1 00:00:00,480 --> 00:00:03,920 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:07,960 --> 00:00:10,959 Speaker 2: I am six forty, We're live everywhere on the iHeartRadio app. 3 00:00:11,000 --> 00:00:14,720 Speaker 2: I'm Andy Reesmire with you on this Monday, November third. 4 00:00:14,800 --> 00:00:18,599 Speaker 2: Celebration is in the air. We're feeling it, baby, just 5 00:00:18,680 --> 00:00:20,160 Speaker 2: past seven o'clock. I'll be with you all the way 6 00:00:20,280 --> 00:00:24,160 Speaker 2: till ten. Joining us now though, because he's got to 7 00:00:24,200 --> 00:00:25,840 Speaker 2: go to bed soon, so he's doing me a huge 8 00:00:25,880 --> 00:00:31,240 Speaker 2: favor on the line, Mister KTLA anchorman, Frank Buckley, big 9 00:00:31,320 --> 00:00:34,480 Speaker 2: Time Buckley, good evening and welcome to the program Sir. 10 00:00:35,880 --> 00:00:38,280 Speaker 3: Is that my name, big Time Buckley. 11 00:00:38,280 --> 00:00:42,720 Speaker 2: That's yeah, that's what you told the screener. Andy must 12 00:00:42,800 --> 00:00:44,959 Speaker 2: refer to me as big time Buckley. 13 00:00:45,920 --> 00:00:48,680 Speaker 3: What I told the screener was to tell him to 14 00:00:48,760 --> 00:00:50,960 Speaker 3: tell you to leave me alone. 15 00:00:52,200 --> 00:00:53,319 Speaker 4: Well, thank you for doing this. 16 00:00:53,360 --> 00:00:55,840 Speaker 2: I know this is a huge deal for the KTLA 17 00:00:55,920 --> 00:00:59,000 Speaker 2: Morning News today in a day that was very exciting 18 00:00:59,080 --> 00:01:03,040 Speaker 2: for Los Angeles because there you were, with the entire 19 00:01:03,160 --> 00:01:07,360 Speaker 2: KTLA Morning News except maybe one person named you, Andy, 20 00:01:07,920 --> 00:01:12,400 Speaker 2: downtown and enjoying and celebrating the boys in Blue. 21 00:01:12,480 --> 00:01:13,440 Speaker 4: How did that feel today? 22 00:01:14,840 --> 00:01:19,000 Speaker 3: It was absolutely fantastic. You know, we we we got 23 00:01:19,080 --> 00:01:21,600 Speaker 3: up early. We got down there and and I thought, 24 00:01:21,720 --> 00:01:24,479 Speaker 3: is anyone really gonna you know, obviously we do people 25 00:01:24,480 --> 00:01:26,800 Speaker 3: who show up because we did this last year. It's terrific, 26 00:01:27,120 --> 00:01:29,000 Speaker 3: But would they be down there when we got there, 27 00:01:29,160 --> 00:01:32,520 Speaker 3: you know, around six o'clock and it was already you know, 28 00:01:32,640 --> 00:01:37,120 Speaker 3: people were already lying in the streets and h and 29 00:01:37,120 --> 00:01:41,080 Speaker 3: when the buses finally came five hours later, you know, 30 00:01:41,120 --> 00:01:45,520 Speaker 3: the the the crowd was you know, maybe ten ten 31 00:01:45,640 --> 00:01:52,320 Speaker 3: deep on the sidewalk, and the noise, the company of 32 00:01:52,560 --> 00:01:58,760 Speaker 3: sound was it was amazing. It was it was deafening. 33 00:01:58,840 --> 00:02:01,480 Speaker 3: I mean, Jessica and I were trying and Mark, we 34 00:02:01,480 --> 00:02:04,960 Speaker 3: were trying to sort of describe what we were seeing, 35 00:02:05,200 --> 00:02:08,040 Speaker 3: and we could barely hear a thing because it was 36 00:02:08,320 --> 00:02:09,840 Speaker 3: just so loud. 37 00:02:10,200 --> 00:02:12,839 Speaker 2: I remember I remember watching and being like, why don't 38 00:02:12,880 --> 00:02:16,200 Speaker 2: they turn down the crowd microphone? And then realized that 39 00:02:16,200 --> 00:02:18,280 Speaker 2: that's just how loud it was because it was being 40 00:02:18,280 --> 00:02:20,720 Speaker 2: picked up on all the individual microphones you guys were holding. 41 00:02:21,720 --> 00:02:23,040 Speaker 4: I think that something that's so. 42 00:02:23,040 --> 00:02:25,000 Speaker 2: Exciting about this is that, you know, like you said, 43 00:02:25,520 --> 00:02:27,880 Speaker 2: we were there last year, does this feel different, maybe, 44 00:02:27,960 --> 00:02:30,640 Speaker 2: especially because it was such a hard fought World series. 45 00:02:31,680 --> 00:02:35,280 Speaker 3: It did feel different. Last year was was terrific. It 46 00:02:35,360 --> 00:02:37,480 Speaker 3: was exciting. Last year we were down at Grand Park 47 00:02:37,919 --> 00:02:40,840 Speaker 3: and the crowds were sort of you know, jammed into 48 00:02:40,919 --> 00:02:44,400 Speaker 3: the park and then then along the parade route. And 49 00:02:44,960 --> 00:02:47,920 Speaker 3: this year, I think because of the nature of the 50 00:02:47,919 --> 00:02:52,120 Speaker 3: World Series and how every game we were all on 51 00:02:52,200 --> 00:02:55,280 Speaker 3: the edge of our seat, and how it really came 52 00:02:55,360 --> 00:02:59,840 Speaker 3: down to the very end in Game seven, that you know, 53 00:03:00,520 --> 00:03:04,200 Speaker 3: the entire region, not just LA I think everybody in 54 00:03:04,240 --> 00:03:07,679 Speaker 3: southern California who's a Dodger fan wanted to be here 55 00:03:07,840 --> 00:03:12,119 Speaker 3: to celebrate with the team because we've all been with 56 00:03:12,200 --> 00:03:15,360 Speaker 3: them through this journey and and man, it was it 57 00:03:15,400 --> 00:03:17,320 Speaker 3: was just it was really terrific. You know, there's so 58 00:03:17,400 --> 00:03:21,600 Speaker 3: few things that bring us together in La. Well, when 59 00:03:21,760 --> 00:03:22,919 Speaker 3: this really did. 60 00:03:23,120 --> 00:03:25,399 Speaker 2: What's remarkable is that you know, you're a Padres fan, 61 00:03:25,560 --> 00:03:30,320 Speaker 2: well known and and for you, no I'm kidding, but. 62 00:03:30,480 --> 00:03:32,880 Speaker 3: Andy, this will be the last time I ever thought, 63 00:03:33,560 --> 00:03:35,880 Speaker 3: either on the radio or on DV. 64 00:03:37,200 --> 00:03:39,000 Speaker 2: Well, I gotta imagine though, And you know, I know 65 00:03:39,040 --> 00:03:40,960 Speaker 2: you haven't had a lot of chance to sort of 66 00:03:40,960 --> 00:03:44,240 Speaker 2: reflect on what happened on Friday on television or in 67 00:03:44,280 --> 00:03:47,880 Speaker 2: a broadcast platform since it happened. But you know, like 68 00:03:47,920 --> 00:03:51,680 Speaker 2: you were saying, though, very special for Southern California, very 69 00:03:51,760 --> 00:03:55,520 Speaker 2: special for I think people who are Dodgers fans, but 70 00:03:55,560 --> 00:03:58,520 Speaker 2: also who can see this as a representation this team 71 00:03:58,640 --> 00:04:01,520 Speaker 2: rather as a representation really not just the Southern California 72 00:04:01,560 --> 00:04:02,360 Speaker 2: but of the world. 