1 00:00:00,320 --> 00:00:03,680 Speaker 1: You're listening to KFI AM sixty on demand. 2 00:00:05,160 --> 00:00:08,560 Speaker 2: It's Friday night in southern California. I guess technically it's 3 00:00:08,600 --> 00:00:13,120 Speaker 2: Friday night. You know everywhere, within within the within the 4 00:00:13,160 --> 00:00:16,720 Speaker 2: framework of where the sun is, lots to talk about 5 00:00:16,760 --> 00:00:17,759 Speaker 2: on the show tonight, will be with you all the 6 00:00:17,760 --> 00:00:20,040 Speaker 2: way till ten pm, alongside mister Mark RONNERD the One 7 00:00:20,040 --> 00:00:23,959 Speaker 2: and Only Foosh and producer Nikki Ronner. 8 00:00:24,040 --> 00:00:26,720 Speaker 3: How you've been, Well, it's only Friday night for you. 9 00:00:26,760 --> 00:00:30,520 Speaker 3: If you're a solypsist. Have we discussed soism yet? 10 00:00:30,680 --> 00:00:30,800 Speaker 4: Uh? 11 00:00:30,920 --> 00:00:33,120 Speaker 2: You know, I don't. I is that? Is that on 12 00:00:33,159 --> 00:00:35,720 Speaker 2: the syllabus? I'm not sure that I've I'm looking through 13 00:00:35,760 --> 00:00:40,600 Speaker 2: here in my notes? Is this semester? Is that next? Okay? 14 00:00:40,640 --> 00:00:42,480 Speaker 2: So I'm I'm doing two oh one? So I guess 15 00:00:42,520 --> 00:00:43,519 Speaker 2: I will I will know. 16 00:00:43,640 --> 00:00:43,800 Speaker 1: Right. 17 00:00:43,920 --> 00:00:45,839 Speaker 3: It means you're so mentally ill that you don't think 18 00:00:45,880 --> 00:00:47,640 Speaker 3: anything exists outside of yourself? 19 00:00:47,720 --> 00:00:52,560 Speaker 2: Mmm? Did we develop that here in Los Angeles case study? 20 00:00:52,720 --> 00:00:54,240 Speaker 5: As sounds like in law? 21 00:00:54,360 --> 00:00:58,920 Speaker 2: Oh? Is she a listener? No, she's not anymore. I'll 22 00:00:58,920 --> 00:00:59,480 Speaker 2: tell you that one. 23 00:01:00,080 --> 00:01:03,720 Speaker 5: She's over in Florida getting facelifts. I've said too much. 24 00:01:03,840 --> 00:01:06,520 Speaker 2: Oh wow, she'll be pleased that you divulged that. Well, 25 00:01:06,560 --> 00:01:10,080 Speaker 2: speaking of which, we've got a great show for y'all tonight. Ronner. 26 00:01:10,120 --> 00:01:11,640 Speaker 2: I said that we were going to do this, and 27 00:01:11,680 --> 00:01:14,400 Speaker 2: I'm following through the one hundred and one most LA 28 00:01:14,600 --> 00:01:18,319 Speaker 2: movies according to the Los Angeles Times, but vetted by 29 00:01:18,360 --> 00:01:21,679 Speaker 2: our very own Mark Ronner, who, as as Conway said, 30 00:01:21,800 --> 00:01:25,560 Speaker 2: just now, hyped you up pretty good. He's been quite generous, 31 00:01:26,040 --> 00:01:28,920 Speaker 2: the greatest movie reviewer ever. And this is a man, 32 00:01:28,959 --> 00:01:30,640 Speaker 2: by the way, who doesn't do a lot of hyperbole. 33 00:01:30,720 --> 00:01:32,840 Speaker 2: It's given me performance anxiety, if you want to know 34 00:01:32,920 --> 00:01:35,960 Speaker 2: the truth. I haven't seen the list, but I'm looking 35 00:01:36,000 --> 00:01:38,080 Speaker 2: forward to it. Well, what we'll do is a little 36 00:01:38,080 --> 00:01:39,520 Speaker 2: bit later, we'll go through some of those and see 37 00:01:39,560 --> 00:01:41,920 Speaker 2: if we agree. If we don't agree, and I think 38 00:01:41,959 --> 00:01:44,200 Speaker 2: at the same time, maybe when we get to it, 39 00:01:44,200 --> 00:01:46,560 Speaker 2: we'll open up the phone lines, listen to some talkbacks. 40 00:01:46,560 --> 00:01:48,280 Speaker 2: Will be great. He's like, tell us what your favorite 41 00:01:48,320 --> 00:01:52,320 Speaker 2: movie about LA. Now, every movie, for the most part 42 00:01:52,560 --> 00:01:54,440 Speaker 2: in the past, well before we got to like twenty 43 00:01:54,560 --> 00:01:58,120 Speaker 2: years ago, was almost always shot in LA. Most movies, 44 00:01:58,200 --> 00:02:00,440 Speaker 2: but that doesn't mean that it's an LA movie exactly. 45 00:02:00,480 --> 00:02:03,160 Speaker 2: It's a movie that celebrates the city, the movie that's 46 00:02:03,160 --> 00:02:05,040 Speaker 2: about the city. Off the top of my head, I'm 47 00:02:05,040 --> 00:02:11,480 Speaker 2: thinking Chinatown. I'm thinking La Confidential. I'm thinking La Story. 48 00:02:11,560 --> 00:02:13,320 Speaker 2: That kind of if it's got La in the title, 49 00:02:13,360 --> 00:02:15,560 Speaker 2: it's kind of a shoe in, isn't it. Well, Yeah, yeah, 50 00:02:15,560 --> 00:02:18,680 Speaker 2: that's that's true. I think that that that's a pretty 51 00:02:18,680 --> 00:02:20,680 Speaker 2: good I mean, once upon a time in Hollywood. You 52 00:02:20,720 --> 00:02:23,520 Speaker 2: know that can't be about Austin, Texas. No, And I 53 00:02:23,600 --> 00:02:25,240 Speaker 2: love that movie. I think that's the best thing he 54 00:02:25,280 --> 00:02:27,040 Speaker 2: ever did, that Tarantino ever did. 55 00:02:27,120 --> 00:02:29,720 Speaker 5: Yeah, that's a fantastic movie. 56 00:02:29,760 --> 00:02:32,440 Speaker 2: It's a cool movie. It's a cool movie. And we'll 57 00:02:32,440 --> 00:02:35,160 Speaker 2: get into that coming up. We also are curious about this. 58 00:02:36,440 --> 00:02:40,440 Speaker 2: Do we all have low te low testosterone around a 59 00:02:40,480 --> 00:02:42,440 Speaker 2: bunch of soy boys all the time? If you're on 60 00:02:42,480 --> 00:02:45,320 Speaker 2: the internet, you might think that there's a whole culture 61 00:02:45,440 --> 00:02:49,600 Speaker 2: of testosterone influencer who are, for the convenient price of 62 00:02:49,639 --> 00:02:51,919 Speaker 2: how much ever they want to charge you, gonna sell 63 00:02:51,960 --> 00:02:53,760 Speaker 2: you a test to figure out if you've got low 64 00:02:53,800 --> 00:02:56,200 Speaker 2: T and then what to do about it. But what 65 00:02:56,240 --> 00:02:57,000 Speaker 2: does science say? 66 00:02:57,440 --> 00:02:59,160 Speaker 3: Or if you don't want to take the chest, just 67 00:02:59,160 --> 00:03:02,920 Speaker 3: see if they own avan minivan specific. 68 00:03:04,960 --> 00:03:08,000 Speaker 2: There you go. If you have a trans am van 69 00:03:08,320 --> 00:03:11,280 Speaker 2: in your garage. What are the kids saying these days? 70 00:03:11,280 --> 00:03:13,760 Speaker 2: It's chicken banana apparently? Is it the new six seven? 