1 00:00:00,120 --> 00:00:04,480 Speaker 1: Oscar Noms make Hollywood history. Our modern day. Abbit and 2 00:00:04,519 --> 00:00:09,879 Speaker 1: Costello are making a comeback. YouTube knows you like it hoppy, 3 00:00:10,039 --> 00:00:14,680 Speaker 1: but they don't care. Hello motu. All of that and 4 00:00:14,840 --> 00:00:19,919 Speaker 1: so much more here on news dump, it's not big dog. 5 00:00:20,079 --> 00:00:20,919 Speaker 2: What up, homie. 6 00:00:20,960 --> 00:00:23,720 Speaker 1: What I like about when I write my own headlines 7 00:00:23,880 --> 00:00:26,239 Speaker 1: is I don't need stage direction. I know what I 8 00:00:26,280 --> 00:00:26,800 Speaker 1: want to do. 9 00:00:27,000 --> 00:00:31,160 Speaker 2: Sure, sure, Famously, you're also bad at stage directions. 10 00:00:31,400 --> 00:00:34,840 Speaker 1: Famously I write the wrong stuff and usually the headlines. 11 00:00:35,080 --> 00:00:36,840 Speaker 2: Yeah, miss stage. 12 00:00:36,680 --> 00:00:38,000 Speaker 1: Words are all over the place. 13 00:00:38,040 --> 00:00:41,360 Speaker 2: I'm bad at receiving stage directions and impressions. So the 14 00:00:41,360 --> 00:00:42,360 Speaker 2: combination's poor. 15 00:00:42,640 --> 00:00:45,520 Speaker 1: Well, what's fun now is my son knows how to read, 16 00:00:46,200 --> 00:00:49,080 Speaker 1: and when I'm reading him a book, I like to 17 00:00:49,159 --> 00:00:50,200 Speaker 1: move words around. 18 00:00:51,040 --> 00:00:52,440 Speaker 2: Yeah, it's called dyslexia. 19 00:00:52,520 --> 00:00:57,360 Speaker 1: The sentences still make sense, it's still like proper sentence structure. 20 00:00:57,440 --> 00:00:59,600 Speaker 1: I just move things around and he's like, that's not 21 00:00:59,640 --> 00:01:00,480 Speaker 1: what it's says. 22 00:01:00,560 --> 00:01:04,959 Speaker 2: Well, you've seen that test thing where most humans can 23 00:01:05,080 --> 00:01:08,680 Speaker 2: rigid without actually like if you're just skimming a paragraph, 24 00:01:09,120 --> 00:01:11,360 Speaker 2: they can have like get the word jumbled, but with 25 00:01:11,520 --> 00:01:14,319 Speaker 2: context and beginning and ending, you kind of know where 26 00:01:14,360 --> 00:01:17,400 Speaker 2: it is. So it's it's a bit of a memory thing. 27 00:01:17,440 --> 00:01:21,200 Speaker 1: I'm just adding flair. Yeah, and asked me how my 28 00:01:21,240 --> 00:01:21,800 Speaker 1: morning's been? 29 00:01:22,080 --> 00:01:25,360 Speaker 2: Good? Yeah, first of all, good morning, good morning, How 30 00:01:25,400 --> 00:01:28,920 Speaker 2: are you Goodmorrow? Sir? Would you do this morning? 31 00:01:29,120 --> 00:01:32,440 Speaker 1: Well? MATC? Glad you asked? First time in ten years 32 00:01:32,440 --> 00:01:34,039 Speaker 1: you've asked me how my day has been? How my 33 00:01:34,080 --> 00:01:37,240 Speaker 1: morning has been? But I'll answer you. I'll I'll humor you. 34 00:01:37,440 --> 00:01:39,679 Speaker 1: Speaking of humor, you know who I spoke to earlier? 35 00:01:39,840 --> 00:01:42,440 Speaker 1: Would you speak to Lenny Clark? Brag? 36 00:01:42,720 --> 00:01:43,679 Speaker 2: Really? How about that? 37 00:01:43,800 --> 00:01:49,240 Speaker 1: Only for thirty seconds? But it has created a shift in. 38 00:01:49,120 --> 00:01:50,760 Speaker 2: My life, Lenny Clack. 39 00:01:50,680 --> 00:01:54,600 Speaker 1: Lenny Clack, it has created a chasm in my life. 40 00:01:54,680 --> 00:01:56,160 Speaker 2: All right, how so. 41 00:01:56,280 --> 00:01:59,400 Speaker 1: Well, for ten years on this podcast, we have joked, 42 00:01:59,440 --> 00:02:03,240 Speaker 1: we have we have said, how like Lenny Clark. Yes, 43 00:02:03,280 --> 00:02:05,880 Speaker 1: he's from Boston and he's used in all of these 44 00:02:05,920 --> 00:02:09,680 Speaker 1: documentaries as someone who you know, speaks for Boston, And 45 00:02:09,720 --> 00:02:13,520 Speaker 1: we're like, nah, give us someone else. I retract that. 46 00:02:14,960 --> 00:02:18,560 Speaker 2: You're now because you breathed the same here as Lenny Clark, 47 00:02:18,600 --> 00:02:20,679 Speaker 2: you're now a Lenny Clarkstan. 48 00:02:20,280 --> 00:02:23,840 Speaker 1: I'm so pro Lenny Clark. Now, okay, all right, unbelievably 49 00:02:23,919 --> 00:02:28,440 Speaker 1: nice Yep, We had a great talk about how the 50 00:02:28,440 --> 00:02:33,440 Speaker 1: Bruins right now. Nessen does obstructed views with Patrice Burser 51 00:02:33,520 --> 00:02:36,480 Speaker 1: on Tuka Rask. I think Andrew Raycroft and like I 52 00:02:36,720 --> 00:02:40,360 Speaker 1: joked with him, like usually hockey players are interesting, and 53 00:02:40,400 --> 00:02:42,880 Speaker 1: then he had a funny thing back to me. It 54 00:02:42,960 --> 00:02:44,200 Speaker 1: was a great time had by all. 55 00:02:44,440 --> 00:02:44,720 Speaker 2: Sure. 56 00:02:44,880 --> 00:02:49,720 Speaker 1: Yeah, So moving forward, Mack and Goo pro Lenny Clark. 57 00:02:49,639 --> 00:02:52,040 Speaker 2: Maybe he'll remember you going for it too. He's like, ah, 58 00:02:52,080 --> 00:02:54,359 Speaker 2: that's the mustache guy that made fun of them. 59 00:02:54,400 --> 00:02:55,720 Speaker 1: Don't have a mustache anymore? 60 00:02:55,960 --> 00:02:56,960 Speaker 2: Well you do at the moment. 61 00:02:57,040 --> 00:02:59,080 Speaker 1: He's a big fan of Jeremy Ronick. That's how the 62 00:02:59,080 --> 00:03:00,000 Speaker 1: conversation started. 63 00:03:01,040 --> 00:03:02,799 Speaker 2: Okay, yeah, yeah. 64 00:03:03,160 --> 00:03:08,760 Speaker 1: Also while at work, I heard there's little whispers that 65 00:03:08,919 --> 00:03:11,760 Speaker 1: David I'm medical Ortiz was in the office. 66 00:03:11,919 --> 00:03:15,040 Speaker 3: Big Poppy come back with that middle name again, I'm medical. Okay, 67 00:03:15,400 --> 00:03:19,560 Speaker 3: Big Poppy was in the building, large father, large father, 68 00:03:20,080 --> 00:03:22,480 Speaker 3: and I had to, you know, bide my time. I 69 00:03:22,520 --> 00:03:24,920 Speaker 3: had to stalk the area. I had to hide in 70 00:03:24,960 --> 00:03:28,600 Speaker 3: the tall grass. But I eventually caught him, took a photo, 71 00:03:29,080 --> 00:03:30,240 Speaker 3: shook his hands. 72 00:03:30,600 --> 00:03:31,239 Speaker 1: What a morning. 73 00:03:31,480 --> 00:03:35,320 Speaker 2: Big Poppy is an idol of ours. We were teenagers 74 00:03:35,320 --> 00:03:39,560 Speaker 2: when that Red Sox team became legitimate one three World series. 75 00:03:39,840 --> 00:03:42,440 Speaker 2: Eventually a fourth was Ortiz on that eighteen team too. 76 00:03:42,840 --> 00:03:46,040 Speaker 1: Now, okay, no thirteine and then I think you're retired 77 00:03:46,040 --> 00:03:48,760 Speaker 1: after sixteen, Okay, so he is. 78 00:03:49,000 --> 00:03:51,680 Speaker 2: He was very formative in Goo and Eye's teenage years. 79 00:03:52,160 --> 00:03:55,560 Speaker 2: Absolute legend. I'm very jealous of you, but I must 80 00:03:55,640 --> 00:03:58,920 Speaker 2: give you credit. I have met to New England sports 81 00:03:59,000 --> 00:04:02,720 Speaker 2: legends duty you at the w BZ studio, one Troy 82 00:04:02,720 --> 00:04:05,960 Speaker 2: Brown and two Pedro Martinez. So you know I can't 83 00:04:05,960 --> 00:04:06,760 Speaker 2: win them all, you. 84 00:04:06,680 --> 00:04:10,960 Speaker 1: Know, Yeah, I mean I don't geek out over all athletes, 85 00:04:11,000 --> 00:04:14,280 Speaker 1: all celebrities, but there's a handful yeah that if I 86 00:04:14,320 --> 00:04:16,960 Speaker 1: see that they're going to be somewhere, I'm going to 87 00:04:17,000 --> 00:04:17,479 Speaker 1: find them. 88 00:04:17,680 --> 00:04:25,560 Speaker 2: Yeah, like from our childhood. It's like Bork Brady, Pedro. 89 00:04:25,400 --> 00:04:30,120 Speaker 1: Yes, Nanny Ortiz. I was so disappointed when mo Vaughn 90 00:04:30,240 --> 00:04:32,880 Speaker 1: was at my station, but no one told me that 91 00:04:32,920 --> 00:04:34,200 Speaker 1: he was going to be there. I would have went 92 00:04:34,200 --> 00:04:35,760 Speaker 1: in on my off day to find mo Vaughn. 93 00:04:36,040 --> 00:04:37,560 Speaker 2: Yep, for sure, for sure. 94 00:04:37,680 --> 00:04:40,920 Speaker 1: But like, yeah, like I've been in the Patriots locker room. 95 00:04:40,880 --> 00:04:42,760 Speaker 2: Braggs, there are a bunch of dripping hogs in there. 