1 00:00:00,520 --> 00:00:04,040 Speaker 1: KFI AM six forty. You're listening to Dean Sharp, the 2 00:00:04,080 --> 00:00:09,960 Speaker 1: House Whisper on demand on the iHeart Radio app. Good morning, 3 00:00:10,039 --> 00:00:13,600 Speaker 1: my friend, and welcome home. I am Dean Sharp, the 4 00:00:13,640 --> 00:00:18,400 Speaker 1: house Whisperer, custom home builder, custom home designer, and every 5 00:00:18,440 --> 00:00:22,640 Speaker 1: week your guide to better understanding that place where you live. 6 00:00:23,040 --> 00:00:27,159 Speaker 1: It is a Saturday morning here in southern California. The 7 00:00:27,280 --> 00:00:30,280 Speaker 1: sun is coming up. I don't think it's fully up yet, 8 00:00:30,280 --> 00:00:33,440 Speaker 1: but the sky is bright. It's a little on the 9 00:00:33,479 --> 00:00:36,760 Speaker 1: cool side, which I'm glad. It was a shock. We 10 00:00:36,760 --> 00:00:39,600 Speaker 1: were in Bozeman, Montana, like I was saying earlier in 11 00:00:39,640 --> 00:00:44,600 Speaker 1: the show, this last week. High's in the thirties, low's 12 00:00:44,720 --> 00:00:49,400 Speaker 1: in the upper teens, and then came home to eighty 13 00:00:49,440 --> 00:00:57,040 Speaker 1: four degrees. Yeah, so I'm glad it's cooling back off again. 14 00:00:57,160 --> 00:01:00,040 Speaker 1: I am a Southern California boy. I'm not complaining about that. 15 00:01:00,560 --> 00:01:04,120 Speaker 1: I'm just saying that was that was a big shift. 16 00:01:04,280 --> 00:01:07,760 Speaker 1: Fifty degrees. That's a big swing right there, big swing. 17 00:01:07,920 --> 00:01:10,679 Speaker 1: So anyway, glad that you're with us this morning. It's 18 00:01:10,680 --> 00:01:12,920 Speaker 1: an all call Saturday morning. The number to reach me 19 00:01:13,920 --> 00:01:17,319 Speaker 1: eight three three two. Ask Dean eight three to three. 20 00:01:17,360 --> 00:01:21,600 Speaker 1: The numeral two, ask Dean, and like every Saturday morning 21 00:01:21,680 --> 00:01:24,039 Speaker 1: are all call show. You get to set the agenda. 22 00:01:24,240 --> 00:01:27,440 Speaker 1: Whatever is going on with your home. Let's talk about it, 23 00:01:27,760 --> 00:01:29,200 Speaker 1: all right. I'm going to go back to the phones. 24 00:01:29,200 --> 00:01:35,119 Speaker 1: I'm going to talk to Dan. Hey Dan, Welcome. 25 00:01:34,760 --> 00:01:41,400 Speaker 2: Home by Hey Dean. I have this beautiful old hardwood 26 00:01:42,840 --> 00:01:49,360 Speaker 2: with brass trim level. It's all that the level bubbles 27 00:01:49,440 --> 00:01:54,920 Speaker 2: are plastered in. I don't know is there a company 28 00:01:55,040 --> 00:01:59,640 Speaker 2: that could restore it to new It's still one bubbles 29 00:01:59,640 --> 00:02:02,960 Speaker 2: still works, but there's like five in it and the 30 00:02:02,960 --> 00:02:06,480 Speaker 2: rest of them, don't you know. Obviously, most levels you 31 00:02:06,520 --> 00:02:08,839 Speaker 2: get you just throw them away when they don't work. 32 00:02:08,840 --> 00:02:12,960 Speaker 2: But this thing is beautiful. It's called an American. That 33 00:02:13,120 --> 00:02:15,480 Speaker 2: is the name brand. It doesn't exist anymore. 34 00:02:15,960 --> 00:02:22,680 Speaker 1: Yeah, yeah, I you know what I am always hesitant 35 00:02:22,720 --> 00:02:26,040 Speaker 1: to say, just because of the nature of my business 36 00:02:26,080 --> 00:02:28,880 Speaker 1: and where I've come from in the world of ultra 37 00:02:28,960 --> 00:02:32,040 Speaker 1: custom everything. I'm hesitant to say that there isn't a 38 00:02:32,080 --> 00:02:36,280 Speaker 1: company out there that would repair that for you. But 39 00:02:37,000 --> 00:02:40,520 Speaker 1: my guess is that no, I don't think there are 40 00:02:40,720 --> 00:02:44,360 Speaker 1: companies who make it their business to repair masonry levels. 41 00:02:44,400 --> 00:02:46,160 Speaker 1: That's what you got there by the way and all 42 00:02:46,240 --> 00:02:49,919 Speaker 1: wood level is what we call a masonry level, and 43 00:02:50,520 --> 00:02:53,840 Speaker 1: they are beautiful. They can be just gorgeous brass stripping 44 00:02:53,919 --> 00:02:58,880 Speaker 1: down the corners, right, oh yeah, beautiful, beautiful hardwood running 45 00:02:58,919 --> 00:03:01,840 Speaker 1: through it. And the other trick is, yeah, a masonry 46 00:03:01,960 --> 00:03:08,200 Speaker 1: level typically the bubbles are are you know, cemented in 47 00:03:08,800 --> 00:03:12,200 Speaker 1: with putty on the edges and uh. And underneath that 48 00:03:12,240 --> 00:03:15,840 Speaker 1: putty is undoubtedly a metal ring or a seal, a 49 00:03:15,919 --> 00:03:19,600 Speaker 1: gasket of sorts that's holding the glass in place for 50 00:03:19,680 --> 00:03:22,480 Speaker 1: the final chamber there. Uh and then so on. I 51 00:03:22,520 --> 00:03:25,280 Speaker 1: will tell you this. I don't know. Here's the thing 52 00:03:25,680 --> 00:03:28,120 Speaker 1: you're saying that the bubbles aren't working on you know, 53 00:03:28,200 --> 00:03:30,280 Speaker 1: four out of five of the bubbles aren't working. But 54 00:03:31,360 --> 00:03:33,480 Speaker 1: when the when the bubbles are working, I do know. 55 00:03:33,919 --> 00:03:35,920 Speaker 1: And it's a long shop. You should check it out. 56 00:03:36,720 --> 00:03:41,960 Speaker 1: Go online and uh search for masonry level repair kits. 57 00:03:42,680 --> 00:03:45,720 Speaker 1: I know there are kits out there. Smith Level. Smith 58 00:03:46,120 --> 00:03:49,840 Speaker 1: Smith is a great masonry level company, a great level company. 59 00:03:50,320 --> 00:03:53,120 Speaker 1: I know that they actually make and sell a repair 60 00:03:53,240 --> 00:03:58,040 Speaker 1: kit for their levels, okay, including the oval glass and 61 00:03:58,160 --> 00:04:01,640 Speaker 1: the putty, uh and the rings. I don't know that 62 00:04:01,680 --> 00:04:05,520 Speaker 1: it's going to fit exactly, but the glass is actually 63 00:04:05,520 --> 00:04:08,080 Speaker 1: the easiest part. I mean, if you're absolutely in love 64 00:04:08,120 --> 00:04:09,960 Speaker 1: with this level, you can go to a glass shop 65 00:04:10,000 --> 00:04:11,800 Speaker 1: and have them cut new glass for you. 66 00:04:12,720 --> 00:04:17,080 Speaker 2: For those What it is is it's it's I said, 67 00:04:17,120 --> 00:04:21,320 Speaker 2: it's gorgeous. You can't, I can't, you know, American, it 68 00:04:21,320 --> 00:04:25,159 Speaker 2: doesn't exist. How do you get it? To make sure 69 00:04:25,440 --> 00:04:28,840 Speaker 2: that it's level? Once you try to get the glass in, 70 00:04:30,400 --> 00:04:30,800 Speaker 2: I mean. 71 00:04:31,279 --> 00:04:35,400 Speaker 1: Yeah, well here's the age old test. You flip it. 72 00:04:36,040 --> 00:04:40,360 Speaker 1: You flip it end to end. Okay, I got a level. 