1 00:00:00,160 --> 00:00:02,520 Speaker 1: Set up, pre said on the Illheart Radio app to 2 00:00:02,800 --> 00:00:05,080 Speaker 1: wor to hear Mark live. 3 00:00:05,280 --> 00:00:08,799 Speaker 2: Set another for Mark's podcast to hear him any time. 4 00:00:09,520 --> 00:00:13,360 Speaker 3: Now back to Mark Simone on wor. 5 00:00:13,760 --> 00:00:16,560 Speaker 1: Hey, let's take the calls. Eight hundred three to two 6 00:00:16,640 --> 00:00:20,439 Speaker 1: one zero seven ten is the number eight hundred three 7 00:00:20,520 --> 00:00:25,119 Speaker 1: two one zero seven ten. Let's go to John and paramus. John, 8 00:00:25,160 --> 00:00:26,960 Speaker 1: how you doing good? 9 00:00:27,120 --> 00:00:27,400 Speaker 2: Listen? 10 00:00:27,440 --> 00:00:30,160 Speaker 4: You know I've been a Springsteen fan from day one. 11 00:00:30,440 --> 00:00:33,680 Speaker 4: I've seen him many times, loved his music and everything else. 12 00:00:34,520 --> 00:00:37,960 Speaker 4: But now, after reading the review yesterday in the Times, 13 00:00:38,479 --> 00:00:42,000 Speaker 4: you couldn't pay me to go see him. He has 14 00:00:42,159 --> 00:00:45,519 Speaker 4: really lost his way. Half of the half of the concert. 15 00:00:45,640 --> 00:00:49,680 Speaker 1: He talks well in his defense, in his defense not 16 00:00:49,760 --> 00:00:51,680 Speaker 1: just him, but when you're one of these big superstar 17 00:00:51,800 --> 00:00:55,360 Speaker 1: gods of music seventies and into the eighties, by the 18 00:00:55,360 --> 00:00:59,160 Speaker 1: time it's thirty years later, you can't get hit records anymore. 19 00:00:58,520 --> 00:01:02,080 Speaker 1: You're totally a element. All you are is you can 20 00:01:02,120 --> 00:01:03,840 Speaker 1: do concerts. That's all you can do. You'll be the 21 00:01:03,880 --> 00:01:06,680 Speaker 1: elder statesman doing the concerts. But they can't. They all 22 00:01:06,720 --> 00:01:08,200 Speaker 1: try to get back in the game with a hit 23 00:01:08,280 --> 00:01:11,320 Speaker 1: record or try to latch onto something. Why were you 24 00:01:11,319 --> 00:01:14,039 Speaker 1: a Springsteen fan back then? What was it about this? 25 00:01:14,160 --> 00:01:16,040 Speaker 4: Because I was younger stifty years I was. I'm from 26 00:01:16,120 --> 00:01:17,280 Speaker 4: Jersey of shifty years ago. 27 00:01:17,360 --> 00:01:17,920 Speaker 3: I loved him. 28 00:01:18,000 --> 00:01:20,080 Speaker 4: He was great. I loved his music. I'm an old 29 00:01:20,160 --> 00:01:23,039 Speaker 4: rock and roller. But god, I mean, he goes on 30 00:01:23,280 --> 00:01:25,520 Speaker 4: and if you read the review, I told my wife, 31 00:01:25,560 --> 00:01:27,760 Speaker 4: my wife is going with her girlfriend. I wouldn't go. 32 00:01:28,000 --> 00:01:32,039 Speaker 4: She's going in April. Yeah, I said. Now, I'm definitely convinced. 33 00:01:32,280 --> 00:01:33,720 Speaker 4: I wouldn't go. I wouldn't, couldn't. 34 00:01:33,760 --> 00:01:37,160 Speaker 1: But even back then it was great musically, But those 35 00:01:37,160 --> 00:01:41,040 Speaker 1: songs born to run jungle Land, yelling and screaming. What 36 00:01:41,080 --> 00:01:43,039 Speaker 1: the hell was he actually singing about? I still don't know. 37 00:01:44,920 --> 00:01:46,600 Speaker 4: I don't know. It's just the way I was. It 38 00:01:46,680 --> 00:01:48,000 Speaker 4: was just my generation. 39 00:01:48,120 --> 00:01:48,920 Speaker 5: I guess that's all right. 