96 00:04:42,920 --> 00:04:44,720 Speaker 1: Dripping hogs all over the place. That's why I'm not 97 00:04:44,800 --> 00:04:48,200 Speaker 1: allowed back in. But when Tom Brady walks by. 98 00:04:48,120 --> 00:04:51,120 Speaker 2: You, you walked in bottomless like I thought. 99 00:04:50,960 --> 00:04:56,359 Speaker 1: We were are the poohin? I was actually porky pigan. 100 00:04:56,400 --> 00:04:59,400 Speaker 1: I only had a vest. But once again, when Tom 101 00:04:59,440 --> 00:05:03,240 Speaker 1: Brady walks you, you're just like wow, yeah right, that's crazy. 102 00:05:03,279 --> 00:05:07,239 Speaker 1: Tom Brady larger than lift. So it's ortiz Manny Pedro, 103 00:05:07,760 --> 00:05:09,159 Speaker 1: Brady and Lenny Clark. 104 00:05:10,680 --> 00:05:12,279 Speaker 2: All right there it is news. 105 00:05:12,360 --> 00:05:18,279 Speaker 1: Deppe William Shatner making some news. Saw on TMZ that 106 00:05:18,320 --> 00:05:20,920 Speaker 1: he was photographed eating a bowl of cereal in his 107 00:05:21,040 --> 00:05:26,159 Speaker 1: car at a stoplight. I've seen some arguing theories that 108 00:05:26,240 --> 00:05:28,279 Speaker 1: he was in a parking lot doing it, which I 109 00:05:28,279 --> 00:05:32,320 Speaker 1: think makes it sadder. But where do you stand? And 110 00:05:32,360 --> 00:05:35,280 Speaker 1: this is, of course it's an It's Always Sunny episode 111 00:05:35,360 --> 00:05:38,560 Speaker 1: of if you should eat cereal while driving? Where do 112 00:05:38,640 --> 00:05:40,960 Speaker 1: you stand on eating while driving? 113 00:05:41,160 --> 00:05:44,400 Speaker 2: If you cannot hold the thing you're eating in one hand, 114 00:05:44,640 --> 00:05:47,200 Speaker 2: it's not a driving food if it can't or if 115 00:05:47,240 --> 00:05:48,800 Speaker 2: it can't be like place to the side, you can 116 00:05:48,880 --> 00:05:52,120 Speaker 2: grab it like that, not a driving food. Eating bold 117 00:05:52,200 --> 00:05:55,599 Speaker 2: stuff is preposterous. Oat male cereal. I know people do 118 00:05:55,640 --> 00:05:57,840 Speaker 2: it every morning, and they spill every morning as well. 119 00:05:58,279 --> 00:06:01,599 Speaker 2: I just it's so practical, honestly embarrassing. It makes you 120 00:06:01,600 --> 00:06:03,760 Speaker 2: look like a poor on top of it. And at 121 00:06:03,800 --> 00:06:06,360 Speaker 2: this point, William Shatner's what ninety. 122 00:06:06,080 --> 00:06:08,040 Speaker 1: Years old, ninety one, ninety two is he's still. 123 00:06:07,960 --> 00:06:10,480 Speaker 2: Driving himself around like he doesn't have someone that can 124 00:06:10,520 --> 00:06:13,400 Speaker 2: also drive him and or feed him cereal while he's driving. 125 00:06:13,680 --> 00:06:16,440 Speaker 1: No, no, no, no, no no no, you can eat 126 00:06:16,480 --> 00:06:17,599 Speaker 1: while someone else is dripping. 127 00:06:17,640 --> 00:06:19,240 Speaker 2: Shatner's ninety four years old. 128 00:06:19,279 --> 00:06:22,840 Speaker 1: Don't let people feed you while you're driving. That's weird. 129 00:06:23,240 --> 00:06:25,760 Speaker 2: No, this is more weird. Eating a bowl cereals while 130 00:06:25,800 --> 00:06:28,919 Speaker 2: trying to drive when you're ninety four years old, so 131 00:06:28,960 --> 00:06:30,840 Speaker 2: you already probably have killed a couple people at the 132 00:06:30,839 --> 00:06:33,360 Speaker 2: wheel is bad. It's very bad. 133 00:06:33,480 --> 00:06:37,000 Speaker 1: I would say mount rushmore of food to eat while driving. 134 00:06:37,160 --> 00:06:39,240 Speaker 2: French fries specifically McDonald's. 135 00:06:39,240 --> 00:06:41,159 Speaker 1: That's a one hander. You can pick up a bunch. 136 00:06:41,200 --> 00:06:43,159 Speaker 1: It doesn't matter if you get one or a few. 137 00:06:44,200 --> 00:06:45,640 Speaker 2: A rap, rap's good. 138 00:06:45,680 --> 00:06:49,240 Speaker 1: I'm saying rap specifically. I don't think sandwich is good. 139 00:06:49,360 --> 00:06:52,720 Speaker 2: Sandwich is more messy for sure. Candy yep, all right, 140 00:06:53,160 --> 00:06:55,160 Speaker 2: I need one more chicken nuggets. 141 00:06:54,839 --> 00:06:57,919 Speaker 1: Chicken nuggets or chicken tenders. Yeah, easy, you know what 142 00:06:57,960 --> 00:07:01,440 Speaker 1: you could eat, although get sloppy sometimes times. Hot dog 143 00:07:01,720 --> 00:07:02,160 Speaker 1: you could do. 144 00:07:02,080 --> 00:07:02,520 Speaker 2: A hot dog. 145 00:07:02,520 --> 00:07:03,240 Speaker 1: You can do a hot dog. 146 00:07:03,279 --> 00:07:04,040 Speaker 2: You could do a hot dog. 147 00:07:04,120 --> 00:07:05,640 Speaker 1: Yeah, but it has to be a six incher. Can't 148 00:07:05,680 --> 00:07:06,279 Speaker 1: be a foot long? 149 00:07:06,480 --> 00:07:10,000 Speaker 2: Well defense so much how flashy it is. 150 00:07:10,760 --> 00:07:12,240 Speaker 1: Do you eat like a duck? If you eat like 151 00:07:12,280 --> 00:07:15,800 Speaker 1: a duck, you can do a foot long. They don't chew, 152 00:07:15,800 --> 00:07:16,560 Speaker 1: they just swallow. 153 00:07:16,760 --> 00:07:16,960 Speaker 2: Yeah. 154 00:07:17,040 --> 00:07:23,000 Speaker 1: Yeah, news done. Oscar nominations have come out. I'm not 155 00:07:23,040 --> 00:07:24,560 Speaker 1: going to say today because I don't know when this 156 00:07:24,600 --> 00:07:27,400 Speaker 1: episode is being released, but within the last window of 157 00:07:27,480 --> 00:07:31,160 Speaker 1: a few days. But Hollywood history has been made with 158 00:07:31,400 --> 00:07:37,080 Speaker 1: sixteen nominations going to sinners, completely trouncing the thirteen too. 159 00:07:37,200 --> 00:07:44,400 Speaker 1: Once upon a Time in Battle after another both of 160 00:07:44,400 --> 00:07:46,120 Speaker 1: those movies, the titles are too long. 161 00:07:46,280 --> 00:07:48,160 Speaker 2: Yeah yeah, yeah, yeah, One battle. 162 00:07:47,880 --> 00:07:50,120 Speaker 1: After another, one battle after another. 163 00:07:50,120 --> 00:07:52,560 Speaker 2: That's four words, one battle after another. 164 00:07:53,120 --> 00:07:55,560 Speaker 1: I don't know why, but it seems like three sentences. 165 00:07:55,600 --> 00:07:57,720 Speaker 2: Once upon a Time in Hollywood is as much more 166 00:07:57,720 --> 00:07:58,360 Speaker 2: of a mouthful. 167 00:07:58,440 --> 00:08:02,320 Speaker 1: Guys comment down below, bigger mouthful. Once upon a Time 168 00:08:02,320 --> 00:08:05,200 Speaker 1: in Hollywood, One battle after another, or a foot long 169 00:08:05,280 --> 00:08:05,760 Speaker 1: hot dog. 170 00:08:06,400 --> 00:08:10,520 Speaker 2: Good. Yeah, as you said, Sinners, which Variety I believe 171 00:08:11,040 --> 00:08:13,320 Speaker 2: hedged a couple of weeks ago, said it may become 172 00:08:13,640 --> 00:08:16,040 Speaker 2: the most nominated film of all time with fifteen and 173 00:08:16,080 --> 00:08:20,280 Speaker 2: went ahead and got sixteen nominations, smashing the previous record 174 00:08:20,360 --> 00:08:23,320 Speaker 2: that was a three way tie between All About Eve 175 00:08:23,440 --> 00:08:27,240 Speaker 2: from nineteen fifty, Titanic ninety seven, and La La Land 176 00:08:27,280 --> 00:08:28,000 Speaker 2: twenty six sets. 177 00:08:28,000 --> 00:08:29,320 Speaker 1: It's too many for La La Land. 178 00:08:29,480 --> 00:08:31,720 Speaker 2: It is too many for Lala Land, that is for sure, 179 00:08:32,200 --> 00:08:34,720 Speaker 2: And honestly, as good as Sinners is, it's probably too 180 00:08:34,760 --> 00:08:37,000 Speaker 2: many for Sinners. Sinners might win like three of these. 181 00:08:37,440 --> 00:08:42,000 Speaker 2: So sixteen nominations is that this is the Academy blowing 182 00:08:42,080 --> 00:08:43,280 Speaker 2: Ryan Coogler's hog here. 183 00:08:43,480 --> 00:08:46,400 Speaker 1: I think it's also looking at the landscape of the 184 00:08:46,440 --> 00:08:49,760 Speaker 1: other movies as well. You do have some really good 185 00:08:49,760 --> 00:08:52,280 Speaker 1: heavy hitters, but that middle ground ain't great. 186 00:08:52,360 --> 00:08:54,680 Speaker 2: I think Sinners win, might win three or four of these. 