00:31:11,120 --> 00:31:15,960 Speaker 2: got some name, but the No Effects documentary. That premiere 504 00:31:16,040 --> 00:31:20,920 Speaker 2: is this Wednesday. I think and the new aren't. But 505 00:31:21,280 --> 00:31:26,320 Speaker 2: you've sold out. But evidently people who have seen it said, Joe, 506 00:31:26,400 --> 00:31:28,080 Speaker 2: you're all over it. I'm in it several times. So 507 00:31:28,480 --> 00:31:32,640 Speaker 2: I see no effects documentary, come to town, go see it. 508 00:31:33,240 --> 00:31:36,080 Speaker 2: Tell me know what you think. I've been in a 509 00:31:36,080 --> 00:31:40,600 Speaker 2: lot of documentary sam probably twenty thirty, maybe because about 510 00:31:40,600 --> 00:31:43,000 Speaker 2: punk rock usually, but then some other weird topics, some 511 00:31:43,040 --> 00:31:46,920 Speaker 2: of them dragging into and I just sitting there, you know, 512 00:31:46,920 --> 00:31:48,440 Speaker 2: I'm like, you know what I'm gonna you know what 513 00:31:48,480 --> 00:31:51,520 Speaker 2: I do, How I prep I'm like, there's a lot 514 00:31:51,520 --> 00:31:53,160 Speaker 2: of people are going to be cut out of this movie. 515 00:31:53,840 --> 00:31:58,280 Speaker 2: The interview subjects. It's not going to be me, and 516 00:31:58,440 --> 00:32:00,280 Speaker 2: I just give him a singer that they can cut 517 00:32:00,280 --> 00:32:03,480 Speaker 2: out of the movie. So I gave him so many 518 00:32:03,560 --> 00:32:07,719 Speaker 2: zingers in this movie that I think they couldn't cut 519 00:32:07,760 --> 00:32:10,440 Speaker 2: any of them out. That's what I'm told. 520 00:32:10,640 --> 00:32:11,680 Speaker 3: You bring good stuff. 521 00:32:12,200 --> 00:32:14,040 Speaker 2: I bring the stuff. I bring the stuff. So make 522 00:32:14,080 --> 00:32:17,040 Speaker 2: sure you have a lot of batteries, a lot of memory, 523 00:32:17,240 --> 00:32:19,920 Speaker 2: because if I'm coming, just be ready. 524 00:32:20,240 --> 00:32:20,520 Speaker 3: Yeah. 525 00:32:21,120 --> 00:32:26,400 Speaker 2: Okay, So best so going down this list, best director 526 00:32:26,440 --> 00:32:29,440 Speaker 2: we did, best screenplays, best cinematography. I think we can 527 00:32:29,480 --> 00:32:33,760 Speaker 2: talk about this freely Formula One. I'm not going to 528 00:32:33,800 --> 00:32:35,320 Speaker 2: say the names of the guys really, because no one 529 00:32:35,320 --> 00:32:40,160 Speaker 2: knows that these guys are Formula one. Strapping cameras to cars. 530 00:32:40,200 --> 00:32:46,080 Speaker 2: Pretty good, pretty good, Marty Supreme, great cinematography, one bout 531 00:32:46,160 --> 00:32:53,080 Speaker 2: after another, fantastic cinematography, sentimental value. Come on, two hours 532 00:32:53,080 --> 00:33:02,200 Speaker 2: of Norwegian despair, Ye turn the camera on. I don't know, Sinners, 533 00:33:03,280 --> 00:33:08,560 Speaker 2: really good cinematography could win, so I think that one's 534 00:33:09,320 --> 00:33:13,920 Speaker 2: my predictions are worthless. Best production design, Frankenstein, Hamnet, Marty Supreme, 535 00:33:14,480 --> 00:33:21,640 Speaker 2: one battle after another, Sinners, all good ones. My favorite 536 00:33:21,720 --> 00:33:31,920 Speaker 2: is Marty Supreme and the era. You know, the