73 00:04:03,640 --> 00:04:06,720 Speaker 3: Well, yeah, I mean, you know, and three of the 74 00:04:06,520 --> 00:04:11,560 Speaker 3: the star players are are are from Japan. You have, 75 00:04:12,120 --> 00:04:15,840 Speaker 3: like l a. It is a melting pot of players 76 00:04:15,840 --> 00:04:19,919 Speaker 3: who really you know, you get the sense, and you 77 00:04:19,960 --> 00:04:22,479 Speaker 3: don't get the sense on a lot of professional teams 78 00:04:23,080 --> 00:04:25,479 Speaker 3: that these guys like each other. Yeah, and they're and 79 00:04:25,520 --> 00:04:29,839 Speaker 3: they have each other's backs, and they want their teammates 80 00:04:29,920 --> 00:04:33,080 Speaker 3: to do well because it's it's for the betterment of 81 00:04:33,120 --> 00:04:36,040 Speaker 3: the whole team. And and you just feel that every 82 00:04:36,080 --> 00:04:37,839 Speaker 3: time you see them out there and they you know, 83 00:04:37,880 --> 00:04:40,960 Speaker 3: they're acting like boys and and that's what we want, 84 00:04:41,080 --> 00:04:43,200 Speaker 3: you know, we we we all think about our own 85 00:04:43,279 --> 00:04:49,000 Speaker 3: experiences playing ball and and that joy and and you know, 86 00:04:49,040 --> 00:04:51,800 Speaker 3: they still have it and and I think that we 87 00:04:51,880 --> 00:04:54,360 Speaker 3: can all live through them, and and that's part. 88 00:04:54,240 --> 00:04:55,120 Speaker 4: Of this we were talking. 89 00:04:55,440 --> 00:04:57,320 Speaker 3: One of the highlights, one of the highlights for me 90 00:04:57,400 --> 00:05:01,000 Speaker 3: of the series is you know, there's always a guy 91 00:05:01,040 --> 00:05:04,560 Speaker 3: who you don't really know too much about and he's suddenly, 92 00:05:04,800 --> 00:05:09,039 Speaker 3: you know, a superstar. The picture the pitcher Will Climb. Yes, 93 00:05:09,200 --> 00:05:11,560 Speaker 3: did you know who Bill Klein was before this series? 94 00:05:11,600 --> 00:05:13,400 Speaker 2: Of course not, of course not. And you know he's 95 00:05:13,400 --> 00:05:17,280 Speaker 2: a Hoosier. He's from Indiana. Wow, I know, and I 96 00:05:17,320 --> 00:05:18,560 Speaker 2: know everybody in Indiana. 97 00:05:20,560 --> 00:05:22,560 Speaker 3: No, but this guy, you know, he comes in in 98 00:05:22,600 --> 00:05:27,200 Speaker 3: that eighteen inning marathon game and you think, oh my god, 99 00:05:27,200 --> 00:05:30,440 Speaker 3: they're down to the last picture. Who's this guy Will Climb? 100 00:05:30,560 --> 00:05:34,480 Speaker 3: Oh no, it's gonna be over. This guy pitches four 101 00:05:35,080 --> 00:05:40,960 Speaker 3: innings and kills it and also killed it with joy Y. 102 00:05:41,200 --> 00:05:43,080 Speaker 3: You know, he was he was a guy. I mean 103 00:05:43,080 --> 00:05:47,080 Speaker 3: he's literally smiling while he was pitching in the most 104 00:05:47,120 --> 00:05:51,400 Speaker 3: pressure packed situation that any pitcher could face. And he 105 00:05:51,480 --> 00:05:55,080 Speaker 3: came in there same game, you know, Kershaw comes in 106 00:05:55,279 --> 00:05:58,320 Speaker 3: and pitches the one guy he gets his you know, 107 00:05:58,440 --> 00:06:05,000 Speaker 3: World Series curtain call. It's just this series was so exciting. 108 00:06:06,760 --> 00:06:09,360 Speaker 2: It was just Yeah, it's incredible because you know, you 109 00:06:09,839 --> 00:06:13,000 Speaker 2: just want a good ball game, and you got that. Yeah, 110 00:06:13,120 --> 00:06:17,640 Speaker 2: every single game, maybe not Game five, Wille the game 111 00:06:17,680 --> 00:06:19,520 Speaker 2: one was not great for us either, but you know, 112 00:06:19,560 --> 00:06:21,719 Speaker 2: you look through the series though, and it's like, you know, 113 00:06:21,800 --> 00:06:23,080 Speaker 2: kind of like I've been saying this, it was like 114 00:06:23,320 --> 00:06:25,600 Speaker 2: like the NBA Finals last year between the Pacers and 115 00:06:25,640 --> 00:06:27,760 Speaker 2: the Oklahoma City Thunder, where you thought, whoever has the 116 00:06:27,760 --> 00:06:29,919 Speaker 2: ball last is just going to win this and you 117 00:06:30,000 --> 00:06:32,440 Speaker 2: were just watching because you saw these two teams that 118 00:06:32,480 --> 00:06:34,200 Speaker 2: are incredible. And I know that there was a lot 119 00:06:34,240 --> 00:06:38,160 Speaker 2: of conversation last I guess last week Dave Roberts answering 120 00:06:38,240 --> 00:06:41,560 Speaker 2: the question of did the Dodgers ruin baseball? And I 121 00:06:41,560 --> 00:06:43,440 Speaker 2: know that you were sort of involved in that conversation too, 122 00:06:43,480 --> 00:06:45,159 Speaker 2: and it's like here he said, like, look, we're going 123 00:06:45,240 --> 00:06:46,600 Speaker 2: to ruin it again and go all the way to 124 00:06:46,640 --> 00:06:49,240 Speaker 2: Game seven and win the series. And I think that 125 00:06:49,760 --> 00:06:51,680 Speaker 2: you know, you can obviously put a lot of stock 126 00:06:51,880 --> 00:06:55,160 Speaker 2: in how much money the Dodgers have to pay their players. 127 00:06:55,400 --> 00:06:57,800 Speaker 2: Obviously it's a lot of money, but you still got 128 00:06:57,839 --> 00:06:59,839 Speaker 2: to get out there and win. And it was not 129 00:07:00,560 --> 00:07:03,440 Speaker 2: it was not a complete clean sweep. 130 00:07:04,240 --> 00:07:07,320 Speaker 3: No, And and you know, you had teams with with 131 00:07:07,480 --> 00:07:11,640 Speaker 3: very small payrolls up against the Dodgers challenging them. And 132 00:07:11,720 --> 00:07:15,760 Speaker 3: to anyone who says they're they're ruining baseball, look at 133 00:07:15,760 --> 00:07:19,440 Speaker 3: the numbers, Look at the attendance figures, look at you know, 134 00:07:19,480 --> 00:07:23,000 Speaker 3: the revenue coming into the game. They're not ruining baseball. 135 00:07:23,000 --> 00:07:27,400 Speaker 3: They're making it more exciting for other people. They're they're 136 00:07:27,440 --> 00:07:30,920 Speaker 3: you know, it's it's like going to a feature film 137 00:07:30,960 --> 00:07:34,600 Speaker 3: with big stars in it versus going to a you know, 138 00:07:34,640 --> 00:07:37,520 Speaker 3: maybe a film that has people in it that you 139 00:07:37,600 --> 00:07:40,560 Speaker 3: don't know, and it's the story's okay, but it's not great. 140 00:07:40,960 --> 00:07:44,480 Speaker 3: This is going to a blockbuster every time you watch 141 00:07:44,920 --> 00:07:47,960 Speaker 3: the Dodgers play, and so more people are coming into 142 00:07:47,960 --> 00:07:51,160 Speaker 3: the tent, not fewer, and and so I think that 143 00:07:51,480 --> 00:07:53,679 Speaker 3: this idea that they've ruined baseball is absurd. 144 00:07:53,720 --> 00:07:56,400 Speaker 2: Yeah, it's crazy. I'll tell you what, Frank. I appreciate you, Colin. 145 00:07:56,520 --> 00:07:58,440 Speaker 2: I appreciate you being available to us. I know you've 146 00:07:58,440 --> 00:08:00,680 Speaker 2: got to run and go to sleep. But just as 147 00:08:00,720 --> 00:08:03,480 Speaker 2: you as you your head hits the pillow tonight, what 148 00:08:03,560 --> 00:08:05,920 Speaker 2: are you always going to remember about today and being 149 00:08:05,960 --> 00:08:09,200 Speaker 2: down there and seeing the response from the people who 150 00:08:09,240 --> 00:08:11,880 Speaker 2: just love this team so much, they love la so much. 151 00:08:13,200 --> 00:08:17,720 Speaker 3: I just think that it's it's that explosion of sound 152 00:08:18,040 --> 00:08:21,960 Speaker 3: and joy. And I posted one of the pictures on 153 00:08:22,720 --> 00:08:27,400 Speaker 3: Instagram just the buses coming down grand to confetti flying 154 00:08:27,480 --> 00:08:34,120 Speaker 3: through the air, the sound of pure joy from fans 155 00:08:34,240 --> 00:08:37,800 Speaker 3: of the Dodgers, and these guys on the buses with 156 00:08:37,920 --> 00:08:44,120 Speaker 3: their families smiling and laughing and and really sort of 157 00:08:44,400 --> 00:08:48,120 Speaker 3: vibing back and forth with the fans. It was just 158 00:08:48,160 --> 00:08:48,839 Speaker 3: a beautiful thing. 