1 00:00:00,480 --> 00:00:03,920 Speaker 1: You're listening to KFI AM six forty on demand. 2 00:00:09,720 --> 00:00:13,440 Speaker 2: Hey, good evening. I'm Chris Merrill. Listen to anytime on 3 00:00:13,480 --> 00:00:16,680 Speaker 2: demand of the iHeartRadio app where evidently if you listen 4 00:00:16,680 --> 00:00:18,520 Speaker 2: to the first hour, you will hear me refer to 5 00:00:18,600 --> 00:00:24,560 Speaker 2: the producer Richie as Ricky Mike Roder. Did you hear 6 00:00:24,560 --> 00:00:29,920 Speaker 2: me say that too? No, George, I didn't. You didn't 7 00:00:29,920 --> 00:00:33,400 Speaker 2: hear me calling Ricky. 8 00:00:33,440 --> 00:00:36,440 Speaker 3: I was I was doing something different. I was I 9 00:00:36,479 --> 00:00:38,239 Speaker 3: was paying attention to something interesting. 10 00:00:38,840 --> 00:00:50,600 Speaker 2: That's fair. You like that? Yeah, yeah, that's fair. I 11 00:00:50,720 --> 00:00:53,519 Speaker 2: just hate that I never done that. Like, Richie and 12 00:00:53,560 --> 00:00:55,200 Speaker 2: I have worked together a couple of times in the past, 13 00:00:55,200 --> 00:00:58,440 Speaker 2: but it's been a while. I'm sorry. Who Yeah, Ricky, Ricky, 14 00:00:59,440 --> 00:01:02,240 Speaker 2: we worked together a couple of times. Clearly who was 15 00:01:02,360 --> 00:01:04,920 Speaker 2: meaningful to you? No, But I'm like, how did I 16 00:01:04,959 --> 00:01:07,120 Speaker 2: screw that up? Like, sometimes you work with somebody and 17 00:01:07,280 --> 00:01:09,520 Speaker 2: you know you haven't worked with him before you and 18 00:01:09,600 --> 00:01:11,880 Speaker 2: you do, you know whatever, it is just click in 19 00:01:11,920 --> 00:01:13,760 Speaker 2: your mind. But Ritchie and I have worked together enough, 20 00:01:13,760 --> 00:01:15,520 Speaker 2: and I've listened to Richie on other people's shows and 21 00:01:15,520 --> 00:01:18,840 Speaker 2: stuff like that, you know, I feel like I'm close 22 00:01:18,880 --> 00:01:22,000 Speaker 2: enough to Richie I shouldn't have boned it up. You know, 23 00:01:22,120 --> 00:01:25,960 Speaker 2: he is an award winning producer. Of course he is 24 00:01:27,200 --> 00:01:30,640 Speaker 2: very good. Yeah, Sam, can you can you find that? 25 00:01:30,680 --> 00:01:32,720 Speaker 2: Are you sure? I still don't think I called him? 26 00:01:33,120 --> 00:01:35,399 Speaker 2: In my mind? No way did it happen. But I 27 00:01:35,440 --> 00:01:38,280 Speaker 2: have done this before, and I've been dead wrong and 28 00:01:38,319 --> 00:01:40,680 Speaker 2: I've pulled tape and then I'm almost double embarrassed. 29 00:01:41,480 --> 00:01:43,880 Speaker 4: Well, you know me, I'm very good with research, and 30 00:01:43,959 --> 00:01:47,600 Speaker 4: I jumped right on it to verify, would you, because 31 00:01:47,920 --> 00:01:51,600 Speaker 4: I had to? And oh you here, here we go, 32 00:01:51,880 --> 00:01:52,240 Speaker 4: here we go? 33 00:01:52,800 --> 00:01:57,400 Speaker 2: Right? Did Richie skip out yet? I? Huh? Did Richie skip? 34 00:01:58,920 --> 00:02:02,760 Speaker 2: Richie skip out? I did not Rickie skip out yet? 35 00:02:04,080 --> 00:02:05,880 Speaker 2: Did Richie skip out yet? I can't see him there 36 00:02:05,920 --> 00:02:08,600 Speaker 2: was I can't see his camera. He's running back in 37 00:02:08,919 --> 00:02:13,359 Speaker 2: shows mine. Did Richie skip out yet? 38 00:02:15,440 --> 00:02:16,200 Speaker 1: Yes? 39 00:02:18,160 --> 00:02:23,280 Speaker 2: Yes? And you realize that, Oh this is even sweeter 40 00:02:23,600 --> 00:02:28,359 Speaker 2: because Richie misheard me. I did not misspeak, which honestly, god, 41 00:02:28,360 --> 00:02:30,040 Speaker 2: there was about a ninety percent chance it was me. 42 00:02:30,320 --> 00:02:33,160 Speaker 2: But he misheard it. And then what did he do? 43 00:02:33,600 --> 00:02:40,880 Speaker 2: He called me Bill? He called me bill? You know 44 00:02:40,880 --> 00:02:42,400 Speaker 2: what I mean? Next time I see Richie who had 45 00:02:42,400 --> 00:02:43,600 Speaker 2: to leave because they had to go to a party. 46 00:02:43,880 --> 00:02:47,400 Speaker 2: Next time I see Ricky, I am going, I'm gonna 47 00:02:47,720 --> 00:02:50,359 Speaker 2: I'm gonna give him bill. I'm gonna I'm gonna wash 48 00:02:50,400 --> 00:02:53,080 Speaker 2: his mouth out with zelmons. That's what I'm gonna do. 49 00:02:54,240 --> 00:02:56,680 Speaker 2: Shove his Zelmans in there, and you get it all 50 00:02:57,919 --> 00:03:01,239 Speaker 2: minty in his mouth until it explode. Oh, the juice 51 00:03:01,320 --> 00:03:06,680 Speaker 2: is clean as dirty mouth out. That's what I would 52 00:03:06,680 --> 00:03:07,239 Speaker 2: have do to him. 53 00:03:07,240 --> 00:03:10,800 Speaker 3: Well, before you jump down his neck there, I just 54 00:03:10,840 --> 00:03:13,160 Speaker 3: have one question for you, Charles. Have you. 55 00:03:14,800 --> 00:03:16,720 Speaker 2: Have you ever you were going through all of them? 56 00:03:16,760 --> 00:03:18,480 Speaker 2: You're like, am I going to go with chip? Am? 57 00:03:18,520 --> 00:03:22,400 Speaker 2: I gonna go? Never mind? Forget it? I give up. 58 00:03:25,160 --> 00:03:27,600 Speaker 2: All right, we'll get to Marty's news here coming up 59 00:03:27,600 --> 00:03:30,320 Speaker 2: in just a few more minutes. Okay, this's a this 60 00:03:30,360 --> 00:03:33,200 Speaker 2: could be a fun game. I do think we should 61 00:03:33,200 --> 00:03:35,000 Speaker 2: call him Ricky from now on. I think he accidentally 62 00:03:35,000 --> 00:03:37,640 Speaker 2: just gave himself a nickname, like maybe he heard it 63 00:03:37,680 --> 00:03:41,040 Speaker 2: because he wanted to be called Ricky. So maybe that's 64 00:03:41,040 --> 00:03:43,680 Speaker 2: what we're going with. But see if I can find 65 00:03:43,720 --> 00:03:45,840 Speaker 2: some Taladiga Knight's cuts or something to use every time 66 00:03:45,880 --> 00:03:48,360 Speaker 2: he speaks, it'll be fun. Do you really want to 67 00:03:48,440 --> 00:03:52,080 Speaker 2: escalate this? I mean, I got nothing to lose, you know, 68 00:03:52,360 --> 00:03:54,880 Speaker 2: because Sam's the one at the control board. That's true. 69 00:03:55,040 --> 00:03:58,480 Speaker 2: You make a good point. Maybe Sam is like, okay, boys, 70 00:03:58,520 --> 00:04:00,080 Speaker 2: that's enough. Yeah, I'm not sure what side he is 71 00:04:00,120 --> 00:04:00,560 Speaker 2: going to take. 72 00:04:02,200 --> 00:04:06,080 Speaker 4: Hey, I'm a fair arbiter. I wear referee jersey. That is, 73 00:04:06,960 --> 00:04:08,480 Speaker 4: I blow whistles, I throw flags. 74 00:04:09,520 --> 00:04:15,120 Speaker 2: Sam is I mean that he is a referee professionally figuratively? 