1 00:00:00,800 --> 00:00:07,720 Speaker 1: Simone show continues, well, Jimmy Fayla, the great talk show host, 2 00:00:07,800 --> 00:00:10,680 Speaker 1: a great comedian. He's on every night here on w 3 00:00:11,000 --> 00:00:14,560 Speaker 1: o R nine to midnight. Excellent show nine to midnight. 4 00:00:14,600 --> 00:00:16,439 Speaker 1: And you also want to watch his late night show. 5 00:00:16,480 --> 00:00:19,799 Speaker 1: It's the best one in television every Saturday night. There's 6 00:00:19,840 --> 00:00:24,720 Speaker 1: no better monologue anywhere in television. And even President Trump 7 00:00:24,760 --> 00:00:26,320 Speaker 1: has come out and said so, he's a huge fan. 8 00:00:26,600 --> 00:00:29,960 Speaker 1: It's Saturday nights at ten on the Fox News Channel. 9 00:00:30,320 --> 00:00:33,120 Speaker 1: Jimmy Fayla, How you doing good? 10 00:00:33,560 --> 00:00:35,600 Speaker 2: Thank you for that Trump plug. You know what dawned 11 00:00:35,640 --> 00:00:38,680 Speaker 2: on me though, Mark, it's you know, Trump tweeting about 12 00:00:38,680 --> 00:00:40,920 Speaker 2: your show and saying it's good is a great thing 13 00:00:41,040 --> 00:00:44,199 Speaker 2: until you realize you're a joke away from him tweeting 14 00:00:44,240 --> 00:00:49,240 Speaker 2: about your show a second time. But I'll say heale 15 00:00:49,360 --> 00:00:51,320 Speaker 2: the cab driver Jimmy Saylor. 16 00:00:53,400 --> 00:00:55,280 Speaker 1: But also it makes you nervous right now. You know 17 00:00:55,320 --> 00:00:57,240 Speaker 1: he's watching every week. Now you got to think about that. 18 00:00:57,520 --> 00:01:00,120 Speaker 2: Oh no, I like it. Comedy is the great. It's 19 00:01:00,120 --> 00:01:01,600 Speaker 2: a great thing. I didn't stand up when he was 20 00:01:01,640 --> 00:01:05,680 Speaker 2: at the Patriot Awards. And the magic trick of comedy 21 00:01:06,120 --> 00:01:07,840 Speaker 2: is you don't read the room. You have to lead 22 00:01:07,880 --> 00:01:10,200 Speaker 2: the room. Somebody hands you a microphone, you have to 23 00:01:10,200 --> 00:01:12,280 Speaker 2: be so in charge. It's like, do you want a 24 00:01:12,280 --> 00:01:14,360 Speaker 2: guy's robbing a bank and he fires a shot into 25 00:01:14,400 --> 00:01:17,440 Speaker 2: the ceiling to get everybody's attention. That's kind of how 26 00:01:17,520 --> 00:01:21,360 Speaker 2: you do comedy when you've got like a really powerful audience, 27 00:01:21,920 --> 00:01:24,560 Speaker 2: because if you don't have the whole bank's attention, you 28 00:01:24,560 --> 00:01:26,399 Speaker 2: ain't getting out of there with the money man. Yeah, 29 00:01:26,440 --> 00:01:27,240 Speaker 2: that's that. Do work. 30 00:01:27,680 --> 00:01:29,440 Speaker 1: Explain that again, so you don't read the room. Don't 31 00:01:29,440 --> 00:01:31,840 Speaker 1: worry about what the lead through room? How do you 32 00:01:31,920 --> 00:01:32,480 Speaker 1: lead the room? 33 00:01:32,640 --> 00:01:35,600 Speaker 2: Yes, comedy, that is the thing you Yes, when you 34 00:01:35,640 --> 00:01:40,600 Speaker 2: are a comic. Okay, you control the conversation, the tone, 35 00:01:40,720 --> 00:01:43,080 Speaker 2: the tenor the entire vibe in the room, because you're 36 00:01:43,120 --> 00:01:46,000 Speaker 2: the only guy with a microphone. Like the