159 00:08:48,920 --> 00:08:49,600 Speaker 4: Yeah, very cool. 160 00:08:49,600 --> 00:08:51,800 Speaker 2: Well, we got to give it to Glenn Walker's belly 161 00:08:51,960 --> 00:08:56,240 Speaker 2: because that obviously was the good luck charm that we 162 00:08:56,320 --> 00:08:57,079 Speaker 2: I guess created it. 163 00:08:57,320 --> 00:09:00,560 Speaker 3: Thanks for thanks for giving me that image. My head 164 00:09:00,640 --> 00:09:01,720 Speaker 3: hits the pillow. 165 00:09:01,840 --> 00:09:04,960 Speaker 2: Well we aim to please here, mister Buckley, there we goes. 166 00:09:05,240 --> 00:09:06,880 Speaker 2: Thank you so much for being a part of the 167 00:09:06,880 --> 00:09:08,839 Speaker 2: show this evening. I really appreciate you. Maybe I'll be 168 00:09:08,880 --> 00:09:11,679 Speaker 2: there next year. Who's to say. I'll put it in 169 00:09:11,679 --> 00:09:17,040 Speaker 2: my request right now. Thanks KTLA Morning News anchor Frank Buckley, 170 00:09:17,040 --> 00:09:18,760 Speaker 2: who was of course down there with the KTLA Morning 171 00:09:18,760 --> 00:09:22,559 Speaker 2: News celebrating the Dodgers on that parade through downtown Los Angeles. 172 00:09:22,880 --> 00:09:26,520 Speaker 2: More to come here on KFI. We're talking Dodgers, We're 173 00:09:26,520 --> 00:09:30,640 Speaker 2: talking some interesting developments. Is it possible that show? Hey, O, 174 00:09:30,760 --> 00:09:34,079 Speaker 2: TONI speaks really good English. 175 00:09:34,120 --> 00:09:37,640 Speaker 4: We'll get into it. I am six forty are we 176 00:09:37,720 --> 00:09:39,640 Speaker 4: playing that funky music, white man. Is that what's happening 177 00:09:39,720 --> 00:09:43,680 Speaker 4: right now? Is that what that is? No, I just 178 00:09:43,679 --> 00:09:46,240 Speaker 4: want to thank you for letting Oh that's what it is. Okay. 179 00:09:46,600 --> 00:09:51,160 Speaker 2: Yeah, that era of disco escapes me a little bit sometimes. 180 00:09:51,480 --> 00:09:53,640 Speaker 2: I am six forty live everywhere in the iHeart Radio app. 181 00:09:53,679 --> 00:09:56,559 Speaker 2: I mean Andy Reesmeier. I did you know, as a 182 00:09:56,640 --> 00:10:00,200 Speaker 2: kid in the nineties, I think I understood disco for 183 00:10:00,360 --> 00:10:03,480 Speaker 2: its just its catchiness. I didn't understand any sort of 184 00:10:03,480 --> 00:10:06,480 Speaker 2: cultural like what it meant to a lot of people 185 00:10:06,520 --> 00:10:08,320 Speaker 2: in terms of like they really didn't like it. I 186 00:10:08,320 --> 00:10:11,280 Speaker 2: didn't understand that. I remember watching the movie Airplane back 187 00:10:11,280 --> 00:10:14,760 Speaker 2: in the day. There's that great sequence where they're doing 188 00:10:14,760 --> 00:10:17,480 Speaker 2: staying Alive, you know, and he's doing the dance he's 189 00:10:17,520 --> 00:10:20,600 Speaker 2: doing John Travolta, and I remember thinking, that's the coolest 190 00:10:20,600 --> 00:10:23,840 Speaker 2: thing I've ever seen. Well, you know, many years later 191 00:10:23,880 --> 00:10:26,320 Speaker 2: realized that that was a joke. But that's how it goes, 192 00:10:26,360 --> 00:10:28,440 Speaker 2: I guess. By the way, speaking of airplanes, tomorrow morning 193 00:10:28,440 --> 00:10:30,559 Speaker 2: on the KTLA Morning News, you may have seen the 194 00:10:30,600 --> 00:10:34,959 Speaker 2: promos running all day you will see if I can 195 00:10:35,040 --> 00:10:38,240 Speaker 2: land an airplane. I saw you on TV. That was 196 00:10:38,280 --> 00:10:40,840 Speaker 2: funny and then neat. I'm very very lucky to have 197 00:10:40,880 --> 00:10:42,559 Speaker 2: this job. I can do all kinds of cool stuff. 198 00:10:42,559 --> 00:10:44,360 Speaker 2: And one of the things that we've talked about before 199 00:10:44,480 --> 00:10:47,960 Speaker 2: is that fifty percent of men think that in cases 200 00:10:48,000 --> 00:10:50,559 Speaker 2: of emergency or in the case of an emergency, rather 201 00:10:50,600 --> 00:10:54,120 Speaker 2: they can land an airplane, you know, the pilot pops 202 00:10:54,120 --> 00:10:57,120 Speaker 2: out or the flight attenant rather gets on the horn 203 00:10:57,320 --> 00:10:59,640 Speaker 2: says the pilot had the fish, the co pilot had 204 00:10:59,640 --> 00:11:01,640 Speaker 2: the fish. Is there anybody on board who can land 205 00:11:01,679 --> 00:11:05,560 Speaker 2: this plane? Surely you can't be serious, I am stop 206 00:11:05,600 --> 00:11:07,720 Speaker 2: calling me, Shirley Roner. Do you think you could do it? 207 00:11:07,920 --> 00:11:11,600 Speaker 4: Well, Reese Meyer, I would prefer not to try. 208 00:11:11,720 --> 00:11:16,080 Speaker 2: Well, yeah, we're we're not like willing this to happen. 209 00:11:16,240 --> 00:11:18,120 Speaker 2: I mean, I don't want to try open heart surgery 210 00:11:18,160 --> 00:11:21,000 Speaker 2: on somebody either. There are things that professionals do for 211 00:11:21,040 --> 00:11:23,560 Speaker 2: a reason. This is totally true. I think I'm more 212 00:11:23,600 --> 00:11:25,880 Speaker 2: excited to try to land an airplane than I would 213 00:11:25,880 --> 00:11:29,320 Speaker 2: be to do open heart surgery. Yeah, yeah, because and 214 00:11:29,400 --> 00:11:30,960 Speaker 2: I think that that's maybe because. 215 00:11:30,760 --> 00:11:32,520 Speaker 4: When you're more lives at stake, you like that. 216 00:11:33,480 --> 00:11:36,120 Speaker 2: Well, listen, it's a it's a mutually assured destruction. 217 00:11:36,400 --> 00:11:38,600 Speaker 4: Okay, I think I get your attitude. 218 00:11:38,600 --> 00:11:39,920 Speaker 2: You know, if I if I screw up in the 219 00:11:39,920 --> 00:11:42,120 Speaker 2: plane situation, it's all over. If I screw up in 220 00:11:42,120 --> 00:11:45,560 Speaker 2: the in the the I almost said the iHeart open, 221 00:11:46,080 --> 00:11:49,520 Speaker 2: iHeart open surgery, the open heart surgery. Then you know 222 00:11:50,160 --> 00:11:53,480 Speaker 2: the kind of lawsuits that come after that. I got 223 00:11:53,480 --> 00:11:56,640 Speaker 2: to like tactfully resign from my job. Why was I 224 00:11:56,720 --> 00:11:58,160 Speaker 2: in that situation to begin with. 225 00:11:58,280 --> 00:12:01,480 Speaker 5: I know we're deep into an anti expert phase of 226 00:12:01,640 --> 00:12:04,960 Speaker 5: US history, but I think there's just certain things that 227 00:12:05,040 --> 00:12:07,199 Speaker 5: I want the experts to do that I should stay 228 00:12:07,360 --> 00:12:10,079 Speaker 5: way the Hello, wait, like engineering, I don't think I 229 00:12:10,080 --> 00:12:11,560 Speaker 5: should have any part of. 230 00:12:11,679 --> 00:12:14,439 Speaker 4: No bridge building, leave it to the bridge builder. 231 00:12:14,520 --> 00:12:17,760 Speaker 5: Anything to do with nukes, probably let somebody with training 232 00:12:18,000 --> 00:12:18,320 Speaker 5: do that. 233 00:12:18,679 --> 00:12:21,160 Speaker 2: No, that doesn't feel That doesn't feel exciting to me either. 