75 00:04:15,480 --> 00:04:18,279 Speaker 4: Yeah, yeah, that's what he does. I sit between couples 76 00:04:18,720 --> 00:04:22,360 Speaker 4: while they argue, and then he helps them figure it out. Oh, yes, 77 00:04:23,040 --> 00:04:25,760 Speaker 4: it's very good. No, that actually, that is my specialty. 78 00:04:26,000 --> 00:04:28,159 Speaker 4: Is one of my specialties is working with couples that 79 00:04:28,200 --> 00:04:28,960 Speaker 4: are falling apart. 80 00:04:29,240 --> 00:04:29,400 Speaker 1: Yeah. 81 00:04:29,440 --> 00:04:31,360 Speaker 2: Which, by the way, I've got a story coming up 82 00:04:31,360 --> 00:04:33,440 Speaker 2: here near the end of the hour. I hope we 83 00:04:33,480 --> 00:04:35,280 Speaker 2: have a chance to get to it, because there's a 84 00:04:36,520 --> 00:04:38,799 Speaker 2: there's another study that just came out. I love studies 85 00:04:39,640 --> 00:04:42,240 Speaker 2: because it gives me something to talk about. And the 86 00:04:42,320 --> 00:04:45,680 Speaker 2: study is right up your alley. It is right up 87 00:04:45,680 --> 00:04:49,240 Speaker 2: your alley. And according to this study, I am way 88 00:04:49,279 --> 00:04:52,839 Speaker 2: too nice to my wife. So I'm really curious about 89 00:04:52,839 --> 00:04:54,600 Speaker 2: your your take on that. So that's coming up here 90 00:04:54,600 --> 00:04:56,920 Speaker 2: in just a little bit. Uh, if you have been 91 00:04:56,920 --> 00:04:58,960 Speaker 2: to Vegas late. I think I talked about this yesterday. 92 00:04:59,000 --> 00:05:02,120 Speaker 2: To Vegas is just deed, man. Uh, when I was 93 00:05:02,160 --> 00:05:04,360 Speaker 2: there in August anyway, there's just not a whole lot 94 00:05:04,440 --> 00:05:07,000 Speaker 2: going on. And and it's not it's not like the 95 00:05:07,040 --> 00:05:10,240 Speaker 2: streets are empty, but it's it just was not popping 96 00:05:10,360 --> 00:05:13,320 Speaker 2: like it has been in the past, and so it 97 00:05:13,360 --> 00:05:15,680 Speaker 2: was it was kind of sad. But if if going 98 00:05:15,720 --> 00:05:18,279 Speaker 2: to Vegas to blow all of your money was you know, 99 00:05:18,320 --> 00:05:21,080 Speaker 2: your weekend plan, you may not have to go so 100 00:05:21,240 --> 00:05:25,680 Speaker 2: far because I guess we're We've got another giant, monstrous 101 00:05:25,760 --> 00:05:30,679 Speaker 2: casino opening in Kerrent County, hard Rock Casino te hoone 102 00:05:31,640 --> 00:05:35,440 Speaker 2: opening November three, the first full scale casino Kern County. 103 00:05:36,160 --> 00:05:38,640 Speaker 2: So the uh, the tribe is opening. This a six 104 00:05:38,680 --> 00:05:44,359 Speaker 2: hundred million dollar development. They say it's enough space to 105 00:05:44,480 --> 00:05:48,720 Speaker 2: rival places like mega casinos like the MGM Grand Blagio 106 00:05:48,800 --> 00:05:52,120 Speaker 2: Aria Mandalay Bay. So it's gonna house more than two 107 00:05:52,120 --> 00:05:57,840 Speaker 2: thousand slot machines, live table game. That sounds good. That's it. Hey, Hey, hey, hey, 108 00:05:59,160 --> 00:06:01,680 Speaker 2: somebody gets sales on the line. I don't have any 109 00:06:01,960 --> 00:06:06,880 Speaker 2: casino endorsements yet. I love hard rock too, man, do 110 00:06:06,960 --> 00:06:11,200 Speaker 2: I love a good hard rock casino. In fact, I 111 00:06:11,200 --> 00:06:13,800 Speaker 2: I love going to Vegas, but man, that drive is 112 00:06:13,880 --> 00:06:15,440 Speaker 2: just such a pain. I wish there were a hard 113 00:06:15,480 --> 00:06:18,599 Speaker 2: rock casino closer to me, maybe something that had all 114 00:06:19,080 --> 00:06:22,120 Speaker 2: all of the excitement of Las Vegas without the drive. 115 00:06:22,600 --> 00:06:29,719 Speaker 2: Like the hard rock casino, we just give up on me. 116 00:06:29,880 --> 00:06:32,720 Speaker 2: What good? That's good? No? No, I love that. That 117 00:06:32,839 --> 00:06:38,520 Speaker 2: was perfect. Mark Rodner is live in the Camfi twenty 118 00:06:38,520 --> 00:06:42,039 Speaker 2: four hour newsroom. Perfect, good evening. I'm Chris MERRILK. I 119 00:06:42,120 --> 00:06:47,599 Speaker 2: am six forty more stimulating talk listen anytime on demand 120 00:06:47,600 --> 00:06:51,360 Speaker 2: the iHeartRadio app. Is it possible PBS could be saved 121 00:06:52,080 --> 00:06:55,800 Speaker 2: by an afro and some happy little clowns? If only 122 00:06:55,839 --> 00:06:58,480 Speaker 2: I had Carson Daly to tell me more about it. Arsily, 123 00:06:58,520 --> 00:07:00,640 Speaker 2: if you ever ever thought, you know, well, I'd really 124 00:07:00,680 --> 00:07:03,599 Speaker 2: like to own one of his paintings, Well your luck, buddy, 125 00:07:03,600 --> 00:07:05,680 Speaker 2: Well we made one of those were similar to that, 126 00:07:05,680 --> 00:07:06,320 Speaker 2: which is a lot of fun. 127 00:07:06,360 --> 00:07:08,320 Speaker 5: They're going up for auction in Los Angeles next month, 128 00:07:08,440 --> 00:07:11,240 Speaker 5: part of a fundraiser for public TV stations. 129 00:07:12,040 --> 00:07:15,280 Speaker 2: Bob Ross paintings going up for auction to see Marina 130 00:07:15,680 --> 00:07:18,160 Speaker 2: Public Radio a public TV. 131 00:07:18,560 --> 00:07:21,440 Speaker 5: The paintings are worth between an estimated eight hundred and 132 00:07:21,440 --> 00:07:27,240 Speaker 5: fifty thousand nearly two million dollars. More auctions will follow online. 133 00:07:26,720 --> 00:07:29,560 Speaker 2: Wow, two million dollars, And. 134 00:07:29,480 --> 00:07:31,200 Speaker 5: In other cities they'll do it, like New York and 135 00:07:31,240 --> 00:07:33,240 Speaker 5: Boston and London too. That'd be a fun thing to 136 00:07:33,240 --> 00:07:34,840 Speaker 5: have hanging in your own if you've got a couple 137 00:07:34,880 --> 00:07:35,320 Speaker 5: of mil. 138 00:07:36,640 --> 00:07:40,040 Speaker 2: Yeah, Hey, thanks for watching, Yeah, thanks for watching. Thanks 139 00:07:40,040 --> 00:07:46,520 Speaker 2: Al Roker. Are the paintings really worth that much money? 