73 00:04:40,760 --> 00:04:43,440 Speaker 1: When it's breeding level, you get it laid out on 74 00:04:43,800 --> 00:04:46,720 Speaker 1: what you hope is a very level surface. Test a 75 00:04:46,880 --> 00:04:50,760 Speaker 1: surface with another functional level. Okay, make sure that the 76 00:04:51,160 --> 00:04:54,359 Speaker 1: level surface that you're on is in fact level. Test 77 00:04:54,440 --> 00:04:59,440 Speaker 1: that with another level, and then then align the bulb 78 00:04:59,800 --> 00:05:03,840 Speaker 1: so so that you're getting a you know, a middle bubble. 79 00:05:04,279 --> 00:05:07,240 Speaker 1: And then to double check it once it's fixed in 80 00:05:07,320 --> 00:05:11,279 Speaker 1: place there temporarily, you flip the level over end to end, 81 00:05:11,560 --> 00:05:14,440 Speaker 1: and if it still reads level in the opposite direction, 82 00:05:14,760 --> 00:05:17,880 Speaker 1: then you know that the bubble is aligned properly with 83 00:05:18,000 --> 00:05:18,400 Speaker 1: the level. 84 00:05:19,520 --> 00:05:23,120 Speaker 2: All right, good advice. Hey have you seen that dual 85 00:05:23,520 --> 00:05:32,880 Speaker 2: scraper cutting tools? You can cut with it like an 86 00:05:32,880 --> 00:05:37,920 Speaker 2: exact non exact a knife, but I can't even think 87 00:05:37,960 --> 00:05:40,440 Speaker 2: of the name of it. You know, the one you 88 00:05:40,520 --> 00:05:45,960 Speaker 2: use to cut drywall. It's a dual. It's very mechanical 89 00:05:47,040 --> 00:05:49,920 Speaker 2: and it cuts, but it also you can use it 90 00:05:49,960 --> 00:05:51,600 Speaker 2: as a scraper when you flip it around. 91 00:05:52,400 --> 00:05:54,480 Speaker 1: I think I know what you're talking about. I think 92 00:05:54,760 --> 00:05:57,200 Speaker 1: I think I know what you're talking about. I'm not 93 00:05:57,279 --> 00:05:59,760 Speaker 1: a drywall or so I'm not up on all of 94 00:05:59,760 --> 00:06:02,760 Speaker 1: that kind of stuff. But you know, I've said why, why, 95 00:06:02,880 --> 00:06:03,360 Speaker 1: what's up? 96 00:06:04,560 --> 00:06:07,400 Speaker 2: I just wanted to know what your opinion. It looks 97 00:06:07,440 --> 00:06:10,479 Speaker 2: like it's very mechanical because the blade will slip around, 98 00:06:12,080 --> 00:06:12,520 Speaker 2: right right. 99 00:06:12,720 --> 00:06:17,720 Speaker 1: Yeah, yeah, I've seen drywallers use those before. Oh Honestly, 100 00:06:17,920 --> 00:06:20,559 Speaker 1: I'm not the guy to ask whether that's the best 101 00:06:20,600 --> 00:06:23,480 Speaker 1: tool for that or not. So I would just call, 102 00:06:23,600 --> 00:06:25,680 Speaker 1: you know, literally, when I have a question like that, 103 00:06:25,800 --> 00:06:29,000 Speaker 1: I would just call my drywaller and say, hey, is 104 00:06:29,040 --> 00:06:31,360 Speaker 1: this good? Should I be using this? Or is there 105 00:06:31,400 --> 00:06:34,919 Speaker 1: a better way to go? I love stepping up to 106 00:06:35,000 --> 00:06:38,359 Speaker 1: the old masters and asking guys who really know what 107 00:06:38,400 --> 00:06:42,120 Speaker 1: they're doing with a specific discipline, a building discipline, or 108 00:06:42,160 --> 00:06:44,960 Speaker 1: a craft discipline, what are the tools that I should 109 00:06:45,000 --> 00:06:47,560 Speaker 1: be using for this or should I not be using 110 00:06:47,600 --> 00:06:50,120 Speaker 1: the tool that you're using because that one takes, you know, 111 00:06:50,200 --> 00:06:53,000 Speaker 1: ten thousand hours of mastery. Should I be using the 112 00:06:53,120 --> 00:06:56,440 Speaker 1: baby kindergarten version of that tool to get it safe? 113 00:06:56,520 --> 00:06:58,680 Speaker 1: And so you never know which answer they're going to 114 00:06:58,720 --> 00:07:01,360 Speaker 1: give you, and but I it from them in one 115 00:07:01,400 --> 00:07:03,920 Speaker 1: way or the other. Dan, thanks for your call, Bud. 116 00:07:03,960 --> 00:07:07,359 Speaker 1: Good luck on your level. Dan is very connected to 117 00:07:07,400 --> 00:07:10,920 Speaker 1: this level. I mean he I appreciate that. I appreciate 118 00:07:10,920 --> 00:07:14,560 Speaker 1: a guy who appreciates a good old tool. And so 119 00:07:15,720 --> 00:07:18,560 Speaker 1: as long as as long as you're willing to put 120 00:07:18,560 --> 00:07:20,920 Speaker 1: the effort in, you know, you can probably get it fixed. 121 00:07:20,960 --> 00:07:22,680 Speaker 1: I just don't think there's a company out there that 122 00:07:22,800 --> 00:07:26,720 Speaker 1: does it as a specialty. I can't imagine them staying 123 00:07:26,720 --> 00:07:29,720 Speaker 1: in business because the need is just not that great. 124 00:07:30,640 --> 00:07:34,280 Speaker 1: All right, my friends, when we return more of your 125 00:07:34,320 --> 00:07:38,559 Speaker 1: calls your home. Dean Sharp the house whisper, Dean Sharp, 126 00:07:38,600 --> 00:07:41,640 Speaker 1: the house whisper. Good morning, my friend, thanks for joining 127 00:07:41,680 --> 00:07:46,880 Speaker 1: us on the program. We are spending today enjoying some 128 00:07:47,040 --> 00:07:51,000 Speaker 1: of the melodious tunes from our friend Dick van Dyke, 129 00:07:51,120 --> 00:07:55,640 Speaker 1: who friend to all right, who is celebrating his one 130 00:07:55,760 --> 00:08:00,160 Speaker 1: hundredth birthday today. Happy birthday, Dick. All right, it is 131 00:08:00,160 --> 00:08:02,640 Speaker 1: an all call Saturday morning. I'm so glad that you 132 00:08:02,680 --> 00:08:04,920 Speaker 1: are here. You are setting the agenda of what we're 133 00:08:04,920 --> 00:08:09,440 Speaker 1: talking about today, as always the case with the calls 134 00:08:09,480 --> 00:08:13,960 Speaker 1: here on the program. So let us, without further ado, 135 00:08:14,560 --> 00:08:17,480 Speaker 1: go back to the phones. I want to talk to Richard. Hey, Richard, 136 00:08:17,840 --> 00:08:18,480 Speaker 1: welcome home. 137 00:08:19,920 --> 00:08:21,000 Speaker 3: Hey Dean, how's it going. 