WEBVTT - Backrooms, The Invite, He-Man & Minions

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<v Speaker 1>Mac the other day while grilling up some man meat,

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<v Speaker 1>some steaks.

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<v Speaker 2>I do, Michael, I want some of your man meat.

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<v Speaker 1>Once again, as we do every single summer, I am

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<v Speaker 1>hit directly in the face by a lot of smoke

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<v Speaker 1>and gets in my eyes, makes my eyes water very,

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<v Speaker 1>very red. I'm going to ask you, as the smoke expert. Yeah,

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<v Speaker 1>what am I supposed to do?

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<v Speaker 2>That's just sort of a part of grilling. There's a fire,

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<v Speaker 2>Fire creates a smoke.

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<v Speaker 1>I know, but I've asked you in the past, what

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<v Speaker 1>is the least lame way to protect my eyes? Because

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<v Speaker 1>protecting yourself, by definition is lame.

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<v Speaker 2>I think you should just wear some gogs.

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<v Speaker 1>Do you think I can wear rex?

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<v Speaker 2>Beex sure? Why not?

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<v Speaker 1>I would look so stupid.

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<v Speaker 2>My actual answer, I think would be you're probably grilling

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<v Speaker 2>it too high of.

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<v Speaker 1>A heat that makes a better food.

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<v Speaker 2>Well, it's a point of no return. I mean, I

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<v Speaker 2>get I get it. But my guess is, if you're

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<v Speaker 2>dealing with a lot of smoke all the time, you

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<v Speaker 2>probably get it too hot.

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<v Speaker 1>But what's more important the taste or my eyes?

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<v Speaker 2>No, there's a marriage there the taste. I don't you know.

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<v Speaker 2>I don't think you're sacrificing on taste if you grill

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<v Speaker 2>it right now. I guess it depends on what you're grilling,

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<v Speaker 2>and are you using any sort of oils as you

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<v Speaker 2>tops on the grill, You're just letting the natural juices

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<v Speaker 2>do this.

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<v Speaker 1>I'll slather. There's some olive oil on there.

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<v Speaker 2>Yeah, see that's your issue. Usual number one. You got

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<v Speaker 2>to use at least avocado oil. It's a higher smoke point.

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<v Speaker 2>I think olive oil is like four hundred. Avocado oil

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<v Speaker 2>is five hundred degrees fahrenheit, So that means if your

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<v Speaker 2>grill is under five hundred degrees, you're not going to

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<v Speaker 2>get the smoke from the oil. With olive oil, it's

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<v Speaker 2>like three eighty or four hund.

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<v Speaker 1>I'm usually hitting about seven hundred though.

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<v Speaker 2>That's where I would start with first, especially with steaks

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<v Speaker 2>and meats switched to avocado oil.

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<v Speaker 1>Do you think if I wore really big sunglasses, I

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<v Speaker 1>would look cool and people wouldn't know that I was crying.

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<v Speaker 2>Yeah, Or you could do goggles under really big sunglasses.

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<v Speaker 1>So you want me to do big science bill nice

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<v Speaker 1>fucking goggles. Yeah, put aviators on over them.

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<v Speaker 2>Yeah? Yeah, there you go. One? Good? Three?

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<v Speaker 1>Yeah, just three King of Queen Marl Street Entertainment. I'm

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<v Speaker 1>Goo and I'm Mac, and we are the Mac and

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<v Speaker 1>Goo Program. We bring you friendship and sweat. If you're

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<v Speaker 1>watching on YouTube right now, we are drenched.

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<v Speaker 2>I'll tell you right now. So far, it's not too

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<v Speaker 2>bad in this basement. In about twenty or thirty minutes,

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<v Speaker 2>probably gonna get pretty hot. I saw what I what.

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<v Speaker 2>I a little peak behind the curtain here. Let the

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<v Speaker 2>people into your home, metaphorical and physical. I'm recording in

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<v Speaker 2>my basement. My basement has two rooms, a finish in

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<v Speaker 2>an unfinished room. We're in the finished part of it.

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<v Speaker 2>I put up a curtain to separate this from the

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<v Speaker 2>unfinished There's a doorway, but no door the unfinish part

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<v Speaker 2>as the washer, dryer, etcetera. I'm going away in twenty

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<v Speaker 2>four hours, and I'm working twenty four hours straight, so

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<v Speaker 2>I gotta get all my laundry and packing done today

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<v Speaker 2>before I leave for work tonight. So I'm running laundry

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<v Speaker 2>all day long, all day long, all day long, because

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<v Speaker 2>of course I procrastinate, and it's getting hotter than it

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<v Speaker 2>was an hour ago because I'm just running machinery down here.

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<v Speaker 1>I live on the second floor of a house. I

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<v Speaker 1>am not subterranean like yac so I am.

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<v Speaker 2>A little a little well insulated.

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<v Speaker 1>Here.

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<v Speaker 2>It's not unbearable. But the headphones don't help either. No,

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<v Speaker 2>the worst cans about the over ear as opposed to

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<v Speaker 2>on ear or earbuds is your ears and your head.

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<v Speaker 2>Just retain that heat.

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<v Speaker 1>If I pass out, you guys know why, I'll call

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<v Speaker 1>it down on one for you. No, you should like

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<v Speaker 1>rush to my house and save me.

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<v Speaker 2>No, because then I get all your trinkets if.

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<v Speaker 1>You die, lot, plainly keep it short tail you right now.

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<v Speaker 2>I don't remember the last time we did this, but

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<v Speaker 2>today we're doing five pretty new and notable movies here.

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<v Speaker 2>I have two, Goo has three, and then we have

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<v Speaker 2>one that you put in there. Are we gonna talk

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<v Speaker 2>about sheet detectives?

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<v Speaker 1>You can talk about it. I haven't watched it yet.

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<v Speaker 2>Yeah, maybe i'll mention it. So maybe six movies here

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<v Speaker 2>all have had decent success in the form of box

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<v Speaker 2>office Notable or yeah, notable is the word for them.

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<v Speaker 1>You might have already said notable. I might just be

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<v Speaker 1>id you know that's.

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<v Speaker 2>A good word. Notable is a good word.

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<v Speaker 1>Well, yeah, put one on the board. If I had

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<v Speaker 1>the sound effect.

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<v Speaker 2>The unfortunate truth today is there's no crossover with no crossovers.

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<v Speaker 1>So when Mac talks, I'm gonna leaves the conditioning, And

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<v Speaker 1>then when I talk, Ma's gonna leave. I haven't seen it,

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<v Speaker 1>and he's gonna dry off his bald head. Are you

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<v Speaker 1>someone like a Craig Robinson who carries around a towel?

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<v Speaker 2>Depends what the activity is and the temperature is. But

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<v Speaker 2>like if I'm golfing, obviously I'll have some towels. Maybe

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<v Speaker 2>if I'm out for the day somewhere and I know

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<v Speaker 2>I'm gonna be outdoors, I'll bring a fat eye towel.

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<v Speaker 1>Back eye towel, or like a nineties quarterback towel.

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<v Speaker 2>Yeah, exactly, Without further ag, Goo, let's jump into it.

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<v Speaker 2>We'll start you off with Backrooms. Goo. The Backrooms has

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<v Speaker 2>been in the theaters for a month now. This is

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<v Speaker 2>theater's on May twenty ninth. It's an A twenty four production.

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<v Speaker 2>Gu It is doing gangbusters. It's still making money at

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<v Speaker 2>the theater. Up to three hundred and thirty point eight

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<v Speaker 2>million worldwide, one hundred and eighty four domestic. All of

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<v Speaker 2>that Goo off a ten million dollar budget. So this

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<v Speaker 2>has been a massive success for everyone involved, and this

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<v Speaker 2>has become notable along with Obsession.

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<v Speaker 1>It is crazy how at first when this came out,

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<v Speaker 1>this overshadowed Obsession, and then since then, after that first week,

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<v Speaker 1>Obsession jumped right back ahead of it.

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<v Speaker 2>I think this was one that a lot of people

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<v Speaker 2>had anticipated because of everything involved with it, and then

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<v Speaker 2>I think Obsession was just so good and getting compared

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<v Speaker 2>to this, and people were realizing, oh, an obsession is

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<v Speaker 2>better than it.

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<v Speaker 1>Also, again, at the point of when this was released,

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<v Speaker 1>Caine Parsons, the director, twenty years old. Now that piece

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<v Speaker 1>of shit is twenty one.

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<v Speaker 2>Yeah, we'll talk about that too in a second. Good

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<v Speaker 2>This is an R rated horror, sci fi and thriller.

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<v Speaker 2>You have sub genres here found footage psychological horror and

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<v Speaker 2>psychological thriller, supernatural horror. This is a run time of

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<v Speaker 2>one hundred and ten minutes on roddy te's eighty seven

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<v Speaker 2>percent from the critics, seventy four percent from the audience,

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<v Speaker 2>a seventy seven on Metacritic, and so in general, this

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<v Speaker 2>is one that the critics are liking more than the audience.

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<v Speaker 2>And I think once you see that, you start to

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<v Speaker 2>understand why it's weird. It's weird, it takes some swings.

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<v Speaker 2>It's you know, you're dealing with psychological stuff that maybe

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<v Speaker 2>a lot of commers just start really picking up on that.

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<v Speaker 2>Maybe some more cultured folk.

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<v Speaker 1>Are also this movie and I haven't seen it, but

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<v Speaker 1>Macaz promises a lot. Does it give you that back?

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<v Speaker 2>So that was at least the issue for me. I

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<v Speaker 2>don't know if people had that issue in the first

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<v Speaker 2>couple of weeks, but because this has been getting hyped

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<v Speaker 2>so much in on that same level roughly obsession, I

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<v Speaker 2>was expecting a pretty great movie and what was delivered

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<v Speaker 2>was a real mixed bag. The first like thirty minutes

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<v Speaker 2>of this kind of stink, kinda bad. Like if I

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<v Speaker 2>was watching on my own, I would have shut it off,

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<v Speaker 2>but we had a couple.

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<v Speaker 1>Of people watching none my own.

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<v Speaker 2>But right around thirty minutes something happens that like swerves

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<v Speaker 2>you and you're like, oh, I wasn't expecting that at all.

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<v Speaker 2>And then the next like hour twenties really good, really intriguing,

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<v Speaker 2>but then the final like fifteen stink again. So the

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<v Speaker 2>best way to describe this for me is someone made

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<v Speaker 2>a sandwich with stale bread. The meat and the components. Great.

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<v Speaker 2>The bread.

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<v Speaker 1>Is the bread stale or is it starting to turn

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<v Speaker 1>a little green? Whatever you want to call it, because

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<v Speaker 1>you can still toast stale bread and it's still edible.

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<v Speaker 2>Maybe one side of it is moldly, the other sides

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<v Speaker 2>just stale. It's a really weird journey that this movie takes. Year.

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<v Speaker 1>I've seen that if bread is stale, even if you

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<v Speaker 1>cut the green off, you still shouldn't eat the rest

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<v Speaker 1>of the bread.

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<v Speaker 2>Well that's moldy.