140 00:07:47,160 --> 00:07:48,840 Speaker 2: I suppose half the time when you buy a painting, 141 00:07:48,880 --> 00:07:52,240 Speaker 2: you're buying it because of the artists, right, So the 142 00:07:52,720 --> 00:07:56,280 Speaker 2: the original these are the originals from his shows, and 143 00:07:56,320 --> 00:07:59,760 Speaker 2: they are being sold to support public television because of 144 00:07:59,840 --> 00:08:03,040 Speaker 2: the the cuts from the from the federal government. And 145 00:08:03,160 --> 00:08:07,160 Speaker 2: so the question I suppose for a lot of us 146 00:08:07,240 --> 00:08:11,160 Speaker 2: is like, is this gonna save PBS or is this 147 00:08:11,360 --> 00:08:15,320 Speaker 2: just it's a band aid? Right? I mean, yeah, you 148 00:08:15,320 --> 00:08:17,960 Speaker 2: could you could sell the Oh we've sold the art 149 00:08:18,000 --> 00:08:21,360 Speaker 2: and it's we've got I don't know, I don't know 150 00:08:21,400 --> 00:08:23,200 Speaker 2: how much you're gonna make a few million dollars, and 151 00:08:23,200 --> 00:08:24,720 Speaker 2: I think you're probably gonna have some donors are gonna 152 00:08:24,760 --> 00:08:26,600 Speaker 2: run that price up a little bit higher to you're 153 00:08:26,600 --> 00:08:28,560 Speaker 2: gonna have some people that wanted to donate to PBS, 154 00:08:28,560 --> 00:08:31,400 Speaker 2: and this is an opportunity to do that. So, you know, 155 00:08:31,440 --> 00:08:34,000 Speaker 2: they say, anyway from what they say eight fifty to 156 00:08:34,160 --> 00:08:37,640 Speaker 2: two million dollars. So would you be surprised if you 157 00:08:38,160 --> 00:08:40,160 Speaker 2: saw some of these from some wealthy donor go up 158 00:08:40,200 --> 00:08:42,000 Speaker 2: to five million or more and they say, oh, that's 159 00:08:42,040 --> 00:08:50,520 Speaker 2: an original ross. Whatever. Is it possible that what pbs' 160 00:08:50,600 --> 00:08:55,920 Speaker 2: strategy is is not is not long term? Is it 161 00:08:56,040 --> 00:08:59,559 Speaker 2: possible that the band aid is all the higher ups 162 00:08:59,600 --> 00:09:04,960 Speaker 2: at that PBS want? Is it conceivable that PBS is 163 00:09:05,000 --> 00:09:10,040 Speaker 2: hanging on until twenty twenty nine? In their minds, they 164 00:09:10,080 --> 00:09:14,680 Speaker 2: may be thinking, once this president is out of office 165 00:09:16,559 --> 00:09:20,800 Speaker 2: in twenty thirty one, then no, hang on, I gotta 166 00:09:20,800 --> 00:09:23,400 Speaker 2: do the math. I remember. Oh yeah, in twenty twenty nine, 167 00:09:23,440 --> 00:09:26,080 Speaker 2: when he's out of office, maybe we'll have somebody in 168 00:09:26,120 --> 00:09:30,600 Speaker 2: there that will refund us. In fact, maybe what they're 169 00:09:30,640 --> 00:09:34,760 Speaker 2: thinking is if Congress flips control and it's no longer 170 00:09:34,760 --> 00:09:37,560 Speaker 2: the Republicans who who cut PBS as part of the 171 00:09:37,559 --> 00:09:40,760 Speaker 2: Big Beautiful Bill, maybe they'll get some Democrats in there 172 00:09:40,760 --> 00:09:43,080 Speaker 2: that will restore the funding to PBS. So is it 173 00:09:43,160 --> 00:09:48,280 Speaker 2: possible that the Public Broadcast Systems is just thinking, all 174 00:09:48,320 --> 00:09:53,000 Speaker 2: we have to do is fund our stuff shoe string budgets, 175 00:09:54,160 --> 00:09:58,320 Speaker 2: bare minimums. Fund it until twenty six or I guess 176 00:09:58,320 --> 00:10:00,480 Speaker 2: it'd be twenty seven when Congress takes over, and then 177 00:10:00,520 --> 00:10:04,079 Speaker 2: we can get a budget in that that reinserts funding 178 00:10:04,160 --> 00:10:10,079 Speaker 2: for our programming. And then will the president try to 179 00:10:10,600 --> 00:10:13,680 Speaker 2: dicker over the money that will go to PBS because 180 00:10:13,720 --> 00:10:15,360 Speaker 2: it really, in the grand scheme of the budget was 181 00:10:15,360 --> 00:10:18,160 Speaker 2: not very much, but it was very symbolic, and of 182 00:10:18,200 --> 00:10:23,000 Speaker 2: course that was there's tremendous value to the symbolism that it, 183 00:10:23,080 --> 00:10:27,079 Speaker 2: that it conveyed. I have in my mind that's sort 184 00:10:27,120 --> 00:10:35,240 Speaker 2: of their strategy. That's it. Let me see. Yeah, Oh, 185 00:10:35,280 --> 00:10:37,840 Speaker 2: they want to turn it into memberships too. Yeah, they're 186 00:10:37,920 --> 00:10:40,439 Speaker 2: they're really gonna work hard on these membership drives. Oh 187 00:10:40,480 --> 00:10:45,200 Speaker 2: my gosh, wouldn't that be great if they had? I 188 00:10:45,280 --> 00:10:47,480 Speaker 2: got an idea, TBS. I got an idea for you. 189 00:10:48,840 --> 00:10:55,920 Speaker 2: Are you ready for this? Oh? Sometimes sometimes I think 190 00:10:55,920 --> 00:10:59,240 Speaker 2: you guys should wear sunglasses because the brilliance that beams 191 00:10:59,280 --> 00:11:05,119 Speaker 2: from my brain is enough to blind all of southern California. 192 00:11:05,720 --> 00:11:08,520 Speaker 2: If you see a flash of light and you think, oh, 193 00:11:08,559 --> 00:11:12,400 Speaker 2: my god, a bomb went off. Nope, that was just 194 00:11:12,679 --> 00:11:18,520 Speaker 2: brilliance striking me. PBS. You're gonna do your membership drive. 195 00:11:18,559 --> 00:11:22,840 Speaker 2: You're gonna go do your tote bags. Right, you do 196 00:11:22,880 --> 00:11:25,400 Speaker 2: a Willy Wonker kind of deal here, right, So you 197 00:11:25,520 --> 00:11:28,160 Speaker 2: take some Bob Ross's. I don't know if they're gonna 198 00:11:28,160 --> 00:11:29,600 Speaker 2: fit in your toat bags. We'll figure out a way. 199 00:11:29,840 --> 00:11:31,920 Speaker 2: Figure this out, PBS. Maybe it's a maybe it's a 200 00:11:31,920 --> 00:11:35,160 Speaker 2: golden ticket. I don't care. But you're gonna Willy Wonka this, 201 00:11:35,679 --> 00:11:40,120 Speaker 2: and you're gonna put You're gonna put five Bob Ross's 202 00:11:40,360 --> 00:11:45,120 Speaker 2: or vouchers for a Bob Ross in your coat bags. 203 00:11:45,400 --> 00:11:48,320 Speaker 2: And then as people make their donations, they have a 204 00:11:48,480 --> 00:11:53,200 Speaker 2: chance to win a two million dollar Bob Ross painting. 205 00:11:54,120 --> 00:11:57,920 Speaker 4: Oh my gosh, you can sweeten the deal with DVDs 206 00:11:58,080 --> 00:12:00,000 Speaker 4: of Yanni Live at the Acropolis. 207 00:12:00,120 --> 00:12:05,160 Speaker 2: So you can't stop. You're dimming my brilliance. This is 208 00:12:05,480 --> 00:12:07,439 Speaker 2: this is the sort of thing. You realize that when 209 00:12:07,480 --> 00:12:09,640 Speaker 2: I have an idea like this, I get phone calls 210 00:12:09,679 --> 00:12:12,560 Speaker 2: because there are astronomers that believe they've just discovered a 211 00:12:12,559 --> 00:12:16,320 Speaker 2: new star. They go, my god, what is that incredible 212 00:12:17,080 --> 00:12:19,720 Speaker 2: blast of light in the sky We've never seen anything 213 00:12:19,840 --> 00:12:22,760 Speaker 2: like it. There are some kooks that think the aliens 214 00:12:22,800 --> 00:12:26,800 Speaker 2: have come, that's what happens, But no, it's just brilliant, 215 00:12:26,840 --> 00:12:30,520 Speaker 2: striking me. You can learn a lot from Willy Wonka, 216 00:12:30,920 --> 00:12:34,400 Speaker 2: and I think that they should probably lean into that. Honestly. God, 217 00:12:34,400 --> 00:12:39,160 Speaker 2: I've never contributed to PBSNPR before, have you? I never have. 218 00:12:39,280 --> 00:12:42,840 Speaker 2: I'm too cheap, but I watch me watch. I've always 219 00:12:42,840 --> 00:12:44,720 Speaker 2: felt like, why am I using my money from commercial 220 00:12:44,800 --> 00:12:47,240 Speaker 2: radio to support the nonprofit competitor. 