234 00:12:21,240 --> 00:12:23,720 Speaker 2: That doesn't feel sexy, you know, Like to me, landing 235 00:12:23,720 --> 00:12:27,280 Speaker 2: an airplane is like a cool ice man. 236 00:12:27,360 --> 00:12:29,520 Speaker 4: You know, it's like that vibe a mushroom cloud. Not 237 00:12:29,600 --> 00:12:34,640 Speaker 4: so much. No, I played Microsoft Flight Simulator buddy. Yeah, 238 00:12:34,640 --> 00:12:35,319 Speaker 4: that's what I'm saying. 239 00:12:35,480 --> 00:12:37,040 Speaker 2: So I went to a place called we Fly in 240 00:12:37,120 --> 00:12:39,720 Speaker 2: Pasadena and I tried it. I tried it on their 241 00:12:39,760 --> 00:12:41,800 Speaker 2: seven thirty seven simulator, and you got to watch the 242 00:12:41,880 --> 00:12:44,120 Speaker 2: KTLA Morning News tomorrow eight thirty to find out if 243 00:12:44,120 --> 00:12:47,880 Speaker 2: I survived. Wait, that was a simulator. Yeah, I mean, 244 00:12:47,920 --> 00:12:50,040 Speaker 2: do you think they would have let me fly? 245 00:12:49,280 --> 00:12:53,800 Speaker 4: It looked real? I mean, I want to go to 246 00:12:53,840 --> 00:12:55,320 Speaker 4: this thing now that actually looked real. 247 00:12:55,400 --> 00:12:57,760 Speaker 2: They didn't let me come to the Dodgers parade, let 248 00:12:57,800 --> 00:13:01,880 Speaker 2: alone put me behind the controls of a fifty million 249 00:13:01,920 --> 00:13:04,040 Speaker 2: dollar aircraft. 250 00:13:04,520 --> 00:13:06,240 Speaker 4: Well how about Assessna take sure. 251 00:13:06,480 --> 00:13:09,079 Speaker 2: Yeah, that's again one of those mutual assured destruction things 252 00:13:09,080 --> 00:13:11,720 Speaker 2: where the relative damage is a lot lower. But it 253 00:13:11,840 --> 00:13:14,400 Speaker 2: was cool and like you, Sam, I have also I 254 00:13:14,440 --> 00:13:17,240 Speaker 2: grew up playing video games. I grew up playing flight simulator, 255 00:13:17,240 --> 00:13:19,280 Speaker 2: and I do like airplanes, so maybe that puts me 256 00:13:19,320 --> 00:13:21,640 Speaker 2: in a little bit of an advantage, but it was 257 00:13:21,679 --> 00:13:24,400 Speaker 2: really cool. The guys that we fly Pasadena were able 258 00:13:24,440 --> 00:13:27,120 Speaker 2: to set aside some time for us to go check 259 00:13:27,120 --> 00:13:30,240 Speaker 2: out the simulator and do our worst as they say. 260 00:13:30,280 --> 00:13:33,920 Speaker 2: So that will be going up tomorrow as well, in 261 00:13:34,000 --> 00:13:36,760 Speaker 2: addition to the broadcast, also on the Instagram account at 262 00:13:36,760 --> 00:13:39,400 Speaker 2: Andy KTLA, which you can reach me by the way, 263 00:13:39,440 --> 00:13:41,360 Speaker 2: if you'd like to on the Instagram account, or you 264 00:13:41,400 --> 00:13:44,280 Speaker 2: can find me on a Kfi app, leave a little message, 265 00:13:44,280 --> 00:13:46,760 Speaker 2: a little talk back message, look for the microphone, and 266 00:13:47,240 --> 00:13:50,200 Speaker 2: let us know what we've what we've got wrong so far. 267 00:13:50,960 --> 00:13:55,559 Speaker 4: I played Top Gun on Nintendo. Yeah, landing the plane 268 00:13:55,640 --> 00:13:57,319 Speaker 4: on the flight deck in that game was one of 269 00:13:57,360 --> 00:13:59,480 Speaker 4: the hardest things that you can do. Trust me, real 270 00:13:59,640 --> 00:14:01,200 Speaker 4: landing of a plane. Got nothing on this. 271 00:14:01,400 --> 00:14:03,160 Speaker 5: Okay, I didn't want to have to play this card, 272 00:14:03,160 --> 00:14:05,760 Speaker 5: but I'm just gonna lay it out here. Richard Bach, 273 00:14:05,840 --> 00:14:08,640 Speaker 5: the author of Jonathan Livingston Seagull, took me up in 274 00:14:08,679 --> 00:14:11,679 Speaker 5: his plane and he handed me the controls and I 275 00:14:11,720 --> 00:14:15,280 Speaker 5: flew it for a good long time. Hey, and when 276 00:14:15,280 --> 00:14:16,840 Speaker 5: you're in the air and you don't have to worry 277 00:14:16,840 --> 00:14:19,760 Speaker 5: about landing or taking off, it's pretty easy when there's 278 00:14:19,760 --> 00:14:22,640 Speaker 5: nothing else around. I got to worry about hidden and 279 00:14:22,680 --> 00:14:25,600 Speaker 5: so I would, you know, give the handle handles, you know, 280 00:14:25,600 --> 00:14:27,400 Speaker 5: a little jerk like, Hey, how do you like that? 281 00:14:27,880 --> 00:14:30,960 Speaker 4: You want to have me try this? Let's let's see 282 00:14:31,160 --> 00:14:31,760 Speaker 4: what you think of this. 283 00:14:31,960 --> 00:14:34,240 Speaker 2: Well, you know, I think it is kind of I 284 00:14:35,720 --> 00:14:39,080 Speaker 2: obviously it's a very it's a highly skilled job. Nobody 285 00:14:39,080 --> 00:14:40,840 Speaker 2: can just pop into an airplane and fly. But I 286 00:14:40,840 --> 00:14:44,520 Speaker 2: think that there is something maybe intuitive about it. If 287 00:14:44,560 --> 00:14:47,080 Speaker 2: you if you drive a car, you know, I mean, 288 00:14:47,120 --> 00:14:50,760 Speaker 2: you're kind of doing similar things. I'm sure there's pilots 289 00:14:50,760 --> 00:14:53,000 Speaker 2: who are like, shut up, you are so wrong. But 290 00:14:53,080 --> 00:14:56,040 Speaker 2: I've always felt that it came to me in a 291 00:14:56,200 --> 00:14:57,320 Speaker 2: sort of natural way. 292 00:14:58,040 --> 00:14:59,640 Speaker 5: Well, it was not lost on me that when he 293 00:14:59,680 --> 00:15:02,520 Speaker 5: handed me the controls, we were like in the middle 294 00:15:02,560 --> 00:15:05,359 Speaker 5: of a lake and a forest and there was absolutely 295 00:15:05,400 --> 00:15:08,120 Speaker 5: no other sign of life anywhere near it. Like, if 296 00:15:08,120 --> 00:15:10,200 Speaker 5: we were gonna go down, we weren't gonna take anybody 297 00:15:10,240 --> 00:15:10,520 Speaker 5: with us. 298 00:15:10,560 --> 00:15:13,640 Speaker 2: Sure, I'm glad for legal purposes you added that part 299 00:15:13,680 --> 00:15:18,240 Speaker 2: to the story. You weren't over over a congested metropolitan 300 00:15:18,240 --> 00:15:20,720 Speaker 2: Seattle or anything like that that might have been reckless. 301 00:15:21,120 --> 00:15:21,520 Speaker 4: Maybe. 302 00:15:22,480 --> 00:15:24,920 Speaker 2: Hey, by the way, I know we talked about Sizzler 303 00:15:25,240 --> 00:15:28,040 Speaker 2: last week. We're gonna get to that in a little bit. 304 00:15:28,120 --> 00:15:33,400 Speaker 2: And why Sizzler might be winning the casual steakhouse Wars. Yes, 305 00:15:33,520 --> 00:15:38,240 Speaker 2: apparently they are being fought on freeway exits across America. 306 00:15:38,360 --> 00:15:39,520 Speaker 4: We'll get to that. But I'm wanna go. 307 00:15:39,480 --> 00:15:41,160 Speaker 2: Back to the Dodgers today because this is so interesting. 