period stuff, 537 00:33:32,440 --> 00:33:34,680 Speaker 2: I guess in nineteen fifties or forties or whatever it 538 00:33:34,720 --> 00:33:38,480 Speaker 2: is in Marty Supreme. Wow, did they nail it in 539 00:33:38,520 --> 00:33:44,160 Speaker 2: the casting. I'm gonna go to casting pretty soon. Cost 540 00:33:44,520 --> 00:33:50,520 Speaker 2: team design, yeah, I don't care. Makeup and hairstyle, I 541 00:33:50,560 --> 00:33:52,880 Speaker 2: don't care. Well the Smashing Machine got something for that. 542 00:33:52,960 --> 00:33:58,720 Speaker 2: A pretty bad movie. Most disappointing movies of twenty twenty 543 00:33:58,720 --> 00:34:01,760 Speaker 2: five original score, but going to Frank signed him that 544 00:34:01,880 --> 00:34:03,560 Speaker 2: one both to another, Sinners, it's got to be something 545 00:34:03,600 --> 00:34:08,440 Speaker 2: better than you know, got to be best original song, 546 00:34:09,040 --> 00:34:12,239 Speaker 2: Diane Warren Relentless from Dear Me. No one's ever heard 547 00:34:12,239 --> 00:34:14,239 Speaker 2: of it, no one ever will hear of it, no 548 00:34:14,280 --> 00:34:16,960 Speaker 2: one saw it done cares? Just give it to K 549 00:34:17,040 --> 00:34:21,399 Speaker 2: Pop Demon Hunters and let's move on. Okay, best sound 550 00:34:21,400 --> 00:34:26,319 Speaker 2: who cares? Physual facts? No what carested feature? Oh it's 551 00:34:26,320 --> 00:34:28,719 Speaker 2: got to be an animal, animated animal. The word goes 552 00:34:28,760 --> 00:34:34,520 Speaker 2: to K Pop Demon Hunters. Zutopia two. We bought a 553 00:34:34,640 --> 00:34:38,520 Speaker 2: Zutopia two is up there. But I don't know who cares. 554 00:34:38,880 --> 00:34:40,799 Speaker 2: I guess a lot of people care, especially the people 555 00:34:40,840 --> 00:34:41,800 Speaker 2: who made these movies. 556 00:34:41,640 --> 00:34:44,239 Speaker 4: Right so, yeah, they're the ones who typically have their 557 00:34:44,400 --> 00:34:46,640 Speaker 4: you know, pulse a little bit higher right now. 558 00:34:46,680 --> 00:34:49,160 Speaker 3: They got their anxiety up at this moment. 559 00:34:51,160 --> 00:34:52,120 Speaker 2: Is that how you really feel? 560 00:34:52,400 --> 00:34:53,160 Speaker 3: No, not at all. 561 00:34:53,239 --> 00:34:56,439 Speaker 4: I feel like these people are just spoiled and they 562 00:34:56,719 --> 00:34:58,960 Speaker 4: are just sitting here babies. 563 00:34:59,040 --> 00:35:00,000 Speaker 3: Yeah, they're just sitting here. 564 00:35:00,000 --> 00:35:01,960 Speaker 4: I have had break each other's arms by patting each 565 00:35:01,960 --> 00:35:04,959 Speaker 4: other on the back end. Yeah, but you know that's 566 00:35:05,000 --> 00:35:05,279 Speaker 4: just me. O. 567 00:35:05,560 --> 00:35:10,360 Speaker 2: Hey, how about this one? Best international feature? Always okay? 568 00:35:10,400 --> 00:35:13,359 Speaker 2: But Sentimental Value and Secret Agent the two that I've seen. 569 00:35:14,560 --> 00:35:17,320 Speaker 2: The other ones are it was just an accident from France. 570 00:35:18,120 --> 00:35:21,640 Speaker 2: Sirat from Spain. Didn't see it. Voice of hind Job 571 00:35:21,680 --> 00:35:26,000 Speaker 2: from Tunisia. I thought most of the asient entrance this year, 572 00:35:26,000 --> 00:35:29,440 Speaker 2: but I must have missed that one. It goes to 573 00:35:29,719 --> 00:35:30,560 Speaker 2: sentimental value. 