1 00:00:00,280 --> 00:00:04,360 Speaker 1: Mac in the cinema that we just absorbed into our 2 00:00:04,400 --> 00:00:08,080 Speaker 1: soul's big beautiful tapestry on the screen. 3 00:00:08,240 --> 00:00:09,200 Speaker 2: Yeah right right. 4 00:00:09,280 --> 00:00:12,479 Speaker 1: We saw that Ryan Gosling was the only man for 5 00:00:12,520 --> 00:00:16,400 Speaker 1: a job, the only person who could save the world. 6 00:00:16,520 --> 00:00:20,680 Speaker 1: I would like to ask you this, when facing imminent doom, 7 00:00:21,480 --> 00:00:25,080 Speaker 1: what is one skill that you have where you could 8 00:00:25,120 --> 00:00:27,560 Speaker 1: help save this planet? 9 00:00:27,720 --> 00:00:31,640 Speaker 2: Not long and hard about this skill. And I would 10 00:00:31,680 --> 00:00:34,519 Speaker 2: like to add that I think Ryan Gosling had a 11 00:00:34,560 --> 00:00:38,559 Speaker 2: couple of skills to help save humanity. 12 00:00:38,600 --> 00:00:40,800 Speaker 1: Having all that big ball of skill, it was a 13 00:00:40,800 --> 00:00:41,800 Speaker 1: big ball of skill. 14 00:00:42,080 --> 00:00:46,600 Speaker 2: But I think that I am a good problem solver. 15 00:00:46,840 --> 00:00:50,800 Speaker 2: I think that the job that I have uses a 16 00:00:50,840 --> 00:00:52,800 Speaker 2: lot of problem solving. I think I've always been good 17 00:00:52,800 --> 00:00:55,680 Speaker 2: at problem solving, which has led to me being decent 18 00:00:55,720 --> 00:00:59,520 Speaker 2: at my job. That's I think one of the better 19 00:00:59,600 --> 00:01:03,000 Speaker 2: skills to have in general, regardless of your background, whether 20 00:01:03,000 --> 00:01:04,920 Speaker 2: it be mass science or more blue collar you know 21 00:01:05,000 --> 00:01:08,119 Speaker 2: what I mean. Like, if you can solve problems thinking 22 00:01:08,200 --> 00:01:09,800 Speaker 2: outside of the box, I think that can go a 23 00:01:09,800 --> 00:01:12,760 Speaker 2: long way. Showing a little ingenuity I think helps that. 24 00:01:13,040 --> 00:01:16,920 Speaker 2: And ultimately, like I'm not sure if I have a 25 00:01:17,120 --> 00:01:19,880 Speaker 2: more like definable skill like I know there, I'm like 26 00:01:20,000 --> 00:01:22,640 Speaker 2: decent at a lot of stuff, but I think ultimately, 27 00:01:22,720 --> 00:01:25,800 Speaker 2: like my one true skill is problem solving, and I 28 00:01:25,840 --> 00:01:29,360 Speaker 2: think that actually would help with imminent doom or in 29 00:01:29,920 --> 00:01:32,240 Speaker 2: you know, a fallout situation. I think I'd be okay 30 00:01:32,360 --> 00:01:33,040 Speaker 2: due to that. 31 00:01:33,520 --> 00:01:36,720 Speaker 1: So you're saying, if this was NBA Jams and it 32 00:01:36,840 --> 00:01:39,760 Speaker 1: had like your highlight, like what your skill set is, 33 00:01:40,319 --> 00:01:43,360 Speaker 1: problem solving would be at like a nine, yeah, but 34 00:01:43,400 --> 00:01:45,240 Speaker 1: then speed would be a three. 35 00:01:45,160 --> 00:01:47,800 Speaker 2: Yeah, right right, And I and I think I've like, 36 00:01:48,240 --> 00:01:51,880 Speaker 2: for example, you were in the same Madden League for 37 00:01:51,920 --> 00:01:55,040 Speaker 2: me as years. What was I good at figuring out 38 00:01:55,040 --> 00:01:59,640 Speaker 2: what someone did and stopping them? You know, I'm just 39 00:01:59,680 --> 00:02:01,680 Speaker 2: good at that sort of line of thinking. I always have. 40 00:02:01,840 --> 00:02:03,480 Speaker 1: As if he used to let me score in my 41 00:02:03,560 --> 00:02:07,160 Speaker 1: first drive and then say that's all you're getting. You 42 00:02:07,200 --> 00:02:09,440 Speaker 1: only have five plays you showed them to me. 43 00:02:10,919 --> 00:02:12,359 Speaker 2: Problem solving, that's what I'm good at. 44 00:02:12,680 --> 00:02:13,600 Speaker 1: A good yeah. 45 00:02:13,720 --> 00:02:16,160 Speaker 2: If the world was facing imminent doom, what is one 46 00:02:16,200 --> 00:02:20,080 Speaker 2: skill that you have that could help save the planet. 47 00:02:19,760 --> 00:02:22,640 Speaker 1: The most important skill of all. You can give me 48 00:02:22,919 --> 00:02:26,280 Speaker 1: three hours of spoken word audio and say shot out 49 00:02:26,280 --> 00:02:28,760 Speaker 1: twenty minutes, give me the best package possible and I 50 00:02:28,760 --> 00:02:31,120 Speaker 1: can give it back to you editing. Editing is your 51 00:02:31,560 --> 00:02:37,480 Speaker 1: specifically editing audio. Don't give me video, right, so you 52 00:02:37,520 --> 00:02:41,880 Speaker 1: would be really useful to some corrupt presidents over the 53 00:02:41,960 --> 00:02:44,120 Speaker 1: last one hundred years. Give me the best propaganda you 54 00:02:44,120 --> 00:02:47,239 Speaker 1: can give me. Cut out all the bad stuff, massage 55 00:02:47,560 --> 00:02:50,200 Speaker 1: coming in and out of sentences, make it sound as 56 00:02:50,280 --> 00:02:52,960 Speaker 1: natural as possible. Yeah, I can do that. 57 00:02:53,440 --> 00:02:55,600 Speaker 2: You would have been sick in like nineteen eighty seven. 58 00:02:55,720 --> 00:02:59,000 Speaker 1: What sucks though? Like right now? What's bad for me? 59 00:02:59,280 --> 00:02:59,400 Speaker 2: Ay? 60 00:02:59,480 --> 00:03:02,640 Speaker 1: I can do that. On the site that we're using, 61 00:03:02,760 --> 00:03:06,520 Speaker 1: there's an option that says clean up audio and it'll 62 00:03:06,520 --> 00:03:09,640 Speaker 1: take all the ums, ohs and likes out of there. 63 00:03:10,480 --> 00:03:11,880 Speaker 2: Which is half your job. 64 00:03:11,960 --> 00:03:16,200 Speaker 1: That's half my goddamn job. These robots are tacking my gerb. 65 00:03:17,520 --> 00:03:20,919 Speaker 1: So I guess ask me again, go, Yeah. 66 00:03:20,520 --> 00:03:23,639 Speaker 2: If the world was facing imminent doom, what is one 67 00:03:23,720 --> 00:03:26,320 Speaker 2: skill that you have that can help save the planet. 68 00:03:27,120 --> 00:03:30,320 Speaker 1: I can make a fine chicken parmesan. All right, you've 69 00:03:30,320 --> 00:03:33,600 Speaker 1: seen my chicken palms. I can hammer them real, real thin, 70 00:03:34,600 --> 00:03:37,560 Speaker 1: bigger than your plate, put enough cheese on there to 71 00:03:37,640 --> 00:03:38,520 Speaker 1: make you come. 72 00:03:40,000 --> 00:03:42,720 Speaker 2: And that that's a nice skill because you could just 73 00:03:43,080 --> 00:03:46,640 Speaker 2: the person that will be providing or solving issues or 74 00:03:46,680 --> 00:03:51,280 Speaker 2: providing domicile to you. In the imminent doom situation, you'll 75 00:03:51,320 --> 00:03:51,920 Speaker 2: just cook for them. 76 00:03:52,040 --> 00:03:54,960 Speaker 1: Let's see a robot make a nice chicken palm. Go ahead, Hey, 77 00:03:55,000 --> 00:03:56,560 Speaker 1: I get in my face and do that. 78 00:04:04,440 --> 00:04:04,720 Speaker 2: One. 79 00:04:04,840 --> 00:04:19,320 Speaker 1: Goot three, yeah, just three. King of Queen Marl Street Entertainment. 80 00:04:19,480 --> 00:04:22,280 Speaker 1: I'm go and I'm ma, and we are the MAC 81 00:04:22,320 --> 00:04:26,040 Speaker 1: and Goo program we bring you. Are you the astronaut 82 00:04:26,120 --> 00:04:26,920 Speaker 1: or are you the rock? 83 00:04:27,080 --> 00:04:29,719 Speaker 2: I thought about this Goo, Yeah, I think with my 84 00:04:31,240 --> 00:04:36,800 Speaker 2: multitude of experience with breathing apparatus, I would be the 85 00:04:36,920 --> 00:04:38,480 Speaker 2: astronaut and you would be the rock. 86 00:04:38,600 --> 00:04:42,920 Speaker 1: Also with the rock, it needs help translating how it speaks, 87 00:04:43,360 --> 00:04:46,880 Speaker 1: whereas sometimes you need to, Hey, go tighten this up 88 00:04:46,920 --> 00:04:48,440 Speaker 1: a little bit, tighten up your thoughts. 89 00:04:48,680 --> 00:04:52,039 Speaker 2: There you go. So I'm I am what's his name? 90 00:04:52,640 --> 00:04:54,840 Speaker 1: Your Grace, and I am Rocky. 91 00:04:54,680 --> 00:04:56,680 Speaker 2: Your Rocky Adrian. 92 00:05:00,320 --> 00:05:04,400 Speaker 1: You get it about how hard you get it. It 93 00:05:04,440 --> 00:05:06,440 Speaker 1: is about how hard you get it. But also get 94 00:05:06,440 --> 00:05:08,680 Speaker 1: back up, I got it. Don't worry. 95 00:05:08,960 --> 00:05:12,960 Speaker 2: Today we're discussing Project Hail Mary. This hit theaters on 96 00:05:13,080 --> 00:05:16,679 Speaker 2: March twentieth. Goo was able to catch the early screening. 97 00:05:16,720 --> 00:05:19,280 Speaker 2: I was not, and then I was in Ireland when 98 00:05:19,320 --> 00:05:21,640 Speaker 2: it came out. So here we are talking about it 99 00:05:21,880 --> 00:05:24,000 Speaker 2: just a little bit after the fact, about ten days after. 100 00:05:24,120 --> 00:05:26,719 Speaker 1: But also now we know it's a smash sensation, so 101 00:05:26,920 --> 00:05:28,400 Speaker 1: perfect time to jump on. 102 00:05:29,000 --> 00:05:32,239 Speaker 2: And speaking of that, this just crossed three hundred million 103 00:05:32,240 --> 00:05:35,320 Speaker 2: dollars worldwide off of a two hundred million dollar budget. 