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<v Speaker 1>Well yeah, but mold get rid of the Yeah.

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<v Speaker 2>Just because you're not seeing a color as it mean,

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<v Speaker 2>it's not there, I know.

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<v Speaker 1>But we need that for medicine. What if I need

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<v Speaker 1>to solve my scurvy goo? You talk? You mentioned watching

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<v Speaker 1>on your own. This title of the movie makes me

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<v Speaker 1>think of in the nineties, you go into a Blockbuster

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<v Speaker 1>and you rent the wrong movie by accident.

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<v Speaker 2>Yes, yes, indeed.

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<v Speaker 1>Like I famously one time rented The Lady's Room instead

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<v Speaker 1>of the Ladies Man.

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<v Speaker 2>Yeah, a little different, And then I was afraid was

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<v Speaker 2>by a criminal.

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<v Speaker 1>I was afraid to watch it because I said, what

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<v Speaker 1>if my parents then see what the tape was. I

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<v Speaker 1>just reported it and said I think we got the

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<v Speaker 1>wrong movie, and I.

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<v Speaker 2>Called the cops.

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<v Speaker 1>I called the police and said, Blockbusters got to go

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<v Speaker 1>to jail.

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<v Speaker 2>Go. Back Room's written by Will Suitic, predominantly known for

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<v Speaker 2>Ash Versus Evil Dead, the TV series upcoming. He's got

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<v Speaker 2>two projects, very very religious oriented, Alter and God's Countries,

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<v Speaker 2>So maybe those will.

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<v Speaker 1>Are they religious or anti religious? I don't know actually,

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<v Speaker 1>or horror religious?

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<v Speaker 2>Yeah, there you go. Also written by Kane Parsons, who's

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<v Speaker 2>the director here. As Gou mentioned above, Kane Parsons, at

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<v Speaker 2>just twenty years old, made this movie, directed this movie,

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<v Speaker 2>and it all stems from a YouTube series that he

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<v Speaker 2>created in twenty twenty two. He might be better known

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<v Speaker 2>to some of you younger folks online as Caine Pixels,

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<v Speaker 2>and he's a self taught filmmaker and visual effects prodigy.

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<v Speaker 2>That's what they're calling him, prodigy.

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<v Speaker 1>So he's not school smarty, street smart.

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<v Speaker 2>So his original YouTube short for this went viral and

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<v Speaker 2>he's a mass more than one hundred and ninety million

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<v Speaker 2>views on YouTube. And part of the appeal of the

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<v Speaker 2>back Rooms is one it's simplicity into the analog horror

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<v Speaker 2>state that like sort of makes you that you think

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<v Speaker 2>of with classic horror movies, and I think what people

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<v Speaker 2>are also finding intriguing with this is it it's very

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<v Speaker 2>easily relatable in that it's nothing in everything, and also

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<v Speaker 2>the psychological horror here. You could see yourself identifying with

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<v Speaker 2>two so that I think that's really the main thing

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<v Speaker 2>that are drawing people to this movie and the main

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<v Speaker 2>takeaways of.

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<v Speaker 1>It is Cain Parsons, the Jason Tatum of the movie industry.

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<v Speaker 2>I we're gonna need a second one before we decide that.

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<v Speaker 1>I'm saying more that we're gonna say for years that

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<v Speaker 1>he's just twenty.

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<v Speaker 2>Yes, he's only nineteen. He's only nineteen goos synopsis of

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<v Speaker 2>Back Rooms. After a therapist's patient disappears into a dimension

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<v Speaker 2>beyond reality, reality, she must venture into the unknown to

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<v Speaker 2>save him. This movie stars She would tell a G

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<v Speaker 2>four as Clark, He's the main character. Renade Reinsve as Mary,

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<v Speaker 2>she's the therapist, Mark duplas we know him, we love him,

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<v Speaker 2>as Phil Finn Bennett as Bobby Lukeito Maxwell's cat. Really,

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<v Speaker 2>it's just those first two that you need to know.

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<v Speaker 2>The other three maybe have ten twelve fifteen minutes combined

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<v Speaker 2>of screen time and good. The story behind this movie

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<v Speaker 2>begins way back in twenty nineteen when there was an

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<v Speaker 2>anonymous user on four Chan. He posted or she posted,

0:11:22.920 --> 0:11:27.200
<v Speaker 2>They posted an unsettling image of an empty, yellow papered

0:11:27.280 --> 0:11:31.360
<v Speaker 2>room rooms, and the photo came with a caption, if

0:11:31.360 --> 0:11:34.760
<v Speaker 2>you're not careful, you and you no clip out of reality.

0:11:34.880 --> 0:11:38.360
<v Speaker 2>Cafful careful. If you know, clip out of reality in

0:11:38.400 --> 0:11:40.840
<v Speaker 2>the wrong areas, I'll have a video game. You'll end

0:11:40.920 --> 0:11:43.160
<v Speaker 2>up in the back rooms where it's nothing but the

0:11:43.240 --> 0:11:46.640
<v Speaker 2>stink of old moist carpet, the madness of mono yellow,

0:11:46.720 --> 0:11:50.360
<v Speaker 2>the endless background noise of fluorescent lights at maximum hum

0:11:50.400 --> 0:11:53.600
<v Speaker 2>and approximately six hundred million square miles of randomly segmented

0:11:53.600 --> 0:11:56.960
<v Speaker 2>empty rooms to be tapped in. So that original post

0:11:57.120 --> 0:12:02.320
<v Speaker 2>then became super popular, built off of that, culminating in

0:12:02.400 --> 0:12:06.319
<v Speaker 2>Cane Parsons series in twenty twenty two. Gout. This movie

0:12:06.880 --> 0:12:09.240
<v Speaker 2>is intriguing because of a lot of things that I

0:12:09.320 --> 0:12:12.480
<v Speaker 2>just mentioned, and because it's kind of easy to relate

0:12:12.520 --> 0:12:17.600
<v Speaker 2>to in some capacity. However, I think the biggest thing

0:12:18.240 --> 0:12:21.959
<v Speaker 2>is you can tell the screenwriting for this was done

0:12:22.000 --> 0:12:26.400
<v Speaker 2>by amateurs or first timers, because the flow of it

0:12:26.960 --> 0:12:29.200
<v Speaker 2>into the sandwich from the bread to the meat and

0:12:29.320 --> 0:12:32.000
<v Speaker 2>back is terrible. It's bad.

0:12:32.080 --> 0:12:33.120
<v Speaker 1>So how about the direction.

0:12:33.360 --> 0:12:37.160
<v Speaker 2>So the direction is fun and interesting because you can

0:12:37.240 --> 0:12:42.800
<v Speaker 2>tell Caine Parsons knows what scares people and knows that

0:12:43.160 --> 0:12:45.920
<v Speaker 2>a lot of what's scary is not necessarily what you see,

0:12:46.440 --> 0:12:49.000
<v Speaker 2>it's the anticipation of it, and so they play with

0:12:49.080 --> 0:12:51.959
<v Speaker 2>a lot of that. And then this common idea of

0:12:52.040 --> 0:12:54.760
<v Speaker 2>like the emptiness of rooms and getting lost in an

0:12:54.840 --> 0:12:58.160
<v Speaker 2>endless maze, that's really scary, and they play that up

0:12:58.200 --> 0:13:00.560
<v Speaker 2>a bit here. But what this really but this movie

0:13:00.600 --> 0:13:04.960
<v Speaker 2>really is and becomes underneath it is a story about

0:13:04.960 --> 0:13:11.400
<v Speaker 2>someone having you know, a psychological expert expert episode split say,

0:13:11.720 --> 0:13:14.240
<v Speaker 2>there is a deep seated thing here that I think

0:13:14.679 --> 0:13:17.200
<v Speaker 2>a better script writer really could have pulled out of

0:13:17.240 --> 0:13:20.800
<v Speaker 2>this movie and done better. So that part was disappointing.

0:13:21.160 --> 0:13:23.800
<v Speaker 2>And on that too, they spend the first half hour

0:13:23.880 --> 0:13:26.440
<v Speaker 2>really trying to get you to buy into that, and

0:13:26.480 --> 0:13:29.880
<v Speaker 2>you just don't, and you almost it's almost unwatchable until

0:13:29.880 --> 0:13:32.520
<v Speaker 2>it's not. And then that middle hour of the movie

0:13:32.920 --> 0:13:36.440
<v Speaker 2>is fucking awesome. It's really intriguing, and then when they

0:13:36.480 --> 0:13:38.400
<v Speaker 2>get to the end of it to wrap it up,

0:13:38.480 --> 0:13:41.400
<v Speaker 2>you're like, how don't why did they do that? Why?

0:13:42.120 --> 0:13:44.520
<v Speaker 2>So they just sort of leave you in a weird spot,

0:13:45.160 --> 0:13:48.920
<v Speaker 2>several unanswered questions and questions that I didn't even care

0:13:48.960 --> 0:13:50.920
<v Speaker 2>to look up because I was pretty annoyed and didn't

0:13:51.000 --> 0:13:54.160
<v Speaker 2>didn't love the movie. To me, there's shades in here

0:13:54.360 --> 0:13:56.760
<v Speaker 2>of The Cube. Have you ever seen The Cube? It's

0:13:56.760 --> 0:13:59.880
<v Speaker 2>a nineties movie kind of of this same vein, like

0:14:00.320 --> 0:14:02.920
<v Speaker 2>lost in an endless twisting maze, and like.

0:14:02.920 --> 0:14:04.520
<v Speaker 1>Three, it's when you put a three next to the

0:14:04.600 --> 0:14:07.800
<v Speaker 1>number it yeah, little map and go for you. Yeah.

0:14:07.840 --> 0:14:10.960
<v Speaker 2>There's a little bit of Barbarian here too, like under

0:14:10.960 --> 0:14:11.800
<v Speaker 2>the parts of.

0:14:11.720 --> 0:14:14.200
<v Speaker 1>Barbarian or the worst parts of Barbarian the.

0:14:14.080 --> 0:14:16.680
<v Speaker 2>Best parts of Barbarian. So that's why I think this

0:14:16.840 --> 0:14:19.240
<v Speaker 2>movie has had some staying power. And then there's a

0:14:19.240 --> 0:14:22.480
<v Speaker 2>little bit of like being John Malkovich two that you're

0:14:22.760 --> 0:14:24.640
<v Speaker 2>kind of in someone's head or you're not really sure

0:14:24.680 --> 0:14:28.440
<v Speaker 2>where you are and you're dealing with the psychological thing there.