40 00:01:48,960 --> 00:01:50,800 Speaker 1: But what was he singing about? 41 00:01:51,400 --> 00:01:54,720 Speaker 4: Well, you have car I have cars and and girls 42 00:01:54,800 --> 00:01:57,440 Speaker 4: and working hard and work, you know, trying to get ahead. 43 00:01:58,520 --> 00:02:00,280 Speaker 1: Listen to the Beatles, I want to hold your hand. 44 00:02:00,280 --> 00:02:04,520 Speaker 1: I can understand that song, Michelle my Bell, I understand that. 45 00:02:04,600 --> 00:02:07,360 Speaker 1: But down in jungle Land, what was he singing? What 46 00:02:07,440 --> 00:02:08,239 Speaker 1: that was that all about? 47 00:02:08,240 --> 00:02:08,320 Speaker 2: That? 48 00:02:08,560 --> 00:02:10,960 Speaker 4: Well, you know the struggle life's struggle, and he never 49 00:02:11,000 --> 00:02:13,280 Speaker 4: really he struggled a little bit, and then he hasn't 50 00:02:13,320 --> 00:02:15,359 Speaker 4: struggled in forty five years. 51 00:02:15,760 --> 00:02:18,239 Speaker 1: Yeah, but life's struggle. I don't know just I mean, 52 00:02:18,560 --> 00:02:20,800 Speaker 1: all right, it's not just you. A lot of people 53 00:02:20,800 --> 00:02:23,040 Speaker 1: love Springsteen Bank then I never quite got it. 54 00:02:23,080 --> 00:02:24,760 Speaker 4: But I tell you a lot of people I know 55 00:02:24,880 --> 00:02:27,480 Speaker 4: are really not happy with him at all. A lot 56 00:02:27,480 --> 00:02:30,639 Speaker 4: of people I feel the same way about I am 57 00:02:30,919 --> 00:02:32,760 Speaker 4: about the way he used to be. 58 00:02:32,840 --> 00:02:36,480 Speaker 1: That there's that old expression, there's no fool like an 59 00:02:36,520 --> 00:02:37,080 Speaker 1: old fool. 60 00:02:38,639 --> 00:02:40,919 Speaker 4: He's a poster. 61 00:02:40,720 --> 00:02:42,920 Speaker 1: Boy for it. Yeah, that's the other thing, you know. 62 00:02:44,040 --> 00:02:47,720 Speaker 1: I guess when he started and he wore those you know, 63 00:02:47,760 --> 00:02:50,240 Speaker 1: those T shirts and what's that stuff around his wrist, 64 00:02:50,280 --> 00:02:54,360 Speaker 1: those wristbands and the motorcycle boots and the jeans, and 65 00:02:54,400 --> 00:02:56,320 Speaker 1: he said, but back then he was twenty five riding 66 00:02:56,320 --> 00:02:59,519 Speaker 1: the motorcycle. He's now an eighty year old, multi, multi 67 00:02:59,639 --> 00:03:02,760 Speaker 1: multi millionaire. You don't need to wear all that stuff. 68 00:03:03,000 --> 00:03:03,200 Speaker 2: You know. 69 00:03:03,240 --> 00:03:05,279 Speaker 1: He acts like he's about to jump on a motorcycle 70 00:03:05,360 --> 00:03:08,440 Speaker 1: any moment, and he need like an orthopedic seat on 71 00:03:08,520 --> 00:03:12,200 Speaker 1: the motorcycle nowadays. Let's go to rich In Myrtle Beach, Rich. 72 00:03:12,240 --> 00:03:12,800 Speaker 1: How you doing? 73 00:03:13,840 --> 00:03:15,680 Speaker 2: Hey? Thanks Mark. You know he brought up a good 74 00:03:15,720 --> 00:03:19,080 Speaker 2: point here, Bruce Springsteen. They're using a Bruce Springsteen song 75 00:03:19,200 --> 00:03:23,320 Speaker 2: born in the USA for the ACLU commercials. I'm singing 76 00:03:23,360 --> 00:03:27,400 Speaker 2: on Fox News this morning on TV about protect birthright 77 00:03:27,480 --> 00:03:30,320 Speaker 2: citizenship and has showing all these immigrants who were born 78 00:03:30,360 --> 00:03:33,720 Speaker 2: in the USA playing his lousy music. And another band 79 00:03:33,760 --> 00:03:35,760 Speaker 2: that used to preach to