104 00:05:35,560 --> 00:05:37,280 Speaker 2: There was a lot of marketing. It's probably going to 105 00:05:37,320 --> 00:05:39,240 Speaker 2: get to five hundred million to break even. It's got 106 00:05:39,240 --> 00:05:41,920 Speaker 2: to get there pretty easily. This is already at one 107 00:05:42,000 --> 00:05:44,559 Speaker 2: hundred and sixty four domestic. It had an eighty million 108 00:05:44,560 --> 00:05:48,040 Speaker 2: dollar opening weekend. It's just it keeps beating all the expectations, 109 00:05:48,279 --> 00:05:50,880 Speaker 2: and all the reviews are very. 110 00:05:50,279 --> 00:05:52,320 Speaker 1: Word of mouth as well. I have people this is 111 00:05:52,320 --> 00:05:56,680 Speaker 1: the movie that more than almost any other where normal people, 112 00:05:56,760 --> 00:05:59,320 Speaker 1: not cinema going people, are going up to being like, 113 00:05:59,360 --> 00:06:01,000 Speaker 1: hey have you seen Project Tail Mary? 114 00:06:01,320 --> 00:06:04,400 Speaker 2: Yeah? And I think what's helping it a lot here 115 00:06:04,760 --> 00:06:08,160 Speaker 2: is the core of this story is a really sweet 116 00:06:08,200 --> 00:06:12,840 Speaker 2: and kind hearted relationship in story that I think you 117 00:06:13,400 --> 00:06:16,080 Speaker 2: don't get all that often in movies these. 118 00:06:16,320 --> 00:06:20,400 Speaker 1: I also believe that many people who have grown cynical 119 00:06:20,760 --> 00:06:24,600 Speaker 1: of the movie going experience when it comes to ips 120 00:06:25,120 --> 00:06:27,560 Speaker 1: when it comes to like what's being pushed upon them. 121 00:06:28,480 --> 00:06:33,040 Speaker 1: This is one that everyone can get behind because almost 122 00:06:33,120 --> 00:06:34,520 Speaker 1: the little engine that could. 123 00:06:34,440 --> 00:06:36,920 Speaker 2: And it's accessible. There are some themes here that everyone 124 00:06:36,920 --> 00:06:41,080 Speaker 2: can relate to. It's PG. Thirteen, So you're you're, you know, 125 00:06:41,120 --> 00:06:42,000 Speaker 2: playing to the masses. 126 00:06:42,120 --> 00:06:43,920 Speaker 1: It was a book. Did you know that it was 127 00:06:44,040 --> 00:06:44,440 Speaker 1: a book? 128 00:06:44,520 --> 00:06:46,599 Speaker 2: Good book written by Andy Ware, which I'll get to 129 00:06:46,640 --> 00:06:50,359 Speaker 2: in a couple of minutes. Goop Project tail Mary once again. PG. 130 00:06:50,400 --> 00:06:54,760 Speaker 2: Thirteen Drama, sci fi and thriller. Other themes subgenres here 131 00:06:54,839 --> 00:06:58,440 Speaker 2: dot comedy, epic sci fi, epic space sci fi. So 132 00:06:59,000 --> 00:07:03,679 Speaker 2: if you like heartwarming stories, if you like science fiction, 133 00:07:04,040 --> 00:07:06,040 Speaker 2: this is a really perfect intersection of this. 134 00:07:06,200 --> 00:07:07,839 Speaker 1: Do you like friendship, Yeah, yep. 135 00:07:07,960 --> 00:07:10,440 Speaker 2: If you like this podcast, you probably gonna like this movie. 136 00:07:11,840 --> 00:07:14,760 Speaker 2: One minor detriment, I'd say, goo. The runtime of this 137 00:07:14,800 --> 00:07:17,120 Speaker 2: movie is one hundred and fifty six long. It is long, 138 00:07:17,280 --> 00:07:19,720 Speaker 2: and there's a point or two here where you're like, 139 00:07:19,920 --> 00:07:21,800 Speaker 2: all right, we're this is this. 140 00:07:22,040 --> 00:07:23,880 Speaker 1: Kid skim over the source material? 141 00:07:26,280 --> 00:07:30,120 Speaker 2: But goo. Credit to the folks they said long, Maybe 142 00:07:30,200 --> 00:07:33,200 Speaker 2: I want more. Roddy T's ninety five percent from the critics, 143 00:07:33,280 --> 00:07:34,880 Speaker 2: ninety six percent from the audience. 144 00:07:34,880 --> 00:07:36,760 Speaker 1: I need it to drop two more, need it to 145 00:07:36,800 --> 00:07:38,280 Speaker 1: drop two more just to hurt Davy. 146 00:07:38,400 --> 00:07:42,160 Speaker 2: Everyone else is liking it. Metacritic of seventy seven, so 147 00:07:42,320 --> 00:07:44,720 Speaker 2: one of the better scores we've seen so far this year. 148 00:07:45,320 --> 00:07:47,720 Speaker 2: This is directed goo by two of our favorites, Phil 149 00:07:47,760 --> 00:07:50,760 Speaker 2: Lord and Christopher Miller. We would know them from Clone 150 00:07:50,840 --> 00:07:52,840 Speaker 2: High Claude with a Chance of Mattell. 151 00:07:53,040 --> 00:07:56,200 Speaker 1: I personally know them when they brought Abraham Lincoln JFK 152 00:07:56,480 --> 00:08:01,240 Speaker 1: Gandhi Cleopatra. Will Forte was Abraham Lincoln. 153 00:08:01,320 --> 00:08:04,600 Speaker 2: Yep, yep. They also directed twenty one and twenty two 154 00:08:04,680 --> 00:08:07,320 Speaker 2: Jump Street, the Lego movie, and produced a bunch of 155 00:08:07,320 --> 00:08:11,160 Speaker 2: stuff over the last decade. They have two upcoming projects 156 00:08:11,160 --> 00:08:13,800 Speaker 2: that of course will be interested in. One is called 157 00:08:13,880 --> 00:08:16,880 Speaker 2: Last Human, which there's not a lot known about. The 158 00:08:16,920 --> 00:08:20,880 Speaker 2: other is called Artemis Gou. Artemis is going to be 159 00:08:21,240 --> 00:08:24,920 Speaker 2: an adaptation of the novel by Andy Ware, So a 160 00:08:24,920 --> 00:08:25,400 Speaker 2: little peak. 161 00:08:25,760 --> 00:08:28,600 Speaker 1: Another guy, yeah, another one, Frank Guy. 162 00:08:28,760 --> 00:08:32,200 Speaker 2: Who was the novelist for Project Tail. Mary also wrote 163 00:08:32,240 --> 00:08:36,480 Speaker 2: The Martian. That was also wildly successful movie that came 164 00:08:36,520 --> 00:08:39,199 Speaker 2: out about a decade ago twenty ten, right, I think 165 00:08:39,200 --> 00:08:40,280 Speaker 2: it was like twenty sixteen. 166 00:08:40,280 --> 00:08:42,560 Speaker 1: All right, shut up twenty fourteen. Let's put the difference. 167 00:08:43,559 --> 00:08:45,959 Speaker 1: So what I like about it is that they're going 168 00:08:46,000 --> 00:08:49,160 Speaker 1: back to the well with this author almost like is 169 00:08:49,160 --> 00:08:53,240 Speaker 1: a Michael Crichton who Jurassic Park Westworld, like really pick 170 00:08:53,240 --> 00:08:56,440 Speaker 1: apart his sci fi ideas. What I did not like 171 00:08:56,480 --> 00:08:59,120 Speaker 1: about what I've heard since the release of this movie 172 00:08:59,600 --> 00:09:02,160 Speaker 1: is him talking about, well, I've thought about doing a sequel. 173 00:09:02,440 --> 00:09:05,440 Speaker 1: The point of I think Whiline people like this movie 174 00:09:05,679 --> 00:09:08,120 Speaker 1: is it's off on its own. It's its own thing. 175 00:09:08,520 --> 00:09:11,640 Speaker 1: We're not starting a trilogy, we're not starting a franchise. 176 00:09:11,800 --> 00:09:13,800 Speaker 1: It's a get in, get out, enjoy the movie. 177 00:09:14,080 --> 00:09:17,680 Speaker 2: You say that, and my instant reaction was, that's because 178 00:09:17,720 --> 00:09:20,320 Speaker 2: your IPA boy, Your ipa boy. That movie felt an 179 00:09:20,360 --> 00:09:23,760 Speaker 2: awful lot like The Martian. So it's like, yes, it's 180 00:09:23,800 --> 00:09:26,240 Speaker 2: not attached to the Martian, but it's in the same. 181 00:09:26,200 --> 00:09:30,760 Speaker 1: Shame ideas everyone here. Every one of these podcasts is 182 00:09:30,800 --> 00:09:33,440 Speaker 1: not a sequel to the previous one. They just sound 183 00:09:33,520 --> 00:09:33,920 Speaker 1: the same. 184 00:09:34,120 --> 00:09:37,679 Speaker 2: I know. It's just we're we're in these you know, 185 00:09:37,880 --> 00:09:42,200 Speaker 2: problem solving, kind hearted sci fi operation that apparently andy 186 00:09:42,200 --> 00:09:43,520 Speaker 2: Ware has cornered the market. 187 00:09:43,559 --> 00:09:45,680 Speaker 1: So what you're saying is that we should have called 188 00:09:45,880 --> 00:09:49,040 Speaker 1: The Martian problem solving kind hearted gentleman, and this should 189 00:09:49,040 --> 00:09:53,439 Speaker 1: have been problem solving proud gentleman too too. There we go. 190 00:09:53,880 --> 00:09:57,160 Speaker 2: Coo though, So if you liked The Martian, which I 191 00:09:57,160 --> 00:09:59,760 Speaker 2: did quite a bit, iFeel like this, which spoiler we 192 00:09:59,800 --> 00:10:02,360 Speaker 2: did quite a bit, we're probably going to be looking 193 00:10:02,400 --> 00:10:06,040 Speaker 2: forward to Artemis. Little synopsis of Artemis Goo Jazz is 194 00:10:06,080 --> 00:10:09,120 Speaker 2: a porter in part time smuggler and the lunar city 195 00:10:09,120 --> 00:10:11,400 Speaker 2: of Artemis. Trying to make a little extra money, she 196 00:10:11,480 --> 00:10:14,360 Speaker 2: accepts a less than's legal job but ends up involved 197 00:10:14,360 --> 00:10:16,800 Speaker 2: in a much bigger crime. It takes place in twenty 198 00:10:16,840 --> 00:10:19,200 Speaker 2: eighty and Artemis is the first and only city on 199 00:10:19,240 --> 00:10:21,559 Speaker 2: the moon, So we're back into the sci fi. 200 00:10:21,679 --> 00:10:24,320 Speaker 1: So now I thought, until you said she, I thought 201 00:10:24,360 --> 00:10:26,560 Speaker 1: it was going to be Ryan Gossling again, because he 202 00:10:26,640 --> 00:10:30,120 Speaker 1: also saved Jazz right in that movie with Emma Stone. 203 00:10:30,360 --> 00:10:34,120 Speaker 2: That'd be nice, yeah, Goo. The script, the movie script, 204 00:10:34,640 --> 00:10:38,360 Speaker 2: the adapt at the adaption of the novel is that 205 00:10:38,440 --> 00:10:41,480 Speaker 2: how you pronounced it was done by Drew Goddard, who 206 00:10:41,559 --> 00:10:44,720 Speaker 2: we know very well as well Buffy Angel Cloverfield, Lost 207 00:10:44,960 --> 00:10:47,560 Speaker 2: Cabin of the Woods, World War Z, The Martian bad 208 00:10:47,600 --> 00:10:50,679 Speaker 2: times with the l Royale and Daredevil. So you have 209 00:10:50,880 --> 00:10:54,160 Speaker 2: a lot of experience, a lot of Hollywood experience here 210 00:10:54,160 --> 00:10:57,920 Speaker 2: that obviously I think so good and I obviously haven't 211 00:10:57,920 --> 00:10:58,480 Speaker 2: read the book. 212 00:10:58,559 --> 00:11:00,000 Speaker 1: For those who never gone on, there's a movie. 