1 00:00:02,160 --> 00:00:06,320 Speaker 1: The Federal Communications Commission has determined the following content to 2 00:00:06,360 --> 00:00:07,760 Speaker 1: be emotionally harmful. 3 00:00:08,039 --> 00:00:08,399 Speaker 2: Funny. 4 00:00:08,480 --> 00:00:11,920 Speaker 3: Things that you think is funny aren't funny. Jimmy Cox 5 00:00:12,000 --> 00:00:12,760 Speaker 3: solid time. 6 00:00:13,080 --> 00:00:16,160 Speaker 4: To love me a cockshowkish Man? 7 00:00:16,040 --> 00:00:17,759 Speaker 3: Welcome you me? 8 00:00:18,040 --> 00:00:19,440 Speaker 1: What you yea? 9 00:00:19,440 --> 00:00:21,000 Speaker 3: I'm gonna see a lot of cocks on TV. 10 00:00:21,400 --> 00:00:24,360 Speaker 5: Allen the Allen I don't know what's about you by. 11 00:00:26,440 --> 00:00:29,240 Speaker 3: Cool. It's gonna be a crazy So let's take it. 12 00:00:29,840 --> 00:00:33,320 Speaker 3: Coffee kick and you'll just eight with a tasty groove. Okay, 13 00:00:33,680 --> 00:00:34,880 Speaker 3: what do three? 14 00:00:35,200 --> 00:00:36,920 Speaker 5: Kick it? 15 00:00:37,120 --> 00:00:38,680 Speaker 3: Tom Cook? 16 00:00:38,760 --> 00:00:40,200 Speaker 6: You one time ticket? 17 00:00:40,320 --> 00:00:43,080 Speaker 1: What Collen Cox? 18 00:00:43,280 --> 00:00:46,360 Speaker 7: Here we go, He'll add It's the Allen Cox Show 19 00:00:46,479 --> 00:00:48,839 Speaker 7: on one hundred point seven double U M. 20 00:00:48,920 --> 00:00:49,320 Speaker 1: M as. 21 00:01:06,959 --> 00:01:08,080 Speaker 3: Oh hey there, what's going on? 22 00:01:08,240 --> 00:01:08,440 Speaker 1: Hello? 23 00:01:08,520 --> 00:01:20,720 Speaker 3: Hello, welcome. My name is Alan Cox. Good afternoon. Rob 24 00:01:20,760 --> 00:01:24,320 Speaker 3: Anthony's right over there. That's U man. Jessica Anne Hutchinson 25 00:01:24,440 --> 00:01:25,160 Speaker 3: is back in studio. 26 00:01:25,280 --> 00:01:26,800 Speaker 1: G Hi me? 27 00:01:28,040 --> 00:01:28,480 Speaker 5: And uh? 28 00:01:30,280 --> 00:01:31,479 Speaker 3: Is there another storm coming through? 29 00:01:31,560 --> 00:01:31,680 Speaker 8: Is that? 30 00:01:31,720 --> 00:01:34,000 Speaker 3: What's going on? I haven't really been keeping my ear 31 00:01:34,040 --> 00:01:36,280 Speaker 3: to the ground and what's happening. I went out last 32 00:01:36,319 --> 00:01:38,640 Speaker 3: night for a few minutes to grab something and it 33 00:01:38,800 --> 00:01:40,759 Speaker 3: was snowing. But then somebody was like, I think we're 34 00:01:40,760 --> 00:01:42,920 Speaker 3: supposed to get another big thing coming through. I'm like, really, 35 00:01:42,959 --> 00:01:45,240 Speaker 3: I kind of well, l I kind of stop paying attention. 36 00:01:46,080 --> 00:01:48,800 Speaker 3: I can't control what's gonna happen. He just knows every day. 37 00:01:48,920 --> 00:01:51,320 Speaker 3: It's just just assume we're gonna get snow. Could be 38 00:01:51,320 --> 00:01:53,480 Speaker 3: an inch, could be a foot. It's gonna happen every day. 39 00:01:53,520 --> 00:01:53,640 Speaker 1: Now. 40 00:01:53,840 --> 00:01:57,120 Speaker 3: I understand obviously the planning. You know, people are spinning 41 00:01:57,120 --> 00:02:00,160 Speaker 3: a lot of plates, but nothing you can do about it. Well, 42 00:02:00,760 --> 00:02:02,960 Speaker 3: I guess I haven't been keeping my ear to the 43 00:02:03,000 --> 00:02:06,480 Speaker 3: ground as closely, you know, Rob. Fortunately you're in the Alocacio. 44 00:02:06,560 --> 00:02:09,000 Speaker 3: We have weather reporters who take care of those things 45 00:02:09,040 --> 00:02:12,000 Speaker 3: for us, and so they'll give us the lowdown on 46 00:02:12,280 --> 00:02:15,639 Speaker 3: everything that's going to be coming through. And if I 47 00:02:15,680 --> 00:02:18,280 Speaker 3: pay attention to those sometimes I'll get a little bit 48 00:02:18,320 --> 00:02:23,239 Speaker 3: of useful information and sloppy. That's what I defer to 49 00:02:23,360 --> 00:02:25,959 Speaker 3: at all times. What's Friday right? Is that that's the 50 00:02:26,040 --> 00:02:27,200 Speaker 3: day that they were talking about. I don't know this 51 00:02:27,280 --> 00:02:28,880 Speaker 3: is literally what I mean. Somebody was like, oh, I 52 00:02:28,919 --> 00:02:31,560 Speaker 3: think it's another Like okay, yeah, maybe, yeah. 53 00:02:31,560 --> 00:02:33,600 Speaker 9: I don't think it's a big one. I think they 54 00:02:33,680 --> 00:02:36,560 Speaker 9: were talking about like one to three inches or something 55 00:02:36,600 --> 00:02:39,120 Speaker 9: like that on Friday. All right, sir, which I'm familiar with? 56 00:02:39,320 --> 00:02:41,560 Speaker 3: Well, there you go. You're familiar with one to three 57 00:02:41,639 --> 00:02:45,800 Speaker 3: inches being chicky, of course, But are you more familiar 58 00:02:45,840 --> 00:02:48,320 Speaker 3: with the one of the three? Rob there's a non 59 00:02:48,560 --> 00:02:51,560 Speaker 3: zero range there. I mean, well, there's one in everything, 60 00:02:51,760 --> 00:02:55,400 Speaker 3: so even three has a one in it. So I 61 00:02:55,480 --> 00:02:58,679 Speaker 3: guess I'm more familiar with one a three. Oh, I 62 00:02:58,800 --> 00:03:02,280 Speaker 3: see three of something has the there's three ones to 63 00:03:02,360 --> 00:03:03,600 Speaker 3: make it three understood? 64 00:03:03,800 --> 00:03:03,960 Speaker 5: Yeah? 65 00:03:04,120 --> 00:03:07,480 Speaker 3: Too wrong? Something right? Uh? If you like to join 66 00:03:07,600 --> 00:03:09,800 Speaker 3: us today, I think this computers working. I think it's 67 00:03:09,840 --> 00:03:14,600 Speaker 3: functional and it's wow operating. I don't know what the 68 00:03:14,800 --> 00:03:17,480 Speaker 3: best of its abilities might look like, but it's operating 69 00:03:18,560 --> 00:03:20,639 Speaker 3: currently for what I needed for, which was not the 70 00:03:20,680 --> 00:03:23,440 Speaker 3: case yesterday. So I take that as a win. If 71 00:03:23,440 --> 00:03:25,160 Speaker 3: you want to join us on the phone two one six, 72 00:03:25,280 --> 00:03:28,000 Speaker 3: five seven eight one double oh seven eight hundred and 73 00:03:28,040 --> 00:03:31,480 Speaker 3: three four eight one double oh seven number three five 74 00:03:31,639 --> 00:03:33,960 Speaker 3: one nine to two. You want to send me a text, 75 00:03:34,520 --> 00:03:36,120 Speaker 3: I can do it there. I think they should be 76 00:03:36,120 --> 00:03:38,840 Speaker 3: able to watch the YouTube channel today too. That was 77 00:03:38,960 --> 00:03:42,320 Speaker 3: kind of a cut down in all of the technical 78 00:03:42,400 --> 00:03:46,040 Speaker 3: michigas yesterday, and someone says they can hear us clearly today. 79 00:03:46,240 --> 00:03:49,200 Speaker 3: So that's my great games. It's a blessing and a curse, 80 00:03:49,320 --> 00:03:52,040 Speaker 3: isn't it to be able to hear us clearly? Alan, 81 00:03:52,160 --> 00:03:55,160 Speaker 3: Thank you so much. You know I'm never more gratified 82 00:03:55,280 --> 00:03:59,040 Speaker 3: Rob than with dumb crap from this program makes even 83 00:03:59,120 --> 00:04:03,160 Speaker 3: the smallest positive dent in somebody else's life. And I 84 00:04:03,200 --> 00:04:06,160 Speaker 3: got an email from Katie thank you for helping me 85 00:04:06,360 --> 00:04:09,160 Speaker 3: nail my trivia question this morning. It looks like she's 86 00:04:09,200 --> 00:04:12,520 Speaker 3: got one of those trivia questions of the day calendars. Yeah, 87 00:04:12,560 --> 00:04:15,200 Speaker 3: a little day calendar. And she sent me a photo 88 00:04:15,240 --> 00:04:19,600 Speaker 3: of Tuesday, February third, which of these horror novels has 89 00:04:19,640 --> 00:04:23,720 Speaker 3: the iconic phrase sometimes dead is better? And then it 90 00:04:23,839 --> 00:04:28,039 Speaker 3: gives you four choices? And she knew because it's something 91 00:04:28,080 --> 00:04:30,479 Speaker 3: that we've kind of referred to on and off as 92 00:04:30,560 --> 00:04:34,800 Speaker 3: an aside on this program, sometimes dead has better, And 93 00:04:35,160 --> 00:04:37,640 Speaker 3: she knew exactly. Now again, this wasn't like at a 94 00:04:37,680 --> 00:04:39,560 Speaker 3: bar there's money to be won or anything like that, 95 00:04:40,160 --> 00:04:43,080 Speaker 3: but she knew what the answer was. Here were your 96 00:04:43,160 --> 00:04:48,240 Speaker 3: choices on her trivia of the day calendar. Rob A 97 00:04:48,520 --> 00:04:51,440 Speaker 3: the hell Bound Heart. I don't even know what that 98 00:04:51,600 --> 00:04:55,680 Speaker 3: is that a post story? What is it? Rosemary's Baby? 99 00:04:56,600 --> 00:04:59,200 Speaker 3: What you know to this day, I've never seen. I 100 00:04:59,240 --> 00:05:01,200 Speaker 3: remember my mom when I was much younger, telling me 101 00:05:01,240 --> 00:05:03,880 Speaker 3: how it's Gary Rosemary's Baby was, and it probably was. 102 00:05:03,960 --> 00:05:06,440 Speaker 3: I mean, you know, it's a classic horror film, the 103 00:05:06,520 --> 00:05:11,320 Speaker 3: Haunting of Hill House or pet Cemetery. I thought there's 104 00:05:11,360 --> 00:05:16,560 Speaker 3: a big leap in decade there too. But we all 105 00:05:16,600 --> 00:05:18,560 Speaker 3: know what that is, correct. I don't know what that. 106 00:05:18,680 --> 00:05:20,640 Speaker 3: You don't know what it is. I don't think Sometimes 107 00:05:20,720 --> 00:05:23,680 Speaker 3: Dead his Little the Ground of Sour. You don't know 108 00:05:23,720 --> 00:05:25,840 Speaker 3: what though I thought it was. I thought this was 109 00:05:26,200 --> 00:05:30,000 Speaker 3: a lob, just guessed. I don't know. The third one, 110 00:05:30,760 --> 00:05:33,200 Speaker 3: the Haunting of Hill House. I'm gonna say pet Cemetery. 111 00:05:33,400 --> 00:05:36,000 Speaker 3: The cemetery is absolutely correct. That is the one and 112 00:05:36,080 --> 00:05:39,520 Speaker 3: only correct answer. There is pet Cemetery. That's right. I've 113 00:05:39,560 --> 00:05:42,320 Speaker 3: seen that movie exactly one time. Sometimes Dead his Biddle. 114 00:05:42,680 --> 00:05:46,480 Speaker 3: It was the late great what's his name, Herman Munster. Oh, 115 00:05:46,720 --> 00:05:49,760 Speaker 3: he was in fred Gwynn. Yep, he was in my 116 00:05:49,880 --> 00:05:52,320 Speaker 3: cousin Vinnie. He had a bit of a comeback in 117 00:05:52,400 --> 00:05:55,120 Speaker 3: the eighties. I think partially because of pet Cemetery and Ei. 118 00:05:55,160 --> 00:05:58,720 Speaker 3: There's a scene in the film where he's explaining to 119 00:05:58,839 --> 00:06:01,880 Speaker 3: the main dude in the movie, what happens when you 120 00:06:02,040 --> 00:06:04,960 Speaker 3: put people in this cemetery? They don't come back the same. 121 00:06:05,400 --> 00:06:10,159 Speaker 2: Sometimes that is better. It's the person you put up 122 00:06:10,200 --> 00:06:14,640 Speaker 2: there as the person that comes back with me. It 123 00:06:14,800 --> 00:06:18,640 Speaker 2: looks like that person. But it ain't that nice because 124 00:06:20,040 --> 00:06:24,799 Speaker 2: whatever lives in the ground beyond that cemetery ain't human. 