everybody. I quit going to 80 00:03:35,760 --> 00:03:38,920 Speaker 2: see Cosy Still Snash thirty years ago because all they 81 00:03:38,960 --> 00:03:41,720 Speaker 2: did was preaching, lecture you on being a lunatic and 82 00:03:41,720 --> 00:03:42,280 Speaker 2: stuff like that. 83 00:03:42,400 --> 00:03:45,480 Speaker 1: Okay, but that they were like Woodstock type hippies back then. 84 00:03:45,520 --> 00:03:48,080 Speaker 1: They're supposed to do that. But it's now twenty twenty 85 00:03:48,120 --> 00:03:51,520 Speaker 1: six and Bruce Springsteen, I mean, be honest, did you've 86 00:03:51,520 --> 00:03:54,080 Speaker 1: listened to all those music? Right? What can you understand 87 00:03:54,160 --> 00:03:55,120 Speaker 1: half the things he's singing? 88 00:03:56,400 --> 00:03:58,720 Speaker 2: No, I never got Bruce Springsteen. I never got Dave 89 00:03:58,800 --> 00:04:01,120 Speaker 2: Matthews either, you know, I can't from the Beatles generation, 90 00:04:01,280 --> 00:04:04,680 Speaker 2: the motown, I mean, the sixties, seventies, early eighties was 91 00:04:04,720 --> 00:04:07,040 Speaker 2: great music. And then you know the old time country. 92 00:04:07,160 --> 00:04:09,960 Speaker 2: This new country is brutal too. That's no good. Yeah, 93 00:04:09,960 --> 00:04:12,840 Speaker 2: I mean good, but I know exactly. Here's one to 94 00:04:12,840 --> 00:04:17,160 Speaker 2: remember this Marcus Sopranos, when Chris's girlfriend Adriana has her 95 00:04:17,320 --> 00:04:20,240 Speaker 2: old high school boyfriend with his band and they're in 96 00:04:20,240 --> 00:04:23,599 Speaker 2: the studio playing the same drudge over and over again, 97 00:04:23,640 --> 00:04:26,440 Speaker 2: and then producer says, how come you can't play something 98 00:04:26,440 --> 00:04:28,119 Speaker 2: with a hook like I want to hold your hand? 99 00:04:28,440 --> 00:04:30,480 Speaker 2: It starts with the hook, and you guys do something 100 00:04:30,480 --> 00:04:30,839 Speaker 2: about that. 101 00:04:31,279 --> 00:04:33,520 Speaker 1: Yeah, well, Springs he could do it. Dancing in the 102 00:04:33,600 --> 00:04:37,640 Speaker 1: dark had a great hook and uh, yep, hey, and 103 00:04:37,720 --> 00:04:40,320 Speaker 1: I was a DJ. I remember we'd played jungle Land. 104 00:04:40,360 --> 00:04:42,040 Speaker 1: You know why because it was like twelve minutes. It 105 00:04:42,120 --> 00:04:44,920 Speaker 1: was a back then, it was a way you could 106 00:04:44,920 --> 00:04:48,120 Speaker 1: go to the men's room. But thanks for calling. Let's 107 00:04:48,160 --> 00:04:53,360 Speaker 1: go to Mike in Florida. Mike, how you doing, good morning, Mark, Yes, Mike. 108 00:04:54,160 --> 00:04:57,320 Speaker 5: Let's they called that botox is live in Springsteen's brain. 109 00:04:57,160 --> 00:05:00,000 Speaker 1: Why do people keep saying at botox or plastic surgery. 110 00:05:00,120 --> 00:05:03,159 Speaker 5: He look at him. He looks like he's stretched like 111 00:05:03,200 --> 00:05:10,720 Speaker 5: a drumskin stretched over a. 112 00:05:08,279 --> 00:05:10,200 Speaker 1: I think the guy's entitled to a refund. He looks 113 00:05:10,240 --> 00:05:11,160 Speaker 1: even older. 114 00:05:10,800 --> 00:05:14,880 Speaker 5: Now, I think so. I had a quick sixty minute 115 00:05:14,880 --> 00:05:18,159 Speaker 5: story when I worked over at the CBS studios over there. 