0:14:28.440 --> 0:14:30.640
<v Speaker 2>I'm sure there's other comparisons too, but those are the

0:14:30.640 --> 0:14:33.880
<v Speaker 2>three that came to mind from me. So at times

0:14:33.920 --> 0:14:37.200
<v Speaker 2>this movie has you fully intrigued, and other times you're

0:14:37.280 --> 0:14:39.960
<v Speaker 2>mad or nearly turn it out. It ends up being

0:14:40.000 --> 0:14:42.560
<v Speaker 2>like a twenty seven dog movie. For me, I think

0:14:42.600 --> 0:14:46.920
<v Speaker 2>it's worth watching just for the discussion. I see why

0:14:47.000 --> 0:14:49.440
<v Speaker 2>some people are loving it. I also see why it

0:14:49.480 --> 0:14:52.080
<v Speaker 2>only has seventy four percent on roddy Te's. So I

0:14:52.120 --> 0:14:55.680
<v Speaker 2>think it's a movie worth watching discussing. I'd be interested

0:14:55.680 --> 0:14:57.760
<v Speaker 2>to hear your opinion on it, But to me, it's

0:14:57.800 --> 0:15:01.240
<v Speaker 2>not nearly close to Obsession or any of the best

0:15:01.280 --> 0:15:01.960
<v Speaker 2>movies of the year.

0:15:02.240 --> 0:15:05.360
<v Speaker 1>Have you ever gone through like a corn maze or

0:15:05.400 --> 0:15:07.120
<v Speaker 1>some kind of a maze, A big maze?

0:15:08.200 --> 0:15:10.200
<v Speaker 2>Every fall, well, not everything you get out? Many falls?

0:15:10.200 --> 0:15:10.800
<v Speaker 1>Did you get out?

0:15:10.920 --> 0:15:11.960
<v Speaker 2>Always? Always?

0:15:12.000 --> 0:15:15.240
<v Speaker 1>I don't think i'd make it out. I'd be living there.

0:15:16.360 --> 0:15:18.320
<v Speaker 1>Let's move on to the next movie that I checked

0:15:18.440 --> 0:15:21.440
<v Speaker 1>out last night. Highly anticipated, I would.

0:15:21.320 --> 0:15:23.520
<v Speaker 2>Say, opening in theaters this weekend, right.

0:15:23.400 --> 0:15:25.800
<v Speaker 1>So, I believe it was a limited release last week,

0:15:25.800 --> 0:15:27.560
<v Speaker 1>and I'm not sure if it's a I don't think

0:15:27.560 --> 0:15:29.360
<v Speaker 1>they're doing a wide release on it.

0:15:30.080 --> 0:15:30.560
<v Speaker 2>Interesting.

0:15:30.960 --> 0:15:32.720
<v Speaker 1>I'm not sure I could be making that up.

0:15:32.800 --> 0:15:33.480
<v Speaker 2>Yeah, you might be.

0:15:33.840 --> 0:15:37.240
<v Speaker 1>The Invites twenty twenty six rated R. This is a

0:15:37.360 --> 0:15:41.680
<v Speaker 1>comedy drama hour and forty seven minutes. You do feel

0:15:41.720 --> 0:15:45.240
<v Speaker 1>that a little bit ninety four on Rotten Tomatoes from

0:15:45.240 --> 0:15:49.360
<v Speaker 1>the critic eighty on Metacritic. That's high, but it's only

0:15:49.360 --> 0:15:52.320
<v Speaker 1>from twenty nine critics so far, so expect a bit

0:15:52.360 --> 0:15:56.440
<v Speaker 1>of a slip. Directed by Olivia wild written by Will

0:15:56.520 --> 0:16:00.080
<v Speaker 1>McCormick and Rashida Jones. Also, it's based off of a

0:16:00.080 --> 0:16:03.840
<v Speaker 1>age play that's based off of a Spanish book film

0:16:03.920 --> 0:16:08.360
<v Speaker 1>maybe that's written by Cess Gay I believe, and it

0:16:08.440 --> 0:16:11.760
<v Speaker 1>is starring This is it in the movie, These four people,

0:16:12.480 --> 0:16:15.040
<v Speaker 1>no one else. It's a big bottle episode. We're in

0:16:15.080 --> 0:16:19.160
<v Speaker 1>an apartment and that's it. Olivia Wilde, Edward Norton, Penelope

0:16:19.240 --> 0:16:22.520
<v Speaker 1>Cruz and Seth Rogan. Joe and Angela's marriage is on

0:16:22.600 --> 0:16:25.240
<v Speaker 1>the ice, is on thin ice. As a matter of fact.

0:16:25.480 --> 0:16:30.280
<v Speaker 1>When they invite their enigmatic upstairs neighbors for a dinner party,

0:16:30.480 --> 0:16:35.880
<v Speaker 1>the night spirals into unexpected places. Just in that synopsis,

0:16:36.680 --> 0:16:41.120
<v Speaker 1>I don't think it was that unexpected. I thought a

0:16:41.240 --> 0:16:46.600
<v Speaker 1>lot of the twists and turns were very telegraphed. And

0:16:46.880 --> 0:16:50.560
<v Speaker 1>also the couple being on thin ice, you kind of

0:16:50.560 --> 0:16:52.160
<v Speaker 1>saw where that was going as well.

0:16:52.280 --> 0:16:55.280
<v Speaker 2>Yes, so there's really only two routes. This movie can

0:16:55.320 --> 0:16:57.320
<v Speaker 2>take maybe a third if you combine the two.

0:16:57.400 --> 0:16:59.360
<v Speaker 1>Right, you have Tyler free by the way.

0:16:59.440 --> 0:17:03.040
<v Speaker 2>Yeah, you have the sexual way where the you know,

0:17:03.080 --> 0:17:06.159
<v Speaker 2>the neighbors maybe they crush streams there, or the violent

0:17:06.240 --> 0:17:09.000
<v Speaker 2>way when you already have neighbors on the rocks in

0:17:09.200 --> 0:17:13.680
<v Speaker 2>weird neighbors. Right, So I would expect one of those two.

0:17:13.920 --> 0:17:16.320
<v Speaker 1>So let me tell you this right now. It's funny.

0:17:16.480 --> 0:17:20.320
<v Speaker 1>It's a funny movie. The jokes are really well placed

0:17:20.359 --> 0:17:24.000
<v Speaker 1>out and it's very Seth Rogan heavy on the comedy,

0:17:24.400 --> 0:17:28.440
<v Speaker 1>but Edward Norton also funny. And the way that Olivia

0:17:28.560 --> 0:17:32.320
<v Speaker 1>Wilde is very neurotic also adds to the comedy. It's

0:17:32.320 --> 0:17:36.360
<v Speaker 1>well written, well directed, and well acted. There's almost more

0:17:36.480 --> 0:17:38.840
<v Speaker 1>writers than there are actors in the movie. I don't

0:17:38.840 --> 0:17:42.600
<v Speaker 1>know if that counts for anything, but it uses the

0:17:42.640 --> 0:17:46.600
<v Speaker 1>space of the apartment really really well, and like I said,

0:17:46.640 --> 0:17:49.600
<v Speaker 1>it is in just one space. And I could see

0:17:49.640 --> 0:17:53.439
<v Speaker 1>any of these four receiving some kind of a nomination

0:17:53.680 --> 0:17:55.840
<v Speaker 1>when it comes to award season. I don't think any

0:17:55.880 --> 0:17:57.520
<v Speaker 1>of them are actually gonna win anything, but just the

0:17:57.600 --> 0:18:00.879
<v Speaker 1>nomination is nice. But on the on side of that,

0:18:01.440 --> 0:18:05.399
<v Speaker 1>like I said, I think anytime that something is introduced

0:18:05.440 --> 0:18:09.480
<v Speaker 1>in this movie, the result of it is kind of predictable,

0:18:09.560 --> 0:18:12.760
<v Speaker 1>and you saw a lot of it coming. Granted, the

0:18:12.840 --> 0:18:16.280
<v Speaker 1>journey to get to where they end up is fun.

0:18:16.880 --> 0:18:21.080
<v Speaker 1>The conversation is fascinating. I think it's extremely well written

0:18:21.240 --> 0:18:24.920
<v Speaker 1>and it might bring you asking questions about your own

0:18:24.960 --> 0:18:27.199
<v Speaker 1>life that are important. I think that it's one of

0:18:27.240 --> 0:18:32.000
<v Speaker 1>those types of movies. Okay, my biggest issue, and I

0:18:32.160 --> 0:18:35.200
<v Speaker 1>like Seth Rogan. I'll say it again. I like Seth Rogan.

0:18:35.760 --> 0:18:40.040
<v Speaker 1>I wish they almost had any other leading actor in

0:18:40.080 --> 0:18:46.240
<v Speaker 1>this movie, because I could not separate his character, seeing him,

0:18:47.000 --> 0:18:52.520
<v Speaker 1>hearing him the jokes from Seth Rogan, and as I

0:18:52.560 --> 0:18:55.720
<v Speaker 1>am trying to get lost in this story, which at

0:18:55.800 --> 0:18:58.879
<v Speaker 1>points I was, Seth Rogan brought me out of it.

0:19:00.040 --> 0:19:04.119
<v Speaker 2>He saw that note when I opened the document here,

0:19:04.600 --> 0:19:07.920
<v Speaker 2>and I was like, oh, maybe that's a little too harsh.

0:19:08.080 --> 0:19:08.879
<v Speaker 1>Is it harsh?

0:19:08.920 --> 0:19:11.800
<v Speaker 2>And then I thought to myself, Gou I had started

0:19:12.600 --> 0:19:16.679
<v Speaker 2>the studio like three months ago, and I enjoyed what

0:19:16.800 --> 0:19:19.439
<v Speaker 2>I had watched, and then once I stepped away from it,

0:19:19.920 --> 0:19:22.040
<v Speaker 2>I was like, I don't think I want to go back,

0:19:22.520 --> 0:19:25.040
<v Speaker 2>because as good as some of the aspects of that

0:19:25.040 --> 0:19:29.919
<v Speaker 2>show are, every single episode, Seth Rogan his character is

0:19:29.920 --> 0:19:32.440
<v Speaker 2>made to be annoying, but also Seth Rogan like took

0:19:32.480 --> 0:19:33.960
<v Speaker 2>me out of it, because look.

0:19:33.880 --> 0:19:36.440
<v Speaker 1>I really like Seth Rogen. I love what he's done

0:19:36.520 --> 0:19:39.960
<v Speaker 1>for comedy. I love this stuff that he produces. It's

0:19:40.080 --> 0:19:43.280
<v Speaker 1>just that when you see something with Seth Rogan in it,

0:19:43.280 --> 0:19:48.400
<v Speaker 1>it's so hard to separate the actor from like the

0:19:48.520 --> 0:19:49.760
<v Speaker 1>role that he's portraying.

0:19:49.960 --> 0:19:51.000
<v Speaker 2>The minute he laughs.

0:19:51.119 --> 0:19:53.439
<v Speaker 1>Well, Like, there's a scene in this when he's like, oh,

0:19:53.440 --> 0:19:55.520
<v Speaker 1>I'm gonna go smoke a joint and you're like, a

0:19:55.520 --> 0:19:57.960
<v Speaker 1>all right, I bet that wasn't even in the scripts,

0:19:58.280 --> 0:20:03.200
<v Speaker 1>Like all right, okay, dude. It also takes one extra

0:20:03.240 --> 0:20:05.960
<v Speaker 1>little poke at the end, which is a little spoilery

0:20:05.960 --> 0:20:09.080
<v Speaker 1>that I kind of wish they didn't do. Okay, but

0:20:09.600 --> 0:20:11.199
<v Speaker 1>this is a very good movie. I have it in

0:20:11.240 --> 0:20:14.800
<v Speaker 1>my top three or four on the year. It's also

0:20:14.840 --> 0:20:18.600
<v Speaker 1>a week year, so keep that in mind. It's getting stronger,

0:20:18.640 --> 0:20:20.480
<v Speaker 1>and we're about to get a whole lot stronger the

0:20:20.480 --> 0:20:23.400
<v Speaker 1>next couple of weeks. But I enjoyed this. I'm around

0:20:23.440 --> 0:20:26.640
<v Speaker 1>like thirty three, thirty four hot Dogs. I think it's ok.