221 00:12:47,400 --> 00:12:49,120 Speaker 3: Well, I'm just cheap. It's as simple as that. I 222 00:12:49,360 --> 00:12:52,199 Speaker 3: don't have the extra to throw around. But I watch Frontline, 223 00:12:52,840 --> 00:12:55,600 Speaker 3: but I wait until the episodes are posted on YouTube, 224 00:12:55,800 --> 00:12:57,640 Speaker 3: which really makes me a terrible person. 225 00:12:57,760 --> 00:13:00,400 Speaker 2: I know, it doesn't it makes you normal? Really, I 226 00:13:00,520 --> 00:13:03,960 Speaker 2: was seeing I was shocked. I mean shocked. Do you 227 00:13:04,040 --> 00:13:06,640 Speaker 2: realize I think the number was forty percent of YouTube 228 00:13:06,720 --> 00:13:11,600 Speaker 2: viewing is done on television sets. And I thought YouTube 229 00:13:11,640 --> 00:13:14,080 Speaker 2: viewing was for phones and computers. Oh no, no, I 230 00:13:14,120 --> 00:13:16,679 Speaker 2: have YouTube on my Amazon fire stick. I watch it 231 00:13:16,720 --> 00:13:18,920 Speaker 2: all the time. You do it here? Yeah? See? And 232 00:13:19,160 --> 00:13:21,679 Speaker 2: that blew my mind. I was talking with a guy 233 00:13:21,679 --> 00:13:23,800 Speaker 2: who was giving a presentation about why you know radio 234 00:13:23,840 --> 00:13:26,760 Speaker 2: needs to do more YouTube friendly stuff, and he was 235 00:13:26,840 --> 00:13:29,240 Speaker 2: he was throwing the stats out and I he said, 236 00:13:29,559 --> 00:13:32,120 Speaker 2: it's it's one of the apps that's with all of 237 00:13:32,120 --> 00:13:38,600 Speaker 2: your streaming devices. So it's a Roku, Apple TV, your 238 00:13:38,640 --> 00:13:42,640 Speaker 2: Google what is the Google whatever, the Chrome streamer is whatever, 239 00:13:42,679 --> 00:13:45,760 Speaker 2: that is like all of them, all of the smart TVs, 240 00:13:45,800 --> 00:13:48,760 Speaker 2: they all come with YouTube preloaded. And it was crazy 241 00:13:48,760 --> 00:13:50,920 Speaker 2: to me because that's the first thing I delete. Why 242 00:13:51,080 --> 00:13:54,439 Speaker 2: it's a gold mine because I find it so difficult 243 00:13:54,480 --> 00:13:56,600 Speaker 2: to navigate. And so I was talking to some people 244 00:13:56,640 --> 00:13:58,400 Speaker 2: like you, and I said, how do you do? I said, 245 00:13:58,720 --> 00:14:00,320 Speaker 2: you can't really search on there, right, But it's such 246 00:14:00,320 --> 00:14:04,240 Speaker 2: a pain to search on the YouTube app. And I said, yeah, 247 00:14:04,240 --> 00:14:07,520 Speaker 2: I don't do it because I have subscriptions to different 248 00:14:08,120 --> 00:14:11,840 Speaker 2: you know, people I like, or shows or whatever it is, 249 00:14:12,320 --> 00:14:13,800 Speaker 2: and the you know, it just kind of pops up. 250 00:14:13,840 --> 00:14:15,960 Speaker 2: And they say, it's just like it's just like when 251 00:14:16,000 --> 00:14:17,600 Speaker 2: you go to Amazon Prime or you go to your 252 00:14:17,920 --> 00:14:21,160 Speaker 2: your HBO Max or whatever your streaming services or Hulu whatever, 253 00:14:21,200 --> 00:14:23,160 Speaker 2: and then you just go to your favorite thing. And 254 00:14:23,280 --> 00:14:25,120 Speaker 2: I never got into it that much because all of 255 00:14:25,120 --> 00:14:29,400 Speaker 2: my subscriptions on YouTube are news sites and I use 256 00:14:29,440 --> 00:14:32,960 Speaker 2: it for work, right, So I never I don't go 257 00:14:33,040 --> 00:14:35,600 Speaker 2: down the rabbit holes on YouTube. Oh you don't know 258 00:14:35,600 --> 00:14:36,360 Speaker 2: what you're missing out on. 259 00:14:36,400 --> 00:14:39,040 Speaker 3: The only complaint I have about YouTube is that when 260 00:14:39,040 --> 00:14:41,960 Speaker 3: you watch one thing, suddenly it bombards you with the 261 00:14:42,040 --> 00:14:42,920 Speaker 3: exact same thing. 262 00:14:43,040 --> 00:14:44,120 Speaker 2: The algorithm's got you. 263 00:14:44,400 --> 00:14:47,760 Speaker 3: But you get like old TV shows that are posted 264 00:14:47,840 --> 00:14:53,160 Speaker 3: in their entirety on YouTube movies. It's really seriously gold 265 00:14:53,240 --> 00:14:55,640 Speaker 3: Man all the like late night monologues go right up 266 00:14:55,680 --> 00:14:56,440 Speaker 3: on there right away. 267 00:14:57,240 --> 00:14:59,000 Speaker 2: And that was the example that people have been using 268 00:14:59,040 --> 00:15:01,560 Speaker 2: because what was it six million people watched Kimmel and 269 00:15:01,640 --> 00:15:03,840 Speaker 2: his first show back after the suspension, but it was 270 00:15:03,880 --> 00:15:06,920 Speaker 2: something like twenty four million people watched it on YouTube. Ye, yeah, 271 00:15:07,000 --> 00:15:09,320 Speaker 2: massive number of people on YouTube. My mind. 272 00:15:09,360 --> 00:15:13,600 Speaker 4: You get peep just random people out there making incredible content, 273 00:15:13,880 --> 00:15:17,880 Speaker 4: some like really well made documentaries that I find on there. 274 00:15:17,960 --> 00:15:20,760 Speaker 2: Now that's fascinating. Yeah, I'd be interested in that. Yeah, 275 00:15:20,800 --> 00:15:22,120 Speaker 2: I just don't have the I don't have the I 276 00:15:22,160 --> 00:15:24,680 Speaker 2: don't have the I have the patience to go find 277 00:15:24,720 --> 00:15:26,680 Speaker 2: it because everything I see on YouTube, they all use that. 278 00:15:26,760 --> 00:15:29,120 Speaker 2: I hate the graphics that are popular right now, big graphics, 279 00:15:29,160 --> 00:15:32,160 Speaker 2: lots of arrows. I just hate everything's too busy. I 280 00:15:32,200 --> 00:15:36,000 Speaker 2: don't like it. We're here to simple. Just give me 281 00:15:36,040 --> 00:15:40,560 Speaker 2: a give me a tableau photo. Here's what it is. Boom, 282 00:15:40,640 --> 00:15:43,520 Speaker 2: that's all I want. I don't want. Oh, the world 283 00:15:43,640 --> 00:15:46,120 Speaker 2: is ending. Click here and find out. Blah blah blah blah. 284 00:15:46,160 --> 00:15:48,960 Speaker 2: Everything feels like an infomercial when I start scrolling on them. 285 00:15:49,560 --> 00:15:54,080 Speaker 2: Hate it. Next up in the Grumpy Old Man Show, 286 00:15:55,400 --> 00:15:58,960 Speaker 2: Uh you are? Oh, how about a riddle? How about this? 287 00:15:59,400 --> 00:16:04,080 Speaker 2: What is area than a massive earthquake? You're gonna find 288 00:16:04,080 --> 00:16:06,320 Speaker 2: out next. I'm Chris Merril, k IF I AM six forty. 289 00:16:06,320 --> 00:16:07,640 Speaker 2: We're live everywhere on the iHeart Radio. 290 00:16:08,080 --> 00:16:11,480 Speaker 1: You're listening to KFI AM six forty on demand. 