138 00:08:21,600 --> 00:08:23,880 Speaker 2: Hey, I've got a design question for you. 139 00:08:24,200 --> 00:08:26,560 Speaker 3: I feel like I'm an alumni of the Dean Sharp 140 00:08:26,640 --> 00:08:29,000 Speaker 3: School of Design, and this is something you've talked about 141 00:08:29,000 --> 00:08:33,240 Speaker 3: a lot base boards in your seven percent rule. Yeah, However, 142 00:08:33,320 --> 00:08:35,560 Speaker 3: the only thing I've the only thing I've never heard 143 00:08:35,559 --> 00:08:37,959 Speaker 3: you talk about is and I've got a situation right 144 00:08:38,000 --> 00:08:41,520 Speaker 3: now where I've got a vaulted master, a normal eight 145 00:08:41,559 --> 00:08:44,800 Speaker 3: foot hall and bathrooms, and then I've got a vaulted 146 00:08:44,840 --> 00:08:47,400 Speaker 3: living room, dining room, and kitchen. So we've got eight 147 00:08:47,400 --> 00:08:50,880 Speaker 3: foot ceilings and fifteen foot What are you do in 148 00:08:50,880 --> 00:08:51,360 Speaker 3: that case? 149 00:08:51,800 --> 00:08:54,520 Speaker 1: Ah, that's a really good question. You're right. I may 150 00:08:54,559 --> 00:08:59,559 Speaker 1: not have ever addressed the differentials before, so all right, 151 00:08:59,600 --> 00:09:02,360 Speaker 1: so just set some context for what Richard's talking about 152 00:09:03,160 --> 00:09:07,800 Speaker 1: here at the Dean Sharp School of design. We are 153 00:09:08,480 --> 00:09:14,200 Speaker 1: strong proponents of tall base boards for your home. It's 154 00:09:14,280 --> 00:09:17,440 Speaker 1: just one of those things that the vast majority of 155 00:09:17,480 --> 00:09:22,120 Speaker 1: homes have baseboards that are puny and too small, too 156 00:09:22,120 --> 00:09:24,560 Speaker 1: small for the room. What is too small? Well, we've 157 00:09:24,600 --> 00:09:27,000 Speaker 1: talked about this, the seven percent rule. Now, this is 158 00:09:27,040 --> 00:09:30,319 Speaker 1: a general I even hesitate to call it a rule. 159 00:09:30,360 --> 00:09:33,960 Speaker 1: It's a general guideline. But it works that the height 160 00:09:34,040 --> 00:09:37,920 Speaker 1: of a base board in a room can easily be, 161 00:09:38,160 --> 00:09:41,640 Speaker 1: and probably should be, a minimum of seven percent of 162 00:09:41,679 --> 00:09:44,400 Speaker 1: the height of the wall itself. Now what does that mean. 163 00:09:44,480 --> 00:09:48,560 Speaker 1: It means that for an eight foot ceiling, okay, the 164 00:09:48,640 --> 00:09:52,600 Speaker 1: lowest of standard home ceilings, for an eight foot ceiling, 165 00:09:52,640 --> 00:09:55,880 Speaker 1: we're talking about a baseboard that is pushing seven inches 166 00:09:56,120 --> 00:09:59,520 Speaker 1: in height. And some of you are gasping, like, oh, 167 00:09:59,720 --> 00:10:03,120 Speaker 1: that it's incredibly tall. No, it's not. It's not. Believe me, 168 00:10:03,720 --> 00:10:06,920 Speaker 1: my little cottage that I live in the vast majority 169 00:10:06,960 --> 00:10:08,680 Speaker 1: of these areas, and this is where I'm getting to 170 00:10:08,760 --> 00:10:13,240 Speaker 1: your answer, Richard, most of my home still eight foot ceiling. 171 00:10:13,280 --> 00:10:17,800 Speaker 1: I have no choice because of attic requirements up above 172 00:10:18,040 --> 00:10:20,840 Speaker 1: and where the HVAC unit is in the attic and 173 00:10:20,880 --> 00:10:22,800 Speaker 1: all of that stuff. I don't have the option of 174 00:10:22,920 --> 00:10:26,600 Speaker 1: vaulting most of the bedrooms and the hallway area in 175 00:10:26,800 --> 00:10:29,360 Speaker 1: my little house because my roof pitch is not too 176 00:10:29,400 --> 00:10:33,920 Speaker 1: heavy and so I just don't have that option. So bedrooms, hallway, 177 00:10:34,160 --> 00:10:37,240 Speaker 1: bathrooms all eight foot ceiling. Okay. The house was built 178 00:10:37,320 --> 00:10:40,400 Speaker 1: back in fifty eight, and so we got eight foot ceilings, 179 00:10:40,480 --> 00:10:43,240 Speaker 1: and we have seven and a half inch tall base 180 00:10:43,280 --> 00:10:47,040 Speaker 1: boards throughout that entire area. Nobody gives it a second 181 00:10:47,080 --> 00:10:49,560 Speaker 1: thought except to say when they walk into our home, 182 00:10:49,679 --> 00:10:52,600 Speaker 1: I love your baseboards. I love the way this room feels. 183 00:10:52,960 --> 00:10:57,719 Speaker 1: So yes, tall baseboards. Now the question is do we 184 00:10:57,960 --> 00:11:02,280 Speaker 1: upscale those base boards as we get into even higher areas, 185 00:11:02,600 --> 00:11:08,840 Speaker 1: And only in the most extreme circumstances do I actually 186 00:11:08,880 --> 00:11:13,920 Speaker 1: switch up Richard, Because I personally find a nice seven 187 00:11:14,360 --> 00:11:18,480 Speaker 1: inch base board works just about everywhere, and so you 188 00:11:18,520 --> 00:11:21,520 Speaker 1: don't have to scale down when you go into a 189 00:11:21,559 --> 00:11:24,920 Speaker 1: smaller Obviously, there's no reason to scale down and scaling up. 190 00:11:24,960 --> 00:11:26,920 Speaker 1: And this is why I say the seven percent rule 191 00:11:26,960 --> 00:11:31,160 Speaker 1: has its limits, okay, because, for instance, if we were 192 00:11:31,200 --> 00:11:33,880 Speaker 1: to apply it to a let's say we've got a 193 00:11:35,760 --> 00:11:42,000 Speaker 1: mansion that has a ballroom with thirty foot ceilings in it, Okay, 194 00:11:42,360 --> 00:11:45,080 Speaker 1: does that mean that we put in a twenty four 195 00:11:45,160 --> 00:11:48,600 Speaker 1: inch tall base board. No, we do not, because that 196 00:11:48,720 --> 00:11:52,280 Speaker 1: starts looking really ridiculous. It starts making you feel like 197 00:11:52,320 --> 00:11:55,000 Speaker 1: you're walking in and you're you've been you know, shrunk 198 00:11:55,080 --> 00:11:58,280 Speaker 1: down with the honey, I shrunk the kids things when 199 00:11:58,280 --> 00:12:01,680 Speaker 1: you're walking next to a two foot base So, just 200 00:12:01,720 --> 00:12:04,520 Speaker 1: so you know, the biggest base board that I have 201 00:12:04,679 --> 00:12:11,160 Speaker 1: ever myself designed or specked for any size ceiling whatsoever, 202 00:12:12,040 --> 00:12:16,040 Speaker 1: is just a little