room is 37 00:01:46,200 --> 00:01:48,280 Speaker 2: silent and they're listening to what you have to say. 38 00:01:48,760 --> 00:01:50,760 Speaker 2: So you lead the room. What I mean by that 39 00:01:50,920 --> 00:01:53,000 Speaker 2: is get the room to the energy you want it 40 00:01:53,040 --> 00:01:54,920 Speaker 2: to be and for your jokes to work. Make sure 41 00:01:54,920 --> 00:01:57,680 Speaker 2: they know you're bargaining with them in good faith. You know, 42 00:01:57,760 --> 00:01:59,600 Speaker 2: you want to be pleasant, you want to be upbeat. 43 00:02:00,040 --> 00:02:02,960 Speaker 2: But the thing is, every joke needs to come with perspective, 44 00:02:02,960 --> 00:02:06,640 Speaker 2: because that's what makes it okay. When comics get in trouble, 45 00:02:06,720 --> 00:02:10,480 Speaker 2: it's because they look malicious or they don't, you know, 46 00:02:10,880 --> 00:02:14,760 Speaker 2: they look like they're saying something for purposes other than laughter. 47 00:02:15,080 --> 00:02:17,120 Speaker 2: You know, that's the biggest knock them, like a Kimmel 48 00:02:17,160 --> 00:02:21,000 Speaker 2: or a Colbert, is they're doing. They're making editorial statements, 49 00:02:21,040 --> 00:02:24,320 Speaker 2: and that's why it's not working. Okay, you don't come 50 00:02:24,360 --> 00:02:27,679 Speaker 2: to the comedy show to get a condescending lecture from 51 00:02:27,720 --> 00:02:30,880 Speaker 2: that liberal and who ruins Thanksgiving. But that's what Colbert 52 00:02:31,080 --> 00:02:33,760 Speaker 2: is every night, even last night with the ice stuff. 53 00:02:33,919 --> 00:02:36,040 Speaker 2: It's you know, so is my job of the comic 54 00:02:36,160 --> 00:02:38,480 Speaker 2: is to lead them to this like feel good place 55 00:02:38,520 --> 00:02:40,360 Speaker 2: where they don't have to agree with me to laugh 56 00:02:40,440 --> 00:02:44,560 Speaker 2: because I'm not saying anything other than this is what happened. 57 00:02:44,800 --> 00:02:46,600 Speaker 2: This is why it's funny. That's it. 58 00:02:47,360 --> 00:02:49,400 Speaker 1: Yeah. You know you watch don Rickolson once in a while, 59 00:02:49,440 --> 00:02:52,000 Speaker 1: aligned with bomb or get no laugh. He couldn't care less. 60 00:02:52,000 --> 00:02:54,120 Speaker 1: He would just crank it up ten more notches and 61 00:02:54,240 --> 00:02:56,799 Speaker 1: keep going. And so that's a good way to lead 62 00:02:56,840 --> 00:02:58,840 Speaker 1: the room. Hey, speaking of Colbert, so last night he 63 00:02:58,880 --> 00:03:01,960 Speaker 1: makes this awful joke about how the Nazis are better 64 00:03:02,000 --> 00:03:04,120 Speaker 1: than Ice. What the hell is he thinking? 65 00:03:05,560 --> 00:03:10,000 Speaker 2: Yep, but that's the point when he's editorializing about Ice, 66 00:03:10,040 --> 00:03:13,079 Speaker 2: and that's exactly why his show's getting deported on the 67 00:03:13,480 --> 00:03:18,520 Speaker 2: first The CPS has thrown it out of here because 68 00:03:18,520 --> 00:03:22,639 Speaker 2: he's again, he's what he's doing in his room, Okay, 69 00:03:23,120 --> 00:03:27,680 Speaker 2: is he's obviously catering to a very one dimensional mindset. Okay, 70 00:03:27,680 --> 00:03:30,760 Speaker 2: we all have liberal friends, good liberal friends, okay, who 71 00:03:31,040 --> 