187 00:08:54,760 --> 00:08:58,000 Speaker 2: It's it's not gonna win a lot. It now holds 188 00:08:58,000 --> 00:09:00,280 Speaker 2: the distinction of being the most nominated, which is great 189 00:09:00,280 --> 00:09:02,719 Speaker 2: for Coogler, great for that film. It is a great film. 190 00:09:03,000 --> 00:09:04,520 Speaker 2: It just seems like it's a little much. 191 00:09:04,600 --> 00:09:07,880 Speaker 1: Can I say my biggest surprise. Sure, I nearly fell 192 00:09:07,920 --> 00:09:10,440 Speaker 1: out of my chair when I saw that F one 193 00:09:10,559 --> 00:09:11,920 Speaker 1: was nominated for Best Picture. 194 00:09:12,120 --> 00:09:14,200 Speaker 2: I so, okay, we'll jump to that in a second. 195 00:09:14,280 --> 00:09:14,640 Speaker 1: Okay. 196 00:09:14,760 --> 00:09:18,240 Speaker 2: Also, Goo Wicked for good no nominations at all this 197 00:09:18,360 --> 00:09:21,600 Speaker 2: time around. Wicked last year got ten nominations. 198 00:09:21,600 --> 00:09:25,760 Speaker 1: Okay, movies is good. Ten for two movies is good. 199 00:09:26,800 --> 00:09:31,280 Speaker 2: Speaking of Best Picture, Goo, we have ten nominees Sinners, Hamnett, Frankenstein, 200 00:09:31,440 --> 00:09:35,160 Speaker 2: Marty Supreme Sentimental Value, one battle after another, Bogonia, F 201 00:09:35,240 --> 00:09:38,960 Speaker 2: one The Secret Agent, and Train Dreams. F one out 202 00:09:39,000 --> 00:09:42,400 Speaker 2: of absolutely fucking nowhere gets nominated for Best Picture. Over 203 00:09:42,480 --> 00:09:45,360 Speaker 2: what some people were saying a couple of months ago, 204 00:09:45,480 --> 00:09:48,280 Speaker 2: was a dark horse for Best Picture, no other choice 205 00:09:48,280 --> 00:09:50,520 Speaker 2: out of South Korea, which is the movie I'm still 206 00:09:50,559 --> 00:09:52,840 Speaker 2: looking forward to most over this next week or two 207 00:09:52,840 --> 00:09:56,720 Speaker 2: to try to catch that is stunning Begonia, you know, 208 00:09:56,840 --> 00:10:00,439 Speaker 2: Train Dreams, but that haf one one, but. 209 00:10:00,400 --> 00:10:02,840 Speaker 1: That also does speaks to all the middle grounds. That's 210 00:10:03,280 --> 00:10:04,840 Speaker 1: the middle ground of the movies you have. 211 00:10:04,960 --> 00:10:07,240 Speaker 2: You have a heavy favorite for Best Animated Film, k 212 00:10:07,360 --> 00:10:10,160 Speaker 2: Pop Demon Hunter a thousand. Hell yeah, why wouldn't you 213 00:10:10,160 --> 00:10:12,439 Speaker 2: just also give that a Best Picture nominee over F. 214 00:10:12,440 --> 00:10:14,360 Speaker 1: One you would bring in the young audience. 215 00:10:14,520 --> 00:10:17,520 Speaker 2: Yeah, I mean that's just F one getting a nominee 216 00:10:17,600 --> 00:10:20,520 Speaker 2: is is insane. Goo. Let's run through some of the 217 00:10:20,559 --> 00:10:25,240 Speaker 2: more more nominees here. Best Actor, Michael B. Shallow May, Leo, 218 00:10:25,440 --> 00:10:29,040 Speaker 2: Ethan Hawke, and Wagner Mora from The Secret Agent. You're 219 00:10:29,080 --> 00:10:31,160 Speaker 2: a leader in the clubhouse right now, betting wise a 220 00:10:31,240 --> 00:10:34,040 Speaker 2: shalome A MIAs five hundred. Those odds keep getting wider 221 00:10:34,080 --> 00:10:34,439 Speaker 2: and wide. 222 00:10:34,440 --> 00:10:36,720 Speaker 1: And I also think that has to do with Leo 223 00:10:36,800 --> 00:10:39,559 Speaker 1: has already won one. Shallow May is the next guy, 224 00:10:40,160 --> 00:10:42,480 Speaker 1: and it's the same as voting for an MVP. 225 00:10:42,760 --> 00:10:45,360 Speaker 2: I still lean Leo here, but I understand the shallowmey thing. 226 00:10:46,000 --> 00:10:49,560 Speaker 2: Leo's at plus five fifty. Also Wagner Mora, some people 227 00:10:49,600 --> 00:10:51,640 Speaker 2: are really you know, ringing that bell too, But he 228 00:10:51,640 --> 00:10:54,200 Speaker 2: doesn't have a chance now good. Shallow May is the 229 00:10:54,240 --> 00:10:57,960 Speaker 2: youngest actor since Marlon Brando to garner their third OSCAR nomination. 230 00:10:58,320 --> 00:11:00,800 Speaker 2: He's like twenty eight years old. Pretty good, pretty good. 231 00:11:01,120 --> 00:11:05,680 Speaker 1: Never go against the family. That was me, that wasn't 232 00:11:05,720 --> 00:11:06,440 Speaker 1: Marlon Brando. 233 00:11:06,600 --> 00:11:10,560 Speaker 2: Go another surprise here in Best Actress category, you have 234 00:11:10,640 --> 00:11:13,800 Speaker 2: Jesse Buckley, the odds on favorite at minus sixteen hundred, 235 00:11:13,880 --> 00:11:18,160 Speaker 2: Rose Burne second at plus nine hundred, Renate ren ronzve 236 00:11:19,000 --> 00:11:21,760 Speaker 2: for sentimental value, Emma Stone but goingya, and then Kate 237 00:11:21,920 --> 00:11:25,880 Speaker 2: Hudson sneaks in here for song Sung and Blue. Essentially, 238 00:11:26,000 --> 00:11:28,280 Speaker 2: I think it's a one for one here. She bumps 239 00:11:28,400 --> 00:11:32,000 Speaker 2: Chase Infinity out of getting a nomination here, and that's 240 00:11:32,120 --> 00:11:33,160 Speaker 2: really disappointing. 241 00:11:33,280 --> 00:11:36,040 Speaker 1: I was disappointed that Chase Infinity didn't get any love 242 00:11:36,080 --> 00:11:36,320 Speaker 1: in this. 243 00:11:36,679 --> 00:11:37,960 Speaker 2: It's just so frustrated. 244 00:11:38,000 --> 00:11:39,839 Speaker 1: She was so good in that movie. 245 00:11:39,520 --> 00:11:43,959 Speaker 2: And they purposefully put her in lead actress instead of 246 00:11:44,000 --> 00:11:46,800 Speaker 2: supporting so they could push Tanna Taylor, and now Tanna 247 00:11:46,880 --> 00:11:50,000 Speaker 2: Taylor might win supporting when Chase and Finity blows her 248 00:11:50,040 --> 00:11:50,640 Speaker 2: out of the water. 249 00:11:50,920 --> 00:11:53,920 Speaker 1: Do they have Rookie of the Year at the Oscars now? 250 00:11:54,000 --> 00:11:57,560 Speaker 2: Unfortunately not. We should consider petitioning the Academy for that. 251 00:11:57,600 --> 00:12:02,000 Speaker 1: Roy or, as they say in Canada, wah. 252 00:12:01,600 --> 00:12:05,000 Speaker 2: Goo, your two most contested races are going to be 253 00:12:05,120 --> 00:12:09,800 Speaker 2: in the supporting acting categories Supporting Actor del Toro, Alordi, 254 00:12:10,200 --> 00:12:12,120 Speaker 2: del Ray Lindo, which was a bit of a surprise 255 00:12:12,160 --> 00:12:16,480 Speaker 2: for sinners. Sean Penn stellan scarsguard sentimental value. Right now, 256 00:12:16,520 --> 00:12:19,600 Speaker 2: Scars Guard is at plus one hundred, but del Toro 257 00:12:19,679 --> 00:12:21,080 Speaker 2: and Penn are at plus two forty plus. 258 00:12:21,240 --> 00:12:22,920 Speaker 1: Yet Delro over Penn. 259 00:12:23,040 --> 00:12:26,720 Speaker 2: Yeah, which I we both agree with, but it didn't 260 00:12:26,760 --> 00:12:29,880 Speaker 2: feel that way a couple of months ago. Also, oddly enough, Gu, 261 00:12:29,960 --> 00:12:32,560 Speaker 2: this is the first ever nomination for Scarsguard, which you 262 00:12:32,840 --> 00:12:34,640 Speaker 2: would have thought that he would have had one or 263 00:12:34,640 --> 00:12:37,400 Speaker 2: two prior to this, but nope, first ever. And then 264 00:12:37,440 --> 00:12:41,400 Speaker 2: Best Supporting Actress actress gu l Fanning and inga IBB's 265 00:12:41,480 --> 00:12:44,880 Speaker 2: daughter Lilias for sentimental value, a lot of acting noms 266 00:12:44,880 --> 00:12:48,079 Speaker 2: for sentimental value. Amy Madigan Weapons, who's second in the 267 00:12:48,080 --> 00:12:51,160 Speaker 2: odds at plus one sixty Wound me Musaku for Sinners 268 00:12:51,160 --> 00:12:55,880 Speaker 2: another surprise there, and then Taana Taylor the leader right 269 00:12:55,880 --> 00:12:58,640 Speaker 2: now at minus one eighty five. Gu. This is a 270 00:12:58,679 --> 00:13:02,439 Speaker 2: disappointing category because my favorite couple performances of the year 271 00:13:02,520 --> 00:13:05,839 Speaker 2: didn't even get nominated. Here. I don't really care who 272 00:13:05,840 --> 00:13:09,439 Speaker 2: wins this to this point, sure Teyana Taylor. I'd prefer 273 00:13:09,520 --> 00:13:12,079 Speaker 2: Taylor over Madigan. But like I talked about it a 274 00:13:12,120 --> 00:13:14,800 Speaker 2: couple weeks ago, I love one battle after another. It's 275 00:13:14,880 --> 00:13:17,880 Speaker 2: probably one of my favorite movies of the last twenty years. 