125 00:06:25,120 --> 00:06:28,919 Speaker 3: Ain't human at all. Rob The whole point of film 126 00:06:29,080 --> 00:06:31,520 Speaker 3: was that, you know, they were putting pets in this 127 00:06:31,720 --> 00:06:35,599 Speaker 3: particular part hence the name of the film. I recognize 128 00:06:35,640 --> 00:06:39,000 Speaker 3: that there was a there's like an Indian burial ground 129 00:06:39,120 --> 00:06:41,160 Speaker 3: or something that was always the go to back of 130 00:06:41,200 --> 00:06:45,880 Speaker 3: the day, right, Indian burial ground, and people were putting 131 00:06:45,960 --> 00:06:49,080 Speaker 3: animals in there, and they determined that they were coming 132 00:06:49,160 --> 00:06:53,279 Speaker 3: back to life. And then this guy losing his child, 133 00:06:53,480 --> 00:06:55,839 Speaker 3: he decides to put the kid. He makes the awful 134 00:06:55,920 --> 00:06:57,720 Speaker 3: choice of putting the kid in the pet cemetery, and 135 00:06:57,839 --> 00:07:01,440 Speaker 3: that kid comes back. Boy is he little stinker? He 136 00:07:02,560 --> 00:07:06,080 Speaker 3: killing people and he's slicing Achilles tendons, and good golly, 137 00:07:06,120 --> 00:07:10,840 Speaker 3: miss Molly, this kid is not he is I'll say it, rather, 138 00:07:10,920 --> 00:07:14,200 Speaker 3: he is not agreeable. His kid is not agreeable when 139 00:07:14,240 --> 00:07:16,960 Speaker 3: he comes out of that ground, mister Gambini. And so 140 00:07:18,440 --> 00:07:19,160 Speaker 3: you're welcome, Katie. 141 00:07:19,200 --> 00:07:19,520 Speaker 1: There you go. 142 00:07:19,880 --> 00:07:22,680 Speaker 3: But again, like I said, sometimes the dumbest crap from 143 00:07:22,720 --> 00:07:27,240 Speaker 3: this program Rob can make maybe the smallest little improvement 144 00:07:27,320 --> 00:07:30,920 Speaker 3: in somebody's life. Now, conversely, you have to allow for 145 00:07:31,000 --> 00:07:33,600 Speaker 3: the fact there's a lot of this show that makes 146 00:07:33,640 --> 00:07:37,800 Speaker 3: people's lives worse. But I can't control that either. What 147 00:07:37,880 --> 00:07:40,400 Speaker 3: am I gonna do? There might be somebody listening right now. 148 00:07:40,640 --> 00:07:44,480 Speaker 3: You know, one person's success is another person's utter indifference, 149 00:07:44,720 --> 00:07:46,760 Speaker 3: and somebody might be listening to this. I'm talking about 150 00:07:46,800 --> 00:07:51,119 Speaker 3: Katie and her trivia calendar, and they might go, good God, 151 00:07:51,840 --> 00:07:53,960 Speaker 3: I completely missed the point of Pet Cemetery. You know, 152 00:07:54,040 --> 00:07:56,000 Speaker 3: maybe they saw the film and maybe they read the 153 00:07:56,000 --> 00:07:58,680 Speaker 3: Stephen King book many many decades ago, and now I've 154 00:07:58,760 --> 00:08:01,280 Speaker 3: just ruined it for them. I did not play the 155 00:08:01,280 --> 00:08:03,760 Speaker 3: spoiler because the movie is forty years old and they 156 00:08:03,840 --> 00:08:06,160 Speaker 3: reboot they rebooted, they did like a new version with 157 00:08:06,240 --> 00:08:09,640 Speaker 3: David Duchovny or something. I didn't bother with that. But 158 00:08:09,680 --> 00:08:11,080 Speaker 3: I'm certainly not going to give you a spoiler. A 159 00:08:11,120 --> 00:08:17,240 Speaker 3: little on Pets, and I mean Ramones did the song right. 160 00:08:17,320 --> 00:08:19,920 Speaker 3: I don't want to be buried in a pet cemetery. 161 00:08:22,800 --> 00:08:26,040 Speaker 3: It's kind of an upbeat, jaunty song based on the 162 00:08:26,480 --> 00:08:32,280 Speaker 3: tone of the film You Got This. And of course, 163 00:08:32,320 --> 00:08:34,640 Speaker 3: you know when people talk about overrated bands, you never 164 00:08:34,720 --> 00:08:38,120 Speaker 3: hear them mention the Ramones, but they belong there. Rob 165 00:08:38,320 --> 00:08:40,360 Speaker 3: of course, the most overrated rock band of all time 166 00:08:40,760 --> 00:08:45,040 Speaker 3: The Doors. Yeah, I know you know this. I have 167 00:08:45,200 --> 00:08:47,280 Speaker 3: to assume you say that just to get a rise 168 00:08:47,320 --> 00:08:49,720 Speaker 3: out of me. You don't actually believe that. Now I say, 169 00:08:49,800 --> 00:08:52,040 Speaker 3: I love Jimmy Buffett to get a rise out of you. 170 00:08:52,240 --> 00:08:54,800 Speaker 3: But no, I think the Doors are wildly overrated. 171 00:08:55,320 --> 00:08:55,679 Speaker 1: I just do. 172 00:08:55,800 --> 00:08:58,719 Speaker 3: I'm never mad when I hear them. But I think 173 00:08:58,800 --> 00:09:04,080 Speaker 3: that the attention and the oversized impact that they're perceived 174 00:09:04,120 --> 00:09:07,599 Speaker 3: to have had is ninety five percent timing. Had that 175 00:09:07,760 --> 00:09:10,400 Speaker 3: band existed at any other time, people would have been like, eh, yeah. 176 00:09:10,440 --> 00:09:11,679 Speaker 3: But I think that can be said for a lot 177 00:09:11,720 --> 00:09:14,920 Speaker 3: of bands. Probably could. I'm saying it. I'm saying it 178 00:09:14,960 --> 00:09:20,840 Speaker 3: about them. If the Stones came to America first, they 179 00:09:20,920 --> 00:09:22,720 Speaker 3: would have been in the Beatles' shoes. Now, they would 180 00:09:22,720 --> 00:09:25,559 Speaker 3: have been just fine. I think that I don't know 181 00:09:25,880 --> 00:09:28,559 Speaker 3: I don't know. Again, it's all subjective, right. Anytime we 182 00:09:28,679 --> 00:09:31,520 Speaker 3: have these conversations, Rob, it's a fool's errand to think 183 00:09:31,520 --> 00:09:32,559 Speaker 3: that we're going to get anywhere. 184 00:09:33,160 --> 00:09:33,760 Speaker 10: But they. 185 00:09:35,360 --> 00:09:39,839 Speaker 3: That's why we all have opinions. That's right, you know that. 186 00:09:39,960 --> 00:09:40,600 Speaker 3: What do they say? 187 00:09:40,760 --> 00:09:40,960 Speaker 1: Rob? 188 00:09:41,040 --> 00:09:44,800 Speaker 3: What's that old axiom? Opinions are like a holes. Some 189 00:09:44,960 --> 00:09:49,199 Speaker 3: people have really filthy ones and very dirty one. You 190 00:09:49,360 --> 00:09:53,080 Speaker 3: have to allow for those two. The Plan Carr Show, 191 00:09:53,480 --> 00:09:54,960 Speaker 3: on one of. 192 00:09:58,240 --> 00:10:02,000 Speaker 9: These days you have a in ways to entertain yourself 193 00:10:03,400 --> 00:10:04,000 Speaker 9: at the time. 194 00:10:04,679 --> 00:10:09,080 Speaker 3: This one just puts entertain in air quotes. I am 195 00:10:09,160 --> 00:10:11,720 Speaker 3: not entertained. The Allencock Show. 196 00:10:12,200 --> 00:10:14,480 Speaker 2: On one hundred twenty seven WMMS. 197 00:10:23,480 --> 00:10:25,199 Speaker 3: I got more money for you here in about ten 198 00:10:25,320 --> 00:10:29,800 Speaker 3: minutes two thirty is that next keyword? Grab a grand 199 00:10:29,880 --> 00:10:35,000 Speaker 3: from the buzzard bookie, thirty past the hour until five 200 00:10:35,160 --> 00:10:38,000 Speaker 3: thirty and then we'll fire it up again. Hey, Rob, 201 00:10:38,080 --> 00:10:39,760 Speaker 3: you know who's coming back to the show this week? 202 00:10:40,120 --> 00:10:43,320 Speaker 3: Who's coming back to the show? One Mary Lynn Santora. Oh, 203 00:10:44,080 --> 00:10:45,719 Speaker 3: now you're getting the band back together. You know. Last 204 00:10:45,760 --> 00:10:48,839 Speaker 3: week Bill Squire was here, we were catching up with him. 205 00:10:49,080 --> 00:10:51,160 Speaker 3: He had a show this past weekend at a garage 206 00:10:51,200 --> 00:10:54,360 Speaker 3: Bar and Willoughby and Mary Santorra is back in town 207 00:10:54,440 --> 00:10:57,559 Speaker 3: because you know they are finally and I don't say 208 00:10:57,600 --> 00:10:59,800 Speaker 3: finally in like a good way, it's it's terrible. But 209 00:11:00,640 --> 00:11:04,640 Speaker 3: they're closing down the Funny Stop in Cuyahoga Falls, a long, 210 00:11:04,880 --> 00:11:08,600 Speaker 3: long time comedy staple. Of course, longtime owner Pete passed 211 00:11:08,600 --> 00:11:10,480 Speaker 3: away not that long ago and it just got to 212 00:11:10,520 --> 00:11:15,120 Speaker 3: be too much for his remaining family members to maintain 213 00:11:15,240 --> 00:11:18,240 Speaker 3: that property. And so the Funny Stop in Cuyahoga Falls 214 00:11:18,320 --> 00:11:20,200 Speaker 3: is closing, and so it's going to be Mary's last 215 00:11:21,000 --> 00:11:24,400 Speaker 3: set of performances there. There's a lot of comedians who 216 00:11:24,480 --> 00:11:27,120 Speaker 3: made their bones in northeast Ohio who really came up 217 00:11:27,160 --> 00:11:30,079 Speaker 3: on that stage, and so very very bittersweet for a 218 00:11:30,120 --> 00:11:32,480 Speaker 3: lot of people. So anyway, Mary Santora is going to 219 00:11:32,480 --> 00:11:35,280 Speaker 3: be in here on Thursday. I think Jay Farrow is 220 00:11:35,320 --> 00:11:38,560 Speaker 3: back on the show on Friday. He's doing hilarities around 221 00:11:38,559 --> 00:11:40,720 Speaker 3: the corner here on East Fourth. Yeah, so the remainder 222 00:11:40,760 --> 00:11:44,160 Speaker 3: of the week should be a lot of fun. So 223 00:11:44,320 --> 00:11:49,800 Speaker 3: she will join us on let's say Tuesday. So yeah, listen, 224 00:11:50,040 --> 00:11:54,120 Speaker 3: there are numbers and calendars and information. Rob We've never 225 00:11:54,280 --> 00:11:59,360 Speaker 3: been more inundated with information, and yet I still have 226 00:11:59,640 --> 00:12:01,800 Speaker 3: to You know, every one of my screens in here 227 00:12:02,440 --> 00:12:06,200 Speaker 3: has the time, has the date. Somehow I remain confused 228 00:12:07,040 --> 00:12:09,959 Speaker 3: unless I look in a specific direction. So Mary'll be 229 00:12:10,080 --> 00:12:14,480 Speaker 3: here on Thursday, the day after tomorrow, and then I 230 00:12:14,520 --> 00:12:17,200 Speaker 3: think Jay Pharaoh on Friday, speaking of the day after tomorrow, 231 00:12:17,320 --> 00:12:20,320 Speaker 3: Tomorrow night, which would be the night before the day 232 00:12:20,360 --> 00:12:23,559 Speaker 3: after tomorrow, the Cavaliers are going to be playing. The 233 00:12:23,600 --> 00:12:27,080 Speaker 3: Clippers are in the middle of a big West Coast 234 00:12:27,160 --> 00:12:31,719 Speaker 3: run with mixed results so far. Got a big one 235 00:12:31,720 --> 00:12:35,200 Speaker 3: over on Portland the other night. Calves Clippers Tomorrow night, 236 00:12:35,280 --> 00:12:40,040 Speaker 3: that is a ten to thirty start, ten o'clock pregame, 237 00:12:40,640 --> 00:12:43,320 Speaker 3: and they'll head up the road to play the Sacramento Kings. 