0:20:26.960 --> 0:20:31.080
<v Speaker 1>Expecting I think it's six. Seth Rogen, It really it

0:20:31.119 --> 0:20:34.080
<v Speaker 1>takes me out of it. I was doing my best

0:20:34.119 --> 0:20:37.520
<v Speaker 1>and I, once again I enjoyed the movie. I thought

0:20:37.560 --> 0:20:41.119
<v Speaker 1>it was very, very funny. I thought the situations. I

0:20:41.160 --> 0:20:45.159
<v Speaker 1>thought the it's a lot of real life situational stuff.

0:20:46.160 --> 0:20:49.840
<v Speaker 1>I want to get lost in this movie and I couldn't. Okay,

0:20:49.880 --> 0:20:52.280
<v Speaker 1>I want to get taken to a dream world of magic.

0:20:52.480 --> 0:20:55.320
<v Speaker 2>That's a fair criticism that right there, Goose should be

0:20:55.400 --> 0:20:57.840
<v Speaker 2>your your little episode tease for the week. If you

0:20:57.840 --> 0:20:59.600
<v Speaker 2>put out a tease for the invite.

0:20:59.240 --> 0:21:03.480
<v Speaker 1>You think I'm gonna put anything. Oh did I say

0:21:03.520 --> 0:21:04.919
<v Speaker 1>to score yet? Did I say my score?

0:21:05.000 --> 0:21:05.240
<v Speaker 2>You did?

0:21:05.280 --> 0:21:07.720
<v Speaker 1>You said, yeah, thirty three, thirty four. Yeah, it's good though,

0:21:07.720 --> 0:21:10.679
<v Speaker 1>it's very good, all right, I recommend it. Oh, someone

0:21:10.720 --> 0:21:12.440
<v Speaker 1>did want to know if the movie sniffs its own

0:21:12.480 --> 0:21:14.800
<v Speaker 1>farts a little bit. That's gonna happen though.

0:21:15.040 --> 0:21:16.320
<v Speaker 2>Yeah, that makes sense.

0:21:16.480 --> 0:21:19.000
<v Speaker 1>I mean that's what this podcast is. We legit farting

0:21:19.040 --> 0:21:21.560
<v Speaker 1>too the microphone and then goode.

0:21:21.640 --> 0:21:25.200
<v Speaker 2>Next up on the docket here, Masters of the Universe.

0:21:25.640 --> 0:21:28.280
<v Speaker 2>This came out first weekend of June June fifth. This

0:21:28.359 --> 0:21:32.000
<v Speaker 2>is an Amazon MGM production. It has made one hundred

0:21:32.000 --> 0:21:35.080
<v Speaker 2>and nine point six million not good at the worldwide

0:21:35.119 --> 0:21:38.800
<v Speaker 2>box office save it worse sixty three million domestic. The

0:21:38.840 --> 0:21:41.200
<v Speaker 2>budget for this movie was around one hundred and seventy

0:21:41.240 --> 0:21:43.760
<v Speaker 2>to two hundred million. There's no definitive number yet. The

0:21:43.840 --> 0:21:47.640
<v Speaker 2>marketing was crazy, So I'm guessing this has about four

0:21:47.720 --> 0:21:49.440
<v Speaker 2>hundred million dollars it needs to make to.

0:21:49.400 --> 0:21:52.040
<v Speaker 1>Makeby all over the place, and.

0:21:52.040 --> 0:21:54.960
<v Speaker 2>Then consider that you only get half that. So it's

0:21:55.280 --> 0:21:57.560
<v Speaker 2>this is going to lose a lot of money for Amazon. MGM,

0:21:58.119 --> 0:22:02.280
<v Speaker 2>good it's a PG thirteen. Didn't put the genres there? Whoops?

0:22:02.400 --> 0:22:03.040
<v Speaker 1>Just make it up?

0:22:03.200 --> 0:22:07.000
<v Speaker 2>Sci fi adventure? Yeah, sure, they try some comeds xy?

0:22:07.119 --> 0:22:10.800
<v Speaker 2>Why not? Eighties nostalgia is the genre here? Run time

0:22:10.880 --> 0:22:13.399
<v Speaker 2>of one hundred and forty minutes, and boy do you

0:22:13.480 --> 0:22:16.600
<v Speaker 2>feel it? Boy do you feel it? It's long. If

0:22:16.640 --> 0:22:19.840
<v Speaker 2>you cut this by fifteen minutes, you'd probably have a

0:22:19.920 --> 0:22:20.640
<v Speaker 2>much better movie.

0:22:20.680 --> 0:22:22.480
<v Speaker 1>Did it get a pomp? When he said I of

0:22:22.520 --> 0:22:23.000
<v Speaker 1>the power?

0:22:23.119 --> 0:22:25.240
<v Speaker 2>So there's a couple cool scenes in this movie that

0:22:25.359 --> 0:22:27.800
<v Speaker 2>even you and I not growing up a massive universe.

0:22:27.800 --> 0:22:29.000
<v Speaker 2>I'm like, all right, I can fuck with that.

0:22:29.040 --> 0:22:31.000
<v Speaker 1>I'm not a he man guy, sure just a little

0:22:31.080 --> 0:22:33.600
<v Speaker 1>past I caught the tail end of the eighties.

0:22:33.640 --> 0:22:34.880
<v Speaker 2>I'm more of a ThunderCats Guy.

0:22:34.960 --> 0:22:37.840
<v Speaker 1>Yeah, that's it, ThunderCats. I'm a gi Joe boy.

0:22:37.960 --> 0:22:40.440
<v Speaker 2>Going Roddy t sixty eight percent from the critics, eighty

0:22:40.440 --> 0:22:43.520
<v Speaker 2>six percent from the audience, So j in general did

0:22:43.560 --> 0:22:45.960
<v Speaker 2>pretty well, Like I don't think you could have expected

0:22:45.960 --> 0:22:48.479
<v Speaker 2>better scores than that for this movie. A fifty two

0:22:48.560 --> 0:22:52.320
<v Speaker 2>on Metacritic. This is written by Chris Butler, Adam and

0:22:52.440 --> 0:22:56.919
<v Speaker 2>Aaron Nee, The Knee Brothers, The Knee Boys, and Dave Callahan.

0:22:57.359 --> 0:22:59.800
<v Speaker 2>Chris Butler you'd know him from Power, Norman Kubo and

0:22:59.840 --> 0:23:02.639
<v Speaker 2>The Two Strings, who he worked with on with the

0:23:02.680 --> 0:23:05.920
<v Speaker 2>director of this movie, Travis Knight, and Missing Link. Upcoming,

0:23:06.080 --> 0:23:09.160
<v Speaker 2>he's writing for Wildwood that comes out later this year.

0:23:09.480 --> 0:23:11.679
<v Speaker 2>The Knee Brothers Goo you'd really only know from The

0:23:11.720 --> 0:23:13.920
<v Speaker 2>Lost City that came out a couple years ago.

0:23:14.000 --> 0:23:16.560
<v Speaker 1>So the Knee Brothers, I'm the first names are left

0:23:16.600 --> 0:23:17.000
<v Speaker 1>and right.

0:23:20.720 --> 0:23:22.439
<v Speaker 2>They also have an indie movie that did pretty well

0:23:22.480 --> 0:23:25.760
<v Speaker 2>called The Band of Robbers. Upcoming, they're doing the untitled

0:23:25.800 --> 0:23:28.600
<v Speaker 2>Henry Cavill Kevin Hart Netflix spy comedy.

0:23:28.280 --> 0:23:29.560
<v Speaker 1>About that that's not going to be good.

0:23:29.600 --> 0:23:32.080
<v Speaker 2>And then we have Dave Callahan here, who has such

0:23:32.080 --> 0:23:35.639
<v Speaker 2>an interesting, interesting run over the last twenty years. He

0:23:35.720 --> 0:23:39.520
<v Speaker 2>was the writer on Doom, The Expendables, Godzilla from twenty fourteen,

0:23:40.000 --> 0:23:43.840
<v Speaker 2>Zombie Land, Double Tap, Wonder Woman nineteen eighty four, Mortal Kombat,

0:23:43.920 --> 0:23:46.240
<v Speaker 2>Shang Chi, and The Legend of the Ten Rings, Spider

0:23:46.240 --> 0:23:50.280
<v Speaker 2>Man Across the Spider Verse. Upcoming, he's doing Godzilla X

0:23:50.359 --> 0:23:53.520
<v Speaker 2>Kong Supernova, Spider Man Beyond the Spider Verse, and something

0:23:53.560 --> 0:23:54.720
<v Speaker 2>called Street Justice.

0:23:54.800 --> 0:23:57.760
<v Speaker 1>So I'm not going to do any research. I'm assuming

0:23:57.760 --> 0:24:01.919
<v Speaker 1>that this Callahan Fella, much like this movie, is a

0:24:02.080 --> 0:24:04.840
<v Speaker 1>writer on all of those movies. Those movies all seem

0:24:04.920 --> 0:24:06.959
<v Speaker 1>like they have three to four writers on them. For

0:24:07.000 --> 0:24:07.600
<v Speaker 1>the most part.

0:24:07.680 --> 0:24:09.040
<v Speaker 2>That is the case in some of them, but you

0:24:09.040 --> 0:24:11.560
<v Speaker 2>would be surprised, which is why he has such an

0:24:11.560 --> 0:24:15.960
<v Speaker 2>interesting journey. This movie is directed by the aforementioned Travis Knight,

0:24:16.000 --> 0:24:18.639
<v Speaker 2>who's directed two movies so far. That's it Kobo and

0:24:18.680 --> 0:24:22.200
<v Speaker 2>the Two Strings, wildly successful, bubble Bee, which also did

0:24:22.240 --> 0:24:26.320
<v Speaker 2>really within, and upcoming he's doing that Wildwood movie this year.

