1 00:00:00,160 --> 00:00:02,400 Speaker 1: It is what you watch on Wednesday as well. 2 00:00:03,320 --> 00:00:06,160 Speaker 2: The following program is brought to you in living color, 3 00:00:06,320 --> 00:00:09,799 Speaker 2: but you watch it in there. Americans love television. They 4 00:00:09,880 --> 00:00:12,400 Speaker 2: win their kids college USA television. 5 00:00:12,440 --> 00:00:17,320 Speaker 3: Man, you've been watching too many of those live television shows. 6 00:00:17,360 --> 00:00:20,120 Speaker 4: Well, I did mention that I am watching the Simon 7 00:00:20,239 --> 00:00:25,560 Speaker 4: Cowell new project that Netflix is giving the documentary treatment. 8 00:00:25,600 --> 00:00:27,440 Speaker 1: He's trying to develop a boy band. 9 00:00:28,080 --> 00:00:32,600 Speaker 4: Simon cow As you know, numerous boy band affiliations, one 10 00:00:32,640 --> 00:00:36,680 Speaker 4: direction probably being the most popular. He had his boy band, 11 00:00:36,840 --> 00:00:39,400 Speaker 4: I believe they were called five pass On Bye Bye 12 00:00:39,400 --> 00:00:40,680 Speaker 4: Bye that went to in sync. 13 00:00:41,680 --> 00:00:42,600 Speaker 1: Lost is History. 14 00:00:42,720 --> 00:00:43,919 Speaker 2: Really I didn't know that. 15 00:00:44,080 --> 00:00:48,880 Speaker 4: Yeah, And this is about small town boys fifteen to 16 00:00:49,040 --> 00:00:53,080 Speaker 4: eighteen years old who are from just middle class neighborhoods 17 00:00:53,080 --> 00:00:55,400 Speaker 4: who want to be in a boy band. And he 18 00:00:55,480 --> 00:00:58,640 Speaker 4: kind of gives it the American idol treatment in terms of, 19 00:00:58,720 --> 00:01:00,720 Speaker 4: you know, you start with sixteen them, I think he does, 20 00:01:00,760 --> 00:01:04,959 Speaker 4: and he kind of, you know, whittles it down the list. 21 00:01:05,200 --> 00:01:08,040 Speaker 1: And it's just kind of nice to see. 22 00:01:08,080 --> 00:01:13,039 Speaker 4: Kids from Ireland and from Portugal and from England and 23 00:01:13,080 --> 00:01:14,880 Speaker 4: they come to America for the first time, they say, 24 00:01:14,920 --> 00:01:16,920 Speaker 4: in Miami, and they go through all the vocal training 25 00:01:16,920 --> 00:01:18,480 Speaker 4: and all the things that go into it, and they're 26 00:01:18,480 --> 00:01:20,960 Speaker 4: sweet kids and. 27 00:01:22,360 --> 00:01:25,680 Speaker 2: Sea hold up, he's had some work done, oh I 28 00:01:25,720 --> 00:01:28,560 Speaker 2: know that. But I mean just his personality. 29 00:01:28,000 --> 00:01:30,039 Speaker 4: It comes across in the show more likable than he 30 00:01:30,120 --> 00:01:34,559 Speaker 4: ever has my opinion. But I apparently I stopped paying 31 00:01:34,600 --> 00:01:36,920 Speaker 4: attention to Simon Cowell. I don't know when I stopped 32 00:01:37,200 --> 00:01:40,840 Speaker 4: watching American Idol circa two thousand and six. I haven't 33 00:01:40,840 --> 00:01:42,600 Speaker 4: watched that show for a very long time. I mean 34 00:01:42,640 --> 00:01:44,440 Speaker 4: I was super into it when it first came out, 35 00:01:44,800 --> 00:01:46,440 Speaker 4: and he was just kind of the d you know, 36 00:01:47,720 --> 00:01:49,720 Speaker 4: and then I didn't really pay attention to him. So 37 00:01:49,760 --> 00:01:53,280 Speaker 4: this is kind of my first immersion into his persona 38 00:01:53,600 --> 00:01:54,080 Speaker 4: since then. 39 00:01:54,160 --> 