276 00:13:18,040 --> 00:13:21,640 Speaker 2: Definitely is Tanna Taylor does not deserve Best Supporting Actress. 277 00:13:21,920 --> 00:13:24,839 Speaker 1: Is she in the Hannibal Lecter. We have to look 278 00:13:24,880 --> 00:13:26,520 Speaker 1: at how many minutes she's in that movie. 279 00:13:26,559 --> 00:13:29,240 Speaker 2: She's gotta be in there for like eighteen minutes, twenty minutes, 280 00:13:29,280 --> 00:13:30,920 Speaker 2: twenty five minutes. Maybe I don't know. 281 00:13:31,080 --> 00:13:33,160 Speaker 1: I know that, so I think Hannibal Elector we can 282 00:13:33,200 --> 00:13:35,520 Speaker 1: look it up later. But he's under twenty Beatle Juice, 283 00:13:35,559 --> 00:13:38,880 Speaker 1: the titular Beatle Juice who won all of the Academy 284 00:13:38,880 --> 00:13:42,360 Speaker 1: Awards in nineteen eighty nine. I believe seventeen minutes. 285 00:13:42,400 --> 00:13:45,719 Speaker 2: But like Anthony Hopkins's Hannibal, Lecter steals every scene he's 286 00:13:45,760 --> 00:13:47,000 Speaker 2: in and elevates the movie. 287 00:13:47,160 --> 00:13:49,760 Speaker 1: That doesn't happen with Anna Taylor looks so good in 288 00:13:49,760 --> 00:13:50,200 Speaker 1: this movie. 289 00:13:50,280 --> 00:13:52,440 Speaker 2: She does look great, but she's not. She's not winning 290 00:13:52,480 --> 00:13:55,520 Speaker 2: an award for Best Looking Good, Best Animated. Like I said, 291 00:13:55,600 --> 00:13:58,280 Speaker 2: K Pop, Demon Hunter's a runaway favorite right now at Mys. 292 00:13:58,320 --> 00:14:02,440 Speaker 2: The thousands Utopia two plus Best Director gu This is 293 00:14:02,960 --> 00:14:05,800 Speaker 2: might be the longest odds yet. Paul Thomas Anderson is 294 00:14:05,800 --> 00:14:08,680 Speaker 2: the favorite of minus eight hundred Coogler and Chloe Zaur 295 00:14:08,760 --> 00:14:11,400 Speaker 2: tied for second plus one thousand. Right now, you also 296 00:14:11,559 --> 00:14:15,400 Speaker 2: have Joachim Trier for sentimental value and Josh Safti for 297 00:14:15,559 --> 00:14:18,480 Speaker 2: Marty Supreme. He didn't get a Best Director nom at 298 00:14:18,520 --> 00:14:20,480 Speaker 2: the Globes but got it here. This is more meaningful. 299 00:14:20,520 --> 00:14:24,920 Speaker 2: That's good. Best Original Screenplay you have Robert Catflow Blue Moon, 300 00:14:25,040 --> 00:14:28,520 Speaker 2: Jafar Panahi for It Was Just an Accident, Bronstein and 301 00:14:28,560 --> 00:14:32,200 Speaker 2: Safty for Marty Supreme, Eskill Vote, and Jakim Trier for 302 00:14:32,560 --> 00:14:36,480 Speaker 2: sentimental value, and Kugler for Sinners Adapted Screenplay, Will Tracy 303 00:14:36,600 --> 00:14:42,040 Speaker 2: for Bogonna, Gambo del Toro for Frankenstein, Zawa O'Farrell for Hamnet. 304 00:14:42,280 --> 00:14:44,320 Speaker 2: I think O'Farrell is the author of the book as well. 305 00:14:44,480 --> 00:14:47,520 Speaker 2: PTA for One Battle after Another, Clint Bentley and Craig 306 00:14:50,760 --> 00:14:53,360 Speaker 2: Quadar for Trained Dreams. That's an interesting name. 307 00:14:53,400 --> 00:14:54,960 Speaker 1: I've lost track of all this, so I can't even 308 00:14:55,000 --> 00:14:56,040 Speaker 1: help you gu the. 309 00:14:56,000 --> 00:14:59,200 Speaker 2: First time category here. So they have added a category 310 00:14:59,200 --> 00:15:01,560 Speaker 2: which is encouraging me. They will add a Rookie of 311 00:15:01,560 --> 00:15:04,320 Speaker 2: the Year. You have best Casting. So just in general 312 00:15:04,760 --> 00:15:08,920 Speaker 2: for a movie, you have the nominees Hamnet, Marty Supreme, 313 00:15:08,960 --> 00:15:12,040 Speaker 2: One Battle after Another, The Secret agent in Sinners. This 314 00:15:12,200 --> 00:15:14,840 Speaker 2: right away tells me the Academy has no idea what 315 00:15:14,840 --> 00:15:18,640 Speaker 2: they're doing because sentimental value is nominated for acting. Awe. 316 00:15:18,760 --> 00:15:20,520 Speaker 1: That's a good point, and it didn't get. 317 00:15:20,360 --> 00:15:22,280 Speaker 2: Nominated for best casting. 318 00:15:21,960 --> 00:15:24,120 Speaker 1: Because I would also, I would give it to the 319 00:15:24,160 --> 00:15:27,160 Speaker 1: movie where I feel like they're not gonna win for 320 00:15:27,240 --> 00:15:30,920 Speaker 1: someone having the best it's just the best all around 321 00:15:31,240 --> 00:15:32,240 Speaker 1: supporting cast. 322 00:15:32,440 --> 00:15:36,080 Speaker 2: Yeah. So right now the leader the odds on favorite 323 00:15:36,200 --> 00:15:38,520 Speaker 2: Sinators at minus two eighty, the only one closes one 324 00:15:38,520 --> 00:15:41,800 Speaker 2: battle off another plus two fifty. Now here's why I 325 00:15:42,160 --> 00:15:45,000 Speaker 2: like Sinners being the lead or the favorite for this 326 00:15:45,080 --> 00:15:47,920 Speaker 2: category is because the decision to cast Michael B. Jordan 327 00:15:48,000 --> 00:15:50,680 Speaker 2: in two roles is why that movie ends up being 328 00:15:50,720 --> 00:15:51,160 Speaker 2: so great. 329 00:15:51,160 --> 00:15:53,480 Speaker 1: Wy was he nominated for Smoke or Stack? 330 00:15:53,840 --> 00:15:57,800 Speaker 2: Great question, that's a great question. I guess both both. 331 00:15:57,880 --> 00:15:59,200 Speaker 1: That doesn't make any sense to me. 332 00:15:59,360 --> 00:16:01,960 Speaker 2: One battle off another obviously crushed their casting as well. 333 00:16:02,000 --> 00:16:04,880 Speaker 2: But I fully understand Sinners being the favorite. 334 00:16:04,920 --> 00:16:08,160 Speaker 1: I would vote for a news radio just shoot me, 335 00:16:08,640 --> 00:16:11,280 Speaker 1: you know, there's no stand out like this is their show. 336 00:16:11,640 --> 00:16:13,200 Speaker 1: It's everybody sure, sure? 337 00:16:13,320 --> 00:16:17,640 Speaker 2: Sure? Cinematography, Sinners Trained dreams, one battle after another. Frankenstein 338 00:16:17,720 --> 00:16:21,320 Speaker 2: Marty Supreme original score, go, this is gonna be an 339 00:16:21,320 --> 00:16:24,280 Speaker 2: interesting one. Sinators could win this one as well. You 340 00:16:24,320 --> 00:16:27,640 Speaker 2: have Fendrix for Pogonia, to Splot for Frankenstein, Max Richter 341 00:16:27,720 --> 00:16:30,640 Speaker 2: for Hamnet, Johnny Greenwood for one Battle after another. That's 342 00:16:30,640 --> 00:16:34,280 Speaker 2: who i'd lean. But Ludwick Gorenson for Sinators was also fantastic. 343 00:16:34,840 --> 00:16:37,120 Speaker 2: Original song is going to go to Golden by All, 344 00:16:37,240 --> 00:16:40,520 Speaker 2: Yeah for sure, Hell yeah, but I still think I 345 00:16:40,640 --> 00:16:43,160 Speaker 2: Lied to You from Sinators is very deserving in most 346 00:16:43,200 --> 00:16:43,760 Speaker 2: other years. 347 00:16:43,960 --> 00:16:46,880 Speaker 1: Yeah, I think what might be held against Ludvig Gorenson 348 00:16:47,200 --> 00:16:51,880 Speaker 1: is that there's also great original music from the movie. Yeah, 349 00:16:52,280 --> 00:16:55,200 Speaker 1: and I think when it comes to one battle after 350 00:16:55,280 --> 00:16:59,720 Speaker 1: another that thumping piano is just like, that's the heartbeat 351 00:16:59,760 --> 00:17:00,000 Speaker 1: of the movie. 352 00:17:00,400 --> 00:17:03,360 Speaker 2: I agree, I agree, and I actually I didn't. There 353 00:17:03,360 --> 00:17:06,320 Speaker 2: were no odds on DraftKings for that, so I don't 354 00:17:06,359 --> 00:17:09,159 Speaker 2: know who the leading candidate is there. But there'll be 355 00:17:09,200 --> 00:17:13,160 Speaker 2: some interesting battles actually this year, so I'm somewhat looking 356 00:17:13,240 --> 00:17:15,439 Speaker 2: forward to the award show just to see who actually 357 00:17:15,440 --> 00:17:16,760 Speaker 2: wins more so than anything. Oh. 358 00:17:16,760 --> 00:17:19,840 Speaker 1: You know what I was thinking of earlier is now 359 00:17:19,920 --> 00:17:22,479 Speaker 1: that our We'll say this now because he's already gone. 360 00:17:22,480 --> 00:17:25,480 Speaker 1: Anthony Alfano has helped us out a ton on this podcast. 