over eleven inches. Okay. So, and 203 00:12:16,120 --> 00:12:18,800 Speaker 1: the smallest base board that I prefer to put in 204 00:12:18,840 --> 00:12:23,360 Speaker 1: to any room whatsoever is seven. So the range of 205 00:12:23,440 --> 00:12:27,920 Speaker 1: baseboard that I work in within is seven to eleven 206 00:12:28,000 --> 00:12:33,360 Speaker 1: seven eleven, and that's it. But generally speaking, Oh and 207 00:12:33,400 --> 00:12:35,440 Speaker 1: back to my house. So the living room area of 208 00:12:35,480 --> 00:12:39,000 Speaker 1: my house, which used to be the garage, that is 209 00:12:39,040 --> 00:12:41,160 Speaker 1: an area that I was able to vault. The living 210 00:12:41,240 --> 00:12:44,040 Speaker 1: room and the dining room area that wraps around I 211 00:12:44,080 --> 00:12:46,240 Speaker 1: was able to vault that. So now I've got like 212 00:12:46,320 --> 00:12:49,480 Speaker 1: a total height of a twelve foot ceiling. But the 213 00:12:49,800 --> 00:12:52,600 Speaker 1: important thing is this, it's not the center vault of 214 00:12:52,640 --> 00:12:56,000 Speaker 1: the ceiling, okay, where it goes up to. It's actually 215 00:12:56,000 --> 00:12:58,000 Speaker 1: still the wal height, and the wal height where the 216 00:12:58,080 --> 00:13:01,280 Speaker 1: vault starts is still at eight feet. In other words, 217 00:13:01,280 --> 00:13:03,319 Speaker 1: it starts at eight and then climbs to the middle 218 00:13:03,320 --> 00:13:06,360 Speaker 1: of the room. So relative to the baseboard heights for 219 00:13:06,400 --> 00:13:09,559 Speaker 1: the rest of my house, we're still looking at an 220 00:13:09,559 --> 00:13:14,080 Speaker 1: eight foot high wall there, because then the ceiling, you know, 221 00:13:14,280 --> 00:13:17,000 Speaker 1: it reaches its crease and then heads up. So in 222 00:13:17,040 --> 00:13:19,480 Speaker 1: that situation, I haven't changed. You know, it's just all 223 00:13:19,520 --> 00:13:24,080 Speaker 1: seven inch baseboards throughout. If the wall height was fifteen 224 00:13:24,160 --> 00:13:27,679 Speaker 1: feet tall at that point, then I might up that 225 00:13:27,800 --> 00:13:32,880 Speaker 1: room to you know, eleven inch baseboard, just for a 226 00:13:32,880 --> 00:13:37,120 Speaker 1: little bit more proportion. But I never go over that, okay. 227 00:13:37,200 --> 00:13:41,000 Speaker 3: So in general, consistency is part of that design and 228 00:13:41,760 --> 00:13:44,200 Speaker 3: keep keeping that same flow throughout the building. And I 229 00:13:44,240 --> 00:13:47,040 Speaker 3: do have a the one wall does end in a 230 00:13:47,080 --> 00:13:51,400 Speaker 3: fifteen foot high but it's fifteen foot high ceilings on 231 00:13:51,400 --> 00:13:53,160 Speaker 3: one side and like you said, eight on the other. 232 00:13:53,640 --> 00:13:55,920 Speaker 1: Yeah, yeah, seven and a half. 233 00:13:56,320 --> 00:13:56,520 Speaker 2: Yeah. 234 00:13:56,559 --> 00:13:58,800 Speaker 1: I would default to the shorter of the two as 235 00:13:58,840 --> 00:14:01,200 Speaker 1: long as they're nice and tall, the shorter of the 236 00:14:01,240 --> 00:14:04,760 Speaker 1: tall baseboard heights, and just run with it there, because again, 237 00:14:05,080 --> 00:14:07,840 Speaker 1: there's a point in which if we're just running off 238 00:14:07,880 --> 00:14:10,920 Speaker 1: of the strict percentage that it you know, it just 239 00:14:10,920 --> 00:14:14,600 Speaker 1: gets ridiculous because you know, thirty foot tall wall is 240 00:14:14,640 --> 00:14:18,280 Speaker 1: not going to have a you know, honestly, honestly, if 241 00:14:18,320 --> 00:14:22,760 Speaker 1: we walk into like Notre Dame Cathedral and where we've 242 00:14:22,800 --> 00:14:26,640 Speaker 1: got you know, sixty seventy foot walls. Yeah, if you 243 00:14:26,680 --> 00:14:28,800 Speaker 1: look to the side, you know what's coming up from 244 00:14:28,880 --> 00:14:31,480 Speaker 1: the floor is probably two or three feet tall. But 245 00:14:31,520 --> 00:14:35,400 Speaker 1: that's that's a cathedral and not a warm, cozy space 246 00:14:35,440 --> 00:14:38,640 Speaker 1: that we live in. So you're supposed to walk into 247 00:14:38,640 --> 00:14:43,080 Speaker 1: a cathedral and feel you know, diminutive. But I don't 248 00:14:43,080 --> 00:14:48,600 Speaker 1: want you having a you know, a complex when you 249 00:14:49,040 --> 00:14:51,760 Speaker 1: when you walk into your great room, you're like, the 250 00:14:51,800 --> 00:14:53,680 Speaker 1: one thing about my great room is every time I 251 00:14:53,720 --> 00:14:56,600 Speaker 1: walk in there, I just feel lesser of a person. So, 252 00:14:57,520 --> 00:15:01,320 Speaker 1: you know, a nice tall seven inha baseboard there, especially 253 00:15:01,320 --> 00:15:03,520 Speaker 1: if some of the walls are shorter, it is going 254 00:15:03,560 --> 00:15:05,200 Speaker 1: to work just fine. 255 00:15:05,480 --> 00:15:09,040 Speaker 3: Okay, excellent if you have the time, do you what's 256 00:15:09,080 --> 00:15:12,240 Speaker 3: your default for the thickness of a real simple flat 257 00:15:12,320 --> 00:15:15,920 Speaker 3: profile with a you know, a relief on the upper edge. 258 00:15:16,200 --> 00:15:18,240 Speaker 3: And I want to keep it thick enough obviously to 259 00:15:18,440 --> 00:15:21,280 Speaker 3: capture the tiles so we don't have to screw around 260 00:15:21,280 --> 00:15:23,720 Speaker 3: with any kind of a shoe molding or anything. Do 261 00:15:23,760 --> 00:15:25,800 Speaker 3: you like like five eights or even three quarter? 262 00:15:26,240 --> 00:15:28,920 Speaker 1: Yeah, I like five eighths. Five eighths is usually my 263 00:15:29,040 --> 00:15:32,680 Speaker 1: default thickness there for baseboard, and sometimes I'll go to 264 00:15:32,720 --> 00:15:35,240 Speaker 1: three quarter. You just got to be careful. It's not 265 00:15:35,320 --> 00:15:38,480 Speaker 1: the it's not the floor. I'm worried about. The thickness 266 00:15:38,520 --> 00:15:41,840 Speaker 1: of the baseboard should always be just ever so slightly 267 00:15:41,960 --> 00:15:45,680 Speaker 1: set back from the thickness profile of the doorcasings that 268 00:15:45,680 --> 00:15:48,320 Speaker 1: it's running into. And so a lot of people get 269 00:15:48,480 --> 00:15:51,440 Speaker 1: very excited about putting in three quarter inch thick baseboard 270 00:15:51,480 --> 00:15:56,720 Speaker 1: and find out that it's actually protruding from the casing 271 00:15:56,960 --> 00:16:00,960 Speaker 1: on the door edge. And so make sure that your 272 00:16:01,000 --> 00:16:04,880 Speaker 1: doorcasing stands proud of your baseboard, not the other way around. 