238 00:12:43,880 --> 00:12:46,120 Speaker 3: This will be the first time that the guys who 239 00:12:46,200 --> 00:12:48,599 Speaker 3: were traded to the opposite team are going to be 240 00:12:48,679 --> 00:12:51,640 Speaker 3: meeting their former team, right DeAndre Hunter just went to 241 00:12:51,720 --> 00:12:53,640 Speaker 3: the Kings, and a couple of dudes just came to 242 00:12:53,679 --> 00:12:56,360 Speaker 3: the Calves. Do you think in those situations where they 243 00:12:56,480 --> 00:12:59,440 Speaker 3: meet so soon after being traded. Obviously, being traded as 244 00:12:59,440 --> 00:13:03,839 Speaker 3: a part of every sport doesn't make it anymore easy, though, 245 00:13:03,880 --> 00:13:05,839 Speaker 3: you know, you come to these guys, your teammates, and 246 00:13:05,920 --> 00:13:08,719 Speaker 3: you form a certain bond with them. Do you think 247 00:13:08,760 --> 00:13:10,400 Speaker 3: that the first time those two teams meet and they 248 00:13:10,440 --> 00:13:12,959 Speaker 3: look across the court there at their former teammates, do 249 00:13:12,960 --> 00:13:16,080 Speaker 3: you think that there's like a little wistful feeling. Oh, 250 00:13:16,120 --> 00:13:18,439 Speaker 3: I'm sure, Bill Tier. Yeah, it's not great. 251 00:13:18,480 --> 00:13:20,600 Speaker 9: It's probably worse when you like when that when they 252 00:13:20,720 --> 00:13:23,360 Speaker 9: come back here, you know, like when he comes back 253 00:13:23,400 --> 00:13:26,600 Speaker 9: as a member of another team to Cleveland and you're 254 00:13:26,600 --> 00:13:28,319 Speaker 9: in the visitor's locker room. 255 00:13:28,720 --> 00:13:31,640 Speaker 3: That's not great. It's like seeing your ex right, or 256 00:13:31,720 --> 00:13:35,720 Speaker 3: it's like seeing a teacher in the grocery store. It's weird. 257 00:13:36,040 --> 00:13:40,679 Speaker 9: Even if the team is you know, isn't performing as 258 00:13:40,720 --> 00:13:42,960 Speaker 9: well as you know, like, it's a lot worse. 259 00:13:43,080 --> 00:13:45,400 Speaker 3: If they're doing much better, you know, it's like an 260 00:13:45,480 --> 00:13:48,679 Speaker 3: upgrade for your ex. How could that be? 261 00:13:48,960 --> 00:13:49,200 Speaker 5: Rob? 262 00:13:49,880 --> 00:13:51,920 Speaker 3: I mean, have you ever had an AX that ended 263 00:13:52,000 --> 00:13:53,840 Speaker 3: up doing better than every single time? 264 00:13:53,960 --> 00:13:54,120 Speaker 2: Yeah? 265 00:13:54,559 --> 00:13:58,080 Speaker 3: Laundry list of them? Oh really? Yeah, Oh that can't 266 00:13:58,120 --> 00:14:00,679 Speaker 3: be true. Of course, it can't be true. He's stuck 267 00:14:00,760 --> 00:14:05,920 Speaker 3: with me. Oh please, nobody's stuck with anybody, by the way, Well, nope, 268 00:14:07,120 --> 00:14:10,880 Speaker 3: I won't hear of it. Anyway, Calves Clippers tomorrow night, 269 00:14:10,920 --> 00:14:12,440 Speaker 3: ten thirty. What I'm trying to say is it's going 270 00:14:12,480 --> 00:14:16,040 Speaker 3: to be a late night for one Michael Snyder because boy, 271 00:14:16,240 --> 00:14:18,319 Speaker 3: he's not to beat the dead horse. But he's right 272 00:14:18,400 --> 00:14:20,960 Speaker 3: back at it the next morning. I kind of wonder 273 00:14:21,000 --> 00:14:23,480 Speaker 3: if he takes those games off, Like, do you think 274 00:14:23,520 --> 00:14:26,440 Speaker 3: he just does games like I mean he's on the 275 00:14:26,480 --> 00:14:28,760 Speaker 3: air at five o'clock in the morning. I mean, does 276 00:14:28,840 --> 00:14:30,520 Speaker 3: he do the away games? Does he take a PJ 277 00:14:30,640 --> 00:14:32,280 Speaker 3: out there and then come back, Like is he take 278 00:14:32,320 --> 00:14:34,200 Speaker 3: the Red Eye to get back? All of his stuff 279 00:14:34,240 --> 00:14:36,800 Speaker 3: is done here, he's over he Rea. I see he's 280 00:14:36,920 --> 00:14:39,040 Speaker 3: not going out there. He's not traveling with the team. 281 00:14:39,120 --> 00:14:40,880 Speaker 9: Oh that makes it easy, but it's still I mean, 282 00:14:40,920 --> 00:14:42,960 Speaker 9: if he's still not going on the air for pregame 283 00:14:43,040 --> 00:14:45,600 Speaker 9: until ten thirty, he either has to take this this 284 00:14:45,760 --> 00:14:48,720 Speaker 9: show off or the Calves I would assume, get him 285 00:14:48,760 --> 00:14:49,160 Speaker 9: on the phone. 286 00:14:49,200 --> 00:14:52,240 Speaker 3: Where's I think the guy does everything. I think he 287 00:14:52,320 --> 00:14:55,360 Speaker 3: does everything. I think guys like a friggin skeleton key. 288 00:14:55,920 --> 00:14:58,440 Speaker 3: Whatever you need him, that's where he goes. Whatever you 289 00:14:58,520 --> 00:15:02,240 Speaker 3: need to put that guy into, Rob that's the shape 290 00:15:02,240 --> 00:15:05,440 Speaker 3: of the container he'll take anyway, also, Lebron James, you 291 00:15:05,520 --> 00:15:08,960 Speaker 3: might have heard local fella. They said that he has 292 00:15:09,320 --> 00:15:11,760 Speaker 3: extended his record of being asked to be part of 293 00:15:11,800 --> 00:15:15,720 Speaker 3: the All Star Game for twenty two consecutive years. He's 294 00:15:15,760 --> 00:15:17,840 Speaker 3: famously getting a little long in the tooth, still a 295 00:15:17,920 --> 00:15:19,760 Speaker 3: young man, but you know, as long as he's played 296 00:15:19,840 --> 00:15:22,560 Speaker 3: forty one is you know? It's kind of the tale 297 00:15:22,560 --> 00:15:27,160 Speaker 3: of the Comet. And the new All Star Game format 298 00:15:27,280 --> 00:15:31,120 Speaker 3: is two American teams competing against interracial stars in a 299 00:15:31,360 --> 00:15:34,040 Speaker 3: round robin. I don't care for the fat shaming, but 300 00:15:34,200 --> 00:15:38,600 Speaker 3: I take what they mean. Lebron James says it it's 301 00:15:38,920 --> 00:15:43,040 Speaker 3: super humbling to be selected for his twenty second consecutive 302 00:15:43,440 --> 00:15:44,560 Speaker 3: All Star Game, Is it? 303 00:15:45,280 --> 00:15:45,360 Speaker 5: Ye? 304 00:15:45,680 --> 00:15:45,800 Speaker 3: Might? 305 00:15:45,880 --> 00:15:46,120 Speaker 1: I mean? 306 00:15:47,000 --> 00:15:50,000 Speaker 3: I mean twenty two years in, didn't you stop being 307 00:15:50,120 --> 00:15:52,800 Speaker 3: humbled by like your eight? 308 00:15:53,960 --> 00:15:54,120 Speaker 2: You know? 309 00:15:54,480 --> 00:15:57,680 Speaker 3: Do you continue to be humbled two decades in twenty 310 00:15:57,760 --> 00:16:00,800 Speaker 3: second consecutive time? I think it's but I think you're 311 00:16:00,840 --> 00:16:01,440 Speaker 3: still humbled? 312 00:16:01,480 --> 00:16:01,720 Speaker 1: Ball? 313 00:16:01,960 --> 00:16:04,240 Speaker 3: Yes, right, don't you think? Is it? For? It's all 314 00:16:04,320 --> 00:16:07,360 Speaker 3: your peers? All right? All the Star Game is going 315 00:16:07,440 --> 00:16:09,880 Speaker 3: to take place in la on the fifteenth of this month, 316 00:16:10,600 --> 00:16:12,840 Speaker 3: so he will just have to drive up the road 317 00:16:13,560 --> 00:16:16,600 Speaker 3: and want to fly anywhere. For the twenty second time, 318 00:16:16,760 --> 00:16:20,000 Speaker 3: Lebron James headed to the NBA All Star Game, So 319 00:16:20,160 --> 00:16:24,480 Speaker 3: congratulations to him. A selection by the league's coaches robbed 320 00:16:24,720 --> 00:16:28,440 Speaker 3: the coaches who are maybe colluding is too strong of 321 00:16:28,480 --> 00:16:30,920 Speaker 3: a word. But the coaches all get together and they say, Hey, 322 00:16:30,960 --> 00:16:32,520 Speaker 3: who should be in this? And of course you got 323 00:16:32,880 --> 00:16:37,200 Speaker 3: Steph Curry. Who are the Cavaliers on the All Star team? 324 00:16:38,720 --> 00:16:38,840 Speaker 7: Uh? 325 00:16:39,600 --> 00:16:42,280 Speaker 3: Okay, any who you got some really good? Oh? Donovan, 326 00:16:43,720 --> 00:16:46,520 Speaker 3: he's in the reserves. Donovan Mitchell is in the reserves. There, 327 00:16:47,320 --> 00:16:49,520 Speaker 3: but that means that they are reserving him for when 328 00:16:49,520 --> 00:16:55,400 Speaker 3: they need somebody with explosive power. Nevertheless, I forget the 329 00:16:55,440 --> 00:16:57,360 Speaker 3: fact that they said he might be opting out of 330 00:16:57,400 --> 00:17:00,320 Speaker 3: his contract with the Cavaliers sooner rather than later. Who's 331 00:17:00,360 --> 00:17:02,760 Speaker 3: that but Donovan Mitchell? I don't think so. I think 332 00:17:02,800 --> 00:17:06,120 Speaker 3: that's a rumor. How about James Harden coming to the Calves? 333 00:17:06,200 --> 00:17:08,359 Speaker 3: Think that really works more and more real. I heard 334 00:17:08,920 --> 00:17:12,720 Speaker 3: Stansbury talking about this James Harden. People say what do 335 00:17:12,800 --> 00:17:15,119 Speaker 3: the Calves lack? And there and again I'm no Ex's 336 00:17:15,160 --> 00:17:17,840 Speaker 3: and o's guy. People go, what does this team lack? 337 00:17:18,280 --> 00:17:20,920 Speaker 3: And they're always talking about it. In terms of placement 338 00:17:21,000 --> 00:17:24,040 Speaker 3: of players and what they need. We are missing out 339 00:17:24,240 --> 00:17:29,960 Speaker 3: on glistening giant beards on this team. Beautiful beard, beautiful, 340 00:17:30,400 --> 00:17:33,760 Speaker 3: I mean so bright. You gotta wear shades. I mean, 341 00:17:34,240 --> 00:17:38,080 Speaker 3: that move says they plan on making a deep playoff run, 342 00:17:38,240 --> 00:17:38,800 Speaker 3: that's for sure. 343 00:17:38,880 --> 00:17:41,240 Speaker 9: If they make that move to let go of a 344 00:17:41,280 --> 00:17:43,760 Speaker 9: guy like Darius Garland, they think they're gonna They think 345 00:17:44,560 --> 00:17:46,680 Speaker 9: that improves the team drastically. 346 00:17:46,800 --> 00:17:48,560 Speaker 3: Yeah, but then the Clippers already shut it down. They're like, 347 00:17:48,560 --> 00:17:50,520 Speaker 3: because the Cavs are like, oh, we want eight first 348 00:17:50,600 --> 00:17:53,240 Speaker 3: round picks. Still, we're just going to slop. 349 00:17:54,080 --> 00:17:57,440 Speaker 9: It's still going, Oh okay, Yeah, the Yiannis deal looks 350 00:17:57,480 --> 00:17:58,320 Speaker 9: like that one's dead. 351 00:18:00,000 --> 00:18:02,680 Speaker 3: I think James Harden will fit in with the Cleveland Cavaliers. 352 00:18:02,720 --> 00:18:05,199 Speaker 3: Should have come to that. Isn't he known for being 353 00:18:05,200 --> 00:18:05,720 Speaker 3: a bit prickly. 