361 00:17:25,520 --> 00:17:28,880 Speaker 1: He's no longer with iHeart, But because he is no 362 00:17:28,920 --> 00:17:33,280 Speaker 1: longer with us, I doubt that will become rotten Tomato boys. 363 00:17:33,960 --> 00:17:35,240 Speaker 1: We really needed his help. 364 00:17:35,359 --> 00:17:39,520 Speaker 2: It was it was gonna be his shove, his tush push. Yeah, okay, yeah. 365 00:17:39,280 --> 00:17:41,480 Speaker 1: Well, I mean we can still apply, we can still try. 366 00:17:41,640 --> 00:17:46,600 Speaker 2: Yeah. He just you. You have the energy and the 367 00:17:47,000 --> 00:17:50,000 Speaker 2: hetspa what is it called hutspa hutzpa to push things. 368 00:17:50,280 --> 00:17:52,680 Speaker 2: You just need someone to figure out the details. 369 00:17:53,000 --> 00:17:55,840 Speaker 1: He is someone that actually knows where to look. Two 370 00:17:55,840 --> 00:17:57,479 Speaker 1: weeks ago, I'm like, I don't know how we'd get 371 00:17:57,520 --> 00:17:59,479 Speaker 1: on Netflix. He'd probably have an answer. 372 00:18:00,680 --> 00:18:03,840 Speaker 2: Yeah. He knows which door to open, which avenue to 373 00:18:03,880 --> 00:18:04,280 Speaker 2: go down. 374 00:18:04,560 --> 00:18:07,119 Speaker 1: So once again, thank you to Anthony for all of 375 00:18:07,160 --> 00:18:11,480 Speaker 1: your help. If by some chance, this podcast disappears, if 376 00:18:11,480 --> 00:18:14,000 Speaker 1: the cameras don't work, if the microphones don't work, it's 377 00:18:14,080 --> 00:18:19,080 Speaker 1: because he's gone. News Dope YouTube says they're actively looking 378 00:18:19,080 --> 00:18:22,639 Speaker 1: to reduce the spread of AI swop videos. The rise 379 00:18:22,680 --> 00:18:27,760 Speaker 1: of AI has raised concerns about low quality content aka 380 00:18:27,840 --> 00:18:31,119 Speaker 1: AI slop. As an open platform, we allow for broad 381 00:18:31,240 --> 00:18:36,480 Speaker 1: range of free expression, while there's ensuring YouTube remains a 382 00:18:36,520 --> 00:18:41,320 Speaker 1: place where people feel good spending their time. So this 383 00:18:41,480 --> 00:18:44,359 Speaker 1: is something that they should look at because there is 384 00:18:44,840 --> 00:18:49,200 Speaker 1: far too much and it's really I think with the uh, 385 00:18:50,680 --> 00:18:55,160 Speaker 1: what are the little ones called shorts? I think shorts, 386 00:18:55,200 --> 00:18:59,920 Speaker 1: not pantaloons. No shorts. I think ninety percent of them 387 00:19:00,080 --> 00:19:01,800 Speaker 1: mm hmm is AI slamp. 388 00:19:02,240 --> 00:19:05,040 Speaker 2: Here's the issue with this gu and this whole you know, 389 00:19:05,160 --> 00:19:07,800 Speaker 2: high and mighty YouTube stance. They're looking to reduce the 390 00:19:07,800 --> 00:19:10,960 Speaker 2: spread of AI slop videos. In order to do that, 391 00:19:11,040 --> 00:19:15,200 Speaker 2: they're gonna have to utilize AI. They're gonna need They're 392 00:19:15,240 --> 00:19:18,560 Speaker 2: they're gonna build an AI system or improve their AI 393 00:19:18,640 --> 00:19:20,320 Speaker 2: system to detect AI. 394 00:19:20,440 --> 00:19:23,600 Speaker 1: Well, you know this. As a firefighter, you fight fire 395 00:19:23,680 --> 00:19:24,200 Speaker 1: with fire. 396 00:19:24,440 --> 00:19:28,000 Speaker 2: Yeah, exactly. We go in guns blazer. 397 00:19:29,400 --> 00:19:30,480 Speaker 1: Start blasting the fire. 398 00:19:30,960 --> 00:19:33,359 Speaker 2: It's not going out. 399 00:19:34,800 --> 00:19:37,120 Speaker 1: Now. As someone who watches a lot of YouTube, As 400 00:19:37,119 --> 00:19:40,520 Speaker 1: someone who needs to monitor their son watching YouTube right now, 401 00:19:40,520 --> 00:19:43,520 Speaker 1: he's just not allowed to watch. Okay, there's just so 402 00:19:43,800 --> 00:19:47,320 Speaker 1: much garbage on there, and this is someone we are 403 00:19:47,480 --> 00:19:51,000 Speaker 1: part of the garbage. There's too much garbage on here. 404 00:19:51,160 --> 00:19:54,679 Speaker 2: They need a second YouTube called like YouTube PG or 405 00:19:54,720 --> 00:19:55,159 Speaker 2: like YouTube. 406 00:19:55,200 --> 00:19:55,800 Speaker 1: Oh they have that. 407 00:19:56,160 --> 00:19:56,600 Speaker 2: Oh they do. 408 00:19:56,720 --> 00:19:57,879 Speaker 1: Yeah, they have YouTube kids. 409 00:19:58,040 --> 00:20:00,360 Speaker 2: Okay, look at that. I just learned to. 410 00:20:00,280 --> 00:20:03,840 Speaker 1: Comment in that because they found that weird people were 411 00:20:03,840 --> 00:20:10,239 Speaker 1: commenting on child videos. Of course, do you think that 412 00:20:10,600 --> 00:20:15,400 Speaker 1: if they created this AI detecting AI robot that they 413 00:20:15,400 --> 00:20:18,199 Speaker 1: would find us and be like, there's no way a 414 00:20:18,280 --> 00:20:21,239 Speaker 1: human mind could conceive what these two are doing. We 415 00:20:21,240 --> 00:20:22,920 Speaker 1: need to throw this AI off of here. 416 00:20:24,760 --> 00:20:28,159 Speaker 2: No, we would pass the AI test because there's no 417 00:20:28,280 --> 00:20:30,479 Speaker 2: way some of the ideas we've come up with wouldever 418 00:20:30,600 --> 00:20:34,879 Speaker 2: be AI general. All they gotta do is all you 419 00:20:34,920 --> 00:20:37,480 Speaker 2: have to do is feed AI one of our mac 420 00:20:37,600 --> 00:20:39,399 Speaker 2: vigus and then he'd be like, oh, yeah, these are two. 421 00:20:39,440 --> 00:20:41,199 Speaker 1: Really, I'd have to re upload that and be like, 422 00:20:41,560 --> 00:20:43,680 Speaker 1: don't throw us off yet. Listen to this. 423 00:20:44,000 --> 00:20:44,919 Speaker 2: Listen, listen, listen. 424 00:20:44,960 --> 00:20:48,840 Speaker 1: We have proof news dump, biggest news and this is 425 00:20:48,880 --> 00:20:51,400 Speaker 1: the real reason why we are doing this news dump. 426 00:20:51,400 --> 00:20:53,199 Speaker 1: It's not because of the nominees. I don't give a 427 00:20:53,240 --> 00:20:57,240 Speaker 1: shit about that. What I care about is our Abbott 428 00:20:57,240 --> 00:21:00,199 Speaker 1: and Costello are back. They are teaming back up up 429 00:21:00,520 --> 00:21:03,639 Speaker 1: and they are developing a movie where they meet Frankenstein. 430 00:21:04,800 --> 00:21:07,680 Speaker 1: It is keenan in Kel back. 431 00:21:07,480 --> 00:21:09,439 Speaker 2: From the dead. Well one of them. 432 00:21:09,480 --> 00:21:11,480 Speaker 1: Anyways, Well they did good Burger two. 433 00:21:11,400 --> 00:21:15,320 Speaker 2: Keenan saying on by a thread on SNL. There Kel 434 00:21:15,640 --> 00:21:18,240 Speaker 2: is looking like a real person these days. Ten years 435 00:21:18,280 --> 00:21:20,640 Speaker 2: ago you didn't really, so credit to him for making 436 00:21:20,640 --> 00:21:24,720 Speaker 2: it back. Yeah, it's it's a Keenan in Kell project. 437 00:21:24,960 --> 00:21:27,960 Speaker 2: It's it must be owned by Nickelodeon, and they're gonna 438 00:21:28,040 --> 00:21:29,080 Speaker 2: meet Fran. 439 00:21:29,160 --> 00:21:30,840 Speaker 1: Well, Frankenstein is public domain. 440 00:21:30,920 --> 00:21:32,320 Speaker 2: Fangs Stein's all the rage now. 441 00:21:32,400 --> 00:21:35,560 Speaker 1: Yeah, it brings it back to those nineteen thirty comedies 442 00:21:35,560 --> 00:21:39,080 Speaker 1: of so and so Meet the Mummy and then it's. 443 00:21:38,960 --> 00:21:42,600 Speaker 2: Just a good The synopsis for this film go ahead. 444 00:21:42,720 --> 00:21:46,640 Speaker 2: It follows two delivery drivers, presumably Keenan and Kel, whose 445 00:21:46,720 --> 00:21:49,600 Speaker 2: routine drop off takes a terrifying turn when they arrive 446 00:21:49,640 --> 00:21:53,159 Speaker 2: at a castle and accidentally awaken Frankenstein's monster. 447 00:21:53,359 --> 00:21:56,080 Speaker 1: I don't need it to be their characters from Keenan 448 00:21:56,119 --> 00:21:58,280 Speaker 1: and Kel. I mean it's going to be, but they 449 00:21:58,359 --> 00:22:00,760 Speaker 1: need to play it that big. You need to let 450 00:22:00,920 --> 00:22:04,200 Speaker 1: Kel be as big as he wants, right right, repair 451 00:22:04,240 --> 00:22:08,160 Speaker 1: Man Man Mannine man Mane matt hey Men. Kenan used 452 00:22:08,160 --> 00:22:08,840 Speaker 1: to just run. 453 00:22:08,920 --> 00:22:10,800 Speaker 2: You think he just doesn't have the energy to do 454 00:22:10,840 --> 00:22:11,400 Speaker 2: it anymore. 