213 00:11:00,360 --> 00:11:03,360 Speaker 2: What I'm gathering from the internet is they they took 214 00:11:03,360 --> 00:11:06,679 Speaker 2: the source material Andy Weare's novel and punched up the 215 00:11:06,720 --> 00:11:10,880 Speaker 2: better like movie aspects of it, in that the relationship 216 00:11:10,920 --> 00:11:15,520 Speaker 2: between Rylan Grace and Rocky. Whereas the book is heavy 217 00:11:15,559 --> 00:11:18,679 Speaker 2: on the science and heavy on the set of. 218 00:11:18,720 --> 00:11:21,160 Speaker 1: And this movie still is heavy on that stuff, but 219 00:11:21,240 --> 00:11:23,880 Speaker 1: this movie leans more into the friendship. 220 00:11:24,200 --> 00:11:27,120 Speaker 2: Yeah, and also apparently it takes a really long time 221 00:11:27,160 --> 00:11:30,000 Speaker 2: in the book to get to the Rocky stuff. It's 222 00:11:30,040 --> 00:11:31,840 Speaker 2: a lot of setup. So obviously I think they did 223 00:11:31,920 --> 00:11:36,640 Speaker 2: a good job adapting this. Gosynopsis of Project Tail, Mary, 224 00:11:36,920 --> 00:11:39,760 Speaker 2: a science teacher, wakes up alone on a spaceship. As 225 00:11:39,800 --> 00:11:42,840 Speaker 2: his memory returns, he uncovers a mission to stop a 226 00:11:42,880 --> 00:11:47,160 Speaker 2: mysterious substance killing Earth's son, and that an unexpected friendship 227 00:11:47,200 --> 00:11:50,120 Speaker 2: may be the key. This movie stars. There are a 228 00:11:50,120 --> 00:11:52,160 Speaker 2: few bit actors here, but all we really need to 229 00:11:52,200 --> 00:11:56,319 Speaker 2: know is Ryan Gosling is Ryland Grace, Sandra Huler Huler 230 00:11:56,600 --> 00:12:01,920 Speaker 2: as Eva Stratt. James Ortiz voices you have a number 231 00:12:01,960 --> 00:12:04,120 Speaker 2: of other people you've seen before that are in smaller roles. 232 00:12:04,120 --> 00:12:06,120 Speaker 2: But that's really what this cast is. 233 00:12:06,320 --> 00:12:09,160 Speaker 1: Big reason why Rocky plays so well in this is 234 00:12:09,200 --> 00:12:13,440 Speaker 1: the practical effects that go into the puppetry that is Rocky. 235 00:12:13,720 --> 00:12:15,439 Speaker 1: And a lot of people have pointed out as well, 236 00:12:15,520 --> 00:12:20,319 Speaker 1: like a lack of CGI specifically in the Space Shuttle. Yeah, 237 00:12:20,440 --> 00:12:23,520 Speaker 1: that really does play up like hey, he's actually here. 238 00:12:23,880 --> 00:12:27,480 Speaker 2: Yeah, And in this movie has a lot of what 239 00:12:27,679 --> 00:12:31,600 Speaker 2: makes The Martian good and then throw in a little 240 00:12:31,640 --> 00:12:35,560 Speaker 2: bit of like Interstellar with a dash of Arrival in Passengers. 241 00:12:35,640 --> 00:12:37,920 Speaker 2: It has a little bit of all of that stuff. 242 00:12:38,400 --> 00:12:41,880 Speaker 2: And so I mean, when we're talking about the scores 243 00:12:41,920 --> 00:12:44,000 Speaker 2: here ninety five nine six percent, obviously people who love it. 244 00:12:44,160 --> 00:12:46,600 Speaker 2: The critic one is interesting, a seventy seven on Metacritic. 245 00:12:46,800 --> 00:12:49,559 Speaker 2: The Martian got an eighty, Interstellar has a seventy four, 246 00:12:49,679 --> 00:12:52,760 Speaker 2: Arrival has eighty one. I think it's an interesting conversation 247 00:12:52,840 --> 00:12:54,960 Speaker 2: to discuss these four movies together because they do a 248 00:12:55,000 --> 00:12:57,320 Speaker 2: lot of the same things and question a lot of 249 00:12:57,360 --> 00:12:57,880 Speaker 2: the same things. 250 00:12:57,960 --> 00:12:59,959 Speaker 1: Because I think these movies do a very good job 251 00:13:00,120 --> 00:13:03,400 Speaker 1: of questioning, like what do you do in what feels 252 00:13:03,480 --> 00:13:05,120 Speaker 1: like a very real situation? 253 00:13:05,480 --> 00:13:08,319 Speaker 2: Yeah, and The Martian and this movie are a bit 254 00:13:08,360 --> 00:13:12,120 Speaker 2: more lighthearter than Interstellar and Arrival, but they all are 255 00:13:12,240 --> 00:13:14,600 Speaker 2: like touching on this humanity sort of. 256 00:13:14,600 --> 00:13:17,520 Speaker 1: But also, yes, it is lighthearted. But as we put 257 00:13:17,559 --> 00:13:19,400 Speaker 1: the pieces together, by the way, I really like the 258 00:13:19,400 --> 00:13:21,920 Speaker 1: story structure in this. At first, I didn't care for it. 259 00:13:21,920 --> 00:13:24,240 Speaker 1: I'm like, oh, we're starting like this, but then as 260 00:13:24,280 --> 00:13:27,240 Speaker 1: we peeled back the pieces, I do like the point 261 00:13:27,280 --> 00:13:30,520 Speaker 1: in which we get the reveal of Okay, this is 262 00:13:30,559 --> 00:13:33,160 Speaker 1: good and then and we'll get into this in spoilers, 263 00:13:33,720 --> 00:13:35,080 Speaker 1: I do like the lesson learned. 264 00:13:35,160 --> 00:13:38,680 Speaker 2: Yeah, and it's also interesting to think about two those 265 00:13:38,720 --> 00:13:41,840 Speaker 2: three movies I just discussed, The Martian, Interstellar, and Arrival 266 00:13:42,679 --> 00:13:46,559 Speaker 2: have a very different conclusion than this movie does. And 267 00:13:46,760 --> 00:13:49,360 Speaker 2: I think you and I both agree here things get 268 00:13:49,400 --> 00:13:50,880 Speaker 2: tied up two neatly uniquely. 269 00:13:50,960 --> 00:13:52,600 Speaker 1: Once again in spoilers, we'll talk about that. 270 00:13:52,679 --> 00:13:56,839 Speaker 2: But it's also a little bit of a swerve. You're like, oh, okay, 271 00:13:57,040 --> 00:14:00,760 Speaker 2: it's different, but yeah, yeah, yeah. 272 00:14:00,160 --> 00:14:03,320 Speaker 1: Shall we do the Gauntlet air Let's let's do it. 273 00:14:03,640 --> 00:14:05,280 Speaker 1: Fun factor friendship. 274 00:14:05,559 --> 00:14:09,480 Speaker 2: Friendship is fun, and I have to admit the first 275 00:14:09,559 --> 00:14:12,280 Speaker 2: like eight seconds that I saw Rocky on screen and 276 00:14:12,360 --> 00:14:14,240 Speaker 2: I was like, I don't know if I liked that, 277 00:14:14,720 --> 00:14:16,760 Speaker 2: and each minute that past I liked it. 278 00:14:16,800 --> 00:14:19,000 Speaker 1: Are you saying that you judged the book by its cover? 279 00:14:19,360 --> 00:14:21,000 Speaker 2: I just I didn't think it was gonna work. I 280 00:14:21,000 --> 00:14:22,720 Speaker 2: thought it was bizarre. And then by the end I 281 00:14:22,800 --> 00:14:25,400 Speaker 2: loved everything they did with Rocky. 282 00:14:25,440 --> 00:14:26,880 Speaker 1: Did you find the science fun? 283 00:14:27,080 --> 00:14:30,800 Speaker 2: So there wasn't that much science, which like I could 284 00:14:30,800 --> 00:14:32,720 Speaker 2: have used a little bit more, But I also realized 285 00:14:32,760 --> 00:14:34,800 Speaker 2: it's not really that important. We know he's gonna fucking 286 00:14:34,800 --> 00:14:36,520 Speaker 2: figure it out, so just get to the figuring it 287 00:14:36,600 --> 00:14:36,960 Speaker 2: out part. 288 00:14:37,160 --> 00:14:41,760 Speaker 1: Satisfactor. I was getting really satisfied, and then they pulled 289 00:14:41,840 --> 00:14:44,360 Speaker 1: one more step and it took away a little bit. 290 00:14:44,560 --> 00:14:48,600 Speaker 2: I agree they're they're in one respect, it's pretty satisfying 291 00:14:48,680 --> 00:14:53,640 Speaker 2: to see that this relationship is ultimately like what holds together. 292 00:14:54,200 --> 00:14:57,040 Speaker 2: But I also think it was like just simply too 293 00:14:57,120 --> 00:14:58,600 Speaker 2: neat for everything that was going on. 294 00:14:58,960 --> 00:15:00,840 Speaker 1: Borrometer, sure, a. 295 00:15:00,800 --> 00:15:03,960 Speaker 2: Little bit, a little bit, it's long, there are some 296 00:15:04,120 --> 00:15:07,000 Speaker 2: necessary things that have to be done to tell this story. 297 00:15:07,400 --> 00:15:09,480 Speaker 2: It just felt like it was a smidge long. 298 00:15:09,760 --> 00:15:12,240 Speaker 1: Is it to the point where if you're recommending it 299 00:15:12,280 --> 00:15:14,320 Speaker 1: to somebody, you are gonna mention the length? 300 00:15:14,600 --> 00:15:17,360 Speaker 2: Yeah, because it felt like three hours and it was 301 00:15:17,720 --> 00:15:19,880 Speaker 2: a little over two and a half, but it felt long. 302 00:15:20,040 --> 00:15:23,400 Speaker 2: And about two hours in I checked my phone and 303 00:15:23,440 --> 00:15:25,800 Speaker 2: I was like, oh, we still got a little bit 304 00:15:25,840 --> 00:15:26,720 Speaker 2: of time left here. 305 00:15:27,600 --> 00:15:29,800 Speaker 1: What do we do next Halloween? Will this movie wane 306 00:15:29,800 --> 00:15:32,640 Speaker 1: over time? I think it absolutely will. I mean, most 307 00:15:32,640 --> 00:15:34,840 Speaker 1: movies that get this type of hype out of the 308 00:15:34,880 --> 00:15:37,520 Speaker 1: gate do hit a bit of a wayne, a bit 309 00:15:37,520 --> 00:15:38,840 Speaker 1: of a fatigue after a while. 310 00:15:38,880 --> 00:15:42,280 Speaker 2: Yeah, this will be interesting because I don't really have 311 00:15:42,320 --> 00:15:45,400 Speaker 2: any desire to rewatch the movie currently, but I have 312 00:15:45,480 --> 00:15:49,320 Speaker 2: found that over the last decade The Martian is pretty rewatchable. 313 00:15:49,480 --> 00:15:51,720 Speaker 2: I enjoy the shit out of The Martian, and so 314 00:15:51,760 --> 00:15:54,040 Speaker 2: I'm wondering if the core relationship of this movie is 315 00:15:54,080 --> 00:15:55,200 Speaker 2: gonna make it rewatch it. 316 00:15:55,280 --> 00:15:58,560 Speaker 1: But I also think The Martian has more. I like 317 00:15:58,640 --> 00:16:01,560 Speaker 1: the conversation in The Martian more than what we got 318 00:16:01,640 --> 00:16:06,080 Speaker 1: in this that's fair. Plemonade. Who made Plemonade? Jesse Plemons 319 00:16:06,120 --> 00:16:07,720 Speaker 1: is the man, and we need to think of someone 320 00:16:07,720 --> 00:16:12,000 Speaker 1: else that now does this in movies. I guess because 321 00:16:12,000 --> 00:16:14,040 Speaker 1: you can't even go Sandra Hueller because. 