308 00:15:41,160 --> 00:15:43,640 Speaker 2: This was something that was trending on the internet. There's 309 00:15:43,680 --> 00:15:46,760 Speaker 2: been a lot of conversations because one of the spectacles 310 00:15:46,840 --> 00:15:51,240 Speaker 2: of watching interviews postgame interviews with show Hey o Tani 311 00:15:52,120 --> 00:15:56,080 Speaker 2: is that obviously he's communicating through a translator, and everyone's 312 00:15:56,080 --> 00:15:58,080 Speaker 2: always like, and I don't know if you've heard this too, 313 00:15:58,080 --> 00:16:00,400 Speaker 2: but everyone's like, he could speak English, right, Like, can't 314 00:16:00,400 --> 00:16:02,400 Speaker 2: you speak English? Maybe he can, maybe he can't, Maybe 315 00:16:02,400 --> 00:16:06,440 Speaker 2: he's gonna learn English, I don't know. And it started 316 00:16:06,480 --> 00:16:08,560 Speaker 2: to become something that I was fixated on when I 317 00:16:08,600 --> 00:16:12,680 Speaker 2: saw this exchange. He had done an interview I think 318 00:16:12,800 --> 00:16:16,160 Speaker 2: after game seven, and of course he had done the 319 00:16:16,200 --> 00:16:18,640 Speaker 2: interview with the help of the translator, and so they 320 00:16:18,680 --> 00:16:21,280 Speaker 2: asked him a question in English, it gets translated into Japanese, 321 00:16:21,320 --> 00:16:23,360 Speaker 2: and then show Hey responds to Japanese and then they 322 00:16:23,520 --> 00:16:25,680 Speaker 2: the translator, of course, puts it back to English. At 323 00:16:25,720 --> 00:16:27,920 Speaker 2: the end of the interview, they said thanks show Hey, 324 00:16:28,720 --> 00:16:31,640 Speaker 2: thanks so much, good job, great job, World Series. 325 00:16:31,800 --> 00:16:33,920 Speaker 4: And this is what he said, thank you guys, thank you. 326 00:16:35,320 --> 00:16:39,400 Speaker 4: Did you catch that? Thank you guys, thank you tonight. 327 00:16:39,520 --> 00:16:41,480 Speaker 4: It's like a one flow over the cuckoo's ness thing. 328 00:16:41,480 --> 00:16:43,960 Speaker 2: That sounded like perfect, like he was just a bro 329 00:16:44,160 --> 00:16:49,720 Speaker 2: from Anaheim. Thank you guys, thank you, right shout out 330 00:16:49,760 --> 00:16:51,440 Speaker 2: to my homies like did he slip? 331 00:16:53,200 --> 00:16:54,320 Speaker 4: So I'm thinking, I'm. 332 00:16:54,120 --> 00:16:57,240 Speaker 2: Like, oh my god, this guy speaks English, and I 333 00:16:57,240 --> 00:16:58,840 Speaker 2: think that it started to get out, and that clip 334 00:16:58,880 --> 00:17:00,960 Speaker 2: went viral a little bit. People's saying I knew it. 335 00:17:01,440 --> 00:17:03,920 Speaker 2: Someone even saying he might be able to speak perfectly 336 00:17:03,920 --> 00:17:09,760 Speaker 2: good English or passable English and using a translator essentially 337 00:17:09,840 --> 00:17:14,320 Speaker 2: allows him to be respectful of the American language. 338 00:17:14,320 --> 00:17:16,240 Speaker 4: I don't know. It's a theory. 339 00:17:16,240 --> 00:17:19,399 Speaker 2: And before we go to break, here was Showy earlier 340 00:17:19,440 --> 00:17:22,520 Speaker 2: today doing a bit of a speech at the victory 341 00:17:22,560 --> 00:17:23,760 Speaker 2: celebration at Dodger Stadium. 342 00:17:23,760 --> 00:17:39,600 Speaker 4: Listen, oh time, there's that walkout song, Hello Hello. I 343 00:17:39,640 --> 00:17:42,640 Speaker 4: want to say, I'm gonna so fun. 344 00:17:42,760 --> 00:17:44,160 Speaker 3: I'm his team. 345 00:17:44,600 --> 00:17:48,560 Speaker 1: And then I want to say, uh, you guys had. 346 00:17:48,440 --> 00:17:58,640 Speaker 4: A great aswer. Fancy know what? And I'm ready. I'm 347 00:17:58,720 --> 00:18:03,720 Speaker 4: ready to get a another. Let's see, let's come, let's 348 00:18:03,760 --> 00:18:05,479 Speaker 4: go all right. 349 00:18:05,520 --> 00:18:08,640 Speaker 2: So, I don't know, maybe not completely fluent, but that's 350 00:18:08,640 --> 00:18:13,719 Speaker 2: pretty good. I understood, very exciting. Okay, coming up, we're 351 00:18:13,760 --> 00:18:17,400 Speaker 2: talking about Steakhouse's discount Steakhouse chains and how they're doing 352 00:18:17,440 --> 00:18:21,439 Speaker 2: across this country. Plus that escape monkey that he was 353 00:18:21,440 --> 00:18:25,359 Speaker 2: found story doesn't end well. If you're looking for a 354 00:18:25,359 --> 00:18:28,000 Speaker 2: Pixar ending. By the way, it's KIM six forty. We're 355 00:18:28,000 --> 00:18:29,399 Speaker 2: Live everywhere on the iHeart Radio app. 356 00:18:29,960 --> 00:18:33,400 Speaker 1: You're listening to KFI AM six forty on demand. 357 00:18:36,240 --> 00:18:41,360 Speaker 2: It feels good s KFI AM six forty. Andy Reesmire 358 00:18:41,359 --> 00:18:44,800 Speaker 2: here with you, Live everywhere on the iHeart Radio app 359 00:18:44,840 --> 00:18:47,600 Speaker 2: as well. And if you want to listen to old 360 00:18:47,720 --> 00:18:51,520 Speaker 2: episodes or past episodes, and I'm not sure you could 361 00:18:51,520 --> 00:18:54,320 Speaker 2: call them old because they're uploaded like the day of 362 00:18:54,480 --> 00:18:56,840 Speaker 2: but you can listen to past episodes on Spotify or 363 00:18:57,200 --> 00:19:01,520 Speaker 2: the iHeart Radio app, also available on the Apple podcast app. 364 00:19:01,560 --> 00:19:03,440 Speaker 2: It's very fun. It's cool to go back and listen. 365 00:19:04,160 --> 00:19:05,800 Speaker 2: I like to go back and listen to the show, 366 00:19:06,280 --> 00:19:09,159 Speaker 2: you know, to sort of get a little get a 367 00:19:09,160 --> 00:19:11,159 Speaker 2: little perspective on what I was saying, what I was 368 00:19:11,160 --> 00:19:15,240 Speaker 2: talking about, Get I laugh at Ronner's jokes once again. 369 00:19:15,560 --> 00:19:18,840 Speaker 4: Are they funnier the second time around? A little? Really? 370 00:19:19,880 --> 00:19:21,399 Speaker 2: Yeah, it's more like I can I could be in 371 00:19:21,400 --> 00:19:23,840 Speaker 2: the audience. No, I'm kidding, I what a psychopath? 372 00:19:23,880 --> 00:19:24,359 Speaker 4: Can you imagine? 373 00:19:24,359 --> 00:19:26,600 Speaker 2: If you're like I was listening to this show like 374 00:19:26,640 --> 00:19:28,520 Speaker 2: every day going I listened every once in a while 375 00:19:28,520 --> 00:19:31,679 Speaker 2: to see like how you know, truly to critique myself, 376 00:19:31,680 --> 00:19:34,520 Speaker 2: but I don't listening just for fun would be weird. 377 00:19:34,760 --> 00:19:36,639 Speaker 2: I always thought it was odd because when I was 378 00:19:36,680 --> 00:19:38,119 Speaker 2: in a band back in the day, this was at 379 00:19:38,119 --> 00:19:43,160 Speaker 2: a time when you didn't have like streaming services. Everything 380 00:19:43,240 --> 00:19:47,000 Speaker 2: was sort of done on CDs. So you would like 381 00:19:47,119 --> 00:19:49,520 Speaker 2: make a mix in this in the studio, and in 382 00:19:49,640 --> 00:19:51,640 Speaker 2: order to check the mix in the car. Right, That's 383 00:19:51,640 --> 00:19:53,959 Speaker 2: how like all music needs to be checked in the car. 384 00:19:54,000 --> 00:19:55,800 Speaker 2: You gotta check it in the car after you record 385 00:19:55,840 --> 00:19:57,639 Speaker 2: in the studio. It always sounds good in the studio, 386 00:19:57,680 --> 00:19:59,480 Speaker 2: but then if you know, you can pick up on 387 00:19:59,520 --> 00:20:02,000 Speaker 2: stuff in your car. That's why the car test is 388 00:20:02,000 --> 00:20:04,560 Speaker 2: so important. But you'd always have to burn a CDR. 389 00:20:04,640 --> 00:20:07,760 Speaker 2: So you would always have the hundreds and hundreds of 390 00:20:07,800 --> 00:20:11,000 Speaker 2: these cd rs that just were rolling around the car 391 00:20:11,119 --> 00:20:14,199 Speaker 2: or whatever that had you know, like andy song mixed 392 00:20:14,200 --> 00:20:16,879 Speaker 2: for more vocals or like base two loud or you know, 393 00:20:16,880 --> 00:20:19,639 Speaker 2: written in sharpie, and it was like you had to 394 00:20:19,680 --> 00:20:22,119 Speaker 2: do that. But I remember being in the car and 395 00:20:22,200 --> 00:20:25,480 Speaker 2: like going on a date, like after high school, and 396 00:20:25,520 --> 00:20:30,240 Speaker 2: like switched over from the radio and it just starts 397 00:20:30,240 --> 00:20:33,760 Speaker 2: playing my own dumb band, and I'm like, oh, sorry. 