354 00:18:05,840 --> 00:18:08,360 Speaker 9: Long as he gets here and realizes it's Donovan's team, 355 00:18:08,400 --> 00:18:10,600 Speaker 9: I think it's oh boy, I think you'll be fine. 356 00:18:10,680 --> 00:18:13,720 Speaker 9: But there's I mean, they've the names that are flying 357 00:18:13,840 --> 00:18:19,840 Speaker 9: around as just anybody basically is available. Dean Wade, I 358 00:18:19,880 --> 00:18:21,719 Speaker 9: guess a bunch of teams called on him. People were 359 00:18:21,760 --> 00:18:25,560 Speaker 9: talking about Lonzo Ball Max Struce, Larry Nance, a bunch 360 00:18:25,600 --> 00:18:27,919 Speaker 9: of dudes, and it just seems like they're entertaining all 361 00:18:28,040 --> 00:18:30,040 Speaker 9: kinds of conversations as they should, right leading up to 362 00:18:30,080 --> 00:18:33,160 Speaker 9: the draft or the trade deadline, which is on the fifth. 363 00:18:33,920 --> 00:18:38,040 Speaker 9: So I don't know, man, I could I could see 364 00:18:38,080 --> 00:18:39,600 Speaker 9: that James Harden deal getting done. 365 00:18:39,720 --> 00:18:43,400 Speaker 3: Huh, James Harden on the Cleveland Cavs. Is that something 366 00:18:43,440 --> 00:18:44,960 Speaker 3: we care about in twenty twenty six? 367 00:18:45,200 --> 00:18:48,840 Speaker 9: Well, I think it changes. It's a name, sure, and 368 00:18:48,920 --> 00:18:52,480 Speaker 9: I think it changes what the scope of the team 369 00:18:52,600 --> 00:18:55,639 Speaker 9: is at that point. I think obviously you're abandoning your 370 00:18:55,720 --> 00:18:58,400 Speaker 9: core four getting rid of a guy like Garland. 371 00:18:58,080 --> 00:19:01,320 Speaker 3: Who's much younger. You're talking about the beard. The beard, Yeah, 372 00:19:01,960 --> 00:19:04,119 Speaker 3: getting the beard, Getting the beard. It is a hell 373 00:19:04,160 --> 00:19:06,920 Speaker 3: of a beard. I mean it looks like a cartoon beard. 374 00:19:06,920 --> 00:19:08,479 Speaker 3: It's just also they're going to lean into that, right, 375 00:19:08,520 --> 00:19:10,400 Speaker 3: I mean, welcome this guy to town that they're they're 376 00:19:10,440 --> 00:19:13,280 Speaker 3: looking for any kind of promotional opportunity, So they're going 377 00:19:13,320 --> 00:19:15,399 Speaker 3: to end up with set of foam fingers. They're going 378 00:19:15,440 --> 00:19:18,560 Speaker 3: to have like foam beard night right, where people are 379 00:19:18,560 --> 00:19:20,679 Speaker 3: going to be having these things trapped around their faces. 380 00:19:21,280 --> 00:19:22,919 Speaker 9: He's a hell of a ball player man. All right, 381 00:19:23,800 --> 00:19:28,359 Speaker 9: So the picture that MSN used to tease the story 382 00:19:28,480 --> 00:19:31,119 Speaker 9: shows him driving to the hoop against Evan Mobley and 383 00:19:31,200 --> 00:19:34,400 Speaker 9: hitting him in the balls on the way by. I'm like, yeah, 384 00:19:34,520 --> 00:19:37,119 Speaker 9: that's slightly unfortunate. Maybe not something you want to remind 385 00:19:37,200 --> 00:19:40,639 Speaker 9: mister Mobley of. Yeah, although I'm sure if it was 386 00:19:40,680 --> 00:19:42,040 Speaker 9: a hit like that, you don't forget. 387 00:19:43,160 --> 00:19:44,960 Speaker 3: Common Bass points out the Cavs have only won a 388 00:19:45,000 --> 00:19:49,359 Speaker 3: championship where they Kardashian x is on the team. Was 389 00:19:49,400 --> 00:19:52,280 Speaker 3: that Tristan Thompson Tristan Okay, well they have one one, 390 00:19:53,320 --> 00:19:55,800 Speaker 3: so it's but James Hart. Did James Harden go out 391 00:19:55,800 --> 00:19:58,000 Speaker 3: with her? I have no idea what. I don't know. 392 00:19:58,160 --> 00:19:58,800 Speaker 3: Harden's u. 393 00:20:01,920 --> 00:20:06,880 Speaker 9: A sexual past, I see. I only know he's one 394 00:20:06,920 --> 00:20:10,600 Speaker 9: of my favorite memes of all time. Someone asked him 395 00:20:10,600 --> 00:20:12,320 Speaker 9: a question on the sideline and he just shot the 396 00:20:12,359 --> 00:20:14,400 Speaker 9: person to look and walked away while he was making 397 00:20:14,440 --> 00:20:15,359 Speaker 9: eye contact with him. 398 00:20:15,359 --> 00:20:18,680 Speaker 3: And I use that all of the time. Oh yeah, 399 00:20:18,680 --> 00:20:21,399 Speaker 3: I've seen that. Yeah, he just walks away staring at 400 00:20:21,440 --> 00:20:25,119 Speaker 3: the person side eye, side eye. Yeah, a little bit 401 00:20:25,160 --> 00:20:28,320 Speaker 3: of front eye too. You know, everybody likes to up 402 00:20:28,400 --> 00:20:30,240 Speaker 3: their side eye game. But it really is the front 403 00:20:30,320 --> 00:20:33,920 Speaker 3: eye in an age of people, whether it's generational or not, 404 00:20:34,040 --> 00:20:37,320 Speaker 3: an age of people who are just racked with anxiety 405 00:20:37,520 --> 00:20:39,399 Speaker 3: can't look people in the eye. Rob, it's the front 406 00:20:39,520 --> 00:20:44,280 Speaker 3: eye that is really the most staggering anybody can do. 407 00:20:44,359 --> 00:20:47,639 Speaker 3: Side eye, it's the front eye when you're just walking 408 00:20:47,680 --> 00:20:50,800 Speaker 3: straight on somebody and you're never breaking eye contact. Allen 409 00:20:50,880 --> 00:20:55,520 Speaker 3: and James Harden date Chloe Kardashian, I don't know, you know, 410 00:20:55,800 --> 00:20:58,200 Speaker 3: I know they had a television show called Keeping Up 411 00:20:58,359 --> 00:21:02,560 Speaker 3: with the Kardashians. Did not do that. No, so other 412 00:21:02,640 --> 00:21:05,320 Speaker 3: than Kim, you know, she held my interest for a while, 413 00:21:05,920 --> 00:21:10,359 Speaker 3: and I still think she's gorgeous, she's lovely. However, I 414 00:21:12,880 --> 00:21:17,440 Speaker 3: I'm not that interested anymore. And that's nothing against them, 415 00:21:18,119 --> 00:21:20,360 Speaker 3: It's just nothing I really pay attention to. You want 416 00:21:20,440 --> 00:21:24,240 Speaker 3: some Brian always, Okay? I love this because Brian must 417 00:21:24,280 --> 00:21:30,320 Speaker 3: have been feeling patriotic. Boy. Patriotism is something that has 418 00:21:30,520 --> 00:21:34,440 Speaker 3: been It's debated a lot now. You know, for a 419 00:21:34,480 --> 00:21:37,160 Speaker 3: long time you thought you knew what it was. It's 420 00:21:37,200 --> 00:21:39,879 Speaker 3: twisted and warped by a lot of people in this country. 421 00:21:39,960 --> 00:21:42,880 Speaker 3: Right now, Brian must have been feeling a little patriotic 422 00:21:43,800 --> 00:21:45,600 Speaker 3: now again, he doesn't get the words right, but I 423 00:21:45,880 --> 00:21:49,920 Speaker 3: love his words. Just because he's not repeating a song 424 00:21:50,000 --> 00:21:54,080 Speaker 3: to us by wrote doesn't necessarily mean that he can't 425 00:21:54,119 --> 00:21:57,600 Speaker 3: do something with it. He's an artist and he makes 426 00:21:57,640 --> 00:21:58,760 Speaker 3: it his own. Rob. 427 00:21:59,040 --> 00:22:05,080 Speaker 7: This land islands, this land is miland to New York 428 00:22:06,080 --> 00:22:09,560 Speaker 7: Forest to Redwood Island. 429 00:22:10,720 --> 00:22:12,000 Speaker 3: This man was named for. 430 00:22:12,080 --> 00:22:12,639 Speaker 2: You and me. 431 00:22:12,960 --> 00:22:15,280 Speaker 3: I love it. I love it. From the New York 432 00:22:15,320 --> 00:22:17,920 Speaker 3: Forest to the Redwood Islands. Yeah man, yeah, now listen 433 00:22:17,960 --> 00:22:20,480 Speaker 3: to those there are forests in New York. From the 434 00:22:20,560 --> 00:22:22,960 Speaker 3: New York Forest, I mean, first of all, little pitchy dog. 435 00:22:23,280 --> 00:22:26,959 Speaker 3: But that's okay. We don't hold him to any kind 436 00:22:27,000 --> 00:22:29,720 Speaker 3: of unattainable standard. He does his own thing. 437 00:22:30,040 --> 00:22:31,280 Speaker 9: I just love that he was in it and he 438 00:22:31,359 --> 00:22:34,359 Speaker 9: was just like, hey, pause, I got no clue. I 439 00:22:34,440 --> 00:22:35,720 Speaker 9: started strong from the. 440 00:22:35,760 --> 00:22:41,440 Speaker 3: New York Forest to the Redwood Islands. What uh? This 441 00:22:41,640 --> 00:22:44,760 Speaker 3: end is your land? This went from the California to 442 00:22:44,880 --> 00:22:48,320 Speaker 3: the New York Islands, from the Redwood Forest to the 443 00:22:48,400 --> 00:22:51,840 Speaker 3: Gulf Stream waters. Right, this land was made? What he 444 00:22:51,880 --> 00:22:53,720 Speaker 3: go three, of course famously had a guitar that says, 445 00:22:53,760 --> 00:22:56,919 Speaker 3: this machine kills fascists. And of course we're in an 446 00:22:56,960 --> 00:23:00,320 Speaker 3: age now where a lot of people love fascism because 447 00:23:00,320 --> 00:23:04,000 Speaker 3: they have no sense of history. Brian, however, his machine 448 00:23:04,119 --> 00:23:08,960 Speaker 3: kills ear drums, and I love it. It's so good. 449 00:23:09,520 --> 00:23:14,800 Speaker 7: This land is yourland. This land is myland, to the 450 00:23:15,000 --> 00:23:21,960 Speaker 7: New York for to Redwood Islands. This land land was 451 00:23:22,040 --> 00:23:23,080 Speaker 7: made for you and me. 452 00:23:26,880 --> 00:23:31,680 Speaker 6: As I went a walking that ribbon up highway and 453 00:23:31,800 --> 00:23:38,360 Speaker 6: I saw love me that in the sky way, I saw. 454 00:23:38,280 --> 00:23:45,040 Speaker 3: Balloon me that golden valley. This land was made for you. 455 00:23:45,440 --> 00:23:47,480 Speaker 3: Is the song called this land is? What is it called? 456 00:23:47,520 --> 00:23:48,920 Speaker 3: This land is your land? Is that the name of 457 00:23:48,960 --> 00:23:50,920 Speaker 3: the song, This Land is your land? Okay? 458 00:23:51,000 --> 00:23:51,040 Speaker 2: Not? 459 00:23:51,160 --> 00:23:53,520 Speaker 3: This Land is my land. That's an old song, boy 460 00:23:53,560 --> 00:23:56,200 Speaker 3: what he Guthrie wrote it performed it. They wrote it 461 00:23:56,200 --> 00:24:00,919 Speaker 3: in nineteen forty one of the most famous folk songs 462 00:24:01,440 --> 00:24:05,360 Speaker 3: in United States history, and Brian has made it his own. 463 00:24:06,480 --> 00:24:09,159 Speaker 3: I love New York Islands, so the red Wood New 464 00:24:09,240 --> 00:24:13,280 Speaker 3: York forests, to the Redwood Islands. He just he pauses, Oh. 465 00:24:13,240 --> 00:24:19,600 Speaker 7: No, the land is yourland. This land is myland to 466 00:24:19,760 --> 00:24:25,200 Speaker 7: the New York Fort fors de Redwood Islands. 467 00:24:26,160 --> 00:24:28,080 Speaker 6: This land was made for you and me. 468 00:24:28,320 --> 00:24:30,720 Speaker 3: I mean, he's still a citizen of these United States, Robs. So, 469 00:24:30,840 --> 00:24:34,000 Speaker 3: however he perceives this land to be it is still 470 00:24:34,119 --> 00:24:37,800 Speaker 3: our land. You know they call Cleveland, Rob, the land. 471 00:24:38,560 --> 00:24:40,360 Speaker 3: You know, you haven't been here as long as I've 472 00:24:40,440 --> 00:24:43,600 Speaker 3: been here, but surely you've noticed it's called the land. 473 00:24:43,960 --> 00:24:46,080 Speaker 3: You know how San Francisco they referred to it sometimes 474 00:24:46,119 --> 00:24:49,800 Speaker 3: has the city Cleveland is referred to as the land 475 00:24:50,160 --> 00:24:54,760 Speaker 3: because the word Cleveland has land in it and so 476 00:24:56,680 --> 00:25:01,560 Speaker 3: and yes, the land is orland, man, that's what he 477 00:25:01,640 --> 00:25:04,960 Speaker 3: was singing. Maybe he was thinking about Cleveland, not necessarily singing. 