00:03:34,000 Speaker 2: like to run on like a moral superiority. They're good people, 72 00:03:34,000 --> 00:03:36,119 Speaker 2: they're your friends, you like them. I'm not disparaging them. 73 00:03:36,320 --> 00:03:38,320 Speaker 2: But he caters to a crowd of people that want 74 00:03:38,320 --> 00:03:41,720 Speaker 2: to believe they're better than everybody else. So if you say, like, oh, 75 00:03:41,800 --> 00:03:45,000 Speaker 2: Ice is worse than the Nazis and the white supremacists 76 00:03:45,040 --> 00:03:48,120 Speaker 2: who vote for Trump, that allows his audience to go, eh, 77 00:03:48,200 --> 00:03:50,960 Speaker 2: at least I'm not those people. You know, I know better, 78 00:03:51,360 --> 00:03:54,280 Speaker 2: but they don't know better. Who is I supporting? Okay, 79 00:03:54,280 --> 00:03:56,840 Speaker 2: they're going to after sex offenders, you know, they're not 80 00:03:56,840 --> 00:03:59,880 Speaker 2: trying to exterminate a race of people. Come on, man, 81 00:04:00,040 --> 00:04:00,880 Speaker 2: it's embarrassing. 82 00:04:01,160 --> 00:04:03,520 Speaker 1: So if you watch Fox News at night, like Jesse 83 00:04:03,600 --> 00:04:06,080 Speaker 1: Waters is clowning around and handity. It's all a lot 84 00:04:06,080 --> 00:04:08,680 Speaker 1: of information and seriously, but they're clowning around, they're having fun. 85 00:04:08,760 --> 00:04:12,640 Speaker 1: Then gutt filed. You watch MSNBC. This guy's angry as hell. 86 00:04:12,680 --> 00:04:15,040 Speaker 1: Then Rachel Maddo comes us, she's even madder than Lawrence 87 00:04:15,080 --> 00:04:16,800 Speaker 1: o'dnald comes out, he's twice as angry. 88 00:04:17,080 --> 00:04:18,279 Speaker 2: Who watches this kind of stuff? 89 00:04:18,279 --> 00:04:20,080 Speaker 1: Why would you want to get so riled up at night? 90 00:04:21,240 --> 00:04:25,120 Speaker 2: I know? Because it really, like MSNBC is just group 91 00:04:25,240 --> 00:04:28,160 Speaker 2: therapy with hair and makeup. It's like imagine you were 92 00:04:28,520 --> 00:04:30,760 Speaker 2: imagine you were going to a support group, but everybody 93 00:04:30,760 --> 00:04:33,920 Speaker 2: there got their face powdered beforehand. That's essentially what it is. 94 00:04:34,839 --> 00:04:37,720 Speaker 2: And that and that's who's watching it, like for real, 95 00:04:37,800 --> 00:04:42,440 Speaker 2: Like the demographic of an MSNBC viewer is usually a 96 00:04:42,520 --> 00:04:46,160 Speaker 2: white liberal, like Lawrence o'donald's age, you know, fifty sixty 97 00:04:46,200 --> 00:04:49,480 Speaker 2: plus that you know, just he was saying the other 98 00:04:49,560 --> 00:04:51,560 Speaker 2: day he Lawrence o'dnald was the one who said that 99 00:04:51,760 --> 00:04:54,640 Speaker 2: New York City plowing the streets was socialism. And I 100 00:04:54,760 --> 00:04:58,239 Speaker 2: was like, dude, the Department of Sanitation plowed the streets. 101 00:04:58,279 --> 00:05:00,840 Speaker 2: They did a phenomenal job. I dare you to go 102 00:05:00,880 --> 00:05:02,960 Speaker 2: walk into one of their garages and tell the guy 103 00:05:02,960 --> 00:05:05,760 Speaker 2: with the neck tattoo he's a socialist. I'm like, it's 104 00:05:05,760 --> 00:05:08,640 Speaker 2: not gonna end good for you, Laurence o'donald. But that's 105 00:05:08,680 --> 00:05:12,159 Speaker 2: the point. It's the confirmation bias. People are watching for 106 00:05:12,279 --> 00:05:16,120 Speaker 2: confirmation bias, and that's not comedy if they're if you're 107 00:05:16,240 --> 00:05:18,520 Speaker 2: telling them just what they want to hear, you're not 108 00:05:18,560 --> 00:05:20,720 Speaker 2: being a comedian. You're supposed to tell him jokes. 