398 00:20:33,520 --> 00:20:38,520 Speaker 4: Excuse me, that's a smooth movie. I'm sorry about Burrows 399 00:20:39,880 --> 00:20:41,320 Speaker 4: turning it up. Whoops. 400 00:20:42,160 --> 00:20:46,720 Speaker 2: Yeah, and uh I was unlucky in love for many years, 401 00:20:46,760 --> 00:20:48,480 Speaker 2: but maybe it made for some good music. So I 402 00:20:48,480 --> 00:20:50,720 Speaker 2: don't know. You suffer for your art. I suffer for 403 00:20:50,800 --> 00:20:53,520 Speaker 2: my art. That is right, speaking of suffering for art. 404 00:20:54,000 --> 00:20:56,439 Speaker 2: An update on that story about those monkeys that escaped 405 00:20:56,640 --> 00:21:00,200 Speaker 2: in Mississippi. Do you remember this last week? There was 406 00:21:00,240 --> 00:21:03,360 Speaker 2: a semi truck that was carrying a bunch of Reesis monkeys. 407 00:21:03,920 --> 00:21:06,919 Speaker 2: They were being housed at the Tulane University National Biomedical 408 00:21:06,960 --> 00:21:10,800 Speaker 2: Research Center in New Orleans, and they were scrolling along 409 00:21:10,840 --> 00:21:16,600 Speaker 2: there in Heidelberg, Mississippi, when the truck crashed and a 410 00:21:16,680 --> 00:21:21,800 Speaker 2: handful of these Reese's monkeys escaped. They got out a 411 00:21:21,840 --> 00:21:24,680 Speaker 2: few of them sadly. I don't know, it feels sad 412 00:21:24,760 --> 00:21:27,000 Speaker 2: to me because it's a bummer, you know, it's a 413 00:21:27,000 --> 00:21:28,960 Speaker 2: bummer that these monkeys were having a life where they 414 00:21:28,960 --> 00:21:31,840 Speaker 2: were maybe being tested, they were used for research purposes. 415 00:21:32,160 --> 00:21:35,320 Speaker 2: A few of them were euthanized there along the roadway, 416 00:21:35,800 --> 00:21:38,520 Speaker 2: but a couple of them escaped and were just running 417 00:21:38,600 --> 00:21:43,080 Speaker 2: wild and if you remember, the County Sheriff's department at 418 00:21:43,119 --> 00:21:47,719 Speaker 2: the time had said that they were infected with I 419 00:21:47,800 --> 00:21:52,240 Speaker 2: believe hepatitis, COVID and herpes. 420 00:21:52,840 --> 00:21:54,880 Speaker 4: It could be a bad combo. That's a tough night. 421 00:21:55,000 --> 00:21:57,000 Speaker 4: Did they shoot the herpes monkey? Okay? 422 00:21:57,040 --> 00:22:01,480 Speaker 2: Well, then Tulane said they weren't sick or they were 423 00:22:01,480 --> 00:22:04,160 Speaker 2: said to be not contagious. This is a very important 424 00:22:04,200 --> 00:22:05,080 Speaker 2: specific you. 425 00:22:05,040 --> 00:22:06,760 Speaker 4: Know, I've heard that line before. 426 00:22:07,240 --> 00:22:09,520 Speaker 5: Yeah, better safe than sorry when it comes to wild 427 00:22:09,680 --> 00:22:13,800 Speaker 5: monkey's on the loose, not contagious. 428 00:22:14,280 --> 00:22:17,640 Speaker 2: But anyway, a couple of days go by, and unfortunately, 429 00:22:19,600 --> 00:22:21,679 Speaker 2: unfortunately we know what happened to one of the missing monkeys. 430 00:22:21,720 --> 00:22:26,600 Speaker 2: Jessica bon Ferguson, a homeowner in Heidelberg, Mississippi, was alerted 431 00:22:26,680 --> 00:22:30,040 Speaker 2: Sunday early Sunday morning by her sixteen year old son, 432 00:22:30,040 --> 00:22:32,399 Speaker 2: who said he thought he had seen a monkey running 433 00:22:32,440 --> 00:22:34,720 Speaker 2: in the yard outside of their home with a cold 434 00:22:34,720 --> 00:22:38,240 Speaker 2: sore on his He was he was coffee, he was 435 00:22:38,240 --> 00:22:41,479 Speaker 2: wearing a mask in coughing. He kept taking tests and 436 00:22:41,520 --> 00:22:43,520 Speaker 2: being like, I know that the line, you can see it, 437 00:22:43,560 --> 00:22:44,600 Speaker 2: but it's very faint. 438 00:22:45,359 --> 00:22:46,200 Speaker 4: It's very faint. 439 00:22:46,560 --> 00:22:49,719 Speaker 2: So she got out of bed like any person in 440 00:22:49,800 --> 00:22:54,119 Speaker 2: rural Mississippi. I'm assuming we do, grabbed her firearm and 441 00:22:54,359 --> 00:22:55,600 Speaker 2: then she went after the monkey. 442 00:22:55,760 --> 00:22:57,160 Speaker 4: Monkey was about sixty feet away. 443 00:22:59,480 --> 00:23:01,520 Speaker 2: She said, I did what any other mother would do 444 00:23:01,560 --> 00:23:03,639 Speaker 2: to protect her children, because she says she and other 445 00:23:03,640 --> 00:23:06,119 Speaker 2: people in the neighborhood have been warned about the diseases 446 00:23:06,160 --> 00:23:09,600 Speaker 2: that the escape monkeys carried. So she fired her gun. 447 00:23:10,760 --> 00:23:13,160 Speaker 2: She said, I shot at it and it stood there. 448 00:23:13,960 --> 00:23:16,720 Speaker 2: I shot again, and he backed up, and that's when 449 00:23:16,720 --> 00:23:21,119 Speaker 2: he fell. Jasper County Sheriff's office confirmed in a social 450 00:23:21,160 --> 00:23:24,320 Speaker 2: media post that a homeowner had found one of the monkeys, 451 00:23:24,320 --> 00:23:28,240 Speaker 2: but they did not say anymore. There were no more 452 00:23:28,280 --> 00:23:31,240 Speaker 2: details this time. After the first time that we heard 453 00:23:31,240 --> 00:23:34,959 Speaker 2: that they had let out a bunch of diseased Reesei's monkeys. 454 00:23:34,960 --> 00:23:38,439 Speaker 2: Apparently now we're being mom on what's the what the 455 00:23:38,480 --> 00:23:39,320 Speaker 2: details are there? 456 00:23:39,359 --> 00:23:41,800 Speaker 5: So okay, So you know that Patrick's side is the 457 00:23:41,800 --> 00:23:44,840 Speaker 5: word for killing your father, at Mattter's side killing your mother, 458 00:23:44,920 --> 00:23:47,120 Speaker 5: And there's all sorts of different names and killing different things. 459 00:23:47,760 --> 00:23:49,639 Speaker 4: You know what the word is for killing monkeys? What 460 00:23:49,960 --> 00:23:52,879 Speaker 4: is a monkey side? Is it really? It's like just 461 00:23:52,880 --> 00:23:55,199 Speaker 4: what it is? You said, no, no, no, that's the 462 00:23:55,240 --> 00:23:55,600 Speaker 4: war word. 463 00:23:55,760 --> 00:24:05,440 Speaker 2: That's actually just what it is. Oh no, great, all right, 464 00:24:05,680 --> 00:24:08,920 Speaker 2: well on that note's the that's the kind of news 465 00:24:08,920 --> 00:24:10,840 Speaker 2: that I wanted to do when I got into this industry. 