0:24:26.480 --> 0:24:29.000
<v Speaker 2>He's also working on The six Billion Dollar Man in

0:24:29.119 --> 0:24:33.879
<v Speaker 2>something called Pyreneesi. Synopsis of Masters of the Universe, a

0:24:33.920 --> 0:24:36.960
<v Speaker 2>young man on Earth discovers a fabulous secret legacy as

0:24:36.960 --> 0:24:39.399
<v Speaker 2>the prince of an alien planet and must recover a

0:24:39.400 --> 0:24:42.240
<v Speaker 2>magic sword and return home to protect his kingdom. This

0:24:42.280 --> 0:24:47.439
<v Speaker 2>movie stars Nicholas Galazine Galay He's Russian, though he's not

0:24:47.480 --> 0:24:51.160
<v Speaker 2>Italian as Adam slash he Man, Camilla Mendez is Tila

0:24:51.280 --> 0:24:55.840
<v Speaker 2>Idris Idris Elba as Duncan, Jared Lettle Eskeletor, Johannes hakor

0:24:55.920 --> 0:24:59.840
<v Speaker 2>Johannesen as Fisto What a great name, John ju Jiang as,

0:25:00.040 --> 0:25:04.040
<v Speaker 2>Alison Brie as Evil Lynn, Sam C. Wilson as trap Jowsh,

0:25:04.119 --> 0:25:08.479
<v Speaker 2>Charlotte Riley's Queen, Marlena James Purefoys King Grandor, Marina Backeran

0:25:08.560 --> 0:25:12.720
<v Speaker 2>as the Sorceress, and Kristen wigg as the voice of ROBOTOO.

0:25:12.760 --> 0:25:14.000
<v Speaker 2>Your hands raised big question.

0:25:14.040 --> 0:25:15.680
<v Speaker 1>We all want to know. How is Jared Leto.

0:25:16.080 --> 0:25:19.600
<v Speaker 2>I had no qualms with motion captured Jared Lettle here,

0:25:19.640 --> 0:25:20.640
<v Speaker 2>he was the least of the mob.

0:25:20.760 --> 0:25:22.680
<v Speaker 1>Music trying to tell you right now that wasn't motion

0:25:22.760 --> 0:25:26.040
<v Speaker 1>capture whatever. That was him. He took his skin.

0:25:25.920 --> 0:25:29.159
<v Speaker 2>Off, whatever you want to call it. It was decent,

0:25:29.200 --> 0:25:29.560
<v Speaker 2>It was good.

0:25:29.800 --> 0:25:32.240
<v Speaker 1>Do you think so? From the reviews that I have

0:25:32.320 --> 0:25:34.919
<v Speaker 1>read is that they tried to split the baby with

0:25:34.960 --> 0:25:38.679
<v Speaker 1>the bathwater of appealing to a younger audience and to

0:25:38.720 --> 0:25:42.000
<v Speaker 1>the nostalgia of the you know fathers that would be

0:25:42.000 --> 0:25:44.359
<v Speaker 1>taking or the grandfathers now that would be taking the

0:25:44.440 --> 0:25:45.320
<v Speaker 1>kids to the movie.

0:25:45.440 --> 0:25:46.240
<v Speaker 2>Yeah, yeah, yeah.

0:25:46.280 --> 0:25:50.439
<v Speaker 1>Do you think they should have just leaned into complete

0:25:50.480 --> 0:25:51.880
<v Speaker 1>eighties cheese.

0:25:51.560 --> 0:25:55.480
<v Speaker 2>So that That's where I don't know, because they middled it.

0:25:55.520 --> 0:25:58.520
<v Speaker 2>I'm not sure which side of it I liked more. So.

0:25:58.640 --> 0:26:01.720
<v Speaker 2>It's not campy enough to really play up to the

0:26:01.800 --> 0:26:05.439
<v Speaker 2>true He Man fans matches of the Universe fans, and

0:26:05.520 --> 0:26:07.919
<v Speaker 2>it's not good enough on the other side, Like, I

0:26:07.920 --> 0:26:11.040
<v Speaker 2>think what they were shooting war for somewhat was the

0:26:11.119 --> 0:26:13.480
<v Speaker 2>Crispine Dungeons and Dragons movie, and I think they wanted

0:26:13.480 --> 0:26:13.920
<v Speaker 2>some of that.

0:26:14.080 --> 0:26:15.560
<v Speaker 1>Wasn't it the same production company?

0:26:15.840 --> 0:26:18.560
<v Speaker 2>Maybe, I'm not sure. And also the issue in this

0:26:18.640 --> 0:26:22.280
<v Speaker 2>movie Goo is much like we saw it Supergirl. There's

0:26:22.280 --> 0:26:25.680
<v Speaker 2>like nothing original in here. Okay, you've seen every bit

0:26:25.800 --> 0:26:26.880
<v Speaker 2>of story note.

0:26:26.960 --> 0:26:27.840
<v Speaker 1>From a show called He.

0:26:29.960 --> 0:26:32.879
<v Speaker 2>And you also were like it felt like some of

0:26:32.880 --> 0:26:35.320
<v Speaker 2>the characters and actors were in one movie and somewhere

0:26:35.320 --> 0:26:38.399
<v Speaker 2>in the other. Because of that split. There were a

0:26:38.400 --> 0:26:40.480
<v Speaker 2>couple of fun scenes. There are a couple of fun

0:26:40.520 --> 0:26:43.520
<v Speaker 2>ideas in here. At times it looks great and other

0:26:43.560 --> 0:26:46.240
<v Speaker 2>times it looks fucking horrible, so they got they kind

0:26:46.240 --> 0:26:49.199
<v Speaker 2>of middle that too. It does feel more like a

0:26:49.200 --> 0:26:52.200
<v Speaker 2>straight to Prime movie than it does a big theater movie,

0:26:52.600 --> 0:26:55.479
<v Speaker 2>so that hurts it. But it's not bad like it's.

0:26:55.880 --> 0:26:59.360
<v Speaker 2>It's enjoyable enough. I didn't regret watching it. I would

0:26:59.440 --> 0:27:02.879
<v Speaker 2>say it's like barely floating. You know. For fans of

0:27:02.920 --> 0:27:05.280
<v Speaker 2>the franchise, I could see them going either way on it,

0:27:05.320 --> 0:27:07.240
<v Speaker 2>hating it because they middle it, or loving it because

0:27:07.240 --> 0:27:10.960
<v Speaker 2>they got some notes right. I wouldn't recommend spending money

0:27:11.000 --> 0:27:13.119
<v Speaker 2>on this, but when it's free to stream on Prime,

0:27:13.400 --> 0:27:17.800
<v Speaker 2>go for it. It's it's there's some enjoyability here, all right?

0:27:17.800 --> 0:27:20.520
<v Speaker 1>Are you ready for this? So the people that create movies,

0:27:20.560 --> 0:27:23.520
<v Speaker 1>are you taking notes? I recommend that you try and

0:27:23.600 --> 0:27:27.520
<v Speaker 1>create another Masters of the Universe movie. This one though

0:27:28.240 --> 0:27:34.680
<v Speaker 1>production budget seven and eighty dollars. All practical effects make

0:27:34.720 --> 0:27:38.080
<v Speaker 1>it like the movie from the late eighties early nineties

0:27:38.119 --> 0:27:41.400
<v Speaker 1>with dolfh Longren, and I think that you will capture

0:27:41.520 --> 0:27:45.160
<v Speaker 1>the older audience that wants that cheese.

0:27:45.480 --> 0:27:47.280
<v Speaker 2>Yeah, he has a cameo in here, goose, Oh what

0:27:47.320 --> 0:27:50.000
<v Speaker 2>does he do? It's just he talks to the main

0:27:50.040 --> 0:27:51.359
<v Speaker 2>guy for like a minute.

0:27:51.440 --> 0:27:53.359
<v Speaker 1>Is he a scientist who can smell crime?

0:27:53.560 --> 0:27:55.440
<v Speaker 2>They're lifting weights in the gym, pumping iron.

0:27:55.560 --> 0:27:57.480
<v Speaker 1>Oh hell yes, hell yes.

0:27:58.280 --> 0:27:59.720
<v Speaker 2>Maybe I was too harsh for this. I gave it

0:27:59.760 --> 0:28:02.240
<v Speaker 2>to too hot dogs. It's not for me, And I

0:28:02.240 --> 0:28:03.880
<v Speaker 2>guess my review is a little kind of it then

0:28:03.880 --> 0:28:05.960
<v Speaker 2>that it's in that range like twenty two to twenty four,

0:28:06.320 --> 0:28:09.760
<v Speaker 2>kind of sinking that maybe maybe a float. But yeah,

0:28:09.800 --> 0:28:14.040
<v Speaker 2>I again, don't spend your heart earned, you know, shekels

0:28:14.080 --> 0:28:14.560
<v Speaker 2>on this thing.

0:28:14.720 --> 0:28:16.600
<v Speaker 1>Let me tell you where to spend your money if

0:28:16.640 --> 0:28:18.879
<v Speaker 1>you got kids, because this will keep them quiet for

0:28:19.000 --> 0:28:24.120
<v Speaker 1>ninety minutes and an ice cold movie theater Menyansen Monsters

0:28:24.160 --> 0:28:27.000
<v Speaker 1>twenty twenty six PG. Like I said, ninety minutes in

0:28:27.119 --> 0:28:31.680
<v Speaker 1>eighty nine percent critical rating right now on Rotten Tomatoes.

0:28:31.720 --> 0:28:34.359
<v Speaker 1>That is going to change. It was at ninety three yesterday,

0:28:34.760 --> 0:28:37.840
<v Speaker 1>a sixty eight on Metacritic. And I saw this on

0:28:37.960 --> 0:28:41.720
<v Speaker 1>social media, and this makes complete sense to me. The

0:28:41.840 --> 0:28:45.000
<v Speaker 1>reason why it is so high, the reason why the

0:28:45.200 --> 0:28:49.520
<v Speaker 1>seventh movie in the Minion franchise slash spinoff series, because

0:28:49.560 --> 0:28:52.160
<v Speaker 1>these are separated a little bit from the Groo movies.

0:28:52.920 --> 0:28:55.440
<v Speaker 1>Is that critics love old Hollywood.

0:28:55.600 --> 0:28:57.680
<v Speaker 2>Yeah. I didn't know the premise of this movie until

0:28:57.720 --> 0:28:58.400
<v Speaker 2>like a week ago.

0:28:58.640 --> 0:29:01.880
<v Speaker 1>This takes place where two minions, not the ones that

0:29:01.920 --> 0:29:05.440
<v Speaker 1>we follow in the Other Minions movies, they make movies

0:29:05.640 --> 0:29:08.920
<v Speaker 1>during the silent movie era, and then when we start

0:29:08.920 --> 0:29:11.640
<v Speaker 1>getting talkies, people say, what the hell are these little guys?

0:29:11.840 --> 0:29:14.520
<v Speaker 1>We don't understand them. So then they go and they

0:29:14.520 --> 0:29:17.560
<v Speaker 1>get an old spell book and they bring a monster

0:29:18.040 --> 0:29:20.560
<v Speaker 1>to make a monster movie who ends up being a

0:29:20.560 --> 0:29:21.360
<v Speaker 1>real bad guy.

0:29:21.480 --> 0:29:24.480
<v Speaker 2>M the monster, the Titular Monster.

0:29:24.400 --> 0:29:27.080
<v Speaker 1>The Titular Monster, although it's not really the Titular Monster.