00:01:55,440 Speaker 1: And he's very likable and. 40 00:01:55,440 --> 00:01:57,760 Speaker 2: He's been around. I mean, like you said, it's been 41 00:01:57,800 --> 00:02:01,040 Speaker 2: twenty years that he's been a fixture on American television 42 00:02:01,080 --> 00:02:04,720 Speaker 2: and before that, obviously it was British television. But that 43 00:02:05,680 --> 00:02:11,160 Speaker 2: original personality that we saw from him on American Idol 44 00:02:11,320 --> 00:02:14,560 Speaker 2: as the kind of just nose in the air, you know, 45 00:02:14,720 --> 00:02:17,240 Speaker 2: stick in the mud kind of guy arms cross arms 46 00:02:17,240 --> 00:02:18,160 Speaker 2: cross the whole time. 47 00:02:18,240 --> 00:02:21,440 Speaker 4: And needless to say, I am looking for a new 48 00:02:21,480 --> 00:02:25,320 Speaker 4: show to watch I'm you know, I'm watching simon call 49 00:02:25,480 --> 00:02:28,359 Speaker 4: reality TV. So in twenty twenty five, so. 50 00:02:28,560 --> 00:02:31,600 Speaker 2: I watch I Love La. It's on each Oh I. 51 00:02:31,600 --> 00:02:34,040 Speaker 1: Eat those up every Sunday night. It is good. 52 00:02:34,360 --> 00:02:35,559 Speaker 2: I like that one. 53 00:02:35,919 --> 00:02:36,680 Speaker 1: You wouldn't like it? 54 00:02:36,800 --> 00:02:37,200 Speaker 5: I think. 55 00:02:38,560 --> 00:02:39,680 Speaker 1: You think Gary would like that. 56 00:02:39,800 --> 00:02:41,240 Speaker 2: No, but he needs to get on the trend. 57 00:02:41,400 --> 00:02:42,040 Speaker 5: He wouldn't like it. 58 00:02:42,639 --> 00:02:43,520 Speaker 2: What is it? 59 00:02:43,520 --> 00:02:44,000 Speaker 1: It's good? 60 00:02:44,120 --> 00:02:47,840 Speaker 4: It's about well Elmer watches too, elm are you describe it. 61 00:02:47,840 --> 00:02:51,600 Speaker 5: It's about influencers making it an told. 62 00:02:51,560 --> 00:02:54,919 Speaker 1: Yeah, it's not your thing. I love it. 63 00:02:54,919 --> 00:02:55,600 Speaker 2: It's a group of. 64 00:02:55,560 --> 00:02:59,720 Speaker 3: Friends living in LA, navigating their careers, love life struggles. 65 00:03:00,120 --> 00:03:00,840 Speaker 2: It's just so fun. 66 00:03:00,919 --> 00:03:03,480 Speaker 4: How come we didn't have any fallout from that guy dying? 67 00:03:03,760 --> 00:03:05,200 Speaker 4: Like I thought that that was going to be a 68 00:03:05,280 --> 00:03:08,079 Speaker 4: major like plot arc and it was just like we're 69 00:03:08,120 --> 00:03:10,000 Speaker 4: done with that, Like we we all fell in love 70 00:03:10,040 --> 00:03:11,800 Speaker 4: with that guy and then they killed him and then 71 00:03:11,800 --> 00:03:13,280 Speaker 4: it's like what, We're just moving on? 72 00:03:13,520 --> 00:03:15,240 Speaker 3: Do you think it was just like the comp like 73 00:03:15,240 --> 00:03:17,200 Speaker 3: I don't know, like HBO, Like maybe he did something 74 00:03:17,200 --> 00:03:19,120 Speaker 3: bad and they just needed to kill his character. Maybe 75 00:03:19,120 --> 00:03:21,160 Speaker 3: something was going to come out and affect the show. 76 00:03:21,200 --> 00:03:23,160 Speaker 1: Maybe, but like what could it be? 77 00:03:23,280 --> 00:03:26,360 Speaker 4: That wouldn't just give it more publicity and more eyes 78 00:03:26,400 --> 00:03:30,040 Speaker 4: on it. It was just so odd how he was 79 00:03:30,120 --> 00:03:33,120 Speaker 4: such a he was like a bit character. Yeah, but 80 00:03:34,120 --> 00:03:36,920 Speaker 4: everyone loved him immediately, and all the characters on the 81 00:03:36,920 --> 00:03:39,000 Speaker 4: show loved him immediately, and then they kill him off 82 00:03:39,040 --> 00:03:42,000 Speaker 4: and then and then nobody speaks. 