291 00:16:13,680 --> 00:16:15,840 Speaker 2: Hey, good evening, I'm Chris Merril. Remember you can listen 292 00:16:15,880 --> 00:16:20,360 Speaker 2: anytime on demand on the iHeartRadio app. And then, I 293 00:16:20,400 --> 00:16:22,680 Speaker 2: think podcasts are usually found in the mine are always 294 00:16:22,680 --> 00:16:26,880 Speaker 2: found in the like the featured segments or whatever, which ironically, 295 00:16:26,920 --> 00:16:28,840 Speaker 2: if they dig for so, you'll find it at the 296 00:16:28,920 --> 00:16:32,960 Speaker 2: KFI AM six forty dot com. But remember everything's up 297 00:16:32,960 --> 00:16:35,680 Speaker 2: there on the iHeartRadio app. Super easy to use, super 298 00:16:35,720 --> 00:16:38,760 Speaker 2: duper easy. Sam was just the bearer of bad news. 299 00:16:38,800 --> 00:16:45,040 Speaker 2: He's given me a scoring update. I really I'm gonna Oh, okay, 300 00:16:45,240 --> 00:16:50,600 Speaker 2: Phillies eight Dodgers one. Yeah, anybody you check on? Uh 301 00:16:51,240 --> 00:16:55,320 Speaker 2: Tim Conway Jr. I'm sure he's somewhere. 302 00:16:55,400 --> 00:17:00,120 Speaker 4: Anybody heard bank just trying to avoid watching a TV Yeah. 303 00:17:00,160 --> 00:17:05,680 Speaker 2: Kaiser, is that where he is? Everybody seen Tim? He's 304 00:17:05,720 --> 00:17:08,120 Speaker 2: in the er. His heart is not taking this very 305 00:17:08,119 --> 00:17:11,159 Speaker 2: well either is his bank account. I don't know. I 306 00:17:11,160 --> 00:17:13,480 Speaker 2: have no idea, but I know that he's watching this 307 00:17:13,560 --> 00:17:17,080 Speaker 2: very closely. So anyway, looks like this is a Yeah. 308 00:17:17,160 --> 00:17:19,280 Speaker 2: Look there's still in any left. It's the top of 309 00:17:19,280 --> 00:17:21,200 Speaker 2: the eighth. Yeah, there's still They still have two more 310 00:17:21,280 --> 00:17:25,960 Speaker 2: at bats. So stranger things have happened. It's rally time 311 00:17:26,680 --> 00:17:29,520 Speaker 2: it could happen. I asked you a question before we 312 00:17:29,600 --> 00:17:32,320 Speaker 2: went to news with Mark, and that is, what is 313 00:17:32,640 --> 00:17:36,960 Speaker 2: scarier than a massive earthquake? Do you have an idea? 314 00:17:37,040 --> 00:17:38,399 Speaker 2: You have a chance to think about that. You know 315 00:17:38,400 --> 00:17:41,240 Speaker 2: what it is, come up with a solution with an 316 00:17:41,280 --> 00:17:43,560 Speaker 2: answer to the to the riddle. You know what it is? 317 00:17:44,960 --> 00:17:46,360 Speaker 2: Two massive earthquakes. 318 00:17:46,440 --> 00:17:48,439 Speaker 6: Now, we know that the San Andreas fault has a 319 00:17:48,480 --> 00:17:50,479 Speaker 6: northern portion of it and a southern portion of it, 320 00:17:50,520 --> 00:17:53,760 Speaker 6: so it's split up right, and basically researchers don't have 321 00:17:53,760 --> 00:17:55,919 Speaker 6: any connection from northern San Andreas Fault to southern San 322 00:17:55,920 --> 00:17:58,640 Speaker 6: Andreas Fault. But there is another zone up here called 323 00:17:58,640 --> 00:18:03,159 Speaker 6: the Cascadia. Is that this new study says earthquakes that 324 00:18:03,160 --> 00:18:05,920 Speaker 6: have happened up here in this zone. They have evidence, 325 00:18:05,960 --> 00:18:09,040 Speaker 6: they say, to prove has almost immediately triggered an earthquake 326 00:18:09,040 --> 00:18:10,160 Speaker 6: on the San Andreas Fault. 327 00:18:10,400 --> 00:18:14,720 Speaker 2: Now they say, I'm so confused. Okay, the Cascade, the 328 00:18:13,720 --> 00:18:20,600 Speaker 2: Cascadian Faults, those are further nort So there is a 329 00:18:20,720 --> 00:18:24,119 Speaker 2: giant plate that is off the coast of Oregon, and 330 00:18:24,560 --> 00:18:28,320 Speaker 2: there have been This is my youngest son. You guys 331 00:18:28,359 --> 00:18:30,520 Speaker 2: talk about going down rabbit holes on YouTube. My youngest 332 00:18:30,520 --> 00:18:33,800 Speaker 2: son goes down these rabbit holes about geology and earthquakes 333 00:18:33,840 --> 00:18:35,600 Speaker 2: and this sort of stuff. And he says, instead a 334 00:18:35,680 --> 00:18:37,919 Speaker 2: question of if there will be a massive tsunami that 335 00:18:38,040 --> 00:18:41,200 Speaker 2: is going to hit Oregon, It's just might not happen 336 00:18:41,240 --> 00:18:44,440 Speaker 2: in our lifetimes, but it's going to happen because you've 337 00:18:44,440 --> 00:18:46,360 Speaker 2: got plates that are pushing against each other. So now 338 00:18:46,400 --> 00:18:48,040 Speaker 2: what they're basically saying is that we can have a 339 00:18:48,080 --> 00:18:52,840 Speaker 2: massive earthquake that the Cascadian faults that then end up 340 00:18:52,880 --> 00:18:55,560 Speaker 2: triggering the San Andreas fault. 341 00:18:55,960 --> 00:18:59,360 Speaker 6: After thousands of years of studies, they are unearthed, literally 342 00:18:59,400 --> 00:19:03,000 Speaker 6: unearthed day that proves that this is the possibility of happening. 343 00:19:03,040 --> 00:19:03,240 Speaker 2: Now. 344 00:19:03,359 --> 00:19:05,040 Speaker 6: The expert that I spoke with tonight says this is 345 00:19:05,040 --> 00:19:07,800 Speaker 6: a very unique situation and says the author of the 346 00:19:07,840 --> 00:19:10,920 Speaker 6: study isn't afraid to make assumptions and also says that 347 00:19:10,960 --> 00:19:12,960 Speaker 6: this is something that he has been kind of theorizing 348 00:19:13,000 --> 00:19:15,160 Speaker 6: for the last twenty years now. While he does say 349 00:19:15,160 --> 00:19:17,679 Speaker 6: that the evidence in this study does make the idea 350 00:19:18,000 --> 00:19:21,680 Speaker 6: a little bit more we'll say possible here, he does 351 00:19:21,720 --> 00:19:23,320 Speaker 6: say that it's still pretty unlikely. 352 00:19:24,119 --> 00:19:26,280 Speaker 2: Oh yeah, but we thrive on unlikely. 353 00:19:26,359 --> 00:19:27,919 Speaker 7: You know, it would be an oh my gosh event. 354 00:19:28,119 --> 00:19:31,439 Speaker 7: On the other hand, the indications there is not common. 355 00:19:31,640 --> 00:19:34,080 Speaker 7: It wouldn't be the next thing we'd expect to see. 356 00:19:34,119 --> 00:19:38,680 Speaker 7: It's one of those things that could hit and have 357 00:19:39,119 --> 00:19:42,280 Speaker 7: tremendous impact if it's the full extent that he's arguing. 358 00:19:42,560 --> 00:19:46,720 Speaker 7: And so, yeah, it's an oh my gosh event, but 359 00:19:47,440 --> 00:19:48,639 Speaker 7: likely that isn't that high. 360 00:19:48,720 --> 00:19:54,879 Speaker 2: Okay. So, according to the studies studiers, the smarter guys, 361 00:19:55,040 --> 00:19:57,600 Speaker 2: they say that this has happened where You've got the 362 00:19:58,160 --> 00:20:07,600 Speaker 2: Cascadia Mega Thrust, Cascadia Meg Cascadia Mega Thrust. That sounds dirty. 