109 00:05:21,880 --> 00:05:24,280 Speaker 1: So explain Don Lemon to me. The guy doesn't even 110 00:05:24,279 --> 00:05:25,920 Speaker 1: have a job. He's out of work and he's going 111 00:05:25,920 --> 00:05:29,279 Speaker 1: to Minnesota. He's busting in the churches. What's he doing 112 00:05:29,320 --> 00:05:29,599 Speaker 1: this for? 113 00:05:31,880 --> 00:05:34,520 Speaker 2: It's the thing. So Don Lemon is obviously playing. It's 114 00:05:34,560 --> 00:05:38,240 Speaker 2: called the rage bait game. You know, you post provocative 115 00:05:38,320 --> 00:05:40,880 Speaker 2: things that'll get people mad and they'll click on your 116 00:05:40,960 --> 00:05:43,640 Speaker 2: video and be like, oh show you, and you know 117 00:05:43,720 --> 00:05:45,840 Speaker 2: you make money and you get attention. But what he's 118 00:05:45,920 --> 00:05:49,640 Speaker 2: essentially doing is just projecting all of his anger on 119 00:05:49,720 --> 00:05:51,520 Speaker 2: to the rest of the country because he's mad because 120 00:05:51,560 --> 00:05:54,000 Speaker 2: no network will hire him because he was a pain 121 00:05:54,080 --> 00:05:55,839 Speaker 2: in the ass man, Like I met him a few times. 122 00:05:55,839 --> 00:05:57,240 Speaker 2: Did you ever meet him at any of these media 123 00:05:57,320 --> 00:05:58,080 Speaker 2: mixers we go to. 124 00:05:58,520 --> 00:06:00,400 Speaker 1: No, but I met him, you know, so till he's 125 00:06:00,480 --> 00:06:02,680 Speaker 1: very nice and he's a polite and he smiles. But 126 00:06:03,000 --> 00:06:04,200 Speaker 1: I never had to work with the guy. 127 00:06:05,240 --> 00:06:08,560 Speaker 2: No. But what happened was he got to this place 128 00:06:08,640 --> 00:06:11,200 Speaker 2: where his only job was to go on TV and 129 00:06:11,240 --> 00:06:13,680 Speaker 2: tell you it was racist. And for a while there 130 00:06:13,800 --> 00:06:16,080 Speaker 2: that was like a fashionable thing. But it was so 131 00:06:16,360 --> 00:06:21,159 Speaker 2: lazy and reductive and devoid of any real context that 132 00:06:21,279 --> 00:06:23,680 Speaker 2: it made him worse at his job. Like he was 133 00:06:23,720 --> 00:06:25,760 Speaker 2: better at his job in twenty twelve than he was 134 00:06:25,880 --> 00:06:28,880 Speaker 2: two years ago or even right now, but he got 135 00:06:28,880 --> 00:06:30,840 Speaker 2: more fain the worse he got at his job. Meaning 136 00:06:30,880 --> 00:06:33,800 Speaker 2: that's racist, that's crazy, that's racist. In the grievance era 137 00:06:33,880 --> 00:06:36,520 Speaker 2: of like the outrage Bob, that made him a bigger deal, 138 00:06:36,960 --> 00:06:39,159 Speaker 2: you know, because he had more oppression points than the 139 00:06:39,200 --> 00:06:42,240 Speaker 2: other woke liberals. You know, he was black, he was gay, 140 00:06:42,360 --> 00:06:45,400 Speaker 2: so in the liberal hierarchy of grievance, like you had 141 00:06:45,440 --> 00:06:48,839 