322 00:16:13,840 --> 00:16:15,040 Speaker 2: She is in so Healer. 323 00:16:15,160 --> 00:16:16,720 Speaker 1: No, I think she's in too much of the movie. 324 00:16:16,760 --> 00:16:20,119 Speaker 1: I'm gonna say the agent that is working with Gosling, 325 00:16:20,720 --> 00:16:24,440 Speaker 1: especially at the beginning, to figure out some of these 326 00:16:24,680 --> 00:16:27,760 Speaker 1: like these fun ways to you know, solve the situation. 327 00:16:27,920 --> 00:16:31,320 Speaker 2: I'm gonna go Heuler because she was cast perfectly. You know, 328 00:16:31,560 --> 00:16:34,760 Speaker 2: she was unknown to American audiences as of three years ago. 329 00:16:34,840 --> 00:16:37,200 Speaker 2: I think she clearly gets cast because of the two 330 00:16:37,200 --> 00:16:38,920 Speaker 2: great movies that she was in a couple of years ago. 331 00:16:39,280 --> 00:16:43,000 Speaker 2: And she crushes the role here where it's like a quiet, 332 00:16:43,240 --> 00:16:46,760 Speaker 2: very stoic, stoic but also kind of mean, but in 333 00:16:46,800 --> 00:16:49,680 Speaker 2: the nicest possible way. I think she's fantastic in the 334 00:16:49,760 --> 00:16:52,360 Speaker 2: role that she plays here. The role that she plays 335 00:16:52,360 --> 00:16:55,440 Speaker 2: a little bit here reminded me a lot of Jessica 336 00:16:55,760 --> 00:16:59,360 Speaker 2: Chastain and Zero Dark thirty, where she's like she's just 337 00:16:59,360 --> 00:17:01,240 Speaker 2: just great at her job. So I got a little 338 00:17:01,240 --> 00:17:04,000 Speaker 2: bit of those vibes here. I'll give it a Huter. 339 00:17:04,119 --> 00:17:06,080 Speaker 1: Why don't you give Huler Max Credit Union? 340 00:17:06,160 --> 00:17:08,280 Speaker 2: Then? Well, Max Credit Union is clearly going to go 341 00:17:08,320 --> 00:17:09,120 Speaker 2: to the goss. 342 00:17:09,119 --> 00:17:11,640 Speaker 1: The goss. Yeah, I would say Lord and Miller because 343 00:17:11,680 --> 00:17:13,800 Speaker 1: there they just crush this stuff. Man. 344 00:17:13,920 --> 00:17:17,480 Speaker 2: Yeah, but this is a movie about a guy acting 345 00:17:17,880 --> 00:17:20,520 Speaker 2: by himself for nearly two and a half hours, so 346 00:17:21,359 --> 00:17:23,480 Speaker 2: gossling and what like two or three other people could 347 00:17:23,480 --> 00:17:25,359 Speaker 2: do that, you could make this movie work, you know. 348 00:17:25,680 --> 00:17:26,600 Speaker 2: So that's why I think. 349 00:17:26,640 --> 00:17:29,200 Speaker 1: Chris Pratt, Chris Pratt though what he was saying the 350 00:17:29,240 --> 00:17:32,680 Speaker 1: whole time, Chris Pratt would have taken a completely different direction. 351 00:17:32,400 --> 00:17:35,560 Speaker 2: Though, fun fact of satisfactor Barometer, Halloween, A quater world, 352 00:17:35,600 --> 00:17:35,880 Speaker 2: this is. 353 00:17:35,960 --> 00:17:36,920 Speaker 1: It's better than a water world. 354 00:17:37,000 --> 00:17:41,080 Speaker 2: Yeah, pants, tent City Goo. There were a couple amazing 355 00:17:41,200 --> 00:17:43,760 Speaker 2: shots in this movie they look at a photography wise, 356 00:17:44,320 --> 00:17:47,800 Speaker 2: really cool fucking shots. The problem that they need to 357 00:17:47,880 --> 00:17:51,040 Speaker 2: solve here, I thought was pretty cool too. And like 358 00:17:51,119 --> 00:17:54,240 Speaker 2: the plan they come up with in the two working 359 00:17:54,280 --> 00:17:57,080 Speaker 2: together and then figuring out how to even speak to 360 00:17:57,119 --> 00:17:59,560 Speaker 2: each other, Like that's pretty cool too. So there's a 361 00:17:59,560 --> 00:18:01,320 Speaker 2: lot of cool and fun stuff in this movie. 362 00:18:01,359 --> 00:18:02,720 Speaker 1: It's a lot of cool, fun stuff, and I think 363 00:18:02,800 --> 00:18:06,240 Speaker 1: like the highlight of the movie for me was almost 364 00:18:06,320 --> 00:18:09,200 Speaker 1: undone by what we got in the finale. Like I 365 00:18:09,280 --> 00:18:13,680 Speaker 1: really liked a decision in this movie, but nothing really 366 00:18:13,720 --> 00:18:16,439 Speaker 1: comes of it. Yeah, yeah, what else do we have? 367 00:18:16,520 --> 00:18:17,679 Speaker 1: You had your phone out? 368 00:18:17,920 --> 00:18:19,080 Speaker 2: Yeah, I'd put it away now. 369 00:18:19,160 --> 00:18:19,320 Speaker 1: Oh. 370 00:18:19,680 --> 00:18:21,320 Speaker 2: I think we do dog scores. 371 00:18:21,000 --> 00:18:22,840 Speaker 1: Now, all right, for those of you tarty to the 372 00:18:22,880 --> 00:18:25,639 Speaker 1: Mac and Goop party, we rate everything on a forty 373 00:18:25,680 --> 00:18:27,800 Speaker 1: hot dog rating system. Mac, let me ask you this, 374 00:18:29,000 --> 00:18:32,920 Speaker 1: why did you let me eat six hot dogs on Saturday? 375 00:18:34,080 --> 00:18:34,760 Speaker 1: What the fuck? 376 00:18:34,840 --> 00:18:36,119 Speaker 2: Okay? I think I ate like three? 377 00:18:36,280 --> 00:18:38,320 Speaker 1: Okay, I ate too many hot dogs on Zaturday. 378 00:18:38,320 --> 00:18:40,400 Speaker 2: They are big beefy ones, big. 379 00:18:40,119 --> 00:18:42,240 Speaker 1: Beefy and one of them was filled with cheese, yeah, 380 00:18:42,240 --> 00:18:46,000 Speaker 1: which was delicious. We're at Shim's bachelor party, and was 381 00:18:46,040 --> 00:18:46,960 Speaker 1: it like two in the morning. 382 00:18:47,040 --> 00:18:48,720 Speaker 2: It was like twelve twelve thirty. 383 00:18:48,760 --> 00:18:51,920 Speaker 1: I have no concept of time right now. And someone 384 00:18:51,960 --> 00:18:53,959 Speaker 1: made a big play to hot dogs. Yeah, and it 385 00:18:54,000 --> 00:18:56,800 Speaker 1: was almost like a challenge, a challenge to suck down 386 00:18:56,840 --> 00:18:59,200 Speaker 1: as many as you can. But someone should have said 387 00:18:59,240 --> 00:19:01,000 Speaker 1: to me after one, what are you doing? Because in 388 00:19:01,080 --> 00:19:03,239 Speaker 1: the morning, four o'clock in the morning, I wake up, 389 00:19:03,400 --> 00:19:06,119 Speaker 1: I start hurling all over the fucking place. I'm throwing 390 00:19:06,200 --> 00:19:09,000 Speaker 1: up everywhere, and I'm only accounting for half of the 391 00:19:09,040 --> 00:19:10,920 Speaker 1: stuff that I'm throwing up, and I'm like, where did 392 00:19:10,920 --> 00:19:13,280 Speaker 1: all this shit come from And the next day Doc 393 00:19:13,400 --> 00:19:15,600 Speaker 1: is like, hey, you had four what dogs last night? 394 00:19:15,880 --> 00:19:17,439 Speaker 1: I'm like, what when did that happen? 395 00:19:18,119 --> 00:19:19,560 Speaker 2: I think when you got to the third you were 396 00:19:19,600 --> 00:19:22,359 Speaker 2: doing it strictly for the reaction. The first one we 397 00:19:22,440 --> 00:19:25,080 Speaker 2: all needed, The second one was like, yeah, you could 398 00:19:25,080 --> 00:19:27,040 Speaker 2: do a second one, And the third one, I think 399 00:19:27,080 --> 00:19:28,359 Speaker 2: you were just going for laughs. 400 00:19:29,280 --> 00:19:30,119 Speaker 1: Were people laughing? 401 00:19:30,440 --> 00:19:32,400 Speaker 2: People were laughing slash concerned? 402 00:19:32,480 --> 00:19:35,600 Speaker 1: All right? All right, Well I guess it was worth it. 403 00:19:35,640 --> 00:19:39,240 Speaker 1: I guess my Terrible Sunday was worth it, all right, Mac. 404 00:19:39,440 --> 00:19:41,560 Speaker 1: I think the big question that I came away from 405 00:19:41,560 --> 00:19:44,159 Speaker 1: this movie with was so first off, I did enjoy it. 406 00:19:44,160 --> 00:19:46,440 Speaker 1: I thought it looked beautiful, Gossling was awesome. I liked 407 00:19:46,440 --> 00:19:49,679 Speaker 1: the puppet. I loved the story structure of it. But 408 00:19:49,800 --> 00:19:52,840 Speaker 1: I did question how much of it did I find 409 00:19:53,160 --> 00:19:57,680 Speaker 1: entertaining versus interesting? I thought almost the entire thing was 410 00:19:57,720 --> 00:20:01,680 Speaker 1: at least interesting. But how much was I actually entertained 411 00:20:01,680 --> 00:20:04,239 Speaker 1: by this movie? How much of a rewatchability does it have? 412 00:20:05,520 --> 00:20:08,359 Speaker 1: How much am I personally I'm not just like like, 413 00:20:08,440 --> 00:20:10,760 Speaker 1: as a moviegoer, I am telling people go and check 414 00:20:10,800 --> 00:20:12,719 Speaker 1: out this movie, but it's not like it's not a 415 00:20:12,760 --> 00:20:13,680 Speaker 1: good recommendation. 416 00:20:14,200 --> 00:20:18,400 Speaker 2: Yeah, yeah, Okay, so you're recognizing that it's really good, 417 00:20:18,440 --> 00:20:21,560 Speaker 2: but you're saying you didn't really come close to loving the. 418 00:20:21,480 --> 00:20:24,119 Speaker 1: Movie, right, And I'm going into the next couple months 419 00:20:24,160 --> 00:20:26,560 Speaker 1: being like, I'm hoping that I'm blown away by other 420 00:20:26,640 --> 00:20:30,040 Speaker 1: movies as opposed to like, I'm not wanting this to 421 00:20:30,080 --> 00:20:31,520 Speaker 1: be my favorite movie of the year. 422 00:20:31,840 --> 00:20:33,480 Speaker 2: Got you, I understand what you're saying. 