478 00:25:05,480 --> 00:25:07,200 Speaker 3: I have to assume, jest that you guys probably don't 479 00:25:07,200 --> 00:25:10,520 Speaker 3: have any folk music in the sushi role cover song repertoire. 480 00:25:10,600 --> 00:25:14,120 Speaker 3: Do that you don't have any upbeat version of from 481 00:25:14,160 --> 00:25:16,720 Speaker 3: the New York Forest to the Redwood Islands. No, but 482 00:25:16,920 --> 00:25:20,280 Speaker 3: all right, what I might have to suggest it now? Lyrics. 483 00:25:20,520 --> 00:25:24,000 Speaker 3: I'll tell you what put Woody Guthrie back into my medulla. 484 00:25:24,040 --> 00:25:27,800 Speaker 3: Oblong Gotta Rob was watching that Ken Burns documentary on 485 00:25:27,840 --> 00:25:32,399 Speaker 3: the history of country music and good Gravy. You know, 486 00:25:32,480 --> 00:25:37,040 Speaker 3: the Carter family, the Mount Rushmore of country music. You're 487 00:25:37,040 --> 00:25:39,720 Speaker 3: gonna have one of those heads being the entire Carter 488 00:25:39,880 --> 00:25:44,440 Speaker 3: family and all their offspring famous in that genre, and 489 00:25:44,760 --> 00:25:47,480 Speaker 3: the melody is based on a song they did called 490 00:25:47,600 --> 00:25:49,840 Speaker 3: when the World's on Fire, and this was part of 491 00:25:49,920 --> 00:25:54,879 Speaker 3: that Ken Burns documentary. Now, granted, it is taking me 492 00:25:55,000 --> 00:25:57,080 Speaker 3: a long time to get through this documentary because, like 493 00:25:57,119 --> 00:26:00,159 Speaker 3: I said before, I keep forgetting and watching it, and 494 00:26:00,320 --> 00:26:05,040 Speaker 3: so it's probably eight or nine hours long, and I'm 495 00:26:05,080 --> 00:26:07,760 Speaker 3: probably about an hour and twenty minutes into it, so 496 00:26:07,840 --> 00:26:09,040 Speaker 3: I've still got a long way to go. 497 00:26:10,560 --> 00:26:14,600 Speaker 9: I'd love you, man, there is no way in hell 498 00:26:15,800 --> 00:26:17,800 Speaker 9: I had a hard enough time getting through baseball, which 499 00:26:17,840 --> 00:26:18,200 Speaker 9: I love. 500 00:26:19,000 --> 00:26:19,240 Speaker 3: Love. 501 00:26:20,480 --> 00:26:25,520 Speaker 11: Civil War fascinates me. Rob loves Civil War about that 502 00:26:25,720 --> 00:26:28,240 Speaker 11: whole story just fascinates me. I've read in a book 503 00:26:30,040 --> 00:26:31,280 Speaker 11: that documentary was tough. 504 00:26:31,400 --> 00:26:31,560 Speaker 1: Man. 505 00:26:32,160 --> 00:26:34,520 Speaker 3: Well, I think anything it's eight or nine hours long, 506 00:26:34,600 --> 00:26:36,800 Speaker 3: even if it's something you love, You're like, okay, I 507 00:26:36,840 --> 00:26:39,000 Speaker 3: don't you know. I wouldn't want to watch a nine 508 00:26:39,040 --> 00:26:43,240 Speaker 3: hour documentary on what's something I love? Squeezy salads, Rob, 509 00:26:43,280 --> 00:26:45,919 Speaker 3: I wouldn't want to watch nine hours on squeeze salads. 510 00:26:46,040 --> 00:26:50,280 Speaker 3: You are, but well, and again, I'm watching it because 511 00:26:50,480 --> 00:26:53,399 Speaker 3: I'm not a fan of country music, but I am 512 00:26:53,480 --> 00:26:56,600 Speaker 3: fascinated by the genre and I'm fascinated by Jean. I'm 513 00:26:56,880 --> 00:26:59,359 Speaker 3: fascinated by the history of it. I'm always trying to 514 00:26:59,400 --> 00:27:01,560 Speaker 3: learn about things that I know nothing about, and even 515 00:27:01,680 --> 00:27:04,560 Speaker 3: better if I'm learning about something that I don't really 516 00:27:06,160 --> 00:27:08,800 Speaker 3: have a huge interest in, because you might miss a 517 00:27:08,840 --> 00:27:13,439 Speaker 3: lot of stuff. This popular genre, this sixth letter genre, 518 00:27:13,600 --> 00:27:20,239 Speaker 3: this genre, this, it was speaking of fascists. Somebody has 519 00:27:20,280 --> 00:27:22,600 Speaker 3: shut down. There was a I don't quite understand this, 520 00:27:22,720 --> 00:27:24,600 Speaker 3: but listen, there's a lid for every pot and you 521 00:27:24,640 --> 00:27:27,480 Speaker 3: don't want to kink shame people. But there was a 522 00:27:27,600 --> 00:27:33,040 Speaker 3: subreddit for people who had their kink was fascist role play. 523 00:27:33,119 --> 00:27:36,600 Speaker 3: You want to talk about first world privilege, fascist role play, 524 00:27:36,800 --> 00:27:40,320 Speaker 3: and Reddit shut it down. People were doing like fanfic 525 00:27:41,920 --> 00:27:46,280 Speaker 3: about the banging ice agents or something. Reddit shut it down. 526 00:27:47,240 --> 00:27:50,520 Speaker 3: Given what's going on in Minneapolis and giving the encroachment. 527 00:27:50,800 --> 00:27:53,520 Speaker 3: We have a fascist government in play now, and so 528 00:27:53,800 --> 00:27:55,960 Speaker 3: a reddit is like, yeah, we're not going to allow 529 00:27:56,040 --> 00:27:59,440 Speaker 3: this content anymore. We don't. I'm fascinated by now. I 530 00:27:59,440 --> 00:28:02,760 Speaker 3: wouldn't want a nine hour documentary on fascist role play 531 00:28:02,880 --> 00:28:07,960 Speaker 3: Rock six hours, because with something like this you run 532 00:28:08,040 --> 00:28:11,400 Speaker 3: the risk of bringing the real deal in there. People 533 00:28:11,480 --> 00:28:14,880 Speaker 3: who don't want to keep it to having a little 534 00:28:14,920 --> 00:28:17,639 Speaker 3: bit of fun. But again, if that's your kink, you know, 535 00:28:18,040 --> 00:28:21,200 Speaker 3: if a white power militia is step one of fascism 536 00:28:21,320 --> 00:28:25,439 Speaker 3: and you're already bailing, come on, man, you gotta let 537 00:28:25,480 --> 00:28:26,640 Speaker 3: people write what they want to write. 538 00:28:27,680 --> 00:28:27,800 Speaker 1: Now. 539 00:28:27,840 --> 00:28:29,480 Speaker 3: I didn't take the time to read any of the 540 00:28:29,600 --> 00:28:33,120 Speaker 3: offerings from it, but they're like, you know, in lieu 541 00:28:33,200 --> 00:28:36,080 Speaker 3: of what's happening, we're not going to allow any more 542 00:28:36,200 --> 00:28:41,680 Speaker 3: ICE related content over there on the fascism kink subreddit. 543 00:28:41,680 --> 00:28:45,200 Speaker 3: It would be well, but it's just a free expression 544 00:28:45,320 --> 00:28:48,800 Speaker 3: over there. It's you know, obviously they have content moderation 545 00:28:49,080 --> 00:28:51,080 Speaker 3: like anybody else, and they're going to make certain decisions. 546 00:28:51,080 --> 00:28:54,640 Speaker 3: They aren't gonna make some people happy. But if that's 547 00:28:54,640 --> 00:28:58,400 Speaker 3: an what was it before? This was it only fun 548 00:28:58,560 --> 00:29:00,280 Speaker 3: when it wasn't real, And now that it's it's real, 549 00:29:00,320 --> 00:29:02,840 Speaker 3: it's not fun anymore. I don't quite understand that, But 550 00:29:03,320 --> 00:29:09,760 Speaker 3: that's probably more accurate than not, I would assume. Well, 551 00:29:09,800 --> 00:29:12,000 Speaker 3: Mike DeWine here in Ohio, trying to put the genie 552 00:29:12,080 --> 00:29:15,560 Speaker 3: back in the bottle. He says there's no guns, shouldn't 553 00:29:15,560 --> 00:29:20,120 Speaker 3: be any guns at protests. Of course, it's an open 554 00:29:20,240 --> 00:29:23,080 Speaker 3: carry state, just like Minneapolis, and Minnesota is as well. 555 00:29:23,440 --> 00:29:28,240 Speaker 3: It is so problematic. Well, no one should be shocked. 556 00:29:29,080 --> 00:29:33,640 Speaker 3: I mean, you know, you have to remember when when 557 00:29:33,720 --> 00:29:36,680 Speaker 3: certain people feel threatened, then they want to take action. 558 00:29:36,760 --> 00:29:38,960 Speaker 3: They don't care about anything else. He's like, well, guns 559 00:29:38,960 --> 00:29:42,840 Speaker 3: are unnecessary at protests. Yes, they're also unnecessary in Walmart. 560 00:29:42,960 --> 00:29:44,600 Speaker 3: But nobody seemed to have a problem with that before, 561 00:29:45,000 --> 00:29:48,120 Speaker 3: at least not in his party. So again, you ain't 562 00:29:48,160 --> 00:29:52,240 Speaker 3: gonna put that genie back in the bottle, and so 563 00:29:54,320 --> 00:29:58,440 Speaker 3: who knows what will happen there. I think he's obviously 564 00:29:58,560 --> 00:30:02,000 Speaker 3: making a suggestion when it's a suggestion that could be 565 00:30:02,080 --> 00:30:07,680 Speaker 3: made at dozens of locations in any given situation way 566 00:30:07,760 --> 00:30:08,320 Speaker 3: before now. 567 00:30:09,240 --> 00:30:11,560 Speaker 9: Well, and when it has been suggested in the past, 568 00:30:11,600 --> 00:30:15,800 Speaker 9: it was frowned upon. So that's where it's problematic. It's 569 00:30:15,800 --> 00:30:19,560 Speaker 9: a challenge. I don't see what he does. Somebody wrote 570 00:30:19,560 --> 00:30:22,400 Speaker 9: an article should liberals begin arming themselves? I'm like, do 571 00:30:22,520 --> 00:30:25,880 Speaker 9: you guys think we don't have guns? Who thinks liberals 572 00:30:25,920 --> 00:30:28,600 Speaker 9: don't have guns? That's gonna be a huge miscalculation on 573 00:30:28,680 --> 00:30:31,000 Speaker 9: your part. We have guns, we just don't make them 574 00:30:31,000 --> 00:30:34,800 Speaker 9: our entire personality. I don't know where an article like 575 00:30:34,880 --> 00:30:38,920 Speaker 9: that comes from We're not strapped at the sheets because 576 00:30:38,960 --> 00:30:39,440 Speaker 9: we're worried. 577 00:30:40,840 --> 00:30:42,560 Speaker 3: But we'll see what Mike de Wine does because now 578 00:30:42,600 --> 00:30:44,480 Speaker 3: he's on the block. The whole thing. 579 00:30:45,080 --> 00:30:53,600 Speaker 1: God see Allan Cox Show on one hundred points of 580 00:30:53,760 --> 00:30:57,160 Speaker 1: its call. 581 00:30:57,080 --> 00:31:01,240 Speaker 3: The Allan Cox Show. I want to listen to again. 582 00:31:00,960 --> 00:31:03,120 Speaker 9: Two one sixty five seven eight one double oh seven 583 00:31:03,320 --> 00:31:05,680 Speaker 9: or one three four eight one double oh seven. 584 00:31:27,200 --> 00:31:37,800 Speaker 3: Then you know I don't play guitar rob I'm a drummer. 585 00:31:37,880 --> 00:31:40,280 Speaker 3: But if somebody was like, what is a lick? He 586 00:31:40,280 --> 00:31:43,520 Speaker 3: would love to play? It's rock and roll hoo chiku. Yeah, great, 587 00:31:43,560 --> 00:31:46,440 Speaker 3: goddamn lick. Rick Darren Drew just died and we're only 588 00:31:46,480 --> 00:31:49,320 Speaker 3: coming up on the one year anniversary of him dying. 