83 00:03:41,720 --> 00:03:44,360 Speaker 2: Some of him again this reality show, right, No, it's 84 00:03:44,400 --> 00:03:46,520 Speaker 2: not really descripted. 85 00:03:46,720 --> 00:03:47,160 Speaker 1: Yeah. 86 00:03:47,480 --> 00:03:50,160 Speaker 3: Oh, what do you think about that girl Tallula, like 87 00:03:50,200 --> 00:03:52,600 Speaker 3: the wild child friend of Maya? 88 00:03:52,720 --> 00:03:54,120 Speaker 2: Do you like her or does she annoy him? 89 00:03:54,120 --> 00:03:57,040 Speaker 1: Maya's bothering me, Like, I didn't like that whole thing 90 00:03:57,200 --> 00:03:58,160 Speaker 1: she pulled with his. 91 00:03:58,280 --> 00:04:02,800 Speaker 4: Work party, and that was too much pocket, so out 92 00:04:02,880 --> 00:04:05,120 Speaker 4: of pocket, and the fact that she just acted like what, 93 00:04:05,360 --> 00:04:07,160 Speaker 4: it's nothing. I thought you were having fun. I thought 94 00:04:07,200 --> 00:04:11,040 Speaker 4: it was like, no, not cool. Anyway, I'm obsessed and 95 00:04:11,120 --> 00:04:14,920 Speaker 4: you're not hot enough to pull that off. Obsessed with 96 00:04:15,000 --> 00:04:16,800 Speaker 4: who Rachel sent it? Maya? 97 00:04:17,600 --> 00:04:20,719 Speaker 2: She plays a character, the one how one. She's funny, 98 00:04:20,839 --> 00:04:23,240 Speaker 2: she's like so quirky and like I love her. 99 00:04:23,279 --> 00:04:25,800 Speaker 1: Wait, you're talking about the ritz cracker girl or her friend. 100 00:04:25,880 --> 00:04:29,440 Speaker 2: The one that works in media, not the crazy influencer 101 00:04:29,520 --> 00:04:30,160 Speaker 2: with the wild heir. 102 00:04:30,320 --> 00:04:32,120 Speaker 4: So you like the girl who did that whole like 103 00:04:32,600 --> 00:04:34,960 Speaker 4: work party kitchen debacle. 104 00:04:35,200 --> 00:04:38,720 Speaker 3: No, that's I like Rachel, the girl that's dating that 105 00:04:38,800 --> 00:04:41,560 Speaker 3: guy hutcher Sin guy in really in the show. 106 00:04:44,240 --> 00:04:45,839 Speaker 2: Lost and Lost and Confused. 107 00:04:46,000 --> 00:04:48,599 Speaker 1: Yeah, I'm going to pull up that. 108 00:04:50,120 --> 00:04:52,880 Speaker 5: Friends with the French guy's assistant. 109 00:04:53,600 --> 00:04:55,960 Speaker 4: You like he likes someone who's dating Josh Hutcherson in 110 00:04:56,040 --> 00:05:01,640 Speaker 4: the show. You like the crazy the influence agent that's 111 00:05:01,720 --> 00:05:05,200 Speaker 4: like the baby agent's hot, the one that made the 112 00:05:05,320 --> 00:05:08,280 Speaker 4: mess of her husband's work party or her boyfriend's work party. 113 00:05:08,320 --> 00:05:08,719 Speaker 4: I like her. 114 00:05:08,800 --> 00:05:09,760 Speaker 2: That's who Shannon hates. 115 00:05:09,839 --> 00:05:10,440 Speaker 1: I don't like her. 116 00:05:10,520 --> 00:05:12,680 Speaker 3: I don't hate her, but I don't like what you're 117 00:05:12,880 --> 00:05:15,880 Speaker 3: doing to Lula's the influencer girl with the wavy. 118 00:05:15,800 --> 00:05:18,000 Speaker 1: I love Telula. She's beautiful and magical. 119 00:05:18,320 --> 00:05:19,359 Speaker 5: Gary is so lost, right. 