574 00:35:30,840 --> 00:35:34,600 Speaker 4: Usually have your finger on the pulse of the Tunisian 575 00:35:34,640 --> 00:35:37,960 Speaker 4: film market. Yeah, kind of surprised you didn't catch that one. 576 00:35:38,480 --> 00:35:45,719 Speaker 2: Best Documentary Feature. These are usual usually political awards too, 577 00:35:46,040 --> 00:35:49,440 Speaker 2: for whatever the political cause of the day is for 578 00:35:49,480 --> 00:35:56,120 Speaker 2: the Academy members, and nothing in here stands out. There's 579 00:35:56,120 --> 00:36:02,319 Speaker 2: one against Putin, I get it. And Short Film, I 580 00:36:02,360 --> 00:36:08,359 Speaker 2: mean literally no cares. Best Animated Short oh even less 581 00:36:08,360 --> 00:36:14,240 Speaker 2: people actually, even less people care. Best Documentary Short Film, 582 00:36:15,800 --> 00:36:21,000 Speaker 2: Oh okay. Now, Best casting, I think people care about this. 583 00:36:21,840 --> 00:36:29,640 Speaker 2: Hamnet Marty Supreme, one battle after another, Secret Agent and Sinners. Okay, 584 00:36:29,920 --> 00:36:33,640 Speaker 2: this one's got to go to Marty Supreme. The casting 585 00:36:33,719 --> 00:36:36,160 Speaker 2: of all those characters, just not just Salome but the 586 00:36:36,239 --> 00:36:41,320 Speaker 2: characters around him. And using that guy from the TV 587 00:36:41,400 --> 00:36:45,160 Speaker 2: show what's the TV show where they picked pitch their 588 00:36:45,480 --> 00:36:49,960 Speaker 2: businesses Shark Tank. Yeah, Kevin O'Leary from Shark Tank. The 589 00:36:49,960 --> 00:36:52,800 Speaker 2: support he could have got a Best Supporting Actor nomination 590 00:36:54,800 --> 00:36:58,200 Speaker 2: for Marty Supreme. Jennifer Ven Ditti is a genius for 591 00:36:58,239 --> 00:37:01,120 Speaker 2: putting him in that France. I've seen Maisler the only 592 00:37:01,120 --> 00:37:04,759 Speaker 2: one of these casting directors that I know. She should 593 00:37:04,760 --> 00:37:07,279 Speaker 2: just get a Lifetime Achievement award. But I don't know 594 00:37:07,400 --> 00:37:12,640 Speaker 2: if Sinners was any great miracle of casting. But I 595 00:37:12,719 --> 00:37:20,000 Speaker 2: give it to Jennifer Vendiddi from the movie that I'm 596 00:37:20,000 --> 00:37:22,080 Speaker 2: Alty Supreme. Okay, do you want to go to the 597 00:37:22,160 --> 00:37:24,480 Speaker 2: usual topics that we're usually talking about or do you 598 00:37:24,480 --> 00:37:26,600 Speaker 2: have any comments on my Oscar comments? 599 00:37:26,680 --> 00:37:28,960 Speaker 4: Well, I just like the fact that you were talking 600 00:37:28,960 --> 00:37:32,920 Speaker 4: about how great the acting has become lately, and a 601 00:37:32,960 --> 00:37:34,840 Speaker 4: lot of that I think has to do with casting, 602 00:37:34,920 --> 00:37:37,919 Speaker 4: but also maybe because a lot of the people who 603 00:37:37,960 --> 00:37:42,279 Speaker 4: were doing favors for young actresses for you know, I'll 604 00:37:42,320 --> 00:37:44,879 Speaker 4: get you on my mind, Yeah, I'll put you. 605 00:37:44,840 --> 00:37:45,440 Speaker 3: In my movie. 