Speaker 2: to deify him, and he got away with that until 142 00:06:48,839 --> 00:06:50,520 Speaker 2: he did it, you know. And the fact that they 143 00:06:50,560 --> 00:06:53,080 Speaker 2: didn't want to work with him anymore is something that 144 00:06:53,120 --> 00:06:55,440 Speaker 2: we're getting the bill for now because he's just trying 145 00:06:55,440 --> 00:06:59,960 Speaker 2: to upset everybody on social media. He's just basically joy 146 00:07:00,120 --> 00:07:02,400 Speaker 2: read uh with a wig on. You know, I don't 147 00:07:02,400 --> 00:07:03,040 Speaker 2: know what to tell you. 148 00:07:04,279 --> 00:07:07,000 Speaker 1: Hey, elon Omar. You know that guy came up and 149 00:07:07,040 --> 00:07:09,560 Speaker 1: sprayed something all over. It looked very dangerous. But I'm 150 00:07:09,560 --> 00:07:11,440 Speaker 1: watching the whole video. You know, it's fascinating when the 151 00:07:11,440 --> 00:07:13,760 Speaker 1: guy does that and he looks like a raging maniac. 152 00:07:14,560 --> 00:07:17,679 Speaker 1: She actually charges the guy. You're pretty brave. She runs 153 00:07:17,720 --> 00:07:20,000 Speaker 1: at the guy. You have a credit for that. 154 00:07:21,720 --> 00:07:24,760 Speaker 2: Yeah, man, I mean, you know, I don't know. They 155 00:07:24,760 --> 00:07:27,360 Speaker 2: said it was apple cider vinegar, and I guess that's 156 00:07:27,400 --> 00:07:30,280 Speaker 2: what it was. I knew it wasn't wine because her 157 00:07:30,360 --> 00:07:33,960 Speaker 2: vineyard was fake. Yeah, she's as she might get pop 158 00:07:34,040 --> 00:07:36,360 Speaker 2: for that. Yeah, But the point is, like, you know, 159 00:07:36,920 --> 00:07:41,840 Speaker 2: obviously that's another sign that everybody needs to chill out. Okay, 160 00:07:42,320 --> 00:07:44,520 Speaker 2: half of my feet is like, oh it was Fay. 161 00:07:44,520 --> 00:07:45,840 Speaker 2: Come like, all right, we're not going to do that. 162 00:07:45,920 --> 00:07:48,119 Speaker 2: Because I have liberal friends who still think Trump faked 163 00:07:48,160 --> 00:07:50,320 Speaker 2: getting shot. I'm like, well he faked it so well 164 00:07:50,360 --> 00:07:52,160 Speaker 2: he got a guy killed. I mean, come on, man, 165 00:07:52,200 --> 00:07:54,960 Speaker 2: it's crazy. Wow. So I'm trying to take the edge 166 00:07:55,000 --> 00:07:56,640 Speaker 2: off Mark Simon and that's why I hang out with 167 00:07:56,680 --> 00:07:59,120 Speaker 2: mister New York and can I mention, by the way, 168 00:07:59,280 --> 00:08:01,080 Speaker 2: because so many of your listeners come up to me 169 00:08:01,120 --> 00:08:03,480 Speaker 2: on the street and say hello on Sixth Avenue. If 170 00:08:03,520 --> 00:08:06,040 Speaker 2: anybody wants to come to my show, the tickets are free. 171 00:08:06,120 --> 00:08:08,920 Speaker 2: If you go to Fox Across America dot com. You 172 00:08:08,920 --> 00:08:10,800 Speaker 2: can go to Fox News Saturday night. You don't have 173 00:08:10,840 --> 00:08:13,120 Speaker 2: to make me tell you jokes on the sidewalk. You 174 00:08:13,120 --> 00:08:16,160 Speaker 2: can let me tell you jokes in the studio. I 175 00:08:16,160 --> 00:08:18,840 Speaker 2: have three of your listeners different three different times this week. 176 00:08:19,040 --> 00:08:21,440 Speaker 2: I was walking up