423 00:20:33,560 --> 00:20:35,320 Speaker 1: Yeah, yeah, yeah, thirty four hot Dogs. 424 00:20:35,480 --> 00:20:38,399 Speaker 2: Okay, all right, yeah, I don't You're not wrong in 425 00:20:38,440 --> 00:20:42,760 Speaker 2: your mixed feelings about the movie. I think the audience 426 00:20:42,800 --> 00:20:44,880 Speaker 2: score makes a lot of sense. This is a movie 427 00:20:44,920 --> 00:20:48,040 Speaker 2: that's gonna be hard not to like. But I'm right 428 00:20:48,080 --> 00:20:52,760 Speaker 2: there with you, trying to partial out if I really 429 00:20:52,800 --> 00:20:55,159 Speaker 2: did love this movie or if it's just been the 430 00:20:55,200 --> 00:20:57,000 Speaker 2: best movie of the year so far and I haven't 431 00:20:57,000 --> 00:21:00,080 Speaker 2: seen much else to compare against it, And we're a 432 00:21:00,200 --> 00:21:04,280 Speaker 2: sucker for a buddy cop friendship story with a kind hearted. 433 00:21:04,160 --> 00:21:06,679 Speaker 1: You're sitting back going like, Gosling's good, but it'd be 434 00:21:06,680 --> 00:21:09,320 Speaker 1: better if it was Ben Affleck and Matt Damon as cops. 435 00:21:11,200 --> 00:21:14,199 Speaker 2: I just think, you know, when it comes to like 436 00:21:14,400 --> 00:21:21,439 Speaker 2: sci fi epics, I want a little more questioning or 437 00:21:21,560 --> 00:21:25,040 Speaker 2: conversation post movie about whether like someone made the right 438 00:21:25,119 --> 00:21:27,800 Speaker 2: decision or not. And there's a little bit of that 439 00:21:27,880 --> 00:21:32,879 Speaker 2: in here, but like an Interstellar, for example, you're left wondering. 440 00:21:33,560 --> 00:21:37,520 Speaker 2: There's a family dynamic there and there's sacrifices made and Arrival, 441 00:21:38,040 --> 00:21:42,560 Speaker 2: the reveal is super intriguing. I would argue kind of 442 00:21:42,640 --> 00:21:46,000 Speaker 2: unravels a bit of the movie, but the conversation to 443 00:21:46,040 --> 00:21:51,159 Speaker 2: be had surrounding Arrival is very interesting. The Martians pretty 444 00:21:51,200 --> 00:21:54,160 Speaker 2: more straightforward. It makes sense because the book, the writer 445 00:21:54,240 --> 00:21:57,480 Speaker 2: of the novels wrote this and Project tail Mary. But 446 00:21:58,200 --> 00:22:00,440 Speaker 2: the difference between the Martian and this is there was 447 00:22:00,480 --> 00:22:03,679 Speaker 2: a legitimate question there at the end, like what canon 448 00:22:03,720 --> 00:22:07,159 Speaker 2: should be done, and you know, you're kind of rooting 449 00:22:07,160 --> 00:22:09,520 Speaker 2: for the character to do one thing and you're rooting 450 00:22:09,560 --> 00:22:11,760 Speaker 2: for an outcome, and I think it takes the real 451 00:22:11,880 --> 00:22:15,600 Speaker 2: easy path there. I think a better decision would have 452 00:22:15,800 --> 00:22:19,399 Speaker 2: been some sort of sacrifice there. And it feels like 453 00:22:20,240 --> 00:22:23,679 Speaker 2: because of the ending that nothing really there was no 454 00:22:23,800 --> 00:22:25,239 Speaker 2: real sacrifice. 455 00:22:24,680 --> 00:22:27,280 Speaker 1: To get well, talk about the ending will dive a 456 00:22:27,320 --> 00:22:29,080 Speaker 1: little bit deeper specifically into the end, and. 457 00:22:29,040 --> 00:22:32,120 Speaker 2: The stakes just feel felt a little lower than maybe 458 00:22:32,119 --> 00:22:34,480 Speaker 2: they should have been since humanity was on the line, 459 00:22:34,800 --> 00:22:39,439 Speaker 2: but because Ryland Grace has no tether to Earth, it 460 00:22:39,480 --> 00:22:42,720 Speaker 2: makes his decision super easy. It feels like, even though 461 00:22:42,720 --> 00:22:45,520 Speaker 2: that's not necessarily what I was rooting for, so I 462 00:22:45,520 --> 00:22:47,800 Speaker 2: don't I'm having a hard time with that. The length 463 00:22:47,880 --> 00:22:49,879 Speaker 2: is a little bit of an issue. I think I 464 00:22:49,960 --> 00:22:52,520 Speaker 2: have it at thirty six hot Dogs, maybe thirty five. 465 00:22:53,080 --> 00:22:55,879 Speaker 2: It's a borderline great movie that thirty six always is 466 00:22:55,880 --> 00:22:58,119 Speaker 2: what I feel like pumps it up to great, but 467 00:22:58,200 --> 00:23:00,960 Speaker 2: it to me, you know, I never really felt like 468 00:23:01,000 --> 00:23:03,640 Speaker 2: this was pushing forty hot Dogs. It's just a really 469 00:23:03,760 --> 00:23:07,280 Speaker 2: enjoyable movie that I would recommend to a lot of 470 00:23:07,280 --> 00:23:09,080 Speaker 2: people because I think a lot of people can connect 471 00:23:09,080 --> 00:23:12,160 Speaker 2: with this and enjoy it. However, I don't think it's 472 00:23:12,200 --> 00:23:14,200 Speaker 2: gonna be remotely close to the best movie of the 473 00:23:14,280 --> 00:23:16,720 Speaker 2: year when all said and done. So we get the spoilers, 474 00:23:16,960 --> 00:23:19,840 Speaker 2: let's do it spialized spilelige spialized spoilers. 475 00:23:20,040 --> 00:23:24,679 Speaker 1: I loved the reveal that they lost a bunch of 476 00:23:24,720 --> 00:23:29,000 Speaker 1: their troop before the send off, and they're like, there's 477 00:23:29,000 --> 00:23:31,760 Speaker 1: only one person that can do this. And I loved 478 00:23:31,760 --> 00:23:35,560 Speaker 1: the conversation that she had with him about you don't 479 00:23:35,600 --> 00:23:39,159 Speaker 1: have anything here, so you really are the perfect person 480 00:23:39,200 --> 00:23:42,280 Speaker 1: descend when in fact, the perfect person to send is 481 00:23:42,320 --> 00:23:45,840 Speaker 1: someone that does have something on the line. And then 482 00:23:46,440 --> 00:23:51,320 Speaker 1: once he does have that special loving someone that he 483 00:23:51,440 --> 00:23:54,080 Speaker 1: feels this for that he feels, you know, like I 484 00:23:54,200 --> 00:23:57,600 Speaker 1: need to sacrifice myself to help you know, my friend 485 00:23:57,760 --> 00:24:00,959 Speaker 1: and their planet. And I was like, I really like this, 486 00:24:01,200 --> 00:24:04,000 Speaker 1: and I love that he has like recognized this is 487 00:24:04,040 --> 00:24:06,680 Speaker 1: the time when I need to sacrifice. But then for 488 00:24:06,800 --> 00:24:08,520 Speaker 1: him to go to that planet and be a part 489 00:24:08,560 --> 00:24:10,520 Speaker 1: of that planet, and like you said, he has no 490 00:24:10,640 --> 00:24:15,520 Speaker 1: tether to Earth anyways. And Baby with the Bathwater. 491 00:24:15,240 --> 00:24:18,840 Speaker 2: Yeah too neat, too neat, honestly, And you know, I 492 00:24:18,880 --> 00:24:20,600 Speaker 2: had a similar feeling at the end of this movie 493 00:24:20,640 --> 00:24:23,440 Speaker 2: as I did with Marty Supreme, where I'm like, it's 494 00:24:23,480 --> 00:24:25,240 Speaker 2: just a little too neat for what that movie was, Like. 495 00:24:25,280 --> 00:24:26,840 Speaker 2: It should have been a little messy, it should have 496 00:24:26,840 --> 00:24:30,480 Speaker 2: been a little more higher stakes, And I'm left thinking 497 00:24:30,520 --> 00:24:34,359 Speaker 2: about Interstellar and Arrival because this movie quality wise is 498 00:24:34,480 --> 00:24:39,320 Speaker 2: very good, but an Interstellar emotionally, you're so torn because 499 00:24:39,680 --> 00:24:42,560 Speaker 2: he has this tether to the world that he need, 500 00:24:42,680 --> 00:24:44,560 Speaker 2: like and you're like, ah, I don't know if I 501 00:24:44,560 --> 00:24:47,480 Speaker 2: could ever make that decision, and this movie you're like, well, yeah, 502 00:24:47,480 --> 00:24:49,919 Speaker 2: I can make that decision, and Arrival sort of a 503 00:24:49,920 --> 00:24:51,520 Speaker 2: similar thing, like I don't know if I could do 504 00:24:51,600 --> 00:24:54,280 Speaker 2: what they're doing because of all the stakes in this 505 00:24:54,880 --> 00:24:59,080 Speaker 2: like Ryland Grace is wronged by everyone on the planet, 506 00:24:59,359 --> 00:25:02,800 Speaker 2: gets kidnap and sent into space, like fuck that planet, 507 00:25:02,960 --> 00:25:04,679 Speaker 2: you don't have anyone to get back to, you know, 508 00:25:05,280 --> 00:25:08,159 Speaker 2: And ultimately he does save the planet. We see the 509 00:25:08,200 --> 00:25:10,720 Speaker 2: little you know sort of flash forward that they receive 510 00:25:10,760 --> 00:25:14,399 Speaker 2: all his messages, so presumably you think he saves humanity, 511 00:25:14,680 --> 00:25:17,840 Speaker 2: and then he also saves Rocky and also saves Rocky's planet, 512 00:25:18,080 --> 00:25:20,760 Speaker 2: which I think is great. I love that decision that 513 00:25:20,840 --> 00:25:24,040 Speaker 2: he turned back to go save Rocky, but I think 514 00:25:24,080 --> 00:25:26,399 Speaker 2: it would have been it would have hit harder, and 515 00:25:26,480 --> 00:25:30,040 Speaker 2: I think would make a better story if he sacrificed 516 00:25:30,119 --> 00:25:34,119 Speaker 2: himself for Rocky and Rocky's planet and wasn't found living 517 00:25:34,560 --> 00:25:36,119 Speaker 2: like a fun life at the end of the of 518 00:25:36,160 --> 00:25:37,119 Speaker 2: the movie. 519 00:25:36,800 --> 00:25:39,679 Speaker 1: He had finally realized what sacrifice was. 520 00:25:40,119 --> 00:25:43,800 Speaker 2: Yes, yeah, and and I do what I do really 521 00:25:43,840 --> 00:25:47,439 Speaker 2: love about this movie. All that said is Ryland Grace 522 00:25:47,800 --> 00:25:51,120 Speaker 2: no tether on Earth, has never made a relationship on 523 00:25:51,400 --> 00:25:55,479 Speaker 2: Earth that has made him feel whole or wholesome in 524 00:25:55,480 --> 00:25:59,120 Speaker 2: this love that he finds with Rocky, a fucking spider 525 00:25:59,720 --> 00:26:03,280 Speaker 2: rock crab from a distant planet. So I really love 526 00:26:03,359 --> 00:26:05,720 Speaker 2: that aspect. I love when movies do stuff like that. 527 00:26:06,240 --> 00:26:09,440 Speaker 2: And Rocky is so great the way that Rocky's written 528 00:26:09,480 --> 00:26:12,120 Speaker 2: in this movie, and the voice actor was great, James Ortiz. 