455 00:22:11,480 --> 00:22:13,880 Speaker 1: You know who Keenan or Kel kel oh Kel has 456 00:22:13,960 --> 00:22:16,920 Speaker 1: more than enough energy, more than enough. 457 00:22:16,960 --> 00:22:18,000 Speaker 2: Sorry for doubting him. 458 00:22:18,080 --> 00:22:20,399 Speaker 1: And what's great is that you let Kel be Bigkenan 459 00:22:20,400 --> 00:22:24,920 Speaker 1: can sit back and just be like this guy. How 460 00:22:25,560 --> 00:22:29,920 Speaker 1: so Canan and Kel started out ninety six ninety seven? 461 00:22:29,960 --> 00:22:32,959 Speaker 1: I want to say, fresh off all that their second 462 00:22:32,960 --> 00:22:37,880 Speaker 1: episode is the pinnacle of comedy? How did they keep 463 00:22:37,920 --> 00:22:41,200 Speaker 1: going for four more seasons after they achieved screw in 464 00:22:41,240 --> 00:22:41,679 Speaker 1: the Tuna? 465 00:22:41,920 --> 00:22:44,280 Speaker 2: Yeah, if you touch the sun that earlier, you're doing yourself. 466 00:22:44,560 --> 00:22:48,480 Speaker 1: Kell's comedic ability to drag his legs on the ground 467 00:22:48,920 --> 00:22:54,680 Speaker 1: and I drop the screw in the Tuna? Were still boys, right? 468 00:22:54,920 --> 00:22:55,280 Speaker 2: Canan? 469 00:22:55,440 --> 00:22:59,600 Speaker 1: We're still boys? Right? Is the best ninety seconds of 470 00:22:59,600 --> 00:23:01,919 Speaker 1: televison I've ever seen. Nothing will ever touch it. 471 00:23:02,080 --> 00:23:03,359 Speaker 2: All Right, There you have it. 472 00:23:03,440 --> 00:23:07,760 Speaker 1: You've said it, Stamp it, Canan and cal episode two, 473 00:23:07,840 --> 00:23:14,720 Speaker 1: Screwing the Tuna News Dope. Christina Hodson is officially writing 474 00:23:14,760 --> 00:23:18,240 Speaker 1: the script for Batman Brave in the Bold Goo. 475 00:23:18,440 --> 00:23:21,000 Speaker 2: I don't know who that is, but tell the folks 476 00:23:21,000 --> 00:23:21,600 Speaker 2: who she is. 477 00:23:21,880 --> 00:23:25,639 Speaker 1: Her past projects include Birds of Prey, The Flash Bumblebee, 478 00:23:25,680 --> 00:23:27,520 Speaker 1: and the canceled Backgirl film. 479 00:23:27,280 --> 00:23:29,800 Speaker 2: All Right, Bumblebee's the only real strong one in there. 480 00:23:29,880 --> 00:23:33,160 Speaker 1: Well. Speaking of strong scripts, she also wrote a Batman 481 00:23:33,240 --> 00:23:36,359 Speaker 1: Beyond Script that people loved but they passed on. 482 00:23:36,680 --> 00:23:40,760 Speaker 2: I will say her being that into the DC universe 483 00:23:40,880 --> 00:23:44,040 Speaker 2: and Batman, Like, if you're writing a Batman Beyond Script, 484 00:23:44,040 --> 00:23:47,240 Speaker 2: you love Batman. She's obviously dove in there. Birds of Prey, 485 00:23:47,320 --> 00:23:51,760 Speaker 2: the Flash Bumblebee was really strong. And we still don't 486 00:23:51,800 --> 00:23:54,960 Speaker 2: know how good that Backgirl movie was or wasn't. I 487 00:23:55,520 --> 00:23:57,959 Speaker 2: guess I like it. I don't know. I just want 488 00:23:58,240 --> 00:24:01,160 Speaker 2: I just want these movies to actually be made. 489 00:24:01,640 --> 00:24:06,360 Speaker 1: Andy Muskiety is still directing the project right now now. 490 00:24:06,400 --> 00:24:09,240 Speaker 1: I am curious with Birds of Prey. Is that the 491 00:24:09,440 --> 00:24:12,520 Speaker 1: fantabulous emancipation of one Harley Quinn Or is that the 492 00:24:12,600 --> 00:24:16,040 Speaker 1: CW show that got seven episodes and then canceled? 493 00:24:16,200 --> 00:24:18,480 Speaker 2: Oh, I'm assuming the movie, but. 494 00:24:18,520 --> 00:24:19,920 Speaker 1: I'm hoping the movie. 495 00:24:20,119 --> 00:24:20,359 Speaker 2: Yeah. 496 00:24:20,400 --> 00:24:22,600 Speaker 1: And if that's the case, did she write the line 497 00:24:23,240 --> 00:24:27,160 Speaker 1: you fucking moron? My favorite line of all time? 498 00:24:27,359 --> 00:24:30,000 Speaker 2: I don't know how I feel about Musketti still being 499 00:24:30,000 --> 00:24:33,680 Speaker 2: attached Katy, but I guess Pisketti will give him another chance. 500 00:24:33,960 --> 00:24:36,119 Speaker 2: We liked we liked the Flash. We liked it. We 501 00:24:36,200 --> 00:24:38,280 Speaker 2: liked it more than most, But I don't know if 502 00:24:38,280 --> 00:24:40,040 Speaker 2: I want him directing our Batman movie. 503 00:24:40,200 --> 00:24:42,760 Speaker 1: I guess so where Let's build my mount rushmore as 504 00:24:42,760 --> 00:24:45,800 Speaker 1: we go. So Keenan and kel dropped the screw in 505 00:24:45,840 --> 00:24:49,160 Speaker 1: the tuna. You and McGregor, You fucking moron. Those are 506 00:24:49,160 --> 00:24:52,919 Speaker 1: two of my favorite pieces of anything ever. Yeah, you 507 00:24:53,000 --> 00:24:56,000 Speaker 1: were sitting next to me while watching Fantabulous Emancipation of 508 00:24:56,000 --> 00:25:01,000 Speaker 1: Harley Quinn. The theater was silent, and I was going bananas. 509 00:25:01,080 --> 00:25:04,480 Speaker 2: I laughed out loud. You laughed out loud for like 510 00:25:04,640 --> 00:25:05,400 Speaker 2: four minutes. 511 00:25:07,160 --> 00:25:09,160 Speaker 1: I almost fell out of my chair. I almost rolled 512 00:25:09,160 --> 00:25:12,080 Speaker 1: on the floor, that's how hard I was laughing. It 513 00:25:12,160 --> 00:25:14,159 Speaker 1: was at the end when Harley Quinn was trying to 514 00:25:14,280 --> 00:25:15,840 Speaker 1: I need to watch that scene again. It was at 515 00:25:15,880 --> 00:25:18,160 Speaker 1: the end when Harley Quinn was trying to beat black Mask. 516 00:25:18,840 --> 00:25:20,399 Speaker 1: It was something like that or she tried to like 517 00:25:20,440 --> 00:25:22,119 Speaker 1: blast him or I don't know what it was, but 518 00:25:22,480 --> 00:25:25,600 Speaker 1: like you thought that would work against me, you fucking moron. 519 00:25:26,800 --> 00:25:29,280 Speaker 1: The delivery, the line, the reaction to it. 520 00:25:30,720 --> 00:25:33,240 Speaker 2: That moron is top tier. 521 00:25:33,760 --> 00:25:36,159 Speaker 1: Okay, we have two of my four. Hopefully over the 522 00:25:36,160 --> 00:25:37,840 Speaker 1: next decade we'll figure out the last two. 523 00:25:37,920 --> 00:25:39,440 Speaker 2: Yeah, this has been a successful episode. 524 00:25:39,440 --> 00:25:41,959 Speaker 1: Then, yeah, we figured it out. Oh what if? So 525 00:25:42,000 --> 00:25:45,600 Speaker 1: what if? Christina Hodson specifically wrote scenes for Keenan and 526 00:25:45,680 --> 00:25:48,400 Speaker 1: Kel to be It's a great question. It's like during 527 00:25:48,600 --> 00:25:51,320 Speaker 1: the Steve Harvey Show, where you have bullet Head, you 528 00:25:51,359 --> 00:25:54,399 Speaker 1: have Romeo, but out of nowhere some episodes Keenan and 529 00:25:54,480 --> 00:25:54,880 Speaker 1: Kell show. 530 00:25:54,960 --> 00:25:57,800 Speaker 2: This is exactly why AI would pass us because we 531 00:25:58,119 --> 00:26:00,840 Speaker 2: somehow wrote Keenan and Kell and Steve hard into a 532 00:26:00,880 --> 00:26:01,720 Speaker 2: Batman story. 533 00:26:01,760 --> 00:26:04,240 Speaker 1: But speaking of those two, Lrie Beth Dinburgh was just 534 00:26:04,280 --> 00:26:06,440 Speaker 1: a part of the show. She was always out there. 535 00:26:06,520 --> 00:26:09,200 Speaker 1: She's like the Romeo bullet had cut out the mischief. 536 00:26:09,359 --> 00:26:14,480 Speaker 1: I shouldn't it was dumb speaking up Batman. This is 537 00:26:14,520 --> 00:26:18,879 Speaker 1: a different Batman. Robert Pattinson was asked which films he 538 00:26:19,000 --> 00:26:23,200 Speaker 1: never gets tired of rewatching. This was via Dazed Fashion 539 00:26:23,760 --> 00:26:27,200 Speaker 1: and he named the Mask and liar liar, huh. 540 00:26:27,760 --> 00:26:32,639 Speaker 2: That's interesting. Jim Carrey obviously maybe the most successful actor 541 00:26:32,680 --> 00:26:35,240 Speaker 2: film actor of the nineties. Will Smith's up there too, 542 00:26:35,320 --> 00:26:39,320 Speaker 2: you know, he's in the consideration of Jim Carrey's movies. 543 00:26:39,800 --> 00:26:43,439 Speaker 2: This is an interesting pick. The Mask is is great. 