363 00:20:07,920 --> 00:20:11,119 Speaker 2: I feel like it needs more gravitas. How can you 364 00:20:11,160 --> 00:20:19,840 Speaker 2: get more gravity? Cascadia Mega Thrust Mega. 365 00:20:19,920 --> 00:20:21,840 Speaker 3: I think I had that on VHS back in the 366 00:20:22,640 --> 00:20:24,840 Speaker 3: Yeah you did. 367 00:20:27,520 --> 00:20:35,280 Speaker 2: It's not Holmes Cascadia Mega Threat, Cascadia Mega Thrust. WHOA, 368 00:20:36,320 --> 00:20:40,520 Speaker 2: how's that? You're ready for a monster truck show? Mega Thrust? 369 00:20:41,240 --> 00:20:46,160 Speaker 4: Oh yeah, sounds like what's going up against Bigfoot? 370 00:20:46,560 --> 00:20:53,840 Speaker 2: This join us this Sunday, Sunday, Sunday on it's every 371 00:20:53,880 --> 00:20:59,240 Speaker 2: five hundred years than you. Cascadia Mega Thrust. 372 00:21:00,080 --> 00:21:03,080 Speaker 4: I think we're onto something here that sounds like a 373 00:21:03,200 --> 00:21:08,040 Speaker 4: giant suv. Oh my god, the GMC Mega throw. No, 374 00:21:08,119 --> 00:21:09,879 Speaker 4: it would be great if it came out from another company, 375 00:21:09,920 --> 00:21:14,440 Speaker 4: like you know, you know, whether. 376 00:21:14,240 --> 00:21:18,560 Speaker 2: It's off road or off to school, the new Kia 377 00:21:18,800 --> 00:21:27,960 Speaker 2: Mega Thrust. M right, I want one perfect anyway, If 378 00:21:28,000 --> 00:21:32,040 Speaker 2: the Cascadia has a Mega thrust that does end up 379 00:21:32,080 --> 00:21:34,480 Speaker 2: doing this, they say about once every five hundred years, 380 00:21:34,480 --> 00:21:41,520 Speaker 2: and they're they're talking seven to eight magnitude quakes, capable 381 00:21:41,560 --> 00:21:44,160 Speaker 2: of up to nine magnitude quakes. The last time it happened, 382 00:21:44,200 --> 00:21:47,359 Speaker 2: they say it was seventeen hundred and a tsunami recorded 383 00:21:47,359 --> 00:21:51,000 Speaker 2: in Japan. But it happens about once every five hundred years, 384 00:21:51,000 --> 00:21:54,040 Speaker 2: so at least three probable pair of events, they say, 385 00:21:54,040 --> 00:21:58,280 Speaker 2: in the last fifteen hundred years, So it's it's not 386 00:21:58,320 --> 00:22:00,480 Speaker 2: a question of if, but when. And here's it's trouble too. 387 00:22:00,480 --> 00:22:02,640 Speaker 2: When they say, oh, it's a once every five one 388 00:22:02,680 --> 00:22:05,520 Speaker 2: cinema millennia event. How many times have we heard that 389 00:22:05,920 --> 00:22:10,760 Speaker 2: in the last like ten years. The flood in Texas 390 00:22:10,800 --> 00:22:13,440 Speaker 2: that's a once every five hundred year flood, and gotta 391 00:22:13,440 --> 00:22:15,600 Speaker 2: flood and iway once every five hundred years. So you 392 00:22:15,680 --> 00:22:18,200 Speaker 2: got a drought in California that's once every five hundred years, 393 00:22:18,280 --> 00:22:22,040 Speaker 2: just like last year's just like the years before. Stuff's 394 00:22:22,040 --> 00:22:24,840 Speaker 2: happening way too often. So when they say that we're 395 00:22:24,880 --> 00:22:28,679 Speaker 2: about to have a once every five hundred year, men thrust. 396 00:22:29,000 --> 00:22:32,640 Speaker 2: I wouldn't bank on it, you know, being every five 397 00:22:32,680 --> 00:22:35,960 Speaker 2: hundred years. Everything's happening faster now, all right, I gotta 398 00:22:35,960 --> 00:22:41,120 Speaker 2: get advice from our our therapist, because, come to find out, 399 00:22:41,960 --> 00:22:44,399 Speaker 2: it's possible you have been way too nice to your 400 00:22:44,400 --> 00:22:48,680 Speaker 2: wife wives, you have had it way too good. You're 401 00:22:48,680 --> 00:22:51,160 Speaker 2: gonna find out why next. Chris Merril cafi AM six 402 00:22:51,200 --> 00:22:53,480 Speaker 2: forty were live everywhere in the iHeartRadio ABB Mark Ronner 403 00:22:53,600 --> 00:22:57,560 Speaker 2: live from the KFI twenty four hour news room. Oh nice, Hey, 404 00:22:57,600 --> 00:23:00,960 Speaker 2: good evening. I'm Chris Meryl Cafi AM six forty. More 405 00:23:01,200 --> 00:23:07,159 Speaker 2: stimulating talk. We have dead celebrities that are mad. You 406 00:23:07,160 --> 00:23:09,400 Speaker 2: didn't think that was possible. It is. You're gonna find 407 00:23:09,440 --> 00:23:11,840 Speaker 2: out why that is, coming up here after Marx News 408 00:23:12,200 --> 00:23:17,800 Speaker 2: at nine o'clock. So imagine that you are, You're in 409 00:23:17,800 --> 00:23:20,000 Speaker 2: a dating profile, you're picking a business partner right, and 410 00:23:20,040 --> 00:23:24,160 Speaker 2: you're you're always picking the charming, the bold over the quiet, 411 00:23:24,160 --> 00:23:28,679 Speaker 2: the introvert right. Come to find out that being nice 412 00:23:29,240 --> 00:23:33,160 Speaker 2: can actually cost people opportunities in uh, in the in work, 413 00:23:33,720 --> 00:23:39,160 Speaker 2: in relationships, in status. Basically, if you're nice, you're looked 414 00:23:39,160 --> 00:23:43,080 Speaker 2: at as a beta and you don't get picked. Scientists 415 00:23:43,119 --> 00:23:48,479 Speaker 2: now say that nice guys do finish last. Men in 416 00:23:48,760 --> 00:23:54,480 Speaker 2: agreeableness who are high in agreeableness rather are less likely 417 00:23:54,520 --> 00:24:00,600 Speaker 2: to be in relationships than more argumentative men. Extrovert men win. 418 00:24:00,680 --> 00:24:05,040 Speaker 2: Male extraversion predicted greater dating success, a certainness and sociability 419 00:24:05,440 --> 00:24:08,560 Speaker 2: helping men to land partners and anxious men struggle. If 420 00:24:08,600 --> 00:24:13,520 Speaker 2: you if it's a guy who's a neurotic, poorer dating outcomes, well, 421 00:24:13,560 --> 00:24:17,440 Speaker 2: I think that's kind of obvious. Women. However, it doesn't 422 00:24:17,440 --> 00:24:20,840 Speaker 2: matter if a woman is nice or horrible, still equally 423 00:24:20,880 --> 00:24:24,240 Speaker 2: as likely to be in a relationship. Let me turn 424 00:24:24,280 --> 00:24:28,440 Speaker 2: to Sam, who is a therapist and plays on the 425 00:24:28,560 --> 00:24:36,600 Speaker 2: radio for I'm guessing Escape Sam Sanity. Yeah, I appreciate that. 426 00:24:36,680 --> 00:24:40,000 Speaker 2: Let me drag you back into your own health. Have 427 00:24:40,119 --> 00:24:43,760 Speaker 2: you noticed this that nice guys have trouble maintaining relationships? 