589 00:31:49,360 --> 00:31:53,440 Speaker 3: He's from somewhere in Ohio. He's with the McCoy's right, 590 00:31:53,600 --> 00:31:56,240 Speaker 3: hang on Sloopy. That was there, big one. I think, 591 00:31:56,400 --> 00:31:58,960 Speaker 3: uh oh, does no Ohio state like shoot a load 592 00:31:59,000 --> 00:32:01,120 Speaker 3: over hang on Sloopy or yeah, yeah, yeah, you gotta 593 00:32:01,160 --> 00:32:04,760 Speaker 3: do the big hand gestured o h I o oh. 594 00:32:04,840 --> 00:32:07,040 Speaker 3: Was that what they do? That's what you've never seen it? 595 00:32:08,280 --> 00:32:10,040 Speaker 3: The arm thing? Yeah, yeah, yeah. They're One of my 596 00:32:10,080 --> 00:32:11,840 Speaker 3: neighbors has a barn and on the side of it, 597 00:32:11,920 --> 00:32:14,960 Speaker 3: he's got silhouettes of people making the It's like y 598 00:32:15,080 --> 00:32:18,160 Speaker 3: M c A. But yeah, I didn't. I guess I'm 599 00:32:18,200 --> 00:32:18,800 Speaker 3: really into it. 600 00:32:18,880 --> 00:32:19,000 Speaker 1: Man. 601 00:32:19,080 --> 00:32:21,440 Speaker 3: That's uh, that's a lot. Well, I guess I didn't 602 00:32:21,440 --> 00:32:24,200 Speaker 3: realize that they did that in conjunction with Hang On Sloopy. 603 00:32:24,280 --> 00:32:27,000 Speaker 3: It's like, you know, okay, it's it's it's we've seen 604 00:32:27,040 --> 00:32:31,040 Speaker 3: the stickers. I've seen the I see Okay. Uh but uh, 605 00:32:31,160 --> 00:32:36,720 Speaker 3: Rick Darren Griple, what a great goddamn song. Fantastic. Now, 606 00:32:37,160 --> 00:32:39,840 Speaker 3: would the song have been more more or less popular 607 00:32:39,960 --> 00:32:42,959 Speaker 3: had the song been called rock and roll hoochi hmmm? 608 00:32:43,120 --> 00:32:46,480 Speaker 3: I mean that would have taken on a very different tone. 609 00:32:47,240 --> 00:32:48,920 Speaker 3: It would have been better than rock and roll couci 610 00:32:49,960 --> 00:32:53,560 Speaker 3: h if he just went rocky. He just went rock 611 00:32:53,600 --> 00:32:56,280 Speaker 3: and roll coochy. People might be a little Yeah, but 612 00:32:56,360 --> 00:33:01,280 Speaker 3: that's a very specific reference. Well, right, but that that 613 00:33:01,400 --> 00:33:04,440 Speaker 3: might make you chick is open to interpretation, right, right. 614 00:33:06,680 --> 00:33:08,360 Speaker 3: He used to tour with Ringo, didn't he didn Rick 615 00:33:08,480 --> 00:33:11,160 Speaker 3: Eringer go out with him like a Ringo star. Used 616 00:33:11,200 --> 00:33:13,360 Speaker 3: to do the All Star band. Yeah, he was on 617 00:33:13,480 --> 00:33:14,320 Speaker 3: that for a long time. 618 00:33:14,480 --> 00:33:17,120 Speaker 9: Right, That's where I saw Rick Deringer was part of 619 00:33:17,200 --> 00:33:19,560 Speaker 9: that show the only time I ever saw him. 620 00:33:19,920 --> 00:33:22,680 Speaker 3: He plays on a couple of Steely Dan tracks too. 621 00:33:22,840 --> 00:33:26,720 Speaker 3: I'm a huge Steely Dan fan. Rick Deringer threw in 622 00:33:26,840 --> 00:33:29,520 Speaker 3: on a couple of their songs, and by the way, 623 00:33:29,720 --> 00:33:36,160 Speaker 3: he produced Weird Al's music. I'm not planning on going 624 00:33:36,200 --> 00:33:38,239 Speaker 3: into a deep dive on Rick Derringer. I just love 625 00:33:38,360 --> 00:33:41,400 Speaker 3: rock and roll hoo chiku. I was dating a girl 626 00:33:41,520 --> 00:33:46,240 Speaker 3: in college, very very briefly, but she was like I 627 00:33:46,480 --> 00:33:49,040 Speaker 3: was the first person that she had had sex with, 628 00:33:50,000 --> 00:33:52,280 Speaker 3: and so there was some anxiety that went along with 629 00:33:52,400 --> 00:33:56,120 Speaker 3: it for a little bit. But for whatever reason, when 630 00:33:56,120 --> 00:33:58,920 Speaker 3: this girl was nervous, she would launch into rock and 631 00:33:59,080 --> 00:34:04,560 Speaker 3: roll hoo chiku and when you're naked and kind of 632 00:34:04,680 --> 00:34:06,840 Speaker 3: just getting to know each other, and that can throw you. 633 00:34:08,320 --> 00:34:12,120 Speaker 3: But I got used to it and then we broke up, 634 00:34:12,480 --> 00:34:15,640 Speaker 3: so it didn't last very long. Rob but yeah, she would. 635 00:34:15,880 --> 00:34:17,800 Speaker 3: It was some kind of nervous tick. I don't know 636 00:34:17,840 --> 00:34:20,600 Speaker 3: what it was, but it explains why you remember the 637 00:34:20,719 --> 00:34:26,960 Speaker 3: song fondly. Well, no, that fondly such a It was 638 00:34:27,040 --> 00:34:31,800 Speaker 3: such a short lived relationship that barely rose above the 639 00:34:31,880 --> 00:34:34,719 Speaker 3: level of a fling, but that's what sticks out. It 640 00:34:34,840 --> 00:34:37,800 Speaker 3: wasn't like the sexy time. It sticks out. It was 641 00:34:37,880 --> 00:34:39,920 Speaker 3: that she would launch into rock and roll. Who chiku, 642 00:34:40,520 --> 00:34:41,800 Speaker 3: it could be worse. I mean, think of all the 643 00:34:41,880 --> 00:34:43,800 Speaker 3: songs that she could have launched into that would have 644 00:34:43,840 --> 00:34:49,800 Speaker 3: been way worse than that early nineties songs that she 645 00:34:49,920 --> 00:34:55,799 Speaker 3: could have launched into. Hearing sex. Yeah, well, okay, sure, yeah, 646 00:34:55,800 --> 00:34:59,319 Speaker 3: there's a lot of million songs, million songs. And by 647 00:34:59,360 --> 00:35:02,040 Speaker 3: the way, I don't even the thing she knew who 648 00:35:02,200 --> 00:35:05,560 Speaker 3: sang it? She? You know, you figure by that's that 649 00:35:05,760 --> 00:35:10,120 Speaker 3: time the song was fifteen years old. Oh no, I'm sorry. 650 00:35:10,120 --> 00:35:12,800 Speaker 3: I was older than that in nineteen seventy. I was 651 00:35:12,880 --> 00:35:15,720 Speaker 3: thinking that it came out in like the early eighties 652 00:35:15,840 --> 00:35:20,680 Speaker 3: or something, but twenty years old, okay at that time. 653 00:35:21,360 --> 00:35:23,719 Speaker 3: And yeah, you're right, she could have launched into any song, 654 00:35:24,000 --> 00:35:24,560 Speaker 3: but she didn't. 655 00:35:25,160 --> 00:35:28,520 Speaker 9: There's a catalog, a lifetime of music prior to that. 656 00:35:29,280 --> 00:35:31,080 Speaker 9: I would I would take rock and roll huci coo 657 00:35:31,200 --> 00:35:34,480 Speaker 9: all day over any laundry list of songs. 658 00:35:34,600 --> 00:35:37,960 Speaker 3: There was music before rock and roll huci cou well, 659 00:35:38,080 --> 00:35:43,160 Speaker 3: none that mattered, But yeah, there was music. I suppose, okay, 660 00:35:44,360 --> 00:35:47,680 Speaker 3: that lame mozart stuff well, there was all kinds of stuff, right, 661 00:35:47,719 --> 00:35:52,560 Speaker 3: We played it here on the show before enough hot nuts, 662 00:35:53,600 --> 00:35:57,719 Speaker 3: anybody here want to buy my nuts? This was the 663 00:35:57,840 --> 00:36:02,480 Speaker 3: highest charting song before rock and roll Who it was 664 00:36:02,640 --> 00:36:06,680 Speaker 3: this and then rock and roll? Who Chi coo? Everything 665 00:36:06,719 --> 00:36:14,759 Speaker 3: else is just everything else? Yeah, yet nuts, because wasn't 666 00:36:14,760 --> 00:36:17,240 Speaker 3: it a Johnny Winter song? And then Rick Jaren Darrener 667 00:36:17,280 --> 00:36:19,320 Speaker 3: grabbed it and like made it a big deal. But 668 00:36:19,480 --> 00:36:23,120 Speaker 3: like it was a Johnny Winter song and I don't know, 669 00:36:23,280 --> 00:36:24,480 Speaker 3: I don't think I knew that. I don't know if 670 00:36:24,520 --> 00:36:31,120 Speaker 3: Rick Darrener played on it. But uh, let's see here, 671 00:36:34,160 --> 00:36:39,279 Speaker 3: it's a lot different being a Johnny Winter song, right. 672 00:36:40,840 --> 00:36:42,880 Speaker 3: And it's one of the few songs I recalled punctuation 673 00:36:43,040 --> 00:36:46,319 Speaker 3: because technically it's rock and roll Comma hoo chi coo. 674 00:36:47,160 --> 00:36:49,279 Speaker 3: And he wants you to pause there before you think 675 00:36:49,320 --> 00:36:53,920 Speaker 3: about it. Hold on, I'll find it for you for 676 00:36:54,080 --> 00:37:14,840 Speaker 3: the half a person who cares slower. Oh, I like 677 00:37:14,920 --> 00:37:18,320 Speaker 3: it a lot. I like Rick Deringer's way better, do 678 00:37:18,480 --> 00:37:23,600 Speaker 3: you yes? That yeah voice? I just think that that's 679 00:37:23,719 --> 00:37:25,960 Speaker 3: just I dig the way that sounds a lot, well, 680 00:37:26,000 --> 00:37:29,320 Speaker 3: now you know, Rob, Yeah, I will think Rick Deringer 681 00:37:29,800 --> 00:37:33,480 Speaker 3: up to the tempo, pulled the comma and rode a 682 00:37:33,600 --> 00:37:37,839 Speaker 3: rockets to rock and roll stardom. Need know, guddamn comma 683 00:37:37,920 --> 00:37:43,600 Speaker 3: in there? Take your comma. That's right, that's right. How 684 00:37:43,640 --> 00:37:46,600 Speaker 3: many hoochie coo? How many hoochiese coo? Do we need? 685 00:37:47,560 --> 00:37:50,399 Speaker 3: Hey drunk Sue speaking of hoochie rock and roll hoochie coo? 686 00:37:50,640 --> 00:37:56,000 Speaker 3: What's up, Sue? Hi, you sound like you're calling me 687 00:37:56,120 --> 00:37:56,960 Speaker 3: from on location. 688 00:37:59,239 --> 00:38:01,080 Speaker 4: I'm sorry, let me turn the radio down. 689 00:38:01,120 --> 00:38:02,719 Speaker 3: No, no, it's okay. I thought maybe you were calling 690 00:38:02,800 --> 00:38:06,840 Speaker 3: me from being out somewhere. Oh no, okay. 691 00:38:06,960 --> 00:38:11,400 Speaker 4: I just wanted to tell you that there's wonder wonderful 692 00:38:11,520 --> 00:38:13,759 Speaker 4: news and I wanted to thank everybody out there and 693 00:38:15,080 --> 00:38:17,759 Speaker 4: La la land and everywhere else that was thinking about us, 694 00:38:17,880 --> 00:38:19,880 Speaker 4: and yeah all that. 695 00:38:20,200 --> 00:38:21,680 Speaker 3: But is Bob back home? 696 00:38:21,800 --> 00:38:22,000 Speaker 4: Yeah? 697 00:38:23,160 --> 00:38:23,359 Speaker 3: Yep? 698 00:38:24,400 --> 00:38:24,920 Speaker 7: Oh uh. 699 00:38:25,600 --> 00:38:27,880 Speaker 3: Now this is going to be at the risk of 700 00:38:28,040 --> 00:38:31,520 Speaker 3: being in delicate, Sue. Do you welcome your man home 701 00:38:31,680 --> 00:38:35,759 Speaker 3: with some kind of special gift or performance? 702 00:38:38,200 --> 00:38:40,880 Speaker 4: No, but I did give me a great big I 703 00:38:41,040 --> 00:38:43,840 Speaker 4: just jumped up and down and said yay yep, and 704 00:38:43,960 --> 00:38:46,040 Speaker 4: I got up and I gave me a great big 705 00:38:46,160 --> 00:38:46,879 Speaker 4: kiss in the house. 