120 00:05:19,560 --> 00:05:22,599 Speaker 4: I think that Maya is just deliberately trying to blow 121 00:05:22,680 --> 00:05:24,800 Speaker 4: up her relationship with that guy because she wants to 122 00:05:24,880 --> 00:05:27,919 Speaker 4: get back to the guy that Yes, I just. 123 00:05:27,920 --> 00:05:30,240 Speaker 5: Say one thing real quick, you know, at the ending, 124 00:05:30,279 --> 00:05:32,600 Speaker 5: when she oh, it's spoiler, but I'm not going to say, 125 00:05:32,680 --> 00:05:35,000 Speaker 5: but when her boss is basically like, yeah, you need 126 00:05:35,000 --> 00:05:37,360 Speaker 5: to take a chopo and appreciate what you have I 127 00:05:37,400 --> 00:05:39,080 Speaker 5: feel like a lot of people in our generation do 128 00:05:39,279 --> 00:05:41,920 Speaker 5: need to like listen to that one speech because it's like, yeah, 129 00:05:42,240 --> 00:05:44,120 Speaker 5: you're not going to get everything you want immediately. 130 00:05:44,160 --> 00:05:45,360 Speaker 2: You have to work for it. 131 00:05:45,839 --> 00:05:46,960 Speaker 5: You have to, like you know what I mean, be 132 00:05:47,080 --> 00:05:49,160 Speaker 5: a disciple for a second. And like I think a 133 00:05:49,200 --> 00:05:51,280 Speaker 5: lot of people in our generation now are kind of 134 00:05:51,400 --> 00:05:54,480 Speaker 5: like fast track trying to be like the CEO when 135 00:05:54,520 --> 00:05:55,880 Speaker 5: it's like now, I gotta. 136 00:05:55,680 --> 00:05:58,440 Speaker 4: Learn, Yes, Elmer, before you were here, Gary did this 137 00:05:58,600 --> 00:06:00,120 Speaker 4: rant all the time and he said there was a 138 00:06:00,240 --> 00:06:03,160 Speaker 4: dues gap going on. You don't pay your dues and 139 00:06:03,279 --> 00:06:05,039 Speaker 4: you've got to pay your dues to get to where you. 140 00:06:05,240 --> 00:06:07,400 Speaker 1: You want to be. But you can't. You can't have 141 00:06:07,560 --> 00:06:09,360 Speaker 1: that gap, you know. 142 00:06:10,000 --> 00:06:13,159 Speaker 2: I agree, you could use that term if you like quote. 143 00:06:14,200 --> 00:06:19,120 Speaker 1: But Leeton Measter is like the older cracks me up. 144 00:06:19,320 --> 00:06:20,359 Speaker 2: Yeah, like. 145 00:06:22,279 --> 00:06:22,600 Speaker 5: Me too. 146 00:06:22,720 --> 00:06:26,920 Speaker 1: I can't not picture her and gossip Girl and I 147 00:06:27,040 --> 00:06:27,680 Speaker 1: love that show. 148 00:06:28,200 --> 00:06:32,159 Speaker 2: Continue with what we have some new Diddy documentary news. 149 00:06:32,240 --> 00:06:36,640 Speaker 2: By the way, yes all her fault on Peacock. We 150 00:06:36,800 --> 00:06:39,280 Speaker 2: finished up that show. It's a kidnapping show. That's all 151 00:06:39,320 --> 00:06:42,120 Speaker 2: I'm going to say about that. The beast in me 152 00:06:42,600 --> 00:06:45,640 Speaker 2: is when we just started that's on Netflix. That is 153 00:06:45,800 --> 00:06:49,680 Speaker 2: this story of a writer played by Claire Danes and 154 00:06:49,960 --> 00:06:53,680 Speaker 2: her new neighbor played by Matthew Reese, who's accused of 155 00:06:54,240 --> 00:06:57,640 Speaker 2: he's got a shady past, may murdered his wife and 156 00:06:57,760 --> 00:06:59,600 Speaker 2: she's an author and she's looking for a new subject, 157 00:06:59,680 --> 00:07:00,760 Speaker 2: so she's to write about him. 158 00:07:01,040 --> 00:07:03,520 Speaker 1: I am almost done with the diplomat, the entire thing. 