428 00:24:43,760 --> 00:24:46,840 Speaker 2: I mean, do women? Are women not attracted to nice guys? 429 00:24:46,840 --> 00:24:49,760 Speaker 2: That old adage that this guy's finished last? 430 00:24:50,960 --> 00:24:54,600 Speaker 4: There's something maybe to the part of people liking having 431 00:24:54,600 --> 00:24:56,359 Speaker 4: a fixer up or somebody that they. 432 00:24:56,240 --> 00:24:57,520 Speaker 2: Need to like. 433 00:24:57,680 --> 00:25:00,639 Speaker 4: They see the good in them, but it it's got 434 00:25:00,720 --> 00:25:02,399 Speaker 4: some grime on it, and they want to be the 435 00:25:02,440 --> 00:25:05,800 Speaker 4: one to help clean them up and be the supportive person, 436 00:25:06,320 --> 00:25:06,879 Speaker 4: where a lot of. 437 00:25:06,960 --> 00:25:08,520 Speaker 2: Nice guys they don't. 438 00:25:09,760 --> 00:25:12,159 Speaker 4: Things may start getting boring with nice guys because you 439 00:25:12,160 --> 00:25:14,320 Speaker 4: were talking about, like, you know, introverts and extroverts and 440 00:25:14,359 --> 00:25:16,800 Speaker 4: the differences that they have dating quality wise. It's a 441 00:25:16,840 --> 00:25:20,440 Speaker 4: lot of nice guys who just choose to stay indoors nowadays, So. 442 00:25:20,440 --> 00:25:22,080 Speaker 2: You've got to be broken in order to keep the 443 00:25:22,080 --> 00:25:24,040 Speaker 2: woman around, she has to always have a project. 444 00:25:24,359 --> 00:25:27,440 Speaker 4: Well not necessarily, you don't have to be broken, but 445 00:25:27,760 --> 00:25:32,439 Speaker 4: like there's people tend to like people who stand on 446 00:25:32,600 --> 00:25:38,520 Speaker 4: business more and who aren't just going to, you know, 447 00:25:38,680 --> 00:25:43,000 Speaker 4: bend to the whims of other people. And it's an 448 00:25:43,000 --> 00:25:46,000 Speaker 4: attractive quality when you have someone who's willing to stand 449 00:25:46,000 --> 00:25:49,200 Speaker 4: on their own two feet and be assertive. But there's 450 00:25:49,240 --> 00:25:53,640 Speaker 4: a you know, like there's a line between being assertive 451 00:25:53,800 --> 00:25:56,840 Speaker 4: and being you know, being forcefully assertive and being appropriately 452 00:25:57,320 --> 00:25:59,800 Speaker 4: you know, have like an appropriate level of assertiveness. It's 453 00:25:59,840 --> 00:26:01,520 Speaker 4: a thing that I talk about a lot with my 454 00:26:01,600 --> 00:26:07,320 Speaker 4: clients is assertive assertiveness training. And it's important to know 455 00:26:07,359 --> 00:26:10,639 Speaker 4: how to be appropriately assertive. And the definition of appropriate 456 00:26:10,680 --> 00:26:13,840 Speaker 4: assertiveness is how to ask for your needs to be 457 00:26:14,040 --> 00:26:17,520 Speaker 4: met with the minimal amount of effort possible. 458 00:26:19,119 --> 00:26:21,720 Speaker 2: That's where my that's where my passive aggressionives comes in 459 00:26:23,320 --> 00:26:27,040 Speaker 2: and explain, please, that is the least amount of effort. Well, 460 00:26:27,080 --> 00:26:27,560 Speaker 2: that's the thing. 461 00:26:27,600 --> 00:26:30,719 Speaker 4: If you're going to make it so that you're like 462 00:26:31,960 --> 00:26:34,959 Speaker 4: the if people are noticing that you're barely putting in effort. 463 00:26:35,000 --> 00:26:38,080 Speaker 4: There's a difference between putting in the right level of 464 00:26:38,160 --> 00:26:42,120 Speaker 4: effort to get that need. Well, I'm just stewing. Yeah, yeah, 465 00:26:42,160 --> 00:26:44,520 Speaker 4: that's what I do. And that does that solve anything? 466 00:26:46,240 --> 00:26:48,640 Speaker 2: No, because obviously she's too dense to figure it out. 467 00:26:50,840 --> 00:26:53,639 Speaker 2: What are you stewing over? Like everything? Like, there'll be 468 00:26:53,680 --> 00:26:55,520 Speaker 2: times that, you know, I can't think of it a 469 00:26:55,560 --> 00:26:58,600 Speaker 2: specific now, but it's the old adage about you know, 470 00:26:58,640 --> 00:27:01,480 Speaker 2: it was never really about loading a dishwasher. It was 471 00:27:01,480 --> 00:27:03,800 Speaker 2: always about something else. But I will just I'll be like, hmmm, 472 00:27:04,359 --> 00:27:06,240 Speaker 2: look at the way she loads a dishwasher. Well that's 473 00:27:06,280 --> 00:27:07,760 Speaker 2: how you know what. I'm gonna run it the way 474 00:27:07,760 --> 00:27:09,320 Speaker 2: she loads it and see how she likes it. That's 475 00:27:09,359 --> 00:27:11,600 Speaker 2: what I do. But she's too dumb to figure it out. 476 00:27:11,960 --> 00:27:15,320 Speaker 2: She's like, oh, good, he ran the dishwasher. No, obviously 477 00:27:15,400 --> 00:27:17,720 Speaker 2: I ran that dishwasher so you would see how terrible 478 00:27:17,800 --> 00:27:20,919 Speaker 2: you loaded the dishwasher. But she's like, oh, well, you know, 479 00:27:21,119 --> 00:27:23,000 Speaker 2: he just he ran the dishwasher because he wanted to 480 00:27:23,000 --> 00:27:25,919 Speaker 2: get the dishes done. Why doesn't she pick up on 481 00:27:25,960 --> 00:27:28,000 Speaker 2: my on my pretty obvious hints. 482 00:27:28,200 --> 00:27:31,280 Speaker 4: Why are you giving hints instead of just speaking overtly 483 00:27:31,359 --> 00:27:32,639 Speaker 4: what you want to get done. 484 00:27:33,880 --> 00:27:34,080 Speaker 2: Why? 485 00:27:34,440 --> 00:27:37,399 Speaker 4: Because I was raised from it and I have with 486 00:27:37,440 --> 00:27:39,000 Speaker 4: a lot of people in relationships. 487 00:27:39,000 --> 00:27:42,000 Speaker 2: They bread crumb everything, you know what the whole issue is. 488 00:27:42,040 --> 00:27:45,600 Speaker 2: I just avoid the conflict because my wife doesn't take criticism. 489 00:27:46,200 --> 00:27:48,959 Speaker 2: Nobody wants to be criticized in fairness. Oh yeah, but 490 00:27:49,080 --> 00:27:50,399 Speaker 2: she's not. She's really bad at it. 491 00:27:50,480 --> 00:27:53,840 Speaker 4: But how you deliver the criticism determines what direction it goes. 492 00:27:54,160 --> 00:27:55,880 Speaker 2: I know. But if I'm nice about it, she says, 493 00:27:55,880 --> 00:28:00,560 Speaker 2: I'm weak? Does she call you weak in her mind? See? 494 00:28:00,560 --> 00:28:04,439 Speaker 2: I pick up on that. There's a guy who is 495 00:28:05,520 --> 00:28:08,840 Speaker 2: he calls meself a conflict strategist, which I didn't know 496 00:28:08,920 --> 00:28:11,600 Speaker 2: was a thing, but I guess it is. Really Yeah, 497 00:28:11,720 --> 00:28:14,280 Speaker 2: Ryan Dunlap is his name, and he was on your 498 00:28:14,280 --> 00:28:18,240 Speaker 2: favorite streaming service guy. So it's a YouTube. So he 499 00:28:18,320 --> 00:28:21,120 Speaker 2: was talking about there are consequences of being a nice person. 500 00:28:21,160 --> 00:28:23,199 Speaker 2: I'm curious Sam about your take on whether or not 501 00:28:23,240 --> 00:28:26,720 Speaker 2: he's onto something or if he's fishing. Here here's what 502 00:28:26,760 --> 00:28:28,600 Speaker 2: he said about nice guy's finishing last. 503 00:28:28,840 --> 00:28:33,199 Speaker 8: Do nice guys really finish last? They might, but not 504 00:28:33,240 --> 00:28:35,640 Speaker 8: for the reasons you think, you know, For many people 505 00:28:35,760 --> 00:28:38,880 Speaker 8: niceness isn't rooted in their conviction. It's often rooted in 506 00:28:38,920 --> 00:28:42,200 Speaker 8: their comfort. It's like a performance, a way of keeping 507 00:28:42,200 --> 00:28:44,560 Speaker 8: the peace, avoiding rejection, or maintaining favor. 