529 00:26:12,520 --> 00:26:15,000 Speaker 2: Everything about Rocky was great, and I doubted it from 530 00:26:15,040 --> 00:26:17,280 Speaker 2: the jump, and so I really enjoyed all of that. 531 00:26:17,760 --> 00:26:20,800 Speaker 2: It just felt like, because of what is on the line, 532 00:26:20,840 --> 00:26:24,920 Speaker 2: and it's two beings, just two beings in space, how 533 00:26:25,119 --> 00:26:28,119 Speaker 2: they both end up surviving. I think it was just like, Okay, 534 00:26:28,119 --> 00:26:30,520 Speaker 2: we're just doing this to make people feel good, but 535 00:26:30,560 --> 00:26:32,000 Speaker 2: it doesn't really make sense. 536 00:26:32,320 --> 00:26:36,199 Speaker 1: Let me ask you this, would you sacrifice yourself to 537 00:26:36,320 --> 00:26:36,960 Speaker 1: save the Earth. 538 00:26:37,119 --> 00:26:40,840 Speaker 2: So that's like a good question to ask. If I'm 539 00:26:40,840 --> 00:26:43,919 Speaker 2: in Rylan Grace's shoes, I have nothing on Earth to 540 00:26:44,000 --> 00:26:46,560 Speaker 2: live for. But I also have no real reason to 541 00:26:46,600 --> 00:26:50,520 Speaker 2: save the planet either, which is I get what I'm 542 00:26:50,560 --> 00:26:55,479 Speaker 2: getting at here. Like an interstellar a legitimate question that 543 00:26:55,640 --> 00:26:59,000 Speaker 2: raises like that's a real conversation. Arrival is a little 544 00:26:59,000 --> 00:27:03,199 Speaker 2: bit different, but that's the emotional battle I want to 545 00:27:03,200 --> 00:27:05,560 Speaker 2: deal with when it comes to these movies what Arrival 546 00:27:05,560 --> 00:27:08,840 Speaker 2: and Interstellar give us. The Martian is a little more 547 00:27:08,920 --> 00:27:12,200 Speaker 2: lighthearted like this movie, and there's no for best comedy, 548 00:27:12,280 --> 00:27:14,800 Speaker 2: so you have no real conundrum in The Martian. It's 549 00:27:14,840 --> 00:27:16,760 Speaker 2: just a little bit of like a fun problem solving 550 00:27:16,800 --> 00:27:21,200 Speaker 2: movie with some humor. I like, I don't know, man, 551 00:27:21,920 --> 00:27:25,040 Speaker 2: I'm having a hard time because it felt like this 552 00:27:25,160 --> 00:27:28,720 Speaker 2: could have been truly great, and it just feels like 553 00:27:28,760 --> 00:27:31,520 Speaker 2: a really good movie. And that's fine for ninety nine 554 00:27:31,560 --> 00:27:34,000 Speaker 2: percent of people, But for you and I that are 555 00:27:34,040 --> 00:27:37,520 Speaker 2: talking about this movie and are comparing it about two 556 00:27:37,640 --> 00:27:41,480 Speaker 2: all time great sci fi movies, especially recent great ones, 557 00:27:42,000 --> 00:27:44,480 Speaker 2: it's hard saying that this is as good as them. 558 00:27:44,720 --> 00:27:49,000 Speaker 2: It feels lesser than Interstellar by quite a bit, honestly. 559 00:27:49,480 --> 00:27:53,200 Speaker 2: And like I enjoyed The Martian, I liked The Rival. 560 00:27:53,200 --> 00:27:55,840 Speaker 2: But some people, you know, obviously, we all like to 561 00:27:55,920 --> 00:27:59,520 Speaker 2: me Arrival is the new Denny Villeneuve's worst movie. It's 562 00:27:59,520 --> 00:28:01,879 Speaker 2: still a really good movie, but I think there's just 563 00:28:01,960 --> 00:28:04,639 Speaker 2: a lot that unravels, so like to me, it's not 564 00:28:04,720 --> 00:28:08,399 Speaker 2: even like close to like an all time discussion. But 565 00:28:08,560 --> 00:28:10,720 Speaker 2: with the way it's getting raided, and the reaction to 566 00:28:10,800 --> 00:28:13,560 Speaker 2: it feels like some people are suggesting. 567 00:28:13,000 --> 00:28:15,760 Speaker 1: That do you think that if Rocky said at any 568 00:28:15,840 --> 00:28:19,480 Speaker 1: point in this movie science bitch, you would have given 569 00:28:19,480 --> 00:28:20,520 Speaker 1: it an extra hot dog? 570 00:28:21,440 --> 00:28:24,879 Speaker 2: Possibly? And then there's also obviously in the moment in 571 00:28:24,960 --> 00:28:30,119 Speaker 2: the movie Goo, Rocky sacrifices himself to save Ryland Grace. 572 00:28:30,160 --> 00:28:32,639 Speaker 2: I keep forgetting that fucking movie. Hail movie full of Grace? 573 00:28:32,720 --> 00:28:33,760 Speaker 2: Is how you gotta remember? 574 00:28:33,800 --> 00:28:35,240 Speaker 1: Oh, I didn't even realize that. 575 00:28:35,520 --> 00:28:38,239 Speaker 2: Yeah, yeah, that's a nice little connection there, And that 576 00:28:38,280 --> 00:28:41,400 Speaker 2: would have been cool too if rocky sacrifice was ultimate, 577 00:28:42,000 --> 00:28:45,200 Speaker 2: because you love that character and it like this movie 578 00:28:45,240 --> 00:28:48,000 Speaker 2: gets you to get to almost teary eyed for a 579 00:28:48,120 --> 00:28:48,760 Speaker 2: rock crab. 580 00:28:48,920 --> 00:28:50,680 Speaker 1: So what you're saying is that you would have liked 581 00:28:50,720 --> 00:28:54,440 Speaker 1: if Rocky sacrificed for Grace, but then Grace sacrificed for 582 00:28:54,560 --> 00:28:55,600 Speaker 1: Rocky's planet. 583 00:28:55,560 --> 00:28:59,280 Speaker 2: Something like that. That would have been fucking poetic, and 584 00:28:59,320 --> 00:29:03,400 Speaker 2: that really have been like, Wow, that's amazing. And yeah, 585 00:29:03,480 --> 00:29:06,960 Speaker 2: maybe it kills both off or even Grace survives and 586 00:29:07,080 --> 00:29:11,240 Speaker 2: ends up on Rocky's planet, but something where something was lost, 587 00:29:11,520 --> 00:29:13,400 Speaker 2: you know, yeah, we lost two crew members we didn't 588 00:29:13,400 --> 00:29:15,640 Speaker 2: care about. Rocky lost his twenty three crew members. We 589 00:29:15,640 --> 00:29:18,800 Speaker 2: didn't care about the two characters, we we grew to love. 590 00:29:19,520 --> 00:29:22,840 Speaker 2: It was set up for someone to sacrifice for the other, 591 00:29:23,360 --> 00:29:26,360 Speaker 2: and they both do, but not really because they both 592 00:29:26,440 --> 00:29:29,479 Speaker 2: end up good. Like, It's just it's a little annoying. 593 00:29:29,600 --> 00:29:30,360 Speaker 2: It's a little. 594 00:29:30,120 --> 00:29:32,960 Speaker 1: Annoying somehow Grace has survived. 595 00:29:34,160 --> 00:29:37,720 Speaker 2: Or like if Rocky sacrificed for Grace and Grace does 596 00:29:37,800 --> 00:29:39,640 Speaker 2: go back home and then now he has to live 597 00:29:39,680 --> 00:29:42,360 Speaker 2: this really interesting life at home where he doesn't give 598 00:29:42,400 --> 00:29:44,480 Speaker 2: a fuck about anyone and he's constantly thinking about Rocky 599 00:29:44,520 --> 00:29:47,480 Speaker 2: and Rocky's planet. That's more interesting than what this movie does. 600 00:29:47,560 --> 00:29:49,920 Speaker 1: Two questions. Number one, so you're saying you do not 601 00:29:50,000 --> 00:29:50,920 Speaker 1: want a sequel to this? 602 00:29:51,200 --> 00:29:53,600 Speaker 2: No, what it's just Grace's gonna be teaching people on 603 00:29:53,600 --> 00:29:56,240 Speaker 2: the rock planet? Or is the sequel Grace goes home? 604 00:29:56,360 --> 00:29:57,200 Speaker 1: He has to go home. 605 00:29:57,320 --> 00:29:58,840 Speaker 2: I don't know what they're gonna do there, but that's 606 00:29:58,960 --> 00:30:00,960 Speaker 2: at least a little interesting, Okay. 607 00:30:01,000 --> 00:30:03,080 Speaker 1: And then my second question, do you think this has 608 00:30:03,200 --> 00:30:06,200 Speaker 1: legs for anything Academy Awards wise? 609 00:30:06,600 --> 00:30:08,720 Speaker 2: Visual effects? For sure? This will this will be in 610 00:30:08,760 --> 00:30:13,680 Speaker 2: the conversation. It's up against Dune Gossling could Garner a 611 00:30:13,800 --> 00:30:17,840 Speaker 2: nom just strictly on the fact that it's just him 612 00:30:18,120 --> 00:30:21,080 Speaker 2: for ninety five percent of this movie acting against a 613 00:30:22,000 --> 00:30:26,520 Speaker 2: rock crab, so that that's a possibility. Direction will be interesting, 614 00:30:26,560 --> 00:30:29,160 Speaker 2: because I do think the direction is great in this movie. 615 00:30:29,520 --> 00:30:33,000 Speaker 2: But I it feels to me partially because it came 616 00:30:33,040 --> 00:30:35,480 Speaker 2: out so early, it'll be kind of forgotten about. 617 00:30:35,480 --> 00:30:38,520 Speaker 1: All the Sinners came out around the same time last year. 618 00:30:38,640 --> 00:30:39,960 Speaker 2: You're right, You're right in Sinners. 619 00:30:40,120 --> 00:30:42,800 Speaker 1: I think this will get a Best Picture nom. 620 00:30:43,040 --> 00:30:45,440 Speaker 2: But Sinners it might get a Best Picture nom in 621 00:30:45,480 --> 00:30:46,760 Speaker 2: the way F One did because this is. 622 00:30:46,720 --> 00:30:49,080 Speaker 1: Gonna make so much money. I think it'll also recognize 623 00:30:49,080 --> 00:30:50,400 Speaker 1: it as like it made a lot of money and 624 00:30:50,480 --> 00:30:52,400 Speaker 1: it's really good. So it's so it's not like we're 625 00:30:52,440 --> 00:30:55,280 Speaker 1: tipping our hands. So those fat cats over at March No. 626 00:30:55,280 --> 00:30:59,800 Speaker 2: No, but Sinners. Sinners is definitely a better movie than this. 627 00:31:00,000 --> 00:31:04,320 Speaker 2: I think we can both agree on that. 628 00:31:06,640 --> 00:31:12,479 Speaker 1: Let's get into mack Sack and mack Sack could be anything. 629 00:31:12,520 --> 00:31:16,680 Speaker 1: It could be a boat in mac This last Friday, 630 00:31:16,760 --> 00:31:20,880 Speaker 1: I took in the Circus Barnum and Bailey Bottom of Bailey. 