159 00:07:03,760 --> 00:07:03,960 Speaker 3: Yeah. 160 00:07:04,400 --> 00:07:08,599 Speaker 1: I don't like the turn season three took. I don't 161 00:07:08,680 --> 00:07:09,600 Speaker 1: like what they did to them. 162 00:07:09,840 --> 00:07:10,040 Speaker 2: Yeah. 163 00:07:10,280 --> 00:07:12,520 Speaker 1: I did not like that at all, And I don't 164 00:07:12,520 --> 00:07:14,520 Speaker 1: know how it ends. But you're not done, not done. 165 00:07:14,800 --> 00:07:16,840 Speaker 4: But I don't like that they could have they should 166 00:07:16,840 --> 00:07:21,640 Speaker 4: have kept it with just like uh flirtation that didn't 167 00:07:21,680 --> 00:07:22,400 Speaker 4: get and then. 168 00:07:22,480 --> 00:07:24,000 Speaker 1: That with that got what? 169 00:07:24,640 --> 00:07:24,840 Speaker 2: Eh? 170 00:07:26,320 --> 00:07:27,560 Speaker 1: I was not happy with that. 171 00:07:28,200 --> 00:07:28,400 Speaker 4: Yeah. 172 00:07:29,240 --> 00:07:30,160 Speaker 1: Did you feel the same way? 173 00:07:30,600 --> 00:07:31,200 Speaker 2: Yeah? Very much? 174 00:07:31,240 --> 00:07:33,720 Speaker 1: So okay, because I really liked them. 175 00:07:34,560 --> 00:07:36,320 Speaker 2: Well, there's no reason you don't have to hate them, 176 00:07:36,480 --> 00:07:36,640 Speaker 2: you know. 177 00:07:36,760 --> 00:07:40,360 Speaker 4: I don't want to go through somebody's like marital strife 178 00:07:40,440 --> 00:07:42,280 Speaker 4: on a show like I watch it for entertainment. 179 00:07:42,480 --> 00:07:44,880 Speaker 2: How much you're crap together? How many episodes you have left? 180 00:07:45,000 --> 00:07:45,160 Speaker 5: One? 181 00:07:45,960 --> 00:07:49,240 Speaker 2: Oh? Okay, okay, so then it'll wrap up for you. Yeah, 182 00:07:49,840 --> 00:07:53,040 Speaker 2: pluribus on Apple TV. That's another one that's I'm I'm 183 00:07:53,160 --> 00:07:57,000 Speaker 2: really liking it because it is not just a weird show. 184 00:07:57,160 --> 00:07:58,160 Speaker 2: I mean it is a weird show. 185 00:07:58,200 --> 00:07:59,880 Speaker 1: How many episodes into it are you. 186 00:08:00,400 --> 00:08:02,880 Speaker 2: Six or seven? Whatever? I mean, we're caught up. It 187 00:08:02,960 --> 00:08:08,080 Speaker 2: comes out every Friday. It is a Vince Gilligan is brilliant. 188 00:08:08,160 --> 00:08:11,200 Speaker 2: I mean, did a lot of the Breaking Bad and 189 00:08:11,480 --> 00:08:14,640 Speaker 2: Better Call Saul, so a lot of his kind of 190 00:08:15,040 --> 00:08:19,520 Speaker 2: tricks in terms of placement of characters, use of color, 191 00:08:19,840 --> 00:08:22,400 Speaker 2: different kinds of shots, like he's all of that stuff 192 00:08:22,480 --> 00:08:26,680 Speaker 2: is very Vince Gilligan. But there's messages in this that 193 00:08:26,840 --> 00:08:29,160 Speaker 2: it seems like every time we finish an episode, my 194 00:08:29,280 --> 00:08:31,880 Speaker 2: wife and I have to download for like ten minutes. Okay, 195 00:08:31,960 --> 00:08:34,000 Speaker 2: what do you think what is this supposed to be 196 00:08:34,000 --> 00:08:36,199 Speaker 2: an allegory for what do we? I mean, listen, that's 197 00:08:36,360 --> 00:08:40,160 Speaker 2: kind of hot talk we have in my house. What 198 00:08:40,280 --> 00:08:43,120 Speaker 2: do you think he's trying to say with these you know, 199 00:08:43,720 --> 00:08:47,680 Speaker 2: these people who survived what becomes this mind meld virus. 200 00:08:48,040 --> 00:08:49,600 Speaker 1: I saw an article this morning. 