0:29:27.120 --> 0:29:29.080
<v Speaker 1>There's several monsters in the movie. One of them is

0:29:29.120 --> 0:29:31.680
<v Speaker 1>voiced by Bobby moynihan. The other one, and I'll tell

0:29:31.680 --> 0:29:33.840
<v Speaker 1>you this right now, I loved him in this role

0:29:33.920 --> 0:29:37.280
<v Speaker 1>because it just sounds like South Park. Trey Parker as

0:29:37.360 --> 0:29:39.040
<v Speaker 1>Goomy was awesome.

0:29:39.240 --> 0:29:42.040
<v Speaker 2>Okay, all right. I'm also a sucker for Bobby mornan.

0:29:42.080 --> 0:29:42.720
<v Speaker 2>I'm not gonna lie.

0:29:42.800 --> 0:29:45.520
<v Speaker 1>Yeah, Bobby moynihan. It's also great listening to him with

0:29:45.600 --> 0:29:48.280
<v Speaker 1>interviews because whenever they asked him about he's done so

0:29:48.480 --> 0:29:52.040
<v Speaker 1>much voiceover work, and he always thinks that his part

0:29:52.120 --> 0:29:55.080
<v Speaker 1>is gonna be cut from the movie. He's like, yeah,

0:29:55.120 --> 0:29:56.760
<v Speaker 1>I don't know if this one was that great. And

0:29:56.800 --> 0:29:58.960
<v Speaker 1>then they're like, no, you're the You're the star of

0:29:59.000 --> 0:30:01.280
<v Speaker 1>the movie. Man, we're not cutting you from the movie.

0:30:02.800 --> 0:30:05.080
<v Speaker 2>I've probably said this one hundred and twenty five times.

0:30:05.360 --> 0:30:08.560
<v Speaker 2>Horatio Sans walked so Bobby mornihan could.

0:30:08.520 --> 0:30:12.600
<v Speaker 1>Run Horatio Sans speaking of bad guys. I was gonna say,

0:30:12.640 --> 0:30:14.600
<v Speaker 1>I don't I don't know what's going on. I know

0:30:14.640 --> 0:30:17.120
<v Speaker 1>there was a story. I don't know the advancement of

0:30:17.160 --> 0:30:20.760
<v Speaker 1>that story. Bobby moynihan, he was a very interesting person

0:30:20.800 --> 0:30:23.040
<v Speaker 1>on SNL. He was able to do a lot of things,

0:30:23.040 --> 0:30:26.000
<v Speaker 1>but he never filled the role that everyone thought he

0:30:26.120 --> 0:30:29.440
<v Speaker 1>was gonna do, which was, you know, a funny, fat guy.

0:30:29.680 --> 0:30:30.400
<v Speaker 1>He was never that.

0:30:30.760 --> 0:30:33.200
<v Speaker 2>He's at his best in the David S. Pumpkins sketch.

0:30:33.520 --> 0:30:35.680
<v Speaker 1>He's very good in that sketch. And like I said,

0:30:35.680 --> 0:30:39.840
<v Speaker 1>he's a really good voice actor who just pops up

0:30:40.360 --> 0:30:42.480
<v Speaker 1>every time that he does a sitcom, like he was

0:30:42.520 --> 0:30:46.920
<v Speaker 1>in the Ted Danson's The Mayor Show, right, sure, he's

0:30:47.000 --> 0:30:50.360
<v Speaker 1>now in the other show where Tracy Morgan is something.

0:30:50.720 --> 0:30:54.000
<v Speaker 1>The Mayor's Tracy Morgan's the mayor. He pops up whenever

0:30:54.080 --> 0:30:54.960
<v Speaker 1>someone's the man.

0:30:54.920 --> 0:30:59.320
<v Speaker 2>Of actors, actresses, comedians of the nineties and two thousand sq.

0:31:00.080 --> 0:31:03.560
<v Speaker 2>I saw Ariy Spears at the Chevalier Theater, Chevali Yeer Theater,

0:31:03.600 --> 0:31:04.400
<v Speaker 2>whoever it's called it.

0:31:04.400 --> 0:31:09.440
<v Speaker 1>Recently, Yeah, a week ship from Josie and the Pussycats.

0:31:09.040 --> 0:31:11.800
<v Speaker 2>From Mad TV. It was good. It was really good.

0:31:11.880 --> 0:31:12.959
<v Speaker 2>I enjoyed the shit out of it.

0:31:13.000 --> 0:31:15.440
<v Speaker 1>That's the recommendation from the show. Go and check him out.

0:31:15.920 --> 0:31:18.160
<v Speaker 1>If Bobby Lee is in your town, go find him.

0:31:18.200 --> 0:31:20.680
<v Speaker 1>If Frank Kellyando's in your town, you go find him.

0:31:20.760 --> 0:31:22.760
<v Speaker 2>If Will Sass was playing, you see him.

0:31:22.880 --> 0:31:28.040
<v Speaker 1>You find Michael McDonald. You look for uh, Buddy Swanley.

0:31:28.120 --> 0:31:30.240
<v Speaker 1>Miss Mazel was gonna say, Miss Masel, I was looking

0:31:30.280 --> 0:31:33.560
<v Speaker 1>for a family guy. You look for King of Queens.

0:31:33.840 --> 0:31:35.560
<v Speaker 2>If Moe Collins co.

0:31:38.000 --> 0:31:40.560
<v Speaker 1>Fuck who else is on Mad TV? We're falling apart here.

0:31:40.560 --> 0:31:42.880
<v Speaker 1>We only have eight people, which I'll say the show

0:31:42.960 --> 0:31:44.840
<v Speaker 1>pretty good. Team, that's pretty good.

0:31:44.960 --> 0:31:48.040
<v Speaker 2>There was a they unfortunately went up against a really

0:31:48.120 --> 0:31:51.400
<v Speaker 2>strong era of SNL. But Mad TV was fucking great.

0:31:51.680 --> 0:31:55.080
<v Speaker 1>So you were about to say that it outshined SNL

0:31:55.200 --> 0:31:55.880
<v Speaker 1>during its time.

0:31:56.000 --> 0:31:57.840
<v Speaker 2>I wasn't gonna say that, doubt.

0:31:57.520 --> 0:31:59.200
<v Speaker 1>You were about to. I saw it falling off the

0:31:59.200 --> 0:31:59.960
<v Speaker 1>tip of your tongue.

0:32:00.120 --> 0:32:01.480
<v Speaker 2>No, no, no.

0:32:01.440 --> 0:32:03.000
<v Speaker 1>But that was right at the start of the Will

0:32:03.040 --> 0:32:06.200
<v Speaker 1>Ferrell time, the perfect time to have Will Ferrell to

0:32:06.240 --> 0:32:11.920
<v Speaker 1>combat the I would say the more immature slash a

0:32:11.960 --> 0:32:14.240
<v Speaker 1>little more teeth. I would say that SNL.

0:32:14.000 --> 0:32:17.160
<v Speaker 2>Well, Matt TV leaned into the nineties of sthetic quicker

0:32:17.200 --> 0:32:19.480
<v Speaker 2>than SNL dead and it was a little more edgy

0:32:19.560 --> 0:32:20.960
<v Speaker 2>than SNL for a little bit.

0:32:20.920 --> 0:32:23.520
<v Speaker 1>But also a little more mean. They weren't afraid to

0:32:23.520 --> 0:32:27.800
<v Speaker 1>get mean, and one might think offensive at certain things too.

0:32:28.760 --> 0:32:32.440
<v Speaker 1>Talk to the microphone, Stewart is such a we might.

0:32:33.080 --> 0:32:37.440
<v Speaker 1>I don't know how well this episode would do. Do

0:32:37.520 --> 0:32:42.160
<v Speaker 1>you want to draft Mad TV characters or sketches or performers?

0:32:42.200 --> 0:32:43.200
<v Speaker 1>We can do performers.

0:32:43.280 --> 0:32:44.880
<v Speaker 2>We'll circle back to that in the fall.

0:32:46.320 --> 0:32:48.400
<v Speaker 1>Hopefully the CW will pick it up again.

0:32:48.800 --> 0:32:51.360
<v Speaker 2>Good minions, monsters, minions and monsters.

0:32:51.880 --> 0:32:54.280
<v Speaker 1>None of the actors that we just mentioned from Mad

0:32:54.320 --> 0:32:57.080
<v Speaker 1>TV or in the movie, though, this has a murderer's

0:32:57.240 --> 0:32:59.600
<v Speaker 1>row of actors in it, though, and we talked about

0:32:59.640 --> 0:33:03.800
<v Speaker 1>in the asked how Mario the two movies. What a

0:33:03.840 --> 0:33:07.760
<v Speaker 1>complete waste of talent. This might be a bigger waste

0:33:07.840 --> 0:33:11.240
<v Speaker 1>of talent when you look at you have Alice and Janny,

0:33:11.320 --> 0:33:15.680
<v Speaker 1>Christoph Waltz, Jeff Bridge is Jesse Eisenberg. Why are they

0:33:15.760 --> 0:33:16.600
<v Speaker 1>in this movie?

0:33:16.760 --> 0:33:18.480
<v Speaker 2>Are they playing minions or other characters?

0:33:18.680 --> 0:33:21.200
<v Speaker 1>No, the only minion is Pierre Coffin, who's also the

0:33:21.240 --> 0:33:25.120
<v Speaker 1>director and writer. Okay, really has a monopoly on the minions.

0:33:25.120 --> 0:33:29.800
<v Speaker 1>I'd say share, you share. Those little yellow bastards passing.

0:33:29.560 --> 0:33:32.320
<v Speaker 2>Around mina culture is weird. Gu I'll tell you that.

0:33:32.400 --> 0:33:35.240
<v Speaker 1>I'm not gonna say I'm a gentle minion. I'm close.

0:33:36.200 --> 0:33:38.320
<v Speaker 1>I appreciate the fuck out of the minions.

0:33:38.360 --> 0:33:41.600
<v Speaker 2>Are you making your wife painter face and wear overalls?

0:33:41.840 --> 0:33:44.920
<v Speaker 1>I'm not allowed to do that. Maybe when I get

0:33:44.960 --> 0:33:48.800
<v Speaker 1>that pair of goggles for grilling, I found out reason

0:33:48.840 --> 0:33:50.400
<v Speaker 1>to get them, I'll get the minion one. And then

0:33:50.400 --> 0:33:51.960
<v Speaker 1>you have to like shave your hair, but leave a

0:33:52.000 --> 0:33:54.240
<v Speaker 1>couple hairs to comb over or spike.

0:33:54.080 --> 0:33:55.080
<v Speaker 2>Some Homer Simpson action.

0:33:55.120 --> 0:33:58.000
<v Speaker 1>Goes little Homer Simpson action on them minions. Do they

0:33:58.040 --> 0:34:01.800
<v Speaker 1>steal that from the Simpsons? They're yellow mac This follows

0:34:01.840 --> 0:34:05.120
<v Speaker 1>the Minions in the nineteen twenties Hollywood, as they search

0:34:05.320 --> 0:34:08.640
<v Speaker 1>for frighten creatures for their monster movie. They partner with

0:34:08.640 --> 0:34:11.640
<v Speaker 1>a little green bastard and then they try to save

0:34:11.680 --> 0:34:16.160
<v Speaker 1>the planet after that monster unleashes more monsters on the world.