to get my Greek food and hey, 177 00:08:21,480 --> 00:08:23,960 Speaker 2: say hello to mister New York. I'm like, why don't 178 00:08:23,960 --> 00:08:25,680 Speaker 2: you come to my show? So I don't have to 179 00:08:25,680 --> 00:08:28,240 Speaker 2: perform on a street corner. I left the prostitution business 180 00:08:28,320 --> 00:08:28,720 Speaker 2: years ago. 181 00:08:28,840 --> 00:08:30,800 Speaker 1: Yeah, I come on, man, Jimmy Taylor has the best 182 00:08:30,880 --> 00:08:33,880 Speaker 1: late night show on television on Saturday nights ten o'clock. 183 00:08:33,880 --> 00:08:35,679 Speaker 1: You can watch it and you don't have to be 184 00:08:35,720 --> 00:08:37,920 Speaker 1: there Saturday night ten. You tape it earlier, right, so. 185 00:08:38,440 --> 00:08:41,240 Speaker 2: Yeah, we tape it up Friday nights. Come by. Oh okay, 186 00:08:41,240 --> 00:08:44,240 Speaker 2: hey they're free. Yeah. Foxcross America dot Com. 187 00:08:44,320 --> 00:08:46,280 Speaker 1: Great way to spend a Friday night and a great 188 00:08:46,360 --> 00:08:48,800 Speaker 1: the date night thing to do Friday night. And so 189 00:08:48,840 --> 00:08:49,640 Speaker 1: you can be in the audience. 190 00:08:49,760 --> 00:08:54,600 Speaker 2: Where do you go Fox need foxacross America dot Com. 191 00:08:54,640 --> 00:08:57,360 Speaker 2: You'll be hanging out with me in the Fox Foxes. Yeah, 192 00:08:57,360 --> 00:08:59,040 Speaker 2: if you're on a date, don't look at the Foxes. 193 00:08:59,080 --> 00:09:01,000 Speaker 2: But if you're there single, oh yeah, have some fun, 194 00:09:01,160 --> 00:09:03,480 Speaker 2: all right, good, just don't get good stuff. 195 00:09:03,600 --> 00:09:06,560 Speaker 1: Get tickets to Jimmy Faylo's TV show and make sure 196 00:09:06,600 --> 00:09:08,440 Speaker 1: you're listen to him tonight nine o'clock. What do you 197 00:09:08,440 --> 00:09:09,640 Speaker 1: got on tonight's radio show? 198 00:09:10,200 --> 00:09:13,080 Speaker 2: Oh, We're getting nuts tonight Byron Donald Azzan. He might 199 00:09:13,120 --> 00:09:15,839 Speaker 2: be the next governor of Florida. An author by the 200 00:09:15,880 --> 00:09:18,959 Speaker 2: name of Madison Malloy who's a great gal, super funny, 201 00:09:19,800 --> 00:09:22,880 Speaker 2: but she's filthy, like worse than a sailor in prison 202 00:09:23,440 --> 00:09:25,760 Speaker 2: in terms of her dialogue. So it's gonna be a 203 00:09:25,800 --> 00:09:27,600 Speaker 2: couple of beeps on the show tonight in New York. 204 00:09:27,600 --> 00:09:28,600 Speaker 2: I'm telling you in advance. 205 00:09:28,840 --> 00:09:31,480 Speaker 1: All right, Well, Jimmy Fail is on here on wor 206 00:09:31,600 --> 00:09:34,480 Speaker 1: every night nine to midnight. Don't miss it, and make 207 00:09:34,480 --> 00:09:37,880 Speaker 1: sure what'ts this Saturday night show at ten o'clock and 208 00:09:38,040 --> 00:09:40,320 Speaker 1: Fox across America dot com. You can get tickets to 209 00:09:40,320 --> 00:09:43,720 Speaker 1: be in the audience there. Jimmy Fayli, great stuff, thanks for. 210 00:09:43,559 --> 00:09:47,000 Speaker 2: Being with us. Get a man Mark alright, take care. 211 00:09:47,920 --> 00:09:50,520 Speaker 1: Yeah, he's a great show every night at nine right 212 00:09:50,559 --> 00:09:52,960 Speaker 1: here on seven to ten WR