544 00:26:43,800 --> 00:26:45,960 Speaker 2: Don't get me wrong. I don't know if I love 545 00:26:46,000 --> 00:26:49,639 Speaker 2: the rewatchability on the mask. Liar Liar's great because you 546 00:26:49,680 --> 00:26:52,840 Speaker 2: have the wholesome story, you know, with the father son thing, 547 00:26:53,440 --> 00:26:56,400 Speaker 2: I don't like. I don't know if I I don't 548 00:26:56,400 --> 00:26:58,560 Speaker 2: know if I agree with his top two Jim Carrey 549 00:26:58,760 --> 00:26:59,320 Speaker 2: watch it, Bill. 550 00:26:59,560 --> 00:27:04,080 Speaker 1: You can't decide for him. The two movies he never 551 00:27:04,160 --> 00:27:05,680 Speaker 1: gets sick. You are aware of this. 552 00:27:05,880 --> 00:27:09,680 Speaker 2: I'm just formulating. But he's he's calling them very watchable. 553 00:27:09,800 --> 00:27:12,520 Speaker 2: I don't know. Maybe people find the mass more rewatchable. Lie. 554 00:27:12,640 --> 00:27:14,600 Speaker 2: Maybe he's just to get big Cameron Diaz fan. 555 00:27:14,880 --> 00:27:16,680 Speaker 1: I'm trying to think for myself, and I guess I'm 556 00:27:16,680 --> 00:27:20,080 Speaker 1: just lame. But I've seen Ninja Turtles a million times, 557 00:27:20,119 --> 00:27:21,280 Speaker 1: Guardians of the Galaxy. 558 00:27:21,400 --> 00:27:26,240 Speaker 2: Yeah, but let's talk Jim Carrey, right, and Truman show 559 00:27:26,800 --> 00:27:28,040 Speaker 2: brucell Might I guess too long? 560 00:27:28,080 --> 00:27:29,960 Speaker 1: I'm saying Bruce Almighty a lot. 561 00:27:30,680 --> 00:27:32,240 Speaker 2: Lyarl Liar is a good one. I'll give him credit 562 00:27:32,280 --> 00:27:32,960 Speaker 2: for Liar Liar. 563 00:27:33,080 --> 00:27:36,520 Speaker 1: No, they're all you can't tell him he can't like these. 564 00:27:36,359 --> 00:27:39,320 Speaker 2: But like to me, Pattinson would pick the cable guy. No. 565 00:27:39,440 --> 00:27:41,640 Speaker 1: So what I think this tells you is that he 566 00:27:41,800 --> 00:27:45,000 Speaker 1: likes turn your back off forever. I think he likes 567 00:27:45,040 --> 00:27:48,600 Speaker 1: turn your brain off, big physical comedies. We saw him 568 00:27:48,800 --> 00:27:53,800 Speaker 1: like I think we liked Mickey seventeen specifically his performance 569 00:27:54,040 --> 00:27:56,800 Speaker 1: more than most. And you can see like hints of 570 00:27:56,880 --> 00:27:58,359 Speaker 1: Jim Carrey and what he's doing. 571 00:27:58,480 --> 00:28:01,680 Speaker 2: For sure, it is Carrie. It's in that same vein, 572 00:28:02,080 --> 00:28:04,280 Speaker 2: but a little bit of the mass, not very much 573 00:28:04,320 --> 00:28:05,640 Speaker 2: like liar or liar. I don't know. I just thought 574 00:28:05,680 --> 00:28:07,320 Speaker 2: he would. I don't know. It's to me, it's a 575 00:28:07,359 --> 00:28:10,280 Speaker 2: weird selection coming from Pattinson, that's all. 576 00:28:10,560 --> 00:28:17,399 Speaker 1: Somebody stop me. That was me. It was not Jim Carrey. 577 00:28:20,680 --> 00:28:24,040 Speaker 1: That was me as Robert Pattinson doing Jim carry although 578 00:28:24,040 --> 00:28:26,440 Speaker 1: it'd be more like somebody he stole. 579 00:28:26,680 --> 00:28:30,760 Speaker 2: May you just sound like John Lennon. 580 00:28:31,160 --> 00:28:35,320 Speaker 1: My British, my English, it goes all over the place 581 00:28:35,359 --> 00:28:38,880 Speaker 1: to either Beatle or Australian, sometimes New Zealand. 582 00:28:40,520 --> 00:28:43,880 Speaker 2: You have a real positive sixties type of British accent. 583 00:28:43,960 --> 00:28:47,400 Speaker 1: What else is happening here? Dustin Daniel Kreton on directing 584 00:28:47,440 --> 00:28:50,120 Speaker 1: Spider Man Brand New Day. It's still the Spider Man 585 00:28:50,200 --> 00:28:53,240 Speaker 1: that everyone loves, but this is a new chapter in 586 00:28:53,280 --> 00:28:57,200 Speaker 1: his life. And that tonal shift was something that was 587 00:28:57,320 --> 00:29:01,120 Speaker 1: really exciting to me. It felt really different and it 588 00:29:01,200 --> 00:29:05,520 Speaker 1: was an extremely gratifying experience. This is via comic book. 589 00:29:05,640 --> 00:29:08,000 Speaker 2: I mean, I hope, so, I hope it's exciting. I 590 00:29:08,000 --> 00:29:12,000 Speaker 2: hope it's different and satisfying. I mean, it's like we're 591 00:29:12,080 --> 00:29:16,080 Speaker 2: finally in a Spider Man world once again where no 592 00:29:16,120 --> 00:29:21,080 Speaker 2: one knows whose identity, So navigating that is naturally exciting 593 00:29:21,080 --> 00:29:24,200 Speaker 2: because there's some hygens there and then some emotional gravitas 594 00:29:24,240 --> 00:29:24,920 Speaker 2: attached to it. 595 00:29:25,000 --> 00:29:27,200 Speaker 1: Well, the last big shift in Spider Man, the last 596 00:29:27,200 --> 00:29:29,880 Speaker 1: big tonal shift in Spider Man was Spider Man three, 597 00:29:30,120 --> 00:29:33,920 Speaker 1: So hopefully we're in for something that much fun. Yeah, yeah, 598 00:29:34,000 --> 00:29:39,880 Speaker 1: that's bangs. I just did bangs on my face. News. 599 00:29:39,920 --> 00:29:45,640 Speaker 1: Dont Tom Cruise, Tom Cruise, not Cruise. Tom Cruise will 600 00:29:45,720 --> 00:29:48,040 Speaker 1: wear prosthetics in Digger. 601 00:29:48,240 --> 00:29:52,360 Speaker 2: Yeah, if you don't recall this teaser, it had Tom 602 00:29:52,440 --> 00:29:56,239 Speaker 2: Cruise being a silly goose and they're basically saying, this 603 00:29:56,360 --> 00:30:00,360 Speaker 2: character is another less grossmanlike character from Tropic thund and 604 00:30:00,400 --> 00:30:03,240 Speaker 2: we've been banging a drum for fifteen years to get 605 00:30:03,280 --> 00:30:05,760 Speaker 2: Tom Cruise back in another role like this. So Digger 606 00:30:05,800 --> 00:30:09,080 Speaker 2: has great potential go in our most anticipated movies of 607 00:30:09,120 --> 00:30:11,120 Speaker 2: the Year. I think I had at ninth. It just 608 00:30:11,160 --> 00:30:14,600 Speaker 2: missed the list though, cumulative list just messed. Yeah. Yeah. 609 00:30:14,640 --> 00:30:16,600 Speaker 2: So if you if you like Tom Cruise in a 610 00:30:16,600 --> 00:30:19,560 Speaker 2: comedic roll, I think you should be looking forward to Digger. 611 00:30:19,360 --> 00:30:23,680 Speaker 1: News Depp, Welcome to the trailer park. 612 00:30:27,800 --> 00:30:29,040 Speaker 2: Oh my whistles week today. 613 00:30:29,120 --> 00:30:31,720 Speaker 1: That's weird. You usually have a great whistle. You should 614 00:30:31,720 --> 00:30:36,840 Speaker 1: grab that dragon flute behind you and do that. Dun dun, dun, 615 00:30:36,920 --> 00:30:40,320 Speaker 1: dunna dun. We get season four of Invincible. We're gonna 616 00:30:40,320 --> 00:30:42,920 Speaker 1: trailer for that coming out on March eighteenth. I am 617 00:30:43,120 --> 00:30:46,520 Speaker 1: two seasons behind, one season behind. I'm a bit behind. 618 00:30:46,760 --> 00:30:49,000 Speaker 1: You watch season two, but we saw Omni Man. 619 00:30:49,240 --> 00:30:51,720 Speaker 2: We did see Omni Mas. That's a spoiler for you. 620 00:30:52,600 --> 00:30:57,160 Speaker 2: Season three was very good, Okay, way better than season two, 621 00:30:57,600 --> 00:31:00,800 Speaker 2: So I am looking forward to what we have going 622 00:31:00,840 --> 00:31:04,960 Speaker 2: on here. It just feels like as excited as I was, 623 00:31:05,080 --> 00:31:09,600 Speaker 2: and by the end of season one, I don't like. 624 00:31:09,640 --> 00:31:12,520 Speaker 2: The stakes just aren't the same to me because it's 625 00:31:12,600 --> 00:31:14,640 Speaker 2: not live action, so it's harder for me to buy in. 626 00:31:14,760 --> 00:31:17,800 Speaker 2: That's always my thing. But the Invinciuill is doing cool shit. 627 00:31:17,840 --> 00:31:20,240 Speaker 2: There's a lot of cool shit on the screen, So 628 00:31:20,400 --> 00:31:23,000 Speaker 2: I recommend that you watch season three and I'm looking 629 00:31:23,040 --> 00:31:23,880 Speaker 2: forward to season four. 630 00:31:25,600 --> 00:31:28,120 Speaker 1: Also a trailer for Mal Shadow Lord. 631 00:31:28,360 --> 00:31:32,480 Speaker 2: Yeah, this is gonna feature Darth Mal in the interim 632 00:31:32,800 --> 00:31:37,200 Speaker 2: between the prequel trilogy and the OG trilogy, so there's 633 00:31:37,240 --> 00:31:40,120 Speaker 2: what a five