466 00:24:10,880 --> 00:24:12,880 Speaker 5: And the monkey's like, you really don't need to worry 467 00:24:12,880 --> 00:24:14,560 Speaker 5: about anything unless it's a flare up. 468 00:24:18,080 --> 00:24:21,440 Speaker 4: Please don't shoot out. It's I am six forty. 469 00:24:21,920 --> 00:24:23,560 Speaker 2: If I am six forty, we're live everywhere on the 470 00:24:23,560 --> 00:24:26,439 Speaker 2: iHeartRadio app on'm Andie Reesemyer. Thanks for being with us 471 00:24:26,480 --> 00:24:31,439 Speaker 2: on this Monday evening, November three. Portions of the program 472 00:24:31,440 --> 00:24:36,520 Speaker 2: are pre recorded, but this is not one of those portions, right. 473 00:24:38,119 --> 00:24:40,040 Speaker 4: Right, No, it's not. 474 00:24:40,480 --> 00:24:45,160 Speaker 2: Hey, mister Ronner, yes, mister Reeslayer. You know, we had 475 00:24:45,160 --> 00:24:47,400 Speaker 2: a lot of fun talking about Sizzler last week. 476 00:24:48,280 --> 00:24:51,120 Speaker 4: How could you not? We could do all show on Sisler. 477 00:24:51,880 --> 00:24:54,199 Speaker 2: If you don't remember, I just want to bring you 478 00:24:54,240 --> 00:24:56,119 Speaker 2: into this here real quick, Richie. 479 00:24:56,160 --> 00:25:00,560 Speaker 4: Did you know about Sizzler? Yeah, I produced it for you. 480 00:25:00,560 --> 00:25:02,960 Speaker 4: You were here that night, Yeah, No, you weren't. Yeah, 481 00:25:02,960 --> 00:25:05,679 Speaker 4: when we started taking calls, No, it was Toddler, wasn't it. 482 00:25:05,680 --> 00:25:08,119 Speaker 4: It was it was you. Okay, I'm sorry, I'm a 483 00:25:08,200 --> 00:25:09,320 Speaker 4: terrible friend. It's a good thing. 484 00:25:09,359 --> 00:25:13,680 Speaker 2: He's got such healthy self esteem. Yeah, because how awful 485 00:25:13,720 --> 00:25:16,440 Speaker 2: of a diva? Am I just a tyrant? 486 00:25:16,720 --> 00:25:17,320 Speaker 4: Just a tad bit. 487 00:25:17,480 --> 00:25:22,120 Speaker 2: Okay, So remember Richie. This moment from nineteen ninety one 488 00:25:22,240 --> 00:25:24,439 Speaker 2: a promotional commercial. I don't know where they used this, 489 00:25:24,520 --> 00:25:26,240 Speaker 2: but it's four minutes and forty one seconds long. You 490 00:25:26,240 --> 00:25:28,960 Speaker 2: can find it on YouTube. It's called Sizzler promotional commercial 491 00:25:29,040 --> 00:25:33,120 Speaker 2: and it's all about the joys of how American Sizzler 492 00:25:33,200 --> 00:25:33,719 Speaker 2: really is. 493 00:25:34,920 --> 00:25:57,040 Speaker 6: Choices, the choice. 494 00:25:50,920 --> 00:25:59,679 Speaker 2: Choices, choices every day. So the assumption here was that 495 00:25:59,720 --> 00:26:01,480 Speaker 2: you might go to Sissler every day. 496 00:26:01,680 --> 00:26:04,439 Speaker 5: That is a rousing and emotional anthem. It's not just 497 00:26:04,480 --> 00:26:07,800 Speaker 5: a song, it's an anthem. Had to turn it down 498 00:26:07,800 --> 00:26:10,120 Speaker 5: a little bit. It's so harsh. I wanted to take 499 00:26:10,119 --> 00:26:11,439 Speaker 5: out Sizzler and sing that. 500 00:26:11,720 --> 00:26:15,080 Speaker 2: You know, I guarantee you nobody at the Sizzler would 501 00:26:15,119 --> 00:26:17,800 Speaker 2: have a clue, but they might appreciate your performance. 502 00:26:17,880 --> 00:26:19,480 Speaker 5: I don't know why that didn't catch on, like the 503 00:26:19,600 --> 00:26:21,360 Speaker 5: I'd like to buy the world a coke song. 504 00:26:21,480 --> 00:26:22,600 Speaker 4: Yes, that's a hell of a song. 505 00:26:22,680 --> 00:26:26,320 Speaker 2: I'll tell you what we have given whoever is wrote 506 00:26:26,359 --> 00:26:30,240 Speaker 2: this song more airplay in the past two weeks than 507 00:26:30,280 --> 00:26:32,040 Speaker 2: of all times, and this song has ever been heard 508 00:26:32,160 --> 00:26:35,280 Speaker 2: all time, I think. But Sizzler, you know, it's just 509 00:26:35,359 --> 00:26:38,280 Speaker 2: one of the sort of discount steakhouses that, as we 510 00:26:38,359 --> 00:26:42,600 Speaker 2: found out, actually he's doing okay relatively speaking. Right, we 511 00:26:42,640 --> 00:26:45,080 Speaker 2: thought Sizzler was for sure out of business, but we 512 00:26:45,160 --> 00:26:46,600 Speaker 2: had a lot of people call and saying, no, there's 513 00:26:46,640 --> 00:26:49,200 Speaker 2: one in Van Eyes, there's one in Woodland Hills, there's 514 00:26:49,200 --> 00:26:53,000 Speaker 2: one in Arlita, I think, and lo and behold, they're 515 00:26:53,000 --> 00:26:55,880 Speaker 2: absolutely right. There's a lot of Sizzlers out there. But 516 00:26:55,960 --> 00:26:59,640 Speaker 2: Ponderosa is not doing so well. Do you remember Ponderosa? 517 00:27:00,640 --> 00:27:05,399 Speaker 4: Okay? It might have also been called a Bonanza. 518 00:27:06,040 --> 00:27:09,199 Speaker 2: After the TV show. Yes, it was started in nineteen 519 00:27:09,240 --> 00:27:10,879 Speaker 2: sixty five. And where do you guess? 520 00:27:10,920 --> 00:27:11,120 Speaker 4: Where? 521 00:27:11,160 --> 00:27:15,720 Speaker 2: Could you guess? Where might I put a story that 522 00:27:15,920 --> 00:27:18,879 Speaker 2: would be from? Where I might also be from? I 523 00:27:18,920 --> 00:27:23,440 Speaker 2: give up Indiana? Okay, So yeah, they made a steakhouse 524 00:27:23,480 --> 00:27:28,200 Speaker 2: in Indiana called Bonanza based on the television show, right 525 00:27:28,480 --> 00:27:32,400 Speaker 2: nineteen sixty five. This was probably groundbreaking, It was legendary, 526 00:27:32,880 --> 00:27:35,600 Speaker 2: and of course it was great because it was a 527 00:27:35,640 --> 00:27:38,000 Speaker 2: low cost option to you know, go to a sort 528 00:27:38,000 --> 00:27:40,560 Speaker 2: of somewhat fancy you know, it's not like your Filet Minyon. 529 00:27:41,240 --> 00:27:43,440 Speaker 4: But to have like a nice steak of potato situation. 530 00:27:44,280 --> 00:27:49,040 Speaker 4: Of course there was h is this bonanza? Oh yeah, 531 00:27:49,080 --> 00:27:52,040 Speaker 4: of course was this song playing as you ate steak? 532 00:27:52,240 --> 00:27:53,040 Speaker 4: I hope it was. 533 00:27:54,880 --> 00:27:57,480 Speaker 2: This is up there with with the Sizzler song, I think, 534 00:27:58,320 --> 00:28:02,240 Speaker 2: which you'd have a bracket of good old restaurant songs 535 00:28:02,640 --> 00:28:05,560 Speaker 2: and see who would win. Even good in the neighborhood's 536 00:28:05,600 --> 00:28:09,399 Speaker 2: got to be up there. What is that applebee It's Applebee's, okay? 537 00:28:09,880 --> 00:28:11,800 Speaker 2: And then Applebe's has a new song which I do 538 00:28:11,880 --> 00:28:16,520 Speaker 2: not subscribe to Bet Jillian and date not andy thing, 539 00:28:16,880 --> 00:28:19,440 Speaker 2: you know I talk about, Oh yeah, I'm with you. 540 00:28:19,480 --> 00:28:21,560 Speaker 2: I don't care for that Applebee's or anything like. No, 541 00:28:23,520 --> 00:28:26,479 Speaker 2: I'm not for it. But pond Osa is struggling. They 542 00:28:26,520 --> 00:28:29,280 Speaker 2: are now down to I guess something like twenty restaurants, 543 00:28:29,359 --> 00:28:32,760 Speaker 2: and Ponderosa was pretty common. I think back in the 544 00:28:32,840 --> 00:28:35,959 Speaker 2: nineties they had like seven hundred locations across the country. 