706 00:38:47,000 --> 00:38:51,640 Speaker 3: I was so happy. How long was he in the hospital, Sue, Oh. 707 00:38:51,600 --> 00:38:53,399 Speaker 4: That was only like five or six days. 708 00:38:54,000 --> 00:38:57,839 Speaker 3: Only five or six days. That's like almost a week only. Yeah, 709 00:38:57,880 --> 00:39:01,799 Speaker 3: that's a long time. Wow, he's back home and he's okay. Now, 710 00:39:01,840 --> 00:39:04,000 Speaker 3: when you were jumping up and down, when you were 711 00:39:04,040 --> 00:39:08,920 Speaker 3: jumping up and down, was that aggravating your bunions? You 712 00:39:09,000 --> 00:39:10,320 Speaker 3: know what? Is it? 713 00:39:10,600 --> 00:39:10,960 Speaker 1: Is? It? Did? 714 00:39:11,080 --> 00:39:12,000 Speaker 4: I don't even notice it? 715 00:39:12,200 --> 00:39:12,319 Speaker 1: Right? 716 00:39:12,400 --> 00:39:14,640 Speaker 3: You were? You were so enthralled. Yes, I get it. 717 00:39:14,719 --> 00:39:15,239 Speaker 3: He's your man. 718 00:39:16,600 --> 00:39:16,799 Speaker 5: Yeah. 719 00:39:17,320 --> 00:39:20,479 Speaker 4: So he's doing well, that's right, you know what being Yeah, 720 00:39:21,120 --> 00:39:23,279 Speaker 4: he wanted to he went this morning. 721 00:39:23,040 --> 00:39:26,399 Speaker 3: And cancer free. Oh, good news, beautiful. That's great. 722 00:39:27,040 --> 00:39:29,600 Speaker 4: Remember I told you last week that we were worried 723 00:39:29,640 --> 00:39:31,320 Speaker 4: about it, and I said concentrate on that. 724 00:39:32,880 --> 00:39:37,799 Speaker 3: Yes, it worked, I remember all that. Okay, good, that's 725 00:39:37,840 --> 00:39:38,640 Speaker 3: great news. Sue. 726 00:39:38,800 --> 00:39:42,520 Speaker 4: Yeah, yeah, I'm really happy. So but I just wanted 727 00:39:42,560 --> 00:39:44,960 Speaker 4: to call and thank everybody that might have kept us 728 00:39:45,080 --> 00:39:46,400 Speaker 4: in ours out or whatever. 729 00:39:47,239 --> 00:39:51,160 Speaker 3: It was pretty cool. Well, it sounds like, uh, so 730 00:39:51,280 --> 00:39:52,520 Speaker 3: what do you have to do now? Like what's that 731 00:39:52,640 --> 00:39:54,360 Speaker 3: you keep an eye on him or is it just 732 00:39:54,440 --> 00:39:56,480 Speaker 3: kind of is he going to have to make big 733 00:39:56,640 --> 00:39:58,960 Speaker 3: changes in his lifestyle Sue? Or are you going to 734 00:39:59,040 --> 00:39:59,920 Speaker 3: have to crack the win. 735 00:40:01,760 --> 00:40:08,080 Speaker 4: Oh no, no, he'll just have to take a one 736 00:40:08,160 --> 00:40:11,040 Speaker 4: to day, you know, and it'll takes a few months 737 00:40:11,040 --> 00:40:14,759 Speaker 4: to actually kick in. But yeah, he's he's good, dude, 738 00:40:14,800 --> 00:40:15,600 Speaker 4: he's cancer free. 739 00:40:15,680 --> 00:40:16,480 Speaker 10: I'm so happy. 740 00:40:17,560 --> 00:40:20,879 Speaker 3: Good. Well, that's great news, fantastic. Give him our best. 741 00:40:20,920 --> 00:40:25,680 Speaker 4: Okay, everybody out there, right, you got your baby? All right, 742 00:40:25,719 --> 00:40:26,120 Speaker 4: I'll talk to. 743 00:40:26,120 --> 00:40:32,560 Speaker 3: You later, Sue. Drunction Bob is back. 744 00:40:32,880 --> 00:40:33,879 Speaker 1: Call Rob. 745 00:40:35,560 --> 00:40:40,680 Speaker 3: Happy and healthy and gets a leap right back into 746 00:40:40,719 --> 00:40:45,600 Speaker 3: Sue's arms. Right, shouldn't even feel her bunions being hurt? 747 00:40:46,840 --> 00:40:48,799 Speaker 11: Suit suit sus. 748 00:40:48,600 --> 00:40:50,600 Speaker 3: Our own Jess has bunions too, I believe right if 749 00:40:50,640 --> 00:40:53,239 Speaker 3: memory searchs just one, just one bunion, and. 750 00:40:53,280 --> 00:40:56,040 Speaker 5: I'm looking into surgery. Just got to figure out a date. 751 00:40:56,960 --> 00:41:03,239 Speaker 5: You got to take a date to surgery. Yeah, hey, hey, 752 00:41:03,440 --> 00:41:06,200 Speaker 5: who wants to be my plus one for my bunyon? 753 00:41:06,719 --> 00:41:08,920 Speaker 5: I've already got a plus one on my foot. It 754 00:41:08,960 --> 00:41:11,400 Speaker 5: looks like I have a sixth toe? Would you like 755 00:41:11,480 --> 00:41:12,080 Speaker 5: to come with me? 756 00:41:13,120 --> 00:41:18,359 Speaker 3: All right? You go see a shropitist for that, a podiatrist. Oh, 757 00:41:18,480 --> 00:41:22,400 Speaker 3: I got sharpitis. Well that's just an old timey I 758 00:41:22,480 --> 00:41:25,800 Speaker 3: was being cheeky. Pediatrist, foot doctor yeah, I do have to. 759 00:41:26,160 --> 00:41:27,680 Speaker 3: All right, Well, I mean I'll get around to it 760 00:41:27,800 --> 00:41:32,799 Speaker 3: one day, maybe next winter. Next winter, right, you want 761 00:41:32,840 --> 00:41:35,479 Speaker 3: to get better to do that when there isn't snow 762 00:41:35,520 --> 00:41:36,880 Speaker 3: and ice on the ground. I was gonna say, she 763 00:41:36,920 --> 00:41:41,120 Speaker 3: wants to give that bunyon one more fun summer, Rob, Yeah, 764 00:41:41,160 --> 00:41:43,160 Speaker 3: you would think do that when like the ground is 765 00:41:43,280 --> 00:41:47,040 Speaker 3: not frozen and wear nice shoes. Yeah, but I was 766 00:41:47,080 --> 00:41:49,320 Speaker 3: gonna say, get it done so that you can like 767 00:41:49,480 --> 00:41:52,080 Speaker 3: rock some flip flops this summer. I want my dogs 768 00:41:52,120 --> 00:41:57,239 Speaker 3: out right when that age old question is asked, Rob, 769 00:41:57,320 --> 00:42:01,440 Speaker 3: who let the dogs out? A jazz is gonna have? Now? 770 00:42:01,440 --> 00:42:03,160 Speaker 3: Will they let you keep the bunyon when they saw 771 00:42:03,200 --> 00:42:05,080 Speaker 3: it off, will they put it in like fromaldehyde or 772 00:42:05,080 --> 00:42:08,239 Speaker 3: at little aramicin or something, whether you keep it, I 773 00:42:08,320 --> 00:42:11,560 Speaker 3: have a feeling it looked like sawdust. Oh, because they'll 774 00:42:11,560 --> 00:42:13,800 Speaker 3: grade it off. Oh cheese, right, I could make it 775 00:42:13,960 --> 00:42:17,799 Speaker 3: like into sand. You'll have bone dust. Yeah. We'll put 776 00:42:17,800 --> 00:42:21,320 Speaker 3: it in a locket perfect where it is an ankle bracelet, 777 00:42:21,400 --> 00:42:23,680 Speaker 3: so it'll be it'll be close to your foot. Somebody 778 00:42:23,719 --> 00:42:25,719 Speaker 3: will be like, is that ashes around your deck? No, 779 00:42:25,880 --> 00:42:31,239 Speaker 3: it's my bunyan dust. How is that from a dear 780 00:42:31,320 --> 00:42:34,879 Speaker 3: departed loved one. No, no, no, it's Bunyon Dust. I'm 781 00:42:34,920 --> 00:42:37,120 Speaker 3: playing them next weekend on two hours to midnight, Rob, 782 00:42:37,280 --> 00:42:40,120 Speaker 3: you beat me to it. Yeah, we're on hiatus this weekend. 783 00:42:40,200 --> 00:42:44,880 Speaker 3: But Bunyon Dust is a woman named Alison Lukes. She 784 00:42:45,160 --> 00:42:49,040 Speaker 3: has and she is serving Lukes. She has worked at 785 00:42:49,080 --> 00:42:52,600 Speaker 3: the National Gallery of Art in Washington, D C. For 786 00:42:52,800 --> 00:42:55,320 Speaker 3: forty seven years. I don't know if she's a docent. 787 00:42:55,880 --> 00:42:59,680 Speaker 3: I don't know if she is a manager of some kind. 788 00:43:00,440 --> 00:43:03,200 Speaker 3: She speaks five languages, Rob, We have a lot of 789 00:43:03,200 --> 00:43:06,640 Speaker 3: people in this country can't even speak English, their native 790 00:43:06,800 --> 00:43:12,000 Speaker 3: language properly. She speaks five languages, and now she's trying 791 00:43:12,000 --> 00:43:14,200 Speaker 3: to bring the kids in. Rob's trying to get the 792 00:43:14,320 --> 00:43:21,120 Speaker 3: younger generation interested in history by describing the various pieces 793 00:43:21,160 --> 00:43:25,840 Speaker 3: there at the National Gallery of Art using gen z slang. Okay, 794 00:43:26,120 --> 00:43:31,080 Speaker 3: this is always fun, it's always super cool. She's being cheeky. 795 00:43:31,160 --> 00:43:35,800 Speaker 3: But the museum's social media manager, who's obviously much younger, 796 00:43:38,000 --> 00:43:41,120 Speaker 3: said that it might be super cringe if anybody else 797 00:43:41,239 --> 00:43:44,680 Speaker 3: was doing it. But since Alison Luke's is an older 798 00:43:44,800 --> 00:43:47,759 Speaker 3: woman and she, you know, she's been there almost fifty years, 799 00:43:48,000 --> 00:43:52,440 Speaker 3: genuine enthusiasm obviously for this kind of work. And so 800 00:43:52,560 --> 00:43:55,320 Speaker 3: this is how she's described. I'll show these two you 801 00:43:55,360 --> 00:43:57,640 Speaker 3: here on the live stream. She's describing these pieces to. 802 00:43:57,719 --> 00:44:01,560 Speaker 10: Bust, sit down Roman Empire style. Hadris will say this 803 00:44:01,960 --> 00:44:05,399 Speaker 10: urn is mid, but they don't know we plopped its tea. 804 00:44:06,239 --> 00:44:10,800 Speaker 10: This goaded red purple stone called porphyry was joinked out. 805 00:44:10,640 --> 00:44:13,799 Speaker 3: Of the mountain ancient, out of a mountain. I love 806 00:44:13,840 --> 00:44:14,880 Speaker 3: it Egypt. 807 00:44:15,120 --> 00:44:18,480 Speaker 10: Then the Romans snatched it and turned it into a column, 808 00:44:18,719 --> 00:44:22,040 Speaker 10: and then Renaissance artists leveled up and turned it into 809 00:44:22,120 --> 00:44:26,480 Speaker 10: an urn. Punk is mewing, he's looking low ki chopped, 810 00:44:26,840 --> 00:44:29,960 Speaker 10: but the lion does not concern himself with the opinions 811 00:44:30,000 --> 00:44:33,400 Speaker 10: of sheep. These grotesque faces were meant to make the owners. 812 00:44:33,480 --> 00:44:33,640 Speaker 1: Well. 813 00:44:33,719 --> 00:44:37,200 Speaker 3: Now, this type of urn was hard to car. Hi 814 00:44:37,360 --> 00:44:42,759 Speaker 3: Key valuable, chat hi Key valuable rob yep. Did I 815 00:44:42,880 --> 00:44:45,120 Speaker 3: ever mention that my daughter referred to me as mid 816 00:44:45,440 --> 00:44:47,560 Speaker 3: in one context that I tell you about this? Okay, 817 00:44:48,480 --> 00:44:50,440 Speaker 3: you know we've had this puppy. We got the puppy. 