116 00:05:18,160 --> 00:05:20,839 Speaker 5: Every late in the week on Thursday Friday night, there'd 117 00:05:20,880 --> 00:05:24,599 Speaker 5: be a studio set up all dark with an easel 118 00:05:24,960 --> 00:05:26,680 Speaker 5: lit and that's where they shot the clock. 119 00:05:27,080 --> 00:05:27,320 Speaker 1: Yeah. 120 00:05:27,520 --> 00:05:30,479 Speaker 5: They shot it live every every week for the show 121 00:05:30,560 --> 00:05:31,120 Speaker 5: on Sunday. 122 00:05:31,640 --> 00:05:34,240 Speaker 1: Yeah, well it was back then. It was a great show. 123 00:05:34,279 --> 00:05:38,560 Speaker 1: Mike Wallace, Morley Safer, who am I? Who else? Harry Reasoner, 124 00:05:38,960 --> 00:05:39,880 Speaker 1: Kenny Yeah. 125 00:05:40,680 --> 00:05:43,680 Speaker 5: Yeah, you'd see those guys doddling around the studio every 126 00:05:43,680 --> 00:05:45,760 Speaker 5: once in a while. It would be like Loyalty walking by, 127 00:05:45,839 --> 00:05:48,080 Speaker 5: you know, everybody would be in hushed tones as they 128 00:05:48,080 --> 00:05:48,520 Speaker 5: walked by. 129 00:05:49,400 --> 00:05:51,600 Speaker 1: Yeah, well, I love Mike Wallace was a great friend 130 00:05:51,600 --> 00:05:56,120 Speaker 1: and he was one of our most a little crusty, 131 00:05:56,200 --> 00:05:59,599 Speaker 1: but yeah, all right, thanks for calling you, Mike Wallace. 132 00:05:59,640 --> 00:06:01,280 Speaker 1: He was one of our most regular guests on the 133 00:06:01,320 --> 00:06:03,600 Speaker 1: show for a million years. We used to have Andy 134 00:06:03,680 --> 00:06:05,560 Speaker 1: Rooney on all the time, although he couldn't stand me. 135 00:06:05,600 --> 00:06:10,440 Speaker 1: I don't know, I don't exactly why, but he'd always 136 00:06:10,520 --> 00:06:12,800 Speaker 1: yell at me. And then Memory refused to come on 137 00:06:12,839 --> 00:06:15,839 Speaker 1: the air for a while, and then Mike Wallace convinced 138 00:06:15,839 --> 00:06:17,159 Speaker 1: that me he had to come back on the air, 139 00:06:17,200 --> 00:06:19,320 Speaker 1: and every time he commanding him. Only here because Mike 140 00:06:19,360 --> 00:06:22,320 Speaker 1: Wallace is making me do this. But they were great. 141 00:06:22,560 --> 00:06:25,840 Speaker 1: I mean they were like legends. Now, who's the guy? 142 00:06:26,279 --> 00:06:28,039 Speaker 1: You don't even know who these people are anymore. But 143 00:06:28,120 --> 00:06:29,800 Speaker 1: got to remember back then it was the number one 144 00:06:29,800 --> 00:06:33,720 Speaker 1: show in television. It's like sixty five million people watching it, 145 00:06:34,279 --> 00:06:37,600 Speaker 1: and you could afford to send a crew, you know, 146 00:06:37,760 --> 00:06:40,599 Speaker 1: to Antarctica to do a story. If you watch it now, 147 00:06:41,560 --> 00:06:43,880 Speaker 1: you could see they've been cutbacks. It's this tiny audience. 148 00:06:43,920 --> 00:06:47,840 Speaker 1: So if they're doing a story, it's about something in 149 00:06:47,960 --> 00:06:50,720 Speaker 1: Nayak where the crew could drive up there for an 150 00:06:50,720 --> 00:06:52,400 Speaker 1: hour and come right back. They don't have to spend 151 00:06:52,480 --> 00:06:55,120 Speaker 1: money on planes, hotels or any of that. Let's go 152 00:06:55,200 --> 00:06:58,960 Speaker 1: to Bill in Pennsylvania. Bill, how you doing Hi? Hi? 153 00:06:59,200 --> 00:06:59,479 Speaker 3: Mark? 154 00:07:00,120 --> 00:07:03,120 Speaker 1: Yeah, you know, Charles was mister a happy hour here. 155 00:07:03,680 --> 00:07:04,840 Speaker 5: Huh. 156 00:07:04,880 --> 00:07:08,240 Speaker 3: I'm sorry, I'm my throat's going out. I hope I 157 00:07:08,279 --> 00:07:12,960 Speaker 3: can speak. Yeah, yeah, I spent about a month working 158 00:07:13,000 --> 00:07:18,080 Speaker 3: with Charles Grout in North Carolina. Yeah, jeez, I'm sorry. 