201 00:08:50,200 --> 00:08:52,520 Speaker 4: I don't I've only watched one episode of it, and 202 00:08:52,640 --> 00:08:55,559 Speaker 4: I didn't know enough to click, but it was something 203 00:08:55,600 --> 00:08:59,280 Speaker 4: to the effect of Pluribus is not a show about 204 00:08:59,400 --> 00:09:01,080 Speaker 4: aliens so fi sci fi. 205 00:09:01,200 --> 00:09:03,240 Speaker 1: It's about something else. 206 00:09:03,360 --> 00:09:06,920 Speaker 2: Very much so. And that's what that. I like that kind. 207 00:09:07,440 --> 00:09:09,040 Speaker 2: I like that kind of a show every once in 208 00:09:09,080 --> 00:09:10,840 Speaker 2: a while. I don't like them all like that. I mean, 209 00:09:10,880 --> 00:09:13,319 Speaker 2: I like everyone so I like my Landman for example, 210 00:09:13,440 --> 00:09:18,839 Speaker 2: There's none of that, no brain activity needed. But but 211 00:09:19,000 --> 00:09:21,600 Speaker 2: Plurvis is written on such a different level. I mean, 212 00:09:21,640 --> 00:09:24,000 Speaker 2: are they talking about like how we all felt during 213 00:09:24,120 --> 00:09:28,600 Speaker 2: COVID or are they talking about the influx of artificial 214 00:09:28,679 --> 00:09:32,400 Speaker 2: intelligence and our everyday lives. Yeah, that social media makes 215 00:09:32,480 --> 00:09:35,280 Speaker 2: us feel If you're not on social media, you feel 216 00:09:35,600 --> 00:09:38,480 Speaker 2: a part but also more human than other people. 217 00:09:38,559 --> 00:09:41,160 Speaker 4: Like there's there's a lot, that's a lot of levels. 218 00:09:41,280 --> 00:09:42,800 Speaker 4: I don't like to work that hard. 219 00:09:42,840 --> 00:09:45,240 Speaker 2: When I watched TV, but I saw a friend of 220 00:09:45,280 --> 00:09:49,480 Speaker 2: mine said that the first half of that first episode 221 00:09:49,880 --> 00:09:54,280 Speaker 2: is not fun. I mean it is. It is creepy, 222 00:09:54,559 --> 00:09:59,199 Speaker 2: it's disturbing. What happens in that first thirty minutes of 223 00:09:59,240 --> 00:10:02,719 Speaker 2: that first episode is uncomfortable to watch. Yeah, and I 224 00:10:02,840 --> 00:10:05,240 Speaker 2: remember thinking to myself, I don't I don't know if 225 00:10:05,240 --> 00:10:06,760 Speaker 2: I want to watch this. I don't want to do 226 00:10:06,920 --> 00:10:08,320 Speaker 2: multiple episodes kind. 227 00:10:08,200 --> 00:10:11,280 Speaker 4: Of where I'm at, because the whole episode for me 228 00:10:11,559 --> 00:10:14,120 Speaker 4: was I get okay, cool, and it's well done and 229 00:10:14,120 --> 00:10:16,200 Speaker 4: it's well acted, but I'm like, eh, am I really 230 00:10:16,240 --> 00:10:16,760 Speaker 4: in the mood for this. 231 00:10:16,880 --> 00:10:20,160 Speaker 2: Second episode has laughlines in it. Third episode gets into 232 00:10:20,240 --> 00:10:23,640 Speaker 2: more the esoteric levels of kind of what's going on, 233 00:10:23,760 --> 00:10:24,679 Speaker 2: what's really going on? 234 00:10:24,840 --> 00:10:29,120 Speaker 1: To stick with the Simon col reality fodder, I guess over. 235 00:10:28,960 --> 00:10:32,240 Speaker 2: Here in dumb dumb Land, you also saw Sean Combs 236 00:10:32,280 --> 00:10:36,440 Speaker 2: The Reckoning, This is the this is the documentary on Diddy, 237 00:10:37,240 --> 00:10:41,120 Speaker 2: put Together man By among others, put together by Fitty Scent. 