545 00:28:36,000 --> 00:28:38,320 Speaker 4: We must save them. It's what hass and Little John 546 00:28:38,320 --> 00:28:39,560 Speaker 4: would want you to do. That's right. 547 00:28:39,800 --> 00:28:42,280 Speaker 2: Here's the challenge this week. I want everybody listening. Go 548 00:28:42,320 --> 00:28:44,600 Speaker 2: ahead and go on open table dot com. Call your 549 00:28:44,640 --> 00:28:49,160 Speaker 2: American Express. Rezie hook up and get yourself a table 550 00:28:49,200 --> 00:28:54,160 Speaker 2: at the Ponderosa on Tuesday, the Sizzler on Wednesday, back 551 00:28:54,200 --> 00:28:58,000 Speaker 2: to Pondorosa on Thursday, and then maybe throwing a little 552 00:28:58,040 --> 00:29:00,920 Speaker 2: Applebee's on Friday with the chicken fry. 553 00:29:01,600 --> 00:29:01,719 Speaker 3: No. 554 00:29:01,800 --> 00:29:04,000 Speaker 2: But and it's a bummer because it was also a 555 00:29:04,000 --> 00:29:06,440 Speaker 2: great opportunity. And you got to think these restaurants nowadays 556 00:29:06,760 --> 00:29:11,600 Speaker 2: are so expensive that that the middle ground really feels 557 00:29:11,640 --> 00:29:14,120 Speaker 2: like a fertile place to be where you can have 558 00:29:14,480 --> 00:29:18,240 Speaker 2: a competent meal, a Boston market quality meal for not 559 00:29:18,360 --> 00:29:19,440 Speaker 2: a crazy price. 560 00:29:20,320 --> 00:29:22,680 Speaker 5: By the way, it's Little Joe. I was mistaken and said, okay, 561 00:29:22,920 --> 00:29:24,320 Speaker 5: Little John, It's Little Joe. 562 00:29:24,720 --> 00:29:27,200 Speaker 2: Little John is a completely different situation. You don't want 563 00:29:27,200 --> 00:29:29,600 Speaker 2: to go to the Little John after a Ponderosa meal. No, 564 00:29:29,920 --> 00:29:32,880 Speaker 2: that's right, you don't. You might, you might not have 565 00:29:32,920 --> 00:29:34,800 Speaker 2: a choice in certain places. The last thing I'll say 566 00:29:34,800 --> 00:29:37,080 Speaker 2: here on that note about Ponderosa is that when I 567 00:29:37,120 --> 00:29:38,920 Speaker 2: was a kid, we had a Ponderosa that we would 568 00:29:38,960 --> 00:29:42,680 Speaker 2: go to in Castleton, Indianapolis. It was like in the 569 00:29:42,720 --> 00:29:44,480 Speaker 2: parking lot of the mall, you know, I mean, that's 570 00:29:44,480 --> 00:29:47,200 Speaker 2: how everything is out there. And Pondorosa was a big 571 00:29:47,240 --> 00:29:49,080 Speaker 2: deal because we didn't really go out to eat as kids. 572 00:29:49,440 --> 00:29:50,600 Speaker 2: You know, it was like a big deal to go 573 00:29:50,640 --> 00:29:52,240 Speaker 2: out to eat. So we went to this ponderosa and 574 00:29:52,240 --> 00:29:54,120 Speaker 2: you'd wait in line and they gave you one of 575 00:29:54,160 --> 00:29:55,800 Speaker 2: It was like a buffet situation. So you got a 576 00:29:55,840 --> 00:29:57,920 Speaker 2: tray and you go through the line and you put 577 00:29:57,960 --> 00:30:03,680 Speaker 2: your your food on these bit big old hot ceramic plates. 578 00:30:04,200 --> 00:30:06,560 Speaker 2: You know, they like pop up from the little tray, 579 00:30:06,640 --> 00:30:07,719 Speaker 2: you know, and you get a new one, and then 580 00:30:07,720 --> 00:30:11,160 Speaker 2: another one comes cascading up. It's like it's buffet stuff. Yeah, 581 00:30:11,160 --> 00:30:13,120 Speaker 2: And as a kid, it's incredible, and you think all 582 00:30:13,200 --> 00:30:16,760 Speaker 2: this food. I could eat all this food. And we're 583 00:30:16,800 --> 00:30:18,920 Speaker 2: waiting in line. And I was probably four or five, 584 00:30:18,960 --> 00:30:22,000 Speaker 2: I don't know, very young, like like I kind of 585 00:30:22,000 --> 00:30:23,720 Speaker 2: remember this happening in real life, or I might just 586 00:30:23,800 --> 00:30:25,720 Speaker 2: remember it because the story was told so much throughout 587 00:30:25,800 --> 00:30:30,280 Speaker 2: throughout my life. Some kid is walking by with a plate, 588 00:30:30,720 --> 00:30:33,840 Speaker 2: a tray full of those plates, dirty ones, and he 589 00:30:34,040 --> 00:30:40,280 Speaker 2: slips on the terra cotta tile and those plates go flying, 590 00:30:40,680 --> 00:30:43,400 Speaker 2: crashing everywhere. And as a four or five year old, 591 00:30:43,440 --> 00:30:47,800 Speaker 2: that's horrifying. That's the scariest thing you've ever heard. And 592 00:30:47,840 --> 00:30:53,280 Speaker 2: to this day, my family. Anytime a plate breaks anywhere, 593 00:30:53,800 --> 00:30:58,040 Speaker 2: it is absolutely necessary if you're a respired to say, 594 00:30:59,200 --> 00:31:00,720 Speaker 2: proclaim Ponderosa. 595 00:31:02,560 --> 00:31:04,920 Speaker 4: Nice see. You never saw Old Hop sing do that 596 00:31:05,040 --> 00:31:05,480 Speaker 4: on the show. 597 00:31:05,880 --> 00:31:08,560 Speaker 2: Yeah, imagine if it had been Bonanza at least that 598 00:31:08,560 --> 00:31:11,080 Speaker 2: would have made more sense. You imagine a whole group 599 00:31:11,080 --> 00:31:13,720 Speaker 2: of people nowadays at a restaurant somewhere somebody drops a 600 00:31:13,720 --> 00:31:16,400 Speaker 2: plate on the other side and everyone at the table goes, Ponderosa. 601 00:31:16,800 --> 00:31:19,560 Speaker 5: I want a bunch of dweebs. Oh that's your restaurant 602 00:31:19,640 --> 00:31:21,000 Speaker 5: entertainment right there, You kidding? 603 00:31:21,320 --> 00:31:23,080 Speaker 2: Somebody goes home is like, man, there was the weirdest 604 00:31:23,080 --> 00:31:26,320 Speaker 2: thing I ever saw at does applebee'st tonight? 605 00:31:27,760 --> 00:31:29,480 Speaker 4: So much coming up in the next hour. 606 00:31:29,520 --> 00:31:31,120 Speaker 2: We're going to open those phone lines in a little 607 00:31:31,120 --> 00:31:32,520 Speaker 2: bit and I'm going to have a prompt if you 608 00:31:32,520 --> 00:31:34,280 Speaker 2: want to call and be on the show. We love 609 00:31:34,320 --> 00:31:37,600 Speaker 2: hearing from you. We were doing favorite Movies of All Time, 610 00:31:37,960 --> 00:31:39,240 Speaker 2: remember that that was a good one. We had a 611 00:31:39,240 --> 00:31:41,680 Speaker 2: lot of great calls on that. We did restaurants, we 612 00:31:41,720 --> 00:31:45,480 Speaker 2: did classic restaurants. We'll talk about what we were going 613 00:31:45,520 --> 00:31:47,240 Speaker 2: to have you call and talk about in the eight 614 00:31:47,240 --> 00:31:51,719 Speaker 2: o'clock hour plus. What is tunnel mode, Why is Portia 615 00:31:51,840 --> 00:31:55,040 Speaker 2: now coming out with a tunnel mode? And then the 616 00:31:55,120 --> 00:31:58,360 Speaker 2: latest on of course some election news. Got a big 617 00:31:58,400 --> 00:32:01,080 Speaker 2: election happening tomorrow California, of course for keeping track of 618 00:32:01,080 --> 00:32:03,880 Speaker 2: Prop fifty and also looking at that mayoral race in 619 00:32:04,000 --> 00:32:07,240 Speaker 2: New York City. It's all coming up in the next 620 00:32:07,240 --> 00:32:10,080 Speaker 2: hour here on KFI AM six forty. We're we're live 621 00:32:10,160 --> 00:32:12,040 Speaker 2: everywhere on the iHeartRadio app. 622 00:32:12,720 --> 00:32:16,160 Speaker 1: You're listening to KFI AM six forty on demand.