0:34:16.600 --> 0:34:18.719
<v Speaker 1>The resolution of this movie doesn't make any sense. And

0:34:18.880 --> 0:34:21.840
<v Speaker 1>while watching it, I looked at my son. The character

0:34:22.000 --> 0:34:26.120
<v Speaker 1>that Jesse Eisenberg plays is a robot, I think, but

0:34:26.200 --> 0:34:28.080
<v Speaker 1>you think he's a human the whole time. All right,

0:34:28.200 --> 0:34:31.200
<v Speaker 1>maybe he is an actual robot. I don't know. I

0:34:31.239 --> 0:34:34.040
<v Speaker 1>looked at my son and I said, this is weird. Huh.

0:34:34.200 --> 0:34:39.120
<v Speaker 1>He's like, yeah, it was a weird time had by all.

0:34:39.640 --> 0:34:43.200
<v Speaker 1>But I really loved Trey Parker as Goomy in this.

0:34:44.120 --> 0:34:49.000
<v Speaker 1>The voice was somewhere between Cartman butters Kyle st It

0:34:49.040 --> 0:34:50.719
<v Speaker 1>was a nice little thing. Plus he had a little

0:34:50.719 --> 0:34:57.200
<v Speaker 1>thing in the front like a Zoidberg. So then a

0:34:57.480 --> 0:35:01.880
<v Speaker 1>really good cameo from George Lucas. Oh all right, I

0:35:01.920 --> 0:35:04.600
<v Speaker 1>had a lull time with that. Okay, Then we move

0:35:04.640 --> 0:35:08.439
<v Speaker 1>on to I love Looney Tunes style shit, and I

0:35:08.560 --> 0:35:11.360
<v Speaker 1>love them bringing it back to have that style of

0:35:11.440 --> 0:35:14.959
<v Speaker 1>comedy with these characters. And they had a Citizen's Kane

0:35:15.040 --> 0:35:18.239
<v Speaker 1>joke in this that I don't think the kids would understand,

0:35:18.719 --> 0:35:21.880
<v Speaker 1>but I cackled at it all right. The minions, they

0:35:21.920 --> 0:35:25.600
<v Speaker 1>were performing citizens Kane, Citizen Kane, not Citizen's Kane.

0:35:25.520 --> 0:35:26.240
<v Speaker 2>Multiple canes.

0:35:26.320 --> 0:35:29.160
<v Speaker 1>There's no cane in the movie, mac sure. And as

0:35:29.160 --> 0:35:32.600
<v Speaker 1>opposed to saying Rosebud because the minions can't really speak,

0:35:33.200 --> 0:35:37.360
<v Speaker 1>it says like as it drops the globe because ah.

0:35:36.960 --> 0:35:42.360
<v Speaker 2>Poop, that's gonna get me every time.

0:35:43.880 --> 0:35:46.040
<v Speaker 1>Storry to spoil the movie, guys, I didn't mean to

0:35:46.040 --> 0:35:50.000
<v Speaker 1>spoil the movie. So while I love the funny bits

0:35:50.000 --> 0:35:52.680
<v Speaker 1>in this, and I appreciate it for the kids, because

0:35:53.040 --> 0:35:55.600
<v Speaker 1>you know, Pixar tries to go above and beyond and

0:35:55.640 --> 0:35:59.440
<v Speaker 1>you know with their storytelling and really reach a wide audience.

0:36:00.239 --> 0:36:03.160
<v Speaker 1>This does, like I said, what the Looney Tunes do,

0:36:03.320 --> 0:36:05.719
<v Speaker 1>which is, let's just tell jokes and be silly. Let's

0:36:05.920 --> 0:36:09.120
<v Speaker 1>slapstick garbage. And they do a great job at that.

0:36:09.520 --> 0:36:12.520
<v Speaker 1>I've enjoyed that in all of their movies. But what

0:36:12.640 --> 0:36:15.560
<v Speaker 1>I don't really love about the movies, and this goes

0:36:15.600 --> 0:36:19.200
<v Speaker 1>for all of them, it's the stitching of those comedy

0:36:19.239 --> 0:36:23.080
<v Speaker 1>bits together to tell the story. I get wildly bored

0:36:23.280 --> 0:36:25.600
<v Speaker 1>as we go from comedy bit to comedy bit the

0:36:25.719 --> 0:36:28.080
<v Speaker 1>family guys. Well no, it's just like, well, we have

0:36:28.160 --> 0:36:30.719
<v Speaker 1>to make this story make sense, so let's bridge the

0:36:30.920 --> 0:36:33.960
<v Speaker 1>gap here. If it was like the Looney Tunes when

0:36:33.960 --> 0:36:36.520
<v Speaker 1>they used to just have their animated shows on Saturday

0:36:36.520 --> 0:36:39.239
<v Speaker 1>Sunday and it's just a six minute bit, I think

0:36:39.320 --> 0:36:43.640
<v Speaker 1>that better serves the material. Okay, I do question now

0:36:43.719 --> 0:36:47.600
<v Speaker 1>because this is a movie about the Minions making a

0:36:47.640 --> 0:36:53.440
<v Speaker 1>movie about a Minions movie. Okay, are the Minions getting

0:36:53.440 --> 0:36:54.800
<v Speaker 1>too meta? Yeah?

0:36:55.239 --> 0:36:58.960
<v Speaker 2>I suppose so, But then in two movies they the meta,

0:36:59.520 --> 0:37:01.840
<v Speaker 2>it becomes meta. That's meta.

0:37:01.880 --> 0:37:03.960
<v Speaker 1>Then we look at this is the biggest pop of

0:37:04.000 --> 0:37:07.800
<v Speaker 1>the movie. I don't want to skip ahead thirty seconds.

0:37:08.080 --> 0:37:09.759
<v Speaker 1>This is the biggest pop of the movie. The kids

0:37:09.760 --> 0:37:13.360
<v Speaker 1>in the audience went wild when this happened. In the

0:37:13.360 --> 0:37:15.840
<v Speaker 1>post credit scene, by the way, eleven post credit scenes.

0:37:16.400 --> 0:37:19.880
<v Speaker 1>In the post credit scene, one of the minions is

0:37:19.920 --> 0:37:24.000
<v Speaker 1>doing spells and it keeps on turning farm animals into

0:37:24.040 --> 0:37:27.200
<v Speaker 1>different versions of Grew. Yeah, and then Grew walks up

0:37:27.239 --> 0:37:30.400
<v Speaker 1>and he's like, all that are you're doing here? I

0:37:30.400 --> 0:37:31.800
<v Speaker 1>could be Grew in the next movie. That was me

0:37:31.920 --> 0:37:33.879
<v Speaker 1>doing an audition for them to hear in case Steve

0:37:33.920 --> 0:37:39.080
<v Speaker 1>Carell gets too expensive. And what the minion does because

0:37:39.080 --> 0:37:41.120
<v Speaker 1>he's afraid he does want Grew to, you know, I

0:37:41.160 --> 0:37:42.919
<v Speaker 1>don't know, hit him or something. What does Grew usually

0:37:42.920 --> 0:37:43.839
<v Speaker 1>do to the minions?

0:37:44.000 --> 0:37:44.680
<v Speaker 2>I don't know.

0:37:45.760 --> 0:37:48.279
<v Speaker 1>So what he does is he does a spell and

0:37:48.320 --> 0:37:51.600
<v Speaker 1>then Grew loses all of his clothes nude, he's nude.

0:37:51.640 --> 0:37:52.720
<v Speaker 1>The kids went nuts.

0:37:53.040 --> 0:37:55.200
<v Speaker 2>Is Grew a grower or a sure?

0:37:55.640 --> 0:37:59.520
<v Speaker 1>Is he a grower or a shure? The kids went nuts?

0:37:59.520 --> 0:38:04.200
<v Speaker 1>The kids lost it. So minions, I would have this

0:38:05.200 --> 0:38:07.880
<v Speaker 1>like twenty eight, twenty nine. Is it the best of

0:38:07.920 --> 0:38:10.840
<v Speaker 1>the series. I think they're all very, very similar. My

0:38:10.920 --> 0:38:13.480
<v Speaker 1>son loved it, he had a great time. I enjoyed

0:38:13.480 --> 0:38:15.840
<v Speaker 1>the looney tune stuff. I'd probably have it in my

0:38:15.840 --> 0:38:18.359
<v Speaker 1>top ten on the year. But I've only seen seven movies.

0:38:19.719 --> 0:38:21.880
<v Speaker 2>All right. Gue, Well, I've kind of run out of

0:38:21.880 --> 0:38:23.799
<v Speaker 2>time here, So maybe we say toy Story for its

0:38:23.800 --> 0:38:25.600
<v Speaker 2>own episode next week once I finally see it.

0:38:25.640 --> 0:38:26.360
<v Speaker 1>Do you want to do that?

0:38:26.640 --> 0:38:30.560
<v Speaker 2>Yeah? I could do that.

0:38:32.840 --> 0:38:38.000
<v Speaker 1>Let's get into Maxack and Maxac could be anything. It

0:38:38.040 --> 0:38:40.080
<v Speaker 1>could be a boat in Mac. I shot you a

0:38:40.160 --> 0:38:44.799
<v Speaker 1>text yesterday because I believed I thought in my head

0:38:44.880 --> 0:38:48.360
<v Speaker 1>I knew to myself that I had seen your lovely

0:38:48.480 --> 0:38:51.160
<v Speaker 1>lady Kara at the gym. Kara, I thought you were

0:38:51.200 --> 0:38:54.120
<v Speaker 1>dating Supergirl, not Supergirl. I thought you were dating Supergirl.

0:38:54.200 --> 0:38:56.040
<v Speaker 2>She's my Supergirl. You like that? Good?

0:38:56.080 --> 0:39:00.640
<v Speaker 1>Holy shit? Wow, look at this guy over here. Wow.

0:39:01.440 --> 0:39:03.759
<v Speaker 1>I saw someone on social media being like, oh, they

0:39:04.600 --> 0:39:08.040
<v Speaker 1>they're all super girls. To me, that was a good joke.

0:39:08.080 --> 0:39:11.640
<v Speaker 1>I enjoyed that. So whatever. I so went at the gym,

0:39:11.680 --> 0:39:14.240
<v Speaker 1>and she did give me a little bit of a wave,

0:39:14.520 --> 0:39:17.600
<v Speaker 1>but I thought it was her. Couldn't confirm it in

0:39:17.680 --> 0:39:19.960
<v Speaker 1>my mind without looking back at her, and I didn't

0:39:19.960 --> 0:39:22.839
<v Speaker 1>want to do that in case it wasn't her. Like,

0:39:22.920 --> 0:39:25.600
<v Speaker 1>when I'm at the gym, I am so tunnel vision

0:39:26.160 --> 0:39:32.200
<v Speaker 1>and I don't look at anybody, especially women who you

0:39:32.200 --> 0:39:37.160
<v Speaker 1>know are being goggled, googled, googled. I do my best

0:39:37.200 --> 0:39:41.600
<v Speaker 1>to not make anyone feel uncomfortable at the gym. And also,

0:39:41.719 --> 0:39:43.919
<v Speaker 1>this is a place where I am every single day,

0:39:44.080 --> 0:39:47.799
<v Speaker 1>so I don't want to feel uncomfortable if someone then

0:39:47.880 --> 0:39:51.759
<v Speaker 1>is uncomfortable with me being there. So I just kind

0:39:51.760 --> 0:39:54.520
<v Speaker 1>of put my head down. I didn't say hi, just

0:39:54.560 --> 0:39:58.399
<v Speaker 1>out of fear. Yes, I texted, I apologized. I hope

0:39:58.440 --> 0:40:00.800
<v Speaker 1>she appreciated my apology.