238 00:10:41,800 --> 00:10:47,000 Speaker 2: He did an interview on Sherry. We watched Sherry in 239 00:10:47,040 --> 00:10:47,720 Speaker 2: here because it's on the. 240 00:10:47,840 --> 00:10:49,680 Speaker 1: Actually we saw him on Sherry. 241 00:10:50,400 --> 00:10:54,640 Speaker 2: He said he has about one hundred and fifty hours 242 00:10:54,760 --> 00:10:57,960 Speaker 2: of footage that did not make it into the documentary. 243 00:10:58,240 --> 00:11:00,719 Speaker 2: He said, I don't understand why he feels himself, but 244 00:11:00,760 --> 00:11:03,520 Speaker 2: I'm glad he filmed himself. The people supporting him will 245 00:11:03,559 --> 00:11:05,719 Speaker 2: be very quiet when more comes out. 246 00:11:05,960 --> 00:11:09,240 Speaker 4: He may just put it on YouTube. But it's a 247 00:11:09,320 --> 00:11:13,679 Speaker 4: four part dark documentary and it's if you kind of 248 00:11:14,760 --> 00:11:17,600 Speaker 4: it's kind of a fun you know, it's it's kind 249 00:11:17,640 --> 00:11:21,199 Speaker 4: of the way I felt about all these documentaries of 250 00:11:21,280 --> 00:11:24,600 Speaker 4: these stars like Eddie Murphy. You know, you go back 251 00:11:24,800 --> 00:11:27,000 Speaker 4: and it's kind of like walking you through history in 252 00:11:27,120 --> 00:11:29,959 Speaker 4: terms of music. It's not all about Diddy. It's about 253 00:11:30,000 --> 00:11:32,880 Speaker 4: the evolution of East Coast, West Coast and all of 254 00:11:33,000 --> 00:11:36,679 Speaker 4: that and early nineties stuff. So it's I just liked 255 00:11:36,720 --> 00:11:39,679 Speaker 4: the nostalgia part of it, you know, and it doesn't 256 00:11:39,720 --> 00:11:41,839 Speaker 4: get into you're not going to feel grossed out. It's 257 00:11:42,640 --> 00:11:45,439 Speaker 4: maybe a couple moments in like the last episode, where 258 00:11:45,480 --> 00:11:47,000 Speaker 4: they kind of get into it a little bit what 259 00:11:47,240 --> 00:11:51,120 Speaker 4: was going on, But it's more of a sociology sociology, 260 00:11:52,000 --> 00:11:56,520 Speaker 4: sociological thank you look at what made him be the 261 00:11:56,600 --> 00:12:00,959 Speaker 4: way he was and when the switch was flipped and 262 00:12:01,240 --> 00:12:04,559 Speaker 4: was he just ruthless and driven or was he a 263 00:12:04,679 --> 00:12:09,040 Speaker 4: ruthless murderer. There are bodies that have turned up around 264 00:12:09,160 --> 00:12:12,920 Speaker 4: Diddy throughout the years, and clearly they interviewed people with 265 00:12:13,000 --> 00:12:16,040 Speaker 4: an axe to grind, people who maybe did not get 266 00:12:16,120 --> 00:12:18,280 Speaker 4: the level of success that some of the people who 267 00:12:18,320 --> 00:12:21,199 Speaker 4: worked in his circle did, like Mary j. Blige, Joe 268 00:12:21,280 --> 00:12:23,640 Speaker 4: to see things like that, these are people who kind 269 00:12:23,640 --> 00:12:26,200 Speaker 4: of it didn't pan out for them, So you know, you. 270 00:12:26,240 --> 00:12:30,120 Speaker 1: Take it with a grain of salt, but also it's 271 00:12:30,240 --> 00:12:31,120 Speaker 1: really well. 272 00:12:31,000 --> 00:12:34,199 Speaker 4: Done in that documentary form, and it's only four episodes 273 00:12:34,840 --> 00:12:35,160 Speaker 4: about it. 274 00:12:35,360 --> 00:12:37,680 Speaker 2: I think we said forty five minutes, fifty minutes apiece, 275 00:12:37,760 --> 00:12:38,120 Speaker 2: something like that.