71 00:03:13,840 --> 00:03:16,800 Speaker 2: I have not heard this before. This is interesting, And 72 00:03:17,040 --> 00:03:19,440 Speaker 2: we have a new excuse for everything you get caught 73 00:03:19,560 --> 00:03:23,280 Speaker 2: stealing or breaking law, speeding, bass jumping, even cheating, there's 74 00:03:23,320 --> 00:03:25,960 Speaker 2: a new excuse. And of course at nine pm we're 75 00:03:25,960 --> 00:03:28,680 Speaker 2: playing solo. The solo that's where we take an isolated 76 00:03:28,720 --> 00:03:32,000 Speaker 2: track from a classic song. We just play that part, 77 00:03:32,120 --> 00:03:33,639 Speaker 2: make it sound like a guitar center in here, and 78 00:03:33,680 --> 00:03:36,480 Speaker 2: you've got to call in and guess if you can 79 00:03:36,520 --> 00:03:39,560 Speaker 2: figure out what that song is. It sounds easy, but 80 00:03:39,680 --> 00:03:42,320 Speaker 2: some of them are pretty dang hard. And this week 81 00:03:42,360 --> 00:03:46,120 Speaker 2: we're doing bass Edition, which will either go really well 82 00:03:46,200 --> 00:03:48,960 Speaker 2: or really terribly because I didn't think about this until 83 00:03:49,000 --> 00:03:50,680 Speaker 2: just now. If you're listening on the phone and you're 84 00:03:50,720 --> 00:03:54,200 Speaker 2: on hold to guess and we're playing a bass track, 85 00:03:54,920 --> 00:03:58,040 Speaker 2: does it translate over the phone. We will find that 86 00:03:58,120 --> 00:04:05,600 Speaker 2: out now. And speaking of bass, what about bass? The 87 00:04:05,800 --> 00:04:09,760 Speaker 2: La Mayoral race is heating up? Baby? How about that segue? 88 00:04:09,800 --> 00:04:12,080 Speaker 2: Did you like that? I gotta tell you I I 89 00:04:12,080 --> 00:04:16,000 Speaker 2: if I stumble tonight. It's just because I was doing 90 00:04:16,000 --> 00:04:18,440 Speaker 2: the morning show. I started at six this morning. I 91 00:04:18,480 --> 00:04:21,720 Speaker 2: did six to eleven ish eleven thirty, and then I 92 00:04:21,760 --> 00:04:23,279 Speaker 2: went home. I took a little nap and I tried 93 00:04:23,279 --> 00:04:25,520 Speaker 2: to produce the show. And I'm running on a lot 94 00:04:25,560 --> 00:04:28,239 Speaker 2: of coffee. I'm feeling good. I had a really couple 95 00:04:28,279 --> 00:04:30,760 Speaker 2: good days there doing entertainment. Melvin was out on a 96 00:04:31,040 --> 00:04:34,960 Speaker 2: shoot somewhere and I was. Yesterday, we did a tradition 97 00:04:35,000 --> 00:04:37,159 Speaker 2: in a kat like called the Super Bowl SmackDown, which 98 00:04:37,200 --> 00:04:39,880 Speaker 2: is where there's a physical competition. It's a relay between 99 00:04:39,880 --> 00:04:43,159 Speaker 2: the early morning team of Chris Shaple, Meghan Henderson, Henry 100 00:04:43,160 --> 00:04:46,719 Speaker 2: de Carlo and the late team, which typically would be 101 00:04:46,720 --> 00:04:51,520 Speaker 2: the entertainment person who was me yesterday, Frank Buckley, Jessica Holmes, 102 00:04:52,240 --> 00:04:55,240 Speaker 2: and Mark Chrisky. Now Mark Chrisky was out, he's in 103 00:04:55,880 --> 00:04:58,400 Speaker 2: New Orleans, I think, on a little VAK. Then you 104 00:04:58,480 --> 00:05:02,159 Speaker 2: got Kirk Hawkins in for him. He's the ref. I'm 105 00:05:02,160 --> 00:05:07,080 Speaker 2: in for Melvin and Henry de Carlo and I faced 106 00:05:07,080 --> 00:05:11,320 Speaker 2: off on this obstacle course. There's a balance beam, there's 107 00:05:11,360 --> 00:05:14,000 Speaker 2: some tires you gotta run through, there's a little bit 108 00:05:14,040 --> 00:05:16,240 Speaker 2: of a fancy footwork. You gotta throw a football and 109 00:05:16,240 --> 00:05:18,159 Speaker 2: then kick a football. It's a lot of stuff to 110 00:05:18,160 --> 00:05:20,760 Speaker 2: do for a television person. And I say that because 111 00:05:20,800 --> 00:05:23,520 Speaker 2: most TV people you don't have to think very much. 112 00:05:23,760 --> 00:05:27,320 Speaker 2: Most everything is done for you. So we're getting up 113 00:05:27,360 --> 00:05:29,240 Speaker 2: there where the last round, Henry and I are both 114 00:05:29,880 --> 00:05:34,479 Speaker 2: head to head dimples to Carlo versus Andy Reesmeyer, and 115 00:05:34,560 --> 00:05:36,920 Speaker 2: he takes off on the balance beam and I guess 116 00:05:36,920 --> 00:05:39,919 Speaker 2: he didn't tie his shoes tight enough because he slips 117 00:05:40,040 --> 00:05:43,960 Speaker 2: and falls and just eats it and it was hard. 118 00:05:44,800 --> 00:05:47,960 Speaker 2: He fell hard, like right, and he hit is his 119 00:05:48,120 --> 00:05:51,920 Speaker 2: thigh on the balance beam. And in that moment, of course, 120 00:05:52,000 --> 00:05:53,640 Speaker 2: what am I thinking? But like, I got to stop 121 00:05:53,680 --> 00:05:57,080 Speaker 2: and check on Henry. I hope he's okay. But then 122 00:05:57,120 --> 00:06:01,440 Speaker 2: I remember this is a competition. Empathy is for the week. 123 00:06:02,960 --> 00:06:06,880 Speaker 2: So I kept going. I ran down that obstacle course 124 00:06:06,920 --> 00:06:10,120 Speaker 2: picked up a football. I threw it not well a 125 00:06:10,120 --> 00:06:16,679 Speaker 2: couple times. Even with Henry de Carlo falling, the fifty 126 00:06:16,760 --> 00:06:19,159 Speaker 2: nine year old man falling and getting back up, I 127 00:06:19,279 --> 00:06:24,159 Speaker 2: still lost and I looked real dumb doing it. The 128 00:06:24,200 --> 00:06:27,320 Speaker 2: good news is Henry is okay, He is totally fine. 129 00:06:28,279 --> 00:06:30,279 Speaker 2: But man, oh man, what a fun day. And I 130 00:06:30,320 --> 00:06:34,120 Speaker 2: guess my point is that I'm still riding the high 131 00:06:34,160 --> 00:06:38,360 Speaker 2: of that very close call. But I am thinking a 132 00:06:38,360 --> 00:06:40,840 Speaker 2: lot about lo Ti. Before we do that, though I 133 00:06:40,920 --> 00:06:43,680 Speaker 2: want to. I wanna talk about the mayor race, which 134 00:06:43,720 --> 00:06:44,240 Speaker 2: is heating up. 135 00:06:44,440 --> 00:06:47,120 Speaker 6: Who's in and who's out. The deadline to join the 136 00:06:47,240 --> 00:06:50,800 Speaker 6: LA Mayor's race is noon tomorrow. We do know incumbent 137 00:06:50,839 --> 00:06:53,880 Speaker 6: Mayor Karen Bass is running again for a second term 138 00:06:53,920 --> 00:06:57,800 Speaker 6: as mayor, along with Spencer Pratt. The former reality television 139 00:06:57,839 --> 00:07:00,600 Speaker 6: star says he was inspired to run after he lost 140 00:07:00,680 --> 00:07:03,680 Speaker 6: everything in the Palisades fire and went to Congress to 141 00:07:03,720 --> 00:07:04,800 Speaker 6: demand accountability. 142 00:07:05,040 --> 00:07:08,520 Speaker 2: Kind of a one issue guy at this point. We 143 00:07:08,560 --> 00:07:10,920 Speaker 2: know he's very passionate about the Palisades, but obviously being 144 00:07:11,000 --> 00:07:16,200 Speaker 2: mayor is more than just having an experience with the Palisades. 145 00:07:16,240 --> 00:07:17,600 Speaker 2: But I think he's been the poster child, at least 146 00:07:17,600 --> 00:07:21,480 Speaker 2: on the Internet, of outrage for what feels like mismanagement, 147 00:07:21,520 --> 00:07:23,960 Speaker 2: what feels like neglect, what feels like not a lot 148 00:07:24,000 --> 00:07:25,360 Speaker 2: of answers on how we're going to move forward and 149 00:07:25,400 --> 00:07:26,320 Speaker 2: make this not happen again. 