508 00:28:45,360 --> 00:28:51,680 Speaker 2: That rather nihilistic. Maybe I just want to be nice 509 00:28:51,720 --> 00:28:55,360 Speaker 2: to people. Honestly, I don't know that I want to 510 00:28:55,400 --> 00:28:57,040 Speaker 2: be nice to people as much as I just don't 511 00:28:57,040 --> 00:28:59,400 Speaker 2: want to be mean to people. I don't like the 512 00:28:59,440 --> 00:29:03,800 Speaker 2: way I feel if i'm if I'm grumpy with somebody. 513 00:29:03,640 --> 00:29:06,480 Speaker 8: And when the performance stops working, when the people still 514 00:29:06,480 --> 00:29:10,000 Speaker 8: get hurt or overlooked, their mask cracks, and behind that 515 00:29:10,080 --> 00:29:12,800 Speaker 8: mask is often resentment. You know, a lot of people 516 00:29:12,800 --> 00:29:16,400 Speaker 8: have confused niceness with goodness. But goodness isn't soft, It 517 00:29:16,440 --> 00:29:19,760 Speaker 8: isn't passive. Goodness has a spine, It tells the truth, 518 00:29:20,160 --> 00:29:23,400 Speaker 8: It sets boundaries. Goodness is not always liked, it's not 519 00:29:23,440 --> 00:29:26,080 Speaker 8: always popular, but it is always rooted in what's right. 520 00:29:26,600 --> 00:29:30,120 Speaker 2: Wait a minute, who doesn't like goodness? Sam? 521 00:29:31,000 --> 00:29:33,120 Speaker 4: I'm okay with goodness, but some of the things he 522 00:29:33,240 --> 00:29:36,040 Speaker 4: was talking about ahead of that, I have some questions. 523 00:29:35,640 --> 00:29:38,280 Speaker 2: With Okay, all right, let me continue here, because he 524 00:29:38,320 --> 00:29:39,760 Speaker 2: talks about that mask coming off. 525 00:29:40,120 --> 00:29:42,680 Speaker 8: Now when people feel that acting nice has cost them 526 00:29:42,680 --> 00:29:45,840 Speaker 8: too much. They don't just stop acting nice, they stop 527 00:29:45,920 --> 00:29:50,000 Speaker 8: being good. They've become cold, selfish, sometimes even hostile. 528 00:29:50,560 --> 00:29:53,000 Speaker 4: That feels like a broad generality, it does. It sounds 529 00:29:53,040 --> 00:29:54,720 Speaker 4: like that might be his reaction to it. 530 00:29:55,200 --> 00:29:58,400 Speaker 8: Okay, not because they've matured, but because their ego couldn't 531 00:29:58,440 --> 00:30:01,160 Speaker 8: handle the cost of pretending to be nice. You know, 532 00:30:01,200 --> 00:30:03,640 Speaker 8: it's one thing to effectively defend yourself and stand up 533 00:30:03,680 --> 00:30:06,640 Speaker 8: for yourself. It's something entirely different to go on the 534 00:30:06,640 --> 00:30:08,160 Speaker 8: attack and to become an aggressor. 535 00:30:09,120 --> 00:30:12,280 Speaker 2: I mean, I agree with that last clause, but I 536 00:30:12,280 --> 00:30:14,760 Speaker 2: don't know that it matches up with I feel like 537 00:30:14,760 --> 00:30:17,000 Speaker 2: he's really assuming that if you're if you're not getting 538 00:30:17,000 --> 00:30:18,360 Speaker 2: what you want as a nice guy, then you're gonna 539 00:30:18,360 --> 00:30:19,680 Speaker 2: try to be a bad guy. And that sounds like 540 00:30:19,680 --> 00:30:22,840 Speaker 2: a really thin plot on a bad rom com. 541 00:30:22,920 --> 00:30:26,680 Speaker 4: Well, it's also like your kindness is only contingent on 542 00:30:26,880 --> 00:30:29,720 Speaker 4: that some on the idea that somebody is going to 543 00:30:30,600 --> 00:30:34,040 Speaker 4: take effort to reach out and meet your needs. And transactional, right, yeah, 544 00:30:34,320 --> 00:30:37,600 Speaker 4: everything has become transactional in that it's like, okay, well, 545 00:30:37,640 --> 00:30:39,280 Speaker 4: as long as I do this, as long as I'm 546 00:30:39,280 --> 00:30:41,720 Speaker 4: a good person, then my needs are gonna be totally 547 00:30:41,760 --> 00:30:44,040 Speaker 4: met within a relationship, and. 548 00:30:43,680 --> 00:30:45,520 Speaker 2: If they're not, I'm gonna get I'm gonna turn into 549 00:30:45,560 --> 00:30:45,960 Speaker 2: a jerk. 550 00:30:46,120 --> 00:30:50,520 Speaker 4: Relationships take a lot more work than just being nice. 551 00:30:50,720 --> 00:30:52,880 Speaker 2: Oh yeah, Plus, I feel like you have to you 552 00:30:52,920 --> 00:30:56,440 Speaker 2: have to. I feel like niceness comes from within. Yeah. 553 00:30:56,560 --> 00:30:58,760 Speaker 4: I mean if if somebody breaking up with you or 554 00:30:58,760 --> 00:31:01,080 Speaker 4: breaking your heart makes you all of a sudden not 555 00:31:01,160 --> 00:31:04,400 Speaker 4: a nice person, or he changes you into somebody who's 556 00:31:04,960 --> 00:31:09,280 Speaker 4: broken and jaded and angry, it's like, yeah, no, at 557 00:31:09,280 --> 00:31:12,600 Speaker 4: that point, the problem becomes you because at that point, 558 00:31:12,640 --> 00:31:15,040 Speaker 4: you're now a slave to that one memory. 559 00:31:15,800 --> 00:31:18,240 Speaker 2: Yeah, and not what I should be a slave to, 560 00:31:18,280 --> 00:31:19,800 Speaker 2: which is my out of control ego. 561 00:31:20,200 --> 00:31:23,880 Speaker 4: Well yeah, obviously, but no, if people are gonna just 562 00:31:24,000 --> 00:31:27,719 Speaker 4: allow that moment to happen, then you're basically handing whoever 563 00:31:27,760 --> 00:31:30,120 Speaker 4: it is that broke your heart the keys to your 564 00:31:30,160 --> 00:31:33,560 Speaker 4: emotional car, and you're gonna let them control wherever, whatever 565 00:31:33,600 --> 00:31:35,520 Speaker 4: direction it goes. If they want to drive it into 566 00:31:35,600 --> 00:31:38,320 Speaker 4: a ditch, you emotionally are gonna let them drive it 567 00:31:38,360 --> 00:31:39,080 Speaker 4: into that ditch. 568 00:31:39,200 --> 00:31:41,680 Speaker 2: So I think what we've learned here is be careful 569 00:31:41,680 --> 00:31:44,520 Speaker 2: when you're trying to get advice from YouTube for free. 570 00:31:44,920 --> 00:31:49,960 Speaker 2: So yeah, just yeah, exercise extraordinary caution there there are 571 00:31:50,120 --> 00:31:53,520 Speaker 2: a number of dead celebrities who are very upset right now. 572 00:31:54,520 --> 00:31:57,800 Speaker 2: You thought it was impossible, come to find out, Nope, 573 00:31:58,160 --> 00:32:01,320 Speaker 2: AI says, So that's next. Chris Merril kfi AM six 574 00:32:01,360 --> 00:32:04,040 Speaker 2: forty live everywhere in the iHeartRadio. 575 00:32:03,440 --> 00:32:06,760 Speaker 1: App, kf I AM six forty on demand. 576 00:32:10,160 --> 00:32:10,200 Speaker 3: H