year gap there or something like that, 634 00:31:40,760 --> 00:31:43,480 Speaker 2: And he's gonna have a new apprentice, a female named 635 00:31:43,560 --> 00:31:50,120 Speaker 2: Darth Talon, and they convert covertly working beneath Corossants streets, 636 00:31:50,360 --> 00:31:53,080 Speaker 2: and it's going to explore how Mal feels about the 637 00:31:53,120 --> 00:31:56,680 Speaker 2: destruction of the Jedi Order because if you remember, if 638 00:31:56,720 --> 00:31:59,680 Speaker 2: you missed out at the end of the OG trilogy, 639 00:32:00,160 --> 00:32:02,640 Speaker 2: you know, we get Vader, you get the two twins, 640 00:32:03,000 --> 00:32:06,720 Speaker 2: Pad mad Dies, and you also have in Clone Wars 641 00:32:06,800 --> 00:32:10,680 Speaker 2: the scene ultimately where Mal goes to find obi Wan 642 00:32:11,320 --> 00:32:17,440 Speaker 2: on uh what planet is Lukan Naboo? He goes on, 643 00:32:17,680 --> 00:32:20,880 Speaker 2: he goes to Naboo and ultimately meets his official demise 644 00:32:21,040 --> 00:32:23,960 Speaker 2: to Obi Wan. So I'm sure this show is gonna 645 00:32:23,960 --> 00:32:27,600 Speaker 2: explore up until then, and it is interesting to think 646 00:32:27,640 --> 00:32:30,640 Speaker 2: about because by the end of Clone Wars, Mal is 647 00:32:30,680 --> 00:32:36,280 Speaker 2: obviously still against the Jedi Order, but he's also are 648 00:32:36,280 --> 00:32:37,080 Speaker 2: you go tattooing? 649 00:32:37,240 --> 00:32:37,680 Speaker 1: Yikes? 650 00:32:38,320 --> 00:32:40,920 Speaker 2: But he's also against the Empire, so it's one of 651 00:32:40,960 --> 00:32:43,520 Speaker 2: those like the enemy of my enemy is my friend. 652 00:32:44,080 --> 00:32:46,360 Speaker 2: So as the viewer, you're gonna like, I think what 653 00:32:46,440 --> 00:32:49,880 Speaker 2: Mal is doing. And of course the voice actor for Mal, 654 00:32:50,080 --> 00:32:53,440 Speaker 2: for my money, is as good as anyone, Sam whitwer Uh, 655 00:32:53,520 --> 00:32:57,600 Speaker 2: And he's comparing this mall story in how it explores 656 00:32:57,640 --> 00:33:01,040 Speaker 2: what Mal's doing similarly to how the Joke would live 657 00:33:01,080 --> 00:33:03,560 Speaker 2: on after the death of Batman. He's sort of lost, 658 00:33:03,600 --> 00:33:05,880 Speaker 2: doesn't have meanings, So I think this is gonna be 659 00:33:05,880 --> 00:33:06,600 Speaker 2: an interesting show. 660 00:33:06,640 --> 00:33:09,800 Speaker 1: I like when he throws his lightsaber. Yes, yes, yeses 661 00:33:09,880 --> 00:33:13,600 Speaker 1: news dope. And finally we got our first trailer for 662 00:33:13,640 --> 00:33:17,400 Speaker 1: the live action Masters of the Universe. We got to 663 00:33:17,440 --> 00:33:19,720 Speaker 1: look at Skeletor at the end of it, but before 664 00:33:20,080 --> 00:33:25,440 Speaker 1: that fun it looks like when watching it it had 665 00:33:25,480 --> 00:33:28,959 Speaker 1: a real Ragnarok feel to it. But I'm not sure, 666 00:33:29,720 --> 00:33:30,760 Speaker 1: and maybe I just don't know. 667 00:33:30,760 --> 00:33:32,960 Speaker 2: Not a little bit of the Dungeons and Dragons. 668 00:33:32,520 --> 00:33:35,080 Speaker 1: Field Dungeons and Dragons Ragnarok, but I'm not sure if 669 00:33:35,080 --> 00:33:37,280 Speaker 1: the lead actor has the same charisma that we got 670 00:33:37,320 --> 00:33:38,000 Speaker 1: in those movies. 671 00:33:38,080 --> 00:33:40,160 Speaker 2: Yep, I agree with you there. This movie's also been 672 00:33:40,200 --> 00:33:44,000 Speaker 2: in development health for like eight years ago. Wes Burho 673 00:33:44,120 --> 00:33:47,040 Speaker 2: of The Boxers podcast drafted this in our movie draft 674 00:33:47,080 --> 00:33:48,200 Speaker 2: in like twenty. 675 00:33:47,880 --> 00:33:50,240 Speaker 1: Eighteen, so how many points do you think he gets. 676 00:33:50,320 --> 00:33:53,000 Speaker 2: It's been they've been working on it for quite some time, 677 00:33:53,640 --> 00:33:56,800 Speaker 2: and some people it's been a little divisive off the 678 00:33:56,800 --> 00:33:59,640 Speaker 2: bat because some people don't like that it set semi 679 00:33:59,680 --> 00:34:02,680 Speaker 2: in a real world and then like smart supported. Yeah, 680 00:34:02,920 --> 00:34:05,200 Speaker 2: so I see that. I have no skin in the 681 00:34:05,200 --> 00:34:07,560 Speaker 2: game for Masters of the Universe. I hope it is 682 00:34:07,800 --> 00:34:09,920 Speaker 2: in the same vein of Dungeons and Dragons because that 683 00:34:10,000 --> 00:34:12,560 Speaker 2: was a fun movie that no one really expected to 684 00:34:12,560 --> 00:34:14,399 Speaker 2: be as fun. So let's hope for that. It should 685 00:34:14,400 --> 00:34:14,799 Speaker 2: shoot for. 686 00:34:14,800 --> 00:34:16,600 Speaker 1: That better than Smurfs, that's what we're hoping for. 687 00:34:16,719 --> 00:34:17,080 Speaker 2: That's it. 688 00:34:17,200 --> 00:34:20,799 Speaker 1: Better than news Dump. All right, that'll do it for 689 00:34:20,840 --> 00:34:22,600 Speaker 1: this episode of news Dump. Sorry that we did two 690 00:34:22,680 --> 00:34:27,080 Speaker 1: dumps in a week, but Knoms and more important Keenan 691 00:34:27,120 --> 00:34:27,799 Speaker 1: and cal. 692 00:34:27,680 --> 00:34:31,120 Speaker 2: Yep, yep, and then uh goo. I saw twenty eight 693 00:34:31,160 --> 00:34:34,960 Speaker 2: years later The Bone Temple. It's pretty good. I would 694 00:34:35,040 --> 00:34:37,279 Speaker 2: say it's not as good as the first movie, but 695 00:34:37,360 --> 00:34:39,560 Speaker 2: that's natural when you're in the middle part of a story. 696 00:34:39,560 --> 00:34:41,640 Speaker 2: This is going to be a three part story. There 697 00:34:41,800 --> 00:34:45,319 Speaker 2: is a final scene in this movie that teases the 698 00:34:45,320 --> 00:34:48,640 Speaker 2: third movie, and it it gets you hard. It gets 699 00:34:48,680 --> 00:34:49,440 Speaker 2: your pants tent. 700 00:34:49,360 --> 00:34:52,400 Speaker 1: It gets your bone templed, and there, yeah. 701 00:34:51,880 --> 00:34:54,680 Speaker 2: Full bone templed. And there's also a couple of scenes 702 00:34:54,840 --> 00:34:58,480 Speaker 2: during the run time that are also fantastic. So if 703 00:34:58,520 --> 00:35:01,319 Speaker 2: you liked twenty eight years Later and also really gonna 704 00:35:01,400 --> 00:35:01,759 Speaker 2: like this. 705 00:35:01,680 --> 00:35:03,439 Speaker 1: Movie, all right, so maybe we'll do that next week 706 00:35:03,440 --> 00:35:06,000 Speaker 1: in a what have you been watching lately? And then 707 00:35:06,040 --> 00:35:07,880 Speaker 1: maybe the week after we'll do our awards. 708 00:35:08,080 --> 00:35:10,960 Speaker 2: I also watched I watched three things this week. I 709 00:35:11,000 --> 00:35:13,200 Speaker 2: still gotta watch them twenty twenty five things, but just 710 00:35:13,480 --> 00:35:16,240 Speaker 2: it's the way the cookie crumbles go. I also watched 711 00:35:16,360 --> 00:35:19,640 Speaker 2: the Lifetime Karen Reid movie. It may be the worst 712 00:35:19,640 --> 00:35:22,120 Speaker 2: thing I've ever watched. It's in the conversation for worst 713 00:35:22,160 --> 00:35:24,680 Speaker 2: thing I've ever watched. It is, And don't get me wrong, 714 00:35:24,719 --> 00:35:27,960 Speaker 2: I know it's Lifetime. Lifetime has a different standard. It 715 00:35:28,120 --> 00:35:31,640 Speaker 2: is horribly bad. And then the other thing I watched 716 00:35:31,760 --> 00:35:35,239 Speaker 2: is a streaming movie Goo friends or people we meet 717 00:35:35,280 --> 00:35:38,320 Speaker 2: on vacation. Some people were really enjoying it. Rom com 718 00:35:38,360 --> 00:35:38,839 Speaker 2: type of thing. 719 00:35:39,200 --> 00:35:41,720 Speaker 1: It is okay, it's all right, and you love rom coms. 720 00:35:41,760 --> 00:35:41,960 Speaker 2: I do. 721 00:35:42,160 --> 00:35:43,120 Speaker 1: You're the rom com guy. 722 00:35:43,200 --> 00:35:43,920 Speaker 2: Yeah, sure I am. 723 00:35:43,960 --> 00:35:47,160 Speaker 1: You're the romantic of the show, so we've always said 724 00:35:47,160 --> 00:35:47,480 Speaker 1: about you. 725 00:35:47,680 --> 00:35:47,879 Speaker 2: Yeah. 726 00:35:48,200 --> 00:35:50,360 Speaker 1: So check us out next week. News U