150 00:07:26,720 --> 00:07:29,560 Speaker 6: I was waiting for somebody to step up and go 151 00:07:29,600 --> 00:07:33,480 Speaker 6: after these people and nobody did, also tech entrepreneur Adam 152 00:07:33,480 --> 00:07:36,960 Speaker 6: Miller and Reverend Ray who wong as for who dropped 153 00:07:37,000 --> 00:07:40,280 Speaker 6: out and who may still run. County supervisor and former 154 00:07:40,320 --> 00:07:44,000 Speaker 6: West Hollywood Mayor Lindsay Horvath is not officially filed, but 155 00:07:44,200 --> 00:07:47,560 Speaker 6: has started new social media accounts and tells Katla she's 156 00:07:47,600 --> 00:07:48,280 Speaker 6: praying about it. 157 00:07:48,520 --> 00:07:52,200 Speaker 2: So she's got about almost a little more than like 158 00:07:52,320 --> 00:07:56,120 Speaker 2: fourteen hours. Deadline's noon tomorrow. I wonder if we're going 159 00:07:56,120 --> 00:07:57,480 Speaker 2: to see a lot of people jump it in at 160 00:07:57,480 --> 00:07:59,480 Speaker 2: the last minute, not only because I know I would 161 00:07:59,520 --> 00:08:03,000 Speaker 2: win if I go into the race, but because I 162 00:08:03,040 --> 00:08:05,720 Speaker 2: have to take seriously the work that I'm already doing 163 00:08:05,720 --> 00:08:06,280 Speaker 2: as well. 164 00:08:06,320 --> 00:08:10,480 Speaker 6: Former LAUSD Superintendent Austin Butner dropped out yesterday following his 165 00:08:10,640 --> 00:08:15,920 Speaker 6: daughter's sudden death, and businessman Rick Caruso briefly reconsidered jumping 166 00:08:15,960 --> 00:08:19,560 Speaker 6: into the race. Caruso posted about a scathing La Times 167 00:08:19,600 --> 00:08:23,160 Speaker 6: report which claims Mayor Bass watered down the Palisades fire 168 00:08:23,240 --> 00:08:27,040 Speaker 6: after action report. He called it an absolute outrage. Now 169 00:08:27,080 --> 00:08:30,440 Speaker 6: the La Times reports Caruso will not run again. Mayor 170 00:08:30,480 --> 00:08:33,760 Speaker 6: Bass defended herself to KTLA when we confronted her about 171 00:08:33,760 --> 00:08:34,400 Speaker 6: that reporting. 172 00:08:34,800 --> 00:08:37,880 Speaker 3: What would be the purpose of covering up a report 173 00:08:38,160 --> 00:08:38,960 Speaker 3: that I ordered. 174 00:08:39,520 --> 00:08:41,280 Speaker 4: It was completely fabricated. 175 00:08:41,480 --> 00:08:44,200 Speaker 2: And by the way, you know who are the sources. 176 00:08:44,480 --> 00:08:46,840 Speaker 2: I love that sounds so much because outside of the 177 00:08:46,840 --> 00:08:49,280 Speaker 2: context of whatever you think about happened here, it is 178 00:08:49,320 --> 00:08:52,160 Speaker 2: one hundred percent somebody being like, that's not true, that 179 00:08:52,240 --> 00:08:53,880 Speaker 2: didn't happen. Who told you? 180 00:08:55,400 --> 00:08:58,360 Speaker 6: Last night, KTLA spoke with one of the La Times reporters. 181 00:08:58,480 --> 00:08:59,800 Speaker 6: He defends his reporting. 182 00:09:00,040 --> 00:09:01,719 Speaker 2: Well, it's not a fabrication at all. 183 00:09:02,679 --> 00:09:07,640 Speaker 7: Are sourcing is solid, The story's true. Yeah. 184 00:09:07,720 --> 00:09:10,000 Speaker 2: La Times is not one of those newspapers or at 185 00:09:10,080 --> 00:09:15,240 Speaker 2: least publications that's doing publishing things that they're not standing behind. 186 00:09:16,360 --> 00:09:18,360 Speaker 2: You might you might expect it from a different place, 187 00:09:19,240 --> 00:09:21,319 Speaker 2: but I just you know, Ellie Times has never been 188 00:09:23,040 --> 00:09:24,880 Speaker 2: in the bag for the opposition of the people who 189 00:09:24,920 --> 00:09:28,800 Speaker 2: are elected in in in Los Angeles. Lots more to 190 00:09:28,840 --> 00:09:32,560 Speaker 2: come here on the show. We will be back really soon, 191 00:09:33,240 --> 00:09:35,560 Speaker 2: way over time. But thanks for being with us tonight. 192 00:09:35,559 --> 00:09:36,480 Speaker 2: I'm Andy Reesmeyer. 193 00:09:36,920 --> 00:09:40,360 Speaker 1: You're listening to KFI AM six forty on demand. 194 00:09:42,520 --> 00:09:46,120 Speaker 2: I was also checking on that that KFI read it, which, 195 00:09:46,280 --> 00:09:47,920 Speaker 2: as I said, I gave a shout out on Monday 196 00:09:47,920 --> 00:09:49,560 Speaker 2: because I was talking about the KFI read It, and 197 00:09:49,600 --> 00:09:51,400 Speaker 2: I was saying, Oh, it's interesting to see what people 198 00:09:51,520 --> 00:09:53,920 Speaker 2: what people react to and what they talk about on 199 00:09:53,960 --> 00:09:56,920 Speaker 2: the reddit page, which I and the reason I brought 200 00:09:56,920 --> 00:09:58,680 Speaker 2: it up is because it was a little bit different 201 00:09:58,720 --> 00:10:01,600 Speaker 2: than what I've experienced from the talkbacks or on my 202 00:10:01,640 --> 00:10:06,160 Speaker 2: own social media or in person. And somebody said, oh, 203 00:10:06,160 --> 00:10:09,880 Speaker 2: we were talking about it Ronner and where they were 204 00:10:09,880 --> 00:10:11,680 Speaker 2: asking the question we were asking, which is do you 205 00:10:11,679 --> 00:10:14,240 Speaker 2: think that the KFI read it is representative of the 206 00:10:14,280 --> 00:10:17,040 Speaker 2: regular KFI audience? And everybody on the KFI reddit for 207 00:10:17,080 --> 00:10:20,319 Speaker 2: the most part, said no, So there you go. 208 00:10:20,559 --> 00:10:23,680 Speaker 3: Everyone thinks they're a special little snowflake everyone you know. 209 00:10:23,840 --> 00:10:26,240 Speaker 2: But I like, like I said, I like going online 210 00:10:26,280 --> 00:10:28,920 Speaker 2: and seeing what people are saying. I like what's happening 211 00:10:28,920 --> 00:10:32,719 Speaker 2: out there in the world. This week, yesterday morning for 212 00:10:32,760 --> 00:10:36,120 Speaker 2: the KTLA Morning News, we had Khalid in studio, the 213 00:10:36,200 --> 00:10:40,360 Speaker 2: guy who was singing that song location that you just 214 00:10:40,400 --> 00:10:42,839 Speaker 2: heard coming out of Break and I interviewed him and 215 00:10:42,880 --> 00:10:45,480 Speaker 2: it was awesome and he was so kind. It's so nice. 216 00:10:46,440 --> 00:10:49,720 Speaker 2: And one of the things that I asked him, you 217 00:10:49,760 --> 00:10:52,520 Speaker 2: know that song came out almost ten years ago and 218 00:10:52,600 --> 00:10:55,840 Speaker 2: you hear the voice. Right, He was eighteen years old 219 00:10:55,880 --> 00:10:58,080 Speaker 2: when he wrote that song and he sang it and 220 00:10:58,160 --> 00:11:01,240 Speaker 2: like that voice, the guy's voice in that song, that's 221 00:11:01,280 --> 00:11:03,480 Speaker 2: just a guy who sounds like he's seen some stuff. 