631 00:31:21,440 --> 00:31:22,800 Speaker 1: I can't say it, by the way. 632 00:31:25,760 --> 00:31:28,959 Speaker 2: Uh so are they still doing the three ring circus? 633 00:31:29,040 --> 00:31:30,280 Speaker 2: Is that what they're still doing any sort? 634 00:31:30,440 --> 00:31:32,800 Speaker 1: Is I have no idea there are no animals anymore. 635 00:31:33,000 --> 00:31:35,160 Speaker 1: Whatever I don't, I don't need to see animals do 636 00:31:35,200 --> 00:31:39,840 Speaker 1: fucking tricks. I am blown away by what human beings 637 00:31:39,880 --> 00:31:45,400 Speaker 1: can do, the amount of balancing flips, trapeze artistry, the 638 00:31:46,160 --> 00:31:50,400 Speaker 1: the Gumby Girl. At first you're like, that's kind of intriguing, 639 00:31:50,440 --> 00:31:54,080 Speaker 1: but then you say that's a little gross. 640 00:31:55,360 --> 00:31:56,960 Speaker 2: Did your five year old son. 641 00:31:57,040 --> 00:31:59,880 Speaker 1: Oh my goodness, he loved it. He loved it. But 642 00:32:00,040 --> 00:32:01,920 Speaker 1: I don't blame him. I don't blame them one bit. 643 00:32:02,720 --> 00:32:05,720 Speaker 1: It's the same thing as when I saw Disney on Ice, 644 00:32:06,240 --> 00:32:08,520 Speaker 1: and it's once again sitting back in your chair and 645 00:32:08,560 --> 00:32:11,360 Speaker 1: saying I can't do any of this, and Disney on Ice. 646 00:32:11,400 --> 00:32:13,040 Speaker 1: I know how to skate. I'm a good skater. I 647 00:32:13,440 --> 00:32:15,360 Speaker 1: like all that stuff just blows me away. 648 00:32:15,560 --> 00:32:18,000 Speaker 2: I agree, that's a good point. There's something to be 649 00:32:18,040 --> 00:32:21,560 Speaker 2: said about you know. I think you and I like 650 00:32:22,280 --> 00:32:25,560 Speaker 2: we're able to do a lot of stuff athletically not 651 00:32:25,560 --> 00:32:27,160 Speaker 2: necessarily good, but we're. 652 00:32:26,960 --> 00:32:29,160 Speaker 1: Capable of I can barely dribble a basketball or even 653 00:32:29,160 --> 00:32:29,480 Speaker 1: when it. 654 00:32:29,440 --> 00:32:31,840 Speaker 2: Comes to like climbing, like you could do curse like 655 00:32:31,960 --> 00:32:34,560 Speaker 2: I'm afraid of heights, bace level stuff. And then when 656 00:32:34,600 --> 00:32:38,920 Speaker 2: you see humans achieve things that really shouldn't be possible, 657 00:32:39,200 --> 00:32:40,800 Speaker 2: it genuinely blows your mind. 658 00:32:40,920 --> 00:32:43,400 Speaker 1: And then you have three hosts on stage and you're saying, Okay, 659 00:32:43,440 --> 00:32:45,720 Speaker 1: these people are just the MC's, they're not going to 660 00:32:45,760 --> 00:32:48,920 Speaker 1: do any of the acrobatics. One guy gets on the 661 00:32:48,960 --> 00:32:53,400 Speaker 1: tallest unicycle in the world. It's crazy. Yeah, right, he's 662 00:32:53,400 --> 00:32:54,800 Speaker 1: doing flips on the unicycle and. 663 00:32:54,800 --> 00:32:57,160 Speaker 2: Shit, yeah, I'd die, I would perish. 664 00:32:57,280 --> 00:32:59,040 Speaker 1: That's the whole thing. And like, yes, I think that 665 00:32:59,280 --> 00:33:01,320 Speaker 1: there's a lot of safety that goes into this. They 666 00:33:01,360 --> 00:33:05,000 Speaker 1: have harnesses, they have nets. Doesn't really take away from it. 667 00:33:05,120 --> 00:33:08,960 Speaker 2: Did it? Have that oval looking thing with the two 668 00:33:09,000 --> 00:33:10,880 Speaker 2: guys and it spins and they come out of it 669 00:33:10,920 --> 00:33:11,600 Speaker 2: and they jump in. 670 00:33:11,480 --> 00:33:13,440 Speaker 1: There and they do big jumps, they do flips and like, 671 00:33:13,440 --> 00:33:16,560 Speaker 1: one guy, shit is crazy. One guy's a little bit 672 00:33:16,600 --> 00:33:20,160 Speaker 1: thicker and he's really landing hard on these things. Yeah, 673 00:33:20,320 --> 00:33:22,960 Speaker 1: and you're like, he's gonna knock it off. It's fucking sockets. 674 00:33:23,240 --> 00:33:26,360 Speaker 2: So I went to a circus type show in the 675 00:33:26,400 --> 00:33:30,920 Speaker 2: parking lot of the Rentham Outlets brag fall, and it 676 00:33:31,040 --> 00:33:32,560 Speaker 2: had a lot of this stuff. There was like a 677 00:33:32,600 --> 00:33:35,440 Speaker 2: story they were telling throughout, but it had a lot 678 00:33:35,480 --> 00:33:38,640 Speaker 2: of that stuff. And I legit was jaw on the 679 00:33:38,680 --> 00:33:42,000 Speaker 2: floor for the two guys doing that spinning sort of thing. 680 00:33:42,440 --> 00:33:44,680 Speaker 2: It makes no sense how they're able to time it 681 00:33:44,960 --> 00:33:47,600 Speaker 2: and then have both the grip strength and upper body 682 00:33:47,640 --> 00:33:50,480 Speaker 2: strength to like hold on at certain points. Well. 683 00:33:50,520 --> 00:33:54,040 Speaker 1: Also, so it was at the Aganis Arena Boston University, 684 00:33:54,360 --> 00:33:57,840 Speaker 1: and the trapeze artists were swinging up so high to 685 00:33:57,920 --> 00:33:59,680 Speaker 1: get that little bit of leverage, and I'm like, they're 686 00:33:59,680 --> 00:34:02,120 Speaker 1: gonna slam up against the ceiling of this building. 687 00:34:02,240 --> 00:34:04,240 Speaker 2: We're gonna have a real Robin situation here. 688 00:34:04,280 --> 00:34:06,440 Speaker 1: I was telling my son, like, this is how Batman 689 00:34:06,520 --> 00:34:10,000 Speaker 1: found Robin and he didn't get it. Any of these 690 00:34:10,040 --> 00:34:12,839 Speaker 1: people here, any of these they could be orphaned soon 691 00:34:13,040 --> 00:34:16,920 Speaker 1: and they could be taken in by the ultimate orphan Batman. 692 00:34:17,040 --> 00:34:18,839 Speaker 2: Yes, I got to ask you this ten minutes ago 693 00:34:19,480 --> 00:34:22,160 Speaker 2: on the Year with Hail Mary. Is the best movie 694 00:34:22,239 --> 00:34:23,319 Speaker 2: you've seen this show so far? 695 00:34:23,440 --> 00:34:26,320 Speaker 1: Yes, but I haven't seen anything. I have seen the drama, 696 00:34:26,800 --> 00:34:30,759 Speaker 1: and I think that leaves you with more interesting questions 697 00:34:30,800 --> 00:34:32,920 Speaker 1: in your head. Yeah, I'm not sure if it's a 698 00:34:32,920 --> 00:34:36,480 Speaker 1: better movie though, okay, and Mario not as good. Now 699 00:34:36,520 --> 00:34:38,600 Speaker 1: Mario is not as good of a movie. I will 700 00:34:38,640 --> 00:34:41,279 Speaker 1: say that Mario by the end does give you just 701 00:34:41,520 --> 00:34:46,640 Speaker 1: enough of that classic late eighties early nineties Mario vibe 702 00:34:46,719 --> 00:34:48,840 Speaker 1: that you're like, I'm fandomed. 703 00:34:48,920 --> 00:34:51,680 Speaker 2: You got me better or worse than the first Mario. 704 00:34:52,040 --> 00:34:54,600 Speaker 1: I think it's a little bit better. Okay, but once again, 705 00:34:54,719 --> 00:34:56,719 Speaker 1: there was two or three scenes where I'm like, this 706 00:34:56,880 --> 00:34:57,960 Speaker 1: is right up my alley. 707 00:34:58,239 --> 00:35:01,480 Speaker 2: Yeah, that makes sense for me. It's either this or 708 00:35:01,560 --> 00:35:03,680 Speaker 2: Bone Temple is the best movie of the year so far, 709 00:35:03,719 --> 00:35:05,600 Speaker 2: but neither should be in the conversation. 710 00:35:05,680 --> 00:35:07,120 Speaker 1: By the end of the year, I think that we're 711 00:35:07,120 --> 00:35:09,040 Speaker 1: getting there. I think these next couple months we're gonna 712 00:35:09,040 --> 00:35:11,520 Speaker 1: get some bigger and bigger movies. But until then, go 713 00:35:11,600 --> 00:35:14,399 Speaker 1: to the circus there you go, until then, just go 714 00:35:14,440 --> 00:35:17,319 Speaker 1: and take it into whoa, They're gonna fall, no real saying. 715 00:35:17,440 --> 00:35:19,600 Speaker 1: I also love there are some people there that you 716 00:35:19,640 --> 00:35:23,120 Speaker 1: can tell are great at what they do, like acrobatic wise, 717 00:35:23,200 --> 00:35:26,200 Speaker 1: but then like they have no rhythm, and a part 718 00:35:26,280 --> 00:35:27,920 Speaker 1: of what they do with the circus is like when 719 00:35:27,960 --> 00:35:30,160 Speaker 1: you're not doing flips, you have to dance and they're 720 00:35:30,200 --> 00:35:34,240 Speaker 1: just like, good, here, pop it along. 721 00:35:34,320 --> 00:35:36,920 Speaker 2: You know what blows my mind about me as a 722 00:35:37,239 --> 00:35:41,040 Speaker 2: young and when I was like nine to twelve, I 723 00:35:41,160 --> 00:35:44,279 Speaker 2: was doing this often. Now I didn't like you grew up. 724 00:35:44,360 --> 00:35:46,440 Speaker 2: You have the pool at your parents' house, so you 725 00:35:46,440 --> 00:35:48,680 Speaker 2: know you're jumping off stuff into the pool. I used 726 00:35:48,719 --> 00:35:50,400 Speaker 2: to set up like one of those plastic chairs and 727 00:35:50,400 --> 00:35:52,400 Speaker 2: do a backflip off a plastic. 728 00:35:52,120 --> 00:35:54,200 Speaker 1: You keep on telling me this, and I don't believe you. 729 00:35:54,320 --> 00:35:56,799 Speaker 2: To me, it's crazy that I even attempted it. But 730 00:35:56,840 --> 00:35:58,440 Speaker 2: back then it was like, oh, I can do that, 731 00:35:58,680 --> 00:36:01,239 Speaker 2: And now I'd be like I would break my neck. 732 00:36:01,360 --> 00:36:03,279 Speaker 1: Like, if you ask me right now, what do you 733 00:36:03,360 --> 00:36:06,800 Speaker 1: think you could add to the circus. I can do summersaults, 734 00:36:07,120 --> 00:36:09,400 Speaker 1: and I don't think that would really impress anybody. 735 00:36:09,600 --> 00:36:10,759 Speaker 2: I used to be able to do a nice Chris 736 00:36:10,880 --> 00:36:13,680 Speaker 2: Browndoff too, had a hard time doing cartwheels. 