818 00:44:50,680 --> 00:44:52,640 Speaker 3: The puppy was two months old. We got her, and 819 00:44:52,680 --> 00:44:55,520 Speaker 3: now we've had her for a few weeks. And we 820 00:44:55,640 --> 00:44:57,920 Speaker 3: first got the puppy because I came home there was 821 00:44:57,920 --> 00:45:02,440 Speaker 3: a puppy there one day, and I was told that 822 00:45:02,719 --> 00:45:06,000 Speaker 3: someone asked my daughter what my reaction to this puppy was, 823 00:45:06,480 --> 00:45:10,120 Speaker 3: and apparently my daughter's quote was he he was acting 824 00:45:10,200 --> 00:45:12,440 Speaker 3: pretty mid about it, but I think he really likes 825 00:45:12,480 --> 00:45:16,200 Speaker 3: her and I she was like blushing when I heard 826 00:45:16,239 --> 00:45:18,359 Speaker 3: this and repeated it back to her because I thought 827 00:45:18,360 --> 00:45:20,080 Speaker 3: it was so funny. She was just talking and again, 828 00:45:20,080 --> 00:45:22,399 Speaker 3: I've never heard her say that you're going to talk 829 00:45:22,400 --> 00:45:24,480 Speaker 3: differently with your friends or of course yeah, but I 830 00:45:24,600 --> 00:45:28,520 Speaker 3: was like wow, And so in true dad style, I 831 00:45:28,640 --> 00:45:31,000 Speaker 3: keep throwing that back right anytime something happens, I go, well, 832 00:45:31,000 --> 00:45:33,759 Speaker 3: I don't want to be too mid about it, and 833 00:45:33,840 --> 00:45:36,880 Speaker 3: she gets all sheepish. I've never been referred to as 834 00:45:36,960 --> 00:45:39,239 Speaker 3: mid rock. And I was just joking dad, Well yeah, 835 00:45:39,280 --> 00:45:41,000 Speaker 3: not even that. She just kind of, you know, gives 836 00:45:41,080 --> 00:45:43,000 Speaker 3: me some front eye. I get the uh. 837 00:45:43,560 --> 00:45:46,320 Speaker 9: I get a lot of that stuff from my girls, 838 00:45:46,640 --> 00:45:49,839 Speaker 9: and that joking around way too, you know, because I'll 839 00:45:49,840 --> 00:45:51,840 Speaker 9: say something and you're so cringe. 840 00:45:52,320 --> 00:45:54,960 Speaker 8: And then and then they just like laugh because they know, like, 841 00:45:55,520 --> 00:45:57,920 Speaker 8: but they also know that we're we're trying to do 842 00:45:58,040 --> 00:46:01,839 Speaker 8: that oh, without questions, and I play along like all 843 00:46:01,920 --> 00:46:03,920 Speaker 8: the time, Like period is. 844 00:46:03,920 --> 00:46:06,239 Speaker 9: A big one, like when something good happens in the house, 845 00:46:06,400 --> 00:46:08,840 Speaker 9: you know, especially Caitlyn, she'll be like, oh, period, And. 846 00:46:08,920 --> 00:46:10,399 Speaker 3: I was gonna say, with a house full of women, robber, 847 00:46:10,400 --> 00:46:11,120 Speaker 3: you have to be more so that. 848 00:46:11,400 --> 00:46:14,560 Speaker 9: Yeah, that's just that's just commonplace. But but like period 849 00:46:14,680 --> 00:46:17,160 Speaker 9: just puts the exclamation point on something, even though it's 850 00:46:17,440 --> 00:46:20,799 Speaker 9: called period, right, use it. But she she uses that one. 851 00:46:20,880 --> 00:46:22,680 Speaker 9: So I'll do it just to mess with her. I'll say, 852 00:46:22,680 --> 00:46:24,200 Speaker 9: I'll be like, oh, period, and she'll look at me 853 00:46:24,320 --> 00:46:27,120 Speaker 9: like dad and then just laugh. But my wife will 854 00:46:27,160 --> 00:46:27,320 Speaker 9: do it. 855 00:46:27,480 --> 00:46:30,840 Speaker 3: But you are, at least anecdotally in my life, you 856 00:46:30,960 --> 00:46:34,399 Speaker 3: are single handedly keeping six seven around. Oh I try 857 00:46:34,800 --> 00:46:35,359 Speaker 3: all the time. 858 00:46:35,440 --> 00:46:38,640 Speaker 9: And and my my youngest still, like we'll just look 859 00:46:38,680 --> 00:46:42,279 Speaker 9: at each other every because my phone number has a 860 00:46:42,440 --> 00:46:45,839 Speaker 9: six seven in it, so whenever I give my cell number, 861 00:46:45,920 --> 00:46:47,400 Speaker 9: she'll look at me and she'll do it and then 862 00:46:47,440 --> 00:46:50,160 Speaker 9: we just laugh, you know. So I don't see that 863 00:46:50,239 --> 00:46:53,960 Speaker 9: going away anytime soon. Well that's not true because my 864 00:46:54,080 --> 00:46:56,080 Speaker 9: heart's taken away the phone. So once they do that, 865 00:46:56,120 --> 00:46:58,280 Speaker 9: I'm going to change my phone number. 866 00:46:58,320 --> 00:46:59,320 Speaker 3: But as long as I have it. 867 00:46:59,400 --> 00:47:03,440 Speaker 9: Oh they took your phone? Well, no, but they it's there. Like, 868 00:47:03,560 --> 00:47:05,920 Speaker 9: if I'm paying for my phone, I'm not going to 869 00:47:06,040 --> 00:47:08,279 Speaker 9: check email and stuff on it. Like that's the reason 870 00:47:08,320 --> 00:47:10,120 Speaker 9: I check email now is because they pay me to, 871 00:47:10,360 --> 00:47:12,080 Speaker 9: I see. But like, I'm not going to do that 872 00:47:12,960 --> 00:47:14,280 Speaker 9: once they take the phone back. 873 00:47:14,360 --> 00:47:17,759 Speaker 3: Right, So that phone number has a six and seven 874 00:47:17,800 --> 00:47:19,120 Speaker 3: in it, Yeah, and it's going to change. 875 00:47:19,200 --> 00:47:21,000 Speaker 9: I'll just I'll just change the number and give that 876 00:47:21,120 --> 00:47:25,320 Speaker 9: to like you here, and that'll be it, you know, 877 00:47:25,680 --> 00:47:27,640 Speaker 9: so I won't have to necessarily use it for work. 878 00:47:27,680 --> 00:47:29,080 Speaker 3: So I will lose the six seven. 879 00:47:29,160 --> 00:47:31,480 Speaker 9: But now every time I give the number, I do 880 00:47:31,640 --> 00:47:33,279 Speaker 9: the the six seven, and I look at her and 881 00:47:33,360 --> 00:47:35,239 Speaker 9: she just laughs and does the hands mm hm. 882 00:47:36,480 --> 00:47:38,239 Speaker 3: So I think it'll stick around. I think it's I 883 00:47:38,280 --> 00:47:40,759 Speaker 3: think it still has some legs, at least with us, 884 00:47:42,400 --> 00:47:47,600 Speaker 3: so that older lady there is really trying to she's 885 00:47:47,840 --> 00:47:50,160 Speaker 3: working her gen z slang. I think she did a 886 00:47:50,200 --> 00:47:50,640 Speaker 3: great job. 887 00:47:50,760 --> 00:47:51,279 Speaker 4: I liked it. 888 00:47:51,520 --> 00:47:52,680 Speaker 3: I think she was fantastic. 889 00:47:52,719 --> 00:47:52,840 Speaker 1: You know. 890 00:47:52,960 --> 00:47:54,799 Speaker 3: I don't think she knew one thing she was saying. 891 00:47:54,920 --> 00:47:58,120 Speaker 3: It doesn't matter, but she's very, very obviously well versed 892 00:47:58,160 --> 00:48:01,879 Speaker 3: in the historical aspect. Of it, and so so all 893 00:48:01,920 --> 00:48:04,360 Speaker 3: that was required there were for her younger coworkers to 894 00:48:04,440 --> 00:48:07,560 Speaker 3: kind of fill in some of her blanks. Six seven. 895 00:48:09,000 --> 00:48:12,520 Speaker 3: It is funny, you know, as people begin to realize 896 00:48:12,640 --> 00:48:16,080 Speaker 3: more and more that everything online and social media and 897 00:48:16,560 --> 00:48:20,480 Speaker 3: it all kind of sucks, right, And it's not a 898 00:48:20,560 --> 00:48:23,279 Speaker 3: new development. It has for a while. We've just put 899 00:48:23,400 --> 00:48:25,319 Speaker 3: up with it. And I feel like more and more 900 00:48:26,120 --> 00:48:28,959 Speaker 3: people are opting to put up with it less and less, 901 00:48:29,000 --> 00:48:31,120 Speaker 3: and so you'll start seeing these pieces written about like 902 00:48:31,800 --> 00:48:35,279 Speaker 3: boomer hobbies that gen Z loves and are suddenly cool 903 00:48:35,320 --> 00:48:37,839 Speaker 3: all over again. I'm like, wasn't this just weren't these 904 00:48:37,960 --> 00:48:40,160 Speaker 3: just pandemic time killers already? 905 00:48:41,040 --> 00:48:41,200 Speaker 1: You know? 906 00:48:41,239 --> 00:48:43,160 Speaker 3: They're like, oh, the gen Z kids are getting into 907 00:48:43,239 --> 00:48:45,480 Speaker 3: gardening and knitting, and I'm like, ya, this is what 908 00:48:45,560 --> 00:48:47,560 Speaker 3: people were doing when they were cooped up in their houses. 909 00:48:48,239 --> 00:48:50,359 Speaker 3: People are making bread. It's not gonna last. 910 00:48:51,440 --> 00:48:53,680 Speaker 9: It's just it's something right now, right, Like there's no 911 00:48:53,800 --> 00:48:56,200 Speaker 9: way all of a sudden people are gonna be like, oh, 912 00:48:56,239 --> 00:48:58,919 Speaker 9: I need to check on my cucumbers more often. 913 00:48:59,320 --> 00:49:02,360 Speaker 3: That's not gonna last. Well, but if you're if I 914 00:49:02,480 --> 00:49:05,640 Speaker 3: don't know, I mean, I think it could last. Not 915 00:49:05,800 --> 00:49:08,239 Speaker 3: that it takes up every moment of your free time. 916 00:49:08,360 --> 00:49:10,799 Speaker 3: But I think that there's I don't see any downside 917 00:49:10,800 --> 00:49:13,600 Speaker 3: to something along those lines that at least kind of 918 00:49:15,560 --> 00:49:17,040 Speaker 3: like the kids say, Rob, you gotta get out there 919 00:49:17,040 --> 00:49:24,839 Speaker 3: and touch grass. Gardening is one example in this list. Knitting, fishing, Rob, 920 00:49:25,360 --> 00:49:27,680 Speaker 3: go grab a lawnmower, help your dad and cut the grass. 921 00:49:27,760 --> 00:49:32,759 Speaker 3: There you go, done? Yeah, touch grass? Uh huh, I 922 00:49:32,920 --> 00:49:34,040 Speaker 3: say that, but I like, you know. 923 00:49:34,080 --> 00:49:35,600 Speaker 9: We've talked about this before, and I caught a whole 924 00:49:35,600 --> 00:49:37,640 Speaker 9: bunch of flat because I don't have my girls cut 925 00:49:37,680 --> 00:49:39,319 Speaker 9: the grass. Neither one of my daughters has ever cut 926 00:49:39,360 --> 00:49:43,239 Speaker 9: the grass. But like, I mean, that's just I just 927 00:49:43,360 --> 00:49:46,040 Speaker 9: do it. Yeah, but it's not like I'd begrudgingly do it. 928 00:49:46,120 --> 00:49:47,239 Speaker 9: I just cut the grass. 929 00:49:49,400 --> 00:49:51,600 Speaker 3: When I when we were in trouble, my dad would 930 00:49:51,640 --> 00:49:54,839 Speaker 3: make us cut the grass with scissors. Robs, Oh god, yeah, 931 00:49:55,640 --> 00:49:58,080 Speaker 3: my dad was. He was not joking around from the 932 00:49:58,160 --> 00:50:00,719 Speaker 3: South military. He's looking for ways to jack. 933 00:50:00,640 --> 00:50:03,799 Speaker 9: Around, right, do it this t It takes some time 934 00:50:04,480 --> 00:50:10,839 Speaker 9: thrun those little buttholes outside. Yeah, where's the scissors? Did 935 00:50:10,880 --> 00:50:11,480 Speaker 9: he have an accent? 936 00:50:12,480 --> 00:50:13,960 Speaker 3: My mom said he did, but I didn't hear it. 937 00:50:14,040 --> 00:50:17,719 Speaker 3: She goes, because you have it too. He lost his 938 00:50:18,000 --> 00:50:22,799 Speaker 3: Oh this sounds great, something awesome, so great. Falling right 939 00:50:22,840 --> 00:50:30,200 Speaker 3: back into our old ways sounds like it's great. Playing 940 00:50:30,239 --> 00:50:33,160 Speaker 3: it right off the photograph, theatrolla. I'm firing up the 941 00:50:33,239 --> 00:50:36,920 Speaker 3: victrolla in here. Well, the computer worked for what almost 942 00:50:37,800 --> 00:50:41,600 Speaker 3: an hour? Now it works enough. It's apparently still doesn't 943 00:50:41,640 --> 00:50:43,680 Speaker 3: work to the degree that I can play you audio 944 00:50:43,800 --> 00:50:48,320 Speaker 3: from it. But here's the real test. Hold on, whoa, okay, 945 00:50:48,600 --> 00:50:52,600 Speaker 3: may go with the long one though, are you lying? 946 00:50:52,719 --> 00:50:54,879 Speaker 3: Dave Yam