222 00:11:04,840 --> 00:11:08,400 Speaker 2: He sounds like a grown man. But he was eighteen 223 00:11:08,440 --> 00:11:10,080 Speaker 2: when he wrote it. And I asked him, you know, 224 00:11:10,120 --> 00:11:13,000 Speaker 2: as from a perspective, play like, how did you how 225 00:11:13,000 --> 00:11:14,640 Speaker 2: do you get the voice sounding like that as an 226 00:11:14,640 --> 00:11:17,680 Speaker 2: eighteen year old? That sounds wise for my for my 227 00:11:17,760 --> 00:11:22,000 Speaker 2: own and you have any tips for me, but how 228 00:11:22,040 --> 00:11:24,360 Speaker 2: do you how do you do that? And also then 229 00:11:24,520 --> 00:11:26,560 Speaker 2: talk about what people are talking about on the internet, 230 00:11:26,600 --> 00:11:29,760 Speaker 2: you know, the sort of youth culture, and he was like, 231 00:11:29,840 --> 00:11:31,760 Speaker 2: I don't think about it at all. I just kind 232 00:11:31,760 --> 00:11:34,680 Speaker 2: of do what I'm doing, which I think is that's 233 00:11:34,760 --> 00:11:37,000 Speaker 2: like the people who really have it, who are truly gifted, 234 00:11:37,040 --> 00:11:40,800 Speaker 2: they just they just have it. I asked him a question, though, 235 00:11:41,760 --> 00:11:42,760 Speaker 2: and this is what made me think of the k 236 00:11:42,840 --> 00:11:44,800 Speaker 2: if I read it that there's a line in that 237 00:11:44,920 --> 00:11:46,480 Speaker 2: song it says I don't want to fall in love 238 00:11:46,520 --> 00:11:49,079 Speaker 2: off a subtweet, and I always thought that that was 239 00:11:49,120 --> 00:11:52,160 Speaker 2: an interesting line. Foost, do you remember that line? He's 240 00:11:52,160 --> 00:11:54,880 Speaker 2: eating right now, but he's shaking his head. Yes, I 241 00:11:54,920 --> 00:11:58,120 Speaker 2: and I thought, I like this show being eaten music. 242 00:11:58,679 --> 00:12:01,160 Speaker 2: Hey go get a chicken sees or app if you 243 00:12:01,200 --> 00:12:03,360 Speaker 2: can't get one of them sandwiches from the break room. 244 00:12:04,720 --> 00:12:06,280 Speaker 2: And I asked him what it meant, and he's like, 245 00:12:06,320 --> 00:12:11,160 Speaker 2: I don't even remember. But I think it's the idea 246 00:12:11,280 --> 00:12:14,520 Speaker 2: that we have to distance ourselves from social media and 247 00:12:14,520 --> 00:12:16,480 Speaker 2: from the Internet, which, you know, sure that's kind of 248 00:12:16,520 --> 00:12:19,880 Speaker 2: an obvious thing to think about, but that for you know, 249 00:12:19,960 --> 00:12:22,560 Speaker 2: what it's worth. And the internet does this, I'm sorry, 250 00:12:22,600 --> 00:12:23,960 Speaker 2: the media does this a lot, where we look at 251 00:12:24,000 --> 00:12:27,240 Speaker 2: the Internet as something that is a fair representation of 252 00:12:27,280 --> 00:12:28,120 Speaker 2: the entire world. 253 00:12:29,360 --> 00:12:32,280 Speaker 8: I honestly I didn't know he was because that song 254 00:12:32,360 --> 00:12:35,840 Speaker 8: was huge. I mean I heard I heard it at 255 00:12:35,960 --> 00:12:38,280 Speaker 8: least four times a day when I was doing Uber 256 00:12:38,360 --> 00:12:41,200 Speaker 8: And you know, so I didn't know he was eighteen. 257 00:12:41,320 --> 00:12:43,040 Speaker 2: He was eighteen when he wrote that song. And he said, 258 00:12:43,040 --> 00:12:44,480 Speaker 2: do you have it cued up still? You could play 259 00:12:44,480 --> 00:12:46,240 Speaker 2: some of that. Just listen to this voice and tell 260 00:12:46,240 --> 00:12:48,280 Speaker 2: me if you think this sounds like an eighteen year old. 261 00:12:49,920 --> 00:12:54,440 Speaker 7: Oh fut you so don't take it Van Nags don't 262 00:12:54,440 --> 00:12:58,800 Speaker 7: even my heart, damn midst understand that things go a 263 00:12:58,840 --> 00:12:59,800 Speaker 7: little bit better. 264 00:13:00,960 --> 00:13:06,160 Speaker 2: Okay, So just like, what are you even talking about 265 00:13:06,320 --> 00:13:08,240 Speaker 2: when you're eighteen years old? Have you ever tried to 266 00:13:08,240 --> 00:13:11,240 Speaker 2: have a conversation with an eighteen year old like what 267 00:13:11,280 --> 00:13:14,200 Speaker 2: life experience? Do they have to have that kind of 268 00:13:14,440 --> 00:13:15,960 Speaker 2: pain in their voice? 269 00:13:16,280 --> 00:13:19,000 Speaker 5: Do you know how old George Michael was when he 270 00:13:19,040 --> 00:13:20,199 Speaker 5: wrote Careless Whisper? 271 00:13:21,120 --> 00:13:22,040 Speaker 2: Was he very young as well? 272 00:13:22,120 --> 00:13:23,040 Speaker 5: He was seventeen? 273 00:13:23,320 --> 00:13:23,880 Speaker 2: That's amazing. 274 00:13:24,000 --> 00:13:27,520 Speaker 3: That accounts for guilty feed. I've got no rhythm. What 275 00:13:28,240 --> 00:13:30,160 Speaker 3: adult with dignity would write that line? 276 00:13:30,240 --> 00:13:31,360 Speaker 5: That's a beautiful lyric. 277 00:13:33,040 --> 00:13:34,920 Speaker 2: Listen, you know you bring this up. Andy. 278 00:13:35,120 --> 00:13:39,439 Speaker 3: I years ago, when I was a print reporter, there 279 00:13:39,520 --> 00:13:42,160 Speaker 3: was a young teenage blues singer. I think his name 280 00:13:42,200 --> 00:13:43,239 Speaker 3: was Johnny Lang. 281 00:13:43,679 --> 00:13:46,240 Speaker 2: And my Katie Lang's Katie Lang's husband, no. 282 00:13:46,200 --> 00:13:51,920 Speaker 3: Relation uh the team, And I refuse to bring your 283 00:13:51,960 --> 00:13:56,600 Speaker 3: Katie Lang hairstyle into this. But my first the first 284 00:13:56,600 --> 00:13:59,280 Speaker 3: thing I wanted to know about a teenage blue singer 285 00:13:59,400 --> 00:14:02,080 Speaker 3: was what the hell do you know about anything? And 286 00:14:02,120 --> 00:14:03,840 Speaker 3: I think this is the same thing you're talking about. 287 00:14:04,160 --> 00:14:07,199 Speaker 3: What life have you lived now that you're singing about 288 00:14:07,520 --> 00:14:10,040 Speaker 3: heartbreak and misery and all this other stuff you have 289 00:14:10,040 --> 00:14:11,920 Speaker 3: no depth, You've experienced nothing. 290 00:14:11,760 --> 00:14:17,839 Speaker 2: And yet art requires us to just not right like that. 291 00:14:17,960 --> 00:14:19,920 Speaker 2: We live in this world now where we demand that 292 00:14:20,040 --> 00:14:23,920 Speaker 2: all of the art be real, like we care. And 293 00:14:23,960 --> 00:14:26,040 Speaker 2: I think this is maybe Taylor sw It's fault all 294 00:14:26,080 --> 00:14:28,480 Speaker 2: these songs where we're saying, what's the lore? What are 295 00:14:28,520 --> 00:14:30,880 Speaker 2: you actually saying? Did you really believe that? It's? Like, No, 296 00:14:31,040 --> 00:14:34,440 Speaker 2: it's art, it's manufactured. Even if it is, It's like, 297 00:14:34,480 --> 00:14:37,480 Speaker 2: we don't expect people who act in movies to have 298 00:14:37,520 --> 00:14:40,840 Speaker 2: actually experienced the things that they're portraying. They are acting, 299 00:14:41,040 --> 00:14:43,240 Speaker 2: and I think the same goes for You could write 300 00:14:43,240 --> 00:14:45,760 Speaker 2: a song about something, and if you're truly that good, 301 00:14:47,200 --> 00:14:51,520 Speaker 2: then you should be able to, I think, share that emotion. 302 00:14:53,760 --> 00:14:56,320 Speaker 2: And the reality is it doesn't matter because that song 303 00:14:56,360 --> 00:14:58,000 Speaker 2: has got more than a billion streams. 