273 00:16:06,480 --> 00:16:08,840 Speaker 2: Okay, great, all. 274 00:16:08,800 --> 00:16:13,040 Speaker 1: Right, Richard, Thank you for your call, my friend design question. 275 00:16:13,240 --> 00:16:16,400 Speaker 1: I eat them up, all right, y'all, More of your 276 00:16:16,440 --> 00:16:19,640 Speaker 1: calls when we return. You are Home with Dean Sharp 277 00:16:19,840 --> 00:16:20,720 Speaker 1: the House Whisper. 278 00:16:21,840 --> 00:16:25,160 Speaker 3: You're listening to Home with Dean Sharp on demand from 279 00:16:25,280 --> 00:16:26,760 Speaker 3: KFI AM six forty. 280 00:16:28,680 --> 00:16:32,320 Speaker 1: Dean Sharp the House Whisper Here to transform your ordinary 281 00:16:32,360 --> 00:16:36,800 Speaker 1: house into an extraordinary home. Hey, thanks for joining us 282 00:16:36,840 --> 00:16:39,160 Speaker 1: on the program. I'm glad that you are here. I'm here, 283 00:16:39,280 --> 00:16:42,720 Speaker 1: You're here. It's a party. Let's do it. It is an 284 00:16:42,800 --> 00:16:46,480 Speaker 1: all calls Saturday morning. That's what we do on Saturdays 285 00:16:46,520 --> 00:16:49,240 Speaker 1: around here for you early risers who are looking to 286 00:16:49,680 --> 00:16:53,000 Speaker 1: get a jump on whatever it is these weekend projects 287 00:16:53,080 --> 00:16:56,800 Speaker 1: you've got on your list. I just want to remind you, hey, 288 00:16:56,920 --> 00:16:59,200 Speaker 1: rolling into the new year, here, we got lots of 289 00:16:59,240 --> 00:17:02,680 Speaker 1: cool things pa for twenty twenty six, we will be 290 00:17:02,760 --> 00:17:07,760 Speaker 1: doing on our social media, more videos, more little how to's, 291 00:17:08,000 --> 00:17:11,560 Speaker 1: more VIP special features. So I want you to not 292 00:17:11,640 --> 00:17:15,680 Speaker 1: miss out on that. Cruise on over, whatever your favorite 293 00:17:15,680 --> 00:17:18,280 Speaker 1: platform may be, or whether you're on all of them, 294 00:17:18,280 --> 00:17:22,680 Speaker 1: and if you are, shame on you. Whatever your social 295 00:17:22,720 --> 00:17:25,960 Speaker 1: media platform is, cruise on over and find us Home 296 00:17:26,280 --> 00:17:30,400 Speaker 1: with Dean. That's where we are on all all across 297 00:17:30,440 --> 00:17:35,880 Speaker 1: the board, Instagram, Facebook, TikTok X, Home with Dean. Find 298 00:17:35,960 --> 00:17:38,919 Speaker 1: us there. Whenever we post, we try and post across 299 00:17:38,960 --> 00:17:42,680 Speaker 1: all of them all at the same time, and follow 300 00:17:42,760 --> 00:17:44,520 Speaker 1: us while you're there, and that way you won't miss 301 00:17:44,560 --> 00:17:47,919 Speaker 1: out on a single thing that's coming here in twenty 302 00:17:48,040 --> 00:17:51,000 Speaker 1: twenty six, as we continue to help you transform your 303 00:17:51,119 --> 00:17:55,520 Speaker 1: ordinary house into an extraordinary home. All right, it's an 304 00:17:55,520 --> 00:17:57,480 Speaker 1: all call Saturday morning. I want to go back to 305 00:17:57,520 --> 00:18:00,000 Speaker 1: the phones. Let's talk to Henderson. This is my old 306 00:18:00,080 --> 00:18:04,320 Speaker 1: buddy Henderson. Good morning, sir, Good morning. 307 00:18:05,400 --> 00:18:15,240 Speaker 4: I have concrete panel siding at standing around black framed windows. 308 00:18:15,280 --> 00:18:21,360 Speaker 4: But most of the material of the house is palmentto 309 00:18:21,600 --> 00:18:27,440 Speaker 4: riviera with white grout, which is a brown brick with 310 00:18:27,800 --> 00:18:32,600 Speaker 4: like white dusting on it. So that's the whole house. 311 00:18:33,520 --> 00:18:36,240 Speaker 4: But the windows are a black framed windows, and we 312 00:18:36,359 --> 00:18:40,080 Speaker 4: have that concrete panel around the windows. And I was 313 00:18:40,119 --> 00:18:44,399 Speaker 4: just wondering what's a good color to paint right now? 314 00:18:44,480 --> 00:18:48,600 Speaker 4: It's trying, but I was trying to get an idea 315 00:18:48,680 --> 00:18:50,480 Speaker 4: to paint color. 316 00:18:51,040 --> 00:18:55,440 Speaker 1: Oh of course you asked me the sight unseen paint 317 00:18:55,440 --> 00:19:00,080 Speaker 1: color question. You know it is, uh, I. 318 00:19:00,440 --> 00:19:03,160 Speaker 4: Think about some form. I was thinking of some form 319 00:19:03,200 --> 00:19:06,959 Speaker 4: of black, or maybe a gray dark gray to black. 320 00:19:07,400 --> 00:19:10,199 Speaker 1: You know what. I am so glad you said that, 321 00:19:10,359 --> 00:19:12,679 Speaker 1: because I was afraid I was gonna suggest this to 322 00:19:12,760 --> 00:19:14,719 Speaker 1: you and it was going to be too much that 323 00:19:14,760 --> 00:19:17,240 Speaker 1: you weren't gonna have the courage to go in that direction. 324 00:19:17,440 --> 00:19:22,359 Speaker 1: But here's the thing. Palmetto Riviera stone has got it. 325 00:19:22,920 --> 00:19:26,000 Speaker 1: It's got browns in it. It also has a good amount 326 00:19:26,040 --> 00:19:31,160 Speaker 1: of gray as well, and some black backgrounds in it. 327 00:19:31,160 --> 00:19:34,560 Speaker 1: It's kind of like an old slate kind of vibe 328 00:19:34,640 --> 00:19:40,000 Speaker 1: on the brick, and either something very light or very 329 00:19:40,080 --> 00:19:42,520 Speaker 1: dark is what I was going to suggest, and not 330 00:19:42,800 --> 00:19:44,880 Speaker 1: middle of the road. What you don't want to do 331 00:19:45,920 --> 00:19:48,840 Speaker 1: for most when you're matching up against most stones is 332 00:19:48,960 --> 00:19:53,280 Speaker 1: try and find a complimentary tone or a primary tone 333 00:19:53,280 --> 00:19:56,359 Speaker 1: in the stone and go with that as a paint. Now, again, 334 00:19:56,600 --> 00:20:00,840 Speaker 1: for everybody who's listening, every color, every material out there, 335 00:20:00,880 --> 00:20:04,040 Speaker 1: whether it's paint on your house, whether it's stonework, brick 336 00:20:04,760 --> 00:20:09,080 Speaker 1: like Henderson has, or whatever, every color out there has 337 00:20:09,240 --> 00:20:12,000 Speaker 1: a primary color and then it has what we call 338 00:20:12,119 --> 00:20:16,280 Speaker 1: undertones in it. Okay, the primary color. It's almost always 339 00:20:16,320 --> 00:20:19,600 Speaker 1: a mistake to match the primary color. So you've got 340 00:20:19,600 --> 00:20:23,840 Speaker 1: a grayish, you know, kind of a Paul Meto Riviera 341 00:20:23,960 --> 00:20:26,200 Speaker 1: if I remember right. It's kind of modeled. It's got 342 00:20:26,320 --> 00:20:30,600 Speaker 1: kind of smoky, foggy tones all across it, but it 343 00:20:30,600 --> 00:20:34,200 Speaker 1: does have a primary kind of you know, a grayish 344 00:20:34,400 --> 00:20:39,480 Speaker 1: brown tone. Painting the house right next to it grayish 345 00:20:39,520 --> 00:20:43,240 Speaker 1: brown would just make it all muddy. It doesn't allow 346 00:20:43,320 --> 00:20:46,040 Speaker 1: the brick to stand out the house. It just it 347 00:20:46,160 --> 00:20:50,639 Speaker 1: just gets a ball, just like smush mush. So what 348 00:20:50,680 --> 00:20:52,119 Speaker 1: we want to do is we want to create as 349 00:20:52,200 --> 00:20:57,040 Speaker 1: much contrast as possible to accent both the wall color 350 00:20:57,400 --> 00:21:01,439 Speaker 1: and the brick in this case. And the key to 351 00:21:01,520 --> 00:21:05,480 Speaker 1: the contrast is a complimentary color, not the same color 352 00:21:05,560 --> 00:21:10,199 Speaker 1: and the complementary color you decide on Henderson by looking 353 00:21:10,240 --> 00:21:15,760 Speaker 1: for the undertones, by matching an undertone, that secondary undercolor 354 00:21:15,920 --> 00:21:18,640 Speaker 1: in the brick. And here's a quick tip for everybody 355 00:21:18,720 --> 00:21:21,040 Speaker 1: if you're looking to figure out what the undertone of 356 00:21:21,080 --> 00:21:25,159 Speaker 1: a color is. Okay, all you need to do you 357 00:21:25,160 --> 00:21:26,840 Speaker 1: can do this on your phone. You can pull up 358 00:21:27,520 --> 00:21:30,560 Speaker 1: like a color wheel on your phone. You need to 359 00:21:30,600 --> 00:21:36,320 Speaker 1: look at a primary color next to the material that 360 00:21:36,520 --> 00:21:38,560 Speaker 1: is in question. So, in other words, you need to 361 00:21:38,640 --> 00:21:39,080 Speaker 1: pull up. 362 00:21:39,119 --> 00:21:39,280 Speaker 2: Now. 363 00:21:39,320 --> 00:21:44,480 Speaker 1: In terms of materials, it's cyan, magenta, and yellow, okay, 364 00:21:44,880 --> 00:21:48,840 Speaker 1: not RGB. RGB that's for that's you know, red, green, blue. 365 00:21:48,920 --> 00:21:54,719 Speaker 1: That's for emissive colors like televisions, all right, But reflective colors, 366 00:21:54,720 --> 00:21:58,639 Speaker 1: which is everything else just stuff that the sunlight reflects 367 00:21:58,640 --> 00:22:04,240 Speaker 1: off of. It's it's CMYK is the four and that's cyan, 368 00:22:04,800 --> 00:22:10,560 Speaker 1: magenta and yellow or aka red, blue and yellow. Okay, 369 00:22:11,080 --> 00:22:14,200 Speaker 1: if you hold up a primary color one of those three, 370 00:22:15,080 --> 00:22:17,800 Speaker 1: and K stands for black, by the way, that's just black. 371 00:22:18,040 --> 00:22:19,960 Speaker 1: But if you hold up one of those colors next 372 00:22:20,040 --> 00:22:23,920 Speaker 1: to an item, if there's any of that color back 373 00:22:24,080 --> 00:22:28,399 Speaker 1: in there, it'll pop. Suddenly, the material will come forward 374 00:22:28,400 --> 00:22:30,679 Speaker 1: and it will draw it out of all right, So 375 00:22:31,200 --> 00:22:34,600 Speaker 1: it's a it's a designer trick, but it is a 376 00:22:34,880 --> 00:22:39,520 Speaker 1: it's science. You hold up a yellow next to, you know, 377 00:22:39,680 --> 00:22:42,760 Speaker 1: your brick wall, and if there's yellow as an undertone 378 00:22:42,800 --> 00:22:46,240 Speaker 1: in that gray brick wall, suddenly you'll see it, and 379 00:22:46,280 --> 00:22:50,359 Speaker 1: you'll know that something in the cream's cream colored paint, 380 00:22:50,440 --> 00:22:53,719 Speaker 1: if you're going light, will work. Okay, So that's what 381 00:22:53,720 --> 00:22:54,960 Speaker 1: I'm saying. You want to find that. 382 00:22:55,080 --> 00:22:55,280 Speaker 4: Now. 383 00:22:55,320 --> 00:22:58,040 Speaker 1: The Palmetto Riviera brick has got a lot of black 384 00:22:58,080 --> 00:23:01,320 Speaker 1: and ash in it, and I love, I love a 385 00:23:01,359 --> 00:23:05,200 Speaker 1: home that is bold enough Henderson to step up and say, 386 00:23:05,240 --> 00:23:07,920 Speaker 1: all right, we've got this brick work and then the siding, 387 00:23:08,160 --> 00:23:11,080 Speaker 1: we're gonna go dark. We're gonna go dark, and uh 388 00:23:11,600 --> 00:23:17,080 Speaker 1: and strangely enough, it's not broody. It's warm. That dark 389 00:23:17,240 --> 00:23:20,320 Speaker 1: color just warms the house. It just tells you I 390 00:23:20,359 --> 00:23:22,640 Speaker 1: am a safe place and people just want to get 391 00:23:22,680 --> 00:23:26,000 Speaker 1: inside there. So uh yeah, I'm all for it, Henderson. 392 00:23:26,160 --> 00:23:29,560 Speaker 1: Just but do the color trick, okay, because again, there 393 00:23:29,560 --> 00:23:32,840 Speaker 1: are different forms of deep gray charcoal and black. You 394 00:23:32,840 --> 00:23:36,280 Speaker 1: don't want to go black black, okay, because that's that's 395 00:23:36,320 --> 00:23:39,320 Speaker 1: not gonna get you anywhere. But something in the deep 396 00:23:39,480 --> 00:23:43,280 Speaker 1: earthy charcoal, whether it leans brown on the back side 397 00:23:43,280 --> 00:23:46,399 Speaker 1: of it, or it leans a little reddish, you'll be 398 00:23:46,480 --> 00:23:49,160 Speaker 1: able to discover that by using the primary colors. Does 399 00:23:49,200 --> 00:23:49,760 Speaker 1: that make sense? 400 00:23:51,600 --> 00:23:54,280 Speaker 4: It's a I think that makes no difference whether it's 401 00:23:54,280 --> 00:23:58,080 Speaker 4: a black window frame itself or whether, for example, whether 402 00:23:58,080 --> 00:23:58,480 Speaker 4: if it's. 403 00:23:58,320 --> 00:24:01,480 Speaker 1: A white window frame. Yeah, I would say either way. 404 00:24:01,600 --> 00:24:04,359 Speaker 1: But but you've got black window frames. You've got black 405 00:24:04,400 --> 00:24:07,520 Speaker 1: window frames, so uh so you're already halfway there, You're 406 00:24:07,520 --> 00:24:11,440 Speaker 1: already there. Uh So yeah, I would I would side unseen. 