606 00:37:45,520 --> 00:37:46,759 Speaker 2: You have to be a good actress now. 607 00:37:46,880 --> 00:37:47,120 Speaker 1: Yeah. 608 00:37:47,239 --> 00:37:50,360 Speaker 4: Actually, actually, if you want to survive in Hollywood now, 609 00:37:50,400 --> 00:37:51,799 Speaker 4: you're not gonna be able to just get by on 610 00:37:51,840 --> 00:37:56,000 Speaker 4: good looks and charming whatever. You know higher up that 611 00:37:56,040 --> 00:37:57,880 Speaker 4: you feel like you want to charm. You actually have 612 00:37:57,920 --> 00:37:59,640 Speaker 4: to get by on your talent. And you're starting to 613 00:37:59,680 --> 00:38:02,680 Speaker 4: see the you know, the product within the films. 614 00:38:02,680 --> 00:38:05,000 Speaker 3: You're seeing actual good acting. 615 00:38:05,760 --> 00:38:08,880 Speaker 2: That's that's mainly the most insightful thing you've ever said. 616 00:38:08,640 --> 00:38:12,839 Speaker 3: On the show, Sam, That is not really an accomplishment. 617 00:38:13,480 --> 00:38:18,920 Speaker 2: Okay, So like Ethan Hawk and Blue Moon my Lord, Yeah, 618 00:38:19,440 --> 00:38:23,680 Speaker 2: oh my lord, and Timothy Shallow May, Marty Supreme, Leonardo 619 00:38:23,680 --> 00:38:29,000 Speaker 2: DiCaprio and anything he does, h Kate Hudson, the Renata 620 00:38:29,160 --> 00:38:31,680 Speaker 2: renz Vey. We're all just going to take for granted 621 00:38:31,800 --> 00:38:33,920 Speaker 2: this is a good Norwegian performance. But she spoke English 622 00:38:33,960 --> 00:38:35,880 Speaker 2: a little bit and I it was pretty good. Emma 623 00:38:35,920 --> 00:38:40,040 Speaker 2: Stone and then Sean Penn in one battle after another, 624 00:38:40,120 --> 00:38:44,719 Speaker 2: Oh my lord, stelling scars, gord and sentimental value. Yeah, 625 00:38:44,719 --> 00:38:47,399 Speaker 2: it's just like top shelf. Who else am I looking 626 00:38:47,400 --> 00:38:53,880 Speaker 2: at in the in the supporting actress world? You know? Anyway, 627 00:38:53,920 --> 00:38:55,600 Speaker 2: who We're gonna move on. But it is this amazing 628 00:38:55,640 --> 00:39:00,680 Speaker 2: acting going on everywhere. And then there's a defamation case 629 00:39:00,680 --> 00:39:03,680 Speaker 2: that we've talked about. It's got some new information. This 630 00:39:03,719 --> 00:39:08,719 Speaker 2: is Rebel Wilson's a smear campaign scandal. The new development. 631 00:39:08,920 --> 00:39:12,560 Speaker 2: Remember this Rebel Wilson is like a producer on this 632 00:39:12,640 --> 00:39:15,840 Speaker 2: movie and she's as an actress. They're just like fighting 633 00:39:15,920 --> 00:39:18,960 Speaker 2: and trying to take over the production and then they 634 00:39:18,960 --> 00:39:24,200 Speaker 2: were like the lawsuit was about. Amanda Ghost sued Wilson 635 00:39:24,239 --> 00:39:29,400 Speaker 2: for defamation twenty twenty four, But new recordings allegedly show 636 00:39:29,920 --> 00:39:33,240 Speaker 2: public relations operatives planning to spread claims that Amanda Ghost 637 00:39:33,280 --> 00:39:35,960 Speaker 2: was involved in serious crimes like sex trafficking, so they're 638 00:39:35,960 --> 00:39:39,320 Speaker 2: going to smear her. Ghost lawyers argue the recording proves 639 00:39:39,640 --> 00:39:43,080 Speaker 2: Rebel Wilson's involvement in a smear campaign that she previously denied. 