159 00:07:18,360 --> 00:07:25,400 Speaker 1: That's okay, that's okay, that's that mister Jim got your throat? Yeah, 160 00:07:25,400 --> 00:07:27,000 Speaker 1: go ahead, I said, that's great. 161 00:07:27,040 --> 00:07:30,000 Speaker 3: What he was drinking? Jack Daniels, not me. 162 00:07:30,320 --> 00:07:32,920 Speaker 1: Yeah, yeah, he was a Jack Daniels type. 163 00:07:34,560 --> 00:07:38,360 Speaker 3: And anyway, he had two families, which was weird. 164 00:07:38,880 --> 00:07:40,640 Speaker 1: That's right, I forgot about that. Turned out he was 165 00:07:40,640 --> 00:07:44,280 Speaker 1: a bigger mister. He used to do that feature called 166 00:07:44,400 --> 00:07:46,960 Speaker 1: on the Road where he go out on the road 167 00:07:47,000 --> 00:07:50,200 Speaker 1: and talk to Meantime, this guy had more activity on 168 00:07:50,240 --> 00:07:53,040 Speaker 1: the road. He would do stories about interesting people on 169 00:07:53,080 --> 00:07:55,160 Speaker 1: the road. Should have been doing a story about himself 170 00:07:55,160 --> 00:07:57,080 Speaker 1: and what all the action this guy had going on? 171 00:07:57,560 --> 00:08:00,040 Speaker 3: Absolutely, I mean it was. It was one of the 172 00:08:00,040 --> 00:08:02,480 Speaker 3: funniest guys in the world. He can drink a bottle 173 00:08:02,520 --> 00:08:06,400 Speaker 3: of Jack Daniels and give us word perfect speech in 174 00:08:06,480 --> 00:08:10,360 Speaker 3: front of gymnasiums full of you know, an audience, and 175 00:08:10,400 --> 00:08:13,679 Speaker 3: it was just it was a miracle. I couldn't figure 176 00:08:13,680 --> 00:08:14,000 Speaker 3: it out. 177 00:08:14,200 --> 00:08:15,960 Speaker 1: Yeah, well we can see where you got your training. 178 00:08:16,040 --> 00:08:18,520 Speaker 1: Although his tolerance, oh yes, thank. 179 00:08:18,400 --> 00:08:20,880 Speaker 3: You, thank you for bringing that up. But the other 180 00:08:20,960 --> 00:08:24,080 Speaker 3: thing that which is interesting, which I was and I 181 00:08:24,160 --> 00:08:28,200 Speaker 3: wanted to ask you, I agree with Larry Menzies this morning, 182 00:08:28,280 --> 00:08:35,360 Speaker 3: which is about you know, we have to watch these polls, 183 00:08:34,360 --> 00:08:38,240 Speaker 3: uh they're going on because we want to see where 184 00:08:38,240 --> 00:08:40,240 Speaker 3: the Democrats are spending their money. 185 00:08:40,559 --> 00:08:42,680 Speaker 1: All right, well, you know, Bill, we got to go 186 00:08:42,720 --> 00:08:45,080 Speaker 1: talk to anybody else. But thank you. No, you're a 187 00:08:45,080 --> 00:08:49,360 Speaker 1: good caller. We love having him a call. Enjoy happy hour, 188 00:08:50,400 --> 00:08:53,120 Speaker 1: Thanks for thanks for checking in with us. Ah when 189 00:08:53,120 --> 00:08:56,320 Speaker 1: we come back. Ed Rollins, the Dean himself, the greatest 190 00:08:56,320 --> 00:08:58,960 Speaker 1: political analyst of all. What's going to happen in the midterms, 191 00:08:59,679 --> 00:09:01,719 Speaker 1: What hap hapens when you fire a cabinet member. We'll 192 00:09:01,720 --> 00:09:03,920 Speaker 1: get all of this stuff next on seven to ten 193 00:09:04,200 --> 00:09:04,920 Speaker 1: wor