407 00:24:11,760 --> 00:24:17,240 Speaker 1: You know, that's always my my my qualification. It sounds 408 00:24:17,280 --> 00:24:19,840 Speaker 1: to me I'd give you this advice over the phone 409 00:24:19,840 --> 00:24:22,680 Speaker 1: here that you know I may I'd may go in 410 00:24:22,840 --> 00:24:25,320 Speaker 1: dark my first priority, see if you can pull that off, 411 00:24:25,359 --> 00:24:27,800 Speaker 1: because I think it would be gorgeous. Henderson, I got 412 00:24:27,800 --> 00:24:31,359 Speaker 1: to go. Thank you for your call. My friend Henderson's 413 00:24:31,440 --> 00:24:33,320 Speaker 1: doing some good work on his house. I will tell 414 00:24:33,320 --> 00:24:37,120 Speaker 1: you that he's called in before. Always poignant questions. The guy. 415 00:24:37,280 --> 00:24:39,879 Speaker 1: He's got his finger on the pulse of it. All right, 416 00:24:39,920 --> 00:24:42,640 Speaker 1: when we return more of your calls. You are home 417 00:24:42,720 --> 00:24:46,840 Speaker 1: with Dean Sharp, the house whisper. Dean Sharp, the house Whisper. 418 00:24:47,880 --> 00:24:50,200 Speaker 1: Thanks for joining us on the program. It's an all 419 00:24:50,320 --> 00:24:53,840 Speaker 1: calls Saturday morning. We're also honoring Dick van Dyke, who 420 00:24:53,840 --> 00:24:57,920 Speaker 1: turned one hundred two day. Happy birthday, Dick van Dyke. 421 00:24:58,560 --> 00:25:01,639 Speaker 1: All right, Uh, we've got just a little bit left 422 00:25:01,680 --> 00:25:04,879 Speaker 1: and we have just burned through, as we always do, 423 00:25:05,080 --> 00:25:08,360 Speaker 1: two hours of show here and I want to get 424 00:25:08,400 --> 00:25:12,399 Speaker 1: to at least one more call. Let's talk to Joyce. Hey, Joyce, 425 00:25:12,920 --> 00:25:13,560 Speaker 1: welcome home. 426 00:25:15,040 --> 00:25:18,800 Speaker 5: Hey Hi. I have a Cape Cod home built in 427 00:25:18,960 --> 00:25:23,080 Speaker 5: nineteen eighty eight and it's about eighteen hundred square feet. 428 00:25:23,760 --> 00:25:27,439 Speaker 5: I now have a pinhole in my hot water pipe 429 00:25:27,960 --> 00:25:32,760 Speaker 5: under the slab in the utility room exud me. I 430 00:25:32,880 --> 00:25:37,840 Speaker 5: now have a choice. It's now being dried with professional equipment. 431 00:25:38,520 --> 00:25:42,600 Speaker 5: My choice is to repipe the whole house with pex 432 00:25:42,720 --> 00:25:47,639 Speaker 5: a or reroute the pipe, and I don't know what 433 00:25:47,840 --> 00:25:51,480 Speaker 5: to do. I am near the ocean and I hear 434 00:25:51,520 --> 00:25:55,959 Speaker 5: that there are problems with pipes near the ocean. So 435 00:25:56,160 --> 00:25:57,560 Speaker 5: what do you suggesting? 436 00:25:58,640 --> 00:26:04,199 Speaker 1: Well, okay, so oh it's a pinhole. And I am 437 00:26:04,280 --> 00:26:08,000 Speaker 1: never going to be the one who's telling somebody that, 438 00:26:08,680 --> 00:26:11,040 Speaker 1: you know, they have to go to an extreme measure 439 00:26:11,359 --> 00:26:16,000 Speaker 1: just because one leak showed up in this situation. However, 440 00:26:16,560 --> 00:26:18,680 Speaker 1: I'm going to give you my best advice because that's 441 00:26:18,720 --> 00:26:22,120 Speaker 1: what you're asking for. If I were in your shoes, 442 00:26:22,720 --> 00:26:26,000 Speaker 1: I would be repiping or planning on repiping the whole 443 00:26:26,000 --> 00:26:31,280 Speaker 1: house in impex a. And here's the reason why the 444 00:26:31,320 --> 00:26:35,479 Speaker 1: house was You said the house was built in eighty eight. Correct, Okay, 445 00:26:35,880 --> 00:26:37,840 Speaker 1: so the house is built in eighty eight, it has 446 00:26:38,480 --> 00:26:43,120 Speaker 1: it has copper piping in it. And that copper piping 447 00:26:43,480 --> 00:26:45,440 Speaker 1: for the first floor. I didn't ask whether it's two 448 00:26:45,480 --> 00:26:47,200 Speaker 1: stories or not, it doesn't matter. But for the first 449 00:26:47,200 --> 00:26:49,959 Speaker 1: floor at least, the copper piping is running underneath the slab. 450 00:26:50,600 --> 00:26:54,520 Speaker 1: And you've got a pinhole leak, and that piping is 451 00:26:54,600 --> 00:26:59,879 Speaker 1: now thirty eight years old. By my calculations, we have 452 00:27:00,000 --> 00:27:03,080 Speaker 1: I've learned Back in the eighties, we were still under 453 00:27:03,080 --> 00:27:07,719 Speaker 1: the belief that copper was forever and it's not. Now. 454 00:27:07,920 --> 00:27:13,520 Speaker 1: The plumbing industry will tell you that copper piping has 455 00:27:13,560 --> 00:27:16,719 Speaker 1: a lifespan of about twenty to twenty five years. Yours 456 00:27:16,800 --> 00:27:20,399 Speaker 1: is thirty eight, okay. And the fact that it's a 457 00:27:20,440 --> 00:27:23,320 Speaker 1: pin hole leak is the most indicative part of this 458 00:27:23,400 --> 00:27:26,800 Speaker 1: whole thing by way of my diagnosis choice. Because if 459 00:27:26,800 --> 00:27:29,320 Speaker 1: this was a trauma leak in other words, there was 460 00:27:29,359 --> 00:27:32,359 Speaker 1: an earthquake and the slab shifted and it broke the 461 00:27:32,400 --> 00:27:35,879 Speaker 1: pipe open, or if this was a leak coming out 462 00:27:36,040 --> 00:27:39,600 Speaker 1: of a fitting, meaning where the two pipes come together, 463 00:27:40,640 --> 00:27:44,080 Speaker 1: in other words, a solder had failed or something like that, 464 00:27:44,080 --> 00:27:46,159 Speaker 1: that would be a different story because that would be 465 00:27:46,280 --> 00:27:49,840 Speaker 1: kind of a mechanical failure in terms of the pipe 466 00:27:49,960 --> 00:27:52,679 Speaker 1: or trauma to the pipe that caused the leak. But 467 00:27:52,800 --> 00:27:57,600 Speaker 1: a pin hole leak in copper, a pinhole is simply 468 00:27:57,720 --> 00:28:01,800 Speaker 1: an indication that became because of mineralization in the water 469 00:28:01,880 --> 00:28:05,400 Speaker 1: and the age of the pipe. Those pipes are wearing 470 00:28:05,600 --> 00:28:11,240 Speaker 1: thin from the inside out, okay. And because they're wearing thin, 471 00:28:11,280 --> 00:28:13,639 Speaker 1: a pinhole leak is literally where the wall of the 472 00:28:13,680 --> 00:28:17,160 Speaker 1: pipe has gotten so thin that now water is oozing 473 00:28:17,200 --> 00:28:20,080 Speaker 1: out of the wall of the pipe. And where there 474 00:28:20,200 --> 00:28:24,800 Speaker 1: is one pinhole leak, there will be another, and another, 475 00:28:25,400 --> 00:28:28,280 Speaker 1: and another and another. And the last thing in the 476 00:28:28,280 --> 00:28:31,520 Speaker 1: world that I would want to tell you is to 477 00:28:31,600 --> 00:28:34,880 Speaker 1: dig up that pipe, open up the concrete, pull back 478 00:28:34,920 --> 00:28:38,760 Speaker 1: the flooring, repair that one leak, which you could do 479 00:28:40,120 --> 00:28:43,480 Speaker 1: and go through all of that hassle, only to have 480 00:28:43,720 --> 00:28:47,600 Speaker 1: in the next year or so another pinhole leak, threatening 481 00:28:47,640 --> 00:28:50,600 Speaker 1: another floor in the house, and doing it all over again. 