737 00:36:13,800 --> 00:36:16,279 Speaker 1: All of what you're telling me sounds completely made up. 738 00:36:16,840 --> 00:36:19,960 Speaker 2: Well, Jeff Santos was an elite athlete goop back in 739 00:36:20,000 --> 00:36:22,319 Speaker 2: oh one. Then nine to eleven happened and it all 740 00:36:22,360 --> 00:36:22,799 Speaker 2: went down. 741 00:36:22,840 --> 00:36:24,560 Speaker 1: So is it after you saw the thong song and 742 00:36:24,600 --> 00:36:26,359 Speaker 1: you saw a Cisco doing it. You're like, I'm gonna 743 00:36:26,400 --> 00:36:28,719 Speaker 1: do these sweet one handed cartwheels. 744 00:36:28,800 --> 00:36:30,399 Speaker 2: I can't do a cartwheel. I always had a good 745 00:36:30,440 --> 00:36:31,720 Speaker 2: time with a cartwheel. 746 00:36:31,280 --> 00:36:33,920 Speaker 1: Like maybe, and I don't think I have the balance anymore. 747 00:36:33,960 --> 00:36:36,880 Speaker 1: I used to be really good at doing handstands mm, 748 00:36:37,239 --> 00:36:39,080 Speaker 1: but now I'm gonna throw my back out and die. 749 00:36:39,920 --> 00:36:40,720 Speaker 1: I'm fucking old. 750 00:36:40,840 --> 00:36:42,400 Speaker 2: Can you do a one arm push up? 751 00:36:42,680 --> 00:36:45,720 Speaker 1: Yeah? One arm push up? Yeah. I can do pull ups. 752 00:36:45,960 --> 00:36:47,400 Speaker 2: Okay, all right, it's better than that. 753 00:36:47,400 --> 00:36:49,680 Speaker 1: So I have decent body control, but I also have 754 00:36:49,760 --> 00:36:52,200 Speaker 1: fear of heights, so like I can't do anything like 755 00:36:52,239 --> 00:36:54,759 Speaker 1: super say, if I'm pulling myself up and like doing 756 00:36:54,760 --> 00:36:57,080 Speaker 1: like the little flip thing or whatever. There was one 757 00:36:57,120 --> 00:36:59,719 Speaker 1: time we were on vacation and I was using my 758 00:36:59,760 --> 00:37:03,719 Speaker 1: grip mother's walker to like body control flip myself into 759 00:37:03,760 --> 00:37:07,200 Speaker 1: like a handstand, and I flipped the thing over. Yeah, oh, 760 00:37:07,280 --> 00:37:10,360 Speaker 1: dear lord, there's wheels on one side of it. No 761 00:37:10,400 --> 00:37:11,120 Speaker 1: one told me. 762 00:37:11,360 --> 00:37:13,040 Speaker 2: Yes, small ones, but yeah there are. 763 00:37:13,120 --> 00:37:15,160 Speaker 1: Well, but it's gonna tip if you put too much 764 00:37:15,200 --> 00:37:17,319 Speaker 1: of the weight on one end then the other. 765 00:37:17,640 --> 00:37:19,239 Speaker 2: Yeah. 766 00:37:19,440 --> 00:37:22,360 Speaker 1: Comment down below. What could you do in the circus? 767 00:37:22,440 --> 00:37:25,200 Speaker 2: Do you remember the basketball hoop at the low school 768 00:37:25,280 --> 00:37:27,120 Speaker 2: at the far end used to only be like eight 769 00:37:27,160 --> 00:37:27,839 Speaker 2: and a half or nine. 770 00:37:28,000 --> 00:37:29,640 Speaker 1: Also, like the Boys and Girls Club, how they have 771 00:37:29,719 --> 00:37:30,520 Speaker 1: like the seven footers. 772 00:37:30,560 --> 00:37:32,279 Speaker 2: Yeah, but I dunked on that once too. 773 00:37:32,800 --> 00:37:34,840 Speaker 1: Check dude, sick. 774 00:37:35,080 --> 00:37:36,320 Speaker 2: If you need a dunk on an eight and a 775 00:37:36,360 --> 00:37:38,520 Speaker 2: half or a nine foot hoop, I'm your guy. 776 00:37:38,960 --> 00:37:40,920 Speaker 1: I think we went to the trampoline park maybe a 777 00:37:40,920 --> 00:37:42,880 Speaker 1: couple of years ago. My wife doesn't let us go anymore. 778 00:37:42,920 --> 00:37:44,360 Speaker 2: Yeah, but that gets dangerous. 779 00:37:44,480 --> 00:37:47,440 Speaker 1: It's very fucking dangerous. But if I wasn't told not 780 00:37:47,480 --> 00:37:50,040 Speaker 1: to go, I'd still go. I have so like they 781 00:37:50,080 --> 00:37:53,000 Speaker 1: have the basketball hoops there, and I am no, I'm 782 00:37:53,120 --> 00:37:55,680 Speaker 1: so afraid to jump too high and then land awkwardly 783 00:37:55,680 --> 00:37:56,320 Speaker 1: on my legs. 784 00:37:56,960 --> 00:37:58,560 Speaker 2: Well, you gotta hang on the rim to let yourself 785 00:37:58,600 --> 00:37:58,960 Speaker 2: down easy. 786 00:37:59,040 --> 00:38:00,480 Speaker 1: I was like going up for dunk, but i'd like 787 00:38:00,520 --> 00:38:02,279 Speaker 1: hesitantly do it. I'd be like, I don't want to 788 00:38:02,280 --> 00:38:02,959 Speaker 1: go too high. 789 00:38:03,400 --> 00:38:07,200 Speaker 2: Also, my hands aren't large enough to palm of basketball consistently, 790 00:38:07,239 --> 00:38:08,680 Speaker 2: so I have an issue with that. I have to 791 00:38:08,719 --> 00:38:09,759 Speaker 2: like hit the right angle. 792 00:38:09,840 --> 00:38:12,319 Speaker 1: Yeah, but if you jump high enough, you can honey 793 00:38:12,400 --> 00:38:12,759 Speaker 1: pot it. 794 00:38:13,000 --> 00:38:15,719 Speaker 2: Yeah. No, get the momentum of it too. You know, 795 00:38:15,800 --> 00:38:16,560 Speaker 2: one of these. 796 00:38:16,600 --> 00:38:20,000 Speaker 1: I would have I would have been so bad if 797 00:38:20,200 --> 00:38:23,000 Speaker 1: I was in slam ball. I'd just be so afraid 798 00:38:23,000 --> 00:38:23,680 Speaker 1: of costantly. 799 00:38:24,080 --> 00:38:26,000 Speaker 2: I think I would thrive in slam ball. 800 00:38:26,080 --> 00:38:27,839 Speaker 1: I love so bad in slam ball. 801 00:38:27,920 --> 00:38:31,080 Speaker 2: We used to play uh three on three full court 802 00:38:31,120 --> 00:38:33,960 Speaker 2: mini hoops that Saint Jude's School on Main Street. Wallfam 803 00:38:34,040 --> 00:38:35,400 Speaker 2: used to be able to raise and lower them. We 804 00:38:35,560 --> 00:38:37,080 Speaker 2: said it to either eight or eight and a half 805 00:38:37,200 --> 00:38:38,680 Speaker 2: and just by the end. 806 00:38:38,680 --> 00:38:41,320 Speaker 1: That's not trampolines though, that's no. 807 00:38:41,080 --> 00:38:43,560 Speaker 2: No I'm saying, but it's it was fun to just 808 00:38:43,719 --> 00:38:44,560 Speaker 2: yam on people. 809 00:38:44,680 --> 00:38:48,000 Speaker 1: Yeah, Yamin's fun, but falling awkwardly on your legs is not. 810 00:38:48,560 --> 00:38:52,279 Speaker 2: No, I agree, but you falling on trampolines is a 811 00:38:52,320 --> 00:38:53,920 Speaker 2: lot better than falling on hard stuff. 812 00:38:53,960 --> 00:38:56,239 Speaker 1: Like, I fear injuries so much now at my age 813 00:38:56,320 --> 00:38:59,319 Speaker 1: of just like, if I get hurt, I'm never going 814 00:38:59,400 --> 00:38:59,840 Speaker 1: to recover. 815 00:39:00,040 --> 00:39:01,600 Speaker 2: Well, if I get hurt, I can't go to work. 816 00:39:01,880 --> 00:39:02,959 Speaker 2: At least you can go to work. 817 00:39:03,280 --> 00:39:06,520 Speaker 1: You can get disabilities. You can say that you slipt 818 00:39:06,520 --> 00:39:10,879 Speaker 1: on a soda at the mini mart. All right, Where 819 00:39:10,920 --> 00:39:11,879 Speaker 1: can the people find us? 820 00:39:12,120 --> 00:39:15,439 Speaker 2: You can find us at Mac Andgoo podcast on Twitter 821 00:39:15,520 --> 00:39:18,919 Speaker 2: and Instagram. Everywhere else it's Mac Amper, Sango, Max Shift 822 00:39:18,960 --> 00:39:21,960 Speaker 2: seven Goo that includes Facebook, stitch or Tuning, and caspecs, Preaky. 823 00:39:21,800 --> 00:39:23,320 Speaker 1: Google Player, iHeartRadio. 824 00:39:23,520 --> 00:39:25,960 Speaker 2: We're on Spotify. More importantly, Apple podcasts get on their 825 00:39:26,040 --> 00:39:29,120 Speaker 2: rate review subscribe five stars. If you do that in 826 00:39:29,160 --> 00:39:31,800 Speaker 2: an alternate timeline, maybe in the interstellar. 827 00:39:31,320 --> 00:39:32,239 Speaker 1: Time, definitely not. 828 00:39:32,920 --> 00:39:35,040 Speaker 2: We'll get you a free Macagoo teachert for the folks 829 00:39:35,040 --> 00:39:37,200 Speaker 2: over at watter Town sports Where wat Town Sports Where 830 00:39:37,200 --> 00:39:39,720 Speaker 2: thirty four one Auburn Street, Wattown Sportswear, dot. 831 00:39:39,600 --> 00:39:44,120 Speaker 1: Com, Teapublic, dot com, merch. Most likely a dump by 832 00:39:44,120 --> 00:39:45,560 Speaker 1: the end of the week. I don't think Mac is 833 00:39:45,560 --> 00:39:48,680 Speaker 1: going to be able to catch Mario or the drama, 834 00:39:48,840 --> 00:39:51,520 Speaker 1: So maybe next I will see one. 835 00:39:51,360 --> 00:39:54,640 Speaker 2: Of them either Thursday or Friday. But I think we're 836 00:39:54,640 --> 00:39:56,480 Speaker 2: gonna get a couple of nice trailers this week that 837 00:39:56,520 --> 00:39:57,520 Speaker 2: I'll make dump worth it. 838 00:39:57,760 --> 00:40:02,799 Speaker 1: Oh like Euphoria, Yeah, we already got that one. We 839 00:40:02,880 --> 00:40:06,040 Speaker 1: got that one. We just got the one for Javier 840 00:40:06,080 --> 00:40:08,080 Speaker 1: bardem As robertson Aro. 841 00:40:08,320 --> 00:40:10,640 Speaker 2: Yep, yep as in the Apple TV series. 842 00:40:10,760 --> 00:40:12,720 Speaker 1: Yes, Cape spar we got. 843 00:40:12,600 --> 00:40:14,200 Speaker 2: The new Masters of the Universe one, But there was 844 00:40:14,200 --> 00:40:15,240 Speaker 2: another one due today. 845 00:40:15,400 --> 00:40:16,880 Speaker 1: Yeah, so we'll get those. Yeah, we'll just do a 846 00:40:16,920 --> 00:40:19,240 Speaker 1: dump at the end of the week, all right, Tuesdays 847 00:40:19,320 --> 00:40:22,400 Speaker 1: or goose days. I have used kangaroos, tamburton. 848 00:40:22,920 --> 00:40:27,480 Speaker 2: Bye. 849 00:40:29,080 --> 00:40:31,680 Speaker 1: Please flip the cassette over to side B to continue 850 00:40:31,719 --> 00:40:35,239 Speaker 1: the adventure. Now it's time for girls jumping on trampopalines.