640 00:39:43,520 --> 00:39:47,480 Speaker 2: So the newly leaked audio allegedly captures members of Rebel 641 00:39:47,480 --> 00:39:52,120 Speaker 2: Wilson's crisis PR team discussing plans to create fake allegations 642 00:39:52,120 --> 00:39:57,520 Speaker 2: and anonymous websites attacking a producer Amanda Ghost in the 643 00:39:57,560 --> 00:40:03,600 Speaker 2: Wilsons film The deb Okay, How how diabolical is that? 644 00:40:03,600 --> 00:40:04,960 Speaker 3: That is kind of twisted. 645 00:40:05,480 --> 00:40:09,800 Speaker 4: It's like having your own PR team, not just do 646 00:40:10,480 --> 00:40:15,279 Speaker 4: you know, like disaster control, but actively doing what they 647 00:40:15,320 --> 00:40:17,920 Speaker 4: can to submarine another person's career. 648 00:40:18,400 --> 00:40:20,560 Speaker 2: Yeah, it's happening right now in the punk rock world 649 00:40:20,600 --> 00:40:23,400 Speaker 2: with some companies is trying to destroy some other promoter. 650 00:40:23,640 --> 00:40:27,279 Speaker 2: Like but we'll talk about more of that when when 651 00:40:27,480 --> 00:40:31,440 Speaker 2: when more is public? But other than that, before we go. 652 00:40:31,520 --> 00:40:33,359 Speaker 2: I will say there is. There was a settlement in 653 00:40:33,400 --> 00:40:35,399 Speaker 2: the Live Nation case this week. I know I could 654 00:40:35,400 --> 00:40:37,800 Speaker 2: have done a whole hour on this, but kind of boring. 655 00:40:37,920 --> 00:40:40,560 Speaker 2: But in the middle of the federal antitrust trial against 656 00:40:40,640 --> 00:40:44,960 Speaker 2: Live Nation and it's ticketing subsidiary, Ticketmaster, the US of 657 00:40:45,840 --> 00:40:48,720 Speaker 2: Government of Justice reached a surprise settlement with the company. 658 00:40:48,719 --> 00:40:54,520 Speaker 2: Sam and the terms are just you know, don't They 659 00:40:54,520 --> 00:40:57,560 Speaker 2: don't have to sell ticket Master, They have to allow 660 00:40:57,640 --> 00:41:02,399 Speaker 2: more access to rival ticketing companies service fee caps. They 661 00:41:02,400 --> 00:41:04,839 Speaker 2: have to divest the booking rights in some thirteen amphitheaters 662 00:41:04,840 --> 00:41:08,920 Speaker 2: because they take over those and that drives the prices. 663 00:41:09,400 --> 00:41:11,360 Speaker 2: And a two hundred eatingly dollar fund has been created 664 00:41:11,400 --> 00:41:13,799 Speaker 2: to resolve claims from the states. Now the states have 665 00:41:13,880 --> 00:41:19,680 Speaker 2: rejected the settlement, so forty states are still suing the 666 00:41:19,680 --> 00:41:20,640 Speaker 2: Five Nation people. 667 00:41:20,960 --> 00:41:21,440 Speaker 3: Wow. 668 00:41:21,840 --> 00:41:27,759 Speaker 2: So it goes on and on and on. So they're 669 00:41:27,760 --> 00:41:29,600 Speaker 2: they're The most damaging thing they came out in the 670 00:41:29,600 --> 00:41:33,160 Speaker 2: courts was maybe the employees joking about gouging fans with fees. 671 00:41:36,160 --> 00:41:40,200 Speaker 2: So despicable. All right, let's cut it right there, Sam, 672 00:41:40,239 --> 00:41:42,400 Speaker 2: and I leave you now with just a taste of 673 00:41:42,440 --> 00:41:43,600 Speaker 2: the greatest song ever written