304 00:14:59,440 --> 00:15:02,080 Speaker 3: Well, now, the guy I told you about, Johnny Lang, 305 00:15:02,120 --> 00:15:04,760 Speaker 3: he's in his mid forties, so hopefully he's been through 306 00:15:04,760 --> 00:15:07,240 Speaker 3: rehab and have all sorts of brushes of the law 307 00:15:07,280 --> 00:15:07,880 Speaker 3: and heartbreak. 308 00:15:07,880 --> 00:15:11,000 Speaker 2: By now you also notice too, and I think eighteen 309 00:15:11,080 --> 00:15:13,560 Speaker 2: seems like a far away place for me now at 310 00:15:13,600 --> 00:15:16,600 Speaker 2: least it's almost twenty years ago. But I think that 311 00:15:17,000 --> 00:15:21,640 Speaker 2: musicians a lot of times. Rob Cavallo said this when 312 00:15:21,680 --> 00:15:23,840 Speaker 2: I interviewed him a couple of months ago. They all 313 00:15:23,880 --> 00:15:27,480 Speaker 2: have some kind of there's something that you know, unites 314 00:15:27,480 --> 00:15:29,480 Speaker 2: a lot of the famous, famous people he's worked with, 315 00:15:29,520 --> 00:15:34,040 Speaker 2: Green Day, Google Dolls, Alanis Morrisset. Whatever is that a 316 00:15:34,080 --> 00:15:37,480 Speaker 2: lot of people who are creative at that level have 317 00:15:37,800 --> 00:15:40,560 Speaker 2: grown up very quickly. They had some kind of trauma 318 00:15:40,560 --> 00:15:42,560 Speaker 2: that happened very young, that imprinted on them at a 319 00:15:42,600 --> 00:15:47,200 Speaker 2: young age, and they became adults very fast. And so 320 00:15:47,480 --> 00:15:50,200 Speaker 2: you know, maybe that maybe that is that is that 321 00:15:50,320 --> 00:15:54,880 Speaker 2: is true before we get a break or do we 322 00:15:55,000 --> 00:15:58,560 Speaker 2: have to go to break when we come back? My 323 00:15:58,680 --> 00:16:06,440 Speaker 2: favorite William Shatner, he's back doing commercials. Yes, we're breaking down. 324 00:16:06,720 --> 00:16:10,560 Speaker 2: He's what he's hockin these days. Would you believe it's 325 00:16:10,600 --> 00:16:16,680 Speaker 2: the number two most anticipated video. Emphasis on number two, 326 00:16:16,760 --> 00:16:18,000 Speaker 2: You'll have to wait and see. 327 00:16:18,680 --> 00:16:22,080 Speaker 1: You're listening to KFI AM six forty on demand. 328 00:16:26,640 --> 00:16:28,760 Speaker 2: It's KFI AM six forty. We're live everyone on the 329 00:16:28,760 --> 00:16:32,760 Speaker 2: iHeartRadio app. Andy Reesmeyer here with you alongside mister Mark Ronner, 330 00:16:32,880 --> 00:16:37,600 Speaker 2: the Foosh Nicky I Love that song and George Michael 331 00:16:38,400 --> 00:16:43,600 Speaker 2: nineteen eighty four Careless whisper certified, banger certified Bob for sure, 332 00:16:43,640 --> 00:16:47,400 Speaker 2: and you know what, the time had not been kind 333 00:16:48,000 --> 00:16:51,160 Speaker 2: to our friend for a while. But I do think 334 00:16:51,240 --> 00:16:54,040 Speaker 2: that things have changed for George Michael on a larger scale. 335 00:16:54,040 --> 00:16:55,720 Speaker 2: I know there's people who've always loved him and are 336 00:16:55,720 --> 00:16:59,560 Speaker 2: saying you, you're an idiot, But George Michael, I think 337 00:16:59,640 --> 00:17:03,400 Speaker 2: had there were some mirors where everybody thought he was 338 00:17:03,440 --> 00:17:06,920 Speaker 2: a joke. And I think now because of the way 339 00:17:07,000 --> 00:17:09,880 Speaker 2: music has changed and what we think about people and 340 00:17:10,720 --> 00:17:15,200 Speaker 2: they're weirdos or not. Like his Christmas song, I don't 341 00:17:15,200 --> 00:17:18,480 Speaker 2: hate it anymore. Maybe I'm broken. I used to think 342 00:17:18,520 --> 00:17:22,040 Speaker 2: it was trash. Maybe maybe it's low t. That must 343 00:17:22,119 --> 00:17:25,080 Speaker 2: be what it is. Yeah, because that's on slaps that 344 00:17:25,240 --> 00:17:29,360 Speaker 2: kids say, yeah, no, it does, it does? I think 345 00:17:29,400 --> 00:17:31,159 Speaker 2: maybe it's generational. It's like, what do you what do 346 00:17:31,160 --> 00:17:36,840 Speaker 2: you think of Ewoksics don't slap either. We'd like to 347 00:17:36,840 --> 00:17:37,840 Speaker 2: slap any walks. 348 00:17:39,680 --> 00:17:42,639 Speaker 5: So annoying they look like, yeah, that's like me. 349 00:17:42,840 --> 00:17:45,960 Speaker 2: I feel like an opportunity for somebody. I'm not saying 350 00:17:46,040 --> 00:17:48,800 Speaker 2: anyone in particular, but to like make some money on 351 00:17:48,840 --> 00:17:53,680 Speaker 2: some internet content of ewok slapping videos. Fans for everything 352 00:17:56,720 --> 00:17:58,639 Speaker 2: that was even before they had an only fans. It 353 00:17:58,680 --> 00:18:02,280 Speaker 2: was like, if you could think of it, there's porn there. Yeah, well, 354 00:18:02,320 --> 00:18:04,520 Speaker 2: I'm glad we all know what's going on here. So 355 00:18:04,920 --> 00:18:09,480 Speaker 2: I had talked about this before the break. Super Bowl 356 00:18:09,480 --> 00:18:12,600 Speaker 2: commercials are out, a lot of them are I'm not 357 00:18:12,640 --> 00:18:14,160 Speaker 2: going to go through all of them because I think 358 00:18:14,800 --> 00:18:19,000 Speaker 2: this is it's so odd now because there was anticipation, 359 00:18:19,680 --> 00:18:21,760 Speaker 2: maybe because I've grown up in a sort of late 360 00:18:21,800 --> 00:18:29,199 Speaker 2: stage capitalist brain drain headspace. But like we used to 361 00:18:29,200 --> 00:18:31,440 Speaker 2: love sitting around and watching the commercials for the Super Bowl. 362 00:18:31,480 --> 00:18:33,320 Speaker 2: They were funny. You never knew what was going to happen. 363 00:18:33,600 --> 00:18:38,439 Speaker 2: The joy that we felt with wasab with Wasabi, with 364 00:18:38,480 --> 00:18:43,160 Speaker 2: the Budweiser frogs. Those were cultural moments. And yes they 365 00:18:43,160 --> 00:18:47,000 Speaker 2: were selling beer, but I don't know anybody who likes beer, 366 00:18:47,240 --> 00:18:50,040 Speaker 2: even people who like beer too much, got that way 367 00:18:50,119 --> 00:18:53,720 Speaker 2: because of how much they like beer. One of the 368 00:18:54,000 --> 00:18:58,080 Speaker 2: longtime pitchmen and someone who of course is still has 369 00:18:58,160 --> 00:19:01,680 Speaker 2: me blocked on Twitter, Williams shr is back in a 370 00:19:01,720 --> 00:19:05,800 Speaker 2: commercial that I will play. He's hopking Raisin brand and 371 00:19:05,840 --> 00:19:06,720 Speaker 2: he's got a new name. 372 00:19:08,920 --> 00:19:12,440 Speaker 1: Will Shad here bringing fiber to the messes. 373 00:19:12,080 --> 00:19:13,200 Speaker 2: With kell Did you get that. 374 00:19:15,040 --> 00:19:18,920 Speaker 1: Will Shad here bringing fiber to the messes with Kellogg's 375 00:19:19,000 --> 00:19:19,600 Speaker 1: Raisin brand. 376 00:19:20,440 --> 00:19:24,120 Speaker 2: First of all, the man looks phenomenal. He might look 377 00:19:24,160 --> 00:19:27,000 Speaker 2: better today than he did when I worked with him 378 00:19:28,040 --> 00:19:32,160 Speaker 2: twelve years ago, is it ai? I don't know they 379 00:19:32,160 --> 00:19:34,920 Speaker 2: can dage anybody these days. And what is he ninety four? 380 00:19:35,359 --> 00:19:36,280 Speaker 2: He's up there? 