0:40:00.480 --> 0:40:03.440
<v Speaker 2>By doing or not doing anything you just said. It

0:40:03.480 --> 0:40:06.160
<v Speaker 2>was a very confusing time the last two minutes. You

0:40:06.320 --> 0:40:08.719
<v Speaker 2>in fact made her a little uncomfortable because she's like,

0:40:08.920 --> 0:40:12.600
<v Speaker 2>I mess I like smiled, and he just didn't do anything.

0:40:13.480 --> 0:40:14.480
<v Speaker 1>I didn't know what to do.

0:40:14.880 --> 0:40:17.160
<v Speaker 2>She's fully moved in now, right, but she's been spending

0:40:17.160 --> 0:40:19.520
<v Speaker 2>a lot of time, a lot more time here now

0:40:19.600 --> 0:40:21.600
<v Speaker 2>her place, over the last few months, and so she

0:40:21.800 --> 0:40:25.040
<v Speaker 2>definitely you're a noticeable fellow with that muzzy on your face.

0:40:25.360 --> 0:40:27.200
<v Speaker 2>She noticed you there a couple months ago, but obviously

0:40:27.239 --> 0:40:29.279
<v Speaker 2>you guys don't really know each other that well. So

0:40:29.760 --> 0:40:32.319
<v Speaker 2>she did. She wasn't gonna say anything, and then she

0:40:32.440 --> 0:40:34.319
<v Speaker 2>was like, oh, I saw a goog earlier. I gave

0:40:34.400 --> 0:40:36.719
<v Speaker 2>him a little smile. He didn't acknowledge me.

0:40:36.960 --> 0:40:40.279
<v Speaker 1>She was also wearing glasses, though true, she's I've never

0:40:40.320 --> 0:40:43.080
<v Speaker 1>seen her in glasses, so got a Kara Kent thing going.

0:40:43.160 --> 0:40:46.040
<v Speaker 1>So I really had to think in my head, like

0:40:46.160 --> 0:40:48.480
<v Speaker 1>what if she took off those glasses, that could be

0:40:48.520 --> 0:40:50.880
<v Speaker 1>the one that could be And I don't want to

0:40:50.920 --> 0:40:54.880
<v Speaker 1>overstep and then become a social pariah at my gym.

0:40:56.160 --> 0:40:59.480
<v Speaker 1>This is my second home. Right, I can't mess this up,

0:40:59.600 --> 0:41:00.200
<v Speaker 1>and I.

0:41:00.239 --> 0:41:01.719
<v Speaker 2>Rely on you to go there so that you can

0:41:01.760 --> 0:41:04.160
<v Speaker 2>also go to Target and peak Pokemon drops.

0:41:04.280 --> 0:41:07.200
<v Speaker 1>So I also keep an eye on any of those

0:41:07.520 --> 0:41:11.239
<v Speaker 1>muscle heads that might be moving in on your lady.

0:41:11.480 --> 0:41:12.920
<v Speaker 2>Thank you appreciate that.

0:41:13.320 --> 0:41:17.439
<v Speaker 1>Any of those. I can't think of a funny word.

0:41:19.239 --> 0:41:23.000
<v Speaker 1>Any popeyes, well, no, baby Bluto your popeye?

0:41:23.239 --> 0:41:24.640
<v Speaker 2>Oh all right, okay, sure.

0:41:24.719 --> 0:41:26.759
<v Speaker 1>If I ever see this happen, I would then call

0:41:26.840 --> 0:41:29.600
<v Speaker 1>nine to one one Mac would pick up, and then

0:41:29.840 --> 0:41:32.120
<v Speaker 1>he would head to the gym with a nice can

0:41:32.120 --> 0:41:32.680
<v Speaker 1>of spinach.

0:41:33.160 --> 0:41:37.480
<v Speaker 2>Uh. Well, folks, we we sold just short today because

0:41:37.920 --> 0:41:39.799
<v Speaker 2>I have run out of time. But we'll give you

0:41:39.880 --> 0:41:44.239
<v Speaker 2>toy story next week and we will mention sheep detectives

0:41:44.320 --> 0:41:46.920
<v Speaker 2>right now. I saw it. See it if you'd like.

0:41:46.960 --> 0:41:49.040
<v Speaker 2>I thought it kind of stunk. People are loving that movie.

0:41:49.160 --> 0:41:51.560
<v Speaker 2>How about that? We got to five? We got to five.

0:41:51.840 --> 0:41:52.759
<v Speaker 1>Brick the folks find us.

0:41:52.760 --> 0:41:55.919
<v Speaker 2>The folks can find us on Instagram and Twitter, at

0:41:56.000 --> 0:41:59.120
<v Speaker 2>Mac and gooo podcast. Every other platform is mac Ampersango,

0:41:59.160 --> 0:42:02.600
<v Speaker 2>that's Mac, just seven goo that it could Facebook, stitch Er, Tuning, Cashbucks, prec,

0:42:02.760 --> 0:42:04.760
<v Speaker 2>Google Play, iHeart Radio. It's so hot.

0:42:05.880 --> 0:42:06.719
<v Speaker 1>I'm so fucking hot.

0:42:07.000 --> 0:42:09.799
<v Speaker 2>Spotify. More importantly, Apple Podcasts, get on that rate review

0:42:09.840 --> 0:42:13.080
<v Speaker 2>subscribe five stars. If you do, maybe one of these

0:42:13.200 --> 0:42:15.480
<v Speaker 2>days in the future, you'll get a free T shirt

0:42:15.480 --> 0:42:18.240
<v Speaker 2>from the folks over at Watertown Sports where Watertown Sports

0:42:18.239 --> 0:42:21.520
<v Speaker 2>were thirty four mod Auburn treated Watertown Watertownsports were dot

0:42:21.560 --> 0:42:23.320
<v Speaker 2>Com expert screenprinting and embroidery.

0:42:23.400 --> 0:42:27.279
<v Speaker 1>So this cold brew no ice, fucked up? No, no,

0:42:27.320 --> 0:42:28.560
<v Speaker 1>I actually ordered it with ice.

0:42:28.800 --> 0:42:29.759
<v Speaker 2>It's just a room brew.

0:42:30.120 --> 0:42:32.560
<v Speaker 1>I'll say. All the ice has melted. And yes, this

0:42:32.640 --> 0:42:36.440
<v Speaker 1>is it was a hot coffee. Now, actually, this is

0:42:36.440 --> 0:42:38.640
<v Speaker 1>the hottest fucking room. Do you remember when you used

0:42:38.640 --> 0:42:41.520
<v Speaker 1>to record at my house. Yeah, it's very similar.

0:42:41.880 --> 0:42:44.600
<v Speaker 2>Is well, what's hotter that room or the one prior?

0:42:44.840 --> 0:42:46.920
<v Speaker 1>Well, it used to be hotter because when you were

0:42:46.960 --> 0:42:49.880
<v Speaker 1>at my house more hot takes sure. Sure, And that

0:42:49.960 --> 0:42:52.359
<v Speaker 1>one time that Sean Silver brought over a big bag

0:42:52.440 --> 0:42:53.919
<v Speaker 1>of red and pink starbursts.

0:42:54.000 --> 0:42:58.560
<v Speaker 2>Go once again, run the air conditioner, conditioner, I know,

0:42:58.640 --> 0:43:00.120
<v Speaker 2>put one in the window. I have a fan and

0:43:00.920 --> 0:43:03.360
<v Speaker 2>run an air conditioner for an hour before you record.

0:43:03.680 --> 0:43:05.319
<v Speaker 2>Then you enter the room and you get a nice run.

0:43:05.440 --> 0:43:07.839
<v Speaker 1>I have a fandelier. I have a real fandol hear

0:43:07.880 --> 0:43:09.520
<v Speaker 1>you thought I had one that comes down. No, no,

0:43:09.560 --> 0:43:12.560
<v Speaker 1>it's flushed to the ceiling. It's a nice airflowing here.

0:43:12.600 --> 0:43:14.080
<v Speaker 1>But I can't turn it on during the show because

0:43:14.120 --> 0:43:16.800
<v Speaker 1>I don't want to get the the people mad.

0:43:17.160 --> 0:43:19.920
<v Speaker 2>You're gonna be hearing my washer machine going this or

0:43:20.080 --> 0:43:21.439
<v Speaker 2>dryer going this whole time.

0:43:21.480 --> 0:43:23.480
<v Speaker 1>I'm gonna slap it through some AI take it out

0:43:23.719 --> 0:43:26.120
<v Speaker 1>love that. I'm not gonna do that. Hey fuck AI?

0:43:26.160 --> 0:43:29.240
<v Speaker 1>Am I right? You see Charlie and the Chocolate Factory

0:43:29.239 --> 0:43:31.440
<v Speaker 1>and they're doing a Netflix show and they're using Ai.

0:43:31.520 --> 0:43:32.280
<v Speaker 1>Gene Wilder.

0:43:32.880 --> 0:43:35.439
<v Speaker 2>Maybe he signed a thing so his family did. Yeah,

0:43:35.480 --> 0:43:35.920
<v Speaker 2>there you go.

0:43:36.120 --> 0:43:38.080
<v Speaker 1>It's called money. But he sounds like John Lovitz. You

0:43:38.120 --> 0:43:41.160
<v Speaker 1>could have just hired John Lovetz. I guess you could

0:43:41.200 --> 0:43:44.400
<v Speaker 1>have Tuesdays or Guesdays. I have used kangaroos. Happy Fourth

0:43:44.400 --> 0:43:48.720
<v Speaker 1>of July by America to fifty Ay.

0:43:50.400 --> 0:43:53.400
<v Speaker 2>Where celebration go. Listen to the two hundred and fiftieth

0:43:53.400 --> 0:43:58.840
<v Speaker 2>episode of Mack and Goo.

0:44:00.080 --> 0:44:02.640
<v Speaker 1>Please flip the cassette over to side B to continue

0:44:02.680 --> 0:44:05.839
<v Speaker 1>the adventure. Now it's time for girls. I'm gonna jump

0:44:05.840 --> 0:44:08.120
<v Speaker 1>back to jumping on trampolines. I think the worms have

0:44:08.200 --> 0:44:11.680
<v Speaker 1>played out. The worms are gone. Now it's time for

0:44:11.800 --> 0:44:18.480
<v Speaker 1>girls jumping on trampolines. Zizzickzucky. Oh, let's just be the

0:44:18.520 --> 0:44:18.880
<v Speaker 1>mancho