482 00:28:50,680 --> 00:28:54,360 Speaker 1: And so, in my opinion, once we see a pinhole 483 00:28:54,480 --> 00:28:59,160 Speaker 1: leak occur in copper piping that is way older than 484 00:28:59,400 --> 00:29:03,600 Speaker 1: its life span indicated, then I think it's time to 485 00:29:03,920 --> 00:29:07,360 Speaker 1: just reroute all the plumbing out of the slab and 486 00:29:07,440 --> 00:29:11,400 Speaker 1: go overhead with pecks and you will never have to 487 00:29:11,440 --> 00:29:14,360 Speaker 1: worry about that again. It's more cost upfront to repipe 488 00:29:14,360 --> 00:29:16,840 Speaker 1: the house now, for sure, but if you do that, 489 00:29:17,600 --> 00:29:20,360 Speaker 1: you'll never have to worry about the next failure. And 490 00:29:20,440 --> 00:29:23,400 Speaker 1: there will be, mark my words, there will be a 491 00:29:23,520 --> 00:29:28,040 Speaker 1: next failure of that underground piping. 492 00:29:29,880 --> 00:29:34,120 Speaker 5: Floors drying out professionally, Do I have to tear up 493 00:29:34,160 --> 00:29:37,440 Speaker 5: my hardwood floors and the walls and. 494 00:29:37,480 --> 00:29:41,040 Speaker 1: Everything No, that's the good thing about it is that 495 00:29:41,160 --> 00:29:44,440 Speaker 1: we're not going to remove the copper that's down there. 496 00:29:44,720 --> 00:29:46,800 Speaker 1: We don't have to mess with that. If we're going 497 00:29:46,880 --> 00:29:49,520 Speaker 1: to repipe the house, we don't remove any of it. 498 00:29:49,560 --> 00:29:54,160 Speaker 1: We simply abandon it. We simply abandon it. Now, there 499 00:29:54,160 --> 00:29:57,560 Speaker 1: may be some dry wall work to be done near 500 00:29:57,640 --> 00:30:01,440 Speaker 1: the tops of certain rooms when they're repiping and sending 501 00:30:01,480 --> 00:30:04,680 Speaker 1: stuff in through the top, a little bit of drywall patching, 502 00:30:04,680 --> 00:30:07,280 Speaker 1: but there won't be much there really really won't be much. 503 00:30:07,320 --> 00:30:09,640 Speaker 1: And a good repipe company is going to patch that 504 00:30:09,760 --> 00:30:13,240 Speaker 1: drywall for you. But you don't have to touch the floors. 505 00:30:13,320 --> 00:30:16,480 Speaker 1: That's the expensive stuff. Drywall is pretty cheap to patch up. 506 00:30:16,880 --> 00:30:20,560 Speaker 1: Floor removal that's a mess. And so if your floor 507 00:30:20,600 --> 00:30:23,240 Speaker 1: has not been damaged by it, and it's being dried 508 00:30:23,280 --> 00:30:26,160 Speaker 1: out and you don't see any hardwood reacting or anything 509 00:30:26,240 --> 00:30:28,160 Speaker 1: like that, then no, we don't have to do that. 510 00:30:28,240 --> 00:30:31,160 Speaker 1: And that's why again I'm saying the best thing we 511 00:30:31,240 --> 00:30:35,040 Speaker 1: can do is to go overhead. Now, we're just going 512 00:30:35,120 --> 00:30:37,120 Speaker 1: to abandon those lines. We're not gonna tear them out, 513 00:30:37,200 --> 00:30:39,400 Speaker 1: We're just gonna leave them there. They're gonna do nothing, 514 00:30:39,880 --> 00:30:43,840 Speaker 1: and they won't cause anybody any more problems. Joyce, thank 515 00:30:43,920 --> 00:30:46,560 Speaker 1: you for your call. We are pushed against it. We're 516 00:30:46,560 --> 00:30:50,400 Speaker 1: out of time. Hey, here's a little primer on tomorrow. 517 00:30:50,760 --> 00:30:56,080 Speaker 1: Tomorrow show is happening. We will be broadcasting live. However, 518 00:30:56,520 --> 00:31:00,400 Speaker 1: we're preempted in the LA area by the Chargers game. 519 00:31:00,920 --> 00:31:04,000 Speaker 1: If you are a Chargers fan, that's great news. Tune 520 00:31:04,040 --> 00:31:07,200 Speaker 1: in listen to the Chargers. But if otherwise you weren't 521 00:31:07,280 --> 00:31:10,400 Speaker 1: going to listen to the Chargers play base or play 522 00:31:10,400 --> 00:31:15,160 Speaker 1: football tomorrow morning, you can catch us on the iHeartRadio app. 523 00:31:15,680 --> 00:31:18,440 Speaker 1: By going to our sister station in San Diego, co 524 00:31:18,600 --> 00:31:21,560 Speaker 1: Go listening on the Cogo stream, you'll hear the whole show. 525 00:31:21,640 --> 00:31:23,680 Speaker 1: I'll be live. You can even call in and just 526 00:31:23,960 --> 00:31:28,000 Speaker 1: business as usual. So catch us on co Go tomorrow 527 00:31:28,280 --> 00:31:30,880 Speaker 1: or listen to the Chargers your choice. Just wanted to 528 00:31:30,960 --> 00:31:33,720 Speaker 1: let you know I'll still be here doing the show. 529 00:31:34,040 --> 00:31:37,680 Speaker 1: Good stuff coming all right, y'all, You get out there 530 00:31:37,720 --> 00:31:41,280 Speaker 1: today and take advantage of this beautiful mid December day, 531 00:31:41,520 --> 00:31:45,400 Speaker 1: do something lively in honor of Dick Van Dyke's birthday, 532 00:31:45,640 --> 00:31:49,240 Speaker 1: and get busy building yourself a beautiful life. We'll see 533 00:31:49,240 --> 00:31:54,760 Speaker 1: you tomorrow. This has been Home with Dean Sharp the 534 00:31:54,800 --> 00:31:57,960 Speaker 1: House Whisper. Tune into the live broadcast on KFI AM 535 00:31:58,000 --> 00:32:01,560 Speaker 1: six forty every Saturday morning from six to eight Pacific time, 536 00:32:01,760 --> 00:32:04,840 Speaker 1: and every Sunday morning from nine to noon Pacific time, 537 00:32:05,120 --> 00:32:08,600 Speaker 1: or anytime on demand on the iHeartRadio app