381 00:19:36,920 --> 00:19:37,520 Speaker 1: Is he that old? 382 00:19:37,560 --> 00:19:37,720 Speaker 3: Now? 383 00:19:37,800 --> 00:19:40,280 Speaker 2: I think he's like late eighties? No, no, no, he's 384 00:19:40,280 --> 00:19:43,960 Speaker 2: in his nineties. He's ninety. I'll look it up. Wow, 385 00:19:44,680 --> 00:19:46,359 Speaker 2: he looks phenomenal. 386 00:19:46,480 --> 00:19:47,439 Speaker 5: Is it because he's short? 387 00:19:47,920 --> 00:19:51,720 Speaker 2: He's not that short totally. He's like five. I think 388 00:19:51,760 --> 00:19:55,879 Speaker 2: he's probably five eight. I thought five. Let's see what 389 00:19:55,960 --> 00:19:58,520 Speaker 2: your Internet age. Well, okay, so he said, the Internet 390 00:19:58,520 --> 00:20:00,520 Speaker 2: says he's five to ten, which would mean that he's 391 00:20:00,560 --> 00:20:03,800 Speaker 2: five eight, right, Like that's the Internet. There's always it 392 00:20:04,200 --> 00:20:04,800 Speaker 2: is always. 393 00:20:04,560 --> 00:20:07,080 Speaker 5: Like when the actors I always inch themselves after a 394 00:20:07,119 --> 00:20:07,560 Speaker 5: little bit. 395 00:20:07,600 --> 00:20:09,119 Speaker 2: I would believe he's five ten five eight. I mean 396 00:20:09,119 --> 00:20:10,639 Speaker 2: I'm trying to remember, you know, like you said, you 397 00:20:10,640 --> 00:20:12,679 Speaker 2: do shrink when you're But he did not strike me 398 00:20:12,680 --> 00:20:16,000 Speaker 2: as a small person. He struck me as a very 399 00:20:16,080 --> 00:20:22,320 Speaker 2: normally sized, incredibly famous person who had the magnetism that 400 00:20:22,480 --> 00:20:26,280 Speaker 2: like I've never experienced in a person before. This commercial 401 00:20:26,359 --> 00:20:29,080 Speaker 2: only makes me love him more. This is hilarious. 402 00:20:31,359 --> 00:20:40,080 Speaker 9: Judy Cobles will shun every darn day. 403 00:20:40,280 --> 00:20:41,320 Speaker 5: Wa bye. 404 00:20:44,760 --> 00:20:51,520 Speaker 2: This line read is phenomenal. I love it. And if 405 00:20:51,560 --> 00:20:53,600 Speaker 2: I recall correctly, he didn't do a lot of takes. 406 00:20:53,960 --> 00:20:55,960 Speaker 2: He like just did it and then he was like, okay, 407 00:20:56,000 --> 00:20:57,199 Speaker 2: we're moving on. He's ninety four. 408 00:20:57,280 --> 00:21:01,320 Speaker 3: He was time for absolutely David fincher bs routine where 409 00:21:01,320 --> 00:21:04,840 Speaker 3: it's right, we do one hundred versions of that's it's 410 00:21:04,880 --> 00:21:06,959 Speaker 3: not gonna happen. Even when he was eighty four, when 411 00:21:07,000 --> 00:21:09,119 Speaker 3: I was working with them, you know, when he was 412 00:21:09,119 --> 00:21:12,280 Speaker 3: a relative teenager, he didn't have time for doing lots 413 00:21:12,280 --> 00:21:12,680 Speaker 3: of takes. 414 00:21:13,440 --> 00:21:14,960 Speaker 4: We'll shot in the house. 415 00:21:15,280 --> 00:21:16,440 Speaker 6: Wait, we'll shot wear. 416 00:21:18,480 --> 00:21:23,399 Speaker 4: Is that talk as shitsu perfect? We'll shut on the 417 00:21:23,480 --> 00:21:30,720 Speaker 4: car too after this ship. 418 00:21:32,400 --> 00:21:37,480 Speaker 2: Raising bread high fiber happy gun. That's right up my alley. 419 00:21:37,560 --> 00:21:38,480 Speaker 2: This is genius. 420 00:21:38,760 --> 00:21:40,719 Speaker 3: You know what he's doing here, He's doing exactly what 421 00:21:40,760 --> 00:21:43,040 Speaker 3: he did when people were ridiculing him too much. He 422 00:21:43,160 --> 00:21:46,399 Speaker 3: is taking that ridicule, co opting it, owning it, and 423 00:21:46,520 --> 00:21:48,800 Speaker 3: rubbing everybody's face in it. Like when he put out 424 00:21:48,800 --> 00:21:50,040 Speaker 3: that has been album. 425 00:21:50,200 --> 00:21:53,280 Speaker 2: Yeah. I think he's brilliant. I love him. I even 426 00:21:53,400 --> 00:21:56,080 Speaker 2: though he hates me, I love him as well. What 427 00:21:56,119 --> 00:21:58,080 Speaker 2: did you do to make him hate you? I saw you. 428 00:21:58,200 --> 00:22:00,400 Speaker 2: I don't think it has to be I don't really. 429 00:22:00,400 --> 00:22:03,080 Speaker 2: I think it was like a misunderstanding. I directed a 430 00:22:03,119 --> 00:22:06,920 Speaker 2: show that he did, a man Like I said, twelve 431 00:22:07,000 --> 00:22:09,280 Speaker 2: years ago, probably one of my first gigs, and it 432 00:22:09,359 --> 00:22:12,720 Speaker 2: was a travel food show where we brought William Shatner 433 00:22:13,400 --> 00:22:16,639 Speaker 2: out into the world to drink mystery wine out of 434 00:22:16,640 --> 00:22:19,280 Speaker 2: a brown bag with strangers. And then you've set the 435 00:22:19,320 --> 00:22:21,480 Speaker 2: cameras up and you filmed it. Oh, I'd watch that. 436 00:22:21,560 --> 00:22:26,120 Speaker 2: It's called William Shatner's brown Bag Wine Tasting except for real. Yeah. 437 00:22:26,119 --> 00:22:28,120 Speaker 2: And we would shoot these episodes that would last forty 438 00:22:28,160 --> 00:22:30,840 Speaker 2: five minutes each and they would be edited down to 439 00:22:30,920 --> 00:22:33,159 Speaker 2: like eight minutes. So was he loaded at the end 440 00:22:33,200 --> 00:22:33,439 Speaker 2: of it? 441 00:22:33,600 --> 00:22:33,639 Speaker 3: No? 442 00:22:34,200 --> 00:22:37,320 Speaker 2: Well maybe, but he never was out of control. He 443 00:22:37,480 --> 00:22:40,880 Speaker 2: was always just like exactly what you would want him 444 00:22:40,920 --> 00:22:44,359 Speaker 2: to be. I don't know if you know I had 445 00:22:44,400 --> 00:22:48,960 Speaker 2: any reason to expect him to like be very excited 446 00:22:49,000 --> 00:22:51,880 Speaker 2: to see me. I should not have, because I don't 447 00:22:51,920 --> 00:22:56,360 Speaker 2: think he came. He was uh, but something happened after 448 00:22:56,400 --> 00:22:58,800 Speaker 2: those episodes. I mean it did like sixth the episodes 449 00:22:58,880 --> 00:23:01,600 Speaker 2: or something like that, and uh, I had no idea 450 00:23:01,600 --> 00:23:03,800 Speaker 2: of this. This is fantastic hum And then he blocked 451 00:23:03,800 --> 00:23:06,320 Speaker 2: me on Twitter and I don't I don't know why. 452 00:23:06,560 --> 00:23:09,080 Speaker 8: Do you think maybe it was just his team just like, 453 00:23:09,280 --> 00:23:11,840 Speaker 8: well I tell myself that because that just seems so 454 00:23:11,880 --> 00:23:12,399 Speaker 8: out of place. 455 00:23:12,520 --> 00:23:14,600 Speaker 3: Well maybe you slipped him some three buck chuck or 456 00:23:14,600 --> 00:23:15,879 Speaker 3: something and that offended him. 457 00:23:15,800 --> 00:23:20,399 Speaker 2: You know, I recall, Yeah, he did have exacting standards 458 00:23:20,440 --> 00:23:21,919 Speaker 2: and they were nice bottles of wine because I think 459 00:23:21,920 --> 00:23:24,720 Speaker 2: we were sponsored by a wine shop and there was 460 00:23:24,760 --> 00:23:29,600 Speaker 2: a psalm who like actually set the menu and it 461 00:23:29,680 --> 00:23:32,040 Speaker 2: was cool. So he would go with you know, actors 462 00:23:32,200 --> 00:23:35,040 Speaker 2: and actual famous people, but then also just like kind 463 00:23:35,040 --> 00:23:37,560 Speaker 2: of regular old folk and he'd be like with a 464 00:23:37,600 --> 00:23:40,040 Speaker 2: guy who was a motorcycle mechanic, and so they'd have 465 00:23:40,080 --> 00:23:41,959 Speaker 2: a glass of wine and they wouldn't know what kind 466 00:23:42,000 --> 00:23:44,080 Speaker 2: of wine it was, and the motorcycle mechanic would have 467 00:23:44,080 --> 00:23:47,679 Speaker 2: to describe the wine in terms that were relevant to 468 00:23:47,720 --> 00:23:50,199 Speaker 2: his profession. I have to see this now, did the 469 00:23:50,280 --> 00:23:55,360 Speaker 2: chat spit? Did he sipped? He didn't guzz there wasn't 470 00:23:55,359 --> 00:23:57,600 Speaker 2: any guzzling going. But I do recall one morning when 471 00:23:57,600 --> 00:23:59,600 Speaker 2: we were down in Grand Central Market and we would, 472 00:23:59,640 --> 00:24:01,280 Speaker 2: you know, you shot, you get there really early, so 473 00:24:01,359 --> 00:24:04,639 Speaker 2: like six o'clock in the morning, and and we, you know, 474 00:24:04,680 --> 00:24:06,520 Speaker 2: wanted to get him some food because it was early 475 00:24:06,560 --> 00:24:08,320 Speaker 2: and that's what you do, and we didn't have crafty, 476 00:24:08,400 --> 00:24:10,520 Speaker 2: so we were gonna grab him something and the Bell 477 00:24:10,560 --> 00:24:16,000 Speaker 2: Campo meat counter was right there, and he he was 478 00:24:16,520 --> 00:24:17,880 Speaker 2: We were like, well, do you want something to eat? 479 00:24:17,880 --> 00:24:21,600 Speaker 9: And he's like, yeah, I'll take a a look a steak. 480 00:24:22,200 --> 00:24:24,840 Speaker 9: So he went over at six in the morning and 481 00:24:24,880 --> 00:24:26,800 Speaker 9: we got him a steak and we brought it over 482 00:24:26,800 --> 00:24:28,159 Speaker 9: to him and he ate it and then he was like, 483 00:24:28,200 --> 00:24:30,880 Speaker 9: I think I'll have another, and he had another, and then. 484 00:24:30,760 --> 00:24:32,440 Speaker 2: I think he had three. I think he had three 485 00:24:32,800 --> 00:24:34,840 Speaker 2: steaks before we started shooting. I was like, this guy's 486 00:24:34,880 --> 00:24:35,959 Speaker 2: the coolest. That's awesome. 487 00:24:35,960 --> 00:24:36,159 Speaker 3: I know. 488 00:24:36,480 --> 00:24:38,480 Speaker 5: Is he on the carnival diet? Is that why he 489 00:24:38,520 --> 00:24:39,280 Speaker 5: looks so good? 490 00:24:40,520 --> 00:24:42,320 Speaker 2: You know what? That's a great question. I don't know. 491 00:24:42,359 --> 00:24:44,639 Speaker 2: And he like refused to wear makeup too, so like 492 00:24:44,680 --> 00:24:46,600 Speaker 2: that's what you get you look at him, that's how 493 00:24:46,600 --> 00:24:49,920 Speaker 2: he looks. Of course, the shadows a man of large appetites. 494 00:24:50,119 --> 00:24:52,040 Speaker 2: He's magnificent, that's right, and then that's why he's got 495 00:24:52,119 --> 00:24:53,919 Speaker 2: to eat the raisin brand to stay regular. 496 00:24:54,600 --> 00:24:58,000 Speaker 1: You're listening to KFI AM sixty on demand. 497 00:25:00,240 --> 00:25:03,280 Speaker 2: Have you heard of chicken Banana? Is it the new 498 00:25:03,320 --> 00:25:07,400 Speaker 2: baby Shark? Is it the new six seven? I knew six' 499 00:25:07,440 --> 00:25:11,080 Speaker 2: seven was over because we did it on the news 500 00:25:11,640 --> 00:25:14,080 Speaker 2: eight months, ago AND i, thought you, know if it's 501 00:25:14,119 --> 00:25:18,639 Speaker 2: reached this, point this thing is. Done if the news is, 502 00:25:18,680 --> 00:25:21,320 Speaker 2: talking if local news in the, morning If katla is 503 00:25:21,359 --> 00:25:23,960 Speaker 2: talking about a, trend it might be on its way, 504 00:25:23,960 --> 00:25:26,720 Speaker 2: out at least for when it comes to the. Kids 505 00:25:26,720 --> 00:25:30,600 Speaker 2: because it feels Like i'm up there saying, like, oh, 506 00:25:30,680 --> 00:25:33,600 Speaker 2: hello fellow, YOUTH i understand what your what your plight? 507 00:25:33,720 --> 00:25:37,760 Speaker 2: Is chicken? Banana it comes from this. Song you may 508 00:25:37,800 --> 00:25:38,520 Speaker 2: have heard if you have. 509 00:25:38,480 --> 00:25:40,000 Speaker 4: A, Child, Chicken. 510 00:25:41,200 --> 00:25:41,560 Speaker 1: Chicken? 511 00:25:43,160 --> 00:25:55,840 Speaker 4: Chicken all, right so you get? 512 00:25:55,880 --> 00:26:01,520 Speaker 2: It what do you think? Subtle? YEAH i mean it 513 00:26:01,600 --> 00:26:02,399 Speaker 2: says what it. Says. 514 00:26:02,520 --> 00:26:05,280 Speaker 8: Yeah after IF i had a couple of, DRINKS i 515 00:26:05,280 --> 00:26:06,680 Speaker 8: WOULD i would be head banging too. 516 00:26:06,600 --> 00:26:13,440 Speaker 2: That how many? Drinks Because i've only heard nineteen seconds 517 00:26:13,440 --> 00:26:14,960 Speaker 2: of it AND i hated it at, first and Now i'm, like, 518 00:26:14,960 --> 00:26:17,800 Speaker 2: OKAY i might, okay how hard time not playing? 519 00:26:17,800 --> 00:26:20,960 Speaker 3: It probably play this for prisoners In gitmo and break 520 00:26:21,000 --> 00:26:21,560 Speaker 3: them really. 521 00:26:21,640 --> 00:26:28,320 Speaker 2: Quickly. Yeah. True so the story behind this is that 522 00:26:28,400 --> 00:26:31,560 Speaker 2: it's Not. Ai, amazingly this is made by human, beings 523 00:26:31,600 --> 00:26:35,520 Speaker 2: despite its relative simple song. STRUCTURE i, KNOW i thought 524 00:26:35,560 --> 00:26:38,640 Speaker 2: so as. Well it was created by a company Called 525 00:26:38,720 --> 00:26:42,960 Speaker 2: Crazy Music. Channel what what country do you think that 526 00:26:42,960 --> 00:26:46,440 Speaker 2: they are? From? Korea m that's a pretty good. Guess 527 00:26:47,040 --> 00:26:50,160 Speaker 2: the people who created A Baby gottenham style And Baby, 528 00:26:50,160 --> 00:26:52,520 Speaker 2: shark that's, Yes But. Russia it's got to be an 529 00:26:52,560 --> 00:26:55,160 Speaker 2: op you would think that also is a good. Guest 530 00:26:55,760 --> 00:27:00,440 Speaker 2: india think a little bit less op and. More late, 531 00:27:00,520 --> 00:27:06,160 Speaker 2: nineties early two Thousands, Germany. Swedeen, oh this is made 532 00:27:06,200 --> 00:27:10,080 Speaker 2: by A swedish production team made of human, beings and 533 00:27:10,080 --> 00:27:13,760 Speaker 2: they have a YouTube Called Crazy Music. Channel they here 534 00:27:13,840 --> 00:27:16,480 Speaker 2: allegedly is the story behind. It according to vox Dot, 535 00:27:16,480 --> 00:27:18,600 Speaker 2: com it just came up in one of our. Talks 536 00:27:19,560 --> 00:27:22,560 Speaker 2: THE ceo of the label, says you, know just let's 537 00:27:22,600 --> 00:27:26,359 Speaker 2: put the chicken and banana. Together the video released at 538 00:27:26,400 --> 00:27:28,240 Speaker 2: the same time features a chicken head on a banana, 539 00:27:28,280 --> 00:27:31,600 Speaker 2: body a chicken pizza with banana slices spinning on a, 540 00:27:31,640 --> 00:27:35,520 Speaker 2: turntable and of course an alien hand dialing a. Phone, 541 00:27:35,600 --> 00:27:38,880 Speaker 2: now it's not supposed to make sense to. Us it's 542 00:27:38,880 --> 00:27:42,120 Speaker 2: not for. Us it's for the generation before or well 543 00:27:42,200 --> 00:27:44,919 Speaker 2: younger than Gen. Z It's Jen. Alpha it's for the. 544 00:27:45,000 --> 00:27:49,960 Speaker 2: Kids is it a spiritual successor To Chicken. Jockey perhaps 545 00:27:50,040 --> 00:27:55,280 Speaker 2: that's a moment that it is indicative for young people 546 00:27:55,280 --> 00:27:59,119 Speaker 2: to lose their stuff throw stuff at the movie theater 547 00:27:59,160 --> 00:28:03,720 Speaker 2: screen when it was utter in The minecraft. Movie apparently 548 00:28:03,800 --> 00:28:08,359 Speaker 2: this has gone wild at, schools with the teachers oftentimes 549 00:28:08,400 --> 00:28:10,840 Speaker 2: having to say things like no more, chickens no more chicken. 550 00:28:10,840 --> 00:28:18,280 Speaker 2: Banana kids everywhere are saying. IT a teacher and content 551 00:28:18,320 --> 00:28:20,840 Speaker 2: creator in Su, Fall South dakota asked the seventh grade 552 00:28:20,840 --> 00:28:23,240 Speaker 2: students about the phrase, recently and he said every single 553 00:28:23,280 --> 00:28:26,639 Speaker 2: one of them harmonized chicken banana at the exact same. 554 00:28:26,840 --> 00:28:30,320 Speaker 2: Time you may hear it walking around a mall In Los. 555 00:28:30,359 --> 00:28:37,240 Speaker 2: Angeles you might see it on. TikTok it could be 556 00:28:37,280 --> 00:28:41,560 Speaker 2: a successor to six. Seven but one of the interesting 557 00:28:41,640 --> 00:28:44,720 Speaker 2: things about it is That Jen alpha especially AND i 558 00:28:45,200 --> 00:28:46,960 Speaker 2: don't know if this is a new, thing but with 559 00:28:47,040 --> 00:28:50,360 Speaker 2: The internet trends are spreading a lot quicker than they used. 560 00:28:50,400 --> 00:28:54,600 Speaker 2: To we would In. INDIANA i think eventually pick up 561 00:28:54,600 --> 00:28:57,680 Speaker 2: on things that other kids were, saying BUT i can't 562 00:28:57,680 --> 00:28:59,360 Speaker 2: imagine it would be as quick as it is. Now 563 00:29:03,240 --> 00:29:06,280 Speaker 2: but this is kind of. Interesting it's that this is 564 00:29:06,320 --> 00:29:10,120 Speaker 2: one of those things that is made specifically For gen alpha. 565 00:29:10,200 --> 00:29:14,840 Speaker 2: Kids it's not made for grown, ups and because of, 566 00:29:14,840 --> 00:29:18,760 Speaker 2: that they like it. More this is an insane. Quote 567 00:29:18,880 --> 00:29:23,920 Speaker 2: children are marginalized demographics and are denied autonomy in so 568 00:29:23,960 --> 00:29:26,360 Speaker 2: many aspects of their lives in favor of what their 569 00:29:26,400 --> 00:29:28,680 Speaker 2: parents want for. Them so as children come into their own, 570 00:29:28,680 --> 00:29:33,400 Speaker 2: personalities they become desperate for anything that feels. Theirs and 571 00:29:33,480 --> 00:29:37,520 Speaker 2: if you think this is all, over don't. Worry Crazy 572 00:29:37,600 --> 00:29:40,400 Speaker 2: Music channel is added again with a new song Called Techno, 573 00:29:40,560 --> 00:29:46,960 Speaker 2: duck which was released last. Week as far As chicken 574 00:29:47,000 --> 00:29:53,479 Speaker 2: And banana, goes has it been usurped and it has 575 00:29:53,520 --> 00:29:54,480 Speaker 2: nothing to do with this viral. 576 00:29:54,520 --> 00:30:00,959 Speaker 7: Moment So I'm. Somali i'm proud to Be. Somali to, 577 00:30:01,040 --> 00:30:05,120 Speaker 7: me Being somali isn't just eating bananas with. Rice it's, 578 00:30:05,240 --> 00:30:09,760 Speaker 7: uh it's a. Lot it's, like it's, uh it's, uh 579 00:30:09,880 --> 00:30:12,720 Speaker 7: it's an interesting. Thing it's, uh it's very hard to 580 00:30:12,760 --> 00:30:15,800 Speaker 7: describe what means to Be somali and what it means 581 00:30:15,840 --> 00:30:20,520 Speaker 7: to Be. American but it's like a cultural. Fusion it's 582 00:30:20,640 --> 00:30:22,200 Speaker 7: kind of like The bananas and. 583 00:30:22,320 --> 00:30:38,080 Speaker 2: Rice maybe we'll listen To Techno duck later On New 584 00:30:38,160 --> 00:30:41,000 Speaker 2: Music friday for people who don't like new. Music coming 585 00:30:41,080 --> 00:30:43,560 Speaker 2: Up Alamo Draft house might be changing in a way 586 00:30:44,600 --> 00:30:46,880 Speaker 2: that might make it. Awful is it going to be? 587 00:30:46,960 --> 00:30:49,880 Speaker 2: Ruined we'll get into. That plus the world of testosterone 588 00:30:49,920 --> 00:30:52,120 Speaker 2: influencers have been teasing it. NonStop we will get to. 589 00:30:52,160 --> 00:30:57,200 Speaker 2: That and one hundred and one movies About Los? Angeles 590 00:30:57,880 --> 00:31:00,680 Speaker 2: what made the list according to The La times vetted 591 00:31:00,720 --> 00:31:06,600 Speaker 2: by our very own, uh movie movie, guru movie expert movie. 592 00:31:06,600 --> 00:31:08,720 Speaker 2: Review what's what do we call? You movie shut? 593 00:31:08,720 --> 00:31:08,760 Speaker 7: In? 594 00:31:08,920 --> 00:31:12,880 Speaker 2: UH i like that the cinophile is so. Pretentious oh. God. 595 00:31:12,960 --> 00:31:15,720 Speaker 3: Yeah when you say vetted, by you mean you're gonna 596 00:31:15,720 --> 00:31:16,280 Speaker 3: spring it on. 597 00:31:16,320 --> 00:31:18,160 Speaker 2: Me, Yeah i'm gonna. Go i'm Gonna i'm gonna talk 598 00:31:18,200 --> 00:31:20,440 Speaker 2: through these with. You and and BECAUSE i trust your, 599 00:31:20,480 --> 00:31:22,000 Speaker 2: taste you're gonna inflict it on. 600 00:31:22,040 --> 00:31:23,080 Speaker 4: Me about movie. 601 00:31:23,160 --> 00:31:26,120 Speaker 2: Dork movie dork is. Fun it's a little self depreciate 602 00:31:26,160 --> 00:31:28,040 Speaker 2: what it's kind of on the, nose BUT i guess 603 00:31:28,040 --> 00:31:30,400 Speaker 2: it is, Implying, NO i like shutting better because it's 604 00:31:30,400 --> 00:31:32,800 Speaker 2: a little more. Special movie shut, in movie shut. 605 00:31:32,800 --> 00:31:34,800 Speaker 3: It by the, way if you play that Chicken banana 606 00:31:34,880 --> 00:31:37,800 Speaker 3: song and then the teacher breaks, down this is the 607 00:31:37,840 --> 00:31:40,959 Speaker 3: reaction THAT i imagine. 608 00:31:46,200 --> 00:31:46,320 Speaker 9: Very. 609 00:31:46,320 --> 00:31:48,440 Speaker 2: Good it's IF i am